Bright Sheng
SHANGHAI OVERTURE for Symphony Band symphonic band version by Peng Chen and Bright Sheng From the G. Schirmer Rental Library Date of Printing
________
G. Schirmer, Inc. New York, NY
Bright Sheng
SHANGHAI OVERTURE for Symphony Band
The band arrangement was commissioned for the University of Michigan Symphony Band through support from the Linda and Maurice Binkow Philanthropic Fund originally commissioned by the Shanghai Conservatory of Music in honor of their 80th Anniversary
G. Schirmer, Inc. New York, NY
Instrumentation 2 Piccolos Flute 2 Oboes English Horn Clarinet in E= 5 Clarinets in B= Bass Clarinet 2 Bassoons Contrabassoon Soprano Saxophone in B= Alto Saxophone in E= Tenor Saxophone in B= 2 Baritone Saxophones in E= 4 Horns in F 3 Trumpets in C (3rd doubling on Trumpet in B=) 2 Trombones Bass Trombone 2 Euphoniums Tuba Timpani Percussion (4 players) Harp Piano Contrabass
duration circa 9 minutes
BRIGHT SHENG 盛宗亮
SHANGHAI OVERTURE
上海序曲 for Symphonic Band 为管乐队而作 Symphonic Band Version by Peng Chen and Bright Sheng 管乐队版本由陈鹏及盛宗亮改编 2010 to the Symphony Band of University of Michigan, Michael Haithcock, Director 献给密西根大学管乐队， Michael Haithcock 指挥 Program note Shanghai Overture was originally written for orchestra, a commission by my alma mater, the Shanghai Conservatory of Music, in celebration of its eightieth anniversary. It was premiered on November 27, 2007, by the Youth Symphony Orchestra of the Shanghai Conservatory of Music, conducted by Muhai Tang. The version for symphonic band was commissioned for the 2011 University of Michigan Symphony Band tour to China, through support from the Linda and Maurice Binkow Philanthropic Fund, and realized by Peng Chen and Bright Sheng. Shanghai Overture for symphonic band is dedicated to the Symphony Band at University of Michigan, Michael Haithcock, conductor, where I have been teaching since 1995. The work is written for two piccolos, flute, two oboes, English horn, clarinet in Eb, five clarinets in Bb, bass clarinet, two bassoons, contrabassoon, soprano saxophone, alto saxophone, tenor saxophone, two baritone saxophones, four French horns in F, two trumpets in C, trumpet in C and Bb, two tenor trombones, bass trombone, two euphoniums, tuba, timpani, four percussionists playing: Peking Opera cymbals (京中
钗), small Peking Opera cymbals (京小钗), Peking Opera gong (京大锣), small Peking Opera gong ( 京 小 锣 ), small Chinese tom-tom ( 小 堂 鼓 ) or large bango, two temple-blocks-high and low (大小木鱼), wind-gong (风锣), ratchet (滚轮器), triangle (三角铁), glockenspiel (钢片琴), crotales with a bass bow (黄铜定音铃, 用低音提琴弓
子 演 奏 ), large bass drum ( 低 音 大 鼓 ), low tam-tam ( 低 音 大 锣 ), harp, and contrabasses. In Western music, the term neo-Classicism primarily refers to a movement in music composition prevalent in the 1920s and 1930s. While the main aesthetics of the style emphasizes on textural clarity, light orchestration and formal balance, some of the compositions were directly linked to specific composers from earlier periods. The most well-known composer of the movement was Igor Stravinsky who wrote a number of works including a neo-Bachian piano concerto, a neo-Pergolesian suite (Pulcinella), and a neo-Mozartian opera (The Rake’s Progress). I always wondered what the result would be if I would adopt a similar concept and some of the techniques of the neo-Classical style and apply them to traditional Chinese classical or folk music. Although my approach is somewhat different from Stravinsky, I took the opportunity to explore the idea when I was asked to write a short composition for The Shanghai Conservatory of Music. Shanghai Overture is inspired by two well-known traditional Chinese compositions, General’s Degree (将军令) and Purple Bamboo (紫竹调). Whereas both came from the same region near Shanghai, they differ vastly in character and color, one is grand and powerful while the other is light and elegant. —Bright Sheng 作品介绍： 《上海序曲》原是由我母校上海音乐学院委约为其 80 周年校庆所作的管弦乐曲，由汤沐
海指挥上海音乐学院青年交响乐团首演于 2007 年 11 月 27 日。管乐队版本由密西根大学 管乐队委约为其 2011 年中国巡回演出而作， 由陈鹏与盛宗亮执笔，由 Linda and Maurice Binkow 慈善基金赞助。这首管乐队版本《上海序曲》献给密西根大学管乐队。我自 1995 年起在此大学任教。 作品的编制为两只短笛，长笛，两只双簧管，英国管，降 E 调单簧管，五只降 B 调单簧管， 低音单簧管，两只大管，低音大管，女高音萨克管，女低音萨克管，男高音萨克管，两只 男低音萨克管，四只 F 调圆号，两只 C 调小号，C 调与降 B 调小号，两只高音长号，低音 长号，两只上低音号， 大号，定音鼓，四位打击乐演奏员演奏：京中钗，京小钗，京大锣， 京小锣，小堂鼓，大小木鱼，风锣，滚轮器，三角铁，钢片琴，黄铜定音铃（用低音提琴 弓演奏），低音大鼓，低音大锣；竖琴以及低音大提琴。 在西方音乐当中，“ 新古典主义” 这一术语主要是指在 20 世纪 20，30 年代音乐创作 中风行一时的运动。这一风格的主要审美意识是强调织体清晰，配器纯净，形式与结构平 衡。而其中一些作品与这个时期之前的特殊的作曲家有着直接的关联。在这一创作运动中
最著名的作曲家当属伊戈尔·斯特拉文斯基，他创作了大量作品，包括一首新巴赫风格的协 奏曲，一首新佩尔格莱西风格的组曲《普尔钦奈拉》，以及一首新莫扎特风格的歌剧《浪子 的历程》。 我总在思考，如果自己也采用这种类似的理念以及新古典主义的创作技巧，并将其运 用到传统的中国古典或民间音乐中间的话，将会产生何种效果。尽管我的创作方式与斯特 拉文斯基有些不同，但是在受邀为上海音乐学院创作这个小型作品时，我利用此次机会探 索了这个理念。 《上海序曲》的创作灵感来自于两首著名的中国作品：《将军令》 和《紫竹调》。尽管 这两首作品都来自于邻近上海的地区，在风格和色彩方面却有很大区别，一首富于雄威， 另一首则清新典雅。
——盛宗亮
SHANGHAI OVERTURE for Symphony Band Maestoso q = 54
1 2
Piccolo
Flute Oboe
1 2
English Horn Clarinet in Eb Clarinet in Bb
1 2
Clarinet in Bb
3 4 5
Bass Clarinet in Bb
Wild, sustaininga2 fltg. fff
fff
a2
1 2
pp
Contrabassoon
pp
Alto Saxophone
Horn in F
2 4
Trumpet in C
1 2
Trumpet in Bb
3
Trombone
1 2
pp
1
pp
Euphonium 2
Tuba
Timpani
1
pp
f
Large Bass Drum
Contrabass
ff
s.
