Issuu

2019 KNOXVI LLE . T N F E B . 27 â€“ M A R . 3

70 TH ANNIVERSARY

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70th Annual SETC Convention SOUTHEASTERN THEATRE CONFERENCE

FEB. 27– MAR. 3, 2019

KNOXVILLE, TN

SPECIAL THANKS SETC’s 70th Annual Convention would not be possible without the support of Visit Knoxville, Austin-East Magnet High School, the Knoxville Convention Center, Knoxville Civic Auditorium, UT Conference Center, Arrowhead Conferences & Events, and our 2019 convention sponsors:

SETC Mobile App Sponsor _________________________________________

Convention Newspaper Sponsor _________________________________________

On-Site Sound & Lighting Sponsors _________________________________________

Arts People

The University of Alabama

David Alford Masterclass & Pizza Party _________________________________________

Festival Hosts & Sponsors _________________________________________

1st Street Music & Sound Co. 4Wall Entertainment

Middle Tennessee State University

Community Theatre Festival Austin-East Magnet High School Dramatists Play Service High School Theatre Festival Hollins University Knoxville Civic Auditorium Norcostco Theatre for Youth Dramatic Publishing Company

Pro Theatre Reps & Program Presenters’ Reception _________________________________________ Disney Theatrical Group

Design/Tech Mixer Sponsors _________________________________________ 1st Street Music & Sound Co. 4Wall Entertainment InterAmerica Stage Point Source Audio

Design Award Sponsors _________________________________________ Costume Crafts Norcostco Costume Design Norcostco Costume Technology Betsey Horth Lighting Design Electronic Theatre Controls (ETC) Projection Design Broadway Media Distribution Properties Design & Construction Friends of Props: Robert O’Leary, Doug Brown Ready to Design Lexington Children’s Theatre The Rose Theater Serenbe Playhouse Triad Stage Scenic Design Sculptural Arts Coating Sound Design Shure, Inc. Technical Direction & Construction Productions Unlimited, Inc.

Additional Thanks _________________________________________ Ready to Publish Award Stage Rights Media Lab Yeagerlabs Stage Management Games EmptySpace Technology College & University Reception Barbizon Lighting Company Samuel French Gus’ Green Room Break A Leg Network / Dwayne Ague Musical Theatre Coaching Accompanist Ian LeRoy, U of Mount Union Undergrad & Grad Auditions Accompanist Jamey Strawn, Northern Kentucky U Undergrad Auditions Hospitality Performer Stuff Commercial Exhibitor Showcase Hollins Exposition Services Exhibit Hall Beer Break Philips Entertainment Lighting Gobo Sign Norcostco Rosco 2019 and 2020 SETC Convention Posters Clinton Press

Banquet Afterparty Dance _________________________________________ DJ Ya Boi Boi, Robert Lewis

On-Site Operations _________________________________________ On-Site Operations Staff Katie Brumfield Watts, Operations Assistant Kenan Burchette, Volunteer Coordinator Constance Smith, Theatre Job Fair Assistant Chad McDonald, Production Manager Operations Team Rodney Arters, Morgan Carder, Zachary Emerson, Briana Garcia, Natalie Mathis, Aaron Moore, Tate Thompson, Nadia Trinanes Tech Crew Roberto Duarte, Marcus Randolph Job Squad Madison Miller, Josh Tetlow

Professional Auditions _________________________________________ Lighting Sponsor 4Wall Entertainment Keyboard & Dance Floor Cumberland County Playhouse On-Site Auditions Team Lisa Leonard, Audition Director Marcus Morphew, Assistant Director Molly Donahue, Stage Manager Audition Assistants Spencer Burke, Meave Donahue, Sean Michael Jaenicke, Chris Kirby, Jackie Luthy, Anna Katherine Moore Jose Simbulan, Auditions Accompanist Stephanie Kay Swant, Choreographer David Foster, Pytron Parker, Dance Captains And nearly 100 other amazingly talented volunteers who make it possible to produce this convention!

SETC Central Office Staff Members _________________________________________________________________________________

General Contact Info __________________________________________

Betsey Horth, Executive Director (Outgoing) Susie Prueter, Executive Director (Incoming) April J’C Marshall, Professional Theatre Services Cadie Burks, Educational Services Manager Bradley Branham, Program Manager Jean Wentz, Membership Manager

Southeastern Theatre Conference 1175 Revolution Mill Dr Studio 14 Greensboro, NC 27405

Clay Thornton, Marketing Manager Kim Doty, Communications Specialist Nicole Francis, Accounts Receivable Amanda Nielsen, Administrative Assistant Pat Shumate, Data Assistant Kristin Wright, Office Assistant

Cover photo: Gay Street Bridge-Knoxville, Oil on canvas by local artist Mike C. Berry

Phone: 336.272.3645 Fax: 336.272.8810

Email: info@setc.org Website: www.setc.org

TA B L E O F C O N T E N T S Check-In and Registration Desk . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4 Community Theatre Shuttle Schedule . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 56 Design/Tech Competition & Events Schedule . . . . . . . . . . . . . . . . . . . . . . . 71 Distinguished Career Award Recipient . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 50 Distinguished Designers . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7 Exhibit Hall . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 72–73 Festivals (Community, HS, Fringe, 10-Minute, TFY) . . . . . . . . . . . . 56–65 General Information . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4–5 Getchell New Play Reading . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 19 Grant Recipients, Professional Theatres . . . . . . . . . . . . . . . . . . . . . . . . . . . 48 Keynote Speakers . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7 Knoxville Trolley Map / Downtown Guide . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 80 Maps / Floor Plans . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 72–80 Professional Audition Schedule . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 66 Ready to Direct Competition . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 17 Ready to Publish Award Readings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 14 SETC Board of Directors . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 39 SETC Endowment Fund . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 39 SETC Life Members . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 39 SETC’s Marketplace . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5 SETC Past Presidents . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 38 Silent Auction . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5 Social & Special Events . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9, 12, 27, 45 Special Event Presenters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6 Special Thanks . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1 Teachers Institute . . . . . . . . . . . . . . . . .. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6 Theatre Job Fair . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 69 Workshop Schedule, Quick Glance . . . . . . . . . . . . . . . . . . . . . . . . . . 40–43

SIT TIGHT. BE STILL. SETTLE DOWN.

Young Scholars Panelists . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 47

IN MEMORIAM

Remembering Mark Snyder

__________________________________________________ SETC lost a valued member of the Central Office staff last year. Mark J. Snyder, an SETC employee for 14 years, passed away July 30, 2018, following a short illness. He was 59. If you’ve attended an SETC Convention in the last decade, chances are you’ve encountered Mark at the SETC Registration Desk. He was the tall, bald man with piercing blue eyes managing the chaos of registration with a Zen-like calm. Stories abound about Mark’s contributions to SETC. He endeared himself to staff and volunteers with his wry sense of humor, his single speed of operation (turtle-like) and his unparalleled ability to properly pack the truck that annually transports the SETC Central Office operations to the convention.

DON’T SETTLE. BUILD YOU. 2

Before joining SETC, Mark was a district executive with the Old Hickory Council of the Boy Scouts of America for 24 years. On Aug. 19, 2018, more than 100 people – including SETC Central Office staff, past SETC volunteers and past SETC President Jack Benjamin – packed a shelter at Raven Knob Boy Scout Camp in Mount Airy, NC, for a memorial service. We’re continually grateful for the time he spent with us, and we miss him dearly, especially during convention season. Thanks for everything, Mark.

TRANSFORM YOUR PASSION INTO PURPOSE

MFA

Acting Scene, Costume, Lighting Design Directing Theatre for Youth

BFA

Acting Design and Technical Production Theatre Education

School of Theatre

FOR INFORMATION:

Arts Administration Drama

John Poole, Director School of Theatre 336-334-4112 or jrpoole2@uncg.edu

Apply now for 2019!

https://vpa.uncg.edu/theatre

G E N E R A L I N F O R M AT I O N

FREE CONVENTION APP

MAPS AND VENUE LOCATIONS

As a complement to this printed program, we encourage you to download the free SETC 2019 app to your mobile device.

Flip to the back of this program for multiple pages of maps, floor plans, street addresses, and transportation details for our convention venues. Pages 72–80

The app lets you create your own schedule, engage with fellow attendees, and see last-minute schedule updates. Find the online schedule with links to download the app via the Apple App Store and/or Google Play at https://2019setcconvention.sched.com Powered by Sched

Sponsored by Stage Rights

Anthropology Lesson by J. Harvey Stone __________________________________________________________ 2018 Ready to Publish Award Winner Brief Synopsis: While the streets outside the Stonewall Inn are set ablaze, a small Appalachian mining town goes through its own quieter turmoil. “Anthropology Lesson” explores the lives of “roommates” Thomas and Douglas during the summer of 1969. The men have spent the last 13 years building a life together, until an unexpected late-night visitor interrupts Douglas’ first night home after a weekend away. As the play unfolds, the two mens’ lives are turned upside down while a principal, a mother, and a student all come to terms with their own sets of truths. In addition to teaching public school for almost 20 years, J. Harvey Stone has taught at the University of Richmond, Christopher Newport University, and the Center for Teacher Leadership at Virginia Commonwealth University. He is proud to be the theatre arts teacher and drama director at Jamestown High School in Williamsburg, VA. Panel Reading: Thurs., Feb. 28, 4:30PM CC 300 D Visit Stage Rights at Booth 213 in the SETC Exhibit Hall where the published version of the play will be available for sale.

Rev by Rachel Bykowski

__________________________________________________________ 2019 Ready to Publish Award Winner Brief Synopsis: “Rev” follows a pair of sisters named Camaro and Aston struggling to keep their deceased fathers’ repair shop afloat until a 25-year old exmarine with a unique connection to the family walks in through their garage door seeking employment. Rachel Bykowski writes plays to raise awareness about social issues while exploring the many facets of womanhood. She is a graduate of the Ohio University MFA Playwriting program where she was the recipient of the Trisolini Graduate School Fellowship. She earned a BFA in Playwriting from The Theatre School of DePaul University. Panel Reading: Fri., Mar. 1, 4:30PM CC 300 D The published version of the play will be available next year in the Stage Rights’ booth at the SETC 2020 Exhibit Hall. Learn more about this award at www.setc.org/ready-to-publish.

Playwriting Interest Group HI Parlour 4 A/B Presiders: Darren Michael (SETC Playwriting Chair), Joe Frost (Vice Chair) Annual meeting of playwrights and others interested in creating, producing and performing new plays. Sketching, Rendering and Model Making for the Theatre CC 301 B Presenters: Lauren Roark, Bill Black, Christopher Pickart (U of Tennessee), J. Theresa Bush (U of Southern Mississippi), Randall Enlow (U of North Carolina Wilmington), Jessica Gaffney (Cape Fear CC), Terry Jachimiak II (Alma College), Isaac Ramsey (Georgia College), Michael Riha (U of Arkansas), Tiffany Jordan (Florida School of the Arts), Jared Spears (U of Mississippi) Designers from the region will demonstrate techniques of drawing, painting and model making. Feel courageous and dive in to learn a new skill, or merely watch to see how a professional does it. I The Truths of Stage Combat CC 300 C Presenter: Caitlyn Herzlinger (U of Southern Mississippi) Created at the Central Illinois Stage Combat Workshop in summer of 2013, these rules are simple sayings that help keep your fight safe, but looking awesome. They are clearly stated and should be learned by every stage combatant no matter their level. B Theatrical Imagination in the Bible: Acting Before the Greeks CC Ballroom A Presenter: R. Cliff Thompson (Freed-Hardeman U) Before Aeschylus, there was Ezekiel. The Old and New Testaments contain multiple examples that resemble many western theatre forms. What can these examples of “dramatic imitation” teach us today? How might these examples inspire the believer artist? Discussion and performance featured. B This One’s for the Boys: Belting for Males HI Summit Presenter: Nancy Wolfgang (U of Northern Colorado) Tired of the girls getting all the vocal help? It’s your turn! This class will focus on the musical theatre belt for males. Several attendees will be selected to present songs. Bring sheet music and get ready to work! I Using Michael Chekhov’s Psychological Gesture With Monologues CC 301 D/E Presenters: Mark Monday (Great Lakes Michael Chekhov Consortium), Susan Cato-Chapman (Appalachian State U) Michael Chekhov’s Psychological Gesture, when used properly, can propel monologues to great variety and power. Participants can bring monologues or other brief pieces of text, and we will methodically work through the pieces using chosen PGs. I Yoga Techniques for Teaching Innovation CC Ballroom C Presenter: Eric Abele (U of Maryland - Baltimore County) Yoga has long been used to quiet the mind and invigorate the body. This session will lead you through a vinyasa style practice and share how yoga overlaps with pedagogy — no matter what theatre discipline you teach. Don’t forget to pack your mat (but a towel is okay). I Yoga mats available for purchase (See Page 5) 9:30AM – 9:50AM ___________________________ Commercial Exhibitors Meeting CC Exhibit Hall Presider: Esthere Strom (SETC Exhibits Chair; Barbizon Lighting Company) Meeting for Commercial Exhibitors. 9:50AM – 3:00PM ___________________________ High School Theatre Festival Performances: Block 1 Knoxville Civic Auditorium Production Manager: Kristin Wright; Festival Director: John E.R. Friedenberg Adjudicators: Diane Carr (Educational Theatre Association), Moses Goldberg (StageOne, Retired), Herb Parker (East Tennessee State U) Come enjoy five performances by high school groups from across the Southeast. There’s a t-shirt toss at 9:50am, and performances start every hour on the hour. See Pages 58–59 for festival details. Sponsored by Hollins University and Norcostco 10:00AM – 7:00PM ___________________________ Commercial Exhibits & Education Expo CC Exhibit Hall Presider: Esthere Strom (SETC Exhibits Chair; Barbizon Lighting Company) Stop by the Exhibit Hall to view commercial and educational displays. Network with commercial exhibitors and college, university and training program representatives. See Pages 72–73 for the Exhibit Hall floor plan and a list of this year’s exhibitors. 10:00AM – 4:00PM ___________________________ Ten-Minute Play Festival: Rehearsals HI Various Rooms Presider: Lauren Ellis (SETC 10-Minute Play Festival Chair) Groups work together to rehearse their plays. See Page 63 for full schedule and room details. 10:15AM – 10:30AM ___________________________ Ready to Direct: Job Fair Offstage Showcase CC Exhibit Hall - Theatre Job Fair Manager: April J’C Marshall (SETC Professional Theatre Services) Pre-selected Ready to Direct Competition candidates are introduced with their portfolios to hiring theatre representatives from the Theatre Job Fair for a chance at discussion and interview. Note: Based on companies’ schedules, a theatre may ask to meet and interview you at a different time after this initial introduction.

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T H U R S D AY S C H E D U L E 10:30AM – 6:00PM ___________________________ Theatre Job Fair CC Exhibit Hall Presiders: April J’C Marshall (SETC Professional Theatre Services), Constance Smith (SETC Theatre Job Fair Assistant; Chipola College) Candidates meet/interview employers for off-stage jobs. See Page 69 for full Theatre Job Fair schedule. Only pre-registered job candidates are admitted until 1:00PM. 10:30AM – 12:50PM ___________________________ Dance Prep: Preparation, Presentation & Career Planning CC 200 D/E Presenter: Stephanie Swant (SETC Choreographer) This workshop will demonstrate the dance audition format given at SETC with focus on dancing and career opportunities. I 10:30AM – 11:45AM ___________________________ Active Script Analysis for Directors: Reading Deep While on Your Feet CC Ballroom B Presenter: Annie Levy (The U of Alabama) Dig into a text without sitting around a table. Participants will come away with new approaches to make “the discussion of the play” more active, engaging and physical. A Arts Administration Interest Group HI Parlour 4 A/B Presider: Dominic Yeager (SETC Arts Administration Chair) Meeting for those interested in arts administration, management and producing. Basics of Stage Management: What Beginners Need to Know UTC 417 Presenter: Russell Luke (Freelance Stage Manager/Director) Discuss the basic characteristics that make for good stage managers and assistant stage managers. B Design South: Lighting CC 300 A Presenters: Darren Levin (Middle Tennessee State U), Victoria Fisher (Barbizon Lighting Company), Michael Barnett (U of Mississippi), Chris Haug (Southeast Missouri State U), Christian DeAngelis (Virginia Commonwealth U) Lighting designers present their work and answer questions related to typical problems encountered in theatre. G Digital Textile Design: Creating Custom Fabrics for Theatrical Design CC 300 C Presenter: Amber Marisa Cook (Southeast Missouri State U) Explore how digitally designing your own textiles may elevate your costume/scenic/ props design or solve production issues. Includes a basic tutorial for getting started. G Improving First Impressions Tools: Business Card, Resume & Portfolio CC 301 B Presenters: Jane Childs (Stagecraft Institute of Las Vegas), Tracy Armagost (Santa Fe Opera) Get hands-on feedback to perfect the tools that will help you beat out the competition for your job. Bring your own business cards, resume, cover letter, portfolio and laptop. G Keep It Clean! Sanitation and Hygiene Practices for Makeup Artists and Actors CC Exhibit Hall Workshop Space Presenter: Jason Estala (Florida State U) Keep a clean and sanitized makeup kit with these tips, tricks and techniques for makeup artists and actors. We’ll go over proper hygienic makeup application and useful products and supplies. B Key Plays: Theatre and the Law HI Parlour 2 A/B Presenters: Sarah McCarroll (Georgia Southern U), Steven Burch (The U of Alabama), Becky Becker (Clemson U), Michael Howley, Timothy Pyles (U of South Dakota) Panelists examine key plays that explore theatre’s relationship to law. Trials! Juries! Lawyers and defendants! Everyone is invited to come and share your own favorites. I Life After College: Bridging the Gap Between Undergrad and the Profession HI Parlour 1 Presenter: Sara Ross (University Resident Theatre Association), Lara Berich (Ohio U), Brian Smallwood (U of Nevada, Las Vegas), John Wolf (Wayne State U) Join URTA for a panel discussion about tools for success when transitioning from undergrad training into the profession. The panel will include graduate faculty members in all areas of theatre, and participants are encouraged to bring their questions! G Magic Tricks! Overview, Culture and Learning UTC 413 C Presenter: George Younts (Charleston County School of the Arts) A magician is an actor playing the part of a magician! Come see and learn beginning magic tricks to challenge your performance skills! B Partner Characterization: A Text-Free Approach to Building Character UTC 400 A Presenter: Bob Shryock (Accademia dell’Arte) Bring a friend or make a new one here! Participants will work through exercises demonstrating that character (and other important dramatic info) doesn’t always come from the script. We’ll also illuminate the creativity of the actor and the value of collaboration. Be prepared to move and play! B Seeing Beyond the Space: Designing in Small Spaces With Big Ideas CC 300 B Presenter: Randall Enlow (U of North Carolina Wilmington) Many performance spaces are less than ideal, yet meeting the challenge can be fun. We’ll examine and discuss staging big musicals in an 1851 historic theatre with a proscenium 9 feet high and 19 feet wide. Learn to find creative potential in unusual spaces and solve challenges. I

SketchUp for Scenic Design UTC 413 B Presenter: Delbert Hall (East Tennessee State U) Demonstration of how to use SketchUp software to create a scenic model for a play. B Stanislavsky Says: Focus and Ensemble Exercises From Moscow Art Theatre School CC Ballroom A Presenter: Jennifer Goff (Centre College) Participants will be led through exercises from the first year acting curriculum at the Moscow Art Theatre School designed to build ensemble and focus. G The Job Market: Marketing Yourself for the Industry and Graduate Schools CC 301 A Presenter: Matthew Miller (Temple U) Geared to young professionals and college seniors, this skill-driven workshop will focus on job search preparation, branding yourself as an artist, the resume and portfolio, and interviewing skills — all the skills you need to attract employers and MFA programs. I The Nerve-Proof Audition Workshop HI Summit Presenter: Michael Unger (The York Theatre Company) For the serious musical theatre performer who wants to gain tools that they can apply to every audition they ever do. Bring sheet music. A The Slap and the Fall: Common Sites of Injury in Staged Violence CC 301 D/E Presenter: Robert Aronowitz (Society of American Fight Directors) We’ll explore some of the most common stage combat techniques and update them for a modern audience — creating a dangerous-appearing story without sacrificing actor safety. B Unarmed in the Round: Stage Combat CC Ballroom C Presenters: Andrew Ray (Society of American Fight Directors), Caitlyn Herzlinger (U of Southern Mississippi) Hide technique in plain sight, and trick the audience into seeing what you want them to see. I Wireless Microphone Rigging for Theatre CC 300 D Presenter: Michael Smith (Elon U) Tips and techniques for rigging wireless microphones to performers. I Women’s Writing Case Study: From Initiation to Full Production and Beyond CC Board Room Presenter: Linda Nell Cooper (Liberty U) This is a follow-up presentation to last year’s workshop regarding writing for strong female characters with collegiate women (newcomers will be brought up to speed!). Check in on findings from the case study beginning with the writing and continuing to the production as well as the future of the project. G

R E A DY TO D I R E C T COMPETITION Back for the Second Year! The Ready to Direct Competition offers early-career directors who are seeking professional experience an opportunity to learn from seasoned professionals and possibly even earn work at a professional theatre. A select group of pre-registered candidates participate in an immersive schedule of directing-focused events at the SETC Convention — these events are open to observation by companies interested in hiring a Ready to Direct candidate. Up to three candidates may receive a professional directing opportunity and payment as negotiated with the hiring theatre. SETC supports the companies financially by offering hiring grants.

2019 Ready to Direct Convention Schedule Ready to Direct Candidates “1st Rehearsal” Wed., Feb. 27, 7:00PM – 9:00PM HI Parlour 1 Ready to Direct: Job Fair Offstage Showcase Thurs., Feb. 28, 10:15AM – 10:30AM CC Exhibit Hall | Theatre Job Fair Ready to Direct Discussion Thurs., Feb. 28, 5:30PM – 6:45PM HI Parlour 1

Visit www.setc.org/ready-to-direct for more information. 17

T H U R S D AY S C H E D U L E 10:30AM – 11:45AM ___________________________ continued Writing Adaptations: An Easy Workshop on Gaining Perspective UTC 413 A Presenter: Elizabeth Kirkland (The U of Alabama) Sometimes all we need is a little perspective. In this small-group story sharing workshop, we’ll explore an easy way to write an adaptation. B NOON – 4:45PM ___________________________ Community Theatre Festival Performances: Block 1 Austin-East Magnet HS Presiders: Lyle Tate (Festival Chair), Tom Booth (Division Chair) Adjudicators: James Alexander Bond (Freelance Director), T.K. Lee (Mississippi U for Women), Amy Wratchford (American Shakespeare Center) Come enjoy three performances by community theatre groups from across the Southeast. See Pages 56–57 for shuttle schedule and festival details. Sponsored by Dramatists Play Service NOON – 2:15PM ___________________________ Design Portfolio Review CC Exhibit Hall Design Response Space Presiders: Neno Russell (SETC Design Chair), Matthew Leckenbusch, Emily Strickland (Vice Chairs), Justin Reed, Allison Steadman (Coordinators) Design and technology professionals will critique students’ design portfolios. G

Put your talent to work on and off stage. Earn a Bachelor of Fine Arts in: • Acting • Musical Theatre • Theatre Design & Production with emphases in: ◆ Costume Design ◆ Lighting Design ◆ Scenic Design ◆ Stage Management ◆ Technical Production ◆ Sound Design and Reinforcement (anticipated Fall 2019)

One of the oldest conservatories in the nation. • Innovative master teachers and creative artists • Eight productions each year • Shenandoah Summer Music Theatre, our own professional summer stock company • Alumni work on Broadway, in regional theatres, with national and international tours, on cruise ships, and in film, television and commercials

NOON – 12:50PM ___________________________ Auditioning Literally A to Z: Tips for the Young Actor CC 300 D Presenter: Leland Blair (West Virginia U) For the high school or college actor, auditioning isn’t the daily event it can be for professionals. How can you prep, focus and succeed with three, four or five auditions a year for productions, college interviews or summer stock gigs? We’ll go A to Z and discuss and share auditioning info! B Big Choices: Audition Clowning! CC Ballroom C Presenter: Matthew Crider (Murray State U) Come ready to move and play! Experiment with physical clowning techniques as a fun way to make big choices in auditions and performances. G Cue Calling in a Modern World UTC 417 Presenter: Jeffery Cochran (Oklahoma City U) A stage manager can organize productions in various notations. We’ll discuss calling options including scores, counts, time, and movement. In addition, we’ll evaluate the evolution of stage management books in digital media. I Design South: Projection Design CC 300 A Presider: Joseph Payne (U of Tennessee) Projection designers present their work and answer questions related to typical problems encountered in projections and digital media for theatre. G Digital Design and Fabrication in the Scenic Shop HI Parlour 2 A/B Presenter: Frank Marquette (Troy U) A scenic shop without a table saw? No measuring and cutting by hand? Could you build this way and still call yourself a craftsperson? Find out how one university has embraced both CAD design and CNC milling to create entire sets. Digital design and fabrication are here — a new way to create. G Face Your Fundraising Fears: Tools and Tips for the Hesitant Fundraiser CC 301 B Presenter: Amanda Nelson (Virginia Tech) This workshop aims to relieve the fear of fundraising, covering “how to’s” of prospect identification and research, donor cultivation, “the ask,” and stewardship. B, PDS Go, Make You Ready: Voice, Text and Presence for the Actor UTC 400 A Presenter: David Schwingle (Bob Jones U) This up-on-your-feet workout serves as a brief introduction to Patsy Rodenburg’s core training for actors and speakers. We’ll explore how body, breath and presence make the actor ready to truly connect with a text and an audience. I Inclusive Theatre: How to Make Your Production Entirely Sensory Friendly UTC 413 A Presenter: Johannah Maynard Edwards (Women’s Theatre Festival) It’s easier than you think to craft an inclusive theatre experience for all audiences! Using our model production of “Little Women,” you’ll leave this session with a complete guide for creating a sensory friendly experience for adults and families. G, PDS Oops, Where’d My Line Go? How Meditation Can Help You Find It Again CC Ballroom B Presenter: Seret Cole (M. T. Pockets Theatre Company) Have you forgotten your lines on stage or in an audition? Fallen victim to the dreaded stage fright? Meditation can help. Dress comfortably, and join us to find out how easy it is! G Past Presidents Committee Meeting CC Board Room Presider: Jack Benjamin (SETC Past Presidents Chair) A meeting for the Past Presidents of the Southeastern Theatre Conference.

(540) 665-4581 | su.edu/setc 18

T H U R S D AY S C H E D U L E Quick Digital Lighting Renderings CC 301 A Presenter: William Lowry (Lehigh U) Make quick renderings for your lighting design off of model shots or scenic renderings. Attendees will learn the basic process and tips for illustrating a lighting composition with painting software. Perfect for students exploring how to communicate their work. B

Contact Improv for Actors: Create a Deeper Connection to Scene Work CC Ballroom C Presenter: Casey Sams (U of Tennessee) Use beginning contact improv exercises to develop techniques an actor can use to connect to their surroundings, their scene partner, and their text. All are welcome, but be prepared to move! I

Scholarship Procedures Committee Meeting CC Conference Room Presider: Dean Slusser (SETC Scholarship Procedures Chair) Annual meeting of the chairs of the Porterfield, Ballew, Smith, Halbach, Wilson, Behm, Holiday, Spiegel and Secondary School Scholarship Awards.

