Seraphic Fire Magazine: Volume III, Issue I

2021-2022 SEASON | Volume III, Issue I

AN ARTISTIC PAIR UNLEASHING MUSICAL MAGIC

Hildegard von Bingen and Stage Director

Francesca Zambello READ MORE - PAGE 28

PATRICK DUPRE QUIGLEY Reflects on Season S READ MORE - PAGE 33

SEASON AT A GLANCE READ MORE - PAGE 10

BOCA RATON | CORAL GABLES | FT. LAUDERDALE | MIAMI | MIAMI BEACH | NAPLES

Seraphic Fire presents the highest quality performances of historically significant and under-performed music, and advances art through the professional development, refinement, and documentation of our musicians’ talents while promoting community connectivity through educational programs.

CONTENTS Welcome. . . . . . . . . . . . . . . . . . . . . . . . . 3 Artist Roster . . . . . . . . . . . . . . . . . . . 4-7 Guest Artists . . . . . . . . . . . . . . . . . . . . 8 Season at a Glance . . . . . . . . . . . . . . . 10 November Program . . . . . . . . . . . . 11-13 December Program . . . . . . . . . . . . 15-19 January Program . . . . . . . . . . . . . . 21-27 Feature: Hildegard & Zambello. . . . . . 28 Education . . . . . . . . . . . . . . . . . . . . . 30 A Letter from Patrick . . . . . . . . . . . . . 33 Financial Highlights . . . . . . . . . . . . . 34 Donor List . . . . . . . . . . . . . . . . . . . . . 36 Volunteers . . . . . . . . . . . . . . . . . . . . . . 38 Administration . . . . . . . . . . . . . . . . . 39

To request materials in accessible format, sign language interpreters, CART, and/or any disability accommodation, please contact JJ Flores at 305.692.0268 or JJ@SeraphicFire.org five days in advance to initiate your request.

TTY users may also call 711 (Florida Relay Service).

As a supporter and partner, I hope you take tremendous pride in this organization. Our resilience over the past 20 months, and ability to experiment and continue pursuing our strategic vision, is largely due to one all-important factor – you! I cannot overstate how appreciative we are to be cared for, supported, and trusted by such generous and loyal individuals. As Patrick expresses in his note on page 33, we are nothing without your presence.

With your support, we now can look to a season full of live musical experiences, and plan for a celebratory 20th Anniversary Season just around the corner. What a joy it will be to make music together with you again!

Rhett M. Del Campo Executive Director

On behalf of the entire Board at Seraphic Fire I would like to welcome you back to a full season of inspiring and transcendent live musical performances. During a conversation about what it is that makes people want to support this organization, I realized that for me it is because every time I attend a performance I am changed for the better. I feel more peaceful, more inspired, and ready to accept the beauty in our world despite its many challenges.

In what is likely the most challenging year ever faced by Seraphic Fire, we have witnessed the determination of the artists and staff in creating six multimedia concerts, twelve podcasts with conversations that enlighten us, the release of a remarkable and groundbreaking CD of Hildegard von Bingen’s Ordo Virtutum, and, in May, a recording session that resulted in multiple videos and the recording of two CDs for our future enjoyment.

We also added over 100 new supporters during a period when many arts organizations have been dormant. All of this is made possible by the passion, hard work and creativity of our artists and staff, the careful guidance and leadership of our executives, and most importantly, your faith in and support of Seraphic Fire and its mission. For sheer impact on arts and arts education in South Florida, you cannot make a better investment than to support the work of Seraphic Fire. Thank you and welcome back.

Dr. Thomas C. Boyd Chair, Seraphic Fire Board of Directors

SEASON 2021-2022

|3

ARTIST

ROSTER

For complete artist bios, visit SeraphicFire.org/About 4 | VOLUME III, ISSUE I

SOPRANO ELISSE ALBIAN City: Los Angeles, CA Seasons with SF: 1

REBECCA MYERS City: Boston, MA Seasons with SF: 8

TONIA D’AMELIO City: San Francisco, CA Seasons with SF: 1

MOLLY NETTER City: New York, NY Seasons with SF: 4

ARTIST HIGHLIGHT NOLA RICHARDSON SOPRANO

CHELSEA HELM City: New York, NY Seasons with SF: 4

MOLLY QUINN City: Chapel Hill, NC Seasons with SF: 10

VIDITA KANNIKS City: Cincinnati, OH Seasons with SF: 1

MARGOT ROOD City: Alexandria, VA Seasons with SF: 11

JANE LONG City: Seattle, WA Seasons with SF: 3

LAURA CHOI STUART City: Alexandria, VA Seasons with SF: 1

SARAH MOYER City: Boston, MA Seasons with SF: 7

MAIA SUMANAWEERA City: San Jose, CA Seasons with SF: 1

ARWEN MYERS City: Portland, OR Seasons with SF: 3

City: New York, NY Seasons with SF: 4 Making her mark as an “especially impressive” (The New York Times) soprano, Australian-American Nola Richardson was born in Sydney, Australia but sadly lost her Australian accent after her family emigrated to Colorado when she was six. In recent seasons she has made debuts with the Seattle, Pittsburgh, and Colorado Symphonies (Handel Messiah); filmed arias with the Atlanta Symphony for a documentary about J. S. Bach; made appearances at the Lincoln Center with the American Classical Orchestra; and performed with a wide range of Baroque ensembles including the American Bach Soloists, the Philharmonia Baroque Orchestra, the Colorado Bach Ensemble, and Musica Angelica. Nola is the first and only soprano to receive the prestigious DMA degree in Early Music Voice from Yale, where she attended the Institute of Sacred Music. Her upcoming season will include performances with the American Bach Soloists, the Grand Rapids and Kansas City Symphonies, Musica Angelica, Seraphic Fire, and debuts with Ars Lyrica Houston, and the Tucson Baroque Music Festival. Nola is an Athlone Artist and resides in NYC.

SEASON 2021-2022

|5

ALTO

ARTIST HIGHLIGHT JAMES REESE

City: Philadelphia, PA Seasons with SF: 4 James Reese is a frequently sought soloist and collaborative musician.

This season, he makes a recital debut with the Philadelphia Chamber Music Society, and orchestra debuts with the Harrisburg Symphony and the American Bach Soloists. James regularly appears with leading American orchestras and organizations, among them Philharmonia Baroque Orchestra, Lyric Fest, TENET Vocal Artists, Tempesta di Mare, and the Gamut Bach Ensemble. Notable recent performances include a tour to Venice, Italy with the Green Mountain Project, and an appearance at the Calgary Philharmonic Orchestra Bach Festival.

James is an advocate for new music, and is a founding member of Philadelphia vocal sextet Variant 6. He performs with leading ensembles, including The Crossing, Seraphic Fire, and Gallicantus.

James is a graduate of Northwestern University’s Bienen School of Music, and holds a master’s degree from the Yale School of Music. He lives in Philadelphia.

6

| VOLUME

III, ISSUE I

LUTHIEN BRACKETT City: London, UK Seasons with SF: 8

KATE MARONEY City: Brooklyn, NY Seasons with SF: 4

ALEXANDRA COLAIZZI City: Miami, FL Seasons with SF: 2

EMILY MARVOSH City: Boston, MA Seasons with SF: 15

AMANDA CRIDER City: Miami, FL Seasons with SF: 11

REGINALD MOBLEY City: Boston, MA Seasons with SF: 16

DOUGLAS DODSON City: Boston, MA Seasons with SF: 8

CLARA OSOWSKI City: Minneapolis, MN Seasons with SF: 7

WILLIAM DUFFY City: Montréal, QC Canada Seasons with SF: 2

KIMBERLY LEEDS City: Boston, MA Seasons with SF: 3

MARGARET LIAS City: Boston, MA Seasons with SF: 8

“One of the most-inventive and adventurous classical music ensembles in the country.”

– South Florida Sun Sentinel

TENOR

BASS BLAKE BECKEMEYER City: Indianapolis, IN Seasons with SF: 2

ERIC ALATORRE City: San Francisco, CA Seasons with SF: 3

ENRICO LAGASCA City: New York, NY Seasons with SF: 1

STEVEN BRADSHAW City: Philadelphia, PA Seasons with SF: 7

JAMES K. BASS ASSOCIATE CONDUCTOR City: Los Angeles, CA Seasons with SF: 19

MATTHEW NIELSEN City: Santa Monica, CA Seasons with SF: 2

ANDREW CRANE City: American Fork, UT Seasons with SF: 5

JOHN BUFFETT City: Los Angeles, CA Seasons with SF: 10

JONATHAN WOODY City: Los Angeles, CA Seasons with SF: 1

BRAD DIAMOND City: Birmingham, AL Seasons with SF: 10

RYNE CHERRY City: Boston, MA Seasons with SF: 1

NICK KARAGEORGIOU City: New York, NY Seasons with SF: 3

STEVEN EDDY City: New York, NY Seasons with SF: 6

PATRICK MUEHLEISE City: Miami, FL Seasons with SF: 12

MATTHEW GOINZ City: Washington, DC Seasons with SF: 1

STEVEN SOPH City: Philadelphia, PA Seasons with SF: 11

MICHAEL HAWES City: Chicago, IL Seasons with SF: 4

INSTRUMENTALISTS GEOFFREY BURGESS, OBOE MEG OWENS, OBOE ANNA LEE MARSH, BASSOON JOSH COHEN, TRUMPET PERRY SUTTON, TRUMPET RHETT DEL CAMPO, TIMPANI EDSON SCHEID, VIOLIN ISABELLE SEULA LEE, VIOLIN JEFFREY GIRTON, VIOLIN SUSANNAH FOSTER, VIOLIN CHLOE FEDOR, VIOLIN RENÉE HEMSING, VIOLIN KATIE HYUN, VIOLIN DINA KOSTIC, VIOLIN ANNIE GARLID, VIOLA STEPHEN GOIST, VIOLA KYLE MILLER, VIOLA GUY FISHMAN, CELLO AARON MERRITT, CELLO NATHANIEL CHASE, BASS JOHN LENTI, LUTE JUSTIN BLACKWELL, ORGAN AYA HAMADA, ORGAN LEON SCHELHASE, ORGAN SEASON 2021-2022

|7

8

| VOLUME

III, ISSUE I

SEA S ON 2 0 2 1- 2 0 2 2 GUEST ARTISTS

Reginald Mobley

Lauren Snouffer

Francesca Zambello

Particularly noted for his “shimmering voice, a voice which also allows lucid and pure levels” (BachTrack), countertenor Reginald Mobley is highly sought after for baroque, classical and modern repertoire.

Recognized for her unique artistic curiosity in world-class performances spanning the music of Claudio Monteverdi and Johann Adolph Hasse through to Missy Mazzoli and George Benjamin, American Lauren Snouffer is celebrated as one of the most versatile and respected sopranos on the international stage.

Francesca Zambello is an internationally recognized director of opera and theater, as well as the General Director of The Glimmerglass Festival since 2010 and the Artistic Director of The Washington National Opera at the Kennedy Center since 2012.

She has also served as the Artistic Advisor to the San Francisco Opera from 20052011 and as the Artistic Director of the Skylight Theater from 1987-1992. In her current roles at the Kennedy Center and the Glimmerglass Festival she is responsible for producing 12 productions annually. She has begun major commissioning programs for new works in both companies that have resulted in productions of many large and small-scaled new works. Both companies have thrived financially and increased their national and international profiles as a result of her artistic vision and leadership.

Reginald leads a very prolific career in the United States, where he resides. In March 2020, he became the first ever programming consultant for the Handel and Haydn Society following several years of leading H+H in his community-engaging Every Voice concerts. He is a regular guest with Cantata Collective, Musica Angelica, Agave Baroque, Charlotte Bach Akademie, Seraphic Fire, Quodlibet, Pacific Music Works, Bach Collegium San Diego, San Francisco Early Music Society, Philharmonia Baroque Orchestra.

In Europe, his career is expanding; in the UK, he has toured with the Monteverdi Choir and English Baroque Soloists for the last five years, and continues to do so, and has performed with the Royal Scottish National Orchestra, Academy of Ancient Music and is due to make his debut with the City of Birmingham Symphony Orchestra in June 2022. He was also invited to perform with the OH! (Orkiestra Historycsna) in Poland and the Vienna Academy in Austria (Musikverein), gave a recital (with a Spiritual programme) at the Musée d’Orsay in Paris, toured with the Freiburger Barockorchester under Kristian Bezuidenhout, Balthasar Neumann Chor & Ensemble and the Bach Society in Stuttgart.

During the current season, Lauren Snouffer makes her debut at the Opéra national du Rhin in the lead role of The Snow Queen,

by Hans Abrahamsen, in a new production directed by James Bonas and Grégoire Pont under the baton of Robert Houssart.

