Modernism & Contemporary Auction SL2015 Selkirk

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MODERNISM &CONTEMPORARY

Saturday | MAY 15, 2021 | 10AM central 270+ LOTS OF FINE ART, SCULPTURE, GLASS, CERAMICS, MID-CENTURY MODERN FURNITURE & LIGHTING FEATURING PROPERTY FROM THE COLLECTION OF THE SCOTTISH RITE VALLEY OF SOUTHERN ILLINOIS 1971, TO BENEFIT SCOTTISH RITE CHARITIES THE COLLECTION OF DR. & MRS. LUIS SCHWARZ, ST. LOUIS, MISSOURI THE ESTATE OF DR. ALBERT DE LA CHAPELLE AND DR. CLARA D. BLOOMFIELD, COLUMBUS, OHIO REPRESENTED BY AMELIA JEFFERS, AUCTIONEER, APPRAISER & ADVISOR

PREVIEW: M ONDAY, MAY 10 THROUGH F RIDAY, MAY 14 - 10 AM S ATURDAY, MAY 15 - 9 AM TO 10 AM

TO

5 PM

FULLY ILLUSTRATED, ONLINE CATALOG • selkirkauctions.com LIVE BIDDING • selkirklive.com, LiveAuctioneers, Invaluable

TERMS: 20% Buyer’s Premium up to and including $2.5 million USD (25% online) 12.5% Buyer’s Premium in excess of $2.5 million USD (17.5% online) Cash, Check, Visa®, MasterCard and AmEx Accepted Absentee bids accepted and bid competitively.

For your convenience, we will be able to answer your questions about specific items and take your absentee bids by phone.

Call 314.696.9041 or Email inquiries: info@selkirkauctions.com.

Principal Auctioneer: Terry Beye Guest Auctioneer: Amelia Jeffers Apprentice Auctioneer: Madeline Vermeulen ©COPYRIGHT – Selkirk Auctioneers & Appraisers. 2021 COVER: Lot 69, GEORGE MORRISON (AMERICAN, 1919-2000)

AUCTIONEERS & APPRAISERS 555 WASHINGTON AVENUE ST. LOUIS, MO 63101 314.696.9041 selkirkauctions.com

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1 MARCEL ANDRÉ BOURAINE (FRANCE, 1886-1948) Pair of Marabou Stork bookends.

Gilt and silvered bronze with ivory, ca. 1920s, signed “Bouraine“ with “Made in France“, and both numbered identically with “558”. 10” height $4,000-6,000

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2 MATTE GREEN ART POTTERY FROG VASE Ceramic, unsigned. Soft green speckled glaze to graduating form, a singular frog mid-climb at the out-turned lip, impressed mark to underside. 9.75” height $100-200 3 WILHELM KÅGE (SWEDISH, 1889-1960) FOR GUSTAVBERG Sweden, mid 20th century studio pottery, Argenta, mottled turquoise tones with silver overlay. Including one small vase and bowl with fish overlay, and one smaller bowl with leaf design, both bowls with scalloped silver design to rims. All hallmarked and with original Gustavberg stickers to undersides. Vase: 4.25” height $200-500 4 THREE BLACKWARE VESSELS All American, late 20th century, signed underfoot. Two Mata Ortiz artists: one bulb form Octavio Andrew vessel with abstract pattern, and one Susy D. Martinez pot with rippling body, varying pattern banding, and small, flaring mouth. Together with one Kenneth Standhardt art pottery vessel with deep incised diamond pattern. Largest: 6” height $200-400

5 SUSAN ANDERSON (AMERICAN, 20TH CENTURY) Ceramic, signed to underside. Natural, bulb form body to the vase, neck sprouting up with a coiling, silvered edge into a calla lily form, the light green transforming into blue with a marbled effect.

16” height $100-300 3

6 J EDWARD BARKER (AMERICAN, B. 1938) Studio pottery stoneware vase, signed and dated 2003 lower half. Abstract and linear impressed designs throughout the slightly sloping form, small, cinched neck and mouth with ashen interior. 8.5” height $60-100 7 BALDELLI ITALY DINNERWARE SET Italy, mid 20th century, stoneware. Fiftyfive (55) piece service set of yellow/brown glaze tulip center pattern consisting of thirteen (13) dinner plates, thirteen (13) luncheon plates, thirteen (13) soup bowls, six (6) saucers, six (6) coffee cups, one (1) creamer, one (1) sugar, one (1) large serving plate, and one (1) serving bowl. Large serving plate measures 13.25” diameter $100-300

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8 EXTENSIVE DENBY DINNERWARE SERVICE Seventy-eight (78) piece set includes 7 dinner plates, 7 salad plates, 4 soup bowls, 8 cereal bowls, 8 au gratin dishes, 7 circular footed coffee cups, 6 saucers, 4 tall coffee mugs, 4 pasta bowls, 4 tea / coffee cups (hourglass form), standard sugar & creamer, sauce pitcher with underplate, salt & pepper, small lidded cookie jar, flat circular cake plate, divided serving dish, casserole, 2 graduated mixing bowls, lidded double-handled circular serving bowl, circular serving bowl, lidded tea pot, small oval platter and 3 assorted pitchers. $200-500

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9 TIMOTHY LANGHOLZ (AMERICAN, 20TH CENTURY) Stoneware pottery bowl, signed and dated 1998 to underside.

Modernist, slightly southwestern design in muted earth tones and robin‘s-egg blue glaze accents, polished blue glaze interior.

7.75” height, 12.75” diameter $60-120

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10 TIMOTHY LANGHOLZ (AMERICAN, 20TH CENTURY) Stoneware pottery vessel, signed underfoot. Modern design in muted earth tones, incised line work, and polished glaze to outside. 11.25” diameter $60-120 11 ANDY ROGERS (AMERICAN, 20TH CENTURY) Ceramic, signed to base.

Stemmed fruit redolent of a peach or pomegranate, riddled with small pockmarks and spines.

Rests inside separate base. 4” height $50-150

12 ANDY ROGERS (AMERICAN, 20TH CENTURY) Ceramic, initials to underside. Bohhda Pod seed form vessel, accented by pockmarked texturing.

13.5” height $50-250 13 GERMAN ART DECO PORCELAIN CLOCK Diamond shape with concave sides upon tri-footed base, orange, yellow, and green accents.

“Made in Germany“ to the brass and glass clock face. Numbered #4 underfoot. 7” height $25-75 14 JENNIFER MCCURDY (AMERICAN, 20TH CENTURY) Bisque porcelain art vessel, signed underfoot. Openwork bowl in naturalistic, branching pattern, atop circular base with metallic glaze. 4.75” height $200-300

15 ERIC SERRITELLA (AMERICAN, B. 1963) Ceramic tea set including one teapot (3” height), two cups, and three other sculptural pieces, all constructed to look like birch bark. All signed underfoot and dated 2009. $400-800 16 LARGE AMETHYST GEODE Standing form with hole through, rimmed with sharp outcrops. Polished backside and underside. 26.5” height $100-350 17 ALLEN HARRIS (AMERICAN, 20TH CENTURY) Bronze sculpture, signed to base and dated 1971.

Brutalist style female figure in a backbend, upon inscribed, flat base. 5” height, 8.25” width, 5.25” depth $50-150 18 T. TOWNSEND (AMERICAN, 20TH CENTURY) DUCK 1998, signed to the underside. Green composition with the bald head of a bearded man. 20.5” height $60-160 19 SCULPTURE IN THE MANNER OF GEORGE COLIN American, late 20th century, polychrome enameled wood and collage material. Figural handstand decoupaged with buttons and found objects. Purchased from unknown Illinois artist. 52” height $100-300 20 CURTIS HOARD (AMERICAN, B. 1940) Untitled ceramic sculpture with thick glaze. Wisconsin State University MFA 1967, Professor of Art at the University of Minnesota. 12” height, 16” diameter $50-250

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21 MARC SIJAN (AMERICAN, B. 1946) Plaster, one signed indiscernibly to verso. Grouping of six (6) with varying expressions, each with hanging wire. 5” height $80-160 15 4 • SELKIRK • Modernism & Contemporary • May 15, 2021

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22 PABLO PICASSO (SPANISH, 1881-1973) Pichet Tête (Head Pitcher), 1953 Earthenware, edition of 500, inscribed signature to underside. Black oxide and white glaze.

Provenance: collection of Dr. Albert de la Chapelle and Dr. Clara D. Bloomfield, award winning Ohio State University professors and researchers. 5” height, 6” width $1,500-3,500

23 PABLO PICASSO (SPANISH, 1881-1973) Vase Aztèque aux Quatre Visages (A.R. 402) Terre de faience, painted and glazed ceramic vase

by Pablo Picasso, 1957, edition 51 of 100; inscribed signature and numbered to underside, with impressed Madoura Plein Feu and Edition Picasso markings.

Provenance: collection of Dr. Albert de la Chapelle and Dr. Clara D. Bloomfield, award winning Ohio State University professors and researchers. 20” height $40,000-60,000

24 PABLO PICASSO (SPANISH, 1881-1973) Visage de Femme (A.R. 220) Painted and glazed earthenware, edition of 400, impressed Madoura Plein Feu and Edition Picasso markings.

Provenance: collection of Dr. Albert de la Chapelle and Dr. Clara D. Bloomfield, award winning Ohio State University professors and researchers.

