MacRae TWO SCENES FROM THE DEATH OF COUNT UGOLINO

Stuart MacRae

TWO SCENES FROM

THE DEATH OF COUNT UGOLINO from the Inferno by Dante Alighieri (excerpts from Cantos XXXII and XXXIII)

for mezzo-soprano and instrumental ensemble

(2004)

NOVELLO

Commissioned by the Calouste Gulbenkian Foundation/Music Department (Lisbon) for the Birmingham Contemporary Music Group, for first performance on 28th February 2005 at the Gulbenkian Grand Auditorium, Lisbon.

Instrumentation: Flute (+ Piccolo) Oboe 2 Clarinets (2.+ Bass Clarinet) Bassoon (+ Contrabassoon) Horn in F Trumpet in C Trombone Piano Harp Percussion (1 player): Woodblock Shaker, Tom-tom (large) Chinese Cymbal Suspended Cymbal (large) Tamtam Snare Drum Bass Drum Vibraphone

Violin Viola Cello Double Bass

Duration: circa 15 minutes

Stuart MacRae – Two Scenes from the death of Count Ugolino Text from La Divina Commedia by Dante. Excerpts from Inferno Canto XXXII-XXXIII Numbers refer to: Canto.line, and are included only for the use of translators.

Scene 1 32.124 Noi eravam partiti già da ello, 32.125 ch'io vidi due ghiacciati in una buca, 32.126 sì che l'un capo a l'altro era cappello;

33. 1 La bocca sollevò dal fiero pasto 33. 2 quel peccator, forbendola a' capelli 33. 3 del capo ch'elli avea di retro guasto.

32.127 e come 'l pan per fame si manduca, 32.128 così 'l sovran li denti a l'altro pose 32.129 là 've 'l cervel s'aggiugne con la nuca:

33. 4 33. 5

32.130 non altrimenti Tideo si rose 32.131 le tempie a Menalippo per disdegno, 32.132 che quei faceva il teschio e l'altre cose.

Poi cominciò: «Tu vuo' ch'io rinovelli disperato dolor che 'l cor mi preme

33. 7 Ma se le mie parole esser dien seme 33. 8 che frutti infamia al traditor ch'i' rodo, 33. 9 parlar e lagrimar vedrai insieme.

Scene 2 33. 38 pianger senti' fra 'l sonno i miei figliuoli 33. 39 ch'eran con meco, e dimandar del pane.

33. 67 Poscia che fummo al quarto dì venuti, 33. 68 Gaddo mi si gittò disteso a' piedi, 33. 69 dicendo: ``Padre mio, ché non mi aiuti?''.

33. 46 e io senti' chiavar l'uscio di sotto 33. 47 a l'orribile torre...

33. 70

33. 51

33. 42 ...se non piangi, se non piangi...

..."Tu guardi sì, padre! che hai?"

33. 42 ...se non piangi, di che pianger suoli?

Quivi morì...

ambo le man per lo dolor mi morsi

33. 70 ...e come tu mi vedi, 33. 71 vid'io cascar li tre ad uno ad uno 33. 72 tra 'l quinto dì e 'l sesto; ond'io mi diedi,

33. 61 ..."Padre, assai ci fia men doglia 33. 62 se tu mangi di noi: tu ne vestisti 33. 63 queste misere carni, e tu le spoglia".

33. 73 già cieco, a brancolar sovra ciascuno, 33. 74 e due dì li chiamai, poi che fur morti.

33. 75 Poscia, più che 'l dolor, poté 'l digiuno».

33. 42 ...se non piangi, di che pianger suoli?

33. 42 ...se non piangi, di che pianger suoli?

33. 64

33. 76 Quand'ebbe detto ciò, con li occhi torti 33. 77 riprese 'l teschio misero co'denti, 33. 78 che furo a l'osso, come d'un can, forti.

33. 58

33. 66

Queta'mi allor per non farli più tristi ahi dura terra, perché non t'apristi?

Translation of text from La Divina Commedia (Dante) by Henry Wadsworth Longfellow (Boston: Ticknor & Fields, 1867.) This is quite a literal translation of the original, and has been chosen to correspond closely to the text set in the piece. For a more expressive rendering Dorothy L. Sayers’ translation (London: Penguin Books, 1949) is recommended.

Scene 1 32.124 Already we had gone away from him, 32.125 When I beheld two frozen in one hole, 32.126 So that one head a hood was to the other; 32.127 And even as bread through hunger is devoured, 32.128 The uppermost on the other set his teeth, 32.129 There where the brain is to the nape united.

32.130 Not in another fashion Tydeus gnawed 32.131 The temples of Menalippus in disdain,

32.132 Than that one did the skull and the other things.

33. 1 His mouth uplifted from his grim repast, 33. 2 That sinner, wiping it upon the hair 33. 3 Of the same head that he behind had wasted 33. 4 33. 5

Then he began: "Thou wilt that I renew The desperate grief, which wrings my heart

33. 7 33. 8 33. 9

But if my words be seed that may bear fruit Of infamy to the traitor whom I gnaw, Speaking and weeping shalt thou see together.

