Discover Scotland Issue 64

The Burrell is back

Time for tea with Roo Irvine

Secret of eternal youth

Fancy the world’s biggest bottle of whisky?

Islands of adventure

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Jacobite fashion show at Blair castle 1

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Brecken Sands, Yell, Shetland.

Photo by VisitScotland / Paul Tomkins

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Arts

Adventure

Bigger and better Burrell

Exploring the islands of Argyll

Collection reopens

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Folklore

Antiques

Magic water and a secret of

Roo Irvine on the antique

eternal youth

attractions of tea

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Food & Beverage

Food & Beverage

Currying favour with Scottish

New on the menu for Scottish

produce

food and drink

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Bookmarker review

Bookmarker

Royal murder story reviewed

New editions for the bookshelf

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History

Arts

Spotlight on Jacobite fashion at

Telling tales both new and old

Blair Castle

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Travel

Tourism

Don’t hurry a Moray visit

Better safe than sorry

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Arts

Conservation

Opening the doors to an arts

Call of the wild under threat

revival

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History

History

Body of evidence reveals clues

Future plans to remember past

to centuries old mystery

sins

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198 Property

Hostels ready to host again

Dream homes with plenty of character

1/224 Cover/Back Photo Corrie Fee at the head of Glen Cova in the Angus Glens.

Photo by VisitScotland / Luigi Di.

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Discover Scotland is an independent magazine published

by Discover Scotland Ltd. The monthly digital title provides an international audience of readers with comprehensive coverage of modern day Scotland, its people, achievements, culture, history and customs.

Every issue covers a variety of topics of interest to thousands of people every month, many of them visitors to Scotland or part of the great Scottish diaspora.

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General Enquiries info@discoverscotlandmagazine.com

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The content of the magazine does not necessarily represent the views of the publishers or imply any endorsement. No part of this publication may be reproduced in any form without prior agreement in writing from Discover Scotland Ltd.

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Arts

igger and better Burrell Collection is back

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ne of the greatest collections of art and antiques ever amassed by a single person has gone back on display following a major refurbishment of the museum created to show it off.

After months of work the A-listed home of The Burrell Collection in Glasgow’s Pollok Country Park has reopened its doors to the public.

The greener and more modern museum has been adapted to display additional items and give visitors access to over a third more of the building.

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Along with his wife, Constance, Sir William Burrell devoted more than 75 years to amassing one of the world’s greatest personal art collections, renowned for its quality of Chinese art, exquisite stained glass and intricate tapestries.

The donation of the Collection to the city in 1944 was described by Sir Hector Hetherington, Principal of Glasgow University, as: “One of the greatest gifts ever made to any city in the world.”

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Photo: Glasgow Life

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Photo: Glasgow Life

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The Collection is home to the Wagner garden carpet which is one of the earliest surviving Persian garden carpets in the world, and has rarely been on public display since The Burrell Collection first opened in 1983.

The museum’s refurbishment means this priceless carpet will now be on long-term show, accompanied by new and innovative methods of interpretation.

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Other highlights include Chinese pottery and porcelain produced over a 5,000-year period, making it one of the most significant collections of Chinese Art in Europe; paintings by renowned French artists including Manet, Cézanne and Degas; Medieval treasures including stained glass, arms and armour, and over 200 tapestries and 150 carpets, which are among the finest in the world.

“The Burrell Collection is one of Glasgow’s great cultural institutions, displaying one of the finest personal collections ever assembled,” said Dr Bridget McConnell CBE, Chief Executive of Glasgow Life.

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Photo: Glasgow Life

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“Visitors will again appreciate one of the world’s great museums and enjoy the quality and beauty of the works left to Glasgow by Sir William and Constance, Lady Burrell in its spectacular home in Pollok Country Park. It is a museum for all, that will bring local people back time and again, while attracting visitors from across Scotland, the UK and from around the world to enjoy.”

Nearly half of the funding for the £68.25 million project was committed by Glasgow City Council with more than a quarter coming from the National Lottery Heritage Fund, and significant donations from The Scottish Government, the UK Government, and from many generous trusts and private donors.

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“The redevelopment of The Burrell Collection has been an impressive undertaking that has delivered a spectacular home for this unique collection. The additional gallery space has vastly increased the areas for display, enabling visitors to see and appreciate much more of the Collection, reinterpreted through the most modern and sophisticated technology,” said Professor Frances Fowle, Senior Trustee of Sir William Burrell’s Trust.

“The refurbishment has surpassed all our expectations, establishing The Burrell Collection as one of the country’s most internationally significant, sustainable and inspiring museums that has something for everyone.”

Photo: Glasgow Life

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Photo: Glasgow Life

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On reopening, the museum’s gallery space has increased by 35 per cent, allowing important and unique objects from the Collection, which have not been seen for decades, or have never been on permanent display, to go on show.

New displays will give visitors a better understanding of the international significance of The

Burrell Collection’s artworks and the people who made them and some of the people who have owned them. In total 225 exhibits will spread across 24 galleries.

The displays include innovative digital elements such as video walls, interactive points and hybrid systems created to help people engage with the stories behind the Collection.

Photo: Glasgow Life

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A new central stairway will allow visitors access to the lower floor of The Burrell Collection for the first time, where they can watch items not on display being cared for. A new temporary exhibition space has also been created and new galleries created on upper floors previously closed to the public.

The Burrell Collection’s refurbishment will also bring new visitors to Glasgow’s south side and to Pollok Country Park, Glasgow’s largest green space and home to Pollok House, Pollok Stables and Sawmill.

Photo: Glasgow Life

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Adventure

sland hoping by bike

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n adventurous new bike packing route that explores more than 300 miles of some of the most spectacular scenery in Scotland has been captured on film.

Record-breaking cyclist Markus Stitz has pioneered a new path around the Argyll islands of Mull, Jura, Islay and Bute.

Wild About Bikepacking records the experiences of the roundthe-world cyclist as he navigates beautiful beaches, breathtaking views and generous hospitality of the Highlands and Islands.

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On the coastal road along Loch na Keal, Mull Photo: Markus Stitz

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Taking in some of the world’s best distilleries, great gravel tracks and local food experiences the new

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Bikepacking Argyll’s Islands route has been specially created by Marcus for Bikepacking Scotland.

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Commissioned by CalMac Ferries and Wild About Argyll the 308 mile-long (496km) journey connects the Isles of Mull, Jura,

Islay and Bute on a mixture of gravel tracks, single-trail, cycle paths and roads.

Mountains on Mull Photo: Markus Stitz

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The route also makes great use of ScotRail’s Highland Explorer, which offers a bike-friendly train connection between Glasgow, host city of the UCI Cycling World Championships in 2023, and Oban, where the new route begins. Bikes travel free on trains

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and all ferries along the route.

For new bikepackers and gravel cyclists the Bikepacking Argyll’s Islands route offers a wide range of accommodation and incentives along the way to stop and soak in the atmosphere.

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Gravel track near Sior Loch, Lorne Photo: Markus Stitz

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Experienced cyclists are also assured of finding plenty of opportunities to extend the

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route or combine it with other established trails.

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“When I arrived from my 34,000km-trip around the world with a small boat in Port Ellen, I instantly fell in love with Islay. I

returned a few times since to map a new bikepacking route across the lesser frequented islands in Argyll,” said Markus.

Gravel track on the west coast of Jura with the Paps of Jura Photo: Markus Stitz

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“Different from other routes I mapped this one features quite a few road sections. Most of them are really quiet and enjoyable, like the Long Road on Jura.

“A gravel bike is the perfect bike to cycle the Bikepacking Argyll’s Islands route. What I really like about it is the combination of

great cycling, culinary offers and accommodation.

“And, there are plenty of opportunities to unearth Scotland’s history in places like Kilmartin Glen, which has the most important concentration of Neolithic and Bronze Age remains in mainland Scotland.”

