THE WANTON SUBLIME (2013) Monodrama for mezzo-soprano and ensemble Libretto by Anna Rabinowitz
Full Score
NOVELLO
Duration 30’ Instrumentation Mezzo-soprano (amplified) Pre-recorded mezzo-soprano Flute (doubling Piccolo) Percussion (2 players): small drum kit [bass drum, snare drum, hi-hat, ride cymbal, crash cymbal], tam-tam, crotales [two octaves], marimba, vibraphone, glockenspiel, two goblet drums, tubular bells [CE and E above middle C], sizzle cymbal, large suspended cymbal, zills, cabasa
Acoustic guitar (doubling Electric guitar*) Electric guitar (doubling four-string Electric Bass guitar*) Violin Viola Violoncello Double bass (with optional low-B extension)
All acoustic instruments should be lightly amplified to achieve a balance between the live vocal, pre-recorded track and electric guitar. *Both guitarists require clean amplification and a distortion pedal. The two players cannot share an Electric guitar: if only one is available the first player will continue on Acoustic guitar. If no Electric Bass guitar is available then the player should use an octave pedal.
Vocal score is available on sale, order no. NOV293018. Instrumental parts are available on hire from the publisher.
Novello Publishing Limited (part of The Music Sales Group) 14-15 Berners Street, London W1T 3LJ Exclusive distributors: Music Sales Limited, Newmarket Road, Bury St Edmunds, Suffolk IP33 3YB www.musicsalesclassical.com www.musicroom.com
Commissioned and developed by American Opera Projects for the Peter Jay Sharp SOLO series
THE WANTON SUBLIME ANNA RABINOWITZ
Flute (amplified) doubling Piccolo
TARIK O’REGAN
Steady q = 112
G
CROTALES 1 j 5 = 4 Percussion 1 G 5
Slower q = 100
4
?
4
2 = 5 4
N
ff
Percussion 2 2 N
DRUM KIT
= 4
0
0
ff
TAM-TAM soft mallet
'
0
'
pp
0
'
0
f
0
'
0
0
0
ACOUSTIC GUITAR (amplified)
Guitar 1 Acoustic Gtr. (amplified) with distortion pedal doubling Electric Gtr. if possible)
55 1 G i ff
= 4
5 55M
4
f
E ' ' E'
4
' ' '
GGGGGGGG
‘clean’ sound (no distortion)
pp
' ' '
' ' '
ELECTRIC GUITAR
‘clean’ sound (no distortion)
Guitar 2 Electric Gtr. with distortion pedal doubling Bass Gtr. or using octave-down pedal)
MEZZO-SOPRANO (pre-recorded, amplified)
MEZZO-SOPRANO (live, amplified)
55 2G i ff
= 4
G
G 4
5 5 5M = 4
0
?
f
5 5 5 = 4 f
Must I stop?
Steady q = 112
Violin (amplified)
5 M = 5 5 4
5M 5M 55
= 4
M 5 5 5 4 =
f
ff
Violoncello (amplified)
Contrabass (amplified)
2i
M M 55 55 ff
= 4
f
4
5 5M f
5
Must I
5M 5M 1 5 5 = 4 G ff
Viola (amplified)
5
4
0
Š 2013 Novello & Company Limited
0
4
5 = 4 ?
5
E5 5 :
A
wo - man
mf
5 5 E5 5 in
mf
5 5 = E5 B
kneel?
A
a
0
0
B
E5
EB
field
of
flow
5 5 E5 5 5 5
wo - man
in
a
field
E' pp
'
'
'
!' pp
'
'
'
E ' '
' '
' '
' '
EE ' '
' '
' '
' '
senza vib.
pp
pp
-
of
senza vib.
senza vib.
B ers
5 5 5 5 5
Slower q = 100
senza vib.
0
to Bass Gtr. (or use octave-down pedal)
flow - ers...
2
A 6 Fl.
0
G
1 Perc. 1 N
'
(T-tam)
Tempo IÂş q = 112
?
4
= =
B
7 4
j G=
0
0
0 5 5
MARIMBA
5
5
0
= =
0
GLOCKENSPIEL
G
?
4
mf
f
Perc. 2
2N
0
1 E ' Gtr. 1 G ' i E ' Gtr. 2
M.S. pre-r.
2G i G
M.S. live
?
B -
ter
-
rupt
5
1 Vln. G E '
4
= =
4
= =
5:
EB
'
G
4
B B B
0
EB in
?
-
niente
4
M 55 = 4
?
0
5 3
Vc.
Cb.
B
'
E ' '
BB BB
= 5
4
mp
0
f
5
4
= =
4
! 5 = 5
4
55 =
A
5 5 4
5
hill - side
4 4
thick with time
Perc. 2
2N
5 M = 5 5 5
M 5 5 5 4 =
4
3
G
'
J =
5 E5 3
5
0
3 5 = E5 = = 5 5 E5 5 5
0
= 55
?
5 5M 4
= =
5 5
3
B
mf
-
ing
3
3
3
5 5
5 5 5
5 5 5 E5 = !5 5 = =
= 5 E5 5M 5
4
= E5 5
4
=
4
3 3 5 = E5 = = = ÂŻ 5 E 5 5 5 5 5
f
0
!5
5 5 5 = 5 = 5 5 = 53 E5 5
3
5M
3
mf
3
3
3
3 3 5 = E5 = = 5 E 5 5 ! 5 5M 5
mf
?
pizz.
mf
J 5
J 5
J 5 5 5 = M
3
J J 5 5 =
3
=
3
5
J 5
J =
5 5 3
J 5
(‘ghost’ notes)
EB
5
sneaks
in
5 -
J J 5 = 5 5
J 5 5 3
3
J
5 25 4 5 5
4
4
to
my
0
to Goblet Drum
0
f
f
5
to T-tam
f
3 M 5 = 5 5M 5 E5 !5 5 5 5 4 E5 !5 M 3
B:
4
B:
0
= 5 5 5 E5 !5 5 5 p subito
5
peace?
Just like that
4
4
0
arco 3 3 5 5 ! 5 5 !5 E5 5 E 5 5 4 E 5 ! 5 5 5
E5 !5 E5 = 5 5 5 = E5 5 = !5 5 5 5 5 3
4
0
4
0
4
0
f
Vc.
3
=
3
greet
pizz.
4
arco 3 3 3 1 5 M Vln. G E5 5 5 !5 !5 E5 5 E 5 !5 E5 5 5 = 5 = !5 5 5 ! 5 5 E 5 5 5 = 5 5 5
Vla.
3
3
5
pizz.
f
!5 5 E 5 E5 ! 5 5 M 1 5 !5 5 5 E 5 5 = = = 5M E5 5 5M Gtr. 2 2 i M 3 3 3 M.S. live
=
J J 5 = 5 5
whose
f
f ord.
G
3 5 5 5 5 5 = = = 5
5 M = 5 5 4
4
f
5
5 11 3 3 5 1 E5 5 5 ! 5 !5 E5 5 E5 !5 E5 5 5 E5 = = 5 5 4 5 = 5 5 Perc. 1 G E5 !5 5 5 !5 5 J 5
=
5 5
ed...
f
E ' 2i E '
mp
ELECTRIC BASS GUITAR
?
J 5
3
5 5
hi-hat half-open
= 5
?
3
0
ord.
Vla.
i
4
5M = = 5
4
f
ord.
B
?
5 5 5
E 5 E5 ! 5 5 M 5 !5 5 5 = 5 E5 !5 5 = = 5M E5 5 5M M 3 3 3
E 5 E5 ! 5 5 5 !5 5 5 = 5 E5 !5 5 = = 5 E5 5 5 Cb. 2 i 3 3 3
f
E5 !5 5 5 5 4 E5 !5 = 5 5 5M 5M M 3 3
f
E5 !5 5 5 ÂŻ 4 5 5 E5 !5 = 5 5 5 M 3 3
arco
f
he en - ters
3
1 Perc. 1 G 16
Perc. 2
0 GOBLET DRUM with hands
2N ?
centre
1 Gtr. 1 2G ? i M.S. live
0
55= 4
f
=
G 5: !5 5 = = in - to me,
1 Vln. G ?
M BM
edge
5M 5M M 5
mp
5M 5 M 5M
mp
?
f
Vc.
=
just like that
55 55 = 4
M M
?
f
55M 55M = 4
4
?
4
0
5
pp
55= 4 55= 55 55
M M
M M 55= 4 55= 55 55
M M
M M
5M 5M 5M 5M 55= 4 55=
4
0
0
0
0
0
0
0
0
and
?
4
?
4
pizz.
? Cb. 2 i
f
5M 5M = 4 5M 5M =
?
4
now
p
E5 EB
E5 5 E5 B in a
field
of
flow -
B
5 5
EB
ers
in
-
ter
-
senza vib.
E5
'
'
'
'
pp
5
'
'
'
'
E55
' '
' '
' '
' '
EE55
' '
' '
' '
' '
pp
4
'
0
5M 5M 5M 5M 5 5 : 5 5 5 5 5$ 3 = then
'
0
senza vib.
4
?
4
senza vib.
4
?
4
senza vib.
pp
f
5 3= 4
B Slower q = 100 ' '
mf
bar - ges in and
55= 4 55
M M
?
55=
fp
f Vla.
N
TAM-TAM soft mallet
arco
pp
23 Fl.
G
1 Perc. 1 2 N Gtr. 1
M.S. live
0 '
1 Vln. G
0
E '
7 5 = 4 0
B
B - rupt
0
'
(T-tam)
1 2G i G
0
-
j G
3
5
and car - ried a - way
5 5 5 5 5
in
a far mea - dow...
Vc.
Cb.
'
E ' ' E ' 2i E '
5 = 4
= 5 5 E5
5: 5 5 = ?
I must duck out
'
= 4 5
?
' '
55 = 4
?
55 = 4
?
pizz. mf
mf
0
3
= = E5 !5 = 5 5 M 5M M E 5M 5M E 5M M 5M M
a sudden change of tone and demeanour mf
5 5 5 = E5 = 4
' '
0
?
0
pizz.
Vla.
0
to Mar.
mf
?
= 4 5
5 M = 5 !5 5 E5 !5 !5
= 5 5 E5 5 = 4
= 5 !5 E5 5 = 4
'
M M = 5 5M E5 5 = 5M = M
CROTALES
0
5 5 5 5 5
ed
?
C Tempo Iยบ q = 112 M M = 5 5M E5 5 = 4 M mf
mf
0
of this
= 5 5 E5 5 = 5 =
= 5 !5
E5 !5 !5 5
5 = 5 = = 5 5 E5
= 5 !5
E5 !5 !5 5
ord. 5M 5 5M = = E5M 5M !5M = 5M E5M E5M M
?
mf
0
0
0
4
29 Fl.
G
5 5M 5M 5M 5M M ! 5M 5 5
5M M 5 5 !5 3 5 5M 5M 5 5M 5M 5 M = E5 E5M M !5M 5 3
3 1 = = 5M 5 5 5 5 5 Gtr. 1 G 5 M 5 5 E5 M 5M 5 M 5M 5M !5M 5M i M 3
Gtr. 2
2i
1 Vln. G
Vla.
Vc.
0
5 5 5 5 5 5 ! 5 5
5 5 5 5 5 5 ! 5 5
0
5 5 5 !5 5 5 5 =
3
5M 5 5 M M E 5M
5 5 5 !5 5 5 5 =
0
=
5
!5 5
= E5 5 5
E5
5
5
5
5
!5 E5
5
5
5
!5 E5
f
5 E5 :
EB f
5
=
B
arco
5 5 E5
E5
5
E5
5 5 5 5 5 5 5 5 ! 5 5 E 5 5 5 5 5 5 ! 5 E 5 5 5 5 ! 5 5
f
!5
5
to El. Gtr.
5
5
!5 E5
arco
E5
3
5
!5
(Bass Gtr.)
E5
3
0
=
f
?
5 5 5 M M M M 5M 5 5 5M E5 5 5 5 = = 5 5M 5M 5 5 M M 3 3
Cb. 2 i
3
5
5
f
3
5 E5M M 5M 5M E B
5 E5 :
B
E° EB
ÂŻ EÂŻ : 5 E5 :
° B
f
ord.
?
f
33 Fl.
Perc. 2
G
!5
5
!5
1 2N
5
5
5
E5
0
1 !5 Gtr. 1 2G i M.S. pre-r.
5
5
5
!5
5
5
5 5
' M
5 M
5
E5
4
E'
4
f
E5
The
M.S. live
0
G
1 Vln. G !5 Vla.
B:
°: Cb. 2 i B:
to Picc.
0
5 = 4
?
to Drum Kit
0
E5 E 5 = 4 5 ff
?
5 5
5 sky
'
5
5
!5
5
5
5
E' E 5 5 sfp
5 ÂŻ 5
E5
sfp
E5
sfp
' '
= 55 BB 5 B
55 5 5 E5
'
ar - rives.
f
= 5 E5 5 B
The sky ar - rives.
sfp
Vc.
?
ff
0
5 5 5 5 5 5 ! 5 5 5 5 5 5 5 5 E 5 5 ! E'
G
E 5 = 4 ff
f
0
G
E'
!5
5 = 5 A
! 5 E 5 5 5 5 = 4
M M 5M 5M E 5 ! 5 = M M M M = 4
5 5 !5 E 5 = 4
!5M M E5M E5M = M EM5 M M = 4
ff
5 5
5
ff
= 4 E5 5
?
5 B = 5 B
E5
?
5 B =
ff
5
55 = 4
ff
fp
fp
5 !5 E5 E5
sword will pierce my
M M 5M 5M E 5 ! 5 M M M M M 5M !M5M EM5M M5 M 55
5
ff
5 E5 ff
5
37 Picc.
G
1 Perc. 1 G
PICCOLO
D i G 4
0
M 5 5 5 5 5 5 5 5 5 5 5 5 ? 5 E 5 ! 5 5 5 5 5 5 5 = E5 5 5 =
2N
5 55 ! 55 55 5 55 55 5E 5 5 5 55 5 E 55 5 5 E5 5 5 = 4 =
4
M.S. pre-r.
M.S. live
Vla.
Vc.
J J = 5 5 5 5
DRUM KIT
4
J J 5 5 5
f
= 4
5 E 5 !5M E5M 5M E 5M
4
slight distortion
f
5 4
5 5 4 G 5 5
soul!
