Page 1

These Worlds In Us for orchestra

MISSY MAZZOLI 2006

Š 2006 G. Schirmer Inc.


INSTRUMENTATION 2 Flutes 2 Oboes 2 Clarinets in A 2 Bassoons 4 Horns in F 2 Trumpets in C 2 Trombones Tuba Percussion: Player 1- melodica, bass drum Player 2- melodica, snare drum, tuned cowbells (E and G), hi-hat Player 3- vibraphone, suspended cymbal Harp Strings DURATION: 8:45 The title These Worlds In Us comes from James Tate's poem The Lost Pilot, a meditation on his father's death in World War II: (excerpt) My head cocked towards the sky, I cannot get off the ground, and you, passing over again, fast, perfect and unwilling to tell me that you are doing well, or that it was a mistake that placed you in that world, and me in this; or that misfortune placed these worlds in us. This piece is dedicated to my father, who was a soldier during the Vietnam War. In talking to him it occurred to me that, as we grow older, we accumulate worlds of intense memory within us, and that grief is often not far from joy. I like the idea that music can reflect painful and blissful sentiments in a single note or gesture, and sought to create a sound palette that I hope is at once completely new and strangely familiar to the listener. The theme of this work, a mournful line first played by the violins, collapses into glissandos almost immediately after it appears, giving the impression that the piece has been submerged under water or played on a turntable that is grinding to a halt. The melodicas (mouth organs) played by the percussionists in the opening and final gestures mimic the wheeze of a broken accordion, lending a particular vulnerability to the bookends of the work. The rhythmic structures and cyclical nature of the piece are inspired by the unique tension and logic of Balinese music, and the march-like figures in the percussion bring to mind the militaristic inspiration for the work as well as the relentless energy of electronica drum beats. "The interviewer, when asked his preference, singled out Missy Mazzoli's These Worlds In Us, and conductor Osmo Vanska muttered assent. The Mazzoli piece also seemed to be a favorite of the audience, to judge from the applause of all 900 listeners who turned out." - James R. Oestreich, The New York Times, review of a concert by the Minnesota Orchestra, December 17, 2006 "Missy Mazzoli's These Worlds In Us began elegiacally, with hints of Copland, but soon grew edgier and more searching. To me, it sometimes sounded the way psychotherapy feels, with rushes of memory subsiding into despondency and grief." -Larry Fuchsberg, Minneapolis Star Tribune, June 5, 2008


These Worlds In Us

transposed score

(2006) for my father

Moderato q = 108

  

(2 + 3) 





2 Oboes

 



2 Clarinets in A

 



2 Bassoons

  

  



3 4

 

2 Trumpets in C

2 Trombones

2 Flutes

1 2 4 Horns in F

Tuba



























 







 







  







  Player 1   

 

Melodica

pp

ff

Melodica

Percussion Player 2

(2 + 3)

    pp

 

ff

  

  

 

  

 

   

  

 

 

 

  

3 3       

3 3        

 

 





 

      

pp

pp

Vibraphone motor off

 Player 3        Harp

  

  Violin I   

div.

pp

  

div.

Violin II

pp

   Viola div.

     

Violoncello div. a3

     

Contrabass

MISSY MAZZOLI

   

ff

  

l.v.

ff

 

 

 

mf

 

 

 

        

mf

pp

p

3

3

3













 





 

 

     

ppp

 

 

 

 



 

 

  

 

 

 

 



    



    



   

pp

 



mournful, molto expressivo ppp

ff

p

pp

 

f

   



ff

 

 

ff (IV)

    ff

 

ff (I)



 

ff (IV)



  

ff pizz.





 



 



 

 

  

 





 

 

 

  



ff

Copyright © 2006 by G. Schirmer, Inc. (ASCAP), New York, NY International Copyright Secured. All Rights Reserved. Warning: Unauthorized reproduction of this publication is prohibited by Federal law and subject to criminal prosecution.

 

ppp

  



 


2

 Fl.  7

Ob.

Cl.

Bsn.







 









      

Perc. 2

 Hp.

 Vln. I   Vln. II

Vla. div.

  



      

   



 

p















































 



  



















 







 

    

 

 

 



pp

pp







mf

mf

  

3 3 3 3               

p

 

     



   



  mf

 

        

  

 





























   





  

 

   



















  

    

ppp

Vc. div a3



   

  

 



  

p



(div.)

