Corigliano TROUBADOURS

John Corigliano

TROUBADOURS (Variations for Guitar and Chamber Orchestra)

full score

G. Schirmer Rental Library date of printing _________

G. Schirmer, Inc. New York, NY

John Corigliano

TROUBADOURS (Variations for Guitar and Chamber Orchestra)

full score Troubadours was funded by the Mahadh Foundation and the Meet the Composer / Reader's Digest Commissioning Program in partnership with the National Endowment for the Arts and the Lila Wallace - Reader's Digest Fund, Inc.

G. Schirmer, Inc. New York, NY

Instrumentation

2 Flutes (2nd doubling Piccolo) 2 Oboes (2nd doubling English Horn)* 2 Clarinets in A & B= 2 Bassoons* 2 Horns in F * Percussion (2 players)* Xylophone Vibraphone Glockenspiel Crotales Hi, Medium, & Low Tom-toms Suspended Cymbals (2) Tambourine Hand Bell Triangle Snare Drum Tenor Drum Low Drum Bass Drum Tamtam Piano (optional) Solo Guitar Strings (Number of players 6/6/4/4/2)

*

: 2nd Oboe (which doubles English horn), 1st & 2nd Bassoons, and 1st & 2nd Horns are positioned offstage throughout the piece. Oboe/English horn and Bassoons will have two offstage positions.

Percussion 1 remains onstage throughout the piece, while percussion 2 is positioned both on and offstage.

for Sharon Isbin

TROUBADOURS

(Variations for Guitar and Chamber Orchestra) Largo

John Corigliano

= 60

1 Fl. (Picc.) 2

Ob. 1

1 *Cl. in A/B 2

Pno. (optional)

1 Perc.

2

*Ob. 2 (E.H.)

1

Offstage

Bsn. 2

1 *Hn. in F 2

Solo Guitar

Largo

= 60 8va

4 Violins (div. a4)** con sord.

I

Vn.

(ossia)** 8va con sord.

II

(ossia)*** Va. 4 celli (div. a4)*** con sord.

Vc.

Cb. corrected 5/03 *Score in C **ossia: Vn. I div. a2, plays top 2 notes; Vn. II div. a2, plays bottom 2 notes. ***ossia: Va. div. a2, plays top 2 notes; Vc. II div. a2, plays bottom 2 notes.

Copyright Š 1993 by G. Schirmer, Inc. (ASCAP), New York, NY International Copyright Secured. All Rights Reserved.

Warning: Unauthorized reproduction of this publication is prohibited by Federal law and subject to criminal prosecution.

Property of:

G. Schirmer Rental Library Bellvale Road Chester, NY 10918 SUPPLIED ON LOAN ONLY

2 9 1 Fl. 2 **

Ob. 1 3

lyrically 1 Cl. in B 2

Pno.

Crotales (15ma) 1 Perc.

2

Ob. 2

Offstage

1 Bsn. 2

1 Hn. in F 2

Solo Guitar senza vib. (ossia: div. a4) Vn.

8va

Violins 3,4,5,6*** con sord.

I senza vib.

2 violins con sord.

1 2 (nat.)

con sord., senza vib.

3 con sord., senza vib.

slow harm

onic gliss.

Vn. II 4

con sord.

slo harmw on gliss. ic

5

con sord.

6 2 Violas (div.) con sord.

slow harmonic glis

s.

1 2 2 Violas con sord. (div. a2)

Va. 3 4

1 2

2 Celli (div.), con sord. harmoslow nic gli ss.

2 Celli (div.) con sord.

Vc. 3 4

2 Contrabasses* (div.) con sord.

Cb.

1 2 *All Contrabass harmonics sound as written. **Before the beat. ***Each player begins immediately after the previous player (non-aligned), ignoring the conductor after entrance.

slow harmonic gliss.

3

Slightly faster

17 1 Fl. 2

Ob. 1 slow

1 Cl. in B 2

Pno.

1 Perc.

2

Ob. 2

Offstage

1 Bsn. 2

1 Hn. in F 2

Solo Guitar

Slightly faster (vibr.)

8va

(cut off abruptly)

slow gliss.

1 2 8

Vn. I

2nd desk (div.)

(4) (5) (6)

3 4 5 6

( ( 2 Violins (div.) con sord. slow gliss.

8va

) ) (vibr.)

(cut off abruptly)

1 2

3

Vn. II 4

5

6

2 players (div.)

Va.

3 4 2 players (div.)

Vc.

Cb.

3 4

gliss.

4 23 1 Fl.

2

Ob. 1 slow gliss.

1 Cl. in B

slow gliss.

slow gliss.

2

Pno.

1 Perc.

2

Ob. 2

1

Offstage

Bsn. 2

1 Hn. in F 2

(

= ca. 60)* 4

3

Solo Guitar (like a dream) 2 Violins (div.)

I Vn. II 2 Violas (div.)

1 2 Va.

2 Violas, unis.

3 4 2 Celli (div.)

1 2

Vc. 3 4

2 Contrabasses (div.)

Cb.

1 2 * Slightly slower than orchestra beats.

5 29 1 Fl. 2

Ob. 1

slow gliss.

1 Cl. in B 2

Pno.

1 Perc.

2

Ob. 2

1

Offstage

Bsn. 2

1 Hn. in F 2

rall.** 3

Solo Guitar

(div.)

1 2 Vn. I 2 Violins (div.)

3 4

Vn. II

(div.)

1 2 Va. (unis.)

3 4 2 Celli (div.)

Vc.

2 3

Cb. *Guitar harmonics always sound as written. **rallentando applies only to the guitar.

*

4

6 31 slow gliss.

1

Fl. slow gliss.

2

Ob. 1

1 Cl. in B 2

Pno.

1 Perc.

2

Ob. 2

1

Offstage

Bsn. 2

1 Hn. in F 2

(

= ca. 60) 2 3

Solo Guitar legato (3,4 div.)

