Kernis SYMPHONY IN MEDITATIONS

ISSUU Version for perusal only Aaron Jay Kernis SYMPHONY OF MEDITATIONS (Symphony #3) (2009) for Soprano, Baritone, Chorus and Orchestra

text by Solomon Ibn Gabirol, translated by Peter Cole

Commissioned by the Seattle Symphony with the generous support of Jeff & Lara Sanderson

AJK Music/Associated Music Publishers (BMI) 2nd edition, September 1, 2009

ISSUU Version for perusal only

ISSUU Version for perusal only

INSTRUMENTATION

3 Flutes (3rd doubling Piccolo) 3 Oboes (3rd doubling English Horn) 3 Clarinets in Bb (2nd doubling Eb Clarinet, 3rd doubling Bass Clarinet) 3 Bassoons (3rd doubling Contrabassoon) 4 Horns in F 3 Trumpets in C (1st doubling Piccolo Trumpet in D and A) 2 Trombones Bass Trombone Tuba Timpani 4 Percussion Piano Harp Electric Bass Strings Solo Soprano Solo Baritone Tenor Solo (within the chorus, or from above the stage) Large SATB Chorus Duration: 65 minutes

PERCUSSION LIST Perc. 1

ISSUU Version for perusal only

Glock Xylophone Almglocken (below middle C) E,F#,G, A,B C (above middle C) D, D#, E, F, F# G 2 Steel Plates (Bb below middle C, Bb above middle C) High Sus Cym (also w/sizzles) Med. Sus. Cym. Sm Crash Cyms. Lg. Crash Cyms. Triangle Bongos Snare Drum Roto Toms Timpani (E a minor 6th below middle C) Perc. 2 Crotales (2 octaves) Pitched Gongs (below middle C) E, G, G#, A (above middle C) E 2 high Triangles Med Crash Cym. 2 Med. Sus Cym. (1 also w/sizzles) Low Sus. Cym 1 Piccolo Wd. Bl., 2 high Wd Bls 2 High Tom Toms Lg. Thunder Sheet Tambourine Perc. 3 Vibraphone (without motor) 2 high Triangles Med. Sus Cym, Lg Sus Cym (also w/Sizzles) Lg Crash Cym Low Tam Tam (also w/chain) Bongos 3 Toms Toms – 2 low, 1 med Small Bass Drum Tambourine Perc. 4 Marimba High Suspended Cymbal Lg., Med, Small Tam Tam Very high Triangle Pitched Small Drums (C,E in Mvmt 2, C#, Eb in Mvmt 3) Large Bass Drum Bongos 2 High Wd Blocks Tambourine

ISSUU Version for perusal only

Symphony #3 – Symphony of Meditations

MOVEMENT 2: MEDITATION ON ONENESS

Text by Solomon Ibn Gabirol ( b. Circa 1021-d. 1058), translated by Peter Cole

SOPRANO SOLO

The lyrics contained in Symphony of Meditations (Sym. #3) are quoted from poems of Solomon Ibn Gabirol, translated from the Hebrew by Peter Cole in the book SELECTED POEMS OF SOLOMON IBN GABIROL and are reproduced with the permission of its publisher Princeton University Press.

Three things meet in my eyes and keep the thought of you always before me: the skies, which make me think of your Name, as they bear faithful witness for me; the place where I stand, which brings my mind back to the land you extend beneath me;

Movement 1: INVOCATION BARITONE SOLO I look for you early, my rock and my refuge, offering you worship morning and night; before your vastness I come confused and afraid for you see the thoughts of my heart. What could the heart and tongue compose, or spirit’s strength within me to suit you? But song soothes you and so I’ll give praise to your being as long as your breath-in-me moves.

and bless, my soul, my Lord at all times for heart’s reflection within me. CHORUS All the creatures of earth and heaven together as one bear witness in saying: the Lord is One and One is his name. Your path has thirty-two courses and all who fathom your mystery see them, and know in the mystery that all is yours – that you alone, O Lord, are king. All the creatures of earth and heaven together as one bear witness in saying: the Lord is One and One is his name. From limit to limit your signs exist – north through south, east into west – earth and sky for you bear witness, each in a way of its own – …

CHORUS I look for you early, I seek you every evening and dawn, my face and palms turned up to you: The heavens can’t contain you, and yet my thoughts somehow do: haven’t I hidden your name in my heart until my love for you crossed my lips? You are the God of gods and the Lord of lords, the ruler of all that’s above and below. and there is no distinction between your being divine and one; between your past and the real,

All flows from you in extension; you endure through others’ exhaustion; therefore all being honors your splendor from beginning to end, there’s one father alone, and all the creatures of earth and heaven together as one bear witness in saying: the Lord is One and One is his name. SOPRANO SOLO WITH CHORUS The skies, which make me think of your Name, as they bear faithful witness for me; the place where I stand, which brings my mind back to the land you extend beneath me: and bless, my soul, my Lord at all times for heart’s reflection within me.

between what you were and will be. All is a single mystery … You are One…. BARITONE and so I’ll give praise to your being as long as your breath-in-me moves. CHORUS Therefore I’ll praise the name of the Lord so long as his breath in me lives.

The Lord is One. The Lord is One. One….

ISSUU Version for perusal only

MOVEMENT 3: SUPPLICATION BARITONE SOLO

I’m ashamed, my God; ashamed to be standing before you, for I know that as great as your might has been, such is my utter weakness and failing: as exalted as your power has been and will be, such is the depth of my poverty; as perfect as your wholeness is, so is my knowledge flawed. For you are one and alive; almighty, abiding, strong and wise; You are the Lord my God – the Lord my God – and I am dust of the ground and a vessel of shame; CHORUS dust ... vessel ... shame ...

for the day of my passing;

for if I depart from the world as I entered, and naked and empty return as I came, why was I made – or called to bear witness to struggle and pain? CHORUS You didn’t need to create me – it was only Magnanimity – not an act of Necessity – but an act of Love and Will. Before my being you established your Mercy and gave me life with your Spirit-sent-through-me; and after I entered the air of the world you did not leave me; with a father’s compassion your raised me; like a child in its nursery you taught me; on my mother’s breast in me you put trust; When I stood in my place you gave me courage, in your arms you took me and taught me to walk;

a speechless stone; a passing shadow; a wind blown-by that won’t return; a spider’s poison;

and you gave me instruction and wisdom; from distress and trouble you saved me, and when anger came on your concealed me behind the shadow of your right hand. How much trouble my eyes have overlooked as you helped me …

a lying heart uncut for my Lord, BARITONE a man of rages; a craftsman of scheming, and haughty, corrupt and impatient in speech,

I was ill with continual sickness – and you healed me. When your harsh judgment came into the world, from the path of the sword you removed me; from plague you spared me; in famine you fed me; and I flourished in all that I did …

perverse in his ways and impetuous. What am I or my life? What is my might and my righteousness? Throughout the days of my being I’m nothing and what then after I die? I come from nothing and nothing pursue; I come here before you with insolence and impure notion – and impulse that strays to its idols

When I made you angry, as a man rebukes his son you rebuked me, and my sorrow I called: BARITONE If my life in your eyes is of value, do not turn me empty away. CHORUS

and greed as it calls –

Judge me not, Lord, not in your anger, unless you’d bring me to nothing.

and a soul that hasn’t been cleansed – and a heart that’s lost and alone.

