Shades Of The Departed Magazine - The Cops & Robbers Issue

contents

Features

Columns

Dressed To The Nines!

pg. 6

The Well Dressed Criminal

The Future of Memories!

pg. 72

Appealing Subjects!

pg. 36

In2Genealogy!

pg. 49

Penelope Dreadful!

pg. 54

The Healing Brush !

pg. 76!

iAncestor!

pg. 84

ArtiFacts!

pg. 90

Build A Family Journal

Bonnie & Clyde

The Holy Grail

Courtroom Drama Dreadful To Behold

Windows To The Past

Put The Cub Reporter On The Story

The Killer Fingerprints

Rats!

pg. 16

The Father Of The Mug Shot

pg. 26

The Modern Detective

pg. 30

Police Photography

pg. 32

Photographer As Con Man The Detective Camera The Black Maria A Photograph

pg. 38 pg. 43 pg. 44 pg. 60

Hidden Diamonds Bertillon

Pinkerton Hold Still

Commemorating Murder

In Every Issue From My Keyboard

pg. 5

Letter from the editor

The Last Picture Show

The graphic image on the back of a carte-de-visite or cabinet card

Download The Magazine

Back Cover

contributors *"#"('*"&!,")!-.(

+).,""#&/)0(',

1)#$#"&%+$/2

>"#"3+="&!,")9-*3&$%&'("&)3'",&";+&+-& !"#$%"&?"@"#$8E4&!"#$%"&)*'(+,%&'("& :3+;F -.*'!"#$%&'/0+")1+ )#9& ;$@"%&*%&%+1"'($#;&G!,")9-*3H&"@",D& 1+#'(4

Maureen is author of the “To The Nines� column. Well-known as the Photo Detective she has authored many books on family history and photography.

I)#$#"&$%&'("&#"6&)*'(+,&+-&.("& J")3$#;&K,*%(&2+3*1#4&5("&)3%+& +6#%&2"34"$%&3'5*,*"+6.'7' 5*,)1+")$13 )#9&$%&)#&)6),9&6$##$#;& ,"%'+,)'$+#$%'4

!"#$%"&'(%'#

($#!)&*)(+",

!"#$%"&$%&'("&)*'(+,&+-&.("&/*'*,"&+-& 0"1+,$"%&2+3*1#4&5("&)3%+&6,$'"%& $7#8"%'+,&)#9&'("&:3+;&!"#$%&' ("))*+,&)#9&"<=",$1"#'%&6$'(&(",& $>)9

?$#9)&%(),"%&)&#),,)'$@"&+-&'("&3$-"&&+-& (",&A,")'&A,)#9-)'(",&B#CA"#")3+;D4&& She also writes the blog footnoteMaven and Shades of the Departed

DENISE LEVENICK

CRAIG MANSON

FOOTNOTEMAVEN

Denise authors the blog, The Family Curator and gives us useful advice in ArtiFacts each month.

Craig authors the Appealing Subjects column. He also writes the blog Geneablogie.

Maven edits Shades Of The Departed The Magazine. She also writes the blog footnoteMaven and Shades of the Departed.

'# /2" 3'4",

!"#$% I)1"%&!)6%+# '(($)*$+&,-(%&B#9"8"#'&L<=+%*," '(($)*$+&"*%&M+,'(&5($"39%&>+3$8"& 5')'$+# '(($)*$+&-.%&N'(&I*#"&ONPC .D#"&)#9&Q"),&7,8($@"%&,"-R& !SOTUUVOVTVI)1"%&!)6%+#

.($%& $1);"& $%& -,+1& )#& )3:*1& +-& =(+'+;,)=(%& +-& =,$%+#",%& :,+*;('& :"-+,"& '("& M+,'(& 5($"39%& >+3$8"& 2+*,'& :"'6""#& ONPC& )#9& ONOW& $#& '("& 8+33"8'$+#& +-& .D#"& X& Q"),& 7,8($@"%& Y.Q7&,"-&!SOTUUZO[4 2+*39& '(","& ()@"& :""#& )& :"''",& =(+'+;,)=(& -+,& '("& 8+@",& +-& 5()9"%& 2+=%&X&\+::",%&'()#&+#"&6$'(&)&8,$1"& '()'& $#83*9"9& '("& =(+'+;,)=($8& '",1& $/0-)1($]

4 Shades MAGAZINE | Cops And Robbers 2014

.(","^%& #+'($#;&1+,"&-)%8$#)'$#;&'()#&)&@",D& +39&1*;%(+'4& .("&"--+,'& +#&'("&=),'&+-&'("&),,"%'"9&'+& 1)E"&$'&9$-_$8*3'&-+,&'("&?)61)#&'+& ')E"& ($%&=(+'+;,)=(&$%&+-'"#&8+1$8)34 B#& '($%& $%%*"& +-& !"#$%&& 6"& "<=3+,"& 2+=%& X& \+::",%& )#9& '("$,& )%%+8$)'$+#& 6$'(& =(+'+;,)=(D4& 0)*,""#& .)D3+,& $#',+9*8"%& .("& Q"33& !,"%%"9&2,$1$#)3F& !"#$%"&`3%+#&=,"=),"%&.("&2*:&\"=+,'",F&)#9&2,)$;& 0)#%+#&'"33%&'("&5'+,D&+-&K+##$"&X&23D9"&$#&=(+'+;,)=(%4 B#CA"#")3+;D& 8+1=),"%& '("& 8,")'$@"& #+#V_$8'$+#& )88+*#'& +-& ?$#9)& >)31",^%&A,")'&A,")'&A,)#9-)'(",&5(",$--&I+(#&2)1=:"33&'+&($%&,"8"#'3D& 9$%8+@","9&=(+'+;,)=(4&!$9&%("&8+1"&83+%"] >"##D&!,")9-*3& ')E"%& *%&$#'+&'("&8+*,',++1& -+,&'("& ',$)3& +-&L96),9& I4& 0*D:,$9;"F&)&-)1+*%&=(+'+;,)=(",4&!+"%&("&;"'&)6)D&6$'(&1*,9",]&

7& 8):$#"'& 8),9& 8+11"1+,)'$#;& 1*,9",& 3")9%& *%& $#'+& )& =(+'+;,)=($8& 8,$1$#)3&8)%"&%'*9D4&`(F&'("&'6$%'%&)#9&'*,#%4

I)#$#"& 51$'(& $#%',*8'%& *%& %'"=V:DV%'"=& $#'+& Q$#9+6%& +-& '("& >)%'F& )#& $1);"&1"394 7#9& 9+#^'& 1$%%& 7,'$/)8'%& )#9& '("& E$33",& _$#;",=,$#'%4

a+*^,"&;+$#;&'+&_$#9&'($%&$%%*"&),,"%'$#;b

fM

!

.+&.("&M$#"%

the well-dressed criminal 7M!!.JL!/75JB`M!>`?B2L 07c\LLM&.7a?`\

M$#"'""#'(& 8"#'*,D& =(+'+;,)=(D& ()9& 1)#D& *%"%F& -,+1& 9+8*1"#'$#;& )& -)1$3D& '+& 8)'8($#;&

8,$1$#)3%4& .(+1)%& KD,#"%F& B#%="8'+,& +-& >+3$8"& )#9& 2($"-& +-& !"'"8'$@"%& $#& M"6& a+,E& 2$'D& 6,+'"& '()*%&&+),#-./(+0+,#-&.)*.10%(+2#& $#&OUUW&*#9",%'++9&'("&@)3*"&+-&1*;&%(+'%4& B#&($%&

1)#*)3& -+,& +'(",& 3)6& "#-+,8"1"#'& +-_$8$)3%& ("& 8)'";+,$d"9& 8,$1$#)3%F& 9"%8,$:"9& '("$,& )'',$:*'"%& )#9& $#83*9"9& =(+'+;,)=(%& +-& #+'+,$+*%& 3)6V:,")E",%4& Q($3"& '("& 1)e+,$'D& +-&

8,$1$#)3%&6","&1)3"F& f*$'"& )&-"6&6","& 6+1"#&=$8E=+8E"'%F&%(+=3$-'",%&)#9&'($"@"%4& &B#&($%&

"%%)DF& GQ(D&.($"@"%& ),"&>(+'+;,)=("9H&("& ),;*"9&'()'&($%&\+;*"^%& A)33",D&+-&=(+'+;,)=(%& 1)9"&"%8)=$#;& #+'$8"& )& :$'& 1+,"& 9$-_$8*3'4& & KD,#"%& )3%+& *#9",%'++9&'("& @)3*"& +-& 9,"%%& $#& ,"-","#8"&'+& )&8,$1$#)3^%& G+88*=)'$+#4H&.("%"& 1*;&%(+'%& 8)='*,"& '("$,& -)%($+#&8(+$8"%&)#9& '("$,&9"1")#+,4&

5(+=3$-'",%& 6+,"&%E$,'%& 6$'(& 9""=& -)3%"& =+8E"'%& )#9& 3),;"& %()63%& )#9& 8+)'%& '()'& %($"39"9&

;++9%& %'+3"#&-,+1&8+*#'",%4& &5(+=3$-'",^%&e)8E"'%F& 9+31)#%&)#9&%)8E%& 8)1"&$#&()#9D4& & L@"#& 6("#&)&83",E&%*%="8'"9&)&'("-'& )#9&()9&'("& 6+1)#&%"),8("9F& '("&($99"#&=+8E"'%&8+*39&:"&

1$%%"94& &KD,#"%& ,"3)'"9&(+6& +#"& 6+1)#&("39& $'"1%& $#&(",& ),1%&*#9",&(",&83+)E4& K+3'%& +-& 83+'(F&9,"%%"%F&:+##"'%&)#9&:);%&8+*39&:"&6"33V($99"#4&B#&;"#",)3&%(+=3$-'",%&9,"%%"9&6"33&'+& )@+$9&%*%=$8$+#4&&.("D&:3"#9"9&$#&6$'(&)8'*)3&8*%'+1",%4

6 Shades MAGAZINE | Cops And Robbers 2014

!"#$%&'()*+

7##$"& 0)8E&6)%&)& %#")E&Y'($"-[&)#9& )& %(+=3$-'",4& Q($3"& (",&%$1=3"& 9,"%%& 6 + * 3 9 #^ '& ) ' ' , ) 8 '& # + ' $ 8 " F& ( " ,& -)%($+#):3"& +%',$8(& =3*1"9&()'& 6$'(& : " ) 9 " 9& ' , $ 1& 6 + * 3 9& E" " =& ) #& *#%*%="8'$#;&83",E%&)''"#'$+#&+#&(",& (")9& #+'& (",& ()#9%4& & & J",& ;)#;& $#83*9"9& +'(",& 6+1"#& %(+=3$-'",%& 6(+& 6+,E"9& '+;"'(",4& 5("& 6)%& =(+'+;,)=("9& $#& 7*;*%'& OUUg& )& 1+#'(&:"-+,"&%",@$#;& %$<&1+#'(%&-+,& %'")3$#;&e"6"3,D4& ,&-.$#-.)(+

0 ) 3 "& = $ 8 E= + 8 E"' %& 6+ ,"& ; + + 9&

83+'($#;& )#9& 3+'%& +-& e"6"3,D& 6($3"& '("$,& -"1)3"& 8+33");*"%& 8(+%"& *#)%%*1$#;&(*1:3"&83+'("%4&7&%()63& +@",& )#& ),1& +,& )& 3),;"& 83+)E& 8+*39& )%%$%'&$#&'("&9"8"='$+#4&

.("& =$8E=+8E"'& h)'"& \D)#& 3++E%&

*#8+1-+,'):3"& $#& (",& 1*;%(+'& 6$'(&

(",&+--&'+&'("&%$9"&;3)#8"4&J",&%$1=3"& :+##"'F&%()63&)#9&9,"%%&)33+6"9&(",&

A NNI E M A CK !"#$%!"&'(%)*+),%-./0(%)*+),% Brockey Annie.

SNEAK AND SHOPLIFTER DESCRIPTION: Twenty-five years old in 1886. Born in United States.

Married. No trade.

Stout build. Height, 5 feet 2 inches.

Weight, 150 pounds. Brown hair, hazel eyes, fair complexion. Very heavily pock-marked. Part of first joint of thumb off of right hand.

K A TE R YAN PICKPOCKET DESCRIPTION: Fifty years old in 1886. Born in Ireland. Seamstress.

Married. Stout build. Height, 5 feet 3 inches. Weight, 150 pounds. Dark brown hair, light hazel eyes, dark complexion.

'+& :3"#9& $#'+& '("& 8,+69%& )'& =*:3$8& "@"#'%4& & .($%& B,$%(& $11$;,)#'& 6)%& #)::"9& )'& '("& 5'4& >)',$8E^%& !)D& >),)9"&+#&0),8(&CUF&OUiW4&

5$1$3),3D& $#& '($%& M+@"1:",& OUUg& $1);"& 2)'(),$#"& 7,1%',+#;& 3++E%& )6)D& -,+1& '("& 8)1",)4& J",& @"3@"'& :+##"'&'$"9& *#9",&(",&8($#& -")'*,"%&

+%',$8(&-")'(",&',$1& )#9& %$3E&,$::+#4& 7,1%',+#;& ',)@"3"9& -,+1& M"6& a+,E& '+& >,+@$9"#8"& '+& 2($8);+& )#9&

>($3)9"3=($)4& 5("& 3++E%& 3$E"& )#& )@",);"& 1$993"V);"9& 6+1)#& +-& '("& OUUP%4&

C A TH A R I NE A R M S TR O NG Kate Armstrong, alias Mary Ann Dowd, alias Dillon, alias Sanders.

PICKPOCKET & SHOPLIFTER DESCRIPTION: Forty-five years old in 1886. Born in England. Married.

Cook. Stout build. Height, 5 feet 2 inches. Weight, 200 pounds. Dark brown hair, hazel eyes, florid complexion. Wears gold eyeglasses. Has a large space between upper front teeth. Vaccination mark on left arm.

ANNIE R EILL Y /"&)0)+

Alias Little Annie, alias Katie Cooley, alias Kate Connelly, alias Kate Manning.

DISHONEST SERVANT DESCRIPTION: Forty-two years old in 1886 ; looks younger. Born in Ireland. Married. Medium build.

Servant and child's nurse. Height, 5 feet i inch. Weight, 113 pounds.

B r o w n h a i r, g r a y e y e s , f a i r complexion. Round, full face.

Speaks two or three languages.

LOUIS A JOUR DAN Alias BIGLOW, alias Darrigan, alias Little Louisa.

PICKPOCKET & SHOPLIFTER DESCRIPTION: Forty-two years old in 1886. Born in England.

Married. Medium build. Height, 5 feet 3 inches. Weight, about 135 pounds. Brown hair, blue eyes, dark complexion, round face. Is lady-like in manner and appearance. Wears good clothes.

5`>JBL&?a` M5

73$)%&?LjaF&)3$)%&?a`M5&

>B2h>`2hL.&X&K?72h07B?L\

!L52\B>.B`MR& .($,'DV%$<& D"),%& +39& $#& OUUW4& I"64& K+,#& $#& c#$'"9& 5')'"%4& 0),,$"94& 0"9$*1& :*$394& J"$;('F& g& -""'& C& $#8("%4& Q"$;('F& OOg& =+*#9%4& K,+6#& ()$,F& ;,)D& "D"%F& 3$;('& 8+1=3"<$+#4& J)%& -+*,& 8($39,"#F& '6+& :+D%& Y'($"@"%[& )#9& '6+&;$,3%F&6(+&6","&:,+*;('&*=&$#& )& 8+#@"#'& $#& 2)#)9)F& )#9& ),"& )#& "<8"='$+#&'+&'("&,"%'&+-&'("&-)1$3D4& 8 Shades MAGAZINE | Cops And Robbers 2014

B,$%(& $11$;,)#'& 7##$"& \"$33D& ()9& )'& 3")%'& -+*,&)3$)%&)#9& $#& (",&1*;& %(+'&

3++E%& D+*#;",& '()#& (",& -+,'DV'6+&

D"),%&+-& );"4& &J",&8,$1"& 6)%&:"$#;& )&

9$%(+#"%'&%",@)#'4&&KD,#"%&9"%8,$:"9& (",&)%&'("& G83"@","%'& & 6+1)#&$#& (",& 3$#"4H& & J"& 8,"9$'"9& (",& )%& %'")3$#;&

1+,"& =,+=",'D& $#& _$-'""#& D"),%& '()#& 1+%'& +'(",& -"1)3"& '($"@"%4& & 5("& =+%"9&-+,&'($%&=(+'+&$#& 7*;*%'&OUUP&

),+*#9&'("& '$1"& %("&6)%&),,"%'"9& $#& M"6& a+,E& 2$'D4& & J",& 8(),1$#;&

)=="),)#8"&,")%%*,"9&6+1"#&($,$#;&

(",& '+& :"& )& 8($39^%& #*,%"4& & 7& 3+@"3D& %*11",& %',)6& ()'& 6$'(& )& %$3E& :)#9&

%$'%& )'+=& (",& (")94& 7& #"8E& %8),-& )88"%%+,$d"%& (",& -,+#'& :*''+#"9& %+3$9&8+3+,"9&%*11",&9,"%%4

M + '& ) 3 3& 8 , $ 1 $ # ) 3 %& , " % ' , $ 8 ' " 9& '("1%"3@"%& '+& +#"& ')3"#'4& & ?+*$%)&

I+*,9)#&6)%&:+'(&)&=$8E=+8E"'&)#9&)& '($"-4&7#&L#;3$%(&$11$;,)#'F& I+*,9)#& %'+3"&$#&)33&'("&1)e+,&c454&8$'$"%F&:*'&$'&

6)%& )& '("-'& -,+1& (",& 5=)#$%(& "1=3+D",&$#& K,)d$3& '()'&"<=3)$#%&(",& )=="),)#8"4& & 5("& 6"),%& (",& ()$,&

=*33"9&'$;('&+@",&(",&"),%&'+&($9"&'("&

-)8'& '()'& K,)d$3$)#& )*'(+,$'$"%& =*#$%("9& (",& :D& 8*''$#;& +--& '("& 3+6",&=),'& +-& (",& ,$;('&"),& 1),E$#;& (",&)%&)&'($"-4&&.("D&)3%+&_3+;;"9&(",4&

/" 6& 6 + 1 " #& 6 " , "& % E $ 3 3 " 9& ) '&

:3)8E1)$3F& :*'& 5+=($"& ?D+#%F& )E)&

?"@D& $#83*9"9& '()'& $#& (",& 8,$1$#)3& ,"=",'+$,"& +-& %(+=3$-'$#;& )#9&

="%.)(+>+,.)*.4"%.?+28?)28%4.+&. #&.)-$.#&.4"%.?)28%4 =$8E=+8E"'4& `#8"& %("^9& 3*,"9& )&

6")3'(D& 1)#& $#& (",& ,++1F& %("& '++E&

($%& 83+'($#;F& '(,")'"#"9& ($1& 6$'(& "<=+%*,"F& )#9& 6+*39#^'& ,"'*,#& '("&

83+'($#;&*#'$3&("^9&=)$9&)&,)#%+14&J",& )88+1=3$8"& $#& '($%& %8("1"& 6)%&

)#+'(",&6+1)#& 6(+& ',$"9& '+&9"=+%$'& )& 8("8E& -+,& kOPFPPP4& B#%*-_$8$"#'&

-*#9%& $#& '("& 1)#^%& )88+*#'& 3"9& '+& '("$,&),,"%'4& &?D+#&=+%"9&$#&M"6&a+,E&

2$'D& $#& OUUW& 6("#& %("& 6)%& 8)*;('&

%'")3$#;&%$3E&-):,$84&&B#&'($%&=$8'*,"&%("& 6"),%& )& (")9& %8),-& ),+*#9& (",& ()$,F& ,)'(",& '()#& )& ()'& +,& :+##"'4& J",&

:$+;,)=(D& 1"#'$+#%& (",& I"6$%(&

(",$');"4&&5("^%&#+'&8)1",)&%(D4&?D+#%&& :+393D&3++E%&$#'+&'("&3"#%&6$'(&)&%3$;('& %1$3"4&

c%$#;& 83+'($#;& '+& ($9"& +#"^%& ,")3&

1$%%$+#& 6)%#^'& e*%'& -+,& 8,$1$#)3%4& 5+1"& ,"%="8'):3"& 6+1"#& Y)#9&'(+%"& #+'&%+&,"%="8'):3"[&*%"9&-)3%"&=+8E"'%&

'+& 8+#8")3& %1)33& =$%'+3%F& ($9& '("$,& @)3*):3"%& $#& ("1%&)#9& "1=3+D"9& '("& =+$#'D&"#9%&+-&=),)%+3%&'+&@"#9&+--&)#&

