MusicaNova Almost Mozart

Scottsdale Center for the Performing Arts Presents

Warren Cohen, Conductor

Sunday, October 24, 2021 2:00 p.m.

Scottsdale Center for the Performing Arts Virginia G. Piper Theater

MUSICANOVA

PROGRAM Wolfgang Amadeus Mozart “Mozart” Symphony no. 37 in G major KV444 (1756–91) (adapted from Symphony No. 25 by Michael Haydn) I. Adagio maestoso – Allegro con spirito II. Andante sostenuto III. Allegro molto

Felix Mendelssohn (1809–1847)

Max Reger (1873–1916) Variations and Fugue on a Theme of Mozart, op. 132 Theme. Andante grazioso Variation 1. L’istesso tempo Variation 2. Poco agitato Variation 3. Con moto Variation 4. Vivace Variation 5. Quasi presto Variation 6. Sostenuto Variation 7. Andante grazioso Variation 8. Molto sostenuto Fugue. Allegretto grazioso

Piano Concerto no. 1 in G minor Sharon Hui, piano I. Molto allegro con fuoco II. Andante III. Presto – Molto allegro vivace

INTERMISSION

Mission Statement: MusicaNova enriches our community by playing new, neglected, and familiar classical music. We engage, enthuse, and educate through musical partnerships with diverse communities, artists, and students.

Almost Mozart Program notes by MNO Music Director Warren Cohen

“Mozart” Symphony no. 37 in G major KV444 or Michael Haydn, Symphony no. 25 in G major This work represents a case of mistaken identity. The original Breitkopf edition of Mozart symphonies listed this piece as no. 37. This was generally accepted until 1907, when Lothar Perger was developing a numerical catalog of the music of Michael Haydn. He noticed that his subject’s Symphony no. 25 was virtually identical to Mozart’s Symphony no. 37. With a little more research, he was able to figure out that Mozart had pinched his colleague’s work for a concert he needed to fill out, adding a slow introduction to the first movement and making a few changes, the most significant being the removal of a bassoon solo in the slow movement. Otherwise, he let the work stand unaltered. It is perhaps understandable that the mistake was made. The concert at which Mozart introduced this symphony also featured the premiere of Symphony no. 36. Music historians paid little attention to the concert earlier in 1783, where Michael Haydn premiered his symphony, and the work in its original form was probably never played from the beginning of the 19th century until well into the 20th century. If it was known at all, it was in Mozart’s version. Mozart and Michael Haydn knew each other well. Haydn had been concertmaster of the Salzburg Orchestra and organist at the cathedral where Mozart worked for several miserable years. Haydn’s professional connection with the town of Mozart’s birth was deeper and longer (and far more affectionate!) than Mozart’s. Mozart knew Michael Haydn before he met his more famous brother, Joseph, likely around 1783. Although Mozart’s relationship with Joseph Haydn evolved into one of his closest friendships, Mozart also held Michael Haydn in great esteem, sometimes comparing his music to that of Joseph. The mere fact that Mozart was willing to attach his own introduction to a symphony of Michael Haydn and feature it on a concert devoted to his music demonstrated how seriously he took Haydn’s music. The work is in three movements: Mozart’s static and ceremonial introduction is slightly at odds with the sprightly music that follows, which is expertly composed and clever. It is hard to see how anyone would think it was the work of Mozart; it occasionally suggests the music of Joseph Haydn, but even that comparison is a stretch.

MUSICANOVA

The slow movement includes striking and engaging wind solos (including the bassoon solo that Mozart cut). The finale is a tour de force of energy of a very distinctive type. Although it might not be Mozart, it is worthy and strong music of a terrific composer.

