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Kernis VALENTINES

Page 1

Aaron Jay Kernis

VALENTINES for voice and orchestra

texts by Carol Ann Duffy

From the G. Schirmer Rental Library date of printing_______

Associated Music Publishers, Inc. New York, NY


Aaron Jay Kernis

VALENTINES for voice and orchestra

texts by Carol Ann Duffy 1. Valentine............................1 2. Miles Away.......................18 3. Mrs. Midas........................31 4. Who Loves You?...............93

Commissioned by the Minnesota Orchestra and Eiji Oue on the occasion of the Orchestra’s Centennial

Associated Music Publishers, Inc. New York, NY


Instrumentation: 4 Flutes (Flute 3 and 4 doubling Piccolo) 3 Oboes (Oboe 3 doubling English Horn) 3 Clarinets in B= (Cl. 2 doubling E=, Cl. 3 doubling Bass Clarinet) 3 Bassoons (Bassoon 3 doubling Contrabassoon) 4 Horns in F 3 Trumpets in C 2 Trombones Bass Trombone Tuba Timpani Percussion (4 players) I: Glockenspiel, Xylophone, High F# Crotale, High Anvil, 2 High Steel Pipes, Small Asian Bell, Long Metal Wind Chimes, Small Crash Cymbals, Large Crash Cymbals, Medium Suspended Cymbal, Metal Shaker, Small Shaker II: Glockenspiel, Crotales (2 octaves), Marimba, High Steel Pipe, Small Asian Bell, 3 Triangles, 3 Cowbells, Medium Sizzle Cymbal, Medium Suspended Cymbal, Police Whistle, Bass Drum, Small Shaker, Whip III: Vibraphone (share with Percussion 4), Chimes, 3 Triangles, Jingles, Tambourine, Piccolo Snare Drum, Small Shaker, Lion’s Roar, Medium Woodblock, Low Siren IV: Vibraphone (share with Percussion 3), 3 Tam-tams (small, medium, low), 3 Suspended Cymbals (high, medium, low), 3 Triangles (2 high, 1 medium), 5 Cowbells, Small Asian Bell, 2 Steel Pipes (high, medium), Pedal Bass Drum, Ratchet, Bongo

Piano (doubling Celesta) Harp Solo Soprano Strings

duration circa 25 minutes

i


VALENTINE

MRS. MIDAS

Not a red rose or a satin heart.

It was late September. I'd just poured a glass of wine, begun to unwind, while the vegetables cooked. The kitchen filled with the smell of itself, relaxed, its steamy breath gently blanching the windows. So I opened one, then with my fingers wiped the other's glass like a brow. He was standing under the pear-tree snapping a twig.

I give you an onion. It is a moon wrapped in brown paper. It promises light like the careful undressing of love. Here. It will blind you with tears like a lover. It will make your reflection a wobbling photo of grief.

Now the garden was long and the visibility poor, the way the dark of the ground seems to drink the light of the sky but that twig in his hand was gold. And then he plucked a pear from a branch, we grew Fondante d'Automne, and it sat in his palm like a light bulb. On. I thought to myself, Is he putting fairy lights in the tree?

I am trying to be truthful. Not a cute card or a kissogram. I give you an onion. Its fierce kiss will stay on your lips, possessive and faithful as we are, for as long as we are.

He came into the house. The doorknobs gleamed. He drew the blinds. You know the mind; I thought of the Field of the Cloth of Gold and of Miss Macready. He sat in that chair like a king on a burnished throne. The look on his face was strange, wild, vain; I said, W hat in the name of God is going on? He started to laugh.

Take it. Its platinum loops shrink to a wedding-ring, if you like. Lethal. Its scent will cling to your fingers, cling to your knife.

I served up the meal. For starters, corn on the cob. W ithin seconds he was spitting out the teeth of the rich. He toyed with his spoon, then mine, then with the knives, the forks. He asked where was the wine, I poured with a shaking hand a fragrant, bone-dry white from Italy, then watched as he picked up the glass, goblet, golden chalice, drank. It was then that I started to scream. He sank to his knees. After we'd both calmed down, I finished the wine on my own, hearing him out. I made him sit on the other side of the room and keep his hands to himself. I locked the cat in the cellar. I moved the phone. The toilet I didn't mind. I couldn't believe my ears:

MILES AWAY I want you and you are not here. I pause in this garden, breathing the colour thought is before language into still air. Even your name is a pale ghost and, though I exhale it again and again, it will not stay with me. Tonight I make you up, imagine you, your movements clearer than the words I have you say you said before.

how he'd had a wish. Look, we all have wishes; granted. But who has wishes granted? Him. Do you know about gold? It feeds no one; aurum, soft, untarnishable; slakes no thirst. He tried to light a cigarette; I gazed, entranced, as the blue flame played on its luteous stem. At least, I said, you'll be able to give up smoking for good.

W herever you are now, inside my head you fix me with a look, standing here whilst cool late light dissolves into the earth. I have got your mouth wrong, but still it smiles. I hold you closer, miles away, inventing love, until the calls of nightjars interrupt and turn what was to come, was certain, into memory. The stars are filming us for no one.

Separate beds. In fact, I put a chair against the door, near petrified. He was below, turning the spare room into the tomb of Tutankhamen. You see, we were passionate then, in those halcyon days; unwrapping each other, rapidly, like presents, fast food. But know I feared his honeyed embrace, the kiss that would turn my lips into a work of art. And who, when it comes to the crunch, can live with a heart of gold? That night, I dreamt I bore his child, its perfect ore limbs, its little tongue like a precious latch, its amber eyes holding their pupils like flies. My dream-milk

ii


burned in my breasts. I woke to the streaming sun. So he had to move out. We'd a caravan in the wilds, in a glade of its own. I drove him up under cover of dark. He sat in the back. And then I came home, the woman who married the fool who wished for gold. At first I visited, odd times, parking the car a good way off, then walking. You knew you were getting close. Golden trout on the grass. One day, a hare hung from a larch, a beautiful lemon mistake. And them his footprints, glistening next to the river's path. He was thin, delirious; hearing, he said, the music of Pan from the woods. Listen. That was the last straw. W hat gets me now is not the idiocy or greed but lack of thought for me. Pure selfishness. I sold the contents of the house and came down here. I think of him in certain lights, dawn, late afternoon, and once a bowl of apples stopped me dead. I miss most, even now, his hands, his warm hands on my skin, his touch.

W HO LOVES YOU I worry about you traveling in those mystical machines. Every day people fall from the clouds, dead. Breathe in and out and in and out easy. Safety, safely, safe home. Your photograph is in the fridge, smiles when the light comes on. All the time people are burnt in the public places. Rest where the cool trees drop to a gentle shade. Safety, safely, safe home. Don't lie down on the sands where the hole in the sky is. Too many people being gnawed to shreds. Send me your voice however it comes across oceans. Safety, safely, safe home. The loveless men and homeless boys are out there and angry. Nightly people end their lives in the shortcut. W alk in the light, steadily hurry towards me. Safety, safely, safe home. (W ho loves you?) Safety, safely, safe home.

All texts used by permission of the author, Carol Ann Duffy.

iii


for Renee Fleming in memory of Jacob Druckman

1. Valentine

Carol Ann Duffy Flute 1-2

Presto e = 168

 







Piccolo

Flute 3/Picc. 2

Flute 4/Picc. 1

Oboe 1-2

Oboe 3/Eng. Hn.

 



Clarinet 1 in Bb

Clarinet 3 in Bb/Bass Clar.

 

Bassoon 1-2

Contrabassoon/Bn. 3

Eb Clarinet

   

  

  

Trumpet 1 in C

Trumpet 2-3 in C

Trombone 1-2

Trombone 3/Tuba

Timpani

Percussion 1

    

Percussion 2

Percussion 3

 

Percussion



Harp

Piano/Celesta

Soprano

Violin I



sfzp

 

 



   

Violin II

p

   



f molto, distinto





PIANO



 



Contrabassoon





b

           

3

    f molto, distinto    

 

          



 







 









  



 



Tbn.











 



 

f molto, distinto

Xylophone

 



 

f

 

 

Contrabass



  ff

    

div.

sfp div.



  

ff

 

 

 

sfp



div.



ff   

ff



sfp



div.

sfp

      

   





    

   



 

 

 



 

 

 

  





 







 

 

 

   



     

 

 

  





 

            

 

6

 

 

 

  

 





 





 

 

 

 



 

 

 

                             

6

           

 

 unis.         



  

sf ff

sfp

 unis.        



 



b

 











 



        

    

3







    

 

       

                  3





3





 

                   

   



                        

3



 

§

 



6

 



   

                     

 

      



  

§     







         

 

 

    

ff

3

 



  

     





 

f

 



hard mallets







 

  

 

f

 

  



 

3

 

b 



   

 





f molto

f molto, distinto

Violoncello

3rd edition, Corrected March 2012





   

f molto, distinto

Viola

ff

 



Presto e = 168

 

  



 

 

 

 

 

f molto, distinto

 







f molto

 



 6                 6 3

    



ord.



§ 

rude





3

ord.

sfzp



ff

rude

   

3

                  

cuivre 3. ff

 

 

3

 

a2



                

ff

2. fltg.

 



Clarinet

fltg.





f

cuivre

Medium Cymbal

Percussion 4

 

 6        6 

ff

 Horn 1-2 in F  Horn 3-4 in F

f

3

ff  

b 

Oboe

   

 6          6

ff

 

ff

f

   

Clarinet 2 in Bb/Eb Clar.

   

 3    

3

ff

   

Aaron Jay Kernis (1999-2000)

     3                                                        3        3 f ff  Flute                                   

sf ff unis.

sfp

  



  

sfp

ff



 

unis.

ff

Copyright © 2000 by Associated Music Publishers, Inc. (BMI) New York, NY All text used by permission of the author, Carol Ann Duffy All Rights Reserved. International Copyright Secured. Warning: Unauthorized reproduction of this publication is prohibited by Federal law and subject to criminal prosecution.

 

sfp

    

6

 

 

 

  

  



 

   

         

 



 





   sf ff

  

sf ff

  

              









 

         

 

sf ff

sf ff




2 6  

Fl. 1-2

Fl. 3/Picc.2 Eb Cl.

Fl.4/Picc.1 Picc.

Ob. 1-2

 

                

 

 



Ob. 3 Ob. 3/E.H.

                     

   

Cl. 1

   

        

b §       

 

a2

b 

                      sf



§     p

                      §

sffp §

sffp §

sffp §

sffp

               

Cbn./Bn. 3 Cbn.

Hn. 1-2

  

  





  





  

 3    

   

 

  3       

 



  



  

   

 

  

 

Hn. 3-4

Tpt. 1

Tpt. 2-3

Tbn. 1-2

Tbn. 3/Tuba

 Timp.   Perc. 1 

Pno.

S.

Vn. I

Vn. II

Va.

Vc.

  

3





  

   

3rd edition, Corrected March 2012

 



 

sfp

 

 

sfp

 

 

   

 

 

  



 

     

3



3



3

  3

 

    3     3     3     3

 

   

   



pp

ff



ff







 

   







mp

 

  

 

ff



ff

Tambourine

 





p

 

 

Glockenspiel hard mallets

ff





 

ff

  

ff

 

  

 

 

  

p

     

 

 

 

ff

    

 

 

    

 

             

 









sfp

 

  

sfp

  

 

 

     sfp



     

mp

sfp

   

 

 

  div.     div.     div.     div.   

     

 

   

   

 

              

 

   

    

 

  





   

 



   

ff





 

ff



   

 

  ff-f

   



f



f

   

                     sfp

                    

 3      3      3      3    

   

 

    



    



3

  

 unis.

unis.

3

  

unis.

 unis.         3



3



 

ff

 

ff

                  

ff

ff

   

                  

                            

                ff

 

                

         

   

       





                 

 



 

sfp

 





 



ff

 



 

 

 

    

 3      3   a2





 

 

    



Perc. 3

Hp.

 

    

Perc. 2

Perc. 4

 

 

 

ff

 

               

            

                                        sf § §  f                                       

Bn. 1-2

ff

                      

§  

                 

  

ff

   a2                   

   

Cl. Cl. 3 Cl. 3/Bs.

ff

                     

ff-f

Eb Cl. Cl. 2/Eb Cl.

ff

 

          

fff

      fff

            

            

fff

fff

 


3 10  

Fl. 1-2

Fl. 3/Picc.2 Fl.3

Picc. 1 Fl.4/Picc.1

Ob. 1-2

 

 

 

  

 

 



sffz



sffz

  

sffz

sffz

      sffz       

Ob. 3/E.H. Ob. 3

Cl. 1

Cl. 2/Eb Eb Cl.Cl.

Cl. 3/Bs. Cl.Cl. 3

Bn. 1-2

Cbn./Bn. 3 Cbn.

 Hn. 1-2 

Hn. 3-4

Tbn. 1-2

Tbn. 3/Tuba

Timp.



 

Perc. 3

Hp.



S.

Vn. I

  

  

Vn. I

Vn. II

Cb.

sfz

    sffz   div.     sffz



  



  

 

         

 

        

   

p dolce

 

Solo

 

p dolce

   

 

 

  

     

  

 To Bassoon



 

   

   

1.



mp

f

 con sord. ord.

 

 

  

 





 



pp

con sord. ord.

poco f

   

  

  

  



 









  



  

   



Whip   

   

pp



 







p      

 

 

CELESTA

 

  

 p



  



red



 

3

 

pp

1 solo

 

mp dolce

sa

 

 

 

pp

mf

  

f

  D# C# B E§ F§ G§ A§

mp

heart.

      

   

   

  

sf

 

  

tin

        

 

mf

p

   

6      

I give you an

.

2 soli                   3 mf

 

mp

 

 

p

      mf 



2 soli



p

p

p

mp

     

2 soli arco

p

mf

3

3

 

inside

 

mf

p

-

  

A Tempo q = 50

accel.

 mf

 

or a

f

mp

Medium Wood Block

  

3

   



   

rose

arco

3

  

 

  

 



mf



   

con sord., fltg.



mf

Languorous q = 50 (e = 100)



3

to Celesta





  

poco f

Small Crash Cymbal





 

         #

 

 

f

to Bb Clarinet





3rd edition, Corrected March 2012

f

6

 

 

sffz

mf

       

  

sffz pizz

mp

  

fsf

    div. pizz

to E.H.

            

 

p

fsf

 

 

div.

f

Not a

pizz

p

   

 

pizz

3

1. Solo

3

  

  



to Piccolo

3





 

    sffz

f

mp dolce

  



Db Cb B§ Eb F Gb Ab

sffz

3

      

 

    sffz    

A Tempo q = 50

 Va.

Vc.

 

 

 

accel.

 

Bongo hard stick

  



 

 

   

1., solo

 

 

 

 

 

 





 

 

sffz





 

sffz

sfz



 

sffz

 

 

 

      fsf Xyl.      

Pno.



sffz

  sffz      sffz        sffz     



 Perc. 1 

Perc. 4

  

 

Perc. 2

 



 

        sffz       



 

 

sffz

Languorous q = 50 (e = 100)

   

 

  

f

    

tutti, div., pizz.

fsf

   



pizz.

   

fsf

tutti div.

 

3

  

pp

 

  

   

f

  

  

  

   

  

tutti div., pizz.

sf


4

Cl. 2 Cl. 2/Eb Cl.

Perc. 1

16   

   





pp

 

 

sfz

  

 



p





pp







 

p

  

con Ped. to Pno.

Celesta



mp

 1. 



Vn. I 1 solo

 -

 

ion.

 

  

5

arco

 

mf legato, poco flautando

2.

arco

 

mf 3.

legato, poco flautando

arco

5

 

 



 

  

5

  

mf legato, poco flautando

ppp

6

6

6

                           6

arco, sul tasto, at the tip, leggiero

ppp

6

 It







-

      cresc.

 -

-

   

-

-

     

ppp













6

3

cresc.

3

  

cresc.

      I     

6

6





6

6

6

6

6





ppp

6

arco, sul tasto



ppp

sul tasto, at the tip, leggiero I

ppp

I

 1.

6

             

6

sul tasto, at the tip, leggiero

ppp

2 soli

2.

6

6

arco





mf legato, poco flautando arco



6 soli div. a 3 Vc.

3.

arco



               

  

sul tasto, at the tip, leggiero I I III

ppp

6

3rd edition, Corrected March 2012

6

6

6

6

  



 

 

   









5





3

poco f

I                  6

6

6

6

6

 

III

6

 

II       6

II

6

                  II

6

6

6

6

6



6

6

6

                                   

 

IV

6

  

     

III

II

6

6

                                                        6

6

6

6

6

 

 



 

cresc.

5

 

  

5

  

  cresc.

 



  

     

6

 

6

       

III

6

5



mf legato, poco flautando

 

III



mf legato, poco flautando Vc.



6

           

   



poco f



6

5 5

  







 

I      



sul tasto, at the tip, leggiero

ppp

6

6

Vc. 3 soli

6

                         

Va. 2 soli









Vn. II div. a4





6







6

III

 

    

6

II            

moon

poco f

 

II



a

3



II

      III                  

III

is

3

       

mp



3

     

3

6

arco, sul tasto

2 soli

to Celesta

 p

6

arco, sul tasto, at the tip, leggiero II

2 soli

     

2 soli Vn. I

arco, sul tasto, at the tip, leggiero I

2 soli

  pp

Vn. I

Db C# Bb E F# G§ A§

sfz

1 solo

 

PIANO

on

1 solo

pp

mp

S.

 

Cel. Pno.

Crotales



 Glock.

Vibes

Hp.

 

Perc. 2

Perc. 4

 

cresc.

         II         III      6

6

6

     



IV

            









5

3









5





         







5





   3

3

     6

                          [          6

    6

     

    6

    


5 19  Fl. 1-2 

Fl. 3/Picc.2 Picc. 2

1.

         

 

Cl. 1

 

Cl. 2 Cl. 2/Eb Cl.

  Hn. 1-2  Hn. 3-4

Perc. 1

ppp





p



3

con sord.





p



 

 

B§ D# A§

  3  

 

 1. II     

3.

ppp

 

tutti

6 soli div. a3 Vn. I

  

  

p

 

p

ppp

    



3



pp

    



 

  

 

1. f

p

 

tutti

p

ppp tutti

 

 p

ppp tutti

 

  ppp    

p

p

ppp

    ppp f  3.     

Vc.

3 soli

Vc.

2.

f

 Vc. 6 soli

 

   II

p

ppp

p

 

I

p

ppp

   div. I      

 

II

3rd edition, Corrected March 2012

ppp

p

  

 



p

to Flute

p





1., via sord.

 

p

   

mp

  It

 

  



f

   

p









 

 

  tutti div. a2

{

sul tasto

 



tutti div. a2

{

    

pp p sul tasto

 

pp p sul tasto

pp

pp

pp

  

  p

 

  

pp

  the



 



  

 





 



    

mp

     

pp

mp

pp

mp

  

pp tutti sul tasto

  

pp

 



 pizz    

  

 

p

 

 p     mp    

pp

p

 

pp

sul tasto   

tutti sul tasto

3

mf distinto ma dolce

 

3

like

 





Eb Bb Ab C#

sul tasto

  

 

              

  

p

 

f

   

  



7

sul tasto

    

 

  

 

   

 

p

sul tasto

 

   

light





mf

 



p

3     

prom - is - es





p

    

 3

p

 



pp



pp

p

  

 



pp soft mallets



   High Cym.

  





  



 

 



  



 







 

G§ D§ C§

Tri.

 

  

 



          

 

p

3

6 soli Va. div. a 3

Cb.

ppp

   



p

 

tutti

Vn. II div. a4

ppp

tutti



p

ppp

pa per.



p

ppp

 

  

p

 

  

II  

in brown





  

 









 

 

to Pno.

6

    

  

mf

    

6

p

 

6

 

mp

 

2.

 

p

wrapped

Vn. I



PIANO

mp

Vn. I 3 soli

3

 

  

S.

to Bass Clarinet

Cel. Pno.

pp

6

mf

pp

 

Perc. 3

Hp.

p





Perc. 2

Perc. 4

ppp

6                                  6 mf 6                  6        6            6





Clarinet

 

Cl. 3/Bs.Cl. Cl.3



6

3

p

6

mf Piccolo

3

Picc. 1 Fl.4/Picc.1

                                   6 6 6





 

     mp

 pizz    

mp

outside pizz

 

p

     


6 23   

Fl. 1-2

 

Ob. 3/E.H. E.H.

   

Cl. 1

  

mf

 

 

pp 5 a2                    

     mp  

3

6

mf mp legato, dolce

to Oboe

 





p

       

 

pp



3

 

   

Cl. 3/Bs. Bs. Cl.

E. H.

p

Flute

         

 

 

         3

 

 

3

mf legato, dolce

   

Cl. 2/Eb Cl. 2



 

5

 

   

mf mp legato, dolce

6

 



 

 

 

Ob. 1-2



  

Fl. 3 Fl. 3/Picc.2

              2.       

relaxing

mf legato, dolce

 

5

5

p

p

pp

pp

 

Bass Clarinet

  pp

Bn. 1-2

  

 

  Hn. 1-2  

  

 

(2. con sord.)

 mp

Hn. 3-4

Tpt. 1

  

Perc. 4

Hp.

 

   

S.







5:3



 



p

 

   

  

 

  

mf





 





              

  

5

   care

-



ful

un

relaxing

    Vn. I  

 

  

 

3

-

-

 

 

   

dress

    

3



3

 p

legato, tenuto

p



 

p



 





 













 

con sord.

p

1. (con sord.)

p

                 

ing

 

3             poco f

 -

p

   

3

poco f legato, tenuto



 

5

p

 



 

5

mf legato, dolce

1. Solo (senza sord.)



 3





  mp



  

Pno.

  

  Tbn. 1-2  Perc. 1

(3. con sord.) 4. senza sord.

