Shane Fye Portfolio

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Hello! My name is Shane Fye, and I am a Graduate from Iowa State University with my Bachelor’s Degree in Interior Design.

My approach to design comes from a curiosity for fresh, modern concepts that excel in simplistic designs in an effort to create a calm and comforting space. A goal of mine is to effortlessly blend aesthetics and functionality into a design in a sophisticated way.

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LO B B Y

Hanua Lani 2020

A hospitality resort located in Honolulu, Hawaii. Just steps away from the site is beautiful Waikiki Beach. On the other side is the Honolulu Zoo as well as breathtaking views of Diamond Head.

This site boasts with 180 degree views of both ocean and Diamond Head views, and are more importantly protected and guaranteed to last. With being located on the most populated and tourist attracted area on the island, luxury shopping, dining, and many water sports are just blocks away. Take a step into our blend of contemporary and sustainable design.

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SPACE

S U I T E

K I TC H EN E T T E

S U I T E

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B E D R O O M

STA N DA R D / D E LU X E

B AT H R O O M

STA N DA R D / D E LU X E

R O O M

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P R E F U N CT I O N

CA S UA L

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H A L L

D I N I N G

B A R

CA S UA L

D I N I N G

S E AT I N G

P R I VAT E

R O O F TO P

S PA

F I T N E S S

C E N T E R

P O O L

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L E V E L

1

F O R M A L

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L E V E L

D I N I N G

2

L E V E L

R E C E PT I O N

H A L L

3

L E V E L

4 - 6

H O S P ITA L I TY

L E V E L

S U I T E

7 - 1 9

L E VE L

YO G A

2 1

ST U D I O

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R E C E PT I O N

Sla 2019

/ck Space

This office design is a creative, conceptual take on what an office may look like in the year 2040. To design an office of the future, we included the existence of shared work space, as well as an increase of security and well being. A simple mix between working from home and working in an office, we have developed a space for you to meet both.

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CO N C E PT

STAT E M E N T

Taking place in the year 2040, located in Chicago, Sla/ck is a forecast of workplaces to come. With universal accessibility at its core, this office will be ready to host any employee at any hour. A round, glass facade, uninterrupted nature, and biophilic flares will bring an integral approach; leaving the idea that architecture and nature should be separate entities, in the past. Strategic selection of monochromatic furniture and architectural elements bring a feeling of seamlessness. A representation of how the future of work and lifestyle will be parallel. Sla/ck is the way a workplace should be.

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R E S E A R C H “Next generation college graduate is expected to have an average of 15 jobs over his or her lifetime; half of the available jobs on the market in the next five years don’t exist today.”

- Provost GA Tech, 2017

65+26+9

New Business

“Between 2014 and end of 2018, the number of flexible workspace

65.3%

locations expanded by +205% while the number of operators expanded by +138%.”

- Allwork.space, 2019

Chain

8.6%

26.2%

Expansion

We have categorized co-working spaces as such: New spaces: Indicates brand-new businesses.

Expansions: Indicates companies opening their second location or more.

Chains: Indicates large co-working chains and franchises.

Coworkingresources, 2019

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LO B B Y

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F LO O R

P L A N

S KY

P O RT

F LO O R

P L A N

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CO M M O N S

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E L E VAT E D

S PAC E

M E E T I N G

S PAC E

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L A N D I N G

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PA D

S KY

P O RT

WA I T I N G

CO M M O N S

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next 2019

FR O N T

HUB

The future is in our hands, at NEXT HUB, the goal is to provide a community lifelong learning center. NEXT HUB will give students access to a premier education at many stages of one’s life; providing active and diverse educational experiences. It is about encouraging more meaningful faculty interactions, increasing student engagement and connections to other learners. The hope is for citizens to continue to grow and improve through all stages of life.

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E N T RY

Hues in the Built Environment Sinofsky and Knirck (1981) that colors affect the behavior, attitude, attention span and learning of students as well as the time concept of both the students and teachers.

According to Mahnke (1996) some colors are appropriate for protecting eyesight and supporting the work environment, as well as physical and mental health.