Mendelssohn: Piano Concerto no. 1 in G minor Although listed as “Piano Concerto No. 1” this was the fourth piano concerto Mendelssohn wrote, after two concertos for two pianos and a Concerto in A minor for piano and strings. This is the first concerto he wrote for piano and a standard orchestra. It was written in the summer of 1831, a period in which he was traveling a great deal and working on his third and fourth symphonies. Near the end of the summer, after a leisurely trip through Italy and Switzerland, he was engaged to conduct a concert of his music in Munich. At some point he decided the planned program was too short and dashed out this concerto in a matter of days. “It was written almost carelessly,” he said later. Mendelssohn played the piece at the concert. A big hit, it was soon taken up by other pianists, most notably Franz Liszt and Clara Schumann, the two most famous pianists of the day. Mendelssohn was surprised by its popularity, but it is easy to see. Music that attracts audiences generally has a well-balanced mix of familiar and novel elements. In this case, the familiar— great tunes, glittering virtuosity and clever dialogue between piano and orchestra—is balanced by several striking novelties. The first comes at the beginning. Instead of a lengthy orchestral introduction, the piano enters after a few chords with a vigorous figure and continues to be the protagonist throughout the concerto. At the time only a few concertos introduced the piano right at the beginning, such as Beethoven’s last two concertos, but those then followed with the typical orchestra exposition of material. There is no earlier concerto I know of that begins like Mendelssohn’s. Another novelty: Mendelssohn connects all three movements, playing them without pause. This gives an unexpected effect of energy and continuity. The music is concise and beautifully constructed. It suggests that the speed with which Mendelssohn composed the work may have contributed to its effectiveness. Having come up with the ideas, and with only a few days to write them down, there was no time to overthink his inspirations. The freshness of its invention is evident.

Reger: Variations and Fugue on a Theme of Mozart The palindromic composer Max Reger is known to the general public either through an oftrepeated anecdote or through his reputation as a pedantic and dull writer of difficult, highly chromatic contrapuntal music. It is true that Reger, in the formal organization of his music, preferred to use traditional structures such as the variation form, and that his music is written in the highly chromatic idiom of late Romantic composers who were pushing the boundaries of tonality. However, what is most striking about his music is its sensuality and beauty. He was a fine melodist, and his harmonic language is both distinctive and deeply expressive. His respect and love for composers of earlier times is evident in the series of works he wrote based on melodies by Telemann, Bach, and Mozart. His Mozart Variations are based on one of Mozart’s most famous tunes, the gorgeous A major opening to the Piano Sonata K.331. It was daring to use this theme for a series of variations, for Mozart already did so in the sonata! Reger presents the entire theme in varied orchestral garb before beginning a sequence of eight variations. They are striking: Although the harmonic language is far from that of Mozart, at every point you can clearly hear the relationship to the original tune. It could be argued that Reger’s variations, although they go way further afield harmonically, remain truer melodically to the original tune than Mozart’s own variations. They are also gorgeously and lushly scored. It is hard to square Reger’s reputation for pedantry with the sensuous music you hear in this beautiful work. After the variations, the extended fugue begins quietly with a highly chromatic theme, still squarely and easily related to the original tune. As the contrapuntal complexity increases with the entering voices, the initial feeling of an almost humorous take on the tune begins to change. By the time the original Mozart melody is triumphantly reiterated in the brass, one can hear Reger’s intention: a glorious evocation of the connection between the music of Mozart’s time and his own, an ode to the affirmation of the 19th century aesthetic of progress, and a wonderful expression of the spirit of grandeur lurking beneath the surface of Mozart’s innocent sounding tune. And that anecdote? Reger’s Sinfonietta had just been harshly panned by the music critic Rudolf Louis. Reger chose to reply. “Dear Herr Louis,” he wrote. “I am in the smallest room in the house. Your review is in front of me. Soon it will be behind me.”