.("& -"1)3"& =$8E=+8E"'& ):+*#9%&

$#& M"6& a+,EF& :*'& %("& =,"D%& +#3D& +#&(",&+6#&%"<4& .("&():$'&6+1"#& ()@"& +-& E""=$#;& '("$,& =+,'"V 1+##)$"& $#& '("$,& ()#9%& $%& )& 8+#%')#'&%+*,8"&+-&'"1=')'$+#4&

7%& $'&8)##+'&)36)D%&:"&E"='&$#&'("& ()#9F& '("& -"1)3"& =$8E=+8E"'& 6)'8("%& =)'$"#'3D& *#'$3& '("& 6+1)#& =*'%& $'& $#& '("& =+8E"'& +-& (",& 9,"%%F& 6($8(F& '(+*;(& #+'& @$%$:3"&'+& 1"#F& $%& )'& +#8"&3+8)'"9& :D& )&6+1)#&6(+& $%&)&'($"-F& )#9&)& =+,'"V1+##)$"& $%& 1*8(& 1+,"& , " ) 9 $ 3D& ) : % ' , ) 8 ' " 9& - , + 1& )& 6+1)#l%& =+8E"'& '()#& -,+1& )& 1)#l%4&

7%& 6+1"#& ,),"3D& ;+& $#'+& %',""'%& 6(","& 8,+69%& )%%"1:3"F& $'& $%& $#& 8),%& )#9&=,$#8$=)33D& $#& '("&%'+,"%& 6(","& '("%"& -"1)3"& =$8E=+8E"'%& 8 ) , , D& + #& ' ( " $ ,& : * % $ # " % %& 3%2)--%24+),&. )*. #. 5%6. 7)(8. /"+%*. )*. ')-+2%9.:;;<

)'')8E4& & ?++E$#;& -)%($+#):3"& 6)%&

%+*;('& )-'",& :D&'("& %')'*%& 8+#%8$+*%F& :*'& '+& '("& 8,$1$#)3& "3"1"#'F& '(+%"& -)%($+#%& 8+*39& :"& 1)#$=*3)'"9& '+&

-*,'(",& '("$,& 3"%%& '()#& (+#+,):3"& )$1%4&

!"#$%&'"$(")*+,-,.,)/"$*"*0)/"1),*"" %20'"+$")''"10,31+"$*"4$/%#0"+$")" 5$#)&62""1),*2+7/08

Shades MAGAZINE | www.shadesofthedeparted.com 9

.JL&/c.c\L&`/&0L0`\BL5

build a family journal 7&/cM&7M!&BM/`\07.BjL&/70B?a&72.BjB.a

Ka&!LMB5L&K7\\L..&`?5`M

B& +-'"#& ("),& m+39",& -+3Em& :"1+)#& '("&

9"1$%"& +-&=",%+#)3& 3"''",%& )#9& 6+#9",$#;&

(+6&'+9)Dl%&;"#",)'$+#&6$33& 3")@"&)#D'($#;& *%"-*3&:"($#9&$-&'("D&),"#l'&6,$'$#;&3"''",%4& 5",$+*%3D]&

A,)#'"9F& D+*,& :)%$8& '"<'& 1"%%);"& +-'"#& 3")@"%& )&3+'& '+& :"&9"%$,"9&$#&:+'(&%'D3"&)#9&

; , ) 1 1 ) , F& : * '& ' + 9 ) D l %& - ) 1 $ 3 D& 8+11*#$8)'$+#%& ),"& 1*8(&1+,"& '()#& e*%'&

6,$''"#& 6+,9%4& I*%'& 3++E& )'& '("& #*1:",& +-& =(+'+;,)=(%& 6"& ),"& ')E$#;& '("%"& 9)D%F&

' ) E $ # ;& ' ( " 1& 6 $ ' (& 8 ) 1 " , ) %& ' ( ) '& )*'+1)'$8)33D& 8)='*,"& 9)'"& )#9& 3+8)'$+#&

$#-+,1)'$+#&6$'($#&'("&=(+'+&_$3"4&Q+*39#l'& D+*&;$@"& D+*,&"D"& '""'(&'+& ()@"& %+1"'($#;&

%$1$3),&$#&'("& =(+'+%& D+*,&)#8"%'+,%& '++E]&

.("#& '(","l%& @$9"+& )#9& )*9$+& 83$=%F& :3+;& =+%'%& )#9& 9$;$')3& e+*,#)3%4& Q"& 6$33& :"&

3")@$#;& :"($#9& )& ,$8(& @),$"'D& +-& 1"9$)& 9+8*1"#'$#;&+*,&3$@"%4

5+1"'$1"& :)8E& B& 8,")'"9& )& =,$@)'"& -)1$3D&

m#"6%& 8"#'",m& *%$#;& '("& #+6V9"-*#8'& >+%'",+*%&:3+;&=3)'-+,14&B'%&=*,=+%"&6)%&'+&

%(),"& #"6%F& %(+6& +--& 8,")'$@"& 6+,E%F& 8"3":,)'"& :$,'(9)D%& )#9& )##$@",%),$"%& )#9& 1)D:"&$#9*3;"&$#&)&:$'&+-&;+%%$=4&B'&6)%&)3%+& f*$'"& ()#9D& -+,& +,;)#$d$#;& -)1$3D& -*#8'$+#%F& %$#8"& $'& =,+@$9"9& )& 8"#',)3& 3+8)'$+#&'+&',)8E&'($#;%&3$E"&'("&5)#')&3$%'&+,&

6(+& 6)%& :,$#;$#;& 6()'& '+& .()#E%;$@$#;& 9$##",4&7#9&$'&%",@"9&)%&)&@",D&#$8"&1)$3$#;& 3$%'4& `#"& 1"%%);"& %"#'& '+& '("& :3+;^%& "1)$3&

)99,"%%F& 6+*39& :"& 9"3$@","9& '+& ")8(& 1"1:",^%&B#:+<4

B& *%"9& >+%'",+*%& :"8)*%"& $'& )33+6"9& *%& '+&

8,")'"& )& =,$@)'"& %$'"& '()'& %*==+,'"9& :+'(&

" 1 ) $ 3& = + % ' $ # ;& ) # 9& " 1 ) $ 3& 8 + # ' " # '& 9$%',$:*'$+#4& 0)#D&+-&*%&),"&*#8+1-+,'):3"&

Shades MAGAZINE | www.shadesofthedeparted.com 11

=*''$#;& =",%+#)3& $#-+,1)'$+#& +#& =*:3$8&

:)%"9& +#&'("& >+%'",+*%& -,)1"6+,E4& 2)33"9&

)3'",#)'$@"4& B'& 6+,E"9&:")*'$-*33DF& )33+6$#;&

'()'&$'&6$33&:"&'(","&)%&3+#;&)%&6"F&'("&*%",%F&

%+8$)3& #"'6+,E%& %+& '($%& 6)%& )& ()#9D& 1D& -)1$3D& '+& %(),"& #"6%F& =(+'+%F& @$9"+%& )#9&3+'%& 1+,"& $#& )& =,$@)'"F& D"'& ")%DV'+V*%"& 6)D4& L@"#& '("& 1+%'& 9$;$')33DV8()33"#;"9& -)1$3D& 1"1:",%& 8+*39& %"#9& )#& "1)$3& 1"%%);"F&'(",":D&)99$#;&'("$,&+6#&#"6%4&

B'&9$9#l'&')E"&3+#;&'+&,")3$d"&'()'&'($%&6)%#l'&

e*%'& )#& "--"8'$@"& #"6%& %",@$8"F& :*'& $'& 6)%& ) 3 % +& : " 8 + 1 $ # ;& )& - ) 1 $ 3 D& e + * , # ) 3&

9+8*1"#'$#;&'("&1)e+,&"@"#'%&$#&+*,&6+,39& )3+#;& 6$'(& '("& "@",D9)D& ',$@$)& +-& :++E&

,"8+11"#9)'$+#%& )#9& %(),"9& ,"8$="%4& B'& ")%$3D& %*==+,'"9& =+%'$#;& =(+'+;,)=(%F& @$9"+& )#9& "@"#& )*9$+& "3"1"#'%& %+& $'&

8+33"8'"9&)&,$8(&@$"6&+-&+*,& -)1$3Dl%& 6+,394& .($%&$%&'("&E$#9&+-&$#-+,1)'$+#&B&6+*39&3+@"& '+&()@"&+#&)#D&+-&1D&)#8"%'+,%b&

B&6)%& 9"3$;('"9&'+& %""& 1D&-)1$3Dl%& $#'","%'& )#9& =),'$8$=)'$+#& ;,+64& c#-+,'*#)'"3DF& $'&

8)1"& '+& )& %8,""8($#;& ()3'& 3)%'& 7=,$34& .("& =,+:3"1& 6)%#l'& 1D& -)1$3D& 4& 4& 4& $'& 6)%& '("&

:3+;& =3)'-+,1& 6"& 6","& *%$#;4& 7-'",& :"$#;& :+*;('&:D&.6$''",F&$'&6)%#l'&3+#;&:"-+,"&'("& >+%'",+*%&:3+;&=3)'-+,1&6)%&%(*'&9+6#4&&

/+,'*#)'"3DF& '6+& +-&'("& +,$;$#)3&9"@"3+=",%& :"3$"@"9& '()'& >+%'",+*%& 6)%& 6+,'(&%)@$#;4&

.("D& 9"8$9"9& '+& :*$39& '("$,& +6#& =3)'-+,1& 12 Shades MAGAZINE | Cops And Robbers 2014

!"#$%&'()F& '($%& #"6& =3)'-+,1& =,+1$%"%& 6)#'& $'4& .+& :)8E& '("$,& 83)$1F& '("D& ),"&

8(),;$#;&*%",%& kg4PP&)& 1+#'(&'+& 8,")'"&)#& )88+*#'& '()'& 6$33& %*==+,'& *=& '+& '"#& :3+;%4&

B#&)&6+,39&6(","&'"8(&%'),'*=%&),"&-+8*%"9&

+#&($;(V=,$8"9&:*D+*'%F&'("%"&;*D%&6)#'&'+& :*$39&)&3";)8D4&B&3$E"&'()'4

*5677879&8:&;<=&>?&6&:@AA<::B@5& 7<C:&:8><DE?@F765

L@"#& '(+*;(& $'^%& %'$33& )& 6+,EV$#V=,+;,"%%F& !"#$%&'()&()%&)33& '("&-*#8'$+#)3$'D&#""9"9&

'+& %*==+,'& +*,& -)1$3D& %$'"4& .("& 8+#'"#'&

-,+1& +*,& +,$;$#)3& %$'"& ()%& :""#& 1$;,)'"9&

%*88"%%-*33D& )#9& +*,& #"6& %$'"& 6)%& $#',+9*8"9& '+& '("& -)1$3D& 3)%'& 1+#'(4& .("& $.($#;%&$#&'("&-)1$3D& ),"&)3,")9D&:"$#;&=*'&

'+& *%"& %(),$#;& =$8'*,"%& +-& #"6& ="'%F& ),'%& )#9&8,)-'%&8,")'$+#%& )#9&'("&3)'"%'&,"8$="%4&

B'& 3++E%& 3$E"& "@",D+#"& $%& %"''3$#;& $#& f*$'"& 6"334

B-&D+*&),"& $#'","%'"9&$#&:*$39$#;& D+*,&+6#&

#"6%& 8"#'",Z-)1$3D& e+*,#)3F& :";$#& :D& ;,)::$#;& )& 8+=D& +-& '("& 2-13*(4$& 5($$6&

7-)*8"9$.& 7(4#$( +#3$#"& )'& 58,$:9& -+,&

9"')$3%&+#&(+6& '+&;"'&D+*,&#"6%&8"#'",& %"'& *=4& .("& >,$1",& $%& ;"''$#;& ,";*3),& *=9)'"%& )%&'("&>+%'()@"#&=3)'-+,1&9"@"3+=%4&

>3)##$#;& $%& E"D& '+& )& %*88"%%-*3& #"6%& %$'"Z

e+*,#)34& 7& %'")9D& %',")1& +-& #"6%& )#9&

-)1$3D& %'+,$"%& 6$33& ("3=& ;"#",)'"& $#'","%'& )#9& =),'$8$=)'$+#F& :*'& :"& =,"=),"9& '+&

=,+@$9"& 1+%'& +-& '("& #"6%& )#9& ),'$83"%&

=*:3$%("9&+#&'("&%$'"&*#'$3&-)1$3D&1"1:",%& ;"'&8+1-+,'):3"&6$'(&'("&=3)'-+,14&J","&),"& )&-"6&$9")%&'+&("3=&D+*&;"'&%'),'"9R

A$@"& D+*,& #"6%& 8"#'",& )& 8)'8(D& #)1"4& `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a+*& 8+*39& %'),'& :D& =+%'$#;& :$,'(9)D& m8),9%m& )#9& "#8+*,);$#;& "@",D+#"& '+& %(),"& '("$,& ;,""'$#;& +,& )& -+#9&1"1+,D& )%&)&8+11"#'&'+&D+*,&=+%'4&

L#8+*,);"& D+*,& -)1$3D^%& ($%'+,$)#%& '+& %(),"&'("$,&%'+,$"%4&

Q("#&)&-)1$3D&(")9%& +*'&+#&)&@)8)'$+#F& ,"1$#9& '("1& '()'& $'^%& e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

7%E& %+1"+#"& 6$'(& )& %1),'& =(+#"& '+& 8)='*,"& @$9"+& 83$=%& -,+1& )& -)1$3D& 6"99$#;& )#9& =+%'& '("1& -+,& '(+%"& 6(+& 8+*39#l'&)''"#94&?)'",&D+*&8)#&)99&3$#E%& '+& +#3$#"& =(+'+& 8+33"8'$+#%& +-& '("& -"%'$@$'$"%4 `,;)#$d"& )& (+3$9)D& ,"8$="& %6)=& 6(","& =),'$8$=)#'%&=+%'& '("$,&-)@+,$'"&Y8(++%"& )&(+3$9)D[&9$%(4&

B-& D+*l@"& ;+'& 1$3$'),D& +,& +'(",& -)1$3D& 1"1:",%&3$@$#;&)6)D&-,+1&(+1"F&%(),"& 3+8)3& #"6%& $'"1%& %=+'3$;('$#;& +39& -,$"#9%&)#9&#"$;(:+,%4

Shades MAGAZINE | www.shadesofthedeparted.com 13

2"3":,)'"&%*88"%%"%& :D& %=+'3$;('$#;&'("& =",%+#&+#3$#"4& 7& :3*"V,$::+#&)==3"&=$"F& 6$##$#;& (+1"& ,*#& +,& )6),9V6$##$#;& %8$"#8"& -)$,& =,+e"8'& )33& 9"%",@"& ,"8+;#$'$+#& )#9& %=+'3$;('$#;& +#"& %*88"%%& 6$33& ("3=& 1+'$@)'"& +'(",%& '+& %*:1$'&#"6%&):+*'&'("$,&%*=",%'),%4

7%&D+*&8)#&%""F&)&-)1$3D&#"6%&8"#'",&8)#&:"& :+'(& -*#& )#9& $#-+,1)'$@"4& L@"#& :"''",F& $'&

:*$39%& )& 1"9$)V,$8(& %'+,D& +-& D+*,& -)1$3D& '()'& 6$33& :"& )& =,$8"3"%%& ',")%*,"& -+,& ;"#",)'$+#%&'+&8+1"4&

Q(+^%& (+%'$#;& .()#E%;$@$#;& 9$##",]& >+%'& '("&9"')$3%& )#9&*%"& '("&8+11"#'%& '+& ()@"& "@",D+#"& )99& 6()'& '("D^33& :"& :,$#;$#;4& M+6& D+*^@"& ;+'& )33& '("& "@"#'& 9"')$3%&$#&+#"&")%D&'+&_$#9&3+8)'$+#4& `*,& -)1$3D& "#e+D%& ,")9$#;& )#9& 1+%'& -+3E%& #+6& ()@"& "$'(",& )& h$#93"& ,")9",& +,& )==4& `*,& ."3";,)=(& #"6%&8"#'",& ()%& :"8+1"& )& @",D& "--"8'$@"& 6)D& '+& %(),"& G,"@$"6%H& +-& -)@+,$'"& :++E%& )#9& +,;)#$d"& %(),$#;&'(+%"&":++E%& '()'&),"& 3"#9):3"4

Fre

e

!!"#$!%&'J()(

14 Shades MAGAZINE | Cops And Robbers 2014

Annie Cooperstein had a unique hiding place for $25,000 in jewels Annie Cooperstein’s Mug Shot

RATS! HIDDEN DIAMONDS 1907 THE RAT A mound of artificial or real hair used to add height or volume to a woman’s hairstyle..

16 Shades MAGAZINE | Cops And Robbers 2013

In 1907, twenty year old Annie Cooperstein was employed as a domestic in the home of Thomas Simon, a shirtwaist manufacturer in New York City.

In May of that year, jewelry disappeared from the Simon home and its loss was reported to the police. Annie, who had only been employed for a week, was questioned by Lt. Andrew J. McNulty of the West 125th Street Station. She claimed to know nothing of the missing jewels. A claim McNulty did not believe.

Later than night, Annie told her employer she needed to see a physician and left the residence, only to be arrested just outside the door. McNulty had been waiting and with the assistance of Mrs. Simon searched young Annie. They found nothing. McNulty then asked Annie to let down her hair.

Cleverly concealed in her rat, in an old stocking, were three gold rings, three gold plated rings, a gold watch set with diamonds, a half dozen stick pins, and a diamond starburst valued at $25,000.

“That feels better,” said the unrepentant maid. “My head has been top heavy for the last two days. But my, I never thought you would search the rat!” New York World, 1907.