She returns to Houston Grand Opera for a production by Francesca Zambello of Dialogues des Carmélites conducted by Patrick Summers and bows in no less than two new productions with the Opernhaus Zürich: she is the title role in the world premiere of Girl with a Pearl Earring by composer Stefan Wirth and she performs Argene in Pergolesi’s L’Olimpiade in a new production conducted

by Ottavio Dantone. The soprano joins The Dallas Opera for Opera Galas and concertizes with Patrick Dupre Quigley and Seraphic Fire in their performances of Pergolesi’s Stabat Mater. She returns to Mercury Chamber Orchestra for a program of Vivaldi and Handel and appears with Ars Lyrica Houston in fully-staged performances of Purcell’s Dido and Æneas.

Her American directing debut took place at the Houston Grand Opera with a production of Fidelio. She debuted in Europe at Teatro la Fenice in Venice with Beatrice di Tenda and has since staged new productions at major theaters and opera houses in Europe and the USA. She has worked at over 50 major opera houses including: The Met, La Scala, Lyric Opera of Chicago, The Paris Opera, the Bolshoi, Munich State Opera, Covent Garden and the Australian Opera.

SEASON 2021-2022

|9

SEASON AT A GLANCE IMMORTAL GENIUS: PERGOLESI’S STABAT MATER

THE ENLIGHTENMENT FESTIVAL FEBRUARY 17-27, 2022

South Florida audience favorite, countertenor Reginald Mobley, and international opera star Lauren Snouffer perform in Giovanni Battista Pergolesi’s hauntingly beautiful Stabat Mater.

Seraphic Fire’s Enlightenment Festival returns by popular demand in 2022 with engaging programs of 18th century music. The musicians of Seraphic Fire will explore the music of Johann Sebastian Bach – along with the compositions and poetry of Henry Purcell and Thomas Moore.

NOVEMBER 4-7, 2021

Miami | Coral Gables | Ft. Lauderdale | Boca Raton

If Music be the Food of Love

A SERAPHIC FIRE CHRISTMAS DECEMBER 7-19, 2021 South Florida’s favorite holiday tradition, A Seraphic Fire Christmas, returns with Associate Conductor James K. Bass.

In what promises to be a joyful celebration of the holiday season, Seraphic Fire singers will serenade audiences with classics like Silent Night and Jesus Christ the Apple Tree, surrounded by the warm glow of candles Naples | Sarasota | Coral Gables | Miami Beach Ft. Lauderdale | Boca Raton | Miami | Cutler Bay

HILDEGARD VON BINGEN ORDO VIRTUTUM: THE CD RELEASE CONCERT JANUARY 20-23, 2022 Seraphic Fire celebrates the release of its newest recording, Hildegard von Bingen: Ordo virtutum, with a performance of the work in a new production by lauded opera and Broadway stage director Francesca Zambello. Celebrate with us as the women of Seraphic Fire bring this nearly millennia-old masterpiece back to life.

Naples | Coral Gables | Ft. Lauderdale | Miami Beach

10

| VOLUME

III, ISSUE I

Miami | Coral Gables | Ft. Lauderdale | Miami Beach

Johann Sebastian Bach Naples | Coral Gables | Ft. Lauderdale | Boca Raton

BIEBL: AVE MARIA MARCH 23-27, 2022 Seraphic Fire performs Biebl’s Ave Maria and explores the tradition of music for men’s choirs that inspired this singular work. This stirring concert showcases the men of Seraphic Fire in a presentation of favorites as well as new compositions from Ileana Perez Velazquez and Seraphic Fire University of Miami Student Composers-in-Residence, Melissa D’Albora and Sydney Doemel.

Miami | Naples | Coral Gables | Ft. Lauderdale | Miami Beach

HANDEL: MESSIAH APRIL 28-MAY 1, 2022 This Easter season, Seraphic Fire performs Handel’s complete masterpiece, Messiah, for the first time since 2004.

Naples | Coral Gables | Ft. Lauderdale | Boca Raton

NOVEMBER 2021

Immortal Genius: Pergolesi’s Stabat Mater

program

Miami | Coral Gables | Ft. Lauderdale | Boca Raton America the Beautiful Music by Samuel Ward Newark (1848-1903)

Lyrics by Katherine Lee Bates (1858-1929) arr. Patrick Dupre Quigley Taedet animam Esteban Salas y Castro (1725-1803) Reginald Mobley, countertenor O Malheureuse Iphigénie Christoph Willibald Gluck (1714-1787) Lauren Snouffer, soprano “Wir eilen mit schwachen” from Jesu, der du meine Seele Lauren Snouffer, Reginald Mobley

Johann Sebastian Bach (1685-1750)

“Two Capricci” from L’arte del violino Pietro Locatelli (1695-1764) Edson Scheid, violin Stabat Mater dolorosa Giovanni Battista Draghi “Pergolesi” (1710-1736) Lauren Snouffer, soprano Reginald Mobley, countertenor Edson Scheid, violin Isabelle Seula Lee, violin

Annie Garlid, viola Guy Fishman, cello Aya Hamada, organ Patrick Dupre Quigley, conductor

Program Note from Patrick Dupre Quigley: Two of the finest singers to ever grace the Seraphic Fire stage – Lauren Snouffer, soprano, and Reginald Mobley, countertenor – return to open Seraphic Fire’s triumphant 2021-22 Season with Giovanni Battista Draghi’s (a.k.a. “Pergolesi”) undisputed masterpiece, Stabat Mater dolorosa for voices, strings, and continuo.

Arranged by Johann Sebastian Bach, borrowed by Christoph Willibald Gluck, and quoted by Esteban Salas, the Stabat Mater would be one of, if not the most, influential pieces of concert music during the entire 18th century. By 1800, the Stabat Mater had been published more than 30 times, its influence reaching all the way to the New World. Rounding out this program will be two capricci from L’arte del violin (The Art of the Violin) by the ultimate Baroque virtuoso and 18th-century influencer Pietro Locatelli.

Made possible by William Jaume

SEASON 2021-2022

| 11

TEXT & TRANSLATIONS | PERGOLESI’S STABAT MATER America the Beautiful

Taedet animam

O beautiful for spacious skies, For amber waves of grain, For purple mountain majesties Above the fruited plain!

America! America!

God shed His grace on thee And crown thy good with brotherhood From sea to shining sea!

Taedet animam meam vitae meae, dimittam adversum me eloquium meum, loquar in amaritudine animae meae.

Dicam Deo: Noli me condemnare: indica mihi, cur me ita iudices.

Numquid bonum tibi videtur, si calumnieris, et opprimas me, opus manuum tuarum, et consilium impiorum adiuves?

I am weary at heart of my life; I will speak out at my own risk, and express the bitterness in my soul.

I shall say to God: Do not condemn me, but show me why you judge me this way.

Shall it seem a good thing to you to cheapen me and oppress me, a man of your own making, and to support the schemes of the wicked?

Numquid oculi carnei tibi sunt: aut sicut videt homo, et tu vides?

Numquid sicut dies hominis dies tui, aut anni tui sicut humana sunt tempora, ut quaeras iniquitatem meam, et peccatum meum scruteris?

Et scias, quia nihil impium fecerim, cum sit nemo, qui de manu tua possit eruere.

Are your eyes like human eyes?

Do you even see only as men do?

Is your life like the life of men, and do your years pass like the days of men, that you should search for faults in me and investigate my sins?

Surely you know that I have done no wrong and no one could rescue me from your hand.

Samuel Ward Newark, Katherine Lee Bates arr. Patrick Dupre Quigley

O beautiful for pilgrim feet, Whose stern, impassioned stress A thoroughfare for freedom beat Across the wilderness!

America! America!

God mend thine every flaw, Confirm thy soul in self-control, Thy liberty in law!

O beautiful for heroes proved In liberating strife, Who more than self their country loved And mercy more than life!

America! America!

May God thy gold refine, Till all success be nobleness, And every gain divine!

O beautiful for patriot dream That sees beyond the years Thine alabaster cities gleam Undimmed by human tears!

America! America!

God shed His grace on thee And crown thy good with brotherhood From sea to shining sea

12

| VOLUME

III, ISSUE I

Esteban Salas y Castro

O Malheureuse Iphigénie

Christoph Willibald Gluck Ô malheureuse Iphigénie, ta famille est anéantie!

Vous n’avez plus de rois; je n’ai plus de parents.

Mêlez vos cris plaintiffs à mes gémissements.

Vous n’avez plus de rois Je n’ai plus de parents.

Oh, miserable Iphigenie, Your family is extinguished!

You don’t have any kings left; I don’t have any parents left.

Intermingle your painful cries With my moaning.

You have no kings; I have no family.

Wir eilen mit schwachen Johann Sebastian Bach

Wir eilen mit schwachen, doch emsigen Schritten, O Jesu, o Meister, zu helfen zu dir.

Du suchest die Kranken und Irrenden treulich.

Ach höre, wie wir die Stimmen erheben, um Hülfe zu bitten!

Es sei uns dein gnädiges Antlitz erfreulich!

We hasten with weak, yet eager steps, O Jesus, o Master, to you for help.

You faithfully seek the ill and erring.

Ah, hear, how we lift up our voices to beg for help!

Let your gracious countenance be joyful to us!

Stabat Mater dolorosa

Giovanni Battista Draghi “Pergolesi” 1. Stabat Mater dolorosa Iuxta crucem lacrimosa Dum pendebat Filius.

1. The grieving Mother stood weeping beside the cross where her Son was hanging.

2. Cuius animam gementem Contristatam et dolentem Pertransivit gladius

2. Through her weeping soul, compassionate and grieving, a sword passed.

3. O quam tristis et afflicta Fuit illa benedicta Mater unigeniti!

3. O how sad and afflicted was that blessed Mother of the only-begotten!

4. Quae moerebat et dolebat, Pia Mater, dum videbat Nati poenas incliti.

4. Who mourned and grieved, seeing and bearing the torment of her glorious child.

5. Quis est homo qui non fleret, Matrem Christi si videret In tanto supplicio?

5. Who is it that would not weep, seeing Christ’s Mother in such agony?

6. Vidit suum dulcem natum Moriendo desolatum Dum emisit spiritum.

6. She saw her sweet child die desolate, as he gave up His spirit.

7. Eja Mater, fons amoris Me sentire vim doloris Fac, ut tecum lugeam.

7. O Mother, fountain of love, make me feel the power of sorrow, that I may grieve with you.

8. Fac, ut ardeat cor meum In amando Christum Deum Ut sibi complaceam.

8. Grant that my heart may burn in the love of Christ my God, that I may greatly please Him.

9. Sancta Mater, istud agas, Crucifixi fige plagas cordi meo valide.

9. Holy Mother, may you do thus: place the wounds of the Crucified deep in my heart.

10. Fac ut portem Christi mortem, passionis fac consortem, et plagas recolere.

10. Make me to bear Christ’s death, sharing in His passion, and commemorate his wounds.

11. Inflammatus et accensus per te, Virgo, sim defensus in die iudicii.

Fac me cruce custodiri morte Christi praemuniri confoveri gratia.

11. Inflame and set on fire, may I be defended by you, Virgin, on the day of judgment.

Let me be guarded by the cross, armed by Christ’s death and His cherished by His grace.

12. Quando corpus morietur, fac ut animæ donetur Paradisi gloria. Amen.

12. When my body dies, grant that to my soul is given the glory of paradise. Amen.

SEASON 2021-2022

| 13

SERAPHIC SATURDAY PODCAST Launched in May 2020, Seraphic Saturday is a monthly podcast designed to be a musically informative and entertaining way to engage with Seraphic Fire beyond the concert hall. Hit play and enjoy the witty cast of Seraphic Fire’s artistic company and special guests as they dive into a smart and frank discussion of classical music.

October: Immortal Genius November: Tradition January: Hildegard Revisited February: Enlightenment March: Professional Ensembles in America April: Messiah Revisited May: 20 Years of Seraphic Fire

Available on the Seraphic Fire Blog or on your favorite podcast streaming service

14

| VOLUME

III, ISSUE I

SeraphicFire.org/Blog

A Seraphic Fire Christmas

DECEMBER 2021

program

Naples | Sarasota | Coral Gables | Miami Beach | Ft. Lauderdale | Boca Raton | Miami | Cutler Bay

I Saw Three Ships Edwin Fissinger (1920-1990)

Adeste Fideles John Francis Wade (1711-1786) O Come All Ye Faithful arr. Patrick Dupre Quigley Coventry Carol Anonymous, English

arr. Paul John Rudoi I Wonder as I Wander

John Jacob Niles (1892-1980) arr. Patrick Dupre Quigley

Quem Pastores Laudavere

Michael Praetorius (1571-1621) arr. Susan LaBarr (b. 1981)

In Dulci Jubilo

Praetorius arr. James K. Bass

Woods in Winter O Magnum Mysterium

Dominick DiOrio (b. 1984) Morten Lauridsen (b. 1943)

Away in a Manger The Holly and the Ivy

Ola Gjielo (b. 1978) Gjielo

Jesus Christ the Apple Tree

Elizabeth Poston (1905-1987)

Adam Lay Ybounden Maria Durch ein Dornwald ging

Matthew Martin (b.1988) Gottfried Wolters (1910-1989)

Have Yourself A Merry Little Christmas

Ralph Blane (1914-1995) arr. Peter Gritton (b. 1963)

Silent Night

Franz Xaver Gruber (1787-1863) arr. Patrick Dupre Quigley

Elisse Albian, soprano Chelsea Helm, soprano Vidita Kanniks, soprano Jane Long, soprano Alexandra Colaizzi, alto William Duffy, alto Kimberly Leeds, alto

Blake Bekemeyer, tenor Nickolas Karageorgiou, tenor Patrick Muehleise, tenor John Buffett, bass Matthew Goinz, bass Matthew Nielsen, bass James K. Bass, conductor

Made possible by the Meredyth Anne Dasburg Foundation

SEASON 2021-2022

| 15

TEXT & TRANSLATIONS | A SERAPHIC FIRE CHRISTMAS I Saw Three Ships Edwin Fissinger

1. I saw three ships come sailing in, On Christmas day, on Christmas day, I saw three ships come sailing in, On Christmas day in the morning.