33. 67

When we had come unto the fourth day, Gaddo Threw himself down outstretched before my feet, Saying, 'My father, why dost thou not help me?'

Scene 2 33. 38 33. 39

Moaning amid their sleep I heard my sons Who with me were, and asking after bread.

33. 68 33. 46 33. 47

And I heard locking up the under door Of the horrible tower...

33. 51

'Thou dost gaze so, father, what doth ail thee?'

33. 42

[if] weep'st thou not, what art thou wont to weep at?

33. 69

33. 70 33. 42

And there he died... [if] weep'st thou not, [if] weep'st thou not

33. 70 33. 71 33. 72

...and, as thou seest me, I saw the three fall, one by one, between The fifth day and the sixth; whence I betook me,

33. 73 33. 74

Already blind, to groping over each, And three days called them after they were dead; Then hunger did what sorrow could not do."

33. 58

Both of my hands in agony I bit,

33. 61 33. 62 33. 63

...'Father, much less pain 'twill give us If thou do eat of us; thyself didst clothe us With this poor flesh, and do thou strip it off.'

33. 42

[if] weep'st thou not, what art thou wont to weep at?

33. 75

33. 64

I calmed me then, not to make them more sad.

33. 42

[if] weep'st thou not, what art thou wont to weep at?

33. 66

Ah! obdurate earth, wherefore didst thou not open?

33. 76 33. 77 33. 78

When he had said this, with his eyes distorted, The wretched skull resumed he with his teeth, Which, as a dog's, upon the bone were strong.

TWO SCENES FROM THE DEATH OF COUNT UGOLINO Text: Dante Alighieri

Scene 1

Sostenuto = c66–69 Flute

Oboe

1 Clarinets (B ) 2

to Contrabassoon Bassoon

con sord.

Horn (F) con sord. (fibre) con rubato

3

Trumpet (C)

Trombone

Percussion

Harp

Piano

Mezzo-Soprano

Sostenuto = c66–69 Violin

Viola

Violoncello

Contrabass

8

Copyright © 2004 Novello & Co. Ltd.

3

Stuart MacRae, 2004

2

A

6 Fl.

Ob.

1 cresc.

Cl. 2

cresc.

Contrabassoon Bsn.

8

3

cresc.

Hn.

Tpt.

Tbn.

Perc.

Hp.

Pf.

M-S.

A con sord.

Vln. cresc. con sord.

Vla. cresc. con sord.

3

Vlc. cresc. con sord.

Cb.

8

3

cresc.

3

12 Fl. dim.

Ob.

1 Cl.

(cresc.)

dim.

cresc.

dim.

(cresc.)

dim.

cresc.

dim.

2

Cbsn.

8

(cresc.)

dim.

cresc.

3

dim.

Hn.

Tpt.

Tbn.

Perc.

Hp.

Pf.

M-S.

Vln. (cresc.)

dim.

cresc.

dim.

(cresc.)

dim.

cresc.

dim.

Vla.

3

Vlc. (cresc.)

dim. dim.

cresc.

3

Cb.

8

(cresc.)

dim.

cresc.

dim.

4

B

18 Fl. (dim.)

dim.

(dim.)

dim.

(dim.)

dim.

Ob.

1 Cl. 2

to Bassoon

3

Cbsn. (dim.)

dim. senza sord.

Hn. poco

senza sord.

Tpt. poco

Tbn.

Woodblock Perc.

Hp.

Pf.

M-S.

No

i e

ra

vam

B Vln. (dim.)

dim.

(dim.)

dim.

Vla.

Vlc. (dim.)

3

Cb.

pizz.

8

(dim.)

poco dim.

5

24

B

Fl.

Ob.

3

1 Cl. 2

Bsn. 3

3

Hn.

con sord.

Tpt.

Tbn.

Woodblock Perc.

Hp.

Pf.

meno M-S.

par

ti

ti

giĂ

da el

lo,

B Vln.

Vla.

pizz.

Vlc.

Cb.

8

pizz.

3

6

29 Fl. 3

dim.

3

Ob. 3

dim.

1 dim.

Cl.

2 3

3

dim.

Bsn. dim.

3

Hn. dim.

Tpt. dim.

Tbn. dim.

Chinese cymbal Perc. dim.

Hp.

Pf.

5

M-S.

Vln.

Vla.

Vlc.

Cb.

8

3

7

34

C

Fl.

Ob. 3

1 3

Cl. 2

Bsn.

Hn.

Tpt.

Tbn.

Chinese cymb.

Susp. cymb. (soft stick)

Perc.

Hp.

3

3

3

Pf.

3

3

3

3

3

M-S.

ch’io

C

vi pizz.

di

due

giac

cia

arco

Vln.

poco sul pont. senza vib.

Vla. 3

Vlc.

Cb.

8

8

37 Fl.

Ob.

1 Cl. 2

Bsn.

Hn.

Tpt.

Tbn.

Perc.

Hp.

3

3

cresc.

Pf.

3

3

cresc. molto

3

M-S.

ti

pizz.

Vln.

Vla. poco sul pont. senza vib.

Vlc.

Cb.

8

in

u

na

3

9

40 Fl. 3

Ob. 3

1 3

dim.

Cl.

3

2 3

dim.

