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Four Remixes for Violin, Cello and Piano (2010/2011)
I - Slowest Night (Night Ride Home - Joni Mitchell) II - After 52pm (Funplex - The B52s) III - Looped Trip (Rocket Man - Elton John/Bernie Taupin) IV - Maxed Out (Maxwell's Silver Hammer - John Lennon/Paul McCartney)
Kurt Rohde
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2
Four Remixes for Violin, Cello and Piano I - Slowest Night (Night Ride Home - Joni Mitchell) Languid, subdued q = 46 - 52
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non vib. still, hanging pppp
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fpp
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to ord.
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to ord.
pppp
molto p
use dense, slow bow speed; play into the resonance of the piano
5 && ## !
non vib. still, hanging
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&&
pppp use dense, slow bow speed; play into the resonance of the piano
Languid, subdued q = 46 - 52 startled still, hanging
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ord. -j '$
warm
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poco sfz-mp
poco sfz
ppp
3
sffz-mp
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3
3
pppp
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3
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startled
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startled
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Pno.
3
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warm
ord.
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startled 3
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sffz
sffz-mf
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3
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molto f
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sub. sffz - ff
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hesitant at first, gradually becoming more stable
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gradually reset pedal
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poco sfz
poco vib.
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molto p
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ppp
pp
grace notes should be played in the approximate notated rhytmic location: the player should improvise the duration of the grace notes when successive (A) notes appear. ethereal (G) (D) (G) molto pp $ '$j ' ' '$j '$' '$' ' 3
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in a while...
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poco vib.
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pppp
3
pp
mp
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sub. meno p
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lontano
molto p
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Vc.
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molto p
fp
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6
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sffzmp
sffz
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fluttering
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58 58
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(B) '$ ' ' '
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in a... '$ ' ' ' ' ' ' ' '
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comes a night like
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pppp
$ 18 & Pno.
*1 & 8
18
this,
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like
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ord.
poco f ord.
some
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there
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Hu - la girls
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sur
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real - ist invented
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sub. pp
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the
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this...
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and
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the sand,
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poco f
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caterpiller tractors in
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big blue moon,
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a "shadow" quasi cantus firmus barely audible, always flowing forward
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man in the sand, the fireworks,
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imperceptibly release double stop to single pitch
(Gb) b '$j
(Eb) b '$j : '$ '
'$j
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'# n'. 18
n .' #
'
'
!#
'
18
A tempo I q = 46 - 52 hesitate slightly before proceeding expansive suddenly into next measure
!# 9
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hesitate slightly before proceeding suddenly into next measure
# !9
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sub. f
ppp
imperceptibly release double stop to single pitch
18
# '. ' b 'j'j ! ' .
poco rit. 32
18
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pp
3
poco f
Pno.
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grace notes are located in their approximate rhythmic location: they should be executed freely, and with a delicate touch (G) (Eb) (Bb) (G) (Bb) molto pp b '$j $ $ b' j b ' ' ' $ ' ''
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p
18 &&
poco f this Fourth of Ju - ly...
3
j ' '#
18 j '. '
5
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ppp
expansive
'' .
sub. f I
love
grace notes begin with a regular repeating rhythm, gradually slowing down, becoming imperceptible, and have no rhythmic relationship to the rest of the parts: the number of notes played is not fixed, only the change of pitch in the approx. location is important.
poco rit. (Bb)
b ' ' : 'j
(Gb)(Ab)
: b' b ' ' ' :
1 $8 & Pno.
*1 8
&
' J '#
' .
fragile
: b'
(C) (F)
# ! 'J ' # . . molto p in a
Once
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&#
(Bb) (Eb)
' ' ' ' ' : b '' ' :
' while...
'j
A tempo I q = 46 - 52 expansive 3
3 -. . -. -. . <' ' '' & < ' ' < ' ' ' & < ' < ' ! . ! . -. -
sub. molto f
3
! an implacable processional ! & ## hesitate slightly before proceeding -. suddenly into next measure '& >/
j <' ' -.