Creative Costumes on a Tight Budget: Beauty and the Beast for $1,500! CC Exhibit Hall Workshop Space Presenter: Cynthia Lohrmann (North Greenville U) Learn ways to make a human teapot and her child-sized cup using everyday materials. How about a wardrobe dress? Costume problem-solving on a budget. I

Shakespeare Monologue Jam Session: Bring 10 Lines! CC 301 D/E Presenters: Doreen Bechtol, Matthew Davies (Mary Baldwin U; American Shakespeare Center) Get on your feet and learn the strategies you need to transform a Shakespeare monologue into a bold classical audition piece with one-on-one coaching from Shakespeare professionals. I So Many Choices! How Do I Cast It? CC 301 C Presenter: Paul Crook (U of South Carolina Aiken) Monologues? Cold reads? Songs? Dance? Help! How do you run an audition and make choices in casting? This workshop offers tips and suggestions for directors. I Stage Combat Panel HI Parlour 4 A/B Presider: Matthew R. Wilson (George Washington U) Learn about stage combat opportunities featuring Certified Teachers, Fight Directors and Fight Masters with the Society of American Fight Directors (SAFD). SAFD is the largest stage fight society in the world and offers actor-training, networking, certification at all levels, and industry leadership for safe and effective stage combat. Open to all. Come with questions! G The Devil Wore a Blue Dress . . . Wait, Why Is It Green?! CC 300 C Presenter: Victoria Fisher (Barbizon Lighting Company) Deep collaborations between lighting and costume designers have the potential to create wonderful storytelling tools, as well as solve unintended goofs. I Theatre Through Non-Literature: Joseph Grimaldi CC 300 B Presenter: Michael Williams (Southern Union State Community College) There have been many Joeys, but the world of clown has had only one Joseph. This lecture/discussion is focused on the life of Grimaldi and his place in the history of theatre. G Viewpoints: Directing Physical Action CC Ballroom A Presenter: Geoffrey Reynolds (Valdosta State U) Discover practical ways to use Viewpoints techniques in a production, rehearsal or classroom setting. Perfect for directors, choreographers and actors who are looking for ways to create physical action and to build ensembles! I Vocal Relaxation: Let’s Make Singing Look and Feel Easy HI Summit Presenter: Jennifer Wilson (Professional Actor Training Program at Chattanooga State) Warm-up and performance techniques to help lift pressure off of the voice and make singing feel more effortless. Everyone will participate, and some volunteer singers will perform and get feedback. Bring sheet music for your audition cut! G Wardrobe Strategies for Student Crews CC Exhibit Hall Workshop Space Presenters: Elizabeth Aaron, Amber Williams (Clarence Brown Theatre) We have developed a system for training, maintaining and keeping student crews excited and interested in wardrobe opportunities. G 1:00PM – 2:15PM ___________________________ Acting in Your Own Short Film HI Parlour 2 A/B Presenters: Greg Chwerchak, Gabrielle Berberich, Brett Goldstein (Michael Howard Studios) Take control of your career, and act in your own short film. Specially tailored to actors, learn how to shoot your own ideas from start to finish. G Allies in the Arts: Exploring Privilege in Theatre Panel CC 301 A Presenters: Esther Newell (Northwest Rankin HS), Annette Grevious (Claflin U), Kyla Kazuschyk (Louisiana State U), Will Lowry (Lehigh U), Jessika Cummins (Independent Artists), Yolanda Williams (Jackson State U) A dialogue in which people can investigate their own privilege and biases in order to become better allies and artists. G Attack of the Actions: Using Doable Actions to Experience Your Song HI Summit Presenter: Chelsea Nicholson (Samford U) To act means to do. Instead of attempting to conjure up emotions when you sing, delve into the world of action-based acting in order to live truthfully on stage. Bring a song and explore active verbs to bring specificity and honesty to your work. I Choosing and Performing Contemporary Monologues: A Workshop for Actors CC Ballroom B Presenter: Ryan Pointer (Samuel French) Looking for monologues by contemporary playwrights whose voices align with you as an artist? Join us as we explore this question through discussion, recommendations and cold readings! I

Design South: Sound CC 300 A Presider: Nicholas Drashner (Kent State U) Sound designers from the region present recent work and answer questions related to their process and typical challenges encountered in technical theatre. G Design/Tech Portfolio Creation CC 300 C Presenter: Dale Pickard (Austin Peay State U) We’ll talk about the phases of creating a portfolio, material to include, layout, configuration, and what university programs are looking for. B From College to Career: Mentoring Through the Transition HI Parlour 1 Presenter: Carolyn Conn (Stephen F. Austin State U) Challenge students to be vigilant about career prep throughout the college (or high school) experience. This will highlight the creation of a digital database made available to students to work toward career preparation on their own time. I Intro to Production Budgeting for Managers UTC 413 B Presenters: Melissa Johnston, Ryan Kirk (Propared) How much is it going to cost? Learn a step-by-step process for building an accurate production budget, discuss strategies for keeping a budget up-to-date, and identify best practices for how to track money once it’s actually being spent. I, PDS Life After Graduation: How to Start Being a Working Actor UTC 413 A Presenter: Brianna Reis Ryan (Neighborhood Playhouse) From headshots and resumes to booking the job, learn the structure and discipline to start your professional career as an actor in the world of theatre, film and television. I

G E T C H E L L N E W P L AY The Other Half by Mark Cornell

__________________________________________________________ 2019 Charles M. Getchell New Play Award Winner Synopsis: The Other Half is a love story. It centers around Michelle, a tough, but damaged young woman, and her relationship to identical twins, one of whom she falls in love with. Set in the foothills of the Sierra Mountains in Placerville, California, the play tells its story jumping backwards and forwards over a six-year period. Mark Cornell has had more than 75 of his plays produced in theatres around the world. Plays include Sprucehaven B (Frigid Fest, NYC), Two Turtle Doves (Common Ground Theatre), On Pine Knoll Street (winner of AACT NewPlayFest 2020), Bad Thing, Story Road, Theater More Like Baseball, and All the Answers. He lives in Chapel Hill, NC. He has an MFA in playwriting from UCLA. Learn more at www.setc.org/getchell-new-play-contest.

Open Rehearsal: Thurs., Feb. 28, 7:00PM Staged Reading & Response: Fri., Mar. 1, 7:00PM CC 300 D SETC Playwriting Chair: Darren Michael (Austin Peay State U) Respondent: Craig Pospisil (Dramatists Play Service) Craig Pospisil is an award-winning playwright and filmmaker. He’s the author of Months on End, Somewhere in Between, The Dunes and Life Is Short, published by DPS. His work has been seen in New York, L.A., around the U.S., and in 17 countries, and has been translated into seven languages. His short film, January, was screened at over a dozen film festivals, including Bahamas, Berkshire, Big Apple, Hollywood Sky and Roma Cinema. He has written more than 60 short plays, including It’s Not You (theAtrainplays), Dissonance (Best American Short Plays 2010–2011), and There’s No Here Here (Best American Short Plays 2014–2015). www.CraigPospisil.com

T H U R S D AY S C H E D U L E 1:00PM – 2:15PM ___________________________ continued

2:30PM – 3:45PM ___________________________

New Walk, New Talk CC Ballroom A Presenter: Paul Bawek (Florida Southern College) Using Michael Chekhov techniques as our inspiration, let’s explore imaginative and powerful ways to create, embody and express new characters. B

CC Ballroom E-G Open to all convention attendees.

Refilling the Reservoir: Self-Care for Theatre Arts Career Sustainability HI Parlour 6 Presenter: Rowen Haigh Mahoney (Freelance Artist) Burning out is easy — taking care of yourself is hard. Join this presentation/discussion for strategies targeting career longevity and overall wellness. All disciplines, ages and levels welcome (Not just for actors!). G Safe Scenery Through Foam: Building Structures and Sets With Foam CC 300 D Presenter: David Morgan (Mount Paran Christian School) Build your entire set out of rigid foam insulation! Join us to see all the ways extruded polystyrene can be used not just for props or facing, but for structural elements as well. High schools and community theatres don’t want to miss these safe ways to build scenery. I Speaking With Skill: Intro to Knight-Thompson Speechwork (KTS) CC 301 B Presenter: Ryan Long (Mount Vernon Nazarene U), Terry Tocantins (U of Louisville) Learn about KTS, a skills-based approach to speech and accent training for actors that emphasizes developing the speaker’s detailed awareness of and engagement with the precise actions that make up speech. B Stage Managing Outdoor Theatre UTC 417 Presenters: Jen Lane (U of Montevallo), Shawn Paul Evans (Washington and Lee U), Julie A. Richardson (Freelance Director; AEA Stage Manager) All stage managers know anticipation and organization are the keys to a successful production. But what happens when you take the usual challenges and add lightning, rain, insects, critters and extreme temperatures? Come discuss the fun of stage managing in the great outdoors! B Staging Shakespeare: Discovering Movement in Language CC 301 D/E Presenter: Molly Claassen (Columbus State U) Directors and actors will explore how Shakespeare used language to dictate blocking and use it to create dynamic visual staging and active storytelling. Familiarity with decoding Shakespearean language and some directing/acting experience useful. I Starting a Capital Campaign CC 301 C Presenter: Robert Thomas (Lakeshore Players Theatre) Is your organization ready to take that next step? Starting a capital campaign to acquire or build your own performance space is a difficult endeavor. We’ll discuss where an organization should be developmentally before beginning a capital campaign and the initial steps to take to start one. G, PDS Tennessee Williams’s Plastic Theatre: A Call to Action CC 300 B Presenter: Tiza Garland (U of Florida; Laban/Bartenieff Institute of Movement Studies) Investigating what is theatrical about theatre. A call to position theatre as a vital part of our culture by advancing Tennessee Williams’s concepts of Plastic or Sculptural Theatre. I The Farm Theater College Collaboration: Students and New Play Development UTC 413 C Presenters: Jennifer Goff, Matthew Hallock (Centre College), David Charles (Rollins College), Padraic Lillis (The Farm Theater), Maegan Azar (Furman U) Representatives from The Farm Theater and this year’s three collaborating colleges will reflect on the process of developing Kimberly Belflower’s new play. G Theatrical Masks in Therapy UTC 400 A Presenter: Dale Savidge (Applied Theatre Center), Doug Berky (Doug Berky Theatre, LLC) Learn the theory and practice behind the use of theatrical masks in drama therapy. See how masks are used in drama therapy work with juveniles in a detention center. A

2019 Outdoor Theatre Conference Where Theatre Leaders Share Their Experience and Explore New Concepts

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KEYNOTE: LEVI KREIS Open to all. Read about actor and singer/songwriter Levi Kreis on Page 7.

Lighting sponsored by 4Wall Entertainment Sound sponsored by 1st Street Music & Sound Co. 4:00PM – 6:00PM ___________________________ Ten-Minute Play Festival: Tech Rehearsals CC Ballroom E-G Presider: Lauren Ellis (SETC 10-Minute Play Festival Chair) All shows gather for tech-through. See Page 63 for full schedule. 4:00PM – 5:15PM ___________________________ Acting the Song: A One-on-One Workshop for Performers With Q&A for Coaches HI Summit Presenter: Lisa Wipperling (Louisiana State U) Performers: Bring a prepared musical theatre selection! Reinforce authenticity in your performance using provided resources based on the needs of each individual. Teachers: Participate, ask questions as we play, and take home new resources. I Alternative Careers for Stage Managers: Beyond Rehearsal and Performance Spaces UTC 413 B Presenter: Jerre Brisky (U of West Florida) Stage managers have a unique skill set that is marketable both within theatre and other job markets. Let’s explore these positions and how your knowledge, skills and abilities transfer. For current students through early-career stage managers. I Audition Q&A With a Disney Casting Director CC 300 C Presenter: Mark Catlett (Disney Parks Live Entertainment) Learn audition do’s and don’ts in a casual and conversational setting with a casting professional who hosts thousands of auditions each year and who can potentially shed some light on the mystery of how to book a gig. G Create, Don’t Critique! UTC 411 Presenter: Lori Guy (U of Mobile) We have one job as musical theatre performers: CREATE! But sometimes unstable technique, difficult passages and other distractions get in the way. Bring your audition book and get ready to work so you can submit to the character and create on stage! G CrossFit Clown CC Ballroom B Presenter: Matthew Belopavlovich (Patel Conservatory @ Straz Center) Flex your funny bone during this crash course of clown techniques. Condition your character and strengthen your pantomime skills through fast-paced clown and cardio exercises. I Cultural Diversity Interest Group HI Parlour 4 A/B Presider: Kyla Kazuschyk (SETC Cultural Diversity Chair) A meeting of all persons interested in cultural diversity. Design South: Costume Technology and Props CC 300 A Presiders: Tracy Floyd (Freelance Artist), Logan Reagan (Missouri Southern State U) Join us to see what your colleagues in the fields of costume and props technology are working on! G Dialects: An Inroad to Character and Connection! UTC 400 A Presenter: Linda Brennan (American Academy of Dramatic Arts) Dialects help realize our characters. Get tricks of the trade to connect with character dialect dialogue quickly, accurately and joyfully! G Directing Interest Meeting HI Parlour 1 Presider: Rick St. Peter (SETC Directing Chair) This is a meeting of all SETC participants interested in the field of directing. Expanding Careers in Design and Technology CC Exhibit Hall Workshop Space Presenter: Sara Ross (University Resident Theatre Association), Lara Berich (Ohio U), Brian Smallwood (U of Nevada, Las Vegas), James Gage (U of Cincinnati), John Wolf (Wayne State U) URTA invites undergrad and early-career designers/technicians to join this discussion about how to approach your career after college. Working professionals and faculty members from top MFA design/tech programs will share their insights. Q&A to follow. B Fundraising Best Practices: It’s All About Building Relationships CC 301 B Presenter: Amanda Nelson (Virginia Tech) For theatre professionals, professors and students, this workshop explores approaches and methods for developing meaningful and impactful long-term relationships between donors and our organizations. I, PDS How to Fight a Bear: Creating Choreography With Character CC Ballroom C Presenters: Paul Pharris (Northwestern State U of Louisiana), Andrew Ray (Society of American Fight Directors), Caitlyn Herzlinger (U of Southern Mississippi) Beginner/intermediate stage combatants will focus on creating character before worrying solely about choreography. We’ll look at using defined character traits to help create basic physical stories. B

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T H U R S D AY S C H E D U L E 4:00PM – 5:15PM ___________________________ continued New York to L.A.: The Business of Acting on the Coasts UTC 413 C Presenters: Johnny Yoder, Ryan Chittaphong, Don Williams (Stella Adler Studio of Acting) This Q&A workshop aims to give students an insight into the differences and similarities of the business and life of an actor in New York and Los Angeles. Led by the Stella Adler Studio (NYC) and Art of Acting Studio (L.A.), a bi-coastal actor’s community. G Parent and Working Artist: Support for the Necessities of Childcare CC 300 B Presenters: Molly Claassen (Columbus State U), Johannah Edwards (Women’s Theatre Festival), Maegan Azar (Furman U), Brittany Bodley (Troy U), Rowen Haigh Mahoney (Freelance Artist), Brian Smallwood (U of Nevada, Las Vegas) There are practical solutions that theatres and universities can implement to actively support parents. Join this round-table discussion covering childcare needs of working theatre artists, managing long work hours, travel, breastfeeding accommodations, and tenure track demands. G Playwriting Aerobics: Focused Writing Exercises UTC 413 A Presenter: Doug Grissom (U of Virginia) Use spontaneous writing to unlock creativity, discover new ways of working, and generate ideas for further development. B Publications Committee Meeting CC Board Room Presiders: J.K. Curry (SETC Publications Chair), Deanna Thompson (SETC Editor) Annual meeting of SETC’s Publications Committee, which oversees Southern Theatre magazine, SETC News and Theatre Symposium. Open to all. State Executive Director Roundtable HI Cumberland Presider: Betsey Horth (SETC Executive Director) Roundtable discussion for executive directors of state theatre organizations. Teaching Production Management HI Parlour 2 A/B Presenters: Melissa Johnston, Ryan Kirk (Propared) Production management is more important than ever as shows grow in complexity, and students are clamoring for this education. This round-table discussion is for faculty who are interested in discussing education for PMs in universities and how we can better support these career-minded students. A Theatre for Youth Festival Critique CC 301 D/E Presider: Laura Byland (Festival Chair); Respondents: Tim Webb (Oily Cart CoFounder), Rhonda Wilson (Star Center Children’s Theatre Founder) Response session for this year’s festival performances. Unpacking the Bard with Laban CC Ballroom A Presenter: Margaret Buckner (Independent Artist) Using movement-based exercises, you will devise simple staging that is rooted in the text. Allow the body to portray meaning and discover your own personal patterns while playing with classical text. G Vectorworks: Generating 3D Build Plans for Scenic Shops CC 301 A Presenter: Camden Simon (Oak Ridge Playhouse) Discuss the overview of creating precise 3D models for use of developing build plans for scenic shops, including importing and manipulating designer files, Vectorworks tools to create precise 3D models, rendering models for verification, and sheets for shops. I

What Does It Mean to Be an Assistant Stage Manager? UTC 417 Presenter: Jeffery Cochran (Oklahoma City U) You’re now an assistant stage manager. What next? This is an in-depth look at the expectations of a professional assistant. If you are a stage manager, you will gain confidence as to how to use an ASM effectively in the support of your production. I 4:30PM – 6:30PM ___________________________ Ready to Publish Reading: “Anthropology Lesson” by J. Harvey Stone CC 300 D Presider: Darren Michael (SETC Playwriting Chair) Enjoy a reading of SETC and Stage Right’s 2018 Ready to Publish Award winner. See Page 14 for a synopsis and playwright bio. 5:00PM – 7:00PM ___________________________ Past President’s Reception Hilton Suite 1708 Presider: Jack Benjamin (SETC Past President Chair) A gathering in appreciation of current and incoming Executive Committee Members. 5:00PM – 6:30PM ___________________________ Beer Break CC Exhibit Hall Stroll the Exhibit Hall while enjoying a refreshment. Popcorn and beer for sale. Sponsored by Philips Entertainment Lighting 5:20PM – 9:30PM ___________________________ High School Theatre Festival Performances: Block 2 Knoxville Civic Auditorium Production Manager: Kristin Wright; Festival Director: John E.R. Friedenberg Adjudicators: Diane Carr (Educational Theatre Association), Moses Goldberg (StageOne, Retired), Herb Parker (East Tennessee State U) Come enjoy five performances by high school groups from across the Southeast. There’s a t-shirt toss at 5:20pm, and performances start every hour on the half-hour. See Pages 58–59 for festival details. Sponsored by Hollins University and Norcostco 5:30PM – 7:00PM ___________________________ SETC Screening Auditions Coordinator Meeting CC 200 A Presider: Marci Duncan (SETC Auditions Chair) All SETC Auditions Coordinators, State Representatives and State Executive Officers attend this meeting to find out plans for the SETC Professional Screening Auditions hosted by the member states. Come learn and give your input! 5:30PM – 6:45PM ___________________________ Acting for the Camera: Making the Shift from Stage to Screen CC 300 B Presenter: James Leagre (U of Indianapolis) Learn techniques of utilizing stage acting tools in front of the camera. Experiencing actual equipment and observation, you will witness firsthand techniques to produce successful outcomes. I Authentic Voice: The Work of Patsy Rodenburg CC Ballroom B Presenter: Arielle Haller-Silverstone (Michael Howard Studios) Learn more about Patsy Rodenburg’s fundamental voice and speech work, tailored specifically for actors to empower their authentic voices for theatre, film and television. G

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T H U R S D AY S C H E D U L E 5:30PM – 6:45PM ___________________________ continued Chekhov’s Imaginary Body and Laban/Bartenieff Principles CC Ballroom A Presenter: Jennifer Mizenko (The U of Mississippi) We’ll explore Chekhov’s concept of the Imaginary Body and support the physicality of the posture with principles from Laban Movement Analysis. With this support, the actor will be able to bring more life to the chosen Imaginary Body and connect more fully to the physicality. I Design South: Costume Design CC 300 A Presider: Allison Steadman (Francis Marion U) Costume designers present their work, share their experiences, and answer questions relating to typical challenges encountered in costume design. G Directing and Acting In-the-Round: An Exploration of Style and Its Rewards CC 301 D/E Presenters: Robert Parker, Kathleen Parker (Ashland U) Let’s illuminate and explore the art of theatre “in-the-round” — a.k.a. arena staging — and techniques of directing and acting. The style! The intimacy! It is exciting! Have a scene and partner? Bring it to our workshop! I Embodying Character Transformation UTC 400 A Presenter: Charles Daniel (Dalton State College) Using an outside-in approach to character development, we’ll examine how the body affects mental perspective. Our work will explore several approaches to this concept including Laban’s Eight Efforts, Lecoq’s 20 Movements and Meyerhold’s Etudes. I High School Audition Workshop: Former Teachers Give Feedback UTC 411 Presenters: James Chrismon (Illinois State U), Stephen Gundersheim (Winthrop U) Former high school teachers and directors turned university theatre education professors host an interactive workshop designed to discuss audition techniques and provide individualized feedback on your college audition and selection of material. B Interview Stumpers and Stumbles for Stage Managers UTC 417 Presenters: Ken White (U of North Carolina Greensboro), Stacy Blackburn (Lindenwood U) Stage managers are renowned for not letting people see them sweat, but some interviews test this ability. Bring your toughest interview scenarios and questions as we explore how to maintain grace in the face of the unexpected. I KCACTF Respondent Training: Speaking to Young Artists (Part 1) HI Parlour 4 A/B Presenter: Joel Williams (KCACTF Region 4; Appalachian State U) The heart of the Kennedy Center American College Theatre Festival is the production response. Learn to speak openly and honestly with young artists; combine truth with tact. Follow up with Part 2 on Saturday (See Page 50). I

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One New Play a Season: A Forum on Guest Artist Programs UTC 413 A Presenter: Tom DeTitta (World Communities Theater) This session provides a model for guest artist programs that create new plays and leave a lasting footprint at the school and in the community, while providing students unique opportunities. Departments who have had guest artists and residency programs are encouraged to attend and contribute. I Physicalizing Table Work: On Your Feet the First Week UTC 413 C Presenter: Christie Maturo (Midwestern State U) Learn to lead your cast through a dynamic analysis of the play using movement, sculpture, drawing and the imagination. Help them tap into their most creative realms and be fueled by inspirational images. I Productivity Through Wellness: Avoiding Burnout With Management HI Parlour 2 A/B Presenter: Brian Smallwood (U of Nevada, Las Vegas) You’re not crazy. The world of theatre can be exhausting. This session will discuss how you can manage time, scope and health to increase your productivity and reduce the risk of burnout. G Projection Design: Using Digital Tools to Visualize Your Design CC 301 B Presenter: Jeremy Reynolds (Louisiana Tech U) Walk through a process of using Vectorworks and Photoshop to create design renderings for projection design. B Ready to Direct Discussion HI Parlour 1 Dialogue Leader: Preston Lane (Triad Stage) Participants discuss directors’ choices and process and explore ideas of dramaturgy and dramatic action. Open to all convention attendees interested in directing. Special Effects Makeup for the Stage CC 300 C Presenter: Gene Flaharty (Mehron Inc) Come discover the newest makeup products to give you the best special effects on stage. We’ll look at blood products, latex, flesh gel, collodion and more. The instructor will demonstrate on audience members, share his experience working with these products in shows, and answer questions. G The Thousand O’s of Shakespeare: An Exploration in Sound CC Ballroom C Presenter: Ian Andersen (Valdosta State U) Focusing on Shakespeare’s ubiquitous use of ecphonesis, students will explore sound in order to unlock a stronger connection to character and intention – demystifying Shakespeare through personal and immediate connection. I Voice and Speech Interest Group HI Cumberland Presiders: Stacey Cabaj (SETC Voice & Speech Chair), Rebecca Covey (Vice Chair) Annual meeting for anyone interested in voice and speech to discuss topics of interest to the membership. When Theatre Encounters the Paradox of Fiction CC 301 A Presenter: Jeff Day (Texas Tech U) Philosophers grapple with the Paradox of Fiction; it stipulates that our emotional responses to fictional worlds produce incoherence. Does the act of theatre court incoherence? B Why Does This Pianist Hate Me? Working With Audition Pianists HI Summit Presenter: Ian LeRoy (Creede Repertory Theatre) Work with a professional pianist/music director to improve the way you mark your music, communicate with a pianist, and prepare for musical theatre auditions. G 6:00PM – 11:00PM ___________________________ Media Lab: Work Sessions CC 301 C Presider: Kenton Yeager (Yeagerlabs) Come work on projects in the 1-to-6 scale lab. G 6:30PM – 8:00PM ___________________________ Design Competition: Displays Open CC Exhibit Hall Presiders: Neno Russell (SETC Design/Tech Chair), Matthew Leckenbusch, Emily Strickland (Vice Chairs), Justin Reed, Allison Steadman (Coordinators) View student design, technology and craftsmanship displays. Details on Page 71. 7:00PM – 11:00PM ___________________________ Stage Management Games CC Exhibit Hall Workshop Space Presiders: Shawn Paul Evans (Washington and Lee U), Patricia Crotty (Florida School of the Arts at St. Johns River State College) In this friendly and fun competition, stage managers compete in a round-robin set of timed, high-speed events that include: writing cues, recording blocking, taking line notes, taping a plan and checking presets. The top three competitors will advance to a finalist round of calling cues from a prepared script. Those who want to compete should report to the Games at 6:30PM to sign up on a first-come, first-served basis.

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Into the Woods, performed by the Musical Theatre program.

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T H U R S D AY S C H E D U L E 7:00PM – 10:00PM ___________________________

DESIGN KEYNOTES CC Ballroom E-G Keynotes: Linda Cho (Costume), Victoria “toy” Deiorio (Sound), Riccardo Hernandez (Scenic), Jonathan Spencer (Lighting) SETC’s panel of distinguished designers show examples of their work, share stories from their design careers, and answer questions from the audience. Read more about the designers on Page 7. Open to all convention attendees.

Lighting sponsored by 4Wall Entertainment Sound sponsored by 1st Street Music & Sound Co. Getchell New Play Open Rehearsal: “The Other Half” by Mark Cornell CC 300 D Presider: Darren Michael (SETC Playwriting Chair) Join us for an open rehearsal for the reading of “The Other Half” by Mark Cornell, winner of SETC’s 2019 Charles M. Getchell New Play Contest. See Page 19. 7:30PM – 9:30PM ___________________________ Theatre for Youth Reception Hilton Suite 1708 Presider: Riley Braem (SETC Theatre for Youth Division Chair) If your focus is theatre for youth, please plan to attend. Sponsored by Dramatic Publishing Company 10:00PM – MIDNIGHT ____________________________ Ten-Minute Play Festival Performances CC Ballroom E-G Presider: Lauren Ellis (SETC 10-Minute Play Festival Chair) Respondent: Todd Ristau (Hollins Playwright’s Lab) A late night favorite! Don’t miss this year’s performances of 10-minute plays that have been conceived, written and rehearsed over the last 24 hours. Open to all. Response immediately follows in CC Ballroom C. See Page 63 for more details about the festival. Lighting sponsored by 4Wall Entertainment Sound sponsored by 1st Street Music & Sound Co. MIDNIGHT ___________________________ Fringe Festival Kickoff CC Ballroom E-G Presiders: Lee Crouse (SETC VP of Services), Chad McDonald (SETC Festival Production Manager) Celebrate the kickoff to SETC’s 16th annual Fringe Festival, and enjoy the first of five shows in this year’s lineup. The Most Fine Actor; John Wilkes Booth Performer/Creator/Playwright: Jonathan Mark Rogers See Page 60 for show descriptions and full performance schedule.

The University of Kentucky Department of Theatre and Dance offers comprehensive training in musical theatre, theatre, and dance. Mainstage season and studentproduced works. Scholarships available. Education abroad opportunities.

@uktheatre finearts.uky.edu/theatre

Lighting sponsored by 4Wall Entertainment Sound sponsored by 1st Street Music & Sound Co.

I N N O VAT I V E P L AY W R I T I N G I N S T R U C T I O N AWA R D 2019 Award Recipient: Riley Braem Riley Braem is the Director of Theatre at Northwest High School in Clarksville, TN. He earned his MFA in Theatre for Young Audiences from Arizona State University, received a certificate in Theatre for Young Audiences for Youth with Complex Disabilities from Rose Bruford College of Theatre and Performance in England, and a Masters of Teaching and a Bachelor of Theatre from Austin Peay State University.

_____________________________________________________________________________

About the Award: Each year, SETC honors a high school teacher for innovation in teaching playwriting as part of their curriculum, regardless of discipline. Key factors are quality of instruction, philosophy behind the use of playwriting instruction in the classroom, and successful realization of student work. Nominations for the Innovative Playwriting Instruction Award are accepted between March 1 and June 1 each year. Teachers may nominate themselves.

Learn more at www.setc.org/innovative-playwriting-instruction. 26

F R I D AY S C H E D U L E Friday, March 1, 2019 Please Note: All meetings are open to SETC Convention attendees.

Friday Special Events 12:30PM – 2:00PM ____________________________ Friday Lunch CC Ballroom A Pre-reserved tickets required. Enjoy lunch, door prizes and reserved seating for today’s keynote. Sponsored by the 10 partner states of SETC 2:30PM – 3:45PM ____________________________ Keynote Presentation CC Ballroom E-G Elyzabeth Gregory Wilder - Playwright Lighting and sound by 4Wall Entertainment and 1st Street Music & Sound Co. 3:45PM – 4:30PM ____________________________ Commercial Exhibitor Showcase CC Exhibit Hall Stroll the aisles and visit the Exhibitors! Mountain Dew cupcakes and soda cans available for purchase. Sponsored by Hollins Expositional Services 4:30PM – 5:45PM ____________________________ All-State Meeting & Social CC Ballroom A Find out what’s happening in your state and the region! Cash bar. 6:00PM – 7:00PM ____________________________ College and University Interest Meeting/Mixer CC Ballroom A Meet and network with others who understand the day-to-day challenges of making college-level theatre programs happen. Hors d’oeuvres and cash bar. Sponsored by Barbizon Lighting Company and Samuel French 8:00PM – 9:30PM ____________________________ Design/Tech Awards Ceremony CC Ballroom E-G Celebrate the achievements of all Design Competition award winners. Cash bar. Lighting and sound by 4Wall Entertainment and 1st Street Music & Sound Co.

WORKSHOP SKILL LEVELS ________________________________________ G - General B - Basic I - Intermediate

A - Advanced

PDS - PROFESSIONAL DEVELOPMENT SERIES ___________________________________________________________________ Workshops designated as “PDS” are geared specifically toward adult faculty and professionals. Not intended for student attendees. ROOM ABBREVIATIONS See Pages 72–80 for maps and floor plans. ________________________________________________________________________________________________ CC = Knoxville Convention Center HI = Holiday Inn UTC = UT Conference Center 7:30AM – 6:00PM ___________________________ Graduate School Auditions & Design Interviews HI Grand Pavilion Ballroom Presiders: Cadie Burks (SETC Educational Services), John E.R. Friedenberg (SETC Undergrad Auditions Chair, Wake Forest U), Accompanist: Jamey Strawn (Northern Kentucky U) Acting Auditions: 8:00AM – 8:30AM 8:30AM – 8:45AM 8:45AM – 9:00AM 9:00AM – 1:00PM 9:00AM – 6:00PM

Gus’ Green Room CC Exhibit Hall Show your Professional Auditions badge (See Page 66) or Theatre Job Fair badge (See Page 69) for entry. Named in memory of Troy “Gus” Gillette.

