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Missy Mazzoli

VIOLENT, VIOLENT SEA for chamber orchestra

commissioned by the Barlow Endowment for Musical Composition at Brigham Young University

G. Schirmer, Inc. New York, NY


Instrumentation Flute Oboe Clarinet in B-flat Bassoon Horn in F Trumpet in C Trombone Percussion (2 players) 1. Marimba, Bass Drum, Hi-Hat, Toy Piano* (optional) 2. Vibraphone, Crotales, Large Suspended Cymbal

Strings * Toy Piano should be lightly amplified if possible. If no Toy Piano is available, the part can be played on Marimba.

duration circa 10 minutes

Composer’s Note Violent, Violent Sea was commissioned by the Barlow Endowment and the League of Composers Chamber Orchestra, and was premiered at Miller Theater in New York City in June 2011. This work began with more of an emotional impression than a precise musical idea. My early notes for the piece look something like this: LOUD BUT SLOW. LIGHT BUT DARK. VIBRAPHONE. HOW TO DO THIS? To my relief I eventually did figure out “how to do this.” The work evolved significantly from these early sketches but my idea of creating a loud, dense work with conflicting light and dark sides remained intact. The result is a ten-minute piece with a deceptively sparkling exterior and dark, slow-moving chords at its core. These chords grind against each other, dissolve into glissandos and crescendo into surprising dissonances under the glistening patina of vibraphone and marimba. This work is dedicated to Sheila Mazzoli, who loves the sea more than anyone. – Missy Mazzoli


Score in C

Flute/Piccolo

Andante q = 60 Flute Tense, Unsettled  

 

 

Clarinet in Bb

Horn in F

     

 

Trumpet in C

Trombone

Percussion 1

     



mp 3

 

Violin I

  

 

   

3

3

f

pizz non-div.

3

 

 

  f

f pizz

3

3

6

           6

  

ffp

3

3

        6

   6

  

 

 6

p

p

  p

3

ff arco div.

 

arco sul IV

ff





(p)

arco sul IV



ffp

3

6

3

3



pp

 

pp

    Double Bass

mp 3 pizz non-div.



pp

 





  

Violoncello div a3 (solos)

                              

mp

  

Viola

Marimba

  

Violin II

        6

Vibraphone

Percussion 2

MISSY MAZZOLI (2011)

  

Oboe

Bassoon

Violent, Violent Sea

  

ffp

pizz  f

MATERIALS SUPPLIED BY COMPOSER Revised 1/2012

Copyright © 2011 by G. Schirmer, Inc. (ASCAP), New York, NY International Copyright Secured. All Rights Reserved. Warning: Unauthorized reproduction of this publication is prohibited by Federal law and subject to criminal prosecution.

 

p

arco

ff


 

Ob.

Cl.

2

4

Fl.

  Hn. 

Bsn.

C Tpt.

Tbn.

Perc. 1

 

Vln. I



 

3

Vla.

 

   

mp

f

 

6

             

6

3

3

         

6

3

3

6

3

 



3

3

6

3

 

6

6

pizz.

 

mf

6

arco div mp

  (pizz) f









6

   

 

 

mp

(p)



3

3

 

pizz

mf

(pizz) f div



arco mp

mp

mp

 





 mp

Db.

3

                                         

    

Vc. div a3

 

f

  

Vln. II

   

 

mp 6

             

      3

Perc. 2

        

 

pizz

 

mf

pizz

 f

  


            

   7

Fl.

6

  Hn. 

C Tpt.

Tbn.

Perc. 1

 3

  

3

ff

ff

 



f



      6

  

 

Vln. II

  

Vla.

   

Vc. div a3

3

6







3

3

  f

3

3

3



         6

3

f

f

 

f arco

 

f

 

6

      6



  ff

 

ff

3

               6

ff

6

ff

ff

unis



 

  













   

3

 

  



3





  

f

3

3

 

f

3

 

f

 

3









f





                                           

mf unis

Db.

 



 

(arco) tutti

Vln. I

mf

3

Perc. 2

Bsn.



mf

 

Cl.

 

3

 

Ob.

           

 




4

A   Fl.  

Cl.

