Page 1

Wires for Large Ensemble

Full Score

Bryce Dessner

CHESTER MUSIC


Commissioned by Ensemble InterContemporain and NTR ZaterdagMatinee, and premiered on September 24, 2016 at Philharmonie de Paris, France, conducted by Matthias Pintscher. Duration: c. 14 minutes

INSTRUMENTATION 2 Flutes (II=Piccolo) Oboe 2 Clarinets (II=Bass Clarinet) 2 Bassoons Horn in F Trumpet in B Trombone Tuba Percussion (2 players): Crotales, Glockenspiel, Xylophone, Vibraphone, Marimba, Orchestral Bells, 2 Triangles, Pieces of Wood*, Bass Drum, Tom-toms, Drum kit (with Brake Drum), Tam-tam, Timpani

Harp Piano Electric Guitar Strings** * Log Drum or Wood Blocks ** Can be single strength (3 violins, 2 violas, 2 violonccellos, 1 contrabass) or multiples of these forces.


ENSEMBLE LAYOUT

Conductor

ls. F 2

Elec. Gtr.

3V ln

.

. Ob

2V la.

Cb .

C B.

. Cl

Tpt.

2V c.

Hn. 2

Tbn.

Glock.

Drum kit

Tam-t.

blk .

Xyl. W

Tg ls.

rp Ha

Ma r.

Cr ot.

. ns s B

Tba.

Pi an o

B. D.

l.

Vibr.

Orch. bells

Percussion 1

Percussion 2

Mvt. 1

Crot., Glock., Xyl., Mar., Orch. Bells, 2 Tgls., B. D., Tam-t.

Vibr., Wblks. (or Log D.), Timp.

Mvt. 2

Glock., Xyl., Mar., Drum Kit (with Brk. D.)

Crot., Vibr., Tom-ts., Timp.

Mvt. 3

Glock., Mar., Tam-t.

Vibr., Timp.

Mvt. 4

Xyl., Mar., B. D.

Vibr., Drum Kit (with Brk. D.), Tam-t.

Cr ot .


for Ensemble Intercontemporain and NTR ZaterdagMatinee

Wires 1.

q = 100 Flute 1

4 4 mf

Flute 2 (dbl. Picc.)

Oboe

Clarinet 1 in Bb

Bass Clarinet in Bb

Bryce Dessner

mf

mf

mf

mf

mf

mf

mf

mf

mf

mf

mf

mf

sfz

sfz

f

f

mf

mf

mf

mf

mf

mf

mf

mf

4 4 4 4 4 4 4 4

Bassoon 1.2

4 4

Horn in F

4 4

Trumpet in Bb

4 4 BRASS IN AUDIENCE, spread equally through the wings

Trombone

4 4

Tuba

4 4

Percussion 1

4 4

Percussion 2

4 4

Triangles (small, medium) mf clap sound, two pieces of wood

sfz

4 4 Piano

4 4

mp

una corda

Guitar (ebow)

4 4 distortion/fuzz

Electric Guitar

4 4 f

q = 100

Violin I

4 4

Violin II

4 4

Violin III

4 4

Viola

Violoncello

4 4 ord.

4 4 mf

Contrabass

4 4

mf sul pont.

snap pizz.

sfz

ord.

mf arco mf

Copyright © 2016 Chester Music Limited

snap pizz.

sfz

mf arco

sul pont.

snap pizz.

sfz

13/10/16


2 9 Fl. 1 pp

Fl. 2 mf

Ob.

Cl. 1 pp

B. Cl.

Bsn. 1 mf

pp

Bsn. 2 mp

Hn. p

f

p

f

p

f

p

f

p

f

p

f

p

f

p

f

Tpt.

Tbn.

Tba.

Bass Drum

Tam-tam Perc. 1

p

trem. with soft mallets

pp

Wood

mf

Perc. 2 sfz

Pno.

guitar ebow with slide Ebow p

E. Gtr.

snap pizz.

arco

Vln. I sfz

sfz

pp

Vln. II snap pizz.

arco

Vln. III sfz

sfz

snap pizz.

pp arco

Vla. sfz

sfz

snap pizz.

pp arco

Vc. sfz snap pizz. arco Cb. mf

sfz

sfz molto sul pont. arco

pp


3 19 Fl. 1 mf

mf

Fl. 2 mf

Ob. pp

mf

Cl. 1 mf

mf

mf

mf

B. Cl.

Bsn. 1

Bsn. 2

Hn. p

f

Tpt.

Tbn. p

f

p

f

Tba.

Perc. 1

Tri.

B.D.

mf

sfz

Wood

Timpani

Perc. 2 sfz

Pno.

sfz

mf

tre corda

E. Gtr. f

f slow gliss. uncoordinated

Vln. I mf

mf slow gliss. uncoordinated

Vln. II mf slow gliss. uncoordinated Vln. III mf

mf

slow gliss. uncoordinated Vla. mf

mf

mf

f

Vc.

snap pizz.

arco

molto sul pont.

snap pizz.

3

3

arco

Cb. sfz

mf

mf

3

3


4

A

26

2 4

4 4

2 4

4 4

2 4

4 4

2 4

4 4

B. Cl.

2 4

4 4

Bsn. 1

2 4

4 4

Bsn. 2

2 4

4 4

2 4

4 4

Fl. 1 p

mp

Fl. 2 mp Ob. 3

3

mp

Cl. 1 mp

3

3

increase speed of cresc. drastically towards end Hn. p

f

p

f

increase speed of cresc. drastically towards end

2 4

Tpt. p

f

p

4 4 f

increase speed of cresc. drastically towards end

2 4

Tbn. p

f

p

f

increase speed of cresc. drastically towards end

2 4

Tba. p Marimba

4 4 4 4 f

2 4

4 4

2 4

4 4

2 4

4 4

2 4

4 4

2 4

4 4

2 4

4 4

2 4

4 4

2 4

4 4

Vla.

2 4

4 4

Vc.

2 4

4 4

2 4

4 4

3

Perc. 1 Vibraphone slow vibrato

p

Perc. 2 mp

Pno.

p

f

f

E. Gtr. f

f

f

A

free; improvise pitches as desired; do not coordinate

Vln. I p free; improvise pitches as desired; do not coordinate Vln. II p free; improvise pitches as desired; do not coordinate Vln. III p

bend pitch up Cb.

m.s.p.

grinding sound


5

B 32 Fl. 1

4 4 ff

Fl. 2

4 4 mp

Ob.

4 4

Cl. 1

4 4

3

ff B. Cl.

4 4 ff

Bsn. 1

4 4 ff

Bsn. 2

4 4

Hn.

4 4

Tpt.

4 4

Tbn.

44

Tba.

4 4 f

Perc. 1

Perc. 2

Mar. marcato

4 4 4 4

p

Timpani

f

mp

f

4 4 Pno.

E. Gtr.

4 4

mf

4 4 mf

B Vln. I

4 4

3

3

3

f

Vln. II

4 4

slight articulation of rhythms

mp slight articulation of rhythms Vln. III

4 4 mp slight articulation of rhythms

Vla.

5

4 4

5

5

mp

Vc.

4 4

slight articulation of rhythms

mp

Cb.

4 4

snap pizz.

sfz

molto pont.


6 35 Fl. 1 mp

Fl. 2 3

3

Ob. mp

3

3

3

mp

3

3

Cl. 1

take Clarinet B. Cl.

Bsn. 1

Bsn. 2

Hn.

Tpt.

Tbn.

Tba.

Mar.

3

Perc. 1 mp

f

mf

f

Perc. 2 mp

f muted thud inside piano sfz

Pno.

Vln. I mp

3

3

3

Vln. II

Vln. III

5

Vla.

Vc.

Cb.

