Augusta Read Thomas
TERPSICHORE’S DREAM for chamber orchestra
Full score
from the G. Schirmer Rental Library Date of Printing_________
G. Schirmer, Inc. New York, NY
Augusta Read Thomas
TERPSICHORE’S DREAM for chamber orchestra
premiered on October 18, 2007 by the Utah Symphony, Cliff Colnot, conducting
G. Schirmer, Inc. New York, NY
Instrumentation 2 Flutes (2nd doubling Piccolo) Oboe 2 Clarinets in B=(2nd doubling Bass Clarinet) Bassoon 2 Horns in F 2 Trumpets in C Trombone Percussion (4 players) 1. Glockenspiel, Marimba (5 octave), 4 Graduated woodblocks, 2 Bongos, Claves, Large suspended cymbal (bow needed) 2. Vibraphone (motor always off, bow needed), Crotales (2 complete octaves, bow needed), 2 Conga drums, 2 Trianges (small, large) 3. Tubular chimes, 3 Suspended finger cymbals (played with triangle beater, small, medium, and large), Claves, Snare drum, Large bass drum, Medium tamtam (bow needed) 4. Xylophone, Crotales (2 complete octaves, bow needed), Sizzle cymbal (bow needed), 3 Triangles (small, medium, large), 4 Tom-toms, Very large tamtam
Piano (doubling Celesta) 2 Harps Strings (approximately 9/8/7/6/3 players)
duration circa 17 minutes Transposed Score Grace notes come before the beat; rolled chords start on the beat All tremolos should always be faster than the sixteenth notes Piano/Celesta should be located at the back of the chamber orchestra with the percussion If two keyboard players are available, they might want to share the piano/celesta part, one playing piano and the other playing celesta As this work is quite loud and brassy in some places, it is advised that the maximum number of string players be used Two extra percussion players may be used as assistants as needed
with admiration and gratitude to Cliff Colnot
TERPSICHORE’S DREAM (Chamber Orchestra) Dancelike and playful
= 66–72*
** ***
*****
Augusta Read Thomas (2007)
1 Flute (Piccolo)
Flute 2
Oboe
1 Clarinet in B
B Clarinet
(Bass Clarinet) 2
Bassoon pizzicato-like
*** 1 Horn in F 2
1 Trumpet in C 2
Trombone
***
2 Bongos
solo
1
Vibraphone (motor off) 2 Percussion
Ped.
Tubular Chimes 3 in background Ped.
Large Triangle
Ped.
Ped.
Xylophone
4
***
Piano pizz. (inside piano)
in background; blend with pizz.
ord. (on keyboard)
Piano**** (Celesta) ❉
***
solo
❉ (solo)
Harp 1
DC B /EF GA
*** Harp 2
solo
DCB/E F G A
Dancelike and playful ***
= 66–72* pizz.
Violin I pizz.
0
l.v. molto
div.
unis.
0
Violin II pizz. Viola pizz. Violoncello
Contrabass
*Note to conductor: Tempo can fluctuate at the discretion of the conductor, and depending on the acoustic of the concert hall. **Note to conductor: Measures 1 and 2 are like a "question mark". Measure 3 is like the "start" of the piece. ***Note to all: Grace notes come before the beat. Rolled chords start on the beat. ****Piano/Celesta must be playing from the back of the orchestra, located near the percussion. *****Note to conductor: The 4/8 and 2/8 measures are like momentary "interruptions." Corrected 2/2010
Copyright © 2007 by G. Schirmer, Inc. (ASCAP) New York, NY International Copyright Secured. All Rights Reserved. Warning: Unauthorized reproduction of this publication is prohibited by Federal law and subject to criminal prosecution.
Property of: G. Schirmer Rental Library Bellvale Road Chester, NY 10918 SUPPLIED ON LOAN ONLY
2 8 1 Fl. 2
Ob.
1 Cl. in B 2 echo
Bn.
1 blend with pizz.
Hn. in F 2
1 Tpt. in C
st. mute 2
Tbn.
(2 Bongos)
solo
1 Small Triangle solo
Vibraphone
2 Ped.
Perc.
Ped.
(Tub. Ch.) 3 Medium Triangle solo
Ped. (Xylo.) 4
pizz.-like; secco
Pno.
secco
â?‰
G
Hrp. 1
F
Hrp. 2
0 0
Vn. I
arco pizz. Vn. II
Va. sub.
Vc.
Cb.
3 17
solo
1
3
Fl. 2 3
Ob. 3
1 3
Cl. in B
sub. sub.
sub. 2
Bn. 3
1 Hn. in F
espr. 2 (senza sord.)
espr.
solo
3
Tpt. in C
via sord.
senza sord.
solo
2 3
Tbn.
3
(2 Bongos)
solo
1
3
2 secco
(secco)
Small Suspended Finger Cymbal with Triangle beater
Perc.
sub. Ped.
Tub. Ch.
3 3
secco Crotales
Ped.
Small Triangle
4
secco
Pno.
sub.
â?‰ P.D.L.T.
ord.
Hrp. 1
P.D.L.T.
Hrp. 2
ord.
F
all in one bow
arco Vn. I light and bouncy 0
sub.
zing!
zing! arco
pizz.
Vn. II
arco
6 sole, div. a 6
tutte, unis.
pizz.
div.
Va.
zing!
div.
Vc.
pizz. Cb.
unis.
4 25 1 3
Fl.
solo 2 suddenly playful and jumpy
Ob.
1 Cl. in B
light and bouncy 2
Bn.
1 Hn. in F 2
1 Tpt. in C
st. mute 2
Tbn.
Glockenspiel 1
(Vib.) 2 secco Perc.
Medium Sus. Finger Cymbal with triangle beater
Claves
Medium Triangle
Xylophone
3
4
Pno.
â?‰
G
Hrp. 1
Hrp. 2
C
F
4 soli, div. a 4
tutti, unis.
Vn. I bell-like
Vn. II unis. Va.
Vc.
Cb.
pizz.
C F
5 33 1
Fl. 2 sempre
Ob.
1 Cl. in B
punchy 2
Bn.
1 Hn. in F 2
1 Tpt. in C 2
Tbn.
Claves
Marimba
1 blend with pizz.
2 secco
Perc.
Tub. Ch. 3 secco 3 Triangles (Large, Medium, Small)
solo
4
inside piano
ord. (on keyboard)
pizz.
secco
secco
Pno.
â?‰ ord. P.D.L.T.