2. And what was in those ships all three?

On Christmas day, on Christmas day, And what was in those ships all three?

On Christmas day in the morning.

3. Our Saviour Christ and his lady On Christmas day, on Christmas day, Our Saviour Christ and his lady, On Christmas day in the morning.

4. Pray whither sailed those ships all three?

On Christmas day, on Christmas day, Pray whither sailed those ships all three?

On Christmas day in the morning.

5. Oh, they sailed into Bethlehem, On Christmas day, on Christmas day, Oh, they sailed into Bethlehem, On Christmas day in the morning.

6. And all the bells on earth shall ring, On Christmas day, on Christmas day, And all the bells on earth shall ring, On Christmas day in the morning.

7. And all the Angels in Heaven shall sing, On Christmas day, on Christmas day, And all the Angels in Heaven shall sing, On Christmas day in the morning.

8. And all the souls on earth shall sing, On Christmas day, on Christmas day, And all the souls on earth shall sing, On Christmas day in the morning.

9. Then let us all rejoice, amain, On Christmas day, on Christmas day, Then let us all rejoice, amain, On Christmas day in the morning.

16

| VOLUME

III, ISSUE I

Adeste Fideles

O Come All Ye Faithful

Adeste fideles laeti triumphantes, Venite, venite in Bethlehem.

Natum videte Regem angelorum.

Venite adoremus Dominum.

Oh, come, all ye faithful, Joyful and triumphant!

Oh, come ye, oh, come ye to Bethlehem; Come and behold him, Born the King of Angels: Oh come let us adore him Christ the Lord.

En grege relicto, Humiles ad cunas, vocati pastores approperant.

Et nos ovanti gradu festinemus;

See how the shepherds, summoned to His cradle, leaving their flocks, draw nigh to gaze.

We too will thither bend our hearts’ oblations

John Francis Wade arr. Patrick Dupre Quigley

God of God, Light of Light, Lo! He abhors not the Virgin’s womb; Very God, begotten, not created: Oh come let us adore him, Christ the Lord!

Sing choirs of angels, Sing in exultation, Sing, all ye citizens of heav’n above; Glory to God, Glory in the highest; Oh come let us adore him, Christ the Lord.

Coventry Carol

Quem Pastores Laudavere

Lully, lullay, Thou little tiny Child, By, by, lully, lullay, Thou little tiny Child, by, by, lully, lullay.

Quem pastores laudavere, quibus angeli dixere: absit vobis jam timere, natus est rex gloriæ.

Shepherds sang their praises over him Called by angels to adore him: Have no fear, but come before him, The glorious King is now born.

Ad quem reges ambulabant, aurum, thus, myrrham portabant, immolabant hæc sincere Leoni victoriæ;

Eastern sages came to view him, Judah’s conquering Lion knew him, Gold, and myrrh, and incense to him As their tribute offering.

Exultemus cum Maria In coelesti heirarchia Natum promat voce pia Dulci cum melodia.

Let us rejoice with Mary, In union with the Celestial Hierarchy, Singing a pious song to the Newborn, That be sweet in its melody.

Christo regi, Deo nato, per Mariam nobis dato, merito resonet vere ‘Laus, honor, et gloria!’

Of Christ the King, God born, Who was given to us by Mary, We should sing the merit: ‘Honor, praise, and glory be!’

Anonymous, English arr. Paul John Rudoi

O sister too, how may we do For to preserve this day This poor Youngling, for whom we sing By, by, lully, lullay?

Herod, the king, in his raging, chargèd he hath this day his men of might, In his own sight, all young children to slay.

That woe is me, Poor Child, for Thee!

And ever morn and day, For they parting neither say nor sing, By, by, lully, lullay.

Michael Praetorious arr. Susan LaBarr

I Wonder as I Wander

John Jacob Niles arr. Patrick Dupre Quigley I wonder as I wander out under the sky, How Jesus, the Saviour, did come for to die.

For poor ornery people like you and like I: I wonder as I wander, Out under the sky.

In Dulci Jubilo

When Mary birthed Jesus, Twas in a cows’ stall, with wisemen and farmers and shepherds and all.

But high from God’s heaven a star’s light did fall, and the promise of ages it then did recall.

In dulci jubilo, Nu singet und seid froh!

Unsers Herzens Wonne Leit in praesepio; Und leuchtet wie die Sonne Matris in gremio.

Alpha es et O!

Michael Praetorious In sweet rejoicing, now sing and be glad!

Our hearts’ joy lies in the manger; And it shines like the sun in the mother’s lap.

You are the alpha and omega

If Jesus had wanted for any wee thing: A star in the sky, or a bird on the wing; Or all of God’s angels in heaven to sing, He surely could have had it, ‘cause he was the King!

I wonder as I wander out under the sky, How Jesus, the Saviour, did come for to die.

For poor ornery people like you and like I: I wonder as I wander, Out under the sky.

SEASON 2021-2022

| 17

Woods in Winter

Away in a Manger

Dominic DiOrio

continued

When Winter winds are piercing chill, And through the hawthorn blows the gale, With solemn feet I tread the hill, That overbrows the lonely vale.

O’er the bare upland and away, Through the long reach of desert woods, The embracing sunbeams chastely play, And gladen these deep solitudes.

Where twisted round the barren oak, The summer vine in beauty clung, And summer winds the stillness broke, The crystal icicle is hung.

Where from their frozen urns, Mute springs pour out the river’s gradual tide Shrilly the skater’s iron rings, And voices fill the woodland side.

Alas! How changed from the fair scene, When birds sang out their mellow lay, And winds were soft and woods were green, And the song ceased not with the day.

But still wild music is abroad, pale, desert woods! Within your crowd; and gath’ring winds, In hoarse accord, amid the vocal reeds, pipe loud.

Chill airs and wintry winds!

My ear has grown familiar with your song: I hear it in the opening year, I listen and it cheers me long.

O Magnum Mysterium Morten Lauridsen

O magnum mysterium et admirabile sacramentum, ut animalia viderent Dominum natum jacentem in praesepio.

O beata Virgo, cuius viscera meruerunt portare Dominum Jesum Christum.

Alleluia.

O great mystery and wonderful sacrament, that beasts should see the new-born Lord lying in a manger.

O blessed virgin, whose body was worthy to bear the Lord Jesus Christ.

Alleluia

Away in a Manger Ola Gjeilo

Away in a manger, No crib for His bed, The little Lord Jesus laid down His sweet head.

The stars in the bright sky looked down where He lay, The little Lord Jesus asleep on the hay.

continued 18

| VOLUME

III, ISSUE I

The cattle are lowing, the Baby wakes, But little Lord Jesus no crying He makes.

I love Thee, Lord Jesus look down from the sky, And stay by my side until morning is nigh.

Be near me, Lord Jesus; I ask Thee to stay Close by me forever, and love me I pray.

Bless all the dear children in thy tender care, And fit us for heaven to live with Thee there.

The Holly and the Ivy Ola Gjeilo

The holly and the ivy, When they are both full grown, Of all trees that are in the wood, The holly bears the crown: O, the rising of the sun, And the running of the deer The playing of the merry organ, Sweet singing in the choir.

The holly bears a blossom, As white as lily flow’r, And Mary bore sweet Jesus Christ, To be our dear Saviour: The holly bears a berry, As red as any blood, And Mary bore sweet Jesus Christ, To do poor sinners good: The holly bears a prickle, As sharp as any thorn, And Mary bore sweet Jesus Christ, On Christmas Day in the morn: The holly bears a bark As bitter as the gall And Mary bore sweet Jesus Christ For to redeem us all The holly and the ivy When they are both full grown Of all trees that are in the wood The holly bears the crown

Jesus Christ the Apple Tree Elizabeth Poston

The tree of life my soul hath seen, Laden with fruit, and always green, The trees of nature fruitless be, Compar’d with Christ the apple tree.

His beauty doth all things excel, By faith I know, but ne’er can tell, The glory which I now can see, In Jesus Christ the apple tree.

For happiness I long have sought, And pleasure I have dearly bought; I missed of all but now I see ‘Tis found in Christ the apple tree.

I’m wearied with my former toil, Here I will sit and rest awhile; Under the shadow I will be Of Jesus Christ the apple tree.

With great delight I make my stay, There’s none shall fright my soul away, Among the sons of men I see, There’s none like Christ the apple tree I’ll sit and eat this fruit divine, It cheers my heart like spiritual wine.

And now this fruit is sweet to me, That grows on Christ the apple tree.

This fruit doth make my soul to thrive, It keeps my dying faith alive; Which makes my soul in haste to be With Jesus Christ the apple tree.

Adam Lay Ybounden

Have Yourself A Merry Little Christmas

Adam lay ybounden, Bounden in a bond: Four thousand winter Thought he not too long.

Have yourself a merry little Christmas Let your heart be light From now on Our troubles will be out of sight Have yourself a merry little Christmas Make the Yule-tide gay From now on Our troubles will be miles away Here we are as in olden days Happy golden days of yore Faithful friends who are dear to us Gather near to us once more

Matthew Martin

Ralph Blane arr. Peter Gritton

And all was for an apple, An apple that he took, As clerkès finden Written in their book.

Nè had the apple taken been, The apple taken been, Nè had never our lady Abeen heavenè queen.

Through the years we all will be together If the fates allow Hang a shining star upon the highest bough And have yourself a merry little Christmas now Here we are as in olden days Happy golden days of yore Faithful friends who are dear to us Gather near to us once more

Blessèd be the time That apple taken was, Therefore we moun singen, Deo gracias!

Maria durch ein Dornwald ging Gottfried Wolters

Silent Night

Maria durch ein’ Dornwald ging.

Kyrieleison!

Maria durch ein’ Dornwald ging, Der hat in sieben Jahr’n kein Laub getragen!

Jesus und Maria.

Maria walks amid the thorn, Kyrieleison!

Which for seven years no leaf hath born She walks amid the wood of thorn Jesus and Maria.

Was trug Maria unter ihrem Herzen?

Kyrieleison!

Ein kleines Kindlein ohne Schmerzen, Das trug Maria unter ihrem Herzen!

Jesus und Maria.

What ‘neath her heart does Mary bear?

Kyrieleison!

A little child doth Mary bear Beneath her heart he nestles there.

Jesus and Maria.

Da haben die Dornen Rosen getragen.

Kyrieleison!

Als das Kindlein durch den Wald getragen, Da haben die Dornen Rosen getragen!

Jesus und Maria.

And as the two are passing near Kyrieleison!

As the babe was carried through the woods, Lo! Roses on the thorns appear!

Jesus and Maria

Franz Xaver Gruber arr. Patrick Dupre Quigley Stille Nacht! Heilige Nacht!

Alles schläft; einsam wacht Nur das traute heilige Paar.

Holder Knabe im lokkigten Haar, Schlafe in himmlischer Ruh!

Silent night, holy night, All is calm, all is bright ‘Round yon virgin Mother and Child Holy infant so tender and mild Sleep in heavenly peace Silent night, holy night, Shepherds quake at the sight, Glories stream from Heaven afar, Heav’nly hosts sing Alleulia; Christ the Saviour is born.

SEASON 2021-2022

| 19

PASSION MOVES US FORWARD Rediscover the newly revitalized Courtyard Miami Coconut Grove. Located across Biscayne Bay and near the newly renovated Coconut Village, enjoy a coveted location and bohemian vibes from Miami’s oldest neighborhood, contemporary comfort, bay views from your guestroom balcony and immerse in our stunning 1,700 square foot infinity pool.

Book now at courtyard miami coconut grove.com or 305.858.2500

Courtyard By Marriott® Miami Coconut Grove 2649 South Bayshore Drive, Miami, Florida 33133 ©2020 Marriott International, Inc. All Rights Reserved.