14” height, 12” width $16,000-24,000

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25 SALVADOR DALI (SPANISH,1904-1989) Church and Empire (Divine Comedy) Wood engraving/aquatint. A serene, angelic figure pointing into the mouth of a beast, Dali stamp to lower edge. Double matted behind glass, gilt frame. Certificate of Authenticity in envelope pasted to verso.

Sight: 12.5” height, 9.5” width; frame: 21” height, 18” width $200-400

26 SALVADOR DALI (SPANISH, 1904-1989) ENGRAVINGS Divine Comedy plates Colored engravings from Divine Comedy including Purgatory 29 and Hell Canto 18, both pencil signed and finely framed, identically. Sight: 12” height, 9” width; frame: 26.75” height, 22.75” width $750-1,250 27 MARC (MOISCHE SHAGAL) CHAGALL (FRENCH/AMERICAN, 1887 - 1985) Etching on paper, signed lower right. Naive style garden scene, two affectionate figures and a small creature presenting a floral bouquet, white ink with blue accents on a black ground. Mounted behind glass, gilt frame with foliate design. Sight: 26” height, 19.5” width; frame: 36” height, 28.75” width $100-300 28 AFTER PABLO PICASSO (SPANISH, 1881-1973) Vive La Paix (Long Live Peace), 1954.

Monochromatic image of several figures dancing in a circle among flowers. Double matted behind glass, metallic painted frame. Sight: 23.5” height, 18.25” width; frame: 29.25 height, 24” width $50-100

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29 ERTE (ROMAIN DE TIRTOFF) (RUSSIAN,1892-1990) Noon Serigraph, signed lower left, edition 204/300. Female figure with arms outstretched, grapes and assorted florals spilling from her grasp. Dual phoenix figures circle overhead before a radiant sun and swirling clouds.

Print documentation by Circle Fine Art Corporation to verso July 20th, 1981. Sight: 10.25” diameter; frame: 15.75” square $200-400 30 ITZCHAK ISSAC TARKAY (SERBIAN/ISRAELI, 1935-2012) Limited edition serigraph on paper, signed lower right and numbered 281/350 lower left. A woman in an interior scene, seated beside a small table bearing a potted plant aside multi-colored stained glass. Matted behind glass, gilt frame. Sight: 21.5” height, 21.5” width; frame: 34.5” height, 34” width $100-300

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31 ITZCHAK ISSAC TARKAY (SERBIAN/ISRAELI, 19352012) Limited edition serigraph on paper, signed lower right and numbered 344/350 lower left. Interior scene of two ladies beside potted monstera. Mounted, matted behind glass, foliate gilt frame. Sight: 23.25” height, 18.75” width; frame: 36” height, 31.75” width $100-300 32 ITZCHAK ISSAC TARKAY (SERBIAN/ISRAELI, 19352012) Limited edition serigraph on paper, signed lower right and numbered 336/350 lower left. Interior scene with three ladies in an abstract surround, a small vase of lavender flowers visible. Matted behind glass, gilt frame. Sight: 17” height, 12.25” width; frame: 28” height, 23” width. $100-200 33 ITZCHAK ISSAC TARKAY (SERBIAN/ISRAELI, 19352012) Winnie, 1998 Serigraph, signed lower right and editioned 183/350 lower left. Interior scene, a serene woman seated beside a potted monstera, another spectral female form in her shadow. Double matted behind glass, silvered, foliate frame. Further information pasted to verso with title. Sight: 30.75” square; frame: 42” square $200-400 34 ITZCHAK ISSAC TARKAY (SERBIAN/ISRAELI, 19352012) Serigraph, signed lower right and editioned 152/350 lower left. A seated woman with floral accents. Matted behind glass, gilt frame. Sight: 48.25” height, 18” width; frame: 64.25” height, 34” width $200-400 35 ITZCHAK ISAAC TARKAY (SERBIAN/ISRAELI, 19352012) Limited edition serigraph on paper, signed lower right and numbered 32/300 lower left. Abstract depiction of two ladies sitting at tea tables. Mounted, matted behind glass, foliate gilt frame. Sight: 14” height, 11.25” width; frame: 27.5” height, 24.25” width $80-160

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36 ERNEST TINO TROVA (AMERICAN, 1927-2009) Four Figures on an Orange Square from Falling Man series.

Screenprint, printed text along lower edge reading “Recent Sculpture by Ernest Trova, Hayden Gallery, Massachusetts Institute of Technology, February 20-March 19, 1967. Opening February 20, 7-9, artist will be present. Refreshments sponsored by the MIT Committee on the visual arts.

Gallery hours: Monday-Friday 10-5, Tuesday 10-9, Saturday-Sunday 1-5.”

Behind glass, thin, metal frame. Hangs diagonally. 26.25” square $60-120

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37 ERNEST TINO TROVA (AMERICAN, 1927-2009) Yellow Man in Chair Digital print, unsigned. Seated, nude figure against a white field. Thin black frame. 60” height, 41” width $200-400

38 ERNEST TINO TROVA (AMERICAN, 1927-2009) Print on canvas. From the Yellow Man series. Opposing figures, one inverted, connected by red lines on a royal blue ground, as if a constellation, with white spot stars throughout, unframed.

Trova Estate inventory #274. 35.5” height, 39.5” width $100-300 39 ERNEST TINO TROVA (AMERICAN, 1927-2009) Personae, Etc. Portfolio of eight (8) total unframed screenprints on 4-ply museum board, all signed and editioned. With document introduction containing titles, date, and additional info. All copyright 1996, published by Lococo, Mulder. Including Personae, General EP, Salutation, Coda, Otto Diction, Ortus, After Personae, and Meditato. Each 24” height, 19” width $700-1,100

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40 LAWRENCE HEYDA (AMERICAN, 20TH CENTURY) Acrylic on canvas, signed lower right. Colorful composition with gilt wood frame, signed to verso with artist‘s address. 39” height, 31” width $50-100 41 TWO MCM FRAMED PRINTS Both of overlapping geometric forms, signed M. Levi, ‘73 to lower edge. Behind glass, metal frames. Both 40” height, 28.5” width $60-120

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42 HAZEL BELVO (AMERICAN, B. 1934) Monoprint on paper, signed and dated 1976 lower right. Textured, abstract shape comprised of vertical sections of color in reversing pattern, mounted behind glass, gilded frame. Sight: 22.5” height, 29.75” width; frame: 26.75” height, 34” width $200-600 43 ETCHING SIGNED FRADI Etching on paper, dated 1975, editioned 2/6 and signed along lower edge. A celestial scene in blue tones with a smattering of star-like accents. Matted behind glass, silvered wood frame. Sight: 24.75” height, 18.5” width; frame: 35” height, 27.5” width $60-180 44 MOSHE ELAZAR CASTEL (ISRAELI/AMERICAN,1909-1991) Two color lithographs, signed lower right. Prophesy and Secret Writing, 1979. Both unframed.

Both 29.5” height, largest 21.5” width $60-120

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45 JOHN PHILLIP HULTBERG (AMERICAN, 19222005) Color lithograph on paper, signed lower right.

Abstraction in black and white, accented by gold and mauve color fields. Unframed. 26” height, 30.25” width $80-160

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46 CAROLYN R. SHINE (AMERICAN, 1918-2019) Cincinnati, Ohio artist. Oil on canvas, signed lower right. Bustling and brightly colored scene of a freeway and overpass cluttered with cars. Rustic wood frame. Sight: 23.5” height, 29.5” width; frame: 29” height, 35” width $60-120 47 LEONARD WYATT FFPS (BRITISH, 1922-2008) Oil on board, signed lower right. High rise buildings in muted tones, palette knife rendering, foliate gilt frame.

Sight: 19.5” height, 29.5” width; frame: 27.5” height, 37.5” width $200-500 48 DAVE MEINECKE (AMERICAN, 20TH CENTURY) Oil on canvas, signed and dated November 1975 lower right. Colorful, psychedelic-style abstraction resembling an engine. Thin, silver painted wood frame. 37” height, 66” width $100-200 49 ALEJANDRO ROMERO (MEXICAN, 1948-) Mixed media on paper. Densely populated, colorful depiction of the historical Haymarket Riot of 1886, signed lower right and dated 1986, text along lower edge blending into the scene reading “Haymarket; 100 Years“. Behind glass, cloth and gilt metal frame. Sight: 23.5” height, 35” width; frame: 32.5” height, 42” width $100-300

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50 PETER MAX SET OF SIX STATUE OF LIBERTY POSTERS “Version One“ through “Version Six“, all hand signed “MAX“ by the artist and dated 1981 near the bottom. These are after the original acrylic on canvas works done by Peter Max upon the invitation of then President and Mrs. Ronald Reagan at The White House on July 4, 1981. “The Corcoran Gallery of Art - Washington, D.C.”, all unframed, Sheets 25.5” height, 12.5” width $350-700 51 BILLY MORROW JACKSON (AMERICAN, 1926-2006) The Right Society, 1966 Etching on paper, signed lower left. Sociopolitical scene with multiple known figures including Malcom X. Behind glass, black frame. 23” height, 29” width $50-100 52 BILLY MORROW JACKSON (AMERICAN, 1926-2006) Lithograph prints, signed. Multiple prints from the 1960s.

