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CHERYL FRANCES-HOAD

A Young Persons Guide to Composition Variations on a Theme of Benjamin Britten

for Orchestra


A Young Person’s Guide to Composition This piece was commissioned by the London Chamber Orchestra as part of its Music Junction project in 2014. Music Junction is a creative music-making project that aims to engender a lasting love of music and to increase empathy between young people from different backgrounds. (More information about the project can be found at www.lco.co.uk) The first performance was given on 22 May 2014 at Cadogan Hall, London by the London Chamber Orchestra alongside young people from Kent, Berkshire, Waltham Forest and Havering, conducted by Christopher Warren-Green. The work was composed using motives, melodies and rhythmic ideas created by the young people involved in response to the four emotions (chosen by the composer) of Hope, Excitement, Courage, and Pride, as well the melody from Benjamin Britten’s Begone, Dull Care! from Friday Afternoons.


Instrumentation Young Musicians (all instruments) Piccolo 2 Flutes 2 Oboes 2 Clarinets 2 Bassoons 4 Horns in F 2 Trumpets in B flat 2 Trombones Bass Trombone Tuba Timpani Percussion (4 players: xylophone, triangle, castanets, tambourine, woodblock, whip, crash cymbals, tam-tam, snare drum, bass drum) Harp Violin I Violin II Viola Violoncello Double Bass N.B. this orchestration is identical to Britten's orchestration for The Young Person's Guide to the Orchestra. Percussionists should use same size of cymbals, tam-tam, woodblock, etc. as they would in the Britten.


PERFORMANCE NOTES A Young Person’s Guide to Composition is designed to be played by (any number) of young musicians (on any instrument, from beginner to the more advanced player) and orchestra. It is in part a homage to Benjamin Britten’s The Young Person’s Guide to the Orchestra, and, as Britten’s work comprises variations on a theme from Purcell, this work takes Britten’s Begone, Dull Care! from Friday Afternoons as its inspiration. Each of the four movements (Hopeful Harmonies, Exciting Ostinati, Courageous Rondo, and Prideful Passacaglia) should ideally be played by a different group of young performers. The finale should be sung by all the groups together, along with the audience! The work is also performable without any young performers, for orchestra alone. In this case all passages with small note heads (in the orchestral parts) should always be played. When the piece is performed with young players, the default starting point should be for the orchestral musicians to play all the passages with small note heads. If desired,however, some or all of these small note headed passages may be omitted from the orchestral parts (for instance, if the young performers are able and willing to play particular passages without the support of the orchestra. At two points in the score (at the end of Exciting Ostinati and Prideful Passacaglia) there is space for improvisations created by the young performers. These improvisations are optional, and if not created/performed, the orchestra simply plays their last bar as written and proceeds to the next movement attacca. The improvisations, if created, should take inspiration from the motives existing in the preceding movement, as well as from the relevant emotion (Excitement or Pride). The following comments are general and relate to the entire work: The dynamics in the score denote the desired dynamic heard by the conductor/audience (e.g. no compensatory dynamics such as marking the brass at a lower dynamic are used in this score). It it presumed that harp chords (of three notes or more) will be lightly arpeggiated unless otherwise specified (an arpeggiation line denotes a slower spread, and a bracket no arpeggiation at all). In the strings, single lines (sometimes immediately) following divisi lines are always to be played tutti. When chords/dyads in string parts are not divided into upper and lower parts they are to be played non divisi unless specified otherwise (even if this results in a slight arpeggiation of the chord). In the bass part, upper, bracketed notes (when they occur) should only be played by bassists with no low extension. The suggestions for the types of instrument to be played in the in the young performers parts are suggestions only and indicate the desired kind of timbre etc. All of the percussion in the young performers parts is optional, and keeping this to a minimum (so not to obscure the orchestral percussion) is preferable but not essential. If desired the young performers parts can be simplified for some of the players (e.g. playing the first note in each bar) as long as none of the harmonic content is muddied or disrupted. Similarly, parts that are too taxing may be omitted, as long as this part (which may be written in small note heads in the relevant orchestral part) is played. © Cheryl Frances-Hoad 2014


A Young Person's Guide to Composition Variations on a Theme by Benjamin Britten

CHERYL FRANCES-HOAD SCORE IN C

Andante q = 68

Theme: Begone, Dull Care!

Young musicians

Young musicians

Young musicians

Piccolo

Flutes I & II 1. Oboes I & II p 1. Clarinets in Bb I & II p 1. Bassoons I & II p 1. Horn in F I & II

3

p Horn in F III & IV Trumpets in Bb I & II Trombones I & II

Bass Trombone

Tuba

Timpani p Xylophone Triangle Castanets

p

Tambourine Woodblock

p

Whip Cymbals Tam-tam Snare Drum Bass Drum Db C§ Bb / Eb F§ Gb Ab

Harp

p (It it presumed that harp chords (of three notes or more) will be lightly arpeggiated unless otherwise specified (an arpeggiation line denotes a slower spread, and a bracket no arpeggiation at all).

Violin I

Violin II

Viola

Violoncello p Double Bass p (Only play upper bracketed notes if the lower notes are not possible)

© 2018 Cadenza Music Limited


2

 Picc. 

6

Fl. I & II

 

 

 

   

mp

mp

Ob. I & II

Hn. I & II

       

Cl. I & II

Bsn. I & II

      

       



 3

 

1.

      a2





a2

          (p)

a2

        

mp

          p

 

mp

       

 

Trb. I & II

B. Trb.

Trgl.

p

   

Tamb.



 W. Bl.   

   

Vln. I

      

 

   

p

 

Hp.



F§ - b

       



Gb - §

  

 

  

 

   

 

      

   

  



Timp.

Vln. II

DB.



      

   



         

      

 

 

     

  

     

(tutti)

mp

Vc.

   

            

mp

Vla.

Db - §

     

mp

Bb - §/ G§ - b

    



mp



mp

          

  

 





mp

 

       

 











 

           

   

mp

mp

mp

 

       

 

cresc.

(tutti)



mp

  

cresc.



   

cresc.

  

       

      

       



  

cresc.

cresc.

Tba.

cresc.

Tpt. I & II

    

mp

mp

  

Hn. III & IV

mp

mp

cresc.

cresc.


 Picc.  



12

 

mf

  

Cl. I & II

Hn. I & II



  

Ob. I & II

Bsn. I & II

mf

 

Fl. I & II

 

 

mf

 

          

Hn. III & IV

  

      



     

        

mf

 







       

      

   

                                              

         

 

  

  

     ff    

 

 

ff

f

 

B. Trb.



  

mf

Tba.

Timp.

Xyl.

 

 

Cymb.

Hp.

  Vln. I  

   (mf)

  

Vln. II

 

Vla.

 

Vc.

DB.



           

         



 





 





 

1.

   

 

 

   

 

        

      

 

    

       

 

     

  

   

(ff)

(ff)

 

        f 

 

  

 



 

 

       

 

 

 

 

f

 

f

p

 

 

 

    

 

 

    

 

    

ff

ff

            

ff

 

 

ff

ff Fb - §

 

 

   

 

 

 

 

 

   ff

              



(tutti)

 

  

     

 

ff

           

ff

f



 



    

Trgl.

T.-t.

mp

ff

 

ff

  

      ff   

f

 

ff

       

 

A 

mf

   

   

  

 

ff

  

   

ff

   

               (4th horn only)   

Trb. I & II

     

 



       

  

    

 

Tpt. I & II

  

 

3



   ff

 ff



 



  

  

(tutti) pizz.

mf pizz.

ff

 

mf pizz.

 



   



   

  



mf pizz.

 

 

 



mf

ff

    

 

A

pizz.

mf

         

 

 

 

 

   


4

  Picc.   16

Fl. I & II

Ob. I & II

Cl. I & II

Bsn. I & II

 

 

 

         

1.

mp

(p)

             

 

      

 

mp

 



 

 



     

(1.)

 

(1.)

       

 

mp

 

mp

  

     1.

 

mp

 

       

 

           

mp

 



a tempo

 

1.

poco rit.

 

  

 

  

 

 



a2

        

mp

mf

  

 

 

 

 

Hn. III & IV

 

 

 

 

 

Tpt. I & II

 

 

 

 

 

          

 

 

Hn. I & II

    1.

Trb. I & II

mp

B. Trb.

 

 

 

 

 

Tba.

  

 

 

 

 

Timp.

   

 

  

 

Hp.

Eb - §

 

 

  Vln. I  

 

Vln. II

 

 

 

 

 

 

 

 

 

 

 

 

 

 

    

arco



  

  

solo arco

   

     

 

   

arco

Vc.

    

arco

DB.

mp

        mp  

arco

      

mp

    

 

 

   

    

p

      

 

 

 

 

p

 

  

 

poco rit.

a tempo

   

  





 



p

tutti (arco)

    



    



 

   

      

      

 

      

mp

   

      

    

mf

mp

    mp

mp

 

mp

mp

F§ - # Gb - # Ab - #

 

 

mf

          

mp Vla.

                   mf

mf

  Xyl.  

W. Bl.

   

 

pizz.

      mf

          mf

   

attacca


5

Variation I

Scherzando q = 112

  Picc.  

Fl. I & II

 

Ob. I & II

 

23

sfz

  

    

  

  

ff sfz

ff sfz

ff

sfz

Cl. I & II

Bsn. I & II

Hn. I & II

 

  

                       



      

mp

  

ff

sfz

    

ff

Hn. III & IV

 

Tpt. I & II

 

Trb. I & II

Tba.

Timp.

Xyl.

 

 



  

   

      

 



   

  

  

  

  

   pizz.    Vln. I         

  

       

  

  

  

  

   

        

   

mf

Scherzando q = 112

mf pizz.

        mf

pizz.

Vla.

    mf

    

  

(pizz.)

Vc.

 

  

mf pizz.

  DB.  

   mf

  

  

    

 

    

 

 

  

mp

  

  

     

  

C§ - #

   

  

  

        



mp

(D§ C§ B§ / E§ F# G# A#)

Sons étouffés

 



 

  

Vln. II



   

mp

ff

 

  

Tamb.

Hp.

sfz                 sfz

  

  

ff sfz

ff sfz

   ff sfz

 

   W. Bl.    Whip   

  

Cast.

   

Trgl.

     ff sfz     ff

mp

B. Trb.

sfz

    

    ff

(c to be the peak of the gliss., note does not need to be clearly brought out etc.)

 

mp

gliss.

  gliss. 

f

       

mp

 

(Sons étouffés)

   

sfz ff

sfz    

   

ff

 

arco

 

sfz

     sfz

   

 

ff

arco

arco

 

sfz

   

   

ff sfz

ff

 

           

     

arco

sfz

  

ff

arco

sfz

   ff

mp


6

  28          Picc.  

         

                 

                                   mf

               mf

Fl. I & II

mf

           

Ob. I & II

mf

Cl. I & II

Bsn. I & II

Hn. I & II

               

          

          mf                    mf                                                                 mf   mp                                                              mp

B

 

                                       mp (non staccato)

 

mf

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

                

Trb. I & II



gliss.              gliss.      1.

mp



 

 

B. Trb.

Trgl.

S. D.



             mp

  

 



gliss.

mf

Hp.

  

1.

mf (non staccato)

B. D.

 

mf

1.

Xyl.

 

Tpt. I & II

Timp.

 

 

Hn. III & IV

Tba.