 

 

 

   

 



  

 

p

     f

C Tpt.

p

p

f

Tbn.

Perc. 1

f

3

Perc. 2

Vln. I

Vln. II

Vla.

       

subp

   3

6  

 

mf



6

3

3

6

poco

p

 





6

              6

poco

mp p

3

p

6

mp

3

p







 

p

tutti

 

  

 



p



3

3

       

 

 

3

       

mp

 



     

6

   

   

6

            

ff Db.

3

3

ff

Vc.

mf

            

3

 

 

 

p

       subp

6

     

p

ff

Hn.

p

 

   

p

       

  

mf

 

ff

Bsn.

p

  

6

 

Ob.

        

Poco piu mosso

9

6

3


          

       

    

Fl.

mf

3

3

Ob.

p

Bsn.

Hn.

Tbn.

Perc. 1

     

  

Vln. I



 

    3

6

poco

Vln. II

Vla.

 

Vc.

 

Db.

mp

poco

mp p

3

3

6

mp

 

 

3

3

3

6

6

p 6

3

3

3

3

6

  





 

  

                

   

 

6

                      

       p

  

6



 

   

                         6

    

5

f

3



 

6

3

 

   

   



mf

mp

6

  

   

6

Perc. 2

f

mp

  

mf

  

C Tpt.

6

p

3

Cl.

      

6

12

   



 

 

3

6

  


6

  15

Fl.

3

f

3

f

 



3

3

 

 

      6

3             

6

f



             

6

  

C Tpt.

3

 



6

6

      

Cl.

Hn.

           

f

 

Ob.

Bsn.

      

3



6



 



 



 





 



 



f

Tbn.

Perc. 1

  f

Vln. I



                                                6

f

Perc. 2

6

     3

 

f

3

  3

Vln. II

 

Vla.

f

Vc.

6

 

3

6

        6

3

6

  3

6

6

                    6

6

6











 

 





 

f Db.




   17

Fl.

Ob.

  

7

3

mf

      

6

Cl.

Bsn.

  

p

Hn.

C Tpt.

 Tbn.   Perc. 1

Perc. 2

Vln. I

   

 

 







3

6

6

6

Db.

6



6



6



6

   3

3

2 solo vln, divisi

  

mf

arco

ppp

mf mf

  

  



  

6

    

niente

gli altri

Vc.

p

                3

3

pp

Vla.

mf

3

6

solo

mf

solo

Vln. II

p

mf



                 

mf



   

   

  

3

3

   

 mf

    

 

(solo)

 

mf

   p

3


 





Ob.





Cl.









 





















  



 



 



8

19

Fl.

Bsn.

Hn.

C Tpt.

Tbn.

Perc. 1

    p

Perc. 2

Vln. I



6

6

6

6

6

6



  

arco pp



p



poco

 

poco

p

 

Vln. II

p

 

Vla.

p

solo

Vc.

gli altri Db.

niente



 

 

   

poco

   p

niente

(solo)

 





poco

 

 




B

Unsettled, like beginning

    23

Fl.



p

 

Ob.

 



Cl.

 



Bsn.

Hn.

       

Tbn.

Perc. 1

3

p

  

      

3



6

      

6

6

(1 solo)

p gli altri pizz non-div (solo)

   

Vln. II

gli altri

p



     

6

  

   

Vla.

    3

tutti div

      

   p

3          3    3

3

6

tutti pizz non-div



 

6

6

6

6

tutti

  

     

   

  









 

 

mf

arco

6

6

6

3

   

p

pizz

6

3

p

Vc.

6

6

3

tutti

Db.

  

                                                    p

Vln. I

 

    

mf

Perc. 2

p

3



 



   3     

      

straight mute

  

C Tpt.



9

  

p

 

3

3

 

 

mf


10

  

26

Fl.

Ob.

Cl.

Bsn.

Hn.

Tbn.

Perc. 1

 



  

  

mp

 

 

mf

 

f

 

 

f

Perc. 2

                                      3 6

Vln. I

     

6

Vla.