Piano
D C# B Eb Fb G Ab
3
3
fff
fff
fff
fltg. a2
3
* Start mordent on the beat. MATERIALS SUPPLIED BY THE COMPOSER
3
3
pp
ff 3
ff
3
gl.
fff
3
3
3
f
/0
3
f
gl. gl.
*
(p)
(p)
(p)
Peking Opera Gong
ff
fff
3
ff
3
gl.
ff
3
3
fltg.
gl.
*
fff
fff
ff
glis
Harp
Medium Peking Opera Cymbals
fff
fff
p Rachet
4
p
3
ff
Wind Gong
Percussion
(wooden mallets)
2
Euphonium
Bass Trombone
* *
* *
fltg.
a2
fltg.
fff
fltg. a2
pp
1 3
fff
*
fltg.
*
fff
fff
Tenor Saxophone 1 Baritone Saxophone 2
Soprano Saxophone
fff
fltg.
a2
pp
Bassoon
Symphonic Band Version by Bright Sheng and Peng Chen
fff
Copyright © 2010 by G. Schirmer, Inc. (ASCAP) New York, NY International Copyright Secured. All Rights Reserved. Warning: Unauthorized reproduction of this publication is prohibited by Federal law and subject to criminal prosecution.
Property of: G. Schirmer Rental Library Bellvale Road Chester, NY 10918 SUPPLIED ON LOAN ONLY
2 1 Picc. 2
6
Fl.
(a2)
(a2)
Ob.
1 2
E. H.
Cl.
3 4 5
B. Cl. Bsn.
1 2
Cbn.
( fff )
( fff )
ffff
ffff
( fff )
( fff )
ffff
ffff
Alto Sax.
Ten. Sax.
2
Hn. in F
1 3
2 4
(a2)
Tpt. in C
1 2
Tpt. in Bb
3
Tbn.
1 2
(a2)
( fff )
gl.
ffff
3
3
ff
ffff
gl.
3
ff
B.Tbn.
( fff )
gl.
gl. 3
3
3
( ff )
Timp.
1
(Peking Opera Gong)
2 Perc.
(Medium Peking Opera Cymbals)
ff
4
Hp.
Pno.
Cb.
Wind Gong
3
3
3
*
*
*
*
*
*
*
*
fff
molto
ff
Low Tam-Tam
fff
ff espr. sempre, legato
ff
*
ff espr. sempre, legato
molto
ff espr. sempre, legato a2
ff
3
ff espr. sempre, legato a2
3 3
ff espr. sempre, legato
ff espr. sempre, legato
ff espr. sempre, legato
molto
(f)
ff espr. sempre, legato
ff
molto
p
( ff )
(Rachet)
3
ff espr. sempre, legato
p
fff
molto
3
3
molto
ff espr. sempre, rhythmic a3
Euph. 2
3
ff espr. sempre, rhythmic a2
( ff )
fff espr. sempre, rhythmic
fff espr. sempre, rhythmic (a2)
Euph. 1
Tba.
fff espr. sempre, rhythmic
Sop. Sax.
1 Bari. Sax.
(a2)
ffff
( fff )
q = 60
ffff
( fff )
(a2)
Cl. 1 in Bb 2
Cl. in Eb
/ 0
scraping with metal stick
fff
p
12
(a2)
(a2)
Picc.
1 2
Fl.
Ob.
1 2
E. H.
Cl. in Eb
(a2)
Cl. 1 in Bb 2 Cl.
3 4 5
B. Cl. Bsn.
1 2
Cbn.
Ten. Sax.
2
(a2)
(a2)
2 4
Alto Sax.
1 3
1 Bari. Sax.
Sop. Sax.
Hn. in F
Tpt. in Bb
3
3
B.Tbn.
gliss.
3
Tba.
3
3
3
p
(Low Tam-Tam)
f
( p)
2
(Wind Gong)
f
Hp.
Pno.
Cb.
3
3
3
gliss.
gl.
gl.
f
3
f
3
f
p
ff
(f)
3
4
f
p
ff
Perc.
gliss.
3
( p)
( p)
p
p
1
p
f
Timp.
3
Euph. 2
f
f
Euph. 1
gliss.
(a2)
1 2
1 2
Tpt. in C
Tbn.
3
4 Picc.
1 2
16
Fl.
Ob.
1 2
Cl. in Eb
Cl. 1 in Bb 2
3 4 5
1 2
Cbn.
Alto Sax. Ten. Sax.
1 Bari. Sax.
2
2 4
Euph. 1
Timp.
3
gl.
f
3
f
3
3
f
gl.
3
3
3
f
3
gl.
3
gl.
f
(f)
p
ff
p
p
p
gl.
gl.
3
3
gl.
3
2
p
3
p
f
p
f
p
3
Perc.
4
3
Euph. 2
1
3
Tba.
1 2
3
1 2
B.Tbn.
Cb.