A
Hrp. 1
ord. P.D.L.T.
Hrp. 2
F
(non harmonic)
Vn. I
Vn. II
Sola 1Âş
arco
Va. espr.
Vc.
Cb.
6 41
*
1 rubato Fl.
solo 2 fanfare-like
sub., bold
as if disappearing into the sky Ob. in background solo 1 Cl. in B 2
Bn.
* 1 Hn. in F 2
1 Tpt. in C 2
Tbn.
* 1 l.v. bowed
(Vib.) 2
Perc.
Ped.
(Tub. Ch.) 3
4
* Pno.
* Hrp. 1
A
* Hrp. 2
* Vn. I
arco Vn. II
Va. as if disappearing into the sky
Vc.
Cb.
*Note to conductor: It is optional whether or not to put a slight fermata in the first half of measure 44.
intense
vehement! as if the work ended here
7 49
solo
1 poss. poss. Fl.
solo 2 playful; phrase measures 54-56 as if they are reaching toward measure 57.
Ob.
1 Cl. in B 2
Bn.
1 Hn. in F 2
1 Tpt. in C 2
Tbn.
(Marimba) 1
Small and Large Triangles 2
Perc.
(Tub. Ch.) 3 secco Ped. 4
secco
Pno.
P.D.L.T.
ord.
F
Hrp. 1
Hrp. 2
Solo 1ยบ, arco (pizz.)
tutti, pizz.
0
Vn. I espr. Solo 1ยบ
pizz.
arco
Vn. II espr. tutte, pizz.
echo flute
Va. (pizz.)
div. unis.
Vc.
(pizz.) Cb.
0
0
8 57 1 solo Fl. 2
Ob.
solo 1 passionate interruption
Cl. in B 2
Bn.
1 Hn. in F
poss. 2
(senza sord.)
(optional: tacet the high C)
solo
Tpt. in C
(st. mute)
via sord.
2
Tbn.
2 Bongos
solo
1 3
3
3
Vibraphone (with mallets) 2 secco Perc.
Ped.
(Tub. Chimes) 3 secco
Ped.
Xylophone
4
solo
Pno.
â?‰
Hrp. 1
D F
Hrp. 2
arco
pizz.
Vn. I
(non trem.)
tutti, arco
pizz.
0
Vn. II
0
pizz.
arco
Va.
arco
pont.
Vc.
silvery Cb.
pizz. (ord.)
9 63
solo
1 sempre Fl.
solo 2
Ob.
1 Cl. in B 2
Bn.
1 Hn. in F 2
1 Tpt. in C 2
Tbn.
Marimba 1
Crotale
(stop crotale)
Vibraphone
2 Small Sus. Finger Cym. with triangle beater
Perc.
secco
Medium and Small Sus. Finger Cymbals
3
4
Pno.
F
Hrp. 1
F
Hrp. 2
Vn. I
arco Vn. II
Va.
Vc.
Cb.
Solo 1ยบ
10 70 1 Fl. 2
Ob.
1 Cl. in B 2
Bn.
1 Hn. in F 2
1 Tpt. in C 2
Tbn.
(Mar.) 1
(Vib.) 2 secco Perc. Claves 3
4
Pno.
Hrp. 1
C
Hrp. 2
Vn. I
tutti, pizz. Vn. II
sul A Va.
Vc.
Cb.
Florid and playful
11
= 76–84
solo, bebop-like
76 1 3
sub.
3
sub.
3
Fl. 2
3
poss.
poss.
Ob. 3
1
solo, bebop-like
3 3
Cl. in B
3
sub.
sub.
2 3
Bn.
3
1 3
Hn. in F 2
3
1 3
Tpt. in C
senza sord. 2 3
Tbn.
3
(Mar.)
solo
1
Small Triangle 2 Perc.
Tub. Chimes 3 secco (Xylo.)
solo
4
solo
Pno.
secco
Hrp. 1
D B E A
Hrp. 2
D B A
Florid and playful Vn. I
sul A Vn. II
Va.
Vc.
Cb.
= 76–84
3
12 solo
83
3
1 Fl.
solo, bebop-like 2 3
3
3
sub. Ob.
1 3
3
Cl. in B
solo, bebop-like
3
solo
2
Bn.
1 Hn. in F 2
1 Tpt. in C 2
Tbn.
1
2
Perc. 3
4
Pno.
Hrp. 1
Hrp. 2
Solo 1 arco
sul E
Vn. I
Vn. II
Va.
(pizz.) Vc.
(pizz.) Cb.
13 *
91
sub. Fl.
solo
5
3
espr.
sub.
3
Ob. sub.
1 3
3
Cl. in B
solo 2 fanfare-like
3
solo Bn.
* 1 Hn. in F 2
1 Tpt. in C 2
Tbn.
* 1
2
Perc. 3
4
* Pno.
* Hrp. 1
* Hrp. 2
* tutti, pizz. Vn. I
(pizz.) Vn. II
Va.
(pizz.)
l.v. molto
(pizz.)
l.v. molto
Vc.
Cb.
*Note to conductor: It is optional to observe the fermata in measure 97.
3
14 100
solo
solo
1 bright Fl.
lyrical
dramatic
solo
(solo)
solo
2 lyrical
florid
3
6
dramatic
Ob. 5
3
singing 1 Cl. in B
5
2 3
singing
Bn.
1 Hn. in F 2
1 Tpt. in C 2
Tbn.
1
2 Perc. 3
4
to Celesta
Pno.
secco
Hrp. 1
Hrp. 2
(pizz.) Vn. I
(pizz.)
3
Vn. II
(pizz.) Va. 3
(pizz.) Vc.
(pizz.) Cb.
15 109 1 3
sempre
Fl. 2 sub.
3
Ob.
1 Cl. in B 2
Bn.
1 Hn. in F 2
1 Tpt. in C 2
Tbn.
(Marimba)
3
1 sub. 2 Perc. 3
(Xylo.) 4 sub.
3
Celesta
to Piano
Cel.
Hrp. 1
Hrp. 2
arco
div.
unis.
Vn. I
Solo 1ยบ arco
non div.
tutti (arco)
Vn. II
sul A
3
sub.
3
arco Va.
Vc.
Cb.
16 118
*
3
1 3
*
Fl. 2
3
3
3
sempre
* Ob. 3
* 1 Cl. in B
* 2
* Bn. 3
3
1 Hn. in F 2
1 Tpt. in C 2
Tbn.
1
2
Perc. 3
4
Pno.
