ONE for speaking pianist on poems of Paul Mann (2009)

Page 1

6

/"

ONE for speaking pianist on texts of Paul Mann (2009)

- for Genevieve -

Kurt Rohde

"6 6

$"


ONE for speaking pianist on texts of Paul Mann (2009)

2

PART I I - One From afar, as if remembered bit by bit q = 112 - 124 ** p

6 / " &!

Voice

'!

(

(

Kurt Rohde

(

9 "

(

One...

6 "

(

From afar, as if remembered bit by bit q = 112 - 124

$ "6

*

w* !

ord.

(

pp stopped notes should sound quasi African thumb piano

Piano

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stopped w/L.H.

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mf

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sub. molto pp

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ww!!

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molto p

20

5 $ " $#$

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molto mp f f

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6 "

+ &!

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p

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&* !

** - Voice spoken into a free-standing or clip-on mic, with light amplification and reverb added to the output mix. Voice mix should always have slightly more reverb than piano.

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* - Piano is amplified with free-standing mic, pointed into the sounding board under the lid, with light amplification and reverb added to the output mix.

9

%

w!

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mp

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n++ w w

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sub. pp


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16 / 16

16 $ 16

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ff

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ppppp

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+!

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grain

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of sand

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poco rfz

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= ,

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meno rfz

p

sfz

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12 8

mp-molto p

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on my tongue

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one grain

molto p

15 !! 68 $;/$ $ 8 "!

molto f

* +! +! 7! 7! 7!

15 8 ++ !! ++ !! ++ !! ++ !! ++ !! +* ! + ! + ! + ! + !

sffz Repeat as needed to gradually allow the new sonority to emerge from previous sonority.

fff

% 38

* 15 + ! 7 ! 7 ! 7 ! 7 ! 8

Slightly slower, with repose q. = 60 - 76

< && !!! &

pesante

"9

meno f

One

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9 "

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3 3 7 9 j! "" " $/ b $ $ $ $ $ $ $ $ $ *$ $ * $ /* $ $ $ $ $//$ /$ -

15 $b/$ 16 $ b/"

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""

molto f

Slightly slower, with repose q. = 60 - 76

33

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5 n/+ ++ j 0! n+ ++++ 16 n+ + /+ / /+

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%

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f

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poco f

mp

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one

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4

rit.

0! + ! + ! + ! + !

42

/

of sand on

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my

rit.

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piu f

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of

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II - Such history 48

Anxious, incisive q = 116 - 120

(

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7

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Such hi stor - y

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un - gone

)( ? +? +? +? b + + n + ; + ; + n + + n + n +? + ++? && !! + /+ /+ + + + +

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=,

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their foun - der

went un - der

to

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af - ter war's af - ter realm

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57

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62

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whole

crowd

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came

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p (ord.)

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stream

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she turned a - way

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48

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in Er - e- bus

ff

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6

III - War now 81

Ceremonial, processional h = 50 - 52 p

/ 26 &

'

22

'

War

(

j + 0+ + + + '

'

now

and ev - ery war

D6 ' 2

2 w 2 w

;;w w

poco f

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%

w

;w

w

* / 7 + ++ +

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mp

bloo - dy E - dom,

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Bel - lum

95

/ &

one

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D bbw w / , %

=

* 6 + + "&

stun - ted

Ju - da - i - cum

/ 62 bw

w w

w w

* / + + + +!

all

val

* + + &

7! * ;;w w

++ nn&& !! *

nw w*

sev - en hills

; *& ! &!

6 2 bw n w* / = ,

* + + +

blood - milk - ers of

22 w w* = ,

6 2 0! + ! + ! + ! + !

f 0! / ? j > > ;> ! > ! > n /*& ! >j! >#j ;> b&! 6 n& ! 2

/ 22 7 +

=

+ + ; *& !! n+ 22 + ;& *

w w* !!

now

b& mf

as de - stroy - ers of shrines

n&

pp

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w w

&&

ue

a- gainst

; w* w

;w w

ev - en

in

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f

our

eyes

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Suddenly held, heavy h = 42 - 44

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2 2

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(

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7

ff

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sent

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p

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bw

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moun - tain

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molto p

meno f

pp / ;>#j

b*&

+ 62 7 &

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more

w w

= =,

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pp

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mf

w ;w

in

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mp

Gradually Release Sost. Ped.

89

D

7 ;Y

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ends

molto p

22

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3

' w w

Ceremonial, processional h = 50 - 52

* w w

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b& b &* /

0

3


j 7 + "6 + + ! + + 22 mp

104

/ '

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our

b*&

(ord.)

vio - lent

in what o - ther

stopped w/L.H.

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110

show

b*&

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us

poco rit.

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and

end

cha - os or - der

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j j 12 *j *j 6 0 + + + + " + + 0 + + 8 + + + + 7! 7!

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b&!

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b&!

pick up hard plastic mallet

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pp

b +* ! mp

= ,

molto p

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%

IV - Here I stand 113

From stillness h = 32 - 36

/ "2

""

(

D" " 2

niente

"

"

(

(

? #j- - -/ B -#j- ! B -#j- - B -#j- ! B -#j- ! B -#j- !B -#j- ! B -#j/ ? / ? B ! "" 7 with hard, plastic mallet *** B -#j B -#j B -#j

(

stopped w/R.H.

( Subito ritmico q = 104 - 108

From stillness h = 32 - 36

D "2

Subito ritmico q = 104 - 108

"

gradually broadening as intenisty builds

as softly f as possible strike the notated string with a hard plastic mallet, pressing the head of mallet into string as the string is struck: the dynamics correspond with the intensity of the pressure of the mallet onto the string, thereby adding more intense pressure to the string, and thus, a more substantial 1/4 step bend in the pitch to the string.

? "" "

(

(

sfffz *** - If the register of the G in the passages using the hard, plastic mallet for this movement are in an awkward place due to the construction of the frame, use the G an octave lower than written for the entire movement.


8

From stillness h = 32 - 36

mp

117

/ 7

+

+ +

Here

7

< j 0 + &

. +

on

foot

I stand

D- - - - -

- - 7

one

gaining intensity

hushed 3

3

0 + + + + + +

7

+ + + +

on a pil - lar of dust

'

fac- ing the wind

From stillness h = 32 - 36

< (

/ B -#j

(

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niente

D

3

< (

(

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$

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stopped w/R.H.