Ga+*^@"&,")9&'("&%'+,D&+-&I"%%"& I)1"%&+-&(+6&("&3$@"9&)#9&9$"94 B-&D+*^,"&%'$33&$#&#""9n +-&%+1"'($#;&'+&,")9F (","^%&'("&%'+,D&+-&K+##$"&)#9& 23D9"4

APPEALING SUBJECTS

bonnie & clyde WHAT IS THE APPEAL? CRAIG MANSON

I*%'& )%& '("& `E3)(+1)& 9*%'& :+63&%D1:+3$d"9&'("&9"%=)$,& +-&,*,)3& 8+11*#$'$"%& 9*,$#;&'("& A,")'& !"=,"%%$+#F& 2"1"#'& 2$'D& $#& '("& 6"%'",#& =+,'$+#& +-& !)33)%& 2+*#'DF& ."<)%F& 6)%& '("& ),8("'D=)3&*,:)#&=++,&8+11*#$'D&9*,$#;&'("&%)1"&'$1"4&7%&;,$1&)#9&;,)D&)%&)&=3)8"&8)33"9&& 2"1"#'& 2$'D& 8+*39& :"F& L11)& h,)*%"& >),E",& ()9& 3$''3"& 8(+$8"& :*'& '+& 1+@"& (",& -)1$3D& :)8E& '(","& $#&

ONOo&)-'",&(",&(*%:)#9&2(),3"%F& )&:,$8E3)D",F& 9$"94&& 5("&1+@"9&(",&'(,""&8($39,"#F&J*:",'F& K+##$"F& )#9&

K$33$"& '+& '("& (+1"& +-& '("$,& ;,)#91+'(",F& 0),D& h,)*%"4& ?)'",F& '("& (+*%"(+39& 6+*39& $#83*9"& J*:",'l%& 6$-"F& L9$'(F& )#9& K$33$"l%& (*%:)#9F& /,"9& 0)8"F&)#9&'("$,&$#-)#'&%+#F&)3%+&#)1"9&/,"94

L11)l%& 1$993"& 8($39F& K+##$"F& 6)%& )& %')#9V+*'&

%'*9"#'& $#& ($;(& %8(++34& & K+##$"& "<8"33"9& $#& 1+%'& %*:e"8'%& )#9& 6,+'"& %'+,$"%& )#9& =+"1%4& K*'& 6("#& %("&1"'&\+D&.(+,#'+#F&(",&)8)9"1$8&8),"",&8)1"&

Bonnie Parker next to a [likely stolen] car. One of

'+&)#&):,*='&"#94& &K+##$"&)#9&\+D&;+'&1),,$"9&$#& the so-called "Joplin Photographs," discovered by

police after the Barrow Gang fled their hideout in

5"='"1:",F& ONCWn& K+##$"&6)%&#+'& f*$'"& OW&D"),%& Joplin, Missouri. +394& &.("$,& 1),,$);"&6)%& )& ',+*:3"9&+#"4& & `#&'("&

Shades MAGAZINE | www.shadesofthedeparted.com 19

+#"&()#9F&K+##$"&%""1"9&9"@+'"9&'+&\+D4& &5("&()9&'("$,&#)1"%&')''++"9&&+#&&(",&3";&):+@"& '("&E#""4& & `#&'("& +'(",& ()#9F& & \+D& 6)%& )& 8,$1$#)3& 6(+& 6"#'& '+& =,$%+#&-+,& :*,;3),D&)#9&

,+::",D4& & !"%=$'"& \+Dl%& %')'"V"#-+,8"9& ):%"#8"& )#9& +'(",& ',+*:3"& $#& '("& 1),,$);"F& '("& 8+*=3"&,"1)$#"9&1),,$"9n&'("$,&*#$+#&6)%&'",1$#)'"9&:D&9")'(4

7-'",&\+D&6)%&$#8),8",)'"9&'("&_$,%'&'$1"F&K+##$"&%*==+%"93D&'+39&(",&1+'(",F&GQ"33F&B&9$9#l'& 9$@+,8"&($1&:"-+,"&p("&6"#'&'+&=,$%+#qn&B&'($#E&$'&6+*39&:"&%($''D&'+&9+&$'&#+64H

5++#&)-'",F& &K+##$"&1"'&23D9"&K),,+6F&)3%+&)&8,$1$#)3F&:*'&)&8(),$%1)'$8&)#9&()#9%+1"&+#"4&& 23D9"&6)%&)3%+&-,+1&'("&=+@",'D&+-&Q"%'&!)33)%4&&

K+##$"& 1"'& 23D9"& $#& ONTPn& %("& 6)%& #+'& D"'& CP& D"),%& +394& & .("& & K),,+6& G;)#;H& 6($8(&

$#83*9"9&)#&"@",V8()#;$#;&8)%'&+-&8(),)8'",%F&1")#'&"<8$'"1"#'&)#9&;3)1+,&'+&K+##$"4&&.("& 8+,"& 1"1:",%& +-& '("& ;,+*=& $#83*9"9& 23D9"l%& :,+'(",F& K*8En& K*8El%& 6$-"F& K3)#8("n& J"#,D& 0"'(@$#n&)#9&Q4!4&I+#"%4

/,+1& '("& & :";$##$#;& 6$'(& 23D9"F& K+##$"& L3$d):"'(& >),E",& 6)%F& $#& 1)#D& 6)D%F& %'$33& )& 3$''3"& ;$,34& >(D%$8)33DF& %("& 6)%& )&

8+*=3"&$#8("%&%(D&+-&_$@"&-""'&')33F&)#9&6"$;("9&3"%%&'()#&OPP& =+*#9%4& &&7%&1*8(&%("&-+*#9&3$-"&+#&'("&,*#&'+&:"&;3)1+,+*%F&

%$d):3"&=+,'$+#%&+-&'("&=*:3$8&6","&')E"#&&:D&K+##$"l%&8(),14&& K+##$"& %+39& #"6%=)=",%F& =*'& :*''%& $#& %")'%& )'& '("& =$8'*,"&

%(+6&Y'+&%""&'("&3)'"%'&#"6%&,""3%[4&pM"6%=)=",%F&#"6%,""3%R& -+,& '(+%"& *#9",& )& 8",')$#& );"F& #+6V"<'$#8'& %+*,8"%& +-&&

$#-+,1)'$+#q4& .($#E& +-& (",& )%& '("& ?$#9%)D& ?+()#& +-& '("& !"=,"%%$+#&",)4

.("&K),,+6&;)#;&6)%& f*$'"&%*88"%%-*3& )'&,+::$#;&%1)33&%'+,"%&)#9&:*%$#"%%4& & 7%& '("&ONWi& %+#;&=*'&$'F&GK+##$"&)#9&23D9"&&%++#&:"8)1"&>*:3$8&L#"1D&M*1:",&O4H&&p.($%&6)%&)&%',"'8(F& (+6"@",F&%$#8"&'("&%)1"&",)&$#83*9"9&'("&8,$1$#)3&"<=3+$'%&+-&G>,"''D&K+DH&/3+D9F&GK):D-)8"H& M"3%+#&)#9&I+(#&!$33$#;",q4

20 Shades MAGAZINE | Cops And Robbers 2014

2"#$%!K&''()!*+!,-./($#!&.!&!OW!#%&'! ("$

After “running and hiding from every American lawman's gun,” according to historian Georgie Fame TAP/SELECT, Bonnie and Clyde “advanced their reputation and made their graduation into the banking business.”

A likely-­‐not-­‐apocryphal description of a Barrow gang operation is characterized thus by Professor Fame:

“Reach for the sky,” sweet-­‐talking Clyde would holler

As Bonnie loaded dollars

into a dewlap bag.

How much Bonnie contributed to the smoothness of the Barrow operation is not clear. But she had the public's attention. Indeed, she had the public’s affection as well. In the Depression era, anybody who could “stick it to” the banks was a hero to a great number of Americans.

The gang was constantly a step ahead of law

The Joplin, Mo., hideout where the gang almost was captured in April, 1933.

enforcement. However, they had a close call at Joplin, Missouri, in April, 1933. They had hidden out in a rented apartment in Joplin.

The local police did not know who the suspicious-­‐acting group were, but organized a small raid on the apartment. After a gun_ight, the gang got away. When the police entered the apartment from which the gang had _led, they found a treasure trove of evidence, including a number of photographs. They also discovered poems, stories, and other writings by Bonnie Parker.

The Joplin photographs are the most often displayed photos of the Barrow gang (other than mugshots). In fact, it was through the Joplin photographs that most of the nation _irst came to see the faces of the gang.

Social historian Georgie Fame characterizes the essence of Bonnie's writings as follows:

22 Shades MAGAZINE | Cops And Robbers 2014

Bonnie ("playfully") points a shot gun at Clyde.

Joplin Photograph.

.("D&*%"9&'+&3)*;(&):+*'&9D$#lF K*'&9""=&$#%$9"&l"1&'("D&E#"6 .()'&=,"''D&%++#&'("Dl9&:"&3D$#l K"#")'(&'("&;,+*#9&'+;"'(", >*%($#;&*=&9)$%$"%&'+&6"38+1"&'("&%*# 7#9&'("&1+,#$#;&9"64&

/)1"&9"%8,$:"%&'("&9"#+*"1"#'&+-&'("&K+##$"&)#9&23D9"&%'+,D&'(*%3DR 78'$#;&*=+#&,"3$):3"&$#-+,1)'$+# 7&-"9l,)3&9"=*')'$+#&3)$9&)&9")93D&)1:*%(4 Q("#&K+##$"&)#9&23D9"&8)1"&6)3E$#;&$#&'("&%*#%($#" 7&()3-&)&9+d"#&8),:$#"%&+="#"9&*=&+#&'("14 K+##$"&)#9&23D9"F&'("D&3$@"9&)&3+'&'+;"'(", 7#9&_$#)33D&'+;"'(",&'("D&9$"94

78'*)33DF& '()'l%& #+'& "<)8'3D& (+6& $'& ()=="#"94& .("& %(+,'& @",%$+#& $%& '($%R& .("& A+@",#+,& +-&

."<)%& "#;);"9& '("& %",@$8"%& +-& )& & 3";"#9),D& ,"'$,"9& ."<)%& \)#;",F& /,)#E& J)1",F& '+& ',)8E& 9+6#&K+##$"&)#9&23D9"&)#9&'("&,"%'&+-&'("&K),,+6&;)#;4&&7'&):+*'&'("&%)1"&'$1"F& &3+8)3&3)6& "#-+,8"1"#'&+-_$8$)3%&6","&+#&'("&',)$3&+-&'("&;)#;4

J)1",&()9&_$;*,"9&+*'&)&=)''",#&'()'& '("&;)#;&"#;);"9&$#4& &J"&-+*#9&'()'&'("D& -,"f*"#'3D& %E$,'"9&'("&"9;"%&+-&):+*'& _$@"&=),'$8*3),&%')'"%F& )#9&'("$,&1+@"1"#'%& 8+$#8$9"9&6$'(&6$'(& @$%$'%& '+& -)1$3D& 1"1:",%4& J)1",& 8)38*3)'"9& '()'& '("& ;)#;& 6+*39& #"<'& @$%$'& '("& -)1$3D& +-& J"#,D&0"'(@$#F&6(+&3$@"9&$#&M+,'(",#&?+*$%$)#)4

5+& $'& 6)%& '()'& J)1",& '+;"'(",& 6$'(&)#+'(",& ,"'$,"9&."<)%& \)#;",& )#9& '6+& !)33)%& 2+*#'D&

5(",$--l%&9"=*'$"%&Y+#"&+-&6(+1&()9&;,+6#&*=&$#&2"1"#'&2$'D&)#9&E#"6& 23D9"&K),,+6&)#9& K+##$"&>),E",F&=",%+#)33D[&6","&$#&?+*$%$)#)&$#&3)'"&0)D&ONTo4& &c=+#&3"),#$#;&'()'&'("&;)#;&

6)%& $#& -)8'& (")9"9&-+,& '("& 0"'(@$#&-)1$3D& (+1"& $#& K$"#@$33"& >),$%(F& J)1",& )#9&($%& %1)33& Shades MAGAZINE | www.shadesofthedeparted.com 23

TEXAS RANGER CAPT FRANK HAMER.

The posse that killed Bonnie and Clyde. (Standing: Ted Hinton, Dallas County Sheriff's Office; Prentiss M. Oakley, Bienville Parish (La.) Sheriff's Office; B.M. "Manny" Gault, retired Texas Ranger. Seated: Bob Alcorn, Dallas County Sheriff's Office; Henderson Jordan, Bienville Parish Sheriff's Office; and Frank Hamer, retired Texas Ranger and leader of the "Bonnie & Clyde Task Force."

=+%%"& %"'& *=& )#& )1:*%(& )3+#;& J$;(6)D& Ogo4& .("D& 6","& )%%$%'"9& :D& '6+& +-_$8",%& -,+1& K$"#@$33"&>),$%(4&&B'&%""1%&'("D&1)D&)3%+&()@"&()9&'("&8++=",)'$+#&+-&'("&0"'(@$#&-)1$3D4

7:+*'& NROg& 70&$#&'("& 1+,#$#;& +-& 0)D&CTF& ONToF& & 23D9"& K),,+6& 9,$@$#;& )& %'+3"#&8),&6$'(&

K+##$"& >),E",&:"%$9"& ($1F& 9,+@"& )3+#;& J$;(6)D&Ogo&$#& '("&9$,"8'$+#& +-& 5)$3"%F& ?+*$%$)#)4&& Q("#&("& %)6& 0"'(@$#l%& -)'(",& =),E"9& )3+#;& '("& ($;(6)DF& 23D9"& %'+=="9& '("& 8),4& 731+%'& $#%')#'3DF& ;*#_$,"& :,+E"& +*'4& .(","& ),"& 8+#_3$8'$#;& )88+*#'%& +-& 6(+& _$,"9& _$,%'F& :*'& $'& 1)D& ()@"&:""#&+#"&+-&'("&K$"#@$33"&>),$%(&+-_$8",%4&&

A!crowd gathers around Bonnie and Clydeâ&#x20AC;&#x2122;s bullet-ridden sedan not long after the fatal ambush.

M4K4& B#& '("& 8)%"& +-& K+##$"& )#9& 23D9"F& )%& 6$'(& 1)#D& 8)%"%& '()'& :"8+1"& ,+1)#'$8$d"9& $#& -+3E3+,"F&$'&$%&*#-+,'*#)'"3D&)33&'++&")%D&'+&-+,;"'&'("&',*"&#)'*,"&+-&6()'&()=="#"94&7'&3")%'& #$#"&3)6&"#-+,8"1"#'&+-_$8",%&E$33"9F&)#9&)&;,")'",&#*1:",&+-&8$'$d"#%&3+%'&'("$,&3$@"%&'+&'("& K),,+6& ;)#;4& Q"& 9+#l'& E#+6& )33& +-& '("$,& #)1"%F& :*'& 6"& 9+& #""9& '+& (+#+,& '("$,& %)8,$_$8"%4& & !"#$ %&''&($)*$%)++,#$&+($-'.(#$/)0(1$&+($231,4$5.$ 6,74"$ 6300&.$ 8$ 9#7#0$ -&''#+(#0$ 4):.0,;"7$ <=>?@$$ 6,74"$6300&.$8$9#7#0$-&''#+(#0

Shades MAGAZINE | www.shadesofthedeparted.com 25

A&''$:")7)1B$CD$E#:7$)*$F317,4#G$H#(#0&'$%30#&3$)*$I+J#17,;&7,)+G$"77:KLLM5,N;)JLN

B#&e*%'&)&-"6&1$#*'"%F&'("&%);)&+-&K+##$"&)#9&23D9"&6)%&+@",4

The Father of the Mugshot & The Bertillon System of Criminal Identification

“ONE CAN ONLY SEE WHAT ONE OBSERVES, AND ONE OBSERVES ONLY THINGS WHICH ARE ALREADY IN THE MIND”

ALPHONSE BERTILLON Alphonse Bertillon was born in Paris,

In 1888, Bertillon standardized the process

France, in 1853, the son of a physician. He

of the photograph used as a mug shot into

graduated from the University of Paris with

two parts, a front view and a side view.

high honors in the study of anthropology

Prior to Bertillon’s system, photographs

and statistics.

w e r e c o m p l i m e n t e d w i t h v a g u e

In 1878, Bertillon was employed as a records clerk for the Paris Police. There he spent seven years developing a m e t h o d

o f

descriptions having no structure. The fact a description could be different depending on the author made them highly unreliable.

In the _irst year of use in Paris, 49

c r i m i n a l

identi_ication through the use of anthropometry; it was called the Bertillon System.

The system required the measurement of the width

individuals were recognized as

A typical mug shot is two-part, with one sideview photo, and one front-view.

and length of the head; the length of the left, middle and little

habitual criminals with 741 identi_ied by 1885.

In 1887, R.W. McClaughry, Warden of the Illinois State Penitentiary at Joliet introduced

the Bertillon System in the United

_ingers, the length of the left foot, forearm,

States. McClaughry was also the secretary

and right ear; the height of the individual;

of a newly formed Warden’s Association

and the measurement of the person while

who urged its member Wardens and Chiefs

seated from the bench to the top of the

of Police to adopt the system. It became

head. Other identifying characteristics

quickly and widely accepted. The Bertillon

included, birthmarks, scars, eye and hair

system continued as the dominant criminal

color, and a description of the nose. Before

identi_ication method in the U.S. for almost

that time, criminals could only be

three decades.

identi_ied by name or photograph.

Shades MAGAZINE | www.shadesofthedeparted.com 27

K",'$33+#&2),9 Q$33$)1&a+*#;F&B#1)'"&M+4&oPO j$+3)'$+#&+-&B#'",%')'"&2+11",8"&?)6% Q(""3$#;F&Q"%'&j$,;$#$) c454&>"#$'"#'$),D&7'3)#') M)'$+#)3&7,8($@"%&VV&WoOgio ONPC

B#& ONPTF& '("& 8)%"& +-& '("& GQ"%'& K,+'(",%H&

6)%& '("& =(+'+;,)=(4& QB??& QL5.& 9"#$"9&

)#9& 9"1+#%',)'"9& '("& ,"3$):$3$'D& +-& '("&

?"@"#6+,'(&>"#$'"#'$),D4

($;(3$;('"9& )& 8($#E& $#& '("& K",'$33+#& ),1+,& " 1 " , ; $ # ;& % 8 $ " # 8 "& + -& _ $ # ; " , = , $ # '&

$9"#'$_$8)'$+#& +@",& '()'& +-& '("& "<$%'$#;& K",'$33+#&%D%'"14

QB??& QL5.& 6)%& 8+11$''"9& '+& '("& c454& >"#$'"#'$),D& )'& ?"@"#6+,'(F& h)#%)%4& J$%&

8+11$'1"#'& $#83*9"9& =(+'+;,)=($#;& )#9& ')E$#;& +-& '("& K",'$33+#& 1")%*,"1"#'%4&

Q("#&'("&83",E&)''"1='"9&'+& 8)')3+;*"&'("& #"63D& $#8),8",)'"9&QB??& Q"%'& ("& -+*#9& )&

8),9& )#9& =(+'+;,)=(& -+,& +#"& QB??B70&

"@",& ()@$#;& :""#& )& =,$%+#",& $#& '("& .("&83",EF& *=+#&$#%="8'$+#&+-&'("&QB??B70& QL5.& 8),9& -+*#9& '()'& QB??B70& QL5.F&

8*,,"#'3D& )& =,$%+#",& $#& '("& >"#$'"#'$),D& ()@$#;& :""#& 8+11$''"9& -+,& 1*,9",& $#&

ONPOF& ()9&9"8$9"93D&9$--","#'& _$#;",=,$#'%4& .("& 8)%"& +-& '("& '6+& QL5.5& $#9$8)'"9& '("& -)33)8$"%&+-&'("&K",'$33+#&%D%'"1&)#9&3")9&'+& '("&)9+='$+#&+-&_$#;",=,$#'&$9"#'$_$8)'$+#&)%& '("&=,"-",,"9&1"9$*14

QL5.& )3,")9D& "<$%'"94& .("& K",'$33+#&

Photo from the Collection of the National Law Enforcement Museum, Washington, D.C. (1960)

1")%*,"1"#'%& 6","& #"),3D& $9"#'$8)3F& )%&

/01!234156 $171879:1 73)#&>$#E",'+#&V&J"&M"@",&53"='

!*,$#;& '("& #$#"'""#'(& 8"#'*,DF& '("& ($%'+,D& +-& =,$@)'"& =+3$8$#;& $%& 83+%"3D& '$"9& '+& '("& 9"@"3+=1"#'& +-& '("& >$#E",'+#& M)'$+#)3& !"'"8'$@"& 7;"#8D4& .("& >$#E",'+#%& 8)1"& '+& =,+1$#"#8"&9*,$#;&'("&2$@$3&Q),F&6("#&)&-"1)3"&>$#E",'+#&9"'"8'$@"F& h)'"&Q),#"F& 6)%&%"#'& '+& =,+'"8'& ?$#8+3#&-,+1& )#& )%%)%%$#)'$+#& =3+'4& h)'"& Q),#"& 6)%& '("& _$,%'& -"1)3"& 9"'"8'$@"& );"#'&$#&'("&c#$'"9&5')'"%4&

>$#E",'+#%&6","&'("#&"1=3+D"9&)%&8+*#'","%=$+#);"&);"#'%&:D&'("&c#$+#&7,1D4&

7-'",& '("& 6),& >$#E",'+#& ,"'*,#"9& (+1"& '+& 2($8);+& '+& =*,%*"& ',)$#& ,+::",%& )#9& f*"33"9& 3):+,&%',$E"%4&.("&3+;+&%""#&):+@"&6)%&'("&$1="'*%&-+,&'("&'",1&>,$@)'"&LD"4

KD& '("&OUiP%F& '("&>$#E",'+#%& 83)$1"9&'+& ()@"& )%%"1:3"9&'("&3),;"%'& 8+33"8'$+#&+-&8,$1$#)3& 1*;&%(+'%&$#&'("&6+,39&8,")'$#;&)&(*;"&8,$1$#)3&9)'):)%"&-+,&'("$,&);"#'%4

30 Shades MAGAZINE | Cops And Robbers 2014

Portrait of Allan Pinkerton (1819 - 1884)

INSPECTOR’S MODEL From Professional Criminal of America Thomas Byrnes 1886

INSPECTOR’S MODEL Replaced the detective with the photographer Darkness & Daylight Thomas Byrnes 1893

Police Photography AKA CELL-FIES Police photography is almost as old as photography itself. One of the _irst mentions is in a British photography magazine where it discussed photographs being taken of bodies found _loating in the Thames. The photographs were shown to the families for identi_ication.

In 1846 Mathew Brady photographed prisoners in New York City’s Blackwell’s Island prison. The daguerrotype images were published in The Rational of Crime, a phrenological reformist publication in that same year.

Switzerland was the _irst country to mention crime-­‐scene photography as early as 1860. By the 1850s, police departments such as San Francisco’s were keeping rogues’ gallery collections of daguerreotypes of criminals for identi_ication. Isaiah Lees, the _irst Captain of Detectives in the San Francisco Police Department, used his own money to pay to have criminals photographed. Other major police departments were soon to follow. New York, London 1870, and Paris 1874.

