Augusta Read Thomas
TANGLE (for Orchestra)
full score
from the G. Schirmer Rental Library Date of Printing_________
G. Schirmer, Inc. New York, NY
Augusta Read Thomas
TANGLE (for Orchestra) Part I....................Leaning Against the Sun Part II..............................Certain Twilights Part III............Cracks in the Glass Horizon
this commission made possible through the generosity of Cindy Sargent and Sally Hands with support from The Louise Durham Mead New Music Fund
The composer expresses heartfelt appreciation to the commissioning parties.
G. Schirmer, Inc. New York, NY
Instrumentation: Piccolo 3 Flutes 3 Oboes English Horn 3 Clarinets in B= Bass Clarinet 2 Bassoons Contrabassoon 4 Horns in F 2 Piccolo Trumpets in B= 2 Trumpets in C 2 Trombones Bass Trombone Tuba Timpani (6 drums: 32", 29", 26", 26", 23", 20") Percussion (4 players) 1. Vibraphone (motor always off, 2 bows needed), Glockenspiel (with resonators if available; shared with Percussion 2), Large Bass Drum, Chinese Cymbal 2. Glockenspiel (with resonators if available; shared with Percussion 1), Xylophone (shared with Percussion 3), Symphony Fantastic Bell (pitch is G), Medium Tamtam, Small Triangle, Large Triangle, Bongos, Congas 3. Xylophone (shared with Percussion 2), Marimba, Almglocken (pitch is G), Suspended Cymbal 4. Chimes, Crotales (2 bows needed), 5 Tom-toms, Large Tamtam Unless otherwise specified use the most common beater or mallet.
Celesta 2 Harps Strings (8/7/6/5/4 preferred)
duration ca. 17 minutes transposed score “l.v. molto� means let the note ring until it has naturally decayed or until a dampen sign is notated.
with admiration and gratitude to Sally Hands, Cindy Sargent, Henry Fogel, David Robertson, and the Chicago Symphony Orchestra
TANGLE Part I: Leaning Against the Sun Resonant
= 60–66
Majestic and blazing
5"
4"
Augusta Read Thomas = 88–92 (2003) 6"
fltg.
Piccolo fltg.
1 fltg.
Flute
a2
fltg.
2 3
1 Oboe
a2 2 3
English Horn blend into Picc. Tpt.
solo
1 sempre
Clarinet in B
a2 2 3 sempre
Bass Clarinet a2 Bassoon
1 2 sempre
Contrabassoon 2.
1. solo
fltg.
4.
sempre 3. solo
fltg.
1 2 Horn in F
sub.
3 4 sempre solo
fltg.
sub.
1 3
Piccolo Trumpet in B
sempre solo
fltg.
sub.
2 sempre solo
fltg.
sub.
1 sempre
Trumpet in C
sempre
metal st. mute, strongly buzzing
solo without mute
remove mute
fltg.
sub.
2 sempre
1. Trombone
sempre sub.
1 2 Bs. Tbn. to st. mute
Bass Trombone Tuba
Timpani Vibraphone (motor off)
(Vib.)
1 l.v. molto Ped. S. F. Bell
Ped.
2 l.v. molto Percussion
l.v. molto
Marimba start roll slowly
Almglocken
Xylophone
5
3
3
5
l.v. molto Tubular Chimes
(Tubular Chimes)
4 Ped.
Ped.
Celesta
D C B /E F G A
1
Harp
D C B /E F G A
2
Resonant
= 60–66 free 5" bowing
Majestic and blazing 4" arco
pizz.
= 88–92
use full bow "zing!"
6" *
I free bowing
sempre
Violin
arco
pizz.
use full bow "zing!"
*
II sempre pizz.
arco
free bowing pizz.
arco
use full bow "zing!" sul D
non div. *
Viola poss. pizz.
arco
free bowing
pizz.
arco
free bowing
Violoncello poss. Contrabass * bowings should always be extreme, athletic and dramatic.
Corrected 01/13/04 Corrected 12/04
Copyright © 2004 by G. Schirmer, Inc. (ASCAP) New York, NY International Copyright Secured. All Rights Reserved. Warning: Unauthorized reproduction of this publication is prohibited by Federal law and subject to criminal prosecution.
*
2 Suddenly distant 11
= 69–72
Vibrant fanfares
poco (optional)
= 88–92
Picc.
solo 1 3
Fl.
espr.
poss.
a2
2 3 solo 1 Ob.
2. 2 3
E.H. bell–up 1 Cl. in B
graceful, suspended
(breath here only if needed)
a2, bell–up
2 3
Bs.Cl.
a2 Bn.
1 2
Cbn.
2. 1 2 Hn. in F
metallic 4. 3 4 metallic to st. mute
st. mute
to st. mute
st. mute
echo
to st. mute
solo st. mute
echo
remove mute
solo without mute
remove mute
solo without mute
remove mute
solo without mute
1 Picc.Tpt. in B
3
sempre 3
2 sempre
1 Tpt. in C
sempre solo
espr. 2
sempre
a2 Tbn.
1 2 relentless
bold
Bs. Tbn. st. mute
remove mute
Bs.Tbn. Tba. echo
Timp. (Vib.) 1
(S. F. Bell)
Ped.
2 Perc.
Marimba start roll slowly
l.v. molto 3
(Tubular Chime) 4
Ped.
Cel.
3
solo
1
C A
elegant
Hp.
2
Suddenly distant poco (optional)
= 69–72 1 solo
Vibrant fanfares
tutti, div., sul tasto
al ord.
tutti, div., sul tasto
al ord.
div., sul tasto
al ord.
tutti, sul tasto
al ord.
= 88–92
unis., free bowing
3
unis., free bowing
3
I 3
1 solo sul A
Vn.
espr.
sul G
II 3
espr.
unis.
3
Va. 1 solo sul D
div.
Vc. espr. pizz. Cb. * Cb. harmonics sound one octave lower then written.
optional: tacet *
3 = 104–108
accel.
20 Picc.
6
1 sempre
poss.
Fl. 2 3
poss. 1 Ob.
(2.)
(2.)
2 3
E.H.
bell ord. 1 Cl. in B
bell-up 2 3 poss.
Bs.Cl. sempre a2 Bn.
1 2
Cbn.
a2
fltg.
1 2 Hn. in F
intense a2
fltg.
3 4 intense (non fltg.)
solo
fltg.
to st. mute
1 Picc.Tpt. in B
sempre (non fltg.)
fltg.
solo
2 sempre (non fltg.)
solo
rubato
solo
3
1 Tpt. in C
sempre (non fltg.)
dramatic solo
solo
2 sempre
slow fltg. to fast Tbn.
1. (fltg.)
1 2 Bs. Tbn., solo without mute
raspy
fltg.
Bs.Tbn. Tba. sempre
Timp.
(Vib.) 1 Ped. Triangles (S., L.) 2 Perc.
(Mar.)
Suspended Cymbal
(Tubular Chimes)
Crotales
3
l.v. molto
4
Ped.
gl
iss
.
Cel.
1
D C B /E F G A
C B F G
Hp.
2
G
accel.
( )
= 104–108
(non trem.)
I Vn.
( )
sul pont.
ord.
II non div., pizz.
( )
sempre
arco (non div.)
Va. poss.
Vc. poss.
Cb.
sempre unis., arco
pizz. (div.)
sul pont.
4 28
solo
Picc. 3
solo 1 Fl.
sempre 2 3
3
a2
1 sub.
Ob.
a2 2 3
E.H.
solo
solo
1 Cl. in B
2., 3. bell ord.
2.
3. solo
2 3
Bs.Cl.
Bn.
1 2
Cbn.
1. 1 2 Hn. in F
sempre echo 3 4 st. mute, solo 1
Picc.Tpt. in B
3
solo 2 3
sempre
1 Tpt. in C
sempre
solo 3
solo
2 3
dramatic Tbn.
sempre
1 2
Bs.Tbn. Tba.
Timp.
1
2 Perc.
Marimba
(Mar.)
3 blend into harp sound
4
Cel.
1
C E F G
2
B A
G
Hp.
use arco whole pizz. bow
pizz.