Billy Morrow Jackson BFA- Washington University, St. Louis 1949, MFA- University of Illinois, Urbana-Champaign 1954.

Professor of Art at the University of Illinois 1954-1987, Professor Emeritus of the University from 1987-2006. $100-300

53 ALEXANDER GORE (AMERICAN/RUSSIAN, 1958-) The Secret Knowledge All Inside, 2019.

Oil on Kodak photo paper, mounted to canvas behind glass in red wood frame. Abstracted bust of a man set against mottled green backdrop. Certificate of Authenticity with artist signature pasted to verso. Sight: 23.75” height, 18.5” width; frame: 29.5” height, 23.5” width $80-200 54 MONOCHROMATIC ABSTRACT PHOTOGRAPH A hunched figure with hands raised together, multiply exposed, within a black surround.

Mounted on board behind glass with metal framed. Unsigned and unmarked. 16.5” height, 20.25” width $40-100

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55 ANDY WARHOL (AMERICAN, 1928-1987) IMAGES Silver gelatin print matted next to black and white postcard photograph of Andy, signed, image 3.25” x 4.25”. Caption at lower margin, photo by Constantin/Vogelmann. Frame: 18” height, 23” width $350-650 56 ANDY WARHOL (AMERICAN, 1928-1987) Original ink drawing on paper, signed lower right. Simplistic bust image of John Lennon, accented by red butterflies and inscription “He is free!” Inscribed to verso “To Kirk, - Just for you.

- A. W.” Matted behind glass, black frame.

Sheet: 12” height, 9.75” width; frame 16.5” height, 13.5” width $3,000-4,000 56 www.SELKIRKAUCTIONS.com • 9

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57 DAVID HERSKOVITZ (AMERICAN / PERUVIAN, B. 1925) Ink on paper, signed and dated 1974 lower left. A sketch depiction with figures of a man and a small primate. Matted behind glass, black frame. Sight: 8.5” height, 7.25” width; frame: 13.25” height, 12.25” width $100-300 58 INK DRAWING BY CHRISTOPHER C. CHAUVIN Ink on paper, signed. Two men on horseback, another in foreground clutching a rein, an intense expression on his face; white accents in gouache. Sight: 9” height, 14.5” width; frame: 15.25” height, 20.25” width $60-120

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59 THOMAS ROSE (AMERICAN, B. 1942) Cuttlefish Bones Aquatint, engraving, and collage on paper, signed and dated 1978. Inscription lower left reading: “A.P. 11/10”; mounted behind glass, gold-toned brushed metal frame. Sight: approximately 20” height, 16” width; frame: 30.75” height, 25.75” width $100-300 60 HAZEL BELVO (AMERICAN, B. 1934) Two works in graphite on paper, both signed lower left. One a circular form with gold leaf coloring, dated 1976, the other a multiple-form geometric abstraction with gold paint coloring, inscribed “To Clara and Victor“ and dated 1973”. Both with plexiglass framing. Together with “A Symbolic Drawing“ - anatomical work in graphite on paper, dated 1973, unframed, two exhibition prints, one hand signed, and Love Drawings - a booklet of prints and free verse with a biography of the artist. Framed pieces: 10” height, 8” width $50-200

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61 THOMAS ROSE (AMERICAN, B. 1942) Quite simply they were separated by the nature of their existence Mixed media sculpture in acrylic and plexiglass case, dated 1975. Case: 6” height, 14” square $250-500

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62 HERMAN ROWAN (AMERICAN, B. 1923) Spray-paint on foam or corrugated board, signed to verso and dated December 1969. Minimalist effect in pastel tones with two central groups of four metallic circles, metal frame.

Herman Rowan, Professor of Art University of Minnesota (-1993) 45.5” height, 29.5” width $100-300

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63 WOLF KAHN (GERMAN-AMERICAN, 1927-2020) Long Lagoon Oil on canvas, signed verso and dated 1959. Abstracted landscape in light hues of silver, light gray, and shadow space. Extant Grace Borgenicht Gallery Inc label to verso, initialed stretcher.

Provenance: The Artist Grace Borgenicht Gallery, New York N. McCullough Winters, Quincy, IL John M. Winters, Quincy, IL by descent (his father) 1975 Susan W. Caine, St. Louis, MO by descent (her uncle) 2011 Private Collection, by descent 2020 16” height, 37” width $12,000-18,000 64 JOSEF ALBERS (AMERICAN, 1888-1976) Signed centrally with inscription to the Hunter Family of Hunter Engineering, reading: “With best wishes for the holidays and the New Year for you all six. Josef Albers“ notated on the verso of an Albers “Sanctuary“ 1942 postcard, yet notated in 1964. Polyptych screenprints of graduating squares and rectangles, highlighting works from the exhibition “New Paintings

by Josef Albers“ March 4th-30th, 1963, Sidney Janis Gallery, 15 E. 57th Street. Largest sights: 8” square; frame: 22.25” height, 30.5” width $2,500-4,500

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71 AMERICAN SCHOOL ABSTRACT PAINTING Oil on canvas, unstretched, signed lower portion. Abstraction in Jackson Pollock style, signed Lee Krasner.

16.5” height, 15.5” width; canvas: 18.5” height, 18” width $100-500

65 LUCILLE SYLVESTER (RUSSIAN/AMERICAN, B.1909) Russian Duel Oil on canvas, signed lower right. Still life depiction of a pink-dressed doll with a lute sits astride a small vase of pink flowers and a bird figurine, against a turquoise wall.

Wood frame. Title to verso with artist‘s name and address. Sight: 9.5” height, 7.25” width; frame: 16” height, 14” width $60-120 66 ANN METZGER (AMERICAN, 20TH CENTURY) Oil on board, signed lower right. Abstract still life of a desktop‘s contents. Gilt wood frame with relief pattern.

Sight: 16” height, 20” width; frame: 21” height, 25” width $250-500

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73 PAWEL AUGUST KONTNY (POLISH/AMERICAN, 19232002) Pastel on paper. Running black lines among neon orange and soft purple and grey tones, signed lower left. Matted behind glass, giltwood frame. Sight: 21” height, 14” width; frame: 29” height, 22” width $50-150

67 MARK TOBEY (AMERICAN, 1890-1976) Aquatint etching on paper, signed lower right and numbered 120/150 lower left. Tumultuous scene in pastels and shades of brown. Wide cloth matting behind glass, gilt frame. Sight: 9.25” height, 10.25” width; frame: 28” height, 26.5” width $150-300 68 MICHAEL RUBIN (AMERICAN, B. 1946) Blue/ Yellow & Gold Ink on paper, signed, titled, and dated 1990 lower right.

Abstractions in primary colors in varying, swiping strokes.

Mounted behind glass, lightly gilded frame. Sight: 18” height, 23.75” width; frame: 32” height, 38” width $150-350

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74 ATTRIBUTED TO HERMAN ROWAN (AMERICAN, 19032003) Oil and Ashes Oil on canvas, unsigned, 1976. Herman Rowan was born in New York and entered role as educator for University of Minnesota, retired 1933.

56” square $100-300 75 MARLON DAVIDSON (AMERICAN, 20TH CENTURY) Oil on circular canvas, signed to verso and dated 1974.

Abstract, textural work, mounted to hexagonal, wooden frame. Sight: 24” diameter; frame: 35” diameter $80-200

69 GEORGE MORRISON (AMERICAN, 1919-2000) Ink on paper, signed and dated. Monochromatic abstraction in square format. Accompanied by Walker Art Center Exhibition publication. 23” square $750-1,250 70 GEORGE MORRISON (AMERICAN, 1919-2000) Ink on paper, signed and dated 1963 lower right. Monochromatic, dense, abstract scene with ellipses throughout.

Matted behind glass, metal frame. Sight: 13.5” height, 10.5” width; frame: 19.25” height, 16.5” width $350-750

72 JAMES PEGG (AMERICAN, B. 1953) Missouri artist. Oil on canvas, signed lower right and dated 1991. Highly expressionist profile portrait of a man in headdress. Black painted wood frame. 39” height, 27” width $200-300

76 MARLON DAVIDSON (AMERICAN, 20TH CENTURY) Oil on circular canvas, signed along the left side. Abstract, cellular construction in organic tones. Stretched with metal tacks and tin framing and mounted atop black wood frame. Sight: 22” diameter; frame: 24.5” square $80-200 70

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77 PAUL-EMILE BORDUAS (FRENCH-CANADIAN, 1905-1960) Cry of the Little Frogs Oil on canvas, signed and dated 1953. Heavy impasto abstract palette knife composition. Extant Passedoit Gallery label to verso with handwritten notation. Stamp to canvas reading “Artist Materials C.R. Crowley 1387 St. Catherine St. W. Montreal 25, Que.” Provenance: The Artist Passedoit Gallery 1954 N. McCullough Winters, Quincy, IL John M. Winters, Quincy, IL by descent (his father) 1975 Susan W. Caine, St. Louis, MO by descent (her uncle) 2011 Private Collection, by descent 2020 Bibliography: 3 Canadian Painters, Including Roloff Beny Of Lethbridge, Have One-Man Shows in NY “, The Herald (Lethbridge, Alberta), January 6, 1954. GAGNON, Guy,” New-York welcomes Borduas, the painter from St-Hilaire “, Le Clairon (St-Hyacinthe), January 8, 1954, p.8. GAGNON, François-Marc, Paul-Émile Borduas (1905 - 1960). Critical biography and analysis of the work, Fides, Montreal, 1978, p. 323, 490, 530. GAGNON, FrançoisMarc, Paul-Émile Borduas A Critical Biography, McGill-Queen‘s University, Montreal & Kingston, 2013, p. 304.

