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MCNEFF
Dives and Lazarus
A Parable for Unaccompanied Voices

ISSUU Version
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ISSUU Version For perusal only
STEPHEN MCNEFF
Dives and Lazarus
A Parable for Unaccompanied Voices
Text from traditional, Biblical, and other literary sources
LEIP ZI G L ONDO N NE W YOR K
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This work was commissioned by Chamber Choir Ireland and written for the sixteen voices of that group. It features four soloists and an ensemble of twelve other voices. At the discretion of the music director these may be the same soloists in each movement, or they may change between movements.
With some simple editing in the chorus part, it is also possible for the work to be performed by eight solo voices. Alternatively, a larger chorus can be employed with four guest soloists in traditional oratorio style.
To allow for the use of a countertenor on the solo mezzo part, alternatives (not exceeding E5) have been given.
I am indebted to my friend and colleague, the opera, theatre director and scholar Conor Hanratty, for his invaluable help in choosing the texts for this work.
Duration c.24 minutes
Commissioned by Chamber Choir Ireland with funding from the Arts Council/an Chomhairle Ealaíon, with additional support from the PRS Foundation.
First performed on 11 November 2023 at The Whyte Recital Hall, Royal Irish Academy of Music, Dublin, by Chamber Choir Ireland, conducted by Paul Hillier. UK premiere: 12 November 2023 by the same performers at St Thomas’ Church, Belfast.
ISSUU Version
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PART 1 – Setting the Scene
Part 2 – The Death of Lazarus
Part 3 – The Death of Dives
DIVES AND LAZARUS
A Parable for Voices
Part 1 – Setting the Scene
ISSUU Version For perusal only
1. Dives and His Rich Friends
Now there was a certain rich man, who was clothed in purple and fine linen, faring sumptuously every day: and a certain beggar named Lazarus was laid at his gate, full of sores, and desiring to be fed with the crumbs that fell from the rich man’s table. (Luke 16:19–31)
2. Chorale
As it fell out upon one day, Rich Divès made a feast, And he invited all his friends, And gentry of the best.
Then Lazarus laid him down and down And down at Divès’ door: Some meat and drink, brother, Diverus, Bestow upon the poor.
Thou’rt none of my brothers, Lazarus, That liest begging at my door; No meat, nor drink will I give thee, Nor bestow upon the poor. (Child Ballad)
3. Narrative with accompaniment–story-teller: Call Me Ishmael…
Tempestuous Euroclydon!
I stuffed a shirt or two into my old carpet-bag, tucked it under my arm, and started for Cape Horn and the Pacific. Quitting the good city of old Manhatto, I duly arrived in New Bedford. It was on a Saturday night in December at last came to a dim sort of light not far from the docks, and heard a forlorn creaking in the air.
Poor Lazarus there, chattering his teeth against the curbstone for his pillow, and shaking off his tatters with his shiverings, he might plug up both ears with rags, and put a corn-cob into his mouth, and yet that would not keep out the tempestuous Euroclydon. Euroclydon! Says old Dives, in his red silken wrapper. Nonsense! Phoey! Claptrap! says old Dives. What a fine frosty night; how Orion glitters; what northern lights! Let them talk of their oriental summer climes; give me the privilege of making my own summer. (Herman Melville Moby Dick)
4. (Chorale Interlude)
Then Lazarus laid him down and down, All under Divès’ wall: Some meat, some drink, brother Diverus, For hunger starve I shall.
Thou’rt none of my brothers, Lazarus, That liest begging at my gate; No meat, no drink will I give thee, For Jesus Christ His sake. (Child Ballad)
5. Narrative – story-teller
But what thinks Lazarus? Can he warm his blue hands by holding them up to the grand northern lights? Would not Lazarus rather be in Sumatra than here? Would he not far rather lay him down lengthwise along the line of the equator; yea, go down the fiery pit to keep out this frost?