1 solo, arco
tutti (arco)
I Vn.
use whole bow
3 soli
use whole bow
3 sole
espr. (3 soli)
II
tutte, pizz.
Va. sul D+A
non div. pizz.
Vc.
(pizz.) Cb.
sub.
(pizz.)
arco
5 Intense; Mahler–like 36 Picc. 5
1
Fl. 2 3
1 3
Ob.
sempre
a2
(a2)
2 3 3
sempre
E.H.
1 Cl. in B
3
echo
2.
a2
2.
2 3
Bs.Cl.
a2 Bn.
(a2)
1 2 3
sempre
Cbn.
a2
lyric and dramatic
full value on quarter note
a2
sempre lyric and dramatic
full value on quarter note
3
1 2 Hn. in F
3 3
3 4 3
sempre remove mute 1 Picc.Tpt. in B 2
1 Tpt. in C 2 full value on quarter note lyric and dramatic
a2 Tbn.
3
1 2 3
sempre Bs. Tbn., solo
(Bs. Tbn.)
Bs.Tbn. Tba. sempre
3
Timp. (Vib.)
(Vib.)
1 (2 Ped. Trgs.)
Ped.
2 Perc.
(Mar.)
Suspended Cymbal
3 in background (Crot.)
3
4
Cel.
l.v. molto
poss.
1
E F A
8va
Hp.
(loco)
2
l.v. molto
C
poss.
E F G
Intense; Mahler–like resonant
full bow molto vib. for beat 2
tutti, resonant
full bow molto vib. for beat 2
use full bow
I Vn.
div.
II
forceful Va. sempre ord., arco
intense
forceful
Vc. sempre arco
sempre intense
Cb. sempre
unis.
use full bow
6 rit.
46
Vivid and bold
= 92–96
Picc.
1 Fl. 2 3
1 Ob. 2 3
E.H.
1 Cl. in B 2 3
Bs.Cl.
Bn.
1 2
Cbn.
3
(a2) 1 2 Hn. in F
sempre 3 (a2)
intrepid (Mahler–like)
3 4 sempre
intrepid (Mahler–like)
1 Picc.Tpt. in B 2
solo 1 3
Tpt. in C
bold
2 a2
(a2) Tbn.
1 2 3
sempre
intrepid (Mahler–like)
Bs.Tbn.
Bs.Tbn. Tba.
Timp.
1
2 Perc. 3
4
Cel.
1
Hp.
2
rit.
Vivid and bold ( )
= 92–96
( ) 3
* I sempre Vn.
( )
3
3
3
( ) 3
* II sempre ( )
3
3
3
( ) 3
* Va. sempre Vc.
Cb. * Lots of bow. Always use full bow. Athletic and dramatic.
3
3
3
7 54 Picc.
1 Fl. 2 3
1 Ob. 2 3
E.H.
1
Cl. in B
2. 2 3 3.
Bs.Cl.
Bn.
1 2
Cbn.
1 2 Hn. in F 3 4 without mute solo
fltg.
1 Picc.Tpt. in B 2
1 Tpt. in C 2
Tbn.
1 2 (Bs.Tbn.)
Bs.Tbn. Tba.
Timp. Glockenspiel 1 l.v.
2 Perc. 3
Tubular Chimes 4 Ped.
Cel.
resonant
.
gliss
1
(D C B/E F G A )
2
D C B/E F G A
Hp.
( )
( )
I 3
( )
Vn.
3
3
3
3
3
3
3
3
div. ( )
II 3
( )
div.
( )
Va. 3
(non trem.) Vc.
Cb.
5
8 Exhilarated
63 Picc.
striking 1 sempre Fl.
3
3
3
3
3
3
3
3
3
3
3 3
2 sempre
sub.
3 3
3
3
3
3
3
3
3
3
3
3 sempre
3
3
3
1 Ob.
2. 2 3 3
3
3
3 3
sempre E.H.
1 Cl. in B
3
sempre 3.
a2
2 3
3
Bs.Cl.
Bn.
1 2
Cbn.
1 2 Hn. in F
a2 3 4 3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
1 Picc.Tpt. in B
3
sempre
3
2 sempre
3
3
1 Tpt. in C
sempre
sempre
3
3
3
3
3
3
3
3
3
2 3
3
Tbn.
3
brazen
sempre
3
1 2 Tba.
Bs.Tbn. Tba.
brazen Timp. (Glock.) 1 Xylophone 3
3
3
3
3
3
3
3
3
2 Perc.
intense
Mar. 3
3
(Tubular Chimes)
3
3
intense
3
3
5 Tom–toms
3
3
3
3
4 3
Ped. 3
Cel.
3
3
3
3
3
3
3
sempre
1
B E F A
2
D C B E F A
Hp.
Exhilarated
pizz.
arco
a 3
3
3
3
3
3
3
3
3 sempre
3
sempre
Vn. I
3 3
b sempre
3
3
3 3
3
3
3
3
3
3
3
3
3
3
3
3
a Vn. II
sempre
3 3
b sempre
sempre
pizz.
3
3
3
arco
a
3
3
sempre Va.
pizz. b
arco 3
3
3
sempre sul G
pizz.
Vc. pizz. Cb.
3
3
3
3
non div. sul D+A
9 68 Picc.
1 3
Fl.
2 3
3 3
1 Ob.
(2.) 2 3
E.H.
1 Cl. in B 2 3
Bs.Cl.
Bn.
1 2
Cbn. (a2) dramatic, lyric, athletic
a2 1 2 Hn. in F
(a2)
dramatic, lyric, athletic
(a2)
3 4 3
to st. mute
st. mute
3
to st. mute
st. mute
1 Picc.Tpt. in B
3
remove mute 3
2
3
3
3
1 Tpt. in C
sub.
3
solo
3
3
3
2 3
3
3
sub. Tbn.
1 2 (Tba.)
Bs.Tbn. Tba.
Timp. (Glock.)
Chinese Cymbal
1 (Xyl.)
(Xyl.)
2 Perc.
(Mar.)
(Mar.)
3 3
(Tom–toms)
(Tom–toms)
4 3 3
Cel.
8va
1
C B E F
8va
gliss.
Hp.
2
(D C B /E F G A)
D B A
a 3
Vn. I b sub. a 3
Vn. II b
3
unis.
Va. sempre arco Vc. sempre Cb.
10 74 Picc.
1 Fl.
2. 2 3
1 Ob. 2 3
E.H.
1 Cl. in B 2 3
Bs.Cl.
1. Bn.
1 2
Cbn. (a2)
3
(a2)
3
1 2 Hn. in F 3 4 fltg.
remove mute
without mute
1 Picc.Tpt. in B
without mute 2
solo
3
3
1 Tpt. in C
3
sempre fltg. 2
1. solo Tbn.
1.
1 2 3
espr. Bs.Tbn. Tba. solo Timp.
1 Xylophone 2 Perc.
(Mar.) 3 5 Tom–toms
3
4
Cel.
1
Hp.
F
2
3
3
a 3
Vn. I 3
3
b 3
sul A+E
(pizz.)
sul A+E
pizz.
arco
a Vn. II
arco ( )
arco
b 3
pizz.
arco
Va. 3
pizz.
non div.
Vc. 3
div. (pizz.) Cb.
(pizz.)
11 79 Picc.
1 3
Fl.
3. 2 3
1 Ob. 2 3
E.H.
1 Cl. in B
3
2 3
Bs.Cl.
Bn.
1 2
Cbn.
1 2 Hn. in F
a2 3 4 to st. mute 1
Picc.Tpt. in B
to st. mute 2
solo
3
1 Tpt. in C
solo 2
Tbn.
1 2
Bs.Tbn. Tba.
Timp. Bass Drum, solo 1 (Xyl.) 2 Perc.
(Mar.) 3 Crotales 4
Cel.
1
E F G
2
E
Hp.
pizz.
non div.
arco
pizz.
non div.
arco
pizz.
non div.
arco
pizz.
non div.
pizz.
non div.
a Vn. I b
a Vn. II b
Va.
Vc.
Cb.
arco
12 83 Picc.