Tpt. in Bb
Pno.
1 3
Tpt. in C
Hp.
Tbn.
Sop. Sax.
Hn. in F
B. Cl. Bsn.
E. H.
Cl.
gl.
22 (a2)
Picc.
1 2
Fl.
(a2)
Ob.
1 2
E. H.
Cl. in Eb
Cl. 1 in Bb 2
3 4 5
Cl.
B. Cl. Bsn.
1 2
Cbn.
Tbn.
(a2)
Euph. 1
3
3
( p)
3
( p)
gl.
gl.
3
mp
Tba.
Timp. 1
Pno.
Cb.
3
3
4
2 Perc.
Hp.
3
3
p
( p)
p
(Large Tam-Tam)
p
3
3
3
3
mp 3
3
3
3
3
3
3
3
3
3
3
3
gl.
3
3
gl.
mf
mp
pizz.
(Large Bass Drum) heavy wood mlts. (stopped)
D Cb Bb Eb Fb Gb Ab
ff
(f)
ff
pp
5
3
p
p
3
(a2)
Euph. 2
3
B.Tbn.
1 2
3
(a2)
Tpt. in Bb
1 2
2
Tpt. in C
Ten. Sax.
2 4
Alto Sax.
Hn. in F
1 Bari. Sax.
(a2)
Sop. Sax.
1 3
6 Picc.
28
1 2
Fl.
(a2)
Ob.
E. H.
Cl. in Eb
3 4 5
Cl.
B. Cl. Bsn.
1 2
Cbn.
Tpt. in C
1 2
Tpt. in Bb
3
B.Tbn.
Euph. 1
Euph. 2
Tba.
1
Cb.
(a2)
3
3
3
( pp )
f
3
(pizz.)
3
mf
gl.
gl.
gl.
3
gl.
( mf ) 3
gl. 3
3
3
gl.
3
3
ff
(p)
mf
mf
3
( mf )
3
3
( mf )
3
3
3
3
(f)
3
3
3
(f)
3
3
( mp )
ff
p
3
3
f
3
f
3
3
f
( mp )
( mf )
3
p
3
(Large Tam-Tam)
p
(Large Bass Drum)
3
pp
( mp )
pp
pp
3
gl.
3
3
(a2)
(a2)
3
Pno.
2
4
Perc.
Hp.
Timp.
1 2
2
Tbn.
Ten. Sax.
2 4
Alto Sax.
Hn. in F
1 3
Sop. Sax.
1 Bari. Sax.
(a2)
Cl. 1 in Bb 2
(a2)
1 2
Picc.
1 2
Fl.
(a2)
Ob.
1 2
Cl. in Eb
Cl.
Bsn.
1 2
Cbn.
Ten. Sax. 1 Bari. Sax. 2
1 2
Tpt. in Bb
3
Tbn.
Tba.
Hp.
Pno.
Cb.
( ff )secco sempre
ff
3
Chinese Tom-Tom (or Large Bango)
Small Peking Opera Cymbals
ff
3
ff
(pizz.)
ff
f
Db
3
mp
Small Peking Opera Gong
3
ff
ff
( ff )
ff
3
( ff )
3
( ff )secco sempre
3
( ff ) secco sempre
secco sempre
mp
mp
(Large Bass Drum)
4
( f)
3
2
Perc.
( f)
1
( f)
Timp.
ff
3
Euph. 2
ff secco sempre ff secco sempre
(a2)
Euph. 1
7
( ff )secco sempre
B.Tbn.
(a2)
1 2
(a2)
Tpt. in C
Alto Sax.
2 4
Hn. in F
( ff )
( ff )
Sop. Sax.
1 3
B. Cl.
( ff )
( ff )
3 4 5
(a2)
Cl. 1 in Bb 2
( ff )
E. H.
q = 160
poco rit.
(a2)
36
8
E. H.
Cl. in Eb
Cl. 1 in Bb 2
44
Picc.
1 2
Fl.
solo
mf con vivo
1. solo
Ob.
Cl.
1 2
3 4 5
B. Cl.
pp
1 2
Cbn.
f con vivo
p
p
pp
Alto Sax.
1 Bari. Sax.
p
p
Ten. Sax.
2
1 3
Sop. Sax.
Hn. in F
1. solo
pp
mf con vivo
p
Bsn.
p
p
pp
pp
solo
f espr.
B.Tbn.
Euph. 1
Euph. 2
2 4 Tpt. 1 in C 2 Tpt. in Bb Tbn.
3 1 2
Tba.
Timp.
(Chinese Tom-Tom or Large Bango)
1
(Small Peking Opera Cymbals)
2 Perc.
4
Hp.
Pno.
Cb.
pp
p
pp
(Small Peking Opera Gong)
3
p
p
p
solo
f
pp
Picc.
1 2
9
52
Fl.
f
(1.)
Ob.
1 2
f
p
p
Cl. in Eb
Cl. 1 in Bb 2
3 4 5
E. H.
Cl.
B. Cl.
Bsn.
1 2
Cbn.
(1.)
p
1. solo*
Sop. Sax.
Alto Sax.
f con vivo
p
f
p
f
p
f
p
f
Ten. Sax.
1 Bari. Sax.
2
Hn. in F
1 3 2 4
Tpt. in C
1 2
Tpt. in Bb
3
B.Tbn.
Euph. 1
Euph. 2
Tbn.
1 2
Tba.
Timp.
1
(Chinese Tom-Tom or Large Bango)
f
(Small Peking Opera Cymbals)
2 Perc.
(Small Peking Opera Gong)
4
Pno.
Cb.
f
f
3
Hp.
f
ff
10
60
1 Picc. 2
Fl.
Ob.
(1.)
1 2
f
p
f
q = 152
poco rit. al
p
E. H.
Cl. in Eb
Cl. 1 in Bb 2 Cl.
3 4 5
B. Cl.
Bsn.
(1.)
1 2
p
Cbn.
Sop. Sax.
Alto Sax.
f
p
p secco sempre
p
1
2
Bari. Sax.