Bsn. 3

3

Hn. dim.

Tpt. 3

senza sord.

Tbn. dim.

Perc.

3

Hp.

3

Pf.

5

3

3

3

5

M-S.

bu

ca,

arco senza sord. ord.

3

Vln. 3

dim.

senza sord. ord.

Vla. 3

dim.

ord. senza sord.

Vlc. 3

Cb.

dim. senza sord.

8

dim.

3

10

42 3

3

Fl. cresc.

Ob. 3

cresc.

3

3

3

1 cresc.

Cl. 3

3

2

cresc.

3

3

Bsn. 3

cresc.

3

Hn. cresc.

3

Tpt.

3

Tbn. cresc.

Perc.

Hp.

Pf.

3

3

5

M-S.

sì

che

l’un

3

ca

po

a l’al

3

Vln. cresc.

3

3

3

Vla. cresc.

3

Vlc. 3

cresc.

3

Cb.

8

8

3

cresc.

8

tro

e

11

46

to Piccolo

3

Fl.

Ob. 3

dim.

3

1 Cl. 3

2 3

3

to Contrabassoon

3

Bsn.

3

Hn.

3

Tpt. 3

espr.

3

Tbn. Suspended cymbal

Bass drum

Perc.

Hp.

(play staccato chord, and sustain resonance immediately with pedal)

Pf.

3 3

col

dim.

M-S.

ra

cap

pel

lo;

3

Vln. 3

Vla. 3

Vlc.

3

Cb.

8

3

3

12

D

50

Piccolo

8

Fl.

Ob.

1 Cl. 2

Contrabassoon Bsn.

8

Hn.

senza sord.

Tpt.

Tbn.

Tam-tam (wooden stick on edge) Perc.

Hp.

8va

Pf.

8ba

col senza vib.

M-S.

e

co

D

8va

Vln.

Vla.

pizz.

arco

Vlc.

pizz.

Cb.

8

arco

3

13

55 8

Picc.

Ob.

1 Cl. 2

Cbsn.

8

Hn.

Tpt.

Tbn.

Snare drum

Tam-tam (come sopra)

Perc.

Hp.

8va

Pf.

8ba

3

3

3

M-S.

(o)

me 8va

il

pan al pont.

Vln. 3 8va

al pont.

Vla. 3

al pont.

Vlc.

Cb.

8

14

59 8

Picc.

Ob.

1 Cl. 2

Cbsn.

8

Hn.

Tpt.

Tbn.

Tam-tam (come sopra) Perc.

Hp.

Pf.

8ba

3

3

3

M-S.

per sul pont.

fa

al ord. ord.

Vln.

sul pont.

al ord.

ord.

Vla.

sul pont.

Vlc.

Cb.

8

al ord.

ord.

15

63 8

Picc.

Ob.

1 Cl. 2

Cbsn.

8

Hn.

Tpt.

Tbn.

Susp. cymb.

Tam-tam (come sopra)

Perc.

Hp.

Pf.

8ba

con vibr. ord.

3

3

3

M-S.

me

si sul sul pont. ord. pont.

man

du ord.

Vln. 3

sul sul pont. ord. pont.

Vla.

Vlc.

Cb.

8

ord.

3

16

E

67

poco agitato to Flute

8

Picc. cresc.

3

3

3

cresc.

3

3

3

cresc.

3

3

3

Ob.

1 Cl.

to Bass Clarinet

2 cresc.

Cbsn.

3

3

3

3

3

3

8

cresc.

3

pesante

3

Hn. pesante cresc.

3

3

3

3

Tpt. cresc.

Tbn. pesante cresc.

Susp. cymb.

Perc.

cresc.

Hp.

5

cresc.

Pf.

3

veloce 3

M-S.

ca,

co

E

sì’l

poco agitato

Vln. 3

3

3

3

cresc.

3

3

3

cresc.

3

3

3

cresc.

Vla.

Vlc.

3

Cb.

3

pesante

3

8

pesante cresc.

sov

17

70

Flute

Fl.

Ob. pesante Cl. 1 pesante

Bass Clarinet

BCl.

Cbsn.

8

Hn. senza sord.

Tpt. pesante

Tbn.

Susp. cymb.

Perc.

3

Hp.

cresc.

3

Pf.

5

6

3

5

3

M-S.

ran

li

den

ti

a

Vln. 5

Vla. 5

Vlc. 5

Cb.

8

l’al

18

73

3

Fl. 3 3

3

3

3

Ob.

Cl. 1

BCl.

Cbsn.

3

3

3

3

8

3

Hn. 3 3

3

Tpt.

Tbn. 3

3

Chinese cymb.

Perc.

Hp.

3

3

Pf.

3

5

cresc.

3

3

3

3

3

M-S.

tro

po

se

3

Vln.

3

Vla.

Vlc. 3 3

Cb.

8

8 8

3

19

76

F

sub.

a tempo

Fl.

Ob.

Cl. 1 to Clarinet 2 BCl.

Cbsn.

8

poco poco

Hn.

Tpt.

Tbn. poco poco

Bass drum Perc. molto bisbigliando

Hp. molto

veloce

Pf.

molto

tre corda una corda

M-S.

là

F

’ve’l

cer

vel

a tempo

Vln.