By the 1880s most respectable police departments and private agencies such as Pinkerton’s had mug shot books. In 1886 New York City Police Inspector Thomas F. Byrnes (pictured opposite) wrote and published the book Professional Criminals of America _illed with rogues’ gallery photographs and captions describing their crimes. Byrnes’ purpose in writing the book was to suppress criminal activity having made the criminals widely known. Unfortunately, the criminals loved their notoriety.

Shades MAGAZINE | www.shadesofthedeparted.com 33

This ledger book contains inmate mug shots, ten sets of front and profile on each page. Courtesy Eastern State Penitentiary.

34 Shades MAGAZINE | Cops And Robbers 2014

HOLD STILL The Methods Used to Get That Mug Shot m^`-& 6()'& ;++9&8)#& '("%"&'6$%'"9& )#9&*##)'*,)3& -)8"%& :"]& Q","& '("$,& +6#",%& 1"'& $#& '("&

%',""'%F&'("$,&8+*#'"#)#8"%&6+*39&:"&8+1=+%"9&)#9&)3'+;"'(",&-,""&+-&'("%"&9$%'+,'$+#%&:D& 6($8(& '("D& ()@"& ',$"9& '+& 8(")'& '("& =*,=+%"& +-& '("& =+3$8"& $#& =(+'+;,)=($#;& '("14^&B'& $%& )& 1$%')E"& '+&%*==+%"&'()'& #+&+#"&6+*39&E#+6&'("14& .("&@",D&83"@","%'& 8,$1$#)3%&6(+& ()@"& 9$%'+,'"9&'("$,&-")'*,"%&$#'+& )&-)3%"&=(D%$+;#+1D&-+,&'("&8)1",)&()@"&1)9"&'("$,&;,$1)8"%& $#& @)$#4& .("&%*#& ()%& :""#&'++& f*$8E& -+,&'("1F& )#9&()%& $1=,$%+#"9&'("&3$#"%&+-&'("& =,+_$3"& )#9&'("&-")'*,"%F&)#9&8)*;('&8",')$#&="8*3$),$'$"%&'()'&8+*39&#+'&:"&9$%;*$%"94&.(","&$%&#+'&)& =+,',)$'&$#&'("&\+;*"%l&A)33",D&:*'&()%&%+1"&1),E"9&8(),)8'",$%'$8%&:D&6($8(F& $-&%'*9$"9&$#& 9"')$3F&+#"&8)#&$9"#'$-D&'("&1)#&6(+&%)'&-+,&$'4H&A#(8,%&&.#,$.A#B-+>"4C.D(@.E+>"4&.#,$.!"#$)6&.)*.

Courtesy of Nebraska State Historical Society

5%6.7)(8.E+*%9&KD&J"3"#&2)1=:"33F&.(+1)%&Q)33)8"&h#+<F&.(+1)%&KD,#"%4

A po

1890

C

y of N ourtes

ebrask

a Stat

orical e Hist

Societ

y

licem a body n finds a gang of a mu list on th r ster. e His r dered ate c ard.

Nose Punches -$ an Ear c d jaw bro 2.00 he ke The big jo wed off - - $10.00 -$ b -- a hund 15.00 red b and u ucks p.

36 Shades MAGAZINE | Cops And Robbers 2014

7,,"%'"9& -+,& @);,)#8DF& A+39$"& Q$33$)1%& 9"_$)#'3D&8,+%%"9&(",&),1%&-+,&(",&`1)()& >+3$8"& 2+*,'& 0*;& 5(+'4& 7,,"%'"9& +#& I)#*),D&CNF&OUNUF&Q$33$)1%F&)3%+&E#+6#&)%& 0";& 0*,=(DF& %'++9& +#3D& g& -""'& ')33& )#9& 6"$;("9& OOP& =+*#9%& )88+,9$#;& '+& =+3$8"& ,"8+,9%4& 5("& 3$%'"9& (",& (+1"& )%& 2($8);+& )#9& (",& +88*=)'$+#& )%& )& =,+%'$'*'"4& 788+,9$#;& '+& (",& ),,"%'& 9"%8,$='$+#%F& (",& 3"-'&$#9"<&_$#;",&6)%&:,+E"#&)#9&%("&()9&)& 8*'&:"3+6&(",&,$;('&6,$%'4& Q$33$)1%&%=+,'%& )#& "3):+,)'"& ()'& 6$'(& %)'$#& ,$::+#%& )#9& -")'(",%4& 5("& )3%+& 6"),%& 3),;"& (++=& "),,$#;%4

Photographer As Con Man Yes, even photographers had a criminal element.

A _ine line separates the salesman from the con_idence-­‐man. In the world of photography it was not unknown for a “here today -­‐ gone tomorrow” photographer to cross the line of legitimacy. In the 1890, How ‘Tis Done: A Thorough Ventilation of the Numerous Schemes Conducted by Wandering Canvassers Together with the Various Advertising Dodges for the Swindling of the Public warned the public: This is a scheme which has been operated for some time, but never to so great an extent as now. The agent may tell you the artist has just returned from Paris, where he drew a gold medal for superior artistic skill, and having received many requests to visit your locality by parties familiar with his work in Paris, has consented to do a little work here and give the people an opportunity of securing the highest degree of art at the lowest prices, when the probability is the “French Artist” is a cheap country photographer who could not make a living where his work is known.

There are so many schemes on orders for enlarged photographs _inished in oil, India ink, water color, etc., that we can only say: “If you wish for anything of this kind, visit your photographer, and he will undoubtedly do better work, give you a better frame, and at a living prices.”

The Weber Brothers, F. Joseph and Charles H., of Erie, Pennsylvania, went so far as to warn their customers on their backstamp. Don’t trust those traveling photograph bummers. This warning came in 1872, eighteen years before the How ‘Tis Done article. Seems the con had been around for some time.

38 Shades MAGAZINE | Cops And Robbers 2014

A). ,)4. 4(H&4. B)H(. ?+24H(%&. )H4. )*. 4)6,. 4). J%. 2)?+%$@. 4).

4(#L%-+,>.?")4)>(#?".JH00%(&@.6").0#8%.>(%#4.?()0+&%&.#,$. >%,%(#--B.$%-+L%(.L%(B.?))(.6)(89

Shades MAGAZINE | www.shadesofthedeparted.com 39

The Detective Camera The term “detective camera” denoted any camera which was designed to look like something else or was small enough to be used in public without the subject being aware that he or she was being photographed.

Cameras appeared on the market and in the streets, in many disguises. They took the form of binoculars, watches, purses, parcels, walking sticks, revolvers and ri_les, alarm clocks, and spyglasses.

The Scovill & Adams Company manufactured the Book Camera of 1892. It was disguised as a bundle of three schoolbooks, titled, French, Latin and Shadows.

Some of the most popular types of detective cameras were hidden in clothing (Edmund & Leon Bloch’s Photo-­‐Cravate), a string from the shutter was pulled in the pocket in order to take the photograph. Paul Martin, a famous photographer of the 1890s, used a Facile camera which was manufactured to look like a parcel tied with string; it was operated by carrying it under one arm.

People at once jumped to the conclusion that every policeman would carry a detective camera, and would make crime almost impossible by its vigilant operation. We now know that this is all moonshine, and that to obtain a picture of a man who does not parade in public more than necessity compels is a very dif_icult matter indeed. The Photographic News, 1835.

42 Shades MAGAZINE | Cops And Robbers 2014

/01!@A=8B! 2=59=

;0373<5=>0?!=64!701!2=6C!$159:=7936?!(D!/01! %E>51??936

=%"6;' ("+$"' %11;*4' %$;*' "' ,1+)' 1>' .*"+,*' 9$).' *%*?."3)$",$,@' 9"++"3)*4' )1' 6"++&' #"3&' 61>A$3,'6136*"%*4'$3'.*+'B14&'"34')1'B*"+').*#' )1' ",' #"3&' C+"D*,E' F.*' >"$+%&' ,*)' 13*' ,.044*+$3CE'-1' C*)'$3,$4*' .*+',**#*4' "' ,1+)' 1>' %$D$3C' 4*").G' 6*+)"$3%&G' #1,)' %$)*+"%%&EEE>,$%+#& X& >,$%+#",%R&5+1"&>",%+#)3&L<=",$"#8"%F&ONOo

44 Shades MAGAZINE | Cops And Robbers 2014

GK3)8E& 0),$)H&$%& )& #)1"& *%"9&-+,&)&=+3$8"& 6);+#4& >+3$8"& 6);+#%& 6","& )3%+& 8)33"9& G>)99D& Q);+#%H&)#9&G0+'(",^%&J"),'4H&.("&+,$;$#&+-&'("&=(,)%"&)%&)==3$"9&'+& =+3$8"&6);+#%&$%&#+'&

E#+6#4&.(","&$%&%="8*3)'$+#&'()'&$'&1)D&:"&',)8"9&'+&O#(+#.E%%@. )&:3)8E&6+1)#&6(+&E"='&)&

%)$3+,%l& :+),9$#;V(+*%"& $#& K+%'+#4& 5("& 6)%& +-& ;$;)#'$8& %$d"& )#9& %',"#;'(F& )#9& )%%$%'"9&

6("#"@",&)#&*#*%*)33D& +:%',"=",+*%& $#9$@$9*)3& 6)%& '+& :"& "%8+,'"9&'+& '("& =+3$8"& %')'$+#4& .("&3)63"%%&"3"1"#'&$#&K+%'+#&%'++9&$#&)6"&+-&(",F&("#8"&mK3)8E& 0),$)m&8)1"&'+&1")#&4"%. ?)-+2%."#$.2)0%.*)(.B)H9

B'&1)D&)3%+&()@"&,"-",,"9&'+&)&-)1+*%&,)8"&(+,%"&+-&'("&'$1"&:D&'("&%)1"&#)1"4&.("&6);+#%& 6","&f*$8E&'+&',)#%=+,'&=,$%+#",%F&'("&(+,%"&6)%&8()1=$+#%($=&f*$8EF&("#8"&GK3)8E&0),$)4H

>)99D&6)%&)&9",+;)'+,D&#)1"&-+,&'("&B,$%(4&0)#D&+-&'("&B,$%(&:"8)1"&=+3$8"&+-_$8",%&)%&6"33& )%&8,$1$#)3%&)#9&$'&6)%&%)$9&'("&=+3$8"&6);+#%&6","&-*33&+-&>)99D%F&("#8"&'("&>)99D&Q);+#4

>+3$8"&6);+#%&6","& )3%+& 8)33"9& G0+'(",^%& J"),'FH&'("&$#-","#8"& &:"$#;& & '(","& 6)%& )36)D%& ,++1&&-+,&+#"&1+,"4

-.*+*'9*+*'31'9$3419,H').*'%$C.)'A$%)*+*4'$3' 13%&').+10C.').*'C+")*4'D*3)$%")1+,E'>,$%+#&X& >,$%+#",%R&5+1"&>",%+#)3&L<=",$"#8"%F&ONOo

.JL&K3)8E&0),$)&Q)%&73%+&\"-",,"9&.+&7%&.("&&G0+'(",%&J"),'H&.("& B#-","#8"&K"$#;n&G.(","&B%&736)D%&\++1&/+,&`#"&0+,"H Shades MAGAZINE | www.shadesofthedeparted.com 45

.*'$,'"'60%?+$)G'+$4$3C'$3'4$,C+"6*').+10C.').*' ,)+**),'$3').*'=%"6;'("+$"I'<.")'"'?$)&@9.")'"' ,."#*@9.")'"',$3G').")'#*3'9$%%'?0+,0*'"' 610+,*'1>'%$>*'9.$6.'%*"4,')1',06.'B$))*+'+*,0%),E' 910":%)*',)&;"<=>?"

46 Shades MAGAZINE | Cops And Robbers 2014

BMCALML7?`Aa

sheriff’s living quarters folger street jail

JANUARY 1, 1881

BY LINDA PALMER

P. "#$. &%#(2"%$. *)(. 4"+&. ?")4)>(#?". )*. 0B. Q(%#4. Q(%#4.

Q(#,$*#4"%(. R)",. /#0?J%--. &+,2%. 4"%. 0)0%,4. P. 8,%6. )*. +4. %S+&4%,2%9. P. *)H,$. 4"%. ?")4)>(#?". (%*%(%,2%$. +,. #. 0#,H&2(+?4. "%-$. JB.4"%. T,+L%(&+4B.)*.O+&&)H(+9. P4. J%2#0%. 0B. *#0+-BU&.VF)-B. Q(#+-9W.. ="%,. 2#0%. 4"%. %0#+-9. V7%&@. P. "#L%. 4"%. ?")4)>(#?". )*. R)",. /#0?J%--@. 6)H-$. B)H. -+8%. #. 2)?BXW. 1. 0+(#2-%Y. Z%-)6. +&. 0B. 2(%#4+L%. ,),[\+24+),. $%&2(+?4+),. )*. R)",. /#0?J%--. #,$. "+&. -+*%@.

2H--%$. *()0. ,%6&?#?%(. #22)H,4&@. )(#-. "+&4)(+%&. #,$. 6(+44%,. $%&2(+?4+),&.J%*)(%.%L%(.&%%+,>.4"%.?")4)>(#?"9.F)6.2-)&%.4).4"%.

I`JM&270>KL??&%'),"9&)'&($1%"3-&$#&'("&1$,,+,&):+@"&'("&6)%(:)%$#&=,"=),$#;&-+,&($%&_$,%'&

9)D&)%&5(",$--&+-&2),,+33&2+*#'D4&J"&*#-+39"9&'("&%',)$;('&"9;"9&,)d+,&)#9&=,"%%"9&$'&);)$#%'& ($%& 8(""E4& J"& 6)%&)&()#9%+1"&1)#F& %)#9D& 8+1=3"<$+#F& e*%'&*#9",&%$<&-""'&')33F& )#9&*#3$E"& 1+%'&+-&($%&8+#'"1=+,),$"%&("&6)%&83")#V%()@"#4

J"&_$#$%("9&%()@$#;&)#9&9,"%%"9&$#&'("&3+#;&:3)8E& :,+)983+'(&')$38+)'&6+,#&:D&'("&1"#&+-& ($%&'$1"4&J"&6+,"&)&6($'"&3$#"#&%($,'&)#9&)&:3)8E&:+6&'$"n&)&_3)%(&+-&;+39&8+*39&:"&%""#&)'&'("&

8*--%F& '("&;+39&8*-_3$#E%& ("&)36)D%& 6+,"F& )#9&($%&+#"&8+#8"%%$+#&'+&@)#$'D4&J"&3++E"9&$#&'("& 1$,,+,& +#"& _$#)3& '$1"& )#9& 9+##$#;& ($%& %$3E& '+=& ()'& (")9"9& +*'& -,+1& '("& e)$3& '+& '("& 8+*,'(+*%"4

.("& "3"8'$+#& ()9& :""#& )& ,*#)6)D& @+'"& $#& ($%& -)@+,4& J"& ()9& :")'"#& ($%& +==+#"#'F& '("& \"=*:3$8)#& K,)%(",F& :D& CNU& @+'"%4& B#& -)8'F& ("& ()9& ;),#","9& 1+,"& @+'"%& '()#& )#D& +'(",&

Shades MAGAZINE | www.shadesofthedeparted.com 49

8)#9$9)'"& $#& '("& "3"8'$+#F& $#83*9$#;& '("& '(,""& 8)#9$9)'"%& -+,& '("& =,"%$9"#8DF& A),_$"39F& J)#8+8E&)#9&Q")@",

.("&"3"8'$+#&9$9&#+'&-)33&%',$8'3D&)3+#;&=),'D&3$#"%&"@"#&'(+*;(&I+%4&.*,#",F& '("&"9$'+,&+-&'("& 2),,+33&\"8+,9F&()9&8)33"9&-+,&)33&\"=*:3$8)#%&'+&,"1"1:",&'("$,&)33";$)#8"&'+&'("&=),'D&)#9&

1),E& #+& @+'"& -+,& )& !"1+8,)'4& 5"#'$1"#'%& );)$#%'& '("& %+*'(",#& %D1=)'($d",%& +-& '("& !"1+8,)'$8& >),'D& %'$33& ,)#& ($;(& $#& 2),,+33& 2+*#'DF& "3"@"#& D"),%& )-'",& '("& "#9& +-& '("& Q),& K"'6""#&'("&5')'"%4& I+(#&2)1=:"33& ()9&:""#&)&%3)@"&+6#$#;& %+*'(",#&%D1=)'($d",F&:*'&("& ()9&,"8"$@"9&'("&@+'"%&+-&1"1:",%&+-&:+'(&=),'$"%4

.()'& :+'(& !"1+8,)'%& )#9& \"=*:3$8)#%& @+'"9& -+,& ($1& %=+E"& @+3*1"%& '+& '("& ,"%="8'& '("&

8+11*#$'D&("39&-+,&($14&.()'&,"%="8'&%'"11"9&-,+1&'("&-)8'&'()'&I+(#&()9&-)$'(-*33D&%",@"9& )%&)&!"=*'D&5(",$--&$#&2),,+33'+#&-+,&"$;('&D"),%&=,$+,&'+&:"$#;&"3"8'"9&5(",$--4

J$%&+39&-,$"#9&)#9&:*%$#"%%&=),'#",&I+(#&Q4& 23$#E%8)3"%&()9&)==+$#'"9&($1&9"=*'D&$#&OUiCF& )#9&I+(#&6+,E"9&-+,&($1&$#&'()'&=+%$'$+#&-+,&-+*,& D"),%4& 23$#E%8)3"%^& %*88"%%+,F& A"+,;"& ?4& Q$#-,"DF&

()9& )==+$#'"9& I+(#& 9"=*'D& )%& 6"334& I+(#& +:@$+*%3D& 3$E"9& '("& e+:& )#9& =,+@"9& ("& 6)%& )#& (+#"%'& )#9& 8+#%8$"#'$+*%& =*:3$8& %",@)#'& 6(+& "#e+D"9& '("& $1=3$8$'& 8+#_$9"#8"& )#9& ($;("%'& ,";),9&+-&)33&6(+&E#"6&($14

L@"#& I+%4& .*,#",& 3)'",& )91$''"9& '()'& I+(#&

2)1=:"33& ()9& _$33"9& '("& =+%$'$+#& +-& %(",$--& 6$'(&

_$9"3$'D& )#9& $#'";,$'D& )#9& 6)%& )& ($;(3D& "%'""1"9& 1)#& 6(+& 6)%& (+#"%'& )#9& *=,$;('& $#& )33& ($%&

9")3$#;%4&J$;(&=,)$%"&8+1$#;&-,+1&'("&1)#&6(+&$#&'($%&"3"8'$+#&()9&8(),;"9&)33&\"=*:3$8)#%& #+'&'+&@+'"&-+,&I+(#&2)1=:"33&:"8)*%"&("&6)%&)&!"1+8,)'4

.("&_$,%'&,"%$9"#'%&+-&'("&#"63D&8+#%',*8'"9&2+*#'D&I)$3&6","&5(",$--&I+(#&2)1=:"33F&($%&6$-"& 5),)(&)#9&'("$,&9)*;('",%&5)33$"F&J)''$"&)#9&\""94&I)1"%&)#9&I+(#&()9&%')D"9&+#&)'&'("&-),1& $#&0)#9"@$33"&'+&E""=&$'&,*##$#;4

50 Shades MAGAZINE | Cops And Robbers 2014

The County Court had appropriated $10,500 for the building site on North Folger Street and that amount included the construction costs. The ease with which the old jail could be broken into, prisoner escapes, and the extreme unsanitary conditions prompted the appropriation.

During John Hawkins’ time as Sheriff in 1867, someone had excavated under the jail and removed the stones from underneath the vault where the papers of the County Clerk and large sums of money belonging to the County were kept. The thieves were a few days late and $7,000 short, the money having been deposited in the bank just days before.

Unfortunately, the Sheriff had kept his own money in the vault and sustained a large loss.

The County had learned its lesson and moved to correct the situation, to the bene_it of the newly elected Sheriff Campbell.

The jail had been built with the Sheriff’s living quarters included. When John was elected, Sarah was elected as well, for it was expected she would cook the meals served to the prisoners. Sarah was very fortunate, for as of March 12, 1881; there had been no prisoners and no meals. In an article in the Carroll Record the editor described Carrollton as having a good jail, “for which we have at present no use.”

The duties of the Sheriff in Carrollton in 1880 were many and varied. The Sheriff paid the bills for all court related expenses, maintained the jail, transported the prisoners to the courthouse, and conducted Sheriff’s sales. The sheriff was paid a _lat fee for individual portions of the work and a percentage of the civil cases and sales.

John Campbell’s job wasn’t all paperwork. Carrollton was still in its infancy and this part of Missouri was considered the West, the edge of the frontier. It had its fair share of murder and manslaughter. During his term as Sheriff it fell to John and his men to apprehend them.