WILLIAMSON CADILLAC We are proud to support Seraphic Fire.

LOCATION 7815 SW 104TH St. Miami, FL

20

| VOLUME

III, ISSUE I

WilliamsonCadillac.com

SALES 1-877-579-0775 Mon.-Fri. 9am - 8pm Sat. 9am - 6pm Sun. 11am - 5pm

©2021 General Motors. All Rights Reserved. Cadillac®

SERVICE 1-866-372-8217 Mon.-Fri. 7:30am - 7pm Sat. 8am - 5pm Sun. Closed

Hildegard von Bingen

ordo virtutum: the cd release concert

JANUARY 2022

program

Naples | Coral Gables | Ft. Lauderdale | Miami Beach Introit for the Dedication of a Church: Terribilis est locus iste

Anonymous

Ordo virtutum Prologue Part I: The Soul Invokes the Virtues Part II: Enter the Devil Part III: The Soul Returns Part IV: The Devil is Bound Epilogue

Hildegard von Bingen (1098-1179)

Anima, the Soul Luthien Brackett Humility, Queen of the Virtues Clara Osowski The Devil Enrico Lee Nola Richardson, Knowledge of God, Patience, Embodied Souls; Margaret Lias, Charity, Hope, Patriarchs and Prophets, Introit precentor; Amanda Crider, Embodied Souls, Fear of God, World Rejection; Kate Maroney, Obedience, Embodied Souls; Alexandra Colaizzi, Faith, Discipline, Patriarchs and Prophets soloist; Arwen Myers, Chastity, Shamefastness, Embodied Souls; Maia Sumanaweera, Innocence, Embodied Souls; Molly Quinn, Heavenly Love, Discretion, Embodied Souls; Sarah Moyer, Mercy, Embodied Souls; Molly Netter, Victory, Embodied Souls; Enrico Lee, Patriarchs and Prophets precentor, Epilogue; Luthien Brackett, Patriarchs and Prophets; Clara Osowski, Embodied Souls, percussion; Women from Frost Chorale at University of Miami, Embodied Souls, Virtues; Patrick Dupre Quigley, Epilogue Patrick Dupre Quigley, music director Francesca Zambello, stage director Program Note: A scientist, composer, natural pharmacist, philosopher, theologian, and correspondent with kings and popes, 12th-century visionary Hildegard von Bingen defined the concept of a Renaissance woman a full 200 years before the Renaissance began. Her magnum musical opus, the Ordo virtutum, is a musical morality play pitting the forces of good against those of evil. The celestial virtues, sung by only female voices, aim to rescue the soul Anima from the clutches of the songless, shouting Devil. Broadway and opera director Francesca Zambello creates a new staging for Seraphic Fire as the ensemble celebrates the release of its newest recording of Ordo virtutum.

Made possible by Marty Davis and Alix Ritchie

SEASON 2021-2022

| 21

TEXT & TRANSLATIONS | HILDEGARD: ORDO VIRTUTUM Ordo virtutum

Hildegard von Bingen Introit for the Dedication of a Church Terribilis est locus iste: hic domus Dei est, et porta caeli: et vocabitur aula Dei. Quam dilecta tabernacula tua, Domine virtutum!

Concupiscit, et deficit anima mea in atria Domini.

Gloria Patri, et Filio, et Spiritui Sancto.

Sicut erat in principio, et nunc, et semper, Et in saecula saeculorum. Amen.

Awesome is this place: here is the house of God and the gate of heaven: It shall be called the court of God. How beautiful is your tabernacle, Lord of the Virtues!

My soul longs and faints for the court of the Lord.

Glory to the Father, and Son, and Holy Spirit.

As it was in the beginning, is now, and always, And forever and ever. Amen.

Prologue 1. Patriarche et Prophete: Qui sunt hi qui ut nubes volant et quasi columbe ad fenestras suas?

Dorsa eorum plena sunt oculis et scintille ac lampades in medio discurrentes.

2. Virtutes: O antiqui sancti, quid admiramini in nobis?

Verbum dei clarescit in forma hominis, et ideo fulgemus cum illo, edificantes membra sui pulcri corporis.

3. Patriarche et Prophete: Nos sumus radices et vos rami, fructus viventis oculi, et nos umbra in illo fuimus.

1. Patriarchs and Prophets: Who are these who fly like clouds and like doves to their windows?

Their backs are full of eyes and sparks flash therein like torches.

2. Virtues: You holy ones of old, why do you marvel at us?

The Word of God grows bright in the shape of man, and thus we shine with him, building up the limbs of his beautiful body.

3. Patriarchs and Prophets: We are the roots, and you, the boughs, fruits of the living eye, and in that eye we were the shadow.

Part I - The Soul Invokes the Virtues 4. Querela Animarum in carne positarum: O nos peregrine sumus.

Quid fecimus, ad peccata deviantes?

Filie regis esse debuimus, sed in umbram peccatorum cecidimus.

O vivens sol, porta nos in humeris tuis in iustissimam hereditatem quam in Adam perdidimus!

22

| VOLUME

III, ISSUE I

4. The lament of (a chorus of) embodied Souls: Oh we are strangers here!

What have we done, straying to realms of sin?

We should have been daughters of the King, but we have fallen into the shadow of sins.

Oh living Sun, carry us on your shoulders back to that most just heritage we lost in Adam!

O rex regum, in tuo prelio pugnamus.

5. Felix Anima: O dulcis divinitas, et o suavis vita, in qua perferam vestem preclaram, illud accipiens quod perdidi in prima apparitione, ad te suspiro, et omnes Virtutes invoco.

6. Virtutes: O felix Anima, et o dulcis creatura dei, que edificata es in profunda altitudine sapientie dei, multum amas.

7. Felix Anima: O libenter veniam ad vos, ut prebeatis michi osculum cordis.

8. Virtutes: Nos debemus militare tecum, o filia regis.

9. Sed, gravata, Anima conqueritur: O gravis labor, et o durum pondus quod habeo in veste huius vite, quia nimis grave michi est contra carnem pugnare.

10. Virtutes ad Animam illam: O Anima, voluntate dei constituta, et o felix instrumentum, quare tam flebilis es contra hoc quod deus contrivit in virginea natura?

Tu debes in nobis superare diabolum.

11. Anima illa: Succurrite michi, adiuvando, ut possim stare!

12. Scientia Dei ad Animam illam: Vide quid illud sit quo es induta, filia salvationis, et esto stabilis, et numquam cades.

13. Infelix, Anima: O nescio quid faciam, aut ubi fugiam!

O ve michi, non possum perficere hoc quod sum induta.

Certe illud volo abicere!

14. Virtutes: O infelix conscientia,

King of kings, we are fighting in your battle.

5. Anima (happily): Oh sweet divinity, oh gentle life, in which I shall wear a radiant robe, receiving that which I lost in my first manifestation – I sigh for you, and invoke all the Virtues.

6. Virtues: You happy Soul, sweet and divine creation, fashioned in the deep height of the wisdom of God, you show great love.

7. Anima (happily): Oh let me come to you joyfully, that you may give me the kiss of your heart!

8. Virtues: We must fight together with you, royal daughter.

9. Anima, depressed, laments: Oh grievous toil, oh harsh weight that I bear in the dress of this life: it is too grievous for me to fight against my body.

10. Virtues (to Anima): Anima, you that were given your place by the will of God, you instrument of bliss, why are you so tearful in the face of the evil God crushed in a maidenly being?

You must overcome the devil in our midst.

11. Anima: Support me, help me to stay firm!

12. Knowledge of God (to Anima): Look at the dress you are wearing, daughter of salvation: be steadfast, and you’ll never fall.

13. Anima (unhappily): I don’t know what to do or where to flee.

Woe is me, I cannot complete this dress I have put on.

Indeed I want to cast it off!

14. Virtues: Unhappy state of mind,

O misera Anima, quare abscondis faciem tuam coram creatore tuo?

15. Scientia Dei: Tu nescis, nec vides, nec sapis illum qui te constituit.

16. Anima illa: Deus creavit mundum: non facio illi iniuriam, sed volo uti illo!

oh poor Anima, why do you hide your face in the presence of your Creator?

15. Knowledge of God: You do not know or see or taste the One who has set you here.

16. Anima: God created the world: l’m doing him no injury, I only want to enjoy it!

Part II - Enter the Devil 17. Strepitus Diaboli ad Animam illam: Fatue, fatue quid prodest tibi laborare? Respice mundum, et amplectetur te magno honore.

18. Virtutes: O plangens vox est hec maximi doloris!

Ach, ach, quedam mirabilis victoria in mirabili desiderio dei surrexit, in qua delectatio carnis se latenter abscondit, heu, heu, ubi voluntas crimina nescivit et ubi desiderium hominis lasciviam fugit.

Luge, luge ergo in his, Innocentia, que in pudore bono integritatem non amisisti, et que avariciam gutturis antiqui serpentis ibi non devorasti.

19. Diabolus: Que est hec potestas, quod nullus sit preter deum? Ego autem dico, qui voluerit me et voluntatem meam sequi, dabo illi omnia. Tu vero, tuis sequacibus nichil habes quod dare possis, quia etiam vos omnes nescitis quid sitis.

20. Humilitas: Ego cum meis sodalibus bene scio quod tu es ille antiquus dracho qui super summum volare voluisti – sed ipse deus in abyssum proiecit te.

21. Virtutes: Nos autem omnes in excelsis habitamus.

17. Devil (shouting to Anlma): What use to you is toiling foolishly, foolishly? Look to the world: it will embrace you with great honor.

18. Virtues: ls this not a plangent voice, of utmost sorrow?

Ah, a certain wondrous victory already rose in that Soul, in her wondrous longing for God, in which a sensual delight was secretly hidden, alas, where previously the will had known no guilt, and the desire fled man’s wantonness.

Mourn for this, mourn, Innocence, you who lost no perfection in your fair modesty, who did not devour greedily, with the gullet of the serpent of old.

19. Devil: What is this power, as if there were no one but God? I say, whoever wants to follow me and do my will, I’ll give him everything. As for you, Humility, you have nothing that you can give your followers: none of you even know what you are!

20. Humility: My comrades and I know very well that you are the dragon of old who craved to fly higher than the highest one: but God himself hurled you in the abyss.

21. Virtues: As for us, we dwell in the heights.

22. Humilitas: Ego, Humilitas, regina Virtutum, dico: venite ad me, Virtutes, et enutriam vos ad requirendam perditam dragmam et ad coronandum in perseverantia felicem.

23. Virtutes: O gloriosa regina, et o suavissima mediatrix, libenter venimus.

24. Humilitas: Ideo, dilectissime filie, teneo vos in regali talamo.

25. Karitas: Ego Karitas, flos amabilis – venite ad me, Virtutes, et perducam vos in candidam lucem floris virge.

26. Virtutes: O dilectissime flos, ardenti desiderio currimus ad te.

27. Timor Dei: Ego, Timor Dei, vos felicissimas filias preparo ut inspiciatis in deum vivum et non pereatis.

28. Virtutes: O Timor, valde utilis es nobis: habemus enim perfectum studium numquam a te separari.

29. Diabolus: Euge! euge! quis est tantus timor? et quis est tantus amor? Ubi est pugnator, et ubi est remunerator?

Vos nescitis quid colitis.

30. Virtutes: Tu autem exterritus es per summum iudicem, quia, inflatus superbia, mersus es in gehennam.

31. Obedientia: Ego lucida Obedientia – venite ad me, pulcherrime filie, et reducam vos ad patriam et ad osculum regis.

32. Virtutes: O dulcissima vocatrix,

22. Humility: I, Humility, queen of the Virtues, say: come to me, you Virtues, and I’ll give you the skill to seek and find the drachma that is lost and to crown her who perseveres blissfully.

23. Virtues: Oh glorious queen, gentlest mediatrix, gladly we come.

24. Humility: Because of this, beloved daughters, I’ll keep your place in the royal wedding-chamber.

25. Charity: I am Charity, the flower of love – come to me, Virtues, and I’ll lead you into the radiant light of the flower of the rod.

26. Virtues: Dearest flower, with ardent longing we run to you.

27. Fear of God: I, Fear of God, can prepare you, blissful daughters, to gaze upon the living God and not die of it.

28. Virtues: Fear, you can help us greatly: we are filled with the longing never to part from you.

29. Devil: Bravo! Bravo! What is this great fear, and this great love? Where is the champion?

Where the prizegiver? You don’t even know what you are worshipping!

30. Virtues: But you, you were terrified at the supreme Judge, for, swollen with pride, you were plunged into Gehenna.

31. Obedience: I am Obedience, the shining one – come to me, lovely daughters, and I’ll lead you to your homeland and to the kiss of the King.

32. Virtues: Sweetest summoner,

SEASON 2021-2022

| 23

nos decet in magno studio pervenire ad te.