I Vn. II div. a4 Va.

1

(div.)

Vc.

2 3

4

1.

Cb.

1

1/2 C V

7 **

34 gliss.

1 Fl.

to Piccolo

**

gliss.

2

** Ob. 1

** 1 Cl. in B

** 2

8va

**

Pno.

8ba

Crot. (sounding 15ma) ** l.v.

Tam tam 1

Perc.

Vibraphone ** 2

Bass Drum

Ob. 2

1

Offstage

Bsn. 2

1 Hn. in F 2 2

2

3

rall.

3

Solo Guitar 8va

(con sord.) * I Vn.

tutti unis., (con sord.)

free bows

II

(div. a4) Va.

(div. a4)

1 2 3 4 1

Vc.

3, 4 (div.)

4

1,2 div.

Cb.

1

*Choose any of the indicated pitches. Play, independently, either a.) or c.) harmonic or ord. note. **Play independent one to five note figures on the indicated pitches; e.g.,

, held note, trilled half-step or bowed tremolo, sul ponticello or ordinario; b.)

, jetĂŠ

;

etc. Long pauses should separate each group, which are to played pianissimo like grace note filagrees.

Vary pitches, repeating notes occasionally, changing to the next set of pitches as indicated. Do NOT enter immediately or synchonize with others.

8 * 38 Fl.

** ***

1

**

***

**

***

**

***

Picc.

Ob. 1

1

Cl. in B

***

** 2

**

***

8va

Pno.

8ba

(hold pedal throughout)

***

**

(Crot.)

1

Perc.

(Vibes.)

*** **

2

*

(sim.)

(hold pedal throughout)

Ob. 2

1

Offstage

Bsn. 2

1 Hn. in F 2

= ca. 150 Tune 6 string to E . articulated, as fast as possible Solo Guitar

1

3 4 1

5

4

5

1 2 4 3

1

2

1

3 4

1

2

1 4

1

2

1

3 4

1

3

4

2

1

4

2

4

3

4

1

2 1

4

4

3

3

4

4

*

***

** Vn. I (free bows)

(unis.) very slow even gliss.

Vn. II

(gliss.)

(div. a4) **

*** 0

Va.

1 2 3 4

senza vib. div.

1 2 Vc. (div.)

3 4 (div.)

Cb.

1 2 *

Free cue-beats. The number in the triangle denotes the number of cues. Dashed barlines indicate cues to the players.

**Gradually change to the new pitches during the second cue. ***Gradually change to the new pitches during the fourth cue.

2

1

1

3 3 1

4

2

9 39 Fl.

1

Picc.

Ob. 1

1

Cl. in B 2

8va 8va

Pno.

8ba

(Crot.)

1

Perc.

(Vibes.)

2

Ob. 2

1

Offstage

Bsn. 2

1 Hn. in F 2

4 1

1

4

Solo Guitar 2

3

4

5

1

4

4

5

1 3 4

2

4

3

2

1

2

1

3

2

1

4 3 1

2

3 1

3

4

8va

Vn. I

Vn.

II

Va.

1 2 3 4

(unis.) (very slow gliss.)

(div. a4)

(div., senza vib.)

1 2 Vc.

(div.)

3 4 (div.)

Cb.

1 2

4

10 40 Fl.

1

Picc.

Ob. 1

1

Cl. in B 2

8va

Pno.

(Crot.)

1 Perc.

(Vibes.)

2

Ob. 2

1 Offstage

Bsn. 2

1 Hn. in F 2

Cue soloist

*

2 1

(Tag)

Solo Guitar

)

( Vn. I (unis.) (very slow gliss.)

Vn. II

Va.

1 2 3 4

(div. a4)

1

Vc.

2

(div.)

(div.)

(div.)

(div.)

3 4

Cb.

1 2 *Continue to play the passage until the fourth cue. Then continue to the first g just above middle c and play the "tag."

3

2

1

3

4

1

11

rall.

41 Fl.

1

Picc.

Ob. 1

1 Cl. in B 2

Pno.

1 Perc.

2

Ob. 2

1

Offstage

Bsn. 2

1 Hn. in F 2

5

Tune to D

3

0

Solo Guitar Achieve bend by pulling E releasing to D ,and bending back to E .

molto

l.v.

rall.

I Vn.

(unis.) Arrive at and hold E .

II

Va.

(abrupt cut off) 2 (div. a3)

Vc.

(abrupt cut off)

3 1 4 (div.)

Cb.

(abrupt cut off)

6

12 42 Fl.

= 32 (

= 96)

1

Picc.

Ob. 1

1 Cl. in B 2

Pno.

Triangle 1

Perc.

2

Ob. 2

1

Offstage

Bsn.

2

1 Hn. in F 2

sul ponticello

5

Solo Guitar

= 32 ( I

Vn. II

Va.

Vc.

Cb.

= 96)

non arp.

CIII

non arp.

CV

13 47 Fl.

1

Picc.

Ob. 1

1 Cl. in B 2

Pno.

1 Perc.

2

Ob. 2

1

Offstage

Bsn. 2

1 Hn. in F 2

A Chantar: La Comtessa Beatritz de Dia 8

(qu’e

u

sse

fait

vers

lui

de

sa

vi

nen

ce.)

Solo Guitar 3

dolce (echo)

XII

I Vn. II

Va. 1 stand, unis.

Vc.

Cb.

14 52 Fl.

1

Picc.

Ob. 1

1 Cl. in B 2

Pno.

1

Perc.

2

Ob. 2

1

Offstage

Bsn. 2

1 Hn. in F 2

5

3 5

Solo Guitar 3

XIX

4

2

XIX

VII

non arp.

XII 1 stand., non div.

I 1 stand.

Vn. II

1 stand.

Va.

Vc.

Cb.

V

15

Moving ahead

57 Fl.

=

1

Picc.

Ob. 1

1 Cl. in B 2

Pno.