Vla. 3

3

Vlc.

3

Cb.

molto

8

molto

3

pizz.

20

81 3

Fl. cresc.

dim.

Ob. dim.

3

3

Cl. 1 cresc.

dim.

Clarinet

3

BCl.

dim.

Cbsn.

8

3

dim.

3

Hn. dim. senza sord.

Tpt.

3

Tbn. dim.

3

Perc. bisbigliando, accel.

Hp.

8ba

cresc.

Pf.

poco

poco

cresc.

M-S.

s’ag

guig

ne

con

la

nu

ca:

3

Vln. cresc.

dim.

3

3

Vla. cresc.

dim.

3

Vlc. arco Cb.

dim.

cresc.

8

cresc.

3

dim.

21

86 Fl. (dim.)

Ob. (dim.)

1 (dim.)

Cl.

to Bass Clarinet 2 (dim.)

Cbsn.

8

Hn.

Tpt.

Tbn.

Bass drum Perc.

Hp.

Pf.

M-S.

Vln. (dim.)

Vla. (dim.)

Vlc.

Cb.

8

22

92

G Poco meno mosso = c60

Fl. dolce

sub.

Ob. dolce Cl. 1 dolce

sub.

BCl. dolce

Cbsn.

sub.

8

sub.

Hn. sub.

Tpt.

Tbn.

Large susp. cymbal soft stick Perc.

slow

sim.

sim.

Hp.

Pf.

una corda col sub. dolce M-S.

non

al

tri

men

ti

Ti

de

o

si

ro

se

G Poco meno mosso = c60 con sord.

Vln. dolce sub.

Vla. con sord.

Vlc. dolce Cb.

8

sub.

23

99

3

Fl. cresc.

3

Ob. 3

cresc.

3

Cl. 1 3

cresc.

3 3

BCl. 3

3

cresc.

3

molto 3

3

Cbsn.

8

molto

Hn. 3

cresc.

3 3

3

3

3

Tpt.

Tbn. 3

3

Perc.

Hp.

Pf. 3

tre corde

half–spoken 3

M-S. le

tem pie

a

Me na

lip

po

per

dis

deg

no, 3

Vln. cresc. con sord.

3

Vla. cresc.

3

3

Vlc. cresc.

Cb.

3

3

3

3

3

8

3

molto

24 tongue–slap

104 Fl.

Ob.

Cl. 1

3

3

3

3

3

3

3

BCl.

Cbsn.

3

7

7

7

8

Hn.

Tpt.

Tbn.

poco

Bass drum

3

Perc.

Hp.

Pf. 3

3

3

3

half–spoken marcato

half–spoken

sung

M-S.

che que

e

i

fa

ce

va

il

tes senza sord.

Vln.

senza sord.

Vla. senza sord.

Vlc.

Cb.

8

chio

25

H Tempo I

108

= c66–69

Fl.

Ob.

Cl. 1

BCl. 5

Cbsn.

5

8

Hn.

con sord. (cup) Tpt.

con sord. (cup)

Tbn.

Tam-tam (wooden stick on edge) Perc.

Hp.

Pf. 3

una corda

senza 8ba

half–spoken

(half–spoken) harshly

3

M-S.

e

l’al

tro

co

se.

La boc ca

H Tempo I = c66–69 Vln.

Vla.

Vlc.

Cb.

8 8

26

113

3

Fl.

Ob.

Cl. 1

BCl.

Cbsn.

8

Hn.

(con sord.)

Tpt.

(con sord.)

Tbn.

Perc.

Hp.

Pf.

tre corde

una corda

half–spoken

sung espressivo

half–spoken 3

3

3

M-S.

sol le vò

dal fie

ro

pas

to

quel pec ca tor,

for ben sul pont.

3

Vln.

al pont.

Vla.

Vlc.

Cb. 8

27

118 Fl. cresc. poco a poco

Ob. cresc. poco a poco Cl. 1 cresc. poco a poco

BCl. cresc. poco a poco Bassoon Bsn.

Hn. cresc. cresc. poco a poco Tpt. cresc. poco a poco Tbn. cresc. poco a poco

Perc.

Hp.

Pf.

sung doloroso 3

3

M-S.

do la

a’ ca pel

li

del ca

po

ch’el li

a

vea di ret

ro

(sul pont.)

Vln.

sul pont.

Vla.

al

sul pont.

Vlc.

Cb.

8

8

cresc. poco a poco

28

123

I

Fl.

Ob.

Cl. 1

to Clarinet BCl.

Bsn.

Hn.

Tpt.

Tbn.

Perc.

Hp.

Pf.

una corda

sung semplice

spoken 3

3

gu

as to.

3

3

M-S.

Poi

co min ciò.

I Vln.

Vla.

Vlc.

Cb.

29

129 Fl.

Ob.

Cl. 1

BCl.

Bsn.

Hn.

Tpt.

Tbn.

Perc.

5

5

5

3

3

Hp.

Pf.

doloroso M-S.

“Tu

vuo’

Vln. 3

Vla.

Vlc.

Cb.

8

30

133 Fl.

Ob.