A man named Alex Powell was wanted for murder and had been spotted in Mandeville. John went out to _ind him and Cousin Will Graham gave an account of the arrest to Frank Tull.

This is the story as it was recorded in the Campbell – Graham Manuscript: “I remember when your grandfather, John Campbell came to Mandeville to arrest Alex Powell. Cousin John Campbell was Sheriff of Carroll County and came right over there to the house where I live now and asked my father if

Shades MAGAZINE | www.shadesofthedeparted.com 51

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e)$3&$#&2),,+33'+#4H

KD& '("&3)%'&D"),& +-& ($%& '",1&)%& 5(",$--F&'("&,$;+,%&+-&'("& e+:&6","&;"''$#;&'+& :"& 1+,"&'()#& I+(#&6)#'"9&'+&9")3&6$'(4&J"&6)%&#"),$#;&($%&%"@"#'DV%"8+#9&:$,'(9)D&)#9&()9&9"8$9"9&#+'& '+&,*#&-+,&,""3"8'$+#4&J"&-"3'&$'&6)%&'$1"&'+&,"'$,"&)#9&%="#9&%+1"&'$1"&6$'(&5),)(&)#9&'("$,& D+*#;"%'&9)*;('",&J)''$"4

0+#9)DF& I)#*),D& UF& OUUTF& I+(#& 2)1=:"33& :";)#& '+& '$"& *=& '("& 3++%"& "#9%& +-& ($%& '",1& )%& 5(",$--&+-&2),,+33&2+*#'DF&0$%%+*,$4

52 Shades MAGAZINE | Cops And Robbers 2014

The email exchange that followed the discovery of John Campbellâ&#x20AC;&#x2122;s photograph.

When I received your email this morning I must admit I cried.

I have searched for so long in so many places for this photograph. From historical societies to state archives, the Sheriff's historian for Carroll County, and trips to Montana and Missouri. And now the journey is almost over. It's rather emotional. Particularly for my Aunt who is the only living child of Otey Campbell, Johnâ&#x20AC;&#x2122;s grandson. She has always wondered. And now she will know.

Thank you so very much! - Linda Your beautiful flowers came this morning in a darling teapot.

Soon after a dear friend stopped by to bring me a book that her sister-in-law has written. She was so taken with the flowers, and the book she took a photo with my I-pad.I decided that this would be my thank you note and you could see your lovely bouquet.I shall enjoy them so much.

Just as a side note I am a sculptor, still working at 86. You can look up my web site www.sabratullmeyer.com. i am so happy that you were pleased with the photo. - Sabra

Shades MAGAZINE | www.shadesofthedeparted.com 53

>LML?`>L&!\L7!/c?

courtroom drama dreadful to behold 0B55&>LML?`>L&!\L7!/c?&\L>`\.BMA U&/":,*),D&OUig&VV&M7>7F&27?B/`\MB7&

.("& )$,& $#& '("& M)=)& 8+*,',++1& '($%& =)%'&

',);$8& "@"#'%& 6$33& %*-_$8"4& .("& 9"-"#9)#'&

%E$,'%& ,*%'3"9F& :++'%& %8,)="9& );)$#%'& '("&

)#9& E$33"9& 0)e+,& J),,D& ?),ED#%& 6(+1& ("&

5)'*,9)D&6)%&(")@D& 6$'(&)#'$8$=)'$+#4& 5$3E&

=+3$%("9& 6++9& _3++,F& 1*,1*,%& )#9&

6($%=",%& 8,")'"9& )& 3+6& (*1& )%& '("&

;)'(","9& 8$'$d"#,D& )6)$'"9& '("& e*,D^%& ,"'*,#&+#3D&'+& ("),&'("&%(+8E$#;&@",9$8'& $#& '("& ',$)3& +-& 0,4& L96),9& I4& 0*D:,$9;"R& #+'&

;*$3'D& :D& ,")%+#& +-& Ge*%'$_$):3"& (+1$8$9"4H& 5(+8E$#;F& D"%F& :"8)*%"& 8+#',),D& '+& I*9;"&

>"#9";)%'^%& %',$8'& )91+#$'$+#F& '("& '6"3@"&

8$'$d"#%& %"3"8'"9&'+& =",-+,1&'($%& #"8"%%),D& D"'& 1+%'& *#-+,'*#)'"& 9*'D& %'++9& %(+*39",&

'+& %(+*39",& )#9& '*,#"9& '("$,& :)8E& '+& '("& LjB!LM2L& '+& =,+83)$1& '("$,& `6#& j",%$+#& +-&L@"#'%4&.($%&,"=+,'",&6)%&#+'&=3")%"94

B'& $%& #+'& #"8"%%),D& (","& '+& ,"8+*#'& D"'& );)$#& '("& %+,9$9& 9"')$3%& +-& '($%& 9,)6$#;&

,++1& 9":)83"4& .("& :),"%'& +*'3$#"& +-& '("& 54 Shades MAGAZINE | Cops And Robbers 2014

-,""3D& )91$'%& '()'& +#& `8'+:",& Oi& ("& %(+'& '(+*;('& '+& :"& ($%& 6$-"^%& 3+@",F& )#9&

8+#%"f*"#'3D& '("& -)'(",& +-& ($%& $#-)#'& %+#4&

0,4& 0*D:,$9;"& ()%& 8()#;"9& ($%& %'+,DF& (+6"@",F& )%& '+& 6(D& ("& -"3'& 8+1="33"9& '+& ')E"&)#+'(",& 1)#^%& 3$-"F& )#9&)& %D1=)'("'$8& e*,D&()%&%"'&($1&-,""4&&

0,4&0*D:,$9;"&_$,%'& =3")9"9&$#%)#$'D&'+&'("&

8(),;"& +-& 6$33-*3& 1*,9",F& ,"8+*#'$#;& )& %",$+*%& :,)$#& $#e*,D& )%& )& ,"%*3'& +-& )&

%');"8+)8(& )88$9"#'& Og& D"),%& =,"@$+*%& $#&

."<)%4&.("&)88$9"#'& 6)%&%+&%"@","&'()'&+#"& =",%+#&3+%'&(",& 3$-"&)#9&)33& =",%+#%& ):+),9& '("&8+)8(&6","&$#e*,"94&.($%&6)%&#+&:,+E"#&

)<3"& )3+#;& )& 1+%%D& 3)#"4& 0,4& 0*D:,$9;"&

%*--","9& %"@","& (")9& $#e*,D& ,"%*3'$#;& $#& 9+*:3"& @$%$+#& )#9& 8+#-*%$+#F& )#9& 6)%&

(+%=$')3$d"9&-+,&1+#'(%4&Q("#&("&6)%&):3"&

)#D& 3+#;V3)%'$#;& )--"8'& -,+1& '("& )88$9"#'&

'("&1+%'&($;(3D&"%'""1"9&:,)$#&=(D%$8$)#%&

'+& G9"#D& ?),ED#%& )#9& /3+,)& )#D& e+D& )'& 1D&

'+& ',)@"3& ("& %+*;('& 1"9$8)3& ',")'1"#'& :D& $#&M"6&a+,E&2$'D4

`#& ($%& ,"'*,#& '+& '("& Q"%'F& -,$"#9%F& -)1$3DF& )#9& :*%$#"%%& )%%+8$)'"%& )33& %)6& )& 1),E"9&

8()#;"& $#& 0,4& 0*D:,$9;"^%& :"()@$+,F& )#9&

'"%'$_$"9& '+& ($%& $#8,")%$#;& @$+3"#8"F& ($;(& "1+'$+#F& *#,")%+#):3"&'"1=",& )#9&6$33-*33&

)''$'*9"4&&a"'F&0,4&0*D:,$9;"&($1%"3-&9"#$"9&

)#9&$#%$%'"9& '()'& ("& ()9& :""#& 9"'",1$#"9& "<="#%"4H

`#"& %$9"& +-& '("& 8+*,',++1& %""1"9& '+& :"&

8("",$#;& -+,& 0*D:,$9;"& '+& :"& -,""9& +#& ;,+*#9%& +-& $#%)#$'DF& )#9& '("& +'(",& %$9"& 6)#'"9& @$#9$8)'$+#& -+,& 9)1);"9& (+#+,4& B'&

6)%& #+'& )& =,"''D& %$;('& '+& %""& '("& 3";)3& "<=",'%& %',*''$#;& )#9&%()E$#;& '("$,&_$%'%& $#&

'("& -)8"& +-& 8+11+#& %"#%"4& 0D& -,+#'& ,+6&

%")'& '(,+*;(+*'& '("&',$)3&;,)#'"9&)& *#$f*"& =",%="8'$@"&+-&'("&8()$#&+-&"@"#'%4

B&8+*39&%""&0,%4&0*D:,$9;"&)'&'("&%$9"&="6&

+#&(",&+88)%$+#)3&@$%$'&'+&'("&8+*,',++14&7%& )& #"6& 1+'(",F& (",& =,"%"#8"& 6)%& #)'*,)33D& 3$1$'"94& 5("& %)'& %'$33& )#9& 6($'"V-)8"9& '(,+*;(+*'F& "D"%&_$<"9&+#&(",&(*%:)#9&)#9&

'("& 1*,9",",& +-& '("& 1)#& %("& 3+@"94& J",&

'"%'$1+#D& 6)%& 83"),& )#9& 6$'(+*'& 1)3$8"n&

%("& ,"8+*#'"9& 0,4& 0*D:,$9;"^%& ;,+6$#;& @$+3"#8"&);)$#%'&(",&+6#&=",%+#F& ($%&%(),=&

6+,9%& )#9& )88*%)'$+#%4& 5("& '+39& (+6& ("& ()9&8()#;"9&-,+1&;"#'3"&)#9&E$#9&(*%:)#9& '+& )&1)#&_$33"9&6$'(& ()',"9&)#9& %*%=$8$+#4& a"%F& %("& f*$"'3D& )91$''"9F& %("& ()9& -)33"#&

$#'+& '("& ),1%& +-& )#+'(",4& 5+1"+#"& 6(+& %""1"9& '+& 8),"& -+,& (",F& )#9& ',")'"9& (",& .("&:")*'$-*3&/3+,)&0*D:,$9;" 56 Shades MAGAZINE | Cops And Robbers 2014

6$'(&E$#9#"%%4& K*'F& 6)%& %("& '+& :"& :3)1"9F&

DESTRUCTIVE COMBATIVE VINDICTIVE

when her days had ceased to hold any joy

told in the courtroom that Mr. Muybridge

and be _illed, instead, with fear?

suffered severe head trauma when thrown

From my vantage point, I also viewed quite

from the stagecoach, striking his head on a

clearly the careful exhibits presented by t h e d e f e n s e , m o s t e s p e c i a l l y t h e phrenological model displayed by Prof.

Klumpig Kopf, world-­‐renown expert in this scienti_ic _ield. Readers may remember a

rock as he fell. He was unable to hear for months and can only do so now within a certain range. Does this not sound like damage to the skull and that fragile organ within, the brain?

previous essay on the merits of Phrenology

Perhaps it was the Professor’s foreign

(see “Penny’s Dreadful Secrets, Unlocking

tongue, or perhaps some misguided sense

the Clues in Old Photographs” in Shades

of propriety that convinced jurors it would

Magazine, Golden Rule Days 2013). Look

be an injustice to acquit Mr. Muybridge on

closely, Dear Reader, at the area of the skull

grounds of “insanity,” for truly insane he

behind the auditory ori_ice, where clues to

became after his horrible accident.

the “Destructive Propensities” lie. We were

Whatever the reason, the defendant can

Shades MAGAZINE | www.shadesofthedeparted.com 57

#+6&')E"&($%&=3)8"&$#&%+8$"'D&)%&)&%)#"&1)#F&D"'&6+"&:"&("&Y+,&%("[&6(+& 8+1"%&$#&($%&6)D4& /+,&$#%'")9&+-&)9e*9;$#;&1*,9",&'+& :"&)#&$#%"#%$:3"&8,$1"F&'("&M)=)&8+*,'&e*,D&()%&-,""9&)& %)#"&1)#&-+,&)#&$#%)#"&)8'4

._._._._._._._._._._._._._._._._._._._._._._._._._._._._._._._._._._._._._._._._._._._._._._._._._._.

Further Reading The Inventor and the Tycoon: A Gilded Age Murder and the Birth of Moving Pictures

by Edward Ball From the National Book Award-winning author of Slaves in the Family, a riveting true life/true crime narrative of the partnership between the murderer who invented the movies and the robber baron who built the railroads.

AMAZON THE LIBRARY

One hundred and thirty years ago Eadweard Muybridge invented stop-motion photography, anticipating and making possible motion pictures. He was the first to capture time and play it back for an audience, giving birth to visual media and screen entertainments of all kinds. Yet the artist and inventor Muybridge was also a murderer who killed coolly and meticulously, and his trial is one of the early instances of a media sensation. His patron was railroad tycoon (and former California governor) Leland Stanford, whose particular obsession was whether four hooves of a running horse ever left the ground at once. Stanford hired Muybridge and his camera to answer that question. And between them, the murderer and the railroad mogul launched the age of visual media.

Set in California during its frontier decades, The Tycoon and the Inventor interweaves Muybridge's quest to unlock the secrets of motion through photography, an obsessive murder plot, and the peculiar partnership of an eccentric inventor and a driven entrepreneur. A tale from the great American West, this popular history unspools a story of passion, wealth, and sinister ingenuity. Description and bookcover courtesy Amazon.

58 Shades MAGAZINE | Cops And Robbers 2014

/F%!,&./!(G!;%++#H.! ,F&'&,/%'.

@910"#)&",2",&2)&08"!"30&,%2;"A%+".$#B/0+0/7",&2)&08C"DD"-.1#",' J4$,13'4$,60,,$3C'J"49*"+4'(0&B+$4C*'$3').*'.$,)1+$6"%'31D*%' !+**K$3C'-$#*L'-.*'M0)1B$1C+"?.&'1>'J"49*"+4'(0&B+$4C*E @E"5$%/'"102,+)+0"+$".)//"1,#")"+1,0("A%+"+1)+"5,//"'$"%&+,/"E".)&"+1,&F" $(")"#$*0")B+"'02.*,B+,$&8C"DD"J"49*"+4'(0&B+$4C*'+*C"+4$3C' -.1#",'J4$,13'$3').*'.$,)1+$6"%'31D*%'!+**K$3C'-$#*L'-.*' M0)1B$1C+"?.&'1>'J"49*"+4'(0&B+$4C*E

L)96"),9&I)1"%&0*D:,$9;"&YN&7=,$3&OUTP&r&U&

0)D& ONPo[& 6)%& )#& L#;3$%(& =(+'+;,)=(",& $1=+,')#'& -+,& ($%& =$+#"",$#;& 6+,E& $#& =(+'+;,)=($8& %'*9$"%& +-& 1+'$+#& )#9& $#& 1+'$+#V=$8'*,"&=,+e"8'$+#&-+,&?"3)#9&5')#-+,9F& $#&5)#&/,)#8$%8+4&

GB&)1&;+$#;&'+&1)E"&)&#)1"&-+,&1D%"3-4& B-&B&-)$3F&D+*&6$33&#"@",&("),&+-&1"& );)$#4H&VV&]$6#($.OHBJ(+$>%

/3+,)& 5()338,+%%& 5'+#"& 1"'& 0*D:,$9;"& $#& )& 3+8)3&=(+'+& %'*9$+F& 6(","&%("&6)%&6+,E$#;&)%& )& ,"'+*8(",4& 5("& 6)%& '6"#'DV+#"F& =,"''DF& )#9& %+8$):3"n& 0*D:,$9;"& 6)%& '6$8"& (",& );"F& )#9& =,"+88*=$"9&6$'(&($%& 6+,EF& :*'& %("& 9$@+,8"9& (",& _$,%'& (*%:)#9& )#9& 1),,$"9& 0*D:,$9;"& $#& OUiO4

?),ED#%& 6)%& )#& )9@"#'*,",F& +-& L#;3$%(& :$,'(& )#9& 7*%',)3$)#& "9*8)'$+#4& J"& 8)1"& '+& 5)#& /,)#8$%8+& )#9& '(","& 1"'& 6$'(& '("& *%*)3& *=%& )#9& 9+6#%& +-& 1"#& +-& ($%& $3EF& :*'& $#& %+1"& *#3*8ED&(+*,&-+,1"9&'("&)8f*)$#')#8"&+-&0,%4& 0*D:,$9;"4&

Shades MAGAZINE | www.shadesofthedeparted.com 59

Mamie Kelly Mary Elizabeth Kelly First Communion Photograph ca. 1885

A Photograph

commemorating murder You never know when you research an old photograph where it will take you.

THE MURDER The young girl in this typical _irst communion photograph is Mary (Mamie) Elizabeth Kelly. She was thirteen years old and a student in Mrs. Armstrong's eighth grade class at John Swett Grammar School on McAllister street near Gough in San Francisco, California. She was a thirteen year old in 1886, a child. Very much more naive and immature than the thirteen year olds of today.

On 10 November, at approximately 3pm Mamie was dismissed from school and started walking home with Eveline Kelly (no relation) one of her classmates. Mamie was wearing a red dress with a checked apron and a wide brimmed straw hat with a dash of red ribbon wound around it. Her brown hair was in the typical school girl fashion of the day, pushed back from her face with a circular comb falling into a

braid over her shoulder. She carried a wicker-­‐work lunch basket and her school books.

The two young girls arrived at the corner of Polk and McAllister streets at about 3.15pm where Mamie was approached by 19 year old Alex Goldenson, who called to Mamie. Mamie told Eve she would see what he wanted. Mamie walked down Ash with Goldenson, Eve waited for her at the corner.

On the northeast corner of Polk street and Ash Avenue, directly in front of the grocery store on Polk, Mamie and Goldenson stopped to talk. After a few moments Goldenson pulled a gun from his pocket, yelled "Take that and go," and shot Mamie just above the right eye at very close range.

Mamie dropped to the ground quivering and died instantly from the bullet that pierced her brain. Upon hearing the

Shades MAGAZINE | www.shadesofthedeparted.com 61

gunshot Eve turned, saw Mamie fall to the

with powder burns. A stream of blood

ground, panicked and ran home.

poured out from the bullet wound immediately over her right eye and formed

John Stanton also heard the shot. He was a

a muddy course down the sloping sidewalk

wagon driver for a Contra Costa Laundry

to the gutter.

and had been driving down Polk. He saw the gun, heard the shot, and saw Goldenson run down Ash street toward Larkin.

The police arrived and Mamie's body was loaded into the wagon and taken to the Morgue. A large crowd followed the

Stanton leaped from the wagon and started

Morgue wagon and remained outside the

in pursuit, chasing Goldenson into the new

building the entire time Mamie's body was

City Hall grounds. During the chase

kept there.

Goldenson threw the gun into a hedge outside the police station. Running inside

THE VICTIM AND THE MURDERER

the police station to the desk sergeant,

Mamie was a rather pretty young girl about

Police Of_icer John C. Ayers, Goldenson

5' 3" tall with brown hair and dainty

confessed saying, "I killed her. I killed my

features. Seven years before her father

girl. They're going to lynch me."

John Kelly died and her mother, Kate, went to work as a domestic in the household of J.

Goldenson turned around to Stanton who

Baum at 1111 Van Ness Avenue. Mamie

was directly on his heels and asked, "Didn't

lived with her Grandmother, Dora Sweeney,

I?" Stanton answered, "Yes." Stanton then

her mother's sister, Maggie Sweeney, her

asked him why he had shot her. Goldenson

Uncle Anthony Sweeney, and a grand uncle

replied, "Because I couldn't get rid of her."

at 22 Hayes Street. She was the darling of

Goldenson was taken into custody, the gun

the household and the entire neighborhood

was found.

for that matter. Mamie's mother visited two

A large crowd, including many of her school mates had gathered around the body of Mamie. The wide brimmed straw

or three times a week for an hour or so and had seen Mamie the Sunday before her murder.

hat with the dash of red ribbon, her wicker

Mamie's teacher and all the neighbors and

lunch basket and her school books lay

relatives said that Mamie was a well

scattered around her. Her face was black 62 Shades MAGAZINE | Cops And Robbers 2014

D,. 4"%. ,)(4"%#&4.2)(,%(.)*.')-8.&4(%%4.#,$.1&".1L%,H%@.$+(%24-B.+,.*(),4.)*.4"%.>()2%(B. &4)(%.),.')-8@. O#0+%.#,$. Q)-$%,&),. &4)??%$.4).4#-89.1*4%(.#. *%6.0)0%,4&.Q)-$%,&),. ?H--%$.#.>H,.*()0."+&.?)28%4@.B%--%$.^=#8%.4"#4.#,$.>)@^.#,$.&")4.O#0+%._H&4.#J)L%.4"%. (+>"4.%B%.#4.L%(B.2-)&%.(#,>%9.