MUSICANOVA

The MusicaNova Orchestra

Violin I Julian Nguyen, concertmaster Liz and John McKinnon, chair Priscilla Benitez Eva Dove Izayah Dutcher Pat Snyder Dana Zhou

Violin II Emilio Vazquez, principal Cynthia DuBrow Spencer Ekenes Sandy Henriquez Bruce Wilkison Sunny Xia

Viola Janet Quiroz, principal Dominique van de Stadt and Octavio Pàjaro, chair Elizabeth Hanson Jill Osborne Allyson Wuenschel Celli Maria Simiz, principal David Connell chair Alex Duke Cindy Leger Jennifer Son

Basses Nathan De La Cruz, principal Alberto Allende Nathan Benitez

Flute Jeanie Pierce, principal John and Kathleen

Cleveland, chair Lee Chivers Lisa Tharp

Oboe Diego Espinoza, principal Nina Gurin, memorial chair Tiffany Pan

Clarinet Kristin Fray, principal Tony Masiello Bassoon Kristilyn Woods, principal John Friedeman

Horns Lauralyn Padglick, principal Gail Rittenhouse Mike Lee Don Harvey Nancy Dimond

Trumpet Chris Albrecht, principal Spencer Brand

Harp David Ice

Timpani Sonja Branch, principal Leger Strategies, LLC chair

About the soloist Sharon Hui performs with MusicaNova Orchestra as a result of winning first prize in the 2019 Arizona Piano Institute Festival Concerto Competition. This performance was initially scheduled in March 2020, a concert that was canceled because of the COVID-19 pandemic. MusicaNova is delighted that Hui can join us for this concert. Hui, 18, attends the University of Colorado, where she studies with Dr. Jennifer Hayghe, a Juilliard graduate and the last student of the legendary pianist and pedagogue Adele Marcus. She holds an associate diploma in piano performance from the Royal Schools of Music. Hui has attended and performed in the Arizona Piano Institute Summer Festival, the New Orleans Piano Institute Festival, the University of Houston International Piano Festival, and most recently, the Lamont Summer Academy in Denver, Colorado. In March 2020, just before the COVID-19 pandemic, Hui won first-prize at the East Valley Music Teachers Association Piano Competition. Despite the pandemic, Hui continued to compete and was selected as state alternate in the MTNA/ASMTA Yamaha Senior Piano Competition. In 2021, Hui placed second in the Arizona Musicfest Young Musicians Competition. She was awarded the Amy Fu Memorial Award for the best performance of a work by Beethoven at the Angelo and Micheline Addona Arizona Young Artist Piano Competition. Hui later won second prize at the Arizona State Music Teachers Association James R. Anthony Honors Recital and was named the recipient of the MTNA Pee-Yaw Lim Wilkes Endowment Award. Hui was a finalist in the Arizona Piano Institute First Virtual Solo Competition for North America and was named honorable mention in the Steinway/Avanti Future Stars Competition. A native of Mesa and a recent graduate of Red Mountain High School, she is the recipient of the College of Music and Chancellor’s Achievement scholarships from the University of Colorado at Boulder, as well as the Arizona Musicfest Scholarship. In Arizona, Hui studied with Dr. Mandarin G. Cheung-Yueh.

MUSICANOVA

About Maestro Warren Cohen Warren Cohen has been music director of MusicaNova Orchestra since its founding in 2003. Under his leadership the orchestra has developed an international reputation for its performances and recordings of new and unjustly neglected music. Cohen began his musical career as a pianist and composer. His early positions included a stint as a ballet accompanist for Honolulu City Ballet and as music director of the Kumu Kahua Theatre in Honolulu, where his work in theater and opera led to his becoming a conductor. Over the past two decades he has conducted more than 1,000 orchestral, operatic, and choral works. In addition to his work with MusicaNova, Cohen is artistic director of the New Jersey Intergenerational Orchestras. He previously was music director of the Scottsdale Baroque Orchestra, the Fine Arts String Orchestra, and the Southern Arizona Orchestra, where he was appointed music director laureate in 2005. He divides his time between New Jersey and Arizona with his wife, soprano Carolyn Whitaker, and his 22-year-old son Graham, an award-winning composer and violist (and frequent presenter on MNO educational outreach visits), entering the master’s program at The Juilliard School in New York City. About MusicaNova Orchestra MusicaNova Orchestra plays the greatest music you’ve never heard—yet. Our professional ensemble features new music, unjustly neglected music, and fresh interpretations of the classics. We engage, enthuse, and educate through musical partnerships with diverse communities, artists, and students. MusicaNova is supported by grants from the Phoenix Office of Arts and Culture, Arizona Commission on the Arts, City of Tempe, Scottsdale Arts, and Selznick Tikkun Olam Foundation, and donations from generous corporate and individual donors. For more information: MusicaNovaAz.org