7

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gradually broadening as intenisty builds

$

niente

%

= ,

j 3 / + + + + +

121

3

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'

cast - ing no sha - dow

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on

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a

plane

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$

Subito ritmico q = 104 - 108

sub. p

j + "" + + !

of

Subito ritmico q = 104 - 108 with hard, plastic mallet B -#j

"" -/ -

9 16

(

/

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sfffz

" "

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- -

-

-/ -

- - -

sharply strike strings below mallet with the flat palm of the left hand

j j $$ $$ - -

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Here I stand...

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D "6 D "6

of two

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ppp

= ,

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one road to E -

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mp

put plastic mallet down

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7

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ppp

j 7 0 + + + + '

enlightened

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molto p

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at the

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sha- dows

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dom

the

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9

V - Stones blossom Floating, flexible q = 92 - 100

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sffz

/ + + +!

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back to E -

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w

ff

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rain

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(ord.)

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rit.

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bot - tom - less cha - sm

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gine

j ;+ &

un - til the black plume

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n+

the

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+

mp

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n+

j 0 +

&

(

meno f

=,

A tempo q = 92 - 100

j* 0 + + +

. * * * 5 7 + + + "+ 7

(

the blaz - ing

the blaz - ing

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w (

=,

one can im - a

f

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3

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rit.

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of all our long

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slow bloom - ing of

mp

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mp

%

0 +! + + +

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$ $#j b $ $*$ $*$ "

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7

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p

ff

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stone in stone

$

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dom

(ord.)

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nw

gate.

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bw =,

"5

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+

6

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=,

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+#j

b +#j

? + + ++

A tempo q = 92 - 100 intense!

pp

(

7

+ + +

molto f

+ ;/+* + mf

""

+ +j "" * 3

mp


10

rall.

156

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rall.

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the black

plume

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b&! / +

0

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fp

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tah - jah

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+

ord. mf

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+

+

kah zzz - gha

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b ++ b + b + + + b++ b+

j b+# /

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+

%

+ / poco f

stones

blos

@

/ 7

0

the

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blaz - ing

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mah,

/ +

+

+

kah - mah - dah,

/ +

fp

+

tah - jah, kah -

++. nbn +++?. ++. ++.

fp

fp

+

j + 7 -

;+ + + J ++ ++ ++ ; ++ ; +++ ++ + / / / ;+ +

"whisper breath" fp fp

sub. p

++. ++.

-

som

(

fp

=,

= ,

j / + +!

fp

ff

+!

n+ ! -

+ b++ &&

164

/ +

n +? n &

+

3

f

fp

++. ;bn +++?. ++.

molto f

$ 0

fp

+ ;+ ! /

+

f

0 +!

7

kah - dah, kah -

fp

fp

ff

D +

sm

&!

+ =,

kah - mah, kah - mah - dah - jah,

;+/++ !!! @ n+ !

-

"6 &!

;+

7

/ / @ + + +

+

fp

mp

0!

-

"6 +

using a percussive "whisper breath", imitating an echo fp fp

deliberate )?(. . ?. . ? b ++ b; +++ ++ ; ++. nbn +++. bb +++ 0 "6

7

kah - dah, mah - dah

++.

$ @

D

pp

fp

-).

the

0

'

;&

%

dah,

/ 3 + + +

p

$ "" +j +

/ +

7

* +

j +

More distant, removed q = 69 - 76

3

159

More distant, removed q = 69 - 76 pp

fp

/ @ + + + 68 fp

++B. +#j ++ !! + ++B. ++ !! =,

kah - tah - mah,

* rubato * D b++ + + + n+++ + + ;+ + b+ 3

ord. fp

/ *? + + + + @ +F + !

fp

kah - tah - mah - dah,

++B. ;;;++++. ++++. +++? +#j ++ !! + 68 ;+ ! ++B. 6 ;;;+++. +++. +++? +++ !!! 8 =

=

pp

,

kah

+#j

-

sfz

B B + + 58

sfz

man - dah,

+ ++B. +#j + ++B. ++ ++ 5 8

++ ;+

B +++. ++ +

B +++. 5 8

= , =


11

accel. ff

B 5 /8+

167

fz

tah,

Bj +

B B + +!

sffz

jah, tah,

jah!

0

to joy,

3

f

=,

j +!

to joy

++B ++ ++ n /+ B + + + bn ++ ++ b+

3

? n ++B ; +++ J

? ++ +++ n/*++ ; + D 5 @ ;++ + @ 8 ,

/ / 2" 0 + + + + + 16 9 +j! 0! molto f

;/+ / /+ ; ++ +/++ + + + ;; ++ ++ + 2"

? ++ + n/*++ ; + ;+ + + + 5 $8 @

voice need not be exactly with piano becoming ecstatic meno f

Com

+! ++ !! b + ! 9 J J 16

accel.

-

58 +!

mand

-

+!

+

ed

to

""

b + /b + / + + + " + + n+ 58 + + + " ++ + n/+b ++ /+ b + + /+ / 3 3 3

3

ff

meno f

/+ +B + + bn/++ B ; 2 D 9 + + $"; + + ++ n+ 16 bb++* ++ ++ ++ ++ ++ / = , = ,

+ 5 + + + 8 + b+ + /+ + +b +-. +

+ + + ++ + ++ + ++ -. -. -.

sfz

sfz

sfz

" "

=

sfz

%

VI - Commanded to joy Surging ahead q = 116 - 126 171

/ ""

&! ff

48

7

joy

b /++ ++ ++ ++ /++ ++ ++ !!! ++ /++ ++ b bn ++ ++ ++ ++ ++ ++ ++ ! ++ ++ ++ Surging ahead q = 116 - 126

" $"

ff

D ""

+ b/++ ,

+ ++

+! +! /+ !

+ +! ++ ++ !!

4 8

( ++ bb ++ ++ ++ ++ /++ ++ ++ b ++ ++ ++ ++ ++ ++

+ + 4 +! + + 8 ++ !! /+ +

+ +! b++ ++ !!

"6

( /+ + /+ b /+ + + + + /+ + + + !! +++ +++ +++ bb+++ +++ +++ +++ +++ +++ +++ +++ +++ !!

+ + + + + + /+ + /+

+! b/++ !!

+ + /+

+ +! ++ ++ !!

+ +! + +! /+ + !

6 " 6

$"

=

% 174

/ "6

7

marked and cool, as if an objective observation mp

/ +

j +

com - mand

-

j +

+

+

ed

to

joy

/. +

7

/ * j + + + 0 + +

such

di - sci - pline

/+ ++ ++ ++ +/++ +++ +++ +/+ ++ ++ ;;+++ +/++ +++ +++ +/++ +++ +++ ++ ; ;++ ; ; + $ "6 ; + + + + + + + + + + ;+ + + + + + + + ; + pp pay attention to "alla gonga" B in the inner voice

/+ n 6 $ " n;; >++

,

+ >++

/+ ! +! +!