1 Fl. 2 3
1 Ob.
2. 2 3
E.H. sempre
optional: bell–up 1 Cl. in B
brassy 2 3 3
Bs.Cl. sempre 3
a2 Bn.
1 2
Cbn.
1. 1 2 Hn. in F
3. 3 4 st. mute
solo
remove mute
1 Picc.Tpt. in B
st. mute
solo
solo without mute
remove mute
2 3
1 Tpt. in C
solo
3
2
Tbn.
1 2
Bs.Tbn. Tba.
Timp.
1
2 Perc. 3 Tamtam (L.) 4 l.v. molto
gl
iss
.
Cel.
1
E
2
F G
(D C B/E F G A)
C F G
Hp.
pizz. a Vn. I
pizz. b pizz. a
Vn. II
pizz. b non div. (pizz.)
arco
pizz.
Va. poss. (pizz.)
3
arco
Vc. poss. arco Cb.
3
13 Vivid and forceful
90 Picc.
1
3
Fl.
3
3
3
3
3
2.
a2
3
3.
2 3
1 Ob.
2.
(2.) 3
2 3
3
E.H. 3
3
1 Cl. in B
3.
2.
2 3
3
3
Bs.Cl. 3
3
a2 Bn.
a2
1 2 3
3
Cbn.
1 2
3
Hn. in F
sempre
a2
a2
3
a2 3
a2
3
3 4
without mute
3
3
3
3
3
3
3
3
3
3
3
3
1 Picc.Tpt. in B
3
3
3
2 sub.
3 3
1 Tpt. in C
3
3
3
3
3
3
2 3
3
1. Tbn.
1 2
3
3
Bs. Tbn. Bs.Tbn. Tba.
Timp. Vibraphone
(Vib.)
1
3
secco (Xyl.)
Ped.
3
3
3
3
3 3
3 3
3
3
2 Perc.
3
(Mar.)
(Mar.)
3 3
3
3
4
3
Cel.
3
3
3
3
3
3
ss.
gli
1
B E F G
(D C B /E F G A)
Hp.
2
non div.
arco use full bow
non div.
arco use full bow
Vivid and forceful
a 3
Vn. I
3
3
3
3
3
3
3
b
3
arco use full bow a 3
Vn. II
3
non div.
3
arco use full bow
b 3
arco use full bow
3
3
3
3
3
3
3
3
3
3
3
3
Va. 3
use full bow Vc. use full bow Cb.
3
14 95
fltg.
Picc. 3
fltg. 1
3 3
a2 fltg.
Fl.
(a2)
2 3 sempre 1 Ob. 2 3
(2.) 3
3
a2
3
E.H.
1 Cl. in B
a2 2 3
3
3
3
Bs.Cl.
Bn.
1 2
Cbn.
fltg. a2 1 2
a2 3
Hn. in F
fltg.
a2
a2
sub.
3
3
a2
3
3 4
3 3
3
3
3
3
3
3
fltg.
3
3
sub. 3
to st. mute
1 Picc.Tpt. in B
3
3
sub.
3
3
fltg.
3
to st. mute
2 3
3
fltg.
sub. to st. mute
3
1 Tpt. in C
3
3
3
3
fltg.
3
sub.
3
to st. mute
3
2 3
3
3
3
1.
2. Tbn.
fltg. 1.
3
sub.
1 2 sub. Bs. Tbn. to st. mute
2.
3
3
3
3
1., 2. to st. mute
3
Bs.Tbn. Tba. solo Timp. (Vib.) 1
3
3
3
8va
(Xyl.) 3
3
secco (Xyl.)
3
2 Perc.
(Mar.)
(Mar.)
3 3
3
3
sempre
4
3
3
3
Cel.
.
gliss
1
(D C B /E F G A)
C G
Hp.
.
gliss
2
(D C B/E F G A )
D G A
use full bow a
3 3
3
use full bow
Vn. I b
3 3
3
non div.
use full bow
non div.
use full bow
non div.
use full bow
non div.
use full bow
a 3
Vn. II
3
3
b 3
3
3
Va. 3 3
3
Vc. use full bow
(lower oct. preferred)
Cb.
sempre
15 100
accel.
Picc.
= 120 3 3
1
3 3
Fl.
2. 2 3
(2.)
3 3
1 3
Ob.
a2 2 3 3
E.H.
1 Cl. in B 2 3
Bs.Cl. a2 Bn.
1 2 3
Cbn. a2
fltg.
(a2)
1 2 Hn. in F
a2 3 4 fltg.
st. mute
remove mute
1 Picc.Tpt. in B
st. mute
fltg.
remove mute
st. mute
fltg.
remove mute
st. mute
fltg.
remove mute
1., 2. st. mute
fltg.
1., 2. remove mute
Bs. Tbn. st. mute
fltg.
Bs. Tbn. remove mute
2
1 Tpt. in C 2
Tbn.
1 2
Bs.Tbn. Tba.
Timp. (Vib.)
Glockenspiel
1 5
Ped.
(Xyl.) 2 sub. Perc.
Suspended Cymbal in background
(Mar.)
l.v. molto
3
Crotales
(Crot.)
l.v. molto
3
3
4 3
Cel.
8va
.
gliss
1
G
G A
E
8va
Hp.
2
B
A E
accel.
3
= 120
a
3
3
3
3
Vn. I
3
b
3
3
3
3
a Vn. II b
div. Va.
Vc. sempre
3
al pont. Cb. 3
pont.
ord.
16 rit.
= 86–92
107 Picc.
ossia:
solo 1 3
7:4
3
sempre
3
5
Fl. 2 3 solo 1 5:2
Ob. 2 3
E.H.
1 Cl. in B
2. 2 3
Bs.Cl.
Bn.
1 2
Cbn.
1 2 Hn. in F 3 4
1 Picc.Tpt. in B 2
1 Tpt. in C 2
Tbn.
1 2
Bs.Tbn. Tba.
Timp. (Glock.) 1
S. F. Bell 2 Perc.
l.v. molto 3 (Crot.) 4
Cel.
8va
1
secco
C E F G A
D
C E G A
D
8va
Hp.
2
secco
rit. div.
Vn. I
a b
= 86–92
1 solo
5
sempre, graceful unis. Vn. II
Va.
Vc.
Cb.
113
17
Flashback = 72
solo
= 86–92
Picc.
1
3
sempre
Fl.
6
3
2 3 solo 1 Ob.
3. 2 3
E.H.
solo 1 Cl. in B
3
3
3
3. 2 3
Bs.Cl.
Bn.
1 2
Cbn.
1 2 Hn. in F 3 4
1 Picc.Tpt. in B
without mute 2
without mute 1 Tpt. in C
without mute 2 without mute
Tbn.
1 2 Bs. Tbn., without mute
Bs. Tbn. to harmon mute (stem removed)
Bs.Tbn. Tba.
Timp.
1
2 Perc. 3
4
Cel.
gliss.
(D C B /E F G A)
1
Hp.
F
2
(1 solo)
Flashback = 72
rubato
(D C B /E F G A)
= 86–92 tutti
I 5
Vn. II
unis. Va. pizz. Vc.
pizz. Cb.
18 119 Picc. 3
solo 1 espr.
Fl.
a2 2 3 3
3
solo
1 3
Ob.
espr.
2. 2 3 3 3
E.H.
1 3
Cl. in B
a2 2 3
Bs.Cl. 3
Bn.
3
1 2
Cbn.
fltg. 1 2 3
Hn. in F
fltg.
stopped if possible
3 4 3
without mute
fltg.
1 Picc.Tpt. in B
solo 3 2 espr.
fltg.
3
3
3
1 Tpt. in C
fltg. 3
2 fltg. 2. Tbn.
1 2
3
Tba. Bs.Tbn. Tba.
Timp. (Glock.)
very fast gliss.
l.v. molto
1
(S. F. Bell)
l.v. molto
2 Perc.
(Sus. Cym.) 3
(Crot.)
l.v. molto
4 3 3
Cel.
8va
3
.
gliss
D
1
D C E F G
8va
Hp.
3
.
s glis
D C F G A
2
div.
