Rodríguez TEMPEST

Robert Xavier RodrĂ­guez

THE TEMPEST (2000) A Concert Dramatization Adapted from the play by

William Shakespeare

from the G. Schirmer Rental Library date of printing

G. Schirmer, Inc. New York, NY

Robert Xavier RodrĂ­guez

THE TEMPEST (2000) A Concert Dramatization Adapted from the play by

William Shakespeare

G. Schirmer, Inc. New York, NY

The Tempest

The Tempest is a thirty minute concert drama for actors, puppets and symphony orchestra based on Shakespeare’s play with text adapted by Wes Sanders and the composer. The score was commissioned by the Boston Symphony Orchestra in honor of the hundredth anniversary of Symphony Hall. The first performances, April 4–7, 2001 featured the Underground Railway Theater with Keith Lockhart conducting. In the original production, three actor-puppeteers provided voices and visual images. One actor played Prospero and Caliban, one actor played Miranda and one actor played Ferdinand and Alonso. The part of Ariel was represented not by an actor, but by dancing images of light. The production, designed by David Fichter, has a Moctezuma era setting. The music for The Tempest emphasizes the cultural clash between the “Old World” of Prospero and the Europeans and the “New World” of Ariel and Caliban, as Shakespeare would have perceived it in exhibitions from the Virginia Company in 1613. The score includes recorded sounds of Mexican birds, high instrumental imitations of Mexican bird calls (particularly in the depiction of Ariel) and Andean folk melodies as well as an Elizabethan quotation, from William Byrd’s Earle of Salisbury Pavane. The orchestration reinforces the story’s cultural dichotomy with exotic non-Western percussion sounds (marimba, gourds, rattles, etc.) Merging with the European harpsichord and traditional orchestral forces. The story’s magical framework is represented musically by sweeping harp glissandi and by colorful splashes of the overtone series throughout the orchestra’s registral spectrum. The music is infused with Rodríguez’ characteristic “richly lyrical atonality” (Musical America) in a style “romantically dramatic” (Washington Post) and full of the composer’s “all-encompassing sense of humor” (Los Angeles Times).

Instrumentation Piccolo 2 Flutes (both doubling Piccolo) 2 Oboes English Horn 2 Clarinets in B= Bass Clarinet 2 Bassoons Contrabassoon 4 Horns in F (doubling Conch Shells in B=, C, F, and G) 3 Trumpets in C 2 Tenor Trombones Bass Trombone Tuba Timpani: (5) 2 30-32", 1 28-29”, 2 25-26” + Triangle Percussion (3 players) I. Marimba Chimes ( C and E only) Crotales Bell Tree Glass Wind Chimes Triangle Suspended Finger Cymbal Suspended Cymbal Sizzle Cymbal Large Thunder Sheet Vibra Slap Maracas Small Guiro II. Glockenspiel Brass Wind Chimes Wind Machine Crash Cymbals Tambourine Mounted Tambourine Quica Ratchet Medium Guiro III. Vibraphone Tamtam Water Gong Bell Plate Brake Drum (on small Bass Drum) Snare Drum Concert Bass Drum Lion’s Roar Temple Blocks Bamboo Wind Chimes Whip Large Guiro

Piano (or Harpsichord, which may be synthesized) Harp Strings ca. 30 minutes

THE TEMPEST Adagietto misterioso

Robert Xavier RodrĂ­guez

= 72

Piccolo

Flute

1 2 espr. solo

Oboe

1 2 espr.

English Horn Clarinet in B

1 2

Bass Clarinet Bassoon

1 2

Contrabassoon

Horn in F

1 3 2 4 1

Trumpet in C

Trombone

2 3 1 2

Bass Trombone Tuba Triangle Timpani

Crotales

Bell Tree

1

Glockenspiel Percussion *

gliss.

2

Vibraphone (motor off) gliss.

3

8va

Piano

8va

15ma 8va

Piano/ Harpsichord

poco

15 8va

8va

E F G A B C D

Harp

poco

Adagietto misterioso

= 72

7

(Prospero enters with magic staff and book.)

Solo Violin dolcissimo

I (non cresc.)

Violin II

(non cresc.) Viola (non cresc.) Solo Violoncello dolcissimo gli altri

Contrabass * N.B.: All mallet players change sticks as often as possible for a variety of sound.

Copyright Š 2001 by G. Schirmer, Inc. (ASCAP) New York, NY International Copyright Secured. All Rights Reserved. Warning: Unauthorized reproduction of this publication is prohibited by Federal law and subject to criminal prosecution.

Property of:

G. Schirmer Rental Library Bellvale Road Chester, NY 10918 SUPPLIED ON LOAN ONLY

2 poco rit.

a tempo

6 Picc.

Fl.

1 2 sempre dolce

Ob.

poco

1 2

E.H. 1. Cl. in B

1 2

Bs. Cl.

Bn.

1 2

Cbn.

Hn. in F

1 3 2 4 con sord. 1

Tpt. in C

Tbn.

2 3 1 2

Bs. Tbn. Tba. (Tri.) Timp. (Bell Tree)

Crotales

1

(Glock.) Perc. 2

(Vib.) 3

8va

8va

15ma 8va

Pno.

poco

15 8va

Hrp.

8va

7

poco rit. Solo Vn.

I Vn. II

Va.

Solo Vc.

gli altri

Cb.

a tempo

3 9 Picc.

Fl.

1 2

Ob.

1 2

E.H.

Cl. in B

1 2

Bs. Cl.

Bn.

1 2

Cbn.

a2 1 3 Hn. in F

2 4

1 Tpt. in C

Tbn.

2 3

1 2

Bs. Tbn. Tba.

Timp.

Suspended Finger Cymbal 1 Brass Wind Chimes Perc. 2

3

Pno.

Hrp. 18

(He opens the book‌) tutti I

Vn.

div. II

Va. tutti Vc.

Cb.

18

18

18

4 10 Picc.

Fl.

1 2

Ob.

1 2

E.H.

Cl. in B

1 2 3

3

Bs. Cl.

Bn.

1 2

Cbn.

(a2) 1 3 Hn. in F

2 4

1 Tpt. in C

Tbn.

2 3

1 2

Bs. Tbn. Tba.

Timp.

(Sus. Finger Cym.) 1 (Wind Chimes) Perc. 2

(Vib.) 3

Pno.

Hrp. 18

I Vn. II

Va.

Vc.

Cb.

18

18

18

5 11

L’istesso doppio

= 72

Picc.

1 Fl. 2

Ob.

1 2

E.H.

1 6

Cl. in B

6

6

6

2

Bs. Cl.

Bn.

1 2

Cbn.

(a2) 1 3 Hn. in F

a2 2 4

1 Tpt. in C

2 3

1 2 Bs. Tbn. Tba. Tbn.

Timpani Timp.

Crotales 1 poco

Glock.

Perc. 2 poco 3

8va

Pno.

8ba 8va

8va

8va

8va

poco

Hrp.

18

18

L’istesso doppio

= 72

18

18

(…and a shining glass sphere floats upward.)

Solo Vn.

I Vn.

unis. II

IV Va. 5

5

5

5

5 5

5 5

IV Vc. 5 5

Cb.

5

5

5 5

5

5

6 13 Picc.

1 Fl. 2

Ob.

1 2

E.H.

1 6

6

6

6

Cl. in B 2

Bn.

1 2

Cbn.

(a2) Hn. in F

1 3 (a2) 2 4 senza sord. 1

Tpt. in C

a2 2 3 a2

Tbn.

1 2

Bs. Tbn. Tba. Timp. (Crot.) 1 (Glock.) Perc. 2 (Vib.) Tamtam 3

8

8va

Pno.

8va

8va

8va

8va

Hrp. 18

18

18

18

8va

Solo Vn.

I Vn. II

Va. 5

5

5

5

5 5

5 5

Vc. 5 5

Cb.

5

5

5 5

5

5

7 15 Picc.

a2 Fl.

1 2

Ob.

1 2

E.H. a2 Cl. in B

6

6

6

6

6

6

6

6

1 2

Bs. Cl.

Bn.

1 2

Cbn.

6

6

1 3 Hn. in F

6

6

2 4

1 6

Tpt. in C

6

6

6

2 3

Tbn.

1 2 6

6

6

6

Bs. Tbn. Tba.

gliss.

Timp.

Sus. Cym. 1

Perc. 2

3

8va

6

6

Pno.

8va

6

6 6

6

6

8va

6

8va

Work glissandi up and down with both hands

Hrp.

(He makes mighty sweeps in the air with his staff‌) 8va

8va

tutti I Vn. II

Va. 5

5

5

5

5 5

5 5

Vc. 5 5

Cb.

5

5

5 5

5

5

8 17 Picc.

(a2) Fl.

1 2

Ob.

1 2

E.H. (a2) Cl. in B

6

6

6

6

6

6

6

6

1 2

Bs. Cl.

Bn.

1 2

Cbn.

(a2)

6

6

1 3 Hn. in F

6

6

(a2) 2 4

1 6

Tpt. in C

6

6

6

2 3 Tbn.

1 2 6

6

6

6

Bs. Tbn. Tba.

Timp.

(Sus. Cym.) 1

(Glock.) Perc. 2 (Tam.) 3

8va

6

6

Pno.

8va

6

6 6

6

6

8va

8va

8va

8va

6

Hrp.

I Vn. II

Va. 5

5

5

5

5 5

5 5

Vc. 5 5

Cb.

5

5

5 5

5

5

9 Andante grazioso 19

= 100

solo

Picc. dolce

Fl.

1. solo

1 2 dolce

Ob.

1 2

E.H.

Cl. in B

1 2

Bs. Cl.

Bn.

1 2

Cbn.

1 3 Hn. in F

2 4

1 Tpt. in C

Tbn.

2 3

1 2

Bs. Tbn. Tba.

Timp. (Sus. Cym.) damp gradually 1

Perc. 2 (Tam.) damp gradually

Bamboo Wind Chimes

3 8va

8va

3

3

Pno.

5

F

Hrp.

CD of jungle sounds CD (fade in)

(…and the stage lights up with a lush island landscape.)

Andante grazioso I Vn. II div. Va. subito div. Vc. subito pizz. Cb. subito

= 100

8va

8va

8va

3

10 23 Picc. 1. Fl.

1 2

Ob.

1 2

1.

E.H.

1 Cl. in B 2

Bs. Cl.

Bn.

1 2

Cbn.

1 3 Hn. in F

2 4

1 Tpt. in C

Tbn.

2 3

1 2

Bs. Tbn. Tba.

Timp. Marimba 1

Perc. 2

3 8va

8va

8va

8va

8va

(loco) 3

Pno.

7

Hrp.

CD

(A ship appears on the horizon.) I Vn. II

Va.

Vc.

Cb.

11 Moderato 27

= 112 (più mosso)

solo

Picc. 3

3

Fl.

1 2

Ob.

1 2

3

3

3

E.H.

Cl. in B

1 2

Bs. Cl. 1. Bn.

1 2 dolcissimo

Cbn.

1 3 Hn. in F

2 4

1 Tpt. in C

Tbn.

2 3

1 2

Bs. Tbn. Tba. Tri. Timp.

1 Glock. Perc. 2 Vib. 3

6

6

6 6

Pno.

6

6 6

6

Hrp.

CD

Moderato div. a3 I

Vn.

div. a3 II

(div.), pizz. Va.

(div.), pizz. Vc.

Cb.

= 112 (più mosso)

PROSPERO: (speaking): Approach, my Ariel…

12 29 Picc. 3

Fl.

1 2

Ob.

1 2

1.

dolcissimo E.H.

Cl. in B

1 2

Bs. Cl.

Bn.

1 2

Cbn.

Hn. in F

1 3 2 4 con sord. 1

Tpt. in C

Tbn.

a2, con sord. 2 3 1 2

Bs. Tbn. Tba. (Tri.) Timp. Sus. Cym. 1

(Glock.) Perc. 2 (Vib.) 3

6

6

6 6

Pno.

6

6 6

6

Hrp.

F

(fade out) CD

(PROSPERO): …spirit… I Vn. II

Va.

Vc.

Cb.

…come!

13 31 Picc. 6

6

1

6

6

6

6

6

6

Fl. 2

Ob.

1 2

E.H.

Cl. in B

1 2

Bs. Cl.

Bn.

1 2

Cbn.

a2 1 3 Hn. in F

a2 2 4

1 Tpt. in C

Tbn.

2 3 1 2

Bs. Tbn. Tba. Timp. (choke sempre) 1

Brass Wind Chimes Perc. 2 poco

3 poco 8va

8va

6

8va

6

8va

6

6

(loco)

Pno.

6

6

6

6

8va

Hrp.

(Again Prospero conjures over the sphere‌) pizz.

unis., arco

pizz.

unis., arco

I Vn. II

unis., pizz. Va.

unis. pizz. Vc.

Cb.

14 33 Picc. 5

5

5

5

5

5

5

5

1 5

5

Fl.

5

5

5

5

2 6 6

Ob.

6 6

1 2

E.H.

Cl. in B

1 2

Bs. Cl.

Bn.

1 2

Cbn.

Hn. in F

1 3 2 4 via sord. 1

Tpt. in C

Tbn.

via sord. 2 3 1 2

Bs. Tbn. Tba. Timp. 1 Perc. 2 (Vib.) 3

15ma

15ma

(loco)

15ma

15ma

15ma

15ma

Pno.

6

Hrp.

6

6 6

6 6

6 6

8va

(…and Ariel enters as a beam of light, dancing about the stage.) Solo Vn.

I Vn. II

div. a3, arco Va.

div. a3, arco Vc.

Cb.

15 35 Picc.

1 Fl. 2 6 6

Ob.

6 6

1 2

E.H.

Cl. in B

1 2

Bs. Cl.

Bn.

1 2

Cbn.

1 3 Hn. in F

2 4

1 Tpt. in C

Tbn.

2 3

1 2

Bs. Tbn. Tba.

Timp.

1

Perc. 2

3 15ma

15ma

15ma

15ma

15ma

15ma

Pno.

8va

8va

6

8va

6

6

Hrp.

6

8

Solo Vn.

I

div. a3, arco

Vn. II

Va.

Vc.

Cb.

6

8va

6

6

6

16 a tempo

37 Picc.

Fl.

1 2

Ob.

1 2

E.H.

Cl. in B

1 2

Bs. Cl.

Bn.