Sponsored by Break A Leg Network / Dwayne Ague SETC’s Marketplace: Info Hub, Convention Gear, Silent Auction, Consultant Mini Clinics, Leadership Connection & More! CC Clinch Concourse Manager: Clay Thornton (SETC Marketing Manager) Come here for a series of booths featuring opportunities to: purchase or bid on theatre goods; ask questions about the convention, SETC and the Knoxville area; chat with Theatre Consulting Network gurus; and more! See Page 5 for more details. 8:00AM – 8:50AM ___________________________ Actor Warm-Up CC Ballroom A Presider: Elyssa Mersdorf (Virginia Commonwealth U) A combined voice and movement warm-up for the actor. Connect to breath, enliven the resonators, and work articulators. Connect to your center and core to find balance and release muscular tension. G Breath, Story and Combat: Activating the Breath in Scenes of Violence CC Ballroom C Presenter: Bart Williams (Southeast Missouri State U) Actors can employ sound breathing techniques to keep them engaged and relaxed in the action of the scene. Students will learn a simple piece of choreography as we explore how breath can help tell the story of the fight. B USITT Southeast Section Business Meeting CC 300 A Meeting of the Southeast Section of the United States Institute for Theatre Technology (USITT), the association of design, production and technology professionals in the performing arts and entertainment industry. Write for Southern Theatre Magazine CC Board Room Presiders: J.K. Curry (SETC Publications Chair), Deanna Thompson (SETC Editor) Get general information on Southern Theatre magazine, including types of stories sought, submission methods, and how to become an editorial board member for SETC’s year-round publication. Bring your story ideas! Open to all. G 8:30AM – 9:00PM ___________________________ Spring Professional Auditions (261–520) & Dance Call Presiders: Lisa Leonard (SETC Audition Director); Stephanie Swant (Choreographer) Pre-registered actors, singers and dancers audition for professional work with hiring companies. See Page 66 for the day’s schedule and location details. Sponsored by 4Wall Entertainment & Cumberland County Playhouse 9:00AM – 8:00PM ___________________________ Design Competition: Displays Open CC Exhibit Hall Presiders: Neno Russell (SETC Design/Tech Chair), Matthew Leckenbusch, Emily Strickland (Vice Chairs), Justin Reed, Allison Steadman (Coordinators) View student design, technology and craftsmanship displays. Details on Page 71. 9:00AM – 6:00PM ___________________________ Theatre Job Fair CC Exhibit Hall Managers: April J’C Marshall (SETC Professional Theatre Services), Constance Smith (SETC Theatre Job Fair Assistant; Chipola College) Job candidates meet and interview with employers for off-stage jobs. See Page 69. 9:00AM – 2:15PM ___________________________ Musical Theatre Coaching Sessions UTC 411 Presiders: Valerie Accetta (SETC Musical Theatre Chair), Nancy Wolfgang (Vice Chair); Accompanist: Ian LeRoy (Creede Repertory Theatre) Professional and college auditionees can sign up for 10-minute slots to work on their audition materials one-on-one with a vocal coach and accompanist.

Student & Professor Check-In HI Medallion Prefunction Professor Briefing HI Medallion Student Mandatory Briefing HI Parlour 5 Auditions HI Medallion Holding Room/Briefings HI Parlour 5 Callback Postings HI Crystal Callback Interviews Various Locations

Design/Tech Presentations & Interviews HI Carriage NOON – 12:30PM Student Check-In, Display Setup & Briefing 12:30PM – 1:00PM Professor Check-In, Display Viewing 1:00PM – 6:00PM Student Presentations & Interviews *Some interviews may take place in the Ed Expo 8:00AM – 5:00PM ___________________________ Check-In and Registration Desk CC Clinch Concourse Managers: Jean Wentz, Amanda Nielsen (SETC Central Office) This is the place to register on-site and/or pick up your badge!

DISCOVER THEATRE GRAD SCHOOLS Auditions & Technical Interviews for Graduate Theatre Programs NOV. 7–10, 2019 | ATLANTA, GA www.usitt.org/link www.setc.org/link

Juilliard Professional Apprentice Program

New York City Apprenticeships

Start your career in Technical Theater Production

Costumes • Wigs & Makeup • Electrics • Props • Scene Painting • Technical Directions • Stage Management

Arts Administration

Drama • Orchestra • Vocal Arts • Career Services • Kovner Fellowship • Global K-12 Programs

Full-time Apprenticeships from September through May Applications are accepted throughout the year

Apply to: Helen Taynton, Director Juilliard Professional Apprentice Program 60 Lincoln Center Plaza, New York, NY 10023 (212) 799-5000 ext. 7102 • htaynton@juilliard.edu

juilliard.edu/apprentice

Photo: Nan Melville

Apply by May 1

F R I D AY S C H E D U L E 9:00AM – 10:15AM ___________________________ Antique Textiles as Teaching Tools CC Exhibit Hall Workshop Space Presenter: Jack Smith (Elon U) Let’s explore the use of antique garments and textiles as teaching tools for costume design and construction in university or professional settings. A, PDS Brain Busters: Technical/Design Challenges CC 301 B Presenters: Dana White, Jr (Palm Beach Atlantic U), Yelena Babinskaya (Pepperdine U) Put your brain to the test! A technical/design challenge will be presented, and it’s up to you to find a solution. I Broadway Musical Theatre Workshop HI Summit Presenter: Kristy Cates (New York Film Academy) This Broadway musical theatre workshop will focus on: acting your song while incorporating audition technique; vocal exercises; and how to approach a song as both storyteller and proficient vocalist. Please bring backing tracks on your phone, and be prepared to sing. A Building Greener Theatre: Reuse + Repurpose + Recycle = Saving Money! HI Parlour 4 A/B Presenters: Thomas Fagerholm, Daniel Bennett (Southern Illinois U) Theatre organizations can alleviate the ever-rising cost of live performance using non-traditional materials, repurposed items and community resources. G Costumer Side Hustle: How Your Skill Set Works Outside the Theatre CC 300 B Presenters: Heather Hogg (U of Richmond), Freddy Clements (Jacksonville State U), Sharon Morgan, Amy Page (U of Alabama Birmingham) How do costume-making techniques translate outside the shop? Theatre-trained presenters will share experiences working with clients who want custom garments. I Directing Strategies and Techniques: Taking Chances, Getting Results CC 300 D Presenters: Bruce Speas (Longwood U), Richard St. Peter (Northwestern State U), David Alley (U of Tennessee), William Gelber (Texas Tech U) Join a discussion of directing strategies and techniques led by a panel of university and professional directors. Draw the best audition and performances out of your actors. Directors, actors and theatre educators of all levels are welcome. Actors may bring a monologue. I Expressive Action: Make Your Performance Come Alive! CC 200 D/E Presenters: Kristi Shamburger (Middle Tennessee State U), David Shamburger (Belmont U) Join us as we explore the basic properties of the Expressive Actor Technique developed by Michael Lugering. Come dressed to move! G Fitting a DIY CNC Machine in Your Shop CC 300 C Presenter: Jared Cole (Francis Marion U) Think a CNC machine is too big and too expensive to fit in your scene shop? This DIY approach can change all that! I Flying Scots Boot Camp: A Whole Body Approach to Dialect Acquisition CC Ballroom C Presenter: Bart Williams (Southeast Missouri State U) A Scots dialect is more than copying the guy on the original Star Trek. Most contemporary plays out of the U.K. are increasingly calling for regional U.K. dialects. How can you better harness your Scot and create unique characters without fearing dialectic inconsistency? G Jesus Christ . . . Superstar? Broadway Musicals Through a Christian Worldview UTC 413 B Presenter: David Sollish (Belhaven U) Do Christians and, moreover, Christianity have a place in the contemporary world of the Broadway musical? Let’s discuss. G Joining Forces: Contact Improvisation for Everyone CC Ballroom B Presenters: Todd Fisher (City Arts Drama Center), Christine Fisher (Dance Education By Design) This movement form is based around transferring energy through physical touch and presence. Focus on partnering skills, and increase your physical awareness through guided exercises in a safe, fun atmosphere. Bring movement clothes! G Keynote Emerging Artists of Promise Meeting II HI Parlour 1 Presider: Tonya Hays (Lynn Meadows Discovery Center) Daily orientation for KEAP recipients. Lighting Design Basics: How to Develop a Light Plot in 3½ Easy Steps CC 301 A Presenter: Brian Scruggs (Eastern Michigan U) Go step-by-step through a method of design using three forms of paperwork: The Color Key, The Magic Sheet, and The Light Plot. This process is organized, streamlined, and forgiving for changes that inevitably occur during the design process. I Memorization: Traps, Tricks and Techniques Every Actor Should Know CC 300 A Presenter: Stuart Brown (Florida Southwestern State College) Many commonly used memorization techniques can actually damage your performance. Use the latest memory research to become a better actor and avoid being trapped by the three R’s of line memorization. B Opportunities to Engage: Leadership and SETC HI Cumberland Presenter: Tiza Garland (SETC Past President) Get an overview of SETC’s committee structure with a focus on finding ties to your particular interests and how you may become involved with SETC to make the organization, the annual convention, and the year-round activities successful.

Physicalizing Shakespeare’s Fools and Clowns CC 301 D/E Presenter: Kevin Kern (U of Mount Union), Jon Liebetrau (Wilkes U) Bring several clowns and fools to life by linking their physical life to Shakespeare’s text. After a warm-up using the work of Bogart and Laban, we’ll dive into some of the greatest comic characters ever to walk the stage. Come prepared to move! I Playwriting With the Bard: Avoiding Sentimentality Through “King Lear” CC 301 C Presenter: David Schwingle (Bob Jones U) Together, we’ll examine how Shakespeare resisted the popular trend of sentimental and too-easy reconciliation in his masterpiece “King Lear.” This creative workshop will explore Shakespeare’s own creative process and give writers a jump-start toward completing their own new and powerful play. I SETC Theatre Consulting Network: On the Road 2018 UTC 413 C Presenters: Michael Hardy, David Wohl, Brandon Smith, Betsey Horth (SETC, Outdoor Theatre) The road warriors of SETC’s new consulting program share completed and inprogress projects from this first year including work to create a new theatre within a former church; revive a defunct 1,680-seat amphitheatre; and develop new plays based on local history. Learn how we might serve your organization. G Stage Managers and the Five Elements of Budgeting UTC 413 A Presenter: Matthew Miller (Temple U) Everything stage managers do to get productions from page to stage intertwines with the five elements of budgeting. Learn how to anticipate, plan, adapt and balance the logistics of a show including: communications, reports, schedules, venues and people. I Stage Manager’s Guide to Floor Taping CC Ballroom A Presenters: Anne Carncross, Elana Deutch, Emma Cook, Nathanael Tria, Rebecca Nelson, Joseph Herrera (Florida Gulf Coast U) Beginner stage managers will learn how to read a ground plan in order to tape out the scenery for rehearsals. Participants will use scale rulers, learn how to take measurements, plot points, and put tape on the floor to create accurate rehearsal references. I Text Yourself: Building Character Through Song Lyric Study UTC 400 A Presenters: Carol Dusdieker, Stephen Svoboda (Heidelberg U) Words have POWER. Learn to embrace a depth of character through studying your song lyrics without music. Embrace creativity when facing repetition. Explore dramatic truth when your text and your music don’t agree. Discover the power of punctuation. Bring your enthusiasm and just your lyrics. I The Playlist Project: An Innovative Tool for Student Actors UTC 417 Presenter: Michael Flowers (Birmingham-Southern College) Ever considered creating a music playlist for a character you’re playing? The Playlist Project explores the use of music as an additional tool for student actors as they develop the goals, obstacle, tactics and expectations for a character. Bring your favorite music! I Theatre Symposium Interest Meeting HI Parlour 2 A/B Presiders: Andy Gibb (Theatre Symposium Editor), E. Bert Wallace (Steering Chair) Interested in becoming involved with Theatre Symposium, the official journal of SETC? Join us as we plan for the upcoming conference. Everyone welcome.

T H E AT R E S Y M P O S I U M 28th Annual Theatre Symposium Theatre and Citizenship April 12–14, 2019

Agnes Scott College, Decatur, GA

What is the place of theatre in discussions of citizenship? How does thinking about citizenship shape our understanding of theatre’s past, and our ideas about what theatre should be in the future?

2019 Keynote Speaker: Dr. Charlotte Canning In addition to presenting a keynote address, Dr. Canning will provide a concluding conference response. Dr. Canning is the Frank C. Erwin, Jr. Centennial Professor in Drama at the University of Texas at Austin, where she also serves as the Director of the Oscar G. Brockett Center for Theatre History and Criticism. Selected papers presented at the conference will be published in Volume 28 of SETC’s annual Theatre Symposium journal. DETAILS, QUESTIONS AND REGISTRATION: Visit www.setc.org/theatre-symposium for more details and to register. ________________________________________________________________________ Theatre Symposium is an annual weekend conference focusing on a single scholarly topic. Selected papers presented at the conference are reviewed by the editorial board, further edited, and published for the next volume of Theatre Symposium, a scholarly journal published annually by Alabama Press and available on EBSCO.

F R I D AY S C H E D U L E 9:50AM – 3:00PM ___________________________ High School Theatre Festival Performances: Block 3 Knoxville Civic Auditorium Production Manager: Kristin Wright; Festival Director: John E.R. Friedenberg Adjudicators: Diane Carr (Educational Theatre Association), Moses Goldberg (StageOne, Retired), Herb Parker (East Tennessee State U) Come enjoy five performances by high school groups from across the Southeast. There’s a t-shirt toss at 9:50AM, and performances start every hour on the hour. See Pages 58–59 for festival details. Sponsored by Hollins University and Norcostco 10:00AM – 6:00PM ___________________________ Commercial Exhibits & Education Expo CC Exhibit Hall Presider: Esthere Strom (SETC Exhibits Chair; Barbizon Lighting Company) Stop by the Exhibit Hall to view commercial and educational displays. Network with commercial exhibitors and college, university and training program representatives. 10:00AM – 11:15AM ___________________________ Fringe Festival Performance: Smoke CC Ballroom E-G Performed by: A & A Productions; Creator/Playwright: David Alford See Page 60 for show descriptions and full performance schedule. 10:15AM – 3:00PM ___________________________ Community Theatre Festival Performances: Block 2 Austin-East Magnet HS Presiders: Lyle Tate (Festival Chair), Tom Booth (Division Chair) Adjudicators: James Alexander Bond (Freelance Director), T.K. Lee (Mississippi U for Women), Amy Wratchford (American Shakespeare Center) Come enjoy three performances by community theatre groups from across the Southeast. See Pages 56–57 for shuttle schedule and festival details. Sponsored by Dramatists Play Service 10:30AM – 12:50PM ___________________________ Dance Prep: Preparation, Presentation & Career Planning CC 200 D/E Presenter: Stephanie Swant (SETC Choreographer) This workshop will demonstrate the dance audition format given at SETC with focus on dancing and career opportunities. I 10:30AM – 11:45AM ___________________________ A Stitch in Time CC 301 C Presenters: Jennie Ruhland (Roanoke College), Audrey Hamilton (Bethel U) Ever run wardrobe and panicked when a button popped off? Never fear! Beginning sewing enthusiasts will learn basic hand sewing skills necessary for costumes. B Access for the Blind: The Visual Made Verbal Through Audio Description HI Parlour 2 A/B Presenter: Joel Snyder (Audio Description Associates; American Council of the Blind) Audio description translates theatrical action and images to words. It provides access to theatre lovers who are blind or have low vision. G Age, Animals, Zombies: Theatrical Makeup CC 300 D Presenter: Stephen Davis (Centenary U) Learn the basics of old age makeup, adjustments to the human face to look like animals, and trauma simulation leading to zombie makeup. Step-by-step painted techniques will be discussed and explored. G Applying Linklater to Shakespeare: Breath, Thought and Imagery UTC 400 A Presenters: Derek Gagnier (Appalachian State U), Mia Self (NC State U) Bring along your favorite Shakespeare monologue, or use one of ours. We’ll help you with those long phrases where you run out of breath! I Going Pro: Transitioning From the Amateur to the Professional Theatre HI Parlour 4 A/B Presenter: Gregory Mach (WV Wesleyan College) How does an actor move from community and educational theatre to the professional world of stage? I Highlights of Theatre Symposium 27: Theatre and Embodiment CC 300 C Presenters: Sarah McCarroll (Georgia Southern U), Tessa Carr (Auburn U), Kaja Dunn (U of North Carolina Charlotte), Timothy Pyles (U of South Dakota) Participants from the 27th annual Theatre Symposium share their papers on the theme “Theatre and Embodiment.” Those who are interested in learning more about Theatre Symposium are especially encouraged to attend. A Islam and Theatre: The Dynamic Expression of a Rich Culture and Faith CC Board Room Presenter: Tim Matheny (Mississippi State U) Let’s discuss the history, creativity and unique coexistence of theatre in Islamic cultures around the world. We’ll examine conservative Islamic opposition to traditional theatre expression and how some cultures adapted theatre practices to an acceptable form. B

F R I D AY S C H E D U L E

Legal Issues for the Theatre HI Parlour 1 Presenter: Daniel Ellison (Duke U; Attorney at Law) An overview and update on numerous topics: copyright, contracts, 1st Amendment, discrimination (including disability discrimination), personal injury, sexual harassment, and more. Plenty of Q&A. Relevant for all people in the performing arts: talent, tech, staff, boards, etc. I, PDS Outside the Box Thinking in Theatre Production CC 300 B Presenter: Franklin deCelle (The U of Alabama) “Outside the Box” is a periodic column in Southern Theatre magazine where unique solutions to production problems are posed. Examples of Outside the Box problemsolving will be presented. Participants can also bring problems they need solved; selected ones will be put up for discussion. B Programming Projections: A Beginner’s Guide to Watchout CC 301 B Presenter: Ruth Brandvik (Valdosta State U) Projections are quickly becoming — and some might argue already are — the newest and hottest tech in theatre and live entertainment. From Broadway to community theatre, projections are being used more frequently. Get an introduction to programming one of many projection systems. B Reinventing the Curriculum Wheel: Changing Times and Students UTC 413 C Presenters: Casey Watkins, Rob Berls (U of North Carolina Asheville) A round-table discussion of designing a theatre department’s curriculum in an everchanging and budget-crunched world. G, PDS Rigging Systems and Safety for the End User CC Exhibit Hall Workshop Space Presenter: Eric Stevie (Imagine Design & Production Services) For those who use or manage theatrical rigging systems and want to know more. We’ll cover the life cycle of a rigging system from installation through its safe use, maintenance and modernization. I Self-Tape Audition Like a Pro CC 300 A Presenter: Peter Stone (U of Kentucky) Take your self-taping to the professional level. Our focus will be on how to build an inexpensive home studio and the self-taping process. We’ll cover backdrops, lighting, sound, camera options, tripods, readers, and the differences in self-taping for theatre and TV. I Simply Sondheim: Navigating the Complexities of a Sondheim Audition UTC 413 A Presenter: David Sollish (Belhaven U) Focus on Sondheim-specific auditions and how to deal with the complex literature, both musical and lyrical. I Singing With Style in Musical Theatre HI Summit Presenter: Edrie Means (Independent Artist; Shenandoah U) Bring your audition book, and volunteer to participate in this workshop for singers who want to learn or fine-tune their singing styles in musical theatre. I Stage Managing on Broadway CC 301 A Presenter: Claudia Lynch (U of Central Florida) This presentation and Q&A session is focused on students, faculty and early-career stage managers who are interested in working on Broadway. We’ll share stories, examples and materials (paperwork, call scripts, etc.) from Broadway musical productions. I State President, Representative and Executive Director Roundtable HI Cumberland Presiders: Jeff Gibson (SETC President), Betsey Horth (SETC Executive Director) Gathering of state presidents, representatives and executive directors serving the SETC region. Discussion facilitated by SETC President Jeff Gibson.

11:30AM – 12:45PM ___________________________ Fringe Festival Performance: Paper Houses CC Ballroom E-G Performed by: Kudzu; Creator/Playwright: Karow Wilson See Page 60 for show descriptions and full performance schedule. NOON – 12:50PM ___________________________ Actor’s Identity: How to Be Genuine in a World Full of Fakes CC 300 D Presenter: Amy Dunlap (North Greenville U) What is our true identity in Christ? Actors have a bad rap — the word “hypocrite” comes from the Greek word for actor! But integrity is important, both in work and faith. Join in an open discussion about the pitfalls of this profession and learn strategies for remaining true to yourself. G Associated Colleges of the South Meet and Greet CC Conference Room Presider: Jennifer Matthews (Sewanee: U of the South) A meet and greet for college educators and program chairs who are member schools in the Associated Colleges of the South. Brainstorm collaborations, and get to know each other. A Chakra Vocal Work and Meditation: Warming Up While Zenning Out UTC 400 A Presenter: Matthew Ferrell (Winthrop U) Unwind while learning how chakras can help in voice work, character building, show warm-ups, and overall stress reduction. Come prepared to make sound, and stay for a guided chakra meditation. G Connecting the Singer and the Actor HI Summit Presenters: Edrie Means (Independent Artist; Shenandoah U), Susie Pike (Professional Actor) Bring your audition book to work with two professional actors teaming together to provide hands-on and skill-building strategies for song authenticity and connecting the singing voice and acting to enhance your audition and performance. G Diversity in Costume Design: Rendering Representation CC 301 A Presenters: Allison Amidei, Kaja Dunn (U of North Carolina Charlotte) Explore methods to encourage diversity and representation in costume design renderings — both for educators and student designers. We’ll discuss our role in interpreting different cultures and the cultural impact our choices can make on stage. I From Classroom to Colleague: Transitions From Grad School HI Parlour 1 Presenters: Gabriel Vanover (Hanover College; Lees-McRae Summer Theatre), Rick Reeves (Oklahoma City U), Jamie Rogers (Austin Community College), Kelsey Fisher-Waits (Illinois State U), Ashley Meyer (Angelo State U) This panel presents different methods and tips to make the transition from graduate student into adjunct, visiting, tenure and administrative positions at the university level. I Have You Lost Your Senses?! Unleashing Your Gifts CC Ballroom C Presenter: Susan McCain (Alabama School of Fine Arts) Through Sense Memory work developed by Lee Strasberg, we demonstrate the pathway to your uniquely expressive instrument. Sides provided, but bring a monologue if you like. G Immersive Theatre: The Rehearsal Process CC 301 D/E Presenters: Julie A. Richardson (Freelance Director; AEA Stage Manager), Jerre Brisky (U of West Florida), Molly Donahue (SETC Auditions Stage Manager) Artists across forms are making work that provides a unique and immersive experience to their audiences. With these expanded audience relationships come new stage management techniques and challenges. Let’s discuss. A Movement and Physical Theatre Interest Group HI Parlour 4 A/B Presider: Matthew R. Wilson (SETC Movement & Physical Theatre Chair) An open meet and greet for anyone interested in movement for performers. Come connect with like-minded individuals, learn about new training opportunities, and discuss possibilities for movement workshops at SETC.

Women in Theatre Interest Group UTC 417 Presider: Rowen Haigh Mahoney (SETC Women in Theatre Chair) Come join us for the second official meeting of the newly formed SETC Women in Theatre Interest Group! Let’s discuss ways that we can support women in theatre, expand opportunities for women in theatre, and advocate for future generations of women in theatre.

THEATRE

Writing Plays for Young People: Know Your Market UTC 413 B Presenter: Laura King (Gordon State College) This session for playwrights who are considering writing for young audiences will cover types of theatre for young audiences, the characteristics of youth plays, practical considerations when writing for this demographic, and youth play submission opportunities. B

THAT

Juggling for Everyone! An Actor’s Juggling Primer CC Ballroom B Presenter: Sam Wallace (Auburn U at Montgomery) Participants will experience a hands-on introduction to three-ball juggling with equipment provided for all. No experience necessary! G

MOVES BACHELOR OF ARTS

DRAMATIC ART

MFA

You Want Me to Make What? Innovative Storytelling on a Tight Budget CC Ballroom C Presenter: Emma Denson, Jamie R. Taylor (The Basket Cases Theatre Company) Don’t let your imagination be limited by your resources. Come learn how to stretch a dollar and still have professional quality! B

ACTING COSTUME PRODUCTION TECHNICAL PRODUCTION

Carlos Alcala, BA ‘18 in Leaving Eden Photo by HuthPhoto.

drama.unc.edu

playmakersrep.org 31

F R I D AY S C H E D U L E NOON – 12:50PM ___________________________ continued Musical Scene Study on Film UTC 413 B Presenter: Tom Alsip (Oklahoma State U) Starting with old movie musicals and continuing all the way to modern works like “Crazy Ex-Girlfriend,” we’ll examine the history of musical scenes on film and develop a greater appreciation for successful methods of dealing with the stage-toscreen transition. G Sink the Titanic Nightly? CRAZY! Serenbe Playhouse Tells Their Story CC 300 C Presenters: Jennifer Jenkins (Georgia State U Perimeter College), Joel Coady, Shelby Mays (Serenbe Playhouse) Summer of 2018, Serenbe Playhouse caught international attention with their production design for “Titanic” which ‘sank’ nightly. For several days it was the lead story on multiple theatre news outlets. See what it takes to sink a ship, and hear more wild outdoor theatre firsts. G Somebody Always Has Your Back: If Something Isn’t Right, Find Help! CC Ballroom B Presenters: Jane Childs (Stagecraft Institute of Las Vegas), Randy Lutz (Santa Fe Opera), Sara Ice (PCPA), Brian Martin (Alabama State U) Conversations about how you can get help when a situation does not seem right to you — in any way — in any circumstance. How do you handle getting help? Who can you turn to? Know that no one has the right to exert power over you, and you are actually helping others by protecting yourself. G Storytelling Through Design: Tying Your Design to the Script CC 300 A Presenters: Therrin Eber (The U of Alabama), Andrea Boccanfuso (Brevard College) Make your design more than eye candy. This conversational presentation will offer strategies for how you can read the script and design to be part of the world. I Taste the DMX Rainbow: What Is a DMX Universe, and Why Is One Never Enough? CC 300 B Presenter: Christopher Collins (Barbizon Charlotte) We have all heard of DMX universes. But do we understand what they are? Dive into a tasty explanation for how it works, and discuss ways to manage using fixtures with different channel counts in the same lighting rig. B The Audacity of It! Creating Soundscapes CC 301 B Presenter: Dale Pickard (Austin Peay State U) Learn the basic properties of the sound editing program Audacity while creating a haunted house soundscape. I Tips for Aspiring Screenwriters UTC 417 Presenter: Charles Pogue (Independent Artist) Want to create a professional, tight, nuanced script? Discuss various tips and tricks of the trade with a professional screenwriter of over 35 years whose major motion picture credits include “The Fly,” “Dragonheart,” “Psycho III,” “D.O.A” and several Sherlock Holmes films. G

12:30PM – 2:00PM ___________________________ Friday Lunch CC Ballroom A Pre-reserved ticket required ($20 each). Join us for lunch! Lunch includes door prizes and reserved seating for the Friday keynote. Music provided by pianist Jamey Strawn (Northern Kentucky U). Sponsored by the 10 partner states of SETC 1:00PM – 2:15PM ___________________________ 9 Before IX: Women’s Voices as One-Person “Informance” UTC 417 Presenter: Francene Kirk (Fairmont State U) This session illustrates how a women’s oral history project became a performance that is part personal journey, part character monologues, and part applied pedagogy. Don’t miss seeing the show in SETC’s Fringe Festival (See Page 60). I Acting as a Profession: Kickstart Your Acting Career HI Summit Presenters: Gabrielle Berberich, Brett Goldstein, Greg Chwerchak (Michael Howard Studios) If you want to work professionally in film, television and theatre, get this insider’s guide to help kickstart your career. G All About the Other: Discovering Deeper Connections CC Ballroom C Presenter: Amy Dunlap (North Greenville U) Focused on monologues, actors can lose sight of where the true magic of theatre happens: truthful connections between two or more human beings. Reconnect with your other in this hands-on workshop! I Building a Physical Character CC 301 D/E Presenter: Nathan Allen (Campbellsville U) In this practical and slightly physical workshop, you’ll learn terminology and build upon everyday movements in order to achieve characters that are capable of storytelling without a script. B From Stage to Screen: Improv and Acting CC 300 A Presenter: Blake Babbitt (New York Film Academy) Through improv exercises, actors will learn specific on-camera techniques. Using a digital camera and television, participants and observers will have the opportunity to view on-camera performances live. A Health Awareness: Grant-Funded Theatre Devised to Educate Audiences HI Parlour 4 A/B Presenters: Bill Adams, Mark Duncan (Nova Southeastern U) Creating compelling theatre can serve health and wellness missions. From the proposal to the production, take a close look at the process by which NSU’s Department of Performing and Visual Arts created a commissioned play about breast health. A, PDS Integrating Lights, Sound and Projection Design CC 301 C Presenter: Joseph Payne (U of Tennessee) A detailed exploration of how these mediums work together to create a unified environment, including a practical examination of the collaborative process in technical rehearsals. Presented in the 1-to-6 scale media lab. I

Tips for Submitting Your Plays CC 301 C Presenter: Nancy Gall-Clayton (Independent Playwright) Get 14 concrete tips for maximizing a playwright’s chance for success when sending a script to a theatre or contest. G

Musical Theatre Committee Meeting HI Parlour 1 Presiders: Valerie Accetta (SETC Musical Theatre Chair), Nancy Wolfgang (Vice Chair) For all SETC participants who wish to be a part of the SETC Musical Theatre Committee. Bring your ideas and enthusiasm.

Writing the Impossible HI Parlour 2 A/B Presenter: Tom DeTitta (World Communities Theater) Of his 11 commissions, most were unlikely plays. He made the story of a suicidal poet into the state play of Georgia. He wrote about Andersonville Prison and won a fellowship. This workshop finds art in the impossible. B

Painting and Light: Examining Light Interpretation in Fine Art CC 301 B Presenter: Bridget Williams (Interlochen Center for the Arts) Geared toward educators who wish to help guide their students through the design pre-visualization process. Examine the ways in which fine artists use light in their work, and start to see how this can influence a lighting design and aid in the communication process with other collaborators. A, PDS

12:15PM – 1:30PM ___________________________ SETC Professional Division Meeting CC Lecture Hall Presiders: Matt Davenport (SETC Prov-Div Chair), Ginger Poole (Vice Chair) All Auditions and Job Fair company reps are encouraged to attend.

Playwright’s Corner HI Cumberland Presider: Darren Michael (SETC Playwriting Chair) The Playwriting Interest Group will be presenting staged readings of short works by playwrights from around the region. QLab for Stage Managers HI Parlour 2 A/B Presenter: Shawn Paul Evans (Washington and Lee U) Learn how to leverage and control QLab sequencing software as a stage manager in rehearsals and in performance. QLab can control audio, video, lighting and many other elements through midi and network control. I Small Theatre Support Group CC Board Room Presider: Kim Miller (SETC Small Theatre Program Chair) Small theatre programs of three or fewer faculty encounter unique challenges that larger programs may not face. Share your experiences and solutions with those who face problems similar to your own. Discover that you are NOT ALONE! G

C OST UMES O CIET YA MER I CA .COM Tomorrow’s history today. When costume designers look for new inspiration, they often turn to the past. Costume Society of America is the preeminent network studying the past, present, and future of dress.