Now Lazarus lies frozen on the curbstone before the door of Dives. Yet Dives himself, he too lives like a Czar in an ice palace made of frozen sighs and being temperate, he only drinks the tepid tears of orphans. (Adapted from Herman Melville Moby Dick)
6. Dogs’ Chorus
Then Divès sent out his hungry dogs, To bite him as he lay; They hadn’t the power to bite one bite, But licked his sores away.
Then Divès sent to his merry men, To frighten poor Lazarus away; They’d not the power to strike one stroke, But flung their whips away. (Child Ballad)
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Part 2 – The Death of Lazarus
7. Narrative
As it fell out upon one day, Poor Lazarus sickened and died; wheresome’er he is, either in heaven or in hell… (Child Ballad)
8. Lament
Nay, sure, he’s not in hell:
He’s in Arthur’s bosom, if ever man went to Arthur’s bosom.
He made a finer end and went away as any christom child.
He parted just between twelve and one, even at the turning o’ the tide. I saw him fumble with the sheets and play with flowers and smile upon his fingers’ ends,
I knew there was but one way; for his nose was as sharp as a pen, and babbled of green fields.
He cried out three or four times. ‘God, God, God!’
Now I bid he should not think of God;
There was no need to trouble with such thoughts yet.
So he bade me lay more clothes on his feet:
I put my hand into the bed and felt them, and they were as cold as any stone; all was as cold as any stone. (from Shakespeare: Henry V- Act 2, Sc3)
9. Coda Chorale
Rise up! rise up! brother Lazarus, And go along with me; For you’ve a place prepared in Heaven, To sit on an angel’s knee.
Part 3 – The Death of Dives
10. Chorus of Damnation
As it fell out upon one day, Rich Divès sickened and died; There came two serpents out of hell, His soul therein to guide.
Rise up! rise up! brother Diverus, And come along with me; There is a place provided in hell For wicked men like thee. (Child Ballad)
11. Dialogue (from: Heinrich Schütz – Vater Abraham, erbarme dich mein SWV 477)
ISSUU Version
Dives: Father Abraham, have mercy on me, and send Lazarus, that he may dip the tip of his finger in water, and cool my tongue; for I am tormented in this flame.
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Abraham: Son, remember that thou in thy lifetime receivedst all good things, and likewise Lazarus evil things. But now he is comforted, and thou art tormented. And beside all, between us there is a great gulf: so that those who would pass from here to you cannot; neither can you pass to us.
Dives: I pray you Father Abraham, that thou send Lazarus unto to my father’s house: For I have five brethren; that he may testify unto them, lest they also come to this place of torment.
Abraham: They have Moses and the prophets; let them hear them.
Dives: Nay, Father Abraham: but if Lazarus went to them they will repent.
Abraham: If they not hear Moses and the prophets, they will not beT persuaded, Even if Lazarus rose from the dead.
12. Bewailment and Final Chorus
Dives: O, was I now but alive again one-half hour! –
O, that I had my time again
Then the devil should have no power.
Chorus: Sooner or later everyone sits down to a banquet of consequences.
While the years teach us much, which the days never know. Be silly, be honest, be kind.
Live in the sunshine, swim in the sea, drink the wild air, No man ever steps in the same river twice, And you cannot do a kindness too soon. (R L Stevenson/Heraclitus/R W Emerson)
Coda
But no more of this blubbering now there’s plenty of that yet to come. When it is dark you can see the stars.
What a fine frosty night; how Orion glitters; what northern lights! Lazarus risen. (Melville)
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Givememyownsummer,
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-russickened
Piano (RehearsalOnly) q.=40 Chaconne-Gently He’s mf inArthur’s - bosom, - if
For perusal only
B.Solo
Version
B. Pno. justbetween - twelveandone,even-attheturning-ofthetide. atempo rit.
S.Solo
M.Solo
B.Solo
For perusal only
(conversationally)
I mf sawhimfumble-withthesheetsandplaywithflowersand bo som. mf -
- Nay pp sure, nay sure, atempo rit. bo mf
Nay pp sure, nay sure, Ar thur’s - bo som. mf - Nay pp sure, nay sure, Ar thur’s - bo som. mf - Nay pp sure, nay sure, mf p
Forhisnosewassharpasa pen, 16 I knewtherewasbutone way, one way, andbabbled - of smileuponhisfinger - ends.
he’s not in hell. He’s in Ar-thur’s bo
he’s not in hell. He’sin Ar thur’s
bo
he’s not in hell. He’s in Ar-thur’s, Ar-thur’s
he’s not in hell. He’s in Ar-thur’s, Ar-thur’s
Version
For perusal only
ofgreenfields.