Green - gives eyes some rest and helps reduce anxiety. This is especially helpful where lighting is not at an optimal level, or employees spend the day staring at computer screens. (Rent Etkisi, 2017) Blue - helps reduce stress by lowering the blood pressure and heart rates. Some studies state that people are more productive in blue rooms. (Rent Etkisi, 2017) Yellow and Orange – associated with the sun, make a person feel warm and happy. (Rent Etkisi, 2017) Red – This color can stimulate and excite employees. It can increase respiration, heart rate and brain activity. (Rent Etkisi, 2017)

Nature in the Built Environment Views of nature from classroom windows have also been shown to improve directed attention skills compared to views of less natural scenes or of built environments (Tennessen and Cimprich, 1995).

50% if light is absorbed and 30% is reflected. Helping to create a cooler and more pleasant climate during the summer months. With this there is 33% less air conditioning required indoors, means of energy savings.

(EcoBNB, 2019) Green working environments have a positive effect on the well-being of people. Green offices enhance relaxation by reducing stress. Blood pressure, heart activity, muscle tension, and brain activity could all be improved by viewing plants for as little as 3 to 5 minutes. A green workplace can result in a 15% increase in productivity. (EcoBNB, 2019) Green exposure results as well in greater use of logical reasoning and more innovative approaches. The sense of wellbeing, positive moods enhance learning and more efficient decision-making on complex tasks. A green workplace can result in a 15% increase in productivity. Plants have a positive effect on worker satisfaction.

(EcoBNB, 2019)

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Concept Statement NEXT HUB will feature large windows allowing natural light to fill the space giving Students and users a pleasant experience to work. Exciting areas to collaborate and brainstorm will be marked with blocks of color that spill into the stark white space that surround it. NEXT HUB will reflect DC’s unique qualities from greenery of public gardens, the concrete of the urban planning, bleached neoclassicism, and black iron to represent today’s modern world.

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1 0 T H

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F LO O R

P L A N

1 1 TH

F LO O R

P L A N

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CO M M O N S

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T U TO R

&

O F F I C E S

I N - B E T W E E N

S PAC E

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ACT I V E

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L E A R N I N G

M A K E R -S PAC E

L A R G E

M U LT I - P U R P O S E

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S M O OT H I E

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B A R

L E A R N I N G

P O D S

I N - B E T W E E N

S PAC E

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FR O N T

Desert Crowd 2018

The purpose of this project is to redesign the Fendi Roma store as a flagship store for our client, Assia Majnoni D’Intignano, a recent fashion graduate from the European Institute of Design. The store will tell a story and fill an aesthetic that compliments both the line of clothing and the designer.

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E L E VATION

SAND DUNES

Designer Profile Assia Majnoni D’Intignano is a 22 year old fashion design graduate from Instituto Europeo di Design. Assia has interest in designing high fashion for the middle to high-class clientele. An inspiration in Assia’s collection, Desert Crowd, has been her family’s connection with the Tuareg culture and what the culture represents.

The location Assia resides in and wishes to showcase her designs is Rome, Italy.

Assia draws inspiration from famous brands such as Fendi and Valentino, yet maintains an elegant design for an everyday consumer.

SHADOWS

M O O D

B OA R D

BODY PAINTING

BERBER JEWELRY

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Concept Statement The design of the retail space will consist of transparent and elegant features.

This space is to represent the Tuareg and Wodaabe tribes, who focus on the empowerment of women that they hold high in their ceremonies. Elements of the space include a flow within the store that follow the movement of sand dunes, while obtaining different forms of shadows using various light fixtures. By using selective materials to represent the sophisticated and everyday style of clothes that the designer portrays.

C E I L I N G

P L A N

F LO O R

P L A N

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C

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N

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F LO O R

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P L A N

M O N O G R A M

WA L L

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S H O E

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D I S P L AY

F R O N T

E N T R A N C E

H A N D B AG

D I S P L AY

G O W N

H A L L

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G R A N D

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STA I R CA S E

D R E S S I N G

R O O M

E V E N I N G

G O W N

H A L L

E VO LU T I O N

H A L L

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DIS P L AY

CA SE

D ETAIL

22

568

Metal Casing

19

25

Wood Backing

102

Concrete Veneer 6 A101

25

1" Wood Partition

165

89

5 A101

164

130

660

22

13 13

1" Wood Partition

10 11

Curtain Lighting

102

Floor Bracket 51

13 13

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146

305

127

25

115

35

19

13 13

146

13 13

305

146

115

305

115

19 19

Display Section Display Section 1:5 1:5 Pull Backing 3

Finger Grip Pull Backing 3 6

6

19

6

19

19

3

3

19

Finger Grip

Pull Backing Pull Backing Finger Grip Finger Grip

3

6

1" Concrete 1/2" Wood Backing Face

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Metal Casing Metal Casing Lighting Rod Lighting Rod