       1.  3 3              5 3 a2

p

     

 

 

 

p

 

  

    

 

of

       

D C# Bb E§ F§ G§ A§

 



love.

  

pp

ppp div., sul tasto

Vn. II

Va.

 

   p

Vc.

Vc.

p

3rd edition, Corrected March 2012

 

  

 







     



 

p

Cb.



 

arco



  



pp

   pp

 

  

(arco) pp

mp

div., sul tasto

 

   

arco





ppp



   





ppp

mp

  



unis., pizz.

pp

 pp

 3         mp



pp

  


7                              3

A touch faster q = 56

27 3 1.                Fl. 1-2           6

mp

mp

mf

6

  

Fl. 3/Picc.2 Fl. 3

  

Picc. 1 Fl.4/Picc.1

  

Ob. 1-2

   

Cl. 1

 p



mp

 



p

Bn. 1-2

Cbn./Bn. Bn. 33

 

 

  Hn. 1-2  

Tbn. 3/Tuba

Perc. 1

Perc. 3

S.

4.

2. senza sord.

 

pp

2. (con sord.) p

 

 

Vc.

 

 

   

3

  



f

          3

p

   

   





   f

    

3

mf



pp

 



3

  

3

        

 

mp

3

  p

  

3

pp

 









 

 

 







 

 

 

mf



mp

   

 mp





  

   

 

 

 

 

 

 

 











Triangles

mf

6

    



  

   

 

  

 

Eb G#

         3 3   mp distinto

   

  

3

3

mp

 

 It

will blind

 

 



  

 

3

 

mp molto espr.

   

arco

p

3rd edition, Corrected March 2012

1 solo, ord.



mp molto espr.

  mf

3





f

a

 

 

altri pp

3

lov

 

   

-

3

mf

pp

  

It

 

   



    



    

 



 

pp





 

pp





  

altri, unis., ord.

 

div.



 





mf

   

  

mf

  

   p

tutti div.

   p

arco, div.

p

3





 

 

 

 

  

 

 



pp

   

3

  

   

  

mp

will

tutti, div.

 

mf

3    

er.

  

p

            

3

  

  

tutti pp



½ arco,½ pizz

  

p molto espr.

mf



  

pp

 

2 soli, stand 1 div.

3

mf

½ step trills

3

 

  

3

              

4 soli ord.

  

like

  

p molto espr.

½ step trills

pp flautando

 

 

                   

 



  

 

you with tears

Db C Bb Eb F# G A

                     3

3

  

  

  

          

   

p molto espr.

1.

  



  

2 soli, ord.

  

mp

                  

mp

 

 

3

pp

 

   



 3

   Cb.

 

pp

1 solo, stand 2, outside ord.

Vc.

 

3

 

pp flautando

Vc.

       

4 soli ord.

Va.

3

 

pp

 

2.

Vn. II

 

3

A touch faster q = 56

Vn. I

p

Here.

Vn. I

mf

p

mf



 

    

 



 

 

3

  

  

Pno.

Bassoon

        

 

Hp.

p

pp

  

Tbn. 1-2

 



p

  

Hn. 3-4



3

  

mp

mp

  

6

mp

   

Bs. Cl. Cl. Cl. 3/Bs.

 

3

    

 

       

3

 

      p

Cl. 2 Cl. 2/Eb Cl.

    

1.

 

pp

 

unis.

pp

 

  




8 32   

Fl. 1-2

 

Fl. 3/Picc.2 Fl. 3

Ob. 1-2

Cl. 1

Cl. 2/Eb Cl. Eb Cl.

Cl. 3/Bs. Cl.Cl. 3

Cbn./Bn. Bn. 3

Hn. 3-4

Tpt. 1

   

 







 



 

  

    

 



  

          

3

mp

Pno.

 

  

  

 



make

your

  div.

  

Vn. I

 

  

mf

        3

 

- tion

 

 

mp

 

 

mp

   

  p

(div.)

 

Va.

(div.)

 

Vc.

 

     

p

     

 

mp

3rd edition, Corrected March 2012

p



mf



 

(con sord.) p

 

 

 

  

gliss.

 

 

sub. pp 



  

  



6

  

ff

  

        ff

sub. pp 

 



 

 

  

    

    

 

   

sub. pp

    

p

      

mp

 

//

//

   

  ff



ff

  

 

 



ff

//

  //

  //

 

 

 





 

   

mf

Xyl.

 

Glock.

 

 

of





pho - to

  

 

 





 

 

mf

 



 F§

D#

 



      





 

//

 

ff

mp





ff

mp

 

 

 

 

 



 

High Steel Pipe

//

p

   

f





 

 

 

 

G# F#

 

gliss.



 

 



f sostenuto

//

Vibes







              //             

        //             ff

  

 

port.



 

//

grief.

tenuto

  

   

bling

ff

 





//

 

 







hard mallets

 

 

ff

mp

 

     



cresc.



         

 

 

       mp

     

 

           

 

6

 

mp

     

    

wob -

 

6

 

unis

p mp



mp

 

to Contrabassoon

mf

a

 

mp

 

3



   



mp

   

tenuto

sub. pp

D§ C# Bb E§ F# G§ Ab

        

p espr.

  

Vn. II

 

re - flec

p espr.

div.

 



   

3

3

S.

G#

3

Clarinet

 

3

       

   

3

3

  

Eb Clarinet

 

mf



mf



 

3

6

 



  

        

  

mf

6

mp

p

 

    

Oboe

  

3

   

mf

 

3

6

p

 

 

  

Cb.

pp

   

  



         



 

   

6

p

pp

  

   





    

  

   

            

 

Perc. 3

Vn. I

Perc. 2

Hp.

pp



  

  Perc. 1  

Perc. 4

 

 

Bn. 1-2

   

 

   

 

6

mf

 

   



   

Ob.3 Ob. 3/E.H.

pp

  



  

  

Fl.4/Picc.1 Picc. 1

     

               

  

pp

pp

 





 





 

 

 

 





 









pp

pp

mf




9 37   Fl. 3/Picc.2 Fl. 3   Ob. 1-2

Ob. 3/E.H. Ob. 3

A Tempo q = 56 





 







 







p

a2

    

5

mf

    

5

mf

Cl. 1

   



 

pp

Bs. Cl. Cl. 3/Bs.

Bn. 1-2

Cbn.3 Cbn./Bn.

Hn. 1-2

Hn. 3-4

Perc. 1

Perc. 2

     

  

Hp.

   

 



  



 

 

     

 

 

 



 

 

 

  

 

p gently Picc. Snare Drum

Tri.

   

pp

 

pp

       mp

 

  

p scherzando

3            

Vc. div. a2 Vc.

Cb.

3

am on - ly try - ing

A Tempo q = 56

  

Va.

     

 

 

  

     p

mp 3. senza sord.

  

to be

truth

  

      

 

  

mf

  5

3

 

 

 

 

       

3rd edition, Corrected March 2012

  

    





  

Not a

card

pp

pizz.

 

p

     cute

  or

a



mp

  

  



















5

3

kiss - o -gram.

  

 

 

 

  

  

  



 

  

  

 

 

pp  

  

  



3



 

mp

p

  

 

  

3



  

p sul tasto

 

5

 

 

5

     

sul E

I. solo, sul tasto

p, espr. sul tasto



p

ful.

 





     

mp

5

  

5

Contrabassoon

 

    

 

I

Vn. II div. a 3

3



5

5

Vn. I div. a 3

mp

mp

  

p

    

 

Glock

Pno.

  Vn. I  



mf

 

   

 

 



Bass Clarinet

mp

 

S.







mf



 

p



   

 

 

  

Perc. 3

Perc. 4

 



    pp   pp     pp

           

 

pp

     

   

     

 

    pp   

pp

cresc.

cresc.

    

cresc. unis.

    

    div.     p

3

5

mf

 

      mf

5


10 41  Fl. 1-2 

a2

Fl. 3 Fl. 3/Picc.2

q = 52

broaden

  

           mf

f







 





 

 

 



  

 





 

allarg.  a2

fpp

Ob. 1-2

Ob. 3/E.H. Ob. 3

Cl. 1



f





f

           

  

  

   

f

mf

Cl. 2/EbEb Cl.Cl.

 

Cl. 3/Bs. Bs. Cl. Cl.

Bn. 1-2

Cbn. Cbn./Bn. 3

Hn. 1-2



 f





Tpt. 1

Tpt. 2-3

Tbn. 3/Tuba

f

Perc. 1

Perc. 2

Perc. 3

Perc. 4



f



f

 f

Tbn.

f

 

mf

f



 

    



 

    

      

fpp

 



 

    

  



     

   

  

     

 







 

  

  

   

Vn. II

 

 



 



  

fpp

  



Va.

Vc.

Vc.

Cb.

3rd edition, Corrected March 2012







     

  

 

mf

mf



fpp



mf

  

 

fpp

     fpp    

 

mf

mf

 

 

 

 

 

fpp

 

 

 

 

fpp

  





  





    

  

 

pp



mf

 







 

 

 









 

f

q = 52

   

 

mf

a2

  

               f, forcefully

 

 

tutti, unis.

 



broaden

f

mf

   

 







 

 

mf

fpp

 



  



 

 

  



 

         



 f

fpp

  

 

 



 

 





 

 





    div.

fpp

mf

fpp

 

    

  





          

senza sord.

S.

Vn. I

 



 

 

 

 

  

 

  

  f

 Timp. 







f

 

f

Hn. 3-4

       

 



(a2)

 

f

Fl.4/Picc.1 Picc. 1

mf

  



div. a2





   

 



 

f, forcefully

{

 

 

 







 

 

  

 

 



  

  

   

f, forcefully

f, forcefully



f, forcefully

 



 

    

on - ion.

 

 

unis.

 

 

 

 

 

mf

 



mf

fpp



fpp

 

fpp

  

fpp





Its

mf



 

an

 

fpp



 

mf

 

        f, forcefully 

 

 



fpp non div.

 

f, forcefully

give you

3

 



div.

I

non div.





   

   

 

allarg.



f



mf

 mf

 

mf

 

       


Fl. 1-2

Fl.4/Picc.1 Picc. 1

Ob. 1-2

Ob. 3/E.H.

     

p

Bn. 1-2

 Hn. 1-2 



p

Tpt. 2-3

Tbn. 3/Tuba

Perc. 4

Hp.

S.

5

 

  

                    p

  

            5 3  

mp

  

 

mp

  

p

   



mp

 

mf

5

f

 

 

  

 



 

 





  

  

Tbn.

sub p

 



 

 

 

 

   

3

a tempo  

         mp

3

           

div.   



         

mp

        

div.

mp



 

 

(tutti)

mp

3rd edition, Corrected March 2012

pp

pp

3

3

mp

pp

ful

 









    

3                       fff brusque   



3

 

  

 

 





 

 

pp

mf

  

  

  

   

  

ff

 

 E§ ff



aswe are, for as

 



              fff brusque

Db C§ Bb Eb F# G§ A§

-



3

long

 

as

we

 

a tempo 

unis.

 

p





non div.

  

f-mp

        ]

pp

3

    

 



unis.



and faith

     

mf

broaden

         

         

pos -ses - sive

will stay on your lips,

 

  

f

f                     

   

5

 

 

3



mf

ff

 

f

mf

 

mf

  

sub. p

 

mf

a2

              

 

      

div.

Cb.

p

 

 Vn. I 

Vc.

sub. p

p

 

      

5

  

 2.

mp

 

 

f

    

a2

f

p







p

5             3

f

f

mp

non div.

Va.











5







3



 

mp



f molto 3



fierce kiss

Vn. II



f

 





sub p

ff

p

 



 

 

 





sub p

1.

p



 



  

 

 

          

senza sord.

Tbn. 1-2

to E.H.

11

aa2 tempo

f

   

    mp

p

Tpt. 1

sub. p

ff



 

              3 5

p

Hn. 3-4

p

3

3

p

1.

ff

ff

 

5



   

ff

     5     

 

sub. p

              3

   

Cl. 3/Bs. Bs.Cl. Cl.

p

mf

1.

       5

  

a2                3 5 ff

   

Cl. 2/Eb Eb Cl.Cl.

p

   

Cl. 1

Cbn./Bn. 3

   

45 a tempo    

broaden

 



 



 



  

ffp

1. Solo, pizz

 f

2. Solo, pizz

 f

port.

(altri)





3 3



     


12

rall. poco a poco

Fl. 1-2

50  

Fl.4/Picc.1 Picc. 1.

Ob. 1-2

 



 

f



 

f



1. Solo

  3

      

Cl. 2/Eb Eb Cl.Cl.

5

   

Bn. 1-2

p

 

Hn. 3-4





 

pp

f espr.

        f



      

fff

  

  

  

 



Perc. 4

Hp.

Pno.

S.

 

6

       

 

Va.

Vc.



 (gliss.)     mp

Db C§ Bb Eb F# G§ Ab

 

 

 

 

         pp







 



      

  



 

 

     

 



  

p

pp



          

 

f

11

 

11

      

 



 

pp

pp



 







 

 





mp

      pp A§



      Pno.    3 to

 



 









  

    

 

 

      



 

 

 

mf dolce

1 solo

   

CELESTA

mf distinto

mp

.

rall. poco a poco

 

f



con sord.

 

  div.

3





 pp

  

 

p con sord. div. a3

rit.



      

3

   

 



 

  

 

con sord.                                          

p

pp

   

pp

3



 

    





3

f

3rd edition, Corrected March 2012







3



 

 port.

 

   fff

pp

p

pp

mp

6

III



I p

2 soli

3 3

 altri., arco    



 

           pp 6      6    6          2 soli con sord.                        6 6 6

  

ff

Cb.

pp

mp

  

 

      

  p

pp

ff

Vc.

 Vn. I 

Vn. II



mf

are.

Vn. I

  

p

pp

    

pp

fp

  



p

   



p

   



   

fp

Tbn. 3/Tuba



p

mp

  

 

 

     

               brusque



   

    

  

rit.

p

mf dolce

          

sffz

Tbn. 1-2



mf

sffz





mf

3

3

pp

 3                                 3

f

 



1.





  

  

 

    

3

mf

 

3 3                                              

Cl. 3/Bs. Cl. Bs. Cl.

Hn. 1-2

   

    

Cl. 1

Cbn./Bn. Cbn.3

(1.)

6

6

mp

6

6

6

 

    

pp



 

 

 

 

 

 








13 Poco più q = 54

53    

Fl. 1-2

 

   

 

  

              

Cl. 3/Bs.Cl. Cl.3

  

 

Tbn. 1-2

 

   

Perc. 2

 

Perc. 3

Perc. 4

ppp

  

  





 

Triangles

3

pp



  

 



3

        

loco                    3

mf  p                      3

3

 3

3

p

 

3

 

  

Vn. II

 

Va.

 

div. a4

div. a3

Cb.

   

 

p



plati - num

pp

<>

slow gliss.

  



 

pp

p

    

   3

  

3



3



3



  p

mp

             

 

ppp

 

 

    

 

5 soli con sord.

3

 

 

pp

   3

ring,

f

slow gliss.

slow gliss.

               p

f







 

pp







 













    f

  

3

3

3

3

    

  









 

 

 

 

 

 

 

3

  

  





3

  

 

  slow gliss.

slow gliss.

  slow gliss.



 

like.

 



 

  



 

 

p



ifyou

pp

 

5 soli con sord.

3

pp

  

pp

p

 

 slow gliss.   

p

3

  

mp

p

fast gliss.

    3

wedding

 

          



f



3rd edition, Corrected March 2012

 



 

pp

   

 

 



   

unis.





 

  

to a

fast gliss.





  



 

      

3

 

   

3

3

pp

  

  

 



 

shrink

   

mf

pp

3       

loops

  

mf

  

mf

D# C§ B§ E§ F# G§ Ab

   p

  

 

 





 

p

     

 



pp

pp

1.

  

pp

pp

Vc.

 

  

   

1 solo

Vc.

 

soft beaters



Its

pp

 

Low Tam Tam

  

mp

ppp

  



p



 

6

   [  

Vn. I

  



3

1. plunger mute

 

p

   

 



3

Poco più q = 54

div.

pp

mf

 

           mf               3 6

Take it.

Vn. I

p

Db C§ Bb Eb Fb Gb Ab

pp

1. ½



 



  

 

pp

 

3

3

p 3

mf

 



 

 

S.

mp

 

Bass Drum





 

Pno.

Chimes

mp

mp

3



3



 

 

3

Glock.

Crot. w/ bow

 

3



Hp.



mf

6

  

  

 



 

6

p

mp

½ step trills

             3

mp



Tuba



Clarinet

pp

Perc. 1



   

Cl. 1

Tbn. 3/Tuba



3

 

 

Ob. 1-2

Hn. 1-2

  

3

½ step trills

 

       

  



 

 



  

Fl.4/Picc.1 Picc. 1

 

 

Fl. 3 Fl. 3/Picc.2

Cbn./Bn. 3 Cbn.

½ step trills

 

 

  



div.



 





slow gliss.


14 58  

Fl. 1-2

Picc. 1 Fl.4/Picc.1

Ob. 1-2

Ob. 3 Ob. 3/E.H.

Tpt. 2-3

Tbn. 1-2

Tbn. 3/Tuba

Perc. 4

Hp.

Pno.

S.





 

 



 

 

 





 



 





 



 

 

 

pp

 

 

 

ppp

    pp          

 Vn. I    

Va.

Vc.

Vc.

 

 











Cb.

 

p





pp

 

  3



senza sord.



 



cuivre senza sord., a 2 rip

 







    p molto   fltg.     molto p     

p

    5

5



 

senza sord. fltg.

3

  



cuivre senza sord. 3.

rip

 

ff

via sord.

3      

   

pp

   

ppp

p

  

 5

3

pp

 

ff

 via sord.      

 



 





   

 

10

pp 2.

Tbn.



f



pp

dim.

p

ppp









hard mallets   

Medium Cymbal



pp

Snare Drum   Piccolo 



pp

   







 

   

 



         prés de la table  fff 

 

3 5                  mf gliss.sim. p distinto  









 

 

 

 

3

p

p         3

3

p

    

   Its

D# C# B§ E§

 

 



 

  ]   



    

p

p



 

to your fin gers,

  

, heavy 3

pp

dim.





  

  

3

ppp 3 sul pont.



 

I    

   

4 soli II p II

pppp



your knife.

Presto e = 168     pp



   

          

½ section div., sul pont., senza sord.

 

f

tutti unis.



     



molto

 

tutti unis., senza sord.

( ) pppp

pppp

to

poco rit.

senza sord.

         3

ppp

    



cling



pppp

 

pp

          

Medium Tam Tam

mp

     (  )  



scent will cling

Poco meno q = 50

3rd edition, Corrected March 2012

via sord.

 

         

    

    

molto

ppp

p



       

3



          

pp

mp

5

pp

3

3

 

p



pp

 

 

3

 

pp

pp

 

 

            

 



  

     

p



3

via sord.

  

 

pp

dim.



3

p

     

 

dim.

   

mp

p mp con sord.

 

Le -thal.

rit.

mp

   

  

3

pp

D§ F§ Gb



p

ppp

mf

 

3

con sord.

 

  

 

1.

p 1.

 

p

 pp



con sord.





  







 



p

pp

 



fltg.



pp

    



Vn. II

10

f







Vn. I

    

Perc. 3

a2

 Timp.  Perc. 2

 

3

     

            a2 10   f   

Tpt. 1

 Hn. 1-2 

Hn. 3-4

   

mf ord.

           3

Bn. 1-2

Presto e = 168

poco rit.

3



   

Cl. 3/Bs.Cl. Cl.3

mf

       pp mf  

   

Cl. 2/Eb Eb Cl.Cl.

      

1.pp

 

   

Cl. 1

Cbn./Bn. Cbn. 3



Poco meno q = 50

Fl. 3 Fl. 3/Picc.2

rit.

 

III p

  

senza sord.

     ppp

 

3

sul pont.

 

3

5

5         5

pp

5

pp

 

 

  5

pp

 

 

pp



 molto



  

      

      











 




15 64  Fl. 1-2 

Fl. Fl.3/Picc.2 3

Fl.4/Picc.1 Picc. 1

Ob. 1-2



ff

 

  

 



3 Cl. Cl.Cl. 3/Bs.

Bn. 1-2



















ff

 

 



 

 



  

 





    



 





 

3

    



 

  



 

 

 







 

 



 

















  

 



 













 



 

 











 



3

         





 

 

 



 



 



     

   

 

 

 





  

   

3

              3

 



 

 

6





 



    3







   



 



         



3

 



ff

f molto, distinto

f molto

Tbn. 1-2









f molto



6

3

  





 f molto, distinto         cuivre f molto, distinto     

Tpt. 2-3





                    

 Hn. 1-2 

3





ff

   

Tpt. 1



                 

 

Hn. 3-4





ff



  

ff

Cbn. Cbn./Bn. 3



ff

ff

   

 

                  3          



    

Cl.Eb2/Eb Cl. Cl.

     3



ff

E.H.

 3     



ff

   

Cl. 1

                    

  

Ob. Ob.3/E.H. 3

                     

 



 

 

 





        



        

       

 





  







 







 

   





 



  

 

 



  

 







  

 





 

 







 





 



 







      

 





 

 

 

 











 

 





  





 



 

 





 



f molto Tbn. 3/Tuba

Timp.

 

 Perc. 1 

Perc. 2

Perc. 3

Perc. 4

 

 



 

Cb.

ff

pp





div.

 

ff

 

 

tutti, div., arco





6



ff

 

sfp

  

                      

   

  

sfp



 



  



 

sfp

 



 

sfp

 

unis.

ff



sfp



unis.

ff

 

 

 

 

 



 

  





6





 

  

sfp 



  sfp

 

   

  



 







  

 





 

p

 

 

 

         

 

 

   



ff-f

ff

sf ff



div.





ff-f

 unis.  



div.

ff

tutti, unis. ord.    