Hn. in F
1 3 2 4
p secco sempre
Tpt. in C
1 2
Tpt. in Bb
3
1 2
B.Tbn.
Euph. 1
Euph. 2
Tbn.
Tba.
Timp.
1
(Chinese Tom-Toms)
p secco sempre
Ten. Sax.
(al Glockenspiel)
(Small Peking Opera Gong)
f
2 Perc.
4
Pno.
Cb.
(Small Peking Opera Cymbals)
f
3
Hp.
Large Temple Blocks H.
L.
f
closed slap-tongue
p
f
Large Temple Blocks
D C# B E F# G A
p
ff
11
Cl. in Eb
Cl. 1 in Bb 2
3 4 5
Picc.
1 2
67
Fl. Ob.
1 2
E. H.
Cl.
B. Cl.
Bsn.
1 2
Cbn.
Sop. Sax. Alto Sax. Ten. Sax.
al harmon mute
al harmon mute
B.Tbn.
Euph. 1
Euph. 2
1 Bari. Sax. 2
Hn. in F
1 3 2 4
Tpt. in C
1 2
Tpt. in Bb Tbn.
3 1 2
Tba.
Timp.
1
3
4
Hp.
Pno.
Cb.
pizz.
f
f
pp
Glockenspiel
(Large Temple Blocks)
ff
2 Perc.
1.harmon mute (stem removed)
( ff )
12 poco rit. al
Cl. 1 in Bb 2
3 4 5
Sop. Sax.
Picc.
1 2
75
Fl. Ob.
1 2
E. H. Cl. in Eb
Cl.
B. Cl. Bsn.
1 2
Cbn.
Alto Sax. Ten. Sax.
1 Bari. Sax. 2
Hn. in F
pp
pp
2 4
1 2
ff
B.Tbn.
Euph. 1
Euph. 2
1 2
Tba.
Timp.
1
(Glockenspiel)
ff
3
pp
p
harmon mute (stem removed)
ff
p
f
2
3
4
Perc.
Cb.
(p)
Tpt. in Bb
Pno.
(1.)
Hp.
1 3
Tpt. in C
Tbn.
f
(Large Temple Blocks)
( ff )
C§ Bb Eb F§
p
p
q = 144 84
(a2)
Picc.
1 2
f
Fl.
f
Cl. in Eb
Cl. 1 in Bb 2
Ob.
1 2
E. H.
Bsn.
5.
p secco
B. Cl.
p
Cbn.
secco
1 2
p
f
p p
f
f
sub. ff
pp
pp
p
ord.
Ten. Sax.
1
2
Bari. Sax.
p
ff secco
p
ord.
ff secco
p
p
1.
p
ff
p
p
ff
p
ff
2 4
(1.) non fltg.
pp
3
1 2
Tpt. in Bb
ppp
non fltg.
pp
ppp
B.Tbn.
Euph. 1
Euph. 2
Tba.
Timp.
1
(Glockenspiel)
pp
2 Perc.
3
4
Cb.
pp
ff
Pno.
Triangle
Hp.
ff sub.
f
div. (pizz.)
ff
mp
p
pp
p
ff
p
sub. ff
1 2
p
1 3
Tpt. in C
p
ff secco
p
f
ord.
p
ff secco
f
p p
p
ff sub 2.
a2
Alto Sax.
Tbn.
f
Sop. Sax.
Hn. in F
ff sub.
3 4 5
f
p secco
Cl.
13
sub. ff
p
14
91 (a2)
Picc.
1 2
Fl.
Ob.
1 2
E. H.
Cbn.
f
p pp p
mp
(p)
3, 4,.
mp
p
p
p
f
p
pp
mp
pp
p
1 3
Ten. Sax.
Hn. in F
2.
f
Alto Sax.
1 Bari. Sax.
sub. p
Sop. Sax.
1 2
B. Cl.
sub. p
3 4 5
p
Cl. 1 in Bb 2
Bsn.
Cl. in Eb
Cl.
p
pp
p
p
p
mp
p
mp
p
mp
mp
pp
2
2 4 Tpt. in C
1 2
Tpt. in Bb
3
B.Tbn.
Euph. 1
Euph. 2
Tbn.
1 2
Tba.
Timp. 1
2 Perc.
Cb.
3
4
B§ E§ F#
mf
mp p
p
p
pp
D C Bb Eb F G Ab
f
Pno.
Hp.
(Triangle)
Chinese Tom-Tom
(f)
Picc.
1 2
99
( f)
Fl.
( f)
ff
E. H.
Cl. in Eb
Cl. 1 in Bb 2
Ob.
Cl.
1 2
3 4 5
( ff )
pp
pp
15
p
pp
( ff )
ff
p f
poco rit. al q = 138
(a2)
p sub. f pp
f
Sop. Sax.
p
Alto Sax.
Cbn.
pp
Hn. in F
1 3
p
p
p
p
f
3
3
gl.
B.Tbn.
Euph. 1
Euph. 2
1.( Harmon Mute) fltg.
( Harmon Mute) fltg.
2
pp
pp
mf
mf
ff
ff
p
p
ff
f
p
f pp p
f
p
ff
unis. (pizz.)
mf
f
p
p
p
p
p
p
ff
p
Perc.
Cb.
gl.
Pno.
gl.
Hp.
gl.
4
gl.
gl.
3
gl.
1 2
1
gl.
ff
Timp.
gl.
3
Tba.
3
3
3
ff
Tbn.
gl.
3
f
gl.
gl.
1 2
Tpt. in Bb
3
3
f
f
f
p
p
f
1.
2
2 4 Tpt. in C
p
f
1 Bari. Sax.
f
f
Ten. Sax.
1 2
Bsn.
f
B. Cl.
16 Picc.
1 2
108
Fl. Ob.
1 2
E. H.
Cl. 1 in Bb 2
f
Cl. in Eb
Cl.
B. Cl.
3
f
(1.)
Bsn.
1 2
Cbn.
gl.
Ten. Sax.
1 Bari. Sax.
gl.
3
p
p
f
3
3
f
f
f
pp
f
3
p
p
3
f
3
3
pp
f
f
3
3
ff
pp
f
3
f
pp
3
ff
f
3
2 4
via sord.