  



  

  



1.

 

pp

(2 + 3)



  





pp

 

(2 + 3)

 

pp

Cb.



Tbn.

Perc. 3

 

C Tpt.

Perc. 1

Hn.

Tba.

A 

 

 

ppp



ppp






















1. 15   Fl.  

   

p

f

Ob.

  



Cl.

     

 

 

2.

     

   

  

p

ff

B

3

 

p

f





 

 

 

  

   







 

   



 



1.



1.

1.

 

2.





  

 

C Tpt.

 

Tbn.

 

Tba.

  

 

 

Bsn.

Hn.

Perc. 1

Perc. 2

    pp

ff

  



pp

Perc. 3

     

Hp.



3

Vla. div.

Vc. div a3



      

  

pp



p

ff



ff

pp

ff

 

ff



    

  

ff













ppp



ppp

 

 

 

 







ppp

ff

ppp









  







ff

Cb.

3

p

 

pp

3

   

ff

  ff

   

  

  

3

ff

ff

  

3



ff

pp

  

p

pp

 

Vln. II



ff

  Vln. I      

  

              

 

f

 pp

ff

   unis.

 



*

unis.

*

p

  

f

    

 

div.

pp

* Throughout piece- sustain note for duration indicated, then gliss. over headless notes.

   

ff

       

                       

       

sim.

p

sim.

ppp

 

                       

p



sim.

ff



ff



sim.

ff


4

 Fl.  23

Tba.

Perc. 1

Perc. 3

  

 

 

 



3.



 

 

  



  

  

f

    

 

  

 

    

 



 

  



 

 

a2

mp

f

f

 

p

    

pp

 

pp

pp



 

pp

 

       

mp

 

 

  







 

p

f

   

  

div.

pp

  

  

f

   

 

unis.





 

   

pp



 

ff

mf

   



 

  



 

    



ff

  

f

ppp

ppp

ff

ff

ppp

               

ppp

ppp

ff

  

to pitched cowbell

  

ff

pp

ff

                                         

mf

   

 

  

 

pp



  

  

unis.

Cb.

unis.

Vc. div a3

  

     Vln. I  

Vla.



p

   

Vln. II



  

Hp.

  

Perc. 2



Hn.

Tbn.

f

a2

      

C Tpt.

p

       

Cl.

Bsn.

    

Ob.



a2

  

  

ppp


C  Fl.  30

poco stringendo

 

Ob.

5

           

1.

p

mf

                                                                subp poco 1.

Cl.

Bsn.

 

   

p

f

Hn.

 

 

f

 

C Tpt.

Tbn.

Tba.

Perc. 1

Perc. 2

                                                                legato

Perc. 3

subp

 Hp.



f

   poco stringendo

  Vln. I 

Vln. II

Vla.

f

p

  

f

p

 



  

p

f

   

 

   p



                                                                                      subp

div a2. pizz.

 

Vc.

f

Cb.

f


6

  37

Fl.

D

            

mf

a2

f

mf

f

mp

Cl.

 mp

mp

    

 

   



    

Hn.

      

 

 

 

 

 

 



 

   

mf

mf





 

   

   

 

 

 



Hp.

mf

            

  

1.

  

  

mf

 mp

  Vln. I 

  

mp

 

Vln. II

 

Perc. 2

 

mp

  

a tempo



 



mf



f

mf

                                                                     mf

mp

unis. arco

 

Vc.

p

Cb.

Tbn.

Vla.

 C Tpt.

Perc. 3

mf

a2  Bsn.  

Perc. 1

2.                                          (1.)                   

Ob.

Tba.

a tempo

      

1.

    



 

 

 

mf

  


7

 Fl.  44

  

Ob.

f

Cl.

Bsn.

Tba.

Perc. 1



f

 

   



  

   

f

  

  

a2







 









  





  

p

f

  

f



 





 





 Vln. I  

                     f

mf

p





f

 

  



f

Vln. II



f





p

molto expressivo

p

spiccato                                                                                   p

f

    

Vc.

arco

 

f

Cb.



p



Hp.

Vla.

   

  



Perc. 2

Perc. 3

f

f

           

  

Hn.

Tbn.





f

    

f

1.                                 

  

C Tpt.