  

  



 

mp

 

         

C# - § D§ - # /F# - § A# - §

f

 

     3

f

 f

 

3

   

 

mf

 

    

 

 

 

(dampen ring)

mf

  

 

 

 

 

 

 

 

 

 

 Vln. I 

Vln. II

 

 

 

Vla.

 

 



 

 

 

 

 

 

Vc.

DB.

B


35       Picc.   (mf)     Fl.    

I & II

Ob. I & II

Cl. I & II

Bsn. I & II

Hn. I & II

  

      

 

                            (mf) mp                                       (mf) mp                                     (mf) mp

  

 

 





Tpt. I & II

 

1.         mf

Trb. I & II

 

  mf

                   

mp Hn. III & IV

   mf

 

    

mf

mp

  

 

   

    

           

mp

            

mp

 

 

              

mp

       mf f               

            

 

 

Timp.

Xyl.

  

 

 

 

 

    

 

 

f

f

    

mf

      mf

     

     mp   

  mp  

mf

    

         

       

         

       

    mp

mp

f

mp

f

mp

 

  

 

 

        

   

 

  p

    

 



                   

 

 

      Vln. I       

                pizz.

                     

(Sons étouffés)

               

     

 pizz.                            

                     

        

pizz.

(mf)

mp

(mf) pizz.

mp

(mf)

  

 DB.  

mf

mp

  

mf

      mp

       

f

 

 

                mf             mf                 mf                mf

       

pizz.

mf

p

f

            mf f           mf f          mf f          

mp

   

D# -§ B§ - b/G# - §

    

     

     

mp

 

Vc.

 

 

 

Vla.

   Tamb.    S. D.    B. D.   

Vln. II

     

   

Cast.

Hp.

  

 

              

f

mp

Tba.

f

mp

B. Trb.

                   f               

          f         f              f             

             mf                     mf                    mf                     mf 

7

f



 

        

        

                 

(tutti)

           


8

C

  Y.M.  41

   Picc.   

 

 

 

  

 

mp (non staccato)

  

   

Fl. I & II

mp (non staccato)

 

 

  

  

 

  

 

 

  

 

 

  

   

 





 

          3  



 

3



 

3

Cl. I & II

 

Bsn. I & II

  

Tamb.

   

 

 Y.M. 

Picc.

 

 

 

 

     

45

Fl. I & II

Bsn. I & II

Trgl.

 

 

p

  

Cl. I & II

(flutes* see NB p.1)







        

 

 



 



mp

 

   

p

 

p

attacca

Variation II Hopeful Harmonies

Moderato

      50

q = 100

Y.M

Fl. I & II

     



 

  



 

  



 

  



 

  



 

  



 

  



 

  



 

 



 

 



 

  



 

  



 

 



 

 



 

  



 

  



 

 

  Vln. I   

  

Vln. II

Vla.

arco

arco

 



 





 

  

arco



  

 p

 

 p

  

arco

  DB.  

arco

Vc.



p

p

 





p cantabile

  



  

mp

 



 

mp


9

 Y.M.     58

Fl. I & II

   

  Vln. I  

 

  



 

 





 

  



 

  



 



 

   



 

  





 

   



 

   



 

     

  

Vln. II

  

   

Vc.

   

  

 

Vla.

DB.



    

     

  

  

 

  

 





               



 

  

 

    mp 

mp

 

 

  



 

 



 

   



 

  



  

mf

 

      



    

mf

   

  

    

  

 

mp

 

mf









mf

mf

    66

Y.M.

Y.M.

Picc.

Fl. I & II

 





 





D

 

 



 



 



 



 





 

 

  

 

(add oboes and clarinets)

p (flutes)



 



  

(oboes)

  

  

  



  





 

 





 

 



 

1.

  

 

  

p cantabile

Bsn. I & II

  





Vln. II

Vla.

Vc.



 

p

p

    

mp

  mp

          

mp

    

  

mp

DB.





 Vln. I  

 

p cantabile

(D§ C§ Bb / E§ F§ G§ A§)



1.



Hp.



Cl. I & II

T.-t.

Trgl.

 

p cantabile



Ob. I & II

 

  

 

    

 

   

(mf)

  

(mf)

 

 

D

 

   p



   

              

                      





p

 

 

 

  

 

  

    

 

(mf)

(mf)

p

p

 

 

(mf)

 

 

(p)

  

p

 

     


10

  Y.M.    72

 Y.M.  

Picc.

Fl. I & II

Ob. I & II

Cl. I & II

Bsn. I & II

Trgl.

T.-t.

Vln. I

Vln. II

Vla.

Vc.

DB.

 

  

    

 



(clarinets)

 



  

 

 



 



  





 

 

(flutes)

 

  

 

  

  

 

  

 

a2

    

1.

  

 

  

  





  



 

 

    

  

 

    

  

 

    

a2

 

    

(oboes)

p cantabile

E§ - b



 

 





 

 



 





  

 



 



 





 

     p

       

          

        

          

         

        

         

          

 



 

p





p

 

 

p

  

Hp.



   

 

 

 

 





 

 

          

  

      

 

     

 

 

 

    

 

 



    

(tutti)




11

    78

Y.M.

 



 





E

 

  

(add strings)

mp



 



 



 

 







 

 



 



 

(piano/keyboard/xylophone) (clarinets)

Y.M.

  

  

Ob. I & II

Cl. I & II

Bsn. I & II

Hn. I & II

Hn. III & IV

Xyl.

Trgl.

Tamb.

 

  

 

  

a2

  

 

DB.

   

         

         

3

3

    3

3

   

 

3

3

3

3

3

 

  

3

   

  

3

3

  

 

  

mp

 

  

mp











mf

cantabile

 

 

  



 

  



mp



 

 





 



 

  





 

  





 

 

3



 



    

  

3

 

3

mp

E  

       

  

mp

      

         

      

 



 

3

mf

cantabile



3   

1.

       

  

 

  

  

3

   

  

  

   

  

3

 

  

   









 

 



3   

mp







  

















 



 







  



 

mp

Vc.

3

mp

 Vln. I           

Vla.

 

  



Vln. II

3

mp

  

Hp.

  

mp

 Picc.  

Fl. I & II

 





mp



mp



  


12

 Y.M.     84

Y.M.

 



         3

3

  

 

   

3

         3

 



 

F

 



mf

          3

3

   

  

 

3

  

 

  

 

più f

  

 

    

 

   

  

 

mf

 

   

  

 



mf (tambourine)



Ob. I & II

Cl. I & II

  



 

3

         

3



3

     

Hn. I & II

Hn. III & IV

Xyl.

  



  

 



  

 

Cymb.

 

  

mp



                

3

3

3

3

        3



  





 





   





DB.

 





    

       

        

            mf

      

    

 

  

            mf



 

 

 

 

 

 

 

 

  

più f

mp

mf

          





3

3

mf

mf

mf

3

3

3

 





  

          3

 





3

F

 

 

   



 





    

      



 

  





                mf



 

    

              più f

  

  



 

 

          

 



 

  



 

più f

 







 

  



 

mf

mf



 

più f

mf

più f

mf

  

 

più f

mf

  

mf



più f

3

   



mf





 

mf

 

mf

   



mf



3

      

 

3

    



 

mp



 

più f

3          

  

3

3

mp

  

Vc.

 



 



3

  Vln. I     

Vla.



        

       

Vln. II

  

 

a2

 

    

    

 

più f

mp



Hp.

 

Tamb.

mf

 

 

più f

                     

mf

   

Trgl.

 

più f

mf Bsn. I & II

 

 

  

a2

 

 

3



mf

     





3

mf

      

 

(medium pitch drum (no snares)

mf

 Picc.  

Fl. I & II

        

mf

         mf

 mf

 mf


13

92    Y.M.   

 

  

  

 

 

  

  

 

 

   



 

 





 

 





 

 

   

  

   

  

Y.M.

Picc.

Fl. I & II

Ob. I & II

Cl. I & II

Bsn. I & II

Hn. I & II

Hn. III & IV

Xyl.

   





        

   

3

3

3

(p)

     

    

            

   

  

  

mp

      



     

       1.





 



(p)

(p)



mp

  



  



 

 





 

  



 

mp



 

 

 

  

     

           



    3

  

 

 



   3

    





 

       

(mp)

 



  

        (mp)

Vc.

DB.

 

 

   

 

  

mp

  



 

 

3

3

 

 

 



 

mp





 



  

 



 



mf

           

    

 

(p)

    

   

1.

 

 Vln. I  

Vla.

3

mp

 



     

  

  

Vln. II

   



Hp.

         

Trgl.

Cymb.



  



mp

 (mp)

 


G

14

    98

Y.M.

 

(woodwind and strings)



 



 



mf grandioso brass (ideally there will have been no brass until this point)

Y.M.

Y.M.

Fl. I & II

Ob. I & II

    

 

mf grandioso

1.

 W. Bl. S. D.





 

3

       







 

 

 





  

 



3



 



 

  

  

 

  



 



 



 

 

        

mf



 

 3

 

       

   

 



        

 

 

Percussion/Rhythm section solo (rhythm printed only a guide, can be improvised) 3



 

   



 

 



 





 

mf grandioso

  

  

 



 



mf grandioso

Cl. I & II

 

    

  

 

 

     

 

104

Y.M.

  

Percussion solo

Y.M.

Fl. I & II

Ob. I & II

Cl. I & II

3 3                    

    

 

  





 

 

  

   

 W. Bl. S. D.

 

 



  

Percussion solo



    

 

  



 



 

 

  

      

   

3

  

 

 

      

 





mf

 

3                  



 

3

      

 

   

  

   

                        3

     

   

     111

Y.M.

Y.M.

Fl. I & II

Ob. I & II

Cl. I & II

        

  

  

 S. D.  



 

  

 

 



 



 

  

 

  

    

 

 





 

  





 

      

  

  

   



 



 

 

  





 



  



  

   

  



  



 

 





 

 

 

 





 

  

3             

Percussion solo





 



  

3             

mp


15

H

    118

Y.M.

f

Y.M.



   

Y.M.



 Picc.  

 

  

 

  

 

 

(woodwind, strings, keyboard and tuned percussion)

f

f



  





  



  

 

  

  



  

  



  



 



  

 

  

 

  



  



 



 





 

 



 

  

   

        

3

f grandioso 3

        

3



Fl. I & II



Ob. I & II



Cl. I & II

a2

a2

a2

a2

  

f grandioso 3

        

3

f grandioso 3

        

3

f grandioso 3

          3

Bsn. I & II

Hn. I & II



   



  



  

 

 

  



    



 



 



 

 

 

 

 

 

 

 

 

 



 

 

 

 

 



 

 





 



 













 

   



 

  



 

  



 

       

f grandioso

Timp.

   f

Xyl.

f grandioso

Cymb.

S. D.



   

f f



Hp.



H   Vln. I  Vln. II

Vla.

 



     

   



  

f grandioso

       

       

f grandioso





       

f grandioso

       

f grandioso

Vc.

DB.

f grandioso 3



f grandioso

Tba.

f grandioso

B. Trb.

 

f grandioso

Trb. I & II

 

f grandioso

Tpt. I & II



 

f grandioso

Hn. III & IV



  

       



  

   

       

Bb - §

        





           



         

 

         

   

B§ - b



          

 



 

    





 

f grandioso

 


16

    125



Y.M.

 

 

   

 



 

            Picc.  3

Fl. I & II

Ob. I & II

 

    3

  3

Hn. III & IV

Tpt. I & II

Trb. I & II

B. Trb.

Tba.

Timp.

Xyl.