1 2
3
1 2
B.Tbn.
3
f
Euph. 1
(1.)
p
p
ff
ff ff
3
pp
via sord.
f
3
ff
p
p
3
pp
mp
mf
3
4
f
Euph. 2
Tba.
Timp. 1
2 Perc.
Cb.
3
Tpt. in Bb
Pno.
3
1 3
f
3
ff
Hp.
f
Tpt. in C
Tbn.
p
pp
gl.
p
gl.
f
gl.
1. solo
2
Hn. in F
p
f
gl. Sop. Sax.
Alto Sax.
3
ff
3 4 5
pp
f
ff
116
Picc.
1 2
Fl.
Ob.
1 2
E. H.
3 4 5
f
3
1.
p
1.
gl.
gl.
gl.
2
Hn. in F
1 3
2 4
3
1 2
Tpt. in Bb
3
ff
ff
(f)
( ff )
3
3
(f)
3
(f)
3
3
(f)
3
(f)
p sub.
ff
ff f
1 2
fltg.
ff
p
ff
a2 sord. fltg.
al straight mute
a2 sord.
al sord.
ff
ff
p
ff
al straight mute
fltg.
B.Tbn.
Euph. 1
Euph. 2
Tba.
Timp. 1
Perc.
p sub.
mf
mf
p
2
al sord.
mf
p
p
ff
p
p
ff
p
ff
p
p
( mf )
( mf )
f
f
f
Chinese Tom-Tom
ff
Small Peking Opera Cymbals
Small Peking Opera Gong Rachet
ff
4
Hp.
Pno.
Cb.
( mf )
ff
3
ff
p
ff
straight mute fltg.
ff
sord fltg.
Tbn.
straight mute
f
al sord.
f ff
3
ff
ff
a2
ff
ff
3
3
ff
3
ff
( ff )
p ff
ff
17
poco accel. al
ff
Tpt. in C
a2
Alto Sax.
p sub.
gl.
1 Bari. Sax.
Ten. Sax.
f
Sop. Sax.
f
3
a2
1 2
Cbn.
p
(1.)
B. Cl.
Bsn.
Cl. 1 in Bb 2 Cl.
p
Cl. in Eb
1.
p
arco
p sub.
f
f
ff
18 1 Picc. 2
Fl. Ob.
123
1 2
E. H.
Cl. in Eb
Cl. 1 in Bb 2
Sop. Sax.
Alto Sax.
Ten. Sax.
Cl.
3 4 5
B. Cl.
Bsn.
1 2
Cbn.
1 Bari. Sax.
Tpt. in C
Euph. 1 Euph. 2
Tba.
Timp. 1
Pno.
Cb.
p
ffp
ffp
ff
p
ff
ff
ff
ffp
ffp
ff
ffp
ffp
ffp
ffp
mf
ffp
ffp
ffp
ffp
ffp
a3
ffp
mf
mf
ff
ff
ff
ff
ff
ff
ff
(Small Peking Opera Cymbals)
(Rachet)
Hp.
ff
(Small Peking Opera Gong)
4
ff
3
ff
ffp
(Chinese Tom-Tom)
2
ff
p
Perc.
ff
ff
p
ff
B.Tbn.
3, 4, . 5.
ff
1 Tbn. 2
ff
ff
ff
3
ff ff
p
ff
Tpt. in Bb
ff
1 2
(a2)
2 4
ff
(a2)
Hn. in F
ff
2
1 3
q = 160
ff
ffp
ff
ffp
ffp
ff
ff
ffp
ffp
ffp
ff
ffp
ff
ffp
ff
ffp
ffp
ffp
ffp
ffp
ffp
ff
ffp
ff
ff
f
ff
pizz. ff
* Tap the fingerboard with the right hand
Picc.
1 2
132
Fl.
Ob.
1 2
E. H.
Cl. 1 in Bb 2
B. Cl.
Sop. Sax.
Alto Sax.
Ten. Sax.
(a2)
Bsn.
1 2
Cbn.
1 Bari. Sax. 2
Hn. in F
1 3
2 4 Tpt. in C
1 2
Tpt. in Bb Tbn.
3
1 2
B.Tbn.
Euph. 1
Euph. 2
Tba.
Timp.
ff
ff
ff ff
4
Pno.
Cb.
( ff )
( ff )
( ff )
( ff )
( ff )
( ff )
( ff )
( ff )
( ff )
fff
( ff )
( ff )
f
f
ffp
ffp
ffp
via sord.
via sord.
via sord.
via sord.
via sord.
(al triangle)
( ff )
Db Cb B Eb F# Gb Ab
( mf )
f
fff
fff
pp
fff
Triangle
fff
( mf )
fff
fff
fff
fff
fff
fff
fff
fff
ffp
fff
ffp
fff
19
fff
fff
poco rit. al
fff
( ff )
f
fff
( ff )
( ff )
( ff )
Hp.
(Small Peking Opera Gong)
3
(Small Peking Opera Cymbals)
2
(Chinese Tom-Tom) 1
Perc.
ff
( ff )
ff
(a2)
(a3)
3 4 5
1.
ff
Cl. in Eb
Cl.
20
140
1 Picc. 2 Fl.
Ob.
1 2
q = 144
E. H.
a2
Cl.
3 4 5
B. Cl. Bsn.
1 2
Cbn.
ff con vivo
3, 4,
5,
ff con vivo
ff con vivo
ff con vivo
Ten. Sax.
1
2
Bari. Sax.
a2
a2
Tpt. in C
1 2
Tpt. in Bb
3
ff con vivo
ff con vivo
ff con vivo
ff con vivo
ff
legato
legato
legato
legato
a2
Tba.
sim.
sim.
mf
mf
mf
sim.
sim.
sim.