Hrp. 1
Hrp. 2
3 soli
tutti, pizz.
*
0
0
0
Vn. I
*
0
Vn. II
* Va.
Vc.
Cb.
*Note: Tutti should punch out the accents. Not all accents line up.
0
0
17 126
solo
1 3
cantabile
Fl.
solo
(solo)
2 3
3
bright, fanfare-like solo Ob. 3
bright, fanfare-like 1 Cl. in B 2
Bn.
1 Hn. in F 2
1 Tpt. in C 2
Tbn.
1
2 Perc. 3
4
Pno.
Hrp. 1
Hrp. 2
Solo 1ยบ
tutti
arco Vn. I Solo 1ยบ
Vn. II
Va.
Vc.
Cb.
18 Graceful and warm
rit.
133
= 56–60
1 Fl.
bell-like; less loud than horn solo 2
Ob.
1 3
Cl. in B 2
Bn.
solo 1 Hn. in F
sim.
sim.
bell-like 2
1 Tpt. in C 2 solo Tbn. majestic Sus. Cym.
l.v. molto
1 3
Vib.
bowed
in background
(bowed)
l.v. molto
2 Perc. Ped.
(Tub. Chimes) solo
blend with horn solo
3 Crotale bowed
l.v. molto 3
4
Pno.
Hrp. 1
Hrp. 2
espr.
Graceful and warm
rit.
3
= 56–60
con sord. div.
Vn. I espr. (Solo 1º)
tutti con sord. sul E
A delicate div.
Vn. II
espr.
espr. con sord. sul E
B delicate
espr.
espr. con sord.
ord.
Va. espr. con sord. arco Vc. supporting horn arco (not muted) Cb. espr.
Ped.
19 141 1 Fl. 2 3
poss. Ob.
1 Cl. in B 2 solo Bn. echo horn
1 sim. sempre
Hn. in F 2
1 Tpt. in C 2
Tbn. 3
3
sub. (Sus. Cym.)
use cymbal that when bowed gives off many high harmonics
bowed
l.v. molto
1
(bowed)
(bowed)
2 3
Ped. Perc.
Ped.
Tub. Ch.
Medium Tamtam (bowed) 3 (Ped.) Sizzle Cym. (bowed)
Ped.
l.v. molto
Very Large Tamtam (felt mallet)
Crotale (bowed)
Piano
pizz. (inside piano)
l.v. molto
4
delicate ord. (on keyboard)
l.v.
Pno.
Hrp. 1
8va
gliss.
(D C B /E FG A )
Hrp. 2
l.v.
D C B E A
delicate and wispy
unis. Vn. I
A 3
Vn. II B 3
sul A Va.
div. Vc.
pizz. Cb.
0
arco
3
unis., pizz.
20 147
solo
1 espr.
Fl.
solo 2 3
solo Ob. poss.
espr. solo 1
espr.
Cl. in B 2
Bn.
1 espr.
3
Hn. in F 2 st. mute 1 Tpt. in C
elegant, in background
solo 2
echo horn Tbn. poss.
(Sus. Cym.)
scrape with triangle beater from dome to rim l.v. molto
1 elegant, not rushed (Vib.)
Crotale bowed
mallets
2 Medium Tamtam bowed
Ped.
Perc.
l.v. molto
3 (Crotale) (bowed) l.v. molto
Sizzle Cym. felt mallet
l.v. molto
4
pizz. (inside piano)
resonant
Pno.
â?‰
â?‰
s.
glis
Hrp. 1
(D C B/E F GA )
l.v.
delicate and wispy
F
Hrp. 2
sul E div. Vn. I slow, irregular tremolo 3 soli, a3
tutti, div.
unis.
Vn. II tutte
3 sole Va. 3
3
shimmering arco 3 soli, a3
tutti (arco)
Vc. 5
Cb.
shimmering
sul D
sul A
l.v. molto
21 accel.
153 1 Fl. take Piccolo 2 poss.
poss.
support horn solo
espr.
Ob.
1 Cl. in B 2
Bn.
1 3
Hn. in F 2
1 Tpt. in C 2 solo
solo
Tbn. 3
3
espr.
(Sus. Cym.)
3
slow tremolo, felt mallets
l.v. molto
1 espr. l.v. molto Vib.
warm; blend with strings
bowed
Crotale bowed
l.v.molto
2 Ped. Perc.
Medium Tamtam felt mallet
Tub. Chimes 3 Ped. (Sizzle Cym.)
bowed
l.v. molto
Very Large Tamtam (felt mallet) l.v. molto
Sizzle Cym. – felt mallets
slow roll
l.v. molto
4
solo
Pno.
(pizz., inside piano)
to Celesta
â?‰
E F
Hrp. 1
Hrp. 2
accel. (div.)
unis.
div.
via sord.
Vn. I
via sord.
3
A Vn. II
div. 3
B sempre div.
via sord.
Va. 3
sul C Vc.
Cb. espr.
via sord.
3
22 Colorful and playful 161 Rubato
= 66–72
Piccolo
Picc.
Fl.
1
Ob.
1 echo-like
Cl. in B 2
Bn.
1 Hn. in F 2
1 Tpt. in C 2
Tbn.
Glockenspiel solo
3
5
1 sempre
5
Crotale
Vibraphone (motor off)
Vib.
2 Ped. Tubular Chimes
Perc.
Ped.
3 Large, Medium and Small Triangles
Ped.
Ped.
4
Celesta solo Cel.
❉ Ped. solo
Hrp.
l.v. and resonant sempre
(D C B/EFGA )
Hrp. 2
l.v. and resonant sempre
(DCB/EF G A )
Colorful and playful = 66–72 Rubato Solo 1 senza sord. I (Vn. II-B)
echo-like Solo 1 senza sord.
Vn. II unis. pizz., molto vib.
echo-like via sord.
senza sord.
(pizz.)
molto vib.
Va. Solo 1 senza sord. Vc. echo-like Cb.
23 166 Picc.
Fl.
1 pizzicato-like
Ob. pizzicato-like
1 Cl. in B 3
Bn.
1 Hn. in F 2
1 Tpt. in C 2
Tbn.
1 3
Crotales 2 (Ped.)
3
Perc.
solo 3 (Ped.) Sizzle Cymbal
l.v. molto
playful Ped.
4 3
in background
3
Cel.
❉
Ped.
Ped.
3
Hrp. 1
3
❉ Ped.