        

f

 

   

   

                 

spiccato

detache

p

spiccato                  p


8

E 51   Fl.  

(3/4 + 3/8) 







  

  

 

Ob.

Cl.

Bsn.

(4/4 + 3/8)



 

 

sim.









a2                      

 

 

 











           



p



3.

     



         

mf

p

1.

Hn.

     



              mf



        mf

      

C Tpt.

       











 











 



       

mf

    

 





    



 

 

 a2     





Vla.

   



 Perc. 3   





    

  

p

Vln. II





  

    Vln. I  

 

pitched cowbell

Hp.





 

Tbn.

Perc. 2



mf

mf

Perc. 1



    1.                                                                                p p

Tba.



 

     

 

 

   

mf

        

sempre legato

















 



     

mf

     



mf

 



  mf



  

 

                                                                               mf

Vc.

                                                          mf

     Cb.   









pizz.

 

mf






  Fl.   56

Ob.

   

a2



  

f

                f

Cl.

  

          

 Bsn.  

Hn.

C Tpt.

Tbn.

Tba.

Vla.

     

    

  

  

ff

ff



            

          

   



   

           

f

f

                           f

            

    

 





 

ff

          

    

  

  

     

  

ff

 

3

          

  

 

6

    

f



        

ff

   

1.

    

ff

   

         

p









Player 1 con sord      







 

 

ff

       6



ff

Melodica

3

9

                  

f

f

          



  

f

  

F     







to Bass Drum

ff

slight separation between notes             

ff

 







 







  

f





 

 





f

                                       f

   

 



     

non-divisi

Cb.

  

f

f

Vc.

 

   

  Vln. I  

Vln. II

 

          

 Perc. 3    

Hp.

  

                  

  Perc. 1   Perc. 2

 

    



        



  

  

ff subp

 

 

       

    

 

              

 

 

  



  

    









    



con sord.

   

con sord.

ff



  

arco spiccato

     f





 

ff

   subp

  

ff

  






10

 Fl. 

Ob.

Cl.

 

  

 

1.

61



p

    

  

1.

    

 



  



  

p

p

                             Bsn.    

  

   





 





  



Hn.

C Tpt.

solo

straight mute 1.

   

                    

p

1.



                



 



Perc. 2



Perc. 3



   

Tbn.

Tba.

Perc. 1

mp

 Hp.

  

  Vln. I   



      

p



mf

C#

                

  

  

  

      



 









con sord.









Vln. II

 

Vc.

Cb.

    

pp

Vla.

       

   



  

 

  



 

  



 




(4/4 + 3/8)

G 70   Fl.  

 

    

Ob.

 

Cl.

          

1.

p

  





              

sim.









  

 



              



         

p

C Tpt.

 

Tbn.

Tba.

 

 

 

  Perc. 1  

p

                   1.



a2

mp

  









remove mute





























p

l.v.

   

pitched cowbell

    Perc. 3   

 

           

Perc. 2









p

p

Hn.

  

11

a2

                                             

  



  Bsn.  

(3/4 + 3/8)



       



    

 



Bass Drum

 



p

           



   

3

6

 











 











 











   Vln. I   

 

 

 

 





     

 

 



    

 

 

 

 



      

 





  

 

 

 

 







 

Hp.

con sord

p

con sord

Vln. II

p

con sord

 Vla.     p

 

Vc.

Cb.

  

 





 

   

      

remove mute




















12

    Fl.   75

Ob.

     

H      

mf

              



            

      

     

    

    



mf

Cl.

 Bsn.   

   

 

mf

mf

Hn.

  

3.

mf







   

























 





















mf





 1.

p

      



C Tpt.

 











Tbn.

 











Tba.

  





























Perc. 1

Perc. 2

Perc. 3

Hp.

    

  

Vla.

Vc.

 

mf

to snare drum

6



      mf













 











 











  



       



 remove mute      mf



  

mf



p









senza sord. spiccato

                                                   p

molto expressivo

   

                                                   subp





senza sord

(con sord) spiccato

     f

Cb.



  

   Vln. I  

Vln. II



  

  



  

 

   

 

 




  Fl.   80

    

1.

      

Ob.

mf

 

Cl.

   



a2     

                    



 

 



   

mf



  Bsn.  

        





1.