3
(D C B /E F G A )
F
D E A
pizz.
unis.
I sub. div.
Vn.
pizz.
unis. II sub. 3
pizz.
3
Va. sub. arco Vc. 3
(pizz.) Cb.
19 rit.
124 Picc.
1 Fl. 2 3
1
3
poss.
Ob. 2 3
E.H.
solo 1 Cl. in B 2 3
Bs.Cl.
Bn.
1 2
Cbn.
5:3
1. solo 1 2 Hn. in F
sub. 3 espr.
3
sempre, lyrical
3 4
1 Picc.Tpt. in B 2
1 Tpt. in C 2
Tbn.
1 2
Bs.Tbn. Tba.
Timp.
1
2 Perc. 3
4
Cel.
secco, blend with pizz.
1
Hp.
2
rit. al sord.
metà, trem., punta d’arco
con sord.
(non trem.)
arco
(metà)
I espr.
Vn.
al sord.
arco, sul A
shimmering metà, trem., punta d’arco
(non trem.)
tutti al sord.
(non trem.)
tutte al sord.
II espr. arco
shimmering metà, trem., punta d’arco
Va. espr. div., pizz.
shimmering al sord.
Vc.
Cb.
attacca
20
Part II: Certain Twilights 131 Velvety
and spacious
= 72–80
Picc. echo 1 3
Fl.
echo
echo
2 3 3
echo
1 poss.
Ob. 2 3
E.H. 3
1 espr.
Cl. in B
elegant 3.
2 3 echo Bs.Cl. 1. Bn.
1 2
Cbn.
bell–like
(1.) 1 2 Hn. in F
sub.
3
3 4
( )
( )
1 Picc.Tpt. in B 2
3
1 Tpt. in C
espr. 2 1.
Tbn.
1 2 3
Bs.Tbn. Tba.
Timp.
1 (S. F. Bell.) 2 echo
Perc. 3
4
Cel.
1
(D C B /E F G A)
2
(D C B /E F G A)
Hp.
Velvety and spacious
= 72–80
a echo sul A
Vn. I b con sord.
echo a con sord.
Vn. II b
con sord. a Va.
con sord. b arco, unis.
Vc.
Cb.
con sord.
21 139 Picc.
1 Fl. 2 3
1 Ob.
2. 2 3
E.H. like a sudden interruption 1 Cl. in B 2 3
Bs.Cl.
Bn.
1 2
Cbn.
(1.) 1 2 Hn. in F 3 4
1 Picc.Tpt. in B
3
2
1 3
Tpt. in C 2
Tbn.
1 2
Bs.Tbn. Tba. 3
Timp.
1 Triangles (S., L.)
S. F. Bell
2 in background Perc. 3 Tamtam (L.) 4 l.v. molto
Cel.
1
Hp.
2
1 solo via sord. a sub. Vn. I b 1. solo
tutti
a
Vn. II
2. solo
tutti
b 3
1. sola
tutte
a 3
Va.
2. sola
sub.
tutte
b 1 solo
tutti
Vc. 3
1 solo, arco Cb. 3
tutti (arco)
via sord.
l.v. molto
22 145 Picc. bell–like 1 Fl. 2 3 bell–like poss. 1 Ob.
a2
2.
bell–like
2 3
E.H. rubato solo
5:4
1 Cl. in B
2. 2 3
Bs.Cl.
Bn.
1 2
Cbn.
1 2 Hn. in F 3 4 to straight mute 1 Picc.Tpt. in B
to straight mute 2 to straight mute 1
Tpt. in C
solo harmon mute (stem removed)
to harmon mute (stem removed)
remove mute
2 echo (Vn. solo) Tbn.
1 2
Bs.Tbn. Tba.
Timp. Vibraphone (bowed) 1 Triangle (S.)
Ped.
2 in background Perc. 3
4
Cel.
1
A
2
A
Hp.
1 solo, senza sord.
a graceful
3
3
sub.
Vn. I
via sord. b sempre
a sempre
Vn. II b
sempre
a sempre
Va. b 1. solo, rubato 5:2 senza sord. Vc. espr. Cb.
trem., punta d’arco
23 151 Picc. 3
solo 1 Fl. 2 3 solo
3
1 Ob. 2 3
E.H. solo rubato 1 Cl. in B
echo
2 3
echo Bs.Cl.
Bn.
1 2
Cbn.
1 2 Hn. in F 3 4
1 Picc.Tpt. in B 2 solo st. mute
3
1 Tpt. in C
graceful, rubato echo (Vn. solo) 2
Tbn.
1 2
Bs.Tbn. Tba.
Timp. (Vib. (bowed)) 1 Ped.
Ped.
2 Perc. 3
4
Cel.
1
Hp.
2
(1 solo) 3
a
3
Vn. I b via sord.
senza sord. punta d’arco
sul pont.
via sord.
senza sord. punta d’arco
sempre sul pont.
via sord.
senza sord. punta d’arco
a Vn. II b sempre
sul pont.
a Va.
sempre sul pont.
senza sord. punta d’arco
via sord. b
lower half Vc.
senza sord. punta d’arco
sul pont.
a b sempre
Cb.
sempre
24 accel. (to build urgency)
157 Picc.
solo
3
1
3
poss.
Fl. 2 3
solo 1 Ob. 2 3
E.H. 7:6
1 Cl. in B 2 3
Bs.Cl.
Bn.
1 2
Cbn.
a2 1 2 Hn. in F
a2 3 4 solo, st. mute 1
Picc.Tpt. in B
st. mute
solo
2 solo (st. mute) 1 Tpt. in C
without mute solo
3
to st. mute
2
Tbn.
1 2
Bs.Tbn. Tba.
Timp.
1
2 Perc.
(Sus. Cym.) 3 in background
4
bell–like
Cel.
1
Hp.
2
(1 solo) sul tasto
accel. (to build urgency)
1 solo al sord. (optional)
tutti, ord., senza sord.
a sempre Vn. I
echo (Cl.)
senza sord.
b sempre ord.
(non trem.)
a sempre Vn. II
ord. b
unis., ord. Va.
Vc.
Cb.
25 = 100 rit.
(accel.)
164
= .
Picc. solo
1 Fl. 2 3
1 Ob.
2. 2 3
E.H. bell–up
1 Cl. in B
2 3
Bs.Cl.
Bn.
1 2
Cbn.
1.
2. solo
1. solo
1 2 Hn. in F
sempre 3. solo 3 4 without mute
remove mute
solo
1 Picc.Tpt. in B
remove mute
solo
without mute
solo
2 remove mute
solo
without mute
solo
1 Tpt. in C
solo, st. mute
3
without mute
remove mute
solo
2 3
Tbn.
1 2
Bs.Tbn. Tba.
Timp. 5:4
Glockenspiel 1 3
S. F. Bell 2 Marimba
Perc. 3
Crotales (bowed)
l.v. molto
4
Cel.
F
1
Hp.
D C A
2
= 100 rit.
(accel.)
8va
= .
tutti, unis.
Vn. I
8va
al sord. (1 solo senza sord.)
a Vn. II
8va
b sempre Va. tutti, unis. senza sord. ord. Vc.
Cb.
al sord.
26 171
Majestic and graceful
= 80–84
Picc.
1 Fl. 2 3
1 Ob. 2 3
E.H.
blend with Va. solo
solo
rubato
5:3
1 Cl. in B
espr., dreamy 2 3 solo 5:3
Bs.Cl. espr.
Bn.
1 2
Cbn.
1. solo, bell–like
sim.
1 2 Hn. in F 3 4 to st. mute 1 Picc.Tpt. in B
to st. mute 2 solo (without mute) bell–like sim.
to st. mute
1 Tpt. in C
to st. mute 2
1. to st. mute Tbn.
1 2 Tba.
Bs.Tbn. Tba.
Timp. Bass Drum (L.) 1
2 Perc. 3
4
Cel.
1
D C
echo (Tpt.)
F
Hp.
2
D
Majestic and graceful
= 80–84
I rubato 1 solo (senza sord.) freely floating above orch.
Vn.