Wild About Bikepacking

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The rocky east coast of Jura, seen from the Jura Passenger Ferry Photo: Markus Stitz

Ferry from Oban to Craignure, Mull Photo: Markus Stitz

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Folklore

Folklore Scotland with… Graeme Johncock

he Sligachan Bridge Fairies S

ligachan is one of the most spectacular viewpoints on the Isle of Skye. A gentle river flows down from the Cuillin Mountains and underneath the picturesque Sligachan Bridge. This idyllic setting seems enchanting enough, but this spot has a secret that’s even more magical.

The story surrounds Scotland’s greatest ever warrior, a legendary female fighter by the name of Scáthach. She lived on Skye at The Fort of Shadows now known as Dunscaith Castle. Her reputation

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was so great that warriors from across Europe travelled to train under her direction.

Eventually, her achievements reached the ears of the Irish hero Cú Chulainn. He was too proud for his own good and not at all happy that somebody could be considered a match for him in combat. The Irish demi-god immediately set sail for the Isle of Skye to challenge Scáthach to a duel. Without a second thought, she accepted.

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View from under the Sligachan Bridge Photo by Graeme Johncock

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Cuillin Mountains Photo by Graeme Johncock

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They battled fiercely for days, but neither could get the upper hand. Scáthach was much more skilled but Cú Chulainn was supernaturally fast. The fight was balanced on a knife-edge.

Scáthach’s daughter Uathach began to worry for her mother.

Her opponent was a demigod after all, and she could see that Scáthach was beginning to look tired.

Uathach knew that only the fairies could help her now. She came to the Sligachan River where the bridge now stands and pled with them to help her mother. Uathach couldn’t help but weep into the water as the deafening sound of battle crashed in the distance.

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The fairies were moved by the daughter’s love. The fairy queen appeared to Uathach and told her to wash her face in the river.

She would be blessed with the knowledge required to save her mother and bring peace again to the Isle of Skye.

Uathach did as she was instructed, dipping her face into the cool water. Immediately, she knew how to bring the conflict to an end.

She rushed to Dunscaith Castle, gathering what she needed to prepare a feast along the way.

Uathach created the greatest banquet the island had ever seen.

Before long the smell spread to the still fighting warriors.

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It had been days since they last ate, and their stomachs began to rumble. Agreeing a temporary truce, they entered Dunscaith to refuel. Then it dawned on them.

They had just broken bread together and Cú Chulainn was now a guest in Scáthach’s home.

Out of respect and tradition, he couldn’t fight her any longer. They would have to accept the battle was a draw.

Uathach and her fairy helpers left a bit of magic behind in the water at Sligachan. The tradition states that you must get on your hands and knees by the bridge, lower yourself down and submerge your face completely in the water for 7 seconds. That water then must be left to dry naturally, without wiping any of it off. If you follow the ritual properly, then the fairies will bless you with eternal youth.

Fairy Glen, Skye Photo by Graeme Johncock

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The waters flowing under the Sligachan Bridge Photo by Graeme Johncock

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Antiques

Antique Hunting with… Roo Irvine

ime for tea T

ea is often regarded as a cure for all ills. Over the years it has become the go to official remedy for broken hearts, bad days or just instigating a good natter with a friend. Apparently there is nothing that can’t be fixed by ‘popping the kettle on’.

However, the properties and uses of tea hasn’t always been so black and white. Over the centuries it has been everything from a topping for toast, a side dish, a medical cure for various ailments, a status symbol, a sign of wealth and even a pep-up remedy to

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make the body ‘active and lusty’.

But where did it all begin? Its roots can be traced back to China almost 5,000 years ago.

Legend says that in 2732 B.C Emperor Shen Nung accidentally discovered tea while drinking water. A soft breeze blew leaves from a wild tree into his pot of boiling water and the fragrance that emanated intrigued him so much he took a sip. As he drank it he described a warm feeling ‘as if the liquid was investigating every part of his body’.

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Tea caddy of the 19c on its own pedestal.

Photo P. G. Champion / Wikimedia Commons / CC–BY–SA–2.0–UK

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Tea caddy, Chinese, circa 1780, with caddy spoon by silversmith Elizabeth Morley, 1805 Photo Daderot PD

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Shen Nung called the brew “ch’a”, which is the Chinese character that means to check or investigate. Funnily enough the Punjabi / Urdu word for tea is also Cha, or Chai. From China it spread to Tibet, Japan, Russia and Europe.

In 1618 the Chinese presented Tsar Alexis of Russia with a gift of tea and kick-started its popularity to such an extent that a trade route of more than 11,000 miles opened up.

Each year almost 6,000 camels packed with 600lbs of tea each made the 18-month, 11,000 mile journey to meet demand from the Russian market. It wasn’t until the Trans-Siberian railway was built in the late 19th century that delivery time was cut down from a year and a half to less than a week.

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As the popularity of tea spread worldwide traders from Portugal and Holland saw an opportunity and began importing it to Europe in 1610. Initially it was a luxury for only the most wealthy as it sold for as much as £10 a pound -

equivalent to around £800 today.

It wasn’t until the early 17th century that the beverage first arrived in Scotland where it was greeted enthusiastically.

Early to mid-19th century Rosewood and brass tea caddy Photo Adam Partridge Auctioneers & Valuers CC BY-SA 4.0

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Tea became so popular in Scotland that many Scots moved to Sri Lanka or India to run tea estates, one of the most notable being James Taylor who created the Ceylon blend and worked closely with that other great Scottish tea merchant Thomas Lipton.

James Taylor circa 1894

Thomas Lipton circa 1909

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Rare George II silver tea caddy by Paul Crespin of London circa 1745 Photo Veritas Art Auctioneers CC BY-SA 4.0

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Another celebrated tea master was Scotsman Robert Drysdale.

He is credited with creating the blend of Ceylon, Keemun and Assam tea leaves we know today as ‘English Breakfast’. Apparently Queen Victoria tasted some while staying at Balmoral in 1892 and liked it so much she took a large supply back to London.

Long before tea became such a popular beverage it was thought

to be a herbal remedy deemed beneficial to health and credited with helping people live longer.

The only problem was most people didn’t know how to consume it so it was often spread on bread and even served as a vegetable side dish.

Gradually, it became the accepted alternative to coffee and chocolate for the wealthy upper classes.

Tea caddy made of wood and silver with a portrait of Shakespeare, circa 18th or 19th century.

Photo Folger Shakespeare Library CC BY-SA 2.0

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In the 18th century the fashion for tea-drinking really took off and it became trendy to drink it after dinner. Everyone would retire to the drawing room where the lady of the house would ‘brew up’. It was as much a show of opulence as anything else and as a result extravagant milk jugs, silver spoons, sugar bowls, creamers and teapots adorned the table.

Ornate silver tea caddy spoon made on 1829 in Birmingham Photo by ClarkMills CC-BY-SA-3.0

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Tea caddy from the Qianlong period decorated with the coat of arms of the De Wendt family, circa 1750 Photo Rijksmuseum CC BY-SA 4.0

Tea caddy in the Westfries Museum in Hoorn, Holland Photo Dqfn13 CC BY-SA 4.0

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Pair of tea caddies circa 1714-1715 and box, circa 1739-1756, in the Fogg Art Museum, Harvard_University.

Photo daderot PD

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For the most part the precious tea was kept in secure lidded porcelain jars or ceramic canisters locked in beautifully ornate chests embellished with silver, ivory or tortoiseshell.

The advent of the 19th century saw tea chests getting smaller and the canisters, known as a caddy, were used to preserve the tea.

The name comes from the Malay word ‘kati’ or ‘catty’ in Chinese which means a measure of weight.

Tea caddies are now incredibly collectable, especially those in good quality from the Georgian era.

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Food & Beverage

Chef in a kilt with… Gordon Howe

taste of the exotic C

urry is now one of Scotland’s most popular types of food but, when it first arrived in Scotland, more than 200 years ago it was a delicacy too expensive for ordinary people.