So mp hebademelaymoreclothesupon-hisfeet,
For perusal only
mp I shouldnotthinkofGod; There mf wasnoneedtotrouble-withsuchthoughtsyet.
God, three orfour times.
God, three orfour times.
mf three or four times.
God, three or four times.
in thebedand feltthem;they p wereascold, pp cold,coldasany-stone, cold,cold, coldasany-stone. rit. atempo rit.
putmyhandsinto-thebedandfeltthem; they p wereascold,
cold,coldasany-stone, cold, cold,coldasany-stone.
B. Pno.
Version
He’s mf inArthur’s - bosom, - ifever-amanwenttoArthur’satempo 38
For perusal only
Nay p sure, nay sure he’s not in mf hell.Nay pp sure, nay sure atempo
Nay p sure, nay sure, he’s not in hell. mf Nay pp sure, nay sure
Nay p sure, nay sure, he’s not in hell. mf Nay pp sure, nay sure
Nay p sure, nay sure, he’s not in hell. mf Nay pp sure, nay sure mf p p
He mf parted - justbetween - twelveandone,
bosom.He mf madeafin-erendandwentaway - asa-nychristom - child.
he’s not in hell. He’s in Arthur’s - bo
he’s not in hell. He’sin Ar-thur’s bo - -
he’s not in hell. He’s in Ar thur’s,
ISSUU Version For perusal only
even-attheturning-ofthetide. atempo rit. rit.
atempo rit. rit.
som. mf - Nay p sure, nay sure, he’s not, not inhell.
som. - - Nay p sure, nay sure, he’s not in hell.
bo som. mf - Nay p sure, nay sure, he’s not in hell.
bo som. mf - Nay p sure, nay sure, he’s not in hell.
Version
For perusal only
Exultantq=112
SopranoSolo
MezzoSolo
TenorSolo
BassSolo Soprano
Rise
Riseup,brother-Laza-rus, - Riseup,brother-Laza-rus, -
For perusal only
Riseup,brother-Laza-rus, - Riseup,brother-Laza-rus, -
Riseup,brother-Laza-rus, - Riseup,brother-Laza-rus, - And mf goalong - withme.
Riseup,brother-Laza-rus, - Riseup,brother-Laza-rus, -
And mf goalong
withme.
Version
For perusal only
And mf goa-long - withme.
ISSUU Version
For p you’veaplace, For you’veaplace.
For perusal only
paceprepared.
Foryou’vea placeprepared.
In p heaven, - In hea ven.
For perusal only
For p you’veaplace, For you’veaplace.
Tosit, angel’sForyou’vea paceprepared.
- Tosit, angel’s -
For p you’veaplaceprepared - inHeaven, - inHeaven.
For perusal only
For perusal only
M.Solo T.Solo
ISSUU Version
B.Solo
Riseup,brother - Laza - -rus, Riseup,brother - Laza - -rus, Riseup,brother - Laza - -rus,
For perusal only
Riseup,brother - Laza - -rus, Riseup,brother - Laza - -rus, Riseup,brother - Laza - -rus,
Riseup,brother - Laza - -rus, Riseup,brother - Laza - -rus, Riseup,brother - Laza - -rus,
Riseup,brother - Laza - -rus, Riseup,brother - Laza - -rus, Riseup,brother - Laza - -rus,
Seriosoq=104
As ff it fell up-on oneday. Ooh, pp
sickened - anddied. rich pp Dives - sickened - anddied. rit. atempo
For perusal only
rich pp Dives - sickened - anddied. sickened - anddied. rich pp Dives - sickened - anddied. rich pp Dives - sickened - anddied.