5:3
bell–like
II
4:3 espr. div., pizz.
3 sole, sul G
arco
graceful
1 sola
blend with Cl.
Va. espr.
espr. div., pizz.
3 soli, sul D
arco
Vc. espr. div., pizz. Cb. arco
sempre ( )
27 181 Picc.
1 Fl. 2 3 solo 1 lyrical
Ob.
espr. 2 3
E.H.
1 Cl. in B 2 3
Bs.Cl.
Bn.
1 2
Cbn.
1 2 Hn. in F 3 4
1 Picc.Tpt. in B 2
1 Tpt. in C 2
2. Tbn.
2. to st. mute
1 2 echo
Bs. Tbn. to st. mute
Bs. Tbn. Bs.Tbn. Tba. echo Timp.
1
(S. F. Bell) 2 Perc.
(Mar.) 3 Tubular Chimes (hammer) 4 Ped.
Cel.
solo
1
solo
G
D
Hp.
2
1 solo con sord. (optional)
I espr.
Vn.
sul tasto II with slight natural dynamic nuance
4:3 tutte, pizz.
al sord.
Va.
tutti, pizz. Vc.
unis., pizz. Cb.
28 191 Picc.
solo 1 Fl. 2 3 solo 1 Ob. 2 3 solo E.H. espr.
sempre
1 Cl. in B 2 3
Bs.Cl.
1 2
Bn.
Cbn.
2. 1 2 Hn. in F
4. 3 4 st. mute 1
Picc.Tpt. in B 2
st. mute 1 Tpt. in C
st. mute 2
2. st. mute 1 2
Tbn.
Tba., solo Bs.Tbn. Tba.
Timp. Bass Drum (L.) 1 (S. F. Bell) 2 Perc. 3 Tamtam (L.) 4
Cel.
1
Hp.
2
(1 solo)
Vn. I ord.
(1 solo) 1 solo Vn. II
gli altri, div. con sord.
smooth
via sord.
elegant
gli altri one slow 4 sole down bow (con sord.)
espr. arco, con sord. Va. espr.
4 soli arco
( )
2 soli al sord.
2 soli con sord.
Vc.
espr. Cb.
one slow down bow
29 201 Picc.
1 Fl.
2.
fltg.
2 3
1 Ob. 2 3
E.H.
1 Cl. in B
intense 2 3 intense
Bs.Cl. intense 1. 1 2
Bn.
Cbn.
1 2 Hn. in F
bold 3 4 bold
(st. mute) 1 Picc.Tpt. in B
st. mute 2 still solo; in foreground
solo (st. mute) 1 Tpt. in C
solo without mute
sempre (st. mute)
flowing
remove mute
2 1. solo st. mute
sempre
1 2
Tbn.
Bs. Tbn. st. mute
flowing
Bs. Tbn. remove mute
Bs.Tbn. Tba.
Timp. Vibraphone (mallets) 1 Tamtam (M.)
Ped.
2 Perc. 3
4
Cel.
1
D C B F
D
Hp.
2
tutti, div., pizz. (senza sord.)
arco (div.)
Vn. I (1 solo)
sempre
8va
1 solo sempre
Vn. II
gli altri, div., pizz. senza sord.
unis., arco
gli altri tutte via sord.
2 sole, senza sord.
2 soli via sord.
4 soli, senza sord.
tutte, unis., pizz. (senza sord.)
non div.,
arco
sempre
Va. espr.
tutti, unis., pizz. (senza sord.)
sempre arco
Vc. espr. Cb.
sempre
30 211
fltg.
Picc.
fltg.
solo
1 Fl.
fltg. 2 3
1 sempre
Ob. 2 3
sempre E.H. solo 5:3 1 sempre
Cl. in B
2. solo
5:3
2 3 sempre Bs.Cl.
1 2
Bn.
Cbn.
1. 1 2 Hn. in F
bold 3. 3 4 bold (st. mute) 1
Picc.Tpt. in B
(st. mute) 2
remove mute 1 Tpt. in C
to st. mute 2
(st. mute) 1 2
Tbn.
Bs. Tbn.: without mute Bs.Tbn. Tba.
Timp. Chinese Cymbal in background
(Vib.)
Vibraphone
1 (Tam. (M.)) 2 Perc. 3 (Tam. (L.)) 4
Cel.
1
A
Hp.
2
l.v. molto lower half sul D
non trem.
Vn. I (1 solo)
optional: 3 soli for next 10 bars
1 solo non trem.
Vn. II gli altri al sord.
con sord. sul D
via sord.
Va.
2 soli Vc. (pizz.) Cb.
1 solo 8va
Ped.
31 221 Picc.
1 Fl. 2 3
1 sempre
Ob.
sempre
2 3
E.H.
1 Cl. in B
sempre 2 3 sempre
Bs.Cl.
1 2
Bn.
Cbn.
(1.) 1 2 Hn. in F
intense
2.
(3.)
4.
3.
3 4
remove mute
without mute
1 Picc.Tpt. in B
remove mute
without mute
2 without mute
solo
1 Tpt. in C
sempre st. mute
remove mute
without mute
2 1., 2. remove mute
1., 2. without mute
Bs. Tbn. remove mute
Bs. Tbn. without mute
1 2
Tbn.
Bs. Tbn. to st. mute
Bs. Tbn. st. mute
Bs.Tbn. Tba.
Timp.
1 S. F. Bell 2 Perc. 3 (Tam. (L.)) 4
Cel.
B E G
1
Hp.
C
2
Vn. I (1 solo) 8
1 solo Vn. II
sempre
sempre
gli altri, div.
unis.
gli altri pizz. arco senza sord. div.
sempre
tutti, pizz.
sempre
sempre
Va. arco
Vc. sempre arco Cb. sempre
no octave substitution
32 = 60
rit.
231
.=
Picc.
1 Fl. 2 3
1 Ob. 2 3
E.H.
1 Cl. in B 2 3
Bs.Cl.
Bn.
1 2
Cbn.
1. solo 1 2 Hn. in F
bold 3. 3 4
1 Picc.Tpt. in B 2
1 Tpt. in C 2
Tbn.
1 2
Bs.Tbn. Tba.
Timp.
1
2 Perc. 3
4
Cel.
1
Hp.
2
rit.
tutti, unis. (arco) .=
I Vn.
arco II
via sord. Va. 1. solo, senza sord.
sul tasto sotto voce
ord.
3
3
Vc. sub. Cb.
33 238 Picc.
1 Fl. 2 3
1 Ob. 2 3
E.H.
1 Cl. in B 2 3
Bs.Cl.
1 2
Bn.
Cbn.
1 2 Hn. in F 3 4
1 Picc.Tpt. in B 2
1 Tpt. in C 2
1 2
Tbn.
Bs.Tbn. Tba.
Timp.
1
2 Perc. 3
4
Cel.
1
Hp.
2
I Vn. II sul tasto senza sord. Va. no port.
(1 solo) 1 solo Vc.
sub. interior
graceful gli altri, senza sord.
sub. prayerful
sub.
gli altri echo Cb.
attacca
Part III: Cracks in the Glass Horizon
34 245
Spirited
= 100
Picc. 6
5
1
5
sempre
fltg.
3
(non fltg.)
fltg.
(non fltg.)
Fl. 2 3
1 sempre
Ob.
a2 2 3 sempre
E.H.
1 Cl. in B
2. 2 3
Bs.Cl.
Bn.
1 2
Cbn. dramatic, lyric, athletic
a2 1 2 Hn. in F
dramatic, lyric, athletic
a2 3 4
1 Picc.Tpt. in B
3 3
2
3
3 3
sempre
1 3
sempre
Tpt. in C
3
3
2 1.
3
3
3
2. Tbn.
1 2 Bs. Tbn.
Bs.Tbn. Tba.
Timp. Glockenspiel l.v. sempre
l.v. molto
1 (Xyl.)
3
2 Perc.
Suspended Cymbal 3
(Tubular Chimes) 4 Ped. use forearm to hit cluster between B and A l.v. molto
Cel.
resonant
.
gliss
1
C F G
D C B /E F G A
Hp.
gliss.