++ /++ !! + >+ !!

/+ n ;+ ;+

/+ >++

+ >++

/+ ! +! +!

++ /++ !! + >+ !!

++++

es capes

++++

+ + +! + + >++;;++ ++ !! >++ >++

gradually release pedal

+ +

7

me

;;+;/+++ !!!

++++ +/++ +++ +++ J

mf

/& ;& ;&

= ,

/+ >++


12

/ / +

178

what

/ + joy

183

/ 58

;;;+++

-

ed

&

;;;+++ +++ 5 $8 J

+++

7

+/++ !!! +

+

+

what

joy

;;;+++ !!!

/+ ! >++ !!!

++ +J

0 "2

mp

to joy

+/++ ++ ++ + + + J

+ n/+ ++ ;;++

+ ; ; ++

%

/ + + +

com - mand

+++ !!! ;;;+++ !!! $ & Y $ &&

/ +

j 0 +

piu f

+++ !!!

(

+

in

E

/ +!

7!

where

&

5 8

+

-

-

dom

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58

molto p

n++ +J

""

& ;;Y&&

58

&

'!

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/+ ; ; ++

&& &

becoming warm again p

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+/++ ; ;&& + "2 ; &

+

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! >+++ ;;+++ !!

"6

+

* &!

* +

all

joy

++ +

"5

/* ;ww ; "" w

poco f

$ 58

>+++

/++ 2 +J "

;++ ;+

% / "6 '!

188

n w* ! $ "6 nw !

+

&

is

mon

sub. pp

* !! ; w ; w D "6 ; w ! %

&& &

"6 ;;&& !! &* ! = , +

-

+

w! w!

hol

-

W 8" W

ppp

8 "W W W

low

'!

n *& ! "5 n& ! *& !! ; ; &! "5 ; &

p

&

&

all

laugh

& &

&! &!

&&&

/*& ! ! ;&&& !!

/ 0 +j +

+

mfp * . * / + + + + + + +

kah - tah - jah, kah -mah- tah - jah, kah - tah, kah -

)( + ;n ++? ++ ++ ++ +? ++ +++ /++ 6" + n;++ + + ++ + + + poco sfz

7 6 w ! ";w w*w !!! /

poco sfz ff

/ // /

poco f

/

++ ++ !!! ++ !! ++ ++ + + / / 0 /j 0 /j / /

knock or slap open, flat surface of lid to keys or atop the flat of the headboard, whichever is most resonant

+ -

D6

=

"

'

"6

& &

"6

& &&&

"6

ter

=

allow for a short pause before beginning Part II ppp

"whisper breath" fp mfp

/ "6 '! 7 & "8 ' & ( "6 7

D 6 ;w ! " ;; w w* !! ,

"5

- strous

distant pp

n w* ! $ "6 nw !

'!

/* !! w w ;ww !!

,

192

7

Y& !! && !!

"5 ;;&Y& & /*

"" ;;w w*w /

. j0 < ++ + + + + '!

""

tah, kah, tah, tah, tah...

n< && !!! n&& !

;;&& !! 7 w ! w w !!! w H

/ /

mp

$

""

pppp

7

'! H

=

" "


PART II

13

VII - Held in your hands 196

/ ""

Desolate q = 96 - 100

(

(

( 10

Desolate q = 96 - 100

10 + " b+ $"

before beginning, firmly place masking tape patch over the strings near the pegs, covering the following range of notes

(

'

(ord.)

7

strike with hard, plastic mallet with L.H. ppp ***

?/ b /? b /? b?/ n/? n /? n /? ? n/

b ?/ b ?/ b/? /? n /? n ?/ n?/ ;?/ ? ? / b/ harsh, brittle

j n +# / fff sfffz

j j j j j #j b +# n +# b +# n +# b +# n+ / / / / / / sfffz sfffz sfffz sfffz sfffz sfffz let grace notes emerge and ring as a separate voice: play grace notes an octave higher if leaps are too difficult to execute in this and similar passages (m. 215-220 & m. 229-230)

0 B*-j B*n- B*- - *- - *- - *;, n-

' B D "" , /

(

- B*- - *- - *- - *-

j b +# / sfffz

- B*- - /*- - /*- - /*-

fff

,

%

*** - If the register of the notes in the passages using the hard, plastic and soft, yarn mallets for this movement are in an awkward place due to the construction of the frame, use the same pitches an octave lower than written for the entire movement.

suddenly exhale sffz

a pronounced, slow inhalation 200

(

/

(

w

Hhhh

-1. ? ? n?/ ;/? n/? b?/ / n/? b / b ?/ $ #j #j b + n/+ / sfffz sfffz

/ / / D - B*- - *- - *- - *-

? b?/ n?/ n /? n / n?/ ;/? n/? b/? b?/ n?/ 2 !

#j b+ / sfffz

?j +0 7 '

< w

niente

'

dah!

< (

ord. mp

+ + +

Held in your

(

(

molto p

< - B*- - *- - *- - *- - B*- - *- - *- - *- ,

/ B 0 -!

- ;-

'

+ 7

,

sffz

ppp

fff

quickly put down plastic mallet and pick up soft, yarn mallet

% Reflective, warm q = 58 - 60

rit.

j + 0 + + /

206

Hands

rit.

$

D

+

+

+!

0'

(

p

'

7 + + +

I make them what holds

(

+ '

Held in Your hands...

Reflective, warm q = 58 - 60

(

(

(

(

I

+ + + ++7 am the hol - low

(

(

from bottom to top, slowly strum strings near pegs with soft, yarn mallet; begin strumming from below and go above written notes, releasing pedal after strum is completed, while silently holding down the keys to the written notes so that the chord rings: if execution is awkward due to the construction of the frame, play the same pitches an octave lower OR revoice the chords into a closed position within the written register that includes all written pitches poco rubato

(

n && !! ; ; & 7 ; & !!

poco f

=, =

n &! 7 n;;&&& !!!

n && !! ; ; & 7 ; & !!

7

,=

, =

,

molto p

poco f

n;n&&&& !!! !

n &&& !!! b n 7 &!

bb&&&& !!!! 7

=

,=

,

molto p

=


VIII - Down the throat of the desert

14

213

/ +

that

gently inhale

gently exhale (ord.)