For what is man that you judge him, but haunted vanity and breath pursued.

ARIA

Waken your mercies, my Lord, and do not pour out your wrath, do not repay me for all I’ve done, but say enough, enough.

Let it be your will, my God, not to take me away in the midst of my days until I’ve prepared my provision for the way, and my repentance

MEN

ISSUU Version for perusal only

If my life in your eyes is of value, do not turn me empty away. Do not turn me empty away… BARITONE: ARIA

My God, I know my transgressions have swelled and my sins are beyond calibration; but I bring them to mind, like a drop in the sea – confessing and hoping to quiet the noise of the waves and the breakers against their reefs, that you in the heavens will hear and forgive me. For I’ve gone against your teaching, and held your commandments in scorn; my mouth has come to detest them, and too often I’ve uttered blasphemy – and been perverse and lawless; fractious and full of violence; I’ve lied and counseled evil – deceived, scoffed and rebelled;

SOPRANO SOLO WITH CHORUS Think of me when you think of my people and the restorationto-come of your temple,

and grant me the power to see the good of your chosen, the purity to enter your desolate shrine – to take delight and pleasure in its dust and stones, in its heaps of dirt and rubble, as you rebuild in its ruins.

BARITONE SOLO I have nothing – am hollow and shaken out –

been scornful, perverse and intransigent, stubborn, harsh and senseless; I’ve cut off your reproach and been cruel. I’ve committed abominable acts and wandered far from my path; I’ve strayed from your way and instruction, and denied the truth you instilled.

a ravaged vine, and in me is neither honor or what seems right; affection or candor of heart;

My God…

not prayer and not supplication;

What am I or my life? What is my might and my righteousness? … and what then, what then after I die?

not purity, faith, or simplicity;

ORCHESTRAL INTERLUDE

neither repentance nor service.

CHORUS

BARITONE SOLO WITH TENOR SOLO (from the chorus)

Let it be, your will, my God, to respond to me with your mercy – to bring me back with perfect repentance before you.

Let it therefore be your merciful will,

Focus my heart on its supplicationand listen with all your attention.

to be near and have mercy upon me;

not fairness or honest measure;

my God and the God of our fathers, Sovereign Lord of all worlds –

to remember me in the call of your will; Open my heart to your Law; plant awe for you in my thinking. And do not lead me through temptation or into the power of scorn. Protect me from all calamity until misfortune has passed.

to lift the light of your face across me, and conceive for me your graciousness – and not repay me for all I’ve done or take me away in the midst of my days, or obscure your face before me;

Shelter me from your shadow; be with my mouth and my word;

to cleanse me of all transgression – not to cast me away from your presence;

and watch over my ways, watch over my ways.

to quicken my being with dignity, and lead me into honor.

ISSUU Version for perusal only

BARITONE SOLO

BARITONE SOLO

And then, when you withdraw me from the life of the world we know, bring me to peace in the life of the world-to-come,

May the words of my mouth and my heart’s meditation before you be pleasing – my rock –

and call me to rise; and my redemption. CHORUS CHORUS AND SOLOISTS Bring me to peace BARITONE

Adonai Elohaynu Adonai Echad Adonai

Place me among the righteous, with those who among the living were summoned to life everafter;

(The Lord is our God, The Lord is One, Lord )

CHORUS and cleanse me, cleanse me with the light of your countenance; return me to life from earth’s depths BARITONE Loving-kindness is yours in all the good you’ve done me, and until I die will do … For all this I’m bound to thank you, to glorify, laud, and extol you; CHORUS May you be praised in the mouth of creation and be hallowed by words of sanctification; be known as One by those who seek to know you in oneness; be extolled by those who extol you and lifted by those who would lift you up in song; CHORUS Tishtabah befi veru’ekha (May you be praised in the mouth of creation) Titqadash befi maqdishekha (and be hallowed by words of sanctification;) Tityahed befi meyahadekha (be known as One by those who seek to know you in oneness;) Titpa’ayr befi mefa’arekha (be extolled by those who extol you) Titromem befi meromemekha (and lifted by those who would lift you up in song;) Titnasei befi menasekha— (and may you be raised in the mouth of those who pray) SOPRANO WITH CHORUS and may you be raised in the mouth of those who pray – for nothing is like you, and nothing, my Lord, compares with what you have done.

dedicated to Jeff and Lara Sanderson, in profound appreciation of their support and their belief in the transformative power of music, to Gerard and Jody Schwarz in friendship and admiration in memory of my parents

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Bass Trombone/Tuba

Aaron Jay Kernis (2009)

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  Horn in F 1,2  

Symphony of Meditations (Symphony #3) I. Invocation

ISSUU Version for perusal only

Solomon Ibn Gabirol, trans. Peter Cole

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Electric Bass

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2nd edition, 8/30/09

Copyright © 2009 by AJK Music (BMI) International Copyright Secured. All Rights Reserved. All rights administered throughout the World by Associated Music Publishers (BMI) New York, NY Warning: Unauthorized reproduction of this publication is prohibited by Federal law and subject to criminal prosecution. Text excerpted from Selected Poems of Solomon Ibn Gabirol, translated by Peter Cole, copyright © 2001 Princeton University Press. Reprinted by permission of Princeton University Press.

2

Sostenuto, q = 54

Hn. 1,2

8          mf

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solo

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p

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

Vla.

   p



Vc.

pp





 

rit.

mp

Cb.



pizz., div.

p





4.

 

         unis. 



  

mp

pp



   





  

  



 

div.

pp

 

pp





 





 

1.

 

    p

 

mp

pp

3

mf





p

mp

   

Bass Drum



pp

 

pp



pp

   

mp



   



      

mp

 

vast

-

        ness

I

 

come



 



 



 



 



 



 



 



 



 



 

  

poco sul pont., senza vib.

p

    

pp poco sul pont., senza vib.

     3

sul tasto

 



            







pp

ord.

p

p

pp

sul tasto

  

  

pp poco sul pont., senza vib.

p

 

    pp



p

 

pp

pp outside, sul tasto

p ord.

         

p

pp

pp

p



  

arco

p

pp



pp

   p

-

 

con - fused,

 

  

 



  

 



 

pp

ord.           

-

 

 



   

 

sul tasto

       p

 



p

 

 

con - fused and a - fraid

Inquieto, q = 54





 

  

 



6

pp

2.