Thank you to our generous supporters Grants and Foundations City of Tempe Arts Grants Phoenix Office of

Arts and Culture Arizona Commission on the Arts Gannett Foundation Scottsdale Arts Intel Foundation Selznick Tikkun

Olam Foundation

Corporate sponsors Hannah’s Oboes LLC Ocotillo Music ZipSprout Fry’s Community Rewards Amazon Smile Foundation Hannah’s Oboes, LLC Bruckner Society of America

MusicaNova Circle, $10,000 and above Robert Altizer and

Dr. Deborah DeSimone Warren Cohen and

Carolyn Whitaker Jill Forsyth-Koritala John A. and

Elizabeth Longo McKinnon Ann B. Ritt Hannah Selznick Conductor Circle, $2,500 to $9,999 Gloria Pulido Dominique van de Stadt and Octavio Pàjaro James and Rita Whitaker

Concertmaster Circle, $1,000 to $2,499 David and

Michelle Aristazabal John and Kathleen Cleveland W. David Connell Andrea Gass Cindy and Robert Leger Marjorie Sherman

Musicians Circle, $500 to $999 Edward and Cynthia DuBrow Kasumi Kubota Kevin Leger Gail Rittenhouse Michelle Wang

Patrons, $100 to $499 Leonard Avdey Lee Chivers Douglas Cohen Camille Conforti Henry Flurry Kristin Fray John Friedeman Ethel J. Harris John Hinderer Mark Hoover Meehae Jang Elaine Jasperson Bruce and Laurie Johnson William and Carolyn Krueger Dwight Lear Kate Lee Susan Morris Gary Moss Nokuthula Ngwenyama Kristine Nguyen Jill Osborne Kate Park Christine Parker Doris Marie Provine Nancy Ramirez Christiano Rodrigues Blair Snyder Pat Snyder Carolyn White-Kruger Annette Vigil Fei Xu and Hong Zhu

Click ScottsdalePerformingArts.org Call 480-499-TKTS (8587) Visit 7380 E. Second St. Donate Donate.ScottsdaleArts.org

Mariachi Sol de México® de José Hernández Presents

A Merry-Achi Christmas

Friday, December 10, 8:00 p.m. Tickets start at $39 A Scottsdale holiday favorite returns! Maestro José Hernández and his platinum-selling Mariachi Sol de México® perform treasured holiday classics and favorites from the mariachi songbook.

Donors

Scottsdale Arts is sincerely grateful for donors, members, and partners who celebrate and support art in our community at every level. We gratefully acknowledge the following individual supporters above $500 who made contributions between September 1, 2020 and August 31, 2021.

For more information on ONE Membership, Legacy Society planned giving, and other ways to support the art you love in Scottsdale, please contact Erin Krivanek, director of development, at 480-874-4620 or ErinK@ScottsdaleArts.org.

We make every effort to list accurate information; if we have made any omissions or error by mistake, we apologize and ask you to please contact us at Give@ScottsdaleArts.org.