1 2

Cbn. a2, open 1 3 Hn. in F

a2, open 2 4

.

gliss

.

gliss

senza sord. 1 Tpt. in C

senza sord. 2 3 senza sord.

Tbn.

1 2

Bs. Tbn. Tba. Timp.

Sus. Cym. 1

Perc. 2

3

8va 8va

loco

Pno.

loco

Work swirls rapidly downward 8va

. gliss E F G A B C D

Hrp.

(Prospero): Perform the tempest‌

ss. gli gliss.

‌I command thee!

(Prospero gestures and Ariel suddenly becomes shimmering fire.)

a tempo div. a4 8va

I div. a4

Vn. II

div. a4 Va. div. a4 Vc.

Cb.

17 41

Allegretto agitato

= 120

Picc.

Fl.

1 2

Ob.

1 2

E.H.

Cl. in B

1 2

Bs. Cl.

Bn.

1 2

(slow trill) Cbn.

1 3 Hn. in F

2 4

1 Tpt. in C

Tbn.

2 3

1 2

Bs. Tbn. Tba. Timpani Timp.

(l.v.) 1

Perc. 2 Water Gong (gliss.)

Tam. 3

subito Pno.

(l.v.)

F A

Hrp.

(Prospero exits as Ariel’s light glows around a ship. The ship is tossed about in a storm of gradually increasing fury.)

Allegretto agitato

= 120

I Vn. II unis. Va.

unis.

6

6

6

6

Vc.

arco Cb.

18 46 Picc.

Fl.

1 2

Ob.

1 2

E.H.

Cl. in B

1 2

Bs. Cl.

Bn.

1 2

Cbn.

1 3 Hn. in F

2 4

1 Tpt. in C

Tbn.

2 3

1 2

Bs. Tbn. Tba.

Timp.

1

Perc. 2 (Water Gong) 3

Pno.

Hrp.

I Vn. II

Va.

6

6

6

Vc. 6 9 6

6

6

Cb. 6 9

19 49 Picc.

Fl.

1 2

Ob.

1 2

E.H.

Cl. in B

1 2

Bs. Cl.

Bn.

1 2

2.

1.

1.

2.

Cbn.

Hn. in F

1 3 2 4

1 Tpt. in C

Tbn.

2 3 1 2

Bs. Tbn. Tba. 3

3

3

3

3

Timp.

Sus. Cym. 1

Perc. 2

3

Pno. (trill on C only)

Hrp.

8va

Solo Vn. 6

altri, unis.

6 6

I 6

Vn.

unis.

6

II 6

Va. 6

6

6

6

6

6

6

6

6

Vc.

Cb.

20 52 Picc.

Fl.

1 2

Ob.

1 2

a2

E.H.

Cl. in B

1 2

Bs. Cl.

Bn.

1 2

Cbn.

a2 1 3 Hn. in F

poco a2 2 4 con sord.

via sord.

con sord.

via sord.

poco

1 Tpt. in C

2 3

3

3

Timp. (Sus. Cym.) 1 Wind Machine

poco Perc. 2 (Water Gong) 3 poco 8va

Pno.

8va

Hrp.

8

Solo Vn.

9

legato

9

legato

I

Vn. II

9

legato div.

Va.

9

Vc.

9

Cb.

9

div.

3

3

3

3

21 56

3

Picc. 3

6

6

6

6

6

6

a2 Fl.

3

1 2 3

Ob.

1 2 3

E.H. 3

3

1. Cl. in B

a2

1 2 3 3 3

Bs. Cl. 3

a2 Bn.

1 2 3

Cbn.

(a2) 1 3 Hn. in F

gliss. 3

(a2) 2 4

gliss. 3

senza sord. 3

1 Tpt. in C

senza sord. 2 3

Tbn.

1 2 a2

3

Bs. Tbn. Tba. 3

Timp. Large Thunder Sheet 3

1

Perc. 2 Bass Drum

Bell Plate

3 3 8va

3

3

3

Pno.

3

3 3

3

3

8va

8va

3 3

Hrp.

3 3

(unis.) I Vn. II unis. Va. unis. Vc.

Cb.

div. a3

22 58 Picc.

Fl.

1 2

Ob.

1 2

6

6

6

6

6

6

6

6

6

6

6

6

E.H.

Cl. in B

1 2

Bs. Cl.

Bn.

1 2

Cbn.

Hn. in F

1 3 2 4 1

Tpt. in C 2 3

Tbn.

1 2

Bs. Tbn. Tba.

Timp.

1 (Wind Machine) Perc. 2

(Bell Plate) 3

8va

8va

3

Pno.

3 3

3

3 3

3 8va

Hrp.

I

Vn. II

Va.

Vc.

Cb.

3 8va

23 3

60 Picc.

3

1 6

6

6

6

3

Fl. 2 6

Ob.

6

6

6

1 2 3

E.H. 3 3 3

Cl. in B

1 2

3 3

Bs. Cl. 3

Bn.

a2

1 2

3

Cbn. a2 1 3 3

Hn. in F

a2 2 4 3

flt.

3

1 Tpt. in C

Tbn.

flt.

a2

2 3

1 2 a2

3

Bs. Tbn. Tba. 3

Timp. (Thunder Sheet)

Sus. Cym.

3

1

Perc. 2 B.D. 3 3

8va

3

Pno.

Hrp.

3

cresc.

3

3

3 3

3 3

(Ariel’s light continues to flash as silhouettes of figures on the ship fall into the sea.)

I Vn. II

Va.

unis. Vc.

Cb.

a2

24 63 Picc. 6 6

a2 Fl.

1 2

6 6

Ob.

1 2

E.H. 6

Cl. in B

6 6

1 2 6

6 6 6

6

Bs. Cl. 6

6

a2 Bn.

6

1 2 6 6

Cbn. 6

(a2) 1 3 Hn. in F

(a2)

(in bass clef, sounding a fifth lower)

2 4

1 Tpt. in C

Tbn.

2 3

1 2

Bs. Tbn. Tba.

5

5

Timp. (ossia)

Thunder Sheet 1

(Wind Machine) Perc. 2

Tam. 3

8va

8va

3

3

5

5

5

5 3

Pno.

5

5 3 5

3

5

5

5

5

Work clusters down and up

Hrp.

div. 8va a3 I div. a3

Vn. II

Va.

div. Vc. div. Cb.

3

3

5 3

25 65 Picc.

1 6

6

6

6

Fl. 2 6

Ob.

6

6

6

1 2

E.H.

Cl. in B

1 2

Bs. Cl.

Bn.

1 2

Cbn. (a2) 1 3 Hn. in F

(a2) 2 4

flt. 1 Tpt. in C

Tbn.

flt. 2 3

1 2

Bs. Tbn. Tba.

Timp. Sus. Cym. 1

(Wind Machine) Perc. 2

3 8va

Pno.

Hrp.

unis.

I Vn.

unis. II

Va.

unis. Vc.

Cb.

a2

a2

26 67 Picc. 6 6

a2 Fl.

1 2

6 6

Ob.

1 2

E.H. 6

Cl. in B

6 6

1 2 6

6 6 6

6

Bs. Cl. 6

6

a2 Bn.

6

1 2 6 6

Cbn. 6

(a2)

Hn. in F

1 3 (a2) 2 4 1

Tpt. in C

Tbn.

2 3

1 2

Bs. Tbn. Tba.

5

5

Timp. Thunder Sheet

(ossia)

1

(Wind Machine) Perc. 2

(Tam.) 3

8

8va

3

3

5

5

5

5 3

Pno.

5

5 3

3 5

3

5

3

5

5

5

5 3

Work clusters down and up

Hrp.

div. 8va a3 I div. a3

Vn.

unis. II

Va. div. Vc.

(div.) Cb.

27 69 Picc. 6

6

6

6

1. Fl.

1 2 6

6

6

6

1. Ob.

1 2

E.H.

2. Cl. in B

1.

1 2

Bs. Cl.

Bn.

1 2

Cbn.

1 3 Hn. in F

2 4

1 Tpt. in C

Tbn.

2 3 1 2

Bs. Tbn. Tba.

Timp. Sus. Cym. 1

Perc. 2

(Water Gong) 3

Pno.

8va

8va

E F G A B C D

Hrp.

(Prospero reappears, this time with Miranda. The tempest begins to subside.)

Miranda: O, Father‌

I suffer with these I see suffering! st fa liss. g

Solo Vn.

div.

unis. I Vn.

poco II poco div.

unis.

Va. unis. Vc.

Cb.

8va

28

Meno mosso, moderato = 112

73 Picc.

Fl.

1 2

Ob.

1 2

2.

E.H.

1. Cl. in B

1 2 6

6

Bs. Cl.

Bn.

1 2

Cbn.

1 3 Hn. in F

2 4

1 Tpt. in C

Tbn.

2 3

1 2

Bs. Tbn. Tba. Tri. Timp.

(Sus. Cym.) 1 (Wind Machine) Perc. 2 (Water Gong) 3

8va

Pno.

Hrp.

(The ship appears to sink.) (Miranda): ‌The brave ship, dashed all to pieces! tutti, unis. I Vn. II

Va.

Vc. unis. Cb.

Prospero: Be collected.

Meno mosso, moderato = 112

Solo

Subito meno mosso, andante = 88 a tempo

29 = 112

77 Picc. 5

5

5

5

1. Fl.

1 2 5

1. solo Ob.

1 2 dolce

E.H. 1. Cl. in B

1 2

Bs. Cl.

Bn.

1 2

Cbn.

1 3 Hn. in F

2 4

1 Tpt. in C

Tbn.

2 3

1 2

Bs. Tbn. Tba.

Timp.

(Sus. Cym.), soft sticks 1 Cymbals a2 (scrape)

Brass Wind Chimes

Perc. 2 Vib. 3

Pno.

A B

Hrp.

(Prospero): There’s no harm done.

Ariel…

Subito meno mosso, andante = 88 a tempo div. a3

tutti I Vn.

div. a3 II

Va. solo Vc.

Cb.

unis.

(Ariel reappears in her original form.)

= 112

5

5

30 81 Picc. 1. solo Fl.

1 2 10

Ob.

1 2

E.H. 1. Cl. in B

1 2

Bs. Cl.

Bn.

1 2

Cbn.

1 3 Hn. in F

2 4

1 Tpt. in C

Tbn.

2 3

1 2

Bs. Tbn. Tba.

Timp.

1

Perc. 2

3

Pno.

Hrp.

(Prospero): Are they safe? I Vn. II

Va.

Vc.

Cb.

(Ariel dances her response.)

31 85 Picc. (1.) Fl.

1 2

Ob.

1 2

E.H.

Cl. in B

1 2

Bs. Cl.

Bn.

1 2

Cbn.

1 3 Hn. in F

2 4

1 Tpt. in C

Tbn.

2 3

1 2

Bs. Tbn. Tba.

Timp.

1

Perc. 2

3

Pno.

Hrp.

(…and exits.)

(Prospero): Good spirit.

(to Miranda:) I have done nothing but in care of thee,… my dear one…

I Vn. II

Va. tutti Vc.

Cb.

32 89 Picc.

Fl.

1 2

Ob.

1 2

E.H. dolce Cl. in B

1 2

Bs. Cl.

Bn.

1 2

Cbn.

1 3 Hn. in F

2 4

1 Tpt. in C

Tbn.

2 3

1 2

Bs. Tbn. Tba.

Timp.

Sus. Finger Cym. 1

Perc. 2

3

6

6

6

6

Pno.

6

6

6

Hrp.

(Prospero): My daughter… I Vn.

(div. a3) II

div. a3 Va.

pizz. Vc.

pizz. Cb.

…come…

6

33 91 Picc.

Fl.

1 2

Ob.

1 2

E.H.

Cl. in B

1 2

Bs. Cl.

Bn.

1 2

Cbn.

1 3 Hn. in F

2 4

1 Tpt. in C

Tbn.

2 3

1 2

Bs. Tbn. Tba.

Timp.

(Sus. Finger Cym.) 1

Perc. 2

3

6

6

6

6

Pno.

6

6

6

6

Hrp.

(Prospero): …’Tis… I

Vn. II

Va.

Vc.

Cb.

34 93 Picc.

Fl.

1 2

Ob.

1 2

E.H.

Cl. in B

1 2

Bs. Cl.

Bn.

1 2

Cbn.

1 3 Hn. in F

2 4

1 Tpt. in C

Tbn.

2 3

1 2

Bs. Tbn. Tba.

Timp.

1

Perc. 2

3

Pno.

Hrp.

(Prospero): ‌time I should inform thee what thou art. I Vn.

unis. II div. a2

Va. arco Vc. arco Cb.

35 97 Picc.

Fl.

1 2

Ob.

1 2

E.H.

Cl. in B

1 2

Bs. Cl.

Bn.

1 2

Cbn.

1 3 Hn. in F

2 4

1 Tpt. in C

Tbn.

2 3

1 2

Bs. Tbn. Tba.

Timp.

Crotales 1 Glock. Perc. 2 Vib. 3 8va

8va

8va

8va

8va

8va

Pno.

6

Hrp.

6 6

G B

(Prospero and Miranda look into the glowing sphere.) Solo Vn. dolce I Vn. II unis. Va.

Vc. Cb.

6

36 99 Picc.

Fl.

1 2

Ob.

1 2

E.H.

Cl. in B

1 2

Bs. Cl.

Bn.

1 2

Cbn.

1 3 Hn. in F

2 4

1 Tpt. in C

Tbn.

2 3

1 2

Bs. Tbn. Tba. Tri. Timp. Glass Wind Chimes 1

(Glock.) Perc. 2

(Vib.) 3 8va

8va

to Harpsichord 8va

8va

8va

8va

Pno.

6

Hrp.

6 6

6

Solo Vn. poco

I Vn. II

Va.

Vc.

Cb.

poco

37 Maestoso

101

= 88

Picc.

Fl.

1 2

Ob.

1 2

E.H.

Cl. in B

1 2

Bs. Cl. solo espr. Bn.

1 2

Cbn.

1 3 Hn. in F

2 4

1 Tpt. in C

Tbn.

2 3

1 2

Bs. Tbn. Tba.

Timp.

1

Perc. 2

3

Harpsichord

Hpschd.

Hrp.

Prospero: Twelve years ago, Miranda…

I, Prospero,…

Maestoso

was Duke of Milan…

(As Prospero speaks, images enact his story in the sphere.)

= 88

I Vn. II

Va. (arco) Solo Vc. pizz. Vc. pizz. Cb.

div.