3





  

  mp

p

3





snare sticks, coperto

   

poco mf

            

            





 



 



 



 

    

p

be fore your

3

p

 

  

  



   Vln. 1  Vln. 2







 



3

poco p f











    

 

mf

Hn. 3,4





mp

pp







6

        

mp



p

Bsn. 1,2



6





  





Cl. 1,2

legg.





div.

div.

  





pp





Picc. (Fl. 3)

            

p p



  

pp

  

p

 

mf

legg.

 



mf



6

night;

 

 

       

pp

Vla.

 

 

p, echo, legato

6

 

Spaciously, q = 40

rit.





         

3

offer - ing you







p

solo



         

 

p

 

Sostenuto, q = 54

Vln. 2



mp legato

wor - ship,

  

 



p

 



f      Bar. Solo   Vln. 1

 

3  



mf



  

Spaciously, q = 40

ISSUU Version for perusal only     

p

mf

         

Hn. 3,4

rit.

 



  

 

3

17       Picc. (Fl. 3)   pp

  

E. H.

Spaciously





p



pp

Cl. 1,2

  

Bsn. 1,2

 

Bsn. 3

  

mp

 

 



1. (con sord.)

p

Perc. 3

Hp.

 

pp

 

pp

  

to Cbsn.

pp

  



















  3 3                3 3

1. senza sord.

 

 

  

3. con sord.



 

f-mf, leg. sost.

 





  3 3                     3 3

3. senza sord.

 





       

 

      











 



  





 



 







 









    

   

mp

mf

    

 

   

mf

  

for you

see the

 

solo



3

thoughts



     

   

   

mp, espr.

     Vln. 2    Vla.



ppp

of my

 



 

Spaciously

rit.

heart.





 







Vibraphone



    





f





   

  f

 

      

 

What could the heart

and

f

3





tongue

com - pose,

Quasi tempo I, q = 66





  

 

   

    p

 

3             3

mf, dolce espr.

3

  p





p



 

3

3





3

      mf

Almglocken

3

 

solo, senza sord.

  

  Bar. Solo   

1 Solo Vc.



f-mf, leg. sost.

    Tpt. 1     Perc. 1

pp

       

 

 

to Ob.

  





   Hn. 1,2   

Hn. 3,4

  







ISSUU Version for perusal only

     



 



Quasi tempo I, q = 66

rit.

6

  

4

  22

Bs Cl. (Cl. 3)



Bsn. 1,2

Cbsn.











                             f-mf 

Tpt. 1

 



f

f-mf, leg. sost.

Bs. Tbn./ Tba.

Pno.

Hp.





 

        

3.

 

 

Vln. 2

    



    



  

with - in



f tutti pizz., ord.



Vc.

  

f

Cb.











 





 

   

 



 



 

f





 



 

f

ord.



  

fp

   

Tba.

     

 

p



 





 



 

f

6

  

 

f

div.

 

unis.

 

 

 

   



  

 dim. 



song

  

soothes you,

song

    

mf

 

    

        

mf

     div.              mf f



           f

  

      But

                f 

arco, div.

 f

  

6

                f





    

 

 

 

you?

 

p

  

  

 



 



     



mp

  



mf p





suit

p



mf

p

 







 



to



   

 

 

mp



     

  

mf





       



         







               f

     

mf

p p

 

 

me

    



f







f

Vla.

     

 

   

    f

   

f

   f                        mf        f  

   f    

 Vln. 1 

Cbsn.

                      

f

or spir - it's strength



      

 

f



f-mf, leg. sost.

        Bar. Solo 

      

                       

  



1.



                       



                     

Tbn. 1,2

  



ISSUU Version for perusal only

                Hn. 1,2         f-mf Hn. 3,4

 



       

mf

     

mf

 

 

mp

mp

                   mp div.

         

mp

  

mp

unis.

          

Sostenuto

  Fl. 1,2   27

q = 58

rall. al

  



a2



Ob. 1

Ob. 2

Ob. 3

 



 



 



 



 



 



 



  

 



 



 







   



p



  

Bs Cl. (Cl. 3)





  



 p

    



p

Hn. 1,2



 

 



   







 









pp

   



   



    

p

  

Hn. 3,4







 



p





 



   





mp, espr.





 



 









 

 



pp

mp















 







 















  



 



 











 



 



  

pp

pp

 

 

 



p pp

mp





  









pp pp





 

   







pp



Tbn. 1,2



 

mp

  





pp

mp

 











Ob.





   



5

pp

mp, espr.

mp









 



pp

 

Tpt. 1,2,3

Bs. Tbn./ Tba.

  





  







mp

p

   



  









p









  

pp



p, espr.

Bsn. 1,2

 



mp`



 

Bb Cl. 2



 

  

Bb Cl. 1





ISSUU Version for perusal only 

pp

Picc. (Fl. 3)

  

    

accel.











  

  

 



 

pp



Tba.







  

pp









 



 



 









 



 







 



pp

 

 



 



 







 



 

 



 

  







 Perc. 4   



 



 







 



 



 

























Timp.

Perc. 1

  

Perc. 2

Perc. 3

Hp.



        mf

    Bar. Solo   



you,

Sostenuto p



    

Vln. 2

p

          

Vla.

p

     

Vc.

Cb.



p

    p

 

Med. Sus. Cym



Triangle

pp



 

Med. Tam Tam

pp

and

   



pp

 

pp

  pp









 pp



pp

    

so I'll give praise to your

rall. al



  

     

q = 58

 



         p

as

 





  

unis.



  





pp

mp

unis.



         

pp







  



 





 

mp





  

















p

p



mp









mp unis.

  

as your breath - in - me



 

   



long

 

div.

p

be - ing







 



 

p

p                    

soothes

   Vln. 1   

    



pp

   

p

 p



moves. accel.











    



p



 



 





 













f 6

35    Fl. 1,2 

Ob. 2

Ob. 3

 





Bsn. 1,2



 

      

Hn. 3,4

 

Tpt. 1,2,3

 

Pno.

Hp.

Bar. Solo



 

 



   



 

A.

T.

B.



    

    Vln. 1  div.



Vln. 2

Vla.

Vc.

Cb.

E. Bass







 

  

 

f

 mf  



f

f

 

    

molto f



arco



 



 

I

look

ff

 



ff   

f



ff-f



div.     ff-f    ff-f  

f

 

 

   

  

you











ear -

you

ear -





for

you

ear -

ly,







 

     

   











3



3



 

          5

6



 

p

 



 

 



 

I

 

   



    





 

 

arco





pizz.







   

you ev - ery

     you ev - ery

     you ev - ery

    

seek



 

    

    seek    



 

 



    seek     seek



 

 

you ev - ery



f

  sf  

    

    

 

f

 

 

     



f

                     f          3

  



mf

   

6 6

5

 



f



 



                      5

  mf         

fp

 



3

fp

tutti arco

 



p

 

        

I



 

   



 

mf

 

 



 

 



 



p





 

p

  I

 

ly,

   fp    

unis.

