Issuu

Artifacts a rendering for speaker, small ensemble, and projected images (2011-2012/rev. 2015)

-Music BeforePart I - Excavate the memory Part II - What will you take from your burning house? Knife, the first tool Bell Flute Clock Wheel -Music In BetweenPart III - Time is the fire in which we burn -Music Before the EndPart IV - This is our family

music by Kurt Rohde text by Susan Moon images and projections by Frances McCormack

3 PERFORMANCE NOTES:

Instrumentation: -Speaker [gently amplified] -Piano/harmonica: Eb major/Chinese paper accordion/guitar pick -Flute/Piccolo [sounding an octave higher than written]/Bass Flute [sounding an octave lower than written]/tuned gongs: F#, G#, A, A#, B, D/ harmonica: C major/tuned crystal glasses: D#, F#, B/bass bow/wooden pencil or wooden stick/soft mallet -Violin/harmonica: f# minor/tuned crystal glasses: D, F#, A#/bass bow/wooden pencil or wooden stick -Viola/harmonica: b minor/tuned crystal glasses: C#, F, G, B/bass bow/wooden pencil or wooden stick -Cello/harmonica: G major & e mino/tuned crystal glasses: C#, D#, E, A/bass bow/wooden pencil or wooden stick

Notation: pizz. = pizzicato arco - with bow MSP = molto sul ponticello SP = sul ponticello MST = molto sul tasto ST = sul tasto ord. = ordinario CLB = col legno battuto CLT = col legno tratto harmonics notated in the usual manner harm. gliss. = harmonic glisando + - Left hand pizz. for strings/Plucked string with plastic guitar pick for piano/tongue stop for Flute strings: I [Vln - E/Vla & VC - A], II [Vln - E/Vla & VC - D], III [Vln - D/Vla & VC - G], IV [Vln - G/Vla & VC - C]

= transition arrow from one timbre to the next

= harmonic glissando on piano string with L.H. stopping string near pin

= pluck piano string with fingernail or guitar pick

= piano string stopped tightly with finger

= unstable, suddenly wide vibrato in strings

= whistle tones for flute

= crystal glasses struck with wooden stick or pencil

= noteheads for Chinese paper accordion

= arrows for exhaling through hramonica

= arrows for inhaling through harmonica

2 2 2 2 -for the Left Coast Chamber Ensemble and their 20th. Anniversary Season, created in collaboration with writer Susan Moon and artist Frances McCormack, with generous support from the Meet the Composer/Commissioning Music USA Program, and the Clarence E. Heller Foundation-

2 &2

2 2 ?2

2 2 /2

2 2 2 &2

2 &2

2 2

-Music BeforeSCORE IN C

Grave, unfolding, trailing, receding h = 54 - 58 Speaker (amplified)

°¢ / 22

Piccolo/Flute/ Bass Flute

° 2 &2

Kurt Rohde (2011-12/rev. 2015)

seated

∑

3 2

∑

2 2

∑

3 2

∑

2 2

∑

3 2

∑

2 2

∑

3 2

∑

2 2

∑

tuned gong w/S.S.

2 ¢& 2

Flute Percussion

3 2

∑

2 2

∑

3 2

∑

2Ó 2

∑

˙ ppp

2 &2

∑

3 2

∑

2 2

{

? 22

∑

° 2 ¢/ 2

∑

3 2

∑

3 2

∑

2 2

∑

3 2

∑

2 2

∑

2 2

∑

3 2

∑

2 2

∑

3 2

∑

2 2

∑

3 2 w™

˙- ™

∑

2 j j 2œ œ ˙ ˙ œ™ œ™ 2 ∑ ∑ 2

œ ˙™

˙™

∑

2 j j 2œ œ w œ™ œ™ 2 ∑ ∑ 2

Piano

Piano Percussion

IV molto legato, lontano e sotto voce - play as one Violin

Percussion

° 2 non vib. &2 w ppppp 2 ∑ ¢& 2

3 2 w™

2 2 œ ˙

3 2

∑

2 2

œœ w ∑

∑

3 2

3 2 w™

œ ∑

III molto legato, lontano e sotto voce - play as one Viola

Percussion

Violoncello

° 2 non vib. &2 œ ˙™ ppppp 2 ∑ ¢& 2

3 2 w™

œ ˙™

3 2

II non vib.