3
solo
3
Hrp. 2
A
(Solo 1 ) Vn. I 3
3
echo-like (Solo 1 )
Vn. II Sola 1 arco Va. echo-like Vc.
Cb.
echo-like
echo-like
24 171 Picc. 3
Fl.
poss.
1 poss.
Ob.
1 Cl. in B 2
Bn.
fltg.
non fltg.
1 Hn. in F 2
(st. mute)
solo
via sord.
1 Tpt. in C 2
Tbn.
Marimba
Glock.
3
1
Vibraphone 2 7
Ped. 3 Suspended Finger Cymbals with Triangle beaters l.v. molto
Ped.
Perc.
(Chimes)
Chimes
solo
3 3
(Ped.) 3 Trgs.
Crotales
Sizzle Cymbal
Ped.
l.v. molto
4 in background
resonant
Cel.
(Ped.)
❉
❉ Ped. Ped.
❉
❉
Ped.
❉ Ped. 8va
3
Hrp. 1
A
D A
Hrp. 2
3 soli (senza sord.) Vn. I tutti, unis. (senza sord.) pizz.
espr.
arco con sord.
Vn. II
tutte, pizz.
con sord.
Va.
tutti, pizz. (senza sord.)
sul A
Vc. pizz. Cb.
arco
via sord.
25 176
non fltg.
fltg.
Picc.
solo Fl.
non fltg.
fltg.
1
sub.
solo Ob. echo trumpet
blend with pizzicato
sub.
1 bell-like Cl. in B 2 bell-like
blend with pizzicato
Bn. bell-like 1 Hn. in F
bell-like 2 bell-like senza sord.
solo
1 3
Tpt. in C 2
Tbn.
Marimba
Glock.
1 sempre solo 2 answering Chimes Ped.
Perc.
Ped.
Ped.
3 (Ped.) Large Triangle
Crotales
Ped.
4
secco to Piano
Piano
3
Pno.
playful
P.D.L.T.
ord.
Hrp. 1
D
Hrp. 2
slow tremolo 2 soli, div.
tutti, unis. pizz.
3 soli, div. a 3
Vn. I Solo 1 , arco bell-like
tutti, pizz.
3 soli
via sord.
senza sord.
Vn. II espr. senza sord.
pizz. molto vib.
3 sole, div. a 3
arco
slow tremolo
tutte, unis.
pizz.
Va.
arco molto vib. Vc.
Cb.
5 soli, div. a 5
4 soli, div. a 4
Solo 1 pont.
gradually slow trem.
26 182 Picc.
Fl.
1
Ob.
1 Cl. in B 2
Bn.
1 Hn. in F 2
1 Tpt. in C 2
Tbn.
(Glock.) 1 sempre (Vib.) 2 Ped.
Perc.
Ped.
(Chimes)
3 Ped.
Medium and Small Triangles
Large Triangle
Ped.
3 Triangles
4
3
Pno.
heavy
Hrp. 1
D
Hrp. 2
D
C E
C
pizz.
div., arco
Solo 1
A
arco
Vn. I tutti, div. pizz.
unis.
Vn. II
div., arco
unis., pizz.
arco, div.
unis.
Va. 3
tutti, unis.
ord.
div. molto vib.
pizz.
Vc.
div. a 3 Cb.
(pizz.) molto vib.
distant
unis., arco
27 186 Picc.
3
bell-like fltg. Fl.
1
3
dramatic
bell-like
Ob. cantabile 1 Cl. in B
blend with Violas 2 dramatic
Bn.
1 Hn. in F 2 solo 1 Tpt. in C
solo 2
Tbn.
1
solo 2 5
(Ped.)
Ped. Ped.
Perc.
2 Suspended Finger Cymbals with triangle beaters
l.v. molto
Chimes
Ped. solo
3 (Ped.)
5
Crotales
l.v. molto
Ped. 3
4
to Celesta
Celesta
Cel.
Ped. sempre, very resonant
D
Hrp. 1
E
5
3
3
C
Hrp. 2
tutti, unis. pizz.
div.
unis., arco
Vn. I cantabile div.
unis., arco
3 soli, div. a 3
Vn. II 3
Va.
3
cantabile
3
pizz. Vc. 3
Cb.
pizz.
28 191 Picc. playful
Fl.
1 poss.
5
Ob. sempre 1 3
Cl. in B
sempre 2
Bn. 3
1 Hn. in F
shadow Violas 2
1 Tpt. in C 2
Tbn.
(Glock.) 1 3
3
(Vib.) 2
Perc.
Ped.
(Chimes)
Ped.
Note: Ties are not missing – certain notes are repeated. solo
Ped.
3 (Ped.) (Crot.) frenetic, uneven, sporadic tremolo l.v.
Ped. sempre
4
to Piano
Cel.
Piano (in these five measures, clearly voice the 3 voices)
3
Divide notes freely between two hands
â?‰
Hrp. 1
3
C
F
D
D F
Hrp. 2
(pizz.)
pizz. Vn. I 3
sempre, playful tutti (unis.), pizz. Vn. II
in foreground for six measures arco Va. 3
Vc.
Cb.
29 195 Picc.
3
Fl.
1 3
espr. Ob.
3
1 3
Cl. in B
espr. 2
Bn. 3
3
1 3
Hn. in F 2
1 Tpt. in C 2
Tbn.
1 5
3
Crotales 2
Perc.
l.v.
l.v.
3 (Ped.) Xylophone
Sizzle Cymbal
l.v. molto
4 3
3
3
3
Pno.
B
Hrp. 1
F
3
A
Hrp. 2
arco Vn. I 3
arco
3
Vn. II
div.
espr.
unis.
Va. 3
Vc.
Cb.
cantabile
3
30 199
fltg.
Picc. cantabile
Fl.
1 poss.
sub. Ob.
1 Cl. in B 2
Bn.
1 Hn. in F
poss. 2
1 Tpt. in C 2
Tbn.
(Glock.) 1 3
Vibraphone 3
2 secco for two measures
Ped. (Chimes)
Perc.
Ped.
Ped.
3
Ped.
Xyl.
4
3
3
Pno.
Ped.
Hrp. 1
resonant Divide notes between two hands
brassy
❉
3
❉ Ped.
Ped.
(D C B /EFGA)
secco
❉
D G A
D
sempre
ss.
gli
Hrp. 2
l.v.
(D CB/EFG A )
D A
sempre
G
F
Solo 1 3
Vn. I (non decresc.)
sub. 3 soli, div. a 3
pizz.
tutti, unis.