I



ly,

for

 



mf

p



 

   

   p

      sf   



ly,

  

sf

        



  

  

sf   



ear -

you

  

    f

  

     sf     

   





    

mf



 



 

 



mf



mf

    sf        

fsf

    

 



 

  

    

mf

  

f



 

mf

f





mf

 

 



  

    

fsf

     

sfp



    fsf



  

q = 66

  



for

 

 

mf

mf

f f

  

    

     



 

 



  

I look molto f



    3. 

f



 



 



for

 

6

 

 



  

I look molto f

ff

pizz.

 



         6          

f

f

  

sfp

 



I look molto f





   

 

   

  





 

ff





6

 

  f 



  



fp

con sord.

    

  

 

  



 

 

fsfp







 

6





fp

  

f

      f



 





 

  

f







f

f

  

 

 



sfp

f



 

S.

f

 

  

f



  



  



 

    Timp.     Perc. 1     Perc. 2   

Perc. 4



 

f

 

Bs. Tbn./ Tba.

Perc. 3

f





    6            5         f    sfp a2 5            f  sfp     sfp   

   

 



f

       



 





f



 

Tbn. 1,2

 

f





  

f

f

 







 

f



a2

6

fsfp





sfp





f



      

 



 



sfp

f



 

ISSUU Version for perusal only



 

    

 

f





Bs Cl. (Cl. 3)

Hn. 1,2





Bb Cl. 2



f

f



Bb Cl. 1

  







Ob. 1

Cbsn.





Picc. (Fl. 3)

q = 66

 



 

     mf

  



               

 

 

 

mf



 

mp

 6        40                          Fl. 1,2      6 6 mf-p  mp   Picc. (Fl. 3)    

p

   

Ob. 1

  

Ob. 2

     

p

   





 

Bb Cl. 2

        

   p

6

Cbsn.

  

mp

 

6

mp

6

mf

f

mf



mf

fp

mf



   

    mf

3

mf



mf

3

3

p

mf

p

    

mf

p p

mf mf

   

      

  

  

Vla.

6

     

   

      3



p

3

      6





  

Cb.



   

6

6



 

and

dawn, sfp

 

and

  div.  3



f

3



 3



    



fp

   

    



mf





    mf

  



   

mf

 

 



 



 

 



 

 



 

 



 

 



 







 



   mf







 

 f    

my

my

 3

3

6

3

6

 





6





 6



face and palms

    

turned

 

 

    

 

 

face and palms

 



  

f



   

turned

turned

 

fmf

 

   



   

      

fmf

 

 

turned

face and palms





 

face and palms f

f



 



f

 

 



     

 

       

f

 

6







        mf

    

 

 

 

    

 



my

 

 

mf

f



dawn,

mf div.

 



              6   







 

6

 



dawn, sfp

fmp

 





f



 

my



 



 

 

 

 

p







  

  

 





f

 

pp

  

and

3

   

  

dawn, sfp

and

3

 

mp

 

   

mf



  

light triangle beaters

 

 

 

  sfp  

3  3         3

                  mf

mf

3

tutti arco

Vc.

 

3

3

p

 

3



ev - ery eve - ning

3



pp

   



   

ning

p

f

   3   

ev - ery eve - ning



  

Vln. 2

    

ning

-



ev - ery eve - ning



-

eve

Vln. 1

ning

mf

 

High Sus. Cym



-



mp brushed together

3

3



f



 

   

 

 

   

mf

Med. Crash Cym

mf

fmf



   5              3 3    Pno.                   3                    Hp. 33                     S.          eve ning ev - ery eve - ning    A.         

  T.      eve     B.  

 



p Small Crash Cym clashed

6

eve

6

 

  

           f 



p

 





6

 



p





p

mf

mf

 Perc. 4   

f

p senza sord.

p



3

f

p

 



3

mf





 









  





  

p senza sord.



Tpt. 3

   

f



  

fmf

mf





3

 



  

p senza sord.

 

  

f

7

mf

 



 

Tpt. 2

Bs. Tbn./ Tba.









Perc. 3

              













3

3

 

 











Tbn. 1,2



      



 



  

  

fmf

f

3

 

Perc. 2

       3

3



Tpt. 1

Perc. 1





mf

  





 

mf

3



  Hn. 1,2  Hn. 3,4





    

      

6

mfp

Bsn. 1,2

3

 

p



 

       

3

3

Bb Cl. 1

 

fp

ISSUU Version for perusal only 3

3

3



mf

6

fmf

 



 

 



 

 



 

8

    43                    Fl. 1,2    fmf p

  

Ob. 1



 

Ob. 2

Bb Cl. 1

mf

mf



Tpt. 2

Tpt. 3

 



 

  

 



 



   S.  

Vln. 2

Vla.

Vc.

Cb. div.

 

 

f

    

  

     





  





  

 



f

f

f

 



3

 



    

 

  

  

 

    

to

you:

 

 

f

   

unis.



you:





  

you: div.

 

fp

           f

 



   div. a 3   

 



  

  



f

p

 

  

 

  

mf div. a 3

       p      mf



 

 

 

ff

 



6

  

ff

 

       



 

   

 

   

mf

3



mf

  

 

The ff

hea - vens

The

hea - vens

  

   





 



mf

p



3

  p

mf







 

con - tain

you,

and yet

my

you,

and yet

my

can't



      

con - tain





     

3



3



     

can't

con - tain





3

can't

you,

and yet

my

you,

and yet

my

     

con - tain



           

fsf

fsf



fsf



 

  6 6                        

 

unis.

 

p

      

can't

hea - vens

ff







3

3

hea - vens

fsf

 





The

    

to

to





3





The

   



  



3

 

f

you:



           

 

  

p



 

  





  

f

3



f



     



   



   



to

 

f

   





Tri.



 

6

6

   

 

f

   

  

 









fmf

  

mf

6





    





 



6



f

  

 

fmf

fmf





 

    

  

f

  

   

  

      mf

  

 



f



up

Vln. 1

mf





 







up

B.

f



  

 



mf legg.



fp

     up

    



    



f

fp

up

T.

  



    

      

fp



   

 

 

6

fmf





mf, legg.

    

   





fmf

solia2



  Perc. 4   

A.

fmf

f

p

 Tbn. 1,2   Timp.



f

p

 

  Hn. 1,2     

Tpt. 1

      

                     

Bb Cl. 2

Hn. 3,4

 



    fmf                   



ISSUU Version for perusal only  





 

Ob. 3

Bsn. 1,2



            fmf

6

6

5

5

             

               5 5 fsf    arco     3        

f pizz.

 

f

 

3

 

  

3

3

 

poco rit.

9

p

6 46                Fl. 1,2     

Sostenuto, q = 54

6

 



Bb Cl. 1



Bb Cl. 2

Hn. 1,2



Tpt. 2

Tbn. 1,2

Timp.