38 107

Subito più mosso = 120

poch. rit.

Picc.

Fl.

1 2

Ob.

1 2

E.H.

Cl. in B

1 2

Bs. Cl.

Bn.

1 2

Cbn.

open Hn. in F

1 3 open 2 4 con sord. 1

Tpt. in C

dolce con sord. 2 3 dolce

Tbn.

1 2

Bs. Tbn. Tba.

Timp.

1 Cymbals (scrape) a2 Perc. 2 Vib. 3

Hpschd.

E G

Hrp.

(Prospero): …and a prince of power.

poch. rit.

But to my own state grew stranger…

Subito più mosso = 120

…being rapt in magic studies.

8va

Solo Vn. div.

legato

I Vn.

div. II div.

Va.

Solo Vc. div., arco Vc.

Cb.

unis.

38

39 113

Picc.

1

Fl. 2

Ob.

1 2

E.H.

Bn.

1 2

Cbn.

Hn. in F

1 3 2 4 (con sord.) 1

Tpt. in C

Tbn.

(con sord.) 2 3 1 2

Bs. Tbn. Tba. Timp. Bell Tree

Sus. Cym. (choke)

1

Glock. Perc. 2

3

Hpschd.

8va 8va

E F G A B C D

Hrp.

Alonso, King of Naples… 8

Solo Vn.

pizz. (div.) I Vn. II

Va.

Solo Vc.

pizz. (div.) Vc.

Cb.

6

6

6

6

6

6

6

6

A

…by foul play…

40 117 Picc.

Fl.

1 2

Ob.

1 2

E.H.

Cl. in B

1 2

Bs. Cl.

Bn.

1 2

Cbn.

a2, con sord. Hn. in F

1 3 a2, con sord. 2 4 (con sord.) 1

Tpt. in C

(con sord.) 2 3 a2, con sord.

Tbn.

1 2

Bs. Tbn. Tba.

Timp. (Sus. Cym.) 1 (Glock.)

Cymbals (ord.)

Perc. 2

3

Piano

to Piano Pno.

6

6

6

6

6

6

6

6

6

6

6

6

6

6

6

6

6

6

Hrp.

(Prospero): ‌levied a treacherous army. tutti, arco I Vn. II

Va.

tutti, arco Vc.

Cb.

41 119 Allegro

agitato

= 138

Picc.

Fl.

1 2

Ob.

1 2

E.H.

Cl. in B

1 2

Bs. Cl.

Bn.

1 2

Cbn.

1 3 Hn. in F

2 4

1 Tpt. in C

sub. 2 3 sub.

Tbn.

solo

1 2 Bs. Tbn. con sord.

a2 (Tba. con sord.)

Bs. Tbn. Tba. poco Timp. Vibraslap 1

Perc. 2 S.D. 3

Pno.

Hrp.

Allegro agitato

= 138

I Vn.

unis. II

div.

col legno battuto

Va.

div.

col legno battuto

unis. (pizz.)

arco, col legno battuto

Vc.

Cb.

5

a2

42 123

flt.

3

3 3

Picc. 1., flt. Fl.

1 2

3

3

3

3 3

3

3

3

3

sub. Ob.

1 2

E.H. sub.

Cl. in B

1 2

Bs. Cl.

1. Bn.

1 2

Cbn.

a2, senza sord.

Hn. in F

3

3

1 3

2 4

1 Tpt. in C

Tbn.

2 3 1 2

Bs. Tbn. Tba. Timp. (Vibraslap)

Sus. Cym.

1

Perc. 2 Vib. 3

Pno.

8va

8va

Hrp.

E F G A B C D

(Prospero): In the dead of darkness he hurried me and thy crying self out to sea. I legato

Vn. II

3

3

ord. Va.

legato

unis., ord.

Vc. 3

Cb.

3

43 subito meno mosso = 72 rit. molto

127 Picc.

Fl.

1 2

Ob.

1 2

E.H.

Cl. in B

1 2

Bs. Cl. (1.) Bn.

1 2

Cbn. a2, con sord.

(a2) 1 3 Hn. in F

5

3

3

a2 (con sord.) 2 4 5

(con sord.) 1 Tpt. in C

5

(con sord.) 2 3 5

Tri. Timp.

1

Cymbals Perc. 2

3 cresc. 8va

3

3

3

3

3

3

Pno.

8va

8va

3

3 8va

Hrp.

8va

Solo Vn.

I Vn. II 3

3

Va.

div. a3 Vc. 3

Cb.

3

subito meno mosso = 72 rit. molto

44 Moderato 131

= 112

solo

Picc. dolce

Fl.

1 2

Ob.

1 2

E.H.

Cl. in B

1 2

Bs. Cl.

Bn.

1 2

Cbn.

1 3 Hn. in F

2 4

1 Tpt. in C

Tbn.

2 3

1 2

Bs. Tbn. Tba.

Timp.

Glass Wind Chimes 1

Perc. 2

3

Pno.

6 6

Hrp.

6 6

(Prospero): By Providence divine we came ashore on this fair island‌

Moderato tutti div. I

Vn.

div. II

Va.

Vc.

Cb.

= 112

6 6

6 6

45 133 Picc.

Fl.

1 2

Ob.

1 2

E.H.

Cl. in B

1 2

Bs. Cl. 1. solo Bn.

1 2 dolce solo

Cbn.

1 3 Hn. in F

2 4

1 Tpt. in C

Tbn.

2 3

1 2

Bs. Tbn. Tba.

Timp.

1

Perc. 2 Bamboo Wind Chimes 3

6

Pno.

6

Hrp.

I Vn. II div. Va. div. a2 Vc. pizz. Cb.

6 6

6 6

6 6

46

poco più mosso Allegretto agitato

135

= 120

Picc.

Fl.

1 2

Ob.

1 2

E.H.

Cl. in B

1 2

Bs. Cl. 2. solo Bn.

1 2 1.

Cbn.

1 3 Hn. in F

2 4

1 Tpt. in C

2 3 a2 (con sord.)

Tbn.

1 2 (con sord.)

Bs. Tbn. Tba.

Timp. poss. Crotales

3

1 3

3

3

Brass Wind Chimes Perc. 2

3 8va

Pno.

(non cresc.)

E C

Hrp.

poco più mosso Allegretto agitato

(Prospero): …with my books, which I prized above my dukedom. Solo Vn. unis. I Vn.

unis. II unis.

Va. unis. Vc. arco Cb.

= 120

47 139 Picc.

Fl.

1 2

Ob.

1 2

1.

dolce

E.H.

Cl. in B

1 2

Bs. Cl.

Bn.

1 2

Cbn.

1 3 Hn. in F

2 4

1 Tpt. in C

Tbn.

2 3

1 2

Bs. Tbn. Tba.

Timp. Bell Tree 1 (Crot.) Wind Machine Perc. 2

Vib. 3

8

Pno.

6

Hrp.

6

6

6

(Prospero:) But now, bountiful fortune hath mine enemy brought to this shore. tutti, div.

I Vn. II

Va. div. Vc.

Cb.

6

6

E C

6

6

48 141 Picc.

Fl.

1 2

Ob.

1 2

6

6

6

6

6

6

6

6

(1.)

E.H.

1. Cl. in B

1 2

Bs. Cl.

Bn.

1 2

Cbn.

1 3 Hn. in F

2 4

1 Tpt. in C

Tbn.

2 3

1 2

Bs. Tbn. Tba.

Timp.

Sus. Cym. 1 (Wind Machine) Perc. 2

3 8va

8va

8va

8va

8va

8va

8va

Pno.

8va

8va

E F G A B C D

Hrp.

Miranda: In the tempest? 8va

Solo Vn.

I Vn. II

Va. unis. Vc.

Cb.

8va

49

poco meno mosso Moderato = 112

143 Picc.

Fl.

1 2 (1.)

Ob.

1 2 dim. molto

E.H. (1.) Cl. in B

1 2 poco

Bs. Cl.

sub. Bn.

1 2

Cbn. sub. (con sord.)

via sord.

(con sord.)

via sord.

1 3 Hn. in F

2 4

solo (con sord.), “mocking” 3

1 Tpt. in C

Tbn.

2 3 1 2 3. solo (con sord.), “mocking” 3

Bs. Tbn. Tba.

Timp.

Sus. Fing. Cym.

Vibraslap

1

Perc. 2 (Vib.)

Tam. (scrape across face)

3

to Harpsichord Pno.

Hrp.

Prospero: Yes, child…

(Alonso appears.) Here is Alonso…

poco meno mosso Moderato = 112

…King of Naples.

Solo Vn.

I Vn. II

pizz. Va.

Vc.

pizz. Cb.

arco

50 148 Picc.

1. Fl.

1 2

Ob.

1 2

E.H.

Cl. in B

1 2

Bs. Cl.

Bn.

1 2

Cbn.

1 3 Hn. in F

2 4

1 Tpt. in C

Tbn.

2 3 1 2

Bs. Tbn. Tba. Timp. Crot. 1

Glock. Perc. 2 Vib., motor on vibrato faster

vibrato slower

motor off

3

Harpsichord Hpschd.

E F G A B C D

Hrp.

Alonso: My son is lost‌ pizz., vib.

‌O Ferdinand, what strange fish hath made his meal of thee?

8va

arco

Solo Vn. legato, espr. div. a3, arco

div., pizz., vib.

unis.

I Vn.

div., pizz., vib.

div. a3, arco

div., ord. pizz., vib.

unis., arco

div. a2

II

Va.

Vc.

Cb.

div.

51 solo

152 Picc.

poco

6

6

solo

1 Fl. 2 3

Ob.

1 2

E.H. Cl. in B

1 2

Bs. Cl.

Bn.

1 2

Cbn.

1 3 Hn. in F

2 4

1 Tpt. in C

Tbn.

2 3

1 2

Bs. Tbn. Tba.

Timp.

1

Perc. 2

3

8va

8va

8va

8va

8va

Hpschd.

Hrp.

D

Prospero: Ariel, sprite‌ 8

(Ariel enters.)

pizz.

Solo Vn.

pizz. I Vn.

unis., pizz. II unis.

Va.

Vc.

Cb.

pizz.

52 Poco più mosso

= 120

155 Picc. 6

1

6

6

5:4

6

12

Fl.

2

Ob.

1 2

E.H. 1. Cl. in B

1 2

Bs. Cl.

Bn.

1 2

Cbn.

1 3 Hn. in F

2 4

1 Tpt. in C

Tbn.

2 3

1 2

Bs. Tbn. Tba.

Timp.

Sus. Fing. Cym. 1

Perc. 2 (Vib.) 3

8va

Hpschd.

8va

8va

E F G A B C D

Hrp.

(Prospero): …show us Ferdinand, Prince of Naples…

…the son of my enemy.

(Ariel spins about the stage…)

Poco più mosso

= 120

(tutti), arco, col legno battuto I Vn.

arco, col legno battuto II

Va.

Vc.

Cb.

53 Meno mosso

158

= 112

Picc. 6

6

5

5

1

6

dolce

6

Fl.

2

Ob.

1 2

E.H. (1.) Cl. in B

1 2

Bs. Cl.

Bn.

1 2

Cbn.

1 3 Hn. in F

2 4

1 Tpt. in C

Tbn.

2 3

1 2

Bs. Tbn. Tba.

Timp.

Bell Tree 1

Perc. 2

3

8

Hpschd.

8va

8va

Hrp.

(‌then vanishes as Ferdinand appears.)

Meno mosso ord. I

subito espr.

Vn.

ord. (arco) II

arco Va.

Vc.

Cb.

= 112

54 161 Amoroso

= 84

Picc.

Fl.

1 2

Ob.

1 2

E.H.

Cl. in B

1 2

Bs. Cl.

Bn.

1 2

Cbn.

1 3 Hn. in F

2 4

1 Tpt. in C

Tbn.

2 3 1 2

Bs. Tbn. Tba. Timp.

1 Cymbals a2 (scrape) Perc. 2

3

Hpschd.

E F G A B C D

Hrp.

Prospero: Miranda, say what thou see’st yonder.

Amoroso

(Ferdinand and Miranda look at each other in wonderment.)

= 84

Solo Vn. dolce

appass. I appass.

Vn. II

appass.

Va. appass. Solo Vc.

gli altri

pizz. Cb.

poco

166

55

subito affretando Andante = 100

Picc.

1 Fl. 2 6

6

6

Ob.

6

1 2

E.H.

Cl. in B

1 2

Bs. Cl.

Bn.

1 2

Cbn.

Hn. in F

1 3 2 4

1 Tpt. in C

Tbn.

2 3 1 2

Bs. Tbn. Tba. Timp. Crot. 1

Perc. 2

3

Hpschd.

8va

Hrp.

C

Miranda (to Prospero): O, what is’t? It carries a brave form…

subito affretando Andante = 100 tutti III

8va

8va

5

I

5

loco

5

5

loco

5

5

5

5

8va

III

Vn.

8va

5

II

5

loco

5

5

loco

5

5

5

5

8va

II

8va

5

Va.

5

loco

5

5

loco

5

5

5

5

tutti II Vc.

5 5

Cb.

5

5 5

5

5 5

56 168 Picc.

1 Fl. 2 6

6

6

Ob.

6

1 2

E.H.

Cl. in B

1 2

Bs. Cl.

Bn.

1 2

Cbn.

1 3 Hn. in F

2 4

1 Tpt. in C

2 3

Timp. (Crot.) 1

Brass Wind Chimes Perc. 2

(Vib.) 3

Hpschd.

poco

8

Hrp.

(Miranda): is’t a spirit? 8va

5

loco sul IV

Solo Vn.

5

5 5

dolce

8va

8va

5

I

5

loco

5

5

5

5

5

5

8va

8va

5

Vn. II

5

loco

5

5

5

5

5

5

8va

8va

5

Va.

5

loco

5

5

loco

5

5

5

Vc.

5 5

Cb.

5

5

5 5

5

5 5

57 170

a tempo Amoroso

= 84

Picc. 2. Fl.

1 2

Ob.

1 2

1. solo

espr. ed appass. E.H.

Cl. in B

1 2

Bs. Cl.

Bn.

1 2

Cbn.

1 3 Hn. in F

2 4

1 Tpt. in C

Tbn.

2 3 1 2

Bs. Tbn. Tba.

Timp.

Sus. Cym. 1

Perc. 2

3

to Piano Hpschd.

Hrp.