1 Perc.

2

Ob. 2

1

Offstage

Bsn. 2

1 Hn. in F 2

2

3

3

2

Solo Guitar echo (dolce)

3

XII =

Moving ahead I

5

Vn. tutti II tutti non div.

Va.

tutti Vc.

Cb.

tutti (con sord.)

pizz.

16

Poco meno mosso 63 Fl.

*

1 *

Piccolo Picc. non vib. * Ob. 1

* 1 Cl. in B

* 2

8va

*

Pno.

*

Crotales 15ma

* 1 Perc.

* 2

* Ob. 2 * 1

Offstage

Bsn.

* 2

* 1 Hn. in F

* 2

Lute sound (until bar 71). Play with the tip of the nail, perpendicular to the string.

1

Solo Guitar

2

4

10

freely

Poco meno mosso * 1

3

Vln 1 Div. 2–6

gliss. * 3

* Vn. II * Va. * Vc. * Cb. *Play fermata only if necessary for realignment.

17 67 Fl.

1

Picc.

Ob. 1 3

3

1

3

Cl. in B

3

2

Pno.

Triangle

Crotales (15ma)

1 Vibraphone Perc.

3

3

3

2

Ob. 2

1

Offstage

Bsn. 2

1 Hn. in F 2 0

in rhythm 0

Solo Guitar

0

0

V

2

1

1

2

arco

gliss.

3

arco

Vn. I

gliss.

gliss.

gliss.

gliss.

gliss.

gliss.

gliss.

gliss.

4

arco 5

arco 6

Vn. II

Va.

Vc.

Cb.

0

0

gliss.

3

18

= 60

70 Fl.

1

Picc. flowing

3

3

3

3

3

3

3

3

3

3

3

Ob. 1

1 3

3

flowing

3

Cl. in B 2

Pno.

(Crot.)

1 Perc.

(Vib.) 2

Ob. 2

1

Offstage

Bsn. 2

1 Hn. in F 2 normal sound 2

(l.v.)

Solo Guitar

3

4

3

3

3

3

sonorous

4

flowing (div. a6)

= 60

1st stand, div. senza sord. (vib.)

I

Vn.

1st stand, div. senza sord. (vib.)

II

pizz.

arco, half section, div. (3,4)

Va.

pizz.

arco, half section, div. (3,4)

Vc.

half section, div. (2) Cb.

19 75 Fl.

1

Piccolo to Flute 2 Picc.

3

*

Ob. 1

1 Cl. in B

3

2 1

Pno.

Crotales (15ma) 1 Vib. (soft attack) motor on, slow

Perc.

(soft attack)

2

Ob. 2

1 Offstage

Bsn. 2

1 Hn. in F 2 sim.

Solo Guitar (1st stand, div.)

(cut off abruptly) (div.)

abrupt cut off

1 2 8va

Vn. I 3 4 5 6

Stands 2 and 3. Each player begins immediately after the previous player.

(div.)

(4)

abrupt cut off 1st stand (div.)

3

Vn. II4

5

6 (1.)

1 2 (div.)

3 4 div.

1 2 Vc.

(div.)

3 4

1 Cb. 2

*Before the beat.

(6)

(cut off abruptly)

1 2

Va.

(5)

20 79 1 blurred, liquid, out of sync.

Fl.

Flute 2

Flute 2 to Piccolo

2 blurred, liquid, out of sync.

Ob. 1

1

Cl. in B

blurred, liquid, out of sync.

Clarinet 2 in B to Clarinet in A

2

blurred, liquid, out of sync.

Pno.

Crotale

15ma

1 Perc.

(Vib.)

Perc. 2 to offstage position

2

Ob. 2

1

Offstage

Bsn. 2

1 Hn. in F 2 sim.

(sim.)

Solo Guitar

8va

tutti con sord.

div.*

I

dim.

4 Violins div. a4

Vn. tutti con sord.

II

1 Va.

(div.)

3 4 (div.)

(div.)

1 2 Vc.

(div.)

3 4

1 Cb. 2 *The higher voice may use harmonics if necessary.

21 83 Fl.

(

=

)

(

=

)

1

Picc.

Ob. 1

Cl. 1 in B

Cl. 2 in A

Pno.

1 Perc.

2

Ob. 2

1

Offstage

Bsn. 2

1 Hn. in F 2 2

(sim.)

Solo Guitar 6

subito

espr. (div.)

8

(

=

)

(

=

)

I (div. a4)

Vn. II

1, 2 unis.

(1.)

1 2

non div.

Va.

(3.)

3, 4 unis.

3 4 unis.

(div.)

1 2 Vc. 3.

3 4

1 Cb. 2

3, 4 unis.

22 91 Fl.

1

Picc.

Ob. 1

Cl. 1 in B

Cl. 2 in A

Pno.

Suspended cymbal 1

( = ca. 150)

Perc.

*Tambourine (offstage) (use sticks) 2 3

3

3

3

3

Ob. 2

Offstage

1 Bsn. 2

1 Hn. in F 2

rall. (artificial harmonics) 8va

stop when interrupted by tambourine.

Solo Guitar

I Vn. II sul ponticello (unis.)

stop when interrupted by the tambourine

1 2 as fast as possible, nonsynchronized Va. sul ponticello (unis.)

stop when interrupted by the tambourine

3 4 as fast as possible, nonsynchronized (div. a2) Vc.

1 2 3 4 (div.)

Cb.

stop when interrupted by the tambourine

stop when interrupted by the tambourine

1 2 *The offstage percussion may be conducted here if necessary (using the left hand).

tutti sul ponticello

as fast as possible, nonsynchronized

23 92 Fl.

1

Picc.

Ob. 1

Cl. 1 in B

Cl. 1 in A 2

Pno.

(Sus. Cym.) l.v.

Tenor Drum

*

Sus. Cym.

1 3

Perc.

3

3

3

3

3

3

3

3

3

(Tamb.)