  







mf

sf ff

  



f





 

6

w/ hard mallets or metal hammers

ff

 





Steel Pipe

sfp

div.

tutti, unis.  ord. 

  





      

6

 unis.  



  

3rd edition, Corrected March 2012



f

ff

ff



 

                 

 



Ratchet

ff-f

 





               

Vc.

f

ff

  



Low Siren

  

 

Va.

        

f

 Vn. I 

Vn. II

 Xyl.

  



ff

Pno.

     f molto    

   

    

 

    

         



 



 



 



 



   sf-ff

   sf-ff   

sf ff

 sf ff

 



 




16

Fl. 1-2

         



  





      



  





  



68  





  





Fl. 3/Picc.2 Fl. 3

Picc. 1 Fl.4/Picc.1

Ob. 1-2

Ob. 3 Ob. 3/E.H.

   

Cl. 1

   

Cl. Cl. 2/EbEb Cl.

   

Cl. 3/Bs.Cl. Cl.3



 

 





       



       

Bn. 1-2



Cbn./Bn. 3 Cbn.

 

 

 Hn. 1-2 

 



  

 

        

Tpt. 1

Tpt. 2-3

Tbn. 1-2

Tbn. 3/Tuba

Timp.

 



  





  



   

 



  

 

Pno.

   











 3





 3





 

a2

                  



                    

                                                        

 



  

  

 

 



    

  



                 



   



 

  

  

3rd edition, Corrected March 2012

 

   

  



                   

 

 

  



 



   

  



 

 

   

  







  



   

   

       

 

 

    

  

 

    

    

  







 



 















   



 ff



ff

ff





Tbn.

ff

                

               

                     

                 

 

 

cresc.

cresc.

 



  





  





  





 

 

3







 3

3



3





3



 

 

  



                  



 



  

unis.

  









 



mf

 

                                   

ff

 

    

                              

3

3

 

                     ff-f                      

  

f

cresc.

3

 



        

 

  

 

 

              

   

3

 

   



 

  

Vc.



        

Va.

Cb.

  

Vn. II



f



 Vn. I 

  



  



3



                                   

f

  

Perc. 4



 

Perc. 3



  

     



  





 Perc. 1  Perc. 2



               

                                        

3

  

  

Hn. 3-4



 3

a2



                   

a2

                     

ff



 

  ff

      

    

 

ff

  ff

   ff


17    

71  

Fl. 1-2

sfp



Fl. 3 Fl. 3/Picc.2



Fl.4/Picc.1 Picc. 1

Ob. 1-2

Hn. 1-2

ff



  f

sfp

 



     

                  ff



ff



 



 



 







 ff

sfp

Cbn. Cbn./Bn. 3

 

 



   



mf

 



 

 

 ff



     

 

 

 



Tpt. 2-3















 







  

    





 



   



   

sfp

3rd edition, Corrected March 2012

 

  ff 







    

      

 

 

   



 

   

ff

  

 

f

  fltg.  

   

  

sfz

     sfz

 

fff

fff

            

fff

 

  

   

    

sfz

ord.

 ff

  

  

   

sfz

ord.

 ff

sfz

ord.

ff

ord. sfz

    

  

  

ff

ord.

sfz

Lg. Crash Cym.

ff

ff

 

 

3





 



 

 6

6

 



 



  3

ff

fff

 

sfz

 

     sfz secco

    

sfz secco

ff

   

   

sfz

 

sfz

ff



sfz

 

f

 

            



 

Police Whistle

 

  

sfz

 

Tbn.f fltg.

                 



sfz

sfz

 

fltg.

Large Tam Tam

sfz

ff

         

f

  

ff

 B.D.   p



  

 

f

fltg.



  

  

 

sfz

 

 

  

pp

ff





sfz

f

  

mf

sfz

ff

  

ff

f

    

 

f







   

 

  

ff

                                

div.

ff



 



sfp





 

 

Vc.



 

Va.





ffp

Vn. II

 





 

fp

Perc. 3

Cb.



Perc. 2

Vn. I



sfp

 Perc. 1 

Pno.

 

   

 

p

sfp

 

Perc. 4

 

 

Timp.



p

Tbn. 1-2

Tbn. 3/Tuba

 



sfp

Tpt. 1

  ff





a2

ff

sfp

Hn. 3-4



ff

 

ff



sfp

Bn. 1-2







 

Cl. 3/Bs.Cl. Cl.3



ff

    

Cl. 2/Eb Cl. Eb Cl.



f

E.H.

 

Cl. 1





sfp

Ob. 3/E.H.



sfp a2

f

sfp

       

   



 

         div.        sfz  non div.     sfz non div.     sfz non div.     

    

    

sfz

  ff

sfz


18 Carol Ann Duffy

2. Miles Away

Slow and mysterious q = 46

poco accel.

   Flute 1/2  

   

  

Flute 3/Picc. 2

Oboe 1-2

E.H., solo

   

Oboe 3/Eng. Hn.

mf

pp

    

Clarinet 1 in Bb

    

Clarinet 2 in Bb/Eb Cl.



        

ppp

 ppp

   

mp

espr., in relief





mp

 

fltg.

pp

  



   

 

 

  

1., solo

 

 

  

p

 

pp

          ord.

   ( )     

  

  

   

   

  

Trumpet 1 in C

con sord.

    pp   

con sord.

pp

 

 

con sord., fltg.

   

3

 

    

3

    

 

 

 



 

 

 

pp

p

  

  

   

   

 

Percussion 2

  

Percussion 3

 

Percussion 4



  

Trumpet 2-3 in C

Trombone 1-2

Trombone 3/Tuba

Timpani

Percussion 1

   

Piano/Celesta

Harp

Soprano

pp

soft mallets

     ppp

 

   

div.

    sul tasto

  

Viola

div.

sul tasto

  

Viola

Violoncello div. Violoncello

Contrabass

   

Violin II

CELESTA

  

 

 

 

pp

at tip pp

 

pp

  

pp

 at  tip   

  

 

  

mp

 

        5

p

  p

3

             6

3

6

6

6

 

 

6

6

3

pp

mp

  

 

  

at tip

pp

         ord. 

at tip    pp

pizz.

   

pizz.

  



p

   

 

 

   

 

 

 



 

  

3

 

3

 

 

 Text used by permission of the author, Carol Ann Duffy.

3

3

   

 

 

 

 

 

  

 

p

p

 

pp





 

pp

 

 

 

 

arco, at tip

p

Eb

 ord.

 pizz.

 

p

 

 

a tempo

mp

 

p



 

pp

 ord.

p

rit.                                    6

pp

  

Corrected March 2012

 

6

pp

con sord.

  

l.v.

poco accel.

con sord.

 

  

Violin II

 

Db Cb B E F G Ab

 

   

Violin I

 

Slow and mysterious q = 46

div.

    

Violin I

con sord.       

Med. Cym.

pp

pp

Horn 3-4 in F





mf espr., in relief

   () (  )   ( )   () 

 

ppp

mp



a tempo

pp

  

poco f



mp

Flute

rit.

Bassoon 1-2

Horn 1-2 in F

  

    

Clarinet 3 in Bb

Contrabassoon

1.

mp

  

Aaron Jay Kernis


19

poco accel. 6  Fl. 1/2 





 

mp

 

pp

            

fltg.

6

3

fltg. pp

poco f

Ob. 1-2

Ob. 3/Eng. Hn.

Bsn 1-2

Hn 1-2

p

mp



   



mf

mf

 



4.



mp

Tbn. 1-2

Perc. 1

Perc. 4

Cel.



   

Hp

S.

   

p

 p

 

p







   mf    

 

3



 3    

  



  

 

Vln I





 

 



 

 



Vln II

Vla

Vla

Vc.

Vc.

Cb.

  

 

 

 

   

 

 

   





 













l.v.





l.v.









pp

pp

 

p

  







mp

5

      p

 









   



 

 



ppp

Stand 3 + 4, div.

ppp

Stand 5

 

ppp

sul tasto   

 

 

 

mutes on

ppp

ppp

  

mutes on

   

 

 

  

   

 

   

 



 

p

p

pizz.



  

 

 

 

mp - p

3

 





 

3



p

 

 

p

p

   

  



 

 

 

 













  

mutes on

 

mutes on

Stand 4

mutes on

    

non trem.

pp



pp

    

pp

 

mp





    

3

 

mf

pp

3    

mp - p

  

 

 

5

  

  

    







mp



pp

3

p







p



pp

div. (pizz.)



arco pp







  

mutes on

  

  

arco

mutes on

3

3

and you are not

colla voce

pp

          6

 

mp

5

 

     

mf

6

  

 

ppp

 

3

6

sul tasto

6

6

     

 

6 6                    

  [   

    mp

6

ppp

6

sul tasto

Stand 1 + 2, div.

1 solo (con sord.)

          



      

p

      I want you

           

pp

rit.

 

Vln II

3



 

 



  



Vln II

p

3

 

   

   

p

3

pp

Vln I

 



 







p

 

 

 

p

poco accel. Vln I

 

  

pp

ppp

colla voce

mf

  

3

 

 

soft mallets



 

ppp

Small Tam-Tam.

 





 



pp

p

soft mallets



 

  

mf

pp

   

mf

6                        

   

p

Med. Cym.

6

   

              3

p

   



6

 





      6



mf

   

2.



     



p

 

mf 1.

  p   

 

Hn 3-4

f            

 

mf

mp

  

Cl. 1

Cbsn

mp

         

rit.

 






20 a tempo

12   Fl. 1/2  

Fl. 3/Picc 2

Fl. 4/Picc. 1

Ob. 1-2

Ob. 3/Eng. Hn.

Cl. 1

a tempo



 

ten.



 

ten.



  

ten.



   



 

 

ord.

     

 

 



       

 

mp

Tpt 2-3

Tbn. 1-2

Tbn. 3/Tuba

Timp.

   p

ten.

  

ten.

 

p

p







pp

1.

mp espr.





mp

pp

 

mp

 

 

 

mf

pp

ppp

to Bass Clarinet

pp

mf

mp

ppp

ten.



ten.



ten.

 

ten.

 



 p

    

pp



 

  

ten.

 

 

ten.



  

ten.

 

 

ten.



 

ten.



pp

Tpt 1

ten.

  

       

f

  

         Soli

Hn 3-4

 

pp

Hn 1-2

  

ten.

   

  

Cl.

Cbsn



pp

Bsn 1-2

 

 

   

Cl. 3/Bs. Cl.



mf

Cl. 2/Eb Cl.

 

ten.

p

 

ten.

 



ten.

Perc. 2





ten.

Perc. 3





 

ten.

Perc. 4

 

      

ten.

ten.



  

Perc. 1

Cel.

Hp

  

     mf     

DCB Eb F Gb A§

 

here.

Vln I

  

Vln II

ten.

ten.

ten.

a tempo 

 Ab

ten.

sul tasto

ten.

 

  

   

1., solo (sord.)

Vla

   pp

      

 

  

     pp

    

Vc.



 

   

 

ten.



 sul tasto

sul tasto

con sord. tutti div.

pp



gliss.



f

 

 f

mp

3







 



pause



in

this

     gar - den,

breath - ing

mf

  

3

  

3

the

col - our



thought

is

        

sul tasto pp



 p



sul tasto

  

p - pp

 



     



  

be - fore lan - guage



  





  



  







p



 

 p



 





 



 

 

 

 p



 

 



 





  



pp





  





poco

    

 



 

  

poco



 

 



poco

poco

  

 

poco

   

sul tasto pp



p





 



   poco

    

sul tasto

 con sord. tutti div.





pp

ten.

 





 



 

p

 



  

   poco

  

sul tasto



pp

p

pp

Cb.

ten.

p

  

pp

mp

con sord. Stand 1 div.

con sord. Stand 2 div.

mp

p poco espr.

tutti arco

mf

6

       to Piano 



tutti div.

ten.

 

  

2., solo, sord.

Vc.

 

con sord. sul tasto

ten.

p poco espr.

Vla

  p

  

a tempo

  

 

     5

        mf mp 

con sord.

Vln II

I

tutti div.

Vln I

mp

p   

S.



 

 p



  

   

    pp




21

poco movendo

Fl. 4/Picc. 1

Ob. 1-2

 



  

 

  

 

  





 

   

 

  Bsn 1-2  

 





  

 

  

 

Ob. 3/Eng. Hn.

   

Cl. 1

Cl. 2/Eb Cl.

Cl. 3/Bs. Cl.

Hn 1-2

Hn 3-4

Tpt 1

Tpt 2-3

   

    

  Tbn. 1-2  









Perc. 1

Perc. 3

Perc. 4

Pno

Hp

S.

  

 

  

 

  

 



Vln I

    

    

Vln II

Vla

Vla

  mp

 

   mp

 

 

 

 

mp

 

   

mp

  Vc.

l.v.

l.v.



 3



 3

 3

 

3

 

 



     mp

poco mf

   

poco mf



mp, distinto

   

     

arp.

 



pp

 3



pp

 3

poco mf

pp

3

mp

    

     

poco mf



mf

mp

ord. Stands 1 +2 tip

 gliss.   

mp

ord. Stands 1 +2

tip

Stand 3

 

 

Cb

 

 

3

I.

sul pont.

3 soli div.

 ord.II.      mf  gliss.     mp

Stand 4 ord. tip

gliss.     mp 

3

though

p

    3

arp.

3







 







 

 

 

 

pp

ppp

ppp

 

p

 

3

  p 

p Fltg.

pp

    

  

       

pp

  mp

 

      

 

mp

   



 





 

 

 

 

 

cresc.

3

I

     

3 mf 3

3

mf

 

3

ex - hale

it



3

a - gain and

a -





gain

poco movendo

   

 

p

  p  

sul pont.

       

mp

 

3

    

pp

5

 

 

pp

 

  

pp

 

 

3

 

 

 

  

pp

[

ord,



  



 



 

 arco 



 

mp, distinto

 

 

3

 

     3 mf

p

   pp

 

3

mf

pp

 

 

 

  



 

2 soli div.,

 

3

mf

3

 

pp (con sord.)

  

     p     

pp

ppp

5

    

Fltg.

  

Fltg.

 3   pp



3



ord.



              

p mp

and,

  

ppp

     

 

3

 



 

3

pp

ppp

mf

 

3

  

5

3

pp

 

 

       

   

5

con sord. 2. Fltg.

 

  

       

mp

 

      

 

3

   

poco f

fltg.



3

  



3

 

         mp, distinto           

 

ghost

mp

 

mp

mf

ord. tip

gliss.   

   

ord.

ppp

pp

non arp.

3

p

          p mf    gliss.   Stands 3 +4 ord.    



 

  sul pont.          

ord.

 

poco f

 

 

p



 

pp

  

p

 

mp

5

   

 

a pale



3   mp               



 

  

pp

  

p

5

mp

5

  

 

   

3             

 



   

is

ppp

ord.

pp



pp

mp, distinto

tip

 

l.v.

p

      

ppp

3

3

poco mf

 

   

pp

 



 

Sm. Tam-Tam

3



 



    mp

 

5

 

 

brushes

p

                pp 3

 

p

       

Small Shaker

 

 

f

pp



mp

  

      

 

 

 

    



poco

     

  

  Cb. 



Small Shaker

poco f

poco mf

  

mp



   mp

Vc.





 

 

E -ven your voice



     

(sord.)



air.

 

5

mp



 



     

pp

 

D C Bb Eb F GbA

 

         3

p

3 Soli div.

p Vln II

1. (con sord.)

non arp.

 

mp

mp

fltg.

 

 

5  3                               

p

 

p

 

p



p

(con sord.)



Bs. Cl., fltg.

p

  

 

1.

                 

4. senza sord.

p

 

p quasi lontano, ma sentito

 

 

 

fltg.3

Vln I

Vln I

pp

  

   

f

 

still

mp

1.

in - to

    3



3

5       

pp 3

p

   

         

 

FL.

fltg.

 

p

mp

pp

 

5

pp

ppp

        



2.

5

very thin ppp beaters brushes H Cym

p



S Tri

1., fltg.

           3



Fl. 3/Picc 2

 

2.



16   Fl. 1/2  

mp

pp (1., fltg.)

p

 

         5

 

  3

sul pont.

 

 

 

3

tutti div. pizz.

mp

 

 

 

 

 p

 3

pp

   






22

a tempo

 6 21        Fl. 1/2           f

mf

pp

 ord.

mf

Fl. 3/Picc 2

Fl. 4/Picc. 1

Ob. 1-2

Ob. 3/Eng. Hn.

Cl. 1

 

 

  

 ord.           

                

   

6

f

mf

          Bsn 1-2   6

Tpt 1

 

Tpt 2-3

Tbn. 1-2

Perc. 1

mp

Perc. 2

Perc. 3

Perc. 4



   

S.

      

       

Vla

Vla

 

mf Db C B Eb F G Ab

    

    

 

will not

   

 

stay

6

   

mf

3

pizz.

Bb

 

Tutti div.

 

dim.

   

    

 



pp

6

   

mf

Tutti div.

   

3

 

mf

 

3

f









 

p A§



  

 

p



gliss.

sul tasto

i

arco





 -



 



 



 





gliss.

 

 

mf

sul tasto

    

gliss.

arco





mag - ine



  

   

   

gliss.

gliss.

 

pp ord.

ord.

 



 

   

   





gliss.

 

arco

pp



 



 



 



poco mf

ord.

p



 ppp

 



 





 

 

 



 

 



 

 



 

 



 

 

poco mf

poco mf







 





 ppp

 

ppp

ord.



 



poco mf



 



poco mf



 

 

p

poco mf







 

poco mf

p

 

 

p

 

p

 





p

 

dim.

than the words I have you say

poco mf

   

p

mp



your move-ments clear er

pp

mp

arco

p

p

3

poco mf

sul tasto

sul tasto

arco

you,





pp

f

p

 

  



p

    

to Celesta

Eb



up

mp



mp

f

cresc.





unis. mp

make you

mp pizz.

I

mp pizz.

 

mp

3

  

Tutti div.

f

 

 

6

Tutti div.

 

mf

pizz.

 



arco



 

6



 

3

 

          

F# E§

To - night

mp

p

   

pizz.

 

mf

  

   Cb. 



mp

   

  

pizz.

     

 

mp

f

   

   

   

   

 

with me.

               

Vc.





 

 

 

a tempo

3

  

    

p

dim.

C#

   poco f

  

bell-like, sustained



sul pont. 1. solo

Vc.



  

  

Pedal each chord

p





p

Vln II

Crot.

p

1, solo sul pont.

Vln II

mp

         Vln I         

Vln I

it

Vln I

mf

  

mf

6

to Cl.

 

Chimes

  

f

6            

mf

ord.

        



 

Hp

f

 

Pno

 

mp

1.     

3

  

mp

f

  

      

f

mp

f

ord.

1.

Hn 1-2

        mf

6

Cl. 3/Bs. Cl.

  

mp

Cl. 2/Eb Cl.

ord. 6  f                  5 f

 

p

p

p

p

p

poco mf


a tempo

movendo mp

28  Fl. 1/2  Fl. 3/Picc 2

Fl. 4/Picc. 1

 

  



 



 



 

you

  





Cbsn

 pp

Hn 1-2

 

pp

Vln I

Vln II divisi Vln II

 

 



   f



sord.

divisi Vla

Vc.

  





p







 







 



 



 

  

 



 

 

p



 



 

 



p

p

p

p

pp

pp

Sostenuto





 



 





 











pp

 

pp





a tempo

molto

 



movendo

 

 

 



f

 

 



p



 

mp

1. senza sord.

 

p

solo

3. (sord)

 

 

  



  p



  





    

f

 

f







pp



 

 



 

  





 

 

 

 

 



 

 

 



 

   



f

pp

 

 

  

 

  

  



 

 

p

  

   

 





 

 



pp

mp

mp 

pp

  





 

  



pp

f

a tempo



f

      

div.

    f

   f

  f



pp

pp

poco rit. 

pp

pp

pp

pp

  

 

f



 f

pp



mp

pp

pp



f

 

   

f

 

 

f

f

legato

pp

 

f

pp

divisi

   mp

mp



pp

 

  

mf

f

movendo

legato

 

 



4. (senza sord)

 

  

 

mf



a tempo tutti unis.

p

 

      

mp

pp

  

  



pp

 

 



 



f

  

p

senza sord.

 

  

pp non solo

p

mf

f

pp

mf

mf



p

  

 

poco rit.

f

   

 

pp

  

p

mf

molto 

  

 



p

rit.

 

p

 

   

mf

 

 

mf

 

pp

a tempo

p

 

 

   

  Vc. 





 

  

To Picc.



pp

Vla

pp

a tempo



 

  

p



fore

   

 Tpt 1  





 

 

f

 

 



1., solo

f

 

movendo 

mp



 

2. sord

Hn 3-4



f



   



 

pp

   



p

Bsn 1-2



pp



f

pp



   

  

pp

-

 

23

pp

ENG. H.

Cl. 3/Bs. Cl.

1.

pp

 

   



f

be

f







Clar.

 

Cl. 2/Eb Cl.



f

said

rit.

Cl. 1



pp

outside

32   Fl. 1/2  

Ob. 3/Eng. Hn.



Ob. 1-2





 

 





f

 

Vc.

 Vln II 

Vla

 

Vla

Sostenuto

 

espr.

f

pp



Vln II

pp

 Hn 1-2 

S.

 

 

Cl. 3/Bs. Cl.

 

pp

 

Cl. 2/Eb Cl.

Tpt 1

  

Cl. 1

 

pp

Ob. 1-2

Bsn 1-2

   f

 pp

 pp


24 A little slower q = 42

36  Fl. 1/2 

Fl. 3/Picc 2

poco rit.



  

 

  



 

 

  

p

Ob. 3/Eng. Hn.

Cl. 2/Eb Cl.

Cl. 3/Bs. Cl.

Hn 1-2

 

p poco espr.