° 2 &2

2 2 ∑

2 2

œ ˙™ ∑

∑

3 2

∑

2 ¢& 2

Video cues

2 /2

∑

molto legato, lontano e sotto voce - play as one

3 2 w™

2 2 œ ˙

œœ w

∑

3 2

∑

2 j j 2œ œ ˙ ˙ œ™ œ™ 2 ∑ ∑ 2

∑

3 2

∑

2 2

œ ˙™

3 œ 2 w™

˙™

ppppp Percussion

3 2

∑

2 2

∑

˙- ™

œ∑

Hall is dark; only lights for musicians are illuminated.

3 2

∑

2 2

∑

3 2 w™

2w 2

∑

= 11

A Vln.

° ¢& ˙™™

j œ w

j œ œ™ ˙

>˙

ppppp pp

Vla.

° ¢& ˙™™

j œ w

2 œj œ ™ ˙ 2 >

œ 23 w™

˙™

œ ˙

œ ˙™

œ œ >œ œ >œ ˙

ppppp pp 5

Vc.

° ¢& ˙™™

j œ w

3 2 w™

j œ œ™ ˙

2 ˙™ 2

œ >

o œ >œ

ppppp

o œ w

o ˙

sub. pp

Ä Video cue: beging Intro & "Remember"

Video

∑

3 2

∑

2 2

∑

[video time index 00:00]

= strings stopped w/L.H.

& Ó )

3 2 )™

lontano, echoing the strings

2 2 6 6 6™ 6 6

)

∑

j 6™ 6

∑

3 2Ó

Ó b)

2 )™ 2

3 6™ 6 2 6 66 )

2 2

pp pp

Pno.

ppp

{

∑

3 2

∑

2 2

∑

3 2

∑

2 2

∑

3 2

2 2

2˙ 2

3 2 w™

2 2

˙ ˙

3 2 w™

2 2

∑

° Vln.

° ¢&

˙™

3 2 w™

2 2w

˙ b˙

j œ œ ™ œ ˙™

3 j 2 œ b˙ ™™

pppp

Vla.

° ¢& œ ˙ ™

3 2 w™

2w 2w

˙ b˙

˙ ˙

j œ œ™ œ œ ˙

j œ 23 œ b˙ ™™

2˙ 2

mp pppp

Vc.

° ¢& œ ˙ ™

3 2 w™

2 2w

˙ ™™

j œ w

œ ˙™

3 2 w™

2 2w

3 2 w™

pppp pp mp

2 2

2 tuned gong w/S.S.

Fl. Perc.

° 2 ¢& 2

∑

3 2

∑

2 2

∑

3 2

∑

2 2

∑

#w ppp 5 5

2 &2 )

3 2

∑

Œ 6 6™ 6j 6 6 b6 6 6™ 6 6 6 6r 6 6 6r b6 6 6 ™ J pp

2Ó 2

∑

ppp

3 6 2 )™

)™

2 2

∑

2 2

∑

Pno.

? 22

{ Vln.

∑

3 2

∑

° 2 ¢& 2 w

2 2

∑

j 3 ™ b œ ™ œ œ- ˙˙ 2 w w™ pp

∑

∑ o b˙˙ ™™

2 2w

sub. p

Vla.

° 2 ¢& 2 ˙- ˙

3 2

∑

b˙

œœ œ w

o 2 œ Œ Ó 2

3 wo ™ 2

bœ w

˙™

∑

ppppp

œw œ b˙

2 wo w 2

∑

œœ w w

sub. pppp

o ˙˙ 23 bww ™™

˙˙

∑

˙ -

˙˙

3 o 2 bww ™™

2 wo w 2

p p

pp mp

ppppp

pppp

sub. p

Vc.