$100,000+

Billie Jo and Judd Herberger *

$25,000–$49,999

Amanda and Mark Bosco

$10,000–$24,999

Felice Appell * Jeffrey Beyersdorfer Mary and Dale Fedewa * Dr. David and Joan Goldfarb Trust Betty Hum and Alan Yudell Sondra and George Juetten Christine and Richard Kovach Alison Lewis and Craig Krumwiede * Paulette and Michael Miller * Priscilla Nelson Johnson and Chuck Johnson * Susan Rollins and Paul Garry Jacqueline Schenkein and Michael Schwimmer * Karen and John Voris *

$5,000–$9,999

Ethelyn Cohen, In Memory of Howard Cohen * Leslie Dashew and Jack Salisbury * Charlotte and Gary Gilbert Peggy and Jamie Kapner * Marie and Richard Stewart Hollis and Christopher Volk

$2,500–$4,999

Judy Ackerman and Richard Epstein * Rhonda and Gary Anderson * Paul Basha * Peter Boyle * Nancy and Chuck Brickman Susie and Don Cogman * Jennie and Jerry Cox * Kimberly and John Davids * Rebecca and Sam Eden * Jamie Hormel * Maureen Horwitz * Chris and Bob Irish * Joan and Walter Magen * Monique and JP Millon Doris and Eliot Minsker * Dorothy Rowe and Kenneth O'Connor * Rosellen and Harry Papp * Laura Ahl and Jeff Rakoczy * Barbara Robbins * Merle and Steve Rosskam * Linda and Paul Schmidt * Christy and Richard Schust * Diana M. and David N. Smith * Stanley Spiegel Trust * Patrick D Strieck and Brian J Fanning * Gail and Daniel Tenn and Sheri Sender Tamar Weiss, In Memory of Emil Weiss

$1,000–$2,499

Makenna and Mike Albrecht * Megan and John Anderson * Ellen Andres-Schneider and Ralph Andres * Toni and Bruce Beverly * Nancy and Joe Braucher * Leslie Grinker and John Broan * Arlene and Keith Bronstein Kay Butler * Paige Cecil and Ryan Jones * Donald W. Collier Charitable Trust II * Allison and Grant Colwell * Tracy Denmark and Marc Schwimmer * Dr. Robert Dixon * Kathleen Duley * Kathleen and Robert Duyck * Judith and John Ellerman * Maureen and Thomas Eye * Jamilyn Fournier Nancy Gifford * Elton Gilbert * Susan and Jerry Gilbert * Angela and Jeffrey Glosser * Dr. Michael W. Goerss Judy and William Goldberg * Barry Jay Greenhut Robin and Roy Grossman Jane and Dennis Henner Lori and Howard Hirsch * Lynda and Arthur Horlick * Audrey and Fred Horne Susan and John Horseman * David J. Itzkowitz * Jean Kiene Richard Kiene Susan and Jonathan Levy * Judy and Sam Linhart * Harvey Lisherness Marcia and James Lowman * Lynn and Matthew Luger * Stan Marks * Dr. Tammy McLeod * Linda Milhaven * Thomas J. Morgan * Pollyanne Morris and Randy Nussbaum Mary and Kitt Ormsby * Rosemary Gannon-Ortega and David Ortega * The Ashok & Rita Patel Legacy Fund Mary and David Patino * Kimberly and Erik Peterson * Hermine and Leo Philippe * Penny and Richard Post * Betsy R. Retchin * Ida Rhea * Carrie Lynn Richardson and Paul Giancola Nancy Harris Robertson and Scott L. Robertson * Lois and John Rogers * Tom Rogers * Missy Romanoff * Dr. Adam N. Rosenberg * Stella and Mark Saperstein * Linda and Sherman Saperstein * Carol and Randy Schilling * Enid and Michael Seiden Tracy and Christian Serena Marlene and Eugene Shapiro * Dr. Peggy Sharp Chamberlain Susan and Richard Silverman * Dorothy Lincoln-Smith * Paula and Jack Strickstein * Pat and Phil Turberg * Anna Unterberger * Kathy and Michael Wills * Gretchen and Dick Wilson *