 

       



p



mf

13

      

  

a2    

  

 

      

  









 









Hn.

 

C Tpt.

a2

  

Tbn.



 

mf

Tba.

Perc. 1

 

  

Perc. 2

    p

Perc. 3

Hp.

p

3      

 

  

6



 

mf

 

 

 





 









  

3 6              









 









 









 



        



remove mute

mf

senza sord.

 

   

   



 

 f

 f

 



 



                           

  



         

    spiccato                                    

  



         

mf

Vc.

  

mf

Vla.



 

 



   

      

            

 

  

   Vln. I  

Vln. II



Snare Drum (snares off)



mf



 

    

            

1. senza sord

mf

  Cb.  



pizz.

 

mf



 



 





 

     

       



f




14

84    Fl.  

a2

  

Ob.



   Bsn.  





f

 

Perc. 1



 

  



 

   





    



     

 

  

f

mf

mf

   

mf

    

  

     

        



3

f

f

6

f l.v.

   

 

  

ff

mf

 

  

ff

mf

  

  



    

    

 

    

  Cb.   

    

mf

  

 

mf

mf

1.

f

Vc.

 

        

 

Vla.

 

mf

  

  

Vln. II



 

  

    

  



Vln. I



 

 Perc. 3   

Hp.

f

6

Perc. 2

f

 

  

  

   

 

                                   

 

       

         

Hn.

Tba.

  

                                            

f

Tbn.

f

f

  

C Tpt.

                   

      

   

Cl.

I



f

  

f









 

     

  

ff

 



      ff

arco



mf

   ff



mf

 mf







 



  





 



    



 



 



Db

mf

    



 

    

 

 


89                Fl. 

Cl.

Bsn.



 

 



              

                                                 



 

     



    

 

 

 



 

 



 

Ob.

    Hn.

   

C Tpt.

Perc. 1

mf

 

mf

           

mf

       

mf



 

  

   p

mf

mf

       

mf

mf

                p

             

 





   



         

 Vln. I 

Vln. II

 

p



  

fp

   

 

  



   

  





     

  

   

  

  

  











  fp

 

  



 

   

 

  

   



  

 

   



   





fp

fp



   fp

p

p

 

Vc.

Cb.

          

           

Hp.

Vla.

     

                  

Perc. 2

Perc. 3

              

Tbn.

Tba.

                       

15

fp


16

J   Fl.   94

Ob.

(3 + 2)

               

                                

 

                              

 

p

f

Bsn.

   (1.)                                                            

    

mf

Hn.

   

mf

C Tpt.



   



     

 

mf

mf

Perc. 1

Perc. 2



 

 

mf

mf

      

     

 

  

f

    

1.

         

mf

     

 

mf

 



        

        

p

  





p

p

 

  Vln. I  

Vln. II

Vla.

 



  

f



Cb.

       f



 

  

 



 







mf

mf

 

   

 

f







  

  

      

 



 

 





 

f

f

   

 

 

  

 

 

fp



f

fp

fp





  

 

 

fp

  



     

mf

   

f







fp

  

f

  

mf

f

Vc.

    



p

      

  

         

  

             





mf

f

Hp.

     





 

2.

    

 

    

5



   

f



      f

Perc. 3



f

Tba.



      f

Tbn.

2.

                 

1.

Cl.

    

f

f

   


K mp  99                         Fl.      (f)

Ob.

      

 

f

Cl.

         1.

 

    

                 

mp

1.                       

                 

(1.)

   

 

       Hn.

mp

           

f

Tbn.

     

      

Perc. 1

Perc. 2

  

f

     

1.                  p

    

p

f

 

       



     

 

     

     

  

   

mp

mp

  

      mp 

mp

     mp 

mp

     

   

a2

f

Tba.

       

mp

C Tpt.

    

mp

Bsn.

17

 

 

                    

  Perc. 3   





   







D§, G#

D#





  



  

Hp.

mf

D#

    

div. dolce

    Vln. I  

   

 

  



(non-gliss.)

l.v.

  



  

C#



 

     

 

 

   

 

     



  





  



    

subp div.

dolce

Vln. II

    

subp

Vla.

  

  





 

 



pizz.





 

 



pizz.

Vc.

mp

 Cb.   

mp


18

 Fl. 

Ob.

Cl.