The first Indian dishes appeared in Scottish recipe books from the late 18th century. The National Library of Scotland has an advert for “real India curry powder” powder being sold by Edinburgh grocer John Caird in 1798 for 2/6d a canister.

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At that time such a sum made it far too expensive for ordinary working class people so it was really only for the rich elite. Many of these well-travelled Scots brought the first curry-based recipes back from trips to London or India.

Famously, the Barkly of Mount Eagle family from Ross and Cromarty liked it so much that their family recipe book of the 1820s contains directions for creating chicken curry, curried soups and curry powder.

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Photo by Gordon Howe

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Photo by Gordon Howe

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More than 220 years later curry is a staple ingredient in the Scottish diet. Not surprising when you consider the now world famous Chicken tikka masala is supposed to have been invented in Glasgow by a Pakistani chef, Ali Ahmed Aslam, when he decided to brighten up a masala dish by adding a tin of condensed tomato soup.

There have been Indian restaurants in Scotland for threequarters of a century with the opening of the first, Khushi’s in Edinburgh’s in 1947.

Now, 75 years later we have Michelin Star Indian restaurants, multiple winners of the Indian Restaurant Award at the Scottish Restaurant Awards, Scottish Indian restaurants in the Michelin Guide and others with AA Rosettes.

South Asian cuisine, namely Indian food, has been voted the most popular home delivery in Scotland for the past 11 years.

However, tastes have changed a little. Jalfrezi has now replaced the milder Tikka Masala as the nation’s favourite dish. Perhaps an indication that the Scots’ palate is rising further up the curry heat chart as well as the Scoville Scale.

Combined with sustainable local Scottish produce curry remains an important part of Scotland’s inventiveness when it comes to food, and here’s a dish to prove it.

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Ghia halibut and mussels Kerala curry A deliciously easy aromatic dish with fish infused juices and a medium curry heat.

Prep time 15 mins. Cooking time 45 mins Serves 4 Ingredients 320g halibut (cut into large chunks) 1 medium onion 1 medium tomato 6-8 garlic cloves 2 fresh green chillies (deseeded), sliced 6 tbsp oil 1/2 cup fresh coconut paste 1/4 tsp red chilli paste 1 tsp coriander powder 1/2 tsp turmeric powder 1 tsp salt 2 whole dry red chillies 1/2 tsp black mustard seeds 8-10 curry leaves 1/2 cup tamarind extract 1 cup water

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Method Make a paste with the onion, tomatoes, garlic and green chillies, then set aside Heat the oil in a pan and add coconut paste, cook until golden brown. Then add the dry spices and cook for a further 3/4 minutes, keep stirring then remove from heat and set aside.

Now, heat the remaining oil in another heavy based saucepan.

Then add the whole red chillies, curry leaves and mustard seeds.

Fry until the mustard seeds start to splutter.

Next, add the onion paste and fry until lightly browned. Now add the coconut paste, tamarind extract and a cup of water. Stirring well as it comes to a boil. Reduce heat to medium simmer, add the halibut pieces and simmer for about eight minutes. Add the cleaned mussels and simmer for a further three minutes.

Sprinkle with freshly chopped coriander and serve with hot boiled rice.

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Photo by Gordon Howe

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Food & Beverage

Drink

BIG!

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ny whisky drinkers who adhere to the motto ‘go big or go home’ are about to have their dreams come true - with the sale of the world’s largest bottle of Scotch.

Edinburgh-based auctioneers Lyon & Turnbull are to auction off a 5ft 11ins tall bottle of 311 litres of 32-year-old Macallan single malt whisky.

Known as The Intrepid, the bottle - which has been certified

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by Guinness World Records is expected to sell for around £1.5million ($1.9million) when it goes under the hammer at a global online auction on May 25, with some of the proceeds going to charity.

The Intrepid, which contains the equivalent of 444 standard bottles, is named after 11 of the world’s most inspirational pioneering explorers whose images are featured on the bottle.

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Alongside the star attraction there are 10 other Lotts up for grabs at the auction, including a collection of 12 bottles filled with the remaining 32-year old Macallan whisky from the same casks used to fill The Intrepid.

Details of the auction can be found here: https://www.lyonandturnbull. com/auction/details/708the-intrepid-world-recordwhisky/?au=9297

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Conjuring wild spirits Innovative drinks company Buck & Birch have harnessed the wonders of nature’s larder to produce a distinctive, pioneering botanical spirit offering a wild alternative to gin or vodka.

“The birch tree has always been integral to our business - it’s even in our name - so we knew we wanted to create something in its honour, and harnessing all its character was key.”

Sourcing ingredients just a stone’s throw from their East Lothian distillery, the alchemists marry pure spirit with raw birch sap and season with wild birch flavours to create a smooth yet complex botanical spirit they have named, unsurprisingly, Birch.

Birch is described as having delicate notes of cucumber, rosemary and eucalyptus that dances lightly on the palate while the sap adds a softness to the finish.

“Ten years in the making, there has always been lively discussion at Buck & Birch about producing a spirit strength drink, but we were never in any rush – finding the right one was the most important thing,” said Tom Chisolm, Creative Director and co-founder of the company.

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It can be chilled in the freezer and served neat, or poured over lots of ice and topped with light tonic or soda, garnished with rosemary or a slice of citrus to accentuate the herbal notes.

For cocktail enthusiasts it claims to be great mixed in a classic martini with vermouth and either a twist of lemon or an olive.

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New limited edition A new limited edition whisky, intended to find favour with enthusiasts who have a nose and palette for something a little different, has been released by Badachro Distillery.

Just 1,200 hand-filled, individually numbered bottles of the Bad na h-Achlaise Port Cask single malt have been released on to the market.

Described as a smooth velvety whisky finished in ruby port casks the unpeated Highland single malt is the latest cask expression of the distillery’s popular Bad na h-Achlaise series.

“Our new port cask expression reflects the tranquillity and peacefulness of our corner of the Scottish Highlands. We selected ruby port casks for their distinct dark chocolate and vibrant red fruit influence and, once all four finishing casks were married together, we knew we had created a unique single malt,” said Gordon Quinn, Managing Director.

“Bad na h-Achlaise Port Cask is a smooth, unpeated whisky that we believe is the perfect dram to begin a tasting session with. And, if you’re anything like us, continue with too!”

Bad na h-Achlaise Port Cask, 46% ABV, retails for around £56.95 for 70cl and is available from various stockists.

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Top quality equality Renowned farmed salmon producers Loch Duart have just launched a new online shop to directly tempt consumers with what they claim is “the best tasting Scottish salmon in the world”.

For the first time, customers who love the finest quality seafood can order their own portions of salmon, rather than have to visit some of the world’s best restaurants or rely on Michelin star chefs to dish the fish.

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“Traditionally Loch Duart salmon has been reserved for the world’s finest restaurants, but over the last few years we’ve seen a growth not just in the desire to cook at home, but a demand for restaurant quality produce to work with,” said Chris Orr, Sales Director of Loch Duart salmon.

“Home cooks can now easily buy generous Loch Duart fillet portions through our new online shop. I’d urge all discerning foodies and home cooks to savour the unique flavour of Loch Duart and to find out more about why we’re so proud of the way we raise our fish.”

Raised in the rugged coastal waters of North West Scotland, Loch Duart salmon are fed a specialist diet high in marine content, leading to an exceptional tasting fresh fish, rich in Omega-3.

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Bookmarker review

izzio by Denise Mina The plot to control a Queen

By Nicole Kelbie

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cotland’s rich history can be described as fascinating, bloody, complex but never dull.

Retelling some of the most dramatic moments in the country’s story is unlikely to be boring, especially when it is done with style and imagination.

Rizzio, a novella by Scottish writer and playwright Denise Mina is, without doubt, a shining example of Scottish history made easily accessible and very exciting.

Denise Mina

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Murder of David Rizzio by Jean Lulvès

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It is Saturday 9, March 1566 and Mary, Queen of Scots, dines with her private secretary and good friend, David Rizzio, in her private chambers of Holyrood Palace, Edinburgh.