     

       

    

   

   

  

   

Vln. II

Vla.



         

(a 2)

         

(a 2)

        

DB.

  

  

  



 

       



 

 

 

 

 

 

 

 

 

 

 

 

 

 







 

  

   

  

(divisi.)

(divisi.)

         (f)          

(divisi.)

 

  

 

          

 

 

                  

 

 

  

 

                  

  

 

 

  

 

 

 

  



                                 I  

 

 

 

 

 

 

 











(f) grandioso

 

 

(f)

 



 

 



  (f)

 

   

 

(f)



                  

 



                   

 

 

                     

 

                    

 

  

 



  

 

(f) Vc.

 

I 

 

 

 





(a 2)



        

 Vln. I  

(a 2)

(f)

        



 

(f)

Cymb.



(f)

Hp.

(f)



 

(f)

Tamb.

B. D.



  

(f)

   

 

3

    

S. D.

 

3

3

   

 

 

 

(a 2)



Hn. I & II



  

 

3

3                 3 Bsn.           I & II  3

Cl. I & II

   

 



Y.M.



  



Y.M.

 


17

    131

Y.M.

Y.M.

Y.M.

 



     

 



 





   

 

  

  

     

(flutes only)

mp

 



 

 

3                         Picc.  

3                





 3            



 3            

ff

Fl. I & II

Ob. I & II

Cl. I & II

Bsn. I & II

Hn. I & II

  



   

         

ff

Tpt. I & II

Trb. I & II

B. Trb.

Tba.

   

T.-t.

Hp.

Vln. II

Vla.

  

  

 

        mp

      

      

     

  

  

 

 

 

 

 

 

 

 

 

 

 

 

 

 



 

ff

ff

    

 



ff

ff

       

     

  

  

 

 

 

 

 

mp

Bb - § / Eb - § F§ - #

3

         3           

 

 

 

 

 

 

 

 

 

 

 

 

 

 

ff

ff

ff DB.

 

ff

p

  

 

 

 

ff Vc.

                             

  

 

 

   

ff

   Vln. I 





 

 

ff

   

 

 

  



ff

 

 

ff

  



ff

  

più f

 

ff

   

    

p

  

Cymb.

     

ff

   Timp.  Xyl.

     

ff

ff Hn. III & IV

     

ff

 

 

attacca


18

Variation III Larghetto teneramente q = 52

  1. 

Cl. I & II

Tpt. I & II

Vln. I

        

  

  

139

Ob. I & II

p cantabile

 

     

con sord. divisi

p

con sord. divisi

   

Vln. II

p

      

  

 

 

  p cantabile

 

    

 

 

   

 

 

 

 

 

  





 

   

 

 

 

 

 

   



 

 

 

   

 

 

 

 

 

  





 

   DB.  

  



 

p

 



con sord.

1.

  

 

p

   

Vc.

 

   

con sord. divisi



p

 

 

   

Vla.

    

  

 

   

con sord. divisi

  

  

 Andante moderato q = 92

J

  148

Y.M

Bsn. I & II

Hn. I & II

 

 

Trb. I & II

Trgl.

 

 

 

 

 

 

 

 

 

1.     

     

 

 

 

 

 

 

 

 

 

 

(D§ C§ B§ / E§ F# G§ A§)

J

(divisi.)

(divisi.)

  

Vln. II

 

Vla.

(divisi.)

  

Vc.

 

mp

 

                       

mp cantabile

        

    

 Vln. I   

DB.

 

  

Hp.

   

Tpt. I & II

any instruments (although perhaps only half the ensemble at this point)

 

     

 

 

 

 

 

 

 

  

  mp

    mp

   

mp

      mp

1.

 

mp

           

mp cantabile

       

       

 

                     

 

p

 F# - §

  

       

non divisi

      

A§ - b

mp

mp

non divisi

  

     mp 1.       

  

Andante moderato

  

q = 92

p

 

 

 

 

 

 

 

 

 

 

 

 

 

 

p

non divisi

p

non divisi

p non divisi

 

p

   


19

Variation IV Excited Ostinati

    Y.M.     158

Fl. I & II

  

  

 

 

   

 

 

   

        

1.

 

 

           

       

mf

 

Cl. I & II

Bsn. I & II

  

  

 

 2.

   

  

   

 

    

  

Vln. II

Vla.

    

Vc.

DB.

 

     Vln. I  

1.

  

mp

 

 

1.

  

   

 

 

2.

simile

  

    

 

 

senza sord.

senza sord.

senza sord.

senza sord.

senza sord.

         Y.M.          f.t  (normale)                             Fl.        I & II  162

f

 

Cl. I & II

Bsn. I & II

6

 

(più f)

2.

3

mf

   

 

f

 

 

simile

 

 

 

           

mf

mp

f

 

1.

   

    

f

 

 



 

 

2.

       165

Y.M

 

 Fl. I & II  

   mf

Bsn. I & II

Hn. I & II

Vln. I

 

    

 

           

(mp)



Cl. I & II

f

7

  mf





     

1.

   

mp

 

 

    mf

1.

  

      

 

(violins)

(più f)

(mp)

 

 

               5

 

 

 

3

     7

  3

     mp 

f

     



 

 

 2.

 

 

3

3

    

mp


20

          168

Y.M.

 Y.M.  

             

 

                    

3

 

3

  

    

3

 

mp

Bsn. I & II

 

Hn. I & II



 



 

 

      



 

    



1.

    

 

mf

Cl. I & II

mf

mp

Ob. I & II

 

(violins)

        

3

Fl. I & II

K (perhpas alternate here with other half of ensemble playing?)

1.

  

mf

1.

    

 

 

 

2.

   

 

1.

 

mf

 

   mf

Hn. III & IV

Tpt. I & II

 3  3       

Trb. I & II

. gglilissss.              

   mf

3

3

mf

mf

B. Trb.

Tba.

3

          mf

  

  

 

Vln. II

3

 

 

3

    

3

   

mp

 

Vla.

    3

3

 

mp

Vc.

 

3

     

 

 

 

mf



mf

mp

  

mf

   3

mp

mf

         

mf

mp

DB.

K 

3

 

      

mf

mp

Vln. I

gliss.

mf

      

mp

   mf

       mf

 

     

  simile


21

  Y.M.    173

Cl. I & II

Bsn. I & II

Hn. I & II

   

a2

a2

 

  

 

   

   

 

1.

 

gliss.

      

 

 

  



  

  

mf

 

Vla.

DB.    



f

Vc.



                                 

Vln. II

 





3

3

 

B. Trb.

 

mf

              3 3   gliss.  gliss.     

Trb. I & II

Vln. I

 

   

Tpt. I & II

Hp.

  

Hn. III & IV

Tba.

  

  

pizz.





 Y.M.   175

Bsn. I & II

Xyl.

Hp.

DB.

  

 

 

  

9

  

         





9

                  9

2.





                    9



9






22

   Y.M.   176

   

 







 







(violins only)

  

    mp

 

 

Fl. I & II

 

Ob. I & II

 

Cl. I & II

 

Picc.

Bsn. I & II

Tba.



 

  

1.

   

      

 

2.

 



 

mf

  Timp.    Xyl. 



mp

  

mp

3

  

mp



mp

          

 

5

mf

 

 

W. Bl.

Hp.

 

Cast.

mp

 

Trgl.

Whip

  

B§ - b / Ab - §

  





 

 





  

 

1.

 

5

        

mf

  

mf

 5

mf

  

6



 

(only play if trem not possible on castanets)

 



 

  

2.

   

  

 

mp

 

ff

mf





6

 5



            

f

       20

     f

 

mf

 

mf

  

  

 

  

f

 

p

 

  

 

 

f

mf

   f    

 

 

ff

 

 

 

Vln. II

 

Vla.

 

 

 

Vln. I

Vc.

DB.



 


23 180 L     Y.M.   

Y.M.

Y.M.

Picc.

Fl. I & II

   

 

 

Hn. I & II

Xyl.

  

  

 

  

  

 

 

a2



2.

    

      



1.

   

  

    

 

p

   

 

3

 3

   

          

     

      

          

     

p

a2

     

 

3

 

p

2.

    

      



a2

    

 

      

3

    

 

2.

     

          



2.

     

 

a2

  

p

 

3

3

    

   

3

3.

    

 

3

    

p

      

    

 

mp

 

mp

 

mp

 

 

  

E§ - b

 

 

 

 



 

Eb - § A§ - b

  

 

         

  

    

 

 

D§ - b

   

       

     

 Db - §

mp

 

 

L

  pizz. Vln. I    pizz.

  

   

  

pizz.

    

pizz.

 

 





 









 





   







 

  

 



   





 

 

 



 



   









 

 

 

 

 

      

mp



















(pizz.)

mp



arco

 

    

 

p

  

arco

p

mp

 DB.  

 

mp

mp

Vc.

 

      

 

1.

  

Vla.

   

mp

  mp  Cast.     W. Bl.   

Vln. II

(add woodwinds)

      

   

   

  

wood block/castanets/claves, or small drum with no snares etc.

mp

Trgl.

Hp.

mp

Hn. III & IV

   

 

p

mp

Bsn. I & II

mp

Cl. I & II

   

 

(clarinets)

1.

Ob. I & II

   


24

     187

Y.M.

 

 

     

3

     

3

3

Y.M.

   

 

   

 

   

 

   

 

   

(add (limited) brass)

 

(violins (upper, melodic line))

3

Y.M.

   

M

3

3

     

3

3

   

 

(simile throughout, written as one continuous line for simplicity of notation)

3

3

       

3

3

3

3

3

    

3

   

low brass (or a simplified version of this: one 'd' the start of each bar etc.)

  

p

Y.M.

Picc.

      

Fl. I & II

Ob. I & II

Bsn. I & II

Hn. I & II

     

    

 

 

   

3

3

    

3

3

   

1.

p

a2

p

   

3



 Vln. I 

3

     3

3

3

    

 

3

3

  

3

    

 

 (p)

3

3

       p

3.

  

 

arco

   

 

simile

   

 

   



 

   



 

 

   

 

 

  3     



M

3



3

 

   

  

arco

 

p

 

Vc.

DB.

 

1.

   

Vla.

3

mp cantabile

   

mp cantabile

 

Vln. II

1.

mp

Hn. III & IV

a2

p

 

Cl. I & II

3



3

 



 

3

 

3

 

 

 


25

   194

Y.M.

 

Y.M.

Picc.

3

   



 

Fl. I & II

Ob. I & II

    3

  

    

  

3

3

      

3

   

3

   

Y.M.

Y.M.

3

(by this point the whole ensemble should be playing)

    3

   

 

  

3







3

    3

  

3

   

  

    3

 

  

 1.

   

3

3

3

 



 

 

  

a2

        5

mp cantabile

 

 3

 

  

         

a2

 

        5

mp cantabile a2

Cl. I & II

3

mp

3

a2

Bsn. I & II

Hn. I & II

  



 3 

mp

 

1.

3

  

  3     

3

 

con sord (straight mute) 1.

mp

Hn. III & IV

3



3

  

3

3

   

Trb. I & II

B. Trb.

Tba.

 

Vc.

DB.

3

  

3

3

   

 

Vla.

3

  3

mp

 Vln. I 

Vln. II

3

Tpt. I & II

 

   

  



       

   

3

 

   



 mf

 3

3

  

   

        

 

 

mp

mp

   

mp



 

  

         5

mp

   

 

 

3

3

arco

 

3








26

    200

Y.M.