Version
For perusal only
soultherein
toguide.
ser f -pents. Riseup,rise ff up! Come,come! There f isaplacepro-
For perusal only
ser f -pents.
Rise ff up,riseup! Come! There f isaplacepro-
Rise ff up,riseup. come! There f isaplacepro-
ff
rise pp -ssss. Rise ff upbrother - Diver --us, andcomeandlongwithme; There f
rise pp -ssss. Rise ff upbrother - Diver --us, andcomeandlongwithme; There f is
rise pp -ssss. Rise ff upbrother - Diver --us, andcomeandlongwithme; There f is
rise pp -ssss. Rise ff upbrother - Diver --us, andcomeandlongwithme; There
-vided - inhell p for mf wicked - men like thee. rit.
For perusal only
-vided - inhell p for mf wicked - men.
-vided - inhell p for mf wicked - men like thee.
-vided - inhell p For mf wickedisa place for thee, p for thee, for rit.
a place for thee, p for thee, for
a place for thee, p for thee, for a place for thee, p for thee, for p
ISSUU Version
For perusal only
Bass Piano (RehearsalOnly)
ISSUU Version
ConDisperazioneq=112
For perusal only
Fa ff -therAbra-ham - havemecy, - havemercy, - havemercy - onme. Fa mf -therAb’rham - send
Fa ff -therAbra-ham - havemecy, - havemercy, - havemercy - onme. Fa mf -therAb’rham - send
Fa ff -therAbra-ham - havemecy, - havemercy, - havemercy - onme. Fa mf -therAb’rham - send
Fa ff -therAbra-ham - havemecy, - havemercy, - havemercy - onme. Fa mf -therAb’rham - send ff mf
thetipofhisfin
-ger,
La f -zarus - send, mf sendLaza-rus, f - that p hemaydip, thathemaydip, the tipofhisfinger, f -
La f -zarus - send, mf sendLaza-rus, f - that p he maydip,thathe maydipthe tipofhisfinger, f -
tip p ofhisfin f -ger, tip p ofhisfinger f - inwa p -ter,inwater - tocool mytongue,cool my
ISSUU Version For perusal only
tip p ofhisfinger, f - tip p ofhisfinger f - inwa p -ter,inwater - tocool mytongue,cool my
tip p ofhisfinger, f - tip p ofhisfinger f - inwa p -ter,inwater - tocool mytongue,cool my
tip p ofhisfinger, f - tip p ofhisfinger f - inwa p -ter,inwater, - in water, - inwater, - inwater, - cool f p f p B.Solo
Pno. Son, f 15
tongue. f Fa ff -therAbra-hamhavemecy, - havemercy, - havemercy - onme.
tongue. f Fa ff -therAbra-hamhavemecy, - havemercy, - havemercy - onme. For pp Iamtormen --ted,
tongue f Fa ff -therAbra-hamhavemecy, - havemercy, - havemercy - onme. For pp Iamtormen --ted,
tongue. f Fa ff -therAbra-hamhavemecy, - havemercy, - havemercy - onme. For pp Iamtormen --ted, ff f pp
B.Solo
ISSUU Version For perusal only
And f likewise - La za - -rus ev-
B. Pno.
remem - -berthatthouinthy lifetime - recei --vestallgoodthings, for,for Iamtormen --ted,inthisflametormen --ted, for,for Iamtormen --ted.ForIamtormen --ted, for,for Iamtormen --ted,inthisflametormen --ted, for,for Iamtormen --ted.ForIamtormen --ted, for,for Iamtormen --ted,inthisflametormen --ted, for,for Iamtormen --ted.ForIamtormen --ted,
S.Solo
And mf thouart tor-men ted. f24
M.Solo
T.Solo
B.Solo
B. Pno. -il,evil-things.
And mf thouart tor-men ted. f -
And mf thouart tor men ted. f -
But mf now heiscomfor-ted, - andthouart tor men ted. fFor pp Iamtormen f -ted.for,for Iamtormen --ted.inthisflametormen --ted, for,for Iamtormen --ted.ForIamtormen f -ted.for,for Iamtormen --ted.inthisflametormen --ted, for,for Iamtormen --ted.ForIamtormen f -ted.for,for Iamtormen --ted.inthisflametormen --ted, for,for
Version For perusal only
And p besides - all, Andbesides - beteen - us there p isagreatgulf. And p be-sidesall between
isagreatgulf.