5

5


7 38

2 4

Fl. 1

4 4

2 4

Fl. 2

3

3

mf

3

3

4 4

2 4

Ob.

mf

4 4

3

3

3

3

3

3

mf

2 4

3

Cl. 1

3

3

4 4

f

mf

2 4

Cl. 2 mp

3

3

4 4 mf

Bsn. 1

2 4

4 4

Bsn. 2

2 4

4 4

Hn.

2 4

4 4

2 4

4 4

2 4

4 4

mf Tpt. mp Tbn.

mp

2 4

Tba.

4 4 p

Tam-t. soft mallet

Mar.

2 4

4 4

2 4

4 4

2 4

4 4

2 4

4 4

2 4

4 4

2 4

4 4

2 4

4 4

2 4

4 4

Vln. II

2 4

4 4

Vln. III

2 4

4 4

Vla.

2 4

4 4

Vc.

2 4

4 4

Perc. 1 ppp

f

Vibr.

Perc. 2 mf

mf

Hp.

Pno.

sfz

mf

clean E. Gtr. mf Vln. I 3

5

slow gliss. emphasize detuning mp

Cb.

2 4

4 4


8 43 Fl. 1

3 4

4 4

2 4

4 4

Fl. 2

3 4

4 4

2 4

4 4

Ob.

3 4

4 4

2 4

4 4

f

3

3

3

3

Cl. 1

3 4

4 4

2 4

4 4

Cl. 2

3 4

4 4

2 4

4 4

Bsn. 1

3 4

4 4

2 4

4 4

Bsn. 2

3 4

4 4

2 4

4 4

Hn.

3 4

4 4

2 4

4 4

4 4

2 4

4 4

mf 3

3

Tpt. f

3 4

3

Tbn.

3 4

4 4

2 4

4 4

Tba.

3 4

4 4

2 4

4 4

mf

Glockenspiel light beater Perc. 1 mf Timp.

Vibr.

sf

mf

Perc. 2

3

3

3 4

4 4 3

mf

Pno.

mf

E. Gtr.

2 4 3

3

4 4 3

3

3 4

4 4

2 4

4 4

3 4

4 4

2 4

4 4

(mf)

mf

Hp.

mf

Crotales light beater

3 4

4 4

2 4

4 4

3 4

4 4

2 4

4 4

3 4

4 4

2 4

4 4

3 4

4 4

2 4

4 4

mf

(mf)

f

3 4

4 4

2 4

4 4

Vln. II

3 4

4 4

2 4

4 4

Vln. III

3 4

4 4

2 4

4 4

Vla.

3 4

4 4

2 4

4 4

2 4

4 4

2 4

4 4

Vln. I pp

solo

play loud

3 4

Vc.

4 4

f snap pizz. Cb. sfz

f espress.

3 4

4 4


9 48 Fl. 1

C 4 4

p Fl. 2

mf

4 4 p

Ob.

mf

4 4 p

Cl. 1

mf

4 4 p

Cl. 2

mf

4 4 p

Bsn. 1

4 4

Bsn. 2

4 4

Hn.

4 4

Tpt.

4 4

Tbn.

4 4

Tba.

4 4

mf

BRASS move to STAGE

Perc. 1

Perc. 2

4 4

B.D. resonant

Xylophone

sf

mf

Vibr.

4 4

f

4 4 4 4

mf

p

mf

p

f

mf

p

f

pp

mf

4 4 Pno.

E. Gtr.

4 4 4 4

C Vln. I

4 4

Vln. II

4 4

Vln. III

4 4

pp

mf

pp Vla.

Vc.

4 4 4 4

mf

Cb.

4 4

mf

pp

tutti

sfp

3

3

6

3

3

3

hard mallets

p

Hp.

5

3

sfp

f snap pizz.

sfz

f arco sfz

5

5

5

5

5

5

5

5


10

D 54 Fl. 1 ff

5

5

5

5

5

5

5

5

ff

5

5

5

5

5

5

5

5

Fl. 2

Ob. 3

5

3

3

3

6

3

5

3

3

3

6

Xyl. 3

5

3

3

3

6

3

3

3

3

3

3

Cl. 1 ff Cl. 2 ff Bsn. 1

Bsn. 2

3

Hn. mf

ff 3

Tpt. mf

ff

Tbn. 3

mf

ff

Tba.

B.D. Perc. 1 sf

f Vibr.

Perc. 2

Hp.

ff

5

5

5

5

5

5

5

5

ff

5

5

5

5

5

5

5

5

7

7

7

7

7

7

7

7

ff

Pno.

E. Gtr. ff

D

5

5

5

5

5

5

5

5

3

5

3

3

3

6

3

3

3

5

3

3

3

6

3

3

3

5

3

3

3

6

3

3

Vln. I ff Vln. II ff Vln. III ff Vla. ff sul pont.

5

5

5

5

5

5

5

5

ord.

Vc. ff 3

sfp sul pont.

ord. Cb. sfp

ff

5

3

3

3

6

3

3


11

E 58 Fl. 1 5

5

5

ff

5

5

5

5

5

3

5

3

3

3

5

3

3

3

5

3

3

Fl. 2 5

5

5

ff

5

Ob. ff 3

3

6

3

3

6

Cl. 1 ff take Bass Clarinet

Cl. 2 5

5

5

5

5

5

5

5

Bsn. 1 ff

Bsn. 2 ff 3

3

3

3

3

Hn. mf 3

sfz

sfz

Tpt. mf

sfz

sfz

sfz

sfz

Tbn. 3

mf

3

3

Tba.

Xyl. 3

6

3

5

3

3

3

Perc. 1 f Vibr. Perc. 2

Hp.

5

5

5

5

ff

5

5

5

5

5

5

5

5

ff

5

5

5

5

7

7

7

7

7

7

7

7

ff

Pno.

E. Gtr. 5

E

5

5

ff

5

3

3

6

3

3

6

3

3

6

5

5

5

5

3

5

3

3

3

5

3

3

3

5

3

3

Vln. I ff Vln. II ff Vln. III 5

5

5

ff

5

Vla. ff sul pont.

5

5

ord. 3

5 5

5

3

3

Vc. 3

3

6

ff sul pont.

ord.

Cb. ff 3

5

3

3


12 62

6 4

Picc.

4 4 mp

6 4

Fl. 1 5

5

5

3

6

3

6

3

6

5

5

5

5

5

3

3

6

3

3

3

6

3

3

3

6

3

3

3

3

4 4

Fl. 2

6 4

take Picc.

4 4

6 4

4 4

6 4

4 4

6 4

4 4

Bsn. 2

6 4

4 4

Hn.

6 4

4 4

6 4

4 4

6 4

4 4

6 4

4 4

Ob.

Cl. 1 5

5

5

5

5

5

5

5

5

5

5

5

Bsn. 1 5

5

5

5

sfz

sfz

sfz

sfz

Tpt. sfz

sfz

sfz

sfz

Tbn. sfz

sfz

sfz

sfz

Tba. sfz Xyl. 3

6

3

sfz 3

3

6

3

Perc. 1 Vibr.

46

Perc. 2 5

Hp.

6 4

5

5

5

5

7

5

5

7

5

5

7

5

5

5

7

7

5

5

7

7

7

Pno.

E. Gtr. 5

5

5 6

3

5

3

5

5

5

3

3

f

44

6 4

4 4

6 4

4 4

6 4

4 4

6 4

4 4

46

44

5 6

3

4 4

f

5

5

Mar.

Vln. I

bow on bridge for loud scrape

6 4

4 4 sfz

6

3

3

3

3

6

3

Vln. II

bow on bridge for loud scrape

6 4

4 4 sfz

6

3

3

3

3

6

3

Vln. III 5

5

5

5

5

5 6

5

3

3

3

6

3

3

6 4

4 4

3

3

6

6 4

4 4

3

3

6

6 4

4 4

Vc.