104

Bsn.

   f

   mf

Hn.

  

Perc. 1

Perc. 3

  

     

  

 

 

 

 mf



 

   

mf

    

             mf       mf



 

           

    

 

  

  



    



        mf

mf

 

         mfl

mf

    

f

  



     

 

   

Snares On

   

 

3

6

   



f D§, G§

Hp.

   Vln. I 



unis.



 



  





 



  





 



  



 

  

 

 

  



 

 

  



 

f

   f

f

f unis.

Vla.

mf

  

Vln. II

  

   

f

Perc. 2

  

f

Tba.

        mf

  f

Tbn.

    

         mf

mf

C Tpt.

     

arco

                              Cb.                        

Vc.

f

arco

f

 sim.




 Fl.  111

L mp                             5 5

p

  

p

       Bsn. 

Hn.

    

C Tpt.

mf



  

  p

         p

                 p

Tba.

Perc. 1



 

  

  

fp

    

           3

Perc. 2

Perc. 3



Hp.

  Vln. I 

Vln. II

Vla.

     

    

Vc.

 



Cb.



 





     



     











 

   

f

 

 

  

 

mp

f

 

Vibraphone



   

f

     f

 

  

 

   



  

    



     



     

          

 

       

        



    

  

mf

  

    

div.

dolce

fp

subp

f

div. dolce

  

fp

    

  

f

subp

 



f

fp

 pizz.

 

  

f

    

   

f

fp

       

 

fp

    

 

  



(mp)

D#



1.        

   





  



 

 

p

f

 

19

 





 





                     

non-div.

 

(mp)

f mp

a2

  

      

Tbn.

 

  



   

f

p

Cl.

      

(1.)

  1.                                     mp

Ob.

   

(3 + 2)

 

f

 

f

pizz.

mp

 



 

 

  





 

 

  



mp

 




M

20

                    117

Fl.

p

Ob.

Cl.

5

5

    

    

mp

     

     

     

     

 

   

 

f

    

 

 

 

 

 

  



     

mf

    

mf



mf G#

f

   



  

     

 

(non-gliss.)

f

 pizz.

f

 

 

mp pizz.

f



 

mp

 

 

  

   

 

   



 

   



 

 

 

    

   

 

 

  3

3

      

 

  

  

 

    





6



   



 



   

    

 

     

   



   

 

arco subf



   

  

f

 

leggiero



   

unis.

   

subp

   

      

 

subp

f

   

 

 

   

6

Sus. Cymbal choked

  



3

   

f

 

 

arco

 Cb.   

 

f

arco

 

    

  Vla.      



 

mf solo a2

    

f

    Vln. I   

 

f

 

 

f

p

 

 

f

p

 

mf

   

   

f

   

 

f

   

  

f

  

f

   

p

p

Vc.

   Perc. 3   

Vln. II

     

p

Hp.

    

f

  

a2 leggiero



p

Perc. 2

   

f

p

Perc. 1

     

    

Hn.

Tba.

              

   Bsn.  

Tbn.

 

   

f

p

C Tpt.

   

 

f

   




 Fl.   123

 

Ob.

 

Cl.

Bsn.

 

   

     

    

   

       



  

  

     



3.

mf

 

       

 

1.

 

 



 

     

Perc. 1

    

  

    







     

mp

   

   6

Perc. 2

 



Perc. 3

 

    

 

 3

 

6

mf

  

p

3

          p

       

mp

    



 

  

   

mp

   

  

 

   

mp

pp 3

 

p

 

  

1.

mp

   

3



21



      

  

 

dim.

         

mf Tba.

 

 



     

mf

 

 

  

   

 

 

a2

dim.

    

 

     

        

   

     

Tbn.

        

  

C Tpt.

  

       

     Hn.

  

  

pp

p

  

  

   

unis.



Hp.

 Vln. I 

Vln. II

Vla.

Vc.

          

    Cb.  

        



dim.

    

p

     

   

mf

           

dim.

  

mp

p



                

   



arco

p


22

129    Fl. 

  

   

Ob.

Perc. 1

Perc. 3

 

p

 



  

  



p





 





 





             



              

5

5

5

                 



  

 

  



   

 



 



f

    

 

   

     

a2 con forza

f



p

    p

a2



f

    

a2

        

f con forza a2

  

  



 

f

 

    p



    

 

f

 

Snares Off

   

  



          

  

 





    

f

  

f

     

f

5

  

(3/4 + 3/8) a2 

5

      

N

    

p

 

 







  

















Perc. 2

  

    

p

Tba.