1.

  



  



  





 





 



 



 







 





 



 



 





 





 



 





 





 



 



 





 





 



 



 





 





 



 



 





 





 



 



 





 





 



 



 

p

  



 





 



 



 









 





 



 



 





 





 



 



 





 





 



 



 



 





 



 



 



  



do;

do;



 6

 

  

 

  





       

pp, dolce



hav - en't pp, dolce

I hid - den

hav - en't

I hid - den

 dim.                         p, dolciss.

your name in my heart

your name in my heart

       

pp, dolce



I hid - den

 

div.

  mp

my love

for you crossed my

un - til

my love

    

lips? dim. lips?

for you crossed my

your name in my heart

un - til

my love





 

 

 

 

my lips? my lips?

lips? dim. lips?

p, dolciss.

I hid - den

 

lips?

dim.

                        

your name in my heart



for you crossed my

      

my lips?

lips?

Molto sost.

A tempo, flessible





 





 



 



 























 





 





 



 



 





 





 

mp



for you crossed my

p, dolciss.

p

5

my love p, dolciss.

                                

      

un - til

pp, dolce

5

 

un - til

                                 

hav - en't

     

  

pp

 

Sostenuto, q = 54

poco rit.



 

hav - en't

molto

mf

6



molto



some- how

 



mf





molto

do;

          6







some- how

 

molto

mf

  



  



p



some- how

thoughts

p espr.

 



   

f





mf

 

solo



do;



 

p



some- how

unis.





f

 Vln. 1 

Cb. div.



thoughts

  thoughts

Vc.

 

 

  



1 Solo Vc.





f

Vla.

 



thoughts

Vln. 2





    

 



 

p

  S. 

T.



mf

f

B.



  

 

 

A.







Tpt. 3

 

       p

 

Tpt. 1





5

  

Hn. 3,4





p





Cl. 1,2

Bsn. 1,2

p

 

Ob. 2

A tempo, flessible

ISSUU Version for perusal only

mp

Ob. 1

Molto sost.

p

6          

unis.

5

      5

 

p



 p

 





   

mf, espr.

 





 





 



 



 







 





 



 



 





 





 



 



 

p

p



10

  Fl. 1,2   53



 

Ob. 1,2

  

  

 

Bs Cl. (Cl. 3)



 

 

 Cbsn.  

  Hn. 1,2  



mf



pp

  Perc. 1    

Perc. 2

 

Perc. 3

Pno.

Hp.

S.



     

 

A.

  

1.

 

 



 



 



 



 



 



 



 



 

 

  

 



 







   



  

 



 





 

 



    

 



  

 



 



my lips,



 

 





 

   

f

  f

f







Vbr.

High Tam Tam



pp

f





 



   



  

 

  

  6

  

  

  

ff





 

 

6



    

6

    

6

6

 

    

 



6

    

6

 

    

ff

ff

6

   

 

    

6



   

         



    



         

6

    6

mf

  



f molto

You are

the

God

of

f molto





mf

 

ff

ff



 

 



 



 

 

p, leg. p, leg.



 







6

3



 

 

3. open





 

 

Crot.

 

 



Glock.









 

   

  

   

f

3



  

           3 3   

6



   



3

  

f

      p

p

f

3

  

p, leg.   

 



3













  

     

f

p







f



 

   



   



 



  

6

3

   f

 

 

 

  

p



mf



f

f

      

   





3



pp

pp









3 3 3                           f 3 3 3 3  3  3      f                        3 3











mf

 

 







  

f

p

 



mf





        



 



f

p 3 a2



 







 



 

 

 

 



 





f



mp

 



 

 





 Perc. 4   



 

 

   

   

3

p

  

 

Tbn. 1,2

Timp.

3. sord.

   

3

                    

 



 





 



 

Tpt. 1,2

Bs. Tbn./ Tba.





  

Hn. 3,4



 



1.

Bsn. 1,2



  

3

ISSUU Version for perusal only  



 



 

 1.

Cl. 1,2

 

a tempo q = 66

ritorno al

p



  



You are

the

God

of

  

mf



f molto





You are

the

God

of

mf

 



f molto





You are

the

God

of

6

 

   

pp

     

 B.    

T.



    

 

 



 

   

 

 



 



 

pp

   

 

  Vln. 1  



 



 



 

 



 



 



 



 



 



 

Vln. 2

 

Vla.

  

1 Solo Vc.

 

Vc.

Cb.



 

 div.



ritorno al

  

pp

f on the str. div.

6

6

pp

6 f on the str.

6

6

6 6  6                     6 6 6

  

f on the str.

pp

 

dim.



   

 

   

 

   

 

                                

3                        



                         6

  div.

a tempo q = 66 

 

  



pp



 

 





 



                       p div.

6

f on the str.

 f

6

6



 

11

                           58                                                 Fl. 1,2           6  6 3 6  3 3                                                          Ob. 1,2             3  3

ISSUU Version for perusal only

3

 6 3   6                                                              3  3 6 3 3                                                   6 6 6 6 6 6 6  3      3 3  3 3 3 3                                                        3 3   3  3 3 3 3

Bs Cl. (Cl. 3)

Bsn. 1,2



        Hn. 1,2       Hn. 3,4         Tpt. 1,2    Cbsn.



 

Tpt. 3

Bs. Tbn./ Tba.

Timp.



Perc. 3

 



 Perc. 4   

Pno.

Hp.

 





   



 



 



 

      

   





  



 







 

   

  







     



      

 

   

 







 

   

 

 





 Bass Drum

 

                                                 6 6 6 6 6 6 6                                                6 6 6 3 6 6 6                                                        6 6 6 6 6 6 6                                               



6

6

6

 

        



gods



gods

  Vln. 1  

Vc.

 



    B.  

Vla.

 



gods

Vln. 2

   



 



     S.   gods   A.    T.



f

 



 

 





Perc. 2



   



 

  

 



   

Perc. 1





    

   

3

f

     

Tbn. 1,2

3

6

   

Cl. 1,2

3

3

6

6

6





and

the





and

the





and

the





and

the

  



  



Lord

of

  



Lord

  

6

        

 Cb.   

   

6

    6   

   

   

     

6

   

of



 

of

          

            6 6 6 6 6 6 div.                                                            6 6 6 6 6 6 6 6 6 6   6             6                       6 6 6 6 6  6                  unis.                    3 6 6



Lord div.

 

of

Lord

            unis.                 6

           

6



6

fp

  



3

 

12

 

          60                           Fl. 1,2         

  

Picc. (Fl. 3)



mf



  

  

  mf                                          

  

Ob. 3

mf

  mf

          

Bs Cl. (Cl. 3)

Bsn. 1,2

mf











 

 

    

     

f

 

p

   

66

         

6



       

6



  

6

6

           6

6

6

6

           

    



       

 

lords,

  

   



 Cb.    f

         fmf 

6

  

3

  

6

6

6



p



p

6

6

 

3

         

        cresc.  