$500–$999

Anonymous Char and Alan Augenstein Jan and Christopher Cacheris Naomi Caras-Miller and Alvin Miller * Sue Carlisle Jill Christenholz Virginia Compton Erika Coombs Erin and J.P. Dahdah * Nancy and Derek Davis Bonnie and Glenn Felner Anita Fishman Jo Flittie Carolyn and John Friedman Alan B. Gabbard Colleen and Brennan Giggey * Lance Goldberg and Beth Ladin Patricia Hawkins and Travis Junion Kenady and Jordan Jobe Cynthia and Alan Kempner Michael R. King Susan and Manny Kramer Sam Kuller Sally and Richard Lehmann Elizabeth and James Lincoln Sandra Listello Mandy and Jeff Lothner Joyce and Stephen Manes Dr. Kay Martens and Philip Cram Joy Partridge Amy Perciballi * Eric Pittman Nathalie Potvin Jean Quinsey Richard Richardson, In Memory of Patricia Richardson Martin Rosen Nancy and James Schamadan Kristine and Steve Short Ronda and Carl Silver Rowena Simberg Dr. Otto Stanislaw Mark Stapp Delores Rodman and Dale Suran Lois Tatelman Laura Titus Jill Townsend Denise and William Villalon Lisa Watkins Amber Wayne Brad Williams Roma Wittcoff

Legacy Society Members

The Legacy Society honors those who have included Scottsdale Arts in their will, trust, insurance policy, or estate plans. Joining The Legacy Society is a meaningful and generous way to continue sharing your values with future generations while enjoying recognition with a network of like-minded friends today. We proudly recognize the following Scottsdale Arts Legacy Society members:

Patricia Aloe-Stauber Anonymous Fred J. English and Sara M. English Charitable Trust Chet and Ann Goldberg Estate Richard Herman Estate Chris and Bob Irish Lou Jekel Joan Mills Miller Estate Eric Jungermann and Family Sue and Robert Karatz Cynthia Muss Lawrence Sara and David Lieberman Arleen Lorrance and Diane Kennedy Pike J. Patrick McCarthy Estate Diane Rejman Linda and Sherman Saperstein Theodore R. Stephan Estate

Tribute Donations

Support the performing and visual arts by remembering or honoring a loved one with a tax-deductible donation to any program or branch at Scottsdale Arts. A memorial gift is a thoughtful way to remember a person in your life who has passed away. An honor gift is a unique way to celebrate a special occasion or recognize someone dear to you.

We proudly recognize the following donors who have made tribute gifts to Scottsdale Arts between September 1, 2020 and August 31, 2021.

Donations Made in Memory of

Wallace Davidson Susan and Richard Bloomberg Robin and Roy Grossman Elizabeth Silverman Judy and Alan Wertheimer Debbie and Richard Yoken Sandy Greenhut Barry Jay Greenhut Zelma Horwitz Phillip Horwitz Claire Keefnor Madaline Krska Ted Stephan Who’s Who Singles – AZ Inc.

Donations Made in Honor of

Richard Post Audrey and Fred Horne Linda Saperstein Jill and Alan Sandler Audrey and Bob Shapiro

*Scottsdale Arts ONE Membership Premier Member

COMMUNITY PARTNERS

Scottsdale Arts is pleased to recognize the following corporations, foundations, government agencies, and in-kind donors for their support of the arts in our community this season. For more information on participating as a sponsor, please contact Denise Wisdom, corporate and foundation relations manager, at 480-874-4669 or DeniseW@ScottsdaleArts.org.

World Class Partners ($50,000+)

Title Partners ($25,000–$49,999)

INSTITUT FRANCAÍSRELANCE EXPORT S. REX AND JOAN LEWIS FOUNDATION

WALTER AND KARLA GOLDSCHMIDT FOUNDATION

Presenting Partners ($10,000–$24,999)

Signature Partners ($5,000–$9,999)

Supporting Partners ($2,500–$4,999)

WILLIAM L. AND RUTH T. PENDLETON MEMORIAL FUND GARTH GREENAN GALLERY, INC.