2 3

3

3

3

3

3

Ob. 2

Offstage

1 Bsn. 2

1 Hn. in F 2

Solo Guitar

tutti, sul ponticello I

as fast as possible, nonsynchronized

Vn. tutti, sul ponticello II

(tutti) Va.

1 2 3 4

as fast as possible, nonsynchronized (tutti, sul ponticello)

as fast as possible, nonsynchronized (tutti, sul ponticello) Vc. as fast as possible, nonsynchronized Cb.

*The percussion may be conducted if necessary (using the left hand).

24

= ca. 150 93 Fl.

1

Picc.

Ob. 1

Cl. 1 in B

Cl. 2 in A

Pno.

(Sus. Cym.)

(l.v.)

1 Perc.

2

Ob. 2

Offstage

1 Bsn.

2

1 Hn. in F 2 play on face of guitar near the fingerboard 3

3

3

Solo Guitar Tambour: play on bridge with P

= ca. 150 I

Vn. via sord.

II

via sord.

Va.

via sord.

Vc.

via sord.

Cb.

via sord.

3

3

3

3

3

3

3

3

3

25 96 Fl.

1 3

Picc.

3

Ob. 1 3

Cl. in B 1 3

Clarinet in A Cl. in A 2 3

Pno.

(Gtr. cue) 3

Tenor Drum

3

3

Glockenspiel (15ma)

rimshot

1 3

3

subito

Perc.

3

3

3

(Tamb.)

2 3

3

3

3

3

3

3

subito

Ob. 2

Offstage

1

Bsn. 2

1 Hn. in F 2

Tambour (play with flat hand near the sound hole)

Do not accent groupings 1

Solo Guitar

3

4

5

3

3

3

poss.

I

Vn. II

Va.

Vc.

Cb.

1

4

1

4 5

1

2

4 3

2

1

1

1

3

4

2

4

2

1

4

1

3

1

3

4

26

( = ca. 150) 101 Fl.

1 3

3

3

3

3

3

3

3

3

3

3

3

Piccolo to Flute 2 Picc.

3

3

3

3 3

3 3

3

3 3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

Ob. 1 3

3

3

3

3

3

3

3

3

3

3

3

Cl. 1 in B 3

3

3

3

3

3

3

3

Cl. 2 in A 3

3

3

3

3

Pno.

(Glock. 15ma)

Tenor Drum 3

3

3

3

1 (Tamb.)

Perc.

3

3

3

2

Ob. 2

Offstage

1 Bsn. 2

1 Hn. in F 2

tambour (on the bridge) 3

Solo Guitar

3

(near sound hole)

3

3

3

3

( = ca. 150) senza sord.

I 3

Vn. senza sord.

II 3

senza sord., col legno battuto

arco

Va.

non div. senza sord., col legno battuto

arco

Vc.

non div. senza sord., col legno battuto Cb.

(non div.)

arco

27 107 1 3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

cresc.

Fl.

Flute 2 2

cresc.

3

3

Ob. 1

3

3

Cl. 1 in B

cresc.

Cl. 2 in A

cresc.

Pno.

T.Dr.

(T.Dr.)

1 3

Perc.

3

3

Tamb.

2 3

3

3

3

3

3

3

3

Ob. 2

Offstage

1

Bsn. 2

1 Hn. in F 2

1

3

3

3

3

3

3

CVII

3

CIV

3 3

3

3

3

Solo Guitar sub. col legno batt.

3

3

(non div.) ord.

3

I 3

Vn.

col legno batt.

3

3

3

3

(non div.) ord.

3

II 3

unis. arco, col legno batt.

div.

pizz.

3

3

3

3

3

3

ord.

3

Va. 3

div.

pizz.

arco

Vc.

div.

Cb.

28 114 1 Fl.

Flute 2 to Piccolo 2

Ob. 1

to Clarinet in A

Clarinet in A

1 sub.

Cl. in A

rudely 2 sub. rudely

Pno.

coarse and rude

S.D. rimshots 1 Perc.

2

Ob. 2

Offstage

1 Bsn. 2

1 Hn. in F 2

1

Solo Guitar

3

2

2 4

1

3

1

1 2

3

3

Tambour Flat of hand over sound hole

1

2

1

2

3

3

3

pizz.

div.

I Vn. div.

pizz.

II

soli Va.

rudely unis.

pizz.

Vc.

sub., coarse and rude unis.

pizz.

Cb.

sub., coarse and rude

29 120 Fl.

1

Picc.

Ob. 1

1 Cl. in A 2

Pno.

T. Dr. 1 Perc.

2

Ob. 2

Offstage

1 Bsn.

2

1 Hn. in F 2

3

Solo Guitar

I Vn. II

Va.

arco Vc.

arco Cb.

3

3

3

3

3

3

30 126 Fl.

1 3

3

3

3

3

3

3

3

cant.

Picc.

3

3

3

cant.

3 3

3

3

Ob. 1 3 3

3

3

cant.

3

3

3

3

3

3

1 Cl. in A

cant.

2

Pno.

Med. Tom-tom (with fingertips) 3

3

Glock. or Crot. (15ma)

3

1 3

Perc.

2

Ob. 2

Offstage

1 Bsn.

2

1 Hn. in F 2

3

Solo Guitar

3

5 1

3

1

3

3

3

3

3

3

3

4

1

1 3

2 3

1

1

4

3

3

3

3

3

3

1

3

1

3

3

1

4

3 4

3

3

3 2

0

3

cantabile, legato unis., arco col legno batt.

3

3

ord.

3

I

3

3

Vn.

unis., arco col legno batt.

3

3

3

3

ord.

3

3

II 3

3

3

col legno batt.

3

3

ord.

3

col legno

Va.

3

non div., col legno

3

col legno

non div.

Vc.

non div.

Cb.

3

3

31 132 Fl.

1

3 3

Picc.