B.Solo And p besides - all, andbesides - all, between - us there p isagreatgulf.
isagreatgulf. S.Solo
thatthosewhowouldpass
Version
can f -not; can p you tous. ff Comeprima 39
For perusal only
can f -not: can p you tous. ff
can p -not; f Nei p -thercanyoupasstous. ff can p -not; f Nei p -thercanyoupasstous. ff
I ff prayyouFather - Abra-ham, - thatthou, thousendLaza-rusComeprima
I ff prayyouFather - Abra-ham, - thatthou, thousendLaza-rus -
I ff prayyouFather - Abra-ham, - thatthou, thousendLaza-rus -
I ff prayyouFather - Abra-ham, - thatthou, thousendLaza-rusff
un mf -tomyfather’s - house, f send, mf sendLaza-rus, f - send p Laza-rus: f - For p Ihave f fivebrethren,f five 45 un mf -tomyfather’s - house, f send, mf sendLaza-rus, f - send p
- house,
ISSUU Version
brethren,f that,he p maytesti-fy, f thathe p maytesti-fy f -unto mf -themlesttheyalso-cometothisplaceoftorture50
For perusal only
brethren,f that, that p hemaytesti-fy, f - that p hemaytesti-fy f -unto mf -themlesttheyalso-cometothisplaceoftorture -
brethren,f that, that p hemaytesti-fy, f - that p hemaytesti-fy f -unto mf -themlesttheyalso-cometothisplaceoftorture -
bre p -theren, f - that, that p hemaytesti-fy, f - that p hemaytesti-fy f -unto mf -themlesttheyalso-cometothisplaceoftorturep f p f p f mf
They ff have Moses-andtheprophets; - letthemhearthem,
They ff have Moses-andtheprophets; - letthemhearthem,
They ff have Moses-andtheprophets; - letthemhearthem,
They ff have Moses-andtheprophets; - letthemhearthem,
come f tothisplaceoftorture. - Fa ff -therAbra-ham - havemecy, - havemercy, - havemercy - on
come f tothisplaceoftorture. - Fa ff -therAbra-ham - havemecy, - havemercy, - havemercy - on
come f tothisplaceoftorture. - Fa ff -therAbra-ham - havemecy, - havemercy, - havemercy - on
come f tothisplaceoftorture. - Fa ff -therAbra-ham - havemecy, - havemercy, - havemercy - on
M.Solo
T.Solo
B.Solo
letthemhearthem.
Version
For perusal only
letthemhearthem. letthemhearthem. letthemhearthem.
