6
/"
ONE for speaking pianist on texts of Paul Mann (2009)
- for Genevieve -
Kurt Rohde
"6 6
$"
ONE for speaking pianist on texts of Paul Mann (2009)
2
PART I I - One From afar, as if remembered bit by bit q = 112 - 124 ** p
6 / " &!
Voice
'!
(
(
Kurt Rohde
(
9 "
(
One...
6 "
(
From afar, as if remembered bit by bit q = 112 - 124
$ "6
*
w* !
ord.
(
pp stopped notes should sound quasi African thumb piano
Piano
6 $"
'!
stopped w/L.H.
(
! -"
,
%
sffz
w!
"!
"!
9" w!
&* !
pp
'!
$ w!
"9 w !
$ $#j $ $ $ " " " / * * "
"9 $ $ "!
3
ppp
mf
14
/ 9"
(
9 $"
(
"8
8 " '!
&* !
%
"!
pp
"!
"8
(
/ "5
(
$ "5
(
-
f
p
pp
(
f-mp
6 " &! *
& +* & !
"6
(
ppp
*" !
"4
"4 7 !
3
sub. molto pp
$ $! $! $ / /
0j
"
j $#
$#
(
"5
+ +!
j "5 ! +- &
(
4 " $ $$ $ $ $* $ $ $ $ $ $ $ $ $ $ $ $ $ $ $ $ $ $ $ $ $ b-" */ 3
(
ww!!
&*&
molto p
20
5 $ " $#$
&
(
(
molto mp f f
"6
6 "
+ &!
&
p
(
"6
&* !
** - Voice spoken into a free-standing or clip-on mic, with light amplification and reverb added to the output mix. Voice mix should always have slightly more reverb than piano.
"6 w *
'!
"
(
pp
$ 9"
"6
(
(
pp
"!
j $#
f
"9
(
/
"6 '!
&!
9 j " $ $ $! "! - sub. molto
(
* - Piano is amplified with free-standing mic, pointed into the sounding board under the lid, with light amplification and reverb added to the output mix.
9
%
w!
'!
(
fff
$ / f
"
"6
"" n + !! + !! +* +*
" ! ! $ -$ " "
b$ $ $ $ $ -
"9
(
"5
fp
5:3
sffp
5 "
5 j j " j # $ $ $ $ *$ $ $ $- $ $ $ 3
3
(
mp
"9
3
( j +*#
n++ w w
j $ b-$ !
3
p
f
p
""
(
6 " w!
$! $! $ $ $ molto f - p
ff
$! -
"9
# $ $ / /$ /
"6
j $#
n*&& j j n+ + n + ++* !! +* +
# $ $$ $$
fp
&
f
(
pp
mp
(
0 j 0 "5 #
*"
-$ !
# $$
(
16 16 16 16
16 j j j j 16 b*$ $ -$ $#j $ $ $#j $-
sub. pp
3 24
16 / 16
16 $ 16
(
"6
"5
(
j /*+ j 5 n + 6" j j + ++ + +#j + " & n + +*#+ #j /* + +* + ! + / + & n + ! /
(
'!
16 6 $ 16 b$ $ $ $ $ $ $ $ " "! - - - - / f % 28
" /"
f
16 "5 b$ $ $ $ $ #j $ $ $ $ 16 $! $/ $ /$ /$ $/ /$ fp 5 16
(
$ "" w w
15 16
(
f
5 16 $j!
" $ " b$ $ $ #j $ $ $ b$ $ $ #j $ $ / $ $ $ / $ $ $ $ / $ $ -$ -$ $- $ / fp sfz sfz sfz f
" "
(
9 /"
!! 68
(
!! 68
(
!! 68 + ! + ! !! 68 + ! ++ !! ++ !! ++ !! *
$ b*$ " ! /
< ;/" !
!! 68 "!
molto f
ff
$ 9" "
ppppp
* 12 / 8 +! one
+!
j *! 7 + +
grain
7!
of sand
+++ !!!
$ 12 8 "!
$! ;/$ ! mp
j +#
! ;;++* !
poco rfz
"!
= ,
++ !!
&&& !! ! $!
! ;;++* !
meno rfz
p
sfz
* + 7!
"!
++ !!
12 8
mp-molto p
7!
on my tongue
j +#
;/$ !
++ !! b+++ !!! +++ !!! +++ !!! +++ !!! +! *
$;/$ $
+ +
one grain of sand
$ 12 8 b+++ !!! +++ !!! +++ !!! $!
* * 0! + ! + ! + ! + !
12 8
one grain
molto p
15 !! 68 $;/$ $ 8 "!
molto f
* +! +! 7! 7! 7!
15 8 ++ !! ++ !! ++ !! ++ !! ++ !! +* ! + ! + ! + ! + !
sffz Repeat as needed to gradually allow the new sonority to emerge from previous sonority.
fff
% 38
* 15 + ! 7 ! 7 ! 7 ! 7 ! 8
Slightly slower, with repose q. = 60 - 76
< && !!! &
pesante
"9
meno f
One
$ 9" n + +#j +#j +#j +#j ! n + & !! ; ++ + + + + + + + +* ++ && ! / -
9 "
(
3 3 7 9 j! "" " $/ b $ $ $ $ $ $ $ $ $ *$ $ * $ /* $ $ $ $ $//$ /$ -
15 $b/$ 16 $ b/"
(
""
molto f
Slightly slower, with repose q. = 60 - 76
33
0!
$
/ n+ /+ n+ + j #j &J ++ " w w 15 16 J + #j n + + /+ ++ ++ " + + + /
5 n/+ ++ j 0! n+ ++++ 16 n+ + /+ / /+
'
%
16 n ++ +! " 16 n ++ / ++ + ! ++ +#j ++ /++ " * * -/ poco
f
(
""
( / +#j
&& !!
poco f
mp
16 16
(
"!
j 12 $ ;/$ 8 poco sfz
9 +! 8
7!
one
+++ !! +++ ;+ 98 ;;++ !! +#j++ !! ! + /* /* $! ;/$ ! mf
poco f
98 "!
* +! grain 3
++ + + + ;/$ ! rfz
4
rit.
0! + ! + ! + ! + !
42
/
of sand on
"" &
my
rit.
b *&& n + ;+ +;+ n + "" n& j+ + + + ++ # ++ + /* J J 5
piu f
'
tongue
rubato
$ ;;++ !! /*
"5 '!
7 + + "6 &
;/$ !
"5 "! ;" -
sffz
= ,
%
""
'
E - dom
(
++ 6" ++
!
! < b> > n> b> n> "" Y & /* * /* * n+
bn&&&*& !!!! ; & /
n+
5
quasi alla gonga rfz
poco f
"" "
sfz
of
* &
paperclip placed on string at the sounding written harmonics
sub. pp
$ "!
7 +
all the feasts
b&/*&& !!! &&& "5 & ! &
*& &&
'
* &
"6 "!
pp
< "" j $# $ $$ " / lontano
"!
=
poco sfzp
II - Such history 48
Anxious, incisive q = 116 - 120
(
/
7
/ / 0 + + + +0 + + f
Such hi stor - y
0 7
6 "
'
un - gone
)( ? +? +? +? b + + n + ; + ; + n + + n + n +? + ++? && !! + /+ /+ + + + +
Anxious, incisive q = 116 - 120
$
sffz pp
ff
;++?
$
ff
sffz pp
ff
;++? ++? && !!
++++? ++? &&
ord.
b +? +? b +? + b +? n + + ; + + ; + + + + + + n+ + @ "6 +? !! ; + @
++++? !! &&?
"6
=,
,
%
/ "6 7
$ "6
their foun - der
went un - der
to
)( ;/+ ! /+ + + + + /+ ! ; + ! +! /+ ! b + ! f
b&&? 6 $"
. + + ""
(
b /+ ! + + b +? b + ++? ;;n +++B 6 J "" 16
(
j / j / j 6 0 + + + 0 + + + 0 + 16
51
/j . /j +! + + +!
n;*++
*& &
++?
j j 0 + ++ + + + 0
af - ter war's af - ter realm
ff
/+ ! + /+ + ! 6 16 +J ! + + +J !
++?
pp
ar - ti- cu - late sha- dows
(
quasi alla gonga
5 ++B " / /* * " ;*> *> > *> > Y
ffpp Gradually release Ped.