Vc.

f

arco

     3

f

Vln. II

6

6

mf

6

3

f

6

3

6

   

  





 

    Db.  f

    

div

f

arco

f

mp

6

6





6

6

   

mp

f



3

6

     

   

      

3

      

poco agitato

  

f

6

6

6

 

6

mp

mp

 

  

3

 

  3     

 

p

f

 

f

 

 

f

    

C Tpt.

mp

mp

mp

 

  

 

 

  

  

6


C

  

Fl.

29

 

mf

Hn.

Tbn.

Perc. 1

Perc. 2

Vln. I

 

 

      

3

 

molto

f

           

3

6

        

non-div

3

6

 

Db.

 

 

ff



unis

ff arco

   ff

  

  



p

 



f

6

3

f



molto

p

6

  

Vc.

f

senza sord

3

Vla.

ff



molto

p

               

Vln. II

 



p

ff

 

 

 

C Tpt.

11

ff

 

 

 

ff

 

Cl.

Bsn.

 

Ob.

Grand, Noble



    

 

f



 

unis





ff

f

ff

f


12 Fl.

32   





     









f

Ob.

Cl.

Bsn.

Hn.

Perc. 1

Perc. 2

Vln. I

f





  



 



 

 

 

   

 

 

 

 



     



f

 3   

 

C Tpt.

Tbn.



 

   

 

   

Bass Drum

p



niente

    



Vln. II

 

mf

mp

f

f

 

  



  

 

    

f

Db.

 

f

     

Vc.



3 3 3                        

Vla.

f

f



    

 

 

mf

mf

 

niente



 

 

     

  

3                       



 





 

 


  37

Fl.

Ob.

Hn.

Perc. 1

Perc. 2

 

C Tpt.

Tbn.

mf

   mf

mf

 

  

 

  

   

 



mf

Vln. I

Vln. II

mf

   mf

 

Vla.

mf

Vc.

Db.

  

 mf

 

mf

     

      

3

 

 



  



 ff

 ff

  







 



ff

ff



   





submp

  







niente

   

  



 

  

  

submp

3            

ff

 

submp





mp



     



   





submf

mf





 



  

mp

13

niente

  

mf

ff

 

  

ff

submf

 

mf

     

  





ff submf

f

niente

  

  

            

  

ff

 







 

 

ff

mf



 ff



Cl.

Bsn.

  

3 3 3                           









submp

  

submp


14 Fl.

42    

 

Ob.

Bsn.

Hn.

Perc. 1

Perc. 2

Vln. I

f

f



 



 

mf



        

 

 

f

f

f





    



 





fff



  



  



  



  

   



ff

 



 

    



fff

 niente

 

ff

ff



ff





 3           

   

fff

ff

 ff



fff

ff

 

   

f

 

         

 

 

 



ff

 

     

Vc.

 



   

Vla.

mf

    

 

  

ff

    

Vln. II

Db.

 



   

C Tpt.

Tbn.

  

Cl.

 



 

niente

   

   

  ff

  

 

  

ff

3        

  

       3



  





 






  



 



 



  



46

Fl.

Ob.

Cl.

Bsn.

Hn.

  

 

D Animato  f

   

p

 f

   

p

 f

   

p

f

   

p



   

   



p

molto

f

C Tpt.

 



Tbn.

 

 

   

  



Perc. 1

Perc. 2

Vln I div

     



   

Vln. II

Vla.

Vc.

Db.

   

 

molto



 molto

  niente

  



  p

f

molto

6

3

p

6

p

f

3

        3

p

3

pizz non-div

 

  

molto

 

                

  

p

                

molto

p

  

p

p

f

f

                   

f

  

3

niente

 

p

niente

 

15

molto

f

f

p

   

f

p


16

 

49

Fl.

Ob.

Hn.

Perc. 1

Perc. 2

 

C Tpt.

Tbn.

Cl.

Bsn.

  

mp

f

 

 

 

p

f

 

  

 

   

f

f

Hi-Hat (closed)

       

p

6

3

3

6

      

Crotales (sound 2 octaves higher) 3 3

                                                        f

3

3

6

3

f

3

subp

3

3

3

3

                                                   3

3

  

Vln. II

Vla.

Vc.

Db.