&

+

shapes

them

?. j + '

< + + +!

inhale

j + +

0 +

Subito q = 96 - 100 sfz exhale

Down the throat

of the

j / 0 + + f

(ord.)

des - ert

+ 0 + + J

that lad - der

10

de scends

Subito q = 96 - 100

(

$

(

n && !! n D 7 ;;&& !!

with patience

%

,

217

/ 0

quickly put down yarn mallet and pick up plastic mallet

(ord.)

j n +# fff / sfffz

j j j b +# n +# b +# / / / sfffz sfffz sfffz

0 B*-j n;,

/, B 0

ppp

ff

f

=

* * * B- - B- - B- -

,

Bj ++ 0

+++

+!

on - ly one

rung

/ +

inhale

of it

n+ / sfffz

b+ / sfffz

- B*-

b+ / sfffz

n+ / sfffz

B*-

-

/?

/j ++

+!

vis

-1. b ?/ b /? n /? n/? b?/ n/? /? n ?/ /? ;?/ ? ? n/ b/ $ #j #j #j #j * * D B- - -

j j b +# n +# / / sfffz sfffz

strike with hard, plastic mallet with L.H.

<! 7

(

?/ n /? n ?/ /? ;/? /? b/? /? n/?

b /? b /? b?/ 0 0 J

<! 7

harsh, brittle

-

exhale

-

j 0 0 + (ord.)

i - ble

nor

b /? /? /?b ?/ b?/ / n/? ? ? n ?/ ? n/ ;/ n/ #j b+ / sfffz

- B/*- - B/*- - /*-

- B/*-

-

j + 0 + + can

0

this stump

+

j +

of

a

/? ;?/ n/? b/? ? /? ! ;/ /

? ? / /

#j #j + b// / sfffz sfffz

B/*- - B/*- - B/*- - *- - B*- - /*- - B*- - B*-

ff

% rit. 220

/ +

man

7

+

q = 58 - 60

7

+ 7 '

reach

-1. ? /? / /? /! ; / $

3 j j j 7 + +0 0 + +0 7 0+ + +

p

up

so croak

?/ 2 #j J

b+ / poco sfz

D - B*- - *- - *- - *- - -! B*-J , ppp

e - very tale

7

j 0 +'

of as - cent

but

q = 58 - 60

rit.

molto p

in - stead

+! + + '

( quickly put down plastic mallet and pick up soft, yarn mallet

,

( strum strings with soft mallet as before poco rubato

n && !! ; ; & 7 ; & !!

molto p

=, =

(

(

n &! 7 n;;&&& !!!

n && !! ; ; & 7 ; & !!

, =

, =


15

IX - The cave-mouth opens rit.

j 0 + + ' /

226

inhale

exhale

but

one

+ 7 7 +

but one

(

(

n;&& !! 7 n; && !!

, =

, =

put down soft mallet

sub. pp

+*

p

6 "7

turn East

,

b&

$ + b && b +* &* D

""

mf

b&!

1?0 ? ? ? ? ??? ? ? j b / b / b/ / / n/;/n / n / / 0 7 &! n +#j #j #j b+ + ff

/

rit.

/

&!

"6

/

/ 2" +

too

"6

+ &!

= ,

j j @ + + + + + + 0 + "2 3

3

0 + + + a lost

boy

so too this Qum - ran calls

&

j

sub. poco f

D2 "

&

(loco)

* bb+& &

so

* + b++

poco f

"2

n &* ! / = ,

+

2 "

q = 72 - 76 3 j + + + + "6 +

this soul's Qum - ran

accel.

$ 2" /*># ;*>

&*

p

&!

accel. 3

7

(

% 236

the

Suspended q = 48 - 50

ppp

10 10 sub. pp f p ? ? ? ? ? p ? ? ? (loco) ? ? ? @ r @ r b / / b / / @ ?r 0 0! n/r / ;/ ;/ 7 / /;/ #j b + 6 b b&& !!n/ / n/ #j b + n+ b +++ " b & ! / / * *

and beck - on

7 " ! " b&b&& !! *

p

(ord.)

3

urns

* j + + + 7 0 +

j 0 + +

(ord.)

7

Subito q = 96 - 100

/ / j / + 0 + + "" + + + 0 '

232

Suspended q = 48 - 50

The cave - mouth o - pens

"6 & *

(

D 7 n;n&&&& !!!! %

(

Suspended q = 48 - 50

rit.

$

6 "

rit.

Subito q = 96 - 100

Suspended q = 48 - 50

7

"2 0

7

calls

3 /* *j /* . * * /*3 . n + b+ 6" bb && !! b++ !! + +bb++ + ! + "2 >#j ;> + &! * /

3

"6 7

+ + + +0 to no an - swer

*>

*> !

piu f

6 " =,

&! /*

3

sub. piu f

p

2 "

j

+

+ ++ +0

turns toward thehid - den

q = 72 - 76

3

3

+

>* *> >#j *> ! -

5

> > "6 Y // pp

3

$ n+ *

mf

+

6 "&

;n *++ mp

7 =,

3

*+ J

D


16 rit.

240

/ 0 + + +

j j < 0 + +0 7

+7

and the cave - mouth

rit.

$

pp

D

fff

< 0!

7

3

%

+! /+ ! ,

+ +

++

/

""

(

"6

6& "

3

fff

+! +!

& &

b ++? ; 0 ; n++ ""

++ /

+

n+

6 "

+ + + + + + + + + + + /+ b + +! (L.H.)

ff

sub. pp

=

2 "

(

alternate hands

" "

(

Subito q = 48 - 50

( Subito q = 48 - 50

"2

+ + + + + + + ++++++

"2

"" &* !

(

pp

(L.H.) +? b + + + +; +? + ff

""

5

& b&

=,

=,

=,

b ++*

X - Or the cave-mouth speaks Ritmico q. = 84 - 88

mf

j j 7 + + + 0 + 0 88 + Or the cave - mouth

$ & bb &*&

&

bb++*+ !!!

7

7!

.j 0 +

7!

;/+ ! +. + /+ !

the

+. + /+ + ;/+ ! +. + /+ ! +. +

Ritmico q. = 84 - 88

j b+++ 88 * molto f

&

0 7!

articulate, sharp mf

speaks

poco rit.

D

n+ !

alternate hands

sub. pp

poco rit. 248

3

3

6" &!