The 10 Hellos: An Approach to Beginning Blank Verse UTC 400 A Presenter: Christopher Marino (U of North Carolina Wilmington) Discover a process for introducing variation in what is a seemingly dogmatic iambic form. This process tricks students into playing with variation and handling the dreaded “O” in Shakespeare. B The Art of Hot Glue Casting and Molding CC Exhibit Hall Workshop Space Presenter: Terry Jachimiak (Alma College) From high school and college to small regional theatres, reduced budgets are the norm. And hot glue is cheap. Using hot glue as our casting material, learn how to mold and cast body parts and other objects. Materials will be on hand to cast your thumb! G

Diversity. Discovery. Risk. The greatest accomplishments often come with the greatest risks. Donâ€™t just take courses. Take chances. The world is your stage. Undergraduate

Bachelor of Fine Arts Acting Dance Musical Theatre Theatre Production Costume Design & Technology Lighting Design Scenic Design Bachelor of Arts Dance Studies General Theatre Certificate Arts in Medicine Dance in Healthcare

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Master of Fine Arts Acting Theatre Production Costume Design Costume Technology Lighting Design Scenic Design Online Certificate Programs Arts in Medicine

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F R I D AY S C H E D U L E 1:00PM – 2:15PM ___________________________ continued Theatre Creation: Genesis as a Model in the Devising Process of “Ezekiel” CC 300 B Presenter: Joe Frost (Belhaven U) This workshop will present the Biblical model of creation from Genesis as the format for creating a new work in a devised theatre process, using as an example the development of the show “Ezekiel” presented at Belhaven University in the fall of 2018. G Turban Fashion in Jane Austin’s Regency Era CC 413 B Presenter: Donna Buckley (The U of Mississippi) Construct a Regency era turban on a wired buckram frame. I Turning Heads, No Strings Attached: Wireless Automation of Pneumatics CC 300 C Presenters: Thomas Fagerholm, Robert Anderson (Southern Illinois U) Arduino microcontrollers with pneumatic components offer an opportunity to create custom scenic automation without breaking the bank. This workshop will outline approaches to automation and pneumatics using examples from SIU research and productions. I What Rules You? A Director’s Rules for Success UTC 413 C Presenter: Paul Crook (U of South Carolina Aiken) There’s no such thing as A + B + C = Directing, but there are a few basic rules you can learn to make yourself a more effective director. Come learn tips that will clarify your responsibilities and sharpen your efforts as a director. B Where Have All the TDs Gone? A Discussion of TDs in Today’s Theatre CC 300 D Presenters: Camden Simon (Oak Ridge Playhouse), Victoria Fisher (Barbizon Lighting Company) Join this panel-led discussion on the cause of the apparent shortage of technical directors, the plethora of revolving job openings, and what a graduating TD candidate should look like. Geared toward those in charge of managing/hiring TDs, current and future TDs, and designers who interact with TDs. G You Built a Set Out of What? Ways to Save Money by Using Unusual Materials CC 301 A Presenter: Andy Bleiler (Lipscomb U) Discover a variety of unexpected and often overlooked materials for building scenery. These things are readily available and inexpensive (or even free). We’ll cover how you can shave money off your design costs, while stressing what things you should NEVER cut corners on. I Your On-Camera Career: Take One, Action! UTC 413 A Presenter: Reis McCormick (KD Conservatory College of Film & Dramatic Arts) How can my theatre chops work for me in a camera audition? We’ll cover marketing, agents, and casting; offer handouts; and hold a mock audition! I 2:30PM – 3:45PM ___________________________

KEYNOTE: ELYZABETH GREGORY WILDER CC Ballroom E-G Presider: Lee Crouse (SETC VP of Services) Introduction: Preston Lane (Triad Stage) Keep Your Eyes on Your Own Work Open to all. Read about playwright Elyzabeth Gregory Wilder on Page 7.

Lighting sponsored by 4Wall Entertainment Sound sponsored by 1st Street Music & Sound Co. 3:45PM – 4:30PM ___________________________ Commercial Exhibitor Showcase CC Exhibit Hall Stroll the aisles and visit the Exhibitors! Gather expertise, ideas and inspiration while checking out the newest products and services in the industry. As a special treat to celebrate our time in the Tennessee home of Mountain Dew, we’re selling Mountain Dew cupcakes ($1) and soft drink cans. Read about Mountain Dew’s Tennessee moonshine roots, and see the list of exhibitors on Pages 72–73. Sponsored by Hollins Exposition Services 4:00PM – 8:45PM ___________________________ Community Theatre Festival Performances: Block 3 Austin-East Magnet HS Presiders: Lyle Tate (Festival Chair), Tom Booth (Division Chair) Adjudicators: James Alexander Bond (Freelance Director), T.K. Lee (Mississippi U for Women), Amy Wratchford (American Shakespeare Center) Come enjoy three performances by community theatre groups from across the Southeast. See Pages 56–57 for shuttle schedule and festival details. Sponsored by Dramatists Play Service 4:00PM – 6:00PM ___________________________ Publications Committee/Southern Theatre Editorial Board Meeting CC Board Room Presiders: J.K. Curry (SETC Publications Chair), Deanna Thompson (SETC Editor) Annual meeting of the Publications Committee with the Southern Theatre Editorial Board. Open to all.

F R I D AY S C H E D U L E 4:30PM – 6:30PM ___________________________ Ready to Publish Reading: “Rev” by Rachel Bykowski CC 300 D Presider: Darren Michael (SETC Playwriting Chair) Enjoy a reading of SETC and Stage Right’s 2019 Ready to Publish Award winner. See Page 14 for a synopsis and playwright bio. 4:30PM – 5:45PM ___________________________ 3D Printing and Corsetry: Customizing Your Corset HI Parlour 1 Presenters: Casey Watkins, Rob Berls (U of North Carolina Asheville), Kristin Grieneisen (Appalachian State U) 3D printing can help you build affordable, show-specific and customizable corsets and stays, especially pieces such as boning and busks. I Acting With Myself: The Joy of Shooting the Self-Tape CC 300 B Presenter: Dustin Whitehead (Western Carolina U) Actors will be guided through the at-home professional audition experience. With simple tips about communication, preparation, camera placement, lighting, editing and performance, you’ll leave knowing how to make your audition stand out from the rest. G Airbrush 101: Introduction to Airbrush Makeup HI Parlour 4 A/B Presenter: Meghan Bernstein (Norcostco) Get a comprehensive overview of product application, terminology, cleaning procedures, equipment and fundamental principles of airbrush makeup techniques. B All-State Meeting and Social CC Ballroom A Presider: Kris McIntyre (SETC VP of States) Get together with members of your home state and of the other nine Southeastern states for a combined meeting and social gathering. Join in this great opportunity to share ideas with each member state of SETC. Newcomer? Here is your chance to connect and grow your network. Cash bar available. Applied Theatre Interest Group UTC 413 A Presider: Tenika Dye Burgess (SETC Applied Theatre Chair) Applied Theatre is an umbrella term used to describe theatre practices used in community, educational, therapeutic and/or service contexts. This group aims to support current practitioners, educate SETC members, encourage collaboration between traditional and non-traditional theatre artists, and motivate future generations. Auditioning on Camera: Booking Film & TV HI Cumberland Presenters: Gabrielle Berberich, Brett Goldstein, Greg Chwerchak (Michael Howard Studios) Want to work in film and television? Industry experts will give you the secrets for success with tips to booking professional on-camera work. I Collaboration in Musical Theatre: The Director and Musical Director HI Summit Presenters: Dr. Justin Cowan (The U of Alabama), Preston Lane (Triad Stage) Let’s illuminate the collaborative process between the Director and Musical Director when mounting a musical production. Professional trends and practices will be identified, challenged, and explored. A, PDS Creative Approaches for College Theatre Season Selection and Marketing CC 301 A Presenters: Ashley Butler, Chase Bringardner (Auburn U) Select and market a college season around themes, events, cross-departmental collaborations, and mission-based calls-to-action. For chairs, selection committee members and marketing team members. G, PDS Design South: Technical Direction CC 300 A Presider: Brian Smallwood (U of Nevada Las Vegas) Join seasoned technical directors as they present innovative solutions to common challenges. Ask questions, be inspired, and engage with technical directors from across the country. I Freedom and Inspired Connection: Linking Breath and Movement CC 200 D/E Presenters: Roxanne Wellington (Southeast Missouri State U), Lynnae Lehfeldt (Oakland U) Based on the work of Trish Arnold, this movement-based exploration focuses on using stretches and swings to free the body and breath as well as connecting breath to movement. Wear clothes you can move in, and come play! B Intro to North American Indigenous Drama and Performance UTC 413 B Presenter: Elizabeth Kirkland (The U of Alabama) Unlearn what you think you may know about Indigenous drama, and gain a better understanding of this vital, living and growing dramatic art form. G Knot Tying, Terminology and Practice CC 301 B Presenter: Aaron Mooney (Oklahoma City U) Walk away armed with terminology of knot tying, the ability to tie basic knots, and the knowledge of when to use certain knots. B Making a Small Musical: From Page to Stage UTC 417 Presenters: Roger Bean (Stage Rights), Gayla Morgan (A Dog Story, The Musical), Michael Roberts, Charlie Schulman (Goldstein), Jonathan Brielle (Himself and Nora) Writers of intimate Off-Broadway musicals share their creative processes and offer firsthand experience of how they took their ideas from the page to the stage. Q&A session included. G

F R I D AY S C H E D U L E 4:30PM – 5:45PM ___________________________ continued Musical Improvisation CC 301 D/E Presenters: Rex Knowles, Sherry Landrum (Professional Actor Training Program at Chattanooga State) Improvise songs on the spot. Join us for a fun-filled workshop exploring song structure and how to express feelings and ideas musically. G Oh, What a Drag! Drag Makeup for Stage CC 300 C Presenters: Marie Quintero, Meghan Bernstein (Norcostco Atlanta Costume) Cross the line into drag queen diva using theatrical makeup techniques. This workshop covers building and amplifying feminine features to create a character. Basic concepts will include lash application, contouring, and eyebrow blocking. B Our Violent Delights: Deconstructing the Combat Narrative CC Ballroom B Presenters: Jason Tate (Neutral Chaos, LLC), Robert Aronowitz (Society of American Fight Directors) Designed to provide actors, directors and choreographers with a quick way to create visually interesting, violent narrative without relying on extensive training in stage combat, this workshop aims to investigate, define and reclaim the theatricality of violence onstage. A Put Your Acting Into Animation and Beyond UTC 400 A Presenter: Deborah Stone (Silverstone Productions, LLC) Ever think about what it takes to be a voice-over character in a film or animated series? Then this workshop is for you! B Putting Together the Big Puzzle: Stage Management Paperwork CC Exhibit Hall Workshop Space Presenter: Julie A. Richardson (Freelance Director; AEA Stage Manager) The stage management team’s paperwork can inform many departments. I Rubber Chicken Improv Festival CC Ballroom C Presenter: Tonya Hays (Lynn Meadows Discovery Center) Back by popular demand. Create random teams, play improv games, and adjudicate the teams! This interactive and entertaining workshop will open your mind and imagination to creative possibilities. G Taking the Patriarchy out of Directing: An Intersectional Feminist Directs CC Conference Room Presenters: Rachel Blackburn, Molly Claassen (Columbus State U) This round-table discussion will focus on how the patriarchy is still present in directing and brainstorm ways to subvert this legacy in our practice as directors. I Theatre for Youth Division Meeting UTC 413 C Presider: Riley Braem (SETC Theatre for Youth Division Chair) This annual meeting, discussion and planning session is open to all individuals connected with high schools, youth theatre or training programs. What to Do When Your Character Becomes Too Real? CC 301 C Presenters: Jeff Swenskie, Emily Pritchard (Marshall U) Everyone is welcome here! You will be exposed to different ways you can reduce stigma with mental health — both on and off stage. G Workshopping Plays With Authors on the Spectrum HI Parlour 2 A/B Presenters: Dillon Rouse, DayDay Robinson (Texas Tech U) Employ neutral communication techniques from a workshop used in Texas Tech Theatre & Dance’s WildWind Performance Lab to help give proper feedback to playwrights who are on the spectrum. B 4:30PM – 5:15PM ___________________________ Fringe Festival Performance: 9 Before IX CC Ballroom E-G Performer/Creator/Playwright: Francene Kirk See Page 60 for show descriptions and full performance schedule. 5:20PM – 9:30PM ___________________________ High School Theatre Festival Performances: Block 4 Knoxville Civic Auditorium Production Manager: Kristin Wright; Festival Director: John E.R. Friedenberg Adjudicators: Diane Carr (Educational Theatre Association), Moses Goldberg (StageOne, Retired), Herb Parker (East Tennessee State U) Come enjoy five performances by high school groups from across the Southeast. There’s a t-shirt toss at 5:20pm, and performances start every hour on the half-hour. See Pages 58–59 for festival details. Sponsored by Hollins University and Norcostco 6:00PM – 11:00PM ___________________________ Media Lab: Work Sessions CC 301 C Presider: Kenton Yeager (Yeagerlabs) Come work on projects in the 1-to-6 scale lab. G 6:00PM – 8:00PM ___________________________ The Stella Adler Studio of Acting Workshop CC 300 C Presenters: Don Williams, Ryan Chittaphong, Johnny Yoder (Stella Adler Studio of Acting) Utilizing techniques of the Stella Adler Studio of Acting in New York City, this hands-on seminar for actors focuses on the investigation of action, environment, given circumstances, relationship and need using the imagination through in-class scene work. G

F R I D AY S C H E D U L E 6:00PM – 7:15PM ___________________________ Empowering Theatre Artists as Faith-Filled Servants CC 301 D/E Presenter: Tenika Dye Burgess (Volunteer State Community College) It’s possible to merge your passion for theatre with religious faith! Learn applied theatre techniques that will inspire you to serve communities you care about. G 6:00PM – 7:00PM ___________________________ Advances in Pedagogical Approaches to Character Development CC Ballroom C Presenters: Lesley-Ann Timlick (Florida International U), Kim Shively (Elon U), Kevin Otos (Elon U), Lionel Walsh (U of Windsor) This session explores the integration of master teachers’ pedagogical approaches to character development and will illuminate fresh perspectives through exercises and robust discussion. G Belting: Effective Technique and Commanding Characters HI Summit Presenters: Maryann Kyle (U of Mobile), Rachel Black (Emory & Henry College) Singers will explore sensations of effective belting technique, creating one seamless voice top to bottom to eliminate “gear shifts.” Students will integrate those sensations into the ever-changing fabric of the character’s emotional journey. A College and University Interest Meeting/Mixer CC Ballroom A Presider: Robert Homer-Drummond (SETC College/University Division Chair) Meet and network with others who understand the day-to-day challenges of making college-level theatre programs happen. Snacks and cash bar. Sponsored by Barbizon Lighting Company and Samuel French

Connections and Intersections of Laban and M. Chekhov UTC 400 A Presenter: Tiza Garland (U of Florida; Laban/Bartenieff Institute of Movement Studies) An exploration of the connections and intersections of Michael Chekhov work and Laban Movement Analysis. For movement coaches and acting teachers. A, PDS Creative Solutions for Stage Managers CC Exhibit Hall Workshop Space Presenters: Stacy Blackburn (Lindenwood U), Julie A. Richardson (Freelance Director; AEA Stage Manager), George Hamrah (Orlando Shakespeare), Jen Lane (Samford U), Cherrie Sciro (Louisiana Tech U), Karen Baker (The U of Alabama Huntsville) Have a question about something happening in rehearsals or performances? Need help with a tricky personality? Come ask an Equity stage manager for advice! A Engaging Youth Through Queer Theatre for Young Audiences HI Parlour 2 A/B Presenter: Andrew Waldron (California State U, Fresno) Join a discussion on LGBTQ+ youth representation and queer content onstage. We will examine current artistic and pedagogic trends as well as share best practices. I Leather Mask-Making Techniques and Tricks CC 300 B Presenter: Allison Steadman (Francis Marion U) See techniques for designing, patterning and constructing leather masks for “The Bacchae.” The workshop will include lecture, discussions, media presentations and demonstrations. G Prep for the Profession UTC 413 A Presenter: Brianna Reis Ryan (Neighborhood Playhouse) Learn what makes a successful actor successful! Understand the audition process, know what to expect from casting directors, and walk away empowered to build your brand and prepare for the profession. A Preparing for the College Audition UTC 413 B Presenter: Tim Evanicki (Tim Evanicki, Inc.) This session is for high school students who are interested in pursuing a degree in theatre. It will cover everything you need to know about the daunting college audition process, including understanding the different theatre degrees, choosing your schools, preparing for the auditions, and more. B Shakespeare for Beginner Filmmakers CC 300 A Presenter: Kyle Schnack (Palm Beach Atlantic U) Whether you enjoy displaced theatre, multimedia theatre, short films or features, interested participants will work to find the balance in simple film technique and playing Shakespeare’s words. I

ROCK THE BARD A RENAISSANCE EDUCATION IN RENAISSANCE DRAMA

Those Things Are Still Going Bump in the Night! UTC 417 Presenter: Barbara Brock (Dogwood Dell Festival of Arts) An open opportunity to share stories and experiences (your theatre’s, your own or someone else’s!) centered around ghosts, legends or superstitions. G

MLitt/MFA in Shakespeare & Performance

To Scrim or Not to Scrim CC 301 B Presenter: Aaron Mooney (Oklahoma City U) Analyze the benefits and disadvantages of using sharkstooth scrim in plays, musicals, modern dance and ballet. B

American Shakespeare Center

at Mary Baldwin in partnership with the marybaldwin.edu/shakespeare

Vocal Gesture: It’s Not What You Say, It’s How You Say It CC Ballroom B Presenters: Jesse Graham (Troy U), Roxanne Wellington (Southeast Missouri State U) This nontraditional warm-up is a fun way for everyone to awaken body, voice and sense of play that will challenge your communication skills. Inspired by the teachings of Grotowski, KTS and Michael Chekhov. G

F R I D AY S C H E D U L E 7:00PM – 10:00PM ___________________________ Getchell New Play Reading: “The Other Half” by Mark Cornell CC 300 D Presider: Darren Michael (SETC Playwriting Chair); Respondent: Craig Pospisil (Dramatists Play Service) Enjoy the staged reading of “The Other Half” by Mark Cornell, winner of SETC’s 2019 Charles M. Getchell New Play Contest. See Page 19 for a synopsis and playwright bio. An in-depth response session and critique by Craig Pospisil will immediately follow. 7:15PM – 8:30PM ___________________________ Christians in Theatre Arts (CITA) Networking Session CC 301 D/E Presider: Joe Frost (Belhaven U) This annual gathering of CITA is an opportunity for Christians to meet and network. National Meeting Alpha Psi Omega/Delta Psi Omega CC 300 B Annual business meeting of the National Theatre Honor Societies APO and DPO. Members and faculty sponsors from all chapters are encouraged to attend and network. Stage Management Across the Pond CC Exhibit Hall Workshop Space Presenters: Karen Baker (The U of Alabama Huntsville), Ian Evans (Royal Welsh College of Music and Drama) Two stage managers — one from the U.S. and one from the U.K. — discuss the similarities and differences one might encounter when working abroad. I 8:00PM – 9:30PM ___________________________ Design/Tech Awards Ceremony CC Ballroom E-G Presiders: Neno Russell (SETC Design Chair), Matthew Leckenbusch, Emily Strickland (Vice Chairs), Justin Reed, Allison Steadman (Coordinators) Join the design/technical community to celebrate the achievements of all Design Competition award winners. Open to all. Cash bar. Lighting sponsored by 4Wall Entertainment Sound sponsored by 1st Street Music & Sound Co. 10:00PM – 11:15PM ___________________________ Fringe Festival Performance: Man Cave CC Ballroom E-G Performed by: Timothy Mooney Repertory Theatre Creator/Playwright: Timothy Mooney Join us for the final Fringe Festival performance of 2019! See Page 60 for show descriptions and full performance schedule.

ALABAMA SCHOOL of THE ARTS THEATRE & MUSICAL THEATRE

The BA in Theatre and the BM in Musical Theatre offers comprehensive, professional training in acting, dance and voice in a diverse, collaborative and purpose-driven environment. Students receive performance-focused training with opportunities to be in musicals, operas, plays, workshops and showcases. The program offers extensive opportunities for networking.

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Kenneth Reardon Kenneth Reardon Thomas Poag Thomas Poag Samuel Selden Samuel Selden Frederich Koch Randolph Edmonds John Caldwell Leighton Ballew Ted Kehoe Delmar Solem Harry Davis Ann Hill Jack Clay Walter Jensen Herman Middleton Robert Telford Marian Galloway Gerald Kahan Mark Sumner Marian Smith Robert Knowles David Weiss Allen Bales Philip Hill Charles Harbour Linda Burson Arthur Greene Don Loeffler Donald Drapeau Ward Haarbauer Scott Parker Robert Hailey Dicki Farrar Hazel Hall Tom Orr Jeff Corbin Newton Neeley Richard Newdick Edmond Williams Frank Mohler Thomas Stephens Donald Creason Walter B. Shipley Donald H. Wolfe Clifton Egan David Wohl Jere Hodgin Susan Cole Mark Malinauskas I. Joe Filippo Victoria Pennington Jack Benjamin Jonathan Michaelsen Anthony R. Haigh Denise Halbach Dennis Wemm David Thompson Glen Gourley Beth Harvey Alan Litsey Alan Litsey Jack Benjamin Jack Benjamin Jack Benjamin Tiza Garland Tiza Garland Tiza Garland

S E T C I N V O LV E M E N T A N D S U P P O R T GET INVOLVED

SUPPORT SETC’S ENDOWMENT FUND

Opportunities to Engage | Fri., 9:00AM – 10:15AM HI Cumberland Led by SETC Past President Tiza Garland, this session will provide an overview of SETC’s committee structure with a focus on finding ties to your particular interests and how you may become involved with SETC beyond convention. Leadership Connection | SETC’s Marketplace (See Page 5) Stop by to start a conversation about how you can serve our organization.

SETC’s Marketplace | CC Clinch Concourse (See Page 5 for Hours) All proceeds from SETC’s Convention Gear and Silent Auction go to the SETC Endowment Fund, which supports many of SETC’s awards and scholarships. For more ways to give, visit www.setc.org/endowment.

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S E TC E N D OW M E N T F U N D Support Education & Theatre: Contribute

Executive Committee

_________________________________________________________________________________________ President . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Jeff Gibson Vice-President of Administration . . . . . . . . . . . . . . . . . . . . . . . . . . . Maegan Azar Vice-President of Services . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Lee Crouse Vice-President of Finance . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . David Wohl Secretary . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Rebecca Beasley Elected Past President . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Alan Litsey Vice-President of States . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Kris Rau McIntyre Vice-President of Divisions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Tom Booth

Division Council

_________________________________________________________________________________________ College and University Theatre . . . . . . . . . . . . . . . . . . . . . . . . Robert Homer Drummond Community Theatre . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Tom Booth Professional Theatre . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Matt Davenport Secondary School Theatre . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Elaine Malone Theatre for Youth . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Riley Braem

States Council

_________________________________________________________________________________________ Alabama . . . . . . . . . Neil David Seibel Florida . . . . . . . . . . . . . Donna White Georgia . . . . . . . . . . . . Dean Slusser Kentucky . . . . . . . . . . . Jeremy Kisling Mississippi . . . . . . . . . . Tim Matheny

N. Carolina . . . John E.R. Friedenberg S. Carolina . . . . . . . . Kris Rau McIntyre Tennessee . . . . . . . . . . . . Rex Knowles Virginia . . . . . . . . . . . . . . Mike Hudson W. Virginia . . . . . . . . . . . . . . . Greg Mach

Your contributions allow SETC to grant the following annual awards: • • • • • • • • • •

Denise Halbach Fund for graduate study in performance John Spiegel Theatrical Artist Award Fund for design/technology Keynote Emerging Artists of Promise (KEAP) Awards Leighton M. Ballew Fund for graduate study in directing Marian A. Smith Fund for graduate study in costume design Polly Holliday Fund for college-bound theatre students Robert Porterfield Fund for graduate study in theatre Undergraduate School Scholarship for college-bound theatre students Tom Behm Fund for people working in Theatre for Youth William E. Wilson Fund for secondary school theatre educators

___________________________________________________________________________________________ Visit www.setc.org/endowment to learn more about giving. Online donations can be made at https://store.setc.org Click “Support SETC 70th Anniversary” to donate any amount.

E N D OW M E N T C O N T R I B U TO R S Jan. 5, 2018 – Jan. 22, 2019

S E TC L I F E M E M B E R S Life Members are some of SETC's most loyal and dedicated alumni. Thank you to all the current SETC Life Members: Katie Arjona Jerry Bangham Caroline Barmettler Adanma Barton John Bromels Martha Brown Edward Bryant Stancil Campbell Robert Canon Judith Chang Susan Cole Franklin Coleman Donald Creason Donald Drapeau Chip Egan Anna Filippo Joe Filippo Virginia Francisco John E.R. Friedenberg Tara Gaige Glen Gourley G. David Grantham Megan Greenlee Potts

John Gulley Denise Halbach Regina Harbour Charles Hayes Charlotte Headrick Phil Hill Matthew Hoch Ruth Howell Mike Hudson Robert James Julius John Ron Keller Martha Keravuori Hardy Koenig Donald Loeffler Charles Lytle Diana Marshall-Shoaf Virginia McChesney Lloyd Meeker Jonathan Michaelsen Herman Middleton Mike Murphy W.L. Newkirk

Eric Nielsen Tom Orr James Panowski Scott Parker Mary Pentz Edward Powers Courtland “Pete” Raby Shannon Robert Cynthia Samuelson Timothy Scott Anne Sherman Walter Shipley Creighton Sloan Dean Slusser Tripp Smith Samuel Sparks John Spiegel Marshall St. Clair Thomas Stephens David Thompson Robert Thurston Edmond Williams David Wohl

__________________________________________________________________________________________ Become a Life Member and establish your lifelong connection with SETC. Visit www.setc.org/life-members for more information.

We would like to thank the following individuals who have contributed to the Endowment Fund this past year: Anonymous Hali Agner Dave Avant Maegan Azar Jerry Bangham Cassie Barrios Jesse Bates Rebecca Beasley Amanda Bellis Kelly Berry Stacy Blackburn David Bondy Tom Booth Stuart Brown Brandi Buntain Savannah Callais Mara CantrellPaulson Khadijah Carr Audrey Caudill Edward Cheetham Freddy Clements Bethany Cochran Kimberly Creasman Lee Crouse Theo Edwards-Butler Chip Egan Matt Ferrell Lindsay Fussell Katharina Fox Pat Gagliano Nancy Gall-Clayton Tiza Garland Emily Garner

Jeffery Gibson Ben Gillespie Rhyan Granger Brandyn Graves Anthony Haigh Denise Halbach John Hammer Julia Hammond Tonya Hays Keith Hight Hannah Holzinger David Horth Alex Jeffers Ruth Jeffers Crystal Jordan Chip Keebaugh Matthew Leckenbusch Alan Litsey Sadie Sue Long Russell Luke Elaine Malone Patti Marcuson Tim Matheny Sarah McCarroll Julie McCracken Kris McIntyre Ali McMurtrey Sarah Mixon Sharon Morgan Mike Murphy Amanda Nelson Mary Norman Gregor Patti JW Perry

Andrew Phillips Morgan Piner Charles Pogue Tim Rhodes Chris Rich Julie A. Richardson Libby Rodriguez Rona Rones Stephen Samuels Michael Scott Timothy Scott Annie Sherman Margaret Shivers Savannah Slaby Dean Slusser Stephanie Slusser John Spiegel Lyle Tate Clay Thornton Jeremiah Turner Demi VanderWerff Stephen Vaught Kathryn Voelker Karen Vuranch Lamont Wade Katherine Webster Dennis Wemm Zechariah William Mattilyn Winburn David Wohl Juliet Yaques Lacey Zeller

TUESDAY - FEBRUARY 26, 2019 PRE-CONVENTION ACTIVITIES & BOARD MEETINGS NOON - 2:00PM

ROOM

2:00PM - 4:00PM

4:00PM - 6:00PM

6:00PM - 9:00PM

Finance Committee Meeting

Endowment Committee Meeting

CC - KNOXVILLE CONVENTION CENTER

Conference Room

OSHA10 General Entertainment Safety Workshop: IATSE/USITT Alliance Course (Day 1)

301 C

NOON - 9:00PM

WEDNESDAY - FEBRUARY 27, 2019 PRE-CONVENTION ACTIVITIES & BOARD MEETINGS

8:00AM - 9:00AM

ROOM

9:00AM - 10:15AM

10:30AM - 11:45PM

CC - KNOXVILLE CONVENTION CENTER

Board Room

Division Council Mtg

Conference Room

Strategic Planning Mtg OSHA10 General Entertainment Safety Workshop: IATSE/USITT Alliance Course (Day 2)

301 C

8:00AM - 2:15PM ExCom and Board Mtgs

State Council Mtg

301 D/E UTC - UT CONFERENCE CENTER

14th Annual Teachers Institute: Theatre for All Abilities With Tim Webb

413 ABC

9:00AM - 4:00PM

70th ANNUAL SETC CONVENTION NOON - 4:00PM

ROOM

4:00PM - 5:15PM

5:30PM - 6:45PM

7:00PM - 8:15PM

8:15PM - MIDNIGHT

CC - KNOXVILLE CONVENTION CENTER

SETC Registration / Check-In / SETC Marketplace

Clinch Concourse

Commercial Exhibits & Education Expo: Setup Only

Exhibit Hall Theatre Job Fair Board Room Conference Room

NOON - 8:00PM NOON - 8:00PM

Professional Hiring Company Check-in & Theatre Job Fair Setup NOON - 5:00PM Finance Council Mtg 1:00PM - 2:15PM Administration Council Mtg 1:00PM - 2:15PM

Theatre Job Fair: Production Resume Review 7:00PM - 9:30PM @ Exhibit Hall Workshop Space

300 A

Design/Tech Planning Mtg

Asking the Right Questions

Conquering Theatrical Style!