33. Fides: Ego Fides, speculum vite: venerabiles filie, venite ad me et ostendo vobis fontem salientem.

34. Virtutes: O serena, speculata, habemus fiduciam pervenire ad verum fontem per te.

35. Spes: Ego sum dulcis conspectrix viventis oculi, quam fallax torpor non decipit – unde vos, o tenebre, non potestis me obnubilare.

36. Virtutes: O vivens vita, et o suavis consolatrix, tu mortifera mortis vincis et vidente oculo clausuram celi aperis.

37. Castitas: O Virginitas, in regali thalamo stas.

O quam dulciter ardes in amplexibus regis, cum te sol perfulget ita quod nobilis flos tuus numquam cadet.

O virgo nobilis, te numquam inveniet umbra in cadente flore!

38. Virtutes: Flos campi cadit vento, pluvia spargit eum.

O Virginitas, tu permanes in symphoniis supernorum civium: unde es suavis flos qui numquam aresces.

39. Innocentia: Fugite, oves, spurcicias Diaboli!

40. Virtutes: Has te succurrente fugiemus.

41. Contemptus Mundi: Ego, Contemptus Mundi, sum candor vite.

O misera terre peregrinatio in multis laboribus – te dimitto.

O Virtutes, venite ad me et ascendamus ad fontem vite!

42. Virtutes: O gloriosa domina, tu semper habes certamina Christi, o magna virtus, que mundum conculcas, unde etiam victoriose in celo habitas.

24

| VOLUME

III, ISSUE I

it is right for us to come, most eagerly, to you.

33. Faith: I am Faith, the mirror of life: precious daughters, come to me and I shall show you the leaping fountain.

34. Virtues: Serene one, mirror-like, we trust in you: we shall arrive at that fountain through you.

35. Hope: I am the sweet beholder of the living eye, I whom no dissembling torpor can deceive.

Darkness, you cannot cloud my gaze!

36. Virtues: Living life, gentle, consoling one, you overcome the deadly shafts of death and with your seeing eye lay heaven’s gate open.

37. Chastity: Maidenhood, you remain within the royal chamber.

How sweetly you burn in the King’s embraces, when the Sun blazes through you, never letting your noble flower fall.

Gentle maiden, you will never know the shadow over the falling flower!

38. Virtues: The flower in the meadow falls in the wind, the rain splashes it, but you, Maidenhood, remain in the symphonies of heavenly habitants: you are the tender flower that will never grow dry.

39. Innocence: My flock, flee from the Devil’s taints!

40. Virtues: We shall flee them, if you give us aid.

41. World-rejection: I, World-rejection, am the blaze of life.

Oh wretched, exiled state on earth, with all your toils – I let you go.

Come to me, you Virtues, and we’ll climb up to the fountain of life!

42. Virtues: Glorious lady, you that always fight Christ’s battles, great power that tread the world under your feet, you thereby dwell in heaven, victoriously.

43. Amor Celestis: Ego aurea porta in celo fixa sum: qui per me transit numquam amaram petulantiam in mente sua gustabit.

44. Virtutes: O filia regis, tu semper es in amplexibus quos mundus fugit, O quam suavis est tua dilectio in summo deo!

45. [Disciplina] : Ego sum amatrix simplicium morum qui turpia opera nesciunt; sed semper in regum regem aspicio et amplector eum in honore altissimo.

46. Virtutes: O tu angelica socia, tu es valde ornata in regalibus nuptiis.

47. Verecundia: Ego obtenebro et fugo atque conculco omnes spurcicias Diaboli.

48. Virtutes: Tu es in edificatione celestis Jerusalem, florens in candidis liliis.

49. Misericordia: O quam amara est illa duricia que non cedit in mentibus, misericorditer dolori succurrens!

Ego autem omnibus dolentibus manum porrigere volo.

50. Virtutes: O laudabilis mater peregrinorum, tu semper erigis illos, atque ungis pauperes et debiles.

51. Victoria: Ego Victoria velox et fortis pugnatrix sum – in lapide pugno, serpentem antiquum conculco.

52. Virtutes: O dulcissima bellatrix, in torrente fonte qui absorbuit lupum rapacem -– O gloriosa coronata, nos libenter militamus tecum contra illusorem hunc.

53. Discretio: Ego Discretio sum lux et dispensatrix omnium creaturarum, indifferentia dei, quam Adam a se fugavit per lasciviam morum.

43. Heavenly Love: I am the golden gate that’s fixed in heaven: whoever passes through me will never taste bitter rebelliousness in her mind.

44. Virtues: Royal daughter, you are held fast in the embraces the world shuns: how tender is your love in the highest God! 45. Discipline: I am one who loves innocent ways that know nothing ignoble; I always gaze upon the King of kings and, as my highest honor, I embrace him.

46. Virtues: Angelic comrade, how comely you are in the royal nuptials!

47. Modesty: I cover over, drive away or tread down all the filths of the Devil.

48. Virtues: Yours is a part in the building of heavenly Jerusalem, flowering among shining lilies.

49. Mercy: How bitter in human minds is the harshness that does not soften and mercifully ease pain!

I want to reach out my hand to all who suffer.

50. Virtues: Matchless mother of exiles, you are always raising them up and anointing the poor and the weak.

51. Victory: I am Victory, the swift, brave champion – I fight with a stone, I tread the age-old serpent down.

52. Virtues: Oh gentlest warrior, in the scorching fountain that swallowed up the voracious wolf – glorious, crowned one, how gladly we’ll fight against that trickster, at your side!

53. Discretion: I am Discretion, light and moderator of all creatures, the impartiality of God, that Adam drove away by acting wantonly.

54. Virtutes: O pulcherrima mater, quam dulcis et quam suavis es, quia nemo confunditur in te.

55. Pacientia: Ego sum columpna que molliri non potest, quia fundamentum meum in deo est.

56. Virtutes: O firma que stas in caverna petre, et o gloriosa bellatrix que suffers omnia!

57. [Humilitas]: O filie Israhel, sub arbore suscitavit vos deus, unde in hoc tempore recordamini plantationis sue.

Gaudete ergo, filie Syon!

54. Virtues: Fairest mother, how sweet you are, how gentle – in you no one can be confounded.

55. Patience: I am the pillar that can never be made to yield, as my foundation is in God. 56. Virtues: You that stay firm in the rocky cavern, you are the glorious warrior who endures all.

57. Humility: Daughters of Israel, God raised you from beneath the tree, so now remember how it was planted.

Therefore rejoice, daughters of Jerusalem.

Part III - The Soul Returns 58. Virtutes: Heu, heu, nos Virtutes plangamus et lugeamus, quia ovis domini fugit vitam!

59. Querela Anime penitentis et Virtutes invocantis: O vos regales Virtutes, quam speciose et quam fulgentes estis in summo sole, et quam dulcis est vestra mansio – et ideo, o ve michi, quia a vobis fugi!

60. Virtutes: O fugitive, veni, veni ad nos, et deus suscipiet te.

61. Anima illa: Ach! ach! fervens dulcedo absorbuit me in peccatis, et ideo non ausa sum intrare.

62. Virtutes: Noli timere nec fugere, quia pastor bonus querit in te perditam ovem suam.

63. Anima illa: Nunc est michi necesse ut suscipiatis me, quoniam in vulneribus feteo quibus antiqus serpens me contaminavit.

64. Virtutes: Curre ad nos, et sequere vestigia illa in quibus numquam cades in societate nostra,

58. Virtues: Alas, alas, let us lament and mourn, because our master’s sheep has fled from life!

59. Anima (laments, penitent and calling upon the Virtues): You royal Virtues, how graceful, how flashing-bright you look in the highest Sun, and how delectable is your home, and so, what woe is mine that I fled from you!

60. Virtues: You who escaped, come, come to us, and God will take you back.

61. Anima: Ah, but a burning sweetness swallowed me up in sins, so I did not dare come in.

62. Virtues: Don’t be afraid or run away: the good Shepherd is searching for his lost sheep – it is you.

63. Anima: Now I need your help to gather me up – I stink of the wounds that the age-old serpent has made gangrenous 64. Virtues: Run back to us, retrace those steps where you’ll never falter, in our company:

et deus curabit te.

65. Penitens Anima ad Virtutes: Ego peccator qui fugi vitam: plenus ulceribus veniam ad vos, ut prebeatis michi scutum redemptionis.

O tu omnis milicia regine, et o vos, candida lilia ipsius, cum rosea purpura, inclinate vos ad me, quia peregrina a vobis exulavi, et adiuvate me, ut in sanguine filii dei possim surgere.

66. Virtutes: O Anima fugitiva, esto robusta, et indue te arma lucis.

67. Anima illa: Et o vera medicina, Humilitas, prebe michi auxilium, quia superbia in multis viciis fregit me, multas cicatrices michi imponens.

Nunc fugio ad te, et ideo suscipe me.

68. Humilitas: O omnes Virtutes, suscipite lugentem peccatorem, in suis cicatricibus, propter vulnera Christi, et perducite eum ad me.

69. Virtutes: Volumus te reducere et nolumus te deserere, et omnis celestis milicia gaudet super te – ergo decet nos in symphonia sonare.

70. Humilitas: O misera filia, volo te amplecti, quia magnus medicus dura et amara vulnera propter te passus est.

71. Virtutes: O vivens fons, quam magna est suavitas tua, qui faciem istorum in te non amisisti, sed acute previdisti quomodo eos de angelico casu abstraheres qui se estimabant illud habere quod non licet sic stare; unde gaude, filia Syon,

God will heal you.

65. Anima (penitently, to the Virtues): I am the sinner who fled from life: riddled with sores I’ll come to you – you can offer me redemption’s shield.

All of you, warriors of Queen Humility, her white lilies and her crimson roses, stoop to me, who exiled myself from you like a stranger, and help me, that in the blood of the Son of God I may arise.

66. Virtues: Fugitive Anima, now be strong: put on the armor of light.

67. Anima: And you, true medicine, Humility, grant me your help, for pride has broken me in many vices, inflicting many scars on me.

Now I’m escaping to you – so take me up!

68. Humility: All you Virtues, lift up this mournful sinner, with all her scars, for the sake of Christ’s wounds, and bring her to me.

69. Virtues: We want to bring you back – we shan’t desert you, the whole of heaven’s host will have joy in you: thus it is right for us now to play our symphony.

70. Humility: Oh unhappy daughter, I want to embrace you: the great surgeon has suffered harsh and bitter wounds for your sake.

71. Virtues: Living fountain, how great is your sweetness, you did not reject the gaze of these upon you – no, acutely you foresaw how you could avert them from the fall the angels fell, they who thought they possessed a power which no law allows to be like that.

Rejoice then, daughter of Jerusalem, SEASON 2021-2022

| 25

quia deus tibi multos reddit quos serpens de te abscidere voluit, qui nunc in maiori luce fulgent quam prius illorum causa fuisset.

for God is giving you back many whom the serpent wanted to sunder from you, who now gleam in a greater brightness than would have been their state before.

Part IV - The Devil is Bound 72. Diabolus: Que es, aut unde venis? Tu amplexata es me, et ego foras eduxi te. Sed nunc in reversione tua confundis me – ego autem pugna mea deiciam te!

73. Penitens Anima: Ego omnes vias meas malas esse cognovi, et ideo fugi a te.

Modo autem, o illusor, pugno contra te.

74. [Anima illa]: Inde tu, o regina Humilitas, tuo medicamine adiuva me!

75. Humilitas ad Victoriam: O Victoria, que istum in celo superasti, curre cum militibus tuis et omnes ligate Diabolum hunc!

76. Victoria ad Virtutes: O fortissimi et gloriosissimi milites, venite, et adiuvate me istum fallacem vincere.

77. Virtutes: O dulcissima bellatrix, in torrente fonte qui absorbuit lupum rapacem – O gloriosa coronata, nos libenter militamus tecum contra illusorem hunc.

78. Humilitas: Ligate ergo istum, o Virtutes preclare!

79. Virtutes: O regina nostra, tibi parebimus, et precepta tua in omnibus adimplebimus.

80. Victoria: Gaudete, o socii, quia antiquus serpens ligatus est!

81. Virtutes: Laus tibi, Christe, rex angelorum!

82. Castitas: In mente altissimi, o Satana, caput tuum conculcavi,

26

| VOLUME

III, ISSUE I

72. Devil: Who are you? Where are you coming from? You were in my embrace, I led you out. Yet now you are going back, defying me – but I shall fight you and bring you down!

73. Anima (penitently): I recognised that all my ways were wicked, so I fled you.

But now, you trickster, I’ll fight you face to face.

74. Anima: Queen Humility, come with your medicine, give me aid!

75. Humility (to Victory): Victory, you who once conquered this creature in the heavens, run now, with all your soldiery, and all of you bind this Fiend!