3

j + /

" "

6 "

(

? . ++ n + ! ++ + n +? ! ; ++. + ;++? !! +. ;/+ + $ "" + D ""

fff

+ /+ =,

%

3

b ++? !! +. ++ b ++? !! +. ++ ? ! . / ; + ++;+ + " ; n++ !! "

< 7

7

" /"

"6

(

Expolsive q = 84 - 88

3

(

244

""

is sealed

;n *++ *+J &

&

Expolsive q = 84 - 88

.j + 7

cave

-

.j + 7 mouth

.j + 0 speaks

+ +? +. ;/+ ! +. + /+ ! +. + /+ n ++

martellato sub. p

0 @ 0! 0 0 0 @ 0 ; +. +. +. +. ; +. +. +. +. +. +. - - )3 =

88 0

sfz

mf

j $+ 7 C /+ f

sffz

,

j b+ 7 C

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. . ?.j / 0 + + + 7

?.j + 0

252

from the pocked

$ $

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cliffs

the

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b +? + 7! J

%

D

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sffz

/ 4 /8 +

/ +

.j / + +

Wars

of the

255

the

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++ !! +! -

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* / +

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p

259

; +.

who pass

$ 0!

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a -

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mong

+.

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mf

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7

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of the kit

j $0 + +C f = , )3 ?. +

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camps

thru

0

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b+ C

%

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0 0!

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p

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+. -

+.

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now

$ 7! D

7

7

quasi alla corno

n /&

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+. ; +. +. ; + -. -).

the first

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7 ,

4 8

(

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tim

mf

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as

0 7

us

7 @

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us

pp

molto f / j 0 + + 88 + !

sfz

mp

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48 7 !

b +B ! +!

mp p

=

sffz

sub. p

D

48 4 8

?. j +

sfz

ffp

mf

sffz

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0 7

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++ !! +! -

of

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. +

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the gates

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7

p

dark

7

ff

+. +. +. +. -

o - pen

.j / + +

b ++B ++? !!! ++. ++ b bn ++ ++ ! ++ ++ 0

7

17

molto f

end - ed

sffz

.j + 7!

/ +

++ !! +! -

f

@

sfz

++. ++ ++? !! ++. ++ ;// ! . ++ ++ ++ !! ++ ++ ; + ! + +

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; +. + +/+

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burst

= , ?. +

0

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8 ++ 8 b+ -

j / + +

for - ty year

sffz

Lord

++ + -

?. + 0

sffz

b ++? !! ++. ++? !! ++. ++ ++? !! ++. bb ++? !! ++. ++? !! b b ++ !! ++ ++ !! ++ ++ ++ !! ++ b ++ !! ++ ++ !! 88 $ 48 D 4 ++ 8 b+ , %

?.j + 7

; + +? +. +. +. +? +/+ !!

10 0! 8

p

. +

sub. p

@ 0! +. ; +. +. +. +. p

+

/ +

j/ + +

the

rope

of our

/ +

j 9 + 16

wail - ing

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8 ++ !! 8 b+ ! =,

++ !! +! -

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=,

++ + -

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18 267

9 / 16

68 7 !

(

j 4 / + 8 +

7

the

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first

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7

horn,

the

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j ++ !! 68 0! ++ !! b+- ! +! C

=

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48 b++ b+ -

$0

68 /+ !

j/ + +

rope

of our

wail

-

n +B !! 58 ;+

n+ 0 b+ C C

9 16

ing

++. ++

9 0 16

b +B ! n +B !! b + ! 68 0 b+ ;+ D 9 16 C + C ff =

b +B n+

f

= ,

,

/+ !

++ nb /++ ++ ++ b /++ ++ b /++ b ++. !! ++. ++ + n ++ ++ ++ ++ ++ ++ !! ++ 58 68 0

ff

molto p

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j 5 / + 8 +

molto f

%

272

9 / 16

(

.j 8 + 0 + 0 7! 8 pp

/ j .j j * j* j* j ! 7 7 + +0 + + ++ ++ +07

(

binds them

)( /*/ ! . . B nnn /++ !!! /++ !!! /++ !!! +! 9 n + !+ !+ ! 8 7 ++ !! $ 16 J J J 8 D 16 9

of

mo -

/*/ ! /B /*/ ! /B ? . . /*/ ! /+B + ! + + ! + n + + + ++ !! ++ 7 7 ++ !! ++ 7 7 ++ !! ++ @ 0+ ! J J J

ppp

molto p

the feast

j j 0 !nn++ !! ++ !! 88 7 ++ !! n +* ! + ! +* ! C / )3 ,= ,

j j ++ 7 7 ++ !! ++ 7 7 ++ !! + +! + +! C /* C /* =

,

, =

%

j ++ 7 + C

7

/* ?.j + +

shi - ach

be - gins

/+B ++ 7 7 J

+. J 7 7!

/*/ ! /B +! + ++ !! ++ ' J

(

j 7 ! ++ ' + C

j ++ !! ++ 7 +! + /* C

, =

=

4 "

(

4 " "4

, =

XI - The walled kehillah Calm, with rubato, from afar q = 40 - 44

4< /" ' 7

279

7

freely p

j 0 +

+!

The walled

;< 2 ;&

6

;n ++*

molto mf pp

++ *

j + 0+ +

ke hil

-

lah

n &&* !!

*& !! D 4 < ;;*++ *++ & " && gradually , release ped. = ,

3

j j + ++ + + +0 0+ +

the caves where thelit - tle light left

/ B / B n+ + + ;/ ! 0 ; + + + !+ +++ !+ ++@ J 0 ;+ !

Calm, with rubato, from afar q = 40 - 44 mp 6

$ "4

+ +!

6

molto pp

++ !! =,

is

held

mp

* ;;++ !! gradually release ped.

+

fast

for

+ mill

. / / 3 n + +j r 0 0; + + + + + + + + ++ 0 p

;n ++* !!

+

6

B

6

++ n && !! * * *+ *& !! + &

=,

=


accel.

* / +! en

$

-

; /. ;+

D

mp

i-a

held cap - tive

and held a - gainst

+ +. ,

q = 54 - 56

j +! ! n + + + ! b +* +* +* b +* ! * ;n&& !! p

++

b ++*+ !!

&

=,

gradually release ped.

b +* /

%

19

j + + +0

7

held cap - tive

poco rit. )( / b / b// / / / / / !n // ; *+ + *+ n *+ ! ++ n; +++ !!! j 4 ;;++ ++ b + b + 8 J b +*+ / mf

&* ! =,

*+ + J

pp

+ ! /+*

48

mf

j

+ +!

+!

=,

XII - Ownless Remote e. = 52 - 54

j @+ + + +

284

/

$

48 7

'

rfz

molto sub. p f

b +* &

poco rit.

all o - ther light

; *+ !! j ;;++ ! ! b + b + + bb++*+ +*+ !! +*+

accel.

molto pp

*j @+ ! + + +

j j 0 + + +0 0 + + ! + + 7

j j + + 07

281

q = 54 - 56 p

j! + + + 12 + 16

7

and held a - gainst

* ;+++

all

+++ /* bbb++++ !!!

o - ther

)( ; /? ; / / / / / piu f

0!