300 B

Producing a TYA Adaptation

Creating Worlds LOTR Style

Find Your Fit: College

300 C

SETC Orientation 4:30PM - 5:15PM

300 D

Acting Interest Mtg

How to Prepare the Audition Delivering MT Lyrics Atlanta Theatre/Film Tools

301 C 301 D/E

Services Council Mtg 1:00PM - 2:15PM

ExCom, Board & Advisory Council Mtgs 2:30PM - 4:30PM Movement Playground

Ballroom A Ballroom B

Theatre for Youth Festival Orientation 4:00PM - 5:00PM

Ballroom E-G Lecture Hall

Body Positive Burlesque

Practical Aesthetics

Cocktail Reception for Pro Reps & Presenters 5:30PM - 7:00PM @ CC Ballroom E-G

Choreography Creation for "Non-Dancers" Design/Tech Mixer 8:00PM - 9:30PM Auditions Committee Mtg 7:00PM - 8:20PM

10-Min Play Fest: Orientation & Auditions 10:00PM - MIDNIGHT Playwrights pen their plays overnight in HI Parlours 1-4 Pro Auditions: Actor Space Check 8:00PM - 8:30PM

UTC - UT CONFERENCE CENTER

406

Boot Camp: Using Your Own Data to Achieve Success 1:30PM - 5:30PM

HI - HOLIDAY INN WORLD'S FAIR PARK / PARK PAVILION

Summit

Sing the Authentic You

Musical Theatre Coaching Sessions 6:00PM - 8:00PM

Nerves Be Gone! Prepare Your SETC Undergrad Audition w/ Accompanist 7:00PM - 9:30PM Ready to Direct Candidates "1st Rehearsal" 7:00PM - 9:00PM

Medallion/Carriage Parlour 1 OFF-SITE FESTIVAL VENUES

Civic Auditorium

The Vocal Athlete 8:30-9:45PM

David Alford Masterclass & Pizza Party

5:30PM - 7:30PM

8:00AM-8:50AM

Audition Clowning!

Oops, Where's My Line?

Truths of Stage Combat

300 B

300 C

The Job Market

Magic Tricks! Basics of SM

Boost Your Shakespeare

New Tech for SMs

413 C

Playwriting Interest Group

Parlour 2 A/B

Parlour 4 A/B

Summit

Civic Auditorium

Austin-East HS

OFF-SITE FESTIVAL VENUES

Vocal Relaxation

Block 1: 10:00AM - 3:00PM

The Farm Theater

Imaginary Body & Laban/Bartenieff Authentic Voice The Thousand O's

Unpacking the Bard With Laban CrossFit Clown How to Fight a Bear

Block 1: NOON - 4:45PM

Directing & Acting in the Round

See Performance and Shuttle Schedule on Pages 56-57

Acting the Song

See Trolley Map on Page 80

This Pianist Hates Me

Voice & Speech Interest Group

KCACTF Training 1

Cultural Diversity Interest Group

State ED Roundtable

Productivity Through Wellness

Teaching Production Management

Ready to Direct Discussion

SM Interview Stumpers

What's It Mean to Be an ASM?

Directing Interest Mtg

Physicalizing Table Work

One New Play a Season

HS Audition Workshop

Embodying Character Transformation

NY to LA

Alternative Careers for Stage Managers

Playwriting Aerobics

Create, Don't Critique!

Dialects: An Inroad

Expanding D/T Careers

Design Comp. Displays Open, 6:30PM - 8:00PM

Theatre Job Fair 10:30AM - 6:00PM

Beer Break 5:00PM - 6:30PM

SETC Screening Auditions Coordinators Mtg 5:30PM - 7:00PM @ CC 200 A

Theatre for Youth Festival Critique

Fundraising Best Practices

Media Lab Work Sessions 6:00PM - 11:00PM

Paradox of Fiction Projection Design: Digital Tools

Vectorworks: Scenic

See Performance Schedule and Festival Detail on Pages 58-59

Attack of the Actions

Acting for the Camera

Design South: Costume

Q&A With Disney Casting Special Effects Makeup Director Ready to Publish Reading "Anthropology Lesson" 4:30PM - 6:30PM

Parent & Working Artist

Design South: Costume Tech & Props

PubCom Mtg

10-Min Play Tech Rehearsals 4:00-6:00PM

5:30PM-6:45PM

4:00PM-5:15PM

See Page 12 for Schedule and Location Details

Refilling the Reservoir

Acting in Your Own Short Film

Mentoring From College to Career

Block 2: 5:30PM - 9:30PM

Community Theatre Festival Performances

Nerve-Proof Audition

High School Theatre Festival Performances

Belting for Males

Undergraduate School Auditions & Design/Tech Interviews

Life After Graduation Production Budgeting

Stage Managing Outdoor Theatre

7:00AM - 6:00PM

Stage Combat Panel

Digital Design & Fabrication

Cue Calling in a Modern World

Inclusive Theatre

Theatrical Masks in Therapy

Creative Costumes on a Budget

CC Ballroom E-G

Medallion/Carriage

Cumberland

Go, Make You Ready

Wardrobe Strategies

10-Min Play Festival: Readings & Casting, 7:00AM - 10:00AM Rehearsals, 10:00AM - 4:00PM Rooms Vary Full Schedule and Location Details on Page 69

Key Plays Arts Admin Interest Group

Creating Your Own Original Musical

Parlour 6

Life After College

KEAP Mtg 1

Parlour 1

HI - HOLIDAY INN WORLD'S FAIR PARK / PARK PAVILION

417

Writing Adaptations SketchUp for Scenic

Artist as Entreprenuer

See Page 69

Design Portfolio Review @ NOON

Musical Theatre Coaching Sessions

Partner Characterization

413 A

Actorbatics!

413 B

411

400 A

Keep It Clean!

See Page 71

Theatre Job Fair 10:30AM - 6:00PM

Commercial Exhibits & Education Expo, 10:00AM - 7:00PM

Design Competition: Check-In & Display Setup 9:00AM - 11:30AM

Blueprints for Brilliance!

See Page 66

Dance Prep: Presentation & Career Planning

8:30AM - 9:00PM

Staging Shakespeare

Starting a Capital Campaign

Speaking With Skill

Allies in the Arts

Safe Foam Scenery

D/T Portfolio Creation

Tennessee Williams's Plastic Theatre

Design South: Sound

Contact Improv

Contemporary Monologues

New Walk, New Talk

2:30PM

LEVI KREIS

UTC - UT CONFERENCE CENTER

Workshop Space

Design Comp.

Theatre Job Fair

Commercial Exhibitor Mtg, 9:30AM - 9:50AM

Exhibit Hall

Ready to Direct Showcase, 10:15AM - 10:30AM

All About Attack

Spring Professional Auditions & Dance Call

200 D/E

Lecture Hall & 200 A

How Do I Cast It? Shakespeare Jam Session

Checkhov's PG With Monologues Slap and the Fall

Media Lab Interest Mtg

301 C

Face Fundraising Fears

Quick Digital Lighting

Auditioning A-Z

Devil Wore a Blue Dress

Joseph Grimaldi

Design South: Projection

Scholarships Procedures Mtg

Past Presidents Committee Mtg

301 D/E

First Impression Tools

301 A

301 B

Wireless Mic Rigging

300 D

Sketching, Rendering & Model Making

Seeing Beyond the Space

Beg, Borrow Buy or Build Digital Textile Design

Design South: Lighting

Design South: Scenic

300 A

Conference Room

Publications Committee/ Southern Theatre Editorial Board Mtg

KCACTF 4 Revealed

Women's Writing Case Study

Unarmed in the Round

Active Script Analysis

Board Room

Yoga for Teaching

Meisner Acting

Stanislavsky Says

8:00AM - 5:00PM

Viewpoints: Directing Physical Action

1:00PM-2:15PM

THURSDAY - FEBRUARY 28, 2019 NOON-12:50PM

SETC Registration / Check-In / SETC Marketplace

10:30AM-11:45AM

Ballroom E-G

Expressive Actor Method

Actor Warm-Up

Theatrical Imagination in the Bible

9:00AM-10:15AM

Theatre for Youth Festival Performances See Page 65

Ballroom C

Ballroom B

Ballroom A

Clinch Concourse

CC - KNOXVILLE CONVENTION CENTER

ROOM

Keynote Presentation

Fringe Festival Kickoff! MIDNIGHT @ CC Ballroom E-G See Festival Schedule on Page 60

10-Min Play Performances 10:00PM @ CC Ballroom E-G Response Follows in CC Ballroom C

Theatre for Youth Reception 7:30PM - 9:30PM @ Hilton Suite 1708

Stage Management Games 7:00PM - 11:00PM @ CC Exhibit Hall Workshop Space

Getchell New Play Open Rehearsal "The Other Half" 7:00PM - 10:00PM @ CC 300 D

Design Keynotes 7:00PM - 10:00PM @ CC Balroom E-G

7:00PM-MIDNIGHT

8:00AM-8:50AM

Have You Lost Your Senses?

Juggling for Everyone! You Want Me to Make What?

Theatre Job Fair 9:00AM - 6:00PM See Page 69

The Playlist Project

417

Parlour 4 A/B

Civic Auditorium

Austin-East HS

OFF-SITE FESTIVAL VENUES

Summit

Grand Pavilion Bllrm

State President, Rep & ED Roundtable

Health Awareness

Mvmnt & Physical Theatre Interest Group

Connecting the Singer & the Actor

College/University Mtg/Mixer Vocal Gesture Pedagogical Approaches to Character Development

All-State Mtg & Social Our Violent Delights Rubber Chicken Improv

CITA Networking

Intersections of Laban & Chekhov

Put Your Acting Into Animation

Booking TV & Film

Airbrush 101

Workshopping on the Spectrum

3D Printing & Corsetry

Making a Small Musical

Theatre for Youth Division Mtg

Intro to North American Indigenous Drama

See Trolley Map on Page 80

See Performance and Shuttle Schedule on Pages 56-57

Belting: Effective & Commanding

SM Across the Pond

See Performance Schedule and Festival Detail on Pages 58-59

Block 3: 4:00PM - 8:45PM

Collaboration in MT

Queer Theatre for Young Audiences

Those Things Are Still Going Bump in the Night!

Preparing for the College Audition

Prep for the Profession

Creative Solutions for SMs

SM Paperwork

Design Competition Displays Open 6:30PM - 8:00PM

Theatre Job Fair 9:00AM - 6:00PM

Applied Theatre Interest Group

Block 4: 5:30PM - 9:30PM

Block 2: 10:15AM - 3:00PM Block 3: 10:00AM - 3:00PM

Faith-Filled Servants 6:00PM - 7:15PM

Media Lab Work Sessions 6:00PM - 11:00PM

To Scrim or Not to Scrim

Freedom & Inspired Connection Commercial Exhibitor Showcase 3:45PM - 4:30PM

Musical Improvisation

When Your Character Becomes Too Real

Knot Tying

Creative Approaches for College Season Selection

Getchell New Play Reading "The Other Half" 7:00PM - 10:00PM

Oh, What a Drag! Ready to Publish Reading "Rev" 4:30PM - 6:30PM

Leather Mask-Making

Stella Adler Studio of Acting Workshop 6:00 - 8:00PM

Acting With Myself

National APO/DPO Mtg

Shakespeare for Beginner Filmmakers

Fringe Show @ 10:00PM

8:30PM-MIDNIGHT

Design/Tech Awards Ceremony 8:00M - 9:30PM

7:15PM-8:30PM

Design South: TD

Taking the Patriarchy out of Directing

PubCom / Southern Theatre Editorial Board Mtg 4:00PM - 6:00PM

Fringe Show @ 4:30PM See Page 60

6:00PM-7:00PM

4:30PM-5:45PM

See Page 27 for Schedule and Location Details Acting as a Profession

Community Theatre Festival Performances

Singing With Style

High School Theatre Festival Performances

Broadway Musical Theatre Workshop

7:30AM - 6:00PM

Playwright's Corner

QLab for SMs

Writing the Impossible

From Classroom to Colleague

CC Ballroom E-G

Graduate School Auditions & Design/Tech Interviews

Opportunities to Engage

Building Greener Theatre

Parlour 2 A/B

Cumberland

Access for the Blind

Theatre Symposium Interest Mtg Going Pro

Legal Issues for Theatre

KEAP Mtg 2

Parlour 1

Musical Theatre Committee Mtg

9 Before IX

Women in Theatre Interest Group

413 C

HI - HOLIDAY INN WORLD'S FAIR PARK / PARK PAVILION

What Rules You?

Reinventing the Curriculum Wheel

Theatre Consulting Network: On the Road Tips for Aspiring Screenwriters

Turban Fashion

Musical Scene Study on Film

Writing Plays for Young Paople

Jesus Christâ€¦Superstar?

The 10 Hellos

Your On-Camera Career

413 B

Chakra Vocal Work

Musical Theatre Coaching Sessions

Applying Linklater to Shakespeare

Art of Hot Glue

Simply Sondheim

413 A

Text Yourself

Antique Textiles

Rigging Systems & Safety

Design Competition Displays Open 9:00AM - 8:00PM

ELYZABETH GREGORY WILDER

Stage Managers & Budgeting

411

400 A

UTC - UT CONFERENCE CENTER

Workshop Space

Design Comp.

Theatre Job Fair

Building a Physical Character

Integrating Lights, Sound & Projection Design

See Page 66 for Schedule

Commercial Exhibits & Education Expo, 10:00AM - 6:00PM

Expressive Action

8:30AM - 9:00PM

Immersive Theatre: Rehearsal Process

Dance Prep: Presentation & Career Planning

Spring Professional Auditions, Pro-Div Mtg & Dance Call

A Stitch in Time

Physicalizing Shakespeare's Fools

301 C

Tips for Submitting Your Plays

Painting and Light

You Built a Set Out of What?

Diversity in Costume Design

Stage Managing on Broadway Creating Soundscapes

Where Have All the TDs Gone?

Wireless Automation of Pneumatics

Theatre Creation: Genesis as a Model

From Stage to Screen

Small Theatre Support Group

Actor's Identity

Sink the Titanic Nightly?

301 D/E

301 B

Exhibit Hall

All About the Other

Age, Animals, Zombies

Taste the DMX Rainbow

Outside the Box

Storytelling Through Design

Associated Colleges of the South Meet & Greet

Highlights of Theatre Symposium 27

Self-Tape Like a Pro

Programming Projections

Lighting Design Basics

301 A

Islam & Theatre Small Theatre Program Committee Mtg

Playwriting With the Bard

Directing Strategies

300 D

200 D/E

8:00AM - 5:00PM

2:30PM

FRIDAY - MARCH 1, 2019 1:00PM-2:15PM

Friday Lunch 12:30PM - 2:00PM Somebody Always Has Your Back

Brain Busters

DIY CNC Machine

Memorization Traps & Tricks

300 C

Lecture Hall

NOON-12:50PM

SETC Registration / Check-In / SETC Marketplace

10:30AM-11:45AM

Fringe Festival Shows @ 10:00AM & 11:30AM See Page 60 for Show Descriptions

Flying Scots Boot Camp

Joining Forces: Contact Improv

Guide to Floor Taping

Costumer Side Hustle

USITT Business Mtg

Write for Southern Theatre Magazine

Breath, Story, Combat

Actor Warm-Up

9:00AM-10:15AM

300 B

300 A

Conference Room

Board Room

Ballroom E-G

Ballroom C

Ballroom B

Ballroom A

Clinch Concourse

CC - KNOXVILLE CONVENTION CENTER

ROOM

Keynote Presentation

8:00AM-8:50AM

Do Less! Acting & Alexander

Unlocking Character

Exercising Both Hemispheres

Self-Care to Shed Character

Ballroom B

Building Fantasy Weapons Dracula & Immersive Theatre

Media Lab Showcase 11:00AM - 1:00PM Motion Capture Performance

SM: There's an App! Design/Tech Interest Mtg

Theatre for Youth Forecast

The ____ Monologues Hell Houses

Boot-iful Additions

Everything About Airbrushes

300 B

300 C

300 D

301 A

301 B

301 C

301 D/E

Design Comp.

National & State ED Networking Forum Foreign Language/Movement

Theatrical Ideal vs. Industry Reality Shakespeare on Your Feet!

Playback Theatre

Parlour 4 A/B

Parlour 6

Crystal

Medallion/Carriage

Austin-East HS

OFF-SITE FESTIVAL VENUES

Summit

Secondary School Division Mtg

HS Theatre Festival Debrief

Community Theatre Festival Performances

Page 69

Incarcerated Art

Pages 56-57

Fasten Your SeatBELT

No Nose Knows Shows Mind the Gap: Gender Parity

Playwright's Corner

KCACTF Training 2

HTLC Interest Group

Juggling 101

Intense Tension Intensive

Voice & Speech Curricula

Period Corsets & the Dancer

Junkanoo

Teaching Stagecraft to Grades 5-12

Improving Through Improv

Mgmt & Leadership: Vulnerability

Religion & Theatre Interest Group

Living History Performance

Page 71

10:00AM - 1:00PM

Block 4: 10:00AM - 2:45PM

#TempoTalk

Playback Theatre Demo

Taking the Mystery Out of Auditioning

SETC Young Scholars Panel

See Page 66

Speak Easy

9:00AM - NOON

Design Competition Displays Open

Theatre Job Fair

Parlour 2 A/B

HI - HOLIDAY INN WORLD'S FAIR PARK / PARK PAVILION

African Diasporic Dance

8:30AM - 9:00PM

Commercial Exhibits & Education Expo

Tap Into Rhythmic Play

Spring Professional Auditions & Dance Call

Character Through Energy Centers

Multilayered Sound Design

I Wrote a Play!

Rock Vocal Workshop

2:30PM

MURIEL MIGUEL

Theatre Job Fair

Exhibit Hall

200 D/E

Lecture Hall

Brand Your Talent

Giving the Go

Quick Change Magic

The Look for Less

300 A Staging Intimacy

10-Min Plays: Small World

Navigating Change in Arts Organizations

Let's Talk! Musical Programs

Strategic Planning Committee Mtg

Conference Room

Teaching Stage Management

KEAP Mtg 3

Board Room

Planning for SETC 2020!

What's Haunting You?

Consent & Creating Safe Theatrical Space

Stage Management Committee Mtg

The Walks of Suzuki

Contemporary Non-Realism

Performance With Locomotion

1:00PM-2:15PM

Exploring Elements

Masterclass With Tim Webb See Page 5

8:00AM - NOON

NOON-12:50PM

SATURDAY - MARCH 2, 2019

Out With the Old, In With the New

Ballroom E-G

Ballroom C

10:30AM-11:45AM

SETC Registration / SETC Marketplace

9:00AM-10:15AM

Ballroom A

Clinch Concourse

CC - MOBILE CONVENTION CENTER

ROOM

Keynote Presentation CC Ballroom E-G

Shakespeare Through Laban's Efforts

Song Spotting

3D Costume Design/Tech

Collaborative Playwriting

Combating Performance Anxiety

Fire the Cannon!

Intro to Voice-Over

Stage Managing New Works

Division Countil Mtg

SETC Business Mtg 3:30PM - 4:00PM

4:00PM-515PM

72nd Annual SETC Convention Mar. 10-14, 2021 Cincinnati, OH

71st Annual SETC Convention Feb. 26 - Mar. 1, 2020 Louisville, KY

Thanks for Attending! Come Again!

Banquet Afterparty Dance CC Ballroom 10:00PM - MIDNIGHT

Banquet Gala: 70th Annual Award Ceremony CC Ballroom 8:00PM - 10:00PM

President's Reception CC Ballroom Prefunction 7:00PM - 8:00PM

Community Theatre Division Mtg & Recognition Ceremony CC 300 D 7:00PM - 8:00PM

High School Theatre Festival Recognition Ceremony HI Grand Pavilion Ballroom 6:30PM - 7:30PM

CLOSING NIGHT FESTIVITIES

6:30PM-MIDNIGHT

S AT U R D AY S C H E D U L E Saturday, March 2, 2019 Please Note: All meetings are open to SETC Convention attendees.

Saturday Special Events 2:30PM – 3:30PM ____________________________ Distinguished Keynote CC Ballroom E-G Muriel Miguel - One of the Grandmothers of the Indigenous Theatre Movement in the U.S. and Canada Lighting and sound by 4Wall Entertainment and 1st Street Music & Sound Co. 6:30PM – 7:30PM ____________________________ HS Theatre Festival Recognition Ceremony HI Grand Pavilion Ballroom Awards sponsored by Norcostco and SETC 7:00PM – 8:00PM _____________________________ Community Theatre Division Meeting & Recognition Ceremony CC 300 D Awards sponsored by Dramatists Play Service and SETC President’s Reception CC Ballroom Prefunction Everyone welcome. SETC President Jeff Gibson hosts the annual pre-banquet cocktail hour. Cash bar. 8:00PM – 10:00PM _____________________________ Banquet Gala: 70th Annual Awards Ceremony CC Ballroom Master of Ceremonies: Tim Mooney (Timothy Mooney Repertory Theatre) Pre-reserved tickets required. Celebrate with SETC President Jeff Gibson and hundreds of guests for an evening of dining, awards and fun.

8:30AM – 9:00PM ___________________________ Spring Professional Auditions (521–780), Actor/Tech Walk Thru & Dance Call Presiders: Lisa Leonard (SETC Audition Director); Stephanie Swant (Choreographer) Pre-registered actors, singers and dancers audition for professional work with hiring companies. See Page 66 for the day’s schedule and location details. Sponsored by 4Wall Entertainment & Cumberland County Playhouse 9:00AM – NOON ___________________________ Theatre Job Fair CC Exhibit Hall Managers: April J’C Marshall (SETC Professional Theatre Services, Constance Smith (Theatre Job Fair Assistant, Chipola College) Job candidates meet and interview with employers for off-stage jobs. See Page 69 for full Theatre Job Fair schedule. All materials removed by 12:15PM. 9:00AM – 10:15AM ___________________________ Boot-iful Additions: Techniques for Spats, Gaiters and Boot Tops CC 301 C Presenter: Emily Heilig (U of North Carolina Greensboro) Get a basic draft for gaiters, and learn how to make adjustments using specific measurement to fit anyone. We’ll focus on problem-solving techniques, structure, quick changes, application to shoes, and fabrics to use. All levels welcome! G Design & Technology Committee and Interest Meeting CC 300 C Presiders: Neno Russell (SETC Design/Tech Chair), Matthew Leckenbusch, Emily Strickland (Vice Chairs), Justin Reed, Allison Steadman (Coordinators) Open to anyone interested in design and technical theatre. Do Less! Acting and the Alexander Technique CC Ballroom A Presenter: Laura Matthews (Virginia Commonwealth U) Come learn how acting and the Alexander Technique go hand in hand! This workshop will explore how thought influences the body, and how to say no to unnecessary tension and actor quirks. The result is a natural actor, ready to perform. Bring a yoga mat for more comfort. B Yoga mats available for purchase (See Page 5)

10:00PM – MIDNIGHT ______________________________ Banquet Afterparty Dance CC Ballroom The closing festivities continue! Dance the night away immediately following the banquet. DJ Ya Boi Boi Robert Lewis will provide the music.

Everything You Need to Know About Airbrushes CC 301 D/E Presenter: Brad Darvas (U of West Georgia) Proper airbrush use is a necessity for aspiring special effects makeup artists and is a great skill for all prop builders and scenic designers. This interactive workshop will showcase multiple airbrush setups and answer all your questions for you to start painting today. B

WORKSHOP SKILL LEVELS ________________________________________ G - General B - Basic I - Intermediate

Hell Houses, Judgment Houses and More: Non-Traditional Religious Theatre CC 301 B Presenter: Sam Wallace (Auburn U at Montgomery) We’ll explore the fastest growing segment of religious theatre in the nation, namely Scaremare, Hell Houses, and Judgment Houses. This AV presentation will introduce the non-traditional means of converting non-believers and non-churchgoers through the magic of theatre. B

A - Advanced

PDS - PROFESSIONAL DEVELOPMENT SERIES ___________________________________________________________________ Workshops designated as “PDS” are geared specifically toward adult faculty and professionals. Not intended for student attendees. ROOM ABBREVIATIONS See Pages 72–80 for maps and floor plans. ________________________________________________________________________________________________ CC = Knoxville Convention Center HI = Holiday Inn 8:00AM – NOON ___________________________ Check-In and Registration Desk CC Clinch Concourse Managers: Jean Wentz, Amanda Nielsen (SETC Central Office) This is the place to register on-site and/or pick up your badge! Gus’ Green Room CC Exhibit Hall Show your Professional Auditions badge (See Page 66) or Theatre Job Fair badge (See Page 69) for entry. Named in memory of Troy “Gus” Gillette.

Keynote Emerging Artists of Promise Meeting III CC Board Room Presider: Tonya Hays (Lynn Meadows Discovery Center) Daily orientation for KEAP recipients. Navigating Change in Arts Organizations and Universities CC 300 A Presenters: Ryan Kirk, Melissa Johnston (Propared) Organizations must evolve in order to survive. But change can be difficult, especially in large companies. We’ll discuss strategies for identifying areas of improvement and how to begin the process. We’ll also look at the impact that small changes can have on efficiency, culture and morale. A Playback Theatre: Improv With a Purpose HI Medallion/Carriage Presenter: Tenika Dye Burgess (Society for Stone Soup) Interactive introduction to Playback Theatre, which utilizes improvisation, storytelling and music to enact life stories from audience members resulting in laughter, tears, empathy and contemplation. G

SECURE YOUR NEXT JOB ____________________________________________________________________ SETC FALL PROFESSIONAL AUDITIONS ____________________________________________________________________ AUG. 25–26, 2019 CHARLOTTE, NC Actors, Singers and Dancers Audition for Professional Theatres Find details: www.setc.org/fall-professional

SETC has the longest continual history of auditions in the nation! 45

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S AT U R D AY S C H E D U L E 9:00AM – 10:15AM ___________________________ continued SETC 2020! Planning for Convention CC Conference Room Presiders: Betsey Horth, Susie Prueter (SETC Executive Director) What worked? What can we do better for 2020? Everyone is welcome, especially those who are interested in participating in next year’s convention planning. SETC Young Scholars Panel Presentation HI Parlour 2 A/B Presider: Sarah McCarroll (SETC Young Scholars Award Chair) Young Scholars Award recipients present their winning papers. G Shakespeare on Your Feet! Using His Words to Play the Bard HI Crystal Presenter: Herb Parker (East Tennessee State U) Acting Shakespeare is about playfully and fearlessly just doing it on your feet, using the best direction the Bard ever provided: those outrageous words themselves! B Stage Management: There’s an App for That! CC 300 B Presenters: Ken White (U of North Carolina Greensboro), Shawn Paul Evans (Washington and Lee U), Julie A. Richardson (Freelance Director; AEA Stage Manager) A panel discussion and demonstration of our favorite apps and web solutions for use in theatre with a particular emphasis on affordable solutions for the stage management team. B Strange Bed Fellows: Theatrical Ideal vs. Industry Reality HI Parlour 6 Presenters: Darren Michael, Talon Beeson (Austin Peay State U) Training theatre artists — is that what we really do? There is no denying the industry is changing. You can fight it or embrace it. This is an honest discussion of what theatre instructors and practitioners do to prepare themselves and their students for an ever-changing entertainment landscape. B Tap Into Rhythmic Play: Percussive Dance Skills CC 200 D/E Presenter: Annalee Tull (Emory and Henry College) Tap dance is a useful skill to harness for musical theatre. We’ll work our way through basic rhythm skills and learn a short combination. G The _____ Monologues: Fill in the Blank and Write Your Own Hit Play CC 301 A Presenter: Stuart Stelly (Penn State York) For writers and performers of intermediate skills, this workshop provides instruction and practice in creating a full-length play of linked monologues. I Theatre for Youth Forecast CC 300 D Presider: Riley Braem (SETC Theatre for Youth Division Chair); Respondents: Tim Webb (Oily Cart Co-Founder), Rhonda Wilson (Star Center Children’s Theatre Founder) Respondents discuss innovations and interesting issues in the field of theatre for young audiences. G Unlocking Character: Exploration of the Vocal Resonators CC Ballroom B Presenters: Lynnae Lehfeldt (Oakland U), Anne Swedberg (U of Tennessee Chattanooga) After a thorough Linklater warm-up, we’ll explore Shakespearean text in each resonator allowing the connection of that part of the voice to influence the delivery — finding greater truth and variety. One-minute memorized Shakespearean monologue required. I

10:30AM – 11:45AM ___________________________ African Diasporic Dance Styles of Broadway CC 200 D/E Presenter: Madia Cooper-Ashirifi (Brenau U) Engage in an exhilarating workshop introducing movement vocabulary showcased in Broadway productions that include “Fela!” and “Once on This Island.” Learn West African/Caribbean dances to garner a deeper understanding of body articulation/ expressiveness through the call-and-response narrative. G Brand Your Talent: Polish the Look, Book the Gig CC 301 B Presenter: Stacy Gaudioso (IT Talent; Matt Davenport Productions; Live On Stage) Get the edge on auditions by fine-tuning your image with a professional and polished look. This interactive workshop is ideal for college students and professionals breaking into the biz! Get professional makeup tips with a live demo and discuss attire, headshots and branding tips. G Building Fantasy Weapons CC 300 B Presenter: Justin Walsh (Murray State U) An overview of some techniques for building non-standard weapons for use on a stage. G Evoking Character: The Walks of the Suzuki Method of Actor Training CC Ballroom C Presenter: Matt Saltzberg (Salisbury U) Get to know the “walks” — one of the forms of the Suzuki Method, a physically rigorous training developed by Japanese director Tadashi Suzuki. Come ready to work in socks or in bare feet, and be prepared to sweat! B Foreign Language/Movement: Exploration in Language and Physical Response HI Crystal Presenter: Catherine Webster (Texas Tech U) Have you ever wondered how to keep your performances fresh? Through practicebased research, we will investigate the body’s capacity for spontaneous and impulse-driven movement as a result of texts, both familiar and unfamiliar. All ages and abilities are welcome. G Giving the Go: An Introduction to Getting Cues From Page to Stage CC 301 A Presenters: Katie Goodwin, Darren Levin (Middle Tennessee State U) Bring a pencil to practice both recording a designer’s cues in a stage manager’s script and verbalizing cues in a sample script. Best for beginning stage managers and lighting/sound/video designers. B I Write This and Leave It to Be Seen: Dracula and Immersive Theatre CC 300 C Presenters: R. Cliff Thompson, Brandyn Graves (Freed-Hardeman U) The creative team behind FHU’s “The Dracula Project” explains how immersive theatre expanded the theatrical possibilities behind a time-worn horror novel — how the “meta-narrative” shaped the experience of actors and audience, blurring the lines between stage fiction and reality. Q&A follows. I

Y O U N G S C H O L A R S PA N E L I S T S Graduate Winner: Alex Ates

9:00AM – 9:15PM ___________________________ High School Theatre Festival Debrief HI Parlour 4 A/B Presider: Elaine Malone (SETC Secondary School Division Chair) All directors who participated in the festival are invited to share your thoughts and opinions to help SETC make the High School Theatre Festival the best it can be! 10:00AM – 2:45PM ___________________________ Community Theatre Festival Performances: Block 4 Austin-East Magnet HS Presiders: Lyle Tate (Festival Chair), Tom Booth (Division Chair) Adjudicators: James Alexander Bond (Freelance Director), T.K. Lee (Mississippi U for Women), Amy Wratchford (American Shakespeare Center) Come enjoy three performances by community theatre groups from across the Southeast. See Pages 56–57 for shuttle schedule and festival details.