° 2 ¢& 2 w

3 2Ó

Œ ˙™ 22 w

b˙

-œ œ ˙™

˙™

3 2 bw ™

2 ˙™ 2

w p sub. pp

pppp

ppppp

B 39

Fl. Perc.

° Ó ¢&

3 2

∑

2 2

∑

2Ó 2

‰ 666 ™™™

5 4

∑

3 2

∑

#w™

#˙

p ppp feathery

h™ ‰ #6 6 6 6 6 6 6#6 6 6 6 6 6 6 6 6 ™ 6 6 666 23 > ppp pp mf

& Ó

∑

{

∑

2 2

∑

Vln.

œ™

j œ œ™ -

>. 3 œ2 J

sfz

˘ #œ ˙™ -

2Œ 2 #œ ˙ >

∑

5 4

∑

non vib.

ord.

° nw ¢&

Œ #6 ™ #6j 23

5 4Ó

3 2

∑

6 > piu

sub. sffz

Pno.

))) ™™ ™

∑

3 2

˘ 5 ˙ ˙™ 4-

3 2

ppppp ord. Vla.

° Œ œ n˙ ¢& -

>. œ #œ 23 Ó

˙™

sub. p

˘ 2 2 ˙˙

5 4˙

˘ œ Ó

3 2

#˙ ™

3 2

pppp ppppp

sfz non vib.

ord. Vc.

ppp

p non vib.

° nw ¢&

ppppp

non vib.

˘ j 2 œ ™ œ- 2 w

3 œ- #œ. 2 ‰ #œ ™ ˙ > pppp

Œ ≈nœ ™ 45 ˙ >

p sfz

= 45

Fl. Perc.

° 3 ¢& 2

∑

7 4Ó

∑

Œ Œ

3 2

∑

+ 3Œ ! 2

+ #!

œ ppp

pluck w/guitar pick

3 & 2 6 n)

j 6

)™

)

6 6j 6 R

6 6™™ J

+ >1 J Ó

66 47 Œ ™

Ó™

+ 1 1

pppp 3 5

Pno.

{

? 23

∑

7 4

∑

ppp

3 2

∑

pizz. non vib.

Vln.

° 3 ¢& 2 ˙

˘ Œ ≈nœ ™ œœ œ > - -

+ . . . . . . . . . . . . . . 7 . . . >œo œ œœœœœœ œœœœœœœ 4 œœœ ‰ Ó J

ord.

˙˙

arco

3 œ #-œ ™ ˙ 2J

˙™

pppp mf

Vla.

˘ ° 3 ≥ ¢& 2 œ- nœ ˙

mf sub. pp

sub. f

ppppp ord. arco

o o œ- œ œ

pizz.

œ œ

œ™

œ J

or œŒ

o œ œ œ œ œ 47 œ

> Œ ˙

3 2 #w

fpp

ppppp

ppp p

mp mf

Vc.

˘ ° 3 ¢& 2 ˙-

˙ -

˘ ˙ -

ord. 3

O O œ- œO œ œO

≈ O™ œ™

œO

o œ >

7 ˙o 4

o ˙^

fp mf

3 wo 2

#˙ ppppp

fpppp pp pppp

˙o ™

whistle tones follow shape of written contour

Flute

C 7 4œ

Picc./Fl./ Bs. Fl.

° Œ 3 ¢& #œ œ œ

œ ˙

3 3

3 2

Œ Ó

2Ó 2

3 2

˙- ˙-

pp pp

pizz. w/guitar pick

strings stopped w/L.H.

7 & Œ ‰ #6 6 6 6 6 6 6 6 6 6 6 6 6 6 4

+ !

3 2Ó

∑

+ 21 2

+ quasi + +rit. 1 1 1 3 2

2∑ 2

3 2

random harmonic gliss. stopped w/L.H. near pins

Pno. ppp mp

{

3 o 2 G™

7 4Œ

∑

III harm. gliss. Vln.

° w ¢&

˙˙

pizz.

