lighting

quality.artisanship.design.

Our lighting collection illuminates everything that Ethan Allen stands for.

Using techniques passed down for generations, artisans craft chandeliers, pendants, lamps, and sconces you won't find anywhere else. They're designed to be seen and admired—and they will change the way you see everything about your home.




Welcome to a lighting gallery that spans the style spectrum from classic to modern, fashioned by our artisan partners from elements unique to their regions: ceramics from Europe, fine metals from India, stone and fabrics from around Southeast Asia.

one of a kind from concept to reality

DESIGNED BY US. HANDCRAFTED BY ARTISANS. EXCLUSIVE TO ETHAN ALLEN.





tiberius
Finished in polished nickel.
Two-tier, single-tier, and linear chandeliers; floor lamp; swing-arm and stationary wall sconces.
MODERN AND MINIMALIST. A CLEAN, CRISP UNION OF GLASS AND METAL.

Puck candle cups and demure shade options give Tiberius classic appeal.
Linear construction and nods to chrome suggest industrial influences.






tallie A GEOMETRIC ANGLE ON THE TRADITIONAL BULB CHANDELIER. Chandelier and wall sconce. Finished in polished nickel.


Seeded ice-likemouth-blowncraftedshades,fromglass,exudeacrystalline,beauty.



Two-tier, single-tier, and linear chandeliers, plus wall sconce.


Finished in oil-rubbed bronze with brass accents.
cambridge
GLAMOURTURN-OF-THE-CENTURYMEETSTODAY‘ S INDUSTRIAL CHARM.

Mechanical gears say “salt of the earth”; tailored shades say “ready for even the most formal occasion.”




turnbull CLASSIC AND FORMAL, WITH KNURLING DETAIL FOR A MODERN EDGE. Large, small, and linear chandeliers; table lamp; wall sconce. Finished in polished nickel or brass.





Each Turnbull fixture is a work of art all its own; displayed together, the collection brings multiple rooms together in beautiful harmony.

zara
INSPIRED BY THE CLASSIC DRUM CHANDELIER. ELEVATED BY SMOOTH, SWOOPING CURVES.
Chandelier, wall sconce. Finished in antiqued brass or polished nickel.


Grace your living room, entryway, powder room, and more with a design presence worthy of the finest hotel.



We design whole rooms around a spectacular light. We use lighting to make spaces work and feel better. Let's talk through your options, and if you'd like, create a 3D room plan together.
For a room to truly work, every lighting element must work in harmony. Natural vs. artificial, lighting for ambience vs. focused tasks—when these elements feel balanced, so does the space. And so do the people who live there.
INTERIOR DESIGN BY ETHAN ALLEN
WHERE TALENT & TECHNOLOGY COMBINE




Our interior design service is yours at no charge in the Design Center, at your home, or online.






Chandelier and wall sconce. Finished in polished brass.

skyla
A BIG, BOLD, GLAMOROUS MIX OF OLD HOLLYWOOD AND ART DECO.

If you’re looking for a focal point, look no further. Skyla instantly takes command of any space.



Chandelier, wall sconce. Finished in champagne metallic leaf.

ariel
WITH A HAND-WELDED FRAME AND MIDCENTURY NOTES. REMOVABLE SHADE.

killian
CRAFTED FROM TEXTURED IRON.YETUNEMBELLISHEDEXPRESSIVE.
Chandelier, wall sconce. Black mole finish.


Modern in silhouette and industrial in character, the versatile Killian also presides brilliantly over a farmhouse table.




lidya MODEST IN SCALE, AIRY IN PRESENCE. WITH ART DECO NOTES. Table lamp, floor lamp, wall sconce. In acrylic with polished nickel accents.



Free of design complexity, Lidya shines alongside all things modern and elegant.


oliver A SWOOP ARM MEETS A SPUN BACKPLATE. TOPPED WITH CRISP WHITE SHADES. One- and two-arm sconces. Finished in satin brass.



tilda
DELICATE OVER-THE-TOPELEMENTS.ELEGANCE.
Chandelier and wall sconce. Finished in antiqued gold.


Tilda’s bold no-holds-barredandhand-finishedshading,leaves,danglingcrystalaredazzlinginasettingofglamour.


victoria CLEAR NEOCLASSICAL AND ART DECO INFLUENCES. Buffet and desk lamps. In acrylic with your choice of brass or nickel accents.




tori TALL. SLENDER. AGLOW WITH ART INSPIRATION.DECO Floor and table lamps. Crafted from iron with antique gold leaf.


In formal, casual, even midcentury settings, Tori is stunning from foundation to finial.

denten SCULPTURAL METAL POST AND SHADE. STURDY MARBLE BASE. Floor and desk lamps. Finished in polished brass or oil-rubbed bronze.


So uncomplicated, yet so dramatic. Denten's bewitching simplicity never fails to catch the eye.



Floor lamp, pharmacy lamp, bankers lamp. Finished in antique brass.
wesley CRAFTED FROM IRON, WRAPPED IN BOOT LEATHER.RETROLUXURIOUSVIBES.


Old books, pipe tobacco, a splash of bourbon—Wesley evokes so many comforting and luxurious images.


cole
MANEUVERABLE POSTS, FABRIC OR METAL SHADES. FUNCTIONAL BRILLIANCE.
Adjustable floor and desk lamps. Finished in polished brass.




magnus A MODERN TAKE ON THE PHARMACY LAMP. THE FORPRESCRIPTIONPERFECTTASKLIGHTING. Floor and desk lamps. Finished in polished brass or oil-rubbed bronze.



By bed or by chair, on tables and desktops, Magnus packs maximum utility into a minimalist form.

Leave at least 6" between the inside edge of your wall sconce and the frame of any window, door, mirror, or art piece. In an average room, position sconces a minimum of 6' apart; in large rooms, sconces can be hung 8' to 10' apart. 60" to 72"
©2022 ETHAN ALLEN GLOBAL, INC.
PROPER WALL SCONCE HEIGHT
For ceilings 10' or higher, use a fixture of grand scale. Most of our fixtures come with 6' of chain and 13' of wire.
In most living rooms, dining rooms, hallways, and entryways, sconces should be hung between 60" and 72" above the floor, with the midpoint of the shade at eye level.
5"– 6" 30"–36"
OVER A DINING TABLE
sconce chandeliertipstips
HIGH CEILINGS
OVER A ROUND TABLE
1/230"–36"to3/4oftablediameter
Your fixture should be about 5” to 6” narrower than the table; never wider than the table. Always leave about 30" to 36" between the bottom of the fixture and the tabletop.
HANGING WALL SCONCES IN PAIRS
at least 6" minimum 6' eye level
Always leave about 30" to 36" between the bottom of the fixture and the tabletop. The fixture should be half to three-quarters of the diameter of the table; never wider.