2
D C E F G A
D C B /E F G A
Spirited I
3
= 100 3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
Vn. II
3
3
3
3
3
3
3
ord. Va.
3
3
3
3
tutti, unis. Vc. 5
Cb.
5
5
5
3
3
3
dramatic, lyric, athletic
35 = 132
molto accel.
250 Picc.
1 Fl. 2 3
1 Ob. 2 3
E.H.
1 Cl. in B 2 3
Bs.Cl.
Bn.
1 2
Cbn.
(a2)
3
fltg.
(a2)
3
fltg.
1 2 Hn. in F 3 4 fltg. 1 Picc.Tpt. in B 2 fltg. 1 Tpt. in C
fltg. 2 1.
Tbn.
1. solo
1 2 (Bs. Tbn.)
3
B. Tbn. optional: tacet solo
3
solo
3
espr.
Bs.Tbn. Tba. intense sub.
sub.
sub.
Timp.
1 2 Bongos 2 sub.
Perc. 3
5 Tom–toms 4
Cel.
1
Hp.
2
molto accel.
= 132
I Vn. II
Va.
div.
unis.
Vc.
div.
unis., pizz.
Cb. sempre
l.v. molto
div., arco
36 accel.
258 Picc.
1 Fl. 2 3
1 Ob. 2 3
E.H.
1 Cl. in B 2 3
Bs.Cl.
Bn.
1 2 solo
solo
Cbn. poss. 1. solo Hn. in F
1 2 sempre 3 4
1 Picc.Tpt. in B 2
1 Tpt. in C
3
2 (1.) Tbn.
1 2 3
3
sub. Bs.Tbn. Tba.
Timp.
1
2 Perc. 3
Tamtam (L.) 4 l.v. molto
Cel.
1
D E F G A
Hp.
2
accel. I Vn. II
Va.
Vc. unis. no octave substitution Cb.
37 Playful
266 (accel.)
= 116–120
rit.
Picc. solo 1 Fl. 2 3 solo 3
1 brassy Ob.
a2 2 3 brassy
E.H. solo 1 Cl. in B
2 3
Bs.Cl.
1 2
Bn.
Cbn.
(1.)
a2
1 2 Hn. in F
a2
3 4
lyrical
lyrical 1 Picc.Tpt. in B 2
1 Tpt. in C 2
1 2
Tbn.
Bs.Tbn. Tba.
Timp. Bass Drum 1 2 Bongos 2 Congas 2 Perc.
3
5
Marimba
3
3 5 Tom–toms
blend with pizz. in background
3
4 3
3
Cel.
3
D C B /E F G A
1
C
C
F
C
Hp.
3
D C B /E F G A
2
A
Playful
(accel.)
G
= 116–120
C
rit.
2 soli, div.
2 soli Vn. I
gli altri, pizz.
3
gli altri 1 solo 1 solo Vn. II
gli altri, pizz.
3
gli altri 1 sola 1 sola Va.
gli altri, pizz.
non div.
le altre 1 solo
3
1 solo 3
Vc.
gli altri, pizz.
gli altri pizz. Cb.
3
38 275 (rit.)
Passionate
= 96–100
Picc. 5
1
3
sempre Fl.
3 3
3 3
3
3
fltg.
2 5
fltg. 3
1
3
Ob.
2.
(a2)
2 3
3 3
E.H. 3
1
3
3
Cl. in B
3 3
3
sempre
3
2
3 6
Bs.Cl.
Bn.
1 2
Cbn. 1. 1 2 Hn. in F
3. 3 4 solo 1
Picc.Tpt. in B
3
3
bold
2 3
solo 1 3
Tpt. in C
3
bold
2 1. Tbn.
1 2 bold
Bs.Tbn. Tba.
Timp. Chinese Cymbal
Glockenspiel
l.v. sempre
l.v. molto
1 3
3
Xylophone 2 Perc.
3
3
3
3
(Mar.) 3
Crotales
l.v. sempre
3
3
4 l.v. molto
Cel.
resonant
ss.
gli
1
D C B E F G
2
C B E G
D C B/E F G A
Hp.
(rit.) tutti, div., arco
Passionate
( ) 3
I Vn.
= 96–100
* unis. 3
tutti, div., arco
sempre
3
* unis. 3
sempre
3
3
3
3
( )
3
3
* unis.
( )
3
Va.
3
3
tutti, unis., arco
3 3
II tutte, div., arco
3
3
sempre
div.
3
Vc. arco Cb. * Lots of bow. Always use full bow. Athletic and dramatic.
3 3
3
39 281 Picc. 3
1 Fl.
a2
a2
2 3
1
3
Ob.
a2 2 3
3
E.H.
1 Cl. in B
3.
a2
2 3
Bs.Cl.
Bn.
1 2
Cbn.
2.
a2
1 2
3
3
Hn. in F
a2
4.
3 3
a2
3 4 3
3 3
1 Picc.Tpt. in B
3
3 3
3
2 3
1 Tpt. in C
3 3
2 3
1. Tbn.
3
3
1 2
Bs.Tbn. Tba.
Timp. (Glock.)
(Glock.)
l.v. sempre
l.v. molto
3
1 3
(Xyl.) 2
3
3
Perc.
(Mar.) 3
3 3
(Crotales)
(Crotales)
l.v. sempre
3
3
4
l.v. molto
Cel.
1
D C A
D B F G A
Hp.
2
B E F G
div.
I
3 3 3
Vn.
div. II 3
3
3
Va.
unis. Vc. arco Cb.
40 = 132
286 Picc.
3
3 3
1
3
3
Fl. 2 3
3
3 3
1
3 3
Ob.
2.
3
a2
3
2 3 3
E.H.
solo 1 Cl. in B 2 3
Bs.Cl.
Bn.
1 2
Cbn.
1 2 Hn. in F 3 4
1 Picc.Tpt. in B 2 3
1 3
Tpt. in C
3
2 3
1. Tbn.
1 2 3
3
Bs. Tbn. Bs.Tbn. Tba. 3
Timp. (Glock.) 1
2 Perc. 3 (Crotales) 4
Cel.
1
Hp.
2
= 132
3
a Vn. I
pizz.
arco
unis., pizz.
arco
b
div.
Vn. II non div. pizz.
arco
pizz.
arco
3
Va.
Vc. 3
pizz. Cb. l.v. molto
41 293
rit.
= 92–96
Picc. striking 1 sempre Fl.
3
3
3
3
3
3
3
3
3
3
3
2 poss.
sempre
3
3 sempre 1
Ob.
a2
3
3
3
3
3
3
2.
2 3
3
3
3
sempre E.H.
1 sempre
Cl. in B
a2
a2
2 3
3. 3
3
3
3
3
3
Bs.Cl.
Bn.
1 2
Cbn.
Hn. in F
1 2
3 4
3
3
3
3
3
3
1 Picc.Tpt. in B
3
3
3
sempre
3
2 sempre 1
3
Tpt. in C
3
3
3
3
3
sempre
sub.
sempre
3
3
2 3
Tbn.
3 3
sub.
2. 1 2
3
3
3
sempre
1.
3
brazen
sub.
Tba.
Bs.Tbn. Tba. brazen Timp. (Vib.)
Glockenspiel
1 Ped.
5
(Xyl.)
3
3
3
3
3
3
3
2 3
Perc.
3
(Mar.) 3 7:6 3
3
3
(Tubular Chimes)
5 Tom–toms
4 Ped.
Ped. 3
intense
Cel.
3
3
3
3
3
secco 3
gli
ss.
1
3
3
ss.
gli
D C B /E F G A
B F G
Hp.
D C E G A
2
rit.
= 92–96
pizz.
arco
a 3
3
3
3
3
3
3
3
3
3
sempre
3
Vn. I b sempre
3
3
3
a sempre Vn. II
sempre
3
b pizz.
sempre
sempre
3
3
Va. pizz., sul G Vc. (pizz.) Cb.
42 298 Picc. 3
sub. 1 3
Fl.
2 3
3
3
3
3
3
3
3
3
3
3
3
3 3
3
1 3
bold Ob.
(3.)