    6

  

     

6           

6

p

6

  

 

 

pp

mp

ppp

 



 

 

 

 

  

   



 

  

 

    













 

 

 

motor on medium

Vibes soft mallets

  

Ped. pp

    mf

 

  

5

 

Ped.

Cb    

 

 

      5





  





5

5



ppp



ppp

2. senza sord.

ppp

 

pp



Db C Bb F G Ab

mp

 

3   

Where - e - ver you





are

mf



3              

in - side my head you fix

now

me - with a

look,

  

 

stand -ing here

whilst

               3  

mp poco espr.

 

5

p

 

5

   



p

pp

 

mp

  



 3

ppp

  



col tutti

ppp

3

pp altri div.

5

 

p

pp

p



 

 

5

mp

  



late light

      

Div. Stands 3 + 4

 

       

Stands 1 + 2

  p

pp

 



 

p

 p

 

 

 

  

ppp

ppp

p

3

mf

       

p

Stands 3 + 4

5

p

 

     3

3,4 Sola

4. sul tasto

3

mp

 

 

ppp

5,6 Sola sul tasto [

 

7,8 Sola sul tasto

mp

mp

3

p          6

 



pp

p

p

  p

   

 

 

 

p

p

[

 

 

ppp

 

mp

 ppp

ppp

3

ppp

3

Div. a 4



5  

5

p

pp

 

p

p

 pp

p

    ord.

mp

Tutti div

 ppp

mp

   

  mp

 

 

 

p

 5

  

gliss.

ppp



p

  

 

  

 

    [    

 

 

    [    

 

  

 

 

ppp

gliss.

  p

gliss.   p

gliss.

  p

  

 

ord. mp

[

 

gliss.    p

altri div. a 2

p

 

   

ppp

      3

3



   [  3

3



p

ppp

  

 gliss.    p

ppp

 [ 

gliss.     

gliss.





p

ppp

 

 

 

 

 

 

ppp

ppp

pp



pp

mp

p

3

molto

   

gliss.     

mf molto

molto

  

col tutti             [      ppp

molto

p

mp

p

  

p

          6

 

 

molto

pp

    3           3  3

   [    

ppp



3

mp

 

p

mp

p

 

 

p

p

    

ppp

 

         3

ppp

pp

1,2 Sola



 

5

tornando

col tutti

Div.

dis - solves in - to the earth

 

pp

5

5

    

 

3 Soli div. 5



molto

mp poco espr.

Stands 1 + 2

cool

  

col tutti 3            3

3

pp

  

Largamente

poco rit.

A little slower q = 42



 

molto

Vc.

   

 

Vc.

 

3 Soli div.

Vla

ppp

Vln I

Vla

 

  

 

Vln II

 

 

Vln II

Vln II

 



Vln I

pp

Vln I

 

 

S.

   

 

       f

 

 Perc. 4 

Hp

  

Cl. 1

Bsn 1-2

Ob. 1-2

tornando

Largamente

 pp

      mp

   

mp



      3

3

3

3 molto

      

 

  

 

  

  

 

unis. ppp

 pp

 



  

 

ppp

3

molto

unis. ppp

 pp

ppp


25 A Tempo q = 42

      40      Fl. 1/2      mp

mf

   

Fl. 3/Picc 2

mp



     

Ob. 1-2

 

mp

   

Cl. 2/Eb Cl.

  mp

    

Cl. 3/Bs. Cl.



     



f

 

  

  

   



        ppp

mf

 

 

mf

   

  

 

pp



   

 

To Bs. Cl.





pp

  





 





 

 





pp



 

 

Hn 1-2

  

    p

 

 

mf

  

Hn 3-4

 ppp

 

 





  

 

p

p

 

 

 



 

p

 

 



  

poco f

 

 

  



 

     



  

 

       ppp

       ppp

3. senza sord.



 

 







 

  

 

  Perc. 4  

    

Tpt 2-3

Tbn. 1-2

Tbn. 3/Tuba

    

Cel.

Hp

S.

Vln I

Vln I

Vln II

Vln II

Vla

Vla

Vc.

Vc.



 

 

 





Med. Tam-Tam

 

 

  

 

  

 

  

 



mf

   

      Vln I

 

 p

 

.

tutti div, a 2

med. mallets

     

 

                    

  Cb. 



 



ppp





molto

ppp





molto



 

 

 

 



 



  p



 

 

poco f

con sord.

(con sord.)

 



 



p

 







 





p

3. (senza sord.)

p

 

ppp

poco f

 





poco f

p



 

poco f





 





poco f

 

poco f

 



mp

 

 

 

 

 

 

 

 

 



3



   

 wrong,





but still it

 









    smiles.

    

 

 





    

pp legato, tenuto

Tutti div.

pp

  

 

 

 

mf



 p

     







    

          f

            f

legato, tenuto

 

















 



ppp

ppp

ppp

  

 Stands 1 +2 div.

 



ppp

 

 

 

molto

molto

 

 





 

  

 

Stand 1 + 2 div.

 

 p

Stand 3 + 4 div.

p

 

 

  

 

   

Stand 1 + 2 div.

Stand 3 + 4 div.

 

 

 p   

  





p

 

  

   p

 

p

p

 



legato, tenuto pp

      legato, tenuto

tutti div.

   

 

 



  

 

 

 

   

 

 

  

 

pp



 

p

Stands 1 +2 div.

 

 

 

poco f

 

I have got your mouth

  



 



 



molto

mp

 

 



molto



 

 

 

ppp

molto

 



ppp



3



poco f

1.2. senza sord.



poco f

 



A Tempo q = 42



molto

p, semplice

 

 



poco f

p

  

 

 





  



poco f

poco f

legato, tenuto

Tpt 1

 

poco f

     

 

legato, tenuto

 

 

 



pp Cbsn

     

    

poco f

 

pp

mf

  

 

pp





poco f

 

 

pp

 





mp

 

pp

mf

        

Bsn 1-2

ppp



mp

pp



 



    

Cl. 1

  



mf

  

Ob. 3/Eng. Hn.

   

mf

 

Fl. 4/Picc. 1



f

pp

 



  

mf, distinto

pp



  



 pp

pp

pp



legato, tenuto

legato, tenuto

legato, tenuto

 

 

 

poco f



 



                   

  div.

 

 

 

f

 

arco unis.     

poco f

       

tutti unis.

tutti div.

 

  



 



 





 

 













poco f





 poco f





poco f


26 mumuring

A touch slower

2.

44    Fl. 1/2  

Picc.   

Ob. 1-2

6

    

pp

Fl. 4/Picc. 1

pp

 

p

mumuring

 

 

 

p

 



6

6

    

  

  

  

 

p

p mumuring

   

             

6

             

6

       

6

6

6

            

      

 

pp

 

    

   

pp

Hn 1-2

  

    

ppp

p

poco

 



  

 

    

   

  

  Tbn. 3/Tuba    pp

  

ppp

Tbn. 1-2

pp

p

   

Perc. 4

B.D

l.v

pp

Cel.

 

Hp

S.

mp dolce

   



  I

 

  

   

pp

    

pp

Cb.

   

p

pp



       

    





 

 

6

 

pp

 

you

  

  

   

  

  

    

 

 

 

6



clo

 

 

 

-

-

-

-

 



non div.

  

 



 

6

 

 

miles

a

  

-

  

 

6

 

 

    



   

 

p

6

 

 



 

 



 

  

   

 

 

6

   



ser

  

 



    

F#



hold

 



     

6

mf

6

6

pp

  

  

 

  

  

 

  

Vc.





       



mp, espr.

  



D C Bb Eb Fb G A

pizz.



6 6

sul tasto

Vc.

 

 

   

6

pp

Vla

A touch slower

Vla

   Vln I  

Vln II



6

 

 

 

 



mp dolce

 



   

ppp

  

poco

   

   

    

poco

poco

ppp

Perc. 2

p

poco

Tuba: con sord.

Timp.

   

    

Hn 3-4

 

 



pp

poco

6

6

6

Bs. Cl.

Cbsn



   

   

Bsn 1-2



 

pp mumuring

Cl. 3/Bs. Cl.

6



    

Cl. 2/Eb Cl.

6

mumuring

  

ppp

Cl. 1

6

6

   

ppp

Ob. 3/Eng. Hn.

6

p

 

6 6   p                                                                  6

6

  

 

6

 



  






27

46     Fl. 1/2   

6

       

      

 

Fl. 3/Picc 2

 

Fl. 4/Picc. 1

Ob. 1-2

           

pp



    

6

6

 



    

  









   

Cl. 1

 

 

mp

             

Cl. 3/Bs. Cl.

       

       

     





Tpt 2-3

Vln II

Vla

Vla

Vc.

Vc.

 

 

 

   



 

pp

 





 

 

 

 



 







pp

 

 

 

 

 

    

 

  

 

  

 

   

p

p

pp

con sord. metal st. mute



pp

 p



p



 



 

    



 





 

mf



ppp

 

  

  

C#

  







 

in

 

 

 

   

 

pp

    

6

 

 

 

  arco

pp

 

-

-

 

   

 

 

-

 

  

  

   Cb. 

 

 

 

6

 

   

 

 

6

    

 

cresc.

-

-

ting

in

  

 

 

 

  

  

    6

  

3

non trem. mp espr.

 

-

-

 

3

-

ting

ven

  

Eb 6 F§

 

   

 

   

p

  3

 

 

 

 

 

 6



p

 

  

   

  

 

p

 

 

6

p

  

love,

      

6

6

    

6

  



p

   

6 6

    

 

p

     

6

   

   

6

ven

  



6

mf

 



     

 



 



 

pp

 



 

pp

 







 

 

      

    

way,



6

6

      

 

 

  

  

 

 

pp

     

Vln I



Med. Cym med. mallets

S.

 

pp

Hp

mp

 

Cel.



pp

Perc. 4

6

6



  Tbn. 3/Tuba    

Perc. 2

            

6

   



Timp.

6

mp

6

6

p

    



  

Tbn. 1-2

 

ppp

Tpt 1

 

    

ppp

Hn 3-4

            

             

 

pp

Hn 1-2

6

pp

Cbsn

 

6

6

 

pp

6

pp

Bsn 1-2

p

6

6

Cl. 2/Eb Cl.



pp



 



6



 



6

6

6

6

6

6



mp

Ob. 3/Eng. Hn.

                                                           6

6



p

 

div.

 

   

   

      

 

 6

6

 

 

 

   


28 mf

 

48   Fl. 1/2  

§ 

 

Ob. 1-2

Ob. 3/Eng. Hn.

  



  

Cbsn

 

Tpt 1

Tpt 2-3

Tbn. 1-2

  







Vln I

Vln I

Vln II

Vla

Vc.



f

mp

mf

3









  

6

 3



mf







 

 

f

f

  Cb. 



6

6

6

  

 D C# B Eb F Gb Ab

3



 



§ b    

mf

§  

 



molto

molto





non trem.





mf





 

 

 



 6

6



 





S. Crash Cym.

 

mp



 

l.v.

f

 

f

 



 

 

 





 

 

ff

  

ff

Bb

 

pp

 

mp



un - til

a tempo

3 soli div.

  









    

  

the

3

3

mf legato, tenuto



   

ff

   I

ff

pp

pp

ff

 

6

 

   

f

  

3 soli div.,

   

    

6

   

molto

ff

 

   

Div.

 

II

6

 



  

§

6

mf 3





                                              6 6 

molto

 

 

 

 



fsfz



6

 

molto

f

6

b   

§ 

p

mfp



   

f



 

6

 

p

 

molto

fsfz



6

6

 

movendo

 

 



love,

mp

6

fsfz

     



  



    

 

mfp

   



6

Vc.

  

 





 

f

f

non trem.

fsfz

6

   

 

fsfz

 

f

unis.



 



 

  

fsfz

 

6

  

      f breathy

§

fsfz

  

6

6

   

 

molto

   



 

 

 

 

f

pp

 

  

 



3

a2

 

  

fsfz

 

 



p -pp

  

 

  

 3

 

fsfz



 

S. Tri

 

 

 

6

    mp - pp



  

 

mp - pp

 

 

ff

 

 

  

6

  

breathy

p - pp

 

S.

 

6              

            

3

  

  

Hp



 Perc. 4  

Cel.



mp - pp

 

 

6

f

3

fsfz

 

  Perc. 1  

Perc. 3

3

f

ff

3

   mp  - pp

  

        

2. breathy

            

mp - pp

  

Perc. 2

f

3

mf3



mp - pp

  Tbn. 3/Tuba  

Timp.

 

 mp - pp 

  Hn 1-2   Hn 3-4



6

mf

  

6

3

mp

   

Bsn 1-2

§

pp

   

Cl. 3/Bs. Cl.

§

3



   

Cl. 2/Eb Cl.

§ 

a tempo

f

mf

Cl. 1

 

pp

 

Fl. 4/Picc. 1

 3

b



Picc.

Fl. 3/Picc 2

b  b

mp

movendo

§ 

3

pp

ff

 

 

mp legato, tenuto

 

  



 


29 Piu lento

gradually slowing 50      (2.)

Fl. 1/2

Fl. 3/Picc 2

Fl. 4/Picc. 1

            

p

 

          

                     p

3

3

  

mf

Ob. 1-2

Ob. 3/Eng. Hn.

Cl. 3/Bs. Cl.

Perc. 4

 § 

 b

 

S.

 

 

ppp

Cb.

  







 

mp espr.





 

 





 

 

 

 

 

 

1. con sord.

 pp

calls

of

night

- jars

D C# B E F G A#

3    



 

in - ter - rupt

and



   

turn

what was to

come,

  

  



3

mp

pp legato

Tutti div. a 3

3

pp legato

 

  

    

   

mp legato

3

  



 

 

 





 



  

3

3





p

tain,

in



-

to





pp

pp

 



p



pp













 

   

mem- or - y.

 

 

 

 

 



 

outside  



 





Tutti div.

pp

Piu lento







    

 

 

pp

p

3

 

was cer -

gradually slowing

ppp senza vib.

ppp senza vib.

Tutti div. a 3

 

 

 

 





pp

p

3

 

 





pp



pp

3

 



  3

pp legato

tutti div. a 3 Vc.



 

mp legato

 

 pp

Vc.

  



1 solo





mp legato

 









       

  

div.





ppp

2 soli

p espr.

b

l.v.

3

Vla



 

 

mp poco espr.

3 soli div.

Vla

    

   

   



p

1.

  

mp

 



     

  Vln I  

Vln II

p

p



Vln I

mf

 

mp

   

 

§ 

 b 

b

  

Hp

mp

    

3

p

ppp

      

   

pp



   

Cl. 2/Eb Cl.

Hn 1-2

         

Cl. 1

Bsn 1-2

   

p

 

6



p

6

mf

 

3

mf

 



1. solo

(con sord.)

pp legato



 3

    

 

 

3

   

ppp

 3

pp





 

 



ppp





outside

ppp senza vib.

 




30 (1.)  54        Fl. 1/2  

dolce

Fl. 4/Picc. 1

Ob. 3/Eng. Hn.

p

p

pp

    

take time

gradually slowing 

     

rall.

 

 

 

 

 

 





 

 



mp poco espr.

    

             

ppp

mp

espr.

 

pp

 

 

 

p

mp

   

 

            

solo

   

    Bsn 1-2  

 

 

   



  

   

S.

l.v.

mf

Cel.

Hp

 



 



p

  

pp

  [  

 

 





 

 

 





 

 

The stars

 

are

3            

film - ing

us

for



no

rall. 1. Solo

pp



one.

 

Bb



 

p

 

 

mf

   pp

gradually slowing

mf

  

take time   Vln I  

    



 

l.v.

  

 

(F)



(D)

pp

pochiss. espr.

Vln I

Vln II

 



    



poco vib.

      

 

p

div.





poco vib. pp

  



 

pp

 

  

 

 

ppp





  



ppp



ppp

poco vib.

Vla

outside   

    

p

Vc.

  

   

 

 

    













pp

    poco vib.

pppsenza vib.

  

p

pp

ppp

poco vib. div. a 2 Vc.

  

pppsenza vib.

     ppp

p

outside

   Cb. 

  

 p






31

3. Mrs. Midas

Carol Ann Duffy With gentle motion

Aaron Jay Kernis

= 104

Piccolo Piccolo 1 (Flute 4) Flute

1 2

Flute Flute 3 (Piccolo 2) Oboe

1 2

English Horn English Horn

(3)

B Clarinet

1

B Clarinet (E Clarinet)

2

B Clarinet (Bass Clarinet)

3

Bassoon

1 2

B Clarinet

B Clarinet

Contrabassoon Contrabassoon

(3)

1. al sord. 1 2 Horn in F

4. al sord. 3 4 to st. mute, metal 1

Trumpet in C

2. to st. mute, metal 2 3 to st. mute, metal

Trombone

1 2

Bass Trombone Tuba

Timpani

1 Marimba, med. mallets 2 Percussion 3 Vibraphone, med. mallets 4

Ped.

Piano

Harp

Soprano

It was late

With gentle motion Violin I div.

= 104 senza sord.

5 soli players, div. a5 senza sord.

senza sord.

Violin II div.

5 soli players, div. a5 senza sord.

senza sord. 4 players, div. a4 Viola

Violoncello

Contrabass

Corrected 4/2007 Corrected 3/2012

Text used by permission of the author, Carol Ann Duffy.

Sep


32 5 Picc.

1

1. 1 2 Fl.

3

3 3

1. Ob.

1 2

E.H.

1

B Cl. 2

3

1. Bn.

1 2

Cbn.

1. con sord. 1 2 Hn. in F 3 4

1 Tpt. in C 2 3

Tbn.

1 2

Bs. Tbn. Tba.

Timp.

1

(Mar.) 2 Perc. 3 (Vib.) 4 (Ped.)

Ped.

Pno.

Hp.

3

3

3

Sop.

tem

Vn. I div. a5

ber.

Iâ&#x20AC;&#x2122;d

just

poured

a glass of wine,

be

gun to un wind,

tutti, div.a3

Vn. II div. a3

tutte, div. (senza sord.) Va.

Vc.

Cb.

while the

vege ta bles cooked.


33 9 Picc.

1

1. 1 2 Fl. 3 1. Ob.

1 2

E.H.

1

B Cl. 2

3 (1.) Bn.

1 2

Cbn.

(1.) 1 2 Hn. in F

4. con sord.

via sord.

3 4

1 Tpt. in C 2 3

Tbn.

1 2

Bs. Tbn. Tba.

Timp.

1

2 Perc. 3

4

Pno.

Hp.

3

3

3

Sop.

The

kit chen

Vn. I div.

filled

with the smell of it self,

re laxed,

itsâ&#x20AC;&#x2122; steam

div. a2 III

II

div. a2, 2 stands only tutti (div., senza sord.) Vn. II

(div.) Va.

outside (senza sord.) Vc.

Cb.

y breath

gent

ly

blanch ing the win

dows.

So I


34 13 Picc.

1 fltg. (1.) 1 2

Fl. fltg. 3

Ob.

1 2

E.H.

1

B Cl. 2

fltg. 3

Bn.

1 2

Cbn.

Hn. in F

1 2

3 4

1 Tpt. in C 2 3 Tbn.

1 2

Bs. Tbn. Tba.

Timp.

1 (Mar.) 2 Perc. 3 (Vib.) 4 Ped.

to Celesta Pno.

Hp.

3

Sop.

o pened one,

then

with my fin

gers

wiped

the o therâ&#x20AC;&#x2122;s glass

like a brow.

4 soli, div. al sord. I Vn. (div.) II

(div.) Va. 4 soli, div. (div.)

Vc. div.

Cb.

gli altri, div.


35

Picc.

Poco meno

poco rit.

16

= 96

1

ord. 1 2 Fl. ord. 3

Ob.

1 2

E.H.

1

B Cl. 2

3 2. Bn.

1.

1 2

Cbn.

1. (con sord.)

via sord.

2. (senza sord.)

1 2 Hn. in F

3. and 4., senza sord. 3 4

1 Tpt. in C

Tbn.

2 3 1 2

Bs. Tbn. Tba.

Timp. Glockenspiel 1 (Mar.) 2 Perc.

Small Triangle 3

(Vib.) 4 Ped. to Piano

8

Cel. 8

Hp.

3

3

Sop.

He was stand ing

un der the pear

tree

snap ping a twig.

Poco meno poco rit.

2 soli, con sord.

tutti, div. a3, con sord., sul tasto

I Vn. (div.)

al sord.

(div.)

al sord.

poch. espr.

II

div. a3, con sord., sul tasto

Va. poch. espr.

4 soli, div. a2

al sord.

Vc. div.

tutti, div. a3, con sord., sul tasto

poch. espr. gli altri, div.

al sord.

div. a3, pizz. Cb.

= 96


36 22 Picc.

1 2. 1 2

Fl.

6

3 1. Ob.

1 2

E.H.

1 6

B Cl. 2 ord. 3

Bn.

1 2

Cbn.

2.(senza sord.) 1 2 Hn. in F 3 4

1 Tpt. in C 2 3

Tbn.

1 2

Bs. Tbn. Tba.

Timp.

1

2 Perc. 3

4

Pno.

Hp.

5

3

cresc.

3

3

3

Sop.

Now the

gar den was long

and the

vis i

bi li ty poor,

the way

the

dark

of the ground

(div. a3)

Vn. I poco cresc. con sord.

Vn. II div.

div. a3 con sord.

non trem.

(div. a3) Va. poco cresc. (div. a3)

Vc. poco cresc.

(div. a3, pizz.) Cb.

trem.

seems to drink


37 26 Picc.

1

3

6

6

a2

1 2

6

Fl.

6

3

6

3

a2 Ob.

1 2

E.H. 6

6

1

B Cl. 2 6

3

Bn.

1 2

Cbn. 1. senza sord. 1 2 Hn. in F 3 4 st. mute (metal) 1 Tpt. in C

2. st. mute (metal) 2 3

st. mute (metal) Tbn.