Cb.

4 4 sfz

5

Vla.

3

bow on bridge for loud scrape

6 4


13 65 Picc.

4 4

Fl. 1

4 4

take Fl. 2

mf

Ob.

4 4 mf

Cl. 1

4 4 mf

B. Cl.

4 4 mf

Bsn. 1

4 4 mf

Bsn. 2

4 4 mf

Hn.

4 4

Tpt.

4 4

Tbn.

4 4

Tba.

4 4

Perc. 1

4 4

Perc. 2

4 4

Mar.

Vibr.

6

4 4 Pno.

E. Gtr.

4 4

f

mf

4 4 f

Vln. I

4 4 sfz

Vln. II

f

4 4 sfz

Vln. III

f

4 4 sfz

Vla.

f bow on bridge for loud scrape

4 4

f

4 4 f

Vc.

4 4 f Cb.

4 4 p


14 69 Fl. 1 mf

f

mf

f

mf

f

mf

f

Ob.

Cl. 1

B. Cl.

Bsn. 1 f

3

3

3

3

3

f

Bsn. 2

Hn.

Tpt. f Tbn.

Tba. Triangles (small, medium) Perc. 1

f

f

Vibr. Perc. 2 ff

f

Hp.

ff

f

Pno.

ff

light distortion

f

3

3

3

3

3

3

E. Gtr. f slight articulation of rhythm Vln. I f

mf

3

slight articulation of rhythm Vln. II mf slight articulation of rhythm Vln. III f

mf slight articulation of rhythm

Vla. f

mf molto pont.

ord.

molto pont.

ord.

Vc. f

mf

Cb. f

mf

5


15 73 Fl. 1

Fl. 2

Ob.

Cl. 1

B. Cl.

Bsn. 1 3

3

Bsn. 2

Hn. p

f

p

f

p

f

p

f

p

f

p

f

Tpt.

Tbn.

Tba.

Perc. 1

B.D.

Tam-t. l.v.

p

p

Orchestral Bells distant p

Vibr. Perc. 2 mp

mp

Hp.

mp

Pno.

3

3

E. Gtr. mp

Vln. I 3

sfp

p

Vln. II sfp

p

Vln. III sfp

p

5

Vla. sfp

solo

sfp

p espress.

Vc.

molto pont.

ord.

Cb. sfp

mf

sul pont.


16

F

Slower q = 94

attacca

81

5 4

Fl. 1 pp

5 4

Fl. 2 pp

5 4

Ob. pp

5 4

Cl. 1 pp

5 4

B. Cl. pp

5 4

Bsn. 1 pp

Bsn. 2

5 4

Hn.

5 4

Tpt.

5 4

Tbn.

5 4

Tba.

5 4 Orch. Bells

5 4

Perc. 1 p Vibr. small vibrato

3

3

3

5 4

Perc. 2 pp

5 4 pp

Pno.

pp

5 4

una corda

ord.

3

3

5 4

E. Gtr. pp

F

Slower q = 94

attacca

Vln. I

5 4

pp

5 4

Vln. II pp

5 4

Vln. III pp

5 4

Vla. pp tutti

5 4

Vc. pp ord. Cb. pp

5 4


17

2. G Piccolo

q = 110, aggressive, unsettled

5 4

4 4

5 8

5 4

4 4 f

Flute 1

5 4

4 4

5 8

5 4

f

Oboe

f

5 4

4 4

5 8

5 4

f

Clarinet 1 in Bb

5 4

4 4

5 8

5 4

4 4 f

5 4

4 4

5 8

5 4

f Bassoon 1

4 4 f

f Bass Clarinet in Bb

4 4

4 4 f

5 4

4 4

5 8

5 4

4 4 mf

Bassoon 2

5 4

4 4

5 8

5 4

4 4 mf

Horn in F

5 4

4 4 mf

Trumpet in Bb

5 4

4 4

45 5 4 5 4

5 4

58

4 4

45

44 f

5 8

5 4

4 4 ff

sfz

Drum Kit kick, toms

4 4 ff

sfz

f

Percussion 1

5 8

44

4 4 ff

sfz

mf Tuba

5 4

sfz

mf Trombone

5 8

4 4

5 8

5 4

4 4

5 8

5 4

Round Iron

4 4

f Percussion 2

5 4

Timpani

sfz

Piano

4 4 sfz

5 4

4 4

5 8

5 4

5 4

4 4

5 8

5 4

sf tre corda

4 4 f

4 4

sf sf

ebow Electric Guitar

5 4

4 4

5 8

5 4

4 4

4 4

5 8

5 4

4 4

4 4

5 8

5 4

4 4

5 8

5 4

4 4

pp

G Violin I

q = 110, aggressive, unsettled

5 4 pp

Violin II

5 4

pp

Violin III

5 4

4 4

pp Viola

5 4

4 4

5 8

5 4

4 4 mf

Violoncello

5 4

4 4

5 8

5 4

4 4

4 4

5 8

5 4

4 4

f Contrabass

5 4 sfp

sfz

ff


18 91 Picc.

4 4

5 8

4 4

5 8

2 4

4 4

Fl. 1

4 4

5 8

4 4

5 8

2 4

4 4

Ob.

4 4

5 8

4 4

5 8

2 4

4 4

Cl. 1

4 4

5 8

4 4

5 8

2 4

4 4

B. Cl.

4 4

5 8

4 4

5 8

2 4

4 4

Bsn. 1

4 4

5 8

4 4

5 8

2 4

4 4

Bsn. 2

4 4

5 8

4 4

5 8

2 4

4 4

Hn.

4 4

5 8

4 4

5 8

2 4

4 4

5 8

4 4

5 8

2 4

4 4

sfz sfz

Tpt.

4 4

f

sfz sfz

ff

Tbn.

4 4

5 8

4 4

5 8

2 4

4 4

Tba.

4 4

5 8

4 4

5 8

2 4

4 4

58

42

44

5 8

2 4

4 4

sfz sfz

Perc. 1

44

Kit.

sfz sfz

58

44 ff

Perc. 2

4 4

Timp.

5 8

ff

4 4 sfz

sfz sfz

Pno.

f

sfz

4 4

5 8

4 4

5 8

2 4

4 4

4 4

5 8

4 4

5 8

2 4

4 4

sf

sf

sf note should peak as ebow gets closer to pickup

E. Gtr.

4 4

5 8

4 4

5 8

2 4

4 4

Vln. I

4 4

5 8

4 4

5 8

2 4

4 4

Vln. II

4 4

5 8

4 4

5 8

2 4

4 4

Vln. III

4 4

5 8

4 4

5 8

2 4

4 4

Vla.

4 4

5 8

4 4

5 8

2 4

4 4

f

Vc.

4 4

5 8

4 4

5 8

2 4

4 4

Cb.

4 4

5 8

4 4

5 8

2 4

4 4

sfz sfz


19 97 Picc.

Fl. 1

Ob.

H 4 4

f

mp

f

mp

f

mp

4 4 4 4

Cl. 1

4 4

B. Cl.

4 4 f

Bsn. 1

Bsn. 2

Hn.

4 4

mp

f

3

7

6

3

3

f

3

7

6

3

3

4 4 4 4 f

Tpt.

Tbn.

sfz

4 4 4 4

mp

f

f Tba.

4 4

Perc. 1

4 4

Kit.

ff

Perc. 2

4 4

sfz

f

ff

Timp.

4 4 Hp.

f

4 4 4 4

Pno.

f

4 4 sf

E. Gtr.

sf

4 4 p

H Vln. I

f Vln. II

3

f 3

4 4 f

Vla.

f

4 4 f

Vln. III

3

4 4

f

4 4 f

Vc.