Observation: “List of paintings from Provincetown, 1953”, No. 24, T. 239.

Exhibitions: Passedoit Gallery, New York 1954, solo exhibition “Paul-Émile Borduas“, January 5-23, no. 18 on the list 16” height, 19.5” width; frame: 23” height, 26.5” width $70,000-90,000

Literature: “Borduas won his case against the Federal Bureau of Investigation and was finally able to move to the United States, initially to Provincetown, Mass., where he spent the summer of 1953 painting at the seaside. He may have met Hans Hofmann at this time, since the German painter gave summer courses in this Cape Cod town, where there was an artists’ colony. In the fall Borduas settled in New York, and he remained there until September 1955. With the support of several Quebec collectors (notably Gérard Lortie) and two New York galleries (the Passedoit Gallery and the Martha Jackson Gallery), he was able to rent a large studio in Greenwich Village. This period was extremely important for the development of his art and career. The title he gave to a canvas painted in 1953, Les signes s’envolent, seems to convey what was going on in his painting, as objects disintegrate (thus “signs” disappear) and the background moves closer to the surface of the painting. From then on, Borduas used only a paletteknife to apply the paint, a technique that gave greater materiality to his work. His first New York exhibition was held at the Passedoit Gallery from 5 to 23 Jan. 1954, and attracted favourable notices. On 6 February Rodolphe de Repentigny, a critic who had come to New York for the occasion, reported in the Montreal paper L’Autorité du peuple that the American painter Robert Motherwell, who was present at the vernissage, had exclaimed: “He’s the Courbet of the 20th century!” However, the Passedoit, which, prior to Borduas, had never exhibited non-figurative painting, was not a very prestigious gallery. Fortunately, his work would be taken up by the Martha Jackson Gallery in exhibitions organized after he had left North America (18 March–6 April 1957 and 24 March–18 April 1959). While in New York, Borduas had realized that, although he could claim to have been inspired by Surrealism, especially its concept of an art originating in the unconscious, the abstract expressionism practiced by Jackson Pollock, Franz Kline, or Mark Rothko – artists whom he could meet at the Cedar Bar – was going much further in this direction than the automatism of the Montreal group in the period when he was their leader.”

Credit: François-Marc Gagnon, “BORDUAS, PAUL-ÉMILE (baptized Paul-Émile-Charles),” in Dictionary of Canadian Biography, vol. 18, University of Toronto/Université Laval, 2003–, accessed April 15, 2021, http://www.biographi.ca/en/bio/borduas_paul_emile_18E.html. www.SELKIRKAUCTIONS.com • 13

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78 ENRIQUE SANCHEZ (MEXICO, 1940-) Oil on canvas, signed lower right. Colorful, cubist style painting of a bathing suit-clad woman in repose with a parasol. Wooden frame. 41.25” height, 31.25” width $200-500

84 SAM FISCHER (AMERICAN, B. 1921) Wild Wisteria Oil on board, signed. Abstract landscape image in earthen tones. Title and other assorted notes attached to verso. Frame: 36” height, 49” width $100-200

79 AMERICAN PSYCHEDELIC NEEDLEPOINT American, 1970’s, initialed JLR. Erotica, figures in vibrant hues. 21” height, 17” width $50-150

85 JIMI HENDRIX “EXPLOSION“ England, 1968, poster artwork by Martin Sharp, published by Big O Posters Ltd. Sight: 34.5” height, 26.5” width; frame: 40.25” height, 32.25” width $400-700

80 MARIMEKKO FABRIC PANEL Finland, mid 20th century, signed and dated 1961 lower right back border, blended fabrics. Horizontal waves of color overlapping; stretched on wood bars. 44.5” height, 51.25” width $50-100 81 HERMAN SOMBERG (AMERICAN, 1917-1991) Pastel on paper, signed lower left. Cubist composition with varied geometric shapes, primarily in blue.

Mounted and matted behind glass, silvered frame.

Sight: 10” height, 4.5” width; frame: 18.25” height, 9.75” width $100-300

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82 ABSTRACT PASTEL SIGNED RAMIREZ Pastel on paper, signed lower right. Abstract scene in blue and green tones, cloth matted, white metal frame. Sight: 12” height, 15.5” width; frame: 18.75” height, 22.75” width $40-80 83 NICOLAS RIVAS (20TH CENTURY) Acrylic or gouache on canvas, signed lower left.

Detailed forest scene, dots of color representing leaves in an array of pastel, autumnal colors, metallic trees, and a small congregation of pink and white deer below. Wood frame, inscribed to verso “Very famous Venezuelan artist“. 8.75” height, 10.75” width $60-120

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86 PHYLLIDA RIDDEL (UNITED KINGDOM, 20TH CENTURY) Oil on board, signed lower right. Naive style scene of jaguar among jungle foliage with parrot. Red painted and gilt frame with bamboo design. Notation to verso dated December 5th, 2000. 4.5” height, 6.5” width; frame: 10.75” height, 12.75” width $300-500 87 DEBORAH MAE BROAD (AMERICAN, B. 1954) The Favorite Cat Bichrome lithograph, a primate figure in an enclosure holding a mountain lion while another rests at its feet, signed on lower right, editioned 13/25.

Triple matted behind glass, black frame. Sight: 19.5” height, 18” width; frame: 31” height, 29.5” width $50-100 88 DEBORAH MAE BROAD (AMERICAN, B. 1954) Unsaid Polychrome lithograph, signed lower right, editioned 4/10 “first state“, and titled lower left. A conversational dog and cat in profile against an abstract, monochromatic backdrop. Matted, black frame. Sight: 18.5” height, 24.5” width; frame: 25.5” height, 31.5” width $50-150

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89 DEBORAH MAE BROAD (AMERICAN, B. 1954) Rich Man Polychrome lithograph of a sheep with art nouveau style adornments and framing, with details of shears and hangers overhead. Signed lower right and titled lower left, editioned working proof of five. Matted behind glass, black frame. Sight: 18.5” height, 24.5” width; frame: 25.5” height, 31.5” width $100-300 90 DEBORAH MAE BROAD (AMERICAN, B. 1954) Tattoo (I Am More Than Ham) Polychrome etching of a pig in a gloomy surround, signed lower right and titled lower left. Mounted to board behind glass, black frame with foliate design.

Sight: 22” height, 30” width; frame: 32.25” height, 40.25” width $100-300 91 DEBORAH MAE BROAD (AMERICAN, B. 1954) Onward II Bichrome lithograph on paper, signed lower right, editioned 12/50 and titled lower left. A serval traverses a tightrope against a stormy backdrop, whiskers serving as a balancing rod. Matted behind glass, black frame. Sight: 16.5” height, 15.5” width; frame: 18.5” height, 17.5” width $100-300

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92 DEBORAH MAE BROAD (AMERICAN, B.1954) Halloween 1997 Monochrome lithograph on paper, signed lower right, editioned 18/100 and titled lower left. Monochromatic depiction of a rabbit refuging beneath a turtle shell. Mounted within red matting bearing title in stylistic font, various candy wrappers adorning the mat, all behind glass with black wood frame. Sight: 10.5” height, 12.25” width; frame: 17.5” height, 19.5” width $50-150 93 DEBORAH MAE BROAD (AMERICAN, B. 1954) Something To Hold On To Polychrome lithograph, signed lower right, editioned 8/10 “second state“, and titled lower left. An upright, primate figure holding an affectionate wild cat, within a sea green surround. A deep shadow to the left. Behind glass, black frame. Sight: 10.5” height, 13” width; frame: 13.5” height, 15.75” width $50-150 94 MAX FERNANDO BRAUN-VEGA (PERUVIAN, 20TH CENTURY) Oil or acrylic on board, highly abstract scene dated 1956 and signed to center. Thin black and silver frame. 28.25” height, 54.25” width $100-250

95 WILLIAM WARD BEECHER (AMERICAN, 1921-2006) Atomicomment Oil on board, signed lower right. Surrealist landscape scene depicting a ball-jointed figure cast in celestial spotlight, illusions of alternate planes; cloth and gilt wood frame.

Title inscribed to verso of board with the following “Into the midst of the obviousness of our lives - has come a key - to open a door - a passage, feebly lighted as yet - lies on the other side - which leads to perhaps a better equipped “theatre“ - or oblivion.

W.B. ‘48” Sight: 16” height, 19.5” width; frame: 24.5” height, 28.25” width $500-1,000 96 WILLIAM WARD BEECHER (AMERICAN, 1921-2006) Sanctuary Watercolor on paper, signed lower right and dated 1947. A hooded figure standing before a red chair and green-tableclothed table with a rose-adorned plinth atop. Inscription to verso with title. Sight: 17.5” height, 22.25” width; frame: 24.5” height, 29.5” width $300-600

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97 SIEGFRIED REINHARDT (GERMAN-AMERICAN, 1925-1984) Mural 1984 Oil on canvas, signed and dated. Paradasaic landscape with birds and butterflies. The artist himself, who battled addiction, was a patient of the Hyland Behavioral Health Center. The works were recently de-installed and this is the first time offered for sale to the public.