Vn. II (non decresc.)
pizz.
pizz.
3 sole, div. a 3
tutte, unis.
Va. 3
Vc. div. (pizz.) Cb.
pizz.
(pizz.)
31 204 Picc.
3 5
fltg. Fl.
1 sub.
Ob.
3
1 Cl. in B 2
Bn.
1 Hn. in F 2
solo 1 5
Tpt. in C
st. mute
via sord.
senza sord.
2
Tbn.
3
(Glock.)
l.v. molto
1 3
(Vib.)
l.v.
l.v.
2
Ped.
Perc.
(Chimes)
Ped.
5
3
l.v.
3 Ped.
Ped.
l.v. molto
3 Triangles 4 3
3
Pno.
brassy
â?‰ Ped.
Ped.
â?‰
Hrp. 1
G
Hrp. 2
A
D
tutti
3 soli Vn. I
3
arco ricochet
pizz.
arco
Vn. II Sola 1 (continuing violin solo) arco
poss. 3 sole (arco) tutte (arco)
Va. espr. (pizz.)
arco
Vc.
unis. Cb.
0
l.v. for 4 beats
32 208
take Flute
Picc. 5 3
fltg. Fl.
ord.
1
cantabile Ob.
1 Cl. in B 2 3
Bn. blend with cello pizz.
1 Hn. in F 2
st. mute 1 cantabile
Tpt. in C 2
Tbn.
(Glock.) 1 3
sempre
3
3
(Vib.) 2 Perc.
(Chimes)
Ped. 3
frenetic, uneven, sporadic trem.
Ped. sempre
Xyl. 4 5
to Celesta
Celesta
Cel.
â?‰
Ped.
s. glis
Hrp. 1
G A
(D C B /EFG A)
Hrp. 2
C
(DC B/EF G A )
Solo 1 pont. Vn. I
pizz. Vn. II sub. pizz. Va. sub. pizz. Vc. sub. (pizz.) 0
Cb.
playful
Ped.
33 212 1 Fl.
Flute 2
Ob.
1 cantabile
Cl. in B 2
Bn.
1 Hn. in F 2
via sord. 1 Tpt. in C 2
Tbn.
1 3
5:3 Crotales
5
Vibraphone
2 Ped.
Perc.
3
4:3
3 (Ped.) Ped. (Xyl.)
4 5 3 3
3
Cel.
(Ped.)
❉ Ped.
❉ Ped.
❉ Ped.
❉
C B
Hrp. 1
A
P.D.L.T.
ord.
F A
Hrp. 2
Ped.
D
(Solo 1 ) (Solo 1 ) ord. tutti, div. Vn. I gli altri ord. arco
(gli alt.)
sub. div.
Vn. II sub.
Va.
Vc.
Cb.
34 216
= 88–96
accel.
1 Fl. 2
Ob.
1 Cl. in B 2
Bn.
solo 1 sub.
Hn. in F
bell-like solo
bell-like
bell-like
bell-like
bell-like
bell-like
sub.
2 sub. senza sord.
sub. bell-like
bell-like solo
1 Tpt. in C
bell-like
sub. bell-like
2
solo Tbn. sub. bell-like
bell-like
sub. bell-like
sub. bell-like
sub. bell-like
sub. bell-like
sub. bell-like
(Glock.) 1
(Vib.) 2 (Chimes)
Perc. 3
4
to Piano 3
Cel.
❉
(Ped.)
(D CB/EFG A )
Hrp. 1
B G
Hrp. 2
(D C B /EFGA)
accel.
= 88–96
Vn. I
Vn. II
div.
arco, pont.
unis., ord.
Va. bell-like arco Vc. bell-like
sub. bell-like
sub. bell-like arco
Cb. bell-like
35 221
*
1 Fl. 2
Ob.
Cl. in B
1
Cl. 2 take Bass Cl.
Bass. Cl.
Bass Cl.
Bn.
percussive and crisp, staccato
1 Hn. in F 2
1 bell-like
Tpt. in C 2
Tbn.
Marimba 1
2
Perc.
Large Bass Drum 3 Low Tom-toms felt mallets 4
Piano
Divide notes freely between hands
secco, gritty and staccato
Pno.
Hrp. 1
P.D.L.T.
Hrp. 2
P.D.L.T.
* Vn. I
Vn. II
Va.
pizz. Vc. percussive and gritty
sul G pizz.
Cb. percussive and crisp
*Note to conductor: Every time this low register jig-like music appears, from here to the end of the work, it should be secco, percussive, gritty and intense. All accents should be punched.
arco
36 225 1 Fl. 2
Ob.
Cl. in B
1
gritty and intense Bass Cl.
percussive and crisp Bn.
1 Hn. in F 2
1 Tpt. in C 2
st. mute Tbn. sempre
(Mar.) 1 sempre 2 Congas 2
Perc.
(Large Bass Dr.) 3
4 Tom-toms 4
gradually crescendo across these four measures
Pno.
Hrp. 1
ord.
Hrp. 2
ord.
Vn. I
Vn. II
Va.
Vc. sempre pizz. arco
arco Cb. sempre
D
D
37 229 1 Fl. 2
Ob.
Cl. in B
1
Bass Cl. sub. solo Bn.
solo
solo
solo
solo
1 Hn. in F 2
solo
solo
solo
1 Tpt. in C
solo
solo 2
senza sord.
via sord.
solo solo
Tbn.
Glock. 1
Vib.
solo
2
Ped. Perc.
Chimes
solo
3 Ped.
Crotales 4
8va
secco
Pno.
sub.
secco
bell-like
Hrp. 1
D
Hrp. 2
arco unis., pizz.
tutti, div. (arco)
4 soli, div. a 4
unis., pizz.
0
div., arco
unis., pont.
Vn. I
unis., pizz.
arco
Vn. II
pizz.
arco
div., pizz.
arco
pizz.
arco
unis., pizz.
Va.
Vc. sub. div., pizz. Cb.
unis., (pizz.)
sul G
38 235 1 Fl. 2
Ob.
Cl. in B
1
Bass Cl.
Bn.
1 Hn. in F 2
1 Tpt. in C 2
Tbn. sub. (Glock.) 1
(Vib.) 2
Perc.
(Chimes) 3
(Crot.)
4 Tom-toms
4
Pno.
(Ped.)
â?‰ secco
Hrp. 1
F A
Hrp. 2
B F
pizz.
sul A
l.v. molto
pizz.
sul A
l.v. molto
sul A
l.v. molto
arco, ord.