  

3

Vln I div



   

p

 

cantabile

mp

p

  

     

6

 

3

    3

 

 poco

mp

 

3

f

        6

f

3

subp

 

subp

 



  

p

f

 

pizz

f

   p

pizz div.

  

  

p

   p




 



 

52

Fl.

Ob.

Cl.

Bsn.

Hn.

Perc. 1

  

17

     

mp

 

  

  

      

 

   





 













                                                          6

Perc. 2

     

    

  

C Tpt.

Tbn.

 

 



3

p



3

3

3

3

6

3





3

6

6

3



                                                    unis

Vln. I

3

Vln. II

 

Vla.

 

3

3

      

 



 Db.  

Vc.

3

3

   

 

3

3



 





  

  

 

   

 

arco

3

3

arco non-div



  

   





 

  

 

f




18

E cantabile       Fl.  

    

55

Tbn.

Perc. 1

 





  

  





 



 



 



  



  





   

 

   

        

f

3

Perc. 2

     



f

C Tpt.

mf

f

    

Cl.

Hn.

 

 

Ob.

Bsn.

  

3

         3

3

p

p

p

p



3

3

p



3



3

       

 

                                                  f

6

Vln I div

Vln. II

3

    

3

Vla.

    

        3

 

3

6

3

6

     

   Db. 

  

pizz

p

f



     

3

   p

     





3



f

Vc.

3

                                                 6



 

  

 

   3

arco non-div.

    p

 







arco unis

 

arco

 




   58

Fl.

  

Cl.

Bsn.

Hn.

C Tpt.

 

Perc. 2



   

 

   

  



  

 



 



   

 

 

f

  

p

f

p

f

p

f

 p

f

3

Vc.

 





6

3



      

3

6

                                                     3

3

3

3

3

f

p

3

f

p

3

3

3

3

3

                                                        3

3

           6

Vla.



p

3

3

3

Vln. II

      

 

submp



                

19



 

   

    f

   

     

 

f

  



 

3

Vln I div

 

 

 

f

 Tbn.    Perc. 1

f

 

Ob.

   



     

   

f

       3

   

    

 f

  

subp pizz

   p



   

   

    

   

  

  

   

   

   

 

   

f

 Db.   

f

pizz div p

pizz

p

   




20

  

 

 







 

61

Fl.

Ob.

Cl.

Bsn.

Hn.

Perc. 1

p

 

 

 





3



 

p

mp



6



3

   





mp



niente





                                3



   







 

 

6

Perc. 2

p

C Tpt.

Tbn.

  

 





                                                 unis

Vln. I

3

3

    

 

Vln. II

 

Vla.

  

Vc.

Db.

3

 

   

  

  

3

3

 

   

 

3

3



non- div



6

3

 arco

 

 

 

  



 

 

  arco unis

 

 






F

   63

Fl.

Ob.

 

poco agitato

 



 

f poco agitato

Cl.

Bsn.

 

 

  

    

 

    



 

     

   

f

     





     





  

 Marimba

        3



3

mf

    

     

3

6

Vibraphone

              



poco agitato

Perc. 2

mf

Vln. I

6

6

          

solo, poco agitato, brilliante

    

                    

f

Vla.

    f

Vc.

div     

 



 



         



              



3

6

6

6

        

3



  

          

3

3

               

solo, poco agitato, brilliante

   

3

6

f

Vln. II

 

poco agitato

Perc. 1



f

Tbn.



f

C Tpt.

21

f

Hn.

       

f

   

 

    

pizz       



f

Db.

    f

  

  




22

   65

Fl.



   

 

poco agitato

   3 3        

dolce

3         3

  

p

f

3

    



    

   

      

 



  











C Tpt.

 







Tbn.

  







                

Ob.

Cl.

Bsn.

Hn.

Perc. 1

  

  



 



f

    

poco agitato

f

   



                        

 

tranquil

p

3

3

6

3

3

3

3

tranquil

Perc. 2

Vln. I

  

tutti, div              

     

Vln. II

arco

  

Vla.

   

arco non-div

Vc.

Db.

arco

  

p

6

6

p

             

     



6

  

  

tutti

6

(p)

       p

3

   p

 

    

    

 



   p

   p

f

    

f

   

f

   

f


dolce

   

3        3

68

Fl.