Powerful Contradictions on Charged Stages: Theatre Revolutions in the Jim Crow South

Undergraduate Winner: Kenya Gadsden Color-Blind Casting: The Perpetuation of Black Invisibility in American Theatre

Sponsored by Dramatists Play Service 10:00AM – 1:00PM ___________________________ Commercial Exhibits & Education Expo CC Exhibit Hall Presider: Esthere Strom (SETC Exhibits Chair; Barbizon Lighting Company) Stop by the Exhibit Hall to view commercial and educational displays. Network with commercial exhibitors and college, university and training program representatives. 10:30AM – 12:50PM ___________________________ Oily Cart’s Multi-Sensory and Interactive Theatre for the Very Young and Young People With Complex Disabilities CC Ballroom A Masterclass Presenter: Tim Webb (Oily Cart Co-Founder) Pre-registration required. Oily Cart audiences include the very young (from 6 months to 6 years) and young people with the most complex disabilities, but their methods apply to many others who experience barriers in communication and socialization. The session will be led by Tim Webb MBE, the artistic director of the company for 37 years, and will include video examples and hands-on experience of Oily Cart techniques and materials. See Page 6 for more details. G

Alex Ates is member of The NOLA Project (Education and Engagement Director) and has performed at New Orleans Shakespeare for a decade (Actors’ Equity member). He is a second-year MFA candidate in Directing at The University of Alabama where he is a Graduate School ambassador.

Kenya Gadsden is a junior at the College of Charleston with a major in Theatre and a minor in Arts Management. Kenya’s studies focus on stage management. Her research interests include diversity in the arts, African American Studies, African American representation, and feminist theatre.

_____________________________________________________________________________ About the Award: Each year, the SETC History/Theory/Criticism/Literature Committee invites submissions in all topics related to the broad categories of history, theory, criticism, and literature from graduate and undergraduate students. Winners receive a cash prize and participate in a panel presentation.

Learn more at www.setc.org/young-scholars-awards. SETC Young Scholars Panel Presentation Saturday, March 2, 9:00AM HI Parlour 2 A/B

S AT U R D AY S C H E D U L E 10:30AM – 11:45AM ___________________________ continued Motion Capture Performance CC 301 D/E Presenter: Andrew Ray (Society of American Fight Directors) Learn about a fast-growing industry and what to expect if you find yourself in a motion capture studio. This character-building workshop goes beyond stunts and stage combat. G National and State Executive Director Networking Forum HI Parlour 6 Presiders: Betsey Horth (SETC Executive Director), Susie Preuter (Incoming SETC Executive Director) Roundtable discussion for executive directors of state theatre organizations to share ideas, events, challenges and solutions. Playback Theatre Demonstration: Audience Stories Come to Life! HI Medallion/Carriage Presenters: Terry Weber (U of Tennessee), Tenika Dye Burgess (Society for Stone Soup), Jeni Lamm, Melody Watts, Stavros Keritsis, Ethan Norman (The WordPlayers) The WordPlayers’ Playback Troupe presents a playback theatre demonstration, bringing to life the essence of stories from the audience. Playback is a form of improvisational theatre which honors the stories of individuals, thereby building community and empathy. G Secondary School Division Meeting HI Parlour 4 A/B Presiders: Elaine Malone (SETC Secondary Division Chair), Cody Willets (Vice Chair) Annual meeting for anyone interested in the field of secondary school teaching. Taking the Mystery Out of Auditioning HI Parlour 2 A/B Presenter: Jeremy Kent Jackson (Studio School) Clearly identify the differences between auditioning for theatre and film/TV/commercials. We’ll conduct “mock auditions” in which you’ll play scenes as if you’re auditioning for a casting director. I #TempoTalk: Your Book, Your Cuts and the Audition Accompanist HI Summit Presenter: Beth Burrier (Baldwin Wallace U) Get ideas on how to set up an audition book, mark cuts, and talk to an audition accompanist. Bring your book to get feedback on your cuts and practice working with an experienced accompanist. For everyone interested in music theatre auditions. G The Look for Less: Stage Makeup Swap Outs for Every Budget CC 300 A Presenter: Tiffany Jordan (Florida School of the Arts) The rising cost of theatrical stage makeup kits makes it difficult for students and artisans to afford the products needed to fulfill class and show obligations. Explore more affordable options that produce the same theatrical makeup looks. I 11:00AM – 1:00PM ___________________________ Media Lab: Showcase of Work CC 301 C Presider: Kenton Yeager (Yeagerlabs) Participants will share projects from the week in the 1-to-6 scale lab with all those interested. G

P R O F E S S I O N A L T H E AT R E C O M PA N Y G R A N T S SETC Convention Grant Awarded to non-member organizations, this grant provides a trial SETC membership, convention registration, and funds to assist with lodging and travel for up to four theatre staff members attending the SETC convention.

SETC is Pleased to Welcome our 2018–2019 Recipients: North Carolina Black Repertory Company | Winston-Salem, NC Thunder Bay Theatre | Alpena, MI

_____________________________________________________________________________________________

Staffing Development Matching Grant Awarded to current SETC organizational members, grant funds may be used to support existing programs or to develop new programs that provide emerging professionals in the field with experiential learning opportunities.

Congratulations to our 2018–2019 Recipients: Endstation Theatre Company | Lynchburg, VA Weston Playhouse Theatre Company | Weston, VT

_______________________________________________________________________________________________ Applications for 2019–2020 grants will be accepted from June 3 – Aug. 2, 2019. www.setc.org/theatre-company-grants 48

NOON – 12:50PM ___________________________ Bringing the Past to Life Through Living History Performance HI Parlour 2 A/B Presenter: Karen Vuranch (Concord U) Using a combination of theatre, storytelling and research, you will learn how to create and perform a historical character. This unique performance style can offer alternative opportunities as a professional actor. B Consent and Creating Safe Theatrical Space CC Ballroom C Presenters: Sean McCarther (Westminster Choir College), Jacqueline Holloway (Society of American Fight Directors) Actors and production staff alike will explore how a consent culture can protect and empower artists in emotionally charged scenes. G Discovering Character Through Energy Centers CC 301 D/E Presenter: Paul Hurley (Kent State U) All human behavior is contained in one of three categories: the mental, the feeling and the vital. Learn to create dynamic characters through the exploration of these energy centers. B Exploring Elements: Qualities of Movement and Neutral Mask CC Ballroom B Presenter: Lynnae Lehfeldt (Oakland U) Participants will explore Michael Chekhov’s qualities of movement (molding, flowing, flying and radiating). After finding a deep individual connection with their bodies and the elements, small groups of actors will explore the elements (earth, water, air and fire) using neutral mask. Dress to move. I Fast and Furious: Secrets for Quick Change Magic CC 300 B Presenter: Triffin Morris (U of North Carolina Chapel Hill) Ever wondered how those one-second costume changes happen? This workshop reveals the secrets! We’ll watch video clips and reveal how they were accomplished, and we’ll look at demo pieces that show the rigging. It will be fun for everyone, especially if you have knowledge of costume construction. G I Wrote a Play! So Now What? CC 300 D Presenter: Roger Bean (Stage Rights) Learn practical ways to give legs to your play. What happens after closing night? Get to know the ins and outs of touring, publishing and licensing. I Improving Your Work Through Improvisation HI Crystal Presenter: Anthony McMurray (New York Conservatory for Dramatic Arts) Try out improv exercises, and leave feeling inspired to go out and use the principles of improv to improve your listening and responding in your work on stage or screen, as well as in your everyday life. G Let’s Talk! Share Ideas and Strategies for Successful Musical Programs CC 300 C Presenter: Susan Pike (Independent Artist & Educator) Explore how the musical can enrich and refine your students’ understanding of theatrical style. See samples of forms and procedures for the educator that will aid the student in the “how to” tools for successful musical presentations. A, PDS Management and Leadership: A Public Display of Vulnerability HI Parlour 6 Presenters: Sarah Chandler (Auburn U), Taylor Dyleski (Gogue Performing Arts Center), Elizabeth Haynes (Chautauqua Theater Company) Let’s be real: this sh*t is hard! With honesty and vulnerability, this panel will share how some of our failures and frustrations can be our greatest learning experiences. G Mind the Gap: Gender Parity in Pay, Jobs and Career Length in the Southeast HI Medallion/Carriage Presenters: Rowen Haigh Mahoney (Freelance Artist), Brittany Bodley (Troy U) Over the past six months, SETC Women in Theatre has been surveying SETC members to gather data on respondents’ gender, pay scale, professional discipline, and career length. Join us to hear our findings, discuss the reality of gender parity in the region, and identify action steps for future change. G Multilayered Sound Design CC 301 B Presenter: Nicholas Drashner (Kent State U) Learn ways of constructing sound cues that are comprised of multiple isolated tracks — and instances when this multilayered approach is beneficial. I Out With the Old, In With the New CC Board Room Presenter: Betsey Horth (SETC Executive Director) Join Betsey Horth as she introduces SETC’s next executive director: Susie Prueter. Religion & Theatre Interest Group HI Parlour 4 A/B Presider: Scott Hayes (SETC Religion & Theatre Chair) Calling all students, educators and professionals who are interested in the intersection of faith and theatre. This is our opportunity to discuss potential topics of interest for future SETC conventions. Speak Easy: Releasing With Ease and Expression CC 200 D/E Presenter: Kimberly Willard (U of Pikeville; Jenny Wiley Theatre) Employ Linklater voice work and Alexander relaxation technique to identify and eliminate common tensions and obstacles facing those who speak publicly – actors, presenters, educators . . . anyone who must express thought clearly, passionately and freely. G Teaching Stage Management CC Conference Room Presenters: Stacy Blackburn (Lindenwood U), Jen Lane (Samford U), Patricia Crotty (Florida School of the Arts), Cherrie Sciro (Louisiana Tech U), Karen Baker (The U of Alabama Huntsville) This round-table discussion will offer ideas on how and what to teach budding stage managers in a high school or college classroom setting. G

S AT U R D AY S C H E D U L E NOON – 12:50PM ___________________________ continued Ten-Minute Plays: It’s a Small World After All CC 300 A Presenters: David Beach (Radford U), Laura King (Gordon State College), Kimberly Patterson (Oxbridge Academy), Lauren Ellis (Hollins U) Ten-minute plays give us glimpses into complex worlds and can also bring new people to the theatre tribe. I 1:00PM – 2:15PM ___________________________ Developing Voice and Speech Curricula CC 301 C Presenters: Erica Hughes, Rebecca Covey (Florida International U), Stacey Cabaj (Loyola Marymount U) This moderated discussion and Q&A on developing a voice and speech curriculum is great for university and high school instructors, as well as professionals. A, PDS Enhance Your Performance With Locomotion CC Ballroom A Presenter: Cody Willets (Lake Norman Charter) Performers, directors and coaches of all levels are invited to explore the idea that a compelling performance event is created through precise choices about movement through space. Dress to move. G Fasten Your SeatBELT: The Basics of Belting HI Summit Presenter: Justin Moniz (Millikin U) Fasten your seatBELT for this high intensity exploration of the fundamentals of healthy belting within the contemporary musical theatre and pop/rock styles. G History/Theory/Lit/Crit Interest Group HI Parlour 2 A/B Presiders: Sarah McCarroll (SETC H/T/L/C Chair), Steve Burch (Vice Chair) All those interested in theatre history, theory, criticism or literature are welcome! The first hour will function as a forum, with the last 15 minutes as our annual meeting. Incarcerated Art: Applied Theatre in Prison HI Medallion/Carriage Presenter: Lindsay Bytof (Georgia State U Perimeter College) In this collaborative session, explore applied theatre practices and techniques for theatre-making with people who are incarcerated or experiencing “othering.” G Juggling 101: Juglito Ergo Sum, the Revenge CC 200 D/E Presenter: Michael Williams (Southern Union State Community College) For the fourth year at SETC! This workshop is intended for those who want to learn the foundation to this art: the three ball cascade. Equipment is provided, but space is limited due to falling objects. Juglito ergo sum: I juggle, therefore I am. B Junkanoo to the Theatre Stage CC 301 A Presenter: Tim Matheny (Mississippi State U) Don’t throw that away! Explore Bahamian Junkanoo costuming’s history as well as practices for modern theatrical applications. I KCACTF Respondent Training: Speaking to Young Artists (Part 2) HI Parlour 4 A/B Presenter: Joel Williams (KCACTF Region 4, Appalachian State U) Now that you’ve attended Part 1 (Page 24) and a Community Theatre Festival show, let’s discuss your perceptions and practice a response or two within the group. I

D I S T I N G U I S H E D C A R E E R AWA R D 2019 Award Recipient: Muriel Miguel SETC is pleased to announce director, playwright, choreographer, actor and educator Muriel Miguel as our 2019 Distinguished Career Award Recipient. On Saturday, Miguel will give a keynote address and attend the Banquet Gala, where she will receive the award. Muriel Miguel is a founder and current artistic director of the feminist Native American collective Spiderwoman Theater, the longest running Indigenous women’s theatre company in North America. She has directed almost all of Spiderwoman’s shows since their debut in 1976, in which time they have written and produced over 20 original works for the theatre.

_____________________________________________________________________________

About the Award: SETC’s Distinguished Career Award is presented annually to a theatre, professional, advocate, administrator or educator who during his or her career has made outstanding contributions to the theatrical arts field. See Page 53 for a list of past recipients of SETC’s highest honor. Keynote Presentation - Open to All Sat., March 2, 2:30PM CC Ballroom E-G Award Presentation at Banquet Gala - Pre-Reserved Tickets Required Sat., March 2, 8:00PM CC Ballroom

No Nose Knows Shows: Casual Clowning in Standard Performance HI Crystal Presenter: Aaron Gotlieb (Georgia State U Perimeter College) Use basic clowning techniques to enhance auditions, cold reads and standard performances. Come ready to move. No nose needed. B Period Corded Corsets and the Dancer in Music Theatre CC 301 B Presenter: Jack Smith (Elon U) Exploring construction techniques, flexibility of the corset, and the use of corded corsets to obtain period silhouettes while providing maximum movement for dancers in musical theatre performances. Feedback from performers and costume technicians involved in a production of “Sweeney Todd.” I Playwright’s Corner HI Parlour 6 Presider: Darren Michael (SETC Playwriting Chair) The Playwriting Interest Group will be presenting staged readings of short works by playwrights from around the region. Shadowbox Live Information Session and Rock Vocal Workshop CC 300 C Presenter: Stacie Boord (Shadowbox Live) Learn more about Shadowbox Live and the rock vocal genre; prepare a verse/chorus of a rock song for a vocal masterclass opportunity. G Stage Management Committee Meeting CC Board Room Presider: Stacy Blackburn (SETC Stage Management Chair), Karen Baker (Vice Chair) All SETC members interested in stage management are welcome. Staging Intimacy in Education CC 300 B Presenters: Laura Rikard (U of Miami), Kate Busselle (U of Missouri-Mizzou), Chelsea Pace (U of Maryland Baltimore) Founders of Theatre Intimacy Education will discuss practices, methodologies and guidelines for dealing with scenes of intimacy, nudity and sexual violence in the academic arena. Panelists will offer pedagogical practices for classroom scene work, rehearsal guidelines, and tips for choreography. G Strategic Planning Committee Meeting CC Conference Room Presider: Maegan Azar (SETC VP of Administration) Annual meeting of SETC’s Strategic Planning Committee. Teaching Stagecraft and Design to Grades 5–12 CC 300 D Presenters: Mike Morin, Owen-Beyer Raven (Holy Innocents’ Episcopal School), Liz Whalen (The Galloway School) A panel discussion that addresses teaching elements of design such as scenic, lighting, sound and costume as well as stagecraft, sewing and carpentry to students ranging from fifth grade to high school seniors. B The Intense Tension Intensive: Play With Your Tensions CC 301 D/E Presenter: James Peck (Dell’Arte International School of Physical Theater) Discover how the physical actor plays with tension through a series of dynamic games and exercises. Wear clothing for movement. I Using Intent and Imagery to Explore Contemporary Non-Realism CC Ballroom B Presenter: Slade Billew (Stephen F. Austin State U) Using exercises derived from Chinese Martial Arts, the Suzuki Method and Butoh, we’ll explore how actors can apply imagery and intent work to engage with and perform contemporary non-realist texts. I What’s Haunting You? Confronting Your Character’s Ghosts CC Ballroom C Presenter: Jesse Graham (Troy U) Are you an intermediate or advanced actor ready to increase the stakes? Employ your imagination to take a deeper look at the psychological motivations of your character in your memorized monologue, and use partnering to confront your character’s ghosts. Not for the faint of heart! I 2:30PM – 3:30PM ___________________________

DISTINGUISHED KEYNOTE: MURIEL MIGUEL CC Ballroom E-G Presider: Lee Crouse (SETC VP of Services) Open to all convention attendees. SETC is pleased to welcome one of the grandmothers of the Indigenous theatre movement in the U.S. and Canada as our 2019 Distinguished Career Award Recipient and Saturday Keynote. Read more on Page 7.

Lighting sponsored by 4Wall Entertainment Sound sponsored by 1st Street Music & Sound Co. 3:30PM – 4:00PM ___________________________ SETC Annual Business Meeting CC Ballroom E-G Presider: Jeff Gibson (SETC President) The annual business meeting of the Southeastern Theatre Conference will include the induction of the next class of SETC Hall of Fame honorees. All convention attendees are welcome. 4:00PM – 5:15PM ___________________________ 3D Costume Design and Technology CC 301 B Presenter: Ashleigh Poteat (Centenary U) 3D printing, 3D pens and wearable technology can affordably be utilized for costuming from garments to crafts. B

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S AT U R D AY S C H E D U L E / S U N D AY S C H E D U L E 4:00PM – 5:15PM ___________________________ continued Accessing Shakespeare Through Laban’s Efforts CC 301 D/E Presenter: Paul Hurley (Kent State U) Gain access to the complexities of Shakespeare’s verse through Laban. Discover the infinite possibilities within a piece of text utilizing Laban’s Eight Efforts. I Collaborative Playwriting CC 301 A Presenter: Josh Hartwell (Curious Theatre Company; BETC; Denver Center) A laid-back conversation about writing collaboratively will lead into helpful hands-on writing exercises. I Division Council Meeting CC Conference Room Presider: Tom Booth (SETC VP of Divisions) Annual meeting of the chairs from SETC’s five divisions: Theatre for Youth, Secondary School, College and University, Community Theatre and Professional Theatre. Fire the Canon! Diversifying Academic Theatre Repertoire CC 300 C Presenters: Jennifer Luck, Ellen Peck (Jacksonville State U), Gaye Jeffers (U of Tennessee Chattanooga), Chalethia Williams (Miles College), Amy Guerin (The U of Alabama Huntsville) Academic theatre can support diversity and inclusion through production choices and classroom studies. Amplifying the voices of women, people of color, and those within the LGBTQ+ community starts here. G Introduction to Voice-Over Performance CC 300 B Presenter: Tom Alsip (Oklahoma State U) Learn about this growing field, and gain hands-on experience performing voice-over copy. B Onstage Centered: Combating Performance Anxiety CC 300 D Presenter: Michael DeCoursey (Onstage Centered) Performance anxiety is an obstacle every actor faces in their career regardless of skill or ability. Inspired by Cognitive Behavioral Therapy used to treat anxiety disorders, this workshop teaches innovative techniques to conquer stage fright and develop nerves of steel. G Song Spotting: Lyric Writing for Musical Theatre CC 301 C Presenter: Violet Saylor (National Theater Institute) Through a series of writer’s sprints and song analyses, students learn how to spot a song within given text — and within themselves. Join this beginning class to create new work for musical theatre and write a song by the end of class! G Stage Managing New Works CC 300 A Presenters: Jen Lane (U of Montevallo), Julie A. Richardson (Freelance Director; AEA Stage Manager), Jerre Brisky (U of West Florida) Explore the unique needs of a new play or musical from the point of view of the stage manager. Learn how to organize and communicate rewrites, work with playwrights, contribute to the new play production process, and more. I 6:30PM – 7:30PM ___________________________ High School Theatre Festival Recognition Ceremony HI Grand Pavilion Ballroom Awards start here! Celebrate the achievements of high school theatre groups who participated in this year’s festival. Awards sponsored by Norcostco and SETC

7:00PM – 8:00PM ___________________________ Community Theatre Division Meeting and Recognition Ceremony CC 300 D Presiders: Tom Booth (SETC Community Theatre Division Chair), Lynn Nelson (Vice Chair) Anyone interested in community theatre is encouraged to attend. We’ll hold our annual Community Theatre Division Meeting and begin our celebrations of this year’s festival productions. Awards sponsored by Dramatists Play Service and SETC President’s Reception CC Ballroom Prefunction Presider: Jeff Gibson (SETC President) Everyone welcome! SETC President Jeff Gibson hosts the annual pre-banquet cocktail hour. Cash bar. 8:00PM – 10:00PM ___________________________ Banquet Gala: 70th Annual Award Ceremony CC Ballroom Pre-reserved ticket required. An evening of comradery, dinner, celebration and awards! 10:00PM – MIDNIGHT ___________________________ Banquet Afterparty Dance CC Ballroom Dance the night away immediately following the banquet. DJ Ya Boi Boi Robert Lewis will provide the music. A favorite of SETC Convention attendees.

Sunday, March 3, 2019 Please Note: All meetings are open to SETC Convention attendees.

ROOM ABBREVIATIONS See Pages 72–80 for maps and floor plans. ________________________________________________________________________________________________ CC = Knoxville Convention Center 8:00AM – 9:00AM ___________________________ Personnel Meeting CC 301 D/E Presider: Alan Litsey (SETC Personnel Advisory Chair) Meeting of the SETC Personnel Committee. 9:00AM – 11:00AM ___________________________ Board & Advisory Council Meetings CC 301 D/E Presider: Jeff Gibson (SETC President) These meetings inform board members (new and returning) how they will make a difference in SETC and impact the organization’s future. All voting members are expected to attend. Committee Chairs make up the Advisory Councils of SETC’s Vice-Presidents. All outgoing Committee Chairs and incoming Committee Chairs are expected to attend. Any member interested in participating in SETC governance and leadership are welcome.

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P L AY W E S T 52

AWA R D R E C I P I E N T S R E C O R D Mo./Yr. Distinguished Career Award Suzanne Davis Award 3/60 4/61 3/62 4/63 3/65 3/66 3/67 3/68 3/69 3/70 3/71 3/72 3/73 3/74 3/75 3/76 3/77 3/78 3/79 3/80 3/81 3/82 3/83 3/84 3/85 3/86 3/87 3/88 3/89 3/90 3/91 3/92 3/93 3/94 3/95 3/96 3/97 3/98 3/99 3/00 3/01 3/02 3/03 3/04 3/05 3/06 3/07 3/08 3/09 3/10 3/11 3/12 3/13 3/14 3/15 3/16 3/17 3/18

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FUTURE SETC CONVENTIONS

___________________________________________________________ 71st Annual Convention ___________________________

72nd Annual Convention ___________________________

LOUISVILLE, KY Feb. 26 – Mar. 1, 2020

C I N C I N N AT I , O H Mar. 10–14, 2021 53

Curtain up! Take center stage and hone your natural talent with a B.F.A. Lynn University’s drama program combines strong academics with hands-on experience. Perform and produce while preparing for a professional acting career in theater, movies, television and musicals. Lynn’s programs offer: • Specializations in acting and musical theater performance • A rigorous curriculum with performance classes every term • Distinguished and award-winning faculty • A robust season of musicals, plays, cabarets and student-directed productions • Internship opportunities with local, professional theaters Auditions required; scholarships available.

For more information: • Visit lynn.edu/artsprograms. • Contact Adam Simpson, program coordinator, at +1 561-237-7461 or asimpson@lynn.edu. • Reach out to the Office of Admission at +1 561-237-7900 or admission@lynn.edu.

+1 561-237-7900 | lynn.edu iPad is a registered trademark of Apple Inc. Lynn University does not discriminate on the basis of race, color, gender, religion, sexual orientation, national origin, disability, genetic information, age, pregnancy or parenting status, veteran status or retirement status in its activities and programs. In accordance with Title IX of the Education Amendments of 1972, Lynn University does not discriminate on the basis of sex. Inquiries concerning the application of the non-discrimination policy may be directed to the University Compliance Officer/Title IX Coordinator at 3601 N. Military Trail, Boca Raton, FL 33431; via email at titleixcoordinator@lynn.edu; by phone at +1 561-237-7727 or to the U.S. Dept. of Education OCR. Lynn University is accredited by the Southern Association of Colleges and Schools Commission on Colleges to award baccalaureate, master’s and doctoral degrees. Contact the Commission on Colleges at 1866 Southern Lane, Decatur, Georgia 30033-4097 or call +1 404-679-4500 for questions about the accreditation of Lynn University. © 2019 Lynn University

NOTES

C O M M U N I T Y T H E AT R E F E S T I VA L FESTIVAL SITE _____________________________________ Austin-East Magnet High School 2800 Martin Luther King Jr. Ave Free Parking (Follow the Signs) Free Shuttle (See Schedule Below)

F E S T I VA L S H U T T L E S C H E D U L E The shuttle runs to and from the Knoxville Convention Center (CC) and Austin-East High School (AE) Thurs., Fri. and Sat. Show your SETC badge to board. Convention Center Pick-Up is at the Clinch Ave. Drop-Off Lane THURS., FEB. 28, 2019 | PERFORMANCE BLOCK 1

Adjudicators: James Alexander Bond; T.K. Lee; Amy Wratchford James Alexander Bond holds a BFA in Theatre Management from Ithaca College and an MFA in Directing from the University of California at Davis. From New York to England and regionally across America, James has directed more than 200 productions, including over half of Shakespeare’s canon. T.K. Lee’s award-winning work crosses multiple genres: both on stage and off. At times a playwright, and other times a poet, he is at all times firmly planted in the southern tradition of gothic storytelling. Lee has won accolades for his work in theatre, including here at SETC as well as AACTFest. His award-winning credits include turns taken as director (for 2009’s SETC winner “Catfish Moon” and other honors at AACTFest Tacoma), as actor (for 2017’s winner “Vanya and Sonia and Masha and Spike” and other nominations at AACTFest Rochester), and as playwright (for 2018’s SETC winner “Paper Thin”). Amy Wratchford is the Managing Director of the American Shakespeare Center. Before joining the ASC, Amy served as Managing Director of Synchronicity Theatre in Atlanta. Previously, she worked in a number of capacities in theatre in New York City including producer, director and actor. She holds a bachelor’s degree in Acting from the Tisch School of the Arts of New York University and an MFA in Performing Arts Management from Brooklyn College. Amy has lectured on finance, budgeting and nonprofit governance for Mary Baldwin University’s MFA program in Shakespeare in Performance and others.