5
/ n*> mp
=,
/ ++ +7
/ / + +7
57
Daph - nis
/ 58 + + + +j 7
Ti- ty- rus
58 7
(
$
68
Me- li- boe - us
(
blood - less
j n+ 68 &! /
7
;> > ! > -
"6 &
+ ;/+ +. + /+ + + b +. 68 48 +
0
mf
%
>;> > > ! 68 >;> > > > > ! > "6 Y ! // / / - C
> > > 58 > / /-
sfz
f
sffz
f
sffz
/ +!
molto f
62
/ 48 + a
+
+
whole
crowd
+ J
came
j + +! -
p (ord.)
6 8 ; ++
=
sffz
!
stream
'
$ 48 ++
%
j + 0 + + + /
67
)( ! && ! &! $
7
she turned a - way
poco pp poco sfz sfz
D
% 74
/ ""
0
O
"6
? b &&&
7
" $ " nw mf
pp 5
"j $ " /># ;> > > > >
D
ppp
++ ++ !! + +! /* =, =
7
@7
6 "
7 >;> > > ! / /
67
$"
poco f
to em- brace his
+
fa - ther
(
j ;> > > > Y /
. + 7 &
'
*p ++ + + &
( quasi alla gonga
his arms
+++ +++. + +@7
he tried
&& !! &!
rit.
three times,
+/*++ 7 +
* + +
j 0+ + 7
three times
piu sfz
0
(
&& !! &!
j ++ ++ + ! + n>;> > > > > > ! "6 ;Y ! + ! / / /+ + + + /+ b +sub. sffz = , Set Sost. Ped. for A# & B
/* 0 + ! "6 + + 7
pp
* 7 + +
++ !! +!
quasi alla gonga
mf
"" 0! ++ ++ ++ ++ ++ + + + + + /* /* /* = , =, = , =,
$ Y!
sffz
! ! ! / b+ n+++ !! ++ ! ++;++ ++ ++ ! + + + / / /
? +/*++ +++ +++B +/*++ !!! +++B +/*++ +++ bbb &&& 0 + + + 0 + ! + "" 0! + + pp
but
sffz
ff
"' "
7
6" 7 7 0 +j
molto p
ing
= ,
=, =,
j 4 + b/+ 8 ,
j ;++ ++
(
)( /+ n + + ;/+ ;/+ + + /+ + + + /+ bb ++ bb /++ ++ /++ ++ ++ ++ /++ /++ !! /++ ++ bb ++? !! ++ / + ; ++ ;;++ ++ ++ ++ ++ ++ ++ ++ b + b + + + + + + + + ! + + b + ! + / b+ 4 b+ +;+;+;+ + + $8 /+ b / b+ n+ ! n+ + b+
48
(
in Er - e- bus
ff
$ >
5
/ / j "6 + + 0 + + + + 68 mf
""
( ;> Y
> > ""
62
(
(
(
(
(
(
slipped through
+/*++ +++ 7 0! + + 0 7
" "
rit.
7 0!
(
ppp
07
++ ++ + + /* , =
$
'
? 0 ;> > > ! > Y J / quasi alla gonga j ># mf
/ ;> Y !
;Y *
D
6 2
D
6 2
6
III - War now 81
Ceremonial, processional h = 50 - 52 p
/ 26 &
'
22
'
War
(
j + 0+ + + + '
'
now
and ev - ery war
D6 ' 2
2 w 2 w
;;w w
poco f
D 26 '
; w*
%
w
;w
w
* / 7 + ++ +
* 7 &
mp
bloo - dy E - dom,
D w w
Bel - lum
95
/ &
one
/ b w Dnw mp
D bbw w / , %
=
* 6 + + "&
stun - ted
Ju - da - i - cum
/ 62 bw
w w
w w
* / + + + +!
all
val
* + + &
7! * ;;w w
++ nn&& !! *
nw w*
sev - en hills
; *& ! &!
6 2 bw n w* / = ,
* + + +
blood - milk - ers of
22 w w* = ,
6 2 0! + ! + ! + ! + !
f 0! / ? j > > ;> ! > ! > n /*& ! >j! >#j ;> b&! 6 n& ! 2
/ 22 7 +
=
+ + ; *& !! n+ 22 + ;& *
w w* !!
now
b& mf
as de - stroy - ers of shrines
n&
pp
* w &
w w
&&
ue
a- gainst
; w* w
;w w
ev - en
in
+!
f
our
eyes
?j 0 > n /*& !;> &! n& !
Suddenly held, heavy h = 42 - 44
+!
2 2
/ / / > > n+
(
Suddenly held, heavy h = 42 - 44 stopped w/L.H.
? n$
/ p n + + + + 2 ; n ++ ++ ++ ++ 2 w ;w / = ,
sffz
2 ' 2
7
ff
molto f
D
sent
* * 7 + + + + + &
in their eyes
+ -
3 j + +! + 0 + +
,
,
child - ren and theives of
;*+
=
62 bw n w! *j + +
; w* D &!
Rome mon - u - men - tal
pp
* +!
=
* + + + + 7 +
2 nw 2 nw
cast
j +
100
w
= ,
* 7 &
62 nnw w !!
=
bw
mf
,
p
j ' ;> ># > > bw w
bbw w
bw
22 nnw w
6 bw !! 2 bb w w!
moun - tain
* 6" b&& !
war
molto p
meno f
pp / ;>#j
b*&
+ 62 7 &
6" && !!
more
w w
= =,
* 5* * * + 62 7 + + + + + 7 22
pp
% ,
* w w
mf
w ;w
in
( 3
n w*
= ,
,
&
mp
Gradually Release Sost. Ped.
89
D
7 ;Y
&
'
ends
molto p
22
&
pp
3
' w w
Ceremonial, processional h = 50 - 52
* w w
'
* &
b& b &* /
0
3
j 7 + "6 + + ! + + 22 mp
104
/ '
D "
our
b*&
(ord.)
vio - lent
in what o - ther
stopped w/L.H.
6" &!
22
"6
/ +++ +++ ; 22
&&
++ !!
; +ff
3
* +++ n+
sffz
+++ ; w w + w w
/ '!
7!
110
show
b*&
7!
us
poco rit.
+!
+!
and
end
cha - os or - der
+! 12 8
mp
;*+ !
&!
&&& !!! ! 12 8 &
&!
w
'!
j + +
is this
(ord.)
&&& !!! ! "6 &
pp
w
or - der
6" $
=,
%
+++ !!! +!
&!
7!
+ ! +! pp
'!
" 2
poco rit.
! D ;w w!
&& !!
mp
D
? n$ " 7 7 J
( ff p
w w
'
er - ror
p
D
(
j j 12 *j *j 6 0 + + + + " + + 0 + + 8 + + + + 7! 7!
7
b&!
;&!
&!
++ b+/*+ J
++ !!
b&!
pick up hard plastic mallet
w w* !!
"2
pp
b +* ! mp
= ,
molto p
+
j b /+ & !
"2
%
IV - Here I stand 113
From stillness h = 32 - 36
/ "2
""
(
D" " 2
niente
"
"
(
(
? #j- - -/ B -#j- ! B -#j- - B -#j- ! B -#j- ! B -#j- !B -#j- ! B -#j/ ? / ? B ! "" 7 with hard, plastic mallet *** B -#j B -#j B -#j
(
stopped w/R.H.
( Subito ritmico q = 104 - 108
From stillness h = 32 - 36
D "2
Subito ritmico q = 104 - 108
"
gradually broadening as intenisty builds
as softly f as possible strike the notated string with a hard plastic mallet, pressing the head of mallet into string as the string is struck: the dynamics correspond with the intensity of the pressure of the mallet onto the string, thereby adding more intense pressure to the string, and thus, a more substantial 1/4 step bend in the pitch to the string.
? "" "
(
(
sfffz *** - If the register of the G in the passages using the hard, plastic mallet for this movement are in an awkward place due to the construction of the frame, use the G an octave lower than written for the entire movement.
8
From stillness h = 32 - 36
mp
117
/ 7
+
+ +
Here
7
< j 0 + &
. +
on
foot
I stand
D- - - - -
- - 7
one
gaining intensity
hushed 3
3
0 + + + + + +
7
+ + + +
on a pil - lar of dust
'
fac- ing the wind
From stillness h = 32 - 36
< (
/ B -#j
(
(
niente
D
3
< (
(
'
$
$
stopped w/R.H.
7
"
gradually broadening as intenisty builds
$
niente
%
= ,
j 3 / + + + + +
121
3
"6 +
'
cast - ing no sha - dow
D
on
D $
+
+
0
a
plane
"6
( "
$
Subito ritmico q = 104 - 108
sub. p
j + "" + + !
of
Subito ritmico q = 104 - 108 with hard, plastic mallet B -#j
"" -/ -
9 16
(
/
?"