Shades MAGAZINE | www.shadesofthedeparted.com 63

\"@",%"&`-&.("&2):$#"'&2),9 Ib&0b&Ib 07007b&\L?7.BjL5b&/\BLM!5b 7??&aL&7A`MBsBMA&JL7\.5b /`\ABjL&0a&5?7aL\ 7%&B&9+b&)#9&=,)D&-+, 0)1$"&h"33D +-&CC&J)D"%&5',""' K+,#&F&CT&5"='"1:",F&OUiT 54&/4&27?4 5(+'F&OP&M+@"1:",F&OUUW M4&L4&2+,4&>`?h&5.\LL.&7M!&75J&7jL4 .,*'(&I*%'$8"&0",8D 64 Shades MAGAZINE | Cops And Robbers 2014

behaved ladylike young woman who

The relationship of the two to each other is

obeyed her family.

far more complicated. Mamie may indeed

Aleck's story is quite different. Alexander Goldenson was the son of Marcus and Rebecca Goldenson. He lived with his parents, brother Abraham and sister Rachel. The Goldenson family were Russian

have had a school girl crush on Goldenson in the beginning, but that relationship was squelched by both her mother and her grandmother in direct contact with Goldenson's mother.

Jews having immigrated to the United

Mamie had spoken to her family about

States from Mariampol, province of

threats that Goldenson had made to her

Sonvalki, Russian Poland. In 1884 the

and her family did not care for him or his

Goldenson family had moved from 444

conduct. They watched him carefully. He

Ninth Street to Silver Street in San

maintained that Mamie was infatuated

Francisco, then to 24 1/2 Hayes Street next

with him, was intimate with him, wrote

to Mamie Kelly's family.

him notes, followed him and was jealous of

Goldenson had exhibited some artistic

his relationships with women.

talent and had been a student at the Art

On the day of her murder Goldenson said

School in San Francisco, but had been

he received a letter from Mamie and wrote

e x p e l l e d f o r b e i n g " t r o u b l e s o m e ,

her a note; that he was thinking about her

manifesting a profound esteem of his own

as he and his friend Jack Gordon went to

genius and scorning and refusing to heed

the grocery store on Polk to drink beer. He

the directions of his instructors in the

said there had been a terrible argument

details of art."

between them and that she had called him

He had been in prison several times before on various charges of misdemeanor drunkenness and violating the Eight o'clock order. June 23 of 1885 he was convicted of battery upon the person of Westley P. Bean and was _ined.

a "Jew" several times. That he had shot her to shut her up and that she had died with his note in her hand. None of the witnesses to the murder saw or heard any of the things Goldenson claimed and there was no mention of a letter being found on her body.

Shades MAGAZINE | www.shadesofthedeparted.com 65

Goldenson produced a note purportedly

on duty on the street to protect the

written by Mamie saying she loved him and

Goldenson's home and insure some

would follow him until she died. Mamie's

measure of peace for the Kelly family

teacher, Mrs. Armstrong, compared the

stopped the women and removed them

writing to that of her school work and

from the premises.

testi\ied that it did not appear to be her handwriting. Mamie's desk at school was searched and all her books inspected. No mention of Goldenson was found. Mamie's girlfriends testi\ied that she had never spoken of Goldenson and Eve Kelly testi\ied that she had never seen him before the day of the murder.

Unfortunately the Goldenson family made the decision to move from their home on Hayes street the same day as that of Mamie's funeral. Crowds had already gathered on the street for the funeral; as the family attempted to move their possessions they were attacked and their furniture smashed. The police and others

Was the relationship a _igment of

intervened allowing calmer heads to

Goldenson's imagination?

prevail and the Goldenson family was allowed to leave.

THE FUNERAL

Mamie's funeral was held at St. Joseph's

November 11, 1886, Mamie Kelly's body

Church on Tenth Street, near Howard. Early

was transported by wagon from the

that morning, as her body left her home on

morgue to her home on Hayes Street. Her

Hayes Street for the last time, thousands of

funeral was scheduled for Saturday

people lined the street. The city's collective

morning, November 13. The entire city was

grief was evidenced by the enormity of the

preparing.

crowds in front of the church and for blocks surrounding. The police were in

The night before the funeral several

attendance as well, but fortunately for the

women had rushed the Goldenson home

family the crowd remained orderly.

and in an act of frustration tore shingles from the house. The police who had been

The cof_in covered in white _lowers was placed in the front of the church. The

66 Shades MAGAZINE | Cops And Robbers 2014

ST. JOSEPHâ&#x20AC;&#x2122;S CHURCH Corner of 10th Street and Howard Street in San Francisco since 1861

:"($#9& 6$'(& '("& -)1$3D& )#9& ')E"&

+#"& 3)%'& 3++E& )'& '("$,& 1*,9","9&

83)%%1)'"& $#& (",& 8+-_$#4& B'& 6)%& "%'$1)'"9& '()'& '("& 8,+69& )'& '("& -*#",)3& #*1:","9& _$@"& '(+*%)#9&

Image courtesy of the San Francisco Historical Photo Collection

5)#&/,)#8$%8)#%4

%",@$8"%& 6","& 8+#9*8'"9& :D& \"@4& /)'(",& 5")#3)#4& /)'(",& 5")#3)#& ;)@"& )#& "3+f*"#'&

"*3+;D& 9+$#;& ($%& :"%'& '+& 8+#%+3"& '("& ;,$"@$#;& -)1$3D& 6($3"& )%%*,$#;& '("& (*;"& 8,+69& '()'& e*%'$8"& 6+*39& =*#$%(& '("&

1*,9",",& )#9& '()'& $'& 1*%'& :"& 9+#"& $#& )& 3)6-*3&1)##",4

Q("#&'("&%",@$8"%& 8+#83*9"9&'("&%'*9"#'%&

-,+1& 0)1$"l%& 83)%%& )'& I+(#& 56"''&

/+33+6$#;& '("& -*#",)3& %",@$8"%& )& =,+8"%%$+#& -+,1"9& $#& -,+#'& +-& '("&

8(*,8(& )#9& :";)#& '("& %+3"1#& 1),8(& '+& '("& 2)'(+3$8& 2"1"'",D& )'&

?+#"& 0+*#')$#4& j"($83"%& 3$#"9& '("& ,+)96)D& -+,& '6+& '($,9%& +-& )& 1$3"4&

.(+*%)#9%& +-&="+=3"& 6","&=,"%"#'& -+,& '("& $#'",1"#'& )'& '("& 8"1"'",D4& J*#9,"9%& +-& :+*f*"'%& 6","&

'(,+6#& $#'+& '("& +="#& ;,)@"& )%& )#&

"#'$,"& 8$'D& +-& 1+*,#",%& =)$9& '("$,& 3)%'&,"%="8'%4

=12&5<34/&74<72256:=!

.("& 2+,+#",l%& B#f*"%'& 6)%& 8+#9*8'"9& '("& 9)D& -+33+6$#;& '("& 1*,9",4& 7& 8,+69& #*1:",$#;& OPFPPP& 6)$'"9& +*'%$9"& '("&

0+,;*"& -+,& '("& @",9$8'4& .("D& +="#3D& 9$%8*%%"9& '("& 8,$1"& )#9& 3++E"9& *=& )'& '("&

+="#&6$#9+6%&(+=$#;&'+&8)'8(&)&;3$1=%"&+-& '("&1*,9",",&+,&'("&@$8'$1l%&-)1$3D4

"3"1"#'),D& %8(++3& 6","& )33+6"9& '+& %')D&

Shades MAGAZINE | www.shadesofthedeparted.com 67

The Coroner's jury returned a verdict

On the morning of Mamie's funeral,

_inding that Goldenson had murdered

Goldenson was arraigned and pleaded not

Mamie Kelly with deliberation and malice

guilty to the charge of murder. District

aforethought without cause and charged

Attorney Wilson said he would be ready to

him with a "cold-­‐blooded murder." On his

proceed to trial the next Monday. Although

way to the jail it was said Goldenson

the defense counseled against haste the

discussed the murder in a cool and

Judge set the trial date for the following

collected manner stating that Mamie was

Monday.

annoying and he couldn't get rid of her without killing her. Goldenson’s perception of his relationship with

Based on the attempted lynching and the attitude the population of the city demonstrated on the streets

Mamie would change

and in the newspapers,

during his time in jail.

IT WAS SWEET TO LOVE

At the same time the

BUT OH! HOW BITTER,

requested a change of venue.

Coroner's inquest was

TO LOVE MY SWEETHEART

D e u p r e y, G o l d e n s o n ' s

being conducted the Grand Jury was indicting

AND THEN TO KILL HER.

Goldman. The morning o f M a m i e ' s f u n e r a l

G o l d e n s o n' s a t t o r n e y s

attorney, argued that "no stronger case for a change of venue was ever presented to

ALEXANDER GOLDENSON

Goldenson was in court

the bar in view of all the surrounding circumstances.

being arraigned. This was the beginning of

Judge Murphy denied the motion, but

Goldenson's life and death struggle in the

during the impaneling of the jury it looked

San Francisco courts.

as if it was certainly going to be dif_icult to

His attorneys were zealous in their defense of the young man. They challenged the _indings of the Coroner's Inquest and the

_ind a fair and impartial jury. Alex Goldenson's defense to the murder of Mamie Kelly was to be insanity.

Grand Jury indictment on technical legal

An insanity defense is always dif_icult and

grounds. Their motions were all denied.

in this case was impossible given the time constraints and the attitudes of the day.

68 Shades MAGAZINE | Cops And Robbers 2014

t*"%'$+#$#;& '("& =,+%="8'$@"& e*,+,%& 1)9"&

J"& ),;*"9& '()'& A+39"#%+#& ($1%"3-& ()9&

%"3"8'$+#&+-&I+(#&h4&`lK,$"#&)%&)&1"1:",&+-&

()33*8$#)'"9F& )%%)*3'"9& ="+=3"& -+,& #+&

'()'& $11$#"#'3D& 83"),F& )%& %""#& $#& '("& '("&e*,D4

I+(#&h4&`lK,$"#F&)&:3)8E%1$'(F&()9&E#+6#& '("&9"8")%"9F&0)1$"&h"33DF&)%&6"33&)%&(",& -)1$3D4&J"&()9&')3E"9&8+#8",#$#;&'("&

%(++'$#;&6$'(&9"8")%"9l%&,"3)'$@"%4&J"&9$9& #+'&:"3$"@"&$#&$#%)#$'D&)%&)&=3")4&.("&

9"-"#%"&8()33"#;"9&($1F&:*'&'("&8()33"#;"& 6)%&9$%)33+6"94

."%'$1+#D& -,+1& \*%%$)& 6)%& ,"f*$,"9& -+,& '("& $#%)#$'D& 9"-"#%"4& 79)1& !)#$"3"6$8(F& K*,;",1"$%'",& +-& 0),$)#=+3F& 6)%& '+& ')E"& '("&'"%'$1+#D& +-& !,4& 5'"+,;"& 5',);)3$_$%EDF& !,4& 7:,)1& ?"@$#F& 2()D"& J$,%8(F& 0 + % " %& / " $ ; ) 3 F& > " $ % ( ) F& !":+,)(F& J+9)%F& 5)1*"3& )#9& A):,$"33"& A+39"#%+#& '()'& A + 3 9 " # % + # l %& ; , " ) ' V ;,)#9-)'(",F&;,)#9-)'(",F& '6+& )*#'%& )#9& +#"& *#83"& 6","& $#%)#"& )#9& '()'& $'& 6)%& (","9$'),D4

A+39"#%+#l%& )''+,#"D& )33";"9& '()'& '("& 9"-"#9)#'& 6)%& '("& *#-+,'*#)'"&@$8'$1& +-& )& 9$%")%"& $#(",$'"9& -,+1& ($%& )#8"%'+,%F& '()'& '("& )#8"%'+,& 6(+%"& :+#"%& 6","& :*,$"9& $#&

-+,"$;#& %+$3& ()9& ;$@"#& '+& m'("& 1$%",):3"& 6,"'8(& #+6& +#& ',$)3& ($%& *#-+,'*#)'"&

8+#9$'$+#&+-&1$#94m&.()'&)#8"%'+,&()9&:""#& (+="3"%%3D&$#%)#"&-+,&'6"#'DV"$;('&D"),%4

" < ( $ : $ ' " 9& ' ( + % "& % ) 1 "& ' " # 9 " # 8 $ " % F& ,")%+#& )#9& ()9& ',$"9& '+& ')E"& ($%& +6#& 3$-"4&

.()'& A+39"#%+#l%& +6#& -)'(",& "<($:$'"9& 1"1+,D&3+%%&)#9&9"3*%$+#%4

. ( "& '" % ' $ 1 + #D& - ,+ 1& \* % % $ )& # "@" ,&

1)'",$)3$d"94& .("& ',$)3& 6)%& 1)9"& *=& +-& $#-+,1)'$+#&'()'& ()9&)3,")9D&:""#&;$@"#&)'& '("& 2+,+#",l%& $#f*"%'& V& "D"& 6$'#"%%&

'"%'$1+#D4& A+39"#%+#& ,"-*%"9& '+& )%%$%'& ($%& )''+,#"D%& )#9&+-'"#& )8'"9& +*'& $#&8+*,'4& J"&

6)%& %*33"#& )#9&+-'"#& $,,$')'"94& J$%& -)$'(-*3& 1+'(",& \":"88)& 6)%& '(","&"@",D& 9)D& "@"#& '(+*;(&A+39"#%+#& ()9& 3+*93D& +,9","9& (",& -,+1&'("&8+*,'&,++1&+#&%"@",)3&+88)%$+#%4

A+39"#%+#&6)%&-+*#9&;*$3'D& )#9&%"#'"#8"9& '+& 9")'(& +#& 7=,$3& OoF& OUUi4& .("& 8)%"& 6)%& )==")3"9& '+& '("& 2)3$-+,#$)& 5*=,"1"& 2+*,'4&

.("D& )-_$,1"9& '("& e*9;1"#'& +-& '("& 3+6",& 8+*,'4& .("& c#$'"9& 5')'"%& 5*=,"1"& 2+*,'&

,"-*%"9& '+& ("),& '("& 8)%"4& 0,%4& A+39"#%+#& -"33& +#& (",& E#""%& :"-+,"& A+@",#+,& Q)'",1)#&+-&'("&5')'"&+-&2)3$-+,#$)&:";;$#;&

-+,&)&8+11*')'$+#&+-&%"#'"#8"&-+,&(",&:+D4&

.("& A+@",#+,& ,"-*%"9& '+& $#'",-","4& Q()'& 8+*39&:"&3"-']

.(","&6)%&+#"&_$#)3&)''"1='&:D&A+39"#%+#l%& 1+'(",&\":"88)&'+&%)@"&(",&%+#4&5("&_$3"9&)&

Shades MAGAZINE | www.shadesofthedeparted.com 69

1+'$+#&-+,&;*),9$)#%($=&:)%"9&+#&(",&%+#l%& $#):$3$'D&'+&8),"&-+,&($1%"3-&9*"&'+&$#%)#$'D4& B'& 6)%& ("39& $#& )& 9$--","#'& 8+*,'& :"-+,"& )&

9$--","#'& e*9;"& '()#& '("&1*,9",& ',$)34& J)9&

'($%&e*9;"&,*3"9&$#&(",&-)@+,F&'()'&73"8E&6)%&

$#%)#"F&$'&6+*39&()@"&%'),'"9&)&_$,"%'+,1&+-& #"6&=,+8""9$#;%&)#9&%'+=="9&($%&()#;$#;4& 23"@",& ()9& $'& 6+,E"94& .("& 8+*,'F& (+6"@",F&

,*3"9& $'& 9$9& #+'& ()@"& e*,$%9$8'$+#& $#& '("& 8)%"4

.("&3)%'&)8'&$#&'($%&8+1=3$8)'"9&3";)3&9,)1)&

6)%& A+39"#%+#& :"$#;& ')E"#& $#'+& 8+*,'& +#&

I*3D&CTF& OUUUF&6(","&($%&9)'"&-+,&"<"8*'$+#& 6+*39&:"&%"'4

Goldenson's attorney asked the court to put as distant a date of judgment as the law would permit on his hanging. The reason for this request was for Goldenson's relatives, in

%S?-#,#4+),. *)(. 4"+&. &4#4%0%,4. 6+--. J%. (%L%#-%$9

'&519:=2&@>&A294/ 5+1"'$1"&:"'6""#&_$,$#;&'("&-)')3&%(+'&)#9&

()#;$#;& -+,&($%&8,$1"& 73"8E& A+39"#%+#&-"33& $#&3+@"&6$'(&0)1$"&h"33D4&J"&-)#')%$d"9&'()'&

'("D&()9&:""#&%'),V8,+%%"9&3+@",%&6(+& ()9&

$#'"#9"9& '+& %="#9& '("$,& 3$@"%& '+;"'(",F& 1),,DF& ()@"& 8($39,"#F& )#9& ;,+6& +39& '+;"'(",4& 7& ;$)#'& 9"=),'*,"& -,+1& '("&

,")%+#%&("&;)@"&-+,&(",&1*,9",&:"-+,"&)#9& 9*,$#;&($%&',$)34

5+1"& '($#;%& 9+#l'& 8()#;"& ,";),93"%%& +-&

'("$,& '$1"& $#& ($%'+,D4& 7%& '+9)DF& $#& OUUUF&

unexampled devotion to her unfortunate son

'(","&6","&6+1"#&6(+&6,+'"&'+&8+#@$8'"9&

and wanted him with her as 3+#;&)%&=+%%$:3"4&

'("1F&)#9&:"3$"@"9&'("1%"3@"%&'+&:"&$#&3+@"&

particular his mother who had shown such

m . ( $ %& $ %& ' ( "& + # 3D& ," f * " % '& + -& ' ( $ %&

("),':,+E"#& 1+'(",F& 6(+& 8)#& #+'& D"'& ;$@"& *=&(",&:+DFm&("&=3")9"94& I*9;"&0*,=(D& %"'&

'("& 9)'"& -+,& "<"8*'$+#& )%& 5"='"1:",& OoF& OUUU4

B#& '("& 8+*,',++1F& A+39"#%+#& 1*''","9& )#&

+)'(&)#9& 3+*93D&6($%=","9&'+& ($%& )''+,#"DF& mB& E#"6& $'4& .("& Oo'(& $%& 1D& -)')3& 9)D4m="%.

70 Shades MAGAZINE | Cops And Robbers 2014

=,$%+#",%& +#& 9")'(& ,+6F& ',)@"3"9& '+& %""& 6$'(&'("&=,$%+#",%4

5*8(& 6)%& '("& 8)%"& 6$'(& )& D+*#;& :3+#9& 6+1)#& -,+1& 5)3'& ?)E"& 2$'D& 6(+& 6)%&

#+'+,$+*%& -+,& (",& -+#9#"%%& -+,& A+39"#%+#& )#9& @$%$'"9& ($1& 9)$3D4& .("& =,"%%& 8)*;('& 6$#9& +-& $'& )#9& A+39"#%+#& 6,+'"& )& 8),9&

6($8(& )=="),"9& $#& '("& #"6%=)=",%&

9"#D$#;&'("&%'+,$"%&%*,,+*#9$#;&'($%&D+*#;&

lady from Salt Lake City. Aleck said he

again pressured the Sheriff for an

thought it was wise to deny the tale

invitation. There were none to be had.

especially in view of his feelings toward the dead Mamie Kelly. "I do not want the

Even the deputies complained that they

sincerity and the devotion of my love

had been denied their usual privilege of an

toward her to be tarnished by the faintest

extra invitation or two for friends. They

suspicion that I am ever unfaithful to her

said they could have easily sold the card for

memory," he said. This must have been

$5, but in truth some of the cards were sold

such a comfort to Mamie's family.

for as much as $50.

THE HANGING

A photographer was sent to the jail to photograph Goldenson one last time. Of the

Five hundred invitations were prepared by

two the photographer was far more

Sheriff McMann for Goldenson's execution.

nervous.

Plain bits of cardboard bordered in black which read: SHERIFF'S OFFICE, CITY AND COUNTY OF SAN FRANCISCO -­‐ Mr. ______: You are respectfully invited to be present at the execution of Alexander Goldenson in the County Jail-­‐yard, on Friday, September 14, 1888, at 12 M. William McMann, Sheriff.

Present this at the door. Not transferable.