 

Y.M.

3

 3

mf

3



3

    3

mf

  

Y.M.

 

   



    3

   

 

 3

 

    3

   

 

 

 

3

   

3

3

       

3

    3

   

3

 

  

 3

  3

  

  

(mp) Y.M.

Picc.

    

mf

 

(1.)

6

 

5

  

a2

Bsn. I & II

Hn. I & II

 

 

3



   

  

           



  

      

 

5

5

mf cantabile

5

   

gliss.

 



   2.

mf cantabile

3

 

3

gliss.

3





2.

mp

mf

Hn. III & IV

  

5

1.



5 5

              

Cl. I & II

 



                 6

Ob. I & II

 (1.)

Fl. I & II

 

  

I. (con sord.)

Tpt. I & II

1.

Trb. I & II

 mf

3

 

3

senza sord.

3

   

       

       

mp

mp

B. Trb.

3

(mp)

   mp

Tba.

Xyl.

Hp.

 3

3

 



              Vln. I   6

5

  

3

  3 

   

3

  3 

   

 

  3

  

3

3

 

3

3

 







3

3 3

  

  



3

           

3

 

5

3

         5

mf

     

mf

DB.

 

mf



 

Vc.

mf

Vla.

mf

 

Vln. II

 

mf



   

 



 

     mf



 

  

3

   



3

 

3

3

3



3



3

   

   

3

 

 

 

 


N

  

(violins)

206

Y.M.

 

Y.M.

Y.M.

Picc.

3

  3



    

3

   

3

    a2

Fl. I & II

Ob. I & II

  

3

  

3

3

 

 3



 

            

 

3

3

 

  

  

 

      

3

 

 

3

 

 

 

3

3

Tpt. I & II

Trb. I & II

    





3



    3





3

    f a2

 

f

 

3 3

   3

 

 

 

3

  3

3 3

 3



 

  



       

 

3

 

 

 

f

    

 

3

 

  



  

3

3

 

3

3

 

  3

  

3.



   

 



 

f

3

3

3

f

  

 

 

f

f

3

  

f

 

3

mf

 3

   

  

B. Trb.

f

Hn. III & IV

5

3

Hn. I & II



    



5

3

 

              f

  

Cl. I & II



   

3

a2

Bsn. I & II

   

Y.M.

27



 

  mf

a2

  

 

 

mf

 

   mf

Tba.

Timp.

Xyl.

B. D.

 

Vla.

Vc.

DB.



 f

 



  3   

3

3



  3

 

  

 

Vln. II

 

mf

mf Près de la table



3

  

  3



 

 3

 



  3

 

 

  3

 

 





3

 

 

 



 3    

 

 

    

3

f

 

 Vln. I 

 

 



mf

mp

3

3

     

 

Hp.



3

 

  

3

N

 

      

 3

5





5

3

f

 

 

      

 



  

  

  

f

   

 3

 

3

 

 

3

3





    

 3

  

 

f



f

3

3

f 3

3

  

  


OPTIONAL IMPROVISATION by Young musicians can begin at this point. The improvisation should begin over the orchestral held notes (b. 215). N.B. if improvisation takes place, the ff in the orchestra should diminuendo to mp over the course of about a minim.

28

     Y.M.      211

3

 

Y.M.

3

             

 

   

Y.M.

 Y.M.    

 Picc. 

               

 3

 

3

   



3

 

  

 

Ob. I & II

  

Bsn. I & II

3

 Hn.  I & II  

  

   

 

 

       

 

  

mf mf

Tpt. I & II



  

   

  

 3

    

 

 

 

  

 

            

 

   

 

f

 



  

f

   

    

        

 

 3

3 3

 

3 3

 

 

ff

 

ff

 

   

3

ff

     

ff

   

 

   

   

 

 

 

ff

  

 

ff

 

 

ff

 

ff

  

 

   

 

   

ff

   

ff

   

 

    

 

 

ff Tba.





 Timp.  

    Xyl. 

T.-t. B. D.

Hp.

 

  



 Vln. I  

 

 

 

Vln. II

   

Vla.

 

Vc.

 

 3

f

   

       

   

mp

  

 

 

3

 

 

  

        

 

        

3    

 

 



      

 

  

5

      

  

5

 

 

   

 

      

   

 

3

 

   

  

3

 

  

 

3

 

 

 

3

 

 

6

ff

ff

ff

 

3

 

 

3

 

3

   5                    

      

 



6

   

3

ff

normale   

    

   

ff

 

ff

 

ff

divisi  

ff



 

 

 

 

  

 

  

 

ff

                       5

 

ff

f

  

DB.

3

    

Cast.



   

ff B. Trb.

 

ff

ff

   

        

3

3



3

3

3 3

   

      

3

3

  

  

 

3

  

   

   

Trb. I & II

    

3

3

3

3

         

 

 3

mf

Hn. III & IV

3

3

 

 

3

3

3

Cl. I & II



 

 

             3

a2 Fl. I & II

  

divisi  

  

 

              attacca


29

Variation V Courageous Rondo

(N.B. if more time is needed (for the praticalities of moving between groups of young performers) simply repeat the opening rhythmic motive in bar 1 until needed. If a long duration of time is needed, begin the rhythm on a drum (without snares) first before bringing in other pitched instruments)

Marcia moderato

  

217 q = 90

Y.M.

(woodwinds and violins (if the octave higher is too high at times, combine notes from both the higher and lower octaves etc.))

                   



mf

          

    

cellos, violins

Y.M.

  Vln. I  

Vla.

mf

giocoso, energico

            mf



giocoso, energico

  

  

          

mf

    

giocoso, energico (Refer to the corresponding instruments in the orchestra for appropriate bowings/tonguings (as articulation is slightly different for winds/brass and strings in some sections of this variation, parts of the young performers' parts are presented without articulation so as not to cause confusion. Young string players should use the same bowings as the strings in the orchestra, etc.))

   

  

  

1.                 

                 

                     

  

  

        

 

 

 

  

  

  

  

        

         

giocoso, energico

   

 

 

  

  

 

  

 

  

2.                   

           

  

    G

          

1.

 

   

  

 

2.

  

   

  

  

Y.M.

Y.M.

224          

  

Vln. I

  

  

pizz.





 

 

 

  

  

pizz.

  

  

 

 

 

  

 

 

  

pizz.

pizz.

 

mp

mp

DB.

  

  

 

  

 

(divisi upper and lower desks if necessary) (arco)

Vc.

 



mp

Vla.

  

  

 

 

  

 

        

        ('cellos and basses only)

  

mf (divisi upper and lower desks if necessary)

mp

Vln. II

 

  

       

   pizz. mp

 

  

        

 

     

  





 

 

  



 



  





 

  

  

 

  

  

 

 

 

 

 

 

 

 

  

 

 

   

 

     

  

arco

mf

  

  

  

ff

 

 



ff

 


30

        

Y.M.

  

Y.M.

Y.M.



Bsn. I & II





mf

giocoso, energico

mf

giocoso, energico a2

a2

a2

a2

Tpt. I & II

Timp.

 

  

                          mf

  

  

          giocoso, energico

           

mf

giocoso, energico

mf

giocoso, energico a2

Vc.

DB.

mf

ff

                  

         

 

  

  

                              

 

  

  



         

  

         

  

         

  

giocoso, energico

  

 

  

  



  

  

  

giocoso, energico

 

  

  

 

  

  

 

  

  



  

  

  

 

  

  

 

  

  

 

  

  



mf

mf



mf

giocoso, energico

          

mf

giocoso, energico



   

       

 



     

 

 

arco

arco

mf



ff



 



mf

mf

arco

mf



  

mf

 

giocoso, energico

    

giocoso, energico

     

 

  

                      giocoso, energico

           giocoso, energico

mf

giocoso, energico

    arco     mf

  

  

  

  

giocoso, energico

        

    

 

  



    

 

  

  

   



 

  

     

  

   

  

  

  

    

  

    

  

   

  

         

  

C§ - #

C# - §

O

mf

        

giocoso, energico

    

mf

         

   

 

  

  

  

 

Vln. I

  

 

  

  

 

       

  

         

 

Vla.

        

  

  

        

  



  

  

Vln. II

        

        

         

giocoso, energico

mf

        



 

         

  

  

(without snares)

       

        

         



  

  

 

  



  

   

 

  

  

  

  

 

Hp.

  

 

  

 

  

  

  

  

 

(D§ C§ B§ / E§ F# G§ A§)

  

 

   

  

B. D.

  

         

giocoso, energico

           

mf

 

  

1.                

  

S. D.

 

                 

  

 Xyl.  Cymb.

          

          



Hn. III & IV

Tba.

  

giocoso, energico

  

mf

a2

B. Trb.

   



  

giocoso, energico

 

Trb. I & II

  

mf

a2

a2

Hn. I & II

   

                  

high/medium drum (no snares)

f

Cl. I & II

ff

                   

(add brass/piano/keyboards)

(add brass/piano/keyboards)

Ob. I & II

mf

ff

       

  

 Picc.  Fl. I & II

  

mf

O

         

229

                                 

  

  

  

  

                                

  

  

  

  

D§ - # C§ - #

1.

                       

  

     

  

  



  

  




31

 2.      Y.M.   

 

236

  

  

  

   

  

  

Y.M.

Y.M.

 Picc.  

Fl. I & II

Ob. I & II

Cl. I & II

Bsn. I & II

Hn. I & II

               

 

        

 

        

 

  

  

Hn. III & IV

        

Tpt. I & II

         

 

  

 

  

  

  

  

   

 

  

  

  

  

        

       

        

       

   

        

 

       

        

 

  

  

 

  

         

       

 

  

         

Trb. I & II

 

 

        

       

 

  

  

  

          

        

 

      

 

       

         

         

 

  

  

 

  

  

  

  

      

         

  

  

 

mf

 

f

  

       

         

 

(a 2)          

 

f

f

  

  

ff

         f

 

           f

 

 

        

f

  

       

 

  

  

 

  

  

 

  

  

 

  

  

 

  

  

ff

  

f Tba.

Timp.

 

   

  

  

  

  

         Xyl.  

Cymb.

S. D. B. D.

  

 

Hp.

Vln. I



   

     

     

 

 

DB.

  

     

     

   

 

D# - § C# - § D§ - #           

     

  

         

  

  

 

   

 

   

      D# - b

 

  

  

   

 

f

   

f

ff

 

 

f

f

ff

  

       

f

 

   

  

  

       

  

  

 

f

     

Db - §

Db - #

D# - b

 

   

 

     

 

       

        

 

       

     

 

       

 

       

        

 

       

 

     

       

 

 

      

 

  

 

 

  

        

Vc.

  

        

  

  

 

 

Vla.

  

  

 

     

 2.        

 

 

  

        

  

  

 

 

Vln. II

  

 

ff

    

    

 

  

         

  

  

 

    

 f

B. Trb.

 

(a 2)

        

 

 

f

        

  

ff

f

 

 

(a 2)           

                  

       

f

                

  

         

  

  

                

       

 

 

  

       

 

        

 

f

 

       

 

     

       

 

  

  

 

     

           

     

  

 

         

     

   

     

       

           

     

     

f

   

   

f

       

 

f

     

     

  

f

ff

 

 

f

ff


32

        

 

242

Y.M.

  

Y.M.

mf

Y.M.

 

 Picc.  

Fl. I & II

 

Hn. III & IV

Tpt. I & II

      

f

ff

 

       

 

Cymb.

f

 

        Vln. I 

Vc.