Prospero: No, child, it eats and sleeps and has such senses as we have.

a tempo Amoroso

Miranda: I might call him‌

= 84

Solo Vn.

I Vn. II tutti

solo Va.

Solo Vc. poco gli altri

arco Cb.

pizz.

58 175

accel.

Andante

= 100

Picc.

Fl.

1 2

1

Ob. 2

E.H. espr. Cl. in B

1 2

Bs. Cl.

Bn.

1 2

Cbn.

Hn. in F

1 3 2 4

1 Tpt. in C

Tbn.

2 3 1 2

Bs. Tbn. Tba.

Timp.

1

Perc. 2

3

Piano 6

Pno.

6

6

Hrp.

(Miranda): …a thing divine; for nothing natural I ever saw so noble.

accel.

Andante

= 100

Solo Vn.

div. a3 I Vn.

div. a3 II

Va.

Solo Vc.

gli altri

Cb.

6

59 178 Picc.

1. Fl.

1 2

Ob.

1 2

1.

dolce

E.H.

Cl. in B

1 2

Bs. Cl.

Bn.

1 2

Cbn.

1 3 Hn. in F

2 4

1 Tpt. in C

Tbn.

2 3 1 2

Bs. Tbn. Tba. Timp.

1 Glock. Perc. 2 poss.

(Vib.) 3 8va

Pno.

6

6

6

8va

6

6

6

6

6

Hrp.

(Ferdinand approaches Miranda.) Solo Vn. sempre div. a2 I sempre Vn.

div. a2 II sempre pizz.

Va.

pizz. Solo Vc. pizz. gli altri pizz. Cb.

60 180 Picc. (1.) Fl.

1 2

Ob.

1 2

(1.)

E.H.

Cl. in B

1 2

Bs. Cl.

Bn.

1 2

Cbn.

1 3 Hn. in F

2 4

1 Tpt. in C

Tbn.

2 3

1 2

Bs. Tbn. Tba.

Timp.

1 (Glock.) Perc. 2 (Vib.) 3

8va

6

Pno.

6

Hrp.

(tutti div.) I Vn. II

Va. tutti Vc.

Cb.

8va

6

6

8va

8va

6

6

6

6

61 182 Picc.

(1.) Fl.

1 2

Ob.

1 2

(1.)

E.H.

Cl. in B

1 2

Bs. Cl.

Bn.

1 2

Cbn.

1 3 Hn. in F

2 4

1 Tpt. in C

Tbn.

2 3

1 2

Bs. Tbn. Tba.

Timp. Crot. 1

Brass Wind Chimes

Glock.

Perc. 2

3

8va

6

8va

6

8va

8va

6

Pno.

6

G

Hrp.

poco

(He kisses her hand.) I Vn. II

Va.

Vc.

Cb.

7 7

62 184

più mosso Moderato

poch. rit. = 112

Picc.

Fl.

1 2

Ob.

1 2

E.H.

Cl. in B

1 2

Bs. Cl.

Bn.

1 2

Cbn.

1 3 Hn. in F

2 4

1 Tpt. in C

Tbn.

2 3 1 2

Bs. Tbn. Tba. Timp. (Crot.) 1 (Glock.) Perc. 2 (Vib.) 3

8va

Pno.

8va

E F G A B C D

Hrp.

Ferdinand: O…you wonder!

più mosso Moderato

poch. rit. = 112

Solo Vn. unis.

dolce

poco

I Vn.

unis. II unis.

Va. arco Solo Vc. arco gli altri

Cb.

188

a tempo

subito più mosso Allegro agitato

63 = 138

Picc.

Fl.

1 2

Ob.

1 2

E.H.

Cl. in B

1 2

Bs. Cl.

1 3

3

Bn. 2

Cbn.

Hn. in F

1 3 2 4 senza sord.

Tbn.

1 2 Bass Tbn., senza sord.

Bs. Tbn. Tba.

Timp. (Crot.) 1

(Glock.) Perc. 2

(Vib.) 3

Pno.

Hrp.

Ferdinand: Maid, if your affection’s not gone forth…

a tempo

…I’ll make you Queen of Naples!

subito più mosso Allegro agitato

= 138

Solo Vn.

I Vn. II

Va.

Solo Vc.

gli altri 3

arco Cb.

3

64 192 Picc.

Fl.

1 2

Ob.

1 2

E.H.

2. Cl. in B

1.

1 2

3

Bs. Cl. 3

1 3

Bn. 2 3

3

Cbn.

1 3 Hn. in F

2 4

1 Tpt. in C

Tbn.

2 3 1 2

Bs. Tbn. Tba.

Timp.

1 Tambourine (thumb roll)

ord. hit

Perc. 2

3

Pno.

E F G A B C D

Hrp.

poco

Prospero (aside): This swift business I must uneasy make‌ tutti, pizz.

‌lest too light winning make the prize light. arco

6

6

I poco Vn.

pizz.

arco

6

6

II poco arco pizz. Va. cresc. tutti, pizz. 3

Vc. 3

Cb.

65

poco meno mosso Moderato = 112

196 Picc.

Fl.

1 2

Ob.

1 2

E.H.

a2 Cl. in B

1 2

Bs. Cl.

Bn.

1 2

Cbn.

a2 1 3 Hn. in F

a2 2 4 (con sord.) 1

Tpt. in C

2. (con sord.)

(con sord.)

2 3 con sord. Tbn.

1 2 con sord.

Bs. Tbn. Tba.

3

3

Timp. Sus. Cym. 1

(Tamb.) ord. shake

(hit)

Perc. 2 Tam. 3

Pno.

Hrp.

poco

poco meno mosso Moderato = 112 6

(Prospero appears between them.)

6

I poco

Vn.

6

6

II poco

Va. (cresc.) poco

6

6

6

6

6

6

arco Vc.

Cb.

66

pi첫 agitato = 120

198 Picc.

Fl.

1 2

Ob.

1 2

E.H.

Cl. in B

1 2

Bs. Cl.

Bn.

1 2

Cbn.

1 3 Hn. in F

2 4

1 Tpt. in C

Tbn.

2 3

1 2

Bs. Tbn. Tba.

Timp. Marimba 1 Guiro (med.) Perc. 2 Vib. 3

Pno.

8va

8va

Paper through strings

Hrp.

B C

Prospero (to Ferdinand): Thou, sir, hast put thyself upon this island as a spy, to win it from me.

Ferdinand: No, as I am a man!

pi첫 agitato = 120 I subito

Vn. II

subito

Va.

Vc.

Cb.

8va

201

67

flt.

Picc. 6

6

6 6

Fl.

1 2

flt. 6

Ob.

1 2

E.H.

Cl. in B

1 2 6

6 6

6

Bs. Cl.

Bn.

1 2

Cbn.

Hn. in F

a2

1 3

a2

2 4

senza sord. 1 Tpt. in C

senza sord. 2 3 senza sord.

Tbn.

1 2 Bs. Tbn.

senza sord.

Bs. Tbn. Tba.

Timp.

Sus. Cym. 1 Tamb.

Ratchet

Perc. 2 Tam. 3 8va

3

3

Pno.

3

3 8va

8va

8va

8va

8va

E F G A B C D

Hrp.

Prospero (to Ferdinand): I’ll manacle thy neck and feet!

(At Prospero’s command Ferdinand is bound.) arco

pizz. I subito Vn.

arco

pizz. II subito pizz.

arco

6

arco

6

6

Va. subito pizz. Vc. subito Cb.

6

68

204

Picc.

Fl.

1 2 2.

Ob.

1 2

1. 1. solo, dolce

poco

E.H. 8va

Cl. in B

1 2 6

6 6

6

Bs. Cl.

Bn.

1 2

Cbn.

Hn. in F

to Conch Shell (1 in G, 3 in F)

(a2)

1 3 (a2)

to Conch Shell (2 in C, 4 in B )

2 4

1 Tpt. in C

Tbn.

2 3

1 2

Bs. Tbn. Tba.

Timp.

(Sus. Cym.) 1 (Ratchet) Perc. 2 (Tam.) 3

8va

3

Pno.

3 3

3 8va

Hrp.

(Ferdinand struggles.) Miranda: O, dear father, make not too rash a trial of him. Solo Vn.

I

Vn. II subito 6

6

Va.

Solo Vc. 6

gli altri

Cb.

6

69 206 Picc.

1 5

Fl. 2 5

1. Ob.

1 2

E.H.

Cl. in B

1 2

Bs. Cl.

Bn.

1 2

Cbn.

1 3 Hn. in F

Tbn.

2 4

1 2

Bs. Tbn. Tba.

Timp.

1

Brass Wind Chimes Perc. 2

S.D., rim shot 3

Pno.

8va

Remove paper from strings

Hrp.

Prospero: speak not you for him! Solo Vn. pizz. I Vn. II pizz. Va.

Solo Vc. pizz. gli altri

Cb.

70 Andante

208

= 100

Picc.

Fl.

1 2

Ob.

1 2

E.H.

Cl. in B

1 2

Bs. Cl.

1 Bn. 2

Cbn.

1 3 Hn. in F

2 4

1 Tpt. in C

Tbn.

2 3

1 2

Bs. Tbn. Tba.

Timp.

Sus. Fing. Cym.

Crot.

1 Glock. Perc. 2 Vib. 3

Pno.

8va

ord.

E D

Hrp.

Miranda (to Ferdinand): Be of comfort. My father’s of a better nature, sir, than he appears.

Andante

Solo Vn. arco I Vn. II arco Va. tutti, arco Vc.

Cb.

= 100

71 Pi첫 mosso

211

= 120

Picc. 6

1

6

6

6

Fl. 2

Ob.

1 2

E.H. 1. Cl. in B

1 2 poco

Bs. Cl.

1 Bn. 2

Cbn.

1 3 Hn. in F

2 4

1 Tpt. in C

Tbn.

2 3 1 2

Bs. Tbn. Tba. Timp.

1 Brass Wind Chimes Perc. 2

Bell Plate 3

8va

Pno.

8va

E F G A B C D

Hrp.

Prospero (to Miranda): Take him to my cave.

Pi첫 mosso

(tutti) pizz. I Vn.

pizz. II

Va.

Vc.

Cb.

8va

= 120

(Ferdinand and Miranda exit.)

72 214 Picc. 6

1

6

6

6

Fl. 2

Ob.

1 2

E.H.

Cl. in B

1 2

Bs. Cl.

Bn.

1 2

Cbn.

Hn. in F

1 3 2 4

1 Tpt. in C

Tbn.

2 3 1 2

Bs. Tbn. Tba. Tri. Timp. Bell Tree 1 (Br. Wind Ch.) Perc. 2

(Bell Plate) 3

8

Pno.

8va

8va

8va

Hrp.

arco

Prospero (alone onstage): Now, come forth, my slave‌

8va

Solo Vn. div., arco

I div. a3, arco

Vn. II

div., pizz. Va. (vib.) Solo Vc.

pizz. gli altri

pizz. Cb.

73 219 Moderato

misterioso

= 112

Picc.

Fl.

1 2

Ob.

1 2

E.H.

Cl. in B

1 2

Bs. Cl.

a2 Bn.

1 2 non cresc.

Cbn. non cresc. 1 3 Hn. in F

2 4

1 Tpt. in C

Tbn.

2 3

1 2 con sord.

da lontano

Bs. Tbn. Tba.

Timp.

1

Perc. 2 B.D. 3 quasi niente

Pno.

Hrp.

F

près de la table

(Prospero): …Caliban.

Moderato misterioso I Vn. II

Va. tutti, arco Vc. arco Cb.

(The stage darkens.)

= 112

74 224 Picc.

Fl.

1 2

Ob.

1 2

E.H.

Cl. in B

1 2

Bs. Cl.

a2 Bn.

1 2 non cresc.

Cbn. non cresc. 1 3 Hn. in F

2 4

1 Tpt. in C

Tbn.

2 3

1 2

Bs. Tbn. Tba.

solo Timp.

Marimba 1

Perc. 2 (B.D.) 3

Pno.

Hrp.

I Vn. II

Va.

Vc.

Cb.

75 229 Picc.

Fl.

1 2

Ob.

1 2

E.H.

Cl. in B

1 2

Bs. Cl.

Bn.

1 2

Cbn.

1 3 Hn. in F

2 4

1 Tpt. in C

2 3 1., con sord.

Tbn.

1 2

Bs. Tbn. Tba.

Timp.

1

Perc. 2 (B.D.) 3

Pno.

sim.

Hrp.

(Caliban appears in the distance and dances menacingly toward Prospero.) I Vn. II non div. col legno battuto Va.

Vc.

Cb.

76 233 Picc.

Fl.

1 2

Ob.

1 2

E.H.

1 Cl. in B

2

Bs. Cl.

Bn.

1 2

Cbn.

Hn. in F

1 3 2 4 1

Tpt. in C

Tbn.

poco 2. 2 3

1 2 con sord.

(con sord.)

Bs. Tbn. Tba.

Timp.

(Marimba) 1

Quica Perc. 2

(B.D.) with wood handle of beater 3

Pno.

sim.

Hrp.

(Caliban moves closer and closer‌) non div., col legno battuto I

Vn.

non div., col legno battuto II

ord. Va.

Vc.

Cb.

77 237 Picc.

a2 Fl.

1 2

Ob.

1 2

a2

3

3

3

3

3

3

3

3

3

3

3

3

E.H. 3

3

3

3

3

3

3

1 Cl. in B

2

Bs. Cl.

Bn.

1 2

Cbn.

Conch Shells in C * 3

1 3 Hn. in F

Conch Shells in C * 2 4

3

3

3

3

3

3

3

poco

poco

poco

3

1

Tpt. in C

2 poco

poco

poco

poco

3

3

3

3

3

Tbn.

1 2

Bs. Tbn. Tba. Timp. poco Small Guiro 3

3

3

3

3

3

3

3

3

3

3

3

3

1

Perc. 2 Large Guiro 3

3

Pno.

Hrp.

ord. I Vn.

ord. II

Va.

Vc.

Cb.

*Horns: ossia, play these concert pitches (transposed) on F horn.

78 241 Picc.

3 3

a2 Fl.

1 2

3 3

Ob.

1 2 3

3

3

3

E.H.

Cl. in B

1 2 3

Bs. Cl. 3

a2 Bn.

1 2 6

6

6

6

6

6

6

6

Cbn.

3. 1 3 Conch Shell

Tpt. in C

Tbn.

2. 2 4

1 2 3 senza sord.