5M M
5M G M
U
E5M
U
!5M
f
E 5 !5 E 5M M 5M
0
5
M E 5M
4
=
0
0
5M 5M
" to Glock. 2 2 : 5 5 ? 5 5
3
E5M !5M 5M E 5 E5 ! 5 5 E5M ?
M M
3
!5 5 ? E5 !5 5 5 E 5M ! 5M M E 5M 5M E 5M
3
f
?
0
!5
5
0
0
0
5 M5 M5 5 5 5M M M M 55 5 E5 !5 5 5 5 5 5 5 5 5M 5 5 5 = M ? M M E5 5 5 =
5M 5M
3
= M5 M M 5 5 M E5M M E5M = 5 5 5 5 5 E5 5 5 !5 E5 5 5 5 !5 E5 ? 5 5 5 M M 5 M
arco
UM 5 5M ? = E5 !5 5 5 E5 5 5 4 !5 5 5 E5M 5M 5 4 E 5 4 = 5
M E 5M 5M
E 5
5
M E 5M 3 3
U UM U
E5M 5 5M 5 E 5 4
E 5 Cb. 2 i
=
5 5 5 E5 !5
B
mf
Hail thou
5M 5M M 5M 5 M 5M M M E 5M M 5 5
5
?
5 5
slight distortion
TUBULAR BELLS
?
cymbal J J J J J ride " " " " 2 2 2 2 5 5 5 5 5 5 = 5 5 5 5 5 5 5
M
= EE55 !5 5M 4 E 5
M 5
M E 5M
5 4 E 5M
0 bell of
J 5
0
ELECTRIC GUITAR
G 5
1 Vln. G
f
1 Gtr. 1 G 5 i E 5
Gtr. 2 2G i
3
f
MARIMBA
hi-hat half-open
Perc. 2
(4 + 3)
5 5 5 5M
E = E5M 4
arco ! 5 5 E 5M
5M ! 5M M E 5 = ? E5M E5M
3
E 5 ! 5 5 E5 5 4
1 Perc. 1 2G ' M.S. pre-r.
G 5
that
M.S. live
G
' 5
art
5
5
E5
high - ly
B:
?
0
?
Vc.
?
G
0
0
?
0
?
Cb. 2 i
?
4
5
5
thou
5
that
5
art
5
high
-
5
ly
E5 fa
EB -
senza vib.
B
pp
' '
' '
vored.
Why
B B
? ?
B
'
'
B
EB
'
'
B
?
pp senza vib.
pp
0 !5
?
senza vib.
0
pleading f
'
senza vib.
EB
E
0
0
p
pp
Vla.
4
0
fa - vored.
0
5
'
Hail
1 Vln. G
0
to Mar.
42
5 5 = 4 me?
5 Why
4
!5 M = 5 5 4
4
M 5 5 5 4 =
5
ord.
f
ord.
f
5 5M
ord.
4
4
f
0
4
6
i 5M 5 5 5 ? = G
5M = 4
48 Picc.
1 Perc. 1 G 2N 1 Gtr. 1 G i
M.S. live
mp2
0 4
2 G 5 i
0
2 2
2
2
!5 5 E5
things to do
Vc.
p
3
5 5 5 5 pizz.
p
3
5
!5 5 E5
?
3 3
I
5 5 3
=
am
5 5 3
2
5M 5
mf
4
2 2
2
mf
3
5M
E5 !5
5 5
mf
5M = 5 mf
5 5 =
5
3
arco
5
5 = 5
5
5 = 5
5
mf
arco
5
!5 = ÂŻ 5 5 Cb. 2 i E5 5
mf
4
?
E5 !5 5 5
5
f
5 5M
5M
Why
4 4
me?
5 = 5 5 pizz.
f
?
? 4
4 4
E5 !5 5 5 ÂŻ 4 5 5M 3
?
4
arco
mf
5M
me fin - ish
this
book.
I’ve
5M
got
3
5
5 5
3 3 E5 !5 E5 5 5 = = E5 5 !5 5 3
0
3
5: p
5:
F
Faster q = 126
5 M 5 5M 5M !5M 5M 5 !5 M M 5 5 5 !5 5 5 !5 =
3
5M
M E5M 5 5M 5M M 5M 5M 5 5 E5 5 5 5 5 5 5
p
?
0
?
0
pp
5 = 4 5 5
pp
55 = 4
?
0
mp
5 5M 5M 5M
EB : B: EB : EBB::
now?
EB :
arco
=
p
B
Must
I clasp his
mf 5 = = 5M 5 E = = 5 M
hand?
At hand.
?
= 4 5
?
0
pp
55 = 4
?
0
?
0
pp
55 = 4
B:
E BB ::
EEBB ::
On
pizz. 5 5 5 5 E5 = 5 5
= 4 5
pp
?
2
5 = 4
pp
4
mf 3
=
5 5 = ? 5 Why
2
0
CROT.
4
2
3
0
4
5 5 5 = 4
2
5 !5 5 5 = 5 E5 !5 5 E 5 E5 ! 5 5 = = 5 E5 5 5
f
f
5M
let
= E5
5 5 5M 5
GLOCK.
2
5 3 5 E5 E5 5 5 ! 5 !5 E5 5 E5 !5 E5 5 5 = 3 = = E5 5 !5 5
MARIMBA
j G=
?
4
fa - vored,
?
G=
3
2 2
3
5
3
5 3 5 3 5 E5 E5 5 5 ! 5 ! 5 E 5 E 5 ! 5 5 E 5 5 = E5 5M = !5 5M = 5 5 M M 3 3 mf 3 jittery 5 ! 5 E 5M 4 5 5 5 5 E5 E5 E5 ! 5 E5 !5
0
5M 4 5M
2
3
= 2 2 = 2 2 = 2 2
2 2
3 3 = E5 !5 5 5 = E5 !5 5 E5 E5 !5 5 = = E5 5 5 5M M 5 M 3
3
3
pizz.
4
2 2
2 2 2
2
2
5 5 5 E5 E5 5 5 ! 5 5 ! 5 5 = = 5 =
0
4 3
=
=
5 5
If
5 5 5 5 5
a - round the house.
1 !5 5 E5 Vln. G 5
3
p
2
G 5 ! 5 5 !5
5 5
3 3 = ÂŻ = = 5 5 E5 5 5 5
3 1 = 5 Gtr. 1 G 5 5M i E5 !5
Vla.
5 5
5
0
Perc. 2 2 N 2
M.S. live
3
3
5
5 =
2
2
5 5 E5
pizz.
3
i G
p
what?
3
52
0
3
2
annoyed mp
Fa - vored for
f
1 2 Perc. 1 N
Gtr. 2
5 5 5 5
3
= 5 E5 5M ? 5 f M = E5 5 5 ?
Cb. 2 i
Picc.
5 5
= =
5 5 5 5 = 4
sarcastic
3
3
no distortion
f
3
2
no distortion
p
1 = 5 5 5 5M ? Vln. G
Vc.
2
= 5
me?
Vla.
3
GLOCKENSPIEL STICKS struck together
0
G 5 = 4
0
2 2 2 2 = = 2 2 = 2 2 = 2 2 2 2 2 2 2 N
mp
0
2G i
?
MARIMBA STICKS struck together 3
0
Perc. 2
Gtr. 2
p
3
f
4
7
i 5M 5M 5 5M !5M 5 5 E5 Picc. G M M M M mp 5 1 = 4 ? Perc. 1 G 57
j Perc. 2 2G 1 Gtr. 1 2G i M.S. live
mp
5M 5M M 5M 5 5
0
mp
?
to Fl.
4
?
to Vib.
= 5 mf
TAM-TAM
?
1 Vln. G
5
Hands on.
Hands up.
5
5 5 5 ! 5 5 5 E5
Cb.
2i
Fl.
2N
1 Gtr. 2 2G i M.S. live
G
5 5 5 5 5 B a
E ' Cb. 2 E ' i
car
-
5:
ried
5 EB a
far
5 field
B
B
5
a
-
5 5 5 = EBB
' '
' '
' '
' '
' '
' '
' '
' '
' '
' '
pizz.
mf
pp
B
arco non vib.
EEBB
5 5 5 5 5 B
FLUTE
G
55 = 4 ? 55 = 4 ?
way,
Slower still q = 92
5
?
5 B
: B
B
5
ppp
5 0 :
p
5
B
B:
B
B ::
ppp
= 4 4
5
5
'
'
0
0
B
B 4 5 5 5 5 5
5
ord.
ppp
B
B::
B
B::
ord.
ppp ord.
ppp
light,
5
B
=
B
4
B
4
to Crot.
'
B
B
0
5
pp
The
mp subito
3 B: 4 4 5 5 5 5
B: 5
5
0
to Picc.
'
5 5 5 5 5 5 5 5 5 5 5 B :
B
SIZZLE CYMBAL
con ord. sord.
5 5 5 5 5 5 5 5 5 B : 5 5 mp
5 5 5
':
: ?
5
far field a - way...
Vc.
and
EB
0
'
= 4 ? 5
E ' '
E5 5
E5
5 !B
0
'
1 Vln. G E ' '
p
0
'
= 4 ? 5
Vla.
0
'
'
0 3
4
'
'
pp arco non vib.
7= 4 5 ? 0
'
arco non vib.
p
'
'
5 !B
0
0
0
'
VIBRAPHONE motor on, medium
1 Perc. 1 G
0
'
0
0
0
'
H
i G
0
In - ter - rupt - ed
EB
mp
Perc. 2
?
pp
64
0
'
?
0
0
arco non vib.
5 5 !5
5 5 5
0
0
Hands out.
mp
0
0
?
pp
5 5 5 5
0
'
mp
5 5 5
5
0
'
f
pizz.
Vc.
B
pp
M 5M 5 5M 5
M
Slower q = 100
G
M = = 5M !5 = = 5 = = !5 E5 = 4 G 5 E5M hand.
Vla.
5M 5M 5M 5M
N
5M 5M 5M !5
M
5
5
5
5
=
5
4
5
5
4
5
B:
5
B ::
: B :
: B :
the
to Large Susp. Cym.
0
0
to Bass Gtr.
5
p 5 4 B
light,
I
'
0
'0
0
0
0
0'
0'
8
71 Picc.
G
1 Perc. 1 2G Gtr. 1
M.S. live
1 2G i
Vc.
Cb.
0
0
E' ' ' E'
0 ' ' ' '
can - not face this
light.
0
'
0
i G
0
j G
E'
PICCOLO
0
pp
G 5 5 5 E 5 5
1 Vln. G Vla.
0
I Tempo Iยบ q = 112 0 0
' ' ' ' 0
!'
'
pp CROTALES
'
E'
'
' ' ' '
' ' ' '
' ' ' '
pp
0
0
0
0
0
E'
B
0
0
E'
B
' ' ' '
' ' ' '
E' ' ' E'
' ' ' '
p
0
0
p
p
0
0
B
'
B
' ' ' ' '
0
0
senza sord. E' '
'
'
'
'
E'
'
'
'
'
'
pp
'
'
'
'
'
pp
'
'
'
'
'
'
'
'
'
'
E'
'
'
'
'
ppp
0
0
'
'
'
'
'
'
2i
0
E'
'
'
'
'
'
ppp
ppp
ppp
pp
pp
i G
0
E'
1j Perc. 1 G
0
E'
83 Picc.
B
mp
B
mp
E5k
B
E5k
B
E' E'
E5 : B E5 5 : 5 5
E5 B :
?
3 !5 : 5:
?
3 !5 : 5: E5 B:
G
?
E5 5 : 5 5 E5 : B
E 5 5 E5 5 !5 E5 5 E5 5 E5 : E5 : FLUTE
mf
0
to Glock.
LARGE SUSP. CYM. soft mallets
Perc. 2
Gtr. 1
2N
0
1 E' G ' ' i E'
' ' ' '
mp
Gtr. 2
Vln.
Vla.
Vc.
0
' ' ' '
0 ' ' ' '
0
0
0 E' ' ' E'
0 ' ' ' '
mf
'
'
'
'
'
'
'
'
'
E' 2i p
'
'
'
p
'
0
p
E'
p
Cb.
0
0
pp
BB B B
' ' ' '
M BM p
M 'M
E 5 5 E5 5 E 5 : E 5 : mf
E'
'
'
E'
'
'
'
'
'
E '
'
ELECTRIC BASS GUITAR
2G i 1 G
0
M BM
'
0 E'
0
0
mp
'
mp
'
'
'
'
'
'
E'
'
'
mp
mp
i
mf
mf
mf
mf
mf
0
E5 5 E5 5 !5
9
5 5 : 5: 5 5 E 5 5 E 5 E5 5!5 5 E5 G E5 5 5 5
5 E5 4 3 !5 : 5
92
p
1j 4 Perc. 1 G
Perc. 2
2N
mf
= 5 5 4
GLOCKENSPIEL
mp
M 'M
mf
= E5 5 3 = ?
G
M 'M
(Large Susp. Cym.)
Vla.
Vc.
0
G
1 G E '
'
5 5 5 B : G 5 5
Fl.
mp
Perc. 1
Perc. 2 2 N '
Gtr. 2 2 i M.S. live
G
1 Vln. G 5 Vla.
Vc.
= 4
4 Cb. 2 i
'
'
=
5
B
'
'
K
5
5
: B:
: B: : B :
: B :
555 B 5 light,
0 ' 0 '
0'
0'
5
B :: B::
B
4
B::
ppp
B
4
light,
B
5
5
5
B
=
5
5
B
4
B
ppp
5 5
4
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
B :: BB :
pp
G i
ppp
The
0
to Crot.
0
0
3
ppp
'
Like a lullaby q = 72
' ' '
0
'
'
ELECTRIC GUITAR
the
'
no distortion
4 5
0
to El. Gtr.
B
0
B
5
'
0
p
5
'
1 Gtr. 1 G 0 i
'
5
5
'
'
1 5 5 5 5 B : G 5
50 :
B ::
'
98
B
?:
0
'
'
B
5
pp : 4 4 5 5 5 5 B
0
E ' Cb. 2 i
'
GGGG
Vln.
'
':
5
ppp
!5 : 5 E ' E5 5 '
5 5 5 5 5 5
SIZZLE CYMBAL
f
' '
GGG
M.S. live
5 E5
B:
B
p
'
5
mp
5 5 5 5 5 B
mf
5 5 5 5 5 5
?