Cl. 1

BCl.

Bsn.

Hn.

Tpt.

Tbn.

Perc.

Hp.

poco

Pf.

3

3

M-S.

ch’io

Vln.

Vla.

Vlc.

Cb.

8

ri

no

vel

li

dis

pe

ra

to

do

lo

31

138

J

Fl.

Ob.

Cl. 1

Clarinet BCl.

Bsn.

Hn. con sord. (cup) Tpt.

Tbn.

Perc.

Hp.

Pf.

poco 3

3

M-S.

che’l

J Vln.

Vla.

Vlc.

Cb.

8

cor

mi

pre

32

144 Fl.

Ob.

3

1 dim.

cresc.

Cl.

3

3

2 cresc.

Bsn. dim.

Hn.

3

Tpt. cresc.

Tbn.

Perc.

Hp.

Pf.

M-S.

me Vln. cresc.

dim. molto

Vla. cresc.

dim. molto

3

dim. molto

3

dim. molto

3

3

Vlc. cresc.

3

Cb.

8

cresc.

K Meno mosso 150

poco rall.

= c60

Fl.

Ob.

1 Cl. 2

Bsn.

Hn. con sord. (fibre) Tpt.

Tbn.

Perc.

Hp.

Pf.

M-S.

K Meno mosso poco rall.

Vln.

Vla.

Vlc.

Cb.

8

= c60

33

34

159

Più mosso = c100—120

Fl. più

Ob. più 1 più

Cl. 2

più Bsn. più

Hn. più Tpt. più senza sord.

Tbn. più

Perc.

Hp.

più

Pf.

(sung) parlando, agitato, rubato 3

3

sim.

3

3

3

3

3

3

3

3

M-S.

Ma se

Più mosso = c100—120 Vln.

Vla.

Vlc.

Cb.

8

le mie pa ro

le es ser dien se

me

che frut ti in

fa mia al tra di tor

ch’i ro

do,

35

161 Fl.

Ob.

1 Cl. 2

Bsn.

Hn.

Tpt.

Tbn.

Bass drum Perc.

Hp.

Pf.

espressivo, doloroso M-S.

par

Vln.

Vla.

Vlc.

Cb.

8

lar

e

lag

ri

mar

36

Poco meno mosso

166

lunga

= c100

Fl. lunga Ob. lunga 1

Cl. lunga 2

lunga Bsn.

lunga Hn. lunga Tpt. lunga Tbn.

lunga Perc. lunga

Hp.

lunga

lunga

lunga

Pf.

lunga M-S.

ved

rai

in

sie

me.

Poco meno mosso = c100

lunga

Vln. lunga Vla. lunga Vlc. lunga Cb.

8

37

Scene 2

Energico = c112–120 Fl.

Ob.

1 Cl. 2

Cbsn.

8

Hn. 3

senza sord.

Tpt. 3

senza sord.

Tbn. 3

Perc.

Hp.

8va

Pf.

M-S.

Energico = c112–120 Vln. 3

Vla. 3

Vlc.

Cb.

8

38

5 Fl. 5

5

5

5

5

5

5

5

Ob.

1 Cl. 2

Cbsn.

8

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

Hn. 3

3

3

3

3

3

Tpt.

Tbn.

Susp. cymb.

Perc.

Hp.

8ba

Pf.

8ba

M-S.

Vln.

Vla.

Vlc.

Cb.

8

39

A

9 Fl. 5

5

3

5

5

3

5

5

3

5

5

3

Ob.

1 Cl. 2

Cbsn.

8

Hn. 5

5

3

3

5

5

3

3

5

5

3

3

Tpt.

Tbn.

Perc.

Hp.

8va

3

Pf.

6

3

M-S.

Pian

A Vln. 3

Vla. 3 3

Vlc.

Cb.

8 8

40

13

3

Fl. 3

cresc.

3

Ob.

3

1 Cl.

5

2

Cbsn.

8

Hn.

Tpt.

Tbn.

Perc.

Hp.

Pf.

M-S.

ger

sen

ti’

fra’l

son

no 3

3 3

Vln. cresc.

3

cresc.

3

Vla.

Vlc. cresc.

Cb.

3

8

8

cresc.

41

18 Fl. 5

3 3

Ob. 5 5 3

1 5

Cl. 2

Cbsn.

8

Hn. 3

con sord. (metal) Tpt. 3

3

3

con sord.

Tbn.

Tam-tam (Wood stick on edge) Perc.

Hp.

Pf.

cresc.

M-S.

i

miei

fig

lino

5 3

Vln. 5

5

cresc.

5

5

Vla. 3

5

3

cresc.

5

3

Vlc. 3

Cb.

cresc.

5

3

42

B

21 Fl.

sub.

3

Ob. sub.

3

1 sub.

Cl. 3

3

3

2 sub.

Cbsn.

8

Hn.

Tpt. senza sord.

Tbn.

Perc.

Hp.

Pf.

3

3

cresc.

M-S.

li

chè ran con me

B 3

3

Vln. 3

sub.

Vla. 3

3

sub.

3

sub.

Vlc.

Cb.

8

co, e

di man dar

del

43

25 Fl. 5

cresc.