       

      

f DB.

 

D§ - #

    f

         

ff

 

ff

 

      

  

D# - b      

 

   

     

 

   

 

       

 

     

 

       

 

     

 

     

 

  

       

f

 

f

  

ff

 

ff

                                                        

     

a2

  

a2

  

a2

              a2

  

 

 

f

       

(a 2)

  

                                  



  



 



  

  

f

  

ff

   

f

f

   

 

ff

 

   

 

f

f

 

 

ff

           

f

  

  

           

f

       

 

ff

           

f

  

    

      

        

  

 

    

Vla.

ff

   

           

  

 

Vln. II

f

           

        

    

Hp.

  

  

  

ff

        Xyl. 

B. D.

       

ff

f

 

ff

   

           

  

f

  

ff

 

  

   

ff

       

    

mf

   

f

 

       

ff

     

        

f

 

 

     

       

       

B. Trb.

 

  

f

Timp.

      

 

Trb. I & II

Tba.

  

       

Cl. I & II

Hn. I & II

mf

 

  

ff

       

Ob. I & II

Bsn. I & II

        

  

P

P

f

 

f

  

   

Db - § C# - § B§ - b / E§ - b F# - §

  

  

  

  

      

                                                       

  



 

 

         

    

  

       

G§ - b C§ - #

    

    

                 

      

 

    

 

    

 

    


 

248     Y.M. 

Picc.

  

 

  

 

  

Cl. I & II

       

 

         





  

     

Q

   

mp

    

mf

  



  

  

1.

   

1.

  

 

   



      



      

 



1.

   

mf

           

 

 

  

  



Bb - §

Hp.

    Vln. I 

Vla.

Vc.

   



      

          mf

Vln. II

 

  



 



mp

  

mp

  

 

mf

mf

Cast.

 

mf

 1.

mf

  

mf

 

         

mp

       

 

B. Trb.



mf

      

Trb. I & II

             

mp

 

        

Tpt. I & II

Xyl.

             

Hn. III & IV

Tba.

  

  

  

  

(violins/oboes/flutes (if played)

mp

 

Ob. I & II

Hn. I & II

    

Fl. I & II

Bsn. I & II

33

  

 

pizz.

     

pizz.

  

           

         DB.   

pizz.

  

(f)

                        

mp pizz.

(f)

                  

mp pizz.

(f)

                        

mp

  

                        

mp

 

(f)

                        

mp

(f)

Q                         

mp

(f)

                        

mp

(f)

                         

mf

          

mf

                        

mf

                        

          

mp

mp

            

mp

(f)

(f)

     (f)

          

mf

          

mf


34

   

254

Y.M.

Y.M.

Picc.

 

 



  

 

 

  

  

  



  

 

 

p

 

 

Cl. I & II

p

1.

 Hn. I & II 



1.

 

   

Tpt. I & II

 

  

 

 



 

  

 

  

 

  



B. Trb.

                                                

Trgl.





 

Cast.

S. D.



  

mf

f

  

  

        



f

Gb - §                                                                 

Hp.

f

                                               

 Vln. I    

Vln. II

 

Vla.

 

Vc.

DB.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

         

Xyl.

 

  

 

Trb. I & II

Tba.

 

 

 1.



   

 

pp Hn. III & IV

p

p

 

 

(SOLOISTS from 'cellos)

Ob. I & II

 

 

Fl. I & II

Bsn. I & II

       

(SOLOISTS from woodwinds, strings)

 

 

 

 

p

p

(without snares)

           

ppp

B§ - b C# - §

 

Sons étouffés



p





 

 

f

 

 

p

       

 

            

     

f

     

f

     

p

    

  

(p) leggiero

p

(pizz.)

 

      

arco

(p) leggiero

 

(pizz.)                

 

      

p

f

p

f





   arco





 







           

arco

(p) leggiero


258      Y.M.     

Y.M.

  

 

    

 

 

 

Fl. I & II

Ob. I & II

Cl. I & II

   

Picc.

Bsn. I & II



 

 

 

 

         

  

 

 

 

 

      

  

 

 

    

 

 

 

  

  

 



 

  

 

 

 

   







   

 

 

 

 

p

  

  

  

  

3.

  

 

  

4.

 

pp

 

pp

                             



  

 

Eb - §





 

   



 

 

 

 

 

 

 





  

 



p

   

                                 





  

 

  

 

 

1.



Trgl.

Hp.

    

1.

pp

S. D.

  2.

Xyl.

 

 

p

   Hn. I & II    Hn. III & IV

     

  

35

 

 

 

E§ - b





Eb - §

 

 





 

G§ - #

 









 

F§ - #

 

 





 

 

                                Vln. I 

                                   

                                          

                                               

Vln. II

Vla.

Vc.

                                                                                

DB.

         

                                                     

                                                                


36

       

 

 

  

 

262

Y.M.

Y.M.

  

     

  

   

 

 

 

 

 

 

 

     

  

 

 

Ob. I & II

Cl. I & II

   

Picc.

Fl. I & II

Hn. I & II

2.      

S. D.

  

 

 

 

  

 

 

  

 



  



  

 

 

  



3.

Bb - §





 

 

normale

                 D§ - #

normale

  

  

 

Hp.



 

Trgl.

 

 





  

 

(different soloists?)

 

 

 

 



1.

 

   

 

 



 

 

   



 

F# - §

 



 

 

 

  

  

4.

         









               

 



                

                   

                     



  



         









 

 

(1.)

  

      



                  Vln. I 

Vln. II

 

p

Bsn. I & II

Hn. III & IV

 





 

 

loco                

                        

Vla.

                                         

        

Vc.

                                       

        

            

                                  

      

        

DB.


R

Y.M.

265       

  

(different soloists?)

Y.M.

Y.M.

Fl. I & II

Ob. I & II

Hn. I & II

normale normale

 

   

    

  

 

 

 

 

  

     

 

  

 

  

  

 

  

 

    

 

    

  

   



 

f

 

 

  

 

 

  

 

a2

f

 

         



 

         

a2

a2

f

f

 



f

ff

  

ff

 

 

B. D.



G# - §

arco

 

  (p)

arco

 

(p)

(p)

   

 



 

 

(p)

 

 

  

f

ff

  

         

f

f



f

 



       

 



       

D# - b Db - §

           

                     



ff

f



 

   

  

(p)

(normale)

  

    

S. D.

DB.

ff

f

  

Vc.

ff

f a2

f

Vla.

    

 

Vln. II

ff

f

Vln. I

    

 

mp

         

 



 

a2

 Xyl. 

Hp.

         



f

 

 

f



 

large drum (no snares)



ff

    f        

(cymbals, tambourine, triangle etc.)

Cymb.

                  (tutti - all wind, brass, piano, tuned percussion)          

f

 

 

B. Trb.

Trb. I & II

Timp.

    

Tpt. I & II

Tba.

    

 

Hn. III & IV

 

  

  

f

Cl. I & II

  



 Picc. 

Bsn. I & II

 

 

37

(tutti - all wind, brass, piano, tuned percussion)

 

 

 

 

  

     

pizz.

f

 

 

 

 

f

pizz.

 arco

arco

 

 

(mf)

 

f

 

         

         

f

f

 

         

f

 

f

  ff


38

  

270              Y.M. 

   

Y.M.

f

Y.M.

  

  

 

ff



        Picc.  

Fl. I & II

      

       

    

Hn. III & IV

Tpt. I & II

ff

f

ff

 

f

ff

f

 

    

        Vln. I 

Vc.

DB.

 

 

D§ - #

 

 

f

 

  

 

  

 

           

           

    

    

   

 

         

   

    

   

f

 

    

   

f

    

   

f

 

    

       

(with snares)

f

ff

       

           

     

f

     

 

 

f

ff

f

  

f

 

   

 

     

 

   

 

 

     

       

       

 

       

     

 

       

   

     

 

       

 

     

      

            f

         

ff

f

 

ff

 

f

   

    

     

D# - b

 

   

ff

 

     

     

f

ff

  

 

    

    

 





(f)

     

    

ff

 

     

 

ff

 

 



  

       

  

Vla.

       

  

 

(woodwind, high brass, strings)

f

  

ff

    

Vln. II

 

f

  

  

        

Hp.

       

f

ff

   

 

f

ff

f

B. D.

       

f

        Xyl. 

 

ff

 Timp.   

S. D.

 

 

           

ff

        

  

                

        

f

Cymb.

f

        

ff

  

                 

f

f (a 2)

B. Trb.

      

                

 

Trb. I & II

Tba.

 

       

Cl. I & II

Hn. I & II

       

Ob. I & II

Bsn. I & II

  

              

  

  

 

  

     



         

       

      

  

     



 

  

         

   

  

        

 

 

 

       




39

  Y.M. 

 

  Picc. 



275

 

  

      

Fl. I & II



  

Ob. I & II

  

   

        

   

f

   

Cl. I & II

f

Bsn. I & II

      f

Hn. I & II

 

Hn. III & IV

Tpt. I & II

Trb. I & II

 

 

      

    

 

 

    

 

    

 

 



 

            







       

                 

   

          

  

a2

 





 

 

 

 





a2

mp

a2     

a2

a2

a2

a2

f

 

 

 

 

 

  

   

 

  

  

  

 

 

 

  

  

mp



   

mp

 

 



 



 

 



 

 

 

 

 

 

mf

 

 

 

  

  

  

  

  

  

  

 

  

  

  

 

  

  

 

mp

  

  

  

  

  

  

  

     

  

  

  

  

  

  

                

    mf

  

 

  

  

 

  

  

 

mf

      

   mf

      

  

  

      

   mf

    

   mf

  

   mf

  

 

  

  

 

  

  

 

Vln. II

Vla.



 

mp





 

p

DB.

 

  

  

mf



  

Vc.



    

 

Vln. I



mf

mp

mp



mf

mp

 

mp

mp

Tba.



 

mf

mp

B. Trb.



mp

  

f

    

mp

f

    

S

(all woodwinds (if played)


40

    

   

   Picc. 

   

280

Y.M.

Fl. I & II

Cl. I & II

Hn. I & II

      

 

 

 

 

  

 

 

 

 

 

 

  

   

 

      

 

mp

 

  

     

 

 

  



 

  

 

 

  

  

 

     

  

  

  

 



 

 

  



  

   

 

 

 

 

 

     

 

                              

   

mp

   

   

   

  

  

  

  

mp

  

  

 

 

   

  

 

 

 

  

  

  

  

  

mp

  

mp

  

  

  

  

  

  

  

  

  

f

  

     

  

  

mp

       

   

   

                    

     

  

     

  

  

  

  

  

     

  

  

     

  

mf

f

  

      

     

  

     

  

      

  

  

      

  

  

  

       

  

  

     

  

     

  

f

f

f

f

mf

  

mp

   

mf

  

        

mf

mp

          

  

f

mf

  

f

mf

 

  

f

mf

          

        

     

mf

                

  

 

mf

           

     

     

  

  

     

  

  

mf

mf

          f

  

           f

 

 







mp

mf





mp

    



solo

 

p





 



 

mf

 











Vc.

  



 

(violins, woodwinds)

f

 

Vla.

 Vln. I 

Vln. II

 

mp

   

B. Trb.

Xyl.

 

    

Trb. I & II

Tba.

     

Tpt. I & II

 

mp

      

Hn. III & IV

 

  

mp

  

Ob. I & II

Bsn. I & II

 

 

  

mf

mf

DB.


Y.M.