3 3

3

3

3

3

3

3

3

3

3

3

3

Ob. 1 3

3

to Clarinet in B 3

3

3

3

3

1 Cl. in A

3

2

Pno.

(Med. T.-t.)

3

3

(Med. T.-t. with sticks) 3

3

3

3

Low Tom-tom

1 Perc.

2

Ob. 2

Offstage

1 Bsn. 2

1 Hn. in F 2

rasgado 3

3

3

3

3

Solo Guitar

3

3

6

3

3

I 3

3

3

Vn. 3

3

3

3

3

3

3

II 3

3

3

3

3

3

3

3

3

3

3

Va.

ord.

Vc.

ord.

Cb.

3

1

3

0 5

32 137 Fl.

1

Picc.

Ob. 1

Clarinet in B

to Clarinet in A

Cl. 1 in B

Cl. 2 in A

Pno.

1 Perc.

2

Ob. 2

Offstage

1 Bsn. 2

1 Hn. in F 2 3 2

1

1

3

3

3

Solo Guitar

0

1

1

3

3

3

1

2

1

0

3

0

1

1

1

4

5

3

3

3

3

4

arco pizz.

Vn. I

arco

pizz.

1

arco pizz.

2

arco

pizz.

Vn. II 3

arco

pizz.

4

pizz.

5 (a2)

arco

1 2 Va.

(a2) 3 4

Vc.

Cb.

arco

arco

cresc.

33 2:3

=

142 Fl.

= ca. 100

1

Picc.

Ob. 1

1 Cl. in A 2

Pno.

Xyl. (sounding 8va) 1 ad lib. in similar manner

low drum (offstage) 2:3

Perc.

2

2:3 Ob. 2 sim.

rough*

Offstage

2:3

sim.

1 rough*

Bsn.

2:3 2 rough*

sim.

1 Hn. in F 2

cut off abruptly Solo Guitar 2:3

pizz.

I Vn.

pizz.

II

unis.

pizz.

Va.

unis. pizz.

Vc.

Cb. *"Rhieta sound." Lips on string of reed; blow hard.

=

= ca. 100

34 151 Fl.

1

Picc.

Ob. 1

1 Cl. in A 2

Pno.

1 Perc.

2

3

3

Ob. 2

Offstage

1 3

Bsn. 2

1 Hn. in F 2

Solo Guitar

arco I unis. arco

Vn. II

arco Va.

arco Vc.

Cb.

35 161 Fl.

1

Picc.

Ob. 1

1 Cl. in A 2

Pno.

1 Perc.

Low Drum 2

Ob. 2

Offstage

1 Bsn. 2

1 Hn. in F 2

Solo Guitar

I Vn. II

Va.

Vc.

Cb.

36 2:3

=

171 Fl.

= ca. 150

2:3

=

1 3

3

3

3

3

3

3

Picc.

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

Ob. 1

3

3

3

1 Cl. in A 2

Pno.

Handbell 1 3

Perc.

3

3

3

(low drum) ad lib. simple figures 2

2:3

2:3

2:3

2:3

2:3

2:3

2:3

2:3

Ob. 2 2:3

2:3

Offstage

1 Bsn. 2:3

2:3

2 3

1 Hn. in F 2

Solo Guitar 2:3

=

2:3

= ca. 150

=

I Vn. II

3

Va.

Vc.

Cb.

3

3

3

3

37 177 Fl.

= 100

( = )

1

Piccolo to Flute 2 Picc.

3

Ob. 1

1 Cl. in A 2

Pno.

Crotales (15ma) 1 Perc.

( = )

(low drum) 2

( = ) Ob. 2

cresc.

Offstage

1

cresc.

Bsn. 2

cresc.

1 Hn. in F 2

ad lib.

ad lib.

Lute sound (as before)

0

Solo Guitar l.v.

= 100 I Vn. II

Va.

Vc.

Cb.

l.v. freely

=

38

=50 8va

186 1 3

Fl.

cant.

3

3

3

3

3

2

Ob. 1

1 Cl. in A 2

Pno.

1

( =100)

Perc.

ad lib. simple rhythms

2 sub.

( =100)

sim.

Ob. 2 sub.

sim.

1 sub.

Offstage

Bsn.

sim.

2 sub.

1 Hn. in F 2

(lute sound)

(if enough time) 0

Solo Guitar freely

=50 I Vn. II

Va.

Vc.

Cb.

V

39 188

( =

1

3

3

)

3

Fl.

2

Ob. 1

1 3

3

3

Cl. in A 2

Pno.

Vibes

3

1 Perc.

=

(low drum) 2 sub.

= Ob. 2 sub.

Offstage

1 sub.

Bsn.

2 sub.

1 Hn. in F 2

0

0

Solo Guitar 2

0

0

( = I Vn. II

Va.

Vc.

Cb.

)

40

=

( = ca. 150)

191 1 3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

Fl.

2

3

Ob. 1 3

Cl. in A

3

3

3

3

3

1

2

3

3

3

3

3

3

3

3

3

3

3

3

3

3

Pno. 3

3

3

3

3

3

Low Tom-tom to T-toms

3

3

3

1 3

Perc.

sub.

2:3

2

( = )

2:3

2:3

Ob. 2 2:3

Offstage

1 2:3

Bsn. 2:3

2:3

2

2:3 1 Hn. in F

2:3 2

Hold guitar neck up, base in lap. rasg.

CXI

2:3

CVIII

Solo Guitar 2:3

=

( = ca. 150)

I 3

3

3

3

Vn.

3

3

3

3

3

3

3

3

3

3

3

3

3

3

II 3

pizz. non div.

Va.

pizz. non div.

Vc.

pizz.

Cb.

3

3

3

41 197 1 3

3

3

3

3

3

3

3

3

3

Fl. 2

Ob. 1

1 Cl. in A 2

Pno.