4 4

Cb.

4 4

f

3

5

6


20 100 Picc.

2 4

4 4

Fl. 1

2 4

4 4

Ob.

2 4

4 4

Cl. 1

2 4

4 4

B. Cl.

2 4

4 4

Bsn. 1

2 4

4 4

Bsn. 2

2 4

4 4

Hn.

2 4

4 4

sfz

f

f

sfz

2 4

Tpt.

sfz

sfz

Tba.

2 4

4 4

f

ff

sf

sf

sf

sf

sf

sf

sf

sf

Xyl.

4 4

f

ff

2 4

Perc. 2

sf

sf

2 4

Perc. 1 ff

4 4

sfz

Kit.

mf

4 4

2 4

Tbn.

mf

4 4

f

ff

f

f

Vibr.

f

Hp.

Pno.

E. Gtr.

3

3

Vln. I

2 4

4 4

2 4

4 4

2 4

4 4

2 4

4 4

2 4

4 4

2 4

4 4

f

sf

pizz. pp

3

3

Vln. II

2 4

3

3

2 4

3

3

molto sul pont.

f

f pizz.

4 4

f

2 4

2 4

pizz.

4 4

2 4

Vc.

4 4 f

4 4

ord.

mf

mf Cb.

f pizz.

Vla.

3

f

4 4

2 4

f pizz.

pp

3

f

4 4 pp

Vln. III

f

2 4

4 4 mf

f

pizz.

f


21

I

105 Picc.

f Fl. 1 f Ob. f Cl. 1 f B. Cl.

Bsn. 1

Bsn. 2

Hn. sfz

sfp Tpt. f Tbn.

sfz Tba. Xyl.

Kit.

Perc. 1 ff

f

ff

f

Vibr. Perc. 2 mp

Hp.

f

Pno.

sf

sf

add vibrato, sound distorts slightly E. Gtr.

I

arco 3

5

6

5

6

5

6

Vln. I f arco 3 Vln. II f arco 3 Vln. III f arco

f

Vla.

5

6

5

6

arco

f

Vc.

3

f

3

3

6

3

3

sfz arco

sfz Cb. sfz

3

sfz


22 109 Picc.

2 4

4 4

Fl. 1

2 4

4 4

J f

Ob.

2 4

4 4

Cl. 1

2 4

4 4

f

mf

2 4

B. Cl.

4 4 mf

2 4

Bsn. 1

4 4 mf

2 4

Bsn. 2

4 4 mf

2 4

Hn. sfz

4 4

sfz

2 4

Tpt.

sfz

2 4

sf

sf

sf

4 4

sfz

sf

2 4

Perc. 1

sf

4 4

sfz

Tba.

sf

4 4

2 4

Tbn.

sf

4 4

Kit. ff

Vibr.

2 4

Perc. 2

f

ff

f

4 4 f

Hp.

Pno.

2 4

4 4

2 4

4 4

2 4

4 4

2 4

4 4

f

f

sf

2 4

E. Gtr.

e-bow quasi free

4 4

mf 3

3

3

3

2 4

4 4

3

3

2 4

4 4

Vln. I

Vln. II

Vln. III

2 4

f

Vla. 3

3

molto sul pont.

2 4

4 4

2 4

4 4

sfz

f

2 4

4 4 mf

2 4 sfz

ord

mf

sfz Cb.

f

f

unis.

Vc.

J

4 4

4 4 mf


23

K

116

2 4

Picc. f

2 4

Fl. 1 f

2 4

Ob. f

2 4

Cl. 1 f

2 4

B. Cl. f

2 4

Bsn. 1 f

2 4

Bsn. 2 f

2 4

Hn. f

2 4

Tpt. f

2 4

Tbn. f

2 4

Tba. Xyl.

42

Perc. 1 mf Timp.

2 4

Perc. 2 f

2 4 f

Hp.

2 4 2 4

Pno.

ff

2 4

sf

2 4

E. Gtr. f

p

K

2 4

Vln. I ff

2 4

Vln. II ff

2 4

Vln. III ord.

sul pont.

ff ord.

2 4

Vla. p ord.

Vc.

mf sul pont.

p

mf

ord.

sul pont.

p

mf

ff

ff 3

ff 3

7

7

6

6

3

3

3

3

2 4 2 4 2 4

Cb. ff


24 121

L

Picc.

2 4

Fl. 1

2 4

4 4

Ob.

2 4

4 4

Cl. 1

2 4

4 4

B. Cl.

2 4

4 4

Bsn. 1

2 4

4 4

2 4

4 4

Hn.

2 4

4 4

Tpt.

2 4

4 4

Tbn.

2 4

4 4

Tba.

2 4

4 4

Perc. 1

2 4

4 4

Bsn. 2

4 4

3

7

6

3

3

3

7

6

3

3

Kit f

Perc. 2

2 4

4 4

Timp. f

Hp.

Pno.

E. Gtr.

2 4

4 4

2 4

4 4

2 4

4 4

2 4

4 4

42

44

3

f

ord.

mf damp strings bow as fast as possible for ‘scraping sound’ Vln. I

Vln. II

Vln. III

Vla.

2 4 2 4 2 4 2 4

L

4 4

damp strings bow as fast as possible for ‘scraping sound’

damp strings bow as fast as possible for ‘scraping sound’

damp strings bow as fast as possible for ‘scraping sound’

ff

4 4 4 4

Cb.

ord.

ff

4 4

ord.

ff

4 4 f

Vc.

ord.

ff

molto sul pont.

2 4

ord.

ord.

ff

2 4

4 4

2 4

4 4

ff

ff


25

M 124

take Fl. 2

Picc.

Fl. 1

Ob.

Cl. 1

B. Cl. f`

Bsn. 1 f`

Bsn. 2 f`

Hn. sfz

Tpt.

Tbn. sfz Tba.

Kit.

Mar.

Perc. 1 f` Tom-toms skins, try towels on Tom-toms Perc. 2 mf

ff

Pno.

E. Gtr. f

M

pizz.

Vln. I f pizz. Vln. II f pizz. Vln. III f pizz. Vla. f

Vc.

Cb. f`


26 128 Fl. 1

Fl. 2

Ob.

Cl. 1

B. Cl.

Bsn. 1

Bsn. 2

Hn. p

f

p

Tpt. p

p

f

Tbn. p

f

p

Tba. p

mf

Mar. Perc. 1 Tom-t. Perc. 2

ff

Pno.

E. Gtr.

Vln. I

Vln. II

Vln. III

arco Vla. f unis. Vc. ff

Cb.

f


27 132 Fl. 1

Fl. 2

Ob. bend note slightly flat, over blow Cl. 1 sfp B. Cl.

Bsn. 1

Bsn. 2

Hn. f

sfz

f

sf

Tpt.

Tbn. sf Tba. sf Mar. Perc. 1 Tom-t. Perc. 2 mute strings inside piano for heavy thud resonance can l.v. sfz

Pno.

clean tone E. Gtr. mp ord. arco

snap pizz.

col legno, ricochet 3

Vln. I mf arco

pp

sfz

ord.

snap pizz.

col legno, ricochet 3

Vln. II mf arco

pp

sfz

col legno, ricochet

snap pizz.

mf

sfz

3

Vln. III col legno, ricochet

ord.

mf

mp

3

Vla.

col legno, ricochet 3

mf col legno, ricochet 3

Vc. mf col legno, ricochet Cb. mf

3

sul pont.

ord.


28 bend note slightly flat, over blow

138 Fl. 1 sfp

sfp

Fl. 2 sfp

bend note slightly flat, over blow Ob. sfp Cl. 1

B. Cl.

Bsn. 1

Bsn. 2

Hn.

