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Musgrave SNAPSHOTS

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OnDemand

Musgrave, Thea Snapshots

Score for sale (North America): http://www.halleonard.com/product/viewproduct.do?itemid=14041770 Score for sale (UK, Europe and other territories): http://www.musicroom.com/se/ID_No/01005852/details.html?kbid=1296 Information about the work and materials for hire: http://www.musicsalesclassical.com/composer/work/43208

Score begins on the next page.

Novello & Co Limited Part of the Music Sales Group


SNAPSHOTS for solo piano Commissioned by the Scottish International Piano Competition as the test piece for the 2010 competition to be held in Glasgow, Scotland in September 2010 NOTE There are many different interpretations of this work – there is not one ‘correct’ way of playing it. It grew out of an idea when the composer was teaching students the importance of ‘marking up’ their music and showing them how changing dynamics or tempi can completely alter the character of the music. There are five snapshots which are preceded by a short introduction; the same motive forms a link between some of the sections, and at the end a short coda. There is an obvious parallel with ‘Pictures from an Exhibition’, but here, rather than walking through a museum to admire the works of art imagine leafing through a photograph album and contemplating old snapshots. Each performer should make the choice of tempo, dynamics, sound quality (staccato versus legato), phrasing and pedalling that will describe the nature of these snapshots. T.M.

Order number: NOV959013 Novello & Company Limited part of The Music Sales Group 14-15 Berners Street, London Exclusive Distributors: Music Sales Limited Newmarket Road, Bury St. Edmund, Suffolk IP33 3YB www.chesternovello.com www.musicroom.com


Commissioned by the Scottish International Piano Competition as the test piece for the 2010 competition

SNAPSHOTS for Solo Piano Thea Musgrave

 5

  





   

9

    

 

 

 

  

 





  



 



    

   



    







    





        



 



  



             

   

 

 

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





     

 

   

 

 

 



                                          

13

I

    



  

 

   

                                                 

16

    

      

    

 

                                          

   

19

3

   

© 2009 Novello & Company Limited



3



3



3

3

3




6



116

 



 



 

 



     

 



                    

 





 

       

127

 

  

   

124



 

 

 

132

       

   





 

  

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 

  





 



     

 





  

   3

        





IV

   

    

  

 

119

 





 

   

 

 

3





3



  







 

 3






10

        

188

        

  

  

 

     

          

 

198

CODA

      

 

  

201

203

 

 

  

 

 

 

   

    

 

       

 

   

  

   

  

   

     

 



  

         

3

3

3

3

3

3

3

3

           

3

3

3

3

 

         

3

3

    





                               

 

  

  

 

    



193

    

   

 

 

3

3

   


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