7!

light

9 16 + + 0 !

0!

12 16

beck on

Remote e. = 52 - 54

12 16

poco rit.

;// ; / / / // / / / / / / / // /

poco rit.

9 16

;*/ ; / / / */ / /

/! ;// ! /! 12 J J 16

6 16

12 16

6 16

ppp

piu rfz

D %

12 16

j b +* +! /

+!

p

+! /* = ,

+!

poco f

9 16

<! ! 6 + + @ 0 ! / 16

288

rit.

D 16 6

ord.

!! 12 16

(

own - less

-). ;/ ! 6 J $ 16

(

niente

< (

4 !! 12 16 ; h* ; h h h h h* h h* h h* h h h h h 16 h -

pluck with fingernails alternating both hands, or use the end of the wooden handles to the plastic and yarn mallets, lightly tapping the strings: repeat until enough resonance has accumulated

!!

(

$ !!

pp

f

12 16

Subito e. = 52 - 54

stripped so far

rit.

< 0! !! ; h h h *;h h * h h h

(

(

mf . * *j r 4 + + + @ @ + + + + 0 12 16 16

Subito e. = 52 - 54 pluck R.H. L.H.

j +!

+!

Subito e. = 52 - 54 whisper pp

6 16

(

(ord./ R.H.)

4 0 0 16

j h! )(/ / ;/ / / mp

e - ven night- less

Subito e. = 52 - 54 stopped w/L.H.

n/$

0! 12 16

sfz

7

(ord./ R.H.)

@n+ 12 * 16 mp

=


Simple, gentle e. = 52 - 54

rit.

20 293

/ 12 16

* 9 + 16

(

0! 10 16

+0!

fog - less

(

e - ven

12 9 10 $ 16 0; h ; h h h h* h h* h h* h h* h h* h 16 ; h ; h h ! h h hj! 16 (L.H. only)

p

,

%

sub. meno

*j / +!

stripped so

(

bb/&& !! 12 16 b& !

j $! /$ ! $! $ *$ $!

pp mf-sfz

mf

poco f

=,

)(mp / 0 ! @;; //j b+ ! 7 ! bb++ !! p

Becoming disembodied e. = 48 - 50

0!

.j r 9 16 0 + + + @ + p

7!

far

$ 0!

12 7 ! 16

molto p

p

mf

299

(

)/( ; // // // (ord./ / / R.H.) b/++ !! 9 j b 9 10 16 0 ! 16 0n+* b+ ! 16

$ 12 16 bbb&&& !!! /

7!

night - less

9 16 n$ ! 0! /

stopped w/L.H.

pp

molto f

.j *j +! +!

Simple, gentle e. = 52 - 54

rit.

plucked R.H. L.H.

*j *j 9 12 16 7 ! + ! + ! 16 + ! @ + 7 ! molto p

e

(stopped w/L.H.)

/$ !

ven

0!

night

* j @ + + + 0!

-

lontano

(

less

e

Becoming disembodied e. = 48 - 50

j $!

)*( )*( j j @ ;; // 0 ! // !! 0 ! $ n& ! mp-sfz

-

.j + ! 0! pp

(ord.)

9 16

(

7! bb++ !! 9 16 b+ !

0

)(p *j @ // j n+ !

/$ $!

mp

0 ; h hj! bb++ !! J -

(

ven

7!

(

(plucked)

-

(ord.)

mp

@

)( pp /!

/$

p

0!

p

%

304

/

$

12 16 7 !

(

12 16

(

0!

(

0

r j + + @

0!

loss

-

-

0

(stopped)

/$

j $!

7! -

7!

j @ + 0! -

7!

allow for a short pause before beginning Part III

< (

""

< (

""

less

(

piu p

$ 7!

(plucked)

j ; h- ! p

b& ! 12 16

(ord.)

molto p

0 ;h /

j ! h! 7

(plucked)

b< &!

(ord.)

(

=

""


PART III

21

XIII - Two stones ground to dust 309

/ ""

Abruptly joyous, awakened q = 138 - 144

(

"6

Covered, shadowy q. = 138 - 144 poco rit.

68

(

118

(

Covered, shadowy q. = 138 - 144 poco rit.

Abruptly joyous, awakened q = 138 - 144 alternate hands

$ "" ;+n+ + + + + + + + + + + + + + + "6 ;+ + + + + + + + + + + + 68 ;+ + + + + + 118 - - - - - "6

(

68

(

alternate hands

118 n+ + + + + + "5 * b+ * + * + * + * + *

(

ppp

q. = 138 - 144

5 /"

12 8

(

$ "5 ;+n+ ++ + +++ + +++ + + + + + + + + 12 8 - - - ff

" "

(

poco rit.

10 8

(

"" ;+ 11 + + + + 16 - n+ ++ - +++ - +++ - + - +

(

ffff

j 12 8 n+*b+ +* + n+* + +* + 10 8 +* b+ +* +j +* +j "" ppp

,

gradually release pedal

317

11 / 16

12 8

(

11 ;+ + + + 12 $ 16 8 - ++ - ++ - ++ - + sfz

sfz

(

q. = 138 - 144

q. = 138 - 144

11 16

(

sim.

(

=

q = 138 - 144

ffff

$ "5

11 $ 16

10 8

(

p

q = 138 - 144

poco rit.

q. = 138 - 144

q = 138 - 144 sim.

sfz

=,

gradually release pedal

q = 138 - 144

313

"5

(

sfz

,

%

%

sfz

ffff

molto f

$ ""

"5

(

mp

=,

(

=,

(

(

11 16

(

(

98

98

molto accel.

poco rit.

(

(

""

(

""

molto accel.

poco rit.

(

sffz

ppp

mp

j9 j j j j 12 " 8 b+ n+ + + + + +j + + +b+ + +j + +j + + + 8 + b+ + + + + b+ + + + + " * * * * * * * * * * * * * = gradually =, release pedal


22

q = 138 - 144

322

" /"

(

9 16

(

(

q = 138 - 144 marcato

(

/+ + n+ + /+ + " 9 n + n + + $ " ;+ +;+ + + + + + +n+;+ +;+ + + + ;+;+; + + +n+ + + + ;+n+ + + + + 16 ; + ;+ + ;+ n+ ; + ;+ + ;+ n+ / / / / / / / / / / / bring out groupings with accents

ff

mf

" $"

( =,

,

% 326

(

/

$ D %

;/+

n+ ;+

n/+ ; +

/ /n+ + ; + ;+ n+ ;+ + ff

0

=

9 8

(

9 16 0!

