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Greco SWEET AS CANDY

Page 1

José Luis G reco

Sweet as Candy 7 flavors for guitar

UN IÓ N M US IC AL E D IC IO N E S , S .L. C/ Marqués de la Ensenada, 4 28004 Madrid (Spain) www.musicsales.com unionmusicalediciones@musicsales.co.uk


© 2011 José Luis Greco © 2016 Unión Musical Ediciones, S.L. Edición Autorizada para todos los países a: / All Right Reserved worlwide to: UNIÓN MUSICAL EDICIONES, S.L. C/ Marqués de la Ensenada, 4 - 3º, 28004 Madrid (Spain) Tel: +34 91 308 4040 www.musicsalesclassical.com unionmusicalediciones@musicsales.co.uk

NOTA: Esta partitura es correcta a día de hoy, pero puede estar sujeta a modificación. Para su ejecución en directo, por favor consultar con el editor. NOTICE: This score is correct at the time, but may be subject to revision; if you are planning a performance, please check with the publisher.

Prohibida la reproducción total o parcial de esta obra, o su tratamiento informático, o transmisión de ninguna forma o por cualquier medio, ya sea electrónico, mecánico, por fotocopia, por registro o por otros métodos, sin el permiso previo y por escrito del titular del copyright. All rights reserved. This publication may not be reproduced, sored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owners.

Depósito legal: M-7362-2016


to Adam Levin


to Adam Levin

Sweet as Candy 7 flavors for guitar

Mystery q = 65

José Luis Greco

left hand only

                                                  ppp

p

                                                

2

ppp

                                        

3

p



natural harmonics with right hand V

4

3

XII

3



mp

                                         5

VII

4



                                                 ppp IX

6

3



V

3



                                                 © Copyright 2011 by José Luis Greco - Unión Musical Ediciones S.L. Madrid (España) All rights reserved. International conpyright secured. Depósito legal noº: M-7362-2016


2 7

XII

3



VII

4



                                                 p

8

                                         IX

9

4

pp

 

VII

3



                               

10

V

3



XII

3



                                                

11

VII



4

                                        

12

p

IX

4

 

VII

3



                                pp


V

13

3

 

IX

3



XII

3



VII

3

 

4

                                                                                                 

14

p

pp

right hand 15

dim. poco a poco

                               

mf sempre 16

                                  

                                  3 18 3    17

V

XII

mp

                                left hand only

pp 19



 

VII

4

 

                              mp


4 IX

3

20

 

 

VII

3

 

                              

21

XII

 

3



p

                                  mf

22 VII



4

right hand m

a

m

i

                                  mf                                   dim. poco a poco       f

23

f

                                      

24

25

 26

                                                                    perdendosi


5 Fire 27

q = 80

 

6                                                  

p

6

mf

mp

f

6 6                                  

30

6                 

32

6               mf    

34

              

6                   

6

6

                                      

36

38

6                              

 

6

f

                              

40


6

                               

42

                                  

44

                  

46

              mf 

                                   

48

6

                         f  

50

 



V

9

52

 

        

9

         6

 

3

vibrato behind nut

 


7 Ocean

  

55

mp

sul tasto

 

q = 40

sul tasto 59

    

    

p

   

62

sul tasto

3



ord.

               p



mp

  

          

ord. mp

      ord.                  mp  

           mf   3

mp

15

  

3

poco

          

68

3

15

sul tasto 3

          

3

pp

65

   3      

    

     

   

    

 

15

  

p

     mp



 



ord.       3




8 70

 

  3

    

3

    mf

3

    

 

    

 

       mp

3

sul tasto (non accelerando)

                        

74

p

                                

75

                                           

76

f

                           

77

perdendosi



 


9

Hillbilly q = 90 79

   

 

mf

  

 

                              f

                          trem.  

82

pp

      

  p



pp

 

 

mf

         

                                                            f

85

                                                  

88

  

90

      

93

3 3                                                  3

      3             3 3                   

        6

3

     a tempo                                       mf poco rit.

96


10

             

99

muffled                       f       mp

                               sul pont. (non muffled)

101

   

103

                              

           6 3                    

105

     

107

ord. 3

   

         

110

ff

112

    

6

  

3

  

  

    

  

3

   

   3

   

  

                         

           

  

  

3



mp

  

                              3 mf

 

 


11

Flight q = 90

sul tasto sempre bring out upper melody

                                 

115

pp

mp

                      

117

p

mf

119

  

        

 

                

mp

mf

                              

121

mp

mf

                             

123

mp

mf

125

  

 

 







 

                    

mp 127

  

mf

                          

mp 129

 

mp

mf











 



 mf












12

                                    

131

mp 133



  





mf





mp



               

mf

                                 

135

mp

  

mf

137

mp

  

139

141





 



  



  





  





mf dim. poco a poco



  



             

145

147



p mf

mp

 

                        

143

 

 

 

mf

mf

 

  

  

  

perdendosi

  

 

        

like an echo

ppp

                     p

perdendosi


13

Tune low E-string to D

                                                    ff mp Thriller

149 q = 85

sul pont. sempre

ff

mp

             

     

 

                                                            

152

mp

       

155

ff

                   

 

f

mf

                                   mp

simile

mp

f

pizz. ord.                                                    poco mf

158

mf

3

                                                    poco mf

161

164

 mf

pizz.

  

167

 

170

  

      ord.

    

3

                                     

 

  

   

 

                          

 

               ff

  

mp


14

                                          

173

ff

3

              

                               

176

f

mp

179

 

 



 

ff

mp

5

             5

                    3

allargando

 

 

 



     

a tempo

       

       

                                                    mf 

181

184

   

 

187

  

   

  

f

190

    

 

                                  mf

         

f

   

ord.

                                    pizz.

mp subito

          

    

pizz.

           


15 non accelerando

ord.

                                          

193

cresc. poco a poco

                                        

196

    

199

 

tambora

       

202

 

mp subito

            

   

     

             

    

     

 

         

  

 

         

   

      

f

 

            

   

     

             

cresc. poco a poco

       

      

    

         

 213      

    

         

    

ff

libre rasgueado

                     

              

205

209

 

  

     

    

    

    

    

              3

3                         

   

   

          

         

                     

    behind nut                    p

         

            

    

     

           

         

 


scordatura remains 16 Home, at last

217

q = 40 sul pont.

 



mf 221

mp

f

f

mf

 3        

3

        

                3

225

      

                 

223

      3       

3

             f 3

     3              

         mf

3       3               3

3                             

227

mf perdendosi

                         

230

f

          mf

f

mf

               mf 3

f



  

mp

    


17 234

q = 105 ord. p/i etc.

                                    p

mp

            

237

         

240

                                           

                        

245

mf

                    

                                       

250

                     

255

    

260

     

                  

                       

                         

       

                    


18

               

265

                4   

         

                                                  

269

                    

274

                 

                                    

279

                                

284

       

289

    

293

   

  

           mp

        

                                        

                       

                                 

 poco rit.             


19 tremolando libremente pp mp

    q = 40         298                             mf

            mf 3

300

6

mp

          

304

            (mp) q = 105

             

             

308

         

 

pp non ligado 3

    

mp

                    poco

                     dim. poco a poco

                         

313

        316

    

319

 pp

                     

 


UNIÓN MUSICAL EDICIONES, S.L. C/ Marqués de la Ensenada, 4 28004 Madrid (Spain) www.musicsales.com unionmusicalediciones@musicsales.co.uk


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