""
sfffz
" "
(
- -
-
-/ -
- - -
sharply strike strings below mallet with the flat palm of the left hand
j j $$ $$ - -
$$ !! ppp
(
$$ !! -
mp
< 3 6 7 ++ + 7 7 + + "
'
Here I stand...
j j j j j j j j j j j D B -#- - - - - - -/- - - - - - 16 9 B -#- - B -#- - B -#- - "" B -#- - - B -#- - B -#- - B -#- ! B -#- !B -#- - B -#- , /
/
/
?
f
D j $$ $$ - -
9 j 16 $$ $$ $$ !! - -
j $$ $$ - -
%
From stillness h = 32 - 36 hushed
X
D "6 D "6
of two
(
""
stopped w/R.H.
(
j $$ !! -
sffz
"" "
ppp
= ,
$$ !! -
j $$ $$ -
'
$$ -
one road to E -
( $ *$; $ $ $ $ " 3
mp
put plastic mallet down
$$ -
< (
7
"6 "6
ppp
j 7 0 + + + + '
enlightened
er - rors
From stillness h = 32 - 36
molto p
""
at the
< (
/
* j j 0 + + + +! + '
j " 6 + 0 + + "+ + 7 ' /"
129
/
sffz
j $$ !! -
-
molto p
% 124
'
sha- dows
(
6" $
7
dom
the
(
o - ther road
( $ ;$ $ /$ $ $ $ *$ " pp fp
3
( "
$ ;$ $ $ $ J 3
p
9
V - Stones blossom Floating, flexible q = 92 - 100
? + '
sffz
/ + + +!
134
back to E -
(
D '
w
ff
$ $ $; $ $ $ $ $ $ $ $ $ $ $ $ " D 3
5
j ! + + & /
140
rain
7
$
'
(ord.)
7
;+ &
poco f
&
(
$ %
D
* *j / / + + + +! + 7
rit.
'
bot - tom - less cha - sm
;w w w
(
+!
j j + 0 + + + +
? n+ + ! J
-
gine
j ;+ &
un - til the black plume
n&
n+
the
;*& !
+
mp
+ &
n+
j 0 +
&
(
meno f
=,
A tempo q = 92 - 100
j* 0 + + +
. * * * 5 7 + + + "+ 7
(
the blaz - ing
the blaz - ing
D
w (
=,
one can im - a
f
;w
3
3
rit.
w
/ 3 + + +
sub. molto f
sfz
mf
3
all
> > > ;>> > >! / ++ +++ !!! J
0 ;+ ;w +
3
pp
af - ter such
+n+ ! J
&
3
5
;;/*++ @n+* + +
wan - der - ing
; *&
j j n+ + + &! ;+ +
7
a ri - ver of ri ches
n+ & J
* 3*j * 3 +! + + 7 + + +
of all our long
n&
5 * * j* 0 + + + + + + 0 +!
er - ror e- ven the de - sert
$ &
(
p
=,
n *+ !
(
+-
j 0+++ &
+ + + & +'
sfz
* 3 * j / + + + + + +! + 7
;w
mp
3
?! 0 +;& +
(
146
D
$
'
&!
+
=,
3
molto p
151
*+
sfz
n *&
+
slow bloom - ing of
mp
$ 7 ;&* !
$
w
through - out the sand gar - den
mp
%
0 +! + + +
(
Floating, flexible q = 92 - 100
$ $#j b $ $*$ $*$ "
j 0+
7
+ n& !
;&
+ +7
p
ff
+ 7 '
stone in stone
$
&
3
Stones blos - som
&?
; *&
(
dom
(ord.)
%
mf
nw
gate.
+ +++ "5 + $@ > > p
bw =,
"5
$@ + + 3
+
6
sffz
=,
""
'
+#j
b +#j
? + + ++
A tempo q = 92 - 100 intense!
pp
(
7
+ + +
molto f
+ ;/+* + mf
""
+ +j "" * 3
mp
10
rall.
156
/ "" 7
rall.
+ " $" J
+#j
j * + +
* +
the black
plume
p
0
+!
&
+
/ +
+
bot - tom- less
cha
+
+
n& !
pp
b&! / +
0
/ +
fp
fp
+
++++ !!!!
++++
%
$0
+
j b+# / molto f
+
= ,
/ + + 0
?r / / + + +
tah - jah
j b+# /
+
ord. mf
0!
161
+
+
kah zzz - gha
-). . ; ++ 0 $ @
b ++ b + b + + + b++ b+
j b+# /
+
+
)(?. bb +++
+
+
%
+ / poco f
stones
blos
@
/ 7
0
the
/* + 48 +
blaz - ing
ga
- tah,
;;++ !! ++ !! 4 ; +! +! 8 a tempo
(
$
molto f / deliberate b+#j
sffz / b+#j
D n/+ + + + /+ + +! ,
fp
/ /j + + +!
3
sub. pp
! ! 48 ;;++ ! ++ !
= ,
+#j
++ !! ++ !!
mah,
/ +
+
+
kah - mah - dah,
/ +
fp
+
tah - jah, kah -
++. nbn +++?. ++. ++.
fp
fp
+
j + 7 -
;+ + + J ++ ++ ++ ; ++ ; +++ ++ + / / / ;+ +
"whisper breath" fp fp
sub. p
++. ++.
-
som
(
fp
=,
= ,
j / + +!
fp
ff
+!
n+ ! -
+ b++ &&
164
/ +
n +? n &
+
3
f
fp
++. ;bn +++?. ++.
molto f
$ 0
fp
+ ;+ ! /
+
f
0 +!
7
kah - dah, kah -
fp
fp
ff
D +
sm
&!
+ =,
kah - mah, kah - mah - dah - jah,
;+/++ !!! @ n+ !
-
"6 &!
;+
7
/ / @ + + +
+
fp
mp
0!
-
"6 +
using a percussive "whisper breath", imitating an echo fp fp
deliberate )?(. . ?. . ? b ++ b; +++ ++ ; ++. nbn +++. bb +++ 0 "6
7
kah - dah, mah - dah
++.
$ @
D
pp
fp
-).
the
0
'
;&
%
dah,
/ 3 + + +
p
$ "" +j +
/ +
7
* +
j +
More distant, removed q = 69 - 76
3
159
More distant, removed q = 69 - 76 pp
fp
/ @ + + + 68 fp
++B. +#j ++ !! + ++B. ++ !! =,
kah - tah - mah,
* rubato * D b++ + + + n+++ + + ;+ + b+ 3
ord. fp
/ *? + + + + @ +F + !
fp
kah - tah - mah - dah,
++B. ;;;++++. ++++. +++? +#j ++ !! + 68 ;+ ! ++B. 6 ;;;+++. +++. +++? +++ !!! 8 =
=
pp
,
kah
+#j
-
sfz
B B + + 58
sfz
man - dah,
+ ++B. +#j + ++B. ++ ++ 5 8
++ ;+
B +++. ++ +
B +++. 5 8
= , =
11
accel. ff
B 5 /8+
167
fz
tah,
Bj +
B B + +!
sffz
jah, tah,
jah!
0
to joy,
3
f
=,
j +!
to joy
++B ++ ++ n /+ B + + + bn ++ ++ b+
3
? n ++B ; +++ J
? ++ +++ n/*++ ; + D 5 @ ;++ + @ 8 ,
/ / 2" 0 + + + + + 16 9 +j! 0! molto f
;/+ / /+ ; ++ +/++ + + + ;; ++ ++ + 2"
? ++ + n/*++ ; + ;+ + + + 5 $8 @
voice need not be exactly with piano becoming ecstatic meno f
Com
+! ++ !! b + ! 9 J J 16
accel.
-
58 +!
mand
-
+!
+
ed
to
""
b + /b + / + + + " + + n+ 58 + + + " ++ + n/+b ++ /+ b + + /+ / 3 3 3
3
ff
meno f
/+ +B + + bn/++ B ; 2 D 9 + + $"; + + ++ n+ 16 bb++* ++ ++ ++ ++ ++ / = , = ,
+ 5 + + + 8 + b+ + /+ + +b +-. +
+ + + ++ + ++ + ++ -. -. -.
sfz
sfz
sfz
" "
=
sfz
%
VI - Commanded to joy Surging ahead q = 116 - 126 171
/ ""
&! ff
48
7
joy
b /++ ++ ++ ++ /++ ++ ++ !!! ++ /++ ++ b bn ++ ++ ++ ++ ++ ++ ++ ! ++ ++ ++ Surging ahead q = 116 - 126
" $"
ff
D ""
+ b/++ ,
+ ++
+! +! /+ !