5

5

5

5

Ob. 5

cresc.

1 5

cresc.

5

5

Cl.

5 5

2 5

cresc.

Cbsn.

8

cresc.

Hn. cresc. senza sord.

Tpt. cresc.

Tbn. cresc.

cresc.

Perc.

Hp.

Pf.

5

cresc.

3

5

5

3

3

3

3

M-S.

pa

ne

e

io

sen

tì

chia var

l’us chio di

sot to a l’hor ri

bi

le

tor

3

Vln. 3

5

cresc.

3

Vla. cresc.

Vlc. cresc.

Cb.

8

3

5

44

stringendo

= c126

28 Fl. 3

3

3

5

3

5

3

3

3

3

3

Ob.

1 3

3

3

3

Cl. 2

Cbsn.

8

3

3

3

5

5

3

Hn. (cresc.)

Tpt. (cresc.)

Tbn. (cresc.)

Perc.

Hp.

Pf.

3

3

M-S.

re;

"Tu

guar

di

si,

Pad

re!

stringendo

che

hai?"

= c126

Vln. 5

Vla. 5 5

Vlc.

3

Cb.

8

3

3

3

5

5

3

3

45

C Meno mosso = c100

31 Fl.

Ob.

1 Cl. 2

to Bassoon Cbsn.

8

Hn.

Tpt.

Tbn.

Vibraphone Perc. dim.

Hp.

Pf.

sim.

poco

M-S.

se

non

pian

gi,

di

che

pian

C Meno mosso = c100 Vln. dim.

Vla. dim.

Vlc. dim. pizz.

Cb.

8

ger

46

37

D

Fl. dolce

Ob.

1 Cl. 2

Cbsn.

8

Hn.

Tpt.

Tbn.

Perc.

Hp.

Pf.

M-S.

suo

li?

D

Vln. dim.

Vla. dim.

Vlc. dim. arco Cb.

8

dim.

am

bo

47

43 Fl. 3

Ob.

1 cresc.

Cl. 2

cresc.

Cbsn.

8

Hn.

Tpt.

Tbn.

Perc.

Hp.

Pf.

M-S.

le

man

per

lo

Vln. cresc.

Vla. cresc.

Vlc.

Cb.

8

do

lor

48

E Più mosso

5

49

←

=

= c125

→

Fl. 3 5

Ob. 5 5

1 5

Cl. 5

2 5

Bsn. 5

5

Hn.

Tpt.

Tbn.

Perc.

Hp.

Pf.

M-S.

mi

mor

si;

“Pad

re,

E 5

5

Vln.

Vla. 5

5

Vlc. 5

Cb.

5

8

5

5

←

=

Più mosso →

as

= c125

sai

49

54 Fl. 5

Ob.

5

1 Cl. 2

Bsn. 5

Hn. 5

Tpt.

(con sord.)

Tbn.

Perc.

Hp.

Pf.

M-S.

ci

fia

men

dog

lia

Vln. 5

Vla.

Vlc. 5

Cb.

8

50

F

5

←

59

Meno mosso

→

=

stringendo poco a poco

= c104

Fl. 5 5

Ob.

5

1 Cl. 5

2

Bsn.

Hn.

Tpt.

Tbn.

Perc.

Hp.

Pf.

cresc.

3

M-S.

se

tu

man

Vln. 5

Vla. 5

Vlc. 5

Cb.

8

di

noi:

tu ne ves tis ti ques te mi

F

5

←

gi

=

→

Meno mosso

= c104

stringendo poco a poco

51

G (string.)

= c120

←

= →(

= c120)

64 Fl.

Ob.

1 Cl. 2

Bsn.

Hn.

Tpt. senza sord.

Tbn.

Vibraphone Perc.

Hp.

Pf.

M-S.

se

(string.)

Vln.

Vla.

Vlc.

Cb.

8

re

car

ni,

e

tu

le

spog

lia.”

= c120

sssss

G ←

= →(

= c120)

52

70 Fl.

Ob.

1 Cl. 2

Bsn.

Hn.

Tpt.

Tbn.

Vibraphone Perc.

Hp.

Pf.

3

3

M-S.

e

Vln.

Vla.

Vlc.

Cb.

8

non

pian

gi,

di

che

pian

ger

53 3

76

←

=

→(

= c120)

H

Fl. 3

3

3

3

3

3

3

3

Ob.

1 Cl. 2

Bsn.

Hn. con sord. (metal) Tpt. (match woodwind)

Tbn.

3

Perc.

Hp.

Pf.

3

M-S.

suo

li?

3

← Vln. 3

3

3

3

Vla.

3

Vlc. 3

Cb.

8

3

=

→(

= c120)

H

54

82

←

=

→(

= c90)

Fl. 5

Ob.

1 5

Cl. 2 5

Bsn.

Hn.

Tpt. 5

Tbn.

Perc.

Hp.

3

3

3

3

3

3

3

3

3

3

3

3

3

3

Pf.

M-S.

sul pont.

←

=

→(

= c90)

3

3

3

3

Vln.

sul pont.

Vla.

sul pont.

3

3

Vlc.

sul pont.

Cb.