 

3

3

        3



     

-

ru ff-f

-

ru 6

-

 

3   























ff-f

 



  3 3        





 

  3     

 



 



the

6

cresc.3

       



-

                     6



3



 

6

6

3

       



ru ff-f

    3                          

3



                      6

6



ru ff-f

the

      





the



 

        

 

the





3



 







                      

 

fp

 



f

f

f

 



f

6 6

  





     

3

f a2

f

p



   



fp

 



unis.

Vc.



fmf

p

    

  Vln. 1  

Vla.



 

fp

f



  3

  

f

lords,

Vln. 2

 

 



solo

lords,

B.





lords,

T.

f

 

fmf 3



Med. Sus Cym.

A.

 

     





fp

f

Perc. 3

S.

f



p

   

6







p

   Perc. 1  

    p   Perc. 4     p    

mf



p

sf

Perc. 2





p

   Tpt. 3   sf      Tbn. 1,2  sf  Bs. Tbn./      Tba.       Timp.   

Hp.





p

    

Tpt. 2





p

sf

Pno.



f

mf

mf

    sf      Hn. 1,2   sf    Hn. 3,4    sf    Tpt. 1   Cbsn.









     3

 

fp

f

                                              

Cl. 1,2

 

ISSUU Version for perusal only 

mf

Ob. 1,2

 

mf







 



ler

of

all



 



ler

of

all



 



ler

of

all



 



ler

of

all

ff-f 6

 

  





3

that's

a



3



that's

a





3

that's

a





-

-

-

3

 

 

6 

6 

6



that's

a

-

6  

6

6 

                                       ff-f div.`

ff-f div.



ff-f

  f

6

6

 

 



  

6

6

 

 

 

 

13

Fl. 1,2



62  

 

f

fp

  

Picc. (Fl. 3)

Ob. 1,2

 f

fp

   



  



f

Cl. 1,2



Bs Cl. (Cl. 3)



Bsn. 1,2

Cbsn.





 

fp



     



3

3

3

3

 

 

     



con sord.

f



 



Vc.

Cb.







 

  





3





 

3

3



 

3

3

3

3



3 3 3 3                 3

3

3

3

            3

3

3

3

3

 

3   



  

3



      3

3

    3

3

sf







6 6        6     6                               

                                             

6

6

6

6

mfsf 6

6

6



and

be





be





and

be



 

-

-

 

 

 

 

 

-

-

  

6

 

 

f

 ff

and f

 



and

ff

 

3

 

f, marc.

 3    sf 

and

 

f



and

accel.



 

ff



low.

f



low.

3

  

3

  

6



pp ff

low.



 





low.

6





 





f

 

  

6



f

 -





  



-







f

-

6

sfp

6





           

ff 3

  sfp    

f

6

 

3

3

sfp

                         

6

 

 3  3              

mf

6



f legato, marc.

 

be    and                     

 

f

sfp

6

and

6

3

sf

bove

 

f legato, marc.

 

a2

  

3

3

f legato, marc.

6 6 6                            

Vla.

3

3





6

3



    3



      



mf

 



3

3

         

6

 



Vln. 2

f

 

     3  

   bove

 Vln. 1 



3



 

 

 



   

f

6

con sord.



bove

B.

3  3                  3 3 3

                                    6                                                                                3 3 6 6 6 sfp mfsf       

3

bove

T.



       

      

  

A.



3

     

3



 Perc. 4  

S.

     

f legato, marc.





   



    Timp. 



 

3

        



fmf Bs. Tbn./ Tba.





   

Tbn. 1,2



f





 

Tpt. 3

 

 



3

    3 

3





 

 3  3                 3



6

 

Tpt. 2

 

fp

   

 

fp



3

Tpt. 1

 



     Hn. 1,2       Hn. 3,4

  



3



accel.

ISSUU Version for perusal only



   

   

        



6



f

Ob. 3



3

 

    3

            3

3 3 3            

f, marc.

 

sf



3

3

3

sf











3

Poco più, with increasing movement q = 72-76 

Fl. 1,2

65  a2    3

    a2

Ob. 1,2

3

       a2

Cl. 1,2

3



    



 



 







 



 









 



 





ff

  

     sf

Hn. 3,4

6



Tpt. 1



Tpt. 2

Tbn. 1,2



Bs. Tbn./ Tba.



Timp.

S.







3





there

B.

is

 







  

T.

p

  



there

is

   there

 is

 



there

is

 





  

3

 

 

 



 

mf

 

Vln. 2

 

Vla.

 

Vc.

Cb.

  



 

3

 









   

 

 

 

to Bn. 3



p

p





 







 

    

no

dis - tinc - tion

 

 

no

 

dis - tinc - tion

   



3         



      



       

 

ff



3



   

p ff unis.

   p

p

 

be - tween your

       p

 

f sf pizz.

p





be - ing di

and

 

vine

and

be - ing di

-

 



vine

and

3

be - tween your

 

 

-

      



cresc. poco a poco

   

vine

3

be - tween your



     

 

3

          



-

 

 

 

 

2. open 3

 

p 4. open

     



     

  



vine



          cresc. poco a poco

 

one;

be



  

    





  

 





p senza sord.

  

   



   



    

p senza sord.

    p 

   

   



 

one;

be

-

-

past

 

 

tween your cresc.

-



tween your

   tween your

past





  



 

  

              real,

and the

real,

3

  

3



real,

3

real,

        

     

           















3

 

       

and the

and the

      



3



accel.

 3     

cresc. poco a poco

   

and the

 

 

  

3

3

past

  3





 

sim. cresc. poco a poco unis. pizz.

  

past

cresc.

be



tween your

 

 

  



cresc.

be



cresc.

  

3

       

p

 

unis. pizz.

  

-

           



  

    

 

 

one;

one;

        

senza sord.





and

-

 

       

3



 



 

p Bs. Tbn.

                          

p

 





be - ing di

div., cresc. poco a poco pizz.







be - ing di



p

 

be - tween your







 

dis - tinc - tion















 

3

3

 



 

3





no

 

 

 

 

 



 

    

 



 

 





          f  

dis - tinc - tion



 

 

no







 

3

 



    



3

3

p

Poco più, with increasing movement div. q = 72-76 

 Vln. 1 

 

   



  

   



 

3



 

 



mf mf

 

 

  

A.

 

1. open

f

   

Tpt. 3



f

                

 

3



mf



6

 



              Hn. 1,2          Cbsn.



ISSUU Version for perusal only

p

  

Bsn. 1,2

ff

accel.



ff



Bs Cl. (Cl. 3)

 



14

  

 

  

  













15

 Fl. 1,2  69

      3                    f

6



Ob. 1





Ob. 2





f





Bb Cl. 1



Bb Cl. 2



Bb Cl. 3



Bs Cl. (Cl. 3)





   





 



mf

3

 

mf

3



p 3. open 3

 



Tpt. 2

Tbn. 1,2

Perc. 2

Pno.