˙o

o ˙

7œ 4œ

o ˙

3 2Ó

+o +o o œ œ ˙ 2 Œ 2

+o œ ‰ 23 pp

o mp o ord. MSP Vla.

° ˙ ¢&

7 4 œJ B nœ ™ o n >œ ™

#˙

>œ ™ # ˙

MST

3 2

˙˙ ™™

˙˙

2‰ 2

∑

3 2 p

p arco pizz.

Vc.

° #w ¢&

+ 7 œo ? 4 J nœ ™ o n œ™

3 2Ó

Oœ ~w 2 Œ 2

3 2

mf mp

Picc./Fl./ Bs. Fl.

3 3 ° 3 ˙ w ¢& 2 ˙- ˙- œ-#œ œ

5:3

7 4

µw

3 2Ó

Ó™

œ f

pp f

+ 31 Œ Ó &2

ppp

5 5 5 ‰ 6 6b6 6 6™ 6j ) > f mp

7 4

∑

3 2

∑

∑ ppp

Pno.

{

? 23

∑

III harm. gliss. arco Vln.

° 3Ó ¢& 2

œ™

‰

7 o 4 g

˙o

o ˙

o 3 o o 2 g G G

o o ˙ œ

7 4

o o j g g™

3 2

∑

3 œœ #˙˙ 2 o

∑

Ó o

ppp

Vla.

°B 3 w™ ¢ 2

˙ œ™

MSP MST

j œœ >

ppp

7 4œ œ

w w ™™

MSP

œœ

˙˙

arco/III harm. gliss.

pizz.

Vc.

™ °? 3 ~w ™ ¢ 2

+ Œ ™ ? n œj nœ

ppp

∑

7 ˙o ™ 4

3 2

ŒÓ o

p mf

œo Ó

Part I - Excavate the memory Begin: Cue from Vln.

D A tempo I h = 54 - 58 [ca. 02:38]

Speak.

°¢ /

2Ó 2

∑

U Ó

U ∑

Remember remember how...

Picc./Fl./ Bs. Fl.

° Ó &

U ∑

2 2

∑

Remember how in our middle stone age we

carved the antelope legbone with the names of the stars?

U ∑

∑

œ f tuned gong w/S.S.

Fl. Perc.

¢&

U ∑

2 2

∑

U ∑

‰ nœ ppp

∑

2 2

U ∑

∑

2 2

U ∑

∑

Pno.

{

ø Vln. cue speaker

U ˙o ™

˙o Vln.

° Ó ¢&

o œ

‰

o œ

U Œ

2 2

U™ Ó œ-

pppp

pppp ord. Vla.

°B Ó ¢

2U™ 2 ˙˙ ™

Ó #˙˙

U ∑

U Œ

˙™

pppp pppp

˙o ™ Vc.

°? Ó ¢

U ∑

2 2

U™ Ó

pppp

= Cue from Vln. 62

Speak.

° ¢/

∑

5 4

At Blombos Cave, a wave-cut bench in a limestone cliff of Pliocene deposits.

Remember?

Picc./Fl./ Bs. Fl.

° ¢&

∑

2 2

U ∑

5 4

U ∑

2 2

∑

5 4

U ∑

2 2

∑

5 4

U ∑

2 2

Œ œ f

strings stopped w/L.H.

& )

)

6 6 6 6™ 6 6

)

j 6™ 6

ppp Pno. pppp

{

∑

cue speaker

Vln.

° ¢& œ ˙

œœ w

˙ >

U Œ

2 2

U 5 4 œO œO œO œO œO œO œO œO œO œO œO œO œO œO œO œO Œ

2 2

5 4 œO œO œO œO œO œO œO œO œO œO œO œO œO œO œO œO

o p

Vla.

°B ˙™ ¢

œ >

b >œ J

˙™™

˙ Ó

pppp

o p

Vc.

°? ˙™™ ¢

œ w J

>œ

pppp

OOOOOOOOOOOOOOOO 5 œœœœœœœœœœœœœœœœ U Œ 4

o p

pppp

2 2

5 67

Speak.