285 T            

p

   (brass)

       

  

  

(trumpet)

Y.M.

p

Y.M.

Bsn. I & II

Vln. I

(trombones) p

 

p 1st desk only

  p

   solo p

DB.

     3

 

 

       

 

solo

  

 

       

 

 

   



3

 

 

3



 

 

 

    

  





    

3



3

 

 

3

3

 

   

 



   

  

  

 

3

 

  





 

3

3

   



  

 

    

 

      

  

 

3

3

 

  

  



3

3

3



  mp









   

  

  

3

3

  

1.

      

 

mp

3

 

  

 

3

  

3

 

         

  

3

p

 

3

3

 

       

  

   

 

       

  

 

3

solo

Vc.



 

3

     

Vla.

 

3

('cellos & violins)

 

Vln. II

 

41

 

3

3

   



3

3

  

           289

Y.M.

  

Y.M.

   mp

Y.M.

          3

Ob. I & II

Bsn. I & II

Xyl.

  3



     

 

3

 

 

         

 

 

          3



 

       

 

3

1.

3

 

         

 

    

 

    

   f

  

       3

3

3

  

    

3





 

   

  

mp tutti pizz.

   mp

tutti pizz.

 

mp

  

 



  

tutti pizz.

 

 

 

  

  f

 

a2

f

mp

Vc.

3

       

  

Vla.

 

 

    

 

Vln. II

    

       

tutti pizz.

Vln. I

 

3

Cl. I & II



 

mp

 Picc.  Fl. I & II

 

 

mp

   

 

 

 

   

 



  

  

f

  

 

a2

  

 

 

f

 

arco

f 3

   



  



3

 

3

3

 

  3

3



   



 

  



3

3

3

 

  3

3



   



 

  



3

3

3

 

  3

3



   

 

3

 

      3


42

Y.M.

    293      

   f

Y.M.

Y.M.

  

 

       

  

Y.M.

 



3

 

         

 

3

 

       f (snare drum)       Picc.       Fl. I & II 

Y.M.

    

Bsn. I & II

Hn. I & II

 

a2

3

 



 

  

 

3

 

 

 

 

   

  

   

  

   

 

 

 

   

  

 

3

 

 

 

  

        

3

 

  

 

      

 

  

3

 

         

 

 

     

3

  

 

   3

     

3

   3    

     

             

 

 

   

 

 

 

 

   

   



 

 

   

3



 

 

f

 

ff



ff

 

 

 

 

   

  3

   

 

 

 

   



   



   

 

 

   



 

      

3



       

   

 

 

 

   



 

 3



   

  

arco

  

   

arco

f



    3





3

   

3



  

3

 

3

 

3

 



 

3



    3





3

   

3



  

 

f

ff

 

f

ff

 

   3

 

  

f

ff

      

 



 

 3

   



 

  

 

   

 

 

 

   

 

f

ff

 

 

ff

 

3

 

3

f

 

3

 

3



    3



3

3

 

f

      

 





 

 3

ff

   

  

 



 

  

 

 

   

 

 

 

   



 

 

f

 



3

3

f

3

3

  

3

  

   

  

3

3

3

3

 

3

3

 

f

 

     



   

3

     

3

  

 

 

     

 

 

     

   





 

f

 

 Vln. I 

 





f

 

 

3

   f   f

3



ff

S. D.   

3

 

3

3

f

Cymb.

3

 

f

W. Bl.

Vc.

 





f

Vla.

 



3

3

     Xyl. 

Vln. II

 

 

   

 Timp.  

Hp.

3



   

a2

 

   

3

f

B. Trb.



      

 

f

f 2.

Tba.





  

Trb. I & II

 

   

f

Tpt. I & II



 

  

 

       

       

3

  

 

 

   

Hn. III & IV

 

f

Cl. I & II

 

  

3

f ('cellos, brass)

f (woodblock, tambourine, claves, etc.)

Ob. I & II

     

       

f arco

f

 DB.    f



3

   

  

3



 

ff

ff

3

3

 

3

 



  

   

 

3

   



3



f

ff

 

 

f

ff

   3

3

 

3

 



   

 

3

    

  

3



f

ff

 

 

f

ff

3

3





3

 



   

3



 

f

 

f

3

 

 3

  


Y.M.

   297        

Y.M.

  

Y.M.

   



  

  

3

 

    

 



     

        



3

 

 

 



   

 

  

3

 

    

  



     

3

Y.M.

Y.M.

   

 

  

               Picc. 

 3

              

Fl. I & II

              a2

Ob. I & II

Cl. I & II

Bsn. I & II

Hn. I & II

  

  

   

  

Trb. I & II

 



 

    

Tpt. I & II



 

  

Hn. III & IV





3

 

3

 

3

 

 

3





   

 

 

3

 

 

  

Tba.

f

 Timp.   f

f

Cymb. S. D.





    

 



 

 

Hp.

 

ff

    Xyl. 

W. Bl.



 

3

   

ff

  

  

 

 

 

Vc.

  

f

 DB.    f





ff

ff

 

 

  

 

3                 

              

 

 

  

 

 

 

 

 

 

 

 

   

 



3

 

3

 

3

 

3

 

 

 

 

   



 

 

3

3

3

  3

 

  



 



 

 



 

 

 

 

    



 



3

 

3

3

 

3

ff

f

 

ff

3

  

 

 

f

 

  

 



 

 

 

 

 

    

   





   

   

  

 

 

 

f

ff

 

f

ff

 

 

f

    

   

3

 

 

 

ff

f

ff

 



f

   

3

3

 

 

3

 

 

3

                

  3



3

ff

3

3

 

 





 

 

3

 

3

               Vln. I          Vln. II  Vla.

3

  

 

 



3

3               

f







 

 

  

    

a2                  

3

   

 



ff



                    







 

  

3

B. Trb.

 

 

  

 

     

3

 

  

 

             

3

3



 

 

  

     

3

 

43









 

    

3

   

ff

 

 

 

 

 

 

     

              

 

  



  

f

ff

 

f

ff

  

 

 



3

 

3


44

       300

Y.M.

   

Y.M.

  

Y.M.

   

     

     

3

 



   

     

    

      3

a2

   

     

     

3

   

    

  

  

 

 

 

  

3

3

Y.M.

 

 

 

 

             3 loco                             Picc.   loco                           Fl.   I & II Y.M.

                     

Ob. I & II

   

Cl. I & II

Bsn. I & II

  

 Hn. I & II   

Tpt. I & II

3

3

        

3





   

 



3

 

  

 

 

 

  

   

3

3

3

        3          a2  

  

  3

       

        3

3

       

3

 

   

        3      

3

3

B. Trb.

Tba.

f

 Timp.   f

  Xyl.    f

W. Bl. Cymb. S. D.



    



 

 

Hp.

3

   

     

 

 

 

   

3



 

  

 

  

 

 



 3

     

 

 

 

 

  3

        3

3

3

 

 

 

     



 

   

 

3

ff

        ff 3   

 

ff

ff





ff

 

 

     

  

 

3

 

 

         

       

3



ff

ff

3

 

 



 

ff

ff

 



ff

 



 



ff

   

ff

   



ff

         

 

ff

         3    

   



3

 

 

       

         

3

3

 

 

3

 

 

 

 

 

 

 

 

 

 

 

 

 

  

        3      

  



   ff

  

 

ff

ff

 

ff

ff

   

ff

 

 

 

 

 

 

loco

                      

  

 

  

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

ff

 

 

 

 

 

   



   

  

f

f

3

  

   

ff



3

 

ff

Vc.

DB.

  

 

Vla.

   

               Vln. I  

 

                       

ff

 

Vln. II

         

 

       

3



 

 

   

                

3

       

  

Trb. I & II

3

       

Hn. III & IV



                       







ff

ff

ff

attacca


45

Variation VI

Lento q = 44

305

 

Hp.

Db - § B§ - #/F# - b

 

mf sonore

   Vc. 



solo

 

 

 

 

3

   

tutti mf

DB.

   mf

 

 



 

 

  

 

 



  

 



 

(D§ C§ B# / E§ Fb G§ A§)

 

   

U

più f

 



('cellos, bassoons)

p





 

mf

 

D§ - # C§ - # B# - §/Fb - # A§ - #

  

 

  

   

 

 

315

    

 

 

mf

 

     

 

mf

 

 attacca

Prideful Passacaglia

q = 60

   Y.M.  

  

Variation VII

Adagio nobilmente





   

  

Vla.

  

Vc.

  

Vln. II

(tutti)

DB.

  

 

Vla.



DB.













 p

Vc.

  

Vln. II

323 V   Y.M.  

Vln. I

3

3

tutti

3          3 3           Vc.    f   solo   DB.    

Vln. I

più f

  



più f

     

U

Hp.

 

310

Y.M.

 

 

  

  

 

  

 



  

 

  

 

  

  

 

 

  


W

46

  (violins) Y.M.   331

Y.M.

Ob. I & II

  



p cantabile

 

Vc.



DB.

 





  



 

pizz.



 

  

  



 

 

  



 

 





  

p cantabile

  

Vla.

W   Vln. I  Vln. II

 1.  

Cl. I & II

Bsn. I & II



p

 





   









  

 





  





  

p

X   (add clarinets) Y.M.    mp

339

Y.M.

Picc.



   

Fl. I & II

mp

Cl. I & II

Bsn. I & II



mp

1.

mp

  

Hn. III & IV



 



 



 

Vla.



Vc.

mp

mp

  

 

 

mp DB.



 

mp

 

                          

 

 



X                                     Vln. I    

 

 

 

mp

 

 

 

               

   



 



           

  

 



 





  

 



  

 



3.



                

mp

Vln. II



mp

1.

Hn. I & II

 

mp



                                           

Ob. I & II

 


47

Y

  Y.M. 

    Y.M. 

 

346

  Picc. 

Fl. I & II

(woodwinds)

 

 

 

 

 

 

 

 

      

                               



 

mp

          

Ob. I & II

Cl. I & II

Bsn. I & II

Hn. I & II

 

 





1.



mp

(D# C# B§ / E§ F# G§ A#)

 

 

  

 

   



 

 



  

 

B§ - # D# - §

A# - § B# - §

 D§ - #

   

   F# - §

   F§ - #

mp

  

                                   

Y             Vln. I  

DB.







 

    

 



mp

Vc.

 

con sord. (cup mute) 1.



Vla.

mp

  

Vln. II

 



Hp.

  

  

Tpt. I & II

Xyl.

  

Hn. III & IV

Trb. I & II

 

      

  



                 

 

  

  



 







          

   

             

          

    

    

  







  



D# - § C# - §



 

 



  



 







 

 


48

  Y.M. 



   Y.M. 

 

 

 

 

 

 

351

  

                Picc.  

                                                

                   

                                                        

Fl. I & II

Cl. I & II

Bsn. I & II

Hn. I & II

   

 

   

   

 

 

 

  

 

  

 

 

 



 

 

  

 



  

 

 





 

                

                                               

 



 

 

  

 

  

   

F§ - #

 

 





  



 

F# - §



  



                                                



Vc.

 

 

   

Vla.



                 

   

Vln. II

DB.

 

Trb.    I & II  

Vln. I



Tpt. I & II

Hp.

 

  

Hn. III & IV

Xyl.

 

 

  

 





 



C§ - #

 



 




49

Z

355   Y.M.  

(woodwinds, violins, keyboard, tuned percussion)

 

mf

Y.M.

  

 

 

mf

      Picc. 