Departure Time/Location: Performance/Time

11:30AM 11:45AM

CC to AE AE to CC

Scott and Hem (TN) @ NOON

1:05PM 1:20PM

CC to AE AE to CC

Tea for Three (MS) @ 1:35PM

2:40PM 2:55PM

CC to AE AE to CC

Never Swim Alone (SC) @ 3:10PM

4:25PM

AE to CC

End of Performance Block 1

FRI., MAR. 1, 2019 | PERFORMANCE BLOCK 2 Departure Time/Location: Performance/Time

9:45AM 10:00AM

CC to AE AE to CC

Of Mice and Men (AL) @ 10:15AM

11:20AM 11:35AM

CC to AE AE to CC

Forever Plaid (KY) @ 11:50AM

12:55PM 1:10PM

CC to AE AE to CC

I and You (MS) @ 1:25PM

2:50PM

AE to CC

End of Performance Block 2

FRI., MAR. 1, 2019 | PERFORMANCE BLOCK 3 Departure Time/Location: Performance/Time

3:30PM 3:45PM

CC to AE AE to CC

Mud (FL) @ 4:00PM

5:05PM 5:20PM

CC to AE AE to CC

Morte for 2 (KY) @ 5:35PM

6:40PM 6:55PM

CC to AE AE to CC

John Lennon & Me (GA) @ 7:10PM

8:40PM

AE to CC

End of Performance Block 3

SAT., MAR. 2, 2019 | PERFORMANCE BLOCK 4 Departure Time/Location: Performance/Time

9:30AM 9:45AM

CC to AE AE to CC

The 25th Annual Putnam County Spelling Bee (GA) @ 10:00AM

11:05AM 11:20AM

CC to AE AE to CC

Romeo and Juliet (SC) @ 11:35AM

12:40PM 12:55PM

CC to AE AE to CC

The Diviners (AL) @ 1:10PM

2:40PM

AE to CC

End of Performance Block 4

Presiders: Lyle Tate (Festival Chair); Libby Crews (Vice Chair) Wednesday Load-In, Tech Meeting & Rehearsal Schedule Load-in: 3:00PM – 3:30PM TN, MS1, SC1, AL1 T/R 3:30PM – 5:05PM TN - Cookeville Performing Arts Center T/R 5:05PM – 6:40PM MS1 - The Center Players T/R 7:15PM – 8:50PM SC1 - Guerrilla Shakespeare Theatre Company Thursday Load-In, Tech Meeting & Rehearsal Schedule Load-in: 6:00AM KY1, MS2, FL T/R 6:30AM – 8:05AM AL1 - The Actor’s Charitable Theatre T/R 8:05AM – 9:40AM KY1 - Paramount Players T/R 9:40AM – 11:15AM MS2 - Fondren Theatre Workshop Load-out: 4:45PM TN, MS1, SC1 Load-in: 4:45PM KY2 T/R 5:45PM – 7:35PM FL - Actors’ Warehouse T/R 7:35PM – 8:55PM KY2 - Theatre Workshop of Owensboro

Thursday Performances - Feb. 28, 2019 - Block 1 NOON – 1:35PM ______________________________ Scott and Hem Tennessee – The Backstage Series of the Cookeville Performing Arts Center Written by Mark St. Germain Directed by Samantha Raper In 1937, F. Scott Fitzgerald and Ernest Hemingway, famous authors and frenemies, meet in Hollywood, the City of Dreams, to confront their own. “Scott and Hem” is a drama about the cost of love, friendship, and the price of being a writer. 1:35PM – 3:10PM ______________________________ Tea for Three Mississippi – The Center Players Community Theatre Written by Eric H. Weinberger and Elaine Bromka Directed by Megan Mayhan What is it like for a woman when her husband becomes president of the United States, and she is suddenly thrust into the spotlight? This witty, sly and deeply moving script explores the hopes, fears and loves of Lady Bird Johnson, Pat Nixon and Betty Ford. Each of the three portraits becomes intimate, by degrees, as the women wrestle with what Pat Nixon called “the hardest unpaid job in the world.” 3:10PM – 4:45PM ______________________________ Never Swim Alone South Carolina – Guerrilla Shakespeare Theatre Company Written by Daniel MacIvor Directed by Robert Fuson This one-act follows two boyhood friends in a 13-round contest of “manliness” to win the affection of the Referee. This avant-garde show is lightning-paced and will have you on the edge of your seat. With captivating choreography and style, this is not typical theatre.

C O M M U N I T Y T H E AT R E F E S T I VA L Friday Load-In, Tech Meeting & Rehearsal Schedule Load-in: 6:00AM GA2, GA1, AL2 T/R 6:30AM – 8:05AM GA2 - Lafayette Society for the Performing Arts T/R 8:05AM – 9:40AM GA1 - Dalton Little Theatre

Saturday Load-In, Tech Meeting & Rehearsal Schedule LI/T/R: 6:00AM – 7:50AM SC2 - Mill Town Players T/R 7:50AM – 9:25AM AL2 - Wetumpka Depot Players Load-out: 2:45PM GA1, SC2, AL2

Load-out: 3:00PM – 4:00PM AL1, KY1, MS2 / GA1, AL1 move to 10x10s Load-out: 8:45PM

FL, KY2, GA2

Friday Performances - Mar. 1, 2019 - Block 2 10:15AM – 11:50AM ______________________________ Of Mice and Men Alabama – The Actor’s Charitable Theatre Written by John Steinbeck Directed by Steve Burdette Two drifters, George and his friend Lennie, with delusions of living off the “fat of the land,” have just arrived at a ranch to work for enough money to buy their own place. Lennie is a man-child, a little boy in the body of a dangerously powerful man. It’s Lennie’s obsessions with things soft and cuddly that have made George cautious about with whom the gentle giant, with his brute strength, associates. His promise to allow Lennie to “tend to the rabbits” on their future land keeps Lennie calm, amidst distractions, as the overgrown child needs constant reassurance. 11:50AM – 1:25PM ______________________________ Forever Plaid Kentucky – Paramount Players Written by Stuart Ross Directed by Melanie Cornelison-Jannotta The Plaids, a singing group, were killed on their way to their first big concert. They get the chance to come back to Earth to present the perfect concert. 1:25PM – 3:00PM ______________________________ I and You Mississippi – Fondren Theatre Workshop Written by Lauren Gunderson Directed by Juniper Wallace Anthony arrives unexpectedly at homebound classmate Caroline’s door bearing a beat-up copy of Whitman’s “Leaves of Grass” and an assignment from their English teacher. This seemingly mundane poetry project unlocks something much deeper. I and You is an ode to youth, life, love, and the strange beauty of human connectedness.

Friday Performances - Mar. 1, 2019 - Block 3 4:00PM – 5:35PM ______________________________ Mud Florida – Actors’ Warehouse, Inc. Written by Maria Irene Fornés Directed by Carlos Francisco Asse Mae lives in bleak poverty but studies arithmetic to better herself. Lloyd spends his time caring for farm animals and scorns book learning. Mae searches for a diagnosis of Lloyd’s illness, and brings Henry home to help her. The love/hate triangle creates a toxic environment, and Mae determines to escape the ill luck of her life. 5:35PM – 7:10PM ______________________________ Morte for 2 Kentucky – Theatre Workshop of Owensboro Written by Rebecca Wright Directed by Todd Reynolds Morte for 2 features a pair of one acts written by TWO’s Rebecca Wright. C’est la Vie features two sisters dealing with cancer. The women are quite different, but they find common ground in their struggles. Last Rites is a comedy about an Irish family, one of whom is deceased . . . but still seated on the sofa, Guinness in hand! 7:10PM – 8:45PM ______________________________ John Lennon & Me Georgia – Lafayette Society for the Performing Arts Written by Cherie Bennett Directed by Amy McDow Star, a passionate Beatles fan, is battling cystic fibrosis in a long-term children’s hospital. She confronts her fate with imagination and a hopeful spirit. John Lennon & Me deals with the emotions surrounding new friendships, first kisses, and the tough realities of disease.

Saturday Performances - Mar. 2, 2019 - Block 4 10:00AM – 11:35AM ______________________________ The 25th Annual Putnam County Spelling Bee Georgia – Dalton Little Theatre Written by Sheinkin/Finn Directed by Melissa Adams With an engaging, tuneful score by William Finn and a sweet, funny book by Rachel Sheinkin, The 25th Annual Putnam County Spelling Bee causes audiences to fall in love, both with the show itself and its “perspicacious,” “jocular,” and “effervescent” spellers. 11:35AM – 1:10PM ______________________________ Romeo and Juliet South Carolina – Mill Town Players Written by William Shakespeare Directed by Christopher Rose Shakespeare’s famous tragedy about two young star-crossed lovers whose deaths ultimately reunite their feuding families. MTP’s unique production is inspired by the Hatfield-McCoy feud of the late 1800s in rural Kentucky and West Virginia. Featuring Shakespeare’s language, stage combat, bluegrass music and Appalachian dialects, this is Romeo and Juliet like you’ve never experienced it before! 1:10PM – 2:45PM ______________________________ The Diviners Alabama – Wetumpka Depot Players Written by Jim Leonard Directed by Kim Mason A marvelously theatrical story of a disturbed young man and his friendship with a disenchanted preacher in southern Indiana in the early 1930s. The Diviners is in turns humorous, beautiful and tragic; and surprisingly speaks of many present-day concerns with gentle wisdom.

Saturday Events - March 2, 2019 Community Theatre Division Meeting and Recognition Ceremony 7:00PM – 8:00PM CC 300 D Presiders: Tom Booth (SETC Community Theatre Division Chair), Lynn Nelson (Vice Chair)

Awards sponsored by Dramatists Play Service

D O N AT E AT T H E D O O R Donations will go directly to Austin-East Magnet High School to help support updates/renovations to their performing arts wing. “This could be new signage, updates to classroom equipment, or the new black box theatre creation; really whatever our team comes up with to update and unify our department. We are trying to create an environment to showcase the many wonderful things Austin-East performing arts has to offer.” Brittany W. Newcomb Magnet Facilitator and Community Liaison www.knoxschools.org/austineastmhs 57

H I G H S C H O O L T H E AT R E F E S T I VA L FESTIVAL SITE _____________________________________ Knoxville Civic Auditorium 500 Howard Baker Jr Blvd

New This Year! High School Theatre Festival programs will be available at the Civic Auditorium. Check the festival program for show descriptions. Sponsored by Hollins University

Trolley Map/Schedule, Page 80

Production Manager: Kristin Wright; Director: John E.R. Friedenberg Thursday Load-In, Spike & Tech Check Schedule 7:30AM – 7:50AM 7:55AM – 8:15AM 8:20AM – 8:40AM 8:45AM – 9:05AM 9:10AM – 9:30AM

VA, Lafayette HS MS, Oak Grove HS NC, Charlotte Country Day School SC, Blythewood HS TN, Nolensville HS

3:00PM – 3:20PM KY, SCAPA/Lafayette HS 3:25PM – 3:45PM WV, Musselman HS 3:50PM – 4:10PM AL, Hunstville HS 4:15PM – 4:35PM FL, Trinity Prep School 4:40PM – 5:00PM GA, Perry HS

Friday Load-In, Spike & Tech Check Schedule 7:30AM – 7:50AM 7:55AM – 8:15AM 8:20AM – 8:40AM 8:45AM – 9:05AM 9:10AM – 9:30AM

VA, Jamestown HS MS, Ocean Springs HS NC, Sanderson HS SC, Sumter HS TN, Stewarts Creek HS

3:25PM – 3:45PM KY, Tates Creek HS 3:50PM – 4:10PM WV, Buckhannon-Upshur HS 4:15PM – 4:35PM AL, Bob Jones HS 4:40PM – 5:00PM FL, Windermere HS

Thursday Performances - Feb. 28, 2019 - Block 1 9:50AM: T-SHIRT TOSS! Find your seat 10 minutes before show time for a chance to catch a t-shirt from one of these participating schools: Hollins University | American Academy of Dramatic Arts | Long Island University 10:00AM – 10:45AM ______________________________

Night Sky Virginia – Lafayette High School Written by Susan Yankowitz Directed by Suzan McCorry

11:00AM – 11:45AM ______________________________

The Axeman’s Requiem Mississippi – Oak Grove High School Written by B. Dwayne Craft Directed by Suzanne Allmon

NOON – 12:45PM ______________________________

The Crane Wife North Carolina – Charlotte Country Day School Written by Barbara Carlisle Directed by Jenny Goodfellow

1:00PM – 1:45PM ______________________________

Elephant’s Graveyard South Carolina – Blythewood High School Written by George Brant; Directed by Sandra Dietel *Advisory: There are both stimulated gunshots and a fake gun in this play.*

2:00PM – 2:45PM ______________________________

The Crane Wife Tennessee – Nolensville High School Written by Barbara Carlisle Directed by Laura Lindsey

Thursday Performances - Feb. 28, 2019 - Block 2 5:20PM: T-SHIRT TOSS! Find your seat 10 minutes before show time for a chance to catch a t-shirt from one of these participating schools: The York Theatre Company | Western Illinois University | AMDA 5:30PM – 6:15PM ______________________________ 6:30PM – 7:15PM ______________________________ 7:30PM – 8:15PM ______________________________

Taste of Sunrise Kentucky – SCAPA/Lafayette High School Written by Suzan L. Zeder; Directed by Amie Kisling

Hush West Virginia – Musselman High School Written by Kendra Thomas; Directed by Michael Stiles

LIZZIE Alabama – Hunstville High School Written by Steven Cheslik-deMeyer, Tim Maner and Alan Stevens Hewitt; Directed by Meghan Browning Phelps; Assistant Directed by Ford Beshirs; Choreography by Caroline Quinn *Advisory: Suitable for ages 13+.*

8:30PM – 9:15PM ______________________________

The Curious Incident of the Dog in the Night-Time Florida – Trinity Prep School Based on the novel by Mark Haddon; Adapted by Stephen Simon; Directed by Janine Papin 9:30PM – 10:15PM ______________________________

The Terrible Infants Georgia – Perry High School Written by Oliver Lansley Directed by Joseph Sendek

H I G H S C H O O L T H E AT R E F E S T I VA L Friday Performances - Mar. 1, 2019 - Block 3 9:50PM: T-SHIRT TOSS! Find your seat 10 minutes before show time for a chance to catch a t-shirt from one of these participating schools: Hollins University | University of the Arts | VCU | AMDA 10:00AM – 10:45AM ______________________________

The Happening Virginia – Jamestown High School Written and Directed by J. Harvey Stone

11:00AM – 11:45AM ______________________________

Scenes from The White Snake Mississippi – Ocean Springs High School Written by Mary Zimmerman Directed by Chris Permenter

NOON – 12:45PM ______________________________

26 Pebbles North Carolina – Sanderson High School Written by Eric Ulloa Directed by Pete Comperatore

1:00PM – 1:45PM ______________________________

Chronicle Simpkins Will Cut You South Carolina – Sumter High School Written by Rolin Jones Directed by Maggie Morse

2:00PM – 2:45PM The Curious Incident ______________________________ of the Dog in the Night-Time Tennessee – Stewarts Creek High School Based on the novel by Mark Haddon Adapted by Stephen Simon Directed by Donald Fann

Friday Performances - Mar. 1, 2019 - Block 4 5:20PM: T-SHIRT TOSS! Find your seat 10 minutes before show time for a chance to catch a t-shirt from one of these participating schools: Milligan College | East Tennessee State University | Samford University 5:30PM – 6:15PM ______________________________

Trojan Women Kentucky – Tates Creek High School Written by Ellen McLaughlin Directed and Choreographed by Daniel Ellis

6:30PM – 7:15PM ______________________________

I Never Saw Another Butterfly West Virginia – Buckhannon-Upshur High School Written by Celeste Raspanti Directed by Jeremiah Smallridge and Laura J. Meese 7:30PM – 8:15PM ______________________________ 8:30PM – 9:15PM ______________________________

The Bell Witch Alabama – Bob Jones High School Written and Directed by B. Dwayne Craft; Developed by the BJHS Patriot Players Drama Troupe; Edited by Mary Davis; Inspired by the story of the Bell Witch of Adams, Tennessee

GETTING THERE See Page 5 for general transportation info. ___________________________________________________________________________ Free Downtown Trolley See Page 80 for Trolley Map & Schedule 15-Minute Walk or 6-Minute Drive from the Convention Center Free Parking Civic Auditorium staff will be on-site to assist.

Awards sponsored by Norcostco and SETC

Adjudicators: Diane Carr, Moses Goldberg, Herb Parker Dr. Diane Carr is the Director of Chapter Relations and Community Engagement for the Educational Theatre Association (EdTA) where she is responsible for leading and supporting EdTA’s national volunteer base including all state organizations. She earned her BA and MEd from Northern Kentucky University, an MA from University of Cincinnati and an MBA from Xavier University. In her spare time, she serves as costumer for several community theatre organizations. Moses Goldberg retired after 25 years as Producing Director of StageOne: The Louisville Children’s Theatre. He now works as a freelance director, teacher and playwright. He has directed professionally at theatres from Washington to Florida, including — in 1988 — one of the first U.S./Soviet exchanges at Moscow’s famed Taganka Theatre. Sixteen of his plays for young audiences have been published, as well as his most recent book, “TYA: Essays on Theatre for Young Audiences.” He has taught at Florida State University and Southwest Texas State University and as an adjunct faculty member elsewhere. Herb Parker is Associate Professor in the Department of Theatre and Dance with East Tennessee State University. He is the author of “A Monologue is an Outrageous Situation! How to Survive the 60-Second Audition,” and “Acting Shakespeare is Outrageous! Playing the Bard for Beginners,” published by Routledge Focal Press. His productions of “Six Characters in Search of an Author,” “A Midsummer Night’s Dream,” and “Little Shop of Horrors” all received the KCACTF “Excellence in Directing” Meritorious Achievement Award. Professor Parker is a proud long-time member of Actors’ Equity Association.

• Acting • Dance • Costume Design • Scene Design

• Musical Theatre • Lighting Design

• Stage Management

f l oArts.org Get your groove on!

Study performing arts at FloArts!

And Then Came Tango Florida – Windermere High School Written by Emily Freeman Directed by Jonathan Jackson

Saturday Events - March 2, 2019 High School Theatre Festival Debrief 9:00AM – 9:15AM HI Parlour 4 A/B Secondary School Division Meeting 10:30AM – 11:45AM HI Parlour 4 A/B High School Theatre Festival Recognition Ceremony Awards sponsored by Norcostco and SETC 6:30PM – 7:30PM HI Grand Pavilion Ballroom 59

1 6 T H A N N U A L F R I N G E F E S T I VA L FESTIVAL SITE _____________________________________ Ballroom E-G (Third Floor) Knoxville Convention Center CC Floor Plan, Page 75 City Maps, Pages 79–80

Earn a college degree and let our faculty of working actors help turn your acting dreams into a professional career.

Festival Chair: Lee Crouse (SETC VP of Services) Production Manager: Chad McDonald (Cookeville Performing Arts Center) Lighting sponsored by 4Wall Entertainment Sound sponsored by 1st Street Music & Sound Co.

Thursday, February 28, 2019 MIDNIGHT ______________________________ Fringe Festival Kickoff: The Most Fine Actor; John Wilkes Booth Performer/Creator/Playwright: Jonathan Mark Rogers This one-man show shares theatre and American history through the words of one of the most famous actors of the 1800s. On the night of April 14, 1865, the talented and well-known stage actor John Wilkes Booth stepped into the presidential box at Ford’s Theatre in Washington, DC, and fatally shot the President of the United States. The show recounts the final hours before the assassination. As he did his entire life, Booth rehearses the fateful scene while connecting to some of the most famous villains of dramatic literature.

Friday, March 1, 2019 10:00AM – 11:15AM ______________________________ Smoke Performed by: A & A Productions; Creator/Playwright: David Alford “Smoke” is the story of the fictional Hartley family, caught up in the turbulent events of the Black Patch Tobacco Wars of Tennessee and Kentucky. This solo adaptation of the long-running outdoor musical will be performed by the show’s creator and directed by Dr. Anna Filippo (Director of Theatre, Berry College). Interspersed with historical context and original bluegrass-inspired music, this docudrama/historical musical has been performed in the heart of the “Black Patch” in rural Adams, TN, for the last 10 years. Enjoy the premiere of this “one man and a guitar” storytelling-style stripped-down acoustic version. 11:30AM – 12:45PM ______________________________ Paper Houses Performed by: Kudzu; Creator/Playwright: Karow Wilson “Paper Houses” is a show performed through puppetry/object theatre and devised theatre to explore how two young people can build their dream house. We explore the question of how intangible fears of weightless objects, such as paper, can have such a significant effect on our lives. This is a theme that all young people starting out their lives will have to come to face. The show is built completely out of the application for immigration status and will be performed in Italian. 4:30PM – 5:15PM ______________________________ 9 Before IX Performer/Creator/Playwright: Francene Kirk For 75 minutes, Francene Kirk inhabits the women she interviewed for an oral history project, weaving together their stories, her own story, and information she’s gleaned teaching gender studies. Kirk’s quest to understand her mother and herself is occasionally funny, touching and infuriating. Her goal is to leave the audience to ponder how far women have come and how far we have to go in the quest for gender equality.

@nyconservatory 60

10:00PM – 11:15PM ______________________________ Man Cave Performed by: Timothy Mooney Repertory Theatre Creator/Playwright: Timothy Mooney “Man Cave” finds “Tim” (maybe the last man on Earth) burrowed into a hillside, broadcasting final thoughts to whatever Klingons, Vulcans or Tralfamadorians might still be out there listening. A stirring rallying cry for the planet, “Man Cave” drips with both irony and edgy gallows humor. It’s “Al Gore replaced by William H. Macy with a lot more swagger and humor than the former vice president could ever manage . . . tenacious urgency . . . charismatic rage.” (Orlando Sentinel)

Seest thou what is above the stage?

Let us hie to Booth #301 that we may learn more!

â€˜Tis only the safest and most efficient grid on the market today, good sirs.

PHOTO COURTESY OF LIBERTY UNIVERSITY

SkyDeckGrid.com IAStage.com 61

Isaac Powell (Drama ‘17) in “Duchess of Malfi”

Ranked among the top programs globally, UNCSA School of Drama prepares students for the entertainment industry of the 21st century through rigorous training and a rich spectrum of performance opportunities. Our alumni have recently performed in Broadway shows “The Book of Mormon,” “Waitress” and “Once on this Island.”

DANCE

DESIGN & PRODUCTION

DRAMA

It’s love. Not a lark. uncsa.edu/setc FILMMAKING

MUSIC

T E N - M I N U T E P L AY F E S T I VA L Presider: Lauren Ellis (SETC 10-Minute Play Festival Chair) About the Festival: Each year, pre-registered SETC convention attendees gather to CREATE and PERFORM original 10-minute plays within 24 hours. Apply to participate next year when you register for the 2020 SETC Convention!

PA R T I C I PA N T S C H E D U L E Wednesday, February 27, 2019 10:00PM – MIDNIGHT _____________________________ Orientation & Auditions CC Ballroom E-G The festival begins! All pre-registered participants meet for introductions and orientation. Actors present their monologues for the playwrights and directors. MIDNIGHT – 7:00AM _____________________________ Authors to Work! HI Parlour 1, HI Parlour 2 A/B, HI Parlour 3, HI Parlour 4 A/B Playwrights pen their plays overnight! Playwrights gather with playwriting mentor at 3:00AM for a read-thru to check progress.

Thursday, February 28, 2019 7:00AM – 9:00AM _____________________________ Readings HI Parlour 6, HI Leconte, HI Cumberland, HI Mt. Laurel, HI Dogwood Directors and playwrights gather with playwriting mentor for a final read-thru. Shows are assigned to directors. 9:00AM – 10:00AM _____________________________ Casting HI Parlour 6 Playwrights — go to sleep! 9:00AM – 9:30AM: Directors cast the shows. 9:30AM – 10:00AM: Actors report to be given casting assignments and set rehearsal schedules. Directing mentor sets check-in times with directors. 10:00AM – 4:00PM _____________________________ Rehearsals HI Mt. Laurel, HI Dogwood, HI Cumberland, HI Leconte Groups work together to rehearse their plays. 4:00PM – 6:00PM _____________________________ Tech Rehearsals CC Ballroom E-G All shows gather for tech-through. Each show will be given 25 minutes on stage. Stage managers should have a copy of script with any cues needed written in for the Light Board Op. Stage managers or directors will run any sound cues needed. All shows report back at 9:00PM, an hour before curtain!

P E R F O R M A N C E S | O P E N TO A L L Thursday, February 28, 2019 10:00PM – 11:45PM _____________________________ Ten-Minute Play Festival Performances CC Ballroom E-G Respondent: Todd Ristau (Hollins Playwright’s Lab) A late night favorite! Don’t miss this year’s performances of 10-minute plays that have been conceived, written and rehearsed over the last 24 hours. Open to all. Response immediately follows in CC Ballroom C

Lighting sponsored by 4Wall Entertainment Sound sponsored by 1st Street Music & Sound Co.

Respondent: Todd Ristau (Hollins Playwright’s Lab) Todd Ristau, program director for the Playwright’s Lab, is a distinguished graduate of the Iowa Playwright’s Workshop. His work has been performed in theatres across the U.S. and England, including London’s West End. He founded No Shame Theatre and oversaw its evolution into a national network of venues for short performance pieces. He served for six years as coordinator of Mill Mountain Theatre’s second stage and oversaw all new works programming as literary associate. Todd was also the founding artistic director for Studio Roanoke, a storefront theatre space dedicated to new works development in downtown Roanoke.

䘀伀刀吀䠀䔀䘀䤀刀匀吀吀䤀䴀䔀䤀一䘀伀刀䔀嘀䔀刀⸀⸀⸀

㈀㄀㈀ⴀ㔀㐀㄀ⴀ㐀㘀㠀㐀簀洀琀椀猀栀漀眀猀⸀挀漀洀

꤀䐀椀猀渀攀礀

一伀圀䄀嘀䄀䤀䰀䄀䈀䰀䔀

T H E AT R E F O R Y O U T H I N V I TAT I O N A L F E S T I VA L Wednesday, February 27, 2019 4:00PM – 5:15PM ____________________________ Theatre for Youth Festival Orientation CC Ballrooms E-G Presider: Laura Byland (SETC Theatre for Youth Festival Chair) Production Manager: Chad McDonald (Cookeville Performing Arts Center) Orientation meeting for all Theatre for Youth Festival participants.

Thursday, February 28, 2019 9:00AM ____________________________ Aladdin JR. CC Ballrooms E-G Presented by Lighthouse Theatre Company Albertville, AL Music by Alan Menken; Book by Chad Beguelin; Lyrics by Howard Ashman, Tim Rice, Chad Beguelin; Directed by Kelleybrooke Brown The story you know and love has been given the royal treatment! Aladdin and his three friends, Babkak, Omar, and Kassim, are down on their luck until Aladdin discovers a magic lamp and the Genie who has the power to grant three wishes. With expanded characters, new songs, and more thrills, this new adaptation of the beloved story will open up “a whole new world”! 10:30AM ______________________________ Cityscape CC Ballrooms E-G Presented by Jumping Jack Theatre Pittsburgh, PA Written by Jumping Jack Theatre; Directed by The Cast When a wily pigeon flies off with M.C.’s most prized treasure, she must leave the comfort of home and cross the big and busy Cityscape to get it back. “Cityscape” invites the audience to participate in the action via creative movement, music, and sensory play and incorporates social skill and communication supports. NOON ______________________________ James and the Giant Peach JR. CC Ballrooms E-G Presented by CharACTers Children’s Theatre Attalla, AL Book by Timothy Allen McDonald; Music and Lyrics by Benj Pasek and Justin Paul; Based on the book “James and the Giant Peach” by Roald Dahl; Directed by Santana Carlton Based on one of Roald Dahl’s most poignantly quirky stories, this is a brand new take on a “master peach” of a tale. Featuring a wickedly tuneful score and a witting and charming book, this adventurous musical about courage and self-discovery is destined to be a classic. 4:00PM – 5:15PM ___________________________ Theatre for Youth Festival Critique CC 301 D/E Presider: Laura Byland (SETC Theatre for Youth Festival Chair) Tim Webb and Rhonda Wilson respond to this year’s festival performances. 7:30PM – 9:30PM ___________________________ Theatre for Youth Reception Hilton Suite 1708 Host: Riley Braem (SETC Theatre for Youth Chair) If your focus is theatre for youth, please plan to attend.

Friday, March 1, 2019 4:30PM – 5:45PM ___________________________ Theatre for Youth Division Meeting UTC 413 C Presider: Riley Braem (SETC Theatre for Youth Chair) Annual meeting of SETC’s Theatre for Youth Division. This meeting, discussion and planning session is open to all individuals connected with high schools, youth theatre or training programs. G

Saturday, March 2, 2019 9:00AM – 10:15AM ___________________________ Theatre for Youth Forecast CC 300 D Presider: Riley Braem (SETC Theatre for Youth Chair) Tim Webb and Rhonda Wilson discuss innovations and interesting issues in the field of theatre for young audiences. G

FESTIVAL SITE _____________________________________ Ballrooms E-G (Third Floor) Knoxville Convention Center CC Floor Plan, Page 75 City Maps, Pages 79–80 Reception sponsored by Dramatic Publishing Company Lighting sponsored by 4Wall Entertainment Sound sponsored by 1st Street Music & Sound Co.

Presiders: Laura Byland (SETC Theatre for Youth Invitational Festival Chair); Riley Braem (SETC Theatre for Youth Division Chair) Respondents: Tim Webb; Rhonda Wilson Tim Webb is co-founder and artistic director of Oily Cart (London, U.K.) which began work in 1981 and specializes in multi-sensory, close-up, highly interactive theatre for very young children and also for young people with severe learning disabilities including autistic spectrum disorders. Tim has worked as writer and director at theatres throughout the U.K. He has trained and mentored companies around the world, most recently at Lincoln Center in New York. His scripts have been produced in the U.K., at the Leicester Haymarket, the Albany Empire, Contact Theatre, Manchester, by Greenwich, Glasgow and Leeds Theatre-inEducation companies and, internationally, by the Carousel Players, Canada, So-Edineni, Moscow and the Chicago Children’s Theatre. Rhonda Wilson is the founder and executive director of Star Center Children’s Theatre (Gainesville, FL). She is also a full-time public middle school theatre teacher. She holds a B.S. from the University of Florida in Community Resource Economics. She’s earned elementary education certification as a media specialist and in secondary drama. She credits her childhood with her passion to create opportunities for youth. Star Center, an arts education organization, provides a place to build self-esteem, learn teamwork and gain confidence through the arts. When she is not directing, she can be found on the stage.

•B.A. in Theatre with Performance and Production Concentrations •A Nationally & Internationally Recognized Program •The Shoestring Players, a 30-plus year Theatrical Producing Entity •Annual Production in London at the International Youth Arts Festival •Five-week Summer Internship with The Rose Theatre in London •Experiential Learning in State of the Art Facilities •Acting Scholarships and Technical Assistantships Available For more information, please contact: Lee Neibert, Director of Theatre at (864) 503-5987 lneibert@uscupstate.edu 800 University Way, Spartanburg, SC 29303 65

P RO F E S S I O N A L AU D I T I O N S AUDITION ROOMS & HOURS __________________________________________________ Actor/Singer Briefings & Auditions CC Lecture Hall Dancer Briefings & Dance Call CC 200 D/E Warm-Up Room CC 200 C 8:00AM – 4:00PM, TH–SAT Holding Room CC 200 A 9:00AM – 5:00PM, TH–SAT Callback Posting CC 200 B 9:00AM – 9:30PM, TH–SAT Look for your audition number to see who called you back.