5
mp
0
$3 = 4 E5 5
M 'M
E5E5 5: 5 5 5!5 : 5 E5 555 1 E 5 = 3 = 4 Gtr. 1 G p i mf Gtr. 2 2 i E '
4
?:
5 5 5 B 5 5
f
VIBRAPHONE motor on
Slower q = 92
pp
B:
BB ::
4
B:
!5
pp
0 0 0
0
' ' '
0
B
5
0 0 0
0
BB ::
: BBB:: 5
0 B:
BB ::
BB 0
0 0
BBB 5
0 5
B 5 0
B :: BB :
GGGGGGG
Fl.
J
E'
B
0
55 5
B 55M B p
M 55 BB p
0
0
0
0
0
0
0
M 55 !B B
5 5 5 5M B
5M
M 5 B
5M
0
?
0 0 0
p
0
5 5 5M 5 5
0
p
0
B
B
5 0
p
10
Gtr. 2
M.S. live
2G i B :
p
Vla.
Vc.
Cb.
1 G
5 BB ::
B :
4
4 '
4
pp
'
2i ?
4
pp
a soul fall in
5
3
p
a bo - dy...
And if it gaze in - to
B : B:
: B
B:
: B
'
B:
pizz.
0
pp
to
5 BB ::
B :
'
4 B
B
-
p
5 5 5
5
5
5
B
5
5 5 5 5
5
pure light... And if
BB
0
0
some - thing grow in - to
BB p
5
B
5
p
B :
B:
0
0
3
4 !'
B
0
5 5 4 5 5 5 5 5 5 5 5 : 5 5 5 5 5 5 5 5 5 !5
pp
!5 BB ::
0
B : BB ::
BBB :::
' ' '
0
And what if
Vln.
: BBB ::
B: BB ::
0
?
0
4
pp
B
G
0
GGGGGGG
Gtr. 1
GGGG
1 5 B : G ! 5 B : i
L 4
108
arco p
0
0
0
115 Fl.
G
1 (Vib.) Perc. 1 2G Gtr. 1
0
1 G BBB ::: i
0 5
life...
Vla.
Vc.
5 2
5
5
As
B
4
B
4
4 ?
3
motor off
B
pp
3
3
5 pp
4
!B :
4
B :
pp
pp
5
4
0
0
B:
B : 5 5
she spins him
of
4
4
B
5 B :
B
B:
B :
B :
B :
B:
5
p
p
p
5M
B
B 55M B
M 55
BB
B
mp
mp
mp
mem - o - ry.
B
5M 5M 5M
5 5 5: 5 B
her - self and leaves a
B
mp
p
5 5 : 5 5 5
M 5
mp
5
its
B:
5
B
spins
3
web,
B
p
0
5 5 5 5 5 5 5 5 5 : 5 4
B
B:
pp
5
p
5 B:
B :
the spi - der
B
5 B:
0 4
p
B G 5
1 Vln. G 5
4
B
pp
4
Gtr. 2 2G i M.S. live
4
5
Life - be - stow - er,
5
4
0
4
0
4
0
11
M M G 5
121 Fl.
B
1 Perc. 1 G 5 M
B
Vln.
Vla.
Vc.
Cb.
0
0
4
0
0
?
0
M 1 55 Gtr. 1 G i
M.S. live
!BB
5 2G 5M i
!55
0
nur -tur - rer,
B
0
to Crot.
3
0
0
0
0
j EB G
B
0
0
0
0
0
0
0
0
?
0
?
?
0
B:
5: = ?
mp
pp
to Goblet Drum
p
0
oh, wov - en
5 BB ::
B :
0
?
5
pp
p
mp
!B :
pp
B:
pp
4
5
?
pp
'
'
0
'
B
B:
'
E5 5 5 E5
5
5 5
She
webs and
warps
0
0 5
E 5 5:
E5 5
p subito
0
E5 :
5
B :
B
B:
mp
4
you must not un - ra - vel.
4
p
B
3 5 5 B: 5 5 5 5
4
5 BB ::
0
pp
child,
p
2i
0
a - gent of fu - tur - i - ty
?
p
55 B
?
p
CROTALES
: BB :
Kp 5 5 5 5 G 5M : 5M 5 : 5 5 5 5 5: 5 5 5
1 G
0
5 5 5 EB 5
p
Perc. 2 2 N
Gtr. 2
4
5 : E5 5 ! 5 :
E B
5 with
!5 :
0
0
0
0
128 Fl.
M.S. live
G
E 5
5 ! 5 3
G 5 5
5
E5
1 5 5 G
5
p
Vla.
Vc.
2
B 0
mf
5 5 5 5
5 5 5 5 5 E5 5 !5 5
yarn.
5
B
3
fin - est, strong - est
Vln.
E 5 ! 5 5 5 5 5
B
5
3
Love
3
me loud - ly
5 5E5 !5 5E5 5 3
5
or in whis - pers,
mf subito
E5 E5
5 5 EB 5
5
3
5 !5
G
' p
3
so the long,
mp
3
night
3
0
!5 5
deep
is a - ware of me
5
E5 5 !5 : mf
E5 !5 55 55
mp
5
!5 5 5 5 5 5 5 5 5 5 5
3
3
5
E5
5 5 !5 5 5 5 5
B
3
0
5 E5 5 5
mp
E5 B
5
mf
5
3
5
mp
love me
!5 E5 5 5 5
5:
E5 E5 5
B
and breaks
E5 5 E5 5
mf
'
mp
mf
12
133 Fl.
G
5
5 !5 E5 3
1 Gtr. 1 G i Gtr. 2
Vla.
2G i
Vc.
5 5 ! 5 5 = E5
5
5 =
!5 E 5 5 = E5 5
5
5 =
5: 4 4
0
3
3
3
mf
G 5 5 5 E5 !5
3 E5 !5 E5 5
with
1 G E5 !5E5 :
B
mf
in - to day
Vln.
5
0
3
M.S. live
5E5 !5 5
5 !5 E5 5 E5
3
!5
5 E5 5
E5
2G
5
B
0
B
5
5 5 5
5
B f
5 5 = =
?
3
5 !5 5 :
5
mf
E5 5 E5 p
to El. Gtr.
?
0
0
?
0
0
f
ah
5
!5 = 5 E5 5 E5
E5 :
f
!35 E5 5 5 35 5 5 E5 5
a seam - less song...
5:
f
f
5 5
5
5
0
= 4
: 5 B 5
B :
5:
f
5:
5
5 5 E5 !5 5 5E5 !5
5
EB
B
4
3
E5 I
5 B
'
B
'
5 B
am
a
mf
3
B
suddenly standing stock still, insistently mp
5
mf
5
mf
f
E5 5
'
E G '
138 Fl.
'
1 Perc. 1 G
0
1 G i
0
Gtr. 2
M.S. live
E5
B
p
Cb. 2 i
5
B
B
know
no
man.
B: '
'
B
'
pp
'
p
0
0
I
p
E B
0
0
p
1 Vln. G '
Vc.
0
0
E5
B
pp
B 0
B
B
'
B
'
pp
?
pp
Tempo Iยบ q = 112
0
0
0
vir - gin.
Vla.
N
0
0
j G
GOBLET DRUM with hands
N centre
2G i G
pp
0
j Perc. 2 2G Gtr. 1
'
= 5
4
?
0 4
5 5
CROTALES
4
f
4
4
edge
f subito
4
4
4
55
4
0 =:
mf
$ 53 5 5: 5 5M 5M M M 5 4
?
f subito
5 = 5M
4
4 4
M 55 =
4
?
4
5M =
4
?
f subito
f subito
f
f
un - der my skirt.
?
f subito
=
4
M M 55 55
4
0
N
0 0
=
0 f
!5 5 4 5 5
5
Why here? Why now?
Why
5M 5M 5 5 = 4
M M 55 55
4
to Zills
=
5 5 5 5$ 3 = 4
No des - ti - ny broods
= 5 5M
no distortion
0
55=
55
ELECTRIC GUITAR*
0
O
=
5 5 5M 4
= 4
M 5 5 5 4 =
= ?
4
0 * ossia: stay on Acoustic Guitar
5
5 5M 0
13
144 Fl.
Perc. 1
Perc. 2
Gtr. 1
Gtr. 2
G ?
1
5 5 5 5 5
4
mp
ZILLS (or finger cymbals)
4
N ?
2N ?
3
J " = 5 5
2G ? i
mp
3
5 5 5 5 5 mp
3
3
5 5 5 5
= 5 E5 5M 4 5 f
M = E5 5 5 ? f
3
? Cb. 2 i
149 Fl.
G 5
5M
4
mf
1 5 4 Gtr. 1 G 5M i mf 5M 4 Gtr. 2 2G 5 i f men.
1 Vln. G 5 Vla.
Vc.
5
J " 5 = 5
mp
3
5 5
=
3
55
3
wo -
man.
=
3
=
55 3
=
5E5 E5
3
5M 5M
4
5M
5M 5:
4
0
4
4
to Ac. Gtr.
Taste and touch.
I’ve
5 5 !5
5
4 4
5 4 5M
5 ÂŻ 4 Cb. 2 i 5M mf
4 4
!5 5 5 =
0
0
0
fin -
5M !5M 5 = M
ished braid - ing my hair,
4 4
4
0
= 5 5
M f
and
4 4
B:
by
mf
= 55
M
4
5M 5M 5M 5 5M
4
55 ?
M
E5 !5 5
mf 3
0
0
M BM
5 = 4
fp
5
0
to Glock.
0
0
0
pp
= 5 5 5M M M
5M = !5
5 5 5 5$ 3 =
5 = 4 5
M 5 = 4 5
M
5M 5 = 4
?
4
Let me be - come
5= 4 5
M 5= 4 5
M
5M 5= 4
TAM-TAM soft mallet
0
mf
? 5 5
M 5 5
M 5M 5
4
?
f
kohl - ing my eyes.
pizz. 5 = 3? f
?
3 arco E 5 E5 ! 5 5 5 E5 !5 5 = = 5E5 5 5 E5 !5 = ÂŻ 5 5 5 E5 !5 5 5 3 3 3 3
mp
5? 5
M
5
told
arco 3 3 E 5 ! 5 5 5 = 5 E5 E5 5 = E5 5 = !5 5 !5 5 5 5 3 mf
f
= 55 55 ?
M M f
0
Shaped
mf
0
f
4
5
5
0
5 5=
? 0
0
5 5 5
0
5M
J 5 =
arco !5 E5 5 E5 !5 E5 5 5 = 3 = 3 5 !5 5 E5 = 5 5 5 E5 !5 5 5
3
0
not
mf
EB
0
p
" 5
3
0
= 5 5 5 E5 !5 5 5
J 5 =
3
0 0
" 5
3 3 E 5 ! 5 5 ! 5 5 = = = E5 5 E5 5 5M E5M 5 5M 5 5 5M E5 !5 ! 5 E5 5M M 3 !5 E5 5 E5 !5 E5 5 5 = 3 = 3 5 !5 5 E5 5 = 5 E5M 5M !5M M 5 5M M
5M 5:
5 5 !5 5
to Picc.
J 5 =
3
0
3
3
3 3 = = = ÂŻ 5 E5 5 = E5 5 5 5 5 5
4
J " = 5 5
" 5
5 5 5 5 5 = 5 5 = 5 5 = 5 5 5 5 5 5 5 5 5 5 M M M 3 3 3
5 5 !5 5
Flesh and bone.
!5 5 = 5 5 5E5 E5 = = 5 3
J 5 =
3
5M
B 5 5
5 E5 = E5
mp
5 4 Perc. 2 2 N 5 5
B: G
" 5
3
pizz.
4
" J 1 5 4 Perc. 1 N 5 mf
M.S. live
J 5 =
!5
pizz.
3
Vc.
5=
5
pizz.
Vla.
= =
am
5 1 = 5 5 5M 4 Vln. G f
5 5
5 5 5 5
5 5 5 5 5 = = = G I
3
3 !5 E5 5 E5 !5 E5 5 5 = 3 5 E5 = = 5 5 E5M 5M !5M 5M 5 !5 M 5M 3 mf
3
!5 5 5 =
mp
me?
5
= E5 5 5 5 5E5
3
M.S. live
3
3
mp
4
3
=
5 5 !5
5 5 5 5 M
= 5
4
=
5E5 E5
= 5= =55 =55=55
5 5 M5 3 3 3
mp
1 ? G i
=
55
J " = 5 5
mp
4
5 5
arco 5M 5M = 4 = 4 5M
?
not
pre - ce - dent;
senza vib.
E5
pp
4
senza vib.
5
pp
?
4
?
4
E55
senza vib. pp
EE55
senza vib.
pp
14
1 Perc. 1 2 N
154
M.S. pre-r.
P
'
Slower q = 100
'
0
G
'
4
p
5
'
E5 5:
5 5 E5 5
Eu - ro - pa
M.S. live
G
p subito
4
= 34 E 5 5M 5M 5M
= 5 5 E5 B p
0
not au- gu - ry.
Vln.
Vla.
Vc.
Cb.
1 G
smooths
' E5
B the
5 5 E5 :
Eu - ro - pa
smooths
'
EB fuch
-
B
EB
5 5
E5 4
sia
folds
of
robe.
5 5 5 5 5
5 5 the
'
fuch - sia
B
her
5 5
folds
of
her
3
E5 E5 !5 5 5 robe,
E '
'
'
'
'
'
'
'
'
'
'
'
'
'
' '
' '
' '
' '
' '
' '
' '
' '
' '
' '
' '
' '
E ' ' E ' 2i E '
?
bends
i G
161 Picc.
Perc. 1
1N
j Perc. 2 2G 1 Gtr. 1 G i Gtr. 2
M.S. live
PICCOLO
?
? 0
Vc.
p
5 = 4
B
'
E ' '
E E ' ' Cb. 2 i
B
5
M E5M 5M 5M 5M 5M 5M 5 E5 5 5 5 5 5 5
?
0 ACOUSTIC GUITAR
?
4
0
B = 4 5
4
E 5M =
55 = 4 55 = 4
5M 5M 5
4
mp
5M 5M
5 = = M 5 = = Emf 5M 5: 5 M in - hales
her
? ?
E5 =
pizz. p
?
4 0 0
M M 5M 5M 5M !5 5M 5M 5 E5 E5 0
? 0
M 5M 5 5M 5M 5M 5M
M 5M 5 5M ?
0
5 5 5 5 5 5 E5 =
?
5 =
0
The bull purrs,
?
mp
5M 5M !5M 5M 5 E5M M
mp
pizz.
= 4 5
5M M 5
mp
to Crot.
0
0
5M
p
GLOCKENSPIEL
1 Vln. G E '
G
4 5
5 5 5 !5 5 5 !5 =
MARIMBA
7
'
low.