2.
a2
2 3 bold
3
3
E.H. bold
1 3
Cl. in B
a2 2 3
a2 3
3
Bs.Cl.
Bn.
1 2
Cbn. a2 Hn. in F
1 2 a2
3.
3 4 3
3
3
3
3
3
3
3
1 Picc.Tpt. in B
3
3
solo
2 sempre
3
3
1 Tpt. in C
3
3
3
3
3
3
3
2 3
3
Tbn.
3
3
3
1 2 (Tba.)
Bs.Tbn. Tba.
Timp. optional: tacet
(Glock.)
Vibraphone
l.v. 1
secco (Xyl.) 3
(Xyl.)
3
2 Perc.
secco
(Mar.) 3 3
3
(5 Tom–toms
3
3
3
3
3
Tubular Chimes
4 3 3
3
3
Ped. 3
3
bold
Cel.
3
3
3
3
3
1
D C B/E F G A
2
D C B/E F G A
Hp.
non div. a 3
3
3
3
3
Vn. I
non div. b 3
3
3
3
sub. non div.
a 3
Vn. II
3
3
3
3
non div. b 3
3
3
3
3
arco
Va. non div. sul D+A. Vc.
Cb.
bold arco
43 303 Picc.
3
1
3
Fl.
a2 2 3
1
3
Ob. 2 3
3
E.H.
1 3
Cl. in B
2. 2 3
Bs.Cl.
Bn.
1 2
Cbn.
1 2 Hn. in F 3 4 3
solo
3
1 Picc.Tpt. in B
3 3
to st. mute
3
2 3
to st. mute
st. mute
to st. mute
st. mute
1 Tpt. in C 2
Tbn.
1 2
Bs.Tbn. Tba.
Timp.
Glockenspiel
3
3
3
1
sub. (Xyl.) 2 Perc.
7:4
3
3
3 (Tubular Chimes)
(Tubular Chimes)
4
Ped.
Cel.
gliss.
1
C B F G A
D C B /E F G A
Hp.
2
a
3
sempre Vn. I b
3
(div.) Vn. II
3
Va.
3
div. Vc.
Cb.
sub.
44 308 Picc.
3
3
3
3 3
1
3
3
3
3
3
3
sempre
Fl.
(a2)
a2
2 3
2.
3
3
3
1 3
3
3
3
3
3
Ob. 2 3
3
3 sempre
3
3
3
3
3
sempre
E.H.
1 Cl. in B
2 3
3
3
3
sub.
3 3
Bs.Cl.
3 3
1. Bn.
3 3
1 2
3 3
3
Cbn.
3
1. 1 2 Hn. in F
3 3
33
3
3.
3 4
3 3
(solo)
5:4
3 3
3
1 3
Picc.Tpt. in B
sub.
st. mute 3
3
bold
3
sub.
3
3
3
2 sub. 1 3
Tpt. in C
3
3 3
3 3
3
2 3
Tbn.
1 2 3
3 3
Bs.Tbn. Tba.
Tba.
3
Timp. (Glock.)
3
1 3
sub.
3
(Xyl.) 2 Perc.
3
3
3
3
3
5:4
(Mar.) 8va
3 (Tubular Chimes)
5:4
7:4
3
4 secco 3
5:4
Cel.
8va
3
secco
3
3
8va
gliss.
3
3
8va
sub.
1
rubato
Hp.
3
D E
F
8va
4:3
.
gliss
A
2
a
3
3
3
3
3
3
3
Vn. I 3
b
3 sempre
a
3
3
sub.
Vn. II b
3
3
3
3
sempre pizz.
3
div., arco
Va. 3
unis., pizz.
div. (pizz.)
arco (div.)
Vc. 3
(pizz.) Cb.
arco
45 accel. molto solo
312 Picc.
3
3
1 Fl.
3
(2.)
3
3
3
3
3
3
3
3
a2
2 3 3
3
3
3
1 3
3
3
Ob.
a2
2 3 3
3
3
3
3
3
3
3
E.H.
Cl. in B
1
a2
2 3
Bs.Cl. a2 1 2
Bn.
Cbn. (1.)
Hn. in F
1 2
3
3
(3.) 3 4
3
3 3
3
3
3
3
to st. mute
3
1 Picc.Tpt. in B
cresc.
3
3
3
3
remove mute
solo
2 cresc. solo
remove mute
1 Tpt. in C
3
3
3
3
cresc.
3
3
solo
2 3
3
3
cresc.
3
3
3
sub. 1., 2. to st. mute
Tbn.
1 2 (Tba.)
Bs. Tbn.
Bs.Tbn. Tba.
Timp.
1
2 Perc. 3
4 3
3
3
3
3
Cel. 3
3
3
3
3
3
C B E
1
Hp.
F G
short and quick gliss. "zing"
D F
2
accel. molto a
Vn. I
3
b 3
3
3
sub.
a Vn. II b 3 3
a 3
Va. b 3
sul C
sub.
unis.
Vc.
pizz. Cb.
46
Punchy; Dance–like = 138
(accel. molto)
318
=
Picc.
1 3
Fl.
3
3
3
3
a2 2 3
3
1 3
Ob.
a2 2 3 3
E.H. 3
1 Cl. in B
3
3
3
3
3
3
a2 2 3
Bs.Cl. a2 Bn.
1 2
Cbn.
1 2 Hn. in F 3 4
1 Picc.Tpt. in B 2
1 Tpt. in C
(st. mute) 2
1. st. mute Tbn.
1 2 Bs. Tbn. to st. mute
Bs. Tbn. solo Bs.Tbn. Tba.
Timp. Vibraphone 1 sempre Ped.
Glock.
Ped.
2 Perc. 3 5 Tom–toms 4
Cel.
secco
1
A
D
D
2
A
D
D
Hp.
(accel. molto)
Punchy; Dance–like = 138
div.
3
a Vn. I
div. b unis.
Vn. II unis. Va. pizz. Vc. (pizz.) Cb.
=
47 327 Picc.
1 Fl.
a2 2 3
1 Ob.
(a2) 2 3
E.H.
1 Cl. in B
(a2) 2 3
Bs.Cl.
Bn.
1 2
Cbn.
1 2 Hn. in F 3 4 st. mute 1 Picc.Tpt. in B 2 without mute 1 Tpt. in C 2 (1.) Tbn.
1 2
Bs.Tbn. Tba.
Timp. (Vib.) 1 Ped. (Glock.)
Ped.
Ped. sim.
2 Perc.
(Mar.) 3 (5 T.–toms) 4
Cel.
1
D B E G A
D C B /E F G A
2
D B E G A
D C B /E F G A
Hp.
unis. a Vn. I
unis. b
a Vn. II b
a Va. b div., arco Vc. arco
Cb.
48 335
(silent)
(silent)
Picc. 8va
8va
8va
8va
8va
1 Fl. 2 3
1 Ob. 2 3
E.H.
1 Cl. in B 2 3
Bs.Cl.
Bn.
1 2
Cbn.
1. 1 2 Hn. in F 3 4
1 Picc.Tpt. in B 2
1 Tpt. in C 2 2.: st mute Tbn.
1 2 Bs. Tbn.: st mute
Bs.Tbn. Tba.
*
)
or
)
solo
Timp. (
(
sempre Bass Drum
1
2 Perc. 3
4
Cel.
gli
gli
gli
gli
ss.
ss.
1
Hp.
ss.
2
(div.) (silent) Vn. I non div. a Vn. II
non div. b
(div.) Va.
(div.) Vc. arco Cb.
* If two 26" drums are available play D up the octave. If not, play D down the octave on Drum I.
ss.
49 347 Picc. sempre
1
Fl.
2
3 sempre 1 Ob.
2. 2 3
E.H.
1
Cl. in B
2
3 sempre Bs.Cl.
Bn.
1 2
Cbn. (1.) 1 2 Hn. in F
sempre
3.
3 4 remove mute 1 Picc.Tpt. in B 2
1 Tpt. in C
remove mute 2 1., 2. remove mute
Tbn.
1 2 Bs. Tbn. remove mute
Bs.Tbn. Tba.