Provenance: Hyland Behavioral Health Center of St. Anthony’s Medical, now Mercy Hospital, St. Louis, MO. Sight: 126” height, 52” width $2,500-5,000

98 SIEGFRIED REINHARDT (GERMAN-AMERICAN, 1925-1984) Mural 1978 Oil on Canvas, signed and dated. Iconographic images relating to overcoming addiction. The artist himself, who battled addiction, was a patient of the Hyland Behavioral Health Center. The works were recently de-installed and this is the first time offered for sale to the public.

Provenance: Hyland Behavioral Health Center of St. Anthony’s Medical, now Mercy Hospital, St. Louis, MO. 172” height, 49.75” width $2,500-5,000

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99 ERNST VAN LEYDEN (DUTCH, 1892-1969) KARIN VAN LEYDEN (GERMAN, 1906-1977) Wall Mural for 2102 S. Warson Rd. Ladue, MO 1951 Acrylic on reverse painted glass tiles, signed and dated lower right. Surrealist paradasaic landscape with horses and sheep in pasture, pyramids background.

Provenance: The work was featured in the July 1, 1951 edition of St. Louis Post-Dispatch newspaper in article entitled “Lavish Interiors“ showcasing the custom mural and the residence at 2102 S. Warson for a Mr. and Mrs. Charles H. Yalem of Ladue, MO. Total tile height: 84” height; total width of tiles: 180” ; each panel width: 45” width $2,500-5,000

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100 BRANCH FORM FIREPLACE GARNITURE Late 20th - early 21st century, wrought iron. Each part of the garniture composed in naturalistic fashion. 39” height $40-120

107 LIGHTOLIER MACHINE AGE FLOOR LAMP American, mid 20th century, colored metal. Adjustable domed shade, round base. 55.5” height when fully extended $100-200

110 MILO BAUGHMAN FOR THAYER COGGIN BEIGE SOFA American, 1971. Beige corduroy upholstery, extant labels. 90” length, 35” width 23” height $350-750

101 IRON TREE SCULPTURE Late 20th - early 21st century, wrought iron, corded accents. Bare-branched tree form with twelve (12) iron framed, conical glass votive candle holders. 85.5” height $100-200

108 LAUREL TORCHIERE FLOOR LAMP Mid-century, chrome. Minimal tulip form with upward-facing shade, circular base. 66” height $100-200

111 MILO BAUGHMAN FOR THAYER COGGIN ORANGE SOFA American, 1971. Orange corduroy upholstery, extant label. 90” length, 35” width 23” height $350-750

102 ART DECO FLOOR LAMP American, 2nd quarter 20th century. Fishnet fiberglass shade, jadeite green vitrolite and brass standards, elevated on ornamental footing. 56” height $50-250

109 MILO BAUGHMAN FOR THAYER COGGIN BEIGE SOFA 2 American, 1971. Beige corduroy upholstery, extant label. 90” length, 35” width 23” height $350-750

112 SET OF FOUR TARTAN PLAID MCM ARMCHAIRS American, mid 20th century, walnut. Yellow-gold upholstery, label to underside for Charlotte Chair Co. 30.25” height, 24.75” width, 19.5” depth $50-150

103 BRASS TULIP TORCHIERE Mid 20th century design, inverted shade atop slim standard and round base. 61” height $50-150 104 CAPRANI LIGHT MODERN FLOOR LAMP

BY MADS CAPRANI Denmark, ca. 1970s, signed “Caprani Light“. Tall serpentine bentwood standard, held by the metal horseshoe shaped base. 59” height $200-400

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105 EUROPEAN INDUSTRIAL STYLE MULTI-LIGHT FLOOR LAMP AND OUTLET Continental, mid 20th century. Beige with goose-neck top holding the shaded light, the stem with diminutive, covered light halfway down the standard with outlet and switches for both lights, on circular base. 53” height $60-180 106 RETRO MUSHROOM FLOOR LAMP American, mid 20th century. Glass mushroom form dome shade above slender cylindrical stem and round base. approx. 55.5” height $50-150

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113 FOUR TARTAN PLAID MID CENTURY ARMCHAIRS American, mid 20th century, walnut. Green and blue upholstery, label to underside for Charlotte Chair Co. 30.25” height, 24.5” width, 13” depth $50-150

117 MODERN CONSOLE TABLE Likely Italian, 20th century. Rectangular blonde wood top on matching club form legs, with all-around black metal frieze with matching circular feet. 29.5” height, 52” length, 16” width $80-200

114 TRIO OF MCM PLAID HELIKON CHAIRS American, mid-20th century, oak. 31.75” height; 21.5” width, 20” depth $50-150

118 MAHOGANY HIGHBOY BY JOHNSON FURNITURE CO American, mid-20th century, bleached finish. Central cupboard doors flanked by short drawers, all over two columns of four drawers, on tapered legs.

45” height, 53” width, 20” depth $200-400

115 PAIR OF T.H. ROBSJOHN-GIBBINGS TABLES FOR JOHN WIDDICOMB American, circa 1960. Two-tiered stretchered side tables with graduating legs. 23.25” height, 30” width, 20” depth $200-450 116 T.H. ROBSJOHN-GIBBINGS SIDE TABLE FOR JOHN WIDDICOMB American, circa 1960. Dual-tiered and stretchered side table with reverse tapering legs. 23.25” height, 30” width, 20” depth $100-300

119 MAHOGANY DRESSER BY JOHNSON FURNITURE CO American, mid-20th century, bleached finish. Two columns of four dual-handled drawers, on tapered legs. 30.25” height, 66” width, 20” depth $100-300

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120 STRIPED MAPLE CHEST Four-sided occasional table of trapezium form, glass top, and three drawers; manner of Paul McCobb. 20.5” height, 20.5” width, 18.5” depth $50-250

122 RICHARD SAPPER FOR ARTEMIDE “TIZIO“ TABLE LAMP Italy, late 20th century. Swing balance motion and adjustable head. 32.25” height (with extending arm turned inwards) $100-200

121 BUTCHER BLOCK TOP PUB TABLE American, 20th century. Circular top on a bronze Classical style fluted pedestal support and trifooted base. 30” height, 35.5” diameter $80-200

123 VINTAGE ACRYLIC TABLE LAMP American, 20th century, lucite.

Flat standard with geometric cut designs and smoked finish to the backside. 28” height $40-80

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124 PAIR ROBERT SONNEMAN MARBLE LAMPS American, mid 20th century. Marble plinths electrified. 27.5” height $50-150 125 PAIR ROBERT SONNEMAN MUSHROOM LAMPS American, mid-20th century. Chrome shades over cylindrical body.

26” height $100-300 126 PAIR ROBERT SONNEMAN LEATHER LAMPS American, mid 20th century. Tan leather wrapped cylinder. 33” height $50-150

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127 PAIR ROBERT SONNEMAN CHROME LAMPS American, mid 20th century. Chrome cylinders with black shades.

35.5” height $50-150 128 PAIR ROBERT SONNEMAN CHAGRIN STYLE TABLE LAMPS American, mid 20th century. Green textured cylinder. 28.5” height $50-150 129 REGLOR OF CALIFORNIA FIGURAL TABLE LAMP American, dated 1951. Female matador dressed appropriately in all red. 32.5” height $60-100 130 PAIR OF ROBERT SONNEMAN DARK LEATHER LAMPS American, mid 20th century, leather wrapped cylindrical body. 33” height $50-150 131 PAIR OF MCM LATTICE WOOD SIDE TABLES Mid-20th century, wood. Two (2) tables of lattice work square tops on four legs. Each: 25.25” square, 16.5” height $50-150 132 MCM LATTICE SIDE TABLE Mid-20th century, wood. Lattice work square top on four legs.

25.25” square, 16.5” height $25-75

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133 MCM COFFEE AND SIDE TABLE SUITE American, mid 20th century, oak. Slat construction to matching pieces. Coffee table: 48” length, 21” width, 16.5” height; side tables: 28” square, 22.5” height $50-150

135 PAIR OF MCM ARMCHAIRS

BY HELIKON American, mid-20th century, oak with avocado hue removable cushions. 26.25” height, 26.5” width, 28.25” depth $50-100

134 PAIR OF MCM ARMCHAIRS

BY HELIKON American, mid-20th century, oak with goldenbrown removable cushions. 26.25” height, 26.5” width, 28.25” depth $50-100

136 PAIR OF MCM ARMCHAIRS BY HELIKON American, mid-20th century, oak with green removable cushions. 26.25” height, 26.5” width, 28.25” depth $50-100

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137 MID CENTURY ORANGE SOFA American, mid 20th century, oak. Orange upholstery.