  

p

p

    

Hn.

Tbn.



   

  

C Tpt.





     

  

Cl.

Bsn.



 

1.

Hp.

  Vln. I 

  

   



p

 

p

f



  

Vibraphone



f

         

con forza



f



   

             



    Vla.                          

            



 

Vln. II

 



div.

p

Vc.

Cb.

 



 



 

p

unis. con forza

f

con forza

f



   

         





 

 

 



non-div.

con forza

f

f

mp


(4/4 + 3/8)

133       Fl.  

      

Ob.

     

Cl.

     Bsn.   

Hn.

           

    

Tbn.

Tba.

         

Vla.

Vc.

Cb.



       

      

 

            



 



p

    

 

     

 

  

mf

        

             

 

  



p

    

 

     

p

  

       

          



 

 

    

          

        

mf

    

 

      

  

 



         

     

23

               

  

        

     

 

  

  

 



  

  

     



mf

   



 









 









                   

                  

               

                          

                     

              

                         

              

             Vln. I  

Vln. II

  

  Perc. 3        

    

             



      

mf

                 



  

   

        

 

  

           

    

 

    

         

     

 

p

Hp.

 

  

   Perc. 1    Perc. 2

               

  

    

        



  

      

C Tpt.

     

sim.

                   ff

 

mp

 

             ff

 

mp

               ff

 

mp

    

         



 



  ff

mp


24

      Fl.   137

      

Ob.

     Bsn.   

Hn.

       

C Tpt.

Tbn.

Tba.

Perc. 1

Perc. 2

Perc. 3

Hp.



     

Cl.

     

 

    

               

  

3

 

 

 

Cb.

 

      

 

             ff           

  

 

ff

3

   



p

p

p

 







      



ff

  

ff



p

 

  

p

 

 

f

f

  

ff



p

 



ff





 





          

        

   

              

                            

               poco

       

  

          

spiccato                 

              

       

  

       

Vc.



       

ff

 

1.

 

  

Vla.



solo, molto expressivo, leggiero

ff

 

p

    

   

  

ff

ff

           

mf



  

p

  

             

  

ff

   

sim.

       Vln. I  

Vln. II

        

 

 

ff

 





 

         

  

      

    

       

         

      

     

      

        a2     

  



    

O

     ff

spiccato

ff

ff

      

    

   



 

 

 

 



mp

ff

mp

ff

ff



poco

ff

 

 

f

f

poco

f



poco

f

p




25

 Fl. 

141

Ob.

 

Cl.

        





          

 



Perc. 2

Perc. 3



Bsn.

Hn.

C Tpt.

Tbn.

Tba.

Perc. 1

Hp.

Vln I. solo.

  

 

Vln. I



f



   







 

pp

dolce

   







f



 

              



 

              

                  

                      



 

              

                  

Vln. II

Vla.

 

Vc.



dim

dim.

 



dim.

Cb.

           

spiccato

p


26

 Fl. 

145

Ob.

Cl.

Bsn.

  



 



Hn.

C Tpt.

Tbn.

Tba.

Perc. 1

Perc. 2

Perc. 3   

Hp.

Vln I. solo.

  

  



Vln. I

Vln. II

                                                                              p

Vla.

                                                                                      div.

p

 

Vc.

 

  p

Cb.

 



 

f



spiccato

           

p

                                                                                                


P

 Fl.  150

Stringendo



 





 







Ob.

Cl.

Bsn.

27

 2.        

  

1.

 

        

p

  



1.



p

        

       

 

1.

p

Hn.

C Tpt.

 

Tbn.

Tba.

Perc. 1

1.

 

p

ppp







 











(snares off)

Perc. 2

Perc. 3

p

 





p

Hp.

 Vln. I 

Stringendo

                              

Vln. II

 Vla.                                                                     unis.

Vc.

Cb.

       

                              

                


28

 Fl. 

 1.

 

Ob.

Cl.

Bsn.

1.

155

mp



 mp

      

(2 + 3)

                            



        



  



mf







mf

                       

f

 

                  

a2





mf

 

1.

p

Hn.