Timp. Vibraphone 1 2 Bongos 2 Congas
Ped.
sim.
2 Perc.
Xylophone 3
4
Cel.
secco
1
C
D
B
G
D
A
2
C
D
B
G
D
A
Hp.
div. a sempre Vn. I
div. b unis.
div. a Vn. II
sempre b unis.
metĂ pizz.
Va. pizz. (div.) Vc. pizz. Cb.
sempre div. (pizz.)
50 355
.=
Picc.
1
Fl.
2
3
1 Ob.
(2.) 2 3
E.H.
1
Cl. in B
2
3
Bs.Cl. 1. Bn.
1 2
Cbn.
(1.) 1 2 Hn. in F
(3.) 3 4
1 Picc.Tpt. in B
without mute 2
1 Tpt. in C
without mute 2
Tbn.
1., 2. without mute
1., 2. to st. mute
1., 2. st. mute
Bs. Tbn.: without mute
Bs. Tbn. to st. mute
Bs. Tbn.: st. mute
1 2 poss.
Bs.Tbn. Tba. Tba. solo
poss.
Timp. (Vib.) 1 Ped.
(2 Bongos, 2 Congas)
Ped.
2 8va
Perc.
(Xyl.) 3 Tamtam (L.) 4
gl iss
.f
re
ely
Cel.
D E G
1
gl
iss
.f
re ely
Hp.
B F G A
2
unis.
.=
a unis.
Vn. I b
non div.
non div.
non div.
non div.
non div.
non div.
a Vn. II b arco (div.)
unis.
arco (div.)
unis.
Va.
Vc. div.
arco Cb. sempre
51
Vivid and forceful = 92–96 361
fltg.
Picc.
1
3
3
3
3
3
3
3
3 3
Fl.
2. 2 3 3
3
3
3
3
3
3
3
1 Ob.
2.
(2.)
2 3
E.H.
1 Cl. in B
2. 2 3
3
3
3
3
3
3
3
3
Bs.Cl.
Bn.
1 2
Cbn. sempre 1 2 Hn. in F 3 4 without mute
3
3
3
3
3
3
3
3
3
3
3
3
3
3
1 Picc.Tpt. in B
3
3
3
3 3
2 3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
1 Tpt. in C
3
3
3
3
3
3
3
2 3
(st. mute)
3
2. Tbn.
1 2 Bs. Tbn. (st. mute)
Bs. Tbn. re move mute
Bs.Tbn. Tba.
Timp. (Vib.) 1
3
3
secco Xylophone
3
3
3
3
3 3
3 3
3
3 3
3
3
3
3
3
3
2 3
Perc.
Marimba
3 3
3
3
3
3
3
3
3
3
4
3
Cel.
3
3
3
3
3
3
3
3
3
3
3
3
secco
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
secco
1 Hp.
2
Vivid and forceful = 92–96 a 3
3
3
3
3
3
3
3
3
Vn. I b
3
a 3
3 3
Vn. II
3
3
3
b 3
3
Va. 3
Vc. unis. Cb.
3
52 366 Picc. 3
3
1
3
3
3
3
3
3
3
3
3
3
3
3
(2.)
Fl. 2 3
3
1 3 3
Ob. 2 3
E.H.
1 3
Cl. in B
3
3
3
3
3
2. 2 3
3
3
3
3
3
3
3
Bs.Cl.
1. Bn.
1 2
Cbn.
1 2 Hn. in F 3 4 3
3
3
3
3
3
3
3
1 Picc.Tpt. in B
3
2
1 Tpt. in C
3
3
3
3
3
3
3 3
3
3
3
3
3
3
3
3
3
2 (2.) Tbn.
3
3
3
1 2
Bs.Tbn. Tba.
Timp. (Vib.)
(Vib.)
1 3
3
(Xyl.)
Ped.
3
2 3
Perc.
3
3
3
3
3
(Mar.)
(Mar.)
3 3
3
3
5 Tom–toms solo 4 3 3 3
Cel. 3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
1
Hp.
2
a
3
3
3
3
Vn. I b 3
a
3
3
3
3
3
3 3
3
3
3
3
3
3 3
3
Vn. II b
3
3
3
3
3
3 3
3
div. Va. 3
div. Vc.
Cb.
3
53 fltg.
371 Picc.
7:4
5:4 sempre
3 8va
ossia: (
)
1 5:4 sempre ( )
Fl. 2 3
1 3
Ob. 2 3
3
E.H. 3
1 Cl. in B
3
3.
(2.) 2 3
3
3 3
Bs.Cl. 1. 1 2
Bn.
3
Cbn. 3
a2
a2
3
3
1 2
3 3
3
3
3
3
sub. sub.
bold Hn. in F
3 3
a2
3
3
3
3
3
bold bold 3
3
3 4 3
3
3
bold
3
1 Picc.Tpt. in B
3 3
2 3
1 Tpt. in C
3
3
2 3
3
1., 2 without mute
1., 2. remove mute Tbn.
1 2 3
Tba.
3
Bs. Tbn.: without mute
3
Bs.Tbn. Tba. 3
Timp.
1 Tamtam (M.) 2 Xylophone
Perc. 3
3
(Mar.)
Tubular Chimes 4
3
Ped.
Cel.
ss.
gli
1
D C B/E F G A
D B A
Hp.
2
div.
unis.
I sub.
div., arco
div.
Vn. II
sub. unis. 3
(div.)
div., arco
3
()
Va.
3
sub. 3
3
3
sub.
3
a sub. 3
Vc.
3
b 3
3 3
Cb. 3
3
3
3
sub.
54 fltg.
376 Picc.
3
9:8
5:4
fltg. fltg. 1 5:4 Fl.
fltg.
2. 2 3
5:4
(a2) 5
5:4
sempre
1 3
Ob.
3
3
3
3
3
2 3
E.H.
1
3
3
3
Cl. in B
3
3
3
2 3
(1.) Bn.
3
3
3
Bs.Cl.
2.
1 2
3
3
3
3
3
3
Cbn.
3
1 2 Hn. in F
3
3
3
3
3 4 3 3
1 Picc.Tpt. in B
3
3 3
3
2 3
1 Tpt. in C
3
3
3
3
3
3
2
3
Tbn.
1 2 3
3
a2
3 3
3
Bs.Tbn. Tba.
Timp. (Vib.) 1 Ped. sempre (Xyl.)
3
2 3
Perc.
(Mar.) 3 3
3
(Tubular Chimes) 4 Ped. sempre
Cel.
sempre, secco
1
sempre
G
G
2
sempre
G
G
Hp.
unis., pizz. sul A sul D
sul A
sul A+D non div.
poss. sempre unis., pizz. sul A sul D
sul A
sul A+D non div.
poss. sempre unis., (pizz.) sul A sul D
sul A
sul A+D non div.
I Vn. II
Va. poss. sempre (pizz.) Vc. poss. sempre pizz. Cb. poss. sempre Note to Conductor: pizz. must be
poss.
55 380 Picc.
1
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
(a2)
Fl. 2 3
1 3
Ob. 2 3 3 3
E.H.
1
3
Cl. in B
3
a2 2 3 3
3 3
Bs.Cl.
(2.) Bn.
a2
1 2 3
3 3
3
3
3
3 3
Cbn.
3
3
1 2 3
Hn. in F
3
3
3
3
3
3
3
3
3 4 3
1 Picc.Tpt. in B
3
3
3
3
3
3
3 3
3 3
3 3
3
2
1 3
Tpt. in C
3
3 3
3
3 3
3
3 3
3 3
3 3
3
2 3
Tbn.
1 2 3
3
a2 3
Bs.Tbn. Tba.
3 3
Tuba ossia: (
3 3
)
(
)
3
(
) 3
Timp. 3
(Vib.) 1 (Xyl.) 2 3
Perc.
(Mar.) 3 3
(Tubular Chimes)
3
4
3
Cel.
1
3
poss.
2
3
poss.
Hp.
non div.
arco sul A
non div.
div., arco sul A+D
3
I Vn.
3
II 3
non div.
arco sul D
div.
unis., arco sul A
Va.
Vc. 3
Cb.
3 3