Ob.

  3 3     

p

 

Bsn.

Hn.

C Tpt.

Tbn.

Perc. 1

  

           3

  3     

3

 

  

 

3

3

6



    

p

     3

   3

3

          3

6

3

3

6

3

                                                         

6

 

6

 



 

Vla.

 

Db.

  

Vln. II

Vc.

     

6

Vln. I

3

3

3

Perc. 2

3

  

      

23

3

dolce

Cl.



 

  

6

6

  

6

6

6

 

 



p

 

 

unis

p


24

  70

Fl.

 





  

 

 

mf

mf



G     

    

ff

  



 

mf

  

  

  

mf

  

C Tpt.



mf

Cl.

Hn.

 

Ob.

Bsn.





ff

      ff

 

    

  

  

  

    

    

ff cantabile, expressivo

   

mf

 

ff

Tbn.

Perc. 1

  mf

  

mf

Perc. 2

Vln. I



 mf



    

poco agitato

3



3

ff

       



6

              

poco agitato

6

                        p

   

         

           

 

mf

 

Vc.

mf

Db.

mf

6

6

6

tranquil

(p) tranquil div

      



subp



   

  

       

 

    

     

ff non-div.

ff



   

6

  

mf Vla.

tranquil

6

   

Vln. II

   



   

ff

 


Piccolo

brilliante

   73

Fl.

Hn.

Perc. 1

3

3

 

 

 



mf

     

      

  

       3

3

   

   

Vln. I

Vln. II

Vla.

   



  

 

Vc.

  

3

          (f) 3



pizz div.

   

  

  

 

pizz

f

 

3

3

3

 

     

  

f

 Db.  

3

      

agitato

6

f





 

(f)

6

3

f

      

agitato

                   6

3

25

f

Perc. 2

      

       

  

3

brilliante

  

C Tpt.

Tbn.

3

 

Cl.

Bsn.

Ob.

      

 arco

       arco

    

pizz

    

 

pizz


26

  76

Fl.

Cl.

Hn.

Perc. 1

3

  

  

3

Vln. I

Vln. II

Vla.

  

      



3

3

  

3

 

        

  

 



3





 

6

   3



 

  

unis.

   

   Db. 

 

 

 

arco

      

arco



 

  

 

  

non div



     

 

 

 

 

 

3

3

          3

   

      

 

    

Vc.

 

3

Perc. 2

  

C Tpt.

Tbn.

3

 

Ob.

Bsn.

     

6

pizz non-div.

   

p

 

pizz

   

  

  

 

pizz


  79

Fl.

Ob.

   3

 

     

 

 

 

   3

   3

3

Bsn.

Hn.

Perc. 1

Vln. I

    

 

f



 

 

  

Vc.

  

 

 

       

 

Hi-Hat (closed) 6



pp

3

3

    3

3

3

        

3

   

Vla.

Db.



 

   

Vln. II

3

Perc. 2

  

C Tpt.

Tbn.

 



Cl.



     27

arco

arco



   

    

 

 

  

unis arco

  

 

 

      

  

3

  

 

 

pizz

 

 

3

 


28

  82

Fl.

Ob.

Cl.

Bsn.

Hn.

Perc. 1

Vln. I

 



   

niente

 

 

 

  

  mf

 p

 

 

 

mp

 

  

 



pp

pp



3

p

straight mute

      

  

pp

niente

   

 

 



 

  

Vc.

Db.

Molto Expressivo



Vla.

  

6 6 3 3                              

Vln. II

solo

pp

Perc. 2



 

 

C Tpt.

Tbn.

H 

mf

mf



p

p

 mf

p



 





 



  

Suspended Cymbal (Dark, Low)

niente

pp

 

                            

 

  





 

pp

3

unis

p


Flute

  87

Fl.

Ob.

Bsn.

Hn.

Perc. 1

Perc. 2

3

  

3

   3

mf

29

  

  



   3

  

mf

 

pp

    

 



mp

 

 





 

















p

 

 

mf

mp



  



         

  

  

3

mf

3      

C Tpt.

Tbn.

Cl.

  





 

 

p

 





Vln. II





Vla.

Vln. I

Vc.