+ +! ++ ++ !!
4 8
( ++ bb ++ ++ ++ ++ /++ ++ ++ b ++ ++ ++ ++ ++ ++
+ + 4 +! + + 8 ++ !! /+ +
+ +! b++ ++ !!
"6
( /+ + /+ b /+ + + + + /+ + + + !! +++ +++ +++ bb+++ +++ +++ +++ +++ +++ +++ +++ +++ !!
+ + + + + + /+ + /+
+! b/++ !!
+ + /+
+ +! ++ ++ !!
+ +! + +! /+ + !
6 " 6
$"
=
% 174
/ "6
7
marked and cool, as if an objective observation mp
/ +
j +
com - mand
-
j +
+
+
ed
to
joy
/. +
7
/ * j + + + 0 + +
such
di - sci - pline
/+ ++ ++ ++ +/++ +++ +++ +/+ ++ ++ ;;+++ +/++ +++ +++ +/++ +++ +++ ++ ; ;++ ; ; + $ "6 ; + + + + + + + + + + ;+ + + + + + + + ; + pp pay attention to "alla gonga" B in the inner voice
/+ n 6 $ " n;; >++
,
+ >++
/+ ! +! +!
++ /++ !! + >+ !!
/+ n ;+ ;+
/+ >++
+ >++
/+ ! +! +!
++ /++ !! + >+ !!
++++
es capes
++++
+ + +! + + >++;;++ ++ !! >++ >++
gradually release pedal
+ +
7
me
;;+;/+++ !!!
++++ +/++ +++ +++ J
mf
/& ;& ;&
= ,
/+ >++
12
/ / +
178
what
/ + joy
183
/ 58
;;;+++
-
ed
&
;;;+++ +++ 5 $8 J
+++
7
+/++ !!! +
+
+
what
joy
;;;+++ !!!
/+ ! >++ !!!
++ +J
0 "2
mp
to joy
+/++ ++ ++ + + + J
+ n/+ ++ ;;++
+ ; ; ++
%
/ + + +
com - mand
+++ !!! ;;;+++ !!! $ & Y $ &&
/ +
j 0 +
piu f
+++ !!!
(
+
in
E
/ +!
7!
where
&
5 8
+
-
-
dom
+/++ ++ !!! ++ ; ;++ ++ ++ + + +; + + + J J
58
molto p
n++ +J
""
& ;;Y&&
58
&
'!
"6
;&/*& ; "5 &
&&& !!!
"6
/+ ; ; ++
&& &
becoming warm again p
;&*& !!! ; "6 n &
+/++ ; ;&& + "2 ; &
+
;;;+++ +++ +++ J J
! >+++ ;;+++ !!
"6
+
* &!
* +
all
joy
++ +
"5
/* ;ww ; "" w
poco f
$ 58
>+++
/++ 2 +J "
;++ ;+
% / "6 '!
188
n w* ! $ "6 nw !
+
&
is
mon
sub. pp
* !! ; w ; w D "6 ; w ! %
&& &
"6 ;;&& !! &* ! = , +
-
+
w! w!
hol
-
W 8" W
ppp
8 "W W W
low
'!
n *& ! "5 n& ! *& !! ; ; &! "5 ; &
p
&
&
all
laugh
& &
&! &!
&&&
/*& ! ! ;&&& !!
/ 0 +j +
+
mfp * . * / + + + + + + +
kah - tah - jah, kah -mah- tah - jah, kah - tah, kah -
)( + ;n ++? ++ ++ ++ +? ++ +++ /++ 6" + n;++ + + ++ + + + poco sfz
7 6 w ! ";w w*w !!! /
poco sfz ff
/ // /
poco f
/
++ ++ !!! ++ !! ++ ++ + + / / 0 /j 0 /j / /
knock or slap open, flat surface of lid to keys or atop the flat of the headboard, whichever is most resonant
+ -
D6
=
"
'
"6
& &
"6
& &&&
"6
ter
=
allow for a short pause before beginning Part II ppp
"whisper breath" fp mfp
/ "6 '! 7 & "8 ' & ( "6 7
D 6 ;w ! " ;; w w* !! ,
"5
- strous
distant pp
n w* ! $ "6 nw !
'!
/* !! w w ;ww !!
,
192
7
Y& !! && !!
"5 ;;&Y& & /*
"" ;;w w*w /
. j0 < ++ + + + + '!
""
tah, kah, tah, tah, tah...
n< && !!! n&& !
;;&& !! 7 w ! w w !!! w H
/ /
mp
$
""
pppp
7
'! H
=
" "
PART II
13
VII - Held in your hands 196
/ ""
Desolate q = 96 - 100
(
(
( 10
Desolate q = 96 - 100
10 + " b+ $"
before beginning, firmly place masking tape patch over the strings near the pegs, covering the following range of notes
(
'
(ord.)
7
strike with hard, plastic mallet with L.H. ppp ***
?/ b /? b /? b?/ n/? n /? n /? ? n/
b ?/ b ?/ b/? /? n /? n ?/ n?/ ;?/ ? ? / b/ harsh, brittle
j n +# / fff sfffz
j j j j j #j b +# n +# b +# n +# b +# n+ / / / / / / sfffz sfffz sfffz sfffz sfffz sfffz let grace notes emerge and ring as a separate voice: play grace notes an octave higher if leaps are too difficult to execute in this and similar passages (m. 215-220 & m. 229-230)
0 B*-j B*n- B*- - *- - *- - *;, n-
' B D "" , /
(
- B*- - *- - *- - *-
j b +# / sfffz
- B*- - /*- - /*- - /*-
fff
,
%
*** - If the register of the notes in the passages using the hard, plastic and soft, yarn mallets for this movement are in an awkward place due to the construction of the frame, use the same pitches an octave lower than written for the entire movement.
suddenly exhale sffz
a pronounced, slow inhalation 200
(
/
(
w
Hhhh
-1. ? ? n?/ ;/? n/? b?/ / n/? b / b ?/ $ #j #j b + n/+ / sfffz sfffz
/ / / D - B*- - *- - *- - *-
? b?/ n?/ n /? n / n?/ ;/? n/? b/? b?/ n?/ 2 !
#j b+ / sfffz
?j +0 7 '
< w
niente
'
dah!
< (
ord. mp
+ + +
Held in your
(
(
molto p
< - B*- - *- - *- - *- - B*- - *- - *- - *- ,
/ B 0 -!
- ;-
'
+ 7
,
sffz
ppp
fff
quickly put down plastic mallet and pick up soft, yarn mallet
% Reflective, warm q = 58 - 60
rit.
j + 0 + + /
206
Hands
rit.
$
D
+
+
+!
0'
(
p
'
7 + + +
I make them what holds
(
+ '
Held in Your hands...
Reflective, warm q = 58 - 60
(
(
(
(
I
+ + + ++7 am the hol - low
(
(
from bottom to top, slowly strum strings near pegs with soft, yarn mallet; begin strumming from below and go above written notes, releasing pedal after strum is completed, while silently holding down the keys to the written notes so that the chord rings: if execution is awkward due to the construction of the frame, play the same pitches an octave lower OR revoice the chords into a closed position within the written register that includes all written pitches poco rubato
(
n && !! ; ; & 7 ; & !!
poco f
=, =
n &! 7 n;;&&& !!!
n && !! ; ; & 7 ; & !!
7
,=
, =
,
molto p
poco f
n;n&&&& !!! !
n &&& !!! b n 7 &!
bb&&&& !!!! 7
=
,=
,
molto p
=
VIII - Down the throat of the desert
14
213
/ +
that
gently inhale
gently exhale (ord.)
&
+
shapes
them
?. j + '
< + + +!
inhale
j + +
0 +
Subito q = 96 - 100 sfz exhale
Down the throat
of the
j / 0 + + f
(ord.)
des - ert
+ 0 + + J
that lad - der
10
de scends
Subito q = 96 - 100
(
$
(
n && !! n D 7 ;;&& !!
with patience
%
,
217
/ 0
quickly put down yarn mallet and pick up plastic mallet
(ord.)
j n +# fff / sfffz
j j j b +# n +# b +# / / / sfffz sfffz sfffz
0 B*-j n;,
/, B 0
ppp
ff
f
=
* * * B- - B- - B- -
,
Bj ++ 0
+++
+!
on - ly one
rung
/ +
inhale
of it
n+ / sfffz
b+ / sfffz
- B*-
b+ / sfffz
n+ / sfffz
B*-
-
/?