3

3

3

1 Perc.

2:3

2:3

2:3

2:3

2:3

2:3

2:3

2:3

2:3

2:3

2:3

2:3

2:3

2:3

2:3

2:3

2:3

2:3

2

Ob. 2

1

Offstage

Bsn. 2

1 Hn. in F 2

2:3

2:3

Solo Guitar 2:3

I 3

3

3

3

Vn. II

arco Va.

non div.

arco

Vc.

non div.

Cb.

arco

42 Optional Flutter tongue for next 3 measures 203 1

Optional Flutter tongue for next 3 measures

Fl.

2

Optional Flutter tongue for next 3 measures

Ob. 1

1 Cl. in A 2

Pno.

Xylophone

Perc. 1

Tenor drum

Low drum

(low drum) 2:3 Perc. 2 *

2:3

Ob. 2 *

2:3

1

Offstage

Bsn.

Hn. in F

*

2:3

*

2:3

*

2:3

2

1

2 * Solo Guitar 2:3 I

Vn. II

(soli) Va.

non div.

pizz.

arco

pizz.

arco

Vc.

Cb.

*ossia 2:3 winds perc.

43 209 1 Fl. 2

Ob. 1

Clarinet 1 in A to Clarinet in B 1 Cl. in A 2

Pno.

Perc. 1

Perc. 2

Ob. 2

Offstage

1 Bsn. 2

1 Hn. in F 2

Solo Guitar

3

3

3

3

3

3

3

3

3

3

3

3

2 5

I Vn. II

Va.

Vc.

Cb.

3

3

44

rall.

a tempo

215 1

3

3 3

3

3

3

Fl. 2

Ob. 1

Cl. in B 1

Cl. in A 2

Pno.

Triangle

Tambourine

1 3

Perc.

3

3

2

Ob. 2

Offstage

1 Bsn. 2

1 Hn. in F 2

2

3

3

Solo Guitar 3

1

2

3

3

3

3

3

3

3

3

3

3 3

3

3

3

cant. (bring out upper line)

rall.

a tempo

I col legno batt.

Vn.

3

3

3

3

3

II

col legno batt.

3

ord.

col legno batt.

3

Va.

3

3

pizz.

arco col legno batt.

Vc.

pizz.

3

Cb.

3

arco col legno batt.

45 8va

221 1 3

3

3

3

3

3

3

Fl.

Flute 2 to Piccolo 2 3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

Ob. 1

Cl. 1 in B

3

3

3

Cl. in A 2

8va

Pno.

High Tom-toms 1 3

Perc.

2

Ob. 2

Offstage

1 Bsn. 2

1 Hn. in F 2 3 3

3

3

3

3

Solo Guitar

3

0

0

3

3

3

3

3

3

3

non div.

I ord. (arco) non div.

Vn.

pizz.

II

(col legno)

ord. (arco) non div.

pizz.

Va.

(col legno)

ord. (arco)

Vc.

(col legno) Cb.

ord. (arco)

arco

3

3

3

46 226 Fl.

1 3

Picc.

3 3

Ob. 1 3

3

Cl. in B

1 3

Cl. in A

2

Pno.

Tambourine 1 sim.

Perc.

2

Offstage

Ob. 2

1 Bsn. 2

1 Hn. in F 2

3

3 0

Solo Guitar 3

3

3

3

3 2

pizz.

arco

5

5

5

5

Vn. I

5

3

arco 1 3

3

arco 2 3

3

arco 3 3

3

Vn. II (div. a6)

arco

4 3

3

arco 5

3

3

arco 3

6 3 3

3

3

Va. 3

Vc.

Cb.

3

3

3

47 231 Fl. 1

Picc.

Ob. 1

Cl. 1 in B

Cl. 2 in A

Pno.

1 Low drum 2:3

Perc.

2:3

2:3

2

2:3

2:3

2:3

2:3

2:3

2:3

2:3

2:3

2:3

2:3

2:3

2:3

2:3

2:3

2:3

Ob. 2

Offstage

1 Bsn. 2

1 Hn. in F 2

Solo Guitar

I

3

div.

Vn.

(unis.)

II 3

Va. 3

pizz.

Vc.

pizz.

Cb.

48 237 Fl. 1 3

Picc.

3

Ob. 1 3

Cl. 1 in B

3

Cl. 2 in A 3

3

Pno.

3

with fist

Glockenspiel

1 3

Perc.

2

Ob. 2

Offstage

1 Bsn. 2

1 Hn. in F 2

Solo Guitar

* I sim.

Vn. * unis.

II sim.

* Va. sim.

(pizz.)

Vc.

Cb.

*: equal accents; do not group

49 * 242 Fl. 1 3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

* Picc.

3

*

3

3

Ob. 1 3

3

3

3

3

3

3

3

3

3

3

3

* Cl. 1 in B *

3

3

3

3

3

3

3

Cl. 2 in A

Pno.

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3 3

3

3

3

3

3

3

3

3

3

Ten. Drum (w/Glock. stick) Glockenspiel 3

3

3

3

Tenor Drum (sim.)

3

3

3

3

1 3

3

3

Perc.

low drum

2:3

3

3

2:3

ad lib. simple rhythms

2

2:3

2:3

2:3

2:3

2:3

2:3

2:3

2:3

2:3

2:3

2:3

2:3

2:3

2:3

2:3

2:3

2:3

2:3

2:3

2:3

Ob. 2

Offstage

1 Bsn. 2

1 Hn. in F 2

Solo Guitar

non div.

3

3

3

I

Vn. non div.

II

3

Va.

arco Vc.

unis., non div.

div., arco Cb.

*: ossia as

if offstage players need rhythmic clarification.

3

3

3

50 *

3

248 Fl. 1

3

3

3

3

3

3

3

3

3

3

*

3

Picc.

Ob. 1

Cl. in B 1

Cl. 2 in A

8va

3

3

Pno.

3

T-t., hi & low 3

3

3

1 Perc.

2:3

(ad lib.)