Tpt.

Tbn.

Tba. Mar. dead strokes

sim.

Perc. 1 p

Timp.

Perc. 2 f

ff

sfz

sfz

sfz

Pno.

f

Ebow pp E. Gtr.

sul pont.

arco Vln. I sfz

sfz

p

Vln. II sfz

sfz sul pont.

arco

ord.

Vln. III sfz

Vla.

sfz

p

sul pont.

mf

mf snap pizz.

arco

sfz

mp

ff

sul pont.

ord.

mf

3

mp ord.

arco sul pont.

snap pizz.

pizz.

sul pont.

ord.

p

Vc.

arco sul pont.

snap pizz.

p

snap pizz.

pizz. ord.

Cb. sfz

sfz

f


29 145 Fl. 1 sfp

p

Fl. 2 p

sfp

sfz

Ob. p

sfp

sfz

Cl. 1 p

sfp

sfz

B. Cl.

Bsn. 1

Bsn. 2

Hn.

Tpt. sfp Tbn.

Tba. Glock.

l.v.

Perc. 1 mp 3

6

3

6

l.v.

Crot. Perc. 2 mp

3

6

3

6

Ebow 3

ord. Vln. I mf

pp

f

sub. p

pp

f

f

sub. p

pp

f

arco

Vln. II pp sul pont.

ord.

sul pont.

ord.

Vln. III ord.

Vla.

sul pont.

ord.

mf sul pont. ord.

mf Vc.

ord.

p sul pont.

ord.

mf

sim.

p

p arco

Cb. mp


30 149

5 4

Fl. 1 take Picc. Fl. 2

5 4

p

sfp

5 4

Ob. p

sfp

5 4

Cl. 1 p

sfp B. Cl.

5 4

Bsn. 1

5 4

Bsn. 2

5 4

Hn.

5 4 sfp

sfz

5 4

Tpt. sfz

sfp

sfz

Tbn.

5 4

Tba.

5 4 sfp

l.v.

sfz

5 4

Perc. 1 mp 3

6

3

6

5 4

Perc. 2

5 4 mp

Hp.

mp

Pno.

3

6

5 4

3

5 4

6 7

7

7

5 4 bend down to Gb

Ebow

5 4

Vln. I

5 4 sub. p

pp

f

5 4

Vln. II sub. p

pp

f

5 4

Vln. III mp

Vla.

5 4

mp

5 4 mp

5 4 Vc.

sf

p

sf

5 4 p

sf

5 4

Cb. sf


31 152 Ob.

5 4

4 4

Cl. 1

5 4

4 4

Hn.

5 4

4 4

7

7

7

f

sfp

5 4

Perc. 2

4 4

sfz

Timp. f

5 4 Pno.

4 4 7

5 4

7

l.v.

7

4 4

5 4

Ebow

sfz

sfz

4 4 snap pizz.

5 4

4 4 p

Vc.

5 4

4 4 sf

p

sf snap pizz.

5 4

Cb.

ff

sf

4 4 ff

155 Picc. p Fl. 1 p Ob. p Cl. 1 p B. Cl. p Hn. sfp

sfz

Tpt. sfp

Tbn. sfp

sfz

Glock. bowed

Perc. 1 mp

Timp.

mp

Perc. 2

Pno.

f

6

6

6

6

sfz

ff

6

6

6

6

Ebow arco

Vc.

Cb.

f

ff

l.v.


32 159

take Fl. 2

Picc.

Fl. 1 Ob.

Cl. 1

B. Cl.

Bsn. 1 mf Bsn. 2 mf Glock.

Mar.

Perc. 1 mf

mp Timp.

Vibr.

Perc. 2 mf

ff

ff

Pno.

6

mp

mp

6

una corda Ebow

E. Gtr. mf 6

ff

Vc.

6

molto sul pont.

ord.

mp

mp Cb.

164 B. Cl. Kit snare with rods Perc. 1 mp Vibr. Perc. 2 mf

f

Pno.

tre corda

E. Gtr. mf unis. Vla. mp

f

unis. Vc. f arco Cb. f

3

3


33 168 Fl. 1

Fl. 2 pp Ob.

Cl. 1 pp

pp

pp

pp

pp

pp

B. Cl.

Bsn. 1 mf

f

Bsn. 2 f

Hn.

Tpt.

Tbn.

Tba.

Kit Perc. 1 3

3

Vibr. Perc. 2

Pno.

volume pedal chordal swells, with flutes E. Gtr. pp

pp

pp

mf

pp

pp

pp

mf

pp

pp

pp

mf

pp

pp

pp

Vln. I

Vln. II

Vln. III

Vla.

Vc.

Cb.


34

N

173 Fl. 1 pp

take Picc. Fl. 2 pp Ob. mp Cl. 1 pp take Clarinet B. Cl. pp

Bsn. 1

Bsn. 2

Hn. mp Tpt.

Tbn. mf Tba.

Perc. 1

Perc. 2

Pno.

E. Gtr. pp

N Vln. I pp

f

f

Vln. II pp

f

pp

f

Vln. III

Vla. mf

Vc. mf

Cb.


35 177 Fl. 1

Fl. 2

Ob.

Cl. 1

Cl. 2

Bsn. 1

Bsn. 2

Hn. p

Tpt. p Tbn. p

Tba. p

Perc. 1 Timp. Perc. 2 mf

Pno.

Ebow

Vln. I

Vln. II

Vln. III

Vla.

Vc.

Cb.


36 181

O

(opt. Fl.)

5 4

Picc.

take Fl.

4 4

p

5 4

Fl. 1

4 4 mf

5 4

Fl. 2

4 4 mf

Ob.

5 4

4 4

Cl. 1

5 4

4 4 mp

Cl. 2

5 4

4 4

Bsn. 1

5 4

4 4

Bsn. 2

5 4

4 4

Hn.

5 4

4 4

Tpt.

45

44

Tbn.

5 4

4 4

Tba.

5 4

4 4

Perc. 1

5 4

Mar.

4 4 mf

5 4

Perc. 2

Vibr.

4 4 mf

5 4

Ebow

4 4

p

O Vln. I

5 4

4 4

5 4

4 4

5 4

4 4

5 4

4 4

5 4

4 4

5 4

4 4

p

Vln. II p

Vln. III p soli Vla. p

Vc. p

Cb. p


37 186 Fl. 1

4 4

2 4 3

Fl. 2

4 4

Ob.

4 4

2 4

mp

Cl. 1

3

3

2 4

3

2 4

mf

4 4 mf

Cl. 2

4 4

3

2 4

3

mf

Bsn. 1

4 4

3

mf

Bsn. 2

4 4

3

2 4

3

mf

Hn.

2 4

4 4

2 4 p

Tpt.

4 4

2 4 p

sfz

Tbn.

4 4

2 4

Tba.

4 4

2 4

Perc. 1

4 4

Perc. 2

4 4

Vln. I

4 4

Mar.

2 4

Vibr.

2 4

quick dramatic swell

p

Vln. II

4 4 4 4

p

quick dramatic swell

p

Vln. III

2 4 2 4 p

quick dramatic swell

p

2 4 p

Vla.

4 4

2 4

Vc.

4 4

2 4

Cb.

4 4

2 4


38 189 Fl. 1

2 4

4 4

Fl. 2

2 4

Ob.

3

5 4

4 4

4 4

5 4

4 4

2 4

4 4

5 4

4 4

Cl. 1

2 4

4 4

5 4

4 4

Cl. 2

2 4

4 4

Bsn. 1

2 4

Bsn. 2

3 3

mf

5 4

4 4

4 4

5 4

4 4

2 4

4 4

5 4

4 4

Hn.

2 4

4 4

5 4

4 4

Tpt.

2 4

4 4

5 4

4 4

Tbn.