/j ++
+!
vis
-1. b ?/ b /? n /? n/? b?/ n/? /? n ?/ /? ;?/ ? ? n/ b/ $ #j #j #j #j * * D B- - -
j j b +# n +# / / sfffz sfffz
strike with hard, plastic mallet with L.H.
<! 7
(
?/ n /? n ?/ /? ;/? /? b/? /? n/?
b /? b /? b?/ 0 0 J
<! 7
harsh, brittle
-
exhale
-
j 0 0 + (ord.)
i - ble
nor
b /? /? /?b ?/ b?/ / n/? ? ? n ?/ ? n/ ;/ n/ #j b+ / sfffz
- B/*- - B/*- - /*-
- B/*-
-
j + 0 + + can
0
this stump
+
j +
of
a
/? ;?/ n/? b/? ? /? ! ;/ /
? ? / /
#j #j + b// / sfffz sfffz
B/*- - B/*- - B/*- - *- - B*- - /*- - B*- - B*-
ff
% rit. 220
/ +
man
7
+
q = 58 - 60
7
+ 7 '
reach
-1. ? /? / /? /! ; / $
3 j j j 7 + +0 0 + +0 7 0+ + +
p
up
so croak
?/ 2 #j J
b+ / poco sfz
D - B*- - *- - *- - *- - -! B*-J , ppp
e - very tale
7
j 0 +'
of as - cent
but
q = 58 - 60
rit.
molto p
in - stead
+! + + '
( quickly put down plastic mallet and pick up soft, yarn mallet
,
( strum strings with soft mallet as before poco rubato
n && !! ; ; & 7 ; & !!
molto p
=, =
(
(
n &! 7 n;;&&& !!!
n && !! ; ; & 7 ; & !!
, =
, =
15
IX - The cave-mouth opens rit.
j 0 + + ' /
226
inhale
exhale
but
one
+ 7 7 +
but one
(
(
n;&& !! 7 n; && !!
, =
, =
put down soft mallet
sub. pp
+*
p
6 "7
turn East
,
b&
$ + b && b +* &* D
""
mf
b&!
1?0 ? ? ? ? ??? ? ? j b / b / b/ / / n/;/n / n / / 0 7 &! n +#j #j #j b+ + ff
/
rit.
/
&!
"6
/
/ 2" +
too
"6
+ &!
= ,
j j @ + + + + + + 0 + "2 3
3
0 + + + a lost
boy
so too this Qum - ran calls
&
j
sub. poco f
D2 "
&
(loco)
* bb+& &
so
* + b++
poco f
"2
n &* ! / = ,
+
2 "
q = 72 - 76 3 j + + + + "6 +
this soul's Qum - ran
accel.
$ 2" /*># ;*>
&*
p
&!
accel. 3
7
(
% 236
the
Suspended q = 48 - 50
ppp
10 10 sub. pp f p ? ? ? ? ? p ? ? ? (loco) ? ? ? @ r @ r b / / b / / @ ?r 0 0! n/r / ;/ ;/ 7 / /;/ #j b + 6 b b&& !!n/ / n/ #j b + n+ b +++ " b & ! / / * *
and beck - on
7 " ! " b&b&& !! *
p
(ord.)
3
urns
* j + + + 7 0 +
j 0 + +
(ord.)
7
Subito q = 96 - 100
/ / j / + 0 + + "" + + + 0 '
232
Suspended q = 48 - 50
The cave - mouth o - pens
"6 & *
(
D 7 n;n&&&& !!!! %
(
Suspended q = 48 - 50
rit.
$
6 "
rit.
Subito q = 96 - 100
Suspended q = 48 - 50
7
"2 0
7
calls
3 /* *j /* . * * /*3 . n + b+ 6" bb && !! b++ !! + +bb++ + ! + "2 >#j ;> + &! * /
3
"6 7
+ + + +0 to no an - swer
*>
*> !
piu f
6 " =,
&! /*
3
sub. piu f
p
2 "
j
+
+ ++ +0
turns toward thehid - den
q = 72 - 76
3
3
+
>* *> >#j *> ! -
5
> > "6 Y // pp
3
$ n+ *
mf
+
6 "&
;n *++ mp
7 =,
3
*+ J
D
16 rit.
240
/ 0 + + +
j j < 0 + +0 7
+7
and the cave - mouth
rit.
$
pp
D
fff
< 0!
7
3
%
+! /+ ! ,
+ +
++
/
""
(
"6
6& "
3
fff
+! +!
& &
b ++? ; 0 ; n++ ""
++ /
+
n+
6 "
+ + + + + + + + + + + /+ b + +! (L.H.)
ff
sub. pp
=
2 "
(
alternate hands
" "
(
Subito q = 48 - 50
( Subito q = 48 - 50
"2
+ + + + + + + ++++++
"2
"" &* !
(
pp
(L.H.) +? b + + + +; +? + ff
""
5
& b&
=,
=,
=,
b ++*
X - Or the cave-mouth speaks Ritmico q. = 84 - 88
mf
j j 7 + + + 0 + 0 88 + Or the cave - mouth
$ & bb &*&
&
bb++*+ !!!
7
7!
.j 0 +
7!
;/+ ! +. + /+ !
the
+. + /+ + ;/+ ! +. + /+ ! +. +
Ritmico q. = 84 - 88
j b+++ 88 * molto f
&
0 7!
articulate, sharp mf
speaks
poco rit.
D
n+ !
alternate hands
sub. pp
poco rit. 248
3
3
6" &!
3
j + /
" "
6 "
(
? . ++ n + ! ++ + n +? ! ; ++. + ;++? !! +. ;/+ + $ "" + D ""
fff
+ /+ =,
%
3
b ++? !! +. ++ b ++? !! +. ++ ? ! . / ; + ++;+ + " ; n++ !! "
< 7
7
" /"
"6
(
Expolsive q = 84 - 88
3
(
244
""
is sealed
;n *++ *+J &
&
Expolsive q = 84 - 88
.j + 7
cave
-
.j + 7 mouth
.j + 0 speaks
+ +? +. ;/+ ! +. + /+ ! +. + /+ n ++
martellato sub. p
0 @ 0! 0 0 0 @ 0 ; +. +. +. +. ; +. +. +. +. +. +. - - )3 =
88 0
sfz
mf
j $+ 7 C /+ f
sffz
,
j b+ 7 C
" "
. . ?.j / 0 + + + 7
?.j + 0
252
from the pocked
$ $
. . 10 0 +j + 8
cliffs
the
;/+ ! +. + /+ ! +. + + ++? +. +B
b +? + 7! J
%
D
0!
sffz
/ 4 /8 +
/ +
.j / + +
Wars
of the
255
the
10 8
; +. )3 =
++ !! +! -
/ 8 + 8
* / +
* +
p
259
; +.
who pass
$ 0!
j +
un - seen
a -
. . . + + + 7
feast
is
+. + +/+ !!
.+ n ++?.
0
mong
+.
0
; +. -
@
mf
. + us
7
sfz
of the kit
j $0 + +C f = , )3 ?. +
/+ !! ++. + +/+ + mf
camps
thru
0
0
+B !
b+ C
%
; +. )3 =
0 0!
sfz
p
. +
+. -
+.
*p +!
/ 7!
263
0
7
now
$ 7! D
7
7
quasi alla corno
n /&
ppp
ff
j 4 j + + + 8 + b+
0 7!
sffz
+. ; +. +. ; + -. -).
the first
0 7
/ . . ;/++ !! + ++ ++ !! ++ + /+
7 ,
4 8
(
0
tim
mf
sfz
7
D
as
0 7
us
7 @
+. + ;/++ !! ++.
0
/+ pp
p
7!
horn,
8 8
-
?. . + 0 +
us
pp
molto f / j 0 + + 88 + !
sfz
mp
7!
sfz
0 @ @ 0 0 7 j @ +. + ; +. +. +. ; +. +. +. +. +. +. -
48 7 !
b +B ! +!
mp p
=
sffz
sub. p
D
48 4 8
?. j +
sfz
ffp
mf
sffz
.j .j ?.j 0 + + + 7
;/+ ;+
0 7
++? !!! ++. ++ ++ ! ++ ++
/+ ! +. + /+ + ;/+ ! +. + /+ ! +?. +. +. +. +. ; +/+
sffz
++ !! +! -
of
++ !! +! -
. +
. 0 +
.j + 48
the gates
0 nbn+++ +++ !!! C ,
7
p
dark
7
ff
+. +. +. +. -
o - pen
.j / + +
b ++B ++? !!! ++. ++ b bn ++ ++ ! ++ ++ 0
7
17
molto f
end - ed
sffz
.j + 7!