1 2

Bs. Tbn. Tba.

senza sord.

5

5

Timp. ossia (A ) Sus. Cym. 1 Tamb.

3

3

Perc. 2 Brake Drum on Bass Drum

Tam.

Bk. Dr.

Tam.

3

8va

8va

8va

8va

Pno.

Hrp.

E F G A B C D

(‌until he confronts Prospero face to face.) I

3

3

Vn.

3

II 3 3

Va. 3

Vc. 6

6

6

6

6

6

6

6

Cb.

79 243 Picc. 5

5

5

5

(a2) Fl.

Ob.

1 2

1 2 5

5 5

5

E.H.

Cl. in B

1 2 3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

Bs. Cl. (a2) Bn.

1 2 6

6

6

6

6

6

6

6

Cbn.

3.

1.

3.

1.

2.

4.

2.

4.

1 3 Conch Shell

2 4

1 Tpt. in C

Tbn.

2 3 1 2

Bs. Tbn. Tba.

5 3

Timp.

3

5

3

3

3

3

(Sus. Cym.) 1

(Tamb.)

3

3

3

3

Perc. 2

(Bk. Dr.)

(Tam.)

(Bk. Dr.)

(Tam.)

3

8va

8va

8va

8va

Pno.

Hrp.

I 5

5

Vn. II 5

5 5

5

Va.

Vc. 6

6

6

6

6

6

6

6

Cb.

80 245 Picc. 5

5

5

5

(a2) Fl.

Ob.

1 2

1 2 5

5 5

5

E.H.

Cl. in B

1 2 3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

Bs. Cl. (a2) Bn.

1 2 6

6

6

6

6

6

6

6

Cbn.

3.

1.

3.

1.

2.

4.

2.

4.

1 3 Conch Shell

2 4

1 Tpt. in C

Tbn.

2 3 1 2

Bs. Tbn. Tba.

5 3

Timp.

3

5

3

3

3

3

(Sus. Cym.) 1

(Tamb.)

3

3

3

3

Perc. 2

(Bk. Dr.)

(Tam.)

(Bk. Dr.)

(Tam.)

3

8va

8va

8va

8va

Pno.

Hrp.

I 5

5

Vn. II 5

5 5

5

Va.

Vc. 6

6

6

6

6

6

6

6

Cb.

81 Subito agitato

247

= 138

Picc.

Fl.

1 2

Ob.

1 2

E.H.

Cl. in B

1 2

Bs. Cl.

3

1 3

Bn.

3

2 3

Cbn.

to Horns in F 1 3 Conch Shell

to Horns in F 2 4

1 Tpt. in C

Tbn.

2 3 1 2

Bs. Tbn. Tba. Improvise continuous, irregular figuration (repeated notes OK) Timp.

Sizzle Cym.

choke

Maracas

1

(Tamb.) Perc. 2 S.D., snares off 3

Pno.

Hrp.

Caliban: Aarrgh!

This island’s mine, by Sycorax, my mother!

(Caliban rushes forward to attack Prospero…

Subito agitato I Vn. II

Va.

Vc.

Cb.

= 138

82 251 Picc.

Fl.

1 2

Ob.

1 2

E.H.

Cl. in B

1 2

Bs. Cl.

1 3

Bn. 2 3

3

Cbn. 3

1 3 Hn. in F

2 4 con sord. 1

Tpt. in C

poco con sord. 2 3 poco con sord.

Tbn.

1 2 poco con sord.

Bass Tbn.

Bs. Tbn. Tba. poco (improvisation) Timp.

(Maracas)

Sm. Guiro

1 Med. Guiro Perc. 2

(S.D.)

Lg. Guiro

3 3

6

6

Pno.

E F G A B C D

Hrp.

I Vn. II

Va. div. a4 Vc.

Cb.

83 254 Picc.

Fl.

1 2 6

6

6

Ob.

6

1 2 3

3

3

3

3

3

3

3

E.H.

1 Cl. in B

2

Bs. Cl.

Bn.

1 2

Cbn.

Hn. in F

3

a4, con sord.

1 3 2 4

3

3

3

1 3

3

Tpt. in C

3

3

3

3

3

3

3

3

3

3

2

3

Tbn.

1 2 3

3

3

3

3

3

3

3

Tba. con sord. Bs. Tbn. Tba.

Timp.

Glock.

l.v.

1 Glock. Perc.

l.v.

2

Vib.

l.v.

3

15ma

Pno.

8ba

5

5

5

5

5

5

5

5

5

5

5

5

5

5

8va

8va

Hrp.

8ba

8ba

(…but Prospero waves his magic staff and throws Caliban back.) I

3

3

3

3

Vn. II 3

3

3

3

8va

8va

5

5

loco

loco

II Va.

5

5

5

5

5

5

unis. II Vc.

5 5

Cb.

5

5 5

5

5 5

84 256

Subito meno mosso

= 120

Picc.

Fl.

1 2

Ob.

1 2

E.H. 1. Cl. in B

1 2 subito

Bs. Cl.

Bn.

1 2

Cbn.

1 3 Hn. in F

2 4

1 Tpt. in C

Tbn.

2 3

1 2

Bs. Tbn. Tba.

Timp. (Glock.) 1

(Glock.) Perc. 2 (Vib.) 3

8va

15ma

8va

Pno.

Hrp.

Caliban: I loved thee‌

Subito meno mosso

= 120

Solo Vn. 6

6

6

6

6

6

6

6

dolce

I

Vn. II

Va.

Vc. Cb.

85 258

solo

Picc. dolce, da lontano Fl.

1.

1 2 dolce

Ob.

1 2

E.H.

1. Cl. in B

3

1 2

3

Bs. Cl.

Bn.

1 2

Cbn.

1 3 Hn. in F

2 4

1 Tpt. in C

Tbn.

2 3

1 2

Bs. Tbn. Tba.

Timp.

1

Perc. 2

3

15ma

8va

Pno.

6

6

6

Hrp.

E F A

6

6

6

6

6

…and showed thee all the qualities of the isle… tutti, div. a4

I Vn.

div. a3 II pizz.

Va. 3 3

Vc.

Cb.

86 260 Subito

agitato

= 138

Picc.

Fl.

1 2

Ob.

1 2

E.H.

Cl. in B

1 2

3 3 3

3

Bs. Cl.

Bn.

1 2

Cbn.

(con sord.) 1 3 Hn. in F

(con sord.) 2 4

1 Tpt. in C

2 3 (con sord.)

Tbn.

1 2 (con sord.)

Bs. Tbn. Tba.

Timp. 3

3

3

3

Guiro 1 Guiro Perc. 2 Guiro 3

6

Pno.

8ba

5

Hrp.

5

5

5

5

5

5

5

(Caliban): ‌cursed be I that did so!

Subito agitato

= 138

(Again Caliban struggles to overpower Prospero.)

unis.

I 5

unis.

Vn. II

5 3

3

arco

Va.

pizz.

arco

Vc. 3 3

pizz.

arco

Cb. 3 3

87 263 Picc.

Fl.

1 2

Ob.

1 2

a2

E.H.

2. Cl. in B

5

1 2

5

Bs. Cl.

5

a2 Bn.

1 2 5

Cbn.

1 3 Hn. in F

2 4

1 Tpt. in C

Tbn.

2 3

1 2

Bs. Tbn. Tba. 3

3

3

3

3

3

3

3

3

3

Timp.

1

Perc. 2

3

6

Pno.

8ba

6

Hrp.

6

6

6

6

6

6

6

8ba

5

I 5

Vn. 5

5

II

pizz. 3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

Va.

pizz. 3

Vc.

pizz. 3

Cb.

88 266 Picc.

a2 Fl.

1 2

5 5

Ob.

1 2

E.H.

5

5

Cl. in B

1 2 5

5

Bs. Cl.

Bn.

1 2

Cbn.

a2, senza sord. 1 3 Hn. in F

a2, senza sord. 2 4 senza sord. 3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

1 Tpt. in C

Tbn.

senza sord. 3

2 3

1 2

Bs. Tbn. Tba. Timp.

Sus. Cym. 1

Tamb. Perc. 2 Tam. 3

Pno.

6

6

6

6

6

6

6

6

Hrp.

div. I 5

5

Vn. 5

5

II

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

Va.

Vc.

Cb.

89 268 Picc. (a2)

Fl.

Ob.

1 2

5

5

1 2

E.H.

5

5

Cl. in B

1 2 5

5

Bs. Cl.

Bn.

1 2

Cbn.

(a2)

Hn. in F

1 3 (a2) 2 4

1 Tpt. in C

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

2 3 senza sord.

Tbn.

1 2 3

senza sord. 3

3

3

3

3

3

3

3

Bs. Tbn. Tba.

Timp. (choke) 1

Perc. 2

3

Pno.

8va

6

6

6

6

6

6

6

6

5

8va

5

Hrp.

Caliban: All the infections that the sun sucks up‌

I 5

Vn.

5 5

5

II

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

Va.

Vc.

Cb.

8va

5

90 271 Picc. molto

Fl.

1 2 molto

Ob.

1 2 molto

E.H. molto Cl. in B

1 2 molto

Bs. Cl. Bn.

1 2

Cbn.

1 3 Hn. in F

2 4

1 Tpt. in C

molto

a2 2 3

molto Tbn.

1 2

Bs. Tbn. Tba.

Timp.

(Sus. Cym.)

(choke)

1 (Tamb.) Perc. 2 Tam. 3

molto 8va

8va

8va

8va

8va

8va

Pno.

Gradually work glissandi down 8va

5

8va

5

8va

5

Hrp.

(Caliban): ‌fall on thee! unis.

I molto Vn. II molto arco Va.

arco

molto

Vc. molto Cb.

91 274 Picc. a2 Fl.

1 2

Ob.

1 2

E.H.

a2 Cl. in B

6

6

6

6

6

6

6

6

1 2

Bs. Cl.

Bn.

1 2

Cbn.

6

a2

6

1 3 Hn. in F

6

a2

6

2 4

1

Tpt. in C 2 3

Tbn.

1 2 6

6

6

6

Bs. Tbn. Tba. 5

5

Timp.

1

Glock. Perc. 2

3

8va

8va

6

6

E F G A B C D

6

6 6

Pno.

6

6

8va

6

8va

Hrp.

(But again Prospero forces Caliban back‌) 8va

8va

I Vn. II 8va

8va

5

5

loco

loco

II Va.

5

5

5

5

5

5

II Vc.

5

arco Cb.

5

5

5 5

5

5 5

92 276 Picc. (a2) Fl.

1 2

Ob.

1 2

E.H.

(a2) Cl. in B

6

6

6

6

6

6

6

6

1 2

Bs. Cl.

Bn.

1 2

Cbn.

6

(a2)

6

1 3 Hn. in F

6

(a2)

6

2 4

1 Tpt. in C 2 3

Tbn.

1 2 6

6

6

6

Bs. Tbn. Tba. 5

5

Timp.

(Sus. Cym.) 1

(Glock.) Perc. 2 (Tam.) 3

8va

8va

6

6

6

6 6

Pno.

6

6

8va

8va

8va

8va

6

Hrp.

I Vn. II 8va

8va

5

5

loco

loco

II Va.

5

5

5

5

5

5

II Vc.

5 5

Cb.

5

5 5

5

5 5

93 278 Picc.

Fl.

1 2

Ob.

1 2

3

3

E.H. (a2) Cl. in B

1 2

Bs. Cl.

3

a2 Bn.

1 2

3

Cbn.

(a2) 1 3 Hn. in F

(a2) 2 4 con sord. 1

Tpt. in C

Tbn.

con sord. 2 3

1 2

Bs. Tbn. Tba.

Timp.

(Sus. Cym.)

(choke)

1 Cym.

Quica

Perc. 2 3

S.D., snares on 3 3

3

Pno.

8ba

Place paper through strings.

(Paper through strings)

Hrp.

E C

(…this time freezing him in a paralyzing spell.)

Prospero: Hagseed hence! sul pont.

I Vn.

sul pont. II

sul pont. Va.

div. Vc.

Cb.

unis.

3

Fetch us in fuel and be quick,…

94 283 Picc.

Fl.

1 2

Ob.

1 2 3

3

3

3

3

3

E.H.

3

3

Cl. in B

1 2 3

3

Bs. Cl.

3 3

Bn.

1 2

Cbn.

a2 1 3 Hn. in F

a2 2 4

1 Tpt. in C

Tbn.

2 3

1 2

Bs. Tbn. Tba. Timp. Vibraslap 1

(Quica)

Guiro

Perc. 2 3

(S.D.)

3

3

Temple Blocks 3

3 3 3

3

Pno.

3

3

Hrp.

3

3 3

(Prospero): …or else I’ll fill all thy bones with aches! I Vn. II

Va.

Vc.

Cb.

Caliban: By sorcery thou hast got this isle from me…

…I will revenge it on thee!

95 288 Picc.

Fl.

Ob.

1 2

3

3

3

3

1 2

E.H. 3

Cl. in B

1 2 3

Bs. Cl. 3 3

Bn.

1 2

Cbn.

1 3 Hn. in F

2 4

1 Tpt. in C

Tbn.

2 3

1 2

Bs. Tbn. Tba.

Timp.

Sus. Cym.

(choke)

(choke)

1

Perc. 2 3

3

3

3

3

3 3

3

3

3

3

3 3

Pno.

3 3 3 8va

8va

8va

8va

8va

8va

8va

8va

remove paper

3

(loco)

Hrp.

3

3 3

Prospero: Malignant thing!

Tonight thou shalt have have pinches and cramps! div.

I Vn. II div. Va.

div. Vc.

Cb.

unis., arco, sul pont.

96

Allegretto feroce = 120

292 Picc.

Fl.

3

3

3

3

3

3

3

3

3

3

1 2 a2

Ob.

1 2

E.H.

a2 Cl. in B

1 2

Bs. Cl.

a2 Bn.

3

1 2

3

3 3

Cbn.

a2 1 3 Hn. in F

3

3

3

3

a2 2 4

(con sord.)

senza sord.

1 3

Tpt. in C

3

(con sord.)

senza sord.

2 3 3

Tbn.

3

1 2 Bass Tbn.

3

Bs. Tbn. Tba.

3

3

3

Timp. (Sus. Cym.) 1 3

3

Ratchet

Tamb.

Perc. 2 Whip

B.D. (Lion’s roar)

3

Pno.

3

3

3 3

3 3

8ba

8ba

Hrp.