( mf )
( mf )
( mf )
( mf )
( mf )
( mf )
( mf )
gl.
f
p
f
p
(Triangle)
(Chinese Tom-Tom)
f
fff
gl.
f
p
gl.
f
p
p
f
gl.
f
f
p
mf
( mf )
mf
mf
( mf )
( mf )
mf
p
gl.
mf
( mf )
mf
sim.
sim.
sim.
sim.
mf
sim.
mf
1
f
Timp.
sim.
f
Euph. 2
gl.
f
Euph. 1
ff
ff con vivo
ff
B.Tbn.
ff
1 2
ff a2
ff
Tbn.
ff 1.
Alto Sax.
2 4
Hn. in F
Sop. Sax.
1 3
ff con vivo
a2
Cl. 1 in Bb 2
ff con vivo
Cl. in Eb
a2
fff
2 Perc.
(Small Peking Opera Cymbals)
fff
Large Tam-Tam
3
ff
Pno.
Cb.
fff
D# C Bb Eb F G A#
p
/ 0
f
Hp.
Large Bass Drum heavy wooden beaters
4
f
arco
ff
Picc.
149 (a2)
1 2
ff
Fl.
ff
Ob.
(a2)
1 2
E. H.
ff
ff
p
Cl. in Eb
Cl.
3 4 5
(5,)
Cbn.
(a2)
f
1 2
p
(3, 4,)
B. Cl.
Bsn.
ff
(3, 4,)
(5,) p
Alto Sax.
Ten. Sax.
f
Bari. Sax.
f
2
Hn. in F
1 3
Tpt. in C
1 2
Tpt. in Bb
Tbn.
3
(1.)
1 2
B.Tbn.
(a2)
2 4
f
(a2)
p
p
p
gl.
f
f
f
gl.
gl.
(f)
(f)
(f)
(f)
( p)
( p)
( p)
p
f
gl.
gl.
f f
L. Tam-Tam
p
pp
(Large bass drum)
/ 0
f
fff
Cb.
ff
Pno.
Hp.
p
4
p
3
p
Perc.
2
p
p
( ff )
1
Euph. 2
( ff )
Timp.
p
( ff )
( ff )
(f)
( ff )
Euph. 1
Tba.
f
p
gl.
21
(f)
f
f
f
ff
f
1
ff
f
f
ff
Sop. Sax.
ff
ff
p
(a2)
Cl. 1 in Bb 2
22
158
1 Picc. 2 Fl.
Ob.
1 2
(a2)
(a2)
fff
Cl. in Eb
fff
3 4 5
Cl.
fff
Bsn.
(5,)
1 2
Cbn.
(a2)
Alto Sax.
ff
ff
ff
(a2)
Euph. 1
Euph. 2
2 Perc. 3
( p)
( p)
(Small Peking Opera Cymbals)
pp
f
f
mf
p
mf
p
(Small Peking Opera Gong)
mf
pp
pp
p
(Large bass drum)
ff
/ 0
f
fff
(L. Tam-Tam)
pp
(Chinese Tom-Tom)
gl.
pp
gl.
f
p
Timp.
f
ff
2
Cb.
B.Tbn.
Pno.
1 Tbn. 2
Hp.
3
4
ff
(1.)
1
1 2
Tba.
2 4
Tpt. in Bb
Tpt. in C
1 Bari. Sax.
1 3
Ten. Sax.
Hn. in F
Sop. Sax.
ff
fff
(3, 4,)
B. Cl.
(a2)
Cl. 1 in Bb 2
fff
E. H.
Picc.
1 2
166
(a2)
( ff )
Fl.
(a2)
Ob.
1 2
Cl. in Eb
Cl. 1 in Bb 2
Cl.
3 4 5
B. Cl. Bsn.
1 2
Cbn.
(a2)
Alto Sax.
1 Bari. Sax.
2
Hn. in F
1 3
( ff )
4
fff
fff
f
a3
ff
sub. p
1
2 Perc.
Hp.
Pno.
Cb.
ff
ff
ff
ff
ff
(a2)
gl.
pp
gl.
p
p
gl.
gl.
f
(Small Peking Opera Cymbals)
f
(Small Peking Opera Gong)
f
(f)
(f)
(Chinese Tom-Tom)
3
4
23
p
Timp.
fff
fff
( ff )
3
Tba.
Tpt. in Bb
f
( ff )
4
Euph. 2
sub. p
( ff )
sub. p
(1.)
Euph. 1
B.Tbn.
1 2
1 2
Tpt. in C
Tbn.
sub. p
( ff )
2 4
( ff )
Ten. Sax.
sub. p
Sop. Sax.
E. H.
24 (a2)
173
1 Picc. 2
Fl.
(a2)
Ob.
1 2
E. H.
Cl. in Eb
(a2)
Cl. 1 in Bb 2 Cl.
3 4 5
(a3)
B. Cl. Bsn.
1 2
(a2)
Alto Sax.
Ten. Sax.
1 Bari. Sax.
2
2 4
1 2
B.Tbn.
Euph. 1
Euph. 2
Tba.
( ff )
(a2)
1
4
Hp.
Pno.
Cb.
1.
1.
( ff )
( ff )
(p)
p
gl.
p
pp
f
f
f
f
f
( ff )
f
3
(Large Tam-Tam)
gl.
a2
(Small Peking Opera Cymbals)
2 Perc.
p
f
a2
Tom-Toms) (Chinese
(p)
f
f
Timp.
( ff )
1.
( ff )
( ff )
(1.)
( ff )
( ff )
3
( ff )
Tpt. in Bb
1 2
1 3
Tpt. in C
( ff )
Tbn.
Hn. in F
Sop. Sax.
Cbn.
Picc.
1 2
(1.)
3 4 5
Cbn.
Sop. Sax.
Ten. Sax.
Hn. in F
1 3
2 4
Tpt. in C Tpt. in Bb
Tbn.
1 2
3
1 2
Euph. 1
Euph. 2
Timp. 1
Perc.
4 Hp.
Pno.
Cb.
f
p
mf
p
gl.
pp
pp
p
p
dim.
p
dim.
pp
p
f
p
f
pp
p
pp
f
ff
5.
p
f
ff
ff
mf
ff
a2
gl.
pp
ff
p
mf
f
(a2)
mf
(a2)
f
ff
mf
mf
p
p
f
(1.)
mf
(a2)
mf
f
mf
2
3
25
a2
dim.