1 2

Bs. Tbn. Tba.

Timp.

(Glock.), soft rubber mallets 1

Crotales, soft rubber mallets 2 Perc. (Sm. Trg.) 3

4

Pno.

Hp.

3

Sop.

the

light

of

the

sky,

But that

unis.

(div. a3)

twig in his hand was gold.

pizz.

Vn. I

pizz.

Vn. II div.

tutti con sord

div. a2 pizz.

(div. a3)

non trem.

div. a2

Va. (div. a3)

div. a2

Vc.

unis., arco Cb.

unis.

div.

div. unis.

And then he


38 30 Picc.

1

1 2 Fl.

3

Ob.

1 2

E.H.

1

B Cl. 2

3

Bn.

1 2

Cbn.

1 2 Hn. in F 3 4 via sord. 1 Tpt. in C

2. via sord. 2 3 via sord.

Tbn.

1 2

Bs. Tbn. Tba.

Timp.

Glock. 1

Glock. 2 Perc. 3 4

Pno.

Hp.

3

Sop.

plucked

(pizz.)

a

pear

from

a branch

we grew Fon dante dâ&#x20AC;&#x2122;Au tomne

and it

sat

in his palm

mutes off

I Vn. div., (pizz.)

unis., arco, sul pont.

mutes off

II

unis., sul pont. Va. div., pizz.

mutes off

Vc.

pizz. Cb.

mutes off

like a light

bulb.

On.


39 34 Slower, freely Picc.

Con moto

= 120

1 3

3

3

3

a2 1 2 Fl. 3

Ob.

1 2 6

6

E.H.

6

1

6

B Cl. 2

6

3

3

Bn.

1 2

Cbn.

1 2 Hn. in F 3 4 senza sord. 1 Tpt. in C

2. senza sord. 2 3 senza sord.

Tbn.

1 2

Bs. Tbn. to plunger Bs. Tbn. Tba.

Timp.

1

2 Perc.

3 Trg. 3 Cowbells, med. hard mallets

3

4 3

Pno.

Hp.

Sop.

I

thought to my self,

Is

he put ting

fair y

lights

in the tree?

Slower, freely

colla voce div., arco senza sord.

Con moto

= 120

I Vn. colla voce div., senza sord.

sul tasto

colla voce div., senza sord.

sul tasto

II

Va. unis., pizz., senza sord. Vc.

Cb.


40 37 Picc.

1

1 2 Fl. 3

Ob.

1 2

E.H. 6

1 B Cl. 2

to Bass Clarinet Bs. Cl. 1. Bn.

1 2

Cbn.

Hn. in F

(1.)

0

(3.)

0

(1.)

1 2

3 4 st. mute, metal

to st. mute 1 Tpt. in C

2. st. mute, metal

to st. mute

3

2 3 to plunger Tbn.

1 2

Bs. Tbn. Tba.

Timp.

(Glock.), hard mallets 1

3

Crot.

3

2 Perc. l.v. 3 Vib. 4 3

Ped.

3

3

3

3

Pno.

Hp.

agitato 3

3

3

Sop.

He came in

to the house.

The door knobs gleamed.

He drew

the blinds.

You

know

the

mind;

div., pizz., ord.

(div.) I 3 3

Vn. (div.)

div., pizz., ord.

gliss.

II

arco (div.)

div., pizz., ord.

3

3

Va.

3

(pizz.) gliss. Vc.

Cb.

div.

3


41 40 Picc.

1

Fl.

1 2

1.

ord.

fltg.

3

6

3

3

fltg.

to Piccolo

3 3

Ob.

1 2 3

3 3

3

E.H. 3

1 3

B Cl. 2

Bs. Cl. 1. Bn.

1 2

3

3

Cbn. 1. 1 2 Hn. in F

distinto 3 4 1 3

3

3 3

Tpt. in C

3

2

3. st. mute, metal 3 6

Tbn.

1 2

Bs. Tbn. Tba.

Timp. 3

(Glock.) 1 3

3

(Crot.) 2 3

Perc. 3 (Vib.)

3

3

4

Ped.

Ped.

Pno.

Hp.

Sop.

I thought of the

Field

of

the

Cloth

of

Gold

and of Miss

Mac

read y.

div., arco 3

Vn. I 3

arco, tasto

div. a4

3

legato

3

Vn. II div.

3

arco, tasto

3

3

legato

div. a2

3

(arco)

3

3

3

3

Va. arco, tasto

Vc. div.

pizz. 3

div. a2, arco, tasto

3

Cb.

3

3

3


42 43 1

3

3

3

Picc.

3

3

Piccolo

3

2 3

1. Fl.

Ob.

1 2

3 3

1 2

to Oboe E.H.

1 3

3

B Cl. 2

Bs. Cl.

Bn.

1 2

Cbn.

+

+ 3

+

0

+

3

1 2 Hn. in F

3

3 4 3 3

(con sord.)

3

1 (con sord.) Tpt. in C

3

3

2 (con sord.)

3

3

3

Tbn.

1 2

Bs. Tbn. Tba.

Timp. Glock. 1

2 Perc. 3

4

8va

to Celesta

Pno.

Hp.

cresc. 3

3

3

Sop.

He sat in

that chair

like a

king

on

a bur nished throne.

The look on

his

face

was

strange,

(div.) 2 soli I Vn. 2 soli

div. a2, ord.

II

3 soli, arco, sul pont. Va. non div., pizz., ord.

1 solo, arco

3

Vc. (div.)

non div., pizz., ord. 1 solo, arco

3

(pizz.) Cb.

3


43 46 1

3

3

3

3

cresc.

Picc.

to Flute

2 3

3

3

cresc. fltg. Fl.

1 2

6

6 6

1 2 Ob.

Oboe

to English Horn

3

1 B Cl.

fltg.

ord.

2 6

6

6

Bass Clarinet 3

Bs. Cl.

Bn.

3

6

1 2 3

3

Cbn. con sord. 1 2 Hn. in F

con sord. 3. 3 4 (con sord.) 1

Tpt. in C (con sord.)

3. via sord.

2 3 plunger Tbn.

+

1 2 Bs. Tbn., plunger

Bs. Tbn. Tba.

+

Timp.

1

2 Perc. 3

4

to Piano

Celesta 8

3

6

cresc.

Cel.

6

6

8

Hp.

(cresc.) Sop.

wild,

vain.

I

said,

â&#x20AC;&#x153;What in

the name

of

God

is tutti, unis.

I Vn. tutti, div. II

(3 sole)

tutti, arco, ord.

Va. 3

3

3

3

unis., arco

Vc. (div.)

Cb.

tutti unis., arco

go ing

on?

He


44 49 1 Picc. 2

1. Fl.

1 2

Ob.

1 2

3 3 3

English Horn E.H.

1 ritmico

B Cl. 2

ritmico 6

Bs. Cl.

3

6

distinto

Bn.

6

1 2

3

ritmico 6

6

3

Cbn.

Hn. in F

1 2 3 4

1 Tpt. in C 2 3 (con sord.) + Tbn.

0

+

(Bs. Tbn., con sord.) + 0

+

via sord.

1. st. mute

1 2

Bs. Tbn., via sord.

Bs. Tbn. Tba.

Timp.

1

2 Perc. 3

4

leggiero

Pno.

Hp.

3

3

Sop.

start ed to laugh.

I served up the meal.

For start ers,

corn

on the cob.

tip 6

I

6

legg.

Vn.

6

div., arco

II

div., arco Va.

pizz. Vc.

(pizz.) Cb.

gliss.

div.

div. unis.


45 52 Picc.

1

1 2 Fl. 3

1 2

to Oboe

Ob. 3

1 B Cl. 2

Bs. Cl.

Bn.

1 2

Cbn.

1 2 Hn. in F 3 4

1 Tpt. in C 2 3 1. via sord. Tbn.

1 2

Bs. Tbn. Tba.

Timp.

Xyl. 1

6

6

6

6

6

6

6

2 Perc. 3

4

Pno.

Hp.

5

Sop.

With

in

sec

onds

he

was

spit ting out the

teeth

of

the

rich.

div., pizz. 3

3

I 3

Vn.

unis., pizz.

div.

II

Va.

unis., pizz. Vc. 3

Cb.

3


46 54 Picc.

1 espr. 1.

2. fltg.

1 2 espr.

Fl.

fltg. 3 1.

1.

1 2 Ob. 3

1 B Cl. 2

to B Clarinet Bs. Cl. 3

Bn.

1 2

Cbn.

1 2 Hn. in F 3 4

1 Tpt. in C 2 3

Tbn.

1 2

Bs. Tbn. Tba.

Timp.

Glock. 1

2 Perc. 3

4

Pno.

Hp.

3

3

Sop.

He toyed with his spoon,

then mine,

then with the knives,

the forks.

He asked where was the wine. I

poured

with a shak ing 1 solo, espr.

tutti, div., pizz. arco

altri, div.

I Vn. unis., pizz.

div., arco

(div.)

div., arco

(div.)

II

Va.

(pizz.) Vc.

(pizz.) Cb.

gliss.


47 58 Picc.

1

1 2 Fl. 3

1 2 Ob. 3

1

B Cl. 2

3

Bn.

1 2

Cbn.

senza sord. 1 2 Hn. in F

senza sord. 3 4

1 Tpt. in C

Tbn.

2 3 1 2

Bs. Tbn. Tba.

Timp.

1

2 Perc. 3

4

Pno.

Hp.

3

3

3

3

E F G A B C D

cresc. 3

Sop.

hand,

a

fra

grant,

bone

dry

white

from

I

ta

ly,

3

then

3

watched

as

he

3

Vn. I div.

picked

up

3

Vn. II

Va.

stand 1, div., arco

Vc. div.

III

6

6

6

6

leggiero 6

6

6

6

6

6

6

6

stand 2, div., arco 6

6

6

6

6

6

6

6

6

6

6

6

III 6

6

6

II IV6

6

6

II leggiero

6

6

arco Cb.

the


48 60 Picc.

1

1 2 Fl.

legato

3

3

legato

3

3

legato

3

3

legato

3

3

1 2 Ob.

3

Oboe 3 legato

3

3

1 legato

3

3

legato

3

3

legato

3

B Cl. 2

B Clarinet 3 3 3

3

Bn.

1 2

a2

legato 3

Cbn. legato

3

legato

3

1 2 Hn. in F

3 3

3 4 legato

3

1 Tpt. in C

2 3 senza sord. 3

Tbn.

3

1 2 legato

Bs. Tbn., senza sord.

3

Bs. Tbn. Tba.

3

legato (Glock.) 1 Crot. 2 Perc.

Chimes 3 (Vib.) 4

Ped.

(cresc.) Sop.

glass,

gob let,

gol den chal ce,

drank.

(1 solo)

continuous gliss. Vn. I div. gli altri, div.

3

3

3

3

5

3

continuous gliss.

continuous gliss.

5

3

3 5 3

Vn. II div. continuous gliss.

3 5 3

continuous gliss. 3

3

Va. div.

3

3

3

5

5

continuous gliss.

3

5

3

3

3

3

5

continuous gliss. 5

Vc. div.

5

3

3

3

3

3

3

3

3

3

continuous gliss. 5

5

3

unis. 3

Cb.

3


49 63 Picc.

1 sub.3

3

3

3

3

3

3

3 3

1 2 3

Fl.

3 3

3

sub.

3

3

3

3

3

3

2. 1 2 Ob. 3

1

B Cl. 2

3

Bn.

1 2

Cbn. 1. 1 2 sub.

Hn. in F

3. 3 4 sub. (st. mute)

via sord.

2. (st. mute)

via sord.

1 Tpt. in C 2 3

Tbn.

1 2

Bs. Tbn. Tba.

Timp.

1

2

Perc. 3

4 (Ped.)

cresc.

Pno.

6

Hp.

6

6

6

6

pi첫

6

cresc.

G A

6

3

6

3

Sop.

tutti, div.

It

was them

that

I

start

ed

to

scream.

He

sank

to

I sub.

Vn.

(div.) II sub.

Va. sub. unis. Vc. cresc. molto Cb.

his


50 65 Picc.

1 3

3 3

1 2

3

Fl.

3

3

3

1 2 Ob. 3

1

B Cl. 2 3

3

3 3

3

(1.) Bn.

1 2

Cbn.

rip

1 2 Hn. in F 3 4

rip senza sord., fltg.

1 Tpt. in C

6

6

6

6

6

2. senza sord., fltg. 2 3

Tbn.

6

1 2

6

Bs. Tbn. Tba.

Timp.

1 B.Dr. 2 Perc.

Siren 3 Med. Cym.

Med. Tamtam

4

8va

8va

Pno.

8va

6

8va

Hp.

Sop.

knees. unis.

(div.) gliss. I

6

6

6 6

Vn. molto

unis. gliss.

(div.) II

6

6

6

6

6

6

molto gliss. Va. molto gliss. Vc. molto Cb.

6


51 67 Picc.

1 6

6 3

1 2

3

3

3

Fl.

3

1 2 Ob. 3

1

B Cl. 2 3

3

3

3

Bn.

1 2 3

to Bassoon

Cbn.

0 1 2 Hn. in F

0 3 4 3

1 Tpt. in C

3. senza sord. 2 3

Tbn.

1 2 3

3 3

Bs. Tbn. Tba. 3

Timp.

1

(B.D.) 2 Perc. 3 High Cym.

Med. Cym.

(Med. Tamtam) 4

5

Pno.

5

8va

5

5

loco

E F G A B C D

Hp.

Sop.

8va

sul E

.

liss

m. g

har

*

loco

I Vn. 8va

sul A II div.

6

div.

6

6

Va.

Vc. 6

Cb. 6

* Touch string lightly to produce only harmonics.

3

harmonic gliss.

*


52 Relaxing

69 Picc.

= 92

= 86

1 6

6

1 2

molto

Fl. 3

molto 1 2 Ob. 3

1 molto

B Cl. 2 molto

to Bass Clarinet 3 molto 1 2 molto

Bn. 3 3

1 2 Hn. in F

3

3 4

to st. mute 1 Tpt. in C 2.

to st. mute

2 3

Tbn.

1 2

Bs. Tbn. Tba.

Timp.

1

2 Perc. 3

4

8

Cel.

to Celesta

8

6

6

6

3

B 3

Hp.

3

3

Sop.

Af

Relaxing

= 92

ter weâ&#x20AC;&#x2122;d both

calmed down,

I

fin ished the wine on my own,

8va

1 solo sul A

gliss.

1 solo

sul G

= 86

I Vn. gliss.

II div. a3

(div.)

1 sola

Va. 6

3 soli

(div.) Vc. 6

Cb.

hear ing him out.


53 72 Picc.

= 82

Agitato

poco rit.

= 92

1

1 2 Fl.

secco

cresc.

secco

cresc.

secco

cresc.

secco

cresc.

secco

cresc.

secco

cresc.

secco

cresc.

3

1 2 Ob. 3

1 B Cl. 2

Bs. Cl.

1 2 Bn. 3

1 2 Hn. in F 3 4

1 Tpt. in C 2 3

Tbn.

1 2

Bs. Tbn. Tba.

Timp.

1

2 Perc. 3

4

Pno.

Pno.

Hp.

5

Sop.

I

made him

sit

on the oth er side of the room and keep his

= 82

hands

to

him

self.

Agitato

poco rit.

tutti, div. I Vn. tutti, div. II

tutte, div. Va.

tutti, div. Vc.

Cb.

unis.

I locked the cat

div.

in the cel lar.

= 92

I moved the phone


54

Picc.

Moderato

rit.

75

= 60

1

1 2 Fl. 3

1 2

to English Horn

Ob. 3

1 B Cl. 2

Bs. Cl.

1 2 Bn. 3

a2

al sord.

a2

al sord.

1 2 Hn. in F 3 4 st. mute (metal)

via sord.

1 Tpt. in C

2., st. mute (metal)

via sord.

2 3

Tbn.

1 2

Bs. Tbn. Tba.

Timp. Sm. Crash. Cym. 1 Steel Pipes 2 Perc.

Picc. Snare Dr.

Sm. Trg.

3

4 Ped.

to Celesta

Pno.

7

7

Hp.

sotto voce

3

Sop.

The toi

let

be lieve

my

ears:

how he’d

Moderato

2 soli, arco

pizz.

pizz.

2 soli, arco

pizz.

2 soli, arco

(div.), pizz.

al sord.

Va.

unis., pizz.

Cb.

could n’t

2 soli, div., arco

Vn. I div.

Vc.

I

rit.

pizz.

Vn. II div.

I did n’t mind.

= 60


55 accel.

78 Picc.

1

1 2 Fl. 3

Ob.

1 2

E.H.

1 B Cl. 2

Bs. Cl.

1 2 Bn. 3

1 2 Hn. in F 3 4

1 Tpt. in C 2 3

Tbn.

1 2

Bs. Tbn. Tba.

Timp.

1 Crot. with bass bow 2 Perc.

(Sm. Trg.) 3

4

Celesta

6

6

to Piano

Piano

Cel.

6

6

Hp.

Sop.

had

a

wish.

Look,

we

all

have

wish

es

grant

ed.

But

accel. gliss

(2 soli, div.)

.

Vn. I div.

(2 soli) (div.)

(2 soli, div.)

Vn. II div.

Va.

Vc.

Cb.

(2 soli)

(div.)

gliss.


56 Languorous

81 (accel.) Picc.

= 54

1

1 2 Fl. 3

Ob.

1 2

E.H.

1 B Cl. 2

Bs. Cl.

1 2 Bn. 3

Hn. in F

1 2 3 4

1 Tpt. in C 2 3

Tbn.

1 2

Bs. Tbn. Tba.

Timp.

Glock.

Wind chimes, long metal

1

2 Perc. 3

4

3

8va

to Celesta

Pno. cresc.

Hp.

Sop.

who

has

(accel.) (2 soli, div.)

Vn. I div. (2 soli, div.)

al sord. Vn. II

Va.

Vc.

Cb.

wish

es

grant

ed

Him.

Do you know a bout

Languorous

gold

= 54


57 84 Picc.

1

1 2 Fl. 3

Ob.

1 2

English Horn solo E.H.

1 B Cl. 2

Bass Clarinet Bs. Cl.

1 2 Bn. 3

Hn. in F

1 2

3 4

1 Tpt. in C 2 3

Tbn.

1 2

Bs. Tbn. Tba.

Timp.

Glock., med. mallets l.v. 1 delicate

Cowbells, med. soft mallets

Crot.

Cowbells

2 Perc.

Chimes

l.v.

3 (Vib.,) med. soft mallets 4 Ped.

Ped.

8

Cel.

8

Hp.

3

Sop.

It feeds

no one;

aur um,

soft,

flautando stand 1, div. (arco)

Vn. I div.

non espr. flautando

stands 2-4, div., arco

stands 1â&#x20AC;&#x201C;4, div.

non espr.

div., 1/2 tacet arco, con sord., senza vib.

tutti, div., con sord.

Vn. II div., 1/2 tacet arco, con sord.

tutti, div., con sord.

Va.

div., arco Vc.

div.

div., pizz. unis. Cb.

un tar nish a ble;


58

Picc.

= 72 con moto

rall.

88

held back

1

1 2 Fl.

to Piccolo 3

Ob.

1 2

to Oboe E.H.

1 B Cl.

to E Clarinet 2

Bs. Cl.

1 2 Bn. 3

1. con sord. Hn. in F

2. con sord.

via sord.

1 2 con sord.

via sord.

3 4

1 Tpt. in C 2 3

Tbn.

1 2

Bs. Tbn. Tba.

Timp.

(Glock.) 1 Crot.

Glock.

2 Perc.

(Chimes) 3 (Vib.) 4 (Ped.)

Ped.

8

Cel.

8

Hp.

6

6

Sop.

slakes

no

thirst.

He tried to light a cig a rette; unis. div.

(stands 1-4, div.)

rall.

= 72 con moto

I poco

(div.)

Vn.

via sord.

II poco (div.) Va. poco (div.) Vc. poco (div.), arco Cb. poco

held back


59 A tempo

= 72

ad lib.

93 1

5

Picc. 2

Fl.

1 2

5

1. 1 2

5

Ob. 3

B Cl. 1

E Cl.

Bs. Cl.

1 2 Bn. 3

Hn. in F

1 2 3 4

1 Tpt. in C 2 3

Tbn.

1 2

Bs. Tbn. Tba.

Timp.

(Glock.) 1 5

(Glock.)

5

2 Perc. 3

4

to Piano 5

Cel. 5

8

Hp.

3

Sop.

I

A tempo

gazed,

en

tranced,

as the blue flame

played

on its lut e ous stem.

At least

= 72

ad lib.

I Vn. II

Va. div.

4 sole, div.

Vc. div. 3 soli, div.

Cb.

I said, youâ&#x20AC;&#x2122;ll be a ble to give up


60 96 poco rit.

A tempo

= 72

accel.

1 Picc. 2

Fl.

1 2

3

1.

3

3

3

6

6

1 2 Ob.

6

6

Oboe 3 3 6

3

3

3

6

6

B Cl. 1 6 6

E Cl. 6

6 3

3

3

3

Bs. Cl.

1 2 Bn. 3 senza sord. 3

3

1 2 Hn. in F

4. senza sord. 3

3

3

3

3 4

1 Tpt. in C 2 3

Tbn.

1 2

Bs. Tbn. Tba.

3

3

3

3

Timp.

(Glock.) 1 3

3

3

3

3

3

Crot.

3

3 3

3

2

Perc.

3

3

3

3

3

3

3

Vib. 3 3

3

3

3 3

2 Steel pipes 4 Ped. B.D. 3

Pno.

Hp.

Sop.

smok ing for good.

poco rit.

A tempo

= 72

unis. off the string

accel.

6

3

3

div.

I 3

3

Vn.

unis., senza sord. off the string

div.