°¢ / 22

∑

Finds include: first known art work...

∑

two pieces of ochre engraved with geometric design,

and a fragment of deliberately engraved bone.

œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. Picc./Fl./ Bs. Fl.

° 2 ¢& 2

∑

‰ o pp

wait for speaker

2 & 2 b6

6™

b6 6

6 6

6™

sub. mf

Pno.

? 22

{

)

p (ord.)

∑

Œ™

∑ &

“” #œ J

ppp

° Vln.

° 2 ¢& 2

∑

‰ œO œO

œO œO œO œO >œO œO œO œO œO œO œO œO œO œO œO œO ppp ppp sub.

mp Vla.

°B 2 ¢ 2

∑

‰

> > Oœ œO œO œO Oœ Oœ #Oœ Oœ Oœ Oœ Oœ Oœ Oœ Oœ Oœ Oœ

œO œO mp

Vc.

ppp

Oœ Oœ

°? 2 ¢ 2

∑

Oœ Oœ Oœ Oœ

ppp sub. mp

‰ œO œO œO œO œO œO œO œO œO œO œO œO > ppp ppp sub.

= 70

mp Speak.

°¢ /

∑

First known art work; known...by whom?

Picc./Fl./ Bs. Fl.

° Œ ¢&

#>œ. œ. œ. œ. œ. œ. œ. œ. > . . . . . . bœ œ œ œ œ œ

j œ œ-

œ-

j œ- œ™™

r œœ œ œ

œ. œ. œ. œ. Œ

ppp 5 5

∑

n>6 ™

r 6 6 6 66 r 6

6 b6

mp Pno.

{

∑

MSP MST Vln.

° œ ™™ œ ‰ ‰ ¢& œO œO œO œO œO œO œO œO œO œO >

œœ R

œ œ™ J

#˙

>œo œo œo œo œo œo

œo œo œo œo œo œo ‰

pp pppp

ppp MST

Vla.

Vc.

°B O O O O O O O O O O ‰ Œ ¢ >œ œ œ œ œ œ œ œ œ œ mp ppp MST œo °? ‰ ¢ œO œO œO œO œO œO œO œO œO œO pppp > mp ppp

˙ ™™

MSP #>œ œ #œ œ œ œ œ œ œ œ

>œ œ œ œ œ œ œ œ &

pp ppp

pppp

œo ™

MSP

>œ œ

Oœ Oœ J

Œ o

Œ #œ œ œ œ œ œ œ œ œ œ œ œ #œ œ ‰ > pp

œœœœ œœœœ

‰ pp

= Cue from Vln. 74

E Speak.

°¢ /

∑

A fragment of deliberately engraved bone,

dating to

b >œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. Picc./Fl./ Bs. Fl.

° ‰™ ¢&

‰

> & b6J

6 J

≈ œ œ œ œ œ œ œ œ œ œ œ bœ œ œ œ œ œ ‰ >. . . . . . . . . . . . . . . . . pp

‰™ œp

∑

#) ™ p

“” #œ

Pno.

œ™

{

bœ

œ™ Œ

≈

bœ ™

œ J

œ ™™ œ R

cue speaker

Vln.

° ¢&

>œ œ œ œ œ œ œ œ

ord.

‰™ >œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ > pp

Vla.

Œ œœœœœœœœœœ œœœœœœœ > pp

Vc.

> œ œ œ œ œ œ œ bœ œ ord. œœŒ

#Oœ Oœ Oœ Oœ #Oœ Oœ Oœ Oœ Oœ Oœ Oœ Oœ Oœ Oœ Oœ Oœ Oœ Oœ Oœ Oœ ppp

? bœ

ppp

ord.

° œ œ œ œB‰ ¢& ° œœ‰ ¢&

oo œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ

nœOOœ

pp ppp

w~~w

6 77

Speak.

°¢ /

∑ eighty thousand years

Picc./Fl./ Bs. Fl.

° ¢& œ™

∑

before the present.