97” length, 30” width, 28.5” height $300-600 138 MID CENTURY GREEN SOFA American, mid 20th century, oak. Green upholstery. 97” length, 30” width, 28.5” height $300-600 139 MID CENTURY SOFA American, mid-20th century, oak. Avocado hue upholstery. 97” length, 30” width, 28.5” height $300-600

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140 PAIR OF MILO BAUGHMAN BROWN HOUNDSTOOTH CLUB CHAIRS American, 1971, direct order from Thayer Coggin, extant label. 24.25” height, 30” width, 24.25” depth $350-750 141 PAIR OF MILO BAUGHMAN BLACK HOUNDSTOOTH CLUB CHAIRS American, 1971. Direct order from Thayer Coggin, original. 24.25” height, 30” width, 24.25” depth $350-750

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142 THREE MID CENTURY BROWN HOUNDSTOOTH ARMCHAIRS American, mid 20th century, oak. 31” height, 23” height, 21” depth $50-150 143 SET OF FOUR MID CENTURY BLACK HOUNDSTOOTH ARMCHAIRS American, mid 20th century, oak. 31” height, 23” height, 21” depth $50-150 144 MILO BAUGHMAN THAYER COGGIN OVERSIZED OTTOMAN 1 American, ordered 1971, extant labels. Original striped upholstery. 11.5” height, 31” square $300-700 145 MILO BAUGHMAN THAYER COGGIN OVERSIZED OTTOMAN 2 American, ordered 1971, extant labels. Original striped upholstery. 11.5” height, 31” square $300-700 146 DON KNUDSON (AMERICAN, B. 1933) Untitled, free standing sculpture of enameled, horizontal wood turnings. 80” height, 36” width, 19” depth $250-650

147 DON KNUDSON (AMERICAN, B. 1933) Untitled, stained wood collage. Multiple sections of wood fragments. 45.25” height, 31.5” width, 4” depth $100-300 148 DON KNUDSON (AMERICAN, B. 1933) Polychrome enameled wood sculpture. Black and white horizontal wall sculpture.

16” height, 82” width, 6” depth $250-550 149 DON KNUDSON (AMERICAN, B. 1933) Enameled wood collage, signed. Multiple fragments of wood turnings and cuts.

31” height, 36” width, 4.25” depth $200-400 150 DON KNUDSON (AMERICAN, B. 1933) Untitled, wood collage sculpture, dated 1970. 25.75” height, 10.75” width, 3.5” depth $100-300 151 DON KNUDSON (AMERICAN, B. 1933) Painted wooden sculpture, signed to reverse. Brass scale weights inset into wooden fragments, framed. 25” height, 9” width, 1.5” depth $150-350 www.SELKIRKAUCTIONS.com • 23

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152 NAUTILUS WOODEN SCULPTURE 20th century design, layered contoured bentwood slats. 13” width, 15” depth $100-200 153 SCULPTURAL POLISHED ELMWOOD Bullet form, polished surface with recess to upper edge and knot to lower edge resembling a skull shape, drill hole present in the flat top from a foregone modification. 17” height $40-80 154 LARGE ABSTRACT WOOD SCULPTURE Twentieth century design, formed walnut.

Linear form with notched top sloping down into curvaceous base. 64.5” height $50-200

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155 WOOD ART INCLUDING BRAD SELLS (AMERICAN, 20TH CENTURY) Shaari Horowitz fruit bowl, hand-painted with leaf design; one abstract form vessel signed “K“, one turned walnut bowl signed Schaefer, one Osage orange bowl with uneven, sloping rim, signed W.M. Rubenstein, and one Brad Sells yellowwood tri-footed bowl, dated 2015. Five (5) pieces total.

Largest: 11.25” diameter $150-400

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156 BRAD SELLS (AMERICAN, 20TH CENTURY) REDWOOD SCULPTURE Polished redwood burl, signed and dated 1997 underfoot. Irregular form vessel with natural edge and ruffled body. 17” height $150-400

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160 FRIGID COMPANY MCM FLOOR FAN Frigid Hassock floor fan model CC12G. 14” height, 15.5” diameter $25-75

157 BANG & OLUFSEN DANISH SOUND SYSTEM Late 20th century, brushed metal casing. Including Beocord 5000, Beogram 5000, Beomaster 5000 components together with power supply. $200-600 158 PAIR OF ADS TOWER SPEAKERS American, late 20th century. Walnut, L1090.

37.75” height, 9.5” width, 11.5” depth $200-500 159 JEFFERSON GOLDEN HOUR MCM MYSTERY CLOCK American, mid-20th century. Circular, brass rimmed and based glass clock, with brass hands and raised numbering to edge, brushed finish throughout. 8.75” height $50-150

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161 LARRY POGUE (AMERICAN, 20TH CENTURY) Shiny Caboose Wall sculpture, stainless steel, signed and titled to lower edge. Missouri artist. 28” height, 34” width, 3” depth $400-800 162 KENT SMITH (AMERICAN, 20TH CENTURY) Circle #81 Brushed stainless steel, inscribed signature to reverse.

Welded strips to a circular form. 36” diameter, 6” depth $150-350 163 CURTIS JERE (AMERICAN, 1910-2008) The Old Mill Mixed metalwork sculpture, signed lower right. Trees and boats outside of an old mill. 29” height, 74” width $140-250

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164 DON KNUDSON (AMERICAN, B. 1933) Two hubcap sculptures, one a clock design with gears, the other decorated with tacks and leather, signed and dated 1971 to verso. Larger: 15” diameter $100-300 165 LESLEY RICHMOND (BRITISH, B. 1945) Skyline II Represented by Duane Reed Gallery, St. Louis, MO. 60” height, 36.5” width $500-1,000 166 MODERN DESIGN AREA RUG American, mid 20th century. Uneven lines in an hourglass pattern, in shades of plum, grey, green and black. “Ventura“ by Regal Rugs Inc. 9’ 2” length, 6’ 7” width $100-300 167 MODERN DESIGN AREA RUG Sweden, mid 20th century. Svangsta Slottsmatta modern yellow ground shag rug. 6’ 7” length, 4’ 8” width $50-150

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168 ABSTRACTIONS STIRK HALL RUG BY JOHN FREEMAN England, mid 20th century. Abstractions by Concepts International modern design shag; hues of magenta and orange with ivory surround, labeled. 9’ length, 6’ width $50-150

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169 LEATHER COW DESIGN AREA RUG Black & brown on white cowhide pattern. 81” length, 77” width $300-500

170 T.H. ROBSJOHN-GIBBINGS FOR JOHN WIDDICOMB CHAIR American, mid 20th. Leopard upholstery, contoured back, tapering sabre legs. 33.5” height, 21.5” width, 19” depth $250-500

171 PAIR OF MILO BAUGHMAN FOR THAYER COGGIN SLIPPER CHAIRS American, mid 20th century, rosewood. Fine form slipper lounge chairs, original Thayer Coggin upholstery, multiple extant labels to underside including label order dated 5/13/69 from The Contemporary Shop, Chicago, Il. 27.5” height, 23” width, 26.5” depth $1,500-3,000 172 TRIO OF MCM POLLOCK STYLE STEELCASE CHAIRS American, mid-20th century. Yellow and orange rolling office chairs. 33.75” height, 24.5” width, 21” depth $50-150 173 SUITE OF FOUR POLLOCK STYLE STEELCASE CHAIRS American, mid-20th century. Yellow stationary office chairs. 31.75” height, 24.5” width, 21” depth $50-150 174 SUITE OF FOUR POLLOCK STYLE STEELCASE CHAIRS American, mid-20th century. Yellow stationary office chairs. 31.75” height, 24.5” width, 21” depth $50-150

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175 TRIO OF POLLOCK STYLE STEELCASE CHAIRS American, mid 20th century. Yellow stationary office chairs. 31.75” height, 24.5” width, 21” depth $50-100

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176 LARGE MID CENTURY EXECUTIVE CONFERENCE TABLE American, mid 20th century. Ovular laminate top resting on chrome base footing. 144” length, 48” width, 30” height $250-750 177 MID CENTURY LOW BROWN COFFEE TABLE American, 1971, enameled wood. Custom order for Scottish Rite by Thayer Coggin. 48” square, 10” height $50-200 178 MID CENTURY LOW BLACK COFFEE TABLE American, 1971, enameled wood. Custom order for Scottish Rite by Thayer Coggin. 48” square, 10” height $50-200 179 MID CENTURY LOW CREAM COFFEE TABLE American, 1971, enameled wood. Custom order for Scottish Rite by Thayer Coggin. 48” square, 10” height $50-200 180 EERO SAARINEN (FINNISH-AMERICAN, 19101961) TULIP COFFEE TABLE American, Knoll, ca. 1970s. Marble top chrome base. 16” height, 36” diameter $500-750

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181 PAIR MID CENTURY BROWN CUSTOM CUBE SIDE TABLES American, 1971, enameled wood. Custom order for Scottish Rite from Thayer Coggin.

34” square, 23” height $50-200

183 PAIR OF VINTAGE Z SIDE TABLES Mid 20th century, chrome and wood. Z form mirrored top tables, Scarface chic. 19” height, 24” width, 20” depth $50-250

185 PAIR OF RED MACHINE AGE LOUNGE CHAIRS MANNER OF HOWELL American, mid-20th century, Royal Metal Co. label. Naugahyde upholstery with chrome frame and wood arm rests. 31.5” height, 34.5” length, 22” width $50-150

182 PAIR MID CENTURY CREAM CUSTOM CUBE SIDE TABLES American, 1971, enameled wood. Custom order for Scottish Rite from Thayer Coggin.