B.Tbn.
Tba.
f
2
mf
a2 3.4.,
Alto Sax.
1 Bari. Sax.
f
(a2)
Bsn.
Cl. 1 in Bb 2
1 2
f
B. Cl.
(1.)
Cl. in Eb
f
E. H.
Cl.
f
1 2
(1.)
Fl.
Ob.
179
26 Picc.
1 2
Fl.
185 (a2) (a2)
Ob.
1 2
E. H.
Cl. in Eb
Cl. 1 in Bb 2
3 4 5
Cl.
B. Cl.
Bsn.
1 2
Cbn.
Alto Sax.
Ten. Sax.
3
4
mp
(a2)
f
f
f
f
f
mf
mf
mf
mf
mf
mf
( p)
mp
( p)
mp
p
p
mp
mp
4
4
4
mf
gl.
gl.
mf
mf
mf
4
mp
Perc.
2
1
Cb.
Pno.
3
Timp.
Tpt. in Bb
(a2)
(1.)
Tba.
( ff )
Euph. 2
1 2
Hp.
(a2)
Euph. 1
a2
( ff )
( ff )
2 4
B.Tbn.
( ff )
1 2
1 3
Tpt. in C
Tbn.
2
(a2)
Hn. in F
1 Bari. Sax.
Sop. Sax.
( ff )
gl.
gl.
Picc.
1 2
190 (a2)
Fl.
Ob.
(a2)
1 2
E. H.
Cl. in Eb
Cl. 1 in Bb 2
Cl.
3 4 5
B. Cl.
Bsn.
1 2
(a2)
3.
Alto Sax.
Ten. Sax.
2
Hn. in F
1 3
Tpt. in C
1 2
Tpt. in Bb
3
1 Tbn. 2
B.Tbn.
Euph. 1
Euph. 2
Tba.
1
2 Perc.
3
4
Pno.
Cb.
p
p
p
(1.)
p
(a2)
mf
pp
(Small Peking Opera Gong)
pp
(f)
a3.
(f)
(f)
(f)
f
f
f
f
gl.
gl.
mf
mf
mf
p
p
p
(f)
( pp )
(f)
mf
( pp )
(Small Peking Opera Cymbals)
pp
p
(Chinese Tom-Toms)
p
p
p
p
(a2)
Timp.
Hp.
(a2)
2 4
(a2)
(f)
(f)
(f)
1 Bari. Sax.
Sop. Sax.
Cbn.
27
28
195 (a2)
fff
1 Picc. 2
Fl.
(a2)
Ob.
1 2
E. H.
Cl. in Eb
Cl. 1 in Bb 2
3 4 5
Cl.
1 2
(a2)
1 3
2 4
(f)
(gl.)
Euph. 1
Euph. 2
gl.
gl.
gl.
gl.
2 Perc.
f
ff
fff
4
fff
fff
fff
f
mf
mf
mp
( ff )
mf
ff
ff
pp
mp
fff
4
ff
mp
ff
4
(f)
4
(f)
(f)
(f)
f
(f)
(Small Peking Opera Gong)
3
fff
(Chinese Tom-Toms)
(Small Peking Opera Cymbals)
Cb.
(f)
f
Timp.
f
Pno.
fff
(f)
(a2)
( ff )
f
B.Tbn.
Hp.
(gl.)
(a2)
(a2)
( ff )
(1.)
4
( ff )
(a2)
1 Tbn. 2
3
2
1 2
( ff )
1 Bari. Sax.
Ten. Sax.
1
Alto Sax.
Tba.
Tpt. in Bb
(a3)
Sop. Sax.
Tpt. in C
fff
(a2)
Cbn.
Hn. in F
fff
B. Cl.
Bsn.
fff
f
fff
f
Db C B Eb Fb G# A
1 Picc. 2
(a2)
fltg.
(a2)
1 2
fff
fltg.
Cl. in Eb
(a2)
Cl. 1 in Bb 2
3 4 5
Cl.
B. Cl. Bsn.
1 2
fltg.
Hp.
Pno.
Cb.
fff
fltg.
a2
fff
gl.
3
3
3
gl.
3
3
ff
3
3
3
ff
f
4
Wind Gong
Rachet
(f)
3
gl. 3
3
(f)
D Cb B Eb F G Ab
fff
/ 0
ff
gl. 3
( fff )
p
ff
3
3
( fff )
ff
ff
f
Peking Opera Gong
ff
ff
p
p
ff
3
Medium Peking Opera Cymbals
3
f
ff
fltg.
fff
(a2)
ff
(Large Bass Drum)
4
fff
3
fff
2
Perc.
Euph. 2
1
Euph. 1
Timp.
(1.)
fff
fff
Tba.
fff
B.Tbn.
fff
(a2)
1 Tbn. 2
(a2)
3
Tpt. in Bb
1 2
1 Bari. Sax.
Tpt. in C
fff
2 4
Hn. in F
29
Ten. Sax.
fltg.
1 3
fff
Alto Sax.
2
fff
fltg.
Sop. Sax. Cbn.
fff
E. H.
fff
fltg.
Fl.
Ob.
q = 54
200
30
Fl. Ob.
(a2)
205
1 Picc. 2
1 2
E. H.
Cl. in Eb
(a2)
(a2) (fltg.)
ffff
q = 160
ff
( fff )
ff
3 4 5
( fff )
ff
B. Cl.
3, 4,
ff
ff
Sop. Sax.
Alto Sax.
Ten. Sax.
1
2
Bsn.
Cbn.
Bari. Sax.
Hn. in F
1 3
2 4 Tpt. in C
1 2 3
1 Tbn. 2
Tpt. in Bb
B.Tbn.
(a2)
gl.
3
3
gl.
3
3
ff
gl.
fp
fp
ffff
f
fp
1
Cb.
fp
fp
mf
To Small Peking Opera Cymbals
3
f
Small Peking Opera Cymbals
(Rachet)
To Small Peking Opera Gong
Chinese Tom-Tom
mf
Small Peking Opera Gong
3
3
3
3
mf
fff
f
fp
fp
f
fp
fp
fp
fp
fp
f
fp
f
fp
f
f
f
fp
fp
fp
fp
fp
fp
f
ff
pizz. ff
f
ff
f
fp
3
Pno.
fp
2
Hp.