Which present?

r œ- œ™

bœ ™™

œ- œ

∑

This present.

Today.

Remember the names of the stars?

r œ ˙

bœ ™™

œ- œ

sub. p

j œ bœ ™

poco f strings stopped w/L.H.

∑ ” “œ™™

& Pno.

∑ “”œ ™

& ˙

Vla.

°B #Oœ Oœ Oœ Oœ Oœ Oœ ¢

ppppp

∑

> > œœ œœ œOO œOO œOO œOO œOO œOO œOO œOO œOO œOO œOO œOO œOO œOO œOO œOO œOO œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ > mp mp o >œo œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ >œ Oœ Oœ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ

° œœ œœ œœ œœ œœ œœ ¢&

j 6

‰ 6

bœ

œ ˙ R

{ Vln.

3 3

w~~w

œOOœ œOOœ œOOœ œOOœ œOOœ 3 3

ppp

œœ œœ œœ œœ œœ 3

w w

ppp mp

Vc.

> ˙O˙O

°? ˙OO˙ ¢

> œOOœ >

˙O˙O

œOOœ

w~~w

œOOœ

F 3 4 œ‰Œ o

Picc./Fl./ Bs. Fl.

° ¢& w

ppp

>. . œ œ œ œ œ ‰ ™ bœ œ œ œ œ œ œ œ ‰ ™ 22 ...... >. . . . .

5 >œ. œ. œ. œ. >. . . . . . . b b œ œ œ œ œ œ œ ‰ ‰ œ œ œb œ œ >. . . >. . 5 5 5

3 2Ó

∑

> 6 ™ 6 23 #) ™

j 3 j & 6 6 6™ 6j 6j 6 ™ 6 6 ™ 4 6 6 ™

> Œ ‰ ™#6 )

2Ó 2

(ord.) Pno.

{

∑

3 4

3 2Ó

∑

2 2 ppp

° ¢&

∑

Œ #œ 43 ˙™ o

3 2˙

grace notes like sparkling shards >j bœ

‰ #œ ˙

ppppp

MSP

#˙ Vla.

° ¢B

∑

> j œ

˙™

#œ

ppppp

grace notes like sparkling shards >j >j œ œ

> b œj

˙™

3 2 o

2w 2

˙ #˙

3 4Œ

2 2 ppppp pp

Vc.

∑

3 &4 Œ

3 2 #˙

‰ œ™ o

ppppp

2 ˙™ 2

#œ

‰ o ppppp grace notes like sparkling shards

MSP

°? ¢

ppp

MSP Vln.

‰ bœ ™

∑

>j #œ

‰ #œ ™

#œ

ppppp

= Picc./Fl./ Bs. Fl.

86 6 5 5 5 5 ° bœ.n>œ.œ.œ.œ.‰ >œ.œ.œ.œ.œ.œ. œ. >œ.œ.œ.œ.œ.œ.≈ 3 ‰ ™b>œ.œ.b>œ.œ.œ.œ.œ.œ. ‰ ™ >œ.œ.œ.œ.œ.≈œ>. œ.œ.œ.œ.œ.œ.œ.œ.‰ 2 ≈ 5 5 ‰ Œ ≈ ‰ œ œ œ œ œ 2 2 . . . . . #œ.œ.œ.œ.œ.œ.œ.œ. #œ.œ.#œ.œ.œ.œ.œ. nœ.œ.œ.œ.œ.Œ 4 ¢& > > > > > 5 6 5 5 5 5 5 7 5 pp pp pp fp pp

fp f

Pno.

n6 ™ & 6J œ™ Œ & ≈

^ b6

2 )™ 2

bœ

3 2Œ

‰

∑

5 4

sub. ff

2 ≈ œ™ 2

‰ #œ Ó

‰™

#œ Œ

‰ nœ Œ 45

ppp

° >œj#w ¢&

3 2 w™

2 ˙™ 2

bœœ w w

w w

5 4

ppppp > # œj

˙ Vla.

)

nœ ™

{ Vln.