76. Victory (to the Virtues): Bravest and most glorious warriors, come, help me to vanquish this deceitful one!

77. Virtues: Oh sweetest warrior, in the scorching fountain that swallowed up the voracious wolf – glorious, crowned one, how gladly we’ll fight against that trickster, at your side!

78. Humility: Bind him then, you shining Virtues!

79. Virtues: Queen of us all, we obey – we’ll carry out your orders totally.

80. Victory: Comrades, rejoice: the age-old snake is bound!

81. Virtues: Praise be to you, Christ, King of the angels!

82. Chastity: In the mind of the Highest, Satan, I trod on your head,

et in virginea forma dulce miraculum colui, ubi filius dei venit in mundum; unde deiectus es in omnibus spoliis tuis, et nunc gaudeant omnes qui habitant in celis, quia venter tuus confusus est.

83. Diabolus: Tu nescis quid colis, quia venter tuus vacuus est pulcra forma de viro sumpta ubi transis preceptum quod deus in suavi copula precepit; unde nescis quid sis!

84. Castitas: Quomodo posset me hoc tangere quod tua suggestio polluit per immundiciam incestus?

Unum virum protuli, qui genus humanum ad se congregat, contra te, per nativitatem suam.

85. Virtutes: O deus, quis es tu, qui in temet ipso hoc magnum consilium habuisti, quod destruxit infernalem haustum in publicanis et peccatoribus, qui nunc lucent in supema bonitate!

Unde, o rex, laus sit tibi.

and in a virgin form I nurtured a sweet miracle when the Son of God came into the world; therefore you are laid low, with all your plunder; and now let all who dwell in heaven rejoice, because your belly has been confounded.

83. Devil: You don’t know what you are nurturing, for your belly is devoid of the beautiful form that woman receives from man; in this you transgress the command that God enjoined in the sweet act of love; so you don’t even know what you are!

84. Chastity: How can what you say affect me?

Even your suggestion smirches it with foulness.

I did bring forth a man, who gathers up mankind to himself, against you, through his nativity.

85. Virtues: Who are you, God, who held such great counsel in yourself, a counsel that destroyed the draught of hell in publicans and sinners, who now shine in paradisal goodness!

Praise to you, King, for this!

Epilogue 86. Virtutes: O pater omnipotens, ex te fluit fons in igneo amore: perduc filios tuos in rectum ventum velorum aquarum, ita ut et nos eos hoc modo perducamus in celestem Ierusalem.

87. [Virtutes et Anime]: In principio omnes creature viruerunt, in medio flores floruerunt; postea viriditas descendit.

Et istud vir preliator vidit et dixit: Hoc scio, sed aureus numerus nondum est plenus.

Tu ergo, paternum speculum aspice: in corpore meo fatigationem sustineo, parvuli etiam mei deficiunt.

Nunc memor esto, quod plenitudo que in primo facta est arescere non debuit,

86. Virtues: Almighty Father, from you flowed a fountain in fiery love: guide your children into a fair wind, sailing the waters, so that we too may steer them in this way into the heavenly Jerusalem.

87. Virtues and Souls: In the beginning all creation was verdant, flowers blossomed in the midst of it; later, greenness sank away.

And the champion saw this and said: “I know it, but the golden number is not yet full.

You then, behold me, mirror of your fatherhood: in my body I am suffering exhaustion, even my little ones faint.

Now remember that the fullness which was made in the beginning

et tunc in te habuisti quod oculus tuus numquam cederet usque dum corpus meum videres plenum gemmarum.

Nam me fatigat quod omnia membra mea inirrisionem vadunt.

need not have grown dry, and that then you resolved that your eye would never fail until you saw my body full of jewels.

For it wearies me that all my limbs are exposed to mockery:

Pater, vide, vulnera mea tibi ostendo.

Ergo nunc, omnes homines, genua vestra ad patrem vestrum flectite, ut vobis manum suam porrigat.

Father, behold, I am showing you my wounds.”

So now, all you people, bend your knees to the Father, that he may reach you his hand.

SEASON 2021-2022

| 27

&

Hildegard von Bingen Stage Director Francesca Zambello Two Avant-Garde Women: An Artistic Pair Unleashing Musical Magic “To say that Hildegard was ahead of her time is the biggest understatement ever.” Amanda Crider, alto

“It’s an incredible honor that Francesca Zambello is coming to direct Hildegard for us. She is a perfect fit. When I proposed the idea to her, she quickly said yes. Having a professional director of her caliber is a thrilling first for Seraphic Fire. I can’t wait to see the magic she creates.” Patrick Dupre Quigley In January, under the artistic direction of the much-celebrated Director Francesca Zambello, Seraphic Fire is excited to present four performances of Hildegard von Bingen: Ordo virtutum. This dramatic play, often referred to as the precursor to modern opera, was composed by Hildegard c. 1151 and specifically intended to be performed by the women of her convent.

The music portrays a wandering soul struggling between the powers of good and evil. It certainly has the feel of a modern-day opera with a wealth of drama that explodes in the music. Hildegard was awarded tremendous respect during her life and that this music is the only medieval musical drama surviving with an attribution for both the music and the text is testament to that fact.

28

| VOLUME

III, ISSUE I

Born to a noble family in 1098, Hildegard of Bingen began to experience religious visions even as a child. She would emerge as one of the leading thinkers of that period, making significant contributions to philosophy, theology, music, and sciences. She corresponded with Popes and kings, a remarkable involvement for a woman in that era.

“To say that Hildegard was ahead of her time is the biggest understatement ever.” Amanda Crider, alto Fast forward to the 21st century where Francesca Zambello has excitedly accepted the challenge of fashioning a descriptive scenario and unfolding the storyline for this ancient Latin dramatic work. Like Hildegard, Zambello’s creative, trail-blazing spirit, and leadership in her profession are duly recognized. An internationally-renowned theatre and opera director, Zambello is the Artistic and General Director of Glimmerglass Festival and the Artistic Director for Washington National Opera. Her love of the creative arts was nurtured growing up in the theatre with a mother

and father who were actors. “Being around theatre at an early age, I worked my way up from production assistant starting with my summers in high school. I always knew I wanted to be a director. I was interested in the big picture, the big story,” relates Zambello.

Zambello’s musical talents were fostered by her grandmother, a concert pianist who taught her granddaughter regular lessons. She not only learned piano but picked up a variety of instruments in school including flute and bass clarinet. As she became more focused in her studies, the Performing Arts Library at Lincoln Center proved to be a learning ground where Zambello said she “would bury her head in scores and recordings.

In a sense, that was my training.”

Going back to Europe after school, Zambello’s first “job” was as an intern in Germany at an opera house. Today, her directing career features productions at premiere houses around the world: Met Opera, Teatro alla Scala, the Bolshoi, La Fenice, Royal Albert Hall, Paris Opera, Covent Gardens, Munich Staatsoper, Houston Opera House, San Francisco Opera; the list goes on. Her talents expanded into BBC television and onto Broadway with shows such as The Little Mermaid. Fluent in French, Italian, Russian, and German, Zambello finds herself drawn to some of the classical directors in Europe for her inspiration. It makes perfect sense that she has received prestigious awards from the Italian, Russian, and French governments for her positive contributions and promotion of those cultures.

“I was the first woman to direct at many theatres,” remarks Zambello. “Even now, women General Directors, there are not very many of us. I worked very hard. It’s hard work and dedication, a little bit of talent and being in the right place at the right time. It’s really important to have a couple of people who believe in you.”

as Hildegard intended it to be – a drama. It’s a stunning piece of music.

Hildegard had no orchestra and neither will we.”

“First and foremost, we are going to have to be off book.

Everything will be memorized; no instruments and no auditory clues. You’re completely on your own. I love, love, love the idea of bringing staging to these works. If you are acting while singing, you will feel it and sing it differently. Francesca is a genius, and I can’t wait to work with her. This is really unprecedented to find singers of this caliber paired with a world-class director performing Ordo virtutum. It just doesn’t exist.” Luthien Brackett, alto In January, Seraphic Fire patrons will have the rare opportunity to see the talents of these two dynamic and creative female artists, albeit 1,000 years apart, meld together to create musical magic. Hildegard was an extraordinary and revered personality in her time, composing at least 70 pieces of music, preaching from the pulpit, creating her own language, and writing texts on botany and holistic medicine. Her legacy is undeniable. Likewise, Francesca Zambello has been a tenacious innovator throughout her career, not only as a creative virtuoso, but also leading the way for female artists to excel in their artistic career paths.

By directing Ordo virtutum, she once again seeks to expand the realm of her audience, drawing them into the world of Hildegard von Bingen and her convent of nuns where they enact the age-old battle between human virtue and the devil’s temptation.

“As a director, you want to take on all types of genres. We are all storytellers; everybody, in all aspects of this profession.”

Francesca Zambello

Zambello approaches her directing challenges from the audience perspective: “What is the way that I am going to build the world that the story lives in? How is the space going to help tell and clarify the story?

You have to create a visual space that holds the story,” says Zambello.

“I feel like I learned a lot from great directors of film. Film chooses where you look. We, the director, through lighting, scenery and production values create where you look. You want the performers to pop.”

Patrick Dupre Quigley, Seraphic Fire’s co-founder and artistic director, had discussed Hildegard with Zambello a year ago and she expressed her intrigue with the Saint and her music. Once Quigley had a vision for the joint CD release and Seraphic Fire performance in 2022, he offered Zambello the opportunity to direct and was delighted with her quick acceptance. “There’s a different stage every night,” described Quigley.

“There’s no typical theatre staff or costume designers. We wanted a production that could travel around. It’s a set of challenges that also intrigued Zambello. She is building the space dramatically with the staging rather than a set. Francesca is coming in to realize the full potential of the music. I am getting out of the way as much as possible.

This is not a piece that is meant to be conducted. We are performing it

“This music is difficult in a very specific way. We all have to sing in unison for much of the piece. It requires intense concentration; like walking a tightrope all together holding hands. It’s super exhilarating. Adding staging and movement will be a great challenge; like doing a trust fall at the same time. It will take what was already a special experience and add 100 more layers of depth and understanding to the story.” Amanda Crider, alto SEASON 2021-2022

| 29

MUSIC EDUCATION SERAPHIC FIRE YOUTH INITIATIVE Seraphic Fire’s Youth Initiative (SFYI), in partnership with Miami-Dade County Public Schools, the University of Miami (UM), and Florida International University (FIU), is a multi-pronged music education program serving elementary, middle, and high school students in some of South Florida’s most challenged communities.

The first element is three in-school workshops, led by a quartet of Seraphic Fire artists, that offer an interactive approach to music education and choral performance for eight Title I elementary schools. During these workshops, students learn music theory, vocal pedagogy fundamentals, and elements of music history through interactive exercises with Seraphic Fire artists.

The second program element, the Choral Education Residency (CER), is a two-year program now operating at two partner schools. A UM Frost School of Music doctoral student teacher and the schools’ music specialists present weekly vocal pedagogy instruction to two classes selected from the 3rd-5th grades at each school. In December and April of each season, Seraphic Fire performs a side-by-side concert with students from the CER program. As part of the third SFYI element, secondary students are invited to participate in a one-day Master Class working side by side with Seraphic Fire musicians in intensive sectionals, a joint rehearsal, and a concert with the Seraphic Fire ensemble.

IMPORTANT UPDATES: Plans are underway to present our first High School Master Class, which will be held in February 2022 at the Wertheim Performing Arts Center at FIU. Schools have applied and been accepted, and we look forward to this expansion as we continue to guide our secondary students in their quest for an opportunity to someday sing in ensembles such as Seraphic Fire.

SFYI is pleased to announce a developing partnership with the school systems of Broward and Collier (Naples) counties. We will begin with introductory education concerts in May 2022, and eventually expand the program to present our workshops to selected Title I schools in both school systems. It has long been a vision of the Youth Initiative to expand past the Miami-Dade County Public Schools. Thank you to all who saw this vision and contributed financially to make this first step happen.

PROFESSIONAL CHORAL INSTITUTE Seraphic Fire’s GRAMMY® nominated Professional Choral Institute at Aspen Music Festival and School is a 2-week summer program designed to prepare emerging singers to work in the growing industry of professional ensemble singing. PCI alumni have now performed with nearly every professional vocal ensemble in the country. In 2012, Seraphic Fire and PCI received a GRAMMY® nomination for their recording of Brahms’ Ein Deutsches Requiem.

ENSEMBLE ARTIST PROGRAM AT UCLA & UNIVERSITY OF MIAMI Seraphic Fire will continue hosting the Ensemble Artist Program at UCLA’s Herb Alpert School of Music and will introduce the program with University of Miami for the 2021-22 Season. Associate Conductor James K. Bass will continue to lead UCLA’s program while Dr. Amanda Quist, Director of Choral Activities, will lead the students at UM. Both programs provide season-long vocal ensemble training to undergraduate and graduate voice students. Participating students are invited to perform alongside the professional ensemble in subscription concerts throughout the season. This program aims to help UCLA and UM’s emerging professional singers discover outlets for professional employment while fulfilling Seraphic Fire’s educational mission to advance the art form through the development and refinement of students’ talent.