2 4

4 4

5 4

4 4

Tba.

2 4

4 4

5 4

4 4

Perc. 1

2 4

4 4

5 4

4 4

Perc. 2

2 4

4 4

5 4

4 4

2 4

4 4

5 4

4 4

5 4

4 4

5 4

4 4

5 4

4 4

Hp.

Pno.

2 4

4 4

2 4

4 4

2 4

4 4

2 4

4 4

3

mf

Mar.

Vibr.

mf

mf

clean E. Gtr.

5 4

4 4 pp

Vln. I

2 4

sul pont.

4 4

5 4

4 4

4 4

5 4

4 4

4 4

5 4

4 4

4 4

5 4

4 4

4 4

5 4

4 4

4 4

5 4

4 4

2 4

4 4

5 4

4 4

2 4

4 4

5 4

mf Vln. II

2 4

sul pont. mf

Vln. III

2 4

sul pont. mf

2 4 Vla.

sul pont. mf

2 4

sul pont. mf

2 4 Vc.

Cb.

sul pont.

mf

pizz.

pp

4 4


39 193 Fl. 1

4 4

Fl. 2

4 4

Ob.

4 4

Cl. 1

4 4

Cl. 2

4 4 mf

Bsn. 1

4 4

Bsn. 2

4 4

Tpt.

4 4 Mar.

Perc. 1

4 4 4 4

Vibr.

Perc. 2

Hp.

4 4

Pno.

4 4

E. Gtr.

4 4

Cb.

4 4

mp

mp

195

2 4

4 4

2 4 2 4

4 4 4 4

Cl. 2

2 4

4 4

Bsn. 1

2 4

4 4

2 4

4 4

2 4

4 4

2 4

4 4

Fl. 1 3

3

3

Ob. 3

Cl. 1 3

3

3

3

Bsn. 2 3

Hn. mp Tpt. Mar.

sfz

4 4

Perc. 2

2 4

4 4

Hp.

2 4

4 4

Pno.

2 4

4 4

E. Gtr.

2 4

4 4

Vln. I

2 4

4 4

Vln. II

2 4

4 4

Vln. III

2 4

4 4

Cb.

2 4

4 4

Vibr.

3

p

2 4

Perc. 1

con sord.

ord.

pp

pp

pp


40

P 198 Fl. 1 p take Picc. Fl. 2

Ob. p Cl. 1 p Cl. 2

Bsn. 1

Bsn. 2

Hn. p

pp

3

Tpt. p

pp

Tbn. p

Tba.

Mar. Perc. 1 Vibr. Perc. 2

Hp.

Pno.

E. Gtr.

P Vln. I

Vln. II

Vln. III

unis.

ord.

unis.

pp ord.

Vla.

Vc. pp Cb.

pp


41 201 Fl. 1

7 4

Fl. 2

7 4

Ob.

7 4

Cl. 1

7 4

Cl. 2

7 4

Bsn. 1

7 4

Bsn. 2

7 4

Hn.

7 4 p

pp

attacca

take Bass Clarinet

p

7 4

Tpt. p

pp

mp

7 4

Tbn. p

pp

7 4

Tba.

Mar.

7 4

Perc. 1 Vibr.

7 4

Perc. 2

7 4 Pno.

7 4

E. Gtr.

7 4

Vln. I

7 4

attacca p

7 4

Vln. II

p

7 4

Vln. III

p

Vla.

7 4

Vc.

7 4 ppp arco

Cb. ppp

7 4


42

Q

slower, guitar solo q = 94

3.

Oboe mp poco espress. Clarinet 1 in Bb mp

Horn in F

XI

Electric Guitar mp espress.

Q

slower, guitar solo q = 94

Violin I

Violin II

Violin III

Contrabass

210 Cl. 1 p

Bsn. 1 mp Mar. soft mallet, heart beat Perc. 1 mp

mf

Pno.

E. Gtr.

Vln. I pp

pp

Vln. II pp

pp

pp

Vln. III pp

pp


43 213 Hn. pp Mar. Perc. 1

Pno.

E. Gtr. mp

mp

Vln. I

Vln. II

Vln. III

mp

Vla.

mp espress.

Vc.

pizz. Cb. mp

217 Hn.

4 4

Tbn.

4 4 pp

4 4

Tba. pp

4 4 Pno.

4 4

Vln. I

4 4

Vln. II

4 4

Vln. III

4 4 1.

Vla.

4 4

p poco espress.

mp

4 4 solo

Vc.

mf

4 4

p Cb.

ord.

4 4


44

R 221 Picc. f

Fl. 1 f

Ob.

Cl. 1

B. Cl. mf

Bsn. 1

Bsn. 2

Hn.

senza sord. Tpt.

Tbn.

Tba. mf Tam-t. dark, resonant Perc. 1

l.v.

Glock. l.v.

mf

mf

Timpani

5

Vibr.

Perc. 2 mf

mf

3

3

distorted* E. Gtr.

f

R Vln. I f

f Vln. II

f

f

Vln. III f

Vla.

f

f

f tutti Vc. f arco Cb. mf

f

*Can be played by turning guitar upside down and striking the headstock on soft surface on the floor.

sul pont.


45 229

take Fl. 2

Picc. f

Fl. 1 f

Ob.

Cl. 1 6

f

5

B. Cl.

Bsn. 1

Bsn. 2

Hn.

Tpt.

Tbn.

Tba.

Tam-t.

l.v.

Perc. 1

Glock.

l.v.

Tam-t.

mf

l.v.

mf

Vibr.

5

3

Perc. 2 3 3

E. Gtr.

Vln. I f

mf

Vln. II f

mf

Vln. III f

mf

tutti Vla. f

mf

ord.

sim.

Vc. 3

Cb. f

mf

6


46

attacca

235 Fl. 1 mf Cl. 1 5

take Clarinet

B. Cl. mf Bsn. 2

Pno.

mf

E. Gtr.

attacca Vln. I mf Vln. II espress. Vln. III mf Vla. mf Vc. 3

f

Cb. f

4. S

q = 144

Trombone sfz

prepare piano for HEAVY low thud, right hand palm, con pedal

Piano

l.v.

sfz

norm. percussive sound, no pitch use 16th delay

tap guitar strings and neck to create percussive tremolo

Electric Guitar f

p

247 Kit *

5

p

f

7

6

5

6

7

Perc. 2 3

pp

Pno.

ff

3

pp

sim.

sfz

sfz

E. Gtr.

“Drum Kit� part here should use approximate rhythms - instruments can be played flat on a table or hung. The player can choose patterns that should be used as desired with assortment of skins, wood and metal sounds. (suggestion: a metal grate or fence could be used for a lighter metal sound)

ff


47

T Mar. 251 dead strokes with col legno 3

3

3

3

Perc. 1 f Kit

5

7

6

5

6

Perc. 2 3

pp

ff

pp

Pno.

E. Gtr.

T col legno

3

3

3

3

3

3

3

3

3

3

3

3

3

3

Vln. I f col legno

f 3

3

Vln. II f col legno

f 3

3

Vln. III f unis. col legno

f 3

3

Vla. f

f

unis. col legno Vc. f

f

col legno Cb. f

f

254 Mar. Perc. 1 Kit

7

Perc. 2 3

Pno.

ff

pp

ff

l.v.

l.v.

sfz E. Gtr.

Vln. I

Vln. II

Vln. III

Vla.

Vc.

Cb.


48

U 257 Fl. 1

Fl. 2

Ob.

Cl. 1

Cl. 2

Bsn. 1

Bsn. 2 BRASS (until b.314): swells should sound as if digitally reversed: slow crescendo with a fast tail at end Hn. mf Tpt. p

f mf

Tbn. mf

ff

Tba.