Collaborating Partners

Blick Art Supplies Experience Scottsdale Farm and Craft Frank Lloyd Wright Foundation/ Taliesin West Grimaldi’s Pizzeria Havaianas JOJO Coffeehouse Joyrides AZ LDV Winery Marjon Ceramics Mavrix/Octane Raceway Medieval Times Dinner & Tournament Rainbow Ryders Saguaro Scottsdale Salvatore Vineyards/Passion Cellars W Scottsdale whiteLAVA creative and metal art

Partner Perks Program Participants

EcoTours AZ Grimaldi's Pizzeria Jewel of the Crown JOJO Coffeehouse Juice Core Organic Jules & JC Kelly's at Southbridge La Señora at Saguaro Mavrix/Octane Raceway Nori Sushi & Asian Dining Oh My Dog! Boutique Hotel and Spa Sizzle Korean BBQ Super Chunk Sweets & Treats

Small Business Collaborator Partners (Canal Convergence)

Act One Broadstone Waterfront Dollar Radio Rentals Honor Health Scottsdale Waterfront Residences Scottsdazzle Straight to the Plate Catering Southbridge Management

STAFF

Dr. Gerd Wuestemann, President and CEO, Scottsdale Arts

PROGRAMMING

Abbey Messmer, Programming Director Diandra Adamczyk, Sr. Programming Coordinator Meribeth Reeves, Managing Director

MEMBER AND PATRON SERVICES

Brett Johnson, Member and Patron Services Manager KeiLani Daniels, Patron Services Coordinator Megan Bevill, Member and Patron Services Representative Steffi Faircloth, Member and Patron Services Representative Nitasha Giran, Member and Patron Services Representative Shaun Herndon, Member and Patron Services Representative Michael Jennings, Member and Patron Services Representative Stephen McDonough, Member and Patron Services Representative Ana Spear, Member and Patron Services Representative

EVENTS COORDINATION AND OPERATIONS

Jamie Prins, Events Director Martin Dickey, Director of Facilities and Operations Whitney Nelson, Festival and Events Manager Anne Parker, Facility Rentals Manager Jeri Thompson, Operations Administrative Assistant Scott MacKeigan, Facility and Event Coordinator Robert Reidenbach, Food and Beverage Lead Samantha Groff, Volunteer and Events Coordinator

RETAIL

Bill Kelly, Retail Manager Raechel Miller, Assistant Retail Manager Cindy Anguiano, Lead Retail Sales Associate Dana Parsons, Retail Sales Associate

PROTECTION SERVICES

Keng Cheong, Protection Services Manager Michael Hammerand, Protection Services Coordinator Brenda Kelley, Protection Services Lead David Brusstar, Protection Services Officer Dale Duhame, Protection Services Officer Pia Holt, Protection Services Officer Lane Honda, Protection Services Officer David Marshall, Protection Services Officer Mike McLane, Protection Services Officer Walter Booth, Protection Services Officer Cheh Eifler, Protection Services Officer George Eifler, Protection Services Officer Steven Honda, Protection Services Officer Christopher Kelley, Protection Services Officer Tatyana Williams. Protection Services Officer Carolyn Zarr, Protection Services Officer

TECHNICAL

Zach Ciaburri, Production Manager John Doyle, House Head Electrician Michael Patton, AV Supervisor Dorann Matson, Stage Manager Jonathan Hansen, Theatre Technician Kristen Martinez, Artist Services

FRONT OF HOUSE

Carolyn Sedlak, Lead House Manager Wendy Crawford, Assistant House Manager Marla Hattabaugh, Assistant House Manager Adele Powers, Assistant House Manager Jenny Weintraub, Assistant House Manager