3

3

19

Lighting Rod

1/8" Glass 1/8" Glass 19

3

10

6

LightingMetal Rod Casing

6

6

10

6

Metal Casing

3

1/2" Wood Backing Pull Detail 5 Pull Detail 5 1:2 1:2

6

Pull Detail 1 : 2PPull U LDetail L D E TA I L 5 1:2

1" Concrete Face 1" Concrete Face 1/2" Wood Backing 1/2" Wood Backing

10

1 : 20

3

19

19

5

10

3

3

19

13

19

13

North

10

13

6

B 2A2 North C1 K : 20 E L E V A T I O N

10

1" Concrete Face 6

19

6

10

6

6 13

E L E VAT I O N

6

6

3

3

13

5

13 13

Drawer Base Drawer Base

1159 1159

Metal Casings Metal Casings

610

610 549 19

3

5

6

3

19

13

13

Show Shelf Section 6 Show Shelf Section 6 1:2 1:2

Metal Casings

Glass Case

19

6

8

19

V I E W

Glass Case Glass Case

5

19

Drawer Base Metal Casings

1159

610

610

549

549

Fabric Wrapped Shelf

Drawer Base

1159

8

Fabric Wrapped Shelf

19

19

25

13

51 25

19

5

13

51

1159

549

8

13

102

2438 2438 1159

P L A N

8

Fabric Wrapped Shelf Fabric Wrapped Shelf

102

F

South 3 South T 3R O1 N : 20 1 : 20

102

1/8" Glass

102

6

10

6

1/8" Glass

Glass Case

6

Show Shelf Section 1 : 2 Show Shelf Section 6 1:2

S H E L F

S E CT I O N

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NICHE

DETA IL 3 A101 Reflector 2x4 Block End

25

1" Plywood

13

Lighting Rod

25

51

1/4" Wood Cap

457

76

32

Light Shield Light Plate

Wooden Support

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Niche Detail 1 : 10

2

Front Elevat 1 : 100

Light Shield Light Plate

Front Elevation 1 : 100

32

2

Pre-Existing Wall

Plate

Wood 2x4 Reinforcement

Wooden Support

Product Base Lighting Cove New Existing Walll

P L A N V I E W Niche Detail 1 1 : 10

4

End

Plan View 1 : 25

L I G H T

25

COV E

Angled Light Plate

D E TA I L

13

Lighting Rod

64

nel

4 1x2 Board End

Plan View 1 : 25

1/2" Wood Panel 51

3

Light Cove Detail 1:2

6

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F R O N T

Mediapolis Schools Concession Stand 2018

The purpose of this project is to design concessions that can host a spread of events while maintaining the spirit of the Mediapolis Community School District as well as their visitors/supporters. The concession stand will allow community members to serve fans food and sell merchandise.

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E N T R A N C E

F R O N T 5

E L E VAT I O N

1-FRONT 1/4" = 1'-0"

Concept Statement This area represents the Mediapolis Bulldogs and the community that supports their local sports teams. The design of this space will allow for a seamless flow of spectators from the exterior of the structure to the surrounding bleachers. Through the use of economical materials, the sustainability and longevity of this building will be represented, while synonymously representing the hometown team.

Stainless Steel

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Porous Concrete

Burnt Orange

Sealed Specks

Concrete Masonry

Mineral Fiber

P L A N -

_____________________

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REF

FRZ

ICE

DRY STORAGE

PREP -

_____________________

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TICKETS

P

HOOD ABOVE

PO

FRYER

GRIDDLE

I C CE R M

F LO O R

CONCESSIONS E C R

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IC

-

_____________________

M R /D IN KS HOT BEV

HOT BEV

ORDERS

POP

PICK-UP

FAMILY-ASSISTED USE

BOOSTERS

MOP

WOMEN'S

MEN'S

-

_____________________

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-

_____________________

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K I TCH E N

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P E R S P E CT I V E

E X T E R I O R

P E R S P E CT I V E

KI TC H E N

P E R S P E CT I V E

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Parapet Parapet Cap Cap 12' - 8" 12' - 8" 1st Flr Plate 1st Flr Plate 11' - 4" 11' - 4"