Vn. I
Vn. II
arco
Va.
Vc.
Cb. percussive and aggressive
39 240 1
Fl. 2
Ob. cantabile Cl. in B
1
Bass Cl.
Bn.
1 Hn. in F
bell-like 2 bell-like
solo 1
sempre
Tpt. in C 2
Tbn. gritty sub. (Glock.) 1
(Vib.) 2 Ped.
Perc.
Large Bass Dr.
Chimes
3 Ped. 2 Trgs. 4
bell-like
Pno.
â?‰
Ped.
P.D.L.T.
Hrp. 1
(DCB/EF G A)
P.D.L.T.
Hrp. 2
(D C B/EF GA)
pizz.
arco 2 soli, div.
Vn. I arco
zing!
tutti, unis. (arco)
2 soli, div. Vn. II zing!
pizz. sul A
Va.
sul A ricochet Vc.
Cb.
div.
40 245 1
3
3
sub.
5
cantabile
Fl. 2
bell-like Ob. cantabile bell-like Cl. in B
1
Bass Cl.
Bn. gritty
1 Hn. in F 2
1 Tpt. in C
st. mute 2
Tbn.
1
(Vib.) 2
Perc.
sempre Ped.
(Chimes) 3 (Ped.)
rim-shot
4 Tom-toms 4
Pno.
secco ord.
Hrp. 1
sempre
ord.
Hrp. 2
D B
sempre
tutti, unis.
arco
Vn. I
3
3
cantabile pizz. Vn. II cantabile
sempre unis., arco
pizz.
Va. sempre div.
2 soli, div.
tutti, unis.
pizz.
Vc. sempre (pizz.)
sul G
Cb. sempre
41 250 1 3
sub.
Fl.
3
(non decresc.)
3
(non decresc.)
sub.
2
Ob.
Cl. in B
1 cantabile
Bass Cl. gritty Bn.
1 Hn. in F 2
1 3
sub.
Tpt. in C 2
Tbn.
Marimba 1
2 (Ped.) (sempre)
Perc.
3 Susp. Finger Cym. with triangle beater 3
(4 Tom-toms) 4
blend into pizz. in Bass; not in foreground
Pno.
P.D.L.T.
ord.
G
sempre
Hrp. 1
P.D.L.T.
ord.
sempre
Hrp. 2
div.
unis.
Vn. I 3
3
sub.
sub.
Vn. II
Va.
div.
unis.
div.
unis.
arco
Vc.
div. Cb.
unis.
42 255 1 Fl. 2
Ob. 3
Cl. in B
1
Bass Cl. gritty
gritty
Bn. gritty
1 Hn. in F 2
solo 1 Tpt. in C
via sord. 2
st. mute Tbn. gritty
gritty (Mar.)
1
2 Congas 2
Perc.
Large Bass Drum 3
(4 Tom toms)
ord. (on drumhead)
on rim (clicking sound)
4
always punch out the accents
Pno.
sempre; gritty and relentless
Hrp. 1
Hrp. 2
0
Vn. I 3
arco Vn. II
arco Va.
pizz.
pizz.
arco
arco
Vc. gritty arco Cb.
pizz.
arco
pizz.
43 259 1 Fl. 2
solo Ob. sempre Cl. in B
1
Bass Cl.
Bn.
solo
solo
1 sempre Hn. in F
solo
solo
2 sempre solo st. mute
via sord.
senza sord.
solo
senza sord.
solo
1 Tpt. in C 2
via sord.
senza sord.
solo
Tbn.
1
2 Perc.
Chimes 3
Ped.
on rim (clicking) 4
Pno.
Hrp. 1
Hrp. 2
div.
unis.
Vn. I
div.
unis.
div.
sul pont.
Vn. II
pizz.
arco
zing!
Va.
Vc. bold arco Cb.
pizz.
44 264 1 poss. Fl. 2
solo Ob.
bell up for 5 bars Cl. in B
1 brassy
Bass Cl.
Bn.
1 Hn. in F 2
solo
It is alright to be rubato on the grace notes, giving them time to speak.
solo
1 sempre; relentless
sempre
Tpt. in C
solo 2 sub. solo
solo
Tbn. sub.
1
2 Perc. 3
4
Pno.
Hrp. 1
E
Hrp. 2
B E
Vn. I
unis.
zing!
ord. sul A
Vn. II zing! Va. ricochet sul A Vc.
Cb.
45 272 1
Fl.
fltg.
fltg.
2
Ob.
Cl. in B
1
Bass Cl.
Bn.
1 Hn. in F
poss. 2 poss. 1
Tpt. in C
5
solo 2 sub.
Tbn. sub. Glock. 1
(2 Conga Dr.) 2 Snare Dr. (snares off) felt mallets
Perc. 3
3 Triangles 4
always punch out the accents
Pno.
â?‰
Ped.
Hrp. 1
(DCB/E F GA)
Hrp. 2
(DC B/E F GA)
3 soli, div. a 3 Vn. I zing!
5
3 soli, div. a 3 Vn. II
2 sole, div.
tutte, unis.
Va. zing! Vc.
arco Cb.
46 277 1 Fl. 2
Ob.
Cl. in B
1
Bass Cl.
Bn.
1 Hn. in F 2
st. mute 1 Tpt. in C
st. mute 2
Tbn.
1
(2 Conga Dr.) 2 Perc. (Snare Dr.) 3
4 Tom-toms
on rim (clicking)
ord. (on drumheads)
on rim
ord.
rim shot ("x" on stem)
4
* Pno.
Hrp. 1
Hrp. 2
D
tutti, unis. Vn. I
tutti, unis. Vn. II pizz. sul G & D
l.v. molto
arco, pont.
Va.
Vc. div.
unis.
Cb.
sub.
*For the next six measures, the pianist can elect to not play the chords with accents and only play the running line, if playing both is too cumbersome.
47 280 1 Fl. 2
Ob.
Cl. in B
1
Bass Cl.
Bn.
1 Hn. in F 2
1 Tpt. in C 2
Tbn.
(Glock.) 1
2
Perc.
(Snare Dr.)
Large Bass Drum
3 ord. 4
Pno.
P.D.L.T.
Hrp. 1
B
Hrp. 2
P.D.L.T.
Vn. I
Vn. II ord. Va.
Vc.
Cb.
C B
solo
48 283 1 Fl. 2
Ob.
Cl. in B
1
take B Clarinet Bass Cl.
Bn.
solo 1 poss.