/ +
++ !! +! -
f
@
sfz
++. ++ ++? !! ++. ++ ;// ! . ++ ++ ++ !! ++ ++ ; + ! + +
? . +. + +. +. ++. ;n ++ /++ !! + ++ @ @
; +. + +/+
+.
burst
= , ?. +
0
? 0 +
8 ++ 8 b+ -
j / + +
for - ty year
sffz
Lord
++ + -
?. + 0
sffz
b ++? !! ++. ++? !! ++. ++ ++? !! ++. bb ++? !! ++. ++? !! b b ++ !! ++ ++ !! ++ ++ ++ !! ++ b ++ !! ++ ++ !! 88 $ 48 D 4 ++ 8 b+ , %
?.j + 7
; + +? +. +. +. +? +/+ !!
10 0! 8
p
. +
sub. p
@ 0! +. ; +. +. +. +. p
+
/ +
j/ + +
the
rope
of our
/ +
j 9 + 16
wail - ing
b ++? !!! ++. ++ ++? !!! ++. ++ ++? ++. bb ++? !!! ++. ++ ++? !!! ++. ++? ++ ++. b b ++ ! ++ ++ ++ ! ++ ++ ++ ++ b ++ ! ++ ++ ++ ! ++ ++ ++ ++
8 ++ !! 8 b+ ! =,
++ !! +! -
++ + -
+! b++ !! -
=,
++ + -
++ !! +! -
9 16 9 16 =
18 267
9 / 16
68 7 !
(
j 4 / + 8 +
7
the
+
first
. + +? + b +? b + . . B ! ! ! n ++ ! ++ ! ++ ! b+++ +++ +++ +++ +++ n b ! ! ! 9 nn ++J ! ++J ! ++J ! 68 0! 48 $ 16
7
horn,
the
b /++ !! ++ /++ n b ++ /++ ++ !! ++ !! ++ ++ n ++ ++ ++ !!
j ++ !! 68 0! ++ !! b+- ! +! C
=
+! ++ !!
48 b++ b+ -
$0
68 /+ !
j/ + +
rope
of our
wail
-
n +B !! 58 ;+
n+ 0 b+ C C
9 16
ing
++. ++
9 0 16
b +B ! n +B !! b + ! 68 0 b+ ;+ D 9 16 C + C ff =
b +B n+
f
= ,
,
/+ !
++ nb /++ ++ ++ b /++ ++ b /++ b ++. !! ++. ++ + n ++ ++ ++ ++ ++ ++ !! ++ 58 68 0
ff
molto p
D 16 9 nn++ !! n +* ! )3 ,
j 5 / + 8 +
molto f
%
272
9 / 16
(
.j 8 + 0 + 0 7! 8 pp
/ j .j j * j* j* j ! 7 7 + +0 + + ++ ++ +07
(
binds them
)( /*/ ! . . B nnn /++ !!! /++ !!! /++ !!! +! 9 n + !+ !+ ! 8 7 ++ !! $ 16 J J J 8 D 16 9
of
mo -
/*/ ! /B /*/ ! /B ? . . /*/ ! /+B + ! + + ! + n + + + ++ !! ++ 7 7 ++ !! ++ 7 7 ++ !! ++ @ 0+ ! J J J
ppp
molto p
the feast
j j 0 !nn++ !! ++ !! 88 7 ++ !! n +* ! + ! +* ! C / )3 ,= ,
j j ++ 7 7 ++ !! ++ 7 7 ++ !! + +! + +! C /* C /* =
,
, =
%
j ++ 7 + C
7
/* ?.j + +
shi - ach
be - gins
/+B ++ 7 7 J
+. J 7 7!
/*/ ! /B +! + ++ !! ++ ' J
(
j 7 ! ++ ' + C
j ++ !! ++ 7 +! + /* C
, =
=
4 "
(
4 " "4
, =
XI - The walled kehillah Calm, with rubato, from afar q = 40 - 44
4< /" ' 7
279
7
freely p
j 0 +
+!
The walled
;< 2 ;&
6
;n ++*
molto mf pp
++ *
j + 0+ +
ke hil
-
lah
n &&* !!
*& !! D 4 < ;;*++ *++ & " && gradually , release ped. = ,
3
j j + ++ + + +0 0+ +
the caves where thelit - tle light left
/ B / B n+ + + ;/ ! 0 ; + + + !+ +++ !+ ++@ J 0 ;+ !
Calm, with rubato, from afar q = 40 - 44 mp 6
$ "4
+ +!
6
molto pp
++ !! =,
is
held
mp
* ;;++ !! gradually release ped.
+
fast
for
+ mill
. / / 3 n + +j r 0 0; + + + + + + + + ++ 0 p
;n ++* !!
+
6
B
6
++ n && !! * * *+ *& !! + &
=,
=
accel.
* / +! en
$
-
; /. ;+
D
mp
i-a
held cap - tive
and held a - gainst
+ +. ,
q = 54 - 56
j +! ! n + + + ! b +* +* +* b +* ! * ;n&& !! p
++
b ++*+ !!
&
=,
gradually release ped.
b +* /
%
19
j + + +0
7
held cap - tive
poco rit. )( / b / b// / / / / / !n // ; *+ + *+ n *+ ! ++ n; +++ !!! j 4 ;;++ ++ b + b + 8 J b +*+ / mf
&* ! =,
*+ + J
pp
+ ! /+*
48
mf
j
+ +!
+!
=,
XII - Ownless Remote e. = 52 - 54
j @+ + + +
284
/
$
48 7
'
rfz
molto sub. p f
b +* &
poco rit.
all o - ther light
; *+ !! j ;;++ ! ! b + b + + bb++*+ +*+ !! +*+
accel.
molto pp
*j @+ ! + + +
j j 0 + + +0 0 + + ! + + 7
j j + + 07
281
q = 54 - 56 p
j! + + + 12 + 16
7
and held a - gainst
* ;+++
all
+++ /* bbb++++ !!!
o - ther
)( ; /? ; / / / / / piu f
0!
7!
light
9 16 + + 0 !
0!
12 16
beck on
Remote e. = 52 - 54
12 16
poco rit.
;// ; / / / // / / / / / / / // /
poco rit.
9 16
;*/ ; / / / */ / /
/! ;// ! /! 12 J J 16
6 16
12 16
6 16
ppp
piu rfz
D %
12 16
j b +* +! /
+!
p
+! /* = ,
+!
poco f
9 16
<! ! 6 + + @ 0 ! / 16
288
rit.
D 16 6
ord.
!! 12 16
(
own - less
-). ;/ ! 6 J $ 16
(
niente
< (
4 !! 12 16 ; h* ; h h h h h* h h* h h* h h h h h 16 h -
pluck with fingernails alternating both hands, or use the end of the wooden handles to the plastic and yarn mallets, lightly tapping the strings: repeat until enough resonance has accumulated
!!
(
$ !!
pp
f
12 16
Subito e. = 52 - 54
stripped so far
rit.
< 0! !! ; h h h *;h h * h h h
(
(
mf . * *j r 4 + + + @ @ + + + + 0 12 16 16
Subito e. = 52 - 54 pluck R.H. L.H.
j +!
+!
Subito e. = 52 - 54 whisper pp
6 16
(
(ord./ R.H.)
4 0 0 16
j h! )(/ / ;/ / / mp
e - ven night- less
Subito e. = 52 - 54 stopped w/L.H.
n/$
0! 12 16
sfz
7
(ord./ R.H.)
@n+ 12 * 16 mp
=
Simple, gentle e. = 52 - 54
rit.
20 293
/ 12 16
* 9 + 16
(
0! 10 16
+0!
fog - less
(
e - ven
12 9 10 $ 16 0; h ; h h h h* h h* h h* h h* h h* h 16 ; h ; h h ! h h hj! 16 (L.H. only)
p
,
%
sub. meno
*j / +!
stripped so
(
bb/&& !! 12 16 b& !
j $! /$ ! $! $ *$ $!
pp mf-sfz
mf
poco f
=,
)(mp / 0 ! @;; //j b+ ! 7 ! bb++ !! p
Becoming disembodied e. = 48 - 50
0!
.j r 9 16 0 + + + @ + p
7!
far
$ 0!