Vla.
p
(T-Tam)
2G i G
4
Q Faster q = 126 5 M 5 5M 5M !5M 5M 5 !5 M M
5
5M 5 = 4
love - li - ness.
5
5
5 5M !5M 5M E 5M M =
5M E 5 5M mf M
= E5 5 5 5 !5 5 5 5 E 5 And
5 5 ! 5 5 5 E5
out
5
mp
5 5
0
comes the gyp - sy
in her.
= = E5M 5M ! 5 5 5 5
arco ord.
f
5 5 5 5 5 5
mp
0 0
5 5 5 pizz.
G
5 5 5 mp
5 5
!5 5 5 = 5 5 5 E5
0
15
i 5 5 !5 G 5
166 Picc.
f
1 5 Perc. 1 G j Perc. 2 2G Gtr. 1
Gtr. 2
M.S. live
5
f
?
5 5 5 5 E5 5 5 5 E5 5 5
1 5 G M i f
5M !5 5M 5 5 5M M M M 5M E 5 M
5 2G M i f
5M !5 5M 5 5 5M M M M 5M E 5 M 0
G
E5 5 5
f
Vc.
Cb. 2 i
M.S. live
1 5M Vln. G Vla.
=
5M
5 !5 5 5 5 = 5 5 5
pizz.
?
4
5 M 5
Vc.
mf
5M
0
?
?
5M 5M = ?
4
55
M M ! 5 5
!5 !5 Cb. 2 5 ! ÂŻ 5ÂŻ i !5 mf
EÂŻ E5 !5
5 5
5 5 5
5 E5
5 !5 5 5
5
5
4
?
0
5
= 4 5 5 5 5 5 5 5
mp
5
tits - for - tat the raz - zle - daz - zle guy,
=
? 4
5
E5
5
5
E5
5 = 4 f
5 = 4 f
= E55 5 E5 pp
5 5 =
55 5 5
5M
5
5
5
5 E5 5 5
f
0
5M = E5 5 5 5 5M 5M 5M 5 E5 5 5 !5
5 5 E5 5 5 !5
f
!5
5
0
to T-tam
0
0
0
to Vib.
0
0
0
55 5 5
55 E55 55 55 5 5 5 5 5 E5 5 5
0
4
p
5
5 E5
5
' pp
55 E55 55 55 5 5 5 5 5 E5 5 5
0
5 E5 5
EB
mf
5555
0
55 5 5
5M
!5
Speed - ing from
5E5 5 = = 4
=
0
55 5 5
5M
?
5
55 5 5
5
5 5
4
5M
5M = 4
5 5
5M
grabs a gleam - ing horn.
5
55 E55 55 55 5 5 5 5 5 E5 5 5
4
!5 = 5 5 5
M M 5 5 5 E5 5 5 5M
f
5
mounts his back,
?
arco ord.
5
E5
M
5M 5 = ?
4
4
5M 5M 5
mp
mf
E5 !5
5555
4
scared to death.
4
!5
5 =
losing herself, coming apart...
5 5 5 5 = = 5 5 5 5 !5 = 5 5 = car - go in his hold,
5 E5 5 5
mp
f
She’s
5 5 5
0
5 5 5 5 5 5
0
5
R M M 5M 5 M ! 5
M !5 5 5E5 5 = 4
0
!5 MM
?
5 5 5 E5 5 5 ! 5 5
5
5M
4
mp
f
mf
!5 !5
5
5
0
He bolts.
= 4
= 5
4
mf
G 4
mf
5 5 5
5M
4
mp
1 !5 5 Perc. 1 !5 5 !5 M5 E5 !5 M mf j 5 !5 E5 5 5 5 5 5 Perc. 2 2G
amazed
5M
5
E5
5
5M M 5M 5M !5
5M M 5 5 E5M 5 5
!5M
5 =
mp
0
2G i
5M
5
!5 5 MM
5M
! 5 5M 5M 5 5
M E5 5 5 !5 5 E5 5 =
mf
Gtr. 2
mp
5M ! 5 5M 5M 5 M 5M M
!5 ! 5 5M i 5 ! 5 E5 5 5 5 5 E 5 5 G
1 Gtr. 1 G i
= 5
5M ! 5 5M 5M 5 M 5M M
170 Picc.
CROTALES
M 5 5 5 E 5 5 5 ! 5 5 E5 5 ! 5 5
5 !5 5 5 5 5 5 E5
f
mp
?
E5 5 5
5M 5M 5 5 5
!5 5 5 E5 5 5 !5 5 E5 5 4
5M M 5M 5
5M
mp
f
She
arco ord.
5
4
?
0
5M
1 5M = !5 Vln. G Vla.
?
5M 5 E5 5 5
55 5 5
55 5 5
55 5 5
5
55 5 5
55 5 5
0
?
her life...
E5 5 5
agitated, confused
In - no - cence
E'
5 E5 M 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 M M M M M M M M M M M M M M M M M M M M M M M f
pp sub.
M M M M M M M M M M M M M M M M M M M M M M 5 5 E 55 55 E 55 55 55 55 55 55 55 55 E 55 55 55 55 E 55 55 55 55 55 55 55 55
M E5M f pp sub.
arco ord.
5 = E5 5 E5M 5M 5M 5M 5M 5M 5M 5M E5M 5M 5M 5M E5M 5M 5M 5M 5M 5M 5M 5M
pp sub. f
16
1 E55 55 55 Gtr. 1 2G 55 5 i E5 5 5 176
M.S. live
G
5E5
55 5 5
55 5 5
-
1 E B Vln. G
Vc.
Cb.
55 5 5
55 5 5
E55 5 E5
55 5 5
55 5 5
55 5 5
E55 5 E5
55 5 5
55 5 5
55 5 5
55 5 5
55 5 5
4 E 5 E5 5 5 :
B
5
EB
in - trep
Vla.
55 5 5
id,
55 5 5
55 5 5
E55 5 E5
B
E'
55 5 5
55 5 5
55 5 5
5 E5 5
in - ter - rupt - ed,
B
55 5 5
in - ter
B
5
55 5 5
55 5 5
55 5 5
5 5
E55 5 E5
55 5 5
55 5 5
55 5 5
55 5 5
55 5 5
B:
55 5 5
5
- pret - ed,
E5k
55 5 5
churn
E'
B
E55 5 E5 5 -
?
55 5 5
55 5 5
55 5 5
55 5 5
55 5 5
55 5 5
55 E55 55 55 5 555 5 E5 5 5
55 5 5
55 5 5
55 5 5
55 5 5
55 5 5
0
B:
ing.
3!5 : 5:
E5 B :
E5 5 :
p
5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M
5M 5M 5M 5M 5M 5M 5M 5M
M M M M M M M M M M M M M M M M M M M M M M M M M M M M M M M M M M M M M M M M M M M M M M M M M M M M E 55 55 55 55 55 55 55 55 E 55 55 55 55 E 55 55 55 55 55 55 55 55 E 55 55 55 55 55 55 55 55 E 55 55 55 55 55 55 55 55 E 55 55 55 55 55 55 55 55 E 55 55 55 55 55 55 55 55 E5M 5M 5M 5M 5M 5M 5M 5M E5M 5M 5M 5M E5M 5M 5M 5M 5M 5M 5M 5M E5M 5M 5M 5M 5M 5M 5M 5M E5M 5M 5M 5M 5M 5M 5M 5M E5M 5M 5M 5M 5M 5M 5M 5M E5M 5M 5M 5M 5M 5M 5M 5M 2i
i G
183 Picc.
0
1 Perc. 1
1 E55 Gtr. 1 G 5 i E5 Gtr. 2
M.S. live
Vla.
55 5 5
2G i
0
G
0
1 5 Vln. G
N ' ?
VIBRAPHONE motor off
55 ? 5 5
5 E5 5
: E5 : E5 : E 5 5 E5 E5 !5 5! 5 5
E 5
mp
E 5
5 E5 5
5 E5 5 E 5 : E 5 : 5 5 E5 !5 5! 5 : 5 5 B E5
mp
Cb.
4
?
7= 5
4
?
to Mar.
0
5 =
4
?
to Crot.
0
5 =
4
?
0
4
?
0
E5 5 5 5 5 5 5 5 E5 5 5 5 5 5 5 5 E5 5 5 5 5 5 5 5 E5 = 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 E5 5 5 5 5 5 5 5 E5 5 5 5 5 5 5 5 E5 5 5 5 5 5 5 5 E5 ppp
5E5 :
5 =
p
5 B : E5 : E5 : E 5 5 E5 E5 !5 5! 5 5
mp
0
0
0
?
4
0
f
M = 5 Hear
?
E 5 mp
5 B E 5 5 E5 E5 !5 5! 5 : 5 : E 5 5 E5 5 E5 :
5 = = 5M 5M 5 = = E5 M
this:
I am shaped
5 5M 5M 5M 5M ! 5M 5M M ! 5M 5M 5M M M 5M 5 !5 5 5M 5 5 mf subito
5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M ppp
Vc.
5 B
M 'M
'
pp
0 55 5 5
mp
TAM-TAM very soft mallet
0
Perc. 2 2G
E5
?
S
5M 5M M 5M ! 5M M M M 5M 5 5M ! 5 5 M 5M 5M 5M 5 !5 5 5
ppp
5M 5M 5M M M E5 5
5M 5M 5M M M E5 5 G
mp mf subito
E 5M 5M 5M 5M E 5M 5M 5M 5M 5M 5M 5M 5M E 5M 5M 5M 5M 5M 5M 5M 5M E 5M 5M 5M 5M 5M 5M 5M 5M E 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 M 5 5 5M 5 ! 5 5M !5M 5M 5 5 5 5 5M M M M M ! 5M M M M M
ppp mp
E5M 5M 5M 5M 2i E'
and
mf subito
'
'
5M 5M 5 5M !5M 5M 5 !5 5 !5M ÂŻ 5 5 M
M M M 5M ! 5M 5M M mp mf subito
5 5M 5M M E 5M 5M
ÂŻ 5 EÂŻ ÂŻ 5 5M M E 5M 5M
17
i G
189 Picc.
0
Gtr. 2
M.S. live
0
1 G i
=
?
4
5M 5M 5M
5M
5M
5M
5M
5M
= 4
=
upset
E5M
5
=
5M
by men.
Take
note:
= =
M.S. live
5M E 5M f
M 5M M M5 5M 5M !5M 5M M E5M 5 !5M 5 5
mp
5
5 M
!5
mp
2G 5 = i mp
E5 5 !MM5
5 5 E 5 5 5 5
day cop-u - lates with a wo - man’s fate.
4
?
5M
5M =
5
5 E5 5 5
4
f
!5 5 E5 5 5 !5 5 E5 5
not had sex with an - y
4 4
arco
? ?
5
E5 5 5
5 2i mp 5 !5
5 E5 5
mp
! 5 5 5 5 5 !5
mf
man.
?
5
5
5 5
M
5 5M = 4
5M 5M 5 5
?
E5 5 5
!5
mf
=
E5
5
5M 5
say.
5 E5 5
!5 5 5 5 E5 5 5 5 E5 5 ! 5
E5 5 5
5M 5M
5 5 5 5 5 5 5 E5 5 !5 5 5 5 5 5 E5
pizz.
5 !5 5 E5 5 5 !5 5 E5 5 !5 5 5 5 5
=
5 !5 5 5 5 5
5
f
5 ! 5 5 5E5 = 4
0
?
f
5 5 5 5 5 5 5 5 E5 5 !5 E5 !5 5 5 5 5 !5 !5 5 !5 5 p subito f
E5 5
5 5 5 = 4
0
to El. Gtr.
5 5 5 5 my
!5
5 = 4
crotch sneak down my thighs...
5M
5M
M = 5 = mf
4 !5 5 5 5 5 !5
!5
!5 5 5 !5
mf
!5
E5
5
5M 5 5M
mf
G
' '
mf
0
4
E5 5
?
f
0
mf
5 E5 5 5
f
M M5 5
Sweat beads in
4
5M
5M ! 5 5M 5M 5 M 5M M
VIBRAPHONE motor on
surprised
5
!5
f
5
=
5M
I’m for - get - ting what I want to
M
5M 5 !5 =
pizz.
5M ! 5 5M 5M 5 M 5M M
5 E 5 5 5 5 !5
f
mf
mf
mp
55
M M 5
5 5M 5M 5M !5 5
= 5 ? M E 5M 5M
G = 5 !5 5 5 5 5 5 E5 = 4
mp
Cb.
5
M 5M 5
5M 1 = Vln. G
Vc.
?
5M !5 5M 5 5 5M M 5M E 5 M M M
5 5 4 4 5 E5
M M 5M 5M 5 ! 5 5M 5M 5M 5M E5M 5M 5M 5M 5M 5M 5M 5M !5M M M 5M 5M 5M M M 5M 5M 5 !5 5 5 E5 5
I’ve
Vla.
5M
5M
!5M 5M 5M 5 5M 5M E5M 5M M
a
j CROTALES 5 5 5 5 5 5 5 5 E5 5 !5 5 5 Perc. 2 2G mp 5M M 5M 5 1 4 ? = ? Gtr. 1 G = 5 i mp mf Gtr. 2
?
5M !5 5M 5 5 5M M 5M E 5 M M M
M M 5M 5M M M M M E 5M 5M 5M 5M 5 ! 5 5M 5M 5M 5M E5M 5M 5M 5M 5M 5M !5 5M 5M 5 5 5
i 5M 5M G
1 Perc. 1 G
5 !5
5M M 5
193 Picc.
5M
f
5M 5M 5M 5M 5M 5M 5M M M 5M 5M M M 5 5 5 5 5M !5M 5M 5M
5 Vc. !5M 5M 5M M E5M ! 5M M M M 5 5 5M 5M 5M 5M M ! 5 E5 = ? 4 = Cb. 2 i 5M
5
MARIMBA 5 5 5 5 5 E5 5 5 5 G 5 E5 5 5
5M
E 5M
mf
G 5: 5 5 M M
G
E5
0
0
told
Vla.
=
5
f
2G 4 i
1 Vln. G
4
f
1 Perc. 1 2 N Gtr. 1
?
E5
5 E5 = E5 5 = 4
slight distortion
p
p
5
B Oh,
mf
f
mf
5 5M E 5 5 ! 5 5M 5E5 5 5 = = = 4
5 = 5 5M 5 M 5M ! 5M ! 5
M
M! 5 E 5 ! 5 M f
p subito pizz.