0!

/+ n + ; 0 0 0!

(

(

q. = 138 - 144 legato

/ / /n+ 5 n + ; + ;+n + n+ 9 + n+ ;+ + + + + ;+ + + j + J ;+ + + 16 8 n+ J + ;+ + n /+ ; + sub. ; +? ! &!

@ 0! n+ ; + n+-. /

0

+!

5 @ @ 9 0! ;+ 16 n+ ; + n+-. 8 / -. sffz 3 ) ,

(

(

(

&!

(

D

sub. piu f

+!n + ! +!

/ 12 8

(

+! &!

+! &!

q = 138 - 144 rubato mf

.j * * * < "" + + 7 + + + 0 7 0 + ! Two stones ground to dust

? b; ++++ !!!! &&&& !!!! b+ ! & ! 12 $ 8 7 ! 0! @! molto p - sfz

D 12 8

+!

pp

% 337

b& !

( ,

q = 138 - 144

w w w w "w "

* +!

a tempo

wind - sown

7! 7!

+! =,

*+ ! ++ !!

*+ ! b+++ !!! 12 8

(

12 8 =

j +++ +

* +

to all the earth's

e - dges

nn &&? !!! ;n ;&&& !! 7 ; &!

< w w w w w

12 8

(

+ ;+ + + ;+ +n + + + + ;+ +n + ; + + + + + + ; + n + + * bn+*+ !! +*+ !! b+*++ !!! b *++ !! + JJ+ ;+ ;+ + J $ + ++J + J &!

0 n+

q. = 138 - 144

molto p

(

/

=,

5 16

(

@ 0! ;+ ;+ / -.

331

=,

=,

(

D

j j + 0 0 + + + p

and mixed with

w w w w w w

mp - sfz

" "

(

< (

$

=

7

poco marc.

0 ;+ + + + + + ;+ +n+ + + + + + + + * * * * pp sub.

,

pp


/ / / + + + +

342

7

/ + +

3

7

all o - ther dust

+

mor - tared with straw in the

(

$

/ + + + 3

sub. pp

stones

0 + 0!

351

; + + ; +. /+ + ! + + +* + + + ;/+ ! + + +* + +* ! + ! n + sffz sub. pp

two

(

(

;/+ marc./ /+ n+ 9 ; + n + + ; + 16 ;+ n+ molto

mf

07

= ,

(

/

9 16

(

n +.

dust

j6 " n+ " 0 + @ + ! + ! + " n+ 0 @ + + +n+ + + + ;+ / / / / / / sffz = =,

(

$ n+; + 0 +;+ + + 0 + @ ' - + + - +, %

this

f

ground to dust

$ 0 n+ 7

of

+

sub. pp

+!

?. + + +

dust

7

"6 ;+ ! ++ + ++ ! "" @;+n+ + 0 0! ;+ @ + !

=,

/j / + 07

23

.j .j / 0 + "" + 0 +

sub. p

cracks

f

346

. +

/j + 0 "6 7

(

$ ;+* + ! + + + + + + + + + +;+n+ // / / /

%

sfz

0

+.

9 ;+ 0 0! 0 n+ 16 /

7 7

= ,

(

D0

n+ + ;+ /+n+ + ;/+ ;+ / +

n+ ;/+ 0 0!

0 n+

=

q. = 138 - 144 freely, floating mp

98 7 !

(

&!

+!

7!

mote

lodged

+! +! in

the

q. = 138 - 144

;+ n+ ;+ /+ ; + n/+ + ;/+ ; + ;/+ ++ n + + + ;+ + / n + ; + n + + ? n + n + J J n+ J J J ;+ J $ ; + n+ ;+n + ; + ;+ + + ;+ @ ; + ;+;+ 98 legato n+ / / sfz

D %

@ 0! ;+ ;+ / -.

/ +!

356

0

7! 7!

eye,

$

;+!

@

n+ ;+ ; + / -.

+!

0!

&!

+! +! +!

all

+!

n+ !

++ J

0 n+ ;+ 0 0 / ;+ sfz )3 +!

0

sub. pp

98

n+ n&!

+!

,

7! +! 7!

or the noth - ing

;+ !

sfz

7!

one

+! 7! sees

+ ;+ + ;+ + n+ &! J J J +! ;+ !

;& !

&!

""

+!

q = 138 - 144

(

n+ ! " w "

q = 138 - 144

(

w

6 16

6 16

ppp

D

;+ ! + ! ; + ! +! =,

+!

+ !n + ! +!

&!

+!

&!

+!

&!

+!

" "

w

w

6 16


24 363

6 / 16

pp

"5 7 &

(

"2

&

heat - pressed

n + /+ ;+ n & ! / 6 ;+ ;+ + "5 $ 16

+ J

leggiero

p

D 16 6

j 7 ! "2 + =,

"5

n& ! =,

+!

"" 7 &

(

+ + "5 + + 7 + 7 + "6

all

of the

/ n/+ n+ n w ; + 6 @ ;+ ;+ "" 16 poco marc.

2 b+* ! " / f

6 16

(

p

(

p

b+ +

6 16

noth- ing

"5

one

&

sees

&!

"6

poco f

b +/+ !!

""

"5

nw / = ,

sfz

&

"6

&!

% poco accel. 369

/ "6 +

+

7

+

heat - pressed

mf

7

+

by

j 11 + 16 !

7

heart

to

j +!

j +!

j +

this

al

-

? 2" +j 0 7 tar

poco accel.

$ "6

/ / n+ 11 / n+ / + + /n + n+; + ;+ 2 0 b+ + b+ + + + n+;+ 16 ;+ n+ + ;+ "@ / / /

&

marc.

pp

D6 "

0!

7

&

b+ +! + +

/+ ! b +/+ !! 11 J J 16

mf

= ,

=

+/++ !!! J

6 16

/? /? /? ++ ++ +

6 16

/ /? ++

22

22

ff

molto f

+++ J

(

2 6 2 "@ 16 2 n + +- + ++ +- + =,

, =, =,

%

XIV - Dust culled from death's west Restless, but gradually calming h = 69 - 72 f

374

/ 22 &

+ +

? &

? &

(

'

7 +

Dust culled from death's west

2 w

from

&!