3.

mf

C Tpt.

 

Tbn.

   

 



     



 





 











 



f

Tba.

Perc. 1











 

Perc. 2

Perc. 3



 

 

 





mp

       

 

mf

mf













Hp.

Vln. I

 

Vla.

Vc.

Cb.

  



p

Vln. II



(p)

                

 





f

 

 

div.

p



 







p

  

        

  



 






a tempo

Q

  Fl.   160

Ob.

 

Tutta Forza

 



  

 

 



  



ff

   ff a2

Cl.

5

      

5

  

  

ff

Hn.

C Tpt.



  



29

 

                                                                ff

Bsn.

  

5

5

     

   

 

 

  

 

 

  

 

  a2  



f

 

a2    

 

 



f

 

 

 

 

   

5

    

  

  



  





 

    1. marcato                                                          ff

   

Tbn.

ff

Tba.

Perc. 1

  

ff

       

 Perc. 3     

 

  





  

    



   

 



ff

Perc. 2

  

   

a2

  

Pitched Cowbell

f

    

   

fff

sim.

       

  

f



 

 

fff

       

  

 cut off abruptly



 

ff

cut off abruptly

 

D C# B / E F# G A

Hp.

 

  

 

 

 

 

 

 

 

 

 

 

 cut off abruptly

a tempo Tutta Forza

  Vln. I  

Vln. II

 







   



   

ff

 ff

marcato                                                       Vla.     ff

    

non-div.

Vc.

  

 

 

ff

    Cb.  

arco

ff

 



 

 



  

 

  





  

   


30

 Fl. 

164

Ob.



 

 

 

            

 

 



 



 

  

 

Vln. II

  

   

Vc.

Cb.

Hp.

Vla.

Perc. 2

Vln. I



Tbn.

Perc. 3

 

C Tpt.

Perc. 1



             5

  





con sord

 

con sord

 

 

to Melodica







  



cut off abruptly

 

  

 

 

 



 

            

cut off abruptly

 

 

  

 

 

cut off abruptly to hi-hat



   



1.

 

  

Hn.

Tba.

 

Cl.

Bsn.

 

   

 

  

 

  


31

 Fl. 

Ob.

Cl.

 

Perc. 2

Perc. 3



169

Bsn.

Hn.

C Tpt.

Tbn.

Perc. 1

 Vln. I 





 

p

Vln. II

Vla.

   

Vc.

Cb.



  

unis.



pp

 p


32

R 174  Fl.  

Ob.

solo molto expressivo 1.

 





  

   

 



Cl.

Bsn.

mp



Hn.

C Tpt.

Tbn.

Tba.

Perc. 1

Hi-Hat

 

Perc. 2

Perc. 3

mp

 

  

6

   

3

6

6

6

3

              

6

6

   



Hp.

 Vln. I  

 



  

   

 

   

p

   

Vla.

pp

Vc.

Cb.

   

Vln. II

Vla.

solo dolce


 Fl. 

Ob.

Cl.

180

Bsn.

   



 



 

 

33

S



 

Hn.

C Tpt.

Tbn.

Tba.

 Perc. 1 

Melodica



pp 3

3

6

6

3

6

6

6

6

3

6

6

                

Perc. 2

Perc. 3

6



Hp.

Vln. I

 



          

   

Vc.



mf

sim.           

Vln. II

Cb.

 

 

         

           

 

 

tutti div.



pp

          

 

 



 


34

 Fl. 

Ob.

Cl.

185

Bsn.





  

 



  

 

Hn.

C Tpt.

Tbn.

Tba.

Perc. 1

   

 

ff 6

  

Hp.

Vln. I

6

3

         

Vln. II

sim. 6

3

6

6

pp 6

6

6

3

3

6

6

6

  

  

 

 

ff C§

  

ff

  Vla. div.

 

        

 

Vc. div a3

  

 

   

    



  

  

( )

 

ff (III)

  





       









ppp

ppp

ppp



ff

ff

  



ff



ppp

( )  

pizz.

mf

  

ff

ff

 

solo

(III)

Cb.

6



          

Perc. 2

Perc. 3

  

 

ppp


35

 Fl. 

Ob.

Cl.

 

  

 

 

189

Bsn.

   



Hn.

C Tpt.

Tbn.