Members of Frost Chorale, Frost School of Music, University of Miami Jamie Bunce, mezzo soprano Cannon McClure, soprano Emily Finke, soprano Caroline Player, mezzo soprano Julia Izquierdo, soprano Nicole Plummer, mezzo soprano Janie Lobel, soprano Phoebe Rosenblum, mezzo soprano Seraphic Fire’s education programs are made possible in part by our generous sponsors:

Seraphic Fire’s Youth Initiative is endowed in perpetuity by The Clinton Family Fund with generous additional support from The Hutson-Wiley Echevarria Foundation.

The CER program is funded by The Children’s Trust. The Children's Trust is a dedicated source of revenue established by voter referendum to improve the lives of children and families in Miami-Dade County.

30

| VOLUME

III, ISSUE I

SOUTH FLORIDA’S GRAMMY® NOMINATED VOCAL ENSEMBLE

UNIVERSITY OF MIAMI ASSISTANT CONDUCTOR FELLOWSHIP Seraphic Fire and the Frost School of Music Choral Studies Department offer a one-year Assistant Conductor Fellowship to a Frost School of Music choral conducting student. The program allows one graduate or DMA student per academic year the opportunity to work closely with Artistic Director Patrick Dupre Quigley and Associate Conductor James K. Bass, assist with score preparation, gain experience leading sectional and full ensemble rehearsals, and conduct the professional ensemble in select subscription concerts.

Richard A. Carrillo, a native of Texas, just finished his tenure as a graduate assistant while completing his Master of Music in Choral Conducting from Missouri State University. Prior to his studies at MSU, Richard was Middle and Upper School Choral Director at Providence Academy in Plymouth, MN, where the choral program exponentially grew under his leadership. Under his direction choirs at Providence performed for the 2018 Midwestern Regional ACDA Convention in Chicago, IL, and the 2016 State Conference of the Minnesota Music Educators Association.

Carrillo taught in Houston, TX, sang professionally with the Houston Chamber Choir, and graduated summa cum laude from the University of Houston with a Bachelor of Music in Music Education. Richard has recently accepted a position as a Doctor of Musical Arts candidate at the Frost School of Music at the University of Miami.

UNIVERSITY OF MIAMI STUDENT COMPOSER-IN-RESIDENCE A student selected to create a five-minute work that Seraphic Fire will premiere during season subscription concerts. This student works closely with Associate Conductor James K. Bass throughout the season and regularly attends rehearsals and performances in preparation for the premiere. The residency includes composition workshops and routine guidance from artists and conductors.

Born in Marietta, GA, Sydney Doemel is an acoustic and electro-acoustic composer and violinist. Her music has been performed by Transient Canvas, The Bent Frequency Duo, Sonic Apricity, The Departure Duo and The UGA Symphony Orchestra. Sydney was selected as the 2018-19 Student Composer-in-Residence with the UGA Symphony Orchestra; her work “Synapse” was performed in UGA’s Hugh Hodgson Concert Hall. This year, her piece “In the Teeth Of” was performed on Transient Canvas’ virtual tour at Virginia Tech, Miami University, Hamilton College and Lawrence University. Sydney has degrees in music composition and violin performance from the University of Georgia and is currently completing her Master’s in composition at the University of Miami.

UNIVERSITY OF MIAMI CHORAL EDUCATION RESIDENCY TEACHER Seraphic Fire’s Resident Teacher is chosen from a pool of highly qualified candidates in UM’s graduate music education program.

Embedded in a school for 2 years, the Resident Teacher collaborates with the school’s music teacher weekly to develop and teach curriculum that can be used for years to come. The Resident Teacher also prepares students in the Choral Education Residency for performances with the full professional ensemble twice a year.

Marilia Kamil is a Ph.D candidate in music education at University of Miami Frost School of Music.

A vocalist, conductor, and flutist, Ms. Kamil has over 10 years of experience teaching music to K-12 students, most recently as a middle school chorus and general music teacher in San Jose, California.

Ms. Kamil completed her Bachelor of Arts in Music at the University of São Paulo in Brazil and went on to complete her Master of Arts in Music Education at Columbia University Teachers College.

Fluent in English, Spanish, and Portuguese, Ms. Kamil has international teaching experience at elementary, secondary, and collegiate levels.

SEASON 2021-2022

| 31

So,You Like

Cultural Events?

32

| VOLUME

III, ISSUE I

OUR VOICES & YOU

by Patrick Dupre Quigley

On May 11, 2021, in Coral Gables, Seraphic Fire made music in person for the first time in 14 months. As an organization dedicated to the live performance of classical vocal music, COVID-19 took a shot at the heart of our raison d’être.

Everything about our musical lives had changed. Concerts became music videos. Classroom visits turned into virtual YouTube workshops. Supporters and fans watched on their computers, tablets, and smartphones. Artists learned how to make music in tandem with headphones, an Amazon microphone, and a click-track. Staff transformed their homes into ensemble offices.

But May 11, 2021 would be different. The previous seven days spent in solo quarantine, we gathered on a breezy day in a Coral Gables rehearsal room. As we intoned Mozart and Monteverdi, deeply-missed physical feelings returned.

Chords locked, fingers tingled, hair stood on end. We felt mixed emotions of joy, happiness, anxiety. The feeling of making music together in a room was overwhelming; yet, something was missing.

Music is first and foremost physics. Sound gets to our eardrums through our bodies. We vibrate sympathetically to music. There are no spectators at concerts: Humans conduct sound. What was missing on May 11 was you. Your presence changes the music, changes the room, the energy, the sound. Without you in the room, we are sympathetically vibrating objects. With you in the room, we are Seraphic Fire.

Thank you for being an audience member, a patron, a Board member, a fan, a supporter, and a friend. You give Seraphic Fire its voice. We are grateful to you as our comrades in this endeavor, and look forward to finally making music together with you again.

SOME OF SERAPHIC FIRE’S INNOVATIONS DURING SEASON S INCLUDE:

This November Seraphic Fire aims to add one more bullet to this list: Returning to in-person concerts in front of a live audience.

– Producing six full-length digital concert programs reaching 4,000 audience members – Producing two digital education concerts reaching 3,000 Miami-Dade County students and teachers; – Developing three digital classroom music workshops for distance learning, reaching 1,500 Title 1 elementary school children; – Creating 12 audio podcasts that have been listened to over 3,000 times; – Connecting with our audience community while they were shut in their houses; – Expanding our digital subscribership to hundreds of households around the country and world; – Increasing Seraphic Fire’s donor base by more than 100 new donors; – Keeping all our financial commitments to our musicians and staff; – Releasing the first complete recording of Hildegard von Bingen’s Ordo virtutum; – Running two balanced budgets during both fiscal years touched by the pandemic; and – Leading the charge back to in person music-making with our May performing bubble.

SEASON 2021-2022

| 33

FINANCIALS & STATISTICS Financial planning became uniquely challenging during the 2020-21 Season. Facing unpredictable revenues, we started by assuming a 30% reduction in the organization’s overall budget. Tectonic shifts in reliable revenue streams, coupled with the unknown expenses of producing and presenting our artistic and education programs in new and untested formats, made financial forecasting an art in and of itself. The Board’s Finance Committee worked closely with the administration to chart a financial path that would ensure compensation of our artists, retention of all administrative positions, and the flexibility to experiment with and produce high-quality digital content, all while leaving the organization with a comfortable cushion to minimize risk and emerge with an even healthier balance sheet.

Foundation, Corporate, and Government Support

COVID-19 Emergency Support

$344

$174

2020-21 REVENUES

Box Office

$93

$1,394

Individual Giving

$798

Media Sales

$8

All dollar amounts in thousands For the fiscal year ending May 31, 2021

Artistic Programs

$539

Education Programs

$65

2020-21 EXPENSES

$1,290

Marketing

$104

Development

$7

Administrative

$577 34

| VOLUME

III, ISSUE I

FINANCIAL PERFORMANCE REVENUES

ASSETS SUMMARY

EXPENSES

SURPLUS

$1,597

$38

FY18 $1,601 $1,516

$85

FY17 $1,635

FY19 $1,687 $1,665

$22

FY20 $1,793 $1,692 FY21 $1,394 $1,290

Year ended Year ended Year ended May 31, 2021 May 31, 2020 May 31, 2019

Cash & Cash Equivalents $559 $411 $358 Other Current Assets $100 $134 $183 Other Assets (Endowment) $866 $692 $688 $1,525 $1,237 $1,229 TOTAL ASSETS

$101 $104

SFYI Endowment

$682

Aided by government programs like the Payroll Protection Program (PPP) and the CARES Act, and by reducing administrative expenses by nearly 30%, Seraphic Fire accomplished its interim strategy goal to preserve the financial integrity of the organization and remain in the black.

$866

General Endowment

$48

ENDOWMENT

Ruth & Marvin Sackner Memorial Fund

$131

Artist Development Fund

$5

2020-21 AUDIENCE STATISTICS

6 concerts 4,156

attendees

# ATTENDEES PROGRAM

ORGANIZATIONAL REBOUND & GROWTH Total Expenditures: 2017-18

$1,597

1,031 Home for the Holidays

2018-19

$1,665

640

In Pursuit of Peace

2019-20

$1,692

570

Serenade

2020-21

$1,290

647

Eternal Fire

2021-22

$1,729 *projected

589

Mozart & Monteverdi

2022-23

$2,100 *projected

679

Still. Here.

Audited numbers from fiscal year ending May 31, 2021. Financial Statements and Form 990’s available at SeraphicFire.org/Reports All dollar amounts in thousands.

Thank you to our banking and investment partners: SEASON 2021-2022

| 35

OUR DONORS FOR DONATIONS BETWEEN DECEMBER 2019 & JUNE 2021 LEGACY SOCIETY

PATRON $1,000 - $2,499 Anonymous

Thomas Boyd & Donald Hill Marcelo & Betty Alvarez Dr. Clinton Bush Dr. & Mrs. Ronnie Arad William Jaume Diane de Vries Ashley § Patti & Dennis Klein Edward & Elizabeth Baker MAESTRO CIRCLE Marilyn A. Moore Helene Berger $5,000 - $9,999 Dr. Audrey Ross Margrit & Roger Bernstein

Ruth † & Marvin † Sackner Kristina Bettendorf Nirupa Chaudhari & Steve Roper § David L. Webb & W. Lynn McLaughlin Justin Blackwell The City of Coral Gables Cliff Whittle & Scott Cumming Bruce Bolton Harry F. Duncan Foundation, Inc. § Robert Braunstein Dr. Ken Easterling & Diego Cardenas in honor of Suzanne Floyd P.R. Farnsworth & J.C. Gill FOUNDERS CIRCLE Dr. Clinton Bush Alaina Fotiu-Wojtowicz § $50,000 + George Chesney & Sue Fiorey Martha Ann Haas & Pamela Poulos

in honor of Kathryn Mueller Key Biscayne Community Anonymous Citizens Interested in Arts Foundation, Inc. The Miami-Dade County Department Katie Conley & Jim Glick Mr. & Mrs. Stephen Kutler § of Cultural Affairs Marilyn M. Connolly Joe & Suzy Lacher § Bruce & Martha Clinton, Mary Conroy Mark Mandel & Allan Yudacufski § The Clinton Family Fund § Michael Cormier & Steven Carlin* Charles L. Marshall, Jr. Dunspaugh-Dalton Foundation§ in honor of Bill Jaume & Richard L. Tooke The John S. & James L. Knight Andrew Crane Marilyn A. Moore Foundation Nancy J. Davis Peacock Foundation William Jaume § Rhett M. Del Campo § John Quaintance & Robert Riggs § Frank & Carolyn Pichardo Adrienne DiPrima & Donna Smorchoke Margaret A. Rolando State of Florida Division in memory of Bella Tillis Marvin Sackner † of Arts & Culture Dick & Marcy Dupere Sophia Sieczkowski & Joel Krauss

John & Maria Farrey § Leonard Smith Mr. & Mrs. Jack Firestone The Stonesifer Kinsley Family Fund NATIONAL SPONSOR Suzanne Floyd § Jana & Tom Tift $20,000 - $49,999 David Foerster Dr. & Mrs. Michael Troner

Ellen Galkin Jeri L. Wolfson Foundation Anonymous Mary Beth & Gerardo Garcia § Thomas C. Boyd § William Gerrard*†

Robert R. Brinker Joan Glade de Pontet SPONSOR & Nancy S. Fleischman Taffy Gould $2,500 - $4,999 The Children’s Trust § Alfredo & Luz Maria Gutierrez