Unbeknown to the heavily pregnant monarch the palace guards have already been overpowered by Protestant rebels and her enemies are on the way to carry out a plot to murder the Italian courtier.

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This real-life tale has all the hallmarks of a modern-day crime thriller. An anointed Queen and traitorous husband; an innocent child and future King whose parentage, and therefore his right to the throne, is called into question, all backdropped by a country split by religion and reaching a violent breaking point.

It’s a story of murder, treason and a brutal fight for power.

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Portrait of David Rizzio

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Many details of that fateful night have been lost in the mists of time but Mina brilliantly fills in the blanks with believable dialogue, imaginative action and educative descriptions of the castle, city and characters.

Historical retellings are often sanitised or difficult to latch on to emotionally due to the great length of time separating us from the past.

Rizzio is great in the way it humanises Mary, making the reader hope for a happier ending despite knowing what’s to come.

While Mina takes artistic liberties you can sense the amount of research she dedicated to the project to make it as accurate as can be while still being authentic to her narrative voice.

Mina makes an age-old tale exciting and relevant by writing Rizzio through a modern lens. You don’t need to be a history buff in order to enjoy and understand the story.

Those who are fascinated by Scotland’s colourful history will be satisfied with this dark tale while those who are new to the story will be left wanting more. Mina’s take on the murder of David Rizzio is certainly a great place to start but be warned; it is not a tale for the faint of heart!

Mary, Queen of Scots, Blairs Museum

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Bookmarker

Championing Scots poetry new volume of poetry showcases the beauty of the Scots language and the talent of some of the country’s most talented makars.

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She is a recent winner of the McCash Prize and the Robert McLellan Tassie, and is current holder of the Hugh MacDiarmid Tassie.

Independent poetry publishing house Tapsalteerie, based in rural Aberdeenshire, has published the first book in their new Modren Makars series.

Ann MacKinnon, a retired teacher, has also been widely published in magazines, anthologies and newspapers. She came runnerup in the McCash in 2017 and was joint winner in 2018. She was given a 2014 SBT New Writers’ Award for her writing in Scots, which resulted in the CMMA shortlisted ‘Nae Flooers’.

Mackinnon received professional recognition from the GTC for her work in Scots in 2011.

Bringing the work of three exciting contemporary poets together in each volume, the Modren Makars books showcase the richness, diversity and power of the Scots tongue, and have been designed to provide an essential introduction to the best in contemporary Scots language poetry.

For the first book, the publisher has selected three poets, Irene Howat, Ann McKinnon and Finola Scott, whose writing displays the breadth and range of work being made in Scots today.

Irene Howat is already a widely published writer and poet, with her work most recently and regularly appearing in ‘Lallans’.

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Glaswegian Finola Scott is a seasoned performance poet, and possibly Scotland’s only slam winning granny. She has performed her poems at the Edinburgh International Book Festival, St Giles Cathedral, Rosslyn Chapel, the Scottish Parliament and Kelvingrove Art Gallery. Recently she won the Uist and Dundee Law poetry competitions. She is also a winner of The Blue Nib’s chapbook competition.

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“There were many poets we could have chosen for Modren Makars Yin, there are plenty of excellent and well known Scots writers out there after all, but Irene Howat, Ann MacKinnon and Finola Scott all fit together particularly well in this volume, their work wonderfully complimentary despite the variety of styles and approaches found in their craft,” said Duncan Lockerbie, Director of Tapsalteerie.

existential history o Europe, an Scotland’s plaes derein. Finola Scott takks hir lyric maistery tae baith da very contemporary an also tae da deep time o Scotland’s psyche. Irene Howat explores fu we as human beins connect across generations an across different experiences trow her musical Ayrshire Scots.”

Tapsalteerie Modren Makars: Yin is priced at £10 and available from www.tapsalteerie.co.uk

“And by placing three older women together in the same anthology, our first book-length collection in Scots, we’ve also made a statement of intent one that signifies Tapsalteerie’s commitment to representing different voices and perspectives, as well as our desire to support and promote the Scots language.”

Tapsalteerie is an independent poetry publishing house with a strong focus on new writers. Their poetry pamphlets have twice been nominated for the Callum Macdonald Memorial Award and they were shortlisted for the Michael Marks Poetry Pamphlet Publisher of the Year Award 2018.

Shetlandic poet Christie Williamson, who edited the collection, said: ”Ann MacKinnon’s poyims reenge fae keen seen minutiae o modern life tae da

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Highland Book Prize Later this month the winner of the 2021 Highland Book Prize is due to be announced by the Highland Society of London and Moniack Mhor Writers’ Centre.

The annual award celebrates the finest work that recognises the rich culture, heritage, and landscape of the Scottish Highlands and Islands.The prize aims to showcase the literary talent of the region and to raise the profile of work created in or about the Highlands.

David Alston

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The four shortlisted titles are all major works in the wider literary field of non-fiction, fiction, and poetry, and are indicative of the quality of literature being produced in the Highlands.

The shortlisted titles, whittled down from 71 entries, are Slaves and Highlanders by David Alston; Islands of Abandonment by Cal Flyn; The Stone Age by Jen Hadfield; and In a Veil of Mist by Donald S. Murray.

Cal Flyn

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Donald S Murray

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“Judging a longlist of such high quality was never going to be easy, however the judges had a hugely enjoyable and constructive discussion around each of the titles, which ultimately led to a unanimous decision on the titles that will now go through to the final round,” said Alex Ogilvie, Non-Voting Chair of the Judging Panel.

The winner will be announced at an award ceremony in Inverness on May 26 with the author being awarded a £1,000 prize by the Highland Society of London and a writing retreat at the Moniack Mhor, Scotland’s Creative Writing Centre.

Jen Hadfield

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A study in popularity The world’s most iconic detective, created by one of Scotland’s most famous writers, is making a return to the book shelf.

A renewed interest much-loved authors, and in particular crime books, sparked by the pandemic lockdown has convinced publishers Baker Street Press to launch a new collection of Sherlock Holmes books.

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The fictional sleuth created

by Edinburgh-born writer Sir Arthur Conan Doyle, remains a fascinating and enduring character in the history of crime writing and the retelling of the stories through blockbuster films and award winning television shows.

“There has always been a high level of interest in the ‘consulting detective’ and we felt the time

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was right to launch the ‘Sherlock Holmes Deluxe Classics Series,” said Mike Bryan, Director of Baker Street Press.

“This collection of nine hardback books is a retro-inspired full set of Arthur Conan Doyle’s wonderful tales of Holmes at work.”

Originally serialised in newspapers and magazines in the late 19th century, Conan Doyle’s collection

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of detective stories transport the reader back to Holmes’s bustling Victorian London, the misty moors of Dartmoor, the dizzying heights of the Reichenbach Falls and the cosy living room of 221B Baker Street.

The new collection, featuring the original cover illustrations from editions of the 1920’s, is available from all good bookshops.

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History

ress to impress Jacobite style A

rare 18th century dress, worn during Scotland’s Jacobite times, takes centre stage at a new exhibition at Blair Castle.

A stunning 260-year-old gown, made of hand painted ivory Chinese silk edged with gold thread brocade, ruffles and pleats, it lay undiscovered in an old trunk that was simply listed as ‘with clothes’ in the Castle archives.

They were only uncovered during the planning for the new exhibition, Castle Couture. What makes the discovery all the more remarkable is that the dress is complete with stomacher, the V-shaped front panel, and is virtually unaltered since the 1700s.

The dress would have been worn

by Jean, 2nd Duchess of Atholl, possibly when she attended Royal Balls and other extravagant affairs.

It is only one of several historically significant outfits that have gone on show for the first time.