4
EE 55 !E 55 = = 4
5
B
5 E5
dom
with - out
free
5 5M E 5 5 E 55 55M 5E5 5!5 = = = 4 f
0
-
5M 5M 5M 5M 5M ! 5 5 M 3 !5 5 !55 55 = 4
5M 5M 5M 5M 5M mf subito 3E 5 5E 5 5M = 4 mf subito
5 55 !5M M 5 5M 5M 5 5M 5M E 5M M M M
5 ÂŻ 5 ÂŻ 5 5 E ÂŻ 5 ! ÂŻ E ÂŻ ! 5 5 ÂŻ 5 5ÂŻ ! 5 ! ÂŻ 5 !5 5 5 5 5 !5 E5 !5 E5 f
p subito
18
1 5 Perc. 1 198
Perc. 2
2G
E' E'
5 5 !5 5 5 E5 5
E55 ! 55 = = 4
G EB
!5
4
will.
4
mf subito
E 5M 5M 3 5M 5M ! 5 5M 3 E5 5
= 4
Cb.
5M 5M 5 5M !5M 5M 5 E5 M M M
5 !5 5
= 4
5 5 ! 5 5M
4
=
4
5 5E 5 5M E = 4 =E5 5
!5M
5 5 ÂŻ 5
!5
5M 5 5 = 5 5 5 M M mp
5 5ÂŻ 5 E5 5 5 mp
5 5 !5 = = 5
4
Dar - ing no - thing,
= 4
N
4
=
4
=
=
5 E5 !5
5
grip his hand and
5 5 55 5 5M 55
5 5 M !5 5
=
4
=
4
5 !5
E5 E5 5 5
5
4
5E5 5 5 5 !5 E5 5 5 !5 5 5 M E5
M
arco
5 5 5M M 5M
5 5 5 5 !5 5 5ÂŻ E5 2i
5 E5 5 5 5 !5 E5 E5 = = do what I’ve al - ways done?
5E5 5 ! 5
0
4
4
Must I
5 5 5 5M
=
5 5 5 5 !5 E5 5 5 !5 5 5 5
E5
E 55 !E 55 = = 4
55 55 55 55M = 4
=
4
mf subito
Vc.
4
Oh, free - dom named o - be - di - ence.
E 5M 5M 3 5M 5M 5 5
1 3 E5 5 !5 5M = 4 Vln. G Vla.
=
!5 MM 0
55 ! 55 = 4
5 5 !5 5 5
!5 5 E5
5 E5 5 5 5 5 5
0
to Drum Kit
1 Gtr. 2 2G 4 i M.S. live
!5
55 5 5
5E5 5 ! 5
5 E5 5 5 !5
5
5
1 Perc. 1
202 (Mar.) 5
=
4
G
!5 5 5 E5 molto
Perc. 2
0
2N ?
1 5M Gtr. 1 G i p
5 M
DRUM KIT
=
mf
5 mf
^ 2 5
5 5 5 5 5 5
!5 !5
5 !! 55 ! 5 5 !5
55 5 5 5 5 5 5
5 5
5 5 E5 5 5 E5
5 5 5 5 5 5 5 5
!5 !5
5 5 E5 5 5 E5
J = 5
J 5
J = 5
J J 5 5 = 5
J 5
J = 5
J J 5 5 = 5
J 5
J 5 = M
hi-hat half-open
ELECTRIC GUITAR
(no distortion)
5M
5M 5M 5M molto
Gtr. 2 2G 5 i M
strong distortion (on electric or acoustic instruments)
5M
= = E5 5 !5
5 E 55
5M
= = 5 E! 55 mf
E 55
= 4
feisty f
5
5
I
am
a
strong distortion
no distortion
M.S. live
5M
: G !5 1 5 G
!5 B
Vc.
5
5M 5M
5
Cb. 2 i
5
5 molto
5
p
5M
4
his way?
p
Vla.
5M 5M 5M
molto
bleed
Vln.
mf
= 4
= 5
5
5 5 5 E5
5M 5M = =
! 5M ! 5M
mf
E5 5 5 5
molto pizz.
5 5 !5 5 5 !5
5M M 5 5M 5M
= !5 EE 55
!5 !5
= 4
4
= 5 5
E 55 5
= 4
4
= !5 E 55
E 55
= 4
4
= 5 5 E 5 ! 5 E5 !5
= 4
5 5 E5
5
5
5 4
=
fort - ress,
a closed
5M
= 4
5M = =
5M
! 5M M 5M !5
M 5M 5M 5M 5
5M
5 4
=
gar - den.
5 5 E5
on the verge of tears
I
5M
= 4
5M = =
! 5M
5M 5M M E5
M M 5M 5 5M 5
! 5M
fear the
= 4 5M 5M E 5M
mf
5
arco M 5 = = E! 55 55 5 5 = 4 E5 5
5
E 5 5M 5 = = !5 5 5 5 = 4
molto
molto
5
4
mf
arco
mf
4
M = E!55 55 E55 55 = 4
4
= E55 55 5 5M = 4
4
5 5 M = E5 5 E55 55 = 4
4
5 5M
= EE55 55 !5 5 = 4
19
i G
206 Picc.
0
5 5 5 5 !5 1 5 5 !5 Perc. 1 G J J 5 Perc. 2 2 N 5 = 5 1 Gtr. 1 G 4 i
Gtr. 2 2G 4 i M.S. live
5 5
J 5
= 5 5
= 4
55 5
4
5M 1 = = Vln. G
5M
M 5M 5M 5M ! 5
5M
5
5
J = 5
mf
E5
= =
E 5M
the
M 5M 5M E 5
5 5
= 5 5 EE 5
5
5
E5 E5 J 5
= 5 !5 !5 E5
f
5
5
!5
M
5M 5
child
E5
I
=
will
!5
5M 5M 5 ! 5
J 5
f
= 4
J 5
= 4
5
f
5
E5
have
bound
5M
-
mf
f
mf
5
f
p subito
5 5 5 5 !5 5 5 !5
CROTALES
2^ 2 2 2 2 2 2 2
f
p subito
f
p subito
0
= 4
0 !5 5 5 5 !5 !5 5 !5 p subito
=
E5 5
!5 5 E5 5 !5
5
!5 5 E5 5 !5
E5
5 5 ! 5 5 !5 ! 5 5
= 4
5
M 5 5M 5 ! 5 E 5 5 E5 5 5 5
=
5 5
love,
E5
5
J 5 =
j G
less
E5 5 5 5
3
J 5
= 555 55 5
5 mf = !555 !55 !5
5 mf E5 : E5
5
5M
?
J 5 = 5
f
= 4
5 5 E 5 5M E =E 5 5 = 4
5
5
mf
5 5 5 5M = !5 5 E5 5 = 4
f
5 E5 5
5 5 E5 5 ! 5
f
E5 5 5 5 5 5 5
mf
5
5 5 5 5M = 5 5 5 5 = 4
4 Cb. 2 i
J 5 5
5 5 5 5M = 5 5 !5 5 = 4
4
5 5 5 ! 5 !5 5
f
For
5M
Vc.
J 5
= 4
G 5 E5 5 =
5 5 E5 5 5 E5
= 5 5 5 !5
brunt of bliss.
Vla.
0
5
T
5
for pos - ter - i - ty the mem - o -
5
= 4
?
5 = 4
?
f
! 5 5 55 55 55M = = 4
5 mf
5 5 ! 5 5M = = 4
5 mf
f
0 0
i 5 5 5 5 5 5 5 E5 5 5 5 E5 5 !5 !5 !5 G 5
210 Picc.
1 j 5 5 5 Perc. 1 G 5 5 E5 5 5 Perc. 2
2N
2 2 2 2 2 2 2 2
M.S. live
E5 5
!5
5 !5
2 2 2 2 2 2 2 2 ACOUSTIC GUITAR
0
?
4
no distortion
5 5 p
4
mp
5 E5 5 5 5 5 5 !5
5 5 5 5 !5 = 4
mp
2 2 2 2 2 2 2 2
E5 5 5 4 =
to Glock.
0
2 2 2 2 2 2 2 2 2 2 2 2 2 2
!5 =
mf
5 5 5 5 5 5 !5 5 5 5 5 ! 5 5 5 mp mf
5 5 5 !5 5 E5 5 5 5 5 !5 5 5 = no distortion
2G i
0
G 5 5 5 5 5 5 5 E5 - ry
1 Vln. 2G
5
5
5 5 5 5 !5 5 E5 5 5 !5 5 5 !5 5 5 E5 5 = 4
mp
1 Gtr. 1 G i Gtr. 2
5
5
of
be - ing, for my life no
0
0 5 5 5 5 !5 !5 4 prop - er
trans - la - tion,
0
0 5 5 5 5 5 5 5 E 5
for pos - ter - i - ty the mem - o
0
mp
mf
mp
-
5 5 5 5 5 5 5 !5 5 5 E5 5 !5 5
ry
?
of
be - ing, for my life no
4
prop - er
5 E5
pizz. mp
5
trans - la - tion.
5 5 !5 5 5 mf
20
1j ? Perc. 1 G
215 q = 92
Perc. 2
M.S. live
EB EB p
BB ::
0
7 N 2
EB
arco
ppp
E' '
con sord. ppp
E' '
con sord.
ppp
EE' ' Cb. 2 i
con sord. ppp
comes
B: B: 0
E5 E5 EB :
4 E5 EB
1 Vln. G ?
Vc.
0
pp subito
G ?
He
Vla.
B: B:
GLOCKENSPIEL
0
To his moth - er’s
B:
BB ::
B:
B: B:
: BB :
B: B:
BB ::
: BB:
bow - er.
B:
0
He’s
BB ::
BB::
B: B:
0
B: B: 0
' '
0
0
E5 E5 E5 5 E5 5 5 5 E 5 B: E5 E5 5 E5 E 5 : E5 5 E5 5
B: B:
BB ::
BB::
B: B: 0
E5 E5 E5 E5 5 E5 EB
there so still,
B:
B: B:
B: B:
BB::
like
B:
the dew in
A - pril That
B: B: B:
B: B: BB ::
on
B:
B:
B: B:
BB ::
BB::
fall - eth
flow - er!
B: B:
BB ::
BB::
the
BB::
'
' '
BB ::
' '
BB::
' '
i 5 G
5 5 !5 5 5 !5 5
5
1 j 5 Perc. 1 G
5 5 5 5 5 5 E5 5 5 5 E5 5 !5 !5 !5 5
5 5 5 !5 !5 5 !5
5
5
2 Perc. 2 2 N 5
" 2 2 2 2 2 2 2 ? = 4
2 3
" 2 25 25 2 2 2 25 5 MM 5 = =
(q = 126)
225 Picc.
mf
mf
1 Gtr. 1 2G i M.S. live
(bell)
5
mp
0 angry
G =
5 5 5 !5 5 5 !5
Vla.
2
to
4
de - flow - er!
5
0
5
5
2 2 5 5
5
E5 5
" 2 2 2 4 ?
5 !5
2 2
2
5
5
E5 5 5 5 5 5
=
5 5 5 !5 !5 5 !5
5 5 5 E5 5 5
5
of moth - er.
mp
5 5 5 5 E5 5 5 !5
5 !5 5 5 5 5 5 !5 " 2 25 25 2 2 2 2 2 5 ? = E5 5 5 4 =
5
5
E5 5
!5
5 !5
I’ve
0
seen my share of
5 E5 5 5 5 5 5 !5 pizz. senza sord.
0
!5 =
5 5 5 5 5 E 5
5
Where does he stroll, my cher - ished son?
mf
0
!5
4
Mys - ter - y
pizz
5
?
0
mf subito
That fall - eth
1 Vln. G
5
5 5 5 E5 5 5
5
E5 5 5 = ? mp
21
i !5 5 5 5 !5 Picc. G 1j Perc. 1 G 5 5 5 5 !5 mp " 2 2 2 2 2 Perc. 2 2 N ? = 5 5 5 5 5 1 Gtr. 1 G i 229
5
5 5 E5
?
= 4 0
= 4 2 2 25 5 =
2 3
5 !5 5
2 25 5
5
5
5
5 5 5 !5 5 5 E5 Gtr. 2 2G = mp i G 5 5 5 5 !5 5 5
1 Vln. G Vla.
Vc.
Ro - man cru - ci - fix
!5
- ions.
5
= 4 ! 5
5
5
5
Dreams
0
5 5
5 55 = 4
! 5
4
5 = 4
!5
f
5 5
!5 = 4
5
pizz. senza sord.
4
f
5
mf
Cb.
Picc.
2i !5 i 5 ! 5 E5 G
234
M 5 ! 5 5 5M ! 5M 5 E 5 5 5 5 4
2N
M.S. live
Vln.
Vla.
Vc.
Cb.
f
?
0
0
0
5M 5 M
5M
5M 5 M
5M f
=
5
5
= 4
?
0
5
= 4
?
0
5
5 5 5 5 5 E5 5 5
Oh,
I
5M arco 5 E5 5 5 5 =
5M
= ! 5M
5 5 5 5 f
=
-
ed
she
5M 5M
5M
!5M 5M = ? !5
!5
5
M
B
= 5 5
5
M ! 5 5
!5 !5 5 ! ÂŻ 5ÂŻ 2i !5
E5 !5 EÂŻ E5 !5
arco
=
5 5
M M 5 5
E5 5 5
5
5
E5 5 5
5 5
5
5 5
5 !5 5 5 5 !5
5
j G
0
E5 5 5 5
E5
5 !5 5
5 5
5
5
E5 5 5 5
E5
5 ! 5 5
5 5
5
5
5M M ! 5M 5M 5
5
5 5 5 E5 5 5
M M 5 E5 5 5
5
5
5
5
4
wants
no - thing
of
5M
the dim
5M
fo - rest.
5 5 5 E5
4
5 E5 5 5 !5 5 5 5 5 5 E5 5 5 !5 5
5
5M M5 !5M
5
E5 !5
5 !5
5 MM
E5 !5
5
5
CROTALES
5
5
E5
5
f
5 5 !5 E5M
5M 5M
5M
5 E5 5 !5
5 !5 ! 5
E 5M
5M 5M
5M
5 E5 5 !5
! B :
M
5M 5M 5M 5M E 5M 5M 5M 5M 55M 55M 5M 5M ! 5 5M 5M 5M ! 5M 5M 5M 5M M 5 5 E5 M M ! 5M M M M M
M M 5M 5M 5 5 E 5M 5M 5 5 5M 5M 5 5 5 5 5M ! 5M 5M 5M 5M 5M 5 M 5M 5M 5M M 5M E5M 5 !5M 5 5M 5M M M !5 !5 5 E5 M 5 5 !5 5 5 5 !5 E5 5 E 5 5 !5 She
G
5M !5M 5M 5M 5M M 5
5M 5M
5
4
5
?