3 2)

°B ¢

‰

#œ ™

> # œj

#˙ ™

3 2

2 2 pp

5 4

ppppp

> Vc.

° œ ¢&

j ‰nœ#œ ˙ pp

3 2 ˙™ ppppp

n˙ ™

2w 2

˙™ #˙ ™

5 4

G 3 2

Speak.

Picc./Fl./ Bs. Fl.

°¢ / 45

∑

° 5Œ ¢& 4 bœ. œ. œ. œ. Œ Ó ppp

∑

3 2 ‰œ

2 2

∑

3 4

∑

2 2

∑

3 4

∑

2‰ 2 œ

3 4

∑

7 8

3 4

∑

7 8

^ b6 43 J

∑

7 8

∑

f f strings stopped w/L.H.

5 &4

3 2Ó

∑

^ b6 22 J

Œ™

3 4

∑

2Ó 2

∑

Œ™

ff random harmonic gliss. stopped w/L.H. near pins

Pno.

{

5 & 4 Œ ≈bœ ™ Œ Ó

3 2

∑

2Œ ‰o o o 3 o o o 2 j 4 j ggg g gg

o 2 j2 g

o o 7 3 4Œ ‰ j 8 gg

∑

p pp

MSP MST Vln.

° 5 ˙˙ ™™ ¢& 4

MST

˙˙ 23 nw w ™™

2 2w w

3 4 ˙™ ˙™

Vla.

°B 5 ˙˙™™ ¢ 4

arco SP

2 2

3 4 ˙™ ˙™

pizz.

+ ˙˙ 3 2 n˙˙ > mp

MSP

2 2w w

pizz.

+ ≥ Œ œ œ 22 n˙˙ œ œ. mp > >

3 4Œ

∑

7 8

3 4

∑

7 8

p ff ord. I/harm. gliss. Vc.

o ˙˙ 23 ˙

° 5 ˙™ ¢& 4 ˙ ™

MSP

ord. 2 o 2 w

o™ 3˙ 4

2 o 2 w mf

o™ 3˙ 4

7 8

H Slashing, driving q = 124 - 128 [ca. 04:12]

Speak.

°¢ / 87

2 2

∑

5 4

∑

4 4

∑

∑ œ^. ^. ^. ^ ^ . b œ œb œ. bœ

^. n œ^. ^ œ ^. #œ. ≈ nœ

Picc. switch to Picc.

Picc./Fl./ Bs. Fl.

° 7 ¢& 8

2 2

∑

5 4

‰Œ

‹ &

∑

4 ≈ 4

‰

œ ff f

7 &8

2Ó 2

∑

^ b)

5 4

4 4

∑

∑ (ord.) ff

Pno.

? 87 o o o o o o o 22 Ó gggggg g

{

o o5 o o o o o o o o o o o o o o o o o Œ ‰ 4 g g g g g g g g g g g g g g >g >g >g >g >g

4 Œ 4

‰

“‘ ord. Vln.

° 7 ¢& 8 œ ™ œ™

2 2˙ ˙

˙˙

pp arco SP Vla.

°B 7 Œ ™ ¢ 8

≥ œœ

pizz.

+ 2 œœ 2 n>˙˙ >. mp

n˙

5 4 ˙™

sub. pppp ord. arco

n˙

o >g

‰

o o g >g

# œv °

pp ff

o 4 b>œ bœ >œ œ >œ œ œ 4 v. 6

>œ >œ >œ o œ œ œœ v. 6

™ 5˙ 4

b >œb œ >œ œ >œ œ œ^o.

>œ œ >œ œ >œ œ ^o. œ

4 4 6

pppp ff

p ff MSP

Vc.

° 7 o ¢& 8 œ ™

o 2˙ 2

o ˙

Video

7 /8

ord.

o ˙ v

5 4 ˙™ sub. pppp

fpp

∑

2 2

∑

5 4

4 >œ >œ >œ bœ^. 4

>œ > > ^. nœ œ bœ

∑

Ä 4 Video cue: begin "Knife" 4 ∑ [video time index 03:30]