Db.

3

3

          

3  3                                    3

 

 

  

 

  



 


30

   92

Fl.

Ob.

Bsn.

Hn.

Perc. 1

Perc. 2

Vln. I

   3

 

 

    

 

 

 



p

  

p

 

 

 

   

3

 

    



f

 

 

pp



 

     

f

f 3



  



f



 

p

 



mf

  

p

 

Maestoso



   

      

3

 



Vc.

   

  

 

Vla.

f 3



Maestoso

f

 

 

pp

I



mf



Vln. II

Db.

 

C Tpt.

Tbn.

3

   

 

Cl.

 

 

3

mf

 

       

     f



3

     f

f

tutti

 

f

 

mf





arco

  f

3       


 



 

31

95

Fl.

Ob.

Cl.

Bsn.

Hn.

   

C Tpt.

Tbn.

Perc. 1

Perc. 2

  





p

p



  

 







p



p



Hi-Hat (closed) 6

                   



3

3

3

6

3

3

6

p



                                                             3

Vln I div

6

3

3

                                                  6 6

Vln. II

3

p

 

 p

  

Vla.

Vc.

Db.

3

6

3

p

  

 

p

3

  p

 p

3

3      

  



 

  

 

 

    

3

3

 



 

  


32

   98

Fl.

mp



  

f



 

  

  

  

f



  

f

  

  

mf

f





f

Marimba

          

                     brilliante

6

Perc. 1

  

f

   



  

C Tpt.

Tbn.

 



 

Cl.

Hn.

 

  

Ob.

Bsn.

J

niente

3

3

mf

6

3

3

3

3

Vibraphone

Perc. 2

                         brilliante

  

mf

                         

                             

  

  

6

3

3



  

6

    

Vc.

Db.

 

 

f

f

   



 



f

6

f

f

Vla.

6

3

Vln. II

6

3

Vln I div

6

pizz   f


Piccolo

   100

Fl.

 

brilliante

f 3

 

 

Ob.

3

     

mp

 

Bsn.

Hn.

Perc. 1

Perc. 2

Vln. II

Vla.

3

  

 f

 

 

    3

3

              3

3

                     6

  

6

6

niente

 

 

  f

 pizz div

 

 Db.   

ff arco

ff

f

  

 

 

 

    

            3

3

3

3

3

3

 

expressivo unis

Vc.

    

6

Vln. I

6

f

 

C Tpt.

Tbn.

 

brilliante

Cl.

3

33

f

  

    

  

f pizz

   f

    

 

   

  

   

ff

   

arco

ff arco

  

 niente

  

niente

p

  

pizz

f pizz

 

f

                 


34

  103

Fl.

Cl.

Hn.

Perc. 1

    3

Vln. I

Vln. II

Vla.

 

       

 



       3

Toy Piano

   

 

ff

6

  





non-div

p





   

   



pizz       

     

arco

      

   

p

 

  

pp

f arco

   

  

  

   Db. 

 

  

Vc.

  

 

3

Perc. 2

3

  

C Tpt.

Tbn.

3

Ob.

Bsn.



ff

arco

ff

f

pizz

f

         

  

p

 

  



   

  

    

 

  

 

   

ff

arco

ff

pizz

f

pizz

f


 













 

 



    

35

107

Fl.

Ob.

Cl.

Bsn.

Hn.

C Tpt.

Tbn.

Perc. 1

Perc. 2

Vln. I



p

     

     

     



    

      

 

pizz div

 

       



      

mf

 

       

     

f

 

p

mf

 

pizz

  





 arco        

f

p

p

p

    Crotales

       

ff





mf

Db.

 

ff arco



     

arco non div

p

 





mf

Vc.

p

 

   

Vla.



mp

  

Vln. II

  

arco

p

non-div

  



 

  

 



 


36

K

  112

Fl.

  

Ob.

Mesto

 

       

 molto expressivo

Bsn.

Hn.

Perc. 1

Perc. 2

Vln. I

Vln. II

Vla.

Vc.

Db.

 

  

    

 

 

3



 

3

  



  

 

 

 Mesto

niente

niente

  

 

 p



 

ppp

p

    

p

p

   

         

 

Sus. Cym.