 

 

 

 

 

 





 



 

mf

a2

Fl. I & II

Ob. I & II

Cl. I & II

     mf



a2

 a2

mf

    mf

  



           

  

 

     

 

     

     

     

     

  

     

      

 

               

 

   

  

     

          

                 

 

   

  

     

a2

   mf

     

 

     

 

 

        

       

mf

C# - § / F# - §

mf

    



  

 

     

           

   



  



 

mf

mf

    



arco

   mf







mf

      

 

               

 



   

  

     

      

 

               

 

   

  

     

mf

                   

     

Z   Vln. I 

DB.

 

       

 

Vc.

   

               

Vla.

 

                                 

   

Vln. II

 

Hp.

mf

mf

Xyl.

       

   

 

                 

mf

Tba.

  

  

mf

B. Trb.

  

   

mf

Trb. I & II



                                       senza sord (Tpt. 1.)                         



Tpt. I & II

mf mf

Hn. III & IV

mf

Bsn.    I & II  

Hn. I & II


50

 

360    Y.M. 



Y.M.

Y.M.

Picc.

Ob. I & II

Cl. I & II

Bsn. I & II

Hn. I & II



 

 



 

 



    



 Timp. 



     

   

   

 

   

   

 

  

 

  

 

  

 

  

 

 

 

 

    



  

  

   



     

              

 



  

 



  



  

 

   

      

 

 



 

   

     

     

 

   

 

    

 

   



  

 

 



  

 

 

 



 

  



 



 

 

              

f

                  

 

a2

f a2

 

f

 

f

 

 

f

   

f

 



  

    

f

f

 

 





      

    

 



 



  

 



  

   

 

 





  



 

  



 



                   f

 

 

 

 

f

AA   

                   

f

f

 

f

 

f

 

              

f



              

f a2

  

  

 

Vc.



Vla.

f

 



   

 

f



 

medium/low drum (no snares)

Vln. II

  

 

   Vln. I 

DB.

 

f

AA  

f

  

Cymb.

Hp.

  

B. Trb.

B. D.

   

Trb. I & II

Xyl.



    

Tpt. I & II

 

   

Hn. III & IV

Tba.

 

   

 

 

f



Fl. I & II

 

f

 

 f

 

 f

                      


51 364    Y.M.  

  

Y.M.

Y.M.



 

 

 

 

 

 

 

 

 

 

                 Picc.                   Fl.  I & II

Cl. I & II

             

               loco

                    

a2                

              

               

              

                

             

              



   

  

Tpt. I & II

   

 

 

 

 

Trb. I & II

  

 

 

 

 

 

 



Bsn. I & II

Hn. I & II

Hn. III & IV

B. Trb.

Tba.

Timp.



  

                 Xyl.  B. D.

Hp.



 

             

   

 

 

 

 

 



 

 

 

 

 

 



             

              

               

              

                

 



Vla.

Vc.

DB.



              

                  Vln. I  Vln. II

Ob. I & II


52 367    Y.M. 

  

Y.M.

Y.M.



 

 

 

 

 

 

 

 

 

 

                Picc.  

               

               

             

               

                           

               

               

               

                

                

               

 



  

 

 

 

 

  

 

 

 

 

  

 

 

 

 

 

 

 

 

 





 

Fl. I & II

Ob. I & II

Cl. I & II

Bsn. I & II

Hn. I & II

Hn. III & IV

Tpt. I & II

  

Trb. I & II

B. Trb.

Tba.

Timp.

 

 

 

  

                Xyl.   B. D.



   

Hp.

 

Vc.

DB.

               

 

 

 

 

 

 

 

 

               

               

               

                

 



 



 



Vla.

                

                      Vln. I   Vln. II

               


OPTIONAL IMPROVISATION by Young musicians can begin at this point. The improvisation should begin over the orchestral held notes in b. 374

370    Y.M. 

  

Y.M.

Y.M.

Picc.

 



     

Ob. I & II

  

Cl. I & II

  

Fl. I & II

 

         

    

 

 

 

  

 

 

 

   

 

 

 

 

 

 

 

  

 

 

 

   

   

Hn. III & IV

   

   

Tpt. I & II

  

   

Bsn. I & II

Hn. I & II

   

    

 

 

   

 

 

 

 

 

 

 

 

 

 

   

 

 

 

 

 

 

   

 

 

 

   

 

 

 

 

 

(più f)

(più f)

(più f)

 

(più f)

(più f)

(più f)

   

(più f)

   

(più f)

(più f)

 

 

B. Trb.

   

  

Trb. I & II

53

(più f)

Tba.

Timp.

Xyl.

B. D.

 

 

(più f)

        

 

 

   

Hp.

         Vln. I    

Vln. II

 

Vla.

 

 

 

 

 

 

 

 

 

   

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

(più f)

 

  

(più f)

mp

f

  

  

ff

   

 

 

    

(più f)

 

(più f)

 

(più f)

 

Vc.

 

(più f)

DB.

 

 

(più f)

attacca


54

Finale

Allegro q = 120

  Picc.   374

Fl. I & II

Ob. I & II

* the dynamics in this section (until b. 411) should feel like a long, gradual crescendo from mp to ff

 

   



 

  

  

  



 

  

mp*

 



  



 

  



 

 





3

 



   

 

   

 

  

   

3

     

3

3

3

   

3

  

 

   

3

   

  

  

Hn. III & IV

 

Tpt. I & II

 

Trb. I & II

 

B. Trb.

 

Tba.

  

Hn. I & II

Timp.

mp*

   

mp*

Xyl.

   





 



 



 





3

 

Bsn. I & II

 

 

mp*

mp* Cl. I & II

simile

 



  

  

 

mp*

Allegro

  Vln. I  

 

q = 120

Vln. II

  

 

  

 

    

  

 

  

 

    

mp*

mp*

3

Vla.

 

mp*

Vc.

  

3

 

3

3

3

 

  

mp*

DB.

3

mp*

3

3

     




55

BB

  





 

  

382

Picc.

Fl. I & II

3

3

      

Ob. I & II

 

Cl. I & II



 



 

  

  

3

3

3

3

   

 

     

3

3



   



3

3

3

3

     

   

 



 



   

  



 

  

 

3

3

       

3       

3

3

   

3

3

 



   



  



 

  

3

      3

   

 

  

 

3

3



3

3

3

     

3



3

   

 

 



   

3

3

      3

   

3

 



 

Trb. I & II

B. Trb.

Bsn. I & II

Hn. I & II

Hn. III & IV

Tpt. I & II

Tba.

Timp.

Xyl.

Vln. I

  

 3

DB.

  

    

  

    

      3





 



1.

mf*

3.

mf*

1.

  

  

mf*

  

Vc.

4.

mf*

Vla.

2.

mf*

  

Vln. II

 

 

3

  

BB   

  

3

3

3

3

     

3

3

  

    

  

    

  

    

    

  

    

  

    

      3

3

3

3

3

3

     

3

3

      3

3

  

 

3

3

3

3

     

3

  

    

 

  

    

 

3

      3

3

3

3

3

3

     

3


56

  Picc. 





390

Fl. I & II

  

   3

        

Cl. I & II

3



3

3

3

3

   

 





 

  

3

3

 

     



  



 

  

 

3 3             

a2

3

3

 



(mf)

3

3

3

   

  



 

  

  

 



  



 

 

   



3

3

 

   

3

3

3

     

3



3

 

   



3

3

3

3

     

 

   



 

3

3

      3

   

3

 



  

mf*

 

Trb. I & II

  

(mf)

Tpt. I & II

 



     

 Hn.  I & II 

Hn. III & IV

CC   

(mf)

3

Bsn. I & II

  

(mf)

3

Ob. I & II

   

2.

4.

  

 





1.

  

 

a2 Hn 1 bell up

  

 





   

a2

    

   

mf*

B. Trb.

Tba.

Timp.

Xyl.

  

  

  

(mf)

  

   

mf*

 

   

    

 

 

  

 

(mf)

  

mf*



  

  Vln. I 

    

  

 

 

    

  

 

Tamb.

W. Bl.

Vln. II

3

Vla.

      3

DB.

        3

3

3

3

     

3

3

Vc.

       

3

  (mf)

  

  

  

    

       

  

    

       

    3

3

3

  (mf)

  (mf)

3

3

3

3

3

            3

3

mf*

CC   

    

  

    

3

3

3

3

     

3

   

   

3

      3

3

3

3

3

3

     

3


57

  Picc. 





398

Fl. I & II

   3

 

Cl. I & II



 

 

   

Trb. I & II

  

 1. 

  

  

  

  

  

3

3

3

3

3

3

3

3

a2

 

  

  

3

3

       3



3

3       

  

(f)

 

3



 

3

3

3

      3

  

3

3

3

     

3



3

 

   



 

           

   



 

  



      3

  

 

3

3



 

3

  

(f)

(f)

(f)

 

Tpt. I & II

(f)

 



3

  

Hn. III & IV



3

3

Hn. I & II

  

      

Ob. I & II

  

(f) 3

Bsn. I & II

a2 Hn. 3 bell up

(f)

     

 

 

     

 

     





(f)



     

    

 





(a 2)

Hn 2 bell up

     

       

 

     

   

(f)

B. Trb.

f

Timp.

Xyl.

  

   

    

  

    

       

 

  

 

  

 

  

(f)

(f)

  

     

     

 

      

  

   

  

  

D§ C§ B§ / E§ F§ G§ A§

 

         

 

  

 

.

  

  

f

     

  

      3

3

Vc.

 

ff

    

  

    Vln. I 

Vla.

 

iss gl

Vln. II

(f)

(f)

(f)

DB.

     

 

Hp.

      

   

Tamb.

W. Bl.

gli ss.

Tba.

3



3

3

3

3

3

    

 

      3

(f)

       





3

(f)

   

         

     

 

3

3

3

3

     

3

3

   

(f)

         

     

3

      3





3

3

       

 

     

  3

3

3

3

3

     

                       

3

3

3

          3

     

3

3

3

 

 

 

 

 

 


ALL SING (Young performers and audience N.B. if preferred bring audience in on the second repeition of the song at b. 420)

58

Maestoso

 Y.M.  406

Y.M.

Picc.

Cl. I & II

 

 

Ob. I & II

Hn. I & II

  

Fl. I & II

Bsn. I & II

3







 

   3

    

3



3



  

3

Trb. I & II

 

 

3

 3





  

3





 



 

  

ff

  

  

ff

3





  

a2

 

  

3



   

 

 a 2  

ff

  

  



    

 

 

     

 

(a 2)

 

   

     

 

 

 

  

  

 

 

  

 

  

 

  

 

        

  

  

  

  

  

  

ff

Tba.

Timp.

Xyl.

      

 

 Vln. I  Vln. II

Vla.

Vc.

DB.

 

     

   

 

 

gli ss.

       

  

 

   

      3

 3



  3



      

3

3

 3

  

  

     

 

3



   

 





3

 3

3

 

 

 

 

          





3



  

 

3

 

 

 

 

 

  

ff

      

    

    

    

    

  

  

     

     

    

loco

   



f

     

 f

 normale

       

normale f normale

  

normale f

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 F§-F#        

     

 

 

Maestoso

        

q = 60 (h = q)

       

  

  

  

 

ff

f

  

 

  

ff

  

ff

 

  

ff

 

  

ff

 

  

 

.

  

ff

 ff    gl iss

ss. gli

    

 

  

ff

  

 

       



 

ss. gli

   

 

  Tamb.      W. Bl.     T.-t.   