3

3

3

II 3

3

Va. div.

tutte via sord.

tutte, unis., senza sord.

tutte via sord.

tutte, unis., senza sord.

non div. 3

3

3

3

3 3

3

non div. 3

3

3

Vc. div.

tutti, unis., pizz.

arco, sul tallone

tutti, unis., pizz.

arco, sul tallone

div.

3

3

3

non div.

3

3 soli

3

div. 3

3

3

non div.

3

3

unis., pizz. Cb. 3


61 Con moto

100

= 90

1 3

3

3

3

Picc.

Piccolo

to Flute

2 3

1 2

Fl.

3

3

3

3

3

3

3

3

3

1 2 Ob.

6

3 3

3

3

3

3

3

B Cl. 1 3

6

to B Clarinet E Cl.

6 3

3

stacc.

3 3

3

6

6

6

Bs. Cl.

6

3

6

sub., distinto

6

3

a2

6

stacc.

1 2

6

sub., distinto

Bn.

6

6

6

6

3

3

3

3

3

6

6

6

6

1 2 Hn. in F

(4.)

3. senza sord.

3 4

4.

sub. senza sord.

6

1 Tpt. in C 2 3 6

1. al sord. Tbn.

1 2 fltg. Bs. Tbn.

Bs. Tbn. to plunger

fltg.

Bs. Tbn., plunger

0

Bs. Tbn. Tba.

3

3

6

6

Timp.

1 3

3

3

3

3

3

3

3

3

3

3

3

2

Perc. 3

3

3

3

3

3

4 3

3

Hp.

Sop. 3

3

Con moto

6

6

Sep a rate

= 90

beds.

I 3

3

Vn. 3

6 3

on the string 3

6

outside

3

6

II 3

3 6

6

on the string 3

6

3

6

outside 6

6

6

6

6

Va.

sub.

div., pizz.

unis., pizz.

Vc. 3

3

6

6

3

3

3

outside, pizz.

(pizz.) Cb. 3

3

6

3

3

3


62 103 Picc.

1 6

6

1 2

3

Fl.

3

6

3 3 3

Flute

3

3 3

3

1. 1 2 6

Ob. 3 6

1 B Cl. 2

6

Bs. Cl. 6

6

3

6

3

6 6 6

a2 1 2

6

6

3

Bn.

6

stacc.

3

6

3

6

3

6

6

6

stacc. 6

3

3 distinto

3

6

3

3 6

1. con sord.

3

3

2. con sord. 1 2 Hn. in F

(4.)

3. con sord.

3 4

1 Tpt. in C 2 3

Tbn.

1. con sord.

1 2 Bs. Tbn., via sord. Tuba

Bs. Tbn. Tba. poco cresc.

Timp. Steel pipes, hard mallets 1 3

Picc. Snare Drum, brushes

6

6

6

2 Perc. 3 Cowbells 3

6

3

4 Pedal B.D.

Pno.

Hp.

3

Sop.

In fact,

I

put

a

chair

a gainst the door,

near

pet ri

fied.

He

was

6

6 6

6

I Vn. 6

(outside)

6

6

II 2 soli, div. 3

6

Va. 6

3

3

6

3

div., arco, tip

(pizz.) Vc.

3

(outside, pizz.)

6

6

3

3

3

3

stacc. tutti, pizz.

Cb. 3

3

3

3

3

6

3

be


63 106 1

to Piccolo

Picc. 2

1 2

Fl.

6

ord.

3

1.

3

ord.

6

a2

3

6

3

3

cresc.

6

3

3

6 3

1 2 Ob. 3

3

6

1 B Cl.

B Clarinet

3

6

2

Bs. Cl.

a2

1 2 Bn. 3

6

1 2 Hn. in F

6

6

6

distinto 6 3

4.

6

3 4 4. con sord. distinto 1 Tpt. in C

2 3 1 2

Tbn.

(Tuba) Bs. Tbn. Tba.

Timp.

2 Steel pipes

Anvil 1

6

6

6

2 Perc. 3

3

3

6

6

3

6

3

6

6

4 3

3

3

Pno.

Hp.

cresc. Sop.

low,

turn ing

the spare

room

(outside)

in

to the

tomb

of Tut an kha men.

6 6

You

6

6

6

see,

we were

6

6

6

I tutti, div.

Vn.

tutti, unis. 6

II

all outside players

tutti, div.

unis.

Va. 6

unis.

div., 1/2 non trem. 1/2 trem.

(div.), trem.

Vc.

arco Cb.

pizz.


64 109 1 Picc. 2

Fl.

1 2

Ob.

1 2

to English Horn E.H.

1 B Cl. 2

Bs. Cl.

1 2 Bn. 3

1 2 Hn. in F 3 4

1 Tpt. in C 2 3

Tbn.

1 2

Bs. Tbn. Tba. Timp.

1

2 Perc. 3

4

Pno.

Hp.

cresc.

3

Sop.

pas sion ate

then,

in those

hal

cy on

days;

un

wrap ping

each o ther,

rap

id

ly,

like

1 solo I Vn. 1 solo II 3

6

6

3

6

6

6

6

1 sola Va.

1 solo Vc. 3

Cb.


65 112 1 6

Picc.

6

2

1. Fl.

Ob.

1 2

6

6

3

1 2

E.H.

1 B Cl. 2 3

Bs. Cl. 6

3

6

6

stacc.

1. 1 3

Bn.

3

6

6

6

3

stacc. 6

6

3

2 stacc.

6

(con sord.) 1 2 3

Hn. in F

(con sord.)

3

3.

3 4

1 Tpt. in C 2 3 Tbn.

1 2

Bs. Tbn. Tba.

Timp.

Steel pipes 1

(Picc. S.D.)

3

Cowbells

3

6

3

6

6

2 Perc. 3

Pedal B.Dr.

4 3

Pno.

Hp.

poco Sop.

pre sents,

fast

food

But

(1 solo)

now

I

feared

tutti

Vn. I div.

6

6

6

6

6

gli altri, arco 6 6

div.

tutti

(1 solo) Vn. II

6

tutte, tip 3

(1 sola)

col altri, stacc. 6

6

6

Va. 6

le altre, div. (1 solo) Vc. div.

3

tutti, tip 3

col altri, stacc.

6

6

6

6

(pizz.) Cb. 3

3

3


66 115 1 Picc. 2

Fl.

1 2

Ob.

1 2

a2

a2

English Horn E.H.

1 B Cl. 2 6

Bs. Cl. 6

6

6

a2 1 2

6

6

6

6

Bn.

6 3

3 3 6

6

senza sord.

1 2 Hn. in F

6

6

3.

6

6

3 4

3., 4., senza sord.

6

6

solo 1 Tpt. in C 2. senza sord. 2 3 1. (con sord.) stacc.

1. senza sord.

1. via sord. 1 2

Tbn.

3 3

3

Bs. Tbn., senza sord. Bs. Tbn. Tba.

Timp. Anvil

Anvil

Steel pipe

Steel pipes

1 6

6

(Picc. S.D.) 3

3

6

6

6

2 Perc.

3 Trgs. 3 3

Cowbells

B.D.

Cowbells

Ped. B.D.

3

6

3

B.D. C.B.

C.B.

6

6

C.B. B.D. 6

C.B.

C.B. B.D. 6

C.B.

C.B. B.D. C.B. 6

C.B. B.D.

4 3

3

-

6

6

Pno.

Hp.

cresc. Sop.

his

I

hon eyed

6

em brace,

the

6

6

kiss

that would turn

my

lips

to a work

of

art.

6

legg.

Vn.

unis. II legg.

6

6

6

6

(div. a2) unis. 3

Va. 6

6

6

6

6

unis.

6

6

Vc. 6

6

6 6

6

arco, div. Cb.

3

3

6


67 relaxing

118

rit.

1 Picc. 2

Fl.

1 2

Ob.

1 2

E.H.

1 B Cl.

to E Clarinet 2

Bs. Cl.

1 2 Bn.

to Contrabassoon 3

al sord. Hn. in F

1 2

3 4

to st. mute (metal) 1 Tpt. in C

2., to st. mute (metal) 2 3

to st. mute (metal) Tbn.

1 2 (Bs. Tbn.)

Bs. Tbn. Tba.

Timp.

1

2 Perc. 3 3

C.B. C.B. C.B. B.D. C.B. B.D. C.B.

C.B. B.D. C.B.

C.B. B.D.

4 6

6

Pno.

Hp.

dim. Sop.

And

who,

when it comes to the crunch,

relaxing

can

live

with a heart

of

rit.

I Vn. div. II

div. Va.

Vc.

Cb.

unis.


68

A tempo accel. 122

= 84 Presto

3

= 132

fltg.

1 3

Picc.

3

3

Piccolo

3

3

fltg.

3

3

2 3

3

fltg. Fl.

1 2

Ob.

1 2

3

3

3

3

3

3

E.H.

B Cl. 1

E Cl.

Bs. Cl. Bn.

1 2

Cbn. con sord.

2. via sord.

1 2 Hn. in F

3. al sord.

fltg. 3 4

1 Tpt. in C

2. st. mute (metal) fltg.

2.

2 3 1., 2. st. mute (metal) fltg. Tbn.

1 2

Bs. Tbn. Tba.

Timp. Metal Shaker 1 Med. Sizzle Cym.

l.v.

2 Perc. 3 Low Cymbal soft mallets 4

Pno.

l.v.

Hp.

sotto voce, agitato, quasi Sprechâ&#x20AC;&#x201C;Stimme Sop.

gold?

A tempo accel.

That night,

= 84

dreamt

Presto

sul pont., off the string

1 solo

I

I bore

his

child,

its

per fect

= 132

leggero 5 soli, div.

div. a5, sul pont. 1/2 step trills gliss.

gliss.

Vn. I div. altri, div.

pizz. near bridge

(div.) Vn. II 1/2 step trills 5 soli, sul pont.

Va. div.

pizz. near bridge gli altri

1/2 step trills 5 soli, sul pont.

Vc. div.

Cb.

gli altri, div.

pizz. near bridge

ore


69 rall.

126 1 Picc.

dim. 2

Fl.

1 2 3

1/2 step trills Ob.

1 2 1/2 step trills

E.H.

B Cl. 1

E Cl. 1/2 step trills Bs. Cl. 1/2 step trills 1. Bn.

1 2

Cbn.

Hn. in F

1 2 3 4 via sord. 1

Tpt. in C

(2.)

2., via sord.

2 3 gliss. via sord. Tbn.

1 2

Bs. Tbn. Tba.

Timp.

gliss.

1 B.D. 2 Jingles

Perc. 3

3

3

Low T.-t. 4

Pno.

Hp.

près de la table

Sop.

limbs,

its lit tle tongue like a

pre cious

latch,

its

am

ber eyes

hold ing their

(5 soli, div.) gliss.

Vn. II (5 sole, div.) gliss. Va. dim. (5 soli, div.) gliss.

Vc. div.

(altri, div.)

gliss. 5 soli, div. Cb.

like flies.

rall.

(1 solo)

Vn. I div.

pu pils

gliss.


70 130 (rall.)

= 72

1 Picc. 2 1. Fl.

1 2

Ob.

1 2

E.H.

B Cl. 1

E Cl.

to B Clarinet

B Clarinet

Bs. Cl.

(1.) Bn.

1 2

Cbn.

1. (con sord.) Hn. in F

1., via sord.

1 2 3., via sord.

3. con sord. 3 4

senza sord. 1 Tpt. in C

2., senza sord. 2 3 senza sord.

Tbn.

1 2

Bs. Tbn. Tba.

Timp.

Glock. 1 Crot. 2 Perc.

Chimes 3

Vib. 4

secco Pno.

senza norm. près de la table

E FG A BCD

Hp.

ord. pesante

cresc.

3

Sop.

My dream milk

(rall.)

burned

= 72

in

my

tutti, pizz.

breasts.

I unis.

div.

I Vn. div., pizz. II

tutte, pizz. Va.

tutti, pizz. Vc. (5 soli, div.) Cb.

unis.

woke

to

the stream ing


71 = 110

accel.

136 1 Picc. 2

Fl.

1 2

Ob.

1 2

E.H.

B Cl. 1

E Cl.

B Cl. 3 1. Bn.

1 2

Contrabassoon Cbn.

2. senza sord. +

1., senza sord., 2., open

+

+

1 2 Hn. in F

3., senza sord., 4., open 3 4

3

3

1 3

3

3

3

Tpt. in C

3

3 3

3 3

3

3

2 3 3

Tbn.

3

3

3

1 2

Bs. Tbn. Tba.

Timp. (Glock.)

l.v.

1

(Crot.) l.v. 2 Perc.

(Chimes)

l.v.

3 High Cym.

Low Cym.

Med. Cym.

Med. Tam.

4

8va

Pno.

8va

Hp.

Sop.

sun. arco

accel.

= 110

I Vn. arco II

arco Va.

arco Vc.

tutti, unis. Cb.

3

3

3

3 3

3


72 140 1 Picc.

2

a2 Fl.

1 2

Ob.

1 2

E.H.

B Cl. 1

E Cl.

B Cl. 3

1 Bn. 2

Cbn.

+

Hn. in F

+

+

0

+

1 2

3 4 solo 1

3

3

3

3

Tpt. in C

3

espr.

3

2 3

3

3

3

3

3

3

3

solo

3

espr. Tbn.

1 2

Bs. Tbn.

Tba.

Timp.

(Glock.) 1

(Crot.) 2

Perc.

(Chimes) 3

High Cym. 4

8

Pno.

I Vn. II

Va.

Vc.

Cb.

Low Cym.

Med. Cym.

Med. Tam.

High Tam.


73 held back

143 1 3

Picc.

3

non legato

cresc.

3

3

2 3

3

non legato

3

a2 Fl.

1 2

3

3

3

3

non legato

Ob.

cresc.

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

1 2 non legato

cresc.

E.H. 3

3

3

3

3

3

non legato

B Cl.

cresc.

3

1 cresc.

3

E Cl. non legato

cresc.

3

3 3

B Cl. 3

3

cresc.

3

3

3

1 3

Bn.

3

cresc.

3

3

2

Cbn.

cuivrĂŠ 1 2 3

cresc. non legato

Hn. in F

3

3

cuivrĂŠ

3

3

3

3 4 non legato

1 3

Tpt. in C

3.

non legato

3

2.

2 3

3

cresc. non legato

3

3

a2

non legato

3

cresc. Tbn.

3

3

1 2

3

3

non legato 3

Bs. Tbn. 3

non legato 3

Tba. 3

non legato

Timp.

Xyl. hard mallets

3

3

3

3

3

3

1 3

3

cresc.

Cowbells hard mallets

3

2 3

3

Perc.

cresc.

3

3

Vib., hard mallets (Tam.) 4 3

3

secco

8va

cresc.

3

3

3

3

secco

3

3

cresc.

Pno.

3

3

3

3

loco

3

3

3

3

3

3

held back 3

div., pizz.

3

3

3

3

3

3

3

3

div., arco

I 3

Vn.

3

cresc. 3

div., pizz. II 3

cresc. div., pizz. 3

unis. 3

Va. cresc. div., pizz.

3

Vc. 3

cresc. div.

3

(div.), pizz.

Cb. 3

3

unis., arco


74 147

a tempo accel.

1 Picc.

2 cresc.

Fl.

1 2 cresc.

Ob.

1 2 cresc.

E.H. cresc.

B Cl. 1 cresc.

E Cl. cresc.

B Cl. 3 cresc. 1 cresc.

Bn. 2

cresc. Cbn. cresc. cuivré rip

1 2 cresc.

Hn. in F

cuivré rip

3 4 cresc.

1 Tpt. in C

cresc. (a2) 2 3 cresc. (a2)

Tbn.

1 2 cresc.

Bs. Tbn. Tba. cresc. Timp. cresc. Xyl.

Lg. Crash Cym. 1 B.Dr. 2 cresc. Perc.

Trg. 3 cresc. Med. Cym. 4 cresc. black key gliss.

Pno.

a tempo accel.

(div.)

unis.

6

6

I Vn.

6

6

6

6

6

6

6

6

6 6

II

6

6 6

arco

6

6

6

Va. 6

cresc. unis., arco 6

6

6 6

6 6

6

Vc. 6

div., arco Cb.

6

6

6

8va

to Cel.


75 Moderato, con moto

= 80–84

150 Picc.

1 6

6

6

6 3

6

6

2. 1 2 Fl.

to Flute 3

Ob.

1 2

E.H.

B Cl. 1

E Cl.

B Cl. 3

Bn.

1 2

Cbn. ord. 1 2

Hn. in F

3., al sord.

4., ord.

3 4

to cup mute 1 Tpt. in C 2 3 Tbn.

1 2 Tuba, al sord.

Bs. Tbn. Tba.

Timp.

1

2 Perc. 3

4

Cel.

Hp.

Sop.

So he had to move

out.

We’d a

Moderato, con moto = 80–84 1/2 section pizz.

I Vn. 1/2 section pizz. II 1/2 section pizz. Va.

1/2 section pizz., non div. Vc.

Cb.

ca

arco

ra

van


76 153 Picc.

rall. (ma no troppo) poco a poco

stacc.

1

1. 1 2 Fl.

poco

Flute 3

1.

2. Ob.

1 2 espr.

E.H.

B Cl. 1

E Cl.

B Cl. 3

1. Bn.

1 2

Cbn.

2., al sord.

1.

1., al sord.

1 2 Hn. in F 3 4

1 Tpt. in C 2 3

Tbn.

1 2

Bs. Tbn. Tba.

Timp.

Glock. 1

2 Perc. 3

4

Cel.

Hp.

Sop.

in the woods,

in a

glade

of its

own.

I drove him up

rall. (ma no troppo) poco a poco

(1/2 section) I Vn. (1/2 section), arco II

(1/2 section), arco Va.

(1/2 section), div., arco Vc.

Cb.

un der cov er

div. (1/2 section)

of dark.

espr.


77

Picc.

= 86

accel. molto

157 1 (1.) 1 2 Fl. 3 (1.) Ob.

1 2

E.H. espr.

3

B Cl. 1

E Cl.

B Cl. 3 1. Bn.

1 2

3

Cbn.

1 2 Hn. in F 3 4

1 Tpt. in C 2 3

Tbn.

1 2

Bs. Tbn. Tba.

Timp.

1

2 Perc. 3

4

Pno.

Hp.

molto 3

Sop.

He

(1/2 section)

pesante

3

sat in the back.

And then I came

accel. molto

home,

= 86

tutti

I Vn. tutti

3

II

(1/2 section, div.)

tutte, unis.

div. 3

Va. (1/2 section, div.) Vc. 1/2 section Cb.

tutti, unis.

the


78 161 Picc.

broadening

A tempo

rit. molto

= 69

1 dolce 1. 1 2 dolce

Fl. 3

Ob.

1 2

E.H.

B Cl. 1

E Cl. dolce B Cl. 3

Bn.

1 2

Cbn.

1.,2. con sord. 1 2 Hn. in F

3. con sord., ord. 3 4 cup mute 1

Tpt. in C

espr. 2 3

Tbn.

1 2

Bs. Tbn. Tba.

Timp.

Glock. 1 Crot. 2 Perc. 3

4

Pno.

Hp.

molto Sop.

wo

man

who mar ried the

broadening

fool

rit. molto

who wished for

gold.

A tempo

At

first

= 69

al sord., salvo un solo I Vn. al sord.

div. II

div. unis.

unis.

Va. 3 soli, div.

Vc. div.

poco espr. gli altri, div.

Cb.

I


79 poco rit.

165 Picc.

Meno

= 58

1

1 2 Fl. 3 1. Ob.

1 2

E.H.

1

to B Clarinet

B Clarinet

B Cl. 2

3

1. Bn.

1 2

Cbn.

(con sord.) 1 2 Hn. in F

(3., con sord.) 4., senza sord. 3 4 via sord. 1

Tpt. in C 2 3 Tbn.

1 2 Tuba, con sord.

Bs. Tbn. Tba.

Timp.

1

2 Perc. 3 Vib. 4 with Pedal

Pno.

Hp.

3

Sop.

vis

it ed,

odd

times,

park ing the

car a good way off,

thenwalk ing.

You knew

poco rit.

Meno

= 58

I Vn. II

div.

unis.

al sord.

Va.

(3 soli, div.)

Vc. (div.)

col altri, div. a2

al sord.

(altri, div.)

al sord.

tutti, pizz. Cb.

div.

you were get ting close.

al sord.


80 168 Picc.

1

1 2 Fl. 3

1. Ob.

1 2

E.H.

1

B Cl. 2

3

Bn.

1 2

Cbn.

1 2 Hn. in F

4. 3 4 senza sord. 1

Tpt. in C

2. 2 3

Tbn.

1 2 (Tuba)

a2

Bs. Tbn.

Bs. Tbn. Tba.

Timp. (Glock.) 1 (Crot.) 2 Perc.

Chimes 3 cresc. poco a poco with Pedal (Vib.) 4 cresc. poco a poco 8

Cel.

8

Hp.

cresc.

3

3

Sop.

Gold

en

trout

on the grass.

One day,

a

hare

hung from a larch,

1 solo, (senza sord.) sul tasto I inside, con sord. sul tasto II inside, con sord. sul tasto

sul tasto

Va. inside, con sord. sul tasto Vc.

Cb.

beau ti

ful

inside, con sord. sul tasto

Vn.

inside, con sord.

a

le mor

mis take.

And then his


81

Picc.

Adagio

poco rit.

171

= 52

1 2.

1. solo

1 2

5

lontano, misterioso

Fl.

to Picc. 3

1 2 Ob.

to Oboe 3

1

B Cl. 2

3

1. Bn.

1 2

Cbn.

1 2

Hn. in F 3 4

1 Tpt. in C 2 3

Tbn.

1 2 (Bs. Tbn.)

Bs. Tbn. Tba.

Timp. (Glock.) 1 (Crot.)

l.v.

2 Perc.

(Chimes)

l.v.

3 (Vib.) 4 8

8

Cel.

Hp.