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A rare Chinese hand painted silk sacque dress, decorated with gold brocade and dating from early to mid-18th century, belonging to Jean, 2nd Duchess of Atholl

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18th century men’s royal blue waistcoat trimmed with fold brocade

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Castle Couture includes a ballgown worn to entertain Queen Victoria and a ‘tea’ dress that would have graced British high society, men’s frock coats, fashionconscious waistcoats and ornate military style children’s clothes.

Dating back to the 18th and 19th centuries, from the Jacobites through to the Victorian era, one gown worn for the Eglinton Tournament, a re-enactment of a medieval joust, in 1839 is even made from fabric that can be traced back to 17th century France.

Created from silk taffeta, silk brocade, satin, velvet and tulle and richly decorated with embroidery, ribbons and gold and silver thread, the outfits on show reveal the fashions worn at the castle during turbulent times.

White taffeta bodice shot with silver and gold thread belonging to Anne, 6th Duchess of Atholl

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The fabric of the ballgowns is typically patterned with images from nature and include floral designs and garlands of leaves, with the silk brocade of a court dress worn by Lady Charlotte, the wife of John, 3rd Duke of Atholl, believed to have been designed by the 18th century’s most prominent textile designer, Anna Maria Garthwaite. Garthwaite’s work is now on display at the V&A. Another dress is decorated with thousands of shimmering beetlewings (or elytra) to catch the light in much the same way that sequins do on modern clothing.

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A court dress of grey pink silk brocade embroidered with flowers, dating from the early to mid 18th century, belonging to Charlotte, 3rd Duchess of Atholl

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The styles represent the extravagance and flamboyance of George II’s court, often copied from the French through to Victorian opulence. They also reveal what many women would suffer in the name of fashion, when tiny, pinched waists were de rigueur, achieved with V-shaped bodices with boned seams above full skirts.

“Pulling together this exhibition has been a fascinating journey.

While we knew of some items in the archives, opening up long forgotten trunks to find such treasures as the Chinese silk dress was incredibly exciting. Fans of “Outlander” will recognise the style as being something that Claire Randall would have worn,” said Keren Guthrie, the archivist at Blair Castle.

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“Aristocratic families showed their wealth and status by following the fashions of royalty and the Dukes and Duchess of Atholl in the 18th and 19th centuries were no different. The exhibition is a display of how they presented themselves in society through the fashions of the day. From the beetle-wings of one dress to the ivory silk taffeta shot with silver and gold thread of another ballgown, you can imagine how the duchesses would have sparkled in the candlelight as they glided across the dancefloor.”

Victorian ivory silk ballgown embroidered with a coral design and decorated with elytra (beetle wings), worn by Anne, 6th Duchess of Atholl

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Sally Tuckett, Senior Lecturer in Dress and Textile at the University of Glasgow, who advised on the Castle Couture project, said historical clothing provided an immediate and physical gateway to the past.

“They let us think about the person who wore it, what their daily life was like, and the places they might have been. Surviving garments allow us to consider the past from the perspective of the people that lived it,” she said.

Blair Castle Photo by David Monniaux CC BY-SA 3.0

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“The clothes and textiles at Blair Castle are particularly special because they are intimately linked to the history of the castle itself, and to the dukes and duchesses of Atholl and their families. The elaborate and sumptuous gowns, jackets, waistcoats and children’s clothing, give a glimpse into the life of this family – from what they wore on special occasions to how clothing was handed down and adapted through the years.

“A stand-out garment in the collection is the painted silk gown which dates from the mid- to late eighteenth century, an item which was a joy to unpack from its box! Such dresses don’t always survive intact, the fabric of the petticoat, for example might get remade into something else, or the stomacher is often lost. This dress, however, still has its original pieces and although it does have some signs of wear, it is in great condition!

19th century men’s cream waistcoat with delicate green leaf embroidery

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Chinese hand painted silk sacque dress

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Formal Royal Household uniform worn by George, 6th Duke of Atholl

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“The fabric of the dress also allows us to make wider connections – the painted silk was possibly made in China for the European market and so to think of this fabric travelling thousands of miles to end up in Blair Castle is quite special. Whether it survived accidentally or was kept on purpose, it offers a perfect snapshot into a particular time and place.”

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Lace dress and jacket belonging to Lady Emily Glenlyon dated 1810

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Arts

xploring Scottish words and culture

By Scott Aitken

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new series of special events exploring some of the most loved stories in Scottish literature is to take place this year.

Six live events, exploring half a dozen themes and involving 12 writers along with eight artists, will take place between May and November.

Edinburgh UNESCO City of Literature and the Scottish Storytelling Centre have joined forces to create the elaborate project in celebration of Scotland’s Year of Stories 2022.

Figures of Speech is a fresh and exciting cross-artform series that will bring together writers and artists to take audiences on a road trip through Scottish literature.

Covering six universal themes music, friendship, future, love, place, big ideas - each event explores literary blockbusters,

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hidden gems and modern classics.

Expert guides will explore some of the country’s iconic books and stories, navigating the dazzling array of new voices, and presenting newly commissioned work by artists responding to each theme. It has been described by the organisers as a journey across the curious contrasts and contradictions that define Scottish literature.

The events will also be supported by eight newly commissioned pieces of work from contemporary artists inspired by the themes.

These will offer fresh expression, creative interpretation and a reimagining of some of Scotland’s well-known and much-loved stories, as well as shining a light on some of the lesser known but equally loved contributions to Scotland’s literary canon.

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The series will feature singers, poets, filmmakers, storytellers, authors, musicians, visual artists and more; a well-rounded and supportive platform for new and emerging talent as well as championing those already established in the literary scene.

The first event will be held on 20 May with broadcaster Nicola Meighan in discussion with author Arusa Qureshi on all things music in Scottish literature.

Next up, on 24 June, poet Michael Pedersen will talk friendship with Val McDermid and, on 22 July, writer and poet Russell Jones speaks future horizons and forward thinking with writer T.L. Huchu.

Anticipating her role in the project author Val McDermid said: “Figures of Speech is a fantastic way of taking a fresh look at Scotland’s stories. I’m looking forward to exploring friendships found both on and off the page: the lovely letters between Barrie and Stevenson; Holmes & Watson; my own 1990s correspondence with Ian Rankin when he was in France and I was

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in Manchester; my determination that Kate Brannigan should not be a friendless PI stalking the mean streets of Manchester, but rather should have a nexus of female friends.

“I’m excited to talk Scotland’s iconic friendships past and present with Michael Pederson and look to the future of Scottish literature.”

The series continues on 23 September with Gaelic poet Peter Mackay getting amorous with his words in discussion with romance writer Jenny Colgan, while visual artist and writer, Amanda Thomson, will drop a pin in the literary map with a discussion on place and locality with poet and film maker Roseanne Watt, on 21 October.

The season concludes on St. Andrew’s Day with some big ideas and pertinent questions in relation to Scotland and our world at large. Professor David Farrier will host an evening of discussion with climate activist and author Jessica Gaitán Johannesson on 30 November.

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All the episodes will be recorded and made available online a week later, and both the live and recorded occasions will be supported by BSL interpretation.

Each of the six events will be supported by a pop-up bookshop from Lighthouse Books. Their expert booksellers will be on hand to supply the must-read books to match the event.

“Figures of Speech will bring audiences and performers together to debate and discuss the famous and not so famous words and stories across these themes in Scottish literature,” said Daniel Abercrombie, Programme & Events Manager at the Scottish Storytelling Centre.

“This project is all about variety, partnerships, and a celebration of words, so we hope and imagine people will have their own thoughts and opinions on these themes, which is all part of the fun in this Year of Stories! I’m looking forward to finding new stories to explore and seeing the emerging creative responses to the themes, taking the story forward.”

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Ali Bowden, Director, Edinburgh UNESCO City of Literature Trust, said it was a delight to be launching the Figures of Speech series and to be making all these events available to watch free on demand.