(Caliban howls with pain…)

Allegretto feroce = 120

unis., ord.

I Vn.

ord. II ord.

unis.

div., ord.

div. a4

Va.

Vc. arco Cb.

3 3

97 296

=

Picc.

Fl.

1 2

1 Ob. 2

E.H.

Cl. in B

1 2

Bs. Cl.

Bn.

1 2

Cbn.

a2, open 1 3 Hn. in F

a2, open 2 4

1 Tpt. in C

Tbn.

2 3

1 2 6

6

6

Bs. Tbn. Tba.

Timp.

1

Perc. 2

B.D. (ord.)

Tam.

3

Pno.

Hrp.

E F G A B C D

=

(…then dances off wildly, still howling…)

I Vn. II

Va. unis. Vc.

Cb.

(B.D.)

(Tam.)

98 299 Picc.

1

Fl. 2

1 Ob. 2

E.H.

Cl. in B

1 2

Bs. Cl.

Bn.

1 2

Cbn.

Hn. in F

1 3 2 4

a4

1 Tpt. in C

Tbn.

2 3

1 2 6

6

Bs. Tbn. Tba.

Timp.

(Sus. Cym.) 1 (Tamb.) Perc. 2 (B.D.)

(Tam.)

3

Pno.

Hrp.

(…shaking his fist in revenge.) div.

8va

I Vn.

div. II

div. Va.

Vc. Cb.

6

99 =

302 Picc.

1

Fl. 2

1 Ob. 2 solo E.H.

Cl. in B

1 2

Bs. Cl.

Bn.

1 2

Cbn.

Hn. in F

1 3 2 4

(a4)

1 Tpt. in C

Tbn.

2 3

1 2 6

6

Bs. Tbn. Tba.

Timp. Vibraslap 1

Perc. 2 3

Pno.

Hrp.

(After Caliban’s exit, Prospero remains on stage.) 8

=

I Vn. II

unis. Va. div., pizz. Vc.

pizz. Cb.

100 306 Picc.

Fl.

1 2

Ob.

1 2

E.H.

Cl. in B

1 2

Bs. Cl.

1 poco Bn. 2

Cbn.

1 3 Hn. in F

2 4

1 Tpt. in C

Tbn.

2 3

1 2

Bs. Tbn. Tba.

Timp.

(Vibraslap)

Glass Wind Chimes

1

Glock. Perc. 2 Vib. 3

Pno.

E F G A B C D

Hrp.

(The magic sphere illustrates Prospero’s narrative.) Prospero: I taught him language… and with it he doth curse me! (div.) I Vn.

(div.) II div. a3, pizz. ord.

Va. unis.

div.

unis., arco

div.

unis.

arco

Vc.

Cb.

101 310 Picc.

Fl.

1 2

Ob.

1 2

a2

E.H.

Cl. in B

1 2

Bs. Cl.

1

Bn. 2

Cbn.

1 3 Hn. in F

2 4

1 Tpt. in C

Tbn.

2 3 1 2

Bs. Tbn. Tba.

Timp.

Bell Tree 1 Glock. Perc. 2

3

3

Pno. 3

Hrp.

When first I came to this island‌ unis. I Vn.

unis. II

unis., arco Va.

Vc.

Cb.

solo

102 Moderato

= 112

314 Picc.

Fl.

1 2

Ob.

1 2

1.

espr.

E.H.

1. Cl. in B

1 2 espr.

Bs. Cl.

Bn.

1 2

Cbn.

1 3 Hn. in F

2 4

1 Tpt. in C

Tbn.

2 3

1 2

Bs. Tbn. Tba.

Timp. Sus. Finger Cym. 1 (Glock.) Perc. 2

Vib. 3

6

6

6

6

Pno.

6

6

6

6

Hrp.

(Prospero): …I stroked him…

Moderato

…and made much of him.

= 112

div. I Vn.

div. II

(solo) tutti Va. poco Vc. Cb.

103 poch. rit.

316 Picc.

Fl.

1 2

Ob.

1 2

E.H.

(1.) Cl. in B

1 2

Bs. Cl.

Bn.

1 2

Cbn.

1 3 Hn. in F

2 4

1 Tpt. in C

Tbn.

2 3

1 2

Bs. Tbn. Tba.

Timp.

1

Perc. 2

3

6

Pno.

6

6 6

6 6

Hrp.

(The magic sphere shows Caliban dancing with Prospero‌) I Vn. II

Va.

Vc.

Cb.

poch. rit.

6 6

104 318

a tempo

poch. rit.

a tempo

Picc.

Fl.

1 2

Ob.

1 2

E.H.

Cl. in B

1 2

Bs. Cl.

1. Bn.

1 2 espr.

Cbn.

1 3 Hn. in F

2 4

1 Tpt. in C

Tbn.

2 3

1 2

Bs. Tbn. Tba.

Timp.

1

Perc. 2

3

Pno.

E

Hrp.

(Prospero): I lodged him in my own cave…

(…then with Miranda.)

a tempo

poch. rit.

solo

a tempo

3

I Vn.

unis.

poco II

Va.

Solo Vc. 6

gli altri

Cb.

espr., legato

6

6

6

6

105 Allegretto agitato

321

= 120

Picc.

Fl.

1 2

Ob.

1 2

E.H.

Cl. in B

1 2

Bs. Cl.

Bn.

1 2

Cbn.

a2, con sord. 1 3 Hn. in F

a2, con sord.

molto

2 4 molto

Tpt. in C

1 2 3 a2, con sord., brassy

Tbn.

1 2 molto Bs. Tbn., con sord., brassy

Bs. Tbn. Tba. molto Timp.

Sus. Cym.

(choke)

1

Tamb.

Quica

Perc. 2

Tam., scrape with Tri. beater 3

Pno.

Hrp.

(Prospero): ‌until he did seek to violate the honor of my child. (The sphere’s image fades.)

Allegretto agitato

= 120

tutti, div. (solo) I

div.

Vn. II

div. Va. (solo)

tutti, div.

Vc.

14

Cb.

div.

106 325 Picc. 6

6

6

6

Fl.

Ob.

1 2

6

6

6

6

6

6

6

6

1 2

E.H. 1. Cl. in B

1 2

Bs. Cl.

Bn.

1 2

Cbn.

via sord. 1 3 Hn. in F

via sord. 2 4

1 Tpt. in C

Tbn.

2 3

1 2 Tuba, con sord.

Bs. Tbn. Tba.

Timp.

Crotales 1

Perc. 2 B.D.

Bamboo Wind Chimes

3

Pno.

8va

8ba

8va

8va

8va

E F G A B C D

Hrp.

(Ariel appears‌)

(Prospero): Ariel! col legno battuto

I 3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

col legno battuto

Vn. II

3

arco, div., col legno battuto Va. 3

Vc.

Cb.

3

107 328

solo

Picc. 3

1. Fl.

1 2

Ob.

1 2

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

E.H.

Cl. in B

1 2

Bs. Cl.

Bn.

1 2

Cbn.

1 3 Hn. in F

2 4

1 Tpt. in C

Tbn.

2 3

1 2

Bs. Tbn. Tba.

Timp. Marimba 8va

1

Tamb.

3 3

Perc. 2

Side Drum, on counter hoop 3

Pno.

8va

Hrp.

(…and dances a plea to Prospero.)

Prospero: How now?

pizz. I Vn.

pizz. II pizz.

unis.

Va. pizz. ord. Vc.

Cb.

108 332

flz.

Picc. 3

3 3

7

Fl.

1 2

Ob.

1 2

3

3

E.H.

Cl. in B

1 2

Bs. Cl.

Bn.

1 2

Cbn.

1 3 Hn. in F

2 4

1 Tpt. in C

Tbn.

2 3

1 2

Bs. Tbn. Tba.

Timp. 8va

(Mar.) 1 (Tamb.) Perc. 2 (S.D.) 3

Pno.

Hrp.

(Ariel continues to dance her part of the conversation.) I Vn. II

Va.

Vc.

Cb.

(Prospero:) What is’t?

3

3

3

3

109 Allegro agitato = 138

flz.

336 Picc. 3 3

Fl.

1 2

Ob.

1 2

3

E.H.

Cl. in B

1 2

Bs. Cl.

Bn.

1 2

Cbn.

1 3 Hn. in F

2 4

1 Tpt. in C

Tbn.

2 3

1 2

Bs. Tbn. Tba.

Timp.

Sus. Cym. 1 3 3

Perc. 2 Br. Drum on B. D. 3

Pno.

Hrp.

(Prospero): Thy liberty?

Allegro agitato = 138 I Vn. II

Va.

div. a3 Vc.

Cb.

110 340 Picc. 3

Fl.

1 2

Ob.

1 2

3

3

3

E.H.

Cl. in B

1 2

Bs. Cl.

Bn.

1 2

Cbn.

1 3 Hn. in F

2 4

1 Tpt. in C

Tbn.

2 3

1 2

Bs. Tbn. Tba.

Timp. Mar.

8va

Maracas

1 (Tamb.) Perc. 2 (Br. Drum)

S.D., on counter hoop

Temple Blocks

3 3

3

3

3

Pno.

8ba 8va

Hrp.

8va

8va

8va

8va

G

E F G A B C D

(Prospero): …before the time be out? pizz. ord. I Vn.

pizz. ord. II pizz. ord.

Va. unis. Vc. div. Cb.

pizz. ord.

111 345 Picc. 1. Fl.

1 2

Ob.

1 2

a2

a2

3

E.H. a2 Cl. in B

3

1 2

Bs. Cl.

a2 Bn.

1 2

3

3

3

3

3

3

3

3

3

3

3

3

3

3

Cbn.

a2, senza sord *

ord.

gl.

1 3 Hn. in F

Tpt. in C

gl.

a2, senza sord *

ord.

gl.

2 4

gl.

1 2 3 con sord.

Tbn.

1 2

Bs. Tbn., con sord. Bs. Tbn. Tba. Improvise irregular figuration using these pitches Timp.

Sus. Cym. 1

Quica Perc. 2 3

S.D. (ord.)

3

3

3

B.D., on counter hoop

Guiro

3

Improvise irregular figuration using these pitches

Pno.

loco

8ba

Work rapid clusters gradually upward.

Hrp.

8ba

(The shape of a witch appears.)

Dost thou forget from what a torment I did free thee?

div., arco

I

Vn. 3

II arco, div. Va. arco Vc.

div. a4 Cb. * Horns: Finger pitch, pop mouthpiece with palm of hand.

3

112

Poco meno mosso = 120 349

Picc. 6 3

a2 Fl.

1 2 6 3

Ob.

1 2 3

E.H. 3

3

(a2) Cl. in B

1 2

Bs. Cl. Bn.

1 2

Cbn.

(a2) 1 3 Hn. in F

(a2) 2 4 con sord. 1

Tpt. in C

con sord. 2 3

1 2 Bs. Tbn. Tba. Tbn.

(improvisation) Timp.

(Sus. Cym.)

(choke)

1

Ratchet 3

Perc. 2

(Guiro)

Tam., scrape face

3

3

(improvisation)

Pno.

8va

E F G A B C D

Hrp.

(Prospero): The witch Sycorax…

Poco meno mosso = 120

…who did confine thee…

legato espr.

Solo Vn. unis. div. a3 I 3

Vn.

div. a3 II 3

3

unis. Va.

Vc.

Cb.

8va

113 352

solo

Picc. 7

Fl.

1 2

Ob.

1 2

E.H.

Cl. in B

1 2

Bs. Cl.

Bn.

1 2

Cbn.

1 3 Hn. in F

2 4

1 Tpt. in C

Tbn.

2 3 1 2

Bs. Tbn. Tba. Timp. Crot. 1

Glock. Perc. 2

Vib. 3

Pno.

8va

8va

Hrp.

(Prospero): ‌into a cloven pine a dozen years!

(Ariel spins in terror.)

Solo Vn. unis. I Vn.

div. a2 II div.

Va.

Vc.

Cb.

6

7

114 354 Picc. 3

7

3

3

3

3

1. Fl.

1 2 10

Ob.

1 2

E.H.

Cl. in B

1 2

Bs. Cl.

Bn.

1 2

Cbn.

1 3 Hn. in F

Tpt. in C

2 4

1 2 3 (con sord.)

Tbn.

1 2

Bs. Tbn. Tba. Tri. Timp. Mar. (Crot.)

Sus. Cym.

1 3

(Glock.)

3

3

Tamb. 3

3

3

Perc. 2

(Vib.) 3

Pno.

Hrp.

Solo Vn.

I Vn. II

Va.

Vc.

Cb.

S.D., on counter hoop

Guiro

3

115 357 Moderato

= 112

Picc.

Fl.

1 2

Ob.

1 2

E.H.

Cl. in B

1 2

Bs. Cl. dolce solo Bn.

1 2

Cbn.

Hn. in F

1 3 2 4

1 Tpt. in C

Tbn.

2 3 1 2 (con sord.)

Bs. Tbn. Tba.

damp Timp. Crot. 1 (Tamb.) Perc. 2

Tam., scrape face

Vib.

3 poco

Pno.

6

E F G A B C D

Hrp.

(The witch image disappears.) Prospero: Do thy spiriting gently, and then to the elements be‌

Moderato

= 112

6

‌free. div. a3, arco

tutti I

Vn.

unis. II

unis. Va.

div. Vc.

div. Cb.

6

poco

div. a3, arco

6

(Ariel dances joyfully around Prospero.)

116 362 Picc. 3

3

3

3

Fl.

1 2

Ob.

1 2

E.H.

Cl. in B

1 2

Bs. Cl.

Bn.

1 2

Cbn.

1 3 Hn. in F

2 4

1 Tpt. in C

Tbn.

2 3

1 2

Bs. Tbn. Tba.

Timp.

(Crot.) 1 (Tamb.)

3

3

Perc. 2 (Vib.) 3

Pno.

6

6

6

6

Hrp.

6

I Vn. II

Va.

Vc.

Cb.

6

6

6

117 364 Picc. 3

Fl.

1 2

Ob.

1 2

3

6

6

6

6

6

6

6

6

6

18

E.H.

Cl. in B

1 2

Bs. Cl.

Bn.

1 2

Cbn.

1 3 Hn. in F

2 4

1 Tpt. in C

Tbn.

2 3

1 2

Bs. Tbn. Tba.

Timp.

1

Perc. 2

3

poco Pno.

6

6

Hrp.