Sop.

foot prints,

glis

ten ing

poco rit.

next

to the riv ers path.

Adagio tutti, con sord. div. a3

I Vn. tutti, con sord. div. a3 II

tutti, con sord. div. a3 Va.

tutti, con sord. div. Vc. unis., con sord., (pizz.) Cb.

arco

= 52

6 5


82 = 60

poco accel. 175

3

solo

1 3

3

poco espr.

Picc.

6 6

leggiero Piccolo 2

poco espr.

6

3

6

(1.)

Fl.

1 2

5

5

6

6

1 2 Ob. 3

1

B Cl. 2

3

Bn.

1 2

Cbn.

1 2 Hn. in F 3 4

1 Tpt. in C 2 3

Tbn.

1 2

Bs. Tbn. Tba.

Timp.

Small Asian bell 1 Small Asian bell 2 Perc. 3

4

Pno.

Hp.

3

Sop. 3

He was thin,

de

li

ri ous;

hear

ing,

poco accel. (div. a3) I Vn. (div. a3) II

(div. a3) Va.

(div. a3) Vc.

Cb.

he said,

the mu

sic

= 60

of

Pan


83

accel.

177 1 3

Picc.

3

5

5

6

5

5

5

poco

6

2 3

5

6

5

5

5

5

5

5

6

1 3

6

Fl.

5

5

5

poco cresc.

2 3

3 6

1

5

3

2

6

3

5

3

6 3

poco espr.

5

poco cresc.

5

6

poco espr.

Ob.

5

5

6

poco

6

3

5

5

poco

1/2 step trills

Oboe 3 3

3

1

B Cl.

2

3

Bn.

1 2

Cbn.

1 2 Hn. in F 3 4

1 Tpt. in C 2 3

Tbn.

1 2

Bs. Tbn. Tba.

Timp.

1

2 Perc.

High Trg. 3

Small Asian bell 4

Pno.

Hp.

3

Sop. from

(div. a3)

the

woods.

Lis

ten.

accel.

I Vn.

(div. a3)

poco cresc.

II poco cresc. (div. a3) Va. poco cresc. (div.) Vc. poco cresc. Cb. poco cresc.

poco

6


84 = 50

179 1 6

6

6

Picc.

to Flute 2 6

6

1

3

5 3

Fl.

2

6

6 3

1 5

Ob.

5

2 3

3

6

6

3

to English Horn 3

6

soli

1 6

espr.

3

6

soli

B Cl. 2 6

6

3

espr.

6

3 6

Bn.

3

3

1 2

Cbn. (con sord.) 1 3

leggiero senza sord.

al sord.

con sord.

2 Hn. in F

(con sord.) 3 (senza sord.)

al sord.

leggiero

4

1 Tpt. in C 2 3 Tbn.

1 2

Bs. Tbn. Tba.

Timp.

(Sm. Asian bell) 1 (Sm. Asian bell) 2 Perc.

(High Trg.) 3 (Sm. Asian bell) 4 8va

E F G A B C D

Hp.

distinto

gliss.

ad lib. (spoken)

poco

Sop. unis. gliss.

(div. a3) I Vn. (div. a3)

gliss.

II

(div. a3)

gliss.

Va.

(div.)

gliss.

Vc.

gliss. Cb.

That was the last straw.

= 50


85 183 Picc.

1

1 2 Fl. espr. 3

Ob.

1 2

E.H.

1

B Cl. 2

3

Bn.

1 2

Cbn.

1 2 Hn. in F

3.,4. con sord. 3 4

1 Tpt. in C 2 3

Tbn.

1 2

Bs. Tbn. Tba.

Timp.

1

2 Perc. 3

4

Pno.

Hp.

espr. Sop.

What gets me

now

is not the

i di o cy

or greed

but lack

I poco espr.

Vn.

div. a2

unis.

II poco espr. poco espr.

div. a2

unis.

div.

unis.

Va. poco espr. div.

unis.

Vc. non div. Cb.

div.

poco espr.

of


86 poch. rit.

a tempo (in quarters)

190 Picc.

1 1. 1 2

Fl. 3

Ob.

1 2

E.H.

1

B Cl. 2

3

Bn.

1 2

Cbn.

1 2 Hn. in F 3 4

1 Tpt. in C 2 3

Tbn.

1 2

Bs. Tbn. Tba.

Timp.

1

2 Perc. 3 Vib. 4 dolce Ped. Pno.

Hp.

dolce, distinto

3

Sop.

thought

for

me.

Pure

sel fish ness.

I

poch. rit. div. I Vn.

div. II

div. Va.

div. Vc.

(div.) Cb.

pizz.

sold

the

a tempo (in quarters)


87 195 Picc.

1

2.

1.

1 2 Fl. 3 1. Ob.

2.

1 2

E.H.

1

B Cl. 2 poco 3 poco

1. Bn.

1 2

Cbn.

1., 2. (con sord.) 1 2 poco Hn. in F

3. (con sord.) 3 4 poco 1

Tpt. in C 2 3

Tbn.

1 2

Bs. Tbn. Tba.

Timp.

1

2 Perc. 3 (Vib.) 4 Ped.

Ped.

dolce, distinto

Pno.

Hp.

3

Sop.

con tents of the house

and came

down

here.

2 soli, div.

Vn. I div.

espr. (div.)

(div.) Vn. II (div.) Va. (div.) Vc. unis., arco Cb.

I


88 199 Picc.

1 (1.) 1 2

Fl.

Flute 3 1. Ob.

1 2

E.H.

1

B Cl. 2

3

Bn.

1 2

Cbn.

1 2 Hn. in F 3 4 4. (con sord.) 1 Tpt. in C 2 3

Tbn.

1 2

Bs. Tbn. Tba.

Timp.

1

2 Perc. 3 (Vib.) 4 (Ped.)

Ped.

Ped.

Ped.

Pno.

Hp.

3

Sop.

think

of

him

in

cer

tain

lights,

(div.)

I Vn. (div.) II

(div.) Va.

Vc.

Cb.

(div. a2)

dawn,

late

af

ter

noon,

and once,


89

Picc.

Slower

poco rall.

203

= 46

1 dolce 3

3

3

1. 1 2 dolce

Fl. 3

3 1. Ob.

2.

1 2

E.H.

1

B Cl. 2

3 1. Bn.

1 2

Cbn.

Hn. in F

1 2 3 4

1 Tpt. in C 2 3

Tbn.

1 2

Bs. Tbn. Tba.

Timp.

Glock. 1 Crot. 2 Perc. 3 (Vib.) 4 (Ped.)

Celesta to Celesta

3

3

3

poco

Pno.

3

Hp.

Sop.

a

bowl

of

ap

ples

4 soli, div.

stopped

me

dead.

I

Slower

poco rall. 1 solo

espr.

Vn. I div.

gli altri, div.

4 soli, div. (non trem.)

div. a2, col tutti

Vn. II div. gli altri, div.

div. Va.

div. Vc.

Cb.

unis.

= 46


90 rit.

208 Picc.

colla voce

1

(1.)

1. 2.

1 2 Fl. 3

Ob.

1 2

(2.)

E.H.

1

B Cl. 2

3

(1.) Bn.

1 2

Cbn.

1. Hn. in F

1 2

3 4

1 Tpt. in C 2. 2 3

Tbn.

1 2

Bs. Tbn. Tba.

Timp.

1

2 Perc. 3

4

Pno.

Hp.

3

3

Sop.

miss

most,

ev

en

now,

His

rit. (div.)

hands,

colla voce unis.

his

warm

div.

I Vn. (div.)

unis.

II

(div.)

unis.

div.

(div.)

unis.

div.

Va.

Vc.

Cb.

hands

on

my


91 Poco meno = 40

213 rit. Picc.

1

1 2 Fl. 3

Ob.

1 2

English Horn E.H. espr. 1

B Cl. 2

3

Bn.

1 2

Cbn.

1 2 Hn. in F 3 4

1 Tpt. in C 2 3

Tbn.

1 2

Bs. Tbn. Tba.

Timp.

1

2 Perc. 3

4

Pno.

Hp.

Sop.

skin,

rit.

his

touch.

Poco meno = 40

I Vn.

II

unis.

div.

Va.

(div.) Vc.

div. Cb.


92 rit.

218 Picc.

1

1 2 Fl. 3

Ob.

1 2

E.H.

1

B Cl. 2

3

Bn.

1 2

Cbn.

1 2 Hn. in F 3 4

1 Tpt. in C 2 3

Tbn.

1 2

Bs. Tbn. Tba.

Timp. (Glock.) 1

(Crot.) 2 Perc. 3 4 8va

Pno.

Hp.

Sop.

rit.

2 soli, div.

div.

I Vn.

dim. div. II

(div.) Va.

(div.)

dim.

Vc. dim. (div.) Cb.


Carol Ann Duffy Flute 1-2

    

Adagio q = 46-48

Oboe 1-2

 

 

 

 

 

 

 

mp espr.

   



















  

 

 

 

 

 

 

 

 

 

   



















E.H.



















 

 

    Solo

Clarinet 1 in Bb

mp espr.

  

mf

 



dim.

    

  

 p

 

 

 

 

 

 

 

 Bass Clarinet     

 

 

 

 

 

 

 

 

  



















   















  























  

 

 

 

 

 

 

 

 

 

   



















   



















  



















   



















 

 

 

 

 

 

 

  

 

 



















Trumpet 1 in C

Trumpet 2-3 in C

Trombone 1-2

Percussion 1

    

Horn 3-4 in F

Timpani

 

 

Bassoon 1-2

Trombone 3/Tuba

 



Clarinet 3 in Bb/Bs. Cl.

Horn 1-2 in F

   

1. Solo

 

  

Clarinet 2 in Bb/Eb

Contrabassoon

  

Oboe 3/Eng. Hn.

Aaron Jay Kernis

 

Piccolo

Flute 4/Picc. 1

4. Who Loves You?

Flute

Flute 3/Picc. 2

93

Clarinet in Bb

   

Percussion 2

 

 

 

 

 

 

 

 

 

 

Percussion 3





















  



















Percussion 4

Soprano

Violin I

        

div.

mp

  

  

Violoncello

Violoncello

Contrabass

















 

 

 

 

 

 

 

 

   

  

  

  



   

 

 



  

 

  









  















 



   

 

Corrected March 2012

  

  





pp

Viola



 

senza sord.

div.

 

   

Viola



 

pp

Violin II

 

senza sord.

div.

arp.                                               mf dim. mf                          

    

Violin II

          

Adagio q = 46-48

  

Violin I

                    



Harp

           



 

 

   

1 solo senza sord.

mf espr.

 







  

Text used by permission of the author, Carol Ann Duffy.





pp

 

   pp

1 solo arco

p



pp

 

  

   p



mp - p

           mp

 



mp - p



altri, senza sord.

div.   

mp - p

 

 

  









 1 solo pizz senza sord.



 



mp - p

senza sord.

I senza sord.

 

     senza sord.

   



    



     

 

p

 

tutti, arco

senza sord.    mp - p

  


94 10       (1.)

Fl. 1-2

   

Ob. 1-2

p

  



mf



3  

    

  a2



a2

3

ff

     

Cl. 1 in Bb

 

  

  

 

 

pp

p

 

 

Cl. 2

    

pp

 

Bs. Cl. Cl. 3/Bs. Cl.



p



ff

Bsn 1-2



p

  Hn 1-2  



 



 

Hn 3-4

Tpt 1

Tbn. 1-2

Tbn. 3/Tuba

Hp

 

  

  

   

     

        

   

Cel.

   

p sub.

3    

f

Vln II

Vla

Vla

   



   

(p)

Vc.

Cb.

          

   

mf











mf



 mf

al sord.







 al sord.  

 

 

 

 3          f 3             3

 

 

 

 

 

 

 

 

 

 

 

 

     











mf

 

3  

pp

3   

  

  

 

      3

3

f

3

f3

3

Tbn.

 

pp pp

 



f

 3

f

3

3

  

           3

3

3

in those

mys ti -cal

 





p

 

3

ma -chines.

  

Ev - ery

port.

  3

3

f

port.

senza sord.

    

   

3

3

mf legato

f

day







movendo

   3

peo - ple fall

mf



f

   

from the

    

clouds,





rit. 







 

  

      









  

      







3 3                 3  3







  

3    3             3

 

 

 

 

        3













   

 

 



 

 

   

    

 

mf

3



 

tra - ve - ling

  

  p

pp

metal straight mute

pp

                   

mf

              



         

4. senza sord.



 

3



 

 

pp

mf



mf

   





 

 

   

p



mf

              3   p

     p 

 



     

 

mf

3

p

f

3

3

   

 

a - bout you



p sub.

mf

via sord.

 



 

3



 

 





     3

pp

    

    

 

  Vln I    

Vln II

 

wor - ry

Vln I



f

mf

  

       

mp       S.   

   





3

3.



mf

 

 

3

 3   3 3                   3

pp

   

3

 

 

  

    

   3



pp

  



3

3    

  





    

    p sub.

mp

3

  

   mf mf

p

3

mf

 

3         3

mp

3  3         







3  

p

  

 

        

 

 p

   

3  3          

 



 

p sub.

p

Cl. 2/Eb Cl.

 

          3

rit.

movendo

3

mf

EH Ob. 3/EH



         



3

3



mf legato

   

f

3

mf legato

3

f

f

3

       

div.

3

f

unis.

3

3



3

p legato

legato

3



f

mf legato




95 tornando

Fl. 1-2

16 al           mp

    

Fl. 3/Picc. 2



p

Picc. 1 Fl. 4/Picc.

Ob. 1-2

       

 



     

mf

3

 



  

p

mp

mp

 

       

 



 

    

 

pp

 

1.

     

pp

 



pp

pp

pp

 







 



1.





 

 

p

p



  

pp

p

    

 

         

p

 

 

 

 

  

 

  

pp

 



pp

pp

p

 

 

 

 

 

 

mp

 

mp

 







 pp

 

pp

  

 

 

  



pp

    

      

   

 

2.

pp

p

mp

3

   

 

p

 

p

1.

senza sord.

Perc. 1

           

pp

Tpt 1

pp

Hn 3-4

 

 

  Bsn 1-2    2.    

pp

Hn 1-2

pp

Piccolo



mp

 



 

 

  

Bs. Cl. Cl. 3/Bs.

mp

   

Cl. 2 Cl. 2/Eb inCl. Bb

 

    

   

Cl. 1 in Bb

Tempo I













  













Perc. 2

 

 

 

 

 

 

 

Perc. 3

 

 

 

 

 

 

 



 



















 Perc. 4  

ppp

  



pp

       

    

Hp

 

Vibes

mf    

mp

  

    S.      p

pp

mp non arp.





  

  

Breathe in

and out,

tornando al

Tempo I

dead .

   



 

 

   and in

      

   

pp

p

        mp    

and

out

   



  

ea

-

             p mp          

p

sub. mf

 sy.

            safe - ty,

safe

  



mp

p



   

p

pp

-

ly,



safe

 





  





 

home.



       

 pp

p

Vln I

  

     

pp

Vln II

Vln II

   

   

   



      

  

div.

Vla

p

div.

Vc.

p

Cb.

  

pp

pp





 

pp



 

p

unis.

pp

 

 





unis., pizz. pp

[

  

pp







  

 unis.         

   

p

p

       mp



   mp





 

pp

p

p

p

 

 

pp

           

      

p

mp

   







 p           p







 

    

 

   

 

 

 

  



 





mp

div.

mp

arco

p

  

mp

        mp

mp

 

mp

div.

p

p

p

  

pp

pp


96

movendo

24     Fl. 1-2   

 

     

 

     

mf

mf

Fl. 3/Picc. 2

mf

Ob. 1-2

mf         mf

Cl. 1 in Bb

Cl. 2 Cl. 2/EbinCl. Bb

    mf

 

 

1.

mp

 







(1.)

 

 

 

 

   

 

 

 

 

 

f



  

3

f

mf - p

pp

Bsn 1-2

 

  

p

Hn 3-4

p

2.



 

   

 

p

p

Tpt 1

Tbn. 1-2

Tbn. 3/Tuba

Timp.

  

  

 

 





     

   

   

  Perc. 1  



con sord.fltg.

  









 

 

 Perc. 4  

S.

      mf

            Your pho - to -

 1.Solo   Vln I   

graph

     

 

mf

altri div.

Vln II div. Vln II

     

pizz.

3

3

 

p

   

1. Sola

Vla

altri div.     

Vc.

       p pizz., div.

   Cb.     p

 p





 

 



     3

3

3

 

 



    

   

3



  

f

  

    3



p



mf



 

peo ple

f

non div.

ord., non div.

      

 are

 



   

 

pp



 

burnt



pp

      

arco

   

pp

     p

         

pp

6

        

pp

6

pp

     

pp

 pp

      pp

colle altre                         

    mp

p

              

 



  

                     

p

mp

poco f

   

p

 

p





movendo

         

pp

  

   Med. Cym.

                    p mp

arco

arco, div.

 

the time

mp 6

hard mallets

p

3

p

p

 

      



3

3

 

mp

p



 

p

6

  

f

     





p

unis., pizz.

pizz.

mf espr.

Vla



B.D.     pp  

All

3                 3

   

sul tasto

pp

pp hard mallets

pp

mf

smi - les when the light comes on.

   



3

is in the fridge,

mf espr.

Vln I

      

f

 

 





 

pp

ord.

 



   

 

 Hp    

ord.      

3                

 

 



    

p

Perc. 3

  

mf





Perc. 2





p            

pp



 

mf Tbn. con sord. fltg.

  

  



3.



pp

mf

 

   



     

p



p

   





mf

  Cbsn     Hn 1-2

  





 

pp

Bs. Cl. Cl. 3/Bs. Cl.



 

            

div.

pp

non div.

   S  

pp

   

div. a 3

pp

mf

unis.

              mf

  

     

 

   

         5






97

28    

Fl. 1-2

   

Ob. 1-2

  

 

       p

mf

            

Cl. 2 Cl. 2/EbinCl. Bb

mf p

Cl. 3/Bs. Bs.Cl. Cl.

Bsn 1-2

  

    

 

   Hn 1-2   Cbsn

 

p

 

    





    



Tpt 1

Tpt 2-3

Tbn. 1-2

con sord.

  

Perc. 4

Hp

S.

 

 



 

p

  

     

      p

Vla

p

 

mf

the pub













-

 

mf

mp

mp



fltg.

fltg.

 



 



-

ces



    

    Cb.    

               

ff

    

 





ff

  

  

f

 

ff

   

 

ff

f

Xylo

 

ff

f

 

  

  

  

 



 

via sord.

via sord.

via sord.

  

     



f

 

    

ff

f

  

Vibes

pp

            mp     p

 

                

       

 



 

ff

  

ff

   

   

       

        

3

ff

ff

pp calmo, poco espr.

ff

ff

molto

pp calmo, poco espr.

    2 soli, div.     

                                               

6

pp calmo, poco espr.

 

p

 

 2 soli, div.  

    2 soli, div.      

 



 2 soli, div.             

pp calmo, poco espr.

    

pp calmo

 

Rest

 

trees

  

    

  

  

 

  

 

  

pp calmo, poco espr.



    

 

2 soli, div., arco

 

where the cool

   

2 soli, div., ord.

6

3

   

 

pp calmo, poco espr.

  

6

6

div.

 



pp

  

Tranquillo

p

 

  

ff

 

           



 

 

  

 

ff

  

p

 

 

pp

   

    

arco sul pont., div.

 

 

1.

pp sub.

ff

 

        

mf

 

 

mf

5

5

3

 

ppp

                                         

mp

 



                                        

mp

 

 

 

    

 

ord.

 

   



pp

   

pla

   



 

   sf   sf

mp

 unis.        div.        

f

 

   

 

lic

   

 

 

 

 

  

ff

 

ff

mp

 



metal straight mute

 

gliss.



ff

   



 

mp



f

f

    

               mf

Vc.



unis.

p

tutti div.

    

    in

 

Lion's Roar

unis.

Vla

5       

tutti    div.    Vln I   

Vln II

  



   

p

   

   

p

  Perc. 1  

Perc. 3

  

     

3

mf



       

f

sub. pp

 

 

 

ff

   

  

p

    

Perc. 2

 



 

p

p

    Tbn. 3/Tuba      

6

 

fltg.      

 

f

Tranquillo

      

ff

 

   



  

 

6



3. con sord.

        

 

f

metal straight mute

   

p

Timp.

  



marc.

mf

    

  

marc.

f

 

f

 

mp

mp

  

a2



  mf

    

    

marc.

   

p

Hn 3-4

    

fltg.

 

ff



ff



f

marc.

f

 

    

 

marc.

       

f

mf

p

  

 

  

       

f

 

     

Cl. 1 in Bb

a2

  

Picc. 11 Fl. 4/Picc.

 

   

Fl.23 Fl. 3/Picc.

 


98

Fl. 1-2

Fl. 23 Fl. 3/Picc.

Fl. 4/Picc. Picc. 11

Ob. 1-2

Cl. 1 in Bb

Cl. 2 Cl. 2/Eb inCl. Bb

31    

 

 

 

pp

p

pp

  

     

  

 



p

      

 p



pp

Cbsn

1.    3         3

   

mf

 

3

f

  

p

p

pp

 

f

 



mp

 

 

 Hn 1-2 

Hn 3-4

Timp.

Perc. 1

Perc. 2

   

 

Perc. 4





    

medium hard mallets

Glock.

p

    

drop

to

 

p

(div.)

     

p

  

soft mallets

pp

 

 

 

 









  

 



   

  



 

pp

Vc.

Cb.

     

 



  

Safe - ty,

     

unis., tutti

pp



pp



p

p

       [     



  



mp

    

tutti, div.

mp

 

movendo mf p leggiero

Tempo primo

                     6 6 div.