Mar. Perc. 1 Kit Perc. 2 pp

ff

pp

ff

Pno.

sfz ord. E. Gtr.

U Vln. I

Vln. II

Vln. III

Vla.

Vc.

ord. Cb. sfz


49 261 Fl. 1

Fl. 2

Ob.

Cl. 1

Cl. 2

Bsn. 1

Bsn. 2

Hn. ff

mf

ff

Tpt. ff

mf

ff

Tbn. mf

ff

Tba.

Mar. Perc. 1 Kit Perc. 2 p

E. Gtr. arco*

arco* col legno

Vln. I arco*

arco* col legno Vln. II

arco*

arco* col legno Vln. III

ord.

p

Vla.

f

ord. p

f

ord.

p

Vc.

f

ord.

p

Cb.

*Any high pitches above the fingerboard

f


50

V 265 Fl. 1

Fl. 2

Ob.

Cl. 1

Cl. 2

Bsn. 1

Bsn. 2

Hn. mf mf

ff

Tpt. mf mf

ff

Tbn. mf

ff

Tba. mf

ff

Perc. 1

Kit Perc. 2 pp

ff

pp

ff

E. Gtr. mf

V col legno

ord.

Vln. I sub. p col legno

ord.

Vln. II sub. p col legno

ord.

Vln. III sub. p molto sul pont.

unis.

ord.

Vla. p

molto sul pont.

Vc.

Cb.

p

f

f

sub. p


51 269

W

short

Fl. 1 mf

short

Cl. 1 mf

Hn. f Tpt. f Mar. Perc. 1 f E. Gtr.

W Vln. I f Vln. II f Vln. III f Vla. f ord.

Vc.

sfp

ord.

ff

sfp ord. Cb.

273 Hn. sfp

ff

Tbn. p

sfp Mar.

Perc. 1 p E. Gtr.

Vln. I f

f

Vln. II f

f

sfp

Vla.

sfp

sfp

Vc.

ff

ff

sfp

sfp

ff

ff

sfp

Cb. sfz

sfz


52 277 Hn. sfp

ff

Tbn. ff

sfp

ff

Tba. sfz

punctuated mf

Pno.

E. Gtr. sub. p

Vln. I f

f

sub. p

Vln. II f

f

sub. p

ff

Vla.

ff

ff

sfp

Vc.

ff

sfp

pp

ff

Cb. sfz

281 Tbn. sfz

sfp Mar. dead strokes Perc. 1 mp

Kit Perc. 2 mf

Pno.

E. Gtr. pizz. Vln. I mf pizz. Vln. II mf pizz. Vln. III mf

Vla.

pizz.

mf

mf

Vc.

pizz.


53

285 Fl. 1 mf

Fl. 2

Ob. mf Cl. 1 mf Cl. 2

Bsn. 1 p

f

p

f

Bsn. 2

Hn. sfp

ff

sfz

ff

Tpt.

Tbn. sfz

sfp

ff

Kit

mp

f

Tba.

Mar. Perc. 1 f Perc. 2

Pno.

E. Gtr.

Vln. I mf Vln. II mf

Vln. III mf

mf

Vla.

mf

unis. scrape bridge Vc. sfz

sfz pizz.

3

Cb. sfz

f

3


54 289 Fl. 1

Fl. 2

Ob.

Cl. 1

Cl. 2

Bsn. 1

Bsn. 2

Hn.

Tpt.

Tbn.

Tba. sfz Xyl. Perc. 1 mf Kit

Iron

Perc. 2 f

Pno.

E. Gtr.

arco Vln. I p arco Vln. II p Vln. III arco sul.pont

f

Vla.

sul pont. Vc. f Cb.

ff

ff


55 293 Fl. 1 mf Fl. 2 mf Ob. mf Cl. 1 mf Cl. 2 mf Bsn. 1 mf Bsn. 2 mf

Hn.

Tpt.

Tbn.

Tba.

Xyl. Perc. 1

Perc. 2

Pno.

E. Gtr.

scrape on bridge Vln. I f

f

scrape on bridge

Vln. II f

f scrape on bridge

Vln. III f scrape on bridge

sfz

Vla.

sfz scrape on bridge

scrape on bridge

sfz

sfz

ord.

ord. f

sfz

Vc.

scrape on bridge

sfz

f

ord.

ord. f Cb.

sfz

sfz

f


56 297 Fl. 1

Fl. 2

Ob.

Cl. 1

Cl. 2

Bsn. 1

Bsn. 2

Hn.

Tpt. mp

Tbn.

Tba.

Perc. 1

Perc. 2

Pno.

E. Gtr.

ord. Vln. I p ord. Vln. II p ord. Vln. III p ord.

Vla.

p ord.

p unis. Vc. mp Cb.


57 300

X

Fl. 1

Fl. 2

Ob.

Cl. 1

Cl. 2

Bsn. 1

Bsn. 2

Hn.

Tpt.

Tbn.

Tba.

Mar. Perc. 1 ff Kit kick Perc. 2

Pno.

ff

E. Gtr.

X

stop on note, extreme sul pont.

Vln. I p

sfz

Vln. II

Vln. III p stop on note, extreme sul pont.

Vla.

p

sfz

arco

p

Vc.

Cb. ff


58 303 Fl. 1

Fl. 2

Ob.

Cl. 1

Cl. 2

Bsn. 1

Bsn. 2

Hn. p

sfz

p

sfz

p

sfz

p

sfz

p

sfz

p

sfz

p

sfz

sfz

p

sfz

sfz

p

sfz

p

sfz

p

sfz

p

sfz

p

Tpt.

Tbn.

Tba. p Mar. Perc. 1

Kit Perc. 2 sfz

sfz

Pno.

E. Gtr.

sim. Vln. I p

sfz

p

Vln. II stop on note, extreme sul pont.

sim.

Vln. III sfz

p sim.

Vla.

p

sfz

stop on note, extreme sul pont.

sim.

Vc. sfz

Cb.

p

sfz


59 306 Fl. 1 mf

Fl. 2 mf

Ob. mf Cl. 1 mf Cl. 2 mf

Bsn. 1 mf

Bsn. 2 mf

Hn. p

Tpt.

Tbn. sfz

p

Tba. p

Perc. 1

Perc. 2

E. Gtr.

Vln. I p

Vln. II p Vln. III p

p

Vla.

Vc. sfz

Cb.


60

Y

309 Fl. 1

Fl. 2

Ob.

Cl. 1

Cl. 2

Bsn. 1 f Bsn. 2 f

Hn.

Tpt.

Tbn.

Tba.

Mar. Perc. 1 ff Kit kick Perc. 2 mf

f

Pno.

E. Gtr.

Y Vln. I mf Vln. II mf Vln. III mf

Vla.

mf

mf Vc. mf Cb. mf

ff

sfz


61

312 Bsn. 1

Bsn. 2

Hn. p

sfz

p

sfz

p

sfz

p

sfz

p

sfz

p

sfz

p

sfz

Tpt.

Tbn. sfz

Tba. p Mar. Perc. 1

Kit sfz Perc. 2

5

5

5

mf

Pno.

5

keep 16th delay E. Gtr. mf

315 Fl. 1 mp

f

mp

f

mp

f

mp

f

mp

f

mp

f

Ob.

Cl. 1

Bsn. 1

Bsn. 2

5

Pno.

E. Gtr.

5

5

5

5

5

5

5

5

5

5

5


62 318 Fl. 1 mp

f

mp

f

mp

f

Ob.

Cl. 1

Bsn. 1

Bsn. 2

Hn. mf Mar. Perc. 1 mf

5

5

5

Pno.