me. Nay, p FatherAbra-ham, - nay, nay,FatherAbra-ham: - butifLaz’rus-wentto f them
me. Nay, p
FatherAbra-ham, - nay, nay,FatherAbra-ham: - butifLaz’rus-wentto
them
me. Nay, p FatherAbra-ham, - nay, nay,FatherAbra-ham: - butifLaz’rus-wentto f them
me. Nay, p FatherAbra-ham, - nay, Nay,FatherAbra-ham: - butifLaz’rus-wentto f them
Version
If mf theynothear, f if mf
For perusal only
If mf theynothear, f If mf theynothear, f If mf theynothear, f
they p willrepent, f - for p Iamtormen - -ted.Repent, - for p Iamtormen - -ted.Repent. -
they p willrepent, f - for p Iamtormen - -ted.Repent, - for p Iamtormen - -ted.Repent. -
they p willrepent, f - for p Iamtormen - -ted.Repent, - for p Iamtormen - -ted.Repent.they p willrepent, f - for p Iamtormen - -ted.Repent, - for p Iamtormen - -ted.Repent.p
For perusal only
S.Solo
ISSUU Version For perusal only
M.Solo
T.Solo
B.Solo they p willnotbe per sua mf - -ded, they pp willnotbe per sua mf - -ded, 74 they p willnotbe per sua mf - ded, - they pp willnotbe per sua mf - ded,they p willnotbe persua mf - ded, - - they pp willnotbe persua mf - ded, -they p wilnotbe mf persua - -ded,they pp will not mf bepersua - -ded,
S.Solo
M.Solo
T.Solo
B.Solo
ev p -en if La-za rus - rose from thedead. pp rit. 78
ev p -en if La-za-rus rose from thedead. pp
Ev p -en if La-za rus - rose fromthe dead. pp
ev p en - if La-za-rus rose fromthe dead. pp for pp Iamtormen - -ted. rit. for pp Iamtormen - -ted. for pp Iamtormen - -ted. for pp Iamtormen - -ted. pp & & & ‹ ? & & &
ISSUU Version For perusal only
S.Solo M.Solo
Version For perusal only
Be
-silly,-behonest,-bekind
Live mf inthesunshine,yearsteachusmuch,whichthedaysnever-know,
Drink
thewild,wildair. Nomanever-stepsinthesameriver-twice, rit.
No mf manever-stepsinthesameriver-twice, swiminthesea,drink thewild,wildair and mf youcannot-doakindness - too
ISSUU Version
cannot-doakindness - toosoon, you p cannot-do f akindness - toosoon. ff rit. atempo
For perusal only
can’tdo a kindness - toosoon,a p kindness f - too soon. ff soon, A p kindness
too soon. ff
- too soon. ff kindness - toosoon. A p kindness f
ff was Ia-livea-gain rit. atempo O, ff wasIa-live-againO, ff was Ibutalive - a-gainthe O, ff was Ibutalive - a-gainthe ff
Version
For perusal only
ISSUU Version
that mf yettocome.When pp itisdarkyoucansee mf thestars, pp youcansee mf the stars. pp atempo rit. rit. l’istessotempo rit. 45 come.
For perusal only
mf When pp itisdarkyoucansee mf thestars, pp youcansee mf the stars. pp
mf
When pp itisdarkyoucansee mf thestars, pp youcansee mf the stars. pp
mf
When pp itisdarkyoucansee mf thestars, pp youcansee mf the stars. pp pp Aah, Aah, f atempo rit. rit. l’istessotempo rit. Aah, pp f
Version
For perusal only
Version
For perusal only
ISSUU Version
For perusal only
ISSUU Version
perusal only

Stephen McNeff
Stephen McNeff (b. 1951) studied at the Royal Academy of Music and has worked extensively in opera and music theatre, holding residences at Contact Theatre in Manchester, the Banff Centre, the Cabrillo Festival in California, Lawrence University and Comus Music Theatre in Canada. From 2005–2008 he was composer in residence with the Bournemouth Symphony Orchestra where he wrote three major orchestral works, Heiligenstadt, Secret Destinations, Sinfonia and the choral work Weathers. He won the British Composer Award for Best Stage Work in 2007. At the Royal Opera he is known for Clockwork (from Philip Pullman’s novel) and Gentle Giant
Stephen McNeff (*1951) studierte an der Royal Academy of Music und hatte zahlreiche Positionen im Bereich Oper und Musiktheater inne, darunter Residenzen am Contact Theatre in Manchester, am Banff Centre, beim kalifornischen Cabrillo Festival, an der Lawrence University sowie am Comus Music Theatre in Kanada. Von 2005 bis 2008 war er Composer in Residence beim Bournemouth Symphony Orchestra; hier entstanden die drei großen Orchesterwerke Heiligenstadt, Secret Destinations und Sinfonia sowie das Chorwerk Weathers. 2007 gewann er den British Composer Award für das beste Bühnenwerk. Auf der Bühne von Covent Garden ist er mit Clockwork (nach dem Roman von Philip Pullman) und Gentle Giant hervorgetreten.