   

  

mp

    

 

  

C Tpt.

Tbn.

Cl.

3

   3

    

 

 3         









 







p

p


Maestoso

 

Fl.

Cl.

Hn.

C Tpt.

  

Perc. 1

Perc. 2

f

f

       

     mf

Vla.

Vc.

Db.

    

  

  

  

 

 

  

  

 

 

 

 

  

 

 

f

  

f

 

 

f

 

senza sord

Maestoso

Vln. II

  

  

f

p

Vln. I

 

37

 Tbn.  

  

 

f

 

Ob.

Bsn.



  

Flute

117



p

      

f

  





 

  

f

             3

f



      3

f

3





f



                


38

Ritardando

 

121

Fl.

Ob.

Cl.

Bsn.

Hn.

Tbn.

Perc. 1

Perc. 2

Vln. I

 

3

f



mf

f

3

mf

  

ff

    

3

  



ff

   f





  f





 



ff

 

q = 62

ff

 





Con forza, Noble poco Meno mosso

 

Vc.

       



  

Vla.

   

  mf

   



  



 

Vln. II

Db.



 

C Tpt.

L



 





f



Vibraphone

f

 

 

 

 



ff





mf

 



 

      

 

      3

 

        

 

mf



mf



mf

6

6



ff

 

 



ff

 

3

 

6



   

mf 3

                   

    

   ff

 

 

 

ff

   ff




   125

Fl.

Ob.

Cl.

39

Hn.

Perc. 1

Perc. 2

      

     

3                       

6

3

3

3



3

3

3











   





   













  

  

3



6

    



   B. D.

ff

                                                                   6

Vln. I

  

  

C Tpt.

Tbn.

    

  

3

Bsn.

   

Vln. II

 

Vla.

 

Vc.

 

Db.

6

6

  

6

6

6



  

   

     



  



 

3

3

3

6

6



 

6

   

 

      3

 

6

    


40

          128

Fl.

3

3

f

Ob.

 

Cl.

 

Hn.

Perc. 1

Perc. 2

Vln. I



 

3

f

 











 

mf

mf

 

mf

 mf

 

ff

mf

 

3

 

 



 

mf

6

                                          6

6

6

 



mf

6

6

 

6

6

 

mf

 

  

 



Db.

 



mf

 

 mf

Vc.

6

 

6

3



 

Vla.





    mf

f

 

Vln. II

mf

  

C Tpt.

Tbn.



3

Bsn.

3

 

3



mf

 mf


  130

Fl.

mf

Cl.

Bsn.

Hn.

Tbn.

Perc. 1

Perc. 2

Vln. I

6

 

    3

 

3

6

              6

       41  6

ff



ff

 

f

  





 

6              

3

6

  

f

      



ff

ff

   

  

mf

  

  



 

ff

 ff



  

                                             6 6 6 6 6 6 6   

Vln. II

 

 

Vla.

Vc.

Db.

3

  

C Tpt.

3

       

 

Ob.

      6

 

  

ff

 

  

  

 



 



ff

 



  



 

 

 ff

   

 ff

ff

ff

 


42

   132

Fl.

 

  

Cl.

 

Tbn.

Perc. 1

Perc. 2

Vln. I

mp

3

 

  

6

6

       



  

            6

 

3

  

Vln. II

  

mp

  

  

          

mf

  

  6

6

3

   

 mf

    

   

C Tpt.

3

ff

Hn.

6        

Ob.

Bsn.

p



  

  

  

 

 mp

Vla.

  

Vc.

  



   



Db.


 

Ob.

Cl.

134

Fl.

Bsn.

Hn.



  

mp

  

   

 

p

Tbn.

Perc. 1

Perc. 2

 



   

gli altri mp solo

Vln. II

    

(solo)

   

solo

 

gli altri mp

  

 

 mp

 

  

pp

 

(solo) pp



pp

pp

  

      

   

niente

 

 

pp

gli altri mp

Vc.

 

pp

    

Vla.

pp

solo

Db.

43

Tranquil

solo

Vln. I

 

pp

p

C Tpt.

M


44

  139

Fl.

  

Ob.

pp

Tbn.

