Under The Influence Kurt Rohde copyright 2003
Restless, but not heavy
= 84/
= 168
Bs. Cl.
IV
IV
Vln. I fp
fp
fp IV
Vln. II fp
fp
IV
Vla.
strum pizz.
arco
pizz.
arco
pizz.
Cello
3
(ord.)
Bs. Cl. I arco
pizz./strum
Vln. I play as if all harmonics are the highest overtone partial produced above written bass
II
Vln. II play as if a harmonics are the highest overtone partial produced above written bass
crushed to ord.
ord. tr. to 1/4 tr.
1/4 tr.
arco/s.p.
Vla.
arco
arco/s.p. pizz.
Cello
1
7 Bs. Cl. fp
fp II
Vln. I
Vln. II fp ord.
ord.
s.p.
Vla.
pizz. ord.
Cello
10 Bs. Cl. fp
ffp
II
Vln. I
arco I
pizz.
Vln. II
Vla.
arco
Cello
2
13 Bs. Cl.
I
Vln. I arco I
snap pizz.
Vln. II
IV
Vla.
Cello
16 Bs. Cl. fp Vl. I voice predominates
s.p.
Vln. I
ord.
(ord.)
s.p.
Vln. II Vl. II voice is an ‘overtone’ of Vl. I voice
pizz. arco/s.p.
to ord.
ord.
s.p.
Vla.
s.p.
s.p. to ord.
Cello
3
ord.
20 Bs. Cl.
Vln. I
Vln. II
to ord.
ord.
Vla.
ord.
to ord.
pizz.
Cello
23 Bs. Cl.
fp
ord.
Vln. I
Vln. II
Vla.
arco
arco
pizz.
Cello
4
arco pizz.
25 Bs. Cl.
Vln. I
Vln. II
blurry! II, III, IV
Vla.
pizz.
blurry! III, II, I arco
Cello
27 Bs. Cl.
Vln. I fp
Vln. II fp II, III, IV
Vla.
I, II, III
snap pizz. arco
Cello
5
30 Bs. Cl.
III, II, I
Vln. I msfz II, III, IV
Vln. II msfz ord.
s.p.
Vla.
snap pizz.
arco
Cello
sim.
33 Bs. Cl.
harm. gliss. s.p./IV
ord.
harm. gliss. s.p./IV
Vln. I
crushed
crushed
ord.
Vln. II
sim.
Vla.
arco
pizz.
Cello
6
pizz.
36 Bs. Cl. ffp s.p.
ord.
Vln. I
ord.
crushed
Vln. II
Vla.
snap
snap pizz.
arco
ord. ord.
Cello
39 Bs. Cl.
ord.
Vln. I
ord.
Vln. II
Vla.
snap
arco
Cello
7