8

3

3

55

87 Fl. 5

5

3

3

3

3

3

3

3

3

3

5

5

3

3

3

3

3

3

cresc. 3

3

3

5

5

3

3

3

3

3

3

cresc. 3

3

3

5

5

3

3

3

3

3

3

cresc. 3

3

3

cresc.

Ob.

1 Cl. 2

Bsn.

Hn.

Tpt.

Tbn.

Susp. cymb.

Perc.

Hp.

3

3

3

3

3

3

Pf.

M-S.

Vln. 5

cresc.

5

Vla. 5 3 3

3 3

cresc.

5

Vlc. 5

cresc.

5

Cb. 5 3

3

cresc.

5

56

I

91

Prestissimo

= c112–120

Fl. (cresc.)

3

3

3

(cresc.)

3

3

3

(cresc.)

3

3

3

(cresc.)

3

3

3

Ob.

1 Cl. 2

Bsn.

Hn.

Tpt.

Tbn.

Perc.

Hp.

Pf.

(relative pitches only)

M-S.

què ta’ mi al

I Vln. (cresc.)

Vla. (cresc.)

Vlc. (cresc.)

Cb. (cresc.)

Prestissimo

lor per non for li più tris ti;

= c112–120

57

96 Fl.

Ob.

1 Cl. 2

Bsn.

Hn.

Tpt.

Tbn.

Perc.

Hp.

Pf.

M-S.

ahi du ra ter ra, per ché non t’ap ris ti?

Vln.

Vla.

Vlc.

Cb.

8

58

99 Fl.

Ob.

1 Cl. 2

Bsn.

Hn.

Tpt.

Tbn.

Large Tom-tom Perc.

Hp.

Pf.

8ba

M-S.

pos cia che fum mo al quar to di ve nu ti,

Vln.

Vla.

Vlc.

Cb.

8

Gad do mi si git tò dis te

so

59

103

J

Fl.

Ob.

1 Cl. 2

Bsn.

Hn.

Tpt.

Tbn.

Tom-tom Perc.

Hp.

Pf.

espr.

3

M-S.

a’ pie di, di cen do:

J Vln.

Vla.

Vlc.

Cb.

8

“Pad

re

60

108 Fl.

Ob.

1 Cl. 2

Bsn.

Hn.

Tpt.

Tbn.

Tam-tam Perc.

Hp.

Pf.

8ba

3

M-S.

mio,

Vln.

Vla.

Vlc.

Cb.

8

ché

non

mi

ai

u

ti?”

61

113

K

= c120

Fl. sub.

3

Ob.

3

1 sub.

Cl. 2

3

Bsn.

quasi Solo Hn.

Tpt.

Tbn.

Perc.

Hp.

Pf.

M-S.

qui vi mo

rì;

se

K

non

= c120

Vln. 3

Vla. 3

Vlc. 3

Cb.

8 8

3

pian

62

119

3

Fl. 3

3 3

3

3

3

3

3

3

3

Ob.

1 Cl. 2

Bsn.

Hn. 3

sub.

Tpt.

Tbn.

Perc.

Hp.

Pf.

espressivo 3

3

M-S.

gi,

se

non

pian

Vln. 3

3

3 3

3

Vla. 3 3

3

Vlc. 3 3

Cb.

8

3

3

gi,

63

125

L Prestissimo

= c112–120

Fl. sub.

Ob. sub.

1 sub.

Cl. 2

Bsn. sub.

Hn.

senza sord.

Tpt.

Tbn.

Perc.

Hp.

Pf.

M-S.

E

e co me tu mi ve di, DUE

L Prestissimo Vln. sub.

Vla. sub.

Vlc. sub.

Cb.

8

sub.

= c112–120

DI vid’ io cas car li tre

ad u no ad u no LI

64

130 Fl.

Ob.

1 Cl. 2

Bsn.

Hn.

Tpt.

Tbn.

Bass drum Perc.

Hp.

Pf.

8ba

M-S.

CHIA

Vln.

Vla.

Vlc.

Cb.

8

MAI

POI tra’l quin to dì e’l ses

65

135 Fl.

Ob.

1 Cl. 2

Bsn.

Hn.

Tpt.

Tbn.

Perc.

Hp.

Pf.

M-S.

to;

Vln.

Vla.

Vlc.

Cb.

8

CHE ond’ io mi die di, FUR

MOR

66

139 Fl.

Ob.

1 Cl. 2

Bsn.

Hn. cresc.

Tpt.

Tbn.

Bass drum

Shaker

Perc.

Hp.

Pf.

M-S.

TI Vln.

Vla.

Vlc.

Cb.

8

giĂ cie co,

a bran co lar sov ra cia

scu

no,

67

143

M

Fl.

Ob.

1 Cl. 2

Bsn.

Hn. (cresc.)

Tpt.

Tbn.

Tom-tom Perc.

Hp.

Pf.

M-S.

pos

M Vln.

Vla.

Vlc.

Cb.

8

cia,

pi첫

68

148 Fl.

Ob.

1 Cl. 2

Bsn.

Hn. cresc.

Tpt. cresc.

Tbn. cresc.

Tam-tam (wood stick on edge) Perc.

Hp.

Pf.