34” square, 23” height $50-200

184 FINE MID CENTURY TUFTED LONG BENCH Mid 20th century. Red leather tufted upholstery bound by blue straps and elevated on glass-toned chrome. 15” height, 83” width, 24” depth $400-700

186 PAIR OF GREEN MACHINE AGE LOUNGE CHAIRS MANNER OF HOWELL American, mid-20th century, Royal Metal Co. label. Naugahyde upholstery with chrome frame and wood arm rests. 31.5” height, 34.5” length, 22” width $50-150

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187 PAIR OF ORANGE MACHINE AGE LOUNGE CHAIRS MANNER OF HOWELL American, mid-20th century, Royal Metal Co. label. Naugahyde upholstery with chrome frame and wood arm rests. 31.5” height, 34.5” length, 22” width $50-150

187

188 MACHINE AGE SOFA AND CHAIR SET MANNER OF WOLFGANG HOFFMAN American, mid 20th century. Grey naugahyde upholstery on chrome frame. Settee: 29.25” height, 70” length, 37” depth $100-350 189 PAIR OF MID CENTURY ARMCHAIRS IN THE STYLE OF MILO BAUGHMAN American, late 20th century. Chrome and green synthetic suede armchairs. 26.5” height, 25” width, 30” depth $500-1,000

189

190 PAIR 1 OF MILO BAUGHMAN BLUE LEATHER CLUB CHAIRS American, 1971 for Thayer Coggin. Classic cube form raised on wood footing, extant label. 30” height, 35.5” width, 33” depth $750-1,500 191 PAIR 2 OF MILO BAUGHMAN BLUE LEATHER CLUB CHAIRS American, 1971 for Thayer Coggin. Classic cube form raised on wood footing, extant label. 30” height, 35.5” width, 33” depth $750-1,500 192 MILO BAUGHMAN FOR THAYER COGGIN LEATHER SOFA American, ca. 1970s, leather. Streamline form with extant label. 91” length, 28.5” height, 33” depth $1,000-2,000

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199

193 WALL MOUNTED LIGHT FIXTURE Mid-century inspired design of three (3) adjustable arms. 18” from base to elbow, 51” from elbow to end of longest arm $50-150

196 PLC CEILING LIGHT FIXTURE 21st century design, chrome and glass. Four square glass shades drop from polished chrome fixture.

14.25” square, 8.25” depth $50-200

194 VINTAGE ITALIAN DESIGN NAUTICAL PENDANT LAMP Italy, mid 20th century. Patinated surface, labeled, metal tag reading “Made in Italy“. From the former residence 7 Bon Aire, St. Louis, MO 63132. 24” height, approx. 17” diameter shade $100-300

197 HANGING LIGHT FIXTURE 21st century design. Multiple hanging saucers form diffused fixtures in chrome. $50-200

195 SUITE OF MID CENTURY MODERN LIGHT FIXTURES American, mid 20th century. Cylinder form, opaque glass shades in three varied sizes. From the former residence 7 Bon Aire, St. Louis, MO 63132. 41” length $50-150

198 TIERED CEILING LIGHT 21st century design. Adjustable saucer shades protrude from polished chrome. 19” square, 33” length $50-250 199 MODERN BENTWOOD HANGING LAMP Twentieth century design, ovoid form comprised of curving wood slats. 14” height, 23” diameter $50-150

200

200 VINTAGE GEORGE NELSON BUBBLE SAUCER HANGING LAMP American, mid 20th century, painted metal. Spokes comprising saucer form with bulbs positioned at intervals around center. 26.5” total height, 24.25” diameter $50-200 201 MARQUEE CEILING LIGHT FIXTURE 21st century design, sixteen (16) bulbs lined in a polished square metal panel. 16” square, 5.5” depth $50-200 202 PAIR OF MODERN HANGING FIXTURES American, 20th century. Open organic form in all red with chrome accoutrements. Fixture: 7” height, 17.5” diameter $40-120

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203 MAURICE BARILONE FOR ROCHE BOBOIS COFFEE TABLE France, late 20th century. “Fuego“ rectangular glass top to multiple form acrylic base. 16” height, 47” square $500-1,000 204 ROCHE BOBOIS OCCASIONAL TABLE France, late 20th century. Glass occasional / side table, Ghibli for Roche Bobois. Black base with protrusion. 21.5” diameter, 80” total height, 23.25” table height $200-400 205 MCM SMOKED GLASS TOP TABLE Mid 20th century, glass and metal. Circular glass top with four convex metal legs coming together to form a diamond shape. 29” height, 42” diameter of tabletop $150-350 206 MILO BAUGHMAN COFFEE TABLE American, mid 20th century. Glass top to full chrome base. 36” square, 15.5” height $100-250

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207 MILO BAUGHMAN COFFEE TABLE American, mid 20th century. Glass top to full chrome base. 36” square, 15.5” height $100-250 208 MILO BAUGHMAN COFFEE TABLE American, 1971, ordered Thayer Coggin. Square glass upon brushed metal base. 36” square, 15” height $100-300 209 MCM MILO BAUGHMAN FOR THAYER COGGIN COFFEE TABLE American, 1971, direct order from Thayer Coggin. Round glass surface insets to chrome base. 16.5” height, 39” diameter $100-350

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210 MILO BAUGHMAN COFFEE TABLE American, 1971, directly ordered Thayer Coggin. Glass top, wood base. Base: 21.25” diameter, 15” height; glass top: 54” diameter $100-300 211 ROCHE BOBOIS GLASS COFFEE TABLE France, late 20th century, glass. Kidney bean top glass resting on two convex glass base supports. 15” height, 52” length $150-350

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212 ROCHE BOBOIS OCCASIONAL TABLE France, late 20th century, glass. Ghibli for Roche Bobois.

Round glass top above clear scrolled base. 19.5” height, 20” diameter $250-500

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211

213 MCM COFFEE TABLE MANNER OF PACE Mid 20th century, glass and chrome. Square top rests on chrome base. 32” square, 16” height $50-200 214 FLOATING GLASS COFFEE TABLE MANNER OF PACE Symmetrical form chrome base of two legs and stretcher supporting a round pane of glass. 15” height, 40” width, glass top: 37.5” diameter $100-300 215 MCM CHROME SIDE TABLE MANNER OF PACE American, mid to late 20th century. Rectangular reinforced glass top resting on four legged base. 16” height, 18” square $50-150

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216 GHIBLI MURANO TABLE BY ROCHE BOBOIS France, late 20th century. Ghibli for Roche Bobois.

Coiled clear base with black center, signed at termination. 22.5” heights, 21.75” diameter $250-500 217 GHIBLI MURANO SIDE TABLE BY ROCHE BOBOIS France, 1980s. Ghibli for Roche Bobois. Side table, frosted coiled glass base. 23.5” diameter, 22.5” height $250-750

216

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218 OGGETTI MURANO GLASS BIRD Falcon form glass sculpture with “Oggetti, Italy“ inscribed to underside.

11.75” height $100-300

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219 ART GLASS PITCHER IN MANNER OF MURANO Bulb form with scrolling handle unfolding into a softly ridged rim and opaque white interior. Gold and red glittering accents to the dramatic, swooping pattern in a plethora of color. 10” height $40-80

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220 TWO ART GLASS VESSELS IN THE MANNER OF MURANO Small pitcher and double-handled tureen, both with gold speckled interiors, black rims, bases, and handles. Unmarked. Pitcher: 5.5” height $40-80 221 SEGUSO VIRO MURANO GLASS BOWL Italy, mid-20th century. Tinted blue glass with black and white pinwheel pattern to either side, irregular, elliptical form. Still with Murano sticker and signature etched to underside. 5.5” height $100-300 222 RON MYNATT HAND-BLOWN CONTEMPORARY GLASS VASE Signed to underside and dated 2004. Tall floral form with petaled rim, dark blue iridescent filament ending abruptly on circular base. 14.25” height $40-80 223 WATERFORD CRYSTAL ROLLING MEADOWS VASE Polish, late 20th century. From the Evolution collection. Slender, turned form with wide base, a cinched neck arching outwards and again into a slightly flared rim, swooping pattern in pale green throughout. With original labels intact to underside and to neck. 14” height $40-100 224 TWO PIECES SAM STANG (AMERICAN, B. 1959) ART GLASS Droplet forms with tall stems, coagulating design to body in maroon. Both hand signed to underside and dated 2006. Taller piece: 13” height $100-200

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228 PAIR OF STAINED GLASS WINDOWS Slag glass composition in red and orange shades of alternating rectangular and circular panes, metal framing. 23.5” height, 32” width $120-200

225 FINE PAIR OF ART GLASS CANDLESTICKS Both signed underfoot. Iridescent peach tones, ridged tulip forms with widely flaring, circular lips, tall stems, and circular bases. 10.5” height $40-80

229 WILLIAM BERNOUDY (AMERICAN, 1910-1988) Stain Glass Sculpture Multi-colored diamond panes interspersing metalwork frame. 19” height, 26” width $100-300

226 WATERFORD RUBY METRA CRYSTAL VASE Ireland, late 20th century. Curved, four-sided form with red-tinted glass interior, square top with notched corners, marked to underside. 10” height $100-200

230 FOUR PIECES MODERN ENAMELWARE Continental, 20th century. Assorted ashtrays and dishes enamel decorated with flowers, a circular piece with abstract shapes. Largest 8” diameter $60-120

227 DONALD CARLSON ART GLASS FOOTED VASE American, circa 2000, signed and numbered underfoot. Gently sloping body with flaring lip. 12.5” height $40-100

231 MODERNIST TRIANGULAR METAL DISH Mid 20th century, iron. Dish or ash receptacle, rough textured, scalene-triangular shape with slight lip. 14” total length $40-100