6

6

div. a2 I div. a2

Vn. II

Va.

Vc.

Cb.

118 366 Picc. 3

3

3

3

1 Fl. 2

Ob.

1 2

E.H. 1. solo Cl. in B

1 2

giocoso Bs. Cl.

Bn.

1 2

Cbn.

1 3 Hn. in F

2 4

1 Tpt. in C

Tbn.

2 3 1 2

Bs. Tbn. Tba. Tri. Timp.

(Crot.) 1 3

3

(Tamb.)

Brass Wind Chimes

damp

Perc. 2

(Vib.) 3

3

Pno.

6

6

6

E F

Hrp.

6

6

poco près de la table

6

(…and vanishes.)

Prospero (to himself): Now… unis., pizz.

I Vn.

unis., pizz. II div. a3, pizz. ord.

unis.

Va.

unis., pizz. ord. Vc. unis., pizz. ord. Cb.

div.

119 371 Picc.

Fl.

1 2

Ob.

1 2

E.H.

Cl. in B

1 2

Bs. Cl.

Bn.

1 2

Cbn.

1 3 Hn. in F

2 4

1 Tpt. in C

Tbn.

2 3

1 2

Bs. Tbn. Tba.

Timp.

Sus. Cym. 1 Quica Perc. 2 Tam. 3

Pno.

Hrp.

…magic sphere…

(Prospero peers into his magic sphere…)

I Vn. II arco Va.

unis., arco Vc. arco Cb.

(…and images of Alonso and Caliban appear.)

120 Allegro agitato

375

= 138

Picc.

Fl.

1 2

Ob.

1 2

E.H.

Cl. in B

1 2

Bs. Cl.

Bn.

1 2

Cbn.

a2, con sord. 1 3 Hn. in F

a2, con sord. 2 4

1 Tpt. in C

Tbn.

2 3 (con sord.)

a2

(con sord.)

a2

1 2

Bs. Tbn. Tba.

Timp. (Sus. Cym.) 1 Cymbals (damp)

Quica

Perc. 2 (Tam.)

B.D.

3

Pno.

Hrp.

(Prospero): What’s this?

Allegro agitato

= 138

(The images enact Prospero’s speech.) (Prospero): Even now doth Caliban kneel…

arco I

Vn.

arco II

pizz. ord. Va. div. pizz. ord. Vc.

pizz. ord. Cb.

121 379 Picc.

Fl.

1 2

Ob.

1 2

E.H.

Cl. in B

1 2

5

5

Bs. Cl.

Bn.

1 2

Cbn.

1 3 Hn. in F

2 4 (con sord.) 1

Tpt. in C

(con sord.) 2 3 (con sord.)

Tbn.

(con sord.)

1 2 (con sord.)

Bs. Tbn. Tba.

Timp. poco Vibraslap 1

Perc. 2 S.D. 3 5

Pno.

Hrp.

E F G A B C D

…and kiss the feet of Alonso! I Vn. II

div., arco, col legno battuto Va.

arco, col legno battuto Vc.

arco, col legno battuto Cb.

unis., ord.

122 flz.

382

Meno mosso

= 120

ord.

Picc. flz. Fl.

1 2

Ob.

1 2

ord.

E.H.

Cl. in B

1

2

Bs. Cl. Bn.

1 2

Cbn.

Hn. in F

1 3 2 4 senza sord. 1

Tpt. in C

Tbn.

senza sord. 2 3

1 2

Bs. Tbn. Tba. Timp. Sus. Cym. 1 Glock. Perc. 2 poco Vib. 3

8va

Pno.

8va

Hrp.

(Prospero): They plot to steal my books‌

Meno mosso I

Vn. II

Va.

unis., ord. Vc.

Cb.

= 120

123 385 Ob.

a2

1 2

E.H.

1 3

Cl. in B

3

3

3

3

2 3

Bs. Cl. 3

Bn.

3

3

3

a2 5

3

1 2 5 3

Cbn.

a2, senza sord. 1 3 Hn. in F

a2, senza sord. 2 4

5

1 Tpt. in C

5

2 3 a2, senza sord.

Tbn.

“brassy”

1 2

Bs. Tbn. Tba.

senza sord.

3

3

3

3

3

3

3

3

Timp.

(choke)

poco Sizzle Cym.

Vibraslap

1 (Glock.) Perc. 2

Tam., scrape face

Vib.

ord.

3

3

3

3

Pno.

3

3 3

3

3 3

3

6

Hrp.

6

3

3

3 3

3

3

6

6

6

…and with a log to batter my skull!

3

3

6

6

6

8va

I 5

Vn. 5

II 5

div.

unis.

div.

unis.

5

Va. 5

Vc. 5

ord. Cb. 5

124 389

6

Picc. 3

6

a2 Fl.

1 2 3

Ob.

1 2 3 3

E.H. 2. Cl. in B

a2

1 2

3

3

Bs. Cl.

a2 Bn.

1 2

Cbn.

(a2) 1 3 Hn. in F

a2

2 4

1 Tpt. in C

5

2 3 (a2)

Tbn.

1 2

Bs. Tbn. Tba. 3

3

3

3

Timp.

(Sizzle Cym.)

Sus. Cym.

1 (Glock.)

3

Perc. 2

(Vib.)

B.D.

3 3

3

8va

Pno.

3

3 3

3

3 3

3

3

Work swirls rapidly downward

E F G A B C D

Hrp.

(Prospero): They would be kings of the island! div. a4 8

unis.

I 5

Vn.

div. a4 unis.

II 5

div. a4

unis.

Va. 5

div. a4 Vc.

Cb.

unis.

125 393 Picc.

a2 Fl.

1 2

Ob.

1 2

E.H.

(a2) Cl. in B

1 2

Bs. Cl. (a2) Bn.

1 2

Cbn.

(a2) 1 3 Hn. in F

Tpt. in C

(a2) 2 4

1 2 3 (a2)

Tbn.

1 2

Bs. Tbn. Tba.

Timp.

Sizzle Cym. 1

Cymbals Perc. 2 Lion’s Roar 3

Pno.

8ba 8va

E F G A B C D

Hrp.

IV I Vn.

IV II

Va.

Vc.

Cb.

8va

126 396 Picc. 6

6

1

6

6

6

6

6

6

Fl. 2 6

Ob.

6

6

6

1 2

E.H.

Cl. in B

1 2

Bs. Cl.

Bn.

1 2

Cbn.

1 3 Hn. in F

2 4

1 Tpt. in C

Tbn.

2 3

1 2

Bs. Tbn. Tba. Tri., with wood handle Timp. Mar. 1 3

Glock. (solo) Perc. 2

Bamboo Wind Chimes 3

8va

8va

Pno.

8va

8va

8va

Hrp.

(Prospero): Come, Ariel!

I (non cresc.) Vn. II (non cresc.) Va.

Vc.

Cb.

(The magic sphere darkens and Ariel appears.)

8va

127 398 Picc. 1. Fl.

1 2

Ob.

1 2

E.H.

Cl. in B

1 2

Bs. Cl.

Bn.

1 2

Cbn.

1 3 Hn. in F

2 4

1 Tpt. in C

Tbn.

2 3

1 2

Bs. Tbn. Tba.

Timp.

1

3

3

Perc. 2

3

8

Pno.

8va

Hrp.

Prospero: I shall be invisible to every eye but thine.

I Vn. II

Va.

Vc.

Cb.

(Prospero fades from view.)

3

128 401 Picc.

Fl.

1 2

Ob.

1 2

E.H.

Cl. in B

1 2

Bs. Cl.

Bn.

1 2

Cbn.

1 3 Hn. in F

2 4

1 Tpt. in C

Tbn.

2 3 1 2

Bs. Tbn. Tba. Timp. Bell Tree Glass Wind Chimes 1

(Glock.) Perc. 2

Bell Plate 3

Pno.

8va

8va

8va

8va

8va

8va

8va

8va

8va

8va

Hrp.

Prospero (unseen): One last majestic vision must thou worthily perform:… 8va

Solo Vn.

I Vn.

sul II II sul I

Va. sul I Vc.

Cb.

…Do thou put on the shape of a harpy.

8va

8va

129 Poco meno mosso

= 112

405 Picc. 3

6

6

6

6

6

6

3

6

6

6

6

6

6

3

6

6

6

6

6

6

1 3

3

3

Fl. 2 3

3

3

1

Ob. 2

E.H. Cl. in B

1 2

Bs. Cl.

Bn.

1 2

Cbn.

1 3 Hn. in F

Tbn.

2 4 1 2

Bs. Tbn. Tba. Timp.

Sizzle Cym., with plastic Glock. mallets 3

6

6

3

6

6

3

6

6

1

6

6

3

6

6

3

6

6

3

Perc. 2

Temple Blocks 3 3

6

6

6

3

3

6

6

6

8

3

3

6

6

6

3 6

6

6

Pno. 3

6

8va

6 8va

(Ariel is transformed.) 8

Solo Vn.

I Vn. II

Va.

Vc.

Cb.

6 8va

Hrp.

Poco meno mosso

3

= 112

3

6 8va

6

6 8va

130 408 Picc.

1 Fl. 2

1 Ob. 2

E.H.

1 Cl. in B 2

a2 O

O

O

1 3 Hn. in F

a2 2 4 con sord. 1

Tpt. in C

a2, con sord. 2 3

Timp. (Sizzle Cym.)

Sus. Cym.

1

(Glock.) Perc. 2

Tam., wood sticks on rim

Bell Plate

3

8

Pno.

8va

8va

Hrp.

8va

8va

8va

8va

D

(She spins around fiercely‌)

(‌then exits.)

tuuti, div. unis., arco I dim. molto Vn.

div.

unis., arco

div.

unis., arco

II dim. molto

Va.

div. Vc.

Cb.

unis., arco

131 412 Andante

espressivo

= 88

Picc. 1. Fl.

1 2

Ob.

1 2

E.H.

Cl. in B

1 2

Bs. Cl.

Bn.

1 2

Cbn.

1 3 Hn. in F

2 4

1 Tpt. in C

Tbn.

2 3

1 2

Bs. Tbn. Tba.

Timp.

1

Perc. 2

3

Pno.

Hrp.

Prospero (still “invisible”): I’ll make marvelous sweet music, rich and strange…

Andante espressivo I Vn. II pizz. ord. Va.

solo Vc.

pizz. Cb.

= 88

Let the spirits from their confines come…

…to enact my present fancies!

132 416 Picc.

Fl.

1 2 7

7

Ob.

7

7

1 2

E.H. 2. solo Cl. in B

1 2 dolce

Bs. Cl.

Bn.

1 2

Cbn.

1 3 Hn. in F

2 4

1 Tpt. in C

Tbn.

2 3 1 2

Bs. Tbn. Tba.

Timp.

Crot. 1 poco (Glock.) Perc. 2 Vib. 3

Pno.

E F G A B C D

Hrp.

poco

(Prospero’s magic staff produces strange and beautiful creatures who float mysteriously about the stage.) I Vn. II arco IV Va. 5

5

5

5

5

tutti IV

5

5 5

Vc. 5 5

Cb.

5

5

5 5

5

5

133 418 Picc.

Fl.

1 2 7

7

7

7

1. solo Ob.

1 2 espr.

E.H. 1. solo Cl. in B

1 2 dolce

Bs. Cl. Bn.

1 2

Cbn.

1 3 Hn. in F

2 4

1 Tpt. in C

Tbn.

2 3 1 2

Bs. Tbn. Tba.

Timp.

(Crot.) 1 poco (Glock.) Perc. 2 (Vib.) 3

8va

Pno.

poco Hrp.

div.

I Vn. II

Va. 5

5

5

5

5 5

5 5

Vc. 5 5

Cb.

5

5

5 5

5

5

134 420 Picc.

Fl.

1 2 espr.

Ob.

1 2 espr.

E.H.

Cl. in B

1 2

Bs. Cl.

Bn.

1 2

Cbn.

1 3 Hn. in F

2 4

1 Tpt. in C

Tbn.

2 3

1 2

Bs. Tbn. Tba. Tri. Timp.

Bell Tree 1 (Glock.) Perc. 2 (Vib.) 3

8va

15ma 8va

8va

15ma 8va

Pno.

15

15

poco 8va

Hrp.

unis. I Vn. II

Va.

Vc.

Cb.

poco 8va

135 poco rit.

422

a tempo

Picc.

Fl.

1 2

Ob.

1 2

1.

dolce E.H. 1. Cl. in B

1 2

Bs. Cl.

Bn.

1 2

Cbn.

1 3 Hn. in F

2 4 (con sord.) 1

Tpt. in C

Tbn.

2 3 1 2

Bs. Tbn. Tba.

Timp. Crot. 1

Perc. 2

3

8va

Pno.

8va

8va

Hrp.

poco rit. Solo Vn.

I Vn. II

Va.

Solo Vc.

gli altri

Cb.

a tempo

8va

8va

136 426 Allegretto

agitato

= 120

Picc. 3

3

3

Fl.

1 2

3

1 Ob. 2

E.H.

Cl. in B

1 2

Bs. Cl. Bn.

1 2

Cbn.

1 3 Hn. in F

2 4

1 Tpt. in C

Tbn.

2 3

1 2

Bs. Tbn. Tba.

Timp. Sizzle Cym.

Marim.

1

Ratchet

Tamb.

3

3

3

3

3

3

3

3

Perc. 2

Tam., scrape face

Gurio

3

8va

Pno.

Hrp.

CD of jungle sounds CD (fade in)

(Caliban and Alonso appear, gazing in fright and wonderment at the creatures.)

Allegretto agitato

= 120

tutti, unis. I Vn. II

unis.

col legno battuto

jetĂŠ

col legno battuto

jetĂŠ

Va. poco unis. Vc. poco Cb.

137 430 Picc. 3

Fl.

1 2

Ob.

1 2

3

3

E.H.

Cl. in B

1 2

Bs. Cl.

Bn.

1 2

Cbn.

1 3 Hn. in F

2 4

1 Tpt. in C

Tbn.

2 3

1 2

Bs. Tbn. Tba. Tri. Timp.

1

Perc. 2

3

(loco)

Pno.

8va

8va

Hrp.

CD

I Vn. II (battuto)

jeté

(battuto)

jeté

Va. poco

Vc. poco Cb.

8va

138 poco rit.

433 Picc.

Fl.

1 2

Ob.

1 2

1. solo

dolce E.H.

1. Cl. in B

1 2

Bs. Cl.