Tba.

Perc. 1

 6

6

6

6

3



Hp.

  

6

3

6

6

pp 6

6

6

3



 

         

Vln. II

 Vla. div.

 

   

    

 

  

  

 

   

(solo) tutti, div.

pp

  

      

Vc. div a3

 

     

ff

    

   

  

  



  

  

ff

   



   



sim.

ff

ff

 Vln. I 

Cb.

p

ff

6

     

       

Perc. 2

Perc. 3

3

 

   



pp 6

 

1.

sim.

   

ff

ppp

ppp



ppp

  

ff

ff

pp

ppp

ff

  

  

ppp


T

36

 

Ob.

Cl.

 

 

193

Fl.

Bsn.

 



p

molto



ff

  

con sord.

f

  

Hn.

       

C Tpt.

Perc. 1

 

con sord.

f

     

 

 

    

    

 

 

Tbn.

Tba.

3

6

6

6

6

3



 6

6

pp

6

6

  



3

6

ff 6

3

6

6

        

Perc. 2

Vibraphone

Perc. 3



Hp.

motor on slight separation between notes



 unis.

mp

unis. pizz.

        mp

Vla. div.





 

p

 pizz. Vln. I         Vln. II

      

           

 

ff C#,G#

 

         

    

 

ff

arco

 

    

 

   

p

 

ff (I)

ff

 

ff



 )   (

ff

Vc. div a3



 )  

(

ff

Cb.

 

 ff div. arco pizz.

 

ff




37

 Fl. 

Ob.

Cl.

197

Bsn.

mp

Tba.

Perc. 1

 

  

   

f

   

  

 

     







6

6

3

3

6

6

6





pp

pp

   

6

3

6

6

   ff

6

6

3





  Vln. I   

 

mp

  

pizz.

Vln. II

mp

 Vla. div.



       

Vc. div a3

  

 

                   



 

   

   

 

   

 

arco



arco



pp

pp

ff

  



ff

ppp

 

 

 

ppp

ff

  

sim.

    ff sim.

   ff

ppp

ppp

  

ff

ppp

ppp

       

  

ff

6

   

ff

Hp.

Cb.

   

Perc. 2

       

6

Perc. 3



f

 

Tbn.

  

C Tpt.

  



    Hn.

 

 

    

ff


38

 Fl. 

201

Ob.

Cl.

Bsn.



  

Tbn.

Perc. 1

 

pp

p



 

 

 

 

 

  



mf

mf

 

    

 

1.



ppp 6

3

6



 6

6

   

 

 

 

 

6

6

 



pp

 

 

ff

 

    

3

3

  

6

fff

 

 

 

pp

                    

  

mf

ff

Hp.

 Vln. I    

Vln. II

 Vla. div.

 

       

Vc. div a3

  Cb.

 

   

Perc. 2

Perc. 3

        

C Tpt.

Tba.

    Hn.

U

pizz.

mp

pizz.

mp

ppp

 

 

 

U

arco non-vib.





ppp

arco

 

 

 

 

 

 

p

ppp

 

p ( )

ppp



ppp

ppp

 

   

 











 

 

pizz.

f

pizz.

f

pizz. non-div.

 

f pizz. non-div.

  

f pizz. non-div.

  

f pizz. unis.

 

f


39

 Fl.  207

  

Ob.

 



   

  

 

 

 

mp

C Tpt.

Tbn.

3.



     pp

   

Perc. 2

pp

 

 

 

f

           

 

f

Melodica

   

 pp

 

  

pp

pp

  



 

f

pp

 

pp

 

pp

 

f

    

pp

                    

f

 

ff

Hp.

  Vln. I 

Vla. div.

Vc.

  

  

Vln. II

Cb.

mp

Perc. 3

Perc. 1

Hn.

Tba.

Cl.

Bsn.



 







  

  

   

  

div. a2


40

 Fl. 

Ob.

Cl.

 

215

Bsn.

Hn.

C Tpt.

Tbn.

Tba.

Perc. 1

   

  

f

pp

  

Perc. 2

 

pp

Perc. 3

  

f

pp

 

 

pp



pp

 

 

 

 

f

 

f

                             

fff



 



 

ppp

ppp

let sound die away

 



Hp.

Vln. I

Vln. II

Vla.

Vc.

Cb.

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