12 7 ! 16
molto p
p
mf
299
(
)/( ; // // // (ord./ / / R.H.) b/++ !! 9 j b 9 10 16 0 ! 16 0n+* b+ ! 16
$ 12 16 bbb&&& !!! /
7!
night - less
9 16 n$ ! 0! /
stopped w/L.H.
pp
molto f
.j *j +! +!
Simple, gentle e. = 52 - 54
rit.
plucked R.H. L.H.
*j *j 9 12 16 7 ! + ! + ! 16 + ! @ + 7 ! molto p
e
(stopped w/L.H.)
/$ !
ven
0!
night
* j @ + + + 0!
-
lontano
(
less
e
Becoming disembodied e. = 48 - 50
j $!
)*( )*( j j @ ;; // 0 ! // !! 0 ! $ n& ! mp-sfz
-
.j + ! 0! pp
(ord.)
9 16
(
7! bb++ !! 9 16 b+ !
0
)(p *j @ // j n+ !
/$ $!
mp
0 ; h hj! bb++ !! J -
(
ven
7!
(
(plucked)
-
(ord.)
mp
@
)( pp /!
/$
p
0!
p
%
304
/
$
12 16 7 !
(
12 16
(
0!
(
0
r j + + @
0!
loss
-
-
0
(stopped)
/$
j $!
7! -
7!
j @ + 0! -
7!
allow for a short pause before beginning Part III
< (
""
< (
""
less
(
piu p
$ 7!
(plucked)
j ; h- ! p
b& ! 12 16
(ord.)
molto p
0 ;h /
j ! h! 7
(plucked)
b< &!
(ord.)
(
=
""
PART III
21
XIII - Two stones ground to dust 309
/ ""
Abruptly joyous, awakened q = 138 - 144
(
"6
Covered, shadowy q. = 138 - 144 poco rit.
68
(
118
(
Covered, shadowy q. = 138 - 144 poco rit.
Abruptly joyous, awakened q = 138 - 144 alternate hands
$ "" ;+n+ + + + + + + + + + + + + + + "6 ;+ + + + + + + + + + + + 68 ;+ + + + + + 118 - - - - - "6
(
68
(
alternate hands
118 n+ + + + + + "5 * b+ * + * + * + * + *
(
ppp
q. = 138 - 144
5 /"
12 8
(
$ "5 ;+n+ ++ + +++ + +++ + + + + + + + + 12 8 - - - ff
" "
(
poco rit.
10 8
(
"" ;+ 11 + + + + 16 - n+ ++ - +++ - +++ - + - +
(
ffff
j 12 8 n+*b+ +* + n+* + +* + 10 8 +* b+ +* +j +* +j "" ppp
,
gradually release pedal
317
11 / 16
12 8
(
11 ;+ + + + 12 $ 16 8 - ++ - ++ - ++ - + sfz
sfz
(
q. = 138 - 144
q. = 138 - 144
11 16
(
sim.
(
=
q = 138 - 144
ffff
$ "5
11 $ 16
10 8
(
p
q = 138 - 144
poco rit.
q. = 138 - 144
q = 138 - 144 sim.
sfz
=,
gradually release pedal
q = 138 - 144
313
"5
(
sfz
,
%
%
sfz
ffff
molto f
$ ""
"5
(
mp
=,
(
=,
(
(
11 16
(
(
98
98
molto accel.
poco rit.
(
(
""
(
""
molto accel.
poco rit.
(
sffz
ppp
mp
j9 j j j j 12 " 8 b+ n+ + + + + +j + + +b+ + +j + +j + + + 8 + b+ + + + + b+ + + + + " * * * * * * * * * * * * * = gradually =, release pedal
22
q = 138 - 144
322
" /"
(
9 16
(
(
q = 138 - 144 marcato
(
/+ + n+ + /+ + " 9 n + n + + $ " ;+ +;+ + + + + + +n+;+ +;+ + + + ;+;+; + + +n+ + + + ;+n+ + + + + 16 ; + ;+ + ;+ n+ ; + ;+ + ;+ n+ / / / / / / / / / / / bring out groupings with accents
ff
mf
" $"
( =,
,
% 326
(
/
$ D %
;/+
n+ ;+
n/+ ; +
/ /n+ + ; + ;+ n+ ;+ + ff
0
=
9 8
(
9 16 0!
0!
/+ n + ; 0 0 0!
(
(
q. = 138 - 144 legato
/ / /n+ 5 n + ; + ;+n + n+ 9 + n+ ;+ + + + + ;+ + + j + J ;+ + + 16 8 n+ J + ;+ + n /+ ; + sub. ; +? ! &!
@ 0! n+ ; + n+-. /
0
+!
5 @ @ 9 0! ;+ 16 n+ ; + n+-. 8 / -. sffz 3 ) ,
(
(
(
&!
(
D
sub. piu f
+!n + ! +!
/ 12 8
(
+! &!
+! &!
q = 138 - 144 rubato mf
.j * * * < "" + + 7 + + + 0 7 0 + ! Two stones ground to dust
? b; ++++ !!!! &&&& !!!! b+ ! & ! 12 $ 8 7 ! 0! @! molto p - sfz
D 12 8
+!
pp
% 337
b& !
( ,
q = 138 - 144
w w w w "w "
* +!
a tempo
wind - sown
7! 7!
+! =,
*+ ! ++ !!
*+ ! b+++ !!! 12 8
(
12 8 =
j +++ +
* +
to all the earth's
e - dges
nn &&? !!! ;n ;&&& !! 7 ; &!
< w w w w w
12 8
(
+ ;+ + + ;+ +n + + + + ;+ +n + ; + + + + + + ; + n + + * bn+*+ !! +*+ !! b+*++ !!! b *++ !! + JJ+ ;+ ;+ + J $ + ++J + J &!
0 n+
q. = 138 - 144
molto p
(
/
=,
5 16
(
@ 0! ;+ ;+ / -.
331
=,
=,
(
D
j j + 0 0 + + + p
and mixed with
w w w w w w
mp - sfz
" "
(
< (
$
=
7
poco marc.
0 ;+ + + + + + ;+ +n+ + + + + + + + * * * * pp sub.
,
pp
/ / / + + + +
342
7
/ + +
3
7
all o - ther dust
+
mor - tared with straw in the
(
$
/ + + + 3
sub. pp
stones
0 + 0!
351
; + + ; +. /+ + ! + + +* + + + ;/+ ! + + +* + +* ! + ! n + sffz sub. pp
two
(
(
;/+ marc./ /+ n+ 9 ; + n + + ; + 16 ;+ n+ molto
mf
07
= ,
(
/
9 16
(
n +.
dust
j6 " n+ " 0 + @ + ! + ! + " n+ 0 @ + + +n+ + + + ;+ / / / / / / sffz = =,
(
$ n+; + 0 +;+ + + 0 + @ ' - + + - +, %
this
f
ground to dust
$ 0 n+ 7
of
+
sub. pp
+!
?. + + +
dust
7
"6 ;+ ! ++ + ++ ! "" @;+n+ + 0 0! ;+ @ + !
=,
/j / + 07
23
.j .j / 0 + "" + 0 +
sub. p
cracks
f
346
. +
/j + 0 "6 7
(
$ ;+* + ! + + + + + + + + + +;+n+ // / / /
%
sfz
0
+.
9 ;+ 0 0! 0 n+ 16 /
7 7
= ,
(
D0
n+ + ;+ /+n+ + ;/+ ;+ / +
n+ ;/+ 0 0!
0 n+
=
q. = 138 - 144 freely, floating mp
98 7 !
(
&!
+!
7!
mote
lodged
+! +! in
the
q. = 138 - 144
;+ n+ ;+ /+ ; + n/+ + ;/+ ; + ;/+ ++ n + + + ;+ + / n + ; + n + + ? n + n + J J n+ J J J ;+ J $ ; + n+ ;+n + ; + ;+ + + ;+ @ ; + ;+;+ 98 legato n+ / / sfz
D %
@ 0! ;+ ;+ / -.
/ +!
356
0
7! 7!
eye,
$
;+!
@
n+ ;+ ; + / -.
+!
0!
&!
+! +! +!
all
+!
n+ !
++ J
0 n+ ;+ 0 0 / ;+ sfz )3 +!
0
sub. pp
98
n+ n&!
+!
,
7! +! 7!
or the noth - ing
;+ !
sfz
7!
one
+! 7! sees
+ ;+ + ;+ + n+ &! J J J +! ;+ !
;& !
&!