Meredyth Anne Dasburg Foundation Donald Hill in honor of William Jaume Anonymous Martha R. Davis & Alix Ritchie Dr. Marilyn & Dr. Bernard Horowitz William A. Bonn & Ruben A. Ceballos Michael & Cheryl Del Campo § Jane Hurt* Hutson-Wiley Echevarria Foundation § A. Peter Burleigh Lisa Husseini Coral Gables Community Foundation McInerney Family Foundation Dr. Bruce Jackson Gerhard Dahl The Miami Foundation Dr. & Mrs. Joseph R. Jannach Enterprise Holdings Miami-Dade County Youth Arts Dr. Fred Jonas § Jim & Billie Hairston Enrichment Program § Carin Kahgan Mr. & Mrs. George Knapp Quest Foundation § in memory of Marc Kahgan Dr. John Martin

Joan Kasner Stanley Newman & Dr. Brian Rosenthal Donald Keith* The James G. Pepper Fund of the UNDERWRITER Dr. William R. & Susan Kelley Roy Stonewall Community Foundation $10,000 - $19,999 Megan Kelly* Jose Luis Pere & Trae Williamson

Gloria Kline Daniel Perron & Jonathan Hogg Broward County Cultural Division Daniel Lewis Alicia Celorio, Do Unto Others Trust, Inc. in honor of Joanne Schulte George Lindemann Diane Rahman Diana Hammerstein Alberto & Maggie Manrara Luis Ramirez & Kimberly Thompson Funding Arts Broward Dr. Leila Morris Peter Rutenberg § Funding Arts Network Betsy & Art Murphy Frank & Susan Salinger The Kirk Foundation Kathleen Newell Cultural Initiative Ana & Raul Marmol § Harvey Padden Daniel & Ileana Sayre The City of Miami Beach Cultural Michael & Mary Ellen Peyton J.J. Schmidt Affairs Program Nicholas J. Pisaris Alice & Joe Smith Miami-Dade County Tourist Bill & Debbie Quigley Barbara & Mel VanderBrug Development Council Patrick Quigley & Robert Peccola Nina Webber National Endowment for the Arts Andrea Lynne Rice 36

| VOLUME

III, ISSUE I

P.L. Dodge Foundation § Karl & Susan Shell § Sara Solomon David L. Webb & W. Lynn McLaughlin § WLRN Public Radio 91.3 FM

Morton † & Jane Robinson Charles Sacher Sara Sackner & Andrew Behar in memory of Marvin Sackner Maeve Anne Sandiford Len & Louise Schaper David Schrock John & Joanne Schulte § Marte and Paul Singerman Arturo Steely Murry Stegelmann Paul & Lynne Steinfurth Lou Strennen Szilagyi Family Foundation Mark Trowbridge Betty Vandenbosch Rick Vaughan & Walter Sherman M. Therese Vento & Peter M. MacNamara Adrian Villaraos and Marika Lynch Teresa Galang-Viñas & Joaquín Viñas Dr. Robert Warren Ted Wolf & Frank Decolator in honor of Edith Wolf Maria José Wright Gregg Zavodny

SUSTAINER $500 - $999

Alexander/ Bassett Charitable Fund Alfred Arbogast † Nadine Asin & Thomas van Straaten in honor of Rhett Del Campo and Patrick Quigley Michael & Sheila Berke Sylvia Blau Maurice & Ruth Burg John & Gina Despres Mr. Richard DiRenzo & Rev. Charles Humphries § Peter & Bonnie Dockter Dr. Brian Dunn Alexis & Craig Eyler in honor of Rhett Del Campo Rev. Priscilla Felisky Whitehead § Randall Fotiu & Josephine Wojtowicz Beau Genovesse & Tom Cabelka Susan & Richard Goldman K. Lawrence & Maureen Gragg Frank & Roberta Helsom Thomas & Diana Hooton Nancy & James Katzoff Suzanne & Brian Keeley in memory of Marvin Sackner Lyza Latham Richard Mahfood Sandra Mullen Elizabeth Newman & John Tillson Bernard Perron Victoria Rogers Ted & Margaret Sarafoglu Jim Sirbaugh Darrin Stafford*

Jason Wynn* in memory of Marvin Sackner Doug & Margaret Yoder DONOR $250 - $499 Marj Adler Manuel Almenara* Matthew Anderson § Jo Anne & Michael Bander* Isa Barzana* Alvaro & Misty Bermudez* James Branegan* in honor of Kathryn Mueller Lisbeth and Michael Bustin Kay Casstevens David Chatfield* Ann & Clark Cochran George & Maureen Collins Roberta David Mary Sue Donohue Todd and Lindsey Friedman* in honor of Alaina Fotiu-Wojtowicz Karen S. Fuller Veloz Argelio & Sylvia Garcia Drs. Joan & Paul Gluck § Janus & Pedro Greer Doug Hagerman Neill Hirst Marlyn Kefauver Brian Legg and Renee De Gagne* Enrique & Monica Lopez Dr. & Mrs. Richard Lung Stephen Magliocco & Michael Carroll* Finlay & Joan Matheson Patrick Metz* Petsy Mezey Linda Morgan William A. Purdy & John M. Carter Maynard and Judith Rabinowitz* Sue Rapperport Aura Reinhardt Brenda Richey Michael Rigsby* Isabelle & Ricardo Roman Eric J. Rubio* Robert & Theresa Rust Charles † & Sandra Simon Donald & Jeannett Slesnick* Paul Smith & Michael Dennis John Strasswimmer Catherine Swanson* in honor of Eric Anderson Jeremy & Marjorie Tabak* Kristian Toimil Dan Topp & David Cole Ellen & Robert Vignola Jocelyn Watkins Robin Woodard Jane Worley § Gigi Wright* in memory of Marvin Sackner

Friend $100 - $249

Anonymous (3) Nancy Ameglio Cathryn Anderson* Steven Austin* Mollie Babize and Mary T. Quigley Sally and Frank Baron Betsy Beardsley Christopher & Sally Beaton Charles Beavin James Bernhardt* Robert E. Bickers Linda Binder* Geoffrey & Mary Bloom Samuel J. Boldrick Carol J. Boyd David Briggs Donald Edwin Broaddus & Jack Huizenga † Barbara Ann Brown Robert Bryant* Charles Buckwalter † & Vincent Lombardi Alvin & Lynn Bunis* Laura Calzolari in honor of all Seraphic Fire artists Marilyn Campbell* Joanne Cann § Agnes Castera* Erich Cauller John & Rebecca Cavanaugh Candace Childrey Julie & Terence Connor Lane Convey Noble Cook* Tracey Corwin Michele Croft in honor of Suzanne Floyd Mr. & Mrs. James Crosland John Cruickshank* Leon Cuervo* Nancy Cylke* Martha N. Dare Mary Davidson Suzanne Delehanty* in memory of Marvin Sackner Pascale Denis Burke Dillon Jane & Andrew Dolkart Sarah Doss § Christopher and Karen Dudley James Fairbum* Stephen Felsen* Rev. James Fetscher Carol Fifield Sebastian Fiore Betty Fleming* Helen Franklin Carol Frei Shawnee Fross in memory of Lisa Schlueter Jim Gensel

Phyllis & Michael George Barbara & Joseph Gerstein Margaret Gibson John Giganti Marcia Gill Thomas & Paulette Goetz Ron & Joanne Goldfarb Rosina & Cosme Gomez Laura Green & Steven Christianson Ingrid Griffin John and Lois Grundhauser in memory of Jeanne E. Sapp Steven G. Grupe* Gregory & Shelagh Gunder* Suzanne Gunzburger Nancy Halula* Marina Hannwacker* Alyson Hardin* Paul Hart Julie Held Arnett C. Hepburn* Joe Herko & Carol Esser Jim Herron & Sara Czaja Robert and Dianne Hudder Daniel Jacobson* Joanne & Maria Jasin Christian & Wendy Johannsen* Barry Johnston* Federico R. Justiniani Carole & Sam Karsch* in memory of Marvin Sackner Victoria Kirsch & Michael Alexander in honor of James Bass Eva Landy* Gerald Laskey* Lorenzo Lebrija Tom Leness Lee Lennon Richard Lilley & Carmen Letelier Gregory Lindeblom & Michael Stiles Maxine Long in honor of Joanne Schulte Euridice Miranda Lopez* William Lord Frank V. MacBride Jr. §* Ronald MacDonald* J. Fred & Joy Malakoff* in memory of Marvin Sackner Fred & Susan Mattes Flora Metrick* Daniel & Nadine Moore Randall Moore Kathleen Moorman Kate Morilla Patrick Muehleise Joan & Tim Mueller* in honor of Kathryn Mueller Phillis Oeters* Diana Ohman Carter Parsley* Ms. Linnea Perelli-Minetti* on behalf of Michael Hawes Larry & Janet Peterson* Roderick N. Petrey in honor of Lucy Petrey

Patricia Phares* Karen Picciano Claudia Polzin Clara Presser Sue Purcell and Gary Niethamer* in memory of their parents Sandra Reynolds in honor of Dr. James K. Bass Carla & James Robb Virginia Rosen Bronwen Rutter Arlene & Chester Salomon* Sebastian Salvo Rosemarie N. Schadae Ellie & Bernie Schinder Hugh Schmidt Margaret Seroppian Kathryn Shepard & Jack Mervine Harry Sheski* in honor of Kathryn Mueller Bickley Simpson* Barbara Singer § Michael Smith Robert Smith Sharon Smith Gene Sobczak John Sowell Lucie and Jay Spieler Carol Stanfill* Peggy Stanley Milana Strezava* J.J. Szukala Barbara & David Tagg Karen Thompson Teri Thompson & Thomas Crowder § Thomas Tyrrell Lyndall Urquhart Adele & Leonardo Valencia Christopher J. Vlassopulos & Kelly C. Ignatoff Christine Wahlquist § Adam Wanner Hugh A. Westbrook Michael & Ruth Wiegand Evalina Williams-Bestman Kathe G. Williamson* Robert and Marylynne Winstead Paul Woehrle Alice Yurke & Robert Davis

* new donor † deceased § GenS Society

SEASON 2021-2022

| 37

2021-2022

VOLUNTEERS

Seraphic Fire’s volunteers are an indispensable part of our organizational success. Volunteers create a warm, welcoming environment for our patrons by answering questions and assisting with programs, ticketing, and seating during concerts.

Ellen Anderson Jane Andersen Glenda Carr Eugene Donaldson† Bruce Dory Helen Franklin Joan and Paul Gluck Miguel Gonzalez Natalie Gonzalez Sue Groskreutz

Elisa Halliley Jill Harrington Carol Lang Nellie Lopez Susan Mattes Lucia Minervini Heather Osowiecki Karen Picciano David Piriano Anita Platt

Cecilia Rodriguez Chris Rudd Eric Runyan Kurt Schubert Barbara Soliday John Soliday Vera Stein Kristian Toimil

VOLUNTEER HIGHLIGHT LAURA CALZOLARI

Almost 20 years ago, I attended a concert of Bach’s Mass in B minor that Patrick Quigley organized and conducted at Church of the Epiphany where he was serving as Music Director. The performance was spectacular. I felt – as did many others – that a new musical presence had arrived to enrich the classical music scene in Miami.

And it continues to do so today.

I am proud to be part of the Seraphic Fire family and happy to volunteer for fundraising projects and especially as a host to several of Seraphic Fire’s marvelous women vocalists. I look forward to the upcoming season.

38

| VOLUME

III, ISSUE I

2021-2022 ADMINISTRATION ADMINISTRATIVE STAFF Rhett M. Del Campo Executive Director Finance & Operations JJ Flores, Finance & Operations Manager Artistic Administration Alexis Aimé, Director of Artistic Planning & Operations Development Melinda DeDominicis, Patron Services Manager Lauren Schiffer, Grants & Evaluation Manager Marketing Vacant, Marketing Manager Education Suzanne Floyd, Education Director

BOARD OF DIRECTORS Dr. Thomas C. Boyd, Chair Joanne N. Schulte, Founding Chair Robert “Bob” Brinker, Treasurer Diane Ashley, Secretary William Jaume, Vice Chair Mark Trowbridge, Vice Chair Matthew Anderson Misty Bermudez Daniel Copher Alaina Fotiu-Wojtowicz* Karen Fuller Marilyn Horowitz Frank MacBride Ana Marmol Daniel Perron Claudia Polzin Margaret “Peggy” Rolando Adele Valencia Mel VanderBrug Edmundo Pérez-de Cobos, Director Emeritus Patrick Dupre Quigley, Artistic Director, ex-officio Rhett M. Del Campo, Executive Director, ex-officio Douglas Dodson, Artist Representative, ex-officio Molly Quinn, Artist Representative, ex-officio

SEASON 2021-2022

| 39

WITHOUT WHOM...

Seraphic Fire programs would not be possible without the generous support of

Naples performances made possible by the Jeri L. Wolfson Foundation & Charles L. Marshall, Jr. and Richard L. Tooke

SeraphicFire.org • 305.285.9060 • 2153 Coral Way, Suite 401, Miami, FL 33145