T h e eve n i n g b e fo re h i s exe c u t i o n Goldenson was given two hours to visit with his father and sister. It was a dif_icult meeting as Goldenson was upset over the fact that his father had come to see him for the last time wearing old work clothes. It angered him that his father did not appear to be better dressed for their last meeting.

His mother and brothers arrived later in the day and stayed until nine o'clock. When

T h e d e m a n d f o r i n v i t a t i o n s w a s

it was time to go the cries and moans of

unprecedented. The Sheriff had received in

Rebecca could be heard throughout the jail.

excess of _ive hundred personal requests

She held her boy in her arms, kissed him

and thousands more wanted admittance.

passionately, and whispered loving words

Those who had supported McMann in his

in his ears. When the Sheriff led her away

election and assured they would do so

Goldenson threw himself on his cot and

Shades MAGAZINE | www.shadesofthedeparted.com 71

sobbed for a minute or two. It was the only

Kelly. Her communion photograph. The

display of emotion from Goldenson since

very photograph you see here. The

the day of the murder.

photograph that started this story.

He spent the night playing checkers with

Aleck had fastened a slender black ribbon

Jailer Rogers. At ten he requested to see the

to the photograph and asked the priest to

Catholic priest Father Fasanotti who spent

attach it to his wrist. He didn't want the

half an hour with him. Goldenson drank a

photograph to fall from his hand when he

glass of wine and fell into a deep sleep.

died.

Just before the appointed hour, Father

He followed Sheriff McMann to the scaffold,

Franciotti was admitted to the cell and told

Father Franciotti was behind him. He

Goldenson to prepare. He was wearing the

turned and faced the spectators and in a

suit he had worn throughout the court

clear strong voice said: "I want to say a few

proceedings. A silk handkerchief in the

words before I go. I have often reiterated

form of an American _lag was in his pocket.

that Mamie was my _irst and only love. I say

He took the handkerchief out and placed it

now that she was, and I hope I will go to

on the table picking up the photograph

Heaven. I thank you all for your kindness to

next to it. It was a photograph of Mamie

me. Good-­‐bye." He looked again at the

Father Franciotti & Goldenson In his cell before the execution.

%="8')'+,%& )%& ("& %'"=="9& :)8E6),9& +#& '+& '("&',)=F&)#9&%)$9R&mB&9$"&-+,;$@$#;&D+*&)334m

.($%&@",D&=(+'+;,)=(4

J"& %(++E& ()#9%& 6$'(& )33& ),+*#9& ($1& )#9&

'("#& ,"1+@"9& ($%& 8+33),& )#9& '$"4& J"& 3$-'"9& '("&=(+'+;,)=(&'+& ($%&3$=%&)#9&E$%%"9&$'4& J"&

)%E"9&'("&9"=*'$"%&-+,&'("&#++%"&)#9&=3)8"9&

$'& ),+*#9& ($%& #"8E4& 7;)$#& ("& ,)$%"9& '("& =(+'+;,)=(& '+& ($%& 3$=%& )#9& E$%%"9& $'4& .("& :3)8E&8)=&6)%&=3)8"9&+@",&($%&(")94&J"&%)$9& )&_$#)3&;++9V:D"&'+&/)'(",&/,)#8$+''$4

mQ$'(&f*$8E&1+'$+#%&2($"-&\+;",%&'$;('"#"9& '("&#++%"& ),+*#9&A+39"#%+#l%&#"8EF& ,)$%"9&

($%& ,$;('& ()#9& )%& )& %$;#)3F& )#9& '("& ,+="&

(+39$#;& '("& 3"@",& +-& '("& 9,+=& $#&=3)8"& 6)%& 8*'&:D&)&9"=*'DF& '("&9++,&%6$#;$#;&+="#&)'& "<)8'3D& OCRPg& >04& Q("#& '("& ,+="& :"8)1"&

')*'&'(","& 6)%&#+'&)&1*%83"&1+@"9F& )#9&)33& 6(+& %)6& '("& "<"8*'$+#& E#"6& '()'&

A+39"#%+#&6)%& 9")94m& .("& :+9D& %6)D"9&'+& )#9& -,+F& )#9& $#& ($%& 9")9& ()#9%& A+39"#%+#& ("39&'("&=(+'+;,)=(&+-&($%&@$8'$14&

.(","&$%&1+,"&'+&'("&%'+,DR .("&K+'8("9&K*,$)3

Q)%&0+'(",&Q(")'+#&I*%'&7&2+3+,-*3& 5'+,D] .("&0$%%$#;&K,)$# .("&2):$#"'&2),9

\")9&):+*'&'("1&(","4

5+*,8"%&-+,&'("&),'$83"&8)#&:"&-+*#9& (","4

They’ve murdered my boy.

14 A`?!LM5`M&X&.JL&Mc0KL\&/`c\.LLM

0*8(&()%& :""#& 6,$''"#& ):+*'&A+39"#%+#l%& +:%"%%$+#&6$'(&8+$#8$9"#8"%& ),+*#9&'("&

#*1:",&Oon&%$1$3),&'+&Q)3'",&5=),,+6&'("&8(),)8'",&$#&'("&1+@$"&.("&M*1:",&CT4&.+& ()@"&'("&1)''",&%')'"9&8+,,"8'3D&-+,&=+%'",$'DF&A+39"#%+#&=,"=),"9&'("&-+33+6$#;R

v 0D&_$,%'&5*#9)D&$#&e)$3&6)%&5*#9)DF&M+@"1:",&OoF&OUUW4 v 799&'("&3"''",%&+-&'("&2(,$%'$)#&#)1"%&73"<)#9",&)#9&0)1$"&)#9&D+*&()@"& -+*,'""#4 v .("&%)1"&,"%*3'&$%&+:')$#"9&:D&)99$#;&'("&#*1:",&+-&3"''",%&$#&'("&%*,#)1"%&h"33D& )#9&A+39"#%+#4 v .("&#)1"%&+-&'("&)''+,#"D%&6(+&3+%'&1D&8)%"&:D&9"%",'$#;&1"&")8(&8+#')$#%& -+*,'""#&3"''",%4 v B&6)%&-+*,'""#&1+#'(%&$#&%+3$'),D&8+#_$#"1"#'4 v 0)1$"&h"33Dl%&);"&6)%&Oo&D"),%&Y("&+1$'%&'+&%)D&-+*,'""#&6("#&("&E$33"9&(",[F v 1D&',$)3&8+11"#8"9&/":,*),D&OoF&OUUi4 v .(","&),"&-+*,'""#&3"''",%&$#&'("&%*,#)1"%&2++E&)#9&2)1=:"33F&I,4F&'("&#)1"%&+-&'("& )''+,#"D%&6(+&9"-"#9"9&1"4 v I*9;"&0*,=(D&_$,%'&=)%%"9&%"#'"#8"&+-&9")'(&+#&1"&+#&7=,$3&OoF&OUUi4 v B&6)%&_$#)33D&%"#'"#8"9&'+&()#;&5"='"1:",&OoF&OUU4 v 0D&#)1"&)%&B&%$;#&$'&8+#')$#%&-+*,'""#&3"''",%4 73"8E&A+39"#%+#

.($%&6+*39&)88+*#'&-+,&A+39"#%+#l%&,")8'$+#&6("#&%"#'"#8"9&'+&()#;&+#&5"='"1:",& Oo4&J"&*''","9&)#&+)'(F&3")#"9&+@",&'+&($%&)''+,#"D&)#9&%)$9F&mB&'+39&D+*&%+4m

B#&)&8,*"3& '6$%'& +-&-)'"F& A+39"#%+#&6)%&',)#%-",,"9&'+& 2"33& oO&'("&9)D&:"-+,"&("& 6)%& (*#;4&/+*,'""#&:)8E6),9%4&\)'(",&_$''$#;&9+#l'&D+*&'($#E]

74 Shades MAGAZINE | Cops And Robbers 2014

The famous San Francisco Chinatown squad posing in front of August Pistolesiâ&#x20AC;&#x2122;s grocery store at 752 Washington Street, included, from left to right, officers J. M. Gee, Coleman, police clerk August Pistolesi, Sergeant Price, Moriarity, and J.M. Murry date variously identified as 1859 or 1885. Courtesy Found San Francisco.

Shades MAGAZINE | www.shadesofthedeparted.com 75

!%(>%B.E#(%,8)L.0%-$&.+0#>%&.*()0.K)(-$.K#(.

PP.6+4".4"%.'#(+&.)*.4)$#Bb.#,$.&).2#,.B)H9

THE HEALING BRUSH

windows to the past IMAGE MELD

BY JANINE SMITH

`39& =(+'+%& ),"&)&6$#9+6& '+& '("& =)%'4& Q"& 8)#& 3++E& )'& +#"& )#9&%""&(+6& %+1"'($#;F& 3$E"& )& :*$39$#;F&3++E"9&OPP&D"),%&);+4&B-&6"^,"&,")33D&3*8EDF&'(","&6$33&:"&)&:*$39$#;&3"-'&'+9)D&-+,&*%&

'+&%""4&c#-+,'*#)'"3DF&'()'&()=="#%&3"%%&)#9&3"%%&$#&'($%&9)D&+-&9"%',+D$#;&($%'+,$8&:*$39$#;%& -+,&=),E$#;&3+'%&)#9&%(+==$#;&8"#'",%4&B-&D+*&9+F& (+6"@",F&()@"&)#&$1);"&+-&)#&+39&:*$39$#;& 6($8(&$%&%'$33&$#')8'F&(+6&-*#&6+*39&$'&:"&'+&=*'&'("1&'+;"'(",]&

0+%'&+-&*%&()@"&%""#&'(+%"&$1);"%&6(","&)#&+39&$1);"&$%&("39&*=&$#&-,+#'&+-&'("&%)1"&=3)8"& $#& '("&=,"%"#'& 9)Dn& '("D^,"& +E)DF& :*'&B&,")33D& 3+@"& '("&+#"%& 6(","&)#&+39& $1);"&$%& )8'*)33D&

:3"#9"9&$#'+&)&#"6&$1);"&+-&'("&%)1"&=3)8"&')E"#&-,+1&'("&%)1"&=3)8"F& )'&'("&%)1"&)#;3"4&

Q+#9",-*3& "<)1=3"%& +-&'($%&),"&$1);"%&:D&5",;"D&?),"#E+@&'()'&1"39&$1);"%& -,+1&Q+,39& Q),&BB&6$'(&'("&>),$%&+-&'+9)D4&Y+==+%$'"[

Q(+&8)#&,"%$%'& '("&3*,"&+-&'("&=)%'& 1"3'$#;&$#'+&'("&=,"%"#']&5+F&(+6&6+*39&+#"&;+&):+*'& =*''$#;& +#"&+-&'("%"& :")*'$-*3& 8+33);"%& '+;"'(",]& `#8"&D+*&_$#9& D+*,& ($%'+,$8& =$8'*,"&)#9&

()@"&)%8",')$#"9&'("&=3)8"&$'&6)%&')E"#F&D+*&8)#&')E"&)&8+=D&+-&'("&+39&=$8'*,"&6$'(&D+*&)#9& 1)E"&%*,"&D+*^,"&%')#9$#;&$#&)%&83+%"&'+&'("&%)1"&=+%$'$+#&)%&'("&+,$;$#)3&=(+'+;,)=(",&)%& =+%%$:3"& :"-+,"& ')E$#;& '("& =$8'*,"4& .("& +,$;$#)3& :*$39$#;& 9+"%#^'& "@"#& ()@"& '+& %'$33& :"&

%')#9$#;n& %+1"& +-& '("& 1+%'& =$f*)#'& =)%'Z=,"%"#'& 8+33);"%& 8+*39& :"& 8+1=,$%"9& +-& '("& +,$;$#)3&:*$39$#;&)#9&)#&"1='D&_$"39&+,&)&=),E$#;&3+'&+,&%(+==$#;&8"#'",4

Shades MAGAZINE | www.shadesofthedeparted.com 77

Q("#&D+*&()@"&D+*,&=)%'&)#9&=,"%"#'&=(+'+%F&'("&#"<'&%'"=&$%&'+&=*'&'("1&'+;"'(",4&

1

B'&;+"%& 6$'(+*'& %)D$#;& '()'& :+'(& $1);"%& #""9&'+& :"&9$;$'$d"9&%+& '("D&8)#&:"&+="#"9&$#&)#&

$1);"& "9$'$#;& =,+;,)14& .("%"& $#%',*8'$+#%&),"& -+,& 79+:"& >(+'+%(+=&22& $#&=),'$8*3),F& :*'& 8)#&")%$3D&:"&)9)='"9&-+,&+'(",&=,+;,)1%& )%&3+#;&)%& '("D& *'$3$d"&3)D",%4& /+,&'("&=*,=+%"&+-& '($%&),'$83"F&B^1&*%$#;&$1);"%&'()'&),"#^'&')E"#&-,+1&'("&"<)8'&)#;3"n&6($3"&$'&$%&=,"-",):3"&'+&

()@"&)&=(+'+&')E"#&)%&83+%"&'+& '("&%)1"&)#;3"&)%&=+%%$:3"F&%+1"'$1"%&$'^%&e*%'&#+'4&>+%%$:3"& '()'&$%4&Q("#&'()'&()=="#%F&',D&'+&_$#9&+#"&6(","&'("&"3"@)'$+#&$%&)%&83+%"&)%&8)#&:"&6$'(+*'& ')E$#;&'("&$1);"&D+*,%"3-4 1

O

78 Shades MAGAZINE | Cops And Robbers 2014

2

M+6& 6"& #""9& '+& =*'& '("& $1);"%& '+;"'(",4& B-& D+*^,"& 6+,E$#;& $#& 79+:"& >(+'+%(+=F& +="#& 79+:"&K,$9;"&)#9&#)@$;)'"&'+& '("&-+39",&6(","&'("&=)%'&)#9&=,"%"#'&$1);"%& ),"&)#9&%"3"8'& :+'(&=$8'*,"%4&A+&'+& .++3%&w&>(+'+%(+=&w&?+)9&/$3"%&B#'+&>(+'+%(+=&?)D",%4&0+@"&'("&+39",& $1);"F&(",")-'",&'+&:"&8)33"9F&%$1=3DF&G=)%'HF&'+&'("&'+=&+-&'("&3)D",%&%')8E4

2

Shades MAGAZINE | www.shadesofthedeparted.com 79

K,$#;& '("&+=)8$'D& 9+6#&+#&G=)%'H&%+& D+*&8)#&%'$33& 83"),3D&%""&$'F& )#9&'("& $1);"F& G=,"%"#'HF&

:"#")'(&$'4& ?$#"&*=&"3"1"#'%&+-&'("&$1);"%4&B'^%&_$#"&$-&'("D&9+#^'&_$'&'+;"'(",&=",-"8'3D4&.($%& $%&e*%'&)&,+*;(&_$'F&)'&'($%&=+$#'4& T

T

M"<'& 6"^,"& ;+$#;& '+& ',$1& )& 3$''3"& +--& '("& %$9"%F& '+& %'),'& '("& :3"#9$#;& =,+8"%%4& c%"& '("& ,"8')#;*3),&%"3"8'$+#&'++3& )#9&%"3"8'&)&%1)33&%"8'$+#&+#&+#"&+-&'("&%$9"%4& A+& '+&\"_$#"&L9;"& :*''+#& )'& '("& '+=& +-& '("& 6+,E%=)8"4& B#& '("& \"_$#"& L9;"& 9$)3+;F& 1+@"& '("& /")'(",& %3$9",&

'+6),9%& '("& 1$993"4& .($%& $%& )& ,)'(",& 3),;"& )1+*#'& +-& /")'(",F& 6($8(& $%& 6(D& '("& $#$'$)3& %"3"8'$+#&#""9%&'+&:"&+#&'("&%1)33&%$9"4& `'(",6$%"F& D+*^33&"#9&*=&9"3"'$#;&'("&6(+3"&$1);"& $#&'("&-")'(",4&`#8"&D+*&1+@"&'("&-")'(",&%3$9",F&($'&`h&'+&83+%"&'("&\"_$#"&L9;"&=)#"34&M+6&

%"3"8'&2',3&+,&219&x&S&'+&9"3"'"&'("&%"3"8'$+#n&$-&D+*&"#9&*=&')E$#;&'++&1*8(&+--F&%$1=3D&*%"&

'("&E"D:+),9&%(+,'8*'&2',3& x&73'&x&s& Y219&x`='&x&s& +#&)&0)8[&'+& ;+&:)8E& )&8+*=3"&+-&%'"=%& )#9& 1)E"& )& #"6& %"3"8'$+#4& `#8"& D+*^@"& ;+'& '("& +#"& %$9"& '("& 6)D& D+*& 3$E"& $'F& 1)E"& )&

%"3"8'$+#& )#9& -")'(",& '("&+'(",& %$9"4& B-&D+*&%'$33& ()@"&"9;"%& '()'&),"#^'& )%& :3"#9"9& )%& D+*&

80 Shades MAGAZINE | Cops And Robbers 2014

o

6+*39& 3$E"F& D+*& 8)#&*%"&E"D:+),9&%(+,'8*'& 5($-'& x&2',3& x&!& Y5($-'& x&219&x&!+#&)& 0)8[&'+& o

,"%"3"8'&'("&-")'(","9&),")&)#9&2',3&+,&219&x&S&'+&:3"#9&)&3$''3"&1+,"4

M+6&$'^%&'$1"&'+&;+&:)8E&)#9&1)E"&%+1"&)9e*%'1"#'%&)#9&3$#"&'($#;%&*=&)&3$''3"&:"''",4&0)E"&

#+'"& +-& ),")%& +-& :*$39$#;%& '()'& ),"& 9$--","#'4& .("& 9+1"& )'& '("& '+=& +-& '("& :*$39$#;& $%&

8+#%$9",):3D& 9$--","#'& #+6F& %+& $'^%& +:@$+*%3D& #+'& ;+$#;& '+& :"& )& =+$#'& '+& 3$#"& *=4& .("& 6$#9+6%F&=$"91+#'%&)#9&8+,#",%&),"&:"''",&),")%&$#&'($%&8)%"4&

7'& )#D& =+$#'& 9*,$#;& '("& =,+8"%%& D+*&8)#& '$#'& '("& $1);"4& B& 9"8$9"9& B& 3$E"9&)& ,"99$%(& '$#'& :"''",&'()#&'("&:3)8E&)#9&6($'"&6$'(&'("&,"9&:,$8E&+-&'("&:*$39$#;4&L$'(",&6)D&6+*39&1)E"&)& ;++9&=)%'& Z& =,"%"#'& =$8'*,"F& $'^%& *=& '+& D+*4& .$#'$#;& 8)#&:"& 9+#"& :"-+,"& D+*& )99& '("& '6+&

$1);"%&'+;"'(",F&+,F&)%&B&%)$9F& )'&)#D&'$1"4&h""=&$#&1$#9&'()'&$'&;"'%&'+&:"&)&3$''3"&1+,"&+-&)#& )9@)#8"9&'"8(#$f*"& '+& )99&'("& '$#'& )-'",& D+*&-")'(",& '("&"9;"%F& :"8)*%"&D+*&)3%+& ()@"&'+&

Shades MAGAZINE | www.shadesofthedeparted.com 81

g

-")'(",&'("& '$#'4& M+6& :)8E& '+& 3$#$#;& =+$#'%& *=4& ?+6",&'("& +=)8$'D&+-&G=)%'H&);)$#F& )#9&*%"&

E"D:+),9&%(+,'8*'&2',3& x&.&Y219&x.&+#&)&0)8[&'+&.,)#%-+,1&'("&%"3"8'$+#4&Q$'(&'("&8*,%+,& 5 $#&'("&1$993"&+-&'("&.,)#%-+,1&),")F&83$8E&'("&,$;('&1+*%"&:*''+#&)#9&%"3"8'&Q),=4&0+@"&'("&

),")%&+-&'("&$1);"&D+*&#""9&'+& 3$#"&*=&D+*,&"9;"%4&a+*&8)#&;+&:)8E&)#9&,"=")'&'($%&=,+8"%%& *#'$3&'($#;%&3++E& 3$#"9&*=F& =)%'&)#9&=,"%"#'4&.($%&8)#&')E"&%+1"&=,)8'$8"4& \"1"1:",F& 2',3&Z& 219&x&73'&Z&`='&x&s&6$33&;"'&D+*&:)8E&)&-"6&%'"=%&$-&D+*&_$#9&D+*,%"3-&$#&',+*:3"4