“Edinburgh is the world’s first UNESCO City of Literature and we’re excited and proud to be putting Scotland’s incredible artists on a global stage and using our international networks to help audiences around the world discover more about Scotland’s amazing books and stories,” said Ali. Tickets and further information can be found at: https://cityofliterature.com/ figures-of-speech/

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Travel

aking more of oray and Speyside

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corner of Scotland often overlooked by visitors is seeking to put itself in the spotlight with a new international marketing campaign.

Visit Moray Speyside, the destination marketing organisation for the area of the same name, has launched a fresh initiative to boost tourism and promote the wide range of outdoor activities and natural experiences available in the region.

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The campaign ‘Your Next Adventure Starts Here’ uses newly produced video and digital content to showcase the area to people across the UK and further afield.

A series of videos have been created to encourage visitors to ‘Stop. Breathe. Go.’ by escaping to Moray on a short break so they can slow down, unwind, restore and explore the unspoilt natural landscapes of one of Scotland’s emerging tourism destinations.

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The campaign, which will run until August across social media and digital channels with a mix of different adverts, is being targeted at specific audiences across the UK. “Moray Speyside is one of Scotland’s most beautiful regions, we have incredible natural assets and a world-class landscape, our tourism businesses offer visitors a warm welcome and our attractions

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a memorable experience,” said Laurie Piper, Chief Executive of Visit Moray Speyside.

Whether it is surfing off the spectacular coastline, rambling across the rugged terrain or exploring unspoilt landscape at a gentler pace there is an array of amazing experiences on offer across the region to inspire new and repeat visitors to Moray Speyside.

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Travel

lease enjoy Scotland safely and responsibly

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s Spring turns to Summer and more people seek out the spectacular attractions of Scotland the nation’s tourism body has launched a campaign to encourage everyone to enjoy the country safely and responsibly.

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Keep Scotland Unspoiled is the latest social media, local radio and digital marketing campaign by the VisitScotland to educate, inspire and inform people about issues such as water safety, fire safety, dog control and the need to adhere to the Scottish Outdoor Access Code.

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Recent research has revealed almost a fifth of residents in Scotland believe a benefit of tourism is that it showcases the country’s beauty. The same research also found over 80 per cent of respondents thought tourism improves the local economy and helps generate economic growth.

However, in recent years there has been a growing concern around an apparent increase in irresponsible behaviour at a number of locations including littering, environmental damage, fire hazards, wildlife disturbance and unsafe waste disposal.

Corrie fee Photo VisitScotland

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Wild swimming in the Cairngorms Photo by VisitScotland

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As more people holidayed at home many were unaware of the impact of their visits on surrounding landscapes, wildlife and communities.

In order to address the issue VisitScotland has developed a coordinated approach to visitor management which includes a series of dedicated campaigns to inspire and educate ‘novice’ outdoor adventurers and visitors in how to enjoy the outdoors responsibly.

“With the recent warmer weather it has been great to hear of people getting outdoors and experiencing all that Scotland has to offer. This is vital if the industry is to recover from the impacts of COVID-19,” said Vicki Miller, VisitScotland Director of Marketing & Digital.

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Keep Scotland Unspoiled - Water Safety

Keep Scotland Unspoiled - Litter

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Keep Scotland Unspoiled - Wildlife

“However, our ambition is to make sure that when people are enjoying Scotland they are doing it in a way that not just keeps them safe, but also others and the surrounding environment. We all have a duty of care to protect the natural, social and cultural assets

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which make Scotland so special.

“Being a responsible tourist and respecting and protecting our environment and communities makes for a better experience for everyone.”

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Arts

of recovery

By Paul Watson

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cotland’s thriving and innovative arts sector is slowly reopening to the public after the dismal events of recent years caused by the Covid-19 pandemic.

The first of two Open Studios events this year at Marchmont House will offer the chance to meet artists and makers of all kinds – and explore the fabulous sculpture collection at one of Scotland’s great stately homes.

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Jo Crossland is among the artists taking part.

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Taking place on 14 and 15 May it will be a chance to meet visual artists and craft makers based in the growing number of creative spaces that have been developed in the outbuildings around the palladian mansion near Greenlaw.

There will also be the chance to book a place on one of the sculpture tours and discover the remarkable Marchmont collection developed by Hugo Burge, which includes works by Antony Gormley, Eduardo Paolozzi, David Nash, Bernard Meadows, Alexander Macdonald Buchanan, Henry Moore and Keith McCarter.

Hugo Burge with David Nash sculpture

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Rush-seat chair makers Sam Cooper and Richard Platt

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Heather Wilson and Nick Stenhouse of Redbraes Pottery

The Open Studios, which is free but with timed ticketing, will also feature a 10-stall Makers’ Market.

Lucy Brown, Managing Director of The Marchmont Makers Foundation, described the event as a wonderful opportunity to enjoy a guided tour of the collection of contemporary sculptures – many of them specially commissioned for Marchmont.

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Among the resident artists and makers taking part will be stonecutters and sculptors Michelle de Bruin and Jo Crossland, rush-seat chairmakers Sam and Rich, sculptor Richard Goldsworthy, and ceramics

by Heather Wilson and Nick Stenhouse of the new Redbraes Pottery.

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Richard Goldsworthy

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Spring Fling Art Fest enters its 20th Year

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Spring Fling A second Open Studios event is planned for 27 and 28 August.

However, before then, over the weekend of 2-5 June, the 20th Spring Fling open studios weekend is taking place in Dumfries and Galloway.

Almost 100 participants from across the region will throw open their doors to welcome the public. Among the artists on show this year is a group of nine individuals who were part of the very first Spring Fling, set up in the aftermath of the foot and mouth epidemic of 2001, which devastated rural economies across the country. Now they are hoping to significant contribution in the drive to rebuild after the COVID pandemic.

Hannah McAndrew, of potters Fitch and McAndrew from Corsock, said: “I cannot believe I am old enough to have been around for 20 Spring Flings but it seems I must be. It’s rather lovely to have been there at the beginning and to still be making my living making pots all these years later when the event itself is going from strength to strength.

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“Spring Fling is also hugely important for the region. We have such talented people here, complete masters of their crafts and it is fabulous that Dumfries and Galloway has become known for this intense fountain of creativity.”

Jo Gallant, a textile artist from Mossdale, admitted she had been dubious when the idea of a Spring Fling was first mentioned all those years ago.

“I was sceptical, as other open studios events I had tried had not been particularly successful. It soon became clear though that this was something different,” she said.

Adam Booth, architectural metalworker and sculptor

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Over the years the Spring Fling has helped put Dumfries & Galloway on the creative map. It has attracted a loyal following, both local and further afield, and become a flagship for other regions to imitate.

It has been described as a coming together of a vibrant community of artists and makers all working towards the same goal - to showcase the region as a whole and the high calibre of work that is professionally produced in the area.

“An open studios event is great for this region. If you consider the population of Dumfries and Galloway and look at the number of high-quality national and international makers and artists living here it is quite remarkable and it is attracting more all the time,” said Adam Booth, architectural metalworker and sculptor from Kirkpatrick Durham.

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Lizzie Farey, willow artist from Kirkcudbright

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“It shows what a vibrant and inclusive region we live in.

Spring Fling is a great chance for people to see these threads and celebrate the region as a whole.”

The first Spring Fling was set up by Dumfries and Galloway Council Visual Arts Development Officer Jane McArthur and Crafts Development Officer Clare Hanna.

“There had been attempts at an open studio event before foot and mouth hit the region and they

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hadn’t been successful. So the pressure was on, we knew we had one chance and we had to get it right,” said Clare Hanna.

“I think the fact that artists and makers were involved in the development and helped shape Spring Fling has been a big part of its success and longevity.”

This year’s event will mark a return to being a physical first event after two years in which it was largely or completely digital.

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Conservation

riple whammy threat to curlew A

n iconic sound that evokes the image of sunny days on heather clad moorland could soon be a thing of the past.

Conservation experts have warned of a triple whammy threat to one of the country’s most endangered birds – the Curlew.