E L E VAT I O N

Parapet Cap 12' - 8" 1st Flr Plate 11' - 4"

Parapet Cap 12' - 8" 1st Flr Plate 11' - 4"

Parapet Cap 12' - 8" 1st Flr Plate 11' - 4"

Parapet Cap 12' - 8" 1st Flr Plate 11' - 4"

Parapet Cap 12' - 8" 1st Flr Plate 11' - 4"

1st Floor 0' -O. 0"W. T. -0' - 8"

10' - 0 1/4"

BS Truss BrgBS Truss Brg 16' - 8" 16' - 8"

10' - 0 1/4"

10' - 0 1/4"

Parapet Cap 12' - 8" 1st Flr Plate 11' - 4"

K I TC H E N

Parapet Cap 12' - 8" 1st Flr Plate 11' - 4"

1st Floor 0" T. 0' O.-W. -0' - 8"

2 1st Floor 0' -O. 0"W. T. -0' - 8"

1st Floor 1st Floor 0' -O. 0"W. 0" T. T. 0' O.-W. -0' - 8" -0' - 8"

2

uss Brg 16' - 8"

BS Truss Brg 16' - 8"

apet Cap 12' - 8" Flr Plate 11' - 4"

Parapet Cap 12' - 8" 1st Flr Plate 11' - 4"

1st Floor 0" T. 0' O.-W. -0' - 8"

Section 2 Section 2 2 1/4" = 1'-0" 1/4" = 1'-0"

N O RT H

Parapet Cap Parapet Cap 12' - 8" 12' - 8" 1st Flr Plate 1st Flr Plate 11' - 4" 11' - 4"

K I TC H E N

1st Floor 0" T. 0' O.-W. -0' - 8"

T.O. Ftg -3' Ftg - 8" B.O. -4' - 4"

T.O. Ftg -3' Ftg - 8" B.O. -4' - 4"

3

Section 3 1/4" = 1'-0"

Section 2 1/4" = 1'-0"

2

Section 2 1/4" = 1'-0"

1st Floor 0' -O. 0"W. T. -0' - 8"

E L E VAT I O N

1st Floor 0" T. 0' O.-W. -0' - 8"

1st Floor 0" T. 0' O.-W. -0' - 8"

T.O. Ftg -3' Ftg - 8" B.O. -4' - 4"

T.O. Ftg -3' Ftg - 8" B.O. -4' - 4"

1/4" = 1'-0"

1st Floor 0" T. 0' O.-W. -0' - 8"

4

1st Floor 0" T. 0' O.-W. -0' - 8"

Section 4 Section 4 4 1/4" = 1'-0"1/4" = 1'-0"

Parapet Cap 12' - 8" 1st Flr Plate 11' - 4"

1st Floor 0' -O. 0"W. T. -0' - 8"

BS Truss Brg 16' - 8"

BS Truss Brg 16' - 8"

Parapet Cap 12' - 8" 1st Flr Plate 11' - 4"

Parapet Cap 12' - 8" 1st Flr Plate 11' - 4"

1st Floor 0' -O. 0"W. T. -0' - 8"

1st Floor 0' -O. 0"W. T. -0' - 8"

T.O. Ftg -3' - 8" B.O. Ftg -4' - 4"

T.O. Ftg -3' - 8" B.O. Ftg -4' - 4"

Parapet Cap 12' - 8" 1st Flr Plate 11' - 4"

Section 1 Section 1 1 1/4" = 1'-0"1/4" = 1'-0"

N O3 RSection T H3 R E S T R O O M Parapet Cap Parapet Cap 12' - 8" 12' - 8" 1st Flr Plate 1st Flr Plate 11' - 4" 11' - 4"

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1st Floor 0" T. 0' O.-W. -0' - 8"

BS Truss Brg BS Truss Brg 16' - 8" 16' - 8"

1

1st Floor 0" T. 0' O.-W. -0' - 8"

1st Floor 0' -O. 0"W. T. -0' - 8"

10' - 0 1/4"

E A ST

Parapet Cap 12' - 8" 1st Flr Plate 11' - 4"

E L E VAT I O N

1st Floor 0' 0"W. T. -O. -0' - 8"

1st Floor 0' 0"W. T. -O. -0' - 8"

T.O. Ftg -3' - 8" B.O. Ftg -4' - 4"

T.O. Ftg -3' - 8" B.O. Ftg -4' - 4"