Perc. 1

Perc. 2

Vln. I





f



pp

f



  

f

ff

     

ff

   

   

ff

ff

(solo)

(pp)

(solo)

 





gli altri f (pp)





(pp)

  gli altri

(solo)

Db.

    

 

      3

gli altri f

ff

 

Vc.

(solo)

(solo)

Vla.

    

 

Vln. II

 



p

 

f

 Hn.  

C Tpt.

f

 

Cl.

Bsn.

f

ff

(pp)

    

(solo)

 



 

 

ff

f



   

   

(solo)

ff

   

ff



 


 

45

142

Fl. Ob.

Cl.

Bsn.

 Hn. 

C Tpt.

 f

f

f Tbn.

Perc. 1

Perc. 2

f

Toy Piano



     expressivo



f

3

    



f

3

 

 

 

2 solo vlns, divisi

Vln II (2 solo)

Vln. II gli altri

     

      3

(solo) Vc.

 3       



 

gli altri

 Db.  

pizz

 f pizz



    f

    

 

ff

   

   

ff

ff

    3



ff

(gli altri)



3        

  

ff

 3                  gli altri   

     3

f

ff

 pizz     

 

pizz      

 

arco



 

3



   

3       

 

 

f

(solo)

Vla.

 

  

   

3

f

2 solo vlns, divisi

ff

Vibraphone

expressivo



   Vln I (2 solo)  Vln. I gli altri

 

  

ff

ff

f

f


46

  146

Fl.

Ob.

Cl.

 

Bsn.

Hn.

C Tpt.

Tbn.

Perc. 1

Perc. 2

   

  

3

  

3

   Vln I (2 solo) 

 p

   

   

f



f

    

 

Vln. II gli altri

 f

        3

  

Vla.



  

Vc.

 

  

   



arco

 

 pizz   

 

    

ff

f

f

         3

   

f

 f

ff

ff



 



    f

ff

3

f

 

                 gli altri (solo)

     



f

    



f

f

Vln II (2 solo)

Db.



p

 

Vln. I gli altri





3             

f

3

 

f

  

   

f arco



arco

f

tutti






 

150

Fl.

Ob.

N

 

47

agitato

mp

     

agitato

mp

Bsn.

Hn.

 

C Tpt.

Tbn.

Perc. 1

Perc. 2

Vln I (2 solo)

Cl.

agitato

mp

mp

 

 



mp

 



   

   

 



mp

Vln. I gli altri

mp tutti

 

Vln. II

mp

      (solo)

Vla.

(gli altri) mp

Vc.



agitato

3        

  

 

  

mp





mp

Db.

  

  

   


48 Fl.

153    

f

Ob.

 f

 

Cl.

Bsn.

Hn.

 

 

mf

Tbn.

Perc. 1

Perc. 2

 

  

  

Vln. II



   

mf

f

f

   

  

f



 

f





f Toy Piano 5

5

5

5

5

                    

mf



 

 

Sus. Cym

mf







f

non div 





f

  

  

 

f



tutti (non- div)

Vla.

    

 

tutti div

Vln. I

f

mf

 

  

  

f

        

        

  

C Tpt.

3

mp

 



        

f

Vc.



 f

Db.

f






   155

Fl.

  

Cl.

Hn.

Perc. 1

Perc. 2

Vln. I

Vln. II

Vla.

ff

 ff

  

ff

   

ff

  

   

       



  





 





 





 





 



 

 





 





 

ff

  

C Tpt.

Tbn.

ff

  

Ob.

Bsn.

ff

molto agitato



   

       fff 6

ff



ff

 

6

6

  

6

 

   

6



Db.

      

ff

 ff

   

  fff

 

stop on string

3

   

   

stop on string

fff

3



 





 





 

ff Vc.

6

 

ff

                   

6

49

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Mazzoli VIOLENT VIOLENT SEA Reduced Orchestration  

Orchestra; score; Reduced Orchestration; G. Schirmer; musicsalesclassical.com; 46669

Mazzoli VIOLENT VIOLENT SEA Reduced Orchestration  

Orchestra; score; Reduced Orchestration; G. Schirmer; musicsalesclassical.com; 46669