Hn. in F 2
solo
via sord.
1 Tpt. in C
via sord. 2
Tbn.
(Glock.) 1
(2 Conga Dr.) 2 sub. Perc.
Chimes 3 Ped. (4 Tom-toms) 4
to Celesta
Pno.
ord.
E
Hrp. 1
ord.
E G
Hrp. 2
div.
unis., pizz.
unis.
div.
0
Vn. I div.
unis.
div.
pizz.
Vn. II
pont.
div.
div.
unis. ord.
Va.
pizz. Vc.
Cb.
unis.
0
49 288 1 playful Fl. 2
Ob. brassy solo 1 Cl. in B 2
Bn. brassy
brassy
solo 1 sempre
Hn. in F
solo 2 sempre senza sord.
solo
(solo)
1 5
Tpt. in C
senza sord.
solo
2
solo Tbn. sub.
1
2 Perc. 3
4
Cel.
Hrp. 1
(DCB /EF GA)
C B G
Hrp. 2
(D CB /EF G A)
D B E F G A
Vn. I
Vn. II
unis., pizz. Va.
arco Vc.
Cb.
div.
50 294 1 Fl. 2
Ob.
solo 1 Cl. in B 2
Bn.
fltg. 1 blend into cellos
Hn. in F
fltg. 2 blend into cellos
1 5
Tpt. in C 2
(solo) Tbn. sub.
sub.
1
2 Perc. 3
Sizzle Cymbal 4
Cel.
Hrp. 1
Hrp. 2
arco
0
Vn. I
arco
0
Vn. II
arco Va.
unis. Vc.
Cb.
l.v. molto
51 300 1 3
3
3
3
3
3
Fl. 2
Ob. solo
3
1 Cl. in B
B Clarinet
solo
3
2
Bn.
non fltg. 1 Hn. in F
non fltg. 2
1 Tpt. in C 2
Tbn.
2 Bongos 1
Vibraphone 2 secco; blend with pizz.
Perc.
Claves 3
2 Triangles 4
Celesta
Cel.
secco
Hrp. 1
(DC B/EF G A)
Hrp. 2
(DCB/E FGA )
A
pizz.
0
0
0
Vn. I
pizz.
0
Vn. II
pizz. Va.
pizz. Vc.
pizz. Cb.
0
0
4 sole div. a 4
arco
52 305
fltg.
fltg.
solo
1 poss. sempre Fl.
fltg. 2
Ob.
solo
(solo) 5
1 Cl. in B
percussive 5
2 punchy solo
(solo) 5
Bn. percussive
1 punchy
Hn. in F 2
punchy 1 3
Tpt. in C
3
2
solo
solo Tbn.
3
percussive (2 Bongos) 1 (Vib.) 2 Perc.
(Claves)
Bass Drum
3
Sizzle Cymbal 4 in background
to Piano
Piano
Cel.
P.D.L.T.
Hrp. 1
E
E G A
P.D.L.T.
E A
Hrp. 2
arco
half: pizz. gli alt.: arco
tutti pizz.
arco
half: pizz. gli alt.: arco
tutti pizz.
arco
Vn. I zing!
Vn. II
tutte, unis.
arco
5
pizz.
0
div.
unis.
Va.
arco
pizz.
arco
arco
pizz.
Vc. 3
5
arco
pizz.
div.
unis., arco
Cb. 3
div.
53 310 1 Fl. 2
Ob.
1 Cl. in B 2
Bn.
1 Hn. in F 2
1 Tpt. in C 2
Tbn.
4 Wood Blocks 1
2 Congas 2
Perc.
(Bass Dr.) 3
4
over the next 11 measures is a very gradual crescendo to
Pno.
Hrp. 1
Hrp. 2
Vn. I cantabile
Vn. II
arco Va.
unis. Vc.
div. Cb.
unis.
54 313 1 Fl. 2 3
sempre
Ob. 3
1 Cl. in B
take Bass Clarinet 2 3
Bn.
1 Hn. in F 2
st. mute
via sord.
1 3
Tpt. in C
3
st. mute
via sord.
2 3
3
3
3
st. mute Tbn.
(Wood Blocks) 1
(2 Congas) 2
Perc.
Claves 3
4 Tom-toms
on rim (clicking)
4
sub.
8va
Pno.
(loco)
ord.
Hrp. 1
ord.
Hrp. 2
Vn. I
arco Vn. II cantabile
Va.
Vc.
Cb.
55 317 1 3
3
3
3
Fl. 2
Ob.
Cl. in B
1 3
Bass Clarinet Bass Cl.
Bn.
1 Hn. in F 2
1 Tpt. in C 2
Tbn.
1
2
Perc.
Snare Dr. (snares off, felt mallet) 3
ord. (on drumhead) 4 3
Pno.
Hrp. 1
Hrp. 2
Vn. I 3
3
3
3
Vn. II
Va.
Vc. sub.
Cb.
56 321 1
Fl. 2 5
solo Ob.
3
3
Cl. in B
1
Bass Cl.
Bn.
1 Hn. in F 2 5
senza sord. 1
3
3
Tpt. in C
senza sord. 2
percussive (st. mute)
via sord.
Tbn.
(Wood Blocks) Glock.
3
1
(2 Congas) 2 Perc.
Claves 3
(Tom toms)
(on drumhead)
4
Pno.
Hrp. 1
Hrp. 2
Vn. I
Vn. II
5
Va. 3
3
pizz. Vc.
Cb.
57 325
Fl. 1
Ob.
Cl. in B
1
Bass Cl.
Bn.
1 Hn. in F 2
1 Tpt. in C
bell-like
sub.
sub.
sub.
sub.
sub.
bell-like
sub.
sub.
sub.
sub.
sub.
solo 2
Tbn.
4 Wood Blocks 1
Vibraphone 2 secco; blend with Harps Perc.
3 Finger Cym.
Bass Drum
3 (4 Tom-toms) 4
Pno.
Hrp. 1
G
A
Hrp. 2
G
A
Vn. I
Vn. II div.
unis., arco
pizz.
Va.
arco Vc.
Cb.
58 fltg.
330
solo
1 Fl.
fltg.
solo 2
solo Ob.
solo Cl. in B
1
5
Bass Cl.
Bn.
solo 1 Hn. in F
percussive 2
percussive
st. mute
solo
via sord.
solo senza sord.
st. mute
solo
via sord.
solo senza sord.
1 Tpt. in C 2 senza sord. Tbn.
1
2 Congas 2
sub.