2 2:3

2:3

2:3

2:3

2:3

2:3

2:3

2:3

2:3

2:3

2:3

2:3

2:3

2:3

2:3

2:3

2:3

2:3

2:3

2:3

2:3

2:3

2:3

2:3

2:3

2:3

2:3

2:3

2:3

2:3

Ob. 2

Offstage

1 Bsn.

2

1 Hn. in F 2

Solo Guitar

3

3

3

3

3

3

3

3

3

* I 3

3

Vn. 3

* II 3

3

div., pizz.

unis., arco short downbows

Va. sub. div., pizz.

unis., arco short downbows

Vc.

non div. short downbows Cb.

*: Optional

for clarity 3

3

3

3

51 254 Fl. 1 3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

Picc.

3

3

Ob. 1 3

3

3

Cl. 1 in B 3 3

3

Cl. in A 2 3

8

3

Pno.

3

3

3

3

3

3

3

3

3

3

3 3

3

Snare Drum

3

Tambourine

1 3

3

3

3

3

3

3

sub.

Perc.

( = 150)

(low drum)

(move to onstage)

2

2:3

2:3

2:3

2:3

2:3

2:3

2:3

2:3

2:3

2:3

2:3

2:3

2:3

2:3

2:3

2:3

2:3

2:3

2:3

2:3

2:3

2:3

( = 150)

2:3

Oboe 2 to English Horn

Ob. 2

Offstage

1

Bsn. 2

( = 150)

1 Hn. in F

2:3

2:3

2

3

3

3

3

3

3

3

3

3

rasg.

Solo Guitar

I 3

3

3

Vn. 3

3

3

3

3

3

3

3

3

3

3

3

3

II 3

3

arco

pizz.

3

3

Va.

pizz.

arco

Vc.

pizz.

*

arco 3

Cb.

*: Optional 8va measure 261

3

3

3

52 260 Fl. 1

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

Picc.

Ob. 1

Cl. 1 in B

Cl. 2 in A

8va 8va

Pno.

3

(Tamb.)

1 Perc.

3

3

3

3

2

E.H.

1

Offstage

Bsn. 2

1 Hn. in F 2

Solo Guitar

pizz.

non div.

3

non div.

1 2 3

6 5

Vn.I

pizz.

non div. non div.

4 5 6

6 5

3

pizz. non div.

Vn.II 5

pizz.

3

3

non div.

3

Va. 3

3

3

3

pizz. non div.

Vc.

3

3

non div.

(loco)

3

Cb. 3

3

3

3

pizz.

53

=

= ca. 50

265 Fl. 1

3

Piccolo to Flute 2 Picc.

3

Ob. 1 3

Cl. 1 in B

3

A Clarinet 2 to B Clarinet 2

Cl. in A 2 3

8

3

Pno.

3

Crotale (15ma) (l.v.)

Suspended Cymbal

1 Perc.

2

E.H.

1

Offstage

Bsn. 2

solo

( = ca. 100) 2:3

( = )

(sim.)

1 Hn. in F

brassy solo 2 brassy

Solo Guitar

unis.

arco

=

= ca. 50

I

3

cresc.

Vn.

arco II

cresc.

Va.

Vc.

Cb.

3

54 270

=

1 Fl.

= 2

Ob. 1 slow, even gliss.

1 Cl. in B

slow, even gliss.

2

Pno.

(Sus. Cym.)

=

1 Perc.

Bass Drum 2 English Horn (norm.)

E.H.

(norm.)

1 Bsn.

Offstage

(norm.)

2

1 Hn. in F 2

Solo Guitar 8va

Not synchronized!

1-3 8va

Vn. I Not synchronized!

4-6 slow, even gliss.

1 2 slow, even gliss.

3 dim.

Vn. II 4

slow, even gliss.

5 (6) dim.

arco Va.

arco

Vc. div.

arco

arco Cb.

55 272 1 Fl. 2

Ob. 1

slow gliss.

1 senza dim.

Cl. in B

slow gliss.

2 senza dim.

Pno.

Glock. (15ma) 1 Perc.

(Bass Drum) 2

E.H.

1

Offstage

Bsn. 2

1 Hn. in F 2

Solo Guitar 8

1 2 3 Vn. I

dim.

8

4 5 6

dim.

1 2

3 Vn. II

slow, even gliss.

4

5 (6)

Va.

Vc. div.

Cb.

56

8va

( = ) 275

**

1 8va

( = )

Fl.

**

2

Ob. 1

1 Cl. in B 2

Pno.

Glock. (soft sticks) l.v. ( = )

**

1 Perc.

(B.D.) 2

E.H.

1

Offstage

Bsn. 2

1 Hn. in F 2

Solo Guitar

sim.

*

I

as fast as possible, non synchronized sim.

* Vn.

as fast as possible, non synchronized *

sim.

II

as fast as possible, non synchronized Va. (div.)

Vc.

Cb. *Play to repeat sign and begin again. Ignore conductor after entering until the double bar. Play **Play as fast as possible. Crescendo near the end of the passage before the cut-off.

on next downbeat on whatever note arrived at from the run. Crescendo until the end of the passage.

57 277 8 1

cresc.

Fl.

8

2

cresc.

Ob. 1

cresc.

Bell up 1 Cl. in B Bell up 2

3

5

3

5

Pno.

cresc. cresc.

1 Perc.

cresc.

2

E.H.

5

6

5

5

5

5

cresc. cresc.

1

Offstage

Bsn.

cresc.

cresc.

2

cresc.

cresc.

1 Hn. in F

(cresc.)

2 (cresc.)

3

Solo Guitar *

I

cresc.

Vn.

cresc.

II

cresc.

non div.

3

Va.

5

cresc.

unis.

3

non div.

5

Vc.

cresc.

Cb. 3

* 6 string pulled under

5

cresc. with second finger of l.h. Tuned to produce a note between G and A. Add high A fingered on

5 4

. Play all three strings simultaneously. A "rattling-like" sound will result.