Habitat loss, over-abundant predators and increasing afforestation pose a severe risk to the much loved wading bird.

There are estimated to be about 60,000 breeding pairs in the UK, with the majority living in Scotland.

Nearly half the breeding population has been lost over the last 25 years and Curlews have disappeared entirely from many of their traditional sites.

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In southern England their numbers are now so low, about 500 pairs, that chicks have been raised in aviaries and released back into the wild by the Wildfowl and Wetlands Trust to ensure they survive the critical early weeks.

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The Curlew is a ground-nesting bird and in common with all other ground-nesting species, its eggs and chicks are extremely vulnerable to predation by foxes, badgers, stoats, crows and other species of birds.

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Grouse moors are among the only places with a sustainable population of Curlew, along with Lapwings and other waders. The predator control undertaken by gamekeepers helps protect the eggs and chicks of ground-nesting birds. In addition, grouse moors are free from the agricultural practices known to affect Curlew, such as early mowing of grassland for silage, and excessive sheep grazing.

“The call of the Curlew is the most magical sound and for me it is synonymous with beautiful open moorland. Where we can ensure the moorlands are kept in good condition, boggy and insect-rich, with predators kept under control, we see the benefits for a range of rare species.”

The 10-year Langholm Moor Research Project demonstrated the benefits of grouse moor management for ground-nesting birds.

The project showed that Curlew numbers increased by 10 per cent, Golden Plover by 16 per cent and Snipe by 21 per cent year-onyear in areas managed as grouse moors, in contrast to declines on other landholdings.

“We have good numbers of breeding Curlew in the Lammermuirs and we are determined to protect them,” Mark Ewart, coordinator of the Southern Uplands Moorland Group.

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Baby curlew Photo: Jason Clamp

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History

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or decades, the skeletal remains of nine adults and five infants found in the latrine of what was once a Roman bath house close to Edinburgh have fascinated archaeologists and the public alike.

Discovered in Cramond in 1975 they were originally thought to be victims of the plague or a shipwreck from the 14th century.

Then radiocarbon dating showed them to be some 800 years older, dating to the 6th century, or early medieval period.

New bioarchaeological work led by the University of Aberdeen has brought to light more details of their lives and has revealed that

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several of the group travelled across Scotland to make Cramond their home.

Their investigations change our understanding not only of this important site but of the mobility and connections of people across Scotland in the early medieval period, when the country was broadly divided between the Scotti in Dál Riata to the west, the Picts in most of northern Scotland and the Britons in the south.

The researchers examined the bones and teeth of the group unearthed from what was once the latrine of a bathhouse in a Roman fort, leading to them being coined ‘the bodies in the bog’.

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Remains of a skull showing serious head wounds Photo: University of Aberdeen

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Using isotope analyses they were able to look at the diet and origins of each of the adults in the group. Professor Kate Britton, senior author of the study, said they were surprised to discover that despite being buried in close proximity to each other – leading to assumptions that they were one family - some were brought up hundreds of miles apart.

“Food and water consumed during life leave a specific signature in the body which can be traced back to their input source, evidencing diet and mobility patterns,” she added.

“Tooth enamel, particularly from teeth which form between around three and six years of age, act like little time capsules containing chemical information about where a person grew up.

“When we examined the remains, we found six of them to bear chemical signatures consistent with what we would expect from individuals growing up in the area local to Cramond but two – those of a man and a woman – were very different.

“This suggests that they spent their childhoods somewhere else, with the analysis of the female placing her origins on the West coast.”

“The male instead had an isotopic signature more typical of the Southern Uplands, Southern Highlands or Loch Lomond area so it is likely he came to Cramond from an inland area.”

Facial reconstruction by Hayley Fisher of the man found in burial site one. The isotopic signature of enamel from his teeth shows he is likely to have originated from the Southern Highlands or Loch Lomond area.

Photo: Edinburgh City Council

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The findings, published in the Archaeological and Anthropological Sciences journal, provide one of the first insights into early medieval population mobility in Scotland.

“This is a historically elusive time period, where little may be gleaned about the lives of individuals from primary literary sources. What we do know is that it was a politically and socially tumultuous time,” said Dr Orsolya Czére, post-doctoral researcher and lead author of the study.

“In Scotland particularly, evidence is scarce and little is known about individual movement patterns and life histories. Bioarchaeological studies like this are key to providing information about personal movement in early medieval Scotland and beyond.

“It is often assumed that travel in this period would have been limited without roads like we have today and given the political divides of the time. The analysis of the burials from Cramond, along with other early medieval burial sites in Scotland, are revealing that it was not unusual to be buried far from where you had originally grown up.

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Dr Orsolya Czére examining bones ahead of isotope analysis Photo: University of Aberdeen

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Female skull with a head wound – evidence of a violent end.

Photo: University of Aberdeen

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“Previous studies have suggested that those buried here were of high social status, even nobility.

What we can say from our new analyses was that these were well-connected individuals, with lives that brought them across the country” “This is an important step in unravelling how these different populations of early medieval Scotland and Britain interacted.”

Despite evidence for geographical mobility, social tensions may still have been high. Several of the skeletons at Cramond indicate that some of the individuals may have met with violent ends.

“Detailed osteological analysis of the human remains has determined that a woman and young child deposited in the Roman latrine suffered violent deaths,” said Dr Ange Boyle , Osteoarchaeologist and coauthor, from the University of Edinburgh.

“Blows to the skulls inflicted by a blunt object, possibly the butt end of a spear would have been rapidly fatal. This evidence provides important confirmation that the period in question was characterised by a high level of violence.”

Sample of extracted collagen for testing Photo: University of Aberdeen

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John Lawson, the City of Edinburgh Council archaeologist, co-author and lead archaeologist on the investigations at Cramond, says the new findings further underline the importance of the Cramond site.

“The final results from the isotopic research have confirmed the initial 2015 results giving us archaeological evidence and a window into the movement of elite society in the 6th century,” he said.

“In particular it is helping us to support our belief that Cramond

during this time was one of Scotland’s key political centres during this important period of turmoil and origins for the state of Scotland. While it has helped us answer some questions about the individuals buried in the former Roman Fort’s Bathhouse, it has also raised more.

“We hope to continue to work together to bring more findings to publication as these have a significant impact on what is known about the history of Scotland and Northern Britain during the Dark Ages.”

Remains of the Roman Fort Photo by Gyula Péter CC BY 3.0

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Healed wounds on the skull of a male victim who may have been a warrior.

Photo: University of Aberdeen

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History

lans to mark a timeless wrong A

national memorial dedicated to those accused of witchcraft is one step closer to becoming a reality.

Representatives from Remembering the Accused Witches of Scotland (RAWS) met with directors of National Pride at the site of a proposed EcoTherapy Park, St Ninians Wellness, located on a former opencast coal mine near Kelty in Fife.

RAWS is a registered charity which aims to raise awareness of the over 4,000 individuals accused of

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witchcraft by the church and state in Scotland between the 16th and 18th centuries and to campaign for a national memorial to be erected in to memorialise and pay respect to those accused and killed Community Interest Company National Pride UK, which plans to make St Ninians an ecologically friendly and environmentally sensitive health, wellness and leisure destination, has expressed full support for a national memorial to be built at the site.

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James I: Daemonologie, in forme of a dialogue.

Photo: Wellcome CC BY 4.0

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Students’ at the University of Edinburgh have made a physical visualisation of The Survey of Scottish Witchcraft Database.

Photo by Yarnoverhook CC BY-SA 4.0

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“As an Eco-Therapy Park accessible to the public, St Ninians Wellness will be a place of nature-based healing and we fully agree with those who have identified it as a fitting location for such a memorial,” said Andy Whitlock from National Pride UK. The move for a permanent memorial follows a posthumous apology issued by the Scottish government to the thousands of people persecuted as witches in Scotland.