M-S.

che’l

do

lor,

po

té’l

Vln. cresc.

Vla. cresc.

Vlc. cresc.

Cb.

8

cresc.

69

153

N

Fl.

Ob. marcato 1 Cl.

marcato

2

marcato Bsn. marcato

Hn.

Tpt.

Tbn.

Susp. cymb.

Chinese cymb. (damp all)

Perc.

Hp.

Pf.

M-S.

di

giu

no.�

N Vln. marcato Vla. marcato Vlc.

marcato Cb.

8

marcato

70

157 Fl.

Ob.

1

Cl. 2

Bsn.

Hn.

Tpt.

Tbn.

Tam-tam Perc.

bisbigliando cresc.

Hp.

[

] 8ba

Pf.

cresc.

8ba

M-S.

Vln.

Vla.

Vlc.

Cb.

8

71

161 Fl.

Ob.

1 Cl. 2

Bsn.

Hn.

Tpt.

Tbn.

Perc.

Hp.

(bisbig.)

Pf.

8ba

M-S.

se

non

pian 3

3

Vln. 3

3

3

3

3

3

3

3

3

3

3

3

Vla. 3

3

3

3

3

3

3

3

3

3

3

3

Vlc. 3

Cb.

8

3

3

3

3

3

3

3

3

3

72

164

O

Fl.

Ob.

1 Cl. 2

Bsn.

Hn.

Tpt.

Tbn.

Snare drum (rim shot) Perc.

près de la table

Hp.

Pf.

8ba

M-S.

gi,

di

O 3

3

3

Vln. 3 3

3

3

3

3

3

3 3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

Vla. 3 3

3

3

3

3 3

3

Vlc. 3

Cb.

8

3

3

3

3

che

73

169

P

to Piccolo

= 120

Fl.

Ob.

1 Cl. 2

Bsn.

Hn.

Tpt.

Tbn.

Snare drum (rim shot) Perc.

Hp.

Pf.

M-S.

pian

ger

suo

li?

Quand’

P

= 120 3

3

3

Vln. 3 3

3

3

3

3

3

Vla.

3

Vlc. 3

Cb.

8

74

175 Fl.

Ob.

1

Cl.

2

Bsn.

Hn.

Tpt.

Tbn.

Perc.

Hp.

Pf.

M-S.

eb

be

3

3

3

det

3

3

3

to

ciò,

con

3

Vln. 3

3 3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

cresc.

3

3

3

3

3

3

3

3

3

3

Vla. 3

3

3

3

3 3

3

cresc.

3

Vlc. 3

Cb.

8

3

3

3

3

3

3

3

3

cresc.

75

182 Fl.

Ob.

1 Cl. 2

Bsn.

Hn.

Tpt.

Tbn.

Snare drum Perc. cresc.

Hp.

Pf.

M-S.

li oc

chi

tor

Vln. 3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

cresc.

3

3

3

3

3

3

3

3

3

Vla. 3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

cresc.

3

3

3

3

3

Vlc. 3

Cb.

3

3

3

3

cresc.

3

3

3

3

3

3

76

188

Q

Fl. cresc.

Ob. cresc.

cresc.

cresc.

cresc.

1 Cl. 2 cresc. cresc.

Bsn. cresc.

Hn. cresc.

Tpt. cresc.

Tbn. cresc.

Perc.

Hp.

Pf.

cresc.

M-S.

ti

ri

pre

se’l

tes

Q 3

Vln. 3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

cresc.

3

3

3

3

3

Vla. 3 3

3

3

cresc.

3

Vlc. 3

cresc.

Cb.

8

cresc.

3

3

3

3

3

77

194 8

Picc.

Ob.

1 Cl. 2

Bsn.

Hn.

Tpt.

Tbn.

Perc.

Hp.

Pf.

M-S.

chio

mi

se

ro

3

3

3

3

3

3

3

3

3

accel. to trem.

Vln. 3

3

3

3

3

3

3

3

3

accel. to trem.

Vla. 3

3

3

3 3

3

3

3

3

3

accel. to trem.

3

Vlc. 3

Cb.

8

3

3

3

3

3

3

co’

den

78

198 Fl. cresc.

Ob. cresc.

1 cresc.

Cl. 2 cresc.

Bsn. cresc.

Hn.

Tpt.

Tbn.

Perc.

Hp.

Pf.

M-S.

ti,

che

Vln. cresc.

Vla. cresc.

Vlc. cresc.

Cb.

8

fu

ro a

l’os

so,

79

R Prestissimo 202 Fl. 5

3

Ob.

1 Cl. 2

Bsn.

Hn.

Tpt.

Tbn.

Snare drum

rim shot

Perc.

Hp.

(damp)

8ba

Pf.

3

M-S.

co me d’un can,

for

R Prestissimo

Vln.

Vla.

Vlc.

Cb.

8

80

206 8

Picc.

3

3

Ob. 7

3

1 3

Cl.

3 6

3

2

7

3

Bsn.

Hn. 6

3

Tpt.

Tbn.

Bass drum Perc.

Hp.

(forearm cluster) Pf.

M-S.

ti.

Vln.

Vla.

Vlc.

3

Cb.

8

3

3