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232 CRYSTAL COLLECTION INCLUDING STEUBEN AND BACCARAT Eight (8) total pieces. Steuben examples including: one pitcher and one vase with tapering body and suspended drop inside base, both etched “Steuben“ underfoot. Baccarat including: one angular form vase with diamond-shape, irregular mouth, one droplet form bud vase with irregular mouth, and one cut crystal decanter with stopper, all with Baccarat stamps underfoot. Together with three unlabeled pieces, including: one three-sided, angled mouth bud vase, one perfume bottle with metal stopper, and one circular vase with linear cuts to the body. Largest piece: 10” height $100-350

233 TWO PIECES HOYA CRYSTAL Japan, late 20th century. Rectangular column form vase with curved interior, bearing original Hoya sticker and within original box, together with prismatic paperweight with rounded end, Hoya mark to underside. Vase: 11” height $60-100

236 CLASSIC MID CENTURY BAR CART American, mid-20th century, wood and brass. Oval formica top with all around brass gallery, doubles as a removable tray that covers the open fitted interior concealed by doors. 34” height (including handles), 27” width, 17” depth $100-400

234 HOYA CRYSTAL PLATES Late 20th century, crystal. Two plates of the “Snow Lake“ pattern designed by Saburo Funakoshi; one with original box. 10.25” diameter $20-40

237 TRIO OF MODERN REVOLVING BACKED BAR STOOLS American, 20th century, lucite and chrome,

by Hill Manufacturers. White cushions to the molded lucite form, on chrome pedestal support with circular footrest and base. 44.5” height, seats 28” height $500-800

235 SEVEN STEVEN SMYERS MCM GLASS COASTERS American, 1960s. Set of seven (7) art glass coasters with raised gold accents and linear forms to tops, gold edging, each marked to underside. 3.5” square $60-100

236

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238 PAIR OF MODERN REVOLVING BACKED BAR STOOLS American, 20th century, lucite and chrome,

by Hill Manufacturers. White cushions to the molded lucite form, on chrome pedestal support with circular footrest and base. 44.5” height, seats 28” height. $300-600

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239 BALERI ITALIA BAR STOOLS AND CHAIR Italy, late 20th century. Thin elegant form with handles to chair backings. 43” height, 17.5” width, 18” depth $50-250

241

242

240 SIX MICHAEL TAYLOR FOR TOMLINSON SOPHISTICATE DINING CHAIRS American, mid-century. Curved crests with woven wicker splats, white leather seats with stamped design, and slightly sabered legs. 31” height, 20.25” width, 20.5” depth $100-250 241 TOMLINSON SOPHISTICATE DINING TABLE American, mid 20th century. Oval parquetry top with unique open-work frieze, on tapering legs, with four leaves. 29” height, 44” length (+four 15” leaves), 40” width $160-400 242 ROBERTO BARBIERI FOR ZANOTTA Italian, 1990s. Quadrangular pedestal dining table, circular with four fold-up extensions creating a larger circular dining table. 30” height, 41.5” square, 58.5” diameter $400-800

243

243 J.L. MOLLER DINING CHAIRS - SUITE OF SIX Denmark, mid 20th century, teak. Six (6) model 78 dining chairs

by Niels Moller with triple splat above black leatherette upholstery. 31.5” height, 21.5” width, 17.5” seat height $200-600 244 NIELS MOLLER FOR J.L. MOLLER ROSEWOOD DINING TABLE Denmark, mid 20th century, rosewood. Hidden leaves above rectangular top terminating on tapering legs, labeled to underside.

29” height, 70.75” length, 41” width $500-800

244

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245

245 PAUL FRANKL CREDENZA American, mid 20th century. Central column of five drawers flanked by cork covered panel doors enclosing four pull-out drawers to one side and shelves to the other. 30” height, 72” length, 21” width $300-700 246 THAYER COGGIN FLOATING COFFEE TABLE American, 1971. Round floating top above cylinder support.

Base: 21.25” diameter, 14” height; tabletop: 47.5” diameter $150-350

248

247 MID CENTURY ROUND TABLE IN THE MANNER OF WOLFGANG HOFFMAN American, mid 20th century, wood and metal. Copper-toned metal X-stretcher legs supporting round top. 16.5” height, 26.5” width $50-200 248 MCM PAUL McCOBB PLANNER GROUP COFFEE TABLE American, ca.1960. Rectangular shape on tapered legs. 10” height, 48” length, 18.5” width $200-500 249 PAUL McCOBB PLANNER GROUP COFFEE TABLE WITH SHELF American, mid-20th century. Rectangular table on angled tapering legs, with a two-shelf cabinet on top with sliding glass doors.

34” height, 48” length, 18” depth $800-1,400

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250 MILO BAUGHMAN FULLY TUFTED OCHRE SOFA FOR THAYER COGGIN American, 1971, direct order from Thayer Coggin. 102” length, 41” width, 26” height $1,500-3,500

250

251 MILO BAUGHMAN FULLY TUFTED SIENNA SOFA FOR THAYER COGGIN American, 1971, direct order from Thayer Coggin. Fully tufted all-over, extant label.

102” length, 41” width, 26” height $1,500-3,500 252 SET OF FOUR TUFTED ARTHUR GROSS CHAIRS American, 1971. In the style of Milo Baughman. 31” height, 16.5” seat height, 24.5” width, 28” depth $150-550

251

253 PAIR OF TUFTED ARTHUR GROSS CHAIRS American, 1971. In the style of Milo Baughman. 31” height, 16.5” seat height, 24.5” width, 28” depth $100-400 254 PAIR OF TUFTED ARTHUR GROSS CHAIRS American, 1971. In style of Milo Baughman. 31” height, 16.5” seat height, 24.5” width, 28” depth $100-400

252

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255 MILO BAUGHMAN PAIR OF TUFTED LOUNGE CHAIRS American, 1971, direct order from Thayer Coggin. Beige colored upholstery, chrome base, extant label. 31” height, 25” width, 27” depth $500-1,250 256 SET OF FOUR MILO BAUGHMAN TUFTED LOUNGE CHAIRS American, 1971, direct order from Thayer Coggin. Ivory colored upholstery, chrome base, extant label. 31” height, 25” width, 27” depth $1,000-2,500 257 MILO BAUGHMAN ORANGE CRUSHED VELVET SOFA American, 1971, direct order from Thayer Coggin, extant labels. 23” height, 90” width, 34” depth $350-750

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256

258 MILO BAUGHMAN VELVET SOFA American, 1971, direct ordered from Thayer Coggin.

Cream colored upholstery, extant label. 23” height, 90” width, 34” depth $350-750 259 PAIR OF MILO BAUGHMAN CLUB CHAIRS American, 1971, direct order from Thayer Coggin.

Crushed velvet cream upholstery, extant label. 25” height, 37” width, 33” depth $350-750 257

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260 MILO BAUGHMAN PAIR OF CRUSHED VELVET CLUB CHAIRS American, 1971, direct order from Thayer Coggin. Dark chocolate colored upholstery, extant labels. 25” height, 37” width, 33” depth $350-750 261 ROCHE BOBOIS CHAISE France, late 20th century. White upholstery raised on metal footing.

94” length, 35” width, 33” height $100-300 262 ROCHE BOBOIS SETTEE France, late 20th century. White upholstery raised on metal footing.

72” length, 35” width, 33” height $100-300 263 MID CENTURY DESIGN SOFA American, refurbished late 20th century. Grey upholstered streamlined sofa raised on cylindrical chrome footing. 84” length, 37” width, 25” height $250-550 264 MID CENTURY ROUND TABLE BY HELIKON American, mid 20th century. Laminate surface above chrome base.

36” diameter, 17” height $50-100 265 PAIR OF ROUND TABLES BY HELIKON American, mid 20th century. Laminate surface, chrome base. 36” diameter, 17” height $50-150

266 HERMAN MILLER SQUARE TABLE American, ordered 1971. Square walnut surface atop Aluminum Group base. 19” height, 30” square $50-150 267 VIRCO BLOND ROUND TABLE American, mid 20th century. Round top on chrome base. 41.75” diameter, 29” height $50-150

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268 PAIR OF MID-CENTURY SQUARE SIDE TABLES Square top upon four chrome legs.

32” square, 16” height $50-150 269 PAIR OF EBONIZED SIDE TABLES American, 1971. Simplistic forms with polished surfaces upon square legs. 32” square, 20.25” height $50-100 260

270 PAIR OF MAHOGANY NIGHTSTANDS BY JOHNSON FURNITURE CO American, mid-20th century, bleached finish. Two drawers each on tapering legs. 25” height, 25.5” width, 19.5” depth $100-200 271 VLADIMIR KAGAN PAIR NAUTILUS SWIVEL CHAIRS American, mid-20th century. Ribbed purple upholstery, uneven forms upon swivel bases. 27.25” height, 36” diameter $200-400

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• May 28: Eclectic Collections • June 10: Unbuttoned- Rare & Antique Buttons • June 18: Eclectic Collections • July 17: Summer Gallery Auction • August 11: Petite Exhibition Diminutives & Miniatures The Collection of Joyce Schoedinger www.SELKIRKAUCTIONS.com • 41

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Lot 19 SCULPTURE IN THE MANNER OF GEORGE COLIN