S.

 

Bs.



 



p



mf

 

 





 



3



3





  

























3





6



be - tween what you were 3

 

and

  

be - tween what you were 3

  

be - tween what you were

3

be - tween what you were

 



3

 

  

     

 



         

 

 

mf

3

div.

div.

3 arco

3

 

   3

    3       

  3

3

  

3



and

 

will

and

 

will

and

will

6

    

      

3

be. 3

be.



3

3





 

    



 ff

 ff

6

6

  3

 

 



3



 

  

  

3

3

   

  

 

  3



   

 

  





    

 

  

            3

 

           

 



   

3

            3 

 



 



 



 



 



 



   



ff

All ff



All ff



All

 

          

  

 

  

 

unis.

 

ff unis.

     ff      

    

ff

   



 

  

ff





        

 





pp

 

 

All ff

Med. Sus. Cym.



3

is a sin

 

gle

         is a sin

-

3

gle

         is a sin

-

gle

3

-

gle

is a sin



  



  

     

-

3

Maestoso, sost., q = 63







 

 

  

  

 



3

  



 

  

 

 

 

   





  

 



 

 



 

f

  





  



pp

 



f

Med. Sus. Cym.



3

3





 



 

f



  

  

 



6

6



ff

be.

  

 

3

     

6

a2

 

  

 

  

 

f

  

  

6





 

be.





f



ff

 

6

     



  



6

6

 

 

3

 

6



  

  



 

  



 



  

  





  

   

ff





  

  

 

  

  

  

 



  

     



 

    

  



 

ff

3.

 



 

 

3

6





  



                     

will

  

 

        3

 



ff





                6



3

  

  

  

  

ff

3

3

3

    ff

 

3







  

ff



 

  

ff

Bn.



6

6

6

  

   





                      6 3          

mf

 

    

 Cl.   

6



3



3

3



6

3



 





6

  





6

3



 

6

 

 



        



3

a2

 



  







       

f

3

Marimba 6

 





6

3

6

          









3

 



mf Cb.





3





f

6









Vc.

3

f

mf

Vla.

3

 



 

 

   

6

6



        Vln. 1   Vln. 2

  

   

         

f

 

ff                                ff     6 6 6 6 ff                       6 6 ff                   6

 





Vbr.







3





6







T.

mf

6

6

3

    mf

f

        6

                       

 

A.

B.

p

Tbn. 

Perc. 3

Perc. 4

   

3      mf p       

Tpt. 3

Bs. Tbn./ Tba.

p

mf

 



a2

6

6

          





to Cl.

mf





f

 

Tpt. 1



6

6

3

mf Hn. 3,4

6



  Hn. 1,2   Bsn. 3



f

  

Bsn. 1,2



        



Ob. 3

                            6

Maestoso, sost., q = 63

ISSUU Version for perusal only

6           3

6

6



Picc. (Fl. 3)

6



    

    

 

     

 

     

16

Fl. 1,2

73       

  

Picc. (Fl. 3)

       

Ob. 2



Bb Cl. 1



Bb Cl. 2

Bsn. 1,2



 

Tpt. 2



Tpt. 3



Tbn. 1,2

Perc. 1





 



  

Perc. 4





   

 



 



sfp

  

  

sfp

  

  

  

  

         

 3       fff

fff

fff

3        fff

 





 3

sfp

    

Xylo.





   



ff

3

       ff 3

 ff



    

 

  mys

 -

   mys

3

fff 3

3

-

te

-

 -

te

-

You are

     ry...

You are

    

You are fff 3

You are

   

 



 

One.

      



ry...

          Vln. 1 

One.

 fff        3

ry...

poco rall. poco a poco

One.

3  fff     















   



              fff       

te

    

3              ff



-

      3 fff       3          fff

3

fff a2

3        

ff a2

3         ff       3

ff

 

    

                    

One.

Broadly

  



    3

                              Vln. 2  3       fff             3                      Vla.              div. fff                             3 Vc.                 fff div.   3     Cb.       fff     E. Bass  fff

ff

ff

  

ff

3

         3 a2 ff          ff

3

3         ff 

ff

   



 



 

              

 

  

 

      

       

  



               

   

 



 

3

    3

You are

         3

You are fff

      3

You are fff

 

    3

  





     

           

               One.

  

One.

One.

   

 

fff

                     

3

3



 



   

     

 

     

  

 

  

 

  

 

  

G.P.

One.

       3

      fff  unis.        3 fffunis.        

 

      

   

fff

fff

 

     

 

 

fff

 

       Med. Crash Cym  ff          ff    



          fff 3          fff

 

 

 

   

Low Crash Cym

     

 

 

 

 

  

 

 

 

3         ff

 

  

                  

    3

   

 

      

   

   



G.P.

    

You are

   

   

      

       





      

fff



3         ff  a2       



   

  

      3

 

3

          

ry...

   

fff

 



        



-

   

       3 fff

 

   

 



   

    3

 

         



    

   

fff

 



3





   

  



3



 

   

         3 7

 

ff

 



fff

   

  

mys

 

   





    3

      

3

ff



pp

te

  

   



-

   

     

          ff         3





      

ff





ff

3

    ff  3          



 



3         

      

 



     



fmf

 

fff

3         







fff



   

f

 3        



fmf



fff

 3        



    



fff    



  



3

 

sfp

fmf

 

Broadly                  

 

  sfp     



mys

T.

 



   S.  A.

 



 

 

Perc. 3

B.



    

 



Perc. 2

Pno.

     

    

Tpt. 1

Timp.



          

Hn. 3,4

Bs. Tbn./ Tba.



     

  



    

sfp

                  

Bb Cl. 3

Hn. 1,2



     

Ob. 3

    

ISSUU Version for perusal only

        

        

Ob. 1

Bsn. 3

        

poco rall. poco a poco

     

 

                            

           

           

17

Sostenuto, q = 54-60

 to Bs. Cl.  Bb Cl. 3  80

Cbsn.

Perc. 3





to Cbsn.





Lg. Tam Tam

  



 





pp

Med. Tam Tam

Perc. 4

Pno.

Hp.





pp







 





 



 



 



 







 





 



 



 



 







 





 



 



 



 







 





 



 



 



 





 





 



 



 



 

ISSUU Version for perusal only







































 Bar. Solo











p







 



p









p

and

A.





S.









 

 





        

so

 

 

 

    



 





 

    

         





      mp



       



   

       

   



   

           

   

      

I'll give



 

praise

to your be - ing, pp, calmo



and

There pp, calmo

fore I'll praise the

There

fore I'll praise

    

mf

so I'll give praise mp

       





of the

name

of the

   

 

      

to yourbe - ing, give

    

Lord,

the name

      

    

 

 



   

name mp

 



    



 











 





 



 



 



 













 





 



 



 



 













 





 













   



 



Vln. 2

Vla.

