I Bless The Day

Page 1

*Grace notes should be played quite subtlely (and omitted if they cause the player stress.) They always resolve to the note a step above them, and are meant to be played on the beat, like a Classical appoggiatura. The effect should be equivalent to a fiddle "hammer on" played simultaneously with an adjacent open string. So, all chord tones other than the resolving note should be played on the beat.

In m. 2, for example, the A and D should both be played on the beat, with the A resolving to the B a sixteenth after. In m. 14, the E and A should be played on the beat, with the E resolving to the F# a sixteenth after. In m. 18, the B grace note resolves to the C#, so the A, B, and E should all be played on the beat, with the resolving C# replacing the B a moment after.

    Copyright © 2007 by Shawn Kirchner Publishing. Licensed copies available through www.ShawnKirchner.com Solo Violin S A Piano p With warm soulfulness and gratitude q = c. 88 mp I blesstheday that p p Ididseetheglorious-lightofliber-ty,- thedaywhen 7           3 3
Anonymous
Shaker Song arr. Shawn Kirchner I B L E S S T H E D A Y    3 3  *  3 3 
3 3    3 3    3 3 3  3 3 3 3                                                                                                                                                                                                       PERUSAL ONLY
    Imysin confessed,-thedaywhenI mysin confessed15 mp 22 andinmysoulfoundpeaceand rest.   3 3   3 3 3 3  3 3 3    3 3    3   3 3 3 3  3 3 3 3                                                                                                                                                                                                                           2 PERUSAL ONLY
    29 mf OthenIfoundasavior-dear,atender-mothermf mf p 36 kind anddear, who cleansed mp and healed,though p bruisedandsore,said mp mp p    3   3     3 3 3  3 3 3 3 3   3 3 3   3   3 3  3 3 3 3                                                                                                                                                                                                                                                       3 PERUSAL ONLY
This page has been intentionally deleted to protect the copyright of this score. To purchase, please visit: ShawnKirchner.com SKPublishing I II III II III II III II III II III II III II III II III
    mf57 mf I I bless bless the the day, day that that mf I blessthedaythat mf Ididseetheglorious-lightofliber-ty,-thedaywhen 64 Ididseetheglorious-lightofliber-ty,-thedaywhen   3 3 3 3 3   S, A  3  T, B   3 3  3 3 3 3   3 3  3   3 3 3 3 3  3 3                                                                                                                                                                                                                                                                                      5 PERUSAL ONLY
    Imysincon fessed, mp -theday cresc. poco a poco whenI mysin con71 I mysincon fessed, mp -theday cresc. poco a poco whenI mysin condim. mp cresc. poco a poco mf 77 fessed,andin mf my soulfoundpeaceand rest. fessed, andin mf mysoulfoundpeaceandrest. mf   3 3 3    3 3 3 3 3  3 3    3 3   3 3  3 3    3 3  3 3 3 3 3 3                                                                                                                                                                                                                                                                                        6 PERUSAL ONLY
    f 83 O f thenIfounda savior- dear,a O f thenIfounda savior-dear,a f dim. p 90 tender-mother-kind anddear, mf whocleansedandhealed thoughbruisedand tender-mother-kind anddear, mf whocleansedandhealed thoughbruisedand mf   3 3 3 3 3    3 3     3 3  3 3 3 3 3    3 3 3   3 3    3 3  3 3 3                                                                                                                                                                                                                                                                                                                                                   7 PERUSAL ONLY
    mf 97 sore, cresc. poco a poco said"Go "Go thy thy way, way, and and sin sin no nomore. more.Sin no sore, cresc. poco a poco said"Go "Go thy thy way, way, and and sin sinnomore. more. Sin no cresc. poco a poco f 103 Sin more, f no no more, more, no, no, no go go thy thy way, way, and and sin sin no no Sin more, f nomore, sin no no, more. Go go thy thy way, way, and and sinno    3   3 3 3  3   3 3  3 3 3 3 3 3   3 3 3   3 3 3 3  3   3 3  3                                                                                                                                                                                                                                                                                                                                8 PERUSAL ONLY
    mp 109 more. more.No, rit. rit. mp Go go thy thy way, way, and and sin sin no no more. Go mp thyway, andsinno mp Back into motion, but calmly Rit.115 more." more." niente mm pp more." niente mm pp p   Meno mosso     3    3  3   3 3            3                                                                                                                                                                                                                      9 PERUSAL ONLY

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