Hp.

  

  

ff

  

  

a2

 

  

ff

 

  

  

a 2 (bells up)

 

 

  

ff

  

a2

ff

 

Hn. 4 bell up

 

 

f

 

Be -

 

f

Be -

ff



 

B. Trb.



  3

ff

 

Tpt. I & II

 

  

Hn. III & IV

 

  

3



 

 

q = 60 (h = q)

f

  f

 

 

 


59

DD

  Y.M.  413

gone

Y.M.

Picc.

  gone

dull

care!

dull

care!

 

  I

   I

     



     



pri - thee be- gone from me!

Be

pri - thee be- gone from me!

gone

dull

care!

-

gone

dull

care!

        

You

You

and

and

I

I

shall ne - ver a - gree.

shall ne - ver a - gree.

  

Long

time

hast thou been

tar - ry - ing here and

 



  

    

Long

time

hast thou been

tar - ry - ing here and

        

 



  

   

 

 

 

               

  

 

          

     





 

          

  

  

            

 

 

 

              



Cl. I & II

 



 

   

Bsn. I & II

   

  

 

         

 

     

 

   

 

 

              



   

 

 

 

                  

  

  

 



 

   



   





 

          

  

  

  



 



   

Tamb. S. D.

B. D.



           

 

f

    

    

   

      

f

D§ - # C§ - #

         

 

   

 





             

                   

        

 D# - b

 

   

      

      

      

 

Db - §

        

 

     

D§ - # C§ - #

E§ - b F# - §

C# - §

    

   

D# - b

 

 

B§ - b/

     

   

   

 

 

 

               

  

  

     





 

           

  

 



  

          

  

   

    

G§ - #

    

     

      

                

        

     



   



  

 



    



 



   

 

   

 

  

        



    



    

 

f

DB.

 

 

 

f

Vc.

C# - §

 

 

f

DD   Vln. I  

Vla.

 

f

  

Vln. II

f

    

 

(D§ C§ B§ / E§ F# G§ A§)

  

Hp.

    

      

f

Trgl.

    

Ob. I & II

         



  

     

 

 



f

        

Timp.

 

Hn. III & IV

-

  Be

Fl. I & II

Hn. I & II

 

f




60

 Y.M.  

  

EE               

  

  

418

fain

Y.M.

Picc.

 

thou woulds't me kill,

fain

thou woulds't me kill,

 

But i'

But i'

faith dull care,

  

faith dull care,



 

Thou ne- ver shall havemy will.

Be - gone

        



 

Thou ne- ver shall havemy will.

 

  

  

Ob. I & II

     

     

                 

          

    

Bsn. I & II

Hn. I & II

     

      

         

     

          

    

Hn. III & IV

 

   

  

dull

care!

I





 

   

 

 

 

 





 

 

 

 





 

 





 

 

pri - thee

be- gone from me!

 

 

 

 

Be-

 

pri - thee

be- gone from me!

Be-

                          

       

         

 





      

 

 

f

B. Trb.

  I

 

f Trb. I & II

care!

 

                

dull

 

                 

Tpt. I & II

 

 

               

   

                   

 

Fl. I & II

Cl. I & II

Be - gone

             

FF 

           

           

  



 

      

 

  

 

 

 

   

       

       

       

f

Tba.

Timp.

Trgl.

      

Tamb.

Cymb. S. D. B. D.

Hp.

Vln. I



     

   

     

G# - §

 

F§ - b           

                   

Vln. II

 

 



DB.

 

     

 

 

 



 

 

 

     

 

F§ - #/Db - §

 G§ - #

  

Bb - § D§ - #

   

 

G# - §

D# - §

       

   

f

    

    

 

 

 

(D§ C§ B§ / E§ F# G§ A§)

 

     

     

    





  

  

D§ - # C§ - #

 

C# - §

    EE FF                                                   

 

 

  

  

Vc.

 

  

   



Eb - §

  

  

Vla.



 

   

   

    

 f

  

 



 





 



 



 

  





     

      

 

 

             

                       

 

       

      

                              

 

 


61

 Y.M.  423

Y.M.



gone

dull

care!

You

gone

dull

care!

 



and

You

and

I

  I

   

shall ne- ver a - gree.

   

 

Long

shall ne- ver a - gree.

time

hast thou been

Ob. I & II

 

 

 

 

   

        

 

Cl. I & II





 

  

      



  

  

Hn. I & II

 

 

 

B. Trb.

 

Timp.

Trgl.

  

Cymb. S. D.



Hp.

 Vln. I  Vln. II

Vla.

 

 

 

D# - b 

   

  

  

 

   



  

   

 

   



    













 

       

  Db - §

  

        

       

  

     

   

D§ - # C§ - #

E§ - b F# - §

 

D# - b    

C# - §

 

  

                                

               

    

                

DB.



 

  

  

  

    



 





 

  



  

  

  

B§ - b/

 

 

 

   

i'

  But

i'

           

    

   

      

   

 

 

        

    

        

 

       

   

         

    

   

       

        

 



        

 

      



 

 



  

 

 



 

 



 

 

 

 

 

 



    

  

 



 

Vc.

 



   

   

  



  



 

  

 



  

   

 

 

  

 



 

Tamb.

  

Trb. I & II





But

kill,

      

 



 

           

 

      

thou woulds't me



  

fain

       

 

 

 

   

        

 

  

 

 

here and

     

  

      

 

kill,

  



thou woulds't me

  

 

    

 

Tpt. I & II

fain

     

 

        

  

here and

  

     

   

 

tar ry - ing



    

 



 

 

 



tar ry - ing

  

 

 

 

Hn. III & IV

Tba.

 

Long

Fl. I & II

     

 



               

   

 

                     

time

 

hast thou been

 Picc. 

Bsn. I & II



 

          

 

     

  

     

  

     

 

  



 



 

  

     

G# - §

 

Eb - §

                        





 

  

 

  

     

  gliss.



G§ - #         

 

F§ - b

   

   

           



   

     

 

     

       


62

 Y.M.  427

Y.M.

Picc.

faith

dull

care,

faith loco

care,

Thou

 

 

                    

  

   

  

 

 

 

   

 

 

 

 

 

 

Trb. I & II





 

B. Trb.

B. D.

Hp.

 

 

F§ - #/Db - §   

 



Vln. II

Vla.

  

Vc.

  

     

    



     

 

 

 

 

    

 

  

 

   

 



 

a2

  



a2

   

 

    

 

     

 









        









           



  



     

 

  



   

 





2.

a2

 

  





 Vln. I 

DB.

  

 

   

  

     

I

     

     

 

         



    



   

 

       



    



     

 

 















              

  

           

 

   

                



                

 

    

               

 

 

 

               

         

 

GG                 

 

 

               

loco

 

    

 

 

         



 D# - §

 

 

 

 

 

 

Be -

Be -

    

a2

 

from me!

 

 

 

 





G# - §

  

pri - thee be - gone

 

from me!

    

 

 

  

  

   





 

D§ - #

  

pri - thee be - gone

 

 

 

Bb - § 

 

   

 

  

  I

 

G§ - #

 

  

 

care!

   

 

 

Be - gone dull

 

S. D.

will.

 

Tpt. I & II

my

  

care!

 



Cymb.

have

ne - ver shall



dull

   

 



Tamb.

Be - gone

 

Trgl.

  

will.

 

Xyl.

my

                

               

 

Timp.

have

loco

 

ne - ver shall

Hn. III & IV

Tba.

 

GG   



 

dull

Thou

  

                

Cl. I & II

 

               

Ob. I & II

Hn. I & II

 

Fl. I & II

Bsn. I & II

  

 

            

 

 





 

    

   

   

   

         

  

 

    

  

 

         

 



    

 


63

  Y.M.  431

gone

Y.M.

Picc.

Ob. I & II

Cl. I & II

Hn. I & II

B. D.

care! You and

I

        

  

 

 

  

 

 

 

        

        

        

          

       

           

           

 

               

             

faith

dull

care,

faith

dull

care,

  

kill,

But i'

  

 

 

    

 

 

 

 

 

    

 

 

 

 

 

 

    

 

 

 

 



  

 



 



    

   

  

  

   

  

  

   

  

 

             

     

    

 

        

  

   

  

  



  

        



  

 

  

          

  

 

 

          

   Vln. I 

 

 

        

       

                  

    

       

        

 

 

 

                 

 

        

  

       

 

 

     

 

 

  

 

 

  

 

   

   

    

 

       

   

   

 

 

              

 



   

    

 

 

 

       

           

  

   

  

      

   

   

 

 

   

 

 

   

 

 

    

   Thou

  

            

 

 

  

   

 

 

    

             

 

 

 

 

   

   

 

 

       

  

     

    

 

 

       

     

 

 

 

  

 

     

   

  

  



  

     

Thou

 

           

  

 

     



 

   

fain thou woulds't me

But i'

  

 

DB.

   

kill,



Vc.

 

        

tar - ry-ing here and

fain thou woulds't me

  

Vla.

Long time hast thou been

 

  

         

Vln. II

   

   

   

                             

Hp.

 

 

tar - ry-ing here and

 

 

  

                 

   

                 

   

        

                 

 

Long time hast thou been

shall ne- ver a - gree.

 

 

shall ne- ver a - gree.

 

Cymb. S. D.

dull

I

  

B. Trb.

Xyl.

     

Trb. I & II

        

care! You and

Tpt. I & II

Timp.

dull

        

 

Hn. III & IV

Tba.

gone

  

Fl. I & II

Bsn. I & II

 

  

         


64

 Y.M. 

  

  

436

Y.M.

Picc.

ne - ver shall

have my will.

ne - ver shall

have my will.

 

 

  

 

     

 

   

     

 

  

     

 

  



  

 



Ob. I & II

Cl. I & II

Hn. I & II

 

 

Fl. I & II

Bsn. I & II

 

  



 

  

Tba.

 Timp. 

 Xyl. 

Tamb.

Cymb.

T.-t.

B. D.

Hp.

Vla.

Vc.

DB.



  

     

 

 



 

 



 

 

    

 

  



 

 

 



 

 



 

 

             

     

 

  

    













    



care!



  

Be - gone

dull

care!

Be - gone

dull

care!

     

 

 

 

  

 

 

  

    ff     ff

     

ff

 

 

 

 

 



  

ff

ff

  

ff

   

 

 

 

   

     

 

 

       

         

 

         

   

     

 

 

   

 

  

     



  



  



  



  



  

f

 



      

 

 

 

 

 

f

    







 

f

         

 

  



  



  



  

                  

   

fff

   

   

  

   

 

  

fff

fff

 



fff

 

    

    fff     fff     fff     fff    

 

 

   

a2

  

  

 

fff

ff

 

   

a2

 

fff

  

  

 

   

a2

  

 

 

fff

fff

 

 

   

 

ff

    ff     ff     ff    

 

 

ff

 

  

 Vln. I  Vln. II

  

 

dull

  

S. D.



Be - gone

  

  

             

care!

  

care!



dull

B. Trb.

dull

Be - gone

 

 

Be - gone

  





          

care!

Trb. I & II

dull

  

Tpt. I & II

 

Be - gone





Hn. III & IV

  

  

  

 

mf

    

               

fff

    fff     fff

   

      

mf

   

 

fff

  

 

fff

       

fff

   

fff

     

fff

     

fff

     

fff

Cheryl Frances-Hoad, April 2014

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Frances-Hoad A YOUNG PERSON'S GUIDE TO COMPOSITION  

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