Bn.

1 2

Cbn.

1 3 Hn. in F

2 4

1 Tpt. in C

Tbn.

2 3

1 2

Bs. Tbn. Tba.

Timp. Glass Wind Chimes

Sizzle Cym.

1

Glock. Perc. 2 poco Bamboo Wind Chimes

Brass Wind Chimes

Vib.

3

8va

Pno.

8va

Hrp.

CD

Caliban (to Alonso): Be not afeard‌

poco rit. I

Vn. II arco ord. Va. arco ord. Vc.

Cb.

139 437 Largo

estatico

= 56

Picc.

Fl.

1 2

Ob.

1 2

1.

E.H.

Cl. in B

1 2

Bs. Cl.

Bn.

1 2

Cbn.

Hn. in F

1 3 2 4

1 Tpt. in C

Tbn.

2 3 1 2

Bs. Tbn. Tba.

Timp.

gliss. Mar. 1 gliss. (Glock.)

gliss.

Perc. 2

(Vib.) 3

Pno.

B CDEF G A

5

Hrp.

poco C.D.

Caliban: The isle is full of noises,…

Largo estatico I Vn. II

Va.

Vc.

Cb.

= 56

Sounds and sweet airs, that give delight and hurt not…

140 441 Picc.

Fl.

1 2

Ob.

1 2

E.H.

Cl. in B

1 2

Bs. Cl.

Bn.

1 2

Cbn.

Hn. in F

1 3 2 4

1 Tpt. in C

Tbn.

2 3 1 2

Bs. Tbn. Tba.

Timp. gliss. (Mar.) 1 (Glock.)

gliss.

Perc. 2 (Vib.) 3

Pno.

Hrp.

G

(fade out jungle sounds) C.D.

(Caliban): sometimes a thousand twangling instruments…

I Vn. II

Va.

Vc.

Cb.

…will hum about mine ears.

141 445 Picc. 5

1. Fl.

1 2

6

1. Ob.

1 2

E.H.

Cl. in B

1 2

Bs. Cl.

Bn.

1 2

Cbn.

Hn. in F

1 3 2 4

1 Tpt. in C

Tbn.

2 3 1 2

Bs. Tbn. Tba.

Timp.

(Mar.) 1

(Glock.) Perc. 2

(Vib.) 3

Pno.

Hrp.

G

…And sometimes… voices,…

I Vn. II

Va.

Vc.

arco Cb.

G

…that if I then had waked after long sleep, will make me sleep again…

142 rit. molto 449 Picc.

a2 Fl.

poco

1 2 (1.)

Ob.

espr.

1 2

espr.

poco

solo

espr.

poco

E.H.

Cl. in B

1 2

Bs. Cl.

Bn.

1 2

Cbn.

Hn. in F

1 3 2 4

1 Tpt. in C

Tbn.

2 3 1 2

Bs. Tbn. Tba.

Timp. (Mar.) 1 poco (Glock.) Perc. 2

(Vib.) 3

Pno.

Hrp.

…and then, in dreaming, the clouds would open…

…and show riches ready to drop upon me…

…that when I waked,… I cried to

rit. molto I Vn. II

Va.

Vc.

Cb.

143 a tempo

= 60 rit.

453

Allegretto delicato

= 120

( = )

Picc. (a2) Fl.

1 2

Ob.

1 2

(1.)

2.

E.H. espr. dolce

Cl. in B

1 2 dolce

Bs. Cl. dolce espr. Bn.

1 2

Cbn.

Hn. in F

1 3 2 4

1 Tpt. in C

Tbn.

2 3 1 2

Bs. Tbn. Tba.

Timp. Mar.

Sus. Cym. 1 Brass Wind Chimes

Mounted Tamb., with brushes Perc. 2 (Glock.) (Vib.) 3

Harpsichord

to Harpsichord (omit this bar if necessary)

Pno.

G

Hrp.

dream again.

a tempo

(The mysterious creatures bring in a banquet for Alonso and Caliban‌)

= 60 rit. pizz.

Allegretto delicato

( = )

I Vn.

pizz. II unis.

pizz.

Va. div., pizz.

unis.

Vc. pizz. Cb.

= 120

G

144 poco rit.

457 Picc.

poco Fl.

1 2

Ob.

1 2

1.

1.

(2.)

poco E.H.

Cl. in B

1 2

Bs. Cl.

Bn.

1 2

Cbn.

Hn. in F

1 3 2 4

1 Tpt. in C

Tbn.

2 3 1 2

Bs. Tbn. Tba.

Timp.

(Mar.) 1

(Tamb.)

Brass Wind Chimes

Perc. 2 (Vib.) 3

Hpd.

Hrp.

G

(‌ and disappear.)

poco rit. arco I Vn. II

Va.

Vc.

Cb.

145 461

poch. riten.

= 112

Picc.

Fl.

1 2

Ob.

1 2

2.

E.H.

Cl. in B

1 2

Bs. Cl.

Bn.

1 2

Cbn.

Hn. in F

1 3 2 4

1 Tpt. in C

Tbn.

2 3 1 2

Bs. Tbn. Tba. Trg., with mallet shaft

Timp.

(Mar.) 1

Tamb. Perc. 2 Vib. 3

Hpd.

G

Hrp.

Alonso: Surely these are creatures of the island…

poch. riten.

They have brought a banquet. Let us stand to and feed. (As Alonso and Caliban move toward the banquet,…)

= 112

I Vn.

arco II

div. Va.

Vc.

Cb.

unis.

146 Più mosso

= 120 fltg.

466 Picc. 3

fltg.

a2 Fl.

1 2 3

Ob.

1 2

E.H.

1. Cl. in B

1 2

Bs. Cl.

Bn.

1 2

Cbn. a2, open 1 3 Hn. in F

a2, open 2 4 con sord. 1

Tpt. in C

2. con sord. 2 3 cresc. 3. senza sord.

Tbn.

1 2

Bs. Tbn. Tba.

Timp.

Sus. Cym.

Siz. Cym.

choke

Vibraslap

1

Cym.

Quica

Perc. 2 Guiro

Whip

Tam.

3

to Piano

Piano

Pno.

(improvise swirls)

Hrp.

thread paper through strings

(…Ariel enters as a harpy.)

Più mosso

= 120

(She claps her wings and the banquet vanishes.)

Prospero (unseen): You… are men of sin.

I Vn. II

arco Va.

pizz. arco Vc.

Cb.

arco

147 470

Allegro feroce

= 138

Picc.

Fl.

1 2

Ob.

1 2

E.H.

Cl. in B

1 2

Bs. Cl.

a2 Bn.

1 2

Cbn.

(a2) 1 3 Hn. in F

(a2) 2 4

1 Tpt. in C

2 3 con sord.

Tbn.

1 2 Bs. Tbn., con sord.

Bs. Tbn. Tba.

con sord.

Timp.

Sus. Cym. 1

(Quica)

(

)

(

)

Ratchet

Perc. 2 (Tam.)

Lion’s Roar

(ord.)

3

Pno.

Hrp.

B C D E F G A

You shall be plagued, even to roaring!

Allegro feroce

(Ariel attacks Alonso and Caliban, surrounding them with monsters.)

= 138

I Vn. II

Va.

pizz.

arco, col legno battuto

pizz.

arco, col legno battuto

ord.

Vc.

Cb.

unis., ord.

148 474

= 126

poco riten.

Picc.

Fl.

1 2

Ob.

1 2

E.H.

6

6

Cl. in B

6

1 2

6

6 6

3

6

3

6

6

6 6

6

3

6

6

6

Bs. Cl.

(a2) Bn.

1 2

Cbn.

Hn. in F

1 3 2 4 fltg. (con sord.) 1

Tpt. in C

fltg. (con sord.) 2 3 3., fltg., con sord.

Tbn.

1 2 a2

Bs. Tbn. Tba.

Timp. Guiro 3

6

6

3

6

6

3

6

6

1

Guiro Perc. 2 3

6

6

3

6

6

3

6

6

Guiro 3

6

6

3

6

6

3

6

6

3 6

6

Pno.

3

6

6

3

6 3

6

3

6 3

6

6 3

paper through strings

Hrp.

poco riten. div., pizz. I Vn.

pizz. II

Va.

Vc.

Cb.

= 126

6

6

Alonso/Caliban (howling in pain): O, monstrous, monstrous!

6

149 a tempo

477

= 138

Picc.

Fl.

1 2

Ob.

1 2

a2

E.H.

Cl. in B

1 2

Bs. Cl.

Bn.

1 2

Cbn.

a2 1 3 Hn. in F

a2 2 4

1 Tpt. in C

a2 2 3

a2 Tbn.

1 2 sub. a2

Bs. Tbn. Tba. sub. Timp. Sus. Cym. 1

(

Siz. Cym.

) Ratchet

Perc. 2

(

) Tam., scraped

ord.

damp

3

Pno.

gliss.

Hrp.

a tempo

= 138

(Alonso and Caliban continue to cry out as they are imprisoned within a strange light,‌)

unis., arco I Vn.

unis., arco II

pizz.

arco

pizz.

arco

pizz.

arco

Va.

Vc.

Cb.

150 480 Picc.

Fl.

1 2

Ob.

1 2

E.H.

Cl. in B

1 2

Bs. Cl.

Bn.

1 2

Cbn.

(a2)

gliss.

gliss.

(a2)

gliss.

gliss.

1 3 Hn. in F

2 4

1 Tpt. in C

(a2) 2 3

(a2) Tbn.

1 2 brassy

sub.

(a2)

brassy

molto

sub. molto

Bs. Tbn. Tba. brassy

brassy molto

sub.

sub.

molto

gliss. Timp. (Siz. Cym.) 1

Cym. Perc. 2 (Tam.)

damp

damp

3

Pno.

Hrp.

(…tormented by Ariel and the monsters…) I Vn. II

Va.

Vc.

Cb.

151 484 Picc.

Fl.

1 2

Ob.

1 2

E.H.

Cl. in B

1 2

Bs. Cl.

Bn.

1 2

Cbn.

(a2) 1 3 Hn. in F

(a2) 2 4

1 Tpt. in C

2 3

(a2) Tbn.

1 2 brassy

sub.

(a2)

molto

brassy

molto

brassy

molto

Bs. Tbn. Tba. molto

brassy

sub.

Timp. (Siz. Cym.) 1 Cym. Perc. 2 (Tam.) 3

Pno.

Hrp.

I Vn. II

Va.

Vc.

Cb.

152 487

fltg.

Picc. fltg. Fl.

1 2

Ob.

1 2

E.H.

Cl. in B

1 2

Bs. Cl.

Bn.

1 2

Cbn.

bells in air 1 3 Hn. in F

bells in air 2 4 fltg.

ord.

fltg.

1 Tpt. in C

fltg.

fltg. ord.

fltg. Tbn.

sim.

2 3 fltg.

1 2

Bs. Tbn. Tba.

Timp. (Siz. Cym.) 1

Glock. Perc. 2

(Tam.) with wood handle

ord.

with wood handle

ord.

3

Pno.

8ba 8va

8va

Hrp.

8ba

div. I Vn.

div. II

Va.

Vc.

Cb.

8ba

153 491

ord.

Picc. 3

3

3

3

3

3

3

3

a2, ord. Fl.

1 2

3

3

Ob.

3

3

3

3

3

3

1 2

E.H.

Cl. in B

1 2 3

3

3

3

Bs. Cl.

3

3 3

3

3 3

3

3

3

3 3

3

3

3

3 3

3

3

3

3 3

3

3

3

3 3

3

3

3

3 3

3

3

3

3

3

Bn.

1 2 3 3

Cbn.

Hn. in F

1 2 3 4

3 3

3

3 3

3

3 3

3

3 3

3

3 3

3

3 3

3

3 3

3

3

3

3

(a4) gliss.

ord. 3

1 3

Tpt. in C

Tbn.

3

ord.

3

3 3

3

3

3

3

3

3

3

3

3

3

3

3

2 3

1 2 3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

Bs. Tbn. Tba.

Timp. Sus. Cym. 1 3

3

(Glock.)

3 3

3 3

3

3

3 3

3

3

3 3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

Perc. 2

(Tam., with wood handle) 3 3

3

3

3

3

3

3

3

8va

3

3

3

3

3

3

Pno.

3

3

3 3

3

3

3 3

3

3

3 3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

8ba

3

3 3

3

3

Hrp. 3

3

3

(…and eventually turned to stone.) unis. I Vn. II

Va.

Vc.

Cb.

3

3 3

3

3 3

3

3

154 495 Picc. (a2) Fl.

Ob.

1 2

a2

1 2

E.H. a2 Cl. in B

3

3

3 3

Bs. Cl.

3 3

3

3

Bn.

3

3

3

3

3

3

1 2 3 3

3

3

3 3

3

3

3 3

3

3

3 3

3

3

3 3

3

3

3 3

3

3

3

3

1 2 3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

Cbn.

Hn. in F

1 2 3 4

(a4)

1 Tpt. in C

Tbn.

a2 2 3

1 2 3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

Bs. Tbn. Tba.

Timp. (Sus. Cym.) 1 3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

Quica Perc. 2 3

(Tam., with wood handle) 3 3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

Pno.

8ba

3

3

Hrp.

3

3

3 3

3

3

3 3

3

3

3 3

3

3

3 3

3

3

3 3

3

3

3 3

3

(Prospero then fades gradually back into view) I Vn.

unis. II

Va.

Vc.

Cb.

3

3 3

3

3

155 499 Picc.

Fl.

1 2

Ob.

1 2

E.H.

Cl. in B

1 2

Bs. Cl. a2 Bn.

1 2 (non cresc.)

Cbn. (non cresc.) (a2)

bells normale

(a2)

bells normale

1 3 Hn. in F

2 4

1 Tpt. in C

Tbn.

(a2) 2 3

1 2

Bs. Tbn. Tba.

Timp. (Sus. Cym.)

molto

Vibra slap

1 3

3

(Quica) Perc. 2 Brass wind chimes (Tam.)

Whip

B.D., (with vibraphone mallets)

3 molto

molto

Pno.

8ba

3

3

près de la table

Hrp.

(remove paper) 3

3

Prospero: Now‌

Be confined together in madness:

I Vn. II pizz. 3

3

Va.

pizz. 3

3

arco

3

arco

Vc.

pizz. 3

Cb.

156 503

Allegretto mesto,

= 120

Picc.

Fl.

1 2

Ob.

1 2