Parapet Cap 12' - 8" 1st Flr Plate 11' - 4"

Parapet Cap Parapet Cap Parapet Cap 12' - 8" 12' - 8" 12' - 8" 1st Flr Plate 1st Flr Plate 1st Flr Plate 11' - 4" 11' - 4" 11' - 4"

1st Floor 0' -O. 0"W. T. -0' - 8"

1st Floor 0' -O. 0"W. T. -0' - 8"

1st Floor 0" T. 0' O.-W. -0' - 8"

2

1st Floor 0" T. 0' O.-W. -0' - 8"

Section 2 Section 2 2 1/4" = 1'-0"1/4" = 1'-0"

Parapet Cap 12' - 8" 1st Flr Plate 11' - 4"

S O U T H -W E ST

Parapet Cap 12' - 8" 1st Flr Plate 11' - 4"

S E CT I O N

1st Floor 0" T. 0' O.-W. -0' - 8"

4

Parapet Cap 12' - 8" 1st Flr Plate 11' - 4"

10' - 0 1/4"

Parapet Cap 12' - 8" 1st Flr Plate 11' - 4"

1st Floor 0' 0"W. T. -O. -0' - 8"

1st Floor 0" T. 0' O.-W. -0' - 8"

Section 4 1/4" = 1'-0"

2

1st Floor 0' 0"W. T. -O. -0' - 8"

Section 2 1/4" = 1'-0"

BS Truss Brg 16' - 8"

BS Truss Brg 16' - 8"

Parapet Cap 12' - 8" 1st Flr Plate 11' - 4"

BS Truss Brg 16' - 8"

BS Truss Brg 16' - 8"

Parapet Cap 12' - 8" 1st Flr Plate 11' - 4"

Parapet Cap 12' - 8" 1st Flr Plate 11' - 4"

1st Floor 0" T. 0' O.-W. -0' - 8"

Parapet Cap 12' - 8" 1st Flr Plate 11' - 4"

1st Floor 0' -O. 0"W. T. -0' - 8"

T.O. Ftg -3' Ftg - 8" B.O. -4' - 4"

Section 1 1 1/4" = 1'-0"

1st Floor 0" T. 0' O.-W. -0' - 8"

1st Floor 0' -O. 0"W. T. -0' - 8"

T.O. Ftg -3' Ftg - 8" B.O. -4' - 4"

T.O. Ftg -3' - 8" B.O. Ftg -4' - 4"

3

N O RT H -W E ST

T.O. Ftg -3' - 8" B.O. Ftg -4' - 4"

Section 3 1/4" = 1'-0"

E L E VAT I O N Parapet Cap 12' - 8" 1st Flr Plate 11' - 4"

Parapet Cap 12' - 8" 1st Flr Plate 11' - 4"

Parapet Cap 12' - 8" 1st Flr Plate 11' - 4"

10' - 0 1/4"

Parapet Cap 12' - 8" 1st Flr Plate 11' - 4"

1st Floor 0" T. 0' O.-W. -0' - 8"

4

6

2-BACK 1/4" = 1'-0"

1st Floor 0' -O. 0"W. T. -0' - 8"

Section 4 1/4" = 1'-0"

1st Floor 0" T. 0' O.-W. -0' - 8"

2

1st Floor 0' -O. 0"W. T. -0' - 8"

Section 2 1/4" = 1'-0"

BS Truss Brg 16' - 8"

BS Truss Brg 16' - 8"

Parapet Cap 12' - 8" 1st Flr Plate 11' - 4"

Parapet Cap 12' - 8" 1st Flr Plate 11' - 4"

page 56 1st Floor 0" T. 0' O.-W. -0' - 8"

1st Floor 0' -O. 0"W. T. -0' - 8"

R

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Shane Fye. Interior Design

Myers Design Studio Designer & Visualization Specialist Aug. to Current Rendering projects and creating visuals for clients under design development.

Design Intern May to Aug. 2018 Exercise of professional work in a design studio environment.

Fye Excavating, Inc. OfďŹ ce Personnel June 2014 to Current Clerical work and experience with public.

Corgan Associates, Inc. Student Interior Design Intern May to Aug. 2019 Exercise of interior design skills in both commercial and aviation facilities.

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Instagram: @shanefyedesign Phone: (319) 750-9261 Email: shane.fye@gmail.com

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