See Page 75 for CC Floor Plan Lighting sponsored by 4Wall Entertainment; Keyboard and dance floor sponsored by Cumberland County Playhouse

STOP BY “GUS’ GREEN ROOM”

CC Exhibit Hall

Sponsored by Break A Leg Network / Dwayne Ague Thurs., Feb. 28, 8:00AM – 5:00PM Fri., Mar. 1, 8:00AM – 5:00PM Sat., Mar. 2, 8:00AM – NOON All professional auditionees are welcome to hang out, relax, get refreshed, get answers and meet others in Gus’ Green Room, named in memory of Troy “Gus” Gillette. Show your Professional Auditions badge for entry. Gus served in many capacities during his tenure with SETC. He was a member of the Professional Audition Team for many years, volunteered in the Theatre Job Fair, assisted with volunteer coordination, and hosted the “Green Room” in 2016 and 2017 where he always provided a warm smile, a comforting response and a quiet respite from the convention’s chaos for professional auditionees and job seekers. He passed away following the 2017 SETC Convention.

SETC Professional Auditions Director: Lisa Leonard SETC Professional Division: Matt Davenport (Chair), Ginger Poole (Vice Chair), Brandon Smith (Vice Chair) SETC Professional Auditions Committee Chair: Marci Duncan SETC Professional Theatre Services: April J’C Marshall

Wednesday, February 27, 2019 8:00PM – 8:30PM ___________________________ Professional Actor Audition Space Check CC Lecture Hall Presider: Lisa Leonard (SETC Professional Audition Director) Professional auditionees for all days have a chance to check out the audition space.

Thursday, February 28, 2019 8:30AM – 9:00PM ___________________________ Spring Professional Auditions & Dance Call 8:30AM – 9:00AM Mandatory AUDITIONEE Briefing, 1–260 CC Lecture Hall 9:00AM – 9:30AM Mandatory COMPANY Briefing CC Lecture Hall 9:30AM – 5:30PM Acting and Singing Auditions 1–260 CC Lecture Hall 5:30PM – 9:00PM Mandatory Dancer Briefing/Warm-Up CC 200 E/D Presenter: Stephanie Swant (SETC Choreographer) Those actors who auditioned today and were called back by a theatre to attend the dance call meet for instruction and to learn and rehearse dance routines. Following Warm-Up Dance Call & Dancer-Only Auditions CC 200 E/D Presenter: Stephanie Swant (SETC Choreographer) Actors called back by companies and dancer-only auditionees present dance routines.

Friday, March 1, 2019 8:30AM – 9:00PM ___________________________ Spring Professional Auditions, Professional Division Meeting & Dance Call

Great Lakes Michael Chekhov Consortium (GLMCC)

Teacher and Actor Certification Program June 3-8, 2019 On the campus of the University of Mount Union, Alliance, OH accepting participants for Module 1 of our 3 Module program to collaborate with Certified Teachers of the Michael Chekhov Technique of GLMCC while working toward Teacher or Actor Certification

greatlakesmichaelchekhovconsortium.com Please view our video: GLMCC on YouTube

Form

Ease

Inspired Acting

Beauty

8:30AM – 9:00AM Mandatory AUDITIONEE Briefing, 261–520 CC Lecture Hall 9:30AM – 5:30PM Acting and Singing Auditions, 261–520 CC Lecture Hall 12:15PM – 1:30PM SETC Professional Division Meeting CC Lecture Hall All Auditions and Job Fair company reps are encouraged to attend. 6:00PM – 9:00PM Mandatory Dancer Briefing/Warm-Up CC 200 E/D Presenter: Stephanie Swant (SETC Choreographer) Those actors who auditioned today and were called back by a theatre to attend the dance call meet for instruction and to learn and rehearse dance routines. Following Warm-Up Dance Call CC 200 E/D Presenter: Stephanie Swant (SETC Choreographer) Actors called back by companies present dance routines.

Saturday, March 2, 2019 8:30AM – 9:00PM ___________________________ Spring Professional Auditions & Dance Call

Whole

8:30AM – 9:00AM Mandatory AUDITIONEE Briefing, 521–780 CC Lecture Hall 9:30AM – 5:00PM Acting and Singing Auditions, 521–780 CC Lecture Hall 4:30PM – 5:00PM Mandatory ACTOR/TECH Briefing CC 200 D/E 5:15PM – 5:30PM ACTOR/TECH Walk Thru CC Lecture Hall 6:00PM – 9:00PM Mandatory Dancer Briefing/Warm-Up CC 200 D/E Presenter: Stephanie Swant (SETC Choreographer) Those actors who auditioned today and were called back by a theatre to attend the dance call meet for instruction and to learn and rehearse dance routines. Following Warm-Up Dance Call CC 200 E/D Presenter: Stephanie Swant (SETC Choreographer) Actors called back by companies present dance routines.

NOTES

T H E AT R E J O B FA I R EXHIBIT HALL _____________________________________ Knoxville Convention Center (First Floor)

ACTI NG • DI RECTI NG • P LAYW RITI NG

KCC Floor Plan, Page 75 City Maps, Pages 79–80 SETC Professional Theatre Services: April J’C Marshall Theatre Job Fair Assistant: Constance Smith

STOP BY “GUS’ GREEN ROOM”

CC Exhibit Hall

Sponsored by Break A Leg Network / Dwayne Ague Thurs., Feb. 28, 8:00AM – 5:00PM Fri., Mar. 1, 8:00AM – 5:00PM Sat., Mar. 2, 8:00AM – NOON All registered job candidates are welcome to hang out, relax, get refreshed, get answers and meet others in Gus’ Green Room, named in memory of Troy “Gus” Gillette. Show your Theatre Job Fair badge for entry. Gus served in many capacities during his tenure with SETC. He was a member of the Professional Audition Team for many years, volunteered in the Theatre Job Fair, assisted with volunteer coordination, and hosted the “Green Room” in 2016 and 2017 where he always provided a warm smile, a comforting response and a quiet respite from the convention’s chaos for professional auditionees and job seekers. He passed away following the 2017 SETC Convention.

The Actors Studio Drama School at Pace University in New York City

Ranked among the “Best 24 MFA and MA Acting programs in the US and UK.”—Backstage The only Master of Fine Arts program officially sanctioned and supervised by The Actors Studio.

Learn more at: www.pace.edu/ASDS

Wednesday, February 27, 2019 NOON – 5:00PM ___________________________ Professional Hiring Company Check-In & Setup CC Exhibit Hall Companies pick up registration materials. Theatre Job Fair setup. 7:00PM – 9:30PM ___________________________ Theatre Job Fair: Production Resume Review CC Exhibit Hall Workshop Space Presider: Constance Smith (Chipola Center for the Arts) Candidates seeking technical theatre positions via Theatre Job Fair have an opportunity to get their resumes reviewed/critiqued by technical theatre professionals prior to interviewing. G

Thursday, February 28, 2019 8:00AM – 6:00PM ___________________________ Theatre Job Fair CC Exhibit Hall 8:00AM – 10:00AM 10:00AM – 10:30AM 10:30AM – 6:00PM 1:00PM – 6:00PM

Companies ONLY to set up tables and list jobs. TJF COMPANY Briefing & Offstage Showcase: Special off-stage showcase for pre-selected directors. Pre-registered job candidates meet employers and interview for off-stage jobs. Actor/Tech sign up for numbers (ONLY Pre-registered for Job Fair eligible). See April Marshall or Constance Smith in Job Fair to secure number on Thursday & Friday. Job Candidates who register on-site are admitted.

Friday, March 1, 2019 9:00AM – 6:00PM ___________________________ Theatre Job Fair Open CC Exhibit Hall Job candidates meet and interview with employers for off-stage jobs.

Saturday, March 2, 2019 9:00AM – NOON ___________________________ Theatre Job Fair Open CC Exhibit Hall Job candidates meet and interview with employers for off-stage jobs. All materials removed by 12:15PM.

RECRUITING - FALL 2020: MFA Design Students: Scenic, Costume, Lighting Design and Sound/Digital Media

“Top-20 List of MFA Programs” ~ 2018 The Hollywood Reporter

Recent graduates have earned these awards: • USITT Barbizon Graduate Lighting Design Award • USITT Rose Brand Graduate Scene Design Award • Showcased in USITT Young Designers Forum • SETC Ready to Work Awards • SETC John Spiegel Award • SETC 1st Place in Graduate Scene, Lighting, and Costume Design Competitions • Gilbert Hemsley Internship Program NYC • World Stage Design 1st place in emerging designer category

theatre.utk.edu

865.974.6011

clarencebrowntheatre.com Photo: Peter and the Starcatcher, 2017; by Brynn Yeager

DESIGN/TECH EVENTS Committee: Neno Russell (Chair); Matt Leckenbush, Emily Strickland (Vice Chairs); Allison Steadman, Justin Reed (Coordinators) Adjudicators/Distinguished Designers: Linda Cho (Costume); Victoria “toy” Deiorio (Sound); Riccardo Hernandez (Scenic); Jonathan Spencer (Lighting) Design/Tech Mixer Sponsored by 1st Street Music & Sound Co., 4Wall Entertainment, InterAmerica Stage and Point Source Audio

Wednesday, February 27, 2019

DESIGN COMPETITION __________________________________________ Displays Open: TH: 6:00PM – 11:00PM CC Exhibit Hall FRI: 9:00AM – 8:30PM SAT: 9:00AM – NOON See Pages 72 and 75 for Floor Plans

Design/Tech Category Award Sponsors: Norcostco (Costume Crafts; Costume Design); Betsey Horth (Costume Technology); ETC (Lighting Design); Broadway Media Distribution (Projection Design); Friends of Props: Robert O’Leary, Doug Brown (Props Design/Construction); Sculptural Arts Coating, Inc. (Scenic Design); Shure, Inc. (Sound Design); Productions Unlimited Inc. (Technical Direction & Construction)

4:00PM – 5:15PM ___________________________ Design/Tech Convention Planning Meeting CC 300 A Meeting to discuss design/tech events hosted by the committee during the convention. All design/tech focused participants welcome. 8:00PM – 9:30PM ___________________________ Design/Tech Mixer CC Ballroom E-G All those who work or study any aspect of design or technical theatre are welcome, including professionals, presenters, professors and commercial company reps and students. Snacks, cash bar and prizes.

Ready to Design Award Sponsors: Lexington Children’s Theatre, The Rose Theater, Serenbe Playhouse and Triad Stage

Thursday, February 28, 2019 9:00AM – 11:00PM ___________________________ Design Competition CC Exhibit Hall 9:00AM – 11:30AM Student check-in and display setup 11:30AM – NOON Space closed for final setup and pre-screening NOON – 5:00PM Adjudicator’s Walk-Thru — closed to convention attendees 6:00PM – 11:00PM Design Competition displays open to all

2019 Ready to Design Award recipients earn the opportunity to work professionally on a sponsoring theatre’s 2019/2020 production. Designers are chosen from all of the graduate entrants to the Design Competition. Visit www.setc.org/ready-to-work for more information.

7:00PM – 10:00PM ___________________________ Design Keynotes CC Ballroom E-G Meet our panel of distinguished designers as they discuss their careers, show examples of their work, share their design process and take questions from the audience.

Friday, March 1, 2019 8:30AM – 9:30PM ___________________________ Design Competition 8:30AM – 11:30AM Juried Undergraduate Student Responses CC Exhibit Hall Design Response Space 9:00AM – 8:30PM Design Competition displays open to all CC Exhibit Hall 9:00AM – 10:30AM Sound Responses CC Exhibit Hall 10:30AM – 11:30AM Technical Direction Responses CC Exhibit Hall 11:30PM – 1:00PM Lunch Break 1:00PM – 2:30PM Properties, Costume Crafts, Costume Technology Responses CC Exhibit Hall 3:00PM – 5:00PM Juried Graduate Student Responses CC Exhibit Hall Design Response Space 5:30PM – 7:30PM Secondary Response Sessions; Responses to designs are offered by design faculty from SETC member schools. CC Exhibit Hall 8:00PM – 9:30PM Design/Tech Awards Ceremony CC Ballroom E-G Celebrate the achievements of all Design Competition award winners. Cash bar.

Vastly different. BA | BFA | MA | MFA | PHD

Saturday, March 2, 2019 9:00AM – 10:15AM ___________________________ Design & Technology Committee and Interest Meeting CC 300 C Open to anyone interested in design and technical theatre.

theatre.ttu.edu

9:00AM – NOON ___________________________ Design Competition Displays Open CC Exhibit Hall View the Design Competition and check out the winners.

C C E X H I B I T H A L L - F LO O R P L A N

EXHIBIT HALL HOURS __________________________________ Thursday, February 28 10:00AM – 7:00PM Friday, March 1 10:00AM – 6:00PM Saturday, March 2 10:00AM – 1:00PM

__________________________________ Knoxville Convention Center (First Floor) See Page 75 for Floor Plan

THEATRE JOB FAIR _____________________________________ Only for Registered Job Candidates and Hiring Representatives. See Page 69 for Schedule

DESIGN COMPETITION __________________________________________ Displays Open: TH: 6:00PM – 11:00PM See Page 71 FRI: 9:00AM – 8:30PM SAT: 9:00AM – NOON 72

SETC Exhibits Chair: Esthere Strom (Barbizon Lighting Company)

Special Events in the Exhibit Hall Beer Break Thurs., Feb. 28 | 5:00PM – 6:30PM Sponsored by Philips Entertainment Lighting Stroll the Exhibit Hall while enjoying a refreshment. Beer ($5) and popcorn ($3 plus tax) will be available! Commercial Exhibitor Showcase Fri., Mar. 1 | 3:45PM – 4:30PM Sponsored by Hollins Exposition Services Gather expertise and inspiration; check out the newest products and services; and enjoy Mountain Dew cupcakes ($1 each) and soft drink cans while supplies last. Many a tech rehearsal or overnight call has been fueled by the imbibe of Mountain Dew. As only SETC does in bringing you to the very best places, we have brought you to the Tennessee home of Mountain Dew! Tennessee bottlers Barney and Ally Hartman developed the drink as a mixer in the 1940s, having had difficulty obtaining their preferred soda to mix with their whiskey. “Mountain Dew” was originally Southern and/or Scots/Irish slang for “moonshine.” The original bottle was made to look as though it was a bootlegged beverage like those made in mountain stills. Mountain Dew was first marketed in Knoxville and Johnson City in 1948. Try a “Mountain Dew Cupcake,” and let the legendary sugar and caffeine propel you into the last days of the convention! Special thanks to the Culinary Team of the Knoxville Convention Center for this fun delight!

C C E X H I B I T H A L L - E X H I B I TO R L I S T S 2 0 1 9 E D E X P O E X H I B I TO R S School

Booth #

Accademia dell’Arte Alma College AMDA College and Conservatory of the Performing Arts American Academy of Dramatic Arts Arcadia University Atlantic Acting School Auburn University Auburn University Montgomery Austin Peay State University Averett University Belhaven University Belmont University California University of Pennsylvania Campbellsville University Carnegie Mellon University Centenary University Chattanooga State University Clemson University Coastal Carolina University College of Charleston Columbia College Chicago Davis and Elkins College Dell’Arte International School of Physical Theatre East Carolina University East Tennessee State University Emory and Henry College Florida School of the Arts Florida State University Furman University Gainesville Theatre Alliance George Mason University Georgia Southern University Greensboro College Heidelberg University High Point University Hollins University Illinois Wesleyan University Indiana University Interlochen Center for the Arts Jacksonville University KD Conservatory College of Film and Dramatic Arts Kent State University King University LaGrange College Lees-McRae College Lee University Limestone College

638 603 804 618 726 703 608 635 706 830 809 829 606 839 630 529 636 710 918 825 717 932 929 940 707 904 833 640 803 914 633 913 519 503 502 610 727 908 426 728 634 620 428 702 906 824 910

School

Booth #

Lipscomb University 623 LAMDA 807 Long Island University/Post Campus 903 Louisiana State University 934 Louisiana Tech University 424 Lynn University 430 Marshall University CANCELED Michael Howard Studios 719 Middle Tennessee State University 514 Midwestern State University 834 Milligan College 528 Mississippi State University 806 Mississippi University for Women, The 905 Murray State University 733 National Theatre Institute 922 Neighborhood Playhouse 617 New York Conservatory for Dramatic Arts 739 New York Film Academy 723 North Greenville University 536 Northern Illinois University 713 Nova Southeastern University 925 Ohio State University 816 Ohio University 626 Oklahoma City University 615 Oklahoma State University 935 Palm Beach Atlantic University 823 Pellissippi State University 836 Powerhouse Theater Training Program 513 Radford University 926 Randolph College 605 Regent University 714 Reinhardt University School of Performing Arts 531 Rollins College 923 Rowan University 602 Royal Welsh College of Music and Drama 705 Samford University School of the Arts 819 Savannah College of Art and Design (SCAD) 724 Sewanee: University of the South 704 Shenandoah University 734 Shorter University 814 South Carolina School of the Arts at Anderson University 933 Southeast Missouri State University 818 Southern Arkansas University 902 Southern Illinois University Carbondale 802 Southern Methodist University 627 Stagecraft Institute of Las Vegas 506 Stella Adler Studio of Acting 616 Studio School 625 Temple University 740

School

Booth #

Texas State University 708 Texas Tech University 601 Theatre of Arts 901 Troy University 820 University of Alabama, The 524 University of Alabama Birmingham 917 University of Alabama in Huntsville 813 University of Central Florida 604 University of Cincinnati College-Conservatory of Music 517 University of Georgia 920 University of Houston 729 University of Kentucky 516 University of Louisville 504 University of Memphis 928 University of Mississippi, The 520 University of Mobile 730 University of Montevallo 938 University of Mount Union, The 915 University of New Orleans 737 University of North Carolina Chapel Hill 614 University of North Carolina Charlotte 432 University of North Carolina Greensboro 718 University of North Carolina School of the Arts 527 University of South Carolina Aiken 835 University of South Carolina Upstate 515 University of Southern Indiana 817 University of Southern Mississippi 525 University of the Arts 624 University of Tennessee 827 University of Tennessee Chattanooga 924 University of Virginia’s College at Wise, The 927 University of West Florida 523 University of West Georgia 805 Utah State University 716 Valdosta State University 801 Villanova University 628 Virginia Commonwealth University 936 Virginia Tech 826 Wake Forest University 534 Wayne State University 725 West Virginia University 629 West Virginia Wesleyan College 736 Western Carolina University 720 Western Illinois University 916 Wilkes University 715 William Carey University 828 Winthrop University 701 York Theatre Company Musical Theatre Training Program, The 530

2 0 1 9 C O M M E RC I A L E X H I B I TO R S Company

Booth #

1st Street Music & Sound Company 4Wall Entertainment AACT ACL Theatre Resources Actor Index Altman Lighting American High School Theatre Festival /International Community Theatre Festival Arts People Barbizon Lighting Company Beltbox, LLC Broadway Media Distrubution Cast98 Costume Holiday House, Inc. Designs by De Wayne Costume Shop Doug Berky Masks Dramatic Publishing Company Dramatists Play Service

302 201 217 403 415 416 418 202 308 107 114 218 317 115 419 207 314

Company EdTA ETC Field Template German Light Products US High End Systems Imagine Design and Production InCord InterAmerica Stage MAGNUM Mainstage Theatrical Supply Mehron Norcostco Atlanta Costume NuDelta Digital Parlights Philips Entertainment Lighting Point Source Audio Robe Lighting Samuel French

Booth # 320 216 316 101 216 407 413 301 404 215 120 102 409 507 204 117 402 108

Company

Booth #

Sculptural Arts Coating 209 Select Travel Study 203 Stage Manager’s Association 116 Stage Rights 213 Stagedoor Manor 420 StageSpot 304 The College Audition 417 Theatrical Intimacy Education 414 TicketsToTheCity 318 Timothy Mooney Repertory Theatre 105 TMB CANCELED United Scenic Artists, Local USA 829, IATSE 219 USITT 116 Vincent Lighting 118 Wenger Corp 408 Wolf Trap Foundation for the Performing Arts 103 XS Lighting & Sound 119

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COStume packages AVAILABLE

Educational Positions & summer jobs Company Management Costumes Development Electrics Paints Performance Production Props Scenic Sound Stage Management Stage Ops/Deck Crew Wardrobe

JOIN US IN 2019 FOR OUR 61st SEASON!

msmt.org 207-725-8679 74

msmtcostumes.org 207-208-8950

Beauty and the Beast Grease Guys & Dolls Hairspray Les Misérables Mamma Mia! Mary Poppins Newsies Singin’ in the Rain Sister Act Young Frankenstein and many more...

First Floor

F LO O R P L A N : K N OX V I L L E C O N V E N T I O N C E N T E R (C C ) Knoxville Convention Center 701 Henley St See Pages 79–80 for Maps of Downtown Knoxville

EXHIBIT HALL See Pages 72–73 for Exhibit Hall Floor Plan and Commercial Exhibitor + Ed Expo Booth #s

Knoxville Convention Center Floor Plans Second Floor

CC FIRST FLOOR • Exhibit Hall: Beer Break; Callback Boards for School Auditions; Concession Stands; Commercial Exhibitor Showcase; Commercial Exhibits; Design Competition; Ed Expo; Stage Management Games; Theatre Job Fair; Workshop Space

CC SECOND FLOOR

Knoxville Convention Center Floor Plans Third Floor

• Lecture Hall: Professional Auditions • Meeting Rooms 200 A-E • Plaza Terrace: Food Truck Dining (See Page 4)

CC THIRD FLOOR

SETC SHUTTLE PICK-UP

• Ballrooms A-C • Ballrooms E-G: Design/Tech Awards Ceremony; Design/Tech Mixer; Disney Cocktail Reception; Keynote Presentations; On-Site Festival Performances (Fringe, 10-Minute Plays, Theatre for Youth) • Board Room • Clinch Ave Drop-Off Lane: SETC Community Theatre Shuttle Pick-Up/Drop-Off • Clinch Concourse: SETC Registration/Check-In Desk; SETC’s Marketplace (Convention Gear, Consulting Clinics, Info Hub, Leadership Tables, Silent Auction) • Cumberland Concourse: Food Carts and Food Vendors (See Page 4) • Henley Concourse: Food Carts and Food Vendors (See Page 4) • Meeting Rooms 300 A-D • Meeting Rooms 301 A-E • Rotunda Room: Coffee Stand & Happy Hour (See Page 4 for Hours) • Pedestrian Skybridge: Leads to UT Conference Center

F LO O R P L A N : U T C O N F E R E N C E C E N T E R ( U T C )

Restrooms

Exit

600 Henley St Elevators

Ballroom 413C

Front Office

413B

Computer Training Lab

Office

Room 411

See Pages 79–80 for Maps Sample Audio Visual/Misc. of Downtown Knoxville Offerings 400A

LCD Computer Projection Package........$160 From the Knoxville Convention Center, take the Pedestrian Standard Flip Chart Package..........................$25 Skybridge to the Locust Street Entrance, and follow signs. Easel .........................................................................................$5 Standard Overhead Package.........................$25 TV/VCR/DVD Package........................................$80 FOURTH FLOOR Laptop Computer......................................................$100 Wireless • UTCLavalier 400 A Microphone.........................$40 • UTC 406 Table.................................................$20 Skirted Exhibit • Musical Theatre Coaching Sessions TableUTC Linen411: .........................................................................$10

400B

Atrium

413A

Office

UT Conference Center

Exit

Room 419 Phones

Room 417

Restrooms

Room 401

Room 403

Executive Conference Room 409

• UTC 413 A • 413 B for a standard day. RatesUTC listed are • UTC 413 C are available for most Four-hour rates • UTC 417

Rest Rooms

items.

Exit Buffet Exit

25% Room Rental Discount for UT Departments

Room 406 Dining Room Room 404

Room

Banquet/ Hollow Total Weekday Classroom Theater Meal Rectangle Square Feet Rental Fee (chairs only) (3 per 6’ table)

400A 400B

100 90

63 20

100 60

401 (heptagonal) 403 (octagonal) 404 (dining room)

40 50

18 36

40 24 50 30 180 H O L I D AY

406 409 (boardroom) 411 413A 413B 413C 413ABC 417 419 (Sm. Board Room) Exclusive Use of Above Facilities Computer Lab 1 Computer Lab 2 Computer Labs 1 & 2

F LO O R P L A N : 135

100

30 100 100 100 300 50

18 45 60 45 156 24

26 80 80 80 300 40 6

14 10 24

36 10 18 42 42 42 30 6

Weekend • 17% service charge Rental Fee is added to all 1,566 $176 $203 meeting space rentals. 1,102 $126 $143 676 $106 $119 • Capacities will be reduced if a head 842 $126 $143 2,080 $206 $239 I N N / PA R K PAV I Ltable I OorNequipment (HI) is used. 2,071 $306 $359 • To keep rates low, a 499 $126 $143 rental day is 7 a.m. 429 $106 $119 until 6 p.m. Holiday Inn World’s Fair 1,431 $176 $203 ProgramPark Managers / Park Pavilion 1,484 $203 can customize pricing FAMILY ROOM$176 Henley for other 525 access times.St 1,431 $176 $203 • Four-hourSee rentals Pages 79–80 for Maps 4,346 $461 $515 of Downtown Knoxville available at 60% of 990 $146 $167 published rate. 247 $76 $83 Escalator connects the Holiday Inn hotel lobby level • Charges may apply to the lower Park View Lobby (World’s Fair Park exit). for room resets. $1,450 $1,650 556 413

$525 $425 $825

$660 $570 LOWER $1,050 • • •

•

LEVEL

Parlours 1–6 Parlour 7: SETC Family Room Grand Pavilion Ballroom: School Auditions • Medallion • Carriage • Crystal Tennessee Ballroom • Cumberland • Leconte • Summit

Bring Your Artistry To Exciting New Levels! BA in Theatre arts BFa in Acting

Located 25 miles from New York City, LIU Post’s Theatre program offers a wide range of opportunities that will connect you to the industry as soon as you arrive. You’ll be able to: • Work with professional directors and designers • Explore physical theatre training • Have international performance opportunities • Learn all aspects of theatre production • Study with a committed faculty of working professionals • Benefit from a strong alumni network after graduation • Enjoy internship opportunities in the New York City area

BFA in Design & Production BfA in Directing & Playwriting

BFA in Musical Theatre MFA in Theatre Arts

To find out more about auditioning: liu.edu/post/theatre | liu.edu/post/audition | 516-299-2353 720 Northern Boulevard | Brookville, NY 11548

If the shoe ďŹ ts... norwegiancreativestudios.com

D O W N T O W N K N O X V I L L E PA R K I N G M A P

Musical Theatre!

B.F. Ain. Theatre arts

www.molloy.edu/theatre-arts Manhattan & Rockville Centre, NY 79

D OW N TOW N K N OX V I L L E / T RO L L E Y M A P

Area Attractions

SETC Convention Sites

Knoxville Art Museum Free Admission

Knoxville Convention Center (CC) | 701 Henley St Floor Plans on Pages 75 and 72 (Exhibit Hall)

Market Square Downtown Hub of Shops, Restaurants and Bars

UT Conference Center (UTC) | 600 Henley St Floor Plan on Page 76

Knoxville Visitors Center 301 S Gay St

Holiday Inn / Park Pavilion (HI) | 525 Henley St Floor Plan on Page 76 Knoxville Civic Auditorium | 500 Howard Baker Jr Blvd SETC High School Theatre Festival Performance Schedule on Pages 58–59

Not Pictured on Map (Free SETC Shuttle Transit Available): #Knoxrocks #SETC 2019

Austin-East High School (AE) | 2800 Martin Luther King Ave SETC Community Theatre Festival Shuttle Schedule and Performance Schedules on Pages 56–57

WWW.KENT.EDU/THEATREDANCE

WHERE

PASSION AND OPPORTUNITY MEET

Master of Fine Arts Programs MFA in Design and Technology Costume Design Lighting Design Scenic Design Theatre Technology

MFA in Acting for the Returning Professional

Bachelor of Fine Arts Programs BFA in Design, Technology and Production BFA in Musical Theatre BFA in Dance Performance

Bachelor of Arts Programs BA in Theatre Studies BA in Dance Studies Accredited by NAST & NASD Member, URTA

Spend Your Summer at Porthouse Theatre Kent State University’s professional outdoor theatre • Train with professional theatre artists from around the country • All positions are paid and housing may be available • Positions available in scenic construction, lighting and electrics, sound, costumes, company management, stage management and more

WWW.PORTHOUSETHEATRE.COM

Over the past 5 years, VCUarts Theatre students and faculty have worked in Richmond, VA on projects such as TURN (AMC), Mercy Street (PBS), Lincoln, Loving, and Imperium as well as many local theatre companies producing award-winning work. Recent students and alumni have landed internships & jobs at theatres such as The Public, Arena Stage, and Alley Theatre, Seattle Childrenâ€™s Theatre, and Cincinnati Playhouse in the Park. Head of Design - Toni-Leslie James recently designed the Broadway hit Come From Away, and was nominated for a Tony Award for her work on Jitney in 2017. Noted VCU alumni include Jason Butler Harner (Ozark, Scandal, Changeling ) Matt Armentrout (Othello /Bway, Angels in America/Bway) Josh Boone (Network/Bway, Actually/Manhattan Theatre Club ) Clifton Duncan (Play that Went Wrong/ Bway, Carmen Jones CSC-NYC) Gloria Kim (Descendants, Altered Carbon) BFA, THEATRE performance lighting design scenic design costume design stage management BA, THEATRE MFA, PEDAGOGY over 125 alumni currently teaching in higher education MFA, SCENIC DESIGN MFA, COSTUME DESIGN unique professional working opportunities

arts.vcu.edu/theatre For more information: email theatre@vcu.edu or call (804)-828-1514 922 Park Ave., Richmond, Va 23284-2524