       



pp

 

p leggiero

6

6

6

6

mf

        

unis.

mp

mf

p

mp tutti, div.

tutti, div.

home.

pp

p

    

 

    [ 

  

mp

mp

safe

poco rit.

tutti, div. mp

pp

safe - ly,

        

 p

mf

shade.

3

mf

        

3            3

   

       



   

    

(div.)

 

 

 O 

(div.)

ppp

pp

p

p

 

a gen - tle



 

 

 

p

ppp

   

pp

p

 



   

 

2.

 

 

   



     





  

p

 

  

 





 

p

   pp

p

 

mf

mp

 

6

p

mp

   

   

            

pp

pp

to Clarinet



pp lontano, ma distinto

p

   p

2.

mf

mp

 

(div.)

Vla



       

  

medium hard mallets



Crot.

  Vln I   

Vla

6

mf

6

pp lontano, ma distinto

  S.  

Vln II



p

          



 

     

pp

pp

         

Hp

  

 mp       

p

3. senza sord.

 

Perc. 3

       

 

    

 

mp

 

 

 

mp

  



     mp

1., 2. senza sord. pp



p

                      6

p

pp

 mp

  



pp

 



pp

Bsn 1-2

 

   

p

p

pp

  

pp

 

 



movendo



p

mf dolce

 

   

  

mp

Tempo primo

   

p

           

  

mp

mf dolce

poco rit.

 

p

   

  

p

p Cl. 3/Bs. Bs. Cl. Cl.

 

2.

 [ 

        



 

  

 

   

 



p

 p

 p



unis.

p

p

pp

pp

p

pp

pp

mp

      p 

  


99

A little faster 1. solo

                          35                                 Fl. 1-2   6 6 6 p delicato ma espr.

6

 

Fl.32 Fl. 3/Picc.

mp

3

    



6

3

3

6



       

    

fltg.



pp

 

Ob. 1-2

 



  



1.

pp

   





fltg.

 



fltg.

 





Perc. 2

 

 

Perc. 3





Cl. 1 in Bb

Cl. 2 Cl. 2/Eb in Cl. Bb

Perc. 1



pp

 

Hp

S.



    

pp

pp

High Cym

Perc. 4

pp

 

 

soft mallets

pp

   

   

 

  

pp



 



pp

 

 

 



 

Don't

lie

down,

don't

lie

 

 

p, fragile

 



 

 

3

down





the

sands



3

3

on

  

where

the

hole

in

the sky

is.

A little faster (inside)

    

flaut.

ppp



 

 



 





Vln I

   

(outside)

div.

pp

     div.

Vln II

pp

  

Vla

   

altri div.

Vla

pp

 

Vc.

1. solo

 

  

 

 

 

 

 

mp fragile

  

 

  

   

 



 



   



 

    

pp

mf poco

 

    

 

p

  

   

pp

  

 



   p

 

    

  

 



pp

3 soli

Vc.

 





 

   

sul tasto

 pp

sul tasto

 pp

   


100 poco rit. 38   Fl. 1-2    Fl. 3/Picc. Fl. 2 3

Picc. 11 Fl. 4/Picc.

Ob. 1-2

Cl. 1 in Bb

Cl. 2 Cl. 2/Eb in Cl. Eb

mf

   3                                         6

6

mf

  

 

 

Perc. 1

Perc. 2



 

 

  

 

Perc. 3

   

 



   

(st. mute)



pp

Sm. Tri

 

 

 

 

 

 

pp

3

mf

 

3

6

    3

p

 

      

  

  

 

 

p

                    6

a tempo



                        3 3 3 3 3 3 3

p legg.

3

                          3 3 3 3

 

p

3 3

p legg.

3

3

  

 

 

 







 

 

pp

pp

pp

1. con sord.

    

 

mf

  Hn 1-2   Tpt 1

  

(1.)

6

6

      

6

 

  





p



 

pp

p

3





 

 





 







 

 

 

 

light tri beaters

ppp

 

 Hp    

                

   

Perc. 4



  Cel.     S.

Vln I

    



Too

3

ma - ny

   



peo - ple be - ing gnawed





to

shreds.

p

 

(inside)

 [  

   [    

(outside)

pp

 

 

  

  

  

 [  

 

pp

  

[

6

 

 

3



  

  

 







me

your

 

  

3

p flautando

p

 

   3

    



 3

Send

  

  3

 

2 Soli , div.

  

 

a tempo

6

mp

poco rit.

    

   Vln I

p





3

pp

 



   

 2 Soli , div.

 3   3   3   3   33   3                                                  3 3 3 p 3 3 3 p

   

3

3

Vln II

altri div. Vln II

Vla

[   

       [   pp

   

 

  pp

  

  

  

 

 [  

 

  

  

3 Soli div.

Vc.

Vc.

       

 



 



  

  





  

 

 

 

    

   p  I    III  p

    

    

 

 

tutte div.

 

     altri div.p I

 

  III  p

  



3

(pp)

pp

 

 



pp







(pp)





3










101

mp

p

6                                    41                   Fl. 1-2   3 3 3 3 3 3 3    3 3 3 3 3 p legg. pp                           Fl. 3/Picc. Fl.23    

2.

3 3

3

     

Picc. 11 Fl. 4/Picc.

   

p

3

   

E.H.

E.H. Ob. 3/EH

3

  

3

3 3

 

p



  Cbsn   

   Hn 1-2   

  



 

  

pp

  

Hn 3-4

  

Tpt 1

  

Tpt 2-3

  Tbn. 3/Tuba      Timp.  

Perc. 1

  

Crot.   

Perc. 2







Perc. 3

Perc. 4

  

Hp

Cel.

S.

p



3



      Vln I      

 

3

        pp   unis.      

 

 



3

 

 

  

Cb.

  

 

-

ver

 



3

p





           mp

 

 

  

 

    

comes

unis.

pp

ppp

     

 



a-cross

o

6

-

 unis.

 

pp

mf



pp

   

  pp

   

 

to Pno.

    f  Piano 

 

   div. mf

safe - ly,

mf non div.

 

mf



mf

safe

 

p non div. div.

p



div.

p

 p

mf non div.

 

mf



  

 

home

accel.

 

p

  p





mfp

p



 

div. 3 3                     mf p

     

  

 

 

 unis.





   f     

  

    mf

Med. Tam.

tutti unis.

 



pp

 

 

 



Tempo I

 

 

rit.

    



Safe - ty,

cogli altri

3

f    

ceans.





mf



 



f

mp

 

 



3 3               mf p mp mf p      3   3             p mf    

 

mp



 mp



     mp

mp

 it

p



      

 

ppp

6

3

(div.)

Vc.

e

3

3

    

Vla

 

-

 

  



3

 

 



mf

 

 

mf

 

p



pp

 







6

how

 

              



2 Soli

Vln II



inside players

Vln I

3

 

 

   

p p

senza sord. p

 



  



3

 mf





mp

3

p

p

mp mp

 

mf

     mf   

 

 

 

medium mallets

 

p

p mp senza sord.

pp

voice

(div.)

6

     

 

Tbn., senza sord.

   

pp pp

  

6

  

  

1. senza sord. p mp



 



mf

p

to Eb Cl.

mf

            

       



 



pp

3

  



 



  



   p    3   3  p                 mf p mp  3  mf 3  3                p mf p            

mf



p

p

mp

mf



pp

accel.

                           mf p 3 p 3          3          mf p 3 mf

a2

pp

 

 



Tempo I



(senza sord.)

  

 

pp

3



p

3

6

mp

 

p

Bsn 1-2

p

pp

3 3

p

  

  



p legg.

Cl. in Bb

Cl. 3/Bs.Cl. Cl. 3

mp

3

  

Cl. 2 Cl. 2/Eb inCl. Bb





mf



 

                     

  

Cl. 1 in Bb

  

  

3

1.

Ob. 1-2

rit.

    [  ]  mfp    [  mf   

unis.

mf

 

   

3

3 3

       


102 a tempo

allargando molto mf

Fl. 1-2

 45          mf 3    

Fl. 3/Picc. 2

f

3 3               mf     

1.

E.H. Ob. 3/EH

mf

f

   f 

3               mf

3

3

ff



3

ff

ff

Tbn. 1-2

f

  

         3

Perc. 1

 

Perc. 3

Perc. 4

Hp



     

p

S.

  

  

      

allargando molto

     

(div.)

             mf unis.

Vla

Vc.

Cb. div.

      

non div.

  

 

3

 



 



 ff

  ff

 

 

   

 

        





  



   

6

ff

     

 

     -

-

 -

ff

 pizz.

men

                   

             

sfp intenso

ff

senza vib.

ff-mf



   

    

p



  



gliss.

sfp intenso

    



p



ff

less

 

  

13

   

-



13



a tempo 

  

6

ff

   3

 



            3



ff

f

non div.

   

 



3

f 3

        3 3                   3          3 3 3     

       



f



molto



   

 

 



f

ff

   f



The love

3         Vln I           mf



ff

f

  

p

 

 

     

          

  

unis. IV 3

Vln II

 

f

B. D. 3



  ff ff     

 



ff

 

   

              

pp

Xyl.



 

 

fsf

   

Pno

sf-mf

3

f



ff-mf

 

 

3           

3

   

ff-f

3

Tbn.

   

Perc. 2

f

     f

   mf    Timp.   

Tbn. 3/Tuba

  

p

 3 3                  3                 ff     f mf f      Bsn 1-2          ff    Cbsn         3  ff-mf 3       3 3  Hn 1-2                                     mf     f 3   ff              Hn 3-4             3 3  ff ff mf 3  3 3    Tpt 1                  mf Tpt 2-3

   

 



Eb Cl.

Cl. 3/Bs. Cl.Cl. 3

f 2.

f



f

3

3

       

Piccolo



            

f

3             mf senza sord.1.      

           

f

3

p

3

                    

  

f

   

        

f

   

Cl.2 Cl. 2/Eb in Cl. Eb

ff

a2



f

Cl. 1 in Bb

   

3

         

mf

Ob. 1-2

f

to Piccolo

    

Picc. 11 Fl. 4/Picc.

         

a2

gliss.



      


103 47     Fl. 1-2         Fl. 3/Picc. Picc. 22   ff

Picc. 11 Fl. 4/Picc.

        ff

Ob. 1-2

  (a2)       



                        





p

     f

Cl. 1 in Bb

Cl.2 Cl. 2/Eb Cl. in Eb

Cl. 3/Bs. Cl.Cl. 3

  

 

p

     ff



f

   

                     



p

      a2

Bsn 1-2

                     



 

f

ff

E.H. Ob. 3/EH

 



f

Cbsn

     

       fff   Hn 3-4     Tpt 1

   

  2.

Hn 1-2

 

molto

pp

ff

  

pp

    f   Tbn. 3/Tuba     1.

Perc. 3

Perc. 4



 (senza cresc.)





  

  

 

 

 

 

        

  

 

     



  

 and

    

 



 home

 -

-

less

  

 boys

      

     

  



 

 

ff

11

 gliss.           10

     

14

11



7

ff

     

 

f

      



     

14



    Pno

     

7

f

Hp

S.

   

 

mf

Perc. 2

molto

  Timp.     sf

 

 f

Tbn. 1-2

Perc. 1

7

  

 are

ff

   out

 

3

an

there and

 

3

-

-

gry

 

      Vln I   



       

                     



                    

ff

Vln II

ff

Vla

Vc.

      

  

ffp

 

    

ffp

sf

Cb.

    

p

p







  

 




104

molto allargando 

Broadly

Fl. 1-2

48     

Fl. 3/Picc. Picc. 22

Picc. 11 Fl. 4/Picc.

                 

         

         



f

ff

                   

Cl. 2 Cl. 2/Eb in Cl. Eb



ff

ff - f

               

Cl. 3 Cl. 3/Bs. Cl. in Bb

     

 

ff

Cbsn

  



f



     

   

( mf )

   Perc. 1    Perc. 2  

Perc. 4



Hp

          S.    

f

6

  

   

 

       

        11

  

 

ff

Night ly

 

 

   gl. 

          

 



sffz

 

 

       end their

ff

 arco

ff

         f



 

ff

  

 

 

     

  

       ff

 

 

molto allargando

Broadly

 

in the short-cut.

lives

 f div.    f 

      ff    



   3

 

        p



 

 

p

ff           

ff

ff - p

sf

ff

ff     ff   

ff

ff

ff

ff

   

         f  

pp

f

B.D.

 



          

f

   

    

    



fff





sf

peo - ple

         

a2



ff - p

Vc.

Tba.

ff

                          

11

  

ff

Vla

       

 

f

 

hard mallets Med. Cym.

6

f

f-mf



pp

      

                       Vln I   Vln II

 

    



f

 

    

Pno



   

f f



                      p f p

fff

f

p



  Timp.   

  fff      

 ff f       

      

 

fff

   

3



ff

  f              p f                  

     fff

 

ff

fp

   

ff

fff

       fff        ff fff             fff      

ff



a2

    

p

2.

      

Perc. 3

     

p

mf sf

Tbn. 3/Tuba

p

 

       

f

fff

    

  

ff



 

ff

Tbn. 1-2



        

fp f

fff

Tpt 2-3

ff

f

pp

Tpt 1

                   

    

f

ff ff

mf

    fp

f

a2

 



               fff        fff ff f                         mf

 

3

fp

 

     Hn 1-2    

Hn 3-4

f

    

ff

(a2)

Bsn 1-2

ff - f

  

fp



    

Cl. 1 in Bb

ff

f

ff                       3     ff              

        

p

          

   

E.H. Ob. 3/EH

f

a2

Ob. 1-2



1.



    

ff

ff unis.



ff



f

ff









port.

port.

      



fff

 

fff

 

         

 

fff

    fff   



   



fff



Cb.

    

f

ff

fff


105 accel.

Fl. 1-2

51     

 

  

 

  

 

Ob. 1-2

E.H. Ob. 3/EH

 to  

Cl. 2 Cl. 2/Eb in Cl. Bb

 

Bs. Cl. Cl. 3/Bs. Cl.

Hn 1-2

 

Bb Cl.

 

to Bs. Cl.



 





  

 



   

 

  

 

Bb Cl.

  

  

     



          

     

          3

  S.   

 

pp

Walk

Molto sostenuto

    

   

  

  

div. a3

 

 

pp sub.

div. a3

mf

 in the

  

light,

 



   

    

 

p

   



stead - i - ly

    ]

  p



   

 

f

pp sub.

 

f

     

 

      



  p



 



 

 





p



unis.



  



pp

mp

pp

 

 





       

   pp

        p















3.

pp



p

pp

pp

1.

  



pp

 





 

 

to Celesta

 

me.

mp

   

Safe - ty,

Tempo I, con moto

unis.         

   

f

      f

      



pp

   

pp

   

pp



    

 



   p

div. p

    p

         

altri pp

pp

   

p

  

home.

pp

pp

 

mf

 

(Who

 

poco rit.

div. p

1 sola p



  [    f f

safe - ly, safe

pp

f

 unis.      

     

Hold back



f

[ 

 

 [ 

pp sub.



 

 

     

  

  



pp

  

pp

poco f

[

 

 

    

3

  

 



pp sub.

   

 

p

 

 

f            3





 

hur - ry towards





  

pp

p



 

  

p

   

3.   

      3

1.

p

     

p

p

 

 

pp



div. a 2

  

pp sub.

p



3        p

pp

   

f

accel.

(div.)

   

  

          ]

 

  

f

  

  

div.

f

mp

             3 5  

p



            

pp sub.

div. a3

    

5

3

 

      

pp

     

         3  f 

5        

 f  

3



  





5

   

f

   

 

3



pp

p



  

  

   

         

       

     

 

p

f



p sub.



   



Pno

   

  

        3

            3 pp legato  f

 

      



pp legato

  

5

   

3

3

   

f

     

5

 

Bs. Cl.

1.

pp

   

pp legato 3



   

  

Vc.

pp legato

 

mp sub. non presto

Vc.

  



a2       

   

Hp

Vla

  

poco rit.

Hold back

f

f

3.  

pp legato

  

Vln II



pp legato

 

pp legato

f

   

a2

pp legato 3

 

Tbn. 1-2

Cb.

 

Tpt 1

Vln I

 

Hn 3-4

Tbn. 3/Tuba



  

Bsn 1-2

Cbsn

 

  

Cl. 1 in Bb

Tempo I, con moto

               3

Molto sostenuto



    pp

3

      pp

3

pp





 



  

  

p

 



p




106

Fl. 1-2

58     

 

 

 

 

a tempo

rit.

Tempo I, q = 46 - 48

colla voce

ppp

   

ppp

 







 

   

 







 

  

 







 

  

 

Cl. 2 Cl. 2/Eb in Cl. Bb

  

Cl. 3 Cl. 3/Bs. in Cl. Bb

 

E.H. Ob. 3/EH

Cl. 1 in Bb

Bsn 1-2

to Bb Clarinet

  

Tbn. 3/Tuba

 

 

 

 

 







 

Perc. 2

Hp





 

 

 

  

ppp

  

  

  

  

ppp

con sord.

 

con sord.

 





  



 

 





















 

 

 

 



pp

  

 

 

 

  

 

    

 

mf

      



l.v.

ad lib.

loves

6

you ?

Who

      Vln I    pp  3 soli   div. II    Vln I   

   

pp



pp

you ?)

loves

colla voce



      

     

  [   

Tempo I, q = 46 - 48

 

   

 

  

ppp

 

mp espr. 1. Solo p

III

 

 

 

 

mf

      

non div., pizz.

mf

 



Sul E * (out of tune)

pp



  









  

   



    

  

   



pp

Sul E

pp

 

 



 



 



safe

ppp

      ppp ppp  div.    ppp

 

   

ly,

 

ppp



  

tutti div., arco non div.

  

  

 

    

   

  

   

   

  

   

  

  

   

ppp

tutti div., arco



 

ppp

   

           [  [              

tutti div., arco

p

p

tutti, div.

ppp

mp

1. Solo arco III



ppp div.

port .



      

Sul E



 

pp



    

 

ppp

p, espr.

   

  II   

  

  

mf

  

a tempo

p



p

 

    





1. Solo, arco





rit.



 





safe - ty,

 

ppp





 

ppp

 

   

Tuba, con sord.

 

 

non div., pizz.

  

 

   

      

ppp



Sm. Tri.

  

1. Solo

   

  

ppp

  

ppp

ppp

  

   

mp

mp p  3 3                 3       S.           



Bb Clarinet



 

Cb. 5 soli div.

  



   





Vc.

ppp

   

 

Vc.

ppp

ppp





Vla

 

 



Vln II

  



   

 

  

3. 4. al sord.

 



    

1. 2. al sord.



Perc. 3

Perc. 4



3

ppp

 

   

 

mp espr.

      

ppp

pp

Crot.



3

   

pp

(3.)

  



 

 



  

  Timp.   Perc. 1

  

ppp

  

(1.)    Hn 1-2    

Hn 3-4



 

    

ppp

 

 

   

solo

  

Flute



Ob. 1-2

to Flute



   

Fl. 23 Fl. 3/Picc.

ppp

ppp


107 movendo, colla voce

Fl. 1-2

Fl. 32 Fl. 3/Picc.

63     

 

 



    

pp

         3   pp  p pp

Picc. 11 Fl. 4/Picc.

Ob. 1-2

poco cresc.

 

   



   



  

   



poco cresc.

Cl. 1 in Bb

Cl. 2 Cl. 2/Eb in Cl. Bb



3



pp

p



Cbsn

   

  

poco cresc.

 

poco cresc.

   Hn 1-2   

pp

 

pp

p dolce e espr.

  

 

Hn 3-4

 

  

pp

     





     

  Perc. 1   Perc. 3



  

  

    

Cel.

   



 

        S.   

mp

safe

  Vln I   

-

-

ly,

Vln I

  

Vla

  

    

 

poco cresc.

Vla

div.    

poco cresc.

Vc.

Vc.

3











-

-



-

-

 -

  

    

 



 





pp



pp

 



 

 











 



[ 



    [ 

 [

 

pp

[ 

       

 

 



(div.)

poco cresc.

 

pp



  









3            3

           3

mp

3

3

mp

3

pp





 

 





 

dim. poco a poco

ppp

  

dim. poco a poco

 ppp





               p









   

dim. poco a poco

mp



Glock.

pp

     mf   

  3                     dim.            

 

 

3

3

pp

  mp

ppp



ppp



 

mp

home.

 

3

   

a tempo  

 

 



   mp



  [  mp 

  mp

   mp div.      mp

dim. poco a poco

dim. poco a poco

dim. poco a poco

dim. poco a poco

dim. poco a poco

mp

rit.

      

1 solo



pp

p

 

pp

                

p

                 3 3

unis.

ppp

 



3

 

ppp

unis.

3

mf

senza sord.     

ppp

p dolce e espr.

unis.

p

safe

mp 3

 

     mp

dolciss.

pp

 

3



allarg. 1. Solo

mf

senza sord.

ly,

rit.

 

   mp





pp

pp

p

 

poco cresc.

Cb.

pp

pp



    

poco cresc.

div.

pp

mp

 

mp

  pp              

 [  

p



 

       

 



 

poco cresc.

(div.)

Vln II



via sord.



movendo, colla voce

          

 

dolciss.

poco cresc.

  



pp

1.

 

safe

mp

rit.

             3

1.



 



 

p

 

pp



via sord.

 

p





 

              3

Hp

 

    



pp



mp

 

poco cresc.

Timp.



p

 

4.

poco cresc.

Tbn. 3/Tuba



pp

poco cresc. poco cresc.

    



 





pp

mp

p





pp

 



 



p

pp

      

pp

 



pp

Bsn 1-2

 

pp

poco cresc.

  

  

1.

a tempo



 

poco cresc.

Cl. 3 Cl. 3/Bs. in Cl. Bb

 

 

poco cresc.

E.H. Ob. 3/EH

  

pp

     

    

  

poco cresc.

  

allarg.

rit.

poco cresc.

  pp

 pp

ppp

ppp

  

ppp

 

ppp

  

ppp

    


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