Thousands of ordinary people, most of them women, were persecuted in Scotland after being accused of witchcraft. Much of the widespread moral panic was fuelled by the King, James VI, who was obsessed with the idea of witchcraft. Many of the victims of the Scottish witch hunts died horribly as a result of torture before being publicly executed.

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“We set out to get a pardon from the state, an apology from the church, and a memorial to commemorate the accused witches in Scotland, as well as those throughout the world,” said Elizabeth McMann, Trustee of Remembering the Accused Witches of Scotland.

“Having visited St Ninians, we believe that this is an ideal place to put the much-desired memorial and it is especially relevant as a location given the major role that Fife played in pursuing those accused of witchcraft.”

National Pride (St Ninians) Ltd will soon bring forward proposals to Fife Council for the development of the overall site.

It aims to be an ecologically friendly and environmentally sensitive health, wellness, and leisure destination which will be accessible and affordable for all.

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Depiction of the Devil giving magic puppets to witches, from Agnes Sampson trial, 1591 (PD)

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Suspected witches kneeling before King James; Daemonologie (1597)

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Concept proposals for the net carbon zero plus development include accommodation units, a wellness spa complex on Loch Fitty, a technology park and areas set aside for guest entertainment.

In addition to this, an extensive rewilding programme including native Scottish tree species is also proposed.

Sara Kelly, co-founder of RAWS, said: “St Ninians is a beautiful site and you can see its immense potential to host such a memorial.

It fits in very much with our ethos of communities, the environment and that the people who we want to be remembered are in a respectful and beautiful place.

“St Ninians would be the ideal location, it is highly accessible, and is somewhere that anyone who is interested could visit on a regular basis. Educating the general public and school children as part of this is also very important to us.”

Artist’s impression of proposed development

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Travel

ack to business for budget travellers

T

wo years of disruption, disappointment and uncertainty is over for fans of Hostelling Scotland as the network of 29 VisitScotland quality assured Youth Hostels are once again open and operational.

From cities to islands, beaches to hills and mountains, and all points in between, hostels across the country are once again offering a warm, affordable welcome for

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individuals and groups looking to explore and enjoy all that Scotland has to offer.

Already there has been a surge in the number of guests keen to get back to the full hostelling experience. Bookings across the network, in particular those on the NC500 route and Skye, were averaging 50 per cent occupancy in April.

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Glencoe Youth Hostel POD Accommodation

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The award winning, remote and eco-friendly Loch Ossian Youth Hostel is proving especially popular with people grabbing the chance to ‘get away from it all’ in the beautiful surroundings of Rannoch Moor.

According to Hostelling Scotland, a 91-year-old, self-funded charity, the upward trend in bookings across the network is showing early signs of continuing into the summer months.

Aerial view of Loch Ossian

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Destinations such as the Islands, Glen Nevis, Oban, Achmelvich and Torridon are again proving a popular choice for young travellers, couples and families keen to make full use of the shared public spaces, private rooms or shared dorm accommodation, and popular facilities such as the self-catering kitchens.

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Demand is also rising in city youth hostels as group travel starts to return, while an increase in the number of ‘dog friendly’ WoofHostels and the option for exclusive private hire, RentaHostel, offer alternative accommodation opportunities and extend the appeal of hostelling to a much broader audience.

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“The last couple of years will long be remembered as the most difficult in our history,” said Margo Paterson, Chief Executive of Hostelling Scotland.

“We’re delighted that guests can once more enjoy the social

aspects that sit at the heart of hostelling; cooking up a storm in our self-catering kitchens, enjoying a glass of wine or a local beer with friends and a good night’s sleep in a private en-suite room, or a bed in a shared dorm.”

Achmelvich Beach

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Hostelling Scotland prides itself on being the largest participant in the youth hostel market in Scotland. As a membership organisation with over 8,000 lifetime members, it has 29 youth hostels and 26 affiliate hostels.

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In recent years, prior to the Covid-19 pandemic, the network welcomed up to 380,000 guests annually with a turnover of £9million and an estimated annual contribution to the Scottish visitor economy of £25million.

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Gairloch Sands Youth Hostel

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Property

haracter homes with stunning views

Westerfolds House

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oray, in the North East of Scotland, is famous for its mild climate as well as a beautiful and varied countryside.

The largely landscape provides a wide range of leisure and sporting opportunities including fishing on the world-famous River Spey and the River Findhorn, skiing at The Lecht and Cairngorm range, sailing in the Moray Firth and an abundance of walking and biking routes.

It’s no wonder then that the area is a hotspot for property buyers seeking a good quality, family friendly way of life.

One such property currently located on the Moray coastal plain of Laich O’ Moray currently on the market is Westerfolds House. This impressive traditional farmhouse is believed to date from 1881 and is situated between Duffus and Lossiemouth, and is only four miles north of Elgin.

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The blond sandstone property boasts a number of period features over three storeys.

Original wooden doors and panelling exist in the hallway with a cast iron balusters staircase giving access to the first and second floor. Tall corniced ceilings and ornate plasterwork can also be found throughout the property.

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Both the drawing room and dining room enjoy spectacular views over the garden, Laich and out towards the Brown Muir and Ben Rinnes.

Open fire places and wood burning stoves make these public rooms warm and inviting while the sitting room offers a generously proportioned living space with doors out to the garden.

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The grounds at Westerfolds House extend to about 7.95 acres and includes fruit and vegetable beds, a more formal area with well stocked borders, a sensory garden and extensive areas of lawn.

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To the south of the house lies a paddock of about 4.5 acres which offers potential to graze horses or other livestock. There is also a superb three-berth garage, log shed, car port and gymnasium, as well as a workshop and store adjacent to the house.

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“Westerfolds House is a truly magnificent family home with an abundance of character and offering extremely flexible accommodation with four reception rooms and seven

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bedrooms. This is a highly desirable property located on the beautiful Moray coast,” said Rod Christie of agents Galbraith who are marketing the house at offers over £900,000.

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Further south, outwit Moray, lies Faskally. This impressive country home, designed by Scottish architect James Denholm, offers light-filled accommodation with superb reception space, a separate annex and enjoys south facing views over open countryside.

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Fascally House

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The property, in a delightful rural location in the sought-after hamlet of Dollerie, three miles from Crieff, is on the market for offers over £680,000 with Galbraith.

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The property benefits from a double-height ceiling in the entrance hall, galleried landing on the first floor and floor to ceiling windows in the three reception rooms making the most of the views over the garden and surrounding countryside.

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There is a guest suite on the ground floor and three double bedrooms upstairs as well as additional accommodation in the garage building, ideal for visiting friends and family.

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The property is three miles from Crieff; six miles from Auchterarder and 12 miles from Perth, while both Glasgow and Edinburgh are about an hour’s drive.

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Even further south, down in Dumfries and Galloway, Galbraith is selling Owl Cote and The Bird’s Nest, a pretty seaside house with separate bothy, for offers over £680,000.

Owl Cote and The Birds Nest, Carrick Bay

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Located just yards from the picturesque sandy beach of Carrick Bay, the property has views over the Solway Firth and Murray Isles and are currently run as luxury holiday lets.

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Owl Cote is a stone cottage created from a former byre, completely renovated in 2011.

The accommodation includes a well-appointed dining kitchen, an airy lounge with balcony offering sea views, two double bedrooms (both en-suite) a separate WC and a third, single bedroom which could be used as a study.

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The Bird’s Nest is a cosy bothy for two people featuring open plan living area, kitchen area, bedroom and en-suite bathroom. Both The Birds’ Nest and Owl Cote are for sale fully furnished and in walk-in condition.

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“Both the house and the bothy provide excellent refurbished accommodation with great flexibility for extended family or visiting friends. They have enjoyed great success as self-catering holiday cottages which the purchaser may wish to continue for one or both properties. The

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surroundings are wonderfully restorative and whether kept for private use or let out, Owl Cote and The Bird’s Nest offer the buyer a rare chance to enjoy a tranquil coastal lifestyle in a beautiful setting,” said David Corrie of Galbraith.

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