5M
5
en - ter
5M
5 5 5 5
M
5 5M = 4
5 !5 5 5 5 !5M
55 E5 E5 5 5 5 5 5
5
5M 5M 5M 5M !5M 5M M E5M 5
5 5
5M 5M = E5 5 5
5
be not af - raid to
M 5M M ! 5M 5M 5 5 E5 5M 5 5M E5
?
flies...
o
5 5M
5 5 E 5 5 = 5M = 4
= 4
5
f
5M 5M M 5 5E5 5!5 5 5 5
Fright
E5
5
-
arco
f very slight distortion
?
0
G 4
0
0
0
2G i
1 G
5 E5 5 5 5 5 5
MARIMBA
0
1 Gtr. 1 G i Gtr. 2
0
f
1 Perc. 1 G ? Perc. 2
= 5 5
f
5M M 5M 5M 5M M !5 5
5M 5M 5M M !5M 5M M E5M 5 5
0
= 4
5 pizz. senza sord.
?
0
= =
5 5
f
5 = 4
ham - mered to a stop.
5
f
!5
f
5 5 5 !5 5 =
5
7 2 = 4 5
mf
5 5 5
5 5 5 ! 5 5 5 E5
4
to Mar.
25
no distortion
M.S. live
U (q = 126) M 5 5 5 5 E 5 5 =
this.
4 M M M M M M M M M M 5M ! 5 5 5 5 5 5 E 5 5 ! 5 5 M M M M M M M M ! 5M 5M 5M ! 5 5 5 5 5 5 E 5 5 M M 5M E5M 5 !5 G 5 5 5 5 5 5 M M 5M M M M M 5 5 5 5 5 G i
22
i 5 G
238 Picc.
Slower q = 92
V
5M
M5 5M E5 5 5M ! 5M ! 5M
0
0
G
Perc. 1
1 G
5 MM
j 5 Perc. 2 2G
5 5 E5 5 5 ! 5 ! 5
M 5 5 E5 5 5 ! 5
7
M M5 5M ! 5M 5 5M ! 5M
M 5M 5M E 5
5M !5M 5M 5M !5M M 5 Gtr. 2 2G i
M 5M 5M E5
Gtr. 1
M.S. live
1 G i
G 4
1 Vln. G Vla.
Vc.
5 5 5 5
5M 5M 5M 5M 5M 5M M M
5 5 E5M 5M 5M 5M 5M 5M ! 5M ! 5M Fright - ed
she
W 245 Fl.
4
1 (Vib.) 0 Perc. 1 2G 1 Gtr. 1 G i Gtr. 2
M.S. live
2G i G
4
Vla.
Vc.
Cb.
pp
5 B
pp
p
0
0
0
0:
0
?:
ppp
0
3
0
0
0
0
0
0
0
0
i
5 5
B
=
B
5
ppp
time
4
0
4 B:
0
4
B :
ppp
0
she
B
5 5
5 5 5
B
=
5 =
B
4
5
5
4
5
B
5 5M
B
5M B 55M !BB
0
0
of
B:
the lies,
B:
B:
0
B:
5
' 0
55M
0
BB
pp
5 !5 !B
of im - a - ges,
'
4
55 BB M
5 = 4 4 5
B:
0
0
B: 0
0
0 '
B ::
0'
0 '
0
0
0
4
0
0
0'
Gtr. 55 4 4 to El.
4 ! 55 BB
0
B:
ppp
4 5 B in
0
5
flies.
: B: : B:
5 5 B
4
5 5 5M 5 B ?
55
B ::
o - mis - sions,
B
5
5 4
B :
B
4 5
flies,
5 B:
'
0
B
B:
0
0
B
to T-tam
0
0
pp
B::
B
arco
'
0
4
pp
'
B
5 3
B
'
5
5
to speak
pp
B::
ppp
5 5 5 5 : 5 5 5 5 5 5 5 :
5 B
: B: : B:
B
4 4
B
5
pp 35 5 B : 4 4 5 5
ppp
5 5 5 5 5 5 5 5 5 5 5 B :
p
5
B
no distortion 5
3
4 5 5 B
0
0
':
'
mp subito
B :
0
0
2i
3
motor off
0
N
5
5 B:
pp
It is
1 Vln. G
5 B
4 B :
0
B
5 5
Like a lullaby q = 72
0
G
0
5
She
M 5M M M 5M 5M M 5M 5M 5M 5M E 5M 5 ! 5 M M M M ! 5 5 55 G 55
0
p
SIZZLE CYMBAL
flies.
5M 5M 5M 5M 5M 5M M M
5 5 E5M 5M 5M 5M 5M 5M ! 5M ! 5M
5 !5 5 5 5 Cb. 2G 5 i
B:
5 5 5 5 5 B
0
'
5 5
mp
VIBRAPHONE motor on
0
5 5 5 5 5 5 5 5 5 B : 5 5
?
5
mp
5
?:
5 5 5 B 5 5
FLUTE
0
-
ser
5 -
5 BB p
0
5 BB
?
B
B :
0
pp
p
0
B:
tions,
4 4 55 4 5 55 ppp
4 4 5
4 4
ppp
5
ppp
23
254
G
Fl.
0
EB
ppp
1 Perc. 1 2G
!B EB
E B ! '
EB 0
0
0
0
4
of re - a - li - ty.
E'
ppp
3
EB
'
EE B
commanding f
K
E5 5 5 !5 : An - gels, bow
p
0
0
0
= ?
0
0
0
= ?
0
0
0
p
E5 5
!5 :
'
5 5 5 EB 5 3
B:
E5 '
5:
5
5!5
E5
!5 :
'
'
'
Vc.
'
'
'
'
0
0
0
0
0
Cb.
2i '
'
'
'
0
0
0
0
0
5
E5 5
p
B
3
'
Vla.
'
5 5 B:
0
out.
5:
E'
0
3
5:
p
5 55555
'
'
E'
0
im - i - ta - tions
1 Vln. G
Very slow q = 56
X
3
3
0
G 4 5 5 5 5
M.S. live
B
263
G
Fl.
5 5 5E5 !5 5 5E5 5 3
1 B Vln. G
Vla.
Vc.
2
5:
5!5 5 5 E5
5
3
5 5 E5 !5 B 55
mp
E5 5 5E5 5
3
5 55
3
3
E5 E5 5
5 E5 5 !5 : mf
5 5 5
mp
5 EB
5 5!5
3
E5
B
3
0
5 5!5 5 5 5 5
G
'
p
mp
E5 5
5 !5 5
!5 E5 E5 : 5
5 5 5E5 3
mf
B
55
mp
3
0
55
E5 !5
5
5 E5 5
5E5!5 5 5
5:
E5 5 5
5
5 E5 5
mf
'
mp
mf
5 !5 5
0
?
B
5
5!5E5 5 E5 3
f
5 5 B f 3 = = 5 5
f
24
269 Fl.
Perc. 1
Gtr. 1
Gtr. 2
M.S. live
G 5
1 2G
5 B:
5:
f
mf
Vc.
Cb.
'
0
?
0
1 G i
0
2G 4 i
f
0
5
5 = 5 E5 5 E5
E5 : !5
0
5
EB
B
3
G B
5
mf
2i
0
5 5
= 5 5 p
ELECTRIC GUITAR
0
0
0
0
0
5 5 5 5 5 I’m
'
in
55
na - ture...
p
pp
0
4
B B
ing
out at an im - pos - si -
B B
?
pp
' ' B: B :
55
4
pp
?
'
mp
-
0
mp
?
BB
reach
' '
4
5 5 5 5 5 5 : 5 35 5 5: 5 5 =
B
'
'
5 5
pp
pp
'
mp
'
4 BB ::
0
mp
0
‘clean’ sound (no distortion)
B:
p
'
!'
p
?
0
0
'
B:
mf
pp
0 0
5 5 !5
5 !5 5:
mf
5 5E5 !5 5 5E5 !5
'
0
5
p
mp
= ?
5:
G
4 5
0
'
'
mp
0
B:
1 E B Vln. G
Vla.
5 B
Very slightly faster q = 58
Y
'
4
p
55
?
' '
pp
1 Gtr. 1 G i
276
Gtr. 2
M.S. live
2G i G
B: 4 B :
B B 5
' 1 G '
- ble
Vln.
Vla.
Vc.
Cb.
2i
' ' 4
4 BB
5 5 B an - gle...
BB ::
55 4 ?
BB
5 = = 5 5 4
?
4
' ' 4
' '
B: B:
5 I’m
?
5 5 4
B B
?
' '
B: B:
B B
for what?
0
B: B:
BB
4 B : B:
?
0 0
to Bass Gtr.
55
5 5 5 B
' '
5 5:
in - doors
decked
' '
' '
5 5 5 5 5 5 : 5 5 out
in
lus - cious silk and
' ' B :: B
5 5 B: sat -
0
' '
' ' 4
0
?
' '
0 4
0
5
B:
p sempre
'
ppp
?
B B
B B
?
' '
?
4
5 5
' '
pp sempre
' '
in,
' '
5: 5
25
283 Fl.
0
G
mp
1 Perc. 1 2G
Vln.
Vla.
mp
3
3
mp
blues and golds
5k
Cb. 2 i '
'
pp sempre
1 Perc. 1 2G ' 1 B Gtr. 2 2 i '
=
5
4
' '
? 5
5
5
5
floor
3
Vla.
Vc.
5
Cb.
5
Gtr. 2
B
5
4
1 2i B: '
B:
2i '
5
B
'
'
'
'
mp
B:
0
mf
?
M 5 5 5 5M 5M 5 3
5M = 5 5 5 5 5M 5M 5M = 3
? 4
3
in - voke me ga -ther - ing figs,
0 5
B:
' '
4
G 5 5 5 5 5 5 5
5 : 5
Con - jure me chas - ing stray sheep,
5 = 4
f
3
3 5 : 5 5
?
Z
0
dirt.
p
B
0
G
1 B Vla.
Cb.
3
5
on the wall,
5:
5
' '
M 5 5 5 5M 5 5 5 5 5 5 5M ! 5M ! 5 5 5M 5 3 5M 5 5 5 5 5 5 5 ! 5M 5M 5 5 5 3
5 5
plow - er,
till - er.
B
3
3
3
3
mf
3
3
3
'
= 5 5 5
Call me res -tor - er of soil,
Vc.
packed
2i '
3
M.S. live
-
?
290 Fl.
hard
5
B
that’s
a small o - pen - ing high
55 5
' '
M 5M ! 5M ! 5M 5 5 5 5 5 5 5 5M 5M 5M 5 5 5 5 1 5 5 5 5 5 5 5 B 3 Vln. G a
B
?
to Crot.
=
truth is
0
287
G 5
3
0 5:
' '
5 5: 5 5 5 5 5 5 : 5 5 5 5 5
3 $ 5 5 The
B
M.S. live
'
pp sempre
firmly mp
3 5 : 5
?
ELECTRIC BASS GUITAR
i
rife with wealth.
B
0
?
mf
5
0
B
B
0
B:
5 5 5 5
5 5
3
0
'
Vc.
B:
3
0
5 G =
1 G
3 5 :
motor on
0
1 Gtr. 2 2G i M.S. live
M 5: 5 5 5M 5M 5 5 M5 M 5M 5M 5M 5 5 5 5 5 5M 5 5 5 3 5
5 5
4 5
? 5
5
5
5: 0
4 '
5
26
5 5 5 5 5 5!5 5 5 5 G 5 5 5 5 5 5 5 5 5 5 5 5
292 Fl.
1 Perc. 2 2 N
3
mp
3
=
4
0
5
1 Gtr. 1 G ? i
3
5M 5M 53 5M M 5 5 55 M 5 M 5 M 3 M
5 5B:
Vla.
Vc.
0
G
4
=
4
M 'M
pp
5
'
BB
55
' ' ' '
3 5 : 5: 5
5 5 5 5 5 5 5: 5 5 5 5
4
'
mp
?
Name me
1
'
5
=
4
5M 5M M 5M M 55M 5 5 $ M M 3 55 55M 5 5M 3 5M 3 5M 3 = BB 3 3
?
p
Cb.
M 5M
ppp
$3 = 4 5
5
p
' ' Gtr. 2 2 i ' M.S. live
TAM-TAM very soft mallet
?
0
0
3
prun -
5
pp
5'
=
4
4
mak - er
of
' '
pp
2i ' '
er of ol - ive wood,
55
' '
1 2N
295
Perc. 2
Gtr. 1
Gtr. 2
M.S. pre-r.
1 G i
M 'M
(T-tam)
5
' ' ' 2i '
A1 M 'M
M 'M
M 'M
M 'M
M 'M
'
'
'
'
'
' ' ' '
' ' ' '
' ' ' '
' ' ' '
' ' ' '
5 !5 5: 5 5 !5
5 5: 5 5 5 5 5
5 : E5 5 !5
B:
?
0
G
= : $ 5 5 5 E5 : 5 E5 5 5 5 mf
Come
M.S. live
Vla.
Vc.
Cb.
G 1
5 5 5 5 5 5 5
' '
2i
' '
BB ::
-
pon me
wind - blown,
bare - ly shel - tered
un - der scrub oak.
flame.
'
'
'
'
'
' '
' '
' '
' '
' '
' '
' '
' '
' '
' '
' '
' '
' '
' '
' '
ah
ah
!5 5 5: 5: E5
Hud - dled as
pp
3
fire, fan - ner of
u
3
tax col - lec
27
1 Perc. 1 G
B1
301
Perc. 2
Gtr. 1
0
2N
4
5
1 G i
M.S. pre-r.
?
4
G
4
0
4
0
4
' '
'
B:
'
p
?
pp
=
4
0
5k
at the door.
p
5
'
Vla.
Vc.
Cb.
1 G
5
5
5
us
our
5 :
= 5 5 5 5
4
Give
0 BB ::
4
55
mp
' ' 2i
our
dai
B :
con sord. senza vib.
0
4
0
4
3 M 5M M 5 5 3 5 5 5 5 5 5M 3 M 5M 5
5M 3 5M 3 4
4
us
' '
5
dai - ly
p
ah
Vln.