. + &

all

the dark

2 $2

+ ; &? !

h = 63 - 66

* &

cor

+ + ' -

'

ners

in - ga - ther,

+ n&? !

w

w

h = 63 - 66

w

mf

w

w

w

w

$

b &&*

= ,

b &&*& /

+++ bb&&*& !!! /

/&

&

molto ff

D2 2

* j 7 + +! + '

poco rit.

Restless, but gradually calming h = 69 - 72

w?

poco rit.

+++bb&&& !!! rffz

&!

molto f

&&&

D

/& =,

w

;/+


poco rit. 383

"6 &

(

/

j 7 22 7 + + + 0 +

mf

mold

$ D %

not cry - stal but

6 ;/+ " &!

2 2 w

coal

* 6" b&& + =,

w

poco rit.

piu f sub. mf

/ 0 +! & to

p

3

+ + 7 ++ &

heat

-

seed

w

w

/ D nww*

* b ww w

poco f

%

molto accel.

399

molto accel.

b+++? ww w rfz

"6

w +++ b &*&& !!

"6

/

/

/

"6 &&& !!

&&& !!

poco f

strike string w/coin, producing the effect similar to hard, plastic mallet, but with a thinner, more wiry tone

D %

16 16

(

,

Suddenly held, inward 405 q = 88 - 92

/ "6

(

""

(

D6 "

(

" "

(

molto rubato e espressivo simplice (ord.) / *j n+#j +

D 6 ;+ & " mp

" ;w "

meno

(

pp

"6 7 &

6" 0 ;+ ! + "" ;w*

6 " 6 &! "

(

"" " " "w "

( (

"6

6 + ;+ " +!;+ pp

"6

p

"6

(

Subito q = 63 - 66 molto accel. / / B -#j B -#j B -#j B -#j

/j / #- !-/- B -#j- !-/-B "" "6 7 7 "6 3

"6 + 0 +!

( ;,

w

3

molto ff

"" w

=,

" "

< (

(a short hold)

=

""

(

"' " ;+

7 0-

pp strike string w/coin

+++ 7 7 ""

"6

&

&

one

stone

,!

(strike string w/coin) * * B -#j B -j

(

Subito q = 63 - 66

Subito q = 63 - 66 molto accel.

""

(

6 "

+

< 7 7 D "" '

pp

p

one

Suddenly held, inward q = 88 - 92

(

* ord. n+#j

(

pick up coin w/R.H.

pp

bn&&*& !!

< (

bur - ied sun

&!

""

w

+ + + 7 ""

of light

Suddenly held q = 88 - 92 ? B-j

/

w

(

q = 104 - 108

""

+*

Subito q = 63 - 66

&!

j j j j j j D -! - -B-#-B-#-! - -B-#- 16 16 B-#-! -B-#-! -B+#- - "6 ,! / B-#j

b w* / =,

&!

(

&!

n&*

meno f

7 + +

Suddenly held q = 88 - 92

(

&

q = 104 - 108

3

'

fur - nace and press

nw* /

af - ter em - ber, gem - mem - or - y

16 16

(

/

w

* j + 7 & "6 + ! + +

3

&

h = 58 - 60

poco rit.

$

* * & +'

not glass - flow - er:

&&& !!!

n+/*++

25

/* j 3 +! + 7 &

mf

3

7 + &

w

/*& ! n b & 22 & !

mp

/

* + 7 '

mp

poco rit.

&!

391

h = 58 - 60

mp

"6

(

;- 6 , ! "

(

""

put coin down

" "

(

molto pp

w

6 "

&!

(ord.) * *j ;+j ;+

0 ;+ +! "" sub. piu p mf

= ,


26

mp

414

/ "" '

7 + + "6 + 7 7 and the

D" "

one

6 "

(

"" '

7 + "6 stone

" "

(

""

(

7 7 + "" + the

6 ;;;&&& !!! "

;w* ( $ "" ;;w w

(ord.)

6 "

(

"6

(

p

+ ! "6 J ;+ +;+ + "" 3

D "" w

;w

%

"6

;& !

""

one

stone

" 0 *#j j " n+ ;+ ! +

p

p

"6

(

(

=

""

7 "6 7 + + ""

7 +

with- in

6 " &!

;+!

"6

(

,

" "

(

""

XV - Thru the two doors meno p

422

/ ""

"6 +

(

one

+ stone

and

the

+

+

j * + +

one

stone

with - in

.j + it

'

Thru the two

""

+++ ;;; &&& !!!

;;; ww w

"6

(

"6

(

"6

ppp

pp

D ""

+ + +

0

Beyond q = 50 - 54

&& !! 6" & !

* ;;; &&&

$ "" ;&

+ + ""

ad libitumtired, clearly mp

Beyond q = 50 - 54

""

(

"6

(

% a tempo 426

/ "6 +

7

7

ad libitum

j 0 + + + + "" 7 poco f

7

doors

0 + +

thru pa - ro - ches

+

and the sealed gate

rapid, regular repetition of written note (the specific number of notes played is unimportant); dim. until piano key is moving, but not producing the pitch

10 n /? / / / / / / / / / / / 6 $" @

n+ ! )3 =,

@ n+ ! b+ ! & -

&

" " + b+ 7

ff

ffp

D6 @ "

/ / / /

trem.

$;&

/

molto p

&

;&

7

ppp

trem.

7

& pp

"' "

"6

+

10 ? / 0!

6 "

piu ffp

7

D0 !

+ -

)3 = ,

6 "


429

/ "6 7

a tempo poco f

j +

0

all

+ + + "" + +

'

7

mp

j + +

3

thru to the sealed ear

j + 0

3

how sing

You

27

j +

+

in

E

"6

-

rapid, regular repetition of written note (the specific number of notes played is unimportant); dim. until piano key is moving, but not producing the pitch

-1. //// /////// // / / 6 $"

/ / /

trem.

"" n& ! /

b& !

++ ;+n+ ;+ + + + + + + + + + + + + + + + + + + + + + + + "6 3

molto f

D6 " j + -).

trem.

$ ;+

& / n+

p

6

6

6

mf

" ! 0 ' " ;+ + !

&

6

'

7

7

6 r" +

5

pp

mp

mf

%

432

/ "6 +

+ -

7

0

dom

6 3 6 $ " ;+ + + + + + + + + 0

j +

+

how

sing

5

0

j + "" +

what

song

+ + + +0

"6

'

I am giv - en

" ;+ n+ + + + + + + + + + + " ;+ + + + + + + + + + 0 7

7

pp

pp

6 $ " ;+

7

5

ppp

p

5

0!

5

+ + + + + + + + + + + + + + + ;+ + + + +

" 7 "

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