Vc.

pizz.

Cb. div.

 













Sostenuto, q = 54-60

Vln. 1

 

   

pp arco

   pp

  pp

                p

                p





  

 



  







 

-



 

    

 



 

   

 



the

div.        pp

p, dolce



    p

   

arco

 

 

Lord,

the name

       

 

    

 





 



 



  



 



  



18

  



 



 



 



 



90

Fl. 1,2

Ob. 1

Ob. 2

Bb Cl. 1

Bb Cl. 2

 

Bs Cl. (Cl. 3)

Bsn. 1,2

Cbsn.

Hn. 1,2



































 













 



 

Bs. Cl.

   pp













 

  





 

   

        Bar. Solo 

   

Hp.



 

    

              

   

 B.  

Vln. 1

  

  

Vln. 2

   

Vla.

Vc. div.

Cb. div.



 

so

long

    

 

There - fore I'll praise the





















  

   





  



  



 

   

      

 

p

mp

p 1.

mp 3.

p, dolce

   

  

 

   

   

unis.

            

   

mf

 

p

 

 

1.

        mp



 



             

 

 

  



  

 

       

  



  

  



cresc.

cresc.

p

poco f

p

poco f



 

mp











 

















 

























      



as your breath - in - me

moves.







   

his

breath

  

his

breath



 

 



 



 



 



 

 

 

 

 

cresc.

 



  

name

of the Lord,

so

long

cresc.



There - fore I'll praisethe

name,I'll praise the

name,





mp



mp

 



   



mp

unis.

mp

    

mp



mp



mp





  



of the

Lord

     

cresc.

  cresc.

  



 

  





 

   



breath

 

cresc. div. unis.

 

breath

 

cresc.

cresc.



    



 

   mf

breath

 

as hisbreath, his breath

his

 

  

in poco f

me

     breath, his breath breath

me

   in me

as his

poco f

his

breath

            as his

breath

in me

rit. div.

             

 



 

 



      

 

             

 

   

poco f

   poco f

poco f



 



 

cresc.

 

his breathin poco f

 



 

cresc.

cresc.

his

      as his

    

breath,

     

poco f

         as his

cresc.



  



so long as his



  



        

   

   

p

cresc.



mp

mp



div.

his breath,

as his breath

the



  

 

of the Lord,



breath mp











  

   



 

and

mp

as his

cresc.

 

 

   





 

cresc.



p





 

cresc.

mf

 

 



cresc.

   

p



name

    

molto leg.

 

mf



as his breath,

cresc.

p



  

  





cresc.

  



         mf



mp





mf







mp





  





       



long cresc.

 

mp

 







long





  

  

so

 





 



  



p











cresc.

of the Lord,

of the Lord

T.

as

  

        

A.



 

to your be - ing

   















praise

S.





   

Pno.



to Cl.







mp

  

cresc.





p

 



cresc. Cbsn.





  

pp

 

  





mp Bs. Tbn./ Tba.





p

 

Hn. 3,4





    

 

  

 





1.

 

rit.

ISSUU Version for perusal only



  

1.

    

poco f

       poco f

  unis.         poco f

 

       poco f

19

  Fl. 1,2   100

 

Ob. 1

 

Ob. 2

 p

 p



 

 

Ob. 3



 

Cl. 1,2

 

Bb Cl. 3

     Hn. 1,2  

Bsn. 1,2

  

 p

Tpt. 3

Tbn. 1,2



Perc. 4

Pno.

Hp.



 





















 

 



 

 

pp

pp

 

 

 

 

p, distinto

 



 



 





 



 





 

 



     

                 

        poco cresc.

 

       poco cresc.             praise

I'll give









lives, p

 



 p

   p

    p

   

  

mp

 

mp

  

 

 

praise

 

  

 

 



3. sord. pp

 

to

sord.



sord.    pp

pp 3. sord. Tuba con sord.



pp

 





 

your be - ing



pizz.

mp (arco)

   

pizz.

mp (arco)

 



   (div.)

 

    

 

 poco





poco



poco

 



poco

    

            

 

lives,

  

 

as

   

 









rit.

      

  pp

p, dolce

cresc.

  

 





   



 

mf





mp





mf



mp

 

        

 p

 p

 p

 p





  

your



         



  

breath,

pp

your



breath



  

breath,

 as

your









  

p



breath



in - me

 

 



pp

 p

pp

 

 



3

p

 

 

pp



long

 





  



               3 3     3   3 p, dolce    3    3           3 3    3



pp

            



Marimba soft mallets 3 3

 

pp

 

 

          

 

  



pp sord.

 

 



4. (senza sord.)

                p   mp             

 



 



p

  



 



     

pp

 







   





       

 



  







p

 





         

p, sotto voce

p





lives.

p





a tempo, poco meno   



 



 

  

lives

 

 

 

 





pp

your





 



lives,

 

 

 cresc.  

 

2. sord.





 

 



    p lives.    B.  

 

 

pp



  

 



 



I'll give

p

   

    



 





pp







 

   pp

 





 



2.

 





 



so p

T.

  Vln. 1  



   

    

 





    p, distinto

 



   

 





pp

 





Pitched Gongs

a tempo, poco più q = 63

ISSUU Version for perusal only 

lives. p

E. Bass



 

 

A.







 

Cb. div.

 



 

S. 2

Vc. div.

 



 

Vla.





 

Vln. 2



 

  Bar. Solo  S. 1

 



  







  







  

Perc. 3

 



  Timp.   AlmGl.    Perc. 1     Perc. 2





 

Tpt. 2





 

Tpt. 1

rit.



 

Hn. 3,4

Bs. Tbn./ Tba.

a tempo, poco meno

 a tempo, poco più q = 63

 

sul tasto

            

pp





(p)

 

pp senza vib.



(p)

pp, senza vib.



pp

      

rall.

20

pp

 Fl. 1,2 

105

Ob. 2



Ob. 3



Cl. 1,2



Bb Cl. 3

 

Bsn. 1,2

Hn. 1,2



 

Tpt. 1

Tpt. 2



Tpt. 3



Tbn. 1,2



Bs. Tbn./ Tba.





 Perc. 3 

Pno.

Hp.

      





 



 

 Bar. Solo

 

3

3

3     

 



  

 



 



 



 



 

 

  

soft mallets

      p, dolce      

3



 

 

   



3

3



   3



S. 2

 



3



 



 

    3

3

     3

3







as

your

A.

Vln. 1

   

Vla.



Vc.

E. Bass

 

your



 



breath

  

















   in - me

pp



moves.



Vln. 2

Cb.

pp



   

 

  

p

6

pp, sul lasto



 

 

6

6

 

                      6



3

  