' '
Give
0
0
p
' '
G E 5 E5 5 5 5 5 B tors pound
B :
CROTALES
5
SIZZLE CYMBAL
3
-
M.S. live
0
4
B: ' ' 5 Gtr. 2 2 i 5
j G
B
bread.
5 B
-
ly
bread.
B
ppp
B
0'
= 5 B
senza vib.
ppp
0
0
' '
' '
1j Perc. 1 G
305
Perc. 2
Gtr. 1
Gtr. 2
M.S. pre-r.
M.S. live
Vln.
Vla.
Vc.
2N
5
5
1 G i
G
5
' ' 2i
5 G 1 G
4
?
?
5 4 5
'
B
=
4
?
?
4 5
'
=
4
?
?
4 = 0
B
' '
' '
=
?
pp
mp 5k
4 5
?
5
=
4
?
B
3 5 M
' ' 2i
?
?
?
?
M M 5M M M 3 3 5M 5 5 5M 5M 5M 5 5M 5 5 5 5M 5 5 5 3
5M
3
3
5 5 5 us
our
5
=
4
=
4
B
5
=
4
B
5
=
4
debts.
5
mp
4 5
5 5
' B:
555
?
'
? 4
' '
to Vib.
to T-tam
debts.
'
0'
4 = 5 0'
3
5
4
' '
5 : 4 = 5 5 5 5
?
5
=
p
For - give
B
4
p
For - give us our
mf
Cb.
=
3
3
4 3 5M 5M 5M 5 5 5 = 5M 5M 5M 5M 5 5 5M 5M 5 5M 5M 5M M 5M M 5M M 5M 5M M 5M f 3
3
3
' '
3
28
1j Perc. 1 G
309
Perc. 2
0
2N
' ' Gtr. 2 2 i
Vla.
Vc.
Cb.
0
0
0
0
0
0
0
0
0
' '
' '
5 :
mf
0
G 1
0
0
G
4 5MM
TAM-TAM very soft mallet
1 Gtr. 1 G i
M.S. live
0
5 5 5 5 5 5 5
Name
?
B:
4 5
ord.
5 5 5 5 5 B :
mf
3
me
5 = 4
flail - er,
B
5
B
in - to
can
4 =:
' '
'
pp
*
M 'M
' ?
5 : 5 5 B
en
5
M 'M ?
0 5
3 5:
B
?
' '
4
-
4
0
-
0
5
dors
3
5 5 B 5 5
4 5
pp
5 = BB ::
mf
BB
deep to
BB
re -
'' BB
BB
pp
' '
pp
too
?
5 '
BB
' '
B
B :
p
5
fall
5 5
0
B':
5 :
5 5: B
?
mp
' ' 2i
B:
ppp
BB::
' '
tum -bler,
5 : 5
?
?
VIBRAPHONE motor on, very slow
' '
1 Perc. 1 G
316
Perc. 2
2N
1 G i Gtr. 2 2 i Gtr. 1
M.S. pre-r.
(Vib.)
5 B: B:
55 55 N
M 'M
(T-tam)
55 B :: B
BB :: 55 0
G
B
B
M 'M
M 'M
4 BB ::
5 5
4
4
BB ::
BB
?
?
4
p
5
5
He
M.S. live
G '
1 Vln. G
Vla.
Vc.
Cb.
2i
5 is
B B
5 5 : dis - tance,
5 5
B:
'
'
M 'M
M 'M
M 'M
' '
' '
' '
' '
' '
' '
5 5 5 5 : 5 5 5 5 5 3
my
5:
'
?
'
pp
BB ::
B
0 B
BB ::
4 5 5
B B
B : BB :
ppp
' ' 55
?
B B
4
4 B: B:
?
5:
0
=
pp
5 5 5 5 5: 3
5 5
in - side
' '
' '
' '
' '
' '
' '
4 ' '
5 5
B :: B
ppp
5
ah
And eve - ry - where,
ord.
55
5
ten - der son.
0
'
ppp
- veal,
''
B B
ppp
' '
' '
' '
' '
ppp
5
and
B
out,
29
1 Perc. 1 G
322
Perc. 2
2N
Tempo IÂş q = 112
C1 '
'
5 5
motor off
=
4
4
?
f
=
DRUM KIT
M 'M
'
ff
4
2 = 5 4
4
0
5 55M
3
p
5 5 5 E5 5 = 5 = = 3
3
3
GOBLET DRUM with hands
edge 5 5 5 5 5 5 5 5 5 5 5 5 5 5
0
3
f
55
5 5 5 5 5
3
centre p
5M = = 5 ?
3
3
1 ' ' Gtr. 1 G i
' '
Gtr. 2 2 i
' '
0
0
= 5 3 = = 3 5 E5 5 5 5
0
0
'
=
4
5 5 5 5 = 4
mp
5
3 5 5
I can - not
A
lil - y
M.S. pre-r.
M.S. live
G
G
f
' '
'
5
=
'
3
5 5
5 5
world moth - er - ing dust.
f
5 55
5M 5M 55=
' '
' '
M M 55 55
Vc.
' '
Cb. 2 i
' '
' '
' '
f
f
4
f
M M 55 55
=
4
4
re - duced to a
5 M = 5 5 4
book
4
5 = 5
=
4
4
f
3
3
5 = E5
p
0
3
read.
5 5 E5 3
I do not
= 5 5? 5E5 M
5 5 5 5 5 !5 5 5 5 5 E5 = = =
3
pizz.
p
3
3
pizz.
4
3
4
M = E5 5 5 ? f
0
3
5 5 5 5 5 = 53 = 5 5 = 53 E5 5
f
5 5M
3
5 = 5 5 5M ? f
5M
p
3
5 = = 5 5 5 5 5 5 = 4
Tempo IÂş q = 112
C1 ' '
4
This is an e - vent
1 Vln. G ' '
Vla.
4
5 5 5 5 5 5 5 5 5 5 E5 = = =
3
0
p
3
3
= 3 = = 3 5 E5 5 5M 5 !5 p
pizz. = ÂŻ 3 = = 3 5 E5 5 5 5 5 p
3
3
5 = E5
5 = E5
30
327 Fl.
G
0
0
0
D1 Slower q = 92 : 5E5 5 5 5 B ?
0
mp
1 E5 Perc. 1 G
5 5 !5 5
!5 E5 5 E5 !5 E5 5 5 = 3 = 5 E5 5 !5 5
!5 5
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 Perc. 2 2 N 5 M M M 3 3 3
5
5 M
5 1 E5 5 5 ! 5 !5 E5 5 E5 !5 E5 5 5 = 3 = 3 5 Gtr. 1 G E5 5 !5 5 i 3
!5 5
5 !5 5 5 = 5 E5 !5 5 E 5 E5 ! 5 5 = = 5M E5M 5M 5M E5 2i 3 3 3
!5 =
Gtr. 2
M.S. live
G E5 E5 smell,
3
3
5 5 !5
a lec - tern
5 !5 E5 E5 = E5 I
nev - er owned.
I
could be
5 = 5 5 5
E5 !5 5 5 5 5 5 M 5M 3
3
B:
BM:
5 = 4 "
p
5 5 5 5 5 5 M 55 4 mf
E5
5 5E5 5 5 B
5M
4
pp
4
50 :
p
0
5M 4
0
?:
mf
4
!5 =
E 5 E5 ! 5 5 5 !5 5 5 = 5 E5 !5 5 = = 5 E5 5 5 E5 Cb. 2 i 3 3 3
!5 =
5
4
5 = 5 5 5 arco
5 ppp
5 4
=
f
E5 !5 5 5 5 5 4 5 5 M 5M M 3
4
E5 !5 5 5 ÂŻ 4 5 5 5 5 5 M 3
4
3
f
3
B
Slower q = 92
D1
f
E5
pp
Light,
arco = 5M 5 5 E5 5
!5 5
E 5 E5 ! 5 5 M 5 !5 5 5 = 5 E5 !5 5 = = 5M E5 5 5M E5 M 3
5
an - y - one, an - y - where, an - y - time.
3
3
4
mf
!5 5
3
5M
5
motor on, medium
mf
3 3 5 5 ! 5 5 !5 E5 5 E 5
E5 !5 E5 5 5 = E5 5 = !5 5 5
Vc.
5 = 5 5 5
5 !5 5 5 5 ! 5 5 5 !5 5 5 =
mf
3 3 3 1 5 = 5 ! 5 5 = 5 Vln. G E5 !5 E5 E 5 !5 E5 5 5 5 5 !5 5 5
Vla.
E5
arco
f
5
EE 5
ppp
B
B ::
B
B ::
B
B ::
B
B ::
ppp
arco
ppp
31
332 Fl.
G
?
1 Perc. 1 G
B
Perc. 2 2 N Gtr. 1
M.S. live
?
1 2G i
55 E 5 55 5
55 E 5 5 B: 5
mp
mp subito
5
5 5E5 5 5 B:
M BM
M BM
5
"
"
0
B
3
Vla.
Vc.
5
B
E E B B
B
Cb. 2 i
5 5
5
= E E5 5
=
5
4
' 5 = 4
to T-tam
0
0 4
5
: 5 B :
0
5E5 5 5EB
B :: B ::
4
0
TAM-TAM
5 !5 E 5 0
0
EB
B
4
' '
0
0
0
pp
E5
I’ve
E5 EB
5 !B got
B
a choice
senza vib. E'
'
'
'
'
'
' '
' '
' '
' '
ppp
0
0
'
ppp
be not named, nor claimed!
B
pp
0
0'
EB
0
E5 E5
0
TUBULAR BELLS
0
light
0'
?
soft'mallet
p
'0
0
B 5 4
5
E1
0 to Ac. Gtr.
'0
: E E 5 B :
4
5
4
0
to Tub. Bells
light,
1 Vln. G
0
5
pp
5 5E5 B:
G
5
5 5E5 5 5 5
pp
'
0
af -
senza vib.
ppp
0
0
E' '
0
0
EE' '
senza vib. ppp senza vib.
ppp
1 Perc. 1 G
340
Perc. 2
2N
E '
E'
'
'
1 Gtr. 1 2G i M.S. live
G
B
1 Vln. G E '
Vc.
'
0 B
5
all,
'
5
3
5 5 5
B
af
all.
-
ter
= 4 5
'
'
E ' '
' '
55 = 4
E E ' ' Cb. 2 i
' '
ppp
?
55 = 4
Tempo IÂş q = 112
5
= 4
0
0 B
?
5 E5 5 5 5 !5 5 5
What will you do,
? ? ?
0 0
$ 5 3 = 4 5
M
f ord.
$ 55 3 = 4
M
bu - gle, if
I
ord. $ 55M 3 = 4
0
pizz. 5 3 = 4 f
4
f
=
re - fuse?
’clean’ sound (no distortion)
5 5 5M M 5
mp
mp
5 5 5M 5M
With - out me what
?
?
5 5
M
5 = 5
M
4
?
?
55
M
55 =
M
4
?
?
55M
55 =
M
4
?
?
5 3 =
4
f
?
N
5 5 =
5: !5 5 = =
f
0
centre
?
challenging, almost coy p
ord.
edge
ACOUSTIC GUITAR
0 =
'
0
?
GOBLET DRUM wth hands
0
0
= 4 5
E'
7= 4 5
0
- ter
Vla.
F1
32
346 Fl.
Perc. 1
0
G
1
N =
55 5 = ?
f
2N 4
1 Gtr. 1 G i Gtr. 2
M.S. live
M 5M
p
G
? 2i
4
f
G =
5M 5M =
f
0
55 55 =
M M
M M 55 55 =
5M 5M = Cb. 2 i
arco ord.
4 4 4
G1 M M = 5 5M E5 5 = M mf
j G
CROTALES
= 5 5 E5 5 = mf
bu
-
?
-
E5
4
4
55= 55
M M
5M 5M 55=
4
?
4
mf
4
?
4
E 55
4
EE55
4
?
0 = = E5 !5 5M M 5M M
= 5 5 E 5M M E 5M M 5M mf
0 = !5 E5 5
5 5 5 = = 5 5 5 5 5 !5 E 5
5 E5 5
What will you do, de - sire,
if
I com -
= 5 !5 E5 5 =
4
= 5
5 E5 5 = 5 = = 5 !5
E5 !5 !5 5
5 5 5 = E5 =
4
= 5
5 E5 5 = 5 = = 5 !5
E5 !5 !5 5
pizz.
mf
pp
0
To whom, to what, shall I pray?
mf
5
0
0
pizz.
pp
0
?
= 5
gle?
55= 55
M M
5M 5M =
3
0
5 5 5M 5M 5M 5M 5 5 : 5 5 5 = ?
What will you do,
5 M 5M E5 5 M = 5M = = 5 !5 5 E5 !5 !5 M
4
0
0
4
M = 5
4
0
mf
55 5 = = 4
E5
0
0
1 Vln. G 5 5 = 55
M M
Vc.
4
pp
55=
al - i - bi?
Vla.
?
TUBULAR BELLS
CABASA
(Goblet Dr.)
Perc. 2
0
0
pp
M M 5M = = E5 5M !5
= 5M E5 5M 5 E5M M M
?
mf
0
pp
0
0
5 5M 5M 5M 5M M ! 5M 5 5 G
351 Fl.
3 1 5 5 5 5 Gtr. 1 G 5 M 5 E5 5 5 M 5M i M 3
Gtr. 2 2 i
M.S. live
0
G 5 = = 5 !5 5 5: - ply?
Vc.
What will you do,
5M = = 5M 5 5 M M 5 5M M 0
de - sire?
= 5 5 5 5
3
5 5 !5 5
5
5
=
5 3
5 5 !5
5 5 5 M M 5M 5 5 5M E5 5 5
5M = = 5 M 5M 5M 5M 5M
2i
0
3
= ? 5 E5
f
3
5M 5 5 M M E 5M
5
5
0
5
=
5 3
5
5
!5
5
= E5 5 5
5
5
!5 E5
5
!5
5
5
5
5
!5 E5
3
5 E5
E5
3
EB
!5 5
E5
5 5
5 E5 :
f
f
To whom, to what (and how) shall I
5 5 5 5 ! 5 5 5 5
3
Cb.
3
5 5
5 1 5 5 5 5 5 5 ! 5 Vln. G Vla.
5M M 5 5 !5 3 5 5M 5M M M 5 5 5 M = E5 E5M 5M !5M 5 3
5
!5
f
5
B
B:
4
a - tone?