58 279

Cadenza *

1 Fl. * 2

Ob. 1

1 Cl. in B 2

Pno.

(cluster)

*(Glock.) (l.v.)

1

Perc.

(B.D.) (let ring) 2

English Horn to Oboe 2 E.H.

1

Offstage

Bsn. 2

1 Hn. in F 2

rall.

( = ca. 60)

**

4

molto vib.

Solo Guitar poss.

dim.

P

slowly chnge from marcato articulation to caressing, dolce sound.

*

Cadenza

I Vn. * II

Va.

Vc.

Cb.

*Flutes, Glockenspiel, and Violins: and marcato on whatever note arrived at in run. **Gradually release to octave "A"’s on 4 and 5 .

P

P

dolce, caressing

P

P

P

sim.

59

rubato

(cant.)

rall.

2

(279)

poco accel.

1

1

poco rall.

0 3

0

Solo Guitar 4

non arp.

5

cant.

6

=E 1

XII XII

dolce

0 0

slowly at first 2

(dolce, free)

accel. poco a poco

3

2 3

0

molto

marc.

cresc.

(accel.)

3

CVIII

1 3

3

4

1

1

4

4

5

1

2

4

1 2

3

3

1

4

2

1

rasg.

4

2

3

3

1

2

1

5

5

4

4

molto rall.

= ca. 60 lunga

4

gradually tune

6

to D during repeats

2

2

1 0

.

3

3

60 280 Largo

solo

= 60

1 5

with dignity and sadness Fl. 2

Ob. 1

1 Cl. in B 2

Pno.

1 Perc.

2

Ob. 2

1

Offstage

Bsn. 2

1 Hn. in F 2

0

5

*

0 2 0

Solo Guitar 3

with dignity and sadness

Largo I Vn. II

Va.

Vc.

Cb. *Observe phrasing.

= 60

3

3

61 285 1 Fl.

2

Ob. 1

1 Cl. in B 2

Pno.

1 Perc.

2

Ob. 2

1

Offstage

Bsn. 2

1 Hn. in F 2

2

Solo Guitar

0 4

3 3

5

solo, con sord.

I

3 3

Vn. II

con sord.

Va.

con sord.

Vc.

con sord.

Cb.

62 289 1 Fl. 2

Ob. 1

1 cant.

Cl. in B 2

cant.

Pno.

1 Perc.

2

Ob. 2

1 cant.

3

3

3

3

cant.

Offstage

Bsn. 2 cant.

cant.

1 Hn. in F 2

cant.

VIII

3 4 2 1

1/2IX

5

4

3

3

Solo Guitar

2

3 5

2 4

3

1

1

2 5

3

4

1

1

4

3 4

1

3

1 2

2

2

cant.

Tutti

I cant. with dignity and sadness

Vn. II

cant. with dignity and sadness Va.

Vc.

Cb.

63 = 293 1 5

cant.

Fl. 2 cant.

5

Ob. 1

1 3

Cl. in B

3 3

5

3 5

2

Pno.

1 Perc.

2

Ob. 2

1 3

3

5

Offstage

Bsn.

5

2 3

3

1 Hn. in F

cant.

3

cant.

3

(cant.)

2 (cant.)

Solo Guitar

sim. div. non div.

I 5

Vn.

non div.

div.

II 5

senza sord. non div.

Va.

div.

Vc.

div.

Cb.

div.

= div. a6

64

= 60 298 1 3

Fl.

to Picc.

Piccolo

to Flute

2 3

solo

*

Ob. 1 3

slow gliss.

1 Cl. in B

slow gliss.

2

Pno.

Crotales 1 3

Perc.

2

move to position far from stage Ob. 2 move to position far from stage 1 move to position far from stage

Offstage

Bsn. 2

1 Hn. in F 2

Solo Guitar

= 60

con sord.

5 violins div.

4 violins div.

I

div. a6 con sord.

4 violins div.

Vn. II

Va.

Vc.

(div.) (con sord.)

Cb.

*Grace notes before the beat.

65 304

slow gliss.

* 1 Fl.

Flute

*

slow gliss.

2 * Ob. 1 * 1 Cl. in B

slow gliss.

* 2

*

Pno.

*

* 1 Perc.

* 2

**

= ca. 96 (norm.)

Ob. 2 3

distant (norm.)

1 distant (norm.)

Offstage

Bsn. Bsn.

*

2 distant *

Hn. 1 in F

*

2

= ca. 60 * Solo Guitar 8va

* (4 Violins div.)

I

(4 Violins div.)

Vn. *

2 Violins div.

II con sord., div. * 1 2 Va. *

con sord.

3 con sord., div. * 1 2 Vc.

* 3 4 (div.) *

Cb.

*Use fermata only if needed. **Begin on cue from conductor and continue as a group independent of conductor’s beat.

con sord.

3.

ossia: start earlier in measure 4

66 310 1 Fl. 2

Ob. 1

1 Cl. in B 2

Pno.

1 Perc.

2 (Distant Position) Turn away from the stage—the sound should be as distant as possible.

Ob. 2 3

distant, free 1

Offstage

Bsn. 2

1 Hn. in F 2

rall.

3

Solo Guitar

I Vn. II

(div.)

1 2 Va.

(3.) (con sord.) 3,4 div.

3 4 (div.)

1 2

Vc.

3

4 (con sord.) (actual sound) 1

(con sord.) (actual sound)

Cb. 2

67 316 Fl.

1

Picc.

Ob. 1

1 Cl. in B 2

Pno.

Triangle 1 Perc.

2

Ob. 2

1

Offstage

Bsn. 2

1 Hn. in F 2

8va

(repeat ad lib.)

Solo Guitar

8va

4 violins div.

I Vn. II

Va.

3 4

Vc.

1 2

Cb.

rall. (ad lib.)