Perc.
Chimes
3
ord. (on drumhead)
on rim (clicking)
Ped.
rim shot
4 5
Pno.
5
Hrp. 1
Hrp. 2
pizz.
0
0
pizz.
0
0
pizz.
0
0
(pizz.)
0
0
Vn. I
arco
tremolo at tip
Vn. II div. arco
Va. bell-like
Vc. 5
Cb.
cantabile
0
0
59 335 1 sub. Fl. 2 sub. 3
Ob.
Cl. in B
1 3
Bass Cl.
Bn.
1 Hn. in F 2
1 Tpt. in C 2
Tbn.
Glock.
3
1
sempre Vib. 2 3
secco Perc.
(Chimes)
Ped.
Sus. Finger Cymbals
3 3
(Ped.) Xylophone 4 3
sempre
blend with pizz.; not in foreground
Pno.
Hrp. 1
G
Hrp. 2
G
div. 0
unis. arco
0
pizz.
Vn. I
5 3 0
div.
unis., pizz.
Vn. II
unis. Va.
pizz. Vc.
pizz. Cb.
pizz.
60 340 1 3
Fl.
2
Ob.
Cl. in B
1
Bass Cl.
Bn.
1 Hn. in F 2
1 Tpt. in C 2
Tbn.
3
5
1
Crotales 2 secco
3
Perc. 3 3
3
3
4 5
3
Pno.
8va
.
gliss
Hrp. 1
E F A
Hrp. 2
C E
(DC B/E FGA )
div. 0
0
0
0
0
Solo 1 arco
0
tutti arco
Vn. I
Solo 1 arco tutti, div.
pizz.
unis. arco
Vn. II
arco Va. sub. arco Vc.
Cb.
61 trill and fltg.
345 1 5
trill and fltg. Fl. 2
5 5
Ob.
5
5
Cl. in B
1 5 5
Bass Cl.
5
solo
5
5
Bn. 3
solo 1 5
5
Hn. in F
solo 2 5
5
5
5
solo
solo 1 3
Tpt. in C
solo
solo
2 5
3
solo
5
solo
5
Tbn. 5
3
(Glock.)
5
1 5
2 Congas solo
optional tacet
Vibraphone
2 5
Bass Dr. solo
Perc.
5
6
5
5
Ped. 3
3
3
Chimes
3
3 relentless, bold
3
Crotales
(Xylophone) 4
Ped.
5 5 8va
Pno.
Hrp. 1
(DC B/E FGA )
E F A
Hrp. 2
(DC B/E FGA)
E F
unis.
div. Vn. I
5
5
3
unis.
div. Vn. II
5 5
3
unis.
div. Va.
3
5 5
unis., pizz. 5
div. Vc. 5
arco
div.
Cb. 5
5
62 Relentless and intense* 351 1 Fl. 2
Ob.
Cl. in B
1
Bass Cl.
Bn.
1 Hn. in F 2
1 Tpt. in C 2
Tbn.
Marimba 1 l.v. molto
(Vib.)
Crotales
3
3
2 (Ped.)
3
sempre
Perc.
Snare Dr.
3
snares on/wooden sticks
Bass Dr. optional tacet
3 (Crot.) l.v. molto
4 Tom-toms
on rim
4
Pno.
secco
Hrp. 1
A
Hrp. 2
F A
Relentless and intense*
div.
Vn. I gritty div. Vn. II
(pont.)
pont. Va. gritty arco Vc. gritty unis., pizz. sul D
pizz. ord.
Cb.
*Note: Each player should punch out the accented notes. The different lines have accents in different places.
unis.
63 358 1 Fl. 2
Ob.
Cl. in B
1
Bass Cl.
Bn.
1 Hn. in F 2
1 Tpt. in C 2
Tbn.
(Marimba) 1
3
2 3
3
Perc.
3
3
(Bass Dr.) 3
ord.
on rim
ord.
4
Pno.
A
Hrp. 1
A
Hrp. 2
(div.)
unis.
Vn. I unis. div. unis.
div.
Vn. II
ord. Va.
Vc.
arco Cb.
pizz.
arco
64 365 1 Fl. 2
Ob. solo Cl. in B
1
Bass Cl.
Bn.
1 Hn. in F 2
1 Tpt. in C 2
Tbn.
(Mar.) 1
(Crotales)
Vibraphone
2 dampen Crotales
Perc.
secco Chimes
Ped. l.v. molto
3 Ped. Ped.
Xylophone 4
8va
poss.
Pno.
secco
(loco)
secco
Hrp. 1
secco
G
Hrp. 2
Vn. I
Vn. II gritty
div.
Va.
div. Vc.
Cb.
65 372
Spacious, timeless
= 56
1 Fl. 2
Ob.
Cl. in B
1
Bass Cl.
Bn.
1 Hn. in F 2
1 Tpt. in C 2
Tbn.
1
2 Perc. 3 (Ped.) 4
Pno.
Hrp. 1
Hrp. 2
Spacious, timeless con sord.
= 56 3
Solo 1ยบ espr. Vn. I
expressive and dreamy
3
earthy
playful
cantabile
sul E gli altri sul E con sord. Vn. II
Va.
Vc.
Cb.
66 379 1 Fl. 2
Ob.
Cl. in B
1
Bass Cl.
Bn.
1 Hn. in F 2
1 Tpt. in C 2
Tbn.
1
2 Perc. 3
4
Pno.
Hrp. 1
Hrp. 2
rubato 3
5:3
3
3
Solo 1ยบ Vn. I gli altri
Vn. II
sul A unis. Va.
Vc.
Cb.
3
67 385 1 Fl. 2
Ob.
Cl. in B
1
Bass Cl.
Bn.
1 Hn. in F 2
1 Tpt. in C 2
Tbn.
1
2 Perc. 3
4
Pno.
Hrp. 1
Hrp. 2
rubato
. . . as if the E was the eternal light . . .
Solo 1º "ping" bright, like a star twinkling
Vn. I
* sul E
gli altri
* Vn. II
* Va.
Vc.
Cb.
*In the final measure play the last note–and its crescendo under the fermata–for about four beats’ duration (in other words, the fermata adds duration, as usual). Play the note as if you were in the middle of a phrase and about to go on to another note: a swell, as if in a longer phrase, part of a longer phrase – but, just before that other note enters the piece ends, hanging in mid-air. This kind of thinking will give the right flow and momentum to the sound–nothing forced in the music, but adding an element of surprise and grace to the final sounds.