5

5

5

5

5

5

5

5

5

E. Gtr.

Vc. mp

321 Fl. 1 mp

f

f 3

3

3

3

3

3

3

3

Fl. 2 f 3

3

3

3

3

3

3

3

Ob. mp

f

mp

f

f

3

Cl. 1 f 3

3

3

3

3

3

3

3

3

3

3

3

Cl. 2 f 3

3

3

Bsn. 1

Bsn. 2

Hn. mf

sfz

Tbn. mf

Mar.

sfz

Perc. 1 Kit

light snare

Perc. 2 p

mf

Hp. mf

Pno.

E. Gtr.

Vc.

Cb.

5

5

5

5

5

5

5

5

5

5

5

5


63 324 Fl. 1 3

3

3

3

3

3

3

3

Fl. 2 3

3

3

3

Ob. 3

3

Cl. 1 3 3

3 3

3

3

Cl. 2

Bsn. 1

Bsn. 2

Hn.

Tpt.

Tbn. f

mf

sfz

Tba. f Mar. Perc. 1

(B.D.)

Kit Perc. 2 p

mf

mf

sfz

Hp.

5

Pno.

5

5

5 5

5 5

5 5

5

5

5

E. Gtr.

Vln. I

Vln. II

Vln. III unis.

f

Vla. f

Vc. f arco Cb. mf

sfz


64 327 Fl. 1

Fl. 2

Ob.

Cl. 1

Cl. 2

Bsn. 1

Bsn. 2

Hn. mf

sfz

Tpt.

Tbn. mf

sfz

mf

sfz

Tba. mf

sfz

Mar. Perc. 1

sim. Perc. 2

Hp.

5

5

Pno.

5

5

5

5 5

5 5

E. Gtr.

Vln. I f Vln. II

Vln. III

Vla.

Vc.

Cb. mf

sfz

f

f

5

5 5


65 330 Fl. 1 f 3

3

3

3

3

3

3

3

3

3

3

3

Fl. 2 f 3

3

3

3

3

3

3

3

3

3

3

3

Ob. f

3

3

3

Cl. 1 f 3

3

3 3

3

3 3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

Cl. 2 f 3

3

3

Bsn. 1

Bsn. 2

Hn. mf

3

3

sfz

Tpt. f 3

3

3

Tbn. sfz

mf

ff

Tba.

Mar. Perc. 1 snare

B.D.

sim.

Perc. 2 sfz

mf

mf

sfz

Hp.

5

Pno.

5

5

5

5

5

5

5

5

5 5

5

E. Gtr.

Vln. I

Vln. II

Vln. III

Vla.

Vc.

mp

mp Cb. mf

sfz

mf

sfz

f

sfz


66 333 Fl. 1 3

3

3

3

3

3

3

3

3

3

3

3

Fl. 2 3

3

3

3

3

3

3

3

3

3

3

3

Ob. 3

3

3

Cl. 1 3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

Cl. 2 3

3

3

Bsn. 1

Bsn. 2

Hn.

3

3

3

3

3

3

3

3

3

Tpt. 3

3

3

Tbn.

Tba. ff Mar. Perc. 1 snare Perc. 2 mf

sfz

sub. p

Hp.

5

5 5

Pno.

5 5

5

5

E. Gtr.

Vln. I f Vln. II f Vln. III f

f

Vla.

f

f

Vc.

f Cb. f

sfz

f

5

5

5

5

5


67 336 Fl. 1 3

3

3

3

3

3

3

3

3

3

3

3

Fl. 2 3

3

3

3

3

3

3

3

3

3

3

3

Ob. 3

3

3

3

Cl. 1 3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

Cl. 2

Bsn. 1

Bsn. 2

Hn.

Tpt.

Tbn.

Tba. Mar. Perc. 1 Kit Perc. 2

Hp.

5

Pno.

E. Gtr.

Vln. I

Vln. II

Vln. III

Vla.

Vc.

Cb.

5

5

5

5

5

5

5

5

5

5

5


68

Z

Calm q = 120

339 Fl. 1

p Fl. 2 mp

mp

p

Ob. p

mp

Cl. 1 p take Bass Clarinet Cl. 2

B. Cl.

Bsn. 1

Bsn. 2 BRASS (until b.347): swells should have a quick crescendo at end palm mute Hn. p palm mute

mf

p

mf

p

p

mf

p

mf

p

mf

p

mf

p

Tpt.

palm mute Tbn. p

mute

Tba. p Perc. 1 Vibr. Perc. 2 pp

Hp.

Pno.

pp

pp clean

E. Gtr. pppp

Z

Calm q = 120

Vln. I ppp Vln. II ppp Vln. III ppp

ppp

Vla.

ppp

ppp

Vc.

ppp Cb. ppp


69

AA 346 Fl. 1 take Picc. Fl. 2

Ob. p Cl. 1

B. Cl.

Bsn. 1

Bsn. 2

Hn. mf

p

p

mf

pp

p

pp

Tpt. mf

p

mf

mf

p

mf

p

pp

p

pp

Tbn. p

pp

p

pp

Tba. mf

p

mf

Perc. 1

Perc. 2

Hp.

Pno.

bell tone

bowed guitar

mp

pp

E. Gtr.

AA Vln. I sfp 1 Vln. II sfp Vln. III sfp

Vla.

sfp

sfp

Vc.

sfp

sfp Cb. sfp

2

3

4

5

6

7

8


70

BB 356 Picc.

Fl. 1

Ob.

Cl. 1

B. Cl.

Bsn. 1

Bsn. 2

Hn.

Tpt.

Tbn. p Tba.

Perc. 1

Perc. 2

p

Pno.

6

6

6

E. Gtr. pp

BB strings: slight rhythmic articulation within bow Vln. I 5

sfp

5

5

sfp

5

5

sfp

Vln. II sfp

sfp 6

sfp

6

6

6

6

Vln. III sfp

Vla.

Vc.

sfp

sfp

3

3

sfp

sfp

3

3

sfp

sfp

sfp

sfp

sfp

sfp

sfp

sfp

sfp

sfp

sfp

sfp

sfp

Cb.

3

6


71 361 Picc.

Fl. 1 p Ob. p Cl. 1 p B. Cl.

Bsn. 1

Bsn. 2 p

Hn. p Tpt. p Tbn.

Tba. B.D. resonant trem. Perc. 1 ppp Tam-t. Perc. 2 ppp

Pno.

E. Gtr.

Vln. I 5

5

sfp

Vln. II sfp 6

6

Vln. III sfp

3

Vla.

sfp

sfp

Vc.

sfp

sfp Cb. sfp

3


72 363 Picc.

Fl. 1

Ob.

Cl. 1

B. Cl. p

Bsn. 1 p Bsn. 2

Hn.

Tpt.

Tbn.

Tba. B.D. Perc. 1 Tam-t. Perc. 2

Pno.

ord. E. Gtr. mf

6

6

6

6

Vln. I 5

5

sfp

Vln. II sfp 6

6

Vln. III sfp

Vla.

3

sfp

sfp

Vc.

sfp

sfp Cb. sfp

3


73 365 Picc. p

ff

Fl. 1 ff Ob. ff Cl. 1 ff

B. Cl. ff

Bsn. 1 ff Bsn. 2 ff

Hn. ff Tpt. ff Tbn. ff Tba. mf

ff

B.D.

l.v.

Perc. 1 ff

Tam-t.

l.v.

Perc. 2 ff

ff

Pno.

l.v.

l.v. E. Gtr. ff

Vln. I 5

5

5

ff

Vln. II ff 6

6

6

Vln. III ff

Vla.

Vc.

3

3

ff

ff

ff Cb. ff

3

Dessner WIRES  

Chamber orchestra; Chester Music; musicsalesclassical.com; 56619

Dessner WIRES  

Chamber orchestra; Chester Music; musicsalesclassical.com; 56619