""
+!
q = 138 - 144
(
n+ ! " w "
q = 138 - 144
(
w
6 16
6 16
ppp
D
;+ ! + ! ; + ! +! =,
+!
+ !n + ! +!
&!
+!
&!
+!
&!
+!
" "
w
w
6 16
24 363
6 / 16
pp
"5 7 &
(
"2
&
heat - pressed
n + /+ ;+ n & ! / 6 ;+ ;+ + "5 $ 16
+ J
leggiero
p
D 16 6
j 7 ! "2 + =,
"5
n& ! =,
+!
"" 7 &
(
+ + "5 + + 7 + 7 + "6
all
of the
/ n/+ n+ n w ; + 6 @ ;+ ;+ "" 16 poco marc.
2 b+* ! " / f
6 16
(
p
(
p
b+ +
6 16
noth- ing
"5
one
&
sees
&!
"6
poco f
b +/+ !!
""
"5
nw / = ,
sfz
&
"6
&!
% poco accel. 369
/ "6 +
+
7
+
heat - pressed
mf
7
+
by
j 11 + 16 !
7
heart
to
j +!
j +!
j +
this
al
-
? 2" +j 0 7 tar
poco accel.
$ "6
/ / n+ 11 / n+ / + + /n + n+; + ;+ 2 0 b+ + b+ + + + n+;+ 16 ;+ n+ + ;+ "@ / / /
&
marc.
pp
D6 "
0!
7
&
b+ +! + +
/+ ! b +/+ !! 11 J J 16
mf
= ,
=
+/++ !!! J
6 16
/? /? /? ++ ++ +
6 16
/ /? ++
22
22
ff
molto f
+++ J
(
2 6 2 "@ 16 2 n + +- + ++ +- + =,
, =, =,
%
XIV - Dust culled from death's west Restless, but gradually calming h = 69 - 72 f
374
/ 22 &
+ +
? &
? &
(
'
7 +
Dust culled from death's west
2 w
from
&!
. + &
all
the dark
2 $2
+ ; &? !
h = 63 - 66
* &
cor
+ + ' -
'
ners
in - ga - ther,
+ n&? !
w
w
h = 63 - 66
w
mf
w
w
w
w
$
b &&*
= ,
b &&*& /
+++ bb&&*& !!! /
/&
&
molto ff
D2 2
* j 7 + +! + '
poco rit.
Restless, but gradually calming h = 69 - 72
w?
poco rit.
+++bb&&& !!! rffz
&!
molto f
&&&
D
/& =,
w
;/+
poco rit. 383
"6 &
(
/
j 7 22 7 + + + 0 +
mf
mold
$ D %
not cry - stal but
6 ;/+ " &!
2 2 w
coal
* 6" b&& + =,
w
poco rit.
piu f sub. mf
/ 0 +! & to
p
3
+ + 7 ++ &
heat
-
seed
w
w
/ D nww*
* b ww w
poco f
%
molto accel.
399
molto accel.
b+++? ww w rfz
"6
w +++ b &*&& !!
"6
/
/
/
"6 &&& !!
&&& !!
poco f
strike string w/coin, producing the effect similar to hard, plastic mallet, but with a thinner, more wiry tone
D %
16 16
(
,
Suddenly held, inward 405 q = 88 - 92
/ "6
(
""
(
D6 "
(
" "
(
molto rubato e espressivo simplice (ord.) / *j n+#j +
D 6 ;+ & " mp
" ;w "
meno
(
pp
"6 7 &
6" 0 ;+ ! + "" ;w*
6 " 6 &! "
(
"" " " "w "
( (
"6
6 + ;+ " +!;+ pp
"6
p
"6
(
Subito q = 63 - 66 molto accel. / / B -#j B -#j B -#j B -#j
/j / #- !-/- B -#j- !-/-B "" "6 7 7 "6 3
"6 + 0 +!
( ;,
w
3
molto ff
"" w
=,
" "
< (
(a short hold)
=
""
(
"' " ;+
7 0-
pp strike string w/coin
+++ 7 7 ""
"6
&
&
one
stone
,!
(strike string w/coin) * * B -#j B -j
(
Subito q = 63 - 66
Subito q = 63 - 66 molto accel.
""
(
6 "
+
< 7 7 D "" '
pp
p
one
Suddenly held, inward q = 88 - 92
(
* ord. n+#j
(
pick up coin w/R.H.
pp
bn&&*& !!
< (
bur - ied sun
&!
""
w
+ + + 7 ""
of light
Suddenly held q = 88 - 92 ? B-j
/
w
(
q = 104 - 108
""
+*
Subito q = 63 - 66
&!
j j j j j j D -! - -B-#-B-#-! - -B-#- 16 16 B-#-! -B-#-! -B+#- - "6 ,! / B-#j
b w* / =,
&!
(
&!
n&*
meno f
7 + +
Suddenly held q = 88 - 92
(
&
q = 104 - 108
3
'
fur - nace and press
nw* /
af - ter em - ber, gem - mem - or - y
16 16
(
/
w
* j + 7 & "6 + ! + +
3
&
h = 58 - 60
poco rit.
$
* * & +'
not glass - flow - er:
&&& !!!
n+/*++
25
/* j 3 +! + 7 &
mf
3
7 + &
w
/*& ! n b & 22 & !
mp
/
* + 7 '
mp
poco rit.
&!
391
h = 58 - 60
mp
"6
(
;- 6 , ! "
(
""
put coin down
" "
(
molto pp
w
6 "
&!
(ord.) * *j ;+j ;+
0 ;+ +! "" sub. piu p mf
= ,
26
mp
414
/ "" '
7 + + "6 + 7 7 and the
D" "
one
6 "
(
"" '
7 + "6 stone
" "
(
""
(
7 7 + "" + the
6 ;;;&&& !!! "
;w* ( $ "" ;;w w
(ord.)
6 "
(
"6
(
p
+ ! "6 J ;+ +;+ + "" 3
D "" w
;w
%
"6
;& !
""
one
stone
" 0 *#j j " n+ ;+ ! +
p
p
"6
(
(
=
""
7 "6 7 + + ""
7 +
with- in
6 " &!
;+!
"6
(
,
" "
(
""
XV - Thru the two doors meno p
422
/ ""
"6 +
(
one
+ stone
and
the
+
+
j * + +
one
stone
with - in
.j + it
'
Thru the two
""
+++ ;;; &&& !!!
;;; ww w
"6
(
"6
(
"6
ppp
pp
D ""
+ + +
0
Beyond q = 50 - 54
&& !! 6" & !
* ;;; &&&
$ "" ;&
+ + ""
ad libitumtired, clearly mp
Beyond q = 50 - 54
""
(
"6
(
% a tempo 426
/ "6 +
7
7
ad libitum
j 0 + + + + "" 7 poco f
7
doors
0 + +
thru pa - ro - ches
+
and the sealed gate
rapid, regular repetition of written note (the specific number of notes played is unimportant); dim. until piano key is moving, but not producing the pitch
10 n /? / / / / / / / / / / / 6 $" @
n+ ! )3 =,
@ n+ ! b+ ! & -
&
" " + b+ 7
ff
ffp
D6 @ "
/ / / /
trem.
$;&
/
molto p
&
;&
7
ppp
trem.
7
& pp
"' "
"6
+
10 ? / 0!
6 "
piu ffp
7
D0 !
+ -
)3 = ,
6 "
429
/ "6 7
a tempo poco f
j +
0
all
+ + + "" + +
'
7
mp
j + +
3
thru to the sealed ear
j + 0
3
how sing
You
27
j +
+
in
E
"6
-
rapid, regular repetition of written note (the specific number of notes played is unimportant); dim. until piano key is moving, but not producing the pitch
-1. //// /////// // / / 6 $"
/ / /
trem.
"" n& ! /
b& !
++ ;+n+ ;+ + + + + + + + + + + + + + + + + + + + + + + + "6 3
molto f
D6 " j + -).
trem.
$ ;+
& / n+
p
6
6
6
mf
" ! 0 ' " ;+ + !
&
6
'
7
7
6 r" +
5
pp
mp
mf
%
432
/ "6 +
+ -
7
0
dom
6 3 6 $ " ;+ + + + + + + + + 0
j +
+
how
sing
5
0
j + "" +
what
song
+ + + +0
"6
'
I am giv - en
" ;+ n+ + + + + + + + + + + " ;+ + + + + + + + + + 0 7
7
pp
pp
6 $ " ;+
7
5
ppp
p
5
0!
5
+ + + + + + + + + + + + + + + ;+ + + + +
" 7 "
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