5
!5 5
=
arco
5 5 E5
E5
5
E5
5 5 5 5 5 5 5 5 ! 5 5 E 5 5 5 5 5 5 5 5 ! 5 5 !5 E 5 5
f
5
arco
E5 =
f
3
E5M 5M 5M 5M E B f
?
to El. Gtr.
E° EB f
5 E5 :
ÂŻ EÂŻ: 5 E5 :
B ° B
5
!5 E5
33
355 Fl.
G
!5 5
5 !5
1 Perc. 1 G
5
5
E5
senza misura
4
?
0
N
5_l.v.4
mp
0
1 !5 5 Gtr. 1 2G i
5 !5
5 5
|
0
5
5
E5
4
0
G
?
in tempo
|
|
GOBLET DRUM
j Perc. 2 2G
M.S. pre-r.
5 5
0
M 'M
pp
centre
|
?
|
0
4
=
M 5M
molto
' M
5 M
0
0
4
molto
GOBLET DRUM with hands
' M pp
f
4
M 'M
GOBLET DRUM with hands
edge
H1 E5 = 4
f
f
5
5
0
f
E5
5 5: 5
5 5
Come Ga - bri - el, blow your
M.S. live
G 5 5
For
my
1 5 Vln. G !5
Vla.
Vc.
Cb.
5
nay
5 a
5 !5
5 5
5
fu - ture bates
5 5
5 its
E 5
B:
5 !5 5 E5
°: 2i B :
5 E 5
sfp
ÂŻ 5 E 5
sfp
?
breath.
5 5 5 5 5 5 ! 5 5 5 5 5 5 5 5 5 5 E5 !
4
'
p
0
0
And if I say yea, even in Arcady death resides...
senza misura
4
?
|
4
?
|
5
0
H1
E'
5 5
0
E' G
5 55
in tempo
sfp
sfp
'
'
5
5
E5
5
E5
molto
'
'
' molto
5
34
E 5 = 4 G
360 Fl.
?
ff
1 5 = 4 Perc. 1 N
to Picc.
0
4
4
0
?
j 4 Perc. 2 2G 5 =
G
DRUM KIT
4
0
?
ff
E5 1 E5 = 4 Gtr. 1 G i 5
?
ff
f
5 5 ! 55 5 5 55 5 5E 5 5 5 55 5 E55 5 5 5 5 5 E5 5 5 = 4 =
= 55 BB 5 B
55 5 5 5 5 E5
f
hi-hat half-open
J J = 5 5 5 5
f
5 E 5 !5 E5 5M E 5M M M
f
0
ELECTRIC GUITAR slight distortion
G 4
0
i
5 E 5 !5M E5M 5M E 5M
f
M.S. pre-r.
5 5 5 5 5 5 5 5 = E5 5 5 =
MARIMBA
ff
Gtr. 2 2 i
i G
0
(4 + 3)
PICCOLO
' G
'
5:
5
J J 5 5 5
J 5
J J J J 5 5 5 5 = 5 5
5 4 E 5M
M
= 4 = EE55 !5 5M M
E 5 5
M E 5M
5 4 E 5M
M
4 = EE55 !5 5M M
E 5 5
M E 5M
5 !5
slight distortion
E 5 !5M 5 E 5M M
5
4
?
0
!5 5 5 5 5 5 !5 E5 E5 5
4
?
0
horn,
G = E5 5 5 5 5 5 : f
M.S. live
the cow’s in the mea - dow,
E 5 1 5 = 4 Vln. G ff
Vla.
E 5 G = 4 ff
Vc.
= 4 5
ff
the
maid’s
oh
so
torn.
M
M M M M 5M 5 5M 5M 5M 5M 5M E 5 ! 5 5M 5M E 5 ! 5 = M M M M = 4 M M M M M M
!5M M E5M E5M = M EM5 M M = 4
?
ff
5 = 4 Cb. 2 i
5
5 = 5
?
5 B = 5 B fp
5 B = fp
(4 + 3)
5M 5M 5 5 M M = M5 M M M5 M5 5 E5M 5M 5M = 5 5
M 5M
M M M
5M !M5M EM5M M5 M5 M 5M 5M E5M M5 5 = M5 5 5 M5 M5 5 E5 5 E5 = 5 5 M M M M M M M
55 5 5
UM E5
UM (pizz. ord.) E5 5 5 4
= E5 !5 5 5 E5 4
M M
E55 !5 5
5 E5 5
U UM U (pizz. ord.)
E5M 5 5M 5 E 5 4
5 5 5M
E 5 E5M 4 =
E 5 ! 5 5
ff
ff
UM !5
pizz.
pizz.
35
i 5 5 E5 !5 5 5 5 5 5 5 5 5M 5 4 G
365 Picc.
3
1 Perc. 1 G
4
0
Slower q = 100
to Fl.
0
'
0
0
0
TUBULAR BELLS
4
5
mf
'
'
5
4
to Crot.
?
bell of
cymbal J ride " " " " " " 3 j 2 2 2 2 2 2 2 5 25 5 5 5 5 5 5 4 Perc. 2 2G 5 5 5
3
1 Gtr. 1 G i
Gtr. 2
M.S. pre-r.
5 5 5 E5 !5
4 2G 5 i M E 5M
G
=
3 E5M !5M 5M E 5 E5 ! 5 5 E5M 4
M M
3 ! 5 5 4 E5 !5 5 5 E 5M ! 5M M E 5M 5M E 5M
4
0
f
4
5
My
M.S. live
G
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
to Glock.
0
5: 5 5
to
0
des - ti - ny:
5
3
5 5 5 E5
B:
sig - ni - fy some - thing.
?
4
p
5 5
5
B
My dam - na - tion:
1 5 55 5 E5 !5 5 5 5 5 5 5 5 5M 4 Vln. G 3
Slower q = 100
0
0
5 E5 4
= E5M 5M 5 E5 5 5 5 5M 4 M
M M 3
0
E5 5 4 Cb. 2 i
arco ! 5 M
M M
E 5 E5 4 = 5 !5 5M E5M E5M
3
0
Vla.
Vc.
3
arco
?
EB
sig - ni - fy
'
'
'
'
'
'
'
'
senza vib.
B
pp
?
to
5 5 E5
senza vib.
pp
5 5 5 5 5 E5 !5 E5 5 5 5 !5 E5M 4
?
5
senza vib.
B
pp
?
EB
senza vib.
pp
5 E5 no - thing.
j G
36
i G
0
371 Fl.
G
j Perc. 2 2G
Vc.
Cb.
0
B :
?
?
Gtr. 2
M.S. pre-r.
2G i
M.S. live
Vln.
1 0' G 2
5
Ma - ry birthed a
3
5 !5 E5
5 EB
5
5 !5
E5 B
5 5
3
5
5 5 5
boy,
5 5 5 5 3
He was
her
3
joy,
E5 5 5 !5 her
0
0
0
0
0
0
mp
555
5 !5 5
5
5 !5 5
mf
5
E5
3
mf
5 5 !5 5 5 5 5 3
E5
5 E5 5
mf
E5 E5 5 !5 5
5
5
E5
3
5
5:
E5 5 !5 E5 : E5
5
5 !5 5
5 !5 :
E5 5 !5 E5 : E5
5
5 !5 5
5 !5 5
5 !5 5
5
4
4
woe,
0
5:
5 E5! 5 5 5
mf
3 5 5 5 !5 5 5 5 3
do not, can - not
0'
mp
Nei - ther
mf
0
3 5 !5 5 5 5 B 3
now
nor ev - er
0 0
life.
5 !5E5
f
5 !5 E5 B : E5 3
5 5
3
f
5
5 5
5
5 5
5 5 f
5 5 f
! 5 E 5 B: 5 E5 f
?
0
3 5 5 5 5 know.
B:
3
0
Know- ing I
0
5
!5E5 3
0
mp
5 E5 !5 5 5
5 !5 :
mf
my heart is
3
!5 5 5
5 5
mf
E5 E5 5
5 E5 5 5 E5
5
E5 !5 E5
5
3
B
won - drous
E5 !5
5 5
0
5
E5
3
0
E5 !5
E5
5:
5 E5 ! 5 5 5
55
5
5:
0
3
0
B
5
5 5 E5 5 E5 !5 5 5
0
55
Oh,
p
!5 5 5
5 5 E5 5
5 5
5
0
0
G 5 E5
5 5 5
0
5
p
Vla.
mp
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THE WANTON SUBLIME Notes on Marginalia Marginalia/appropriated texts appear in the original volume of poetry, The Wanton Sublime: A Florilegium of Whethers and Wonders (Tupelo Press) Some of these texts are included below. These quotations and others in the book may be useful to the directorial/design process and to the ultimate presentation of this work:
a. Whan thou spekyst of any gentilnes, myldeness, or humylyte…let thy handes upon they breste.— The Mirror of the World b. And whan thou spekyst of any heuenly or godly thynges to loke up and pointe towards the skye with thy finger...— The Mirror of the World c. And whan thou spekyst of any holy mater of devocyon to holde up thy handes….— The Mirror of the World d. I have never seen your equal, gracious lady (“Je ne vis oncques la pareille/de vous, ma gracieuse dame”, 15th century, Molinet, Agricola and others, a paean to both a courtly lady and to the Virgin Mary) e. meekness…mildness…sweetness of heart…belongeth of all things best to maidenhood’s virtues.— Berthold von Regensburg f.
Just as a stone thrown into water becomes the center and cause of various circles and fills the surrounding space with infinite likenesses of itself and appears all in all and all in every part— Leonardo da Vinci
g. No mortall blemishe shall her blotte.—Spencer, The Faerie Queene h. And as she had awakened me with her voice, so she guided me with her light…—The Nag Hammadi Library i.
I cannot fix my object; ‘tis always tottering and reeling by a natural giddiness: I take it as it is at the instant I consider it; I do not paint its being I paint its passage…—Montaigne
j.
The men cracked their whips. Heavily the horses pulled pulled the heavy carts with the heavy earth.—Kandinsky
[The Virgin Mary onstage. The setting is difficult to place in time. Anywhere, anytime. Mary is startled. During the course of the monodrama she will experience a wide range of emotional reactions, some of them extreme, unsettling. She meditates, ruminates, gets angry, grows calm, and more. She is a woman in the process of unraveling.]
Must I stop— must I kneel— a woman in a field of flowers interrupted… a hillside thick with time
whose greeting sneaks into my peace? Just like that he enters in to me just like that barges in and then
and now—
in a field of flowers interrupted and carried away in a far meadow… [A sudden change of tone and demeanor]
I must duck out of this
The sky arrives A sword will pierce my soul!
Hail thou that art highly favored Hail thou that art highly favored
[Pleading]
Why me? Why me? [Sarcastic]
Favored for what?
[Annoyed]
If I am favored let me finish this book. [Jittery]
I’ve got things to do around the house. Why me? Why now?
Must I clasp his hand? at hand on hand hands on hands up hands out Interrupted and carried a far field away… The light, the light, I cannot face this light.
And what if a soul fall into a body… And if it gaze into pure light… And if something grow into life… As the spider spins its web she spins him of herself, and leaves a memory life-bestower, nurturer, agent of futurity oh, woven child you must not unravel she webs and warps with finest, strongest yarn
Love me loudly or in whispers, love me so the long, deep night is aware of me and breaks into day with a seamless song… [Suddenly standing stock still, insistently]
I am a virgin I know no man No destiny broods under my skirt
Why here? Why now? Why me?
I am woman
flesh and bone
taste and touch
Shaped and told by men I’ve not finished braiding my hair, kohling my eyes Let me become… Not precedent; not augury
Europa smoothes the fuschia folds of her robe, bends low The bull purrs, inhales her loveliness And out comes the gypsy in her She tits-for-tat the razzle-dazzle guy, mounts his back, grabs a gleaming horn. [Amazed]
He bolts. [Losing herself, coming apart…]
She’s cargo in his hold— scared to death speeding from her life…
[Agitated, confused]
Innocence intrepid interrupted, interpreted churning
Hear this: I am shaped and told by men [Upset]
Take note: A day copulates with a woman’s fate. I’m forgetting what I want to say. I’ve not had sex with any man [Surprised]
sweat beads in my crotch sneaks down my thighs—
Oh, freedom without will Oh, freedom named obedience Must I do what I have always done— daring nothing grip his hand and bleed his way? [Feisty]
I am a fortress, a closed garden. [On the verge of tears]
I fear the brunt of bliss.
For the child I will have boundless love, for posterity the memory of being, for my life no proper translation.
He comes there so still To his mother’s bower. He’s like the dew in April That falleth on the flower [Angry]
That falleth to de-flower! Mystery of mother. Where does he stroll, my cherished son? I’ve seen my share of Roman crucifixions Dreams hammered to a stop.
Oh, Io, be not afraid to enter the dim forest. Frighted she flies— She wants nothing of this. Yes, frighted she flies.
It is time to speak of the lies, of images, omissions, insertions imitations of reality,
[Commanding]
Angels, bow out. I’m in nature— reaching out at an impossible angle— for what? I’m indoors decked out in luscious silk and satin, blues and golds rife with wealth [Firmly]
The truth is a small opening high on the wall A floor that’s hard-packed dirt
Conjure me chasing stray sheep Invoke me gathering figs Call me restorer of soil, plower, tiller Name me pruner of olive wood, maker of fire, fanner of flame Come upon me wind-blown, barely sheltered under scrub oak Huddled as tax collectors pound at the door Give us our daily bread Forgive us our debts Name me tumbler, flailer, fallen into candors too deep to reveal He is distance, my tender son And everywhere, inside and out, world-mothering dust This is an event reduced to a book I cannot read a lily I do not smell a lectern I never owned I could be anyone
anywhere
Light, light, light be not named, nor claimed! I’ve got a choice after all.
[Challenging, almost coy]
What will you do, bugle, if I refuse? Without me what alibi
anytime
What will you do, bugle? To whom, to what, shall I pray? What will you do, desire, if I comply? What will you do, desire? To whom, to what (and how) shall I atone? For my nay a future bates its breath
And if I say yea, even in Arcady death resides…
Come Gabriel, blow your horn, the cow’s in the meadow, the maid’s oh so torn—
My destiny: to signify something My damnation to signify nothing Yes, Mary birthed a wondrous boy, He was her joy, her life.
Oh my heart is woe Knowing I do not, cannot know. Neither now nor ever simply self
Cut to my soul which is body which is the dust of an inescapable need Cut to the garden of my soul which is land-mined He is distance, my tender son
Cut to survival as possibility as mark…
For those who are to come: That I have been… That I have…
To remind… My life… Light be not explained.