.()'^%& ):+*'&)33&'(","&$%&'+&$'4& B'^%& )&%$1=3"&"#+*;(&=,+8"%%&'()'&D+*&8)#&,"=")'&$'& 1*3'$=3"& '$1"%&*#'$3&D+*&;"'&)&=)%'&Z&=,"%"#'&'()'&D+*&3+@"4&

a+*&8)#&)3%+&"<=",$1"#'&6$'(&+'(",&%"3"8'$+#&%()="%&'+&8+1"&*=&6$'(&+'(",&3++E%4&`#8"&D+*&

_$#9& %+1"& +39& $1);"%& )#9& (*#'& 9+6#& '("& 1+9",#& 9)D& 3+8)'$+#%F& '("& =+%%$:$3$'$"%& ),"& "#93"%%b

i

Ancestor

put the cub reporter

INSPIRE A FUTURE FAMILY HISTORIAN

BY DENISE BARRETT OLSON

>7\.&`/&`c\&I`K&75&/70B?a&JB5.`\B7M5&$%&'+&9+8*1"#'&'("&8*,,"#'&($%'+,D&+-&+*,&-)1$3D4& .()'& 9+"%#^'& 1")#&D+*& ()@"& '+& 9+& $'& )3+#"4& A"'& %+1"& ("3=& )#9& =+%%$:3D& $#%=$,"& )& -*'*,"&

-)1$3D&($%'+,$)#& $#& '("&=,+8"%%& :D& ($,$#;& D+*,& +6#&8*:& ,"=+,'",%& '+& ("3=&D+*&8)='*,"&'("& #"6%F&"@"#'%&)#9&%'+,$"%&+-&'+9)D4

K"-+,"&D+*&8)#&%'),'&($,$#;F& D+*^33&#""9&$%&)&#"6%& 8"#'",&6(","&D+*,&,"=+,'",%&8)#&=*:3$%(&

'("$,& #"6%& $'"1%F& =(+'+%F& @$9"+%& )#9& ),'$83"%4& ?$;('6"$;('& :3+;& =3)'-+,1%& 3$E"& .*1:3,&

Y(''=RZZ'*1:3,48+1[&+,&>+%'()@"#&Y(''=RZZ=+%'()@"#48+1[&),"&;,")'&8(+$8"%&%$#8"&'("D&()@"& )&%(+,'&3"),#$#;&8*,@"&)#9&%*==+,'&:+'(&"1)$3&)#9&1+:$3"&=+%'$#;&V&1)E$#;&$'&")%D&-+,&D+*,&

,"=+,'",%&'+&*%"4&K+'(&)3%+&%*==+,'&=,$@)'"&:3+;%&)33+6$#;&D+*&'+&3$1$'&@$"6$#;&)88"%%&'+&e*%'& -)1$3D&1"1:",%4

\"8,*$'$#;& ,"=+,'",%&%(+*39&#+'& :"&9$-_$8*3'4& h""=$#;&'("1& +#& '("&e+:&8+*39&:"& )&9$--","#'& %'+,D4& 0)E"& %*,"& D+*& ()@"& =3"#'D& +-& 8()33"#;$#;& )%%$;#1"#'%& '+& E""=& '("1& :*%D& V& 6$'(&

9")93$#"%& )#9& 9"_$#"9& ;*$9"3$#"%& +#& 6()'& D+*& "<="8'& $#& '("$,& _$#$%("9& =,+9*8'4& .($%& $%& )& ;,")'& +==+,'*#$'D& '+& $#%'$33& '("& ():$'%& +-& )& ;++9& ,"%"),8(",R& 3++E$#;& *=& :)8E;,+*#9& $#-+,1)'$+#F&8$'$#;&%+*,8"%&)#9&$#83*9$#;&8,"9$'&-+,&f*+'"%&)#9&+'(",&+*'%$9"&1)'",$)34

84 Shades MAGAZINE | Cops And Robbers 2014

on the story

ONLINE SAFETY Because your “news” will often include personal information -­‐ such as birthdays and travel photos -­‐ that aren’t appropriate for public sites or social networks, having a limited access site for your family’s news center is important. Your reporters should be briefed -­‐ regularly -­‐ on what is and isn’t appropriate for online publishing. And, as the editor/ publisher, you’ll want to review content and remove any questionable content when necessary.

Online email platforms such as Yahoo! offer family accounts that will provide your cub reporter with his or her own email address while a parent maintains oversight on how the account is being used. This will give your reporter the ability to submit assignments and publish stories via email while providing privacy limits. You can learn more about Yahoo’s family accounts at http://help.yahoo.com/l/us/yahoo/family/basics. You might also check with your own email provider to see if they offer anything similar.

TOOLS App phones like the iPhone, Android and Windows phones are perfect for this purpose but may not survive a youngster’s rough handling. One excellent alternative is an iPod Touch with both front (Face Time) and back (photo/video) cameras. Both 4th and 5th generation models have these features. A camera is needed to include photographs with the story and the front (webcam) camera can also be used with apps like Face Time or Skype to conduct interviews with distant relatives. While the iPod Touch is not cheap, used and reconditioned ones can be found on eBay or Craig’s List at very reasonable prices.

TRAINING AND ASSIGNMENTS Show how serious you are by de_ining your reporter’s responsibilities, deadlines and submission guidelines. You can create a PDF document they can carry on their iPod Touch for easy reference.

86 Shades MAGAZINE | Cops And Robbers 2014

&;;.!&+$!&,,%..('*%.

2)1",)x -+,& $>(+#"& YkO4NN[& / 3 $ 8 E ,& Y - , " " [ $ # 8 3 * 9 " %& \"8+,9",& >3*%&BB Y-,""&)#9& =,+& )#9& $>)9& YkO4NN[& )99%& 1+,"& )99$'$+#)3& 8)1",)& -")'*,"%& )'& kC4NN[& $%& )#& $1=,"%%$@"& -*#8'$+#)3$'D& '+& '("& 9"@$8"^%& 3$E"& _$3'",%& )%& 6"33& )%& "9$'$#;& )*9$+& ,"8+,9",& -+,& ,"8+,9$#;& 8)1",)&Y3$E"&d++1&)#9&1)#*)3& -*#8'$+#%4&a+*&8)#&*%"&'("&)==& )#9&"9$'$#;&$#'",@$"6%4 -+ 8 * % [& = 3 * %& = ,+@ $ 9 " %& ) #& '+& *=3+)9&D+*,& =(+'+%&'+& D+*,& $1=,"%%$@"&%"'& +-&"9$'$#;&'++3%4& / 3 $ 8 E ,& ) 8 8 + * # '& ) '& - * 3 3& Q$'(& 2)1",)x& $#%')33"9& +#& ,"%+3*'$+#& )%& 6"33& )%& %(),$#;& :+'(& )#& $>(+#"Z.+*8(& )#9& )#& '("1& @$)& .*1:3,F& .6$''",F& $>)9F& D+*& 8)#& *%"& $23+*9& '+& /)8":++E&)#9&"1)$34 %D#8& D+*,& =(+'+%& :"'6""#& '("&

9"@$8"%& -+,& ")%$",& "9$'$#;& )#9& 1)#);"1"#'4

t6$E$& Y-,""[& 3"'%& D+*& :*$39& KD6+,9 -+,& 0)8& YkN4NN[& )#9&

%'+,$"%& :D& 8+1:$#$#;& %"3"8'"9& $`5& Yko4NN& =3*%& ko4NN& '+& )99& =(+'+%& )#9& %(+,'& @$9"+& 83$=%& =*:3$%($#;& -*#8'$+#%[& $%& )& 6$'(& 8)='$+#%& )#9& 1*%$84& .("& %$1=3"& '"<'& "9$'+,& '()'& 8)#& :"& ,"%*3'%&8)#&:"& %(),"9&:D&"1)$3& *%"9& '+& 6,$'"& )#9& =*:3$%(&

+,& 505F&=+%'"9&'+& /)8":++E& +,& %'+,$"%4& B'& $%& )& ;,")'& 6,$'$#;&

.6$''",&+,&"1:"99"9&+#&)&6":& '++3&:*'& 9+"%#^'&()#93"&=(+'+%& =);"4

+,&+'(",&1"9$)&6"334

Shades MAGAZINE | www.shadesofthedeparted.com 87

.-II%./*(+.!G('!+%).!&..*I+2%+/.

L@"#'& ,"=+,'$#;& -,+1& (+3$9)D& ;)'(",$#;%F& 6"99$#;%F& )##$@",%),$"%F& :$,'(9)D%& )#9& ;,)9*)'$+#%4&5*;;"%'&'("D&$#83*9"&%(+,'&@$9"+&$#'",@$"6%&+-&'("&8"3":,)#'%&)#9&;*"%'%&V&

%+1"'($#;& 3$E"& '(+%"& f*$8E& G1)#V+#V'("V%',""'H& f*"%'$+#%& D+*& %""& +#& '@& 8+*39&

;"#",)'"&%+1"&-*#&,"%=+#%"%&)#9&()@$#;&)&D+*#;%'",&9+&'("&f*"%'$+#$#;&1)E"%&$'&3"%%& $#'$1$9)'$#;4

>"+=3"&%'+,$"%&V&$#'",@$"6%&)#9&=,+_$3"%&+-&-)1$3D&1"1:",%4&J)@"&D+*,&,"=+,'",&;"'&'("& %'+,D& +-& (+6& c#83"& K+:& "),#"9& ($%& >*,=3"& J"),'4& 2+33"8'& 1"1+,$"%& -,+1& -)1$3D&

1"1:",%& 6(+& "<=",$"#8"9&($%'+,$8)3& 1+1"#'%& 3$E"&M"$3& 7,1%',+#;^%& G+#"&%1)33&%'"=& -+,&1)#H&+,&NZOO&)#9&6,$'"&)&%'+,D&):+*'&$'&V&$#83*9$#;&:)8E;,+*#9&+#&'("&"@"#'&$'%"3-4

B-&)&-)1$3D&@)8)'$+#&$%&$#&D+*,&=3)#%F&E""=&D+*,&,"=+,'",%&+88*=$"9&9*,$#;&9,$@"&'$1"&:D&

_$3$#;&,"=+,'%&-,+1&'("&,+)9&V&,"=+,'$#;&+#&'("&=3)8"%&@$%$'"9&)#9&1)D:"&"@"#&+--",$#;&)&

,"%')*,)#'&,"@$"6&+,&'6+4&!,$@"&'$1"&$%&)&3+'&3"%%&:+,$#;&6("#&'(","&),"&=$8'*,"%&'+&"9$'& )#9&)&%'+,D&'+&6,$'"4&

76),9&8","1+#$"%F& ,"8$')3%& )#9& ;,)9*)'$+#%& ),"& ;,")'& +==+,'*#$'$"%& '+& 8)='*,"& D+*,&

-)1$3D^%&%="8$)3& "@"#'%4& >(+'+%&+-&'("& "@"#'& )3+#;& 6$'(&)&%'+,D&=,+@$9$#;& :)8E;,+*#9& 6$33&'")8(&D+*,&,"=+,'",&,"%"),8(F&6,$'$#;&)#9&=(+'+;,)=(D&%E$33%4

5=+,'%& ,"=+,'$#;& V& 8)='*,"& )& %$:3$#;& +,& )& 8+*%$#& 1)E$#;& )& ;,")'& =3)D& )#9&8+1:$#"& $'& 6$'(&)&=+%'V;)1"&G%$9"3$#"H&$#'",@$"64&

/")'*,"&%'+,$"%&),"&1*8(&3+#;",&'()#&"@",D9)D&#"6%&,"=+,'%4& c%"&'("%"&'+&8"3":,)'"&)& %="8$)3&"@"#'&3$E"&)&1)e+,&:$,'(9)DF&)##$@",%),D&+,&)%&)&',$:*'"&'+&)&-)1$3D&1"1:",&6(+& ()%&=)%%"9&)6)D4

a+*&1$;('&"@"#&8,")'"& ,"8*,,$#;&8+3*1#%& 8+@",$#;& )& %="8$_$8& '+=$84& /+,& "<)1=3"F& D+*&

1$;('& ()@"& )& .,")%*,"%& 8+3*1#&'()'& '"33%& '("&%'+,D& +-&)&9$--","#'& -)1$3D& ("$,3++1& +,& =$"8"&+-&"=("1",)&")8(&1+#'(4

L#8+*,);"&D+*,&,"=+,'",%&'+&8)='*,"&%=+#')#"+*%&1+1"#'%&6("#&'("D&()=="#4

88 Shades MAGAZINE | Cops And Robbers 2014

K"&)@)$3):3"&'+&=,+@$9"&"#8+*,);"1"#'&)#9&%*==+,'&V&"%="8$)33D&6$'(&'("&,++E$"%&V&%(+6$#;& '("1& (+6& '+& =,+=",3D& 8$'"& ,"%"),8(& %+*,8"%& )#9& +--",$#;& '$=%& -+,& 8+#9*8'$#;& $#'",@$"6%4&

a+*^33& :"& %*,=,$%"9& (+6& f*$8E3D& '("D& 8)'8(& +#& )#9& %++#& '("D^33& :"& %(+6$#;& D+*& %+1"& 8,")'$@"&6)D%&'+&=*'&'("$,&,"=+,'$#;&'++3%&'+&*%"4

Q+,E&6$'(&'("&)9*3'%&$#&'("&-)1$3D&'+&$#%*,"&'("D&),"&E""=$#;&*=&6$'(&'("&3)'"%'&#"6%&)#9&

-")'*,"&%'+,$"%&=+%'"9&)'&'("&-)1$3D&#"6%&8"#'",4&.("&:3+;^%&8+11"#'%&%"8'$+#&$%&)&;,")'&6)D& -+,&'("1&'+&3"'&D+*,&8*:&,"=+,'",%&E#+6&'("$,&"--+,'%&),"&)==,"8$)'"94

0)$#')$#$#;&)&-)1$3D&#"6%&8"#'",&)#9&1)#);$#;&)#&"@",V8()#;$#;&'")1&+-&8*:&,"=+,'",%&$%&)& 8()33"#;"F& :*'& '("& ,"6),9%& 8)#& :"& ',"1"#9+*%& V& -+,& '+9)D^%& -)1$3D& )%& 6"33& )%& -*'*,"&

;"#",)'$+#%4& 7#9F& 6$'(& 3*8EF& D+*& 6$33& ()@"& %=),E"9& )& -)1$3D& ($%'+,D& $#'","%'& $#& D+*,& ,"=+,'",%^&1$#9%&'()'&6$33&-+33+6&'("1&-+,&'("&,"%'&+-&'("$,&3$@"%4

Shades MAGAZINE | www.shadesofthedeparted.com 89

The Killer Fingerprints 5(",3+8E& J+31"%& 1)D& ()@"& :""#& )& -)#& +-& %1*9;"%& 3"-'& :D&6)D6),9&()#9%F& :*'& ($%'+,$)#%&

9+#^'&_$#9&1)#D&83*"%&'+&'("&=)%'&$#&;,")%D&_$#;",=,$#'%&3"-'&+#&+39&=(+'+;,)=(%4&B1);$#"&)33& '("&()#9%& '()'&1)D&()@"&'+*8("9&D+*,& +39&=(+'+;,)=(%4& a+*,&)#8"%'+,^%& _$#;",=,$#'%& 1)D& ()@"&3"-'&'("$,&1),EF&:*'&9+&D+*&6)#'&'+&)99&D+*,%] L)8(&'$1"&)#&+39&=(+'+&$%&()#93"9F&'("&+$3%F&9$,'F&)#9&;,$1"&-,+1&+*,&()#9%&$%&',)#%-",,"9&'+& '("& %*,-)8"& +-& '("& =,$#'& 3")@$#;& )& =",1)#"#'& $1=,$#'4& 7#9& 6+,%"F& '("& )8$9%& $#& '(+%"& 8+#')1$#)#'%& :";$#& '+& ")'& )6)D& )'& '("& =(+'+& 8)*%$#;& 9)1);"& '()'& $%& 83"),3D& @$%$:3"&6$'(& 9$;$')3&"#3),;"1"#'%4

B'&$%&")%D&'+&)@+$9&)99$#;&D+*,&E$33",&_$#;",=,$#'%&'+&'("&+39&=(+'+%&$#&D+*,&8+33"8'$+#4&Q)%(& D+*,&()#9%&-,"f*"#'3DF& )#9&9,D& '("1&8+1=3"'"3Dn& ()#93"&=(+'+;,)=(%&`M?a&:D& '("&"9;"%& )#9&6$'(&)&@",D&;"#'3"&'+*8(4 B-&D+*&-+33+6&'("%"&%$1=3"&;*$9"3$#"%F&D+*&9+#^'&#""9&'+&6"),&;3+@"%&'()'&()@"&)&'"#9"#8D&'+& :"&83*1%D&)#9&8)#&8)*%"&-*,'(",&9)1);"&-,+1&)6E6),9&()#93$#;4 ?")@"&'("&_$#;",=,$#'%& '+& J+31"%F& 6)%(&D+*,&()#9%& :"-+,"&6+,E$#;& 6$'(& D+*,&',")%*,"9&-)1$3D&=(+'+;,)=(%4 F)6.=).1(2"+L%.c#0+-B.a%%?&#8%&C.E%#(,.F)6.=).'(%&%(L%.c#0+-B. '")4)&@.O%0)(#J+-+#.d.Q%,%#-)>B.3%2)($& :D&!"#$%"&0)D&?"@"#$8E&Y/)1$3D&.,""&K++E%F&CPOC[ 7@)$3):3"&$#&":++E&)#9&=)=",:)8E&-,+1&'#"B-.F&$K++E%F&K),#"%&)#9& M+:3"F&5(+=/)1$3D.,""48+1F&)#9&,"')$3&:++E%'+,"%4

90 Shades MAGAZINE | Cops And Robbers 2014

NEXT ISSUE

THE LAST PICTURE SHOW

+F:M&+6F=&167<& Q7R<&%<6F:S&T=6>>&6)%&)& ',)@"3$#;& =(+'+;,)=(",4& K+,#&$#& OUoOF& %("& :"8)1"&)#& *#6"9&1+'(",&)'&);"&OU&6($3"&6+,E$#;&$#&`($+4&B#&OUiO&)'&);"&TPF&%("&1),,$"9&7#9,"6&7#9",%+#& QD)''& YOUoOrONOC[& $#& \+%"@$33"F& Q),,"#& 2+*#'DF& B33$#+$%4& 7#9,"6&QD)''& 6)%& )& 2$@$3&Q),&@"'",)#& )#9& )& ,)$3,+)9& "#;$#"",& YOUUP& '+& ):+*'& OUNC[& -+,& '("& K*,3$#;'+#& )#9& 0$%%+*,$& \$@",& \)$3,+)9& YKX0\[&'()'&()9&"%'):3$%("9&%",@$8"&$#&OUiP&'+&\+%"@$33"F&B33$#+$%4&

0,%4&QD)''&()9&%"'&*=&)&=(+'+;,)=(D&%'*9$+&$#&\+%"@$33"F&B33$#+$%F&$#&'("&OUiP%F&+=",)'$#;&)%&0,%4&04& I4&QD)''l%&7,'&A)33",DF&\+%"@$33"F&B334&.+&$#8,")%"& (",&:*%$#"%%F&%("&6+*39&)88+1=)#D&7#9,"6&%+&%("& 8+*39& ')E"& =(+'+%& 9*,$#;& '("$,& ,)$3,+)9& ',)@"3%4& 5("& "f*$=="9& )& ,)$3,+)9& 8),& '+& %",@"& )%& )& =(+'+;,)=(D&;)33",DF&"#):3$#;&(",&'+& =(+'+;,)=(& ="+=3"& )3+#;& '("& K*,3$#;'+#& )#9& 0$%%+*,$&\$@",& \)$3,+)9& ,+*'"& '()'& ()9& :""#& )8f*$,"9& :D&'("& 2($8);+F& K*,3$#;'+#& X&t*$#8D&\)$3,+)9& Y2KXt[& $#& OUiC4&5("&3$@"9&$#&\+%"@$33"&*#'$3&),+*#9&OUUP4& 0,4&QD)''&1+@"9&'+&>("3=%&2+*#'DF&M":,)%E)F&'+&8+#'$#*"&($%&6+,E&-+,&'("&,)$3,+)9&)#9&0,%4&QD)''& +="#"9& )& =",1)#"#'& %'*9$+& $#& J+39,";"F& >("3=%& 2+*#'DF& ),+*#9& OUUg4& 5("& 6)%& )3%+& )8'$@"& $#& 0$#9"#& )#9& Q$38+<F& Yh"),#"D& 8+*#'$"%[F& M":,)%E)4& 2$,8)& OUNCF& 7#9,"6& 8()#;"9& 8),"",%& )#9& :"8)1"&'("&%K<F8BB&+-&>("3=%&)#9&h"),#"D&8+*#'$"%4