Perc.
4
ff
fp
fp
Timp.
f
ffff
Euph. 2
ff
fp
f
3
( ff )
fp
f
3
a3
Euph. 1
Tba.
fp
f
ffff
ffff
gl.
ff
fp
ffff
fp
ff
a2
fp
ff
ff
a2
(fltg.)
(a2) (fltg.)
ff
1 2
ff
( fff )
Cl. 1 in Bb 2
Cl.
( fff )
(fltg.)
ffff
31 Picc.
1 2
213
Fl. Ob.
1 2
E. H.
Cl. in Eb
3 4 5
B. Cl.
Bsn.
Cl. 1 in Bb 2
Cl.
1 2
Cbn.
(a3)
Sop. Sax.
Alto Sax.
1. ff
Ten. Sax.
2
1 Bari. Sax.
1 3
Tbn.
1 2
Tpt. in Bb
(a2)
Tpt. in C
2 4
3
1 2
f
f
f
f
f
Euph. 1
Euph. 2
Tba.
Timp. 1
Cb.
f
f
fp
fp
fp
f
( ff ) ( ff )
( ff )
( ff )
( ff )
f
f
f
( ff )
( ff )
f
fp
fp
( ff )
fp
( ff )
( ff )
fp
fp
fp
fp
1. ff ff
f
fp
f
fp
fp
fp
fp
f
(Small Peking Opera Gong)
Pno.
3
(Small Peking Opera Cymbals)
Hp.
4
2 Perc.
(Chinese Tom-Tom)
B.Tbn.
(a2)
Hn. in F
ff
( ff )
32
Picc.
223 (a2)
1 2
Fl.
Ob.
1 2
E. H.
Cl. in Eb
Cl. 1 in Bb 2
3 4 5
Cl.
(a3)
a2
( ff )
( ff )
( ff )
( ff )
( ff )
ff
3, 4, a2
fff
ff
5,
Sop. Sax.
Bsn.
1 2
Cbn.
1 2
Hn. in F
1 2
Tpt. in Bb
fp
fp
fp
3
1 2
Euph. 2
Tba.
Timp.
1
fp
fff
2
4
f
f
( mf )
f
fff
fff
fff
fp
fp
ff
ff
ff
ff
ff
ff
fff
ff
ff
ff
ff
f
f
fff
fp
fp
fp
fp
fp
f
f
f
f f
p
(f)
fp
fp
fp
fp
fp
f
f
f
ff
f
f
fff
a2
ff
f
ff
ff
ff
f
a2
fp
( ff )
fp
ff
fff
fp
( ff )
fff
( mf )
fff
ff
mp (p) ff ff ff
f
fff
ff
ff a2 ff
fff
(Small Peking Opera Gong)
f
(Small Peking Opera Cymbals)
( mf )
3
ff
Tom-Tom) (Chinese
Perc.
ff
Euph. 1
Cb.
(a2)
ff
fff
Pno.
ff
fff
fp
B.Tbn.
Hp.
(a2)
Tpt. in C
Tbn.
ff
2 4
fff
ff
fff
Ten. Sax.
1 3
fff
fff
Alto Sax.
Bari. Sax.
fff
B. Cl.
33
E. H.
Cl. in Eb
Cl. 1 in Bb 2
3 4 5
Sop. Sax.
Alto Sax.
1 2
Cbn.
Ten. Sax.
1 Bari. Sax. 2
Hn. in F
1 3
Tpt. in C
1 2
Tpt. in Bb
Tbn.
3
B.Tbn.
Euph. 1
Euph. 2
Tba.
Timp.
1
2 Perc.
4
ff
fp
fp
fp
fp
fp
fp
fp
f
fp
f
f
fp
f
fp
f
fp
mf
f
f
f
f
f
fp
( mf )
ff
( mp )
ff
fp
(Small Peking Opera Gong)
fp
fp
(Small Peking Opera Cymbals)
(Chinese Tom-Tom)
f
f
f
a2
f
fp
f
fp
Cb.
fp
Pno.
3
fp
Hp.
(a2)
fp
1 2
2 4
(a2)
Bsn.
B. Cl.
a2
Cl.
1 2
Ob.
Fl.
234
1 Picc. 2
f
(f)
34
E. H.
Cl. in Eb
Cl. 1 in Bb 2
3 4 5
Cl.
Bsn.
Cbn.
Ten. Sax.
1 Bari. Sax.
Hn. in F
1 3
2 4 Tpt. in C
1 2
Tpt. in Bb Tbn.
3
1 2
Euph. 2
ff
( ff )
ffp
ffp
ff
(f)
(Small Peking Opera Gong)
open slap-tongue
ffp
ffp
fff
fff
fff
gl. ff
ff gl. ff
ffp
gl.
ffp
gl. ff
ffp
gl.
fff
ff
fff
( ff )
fff
L. B. D.
fff
fff
fff
( ff )
fff
fff
(f)
fff ( ff ) fff ( ff )
ffp
ffp
ffp
ffp
fff
ffp
fff
ffp
fff
ffp
ffp
ffp
fff
fff
fff
ffp
ffp
ffp
ffp
ffp
ffp
ffp
ffp
ffp
ffp
ffp
ffp
fff
fff
fff fff
ffp
ffp
ffp
ffp
fff
(f)
ff
ff
ff
ff
( ff )
( ff )
ffp
( ff )
ffp
( ff ) ( ff )
(Small Peking Opera Cymbals)
( ff )
(Chinese Tom-Tom)
( ff )
( ff )
( ff )
( ff )
ffp
ff
( ff )
ff
ff
ffp
ff
Cb.
ffp
Pno.
( ff )
ff
( ff ) ( ff )
( ff )
ffp
( ff )
3
Hp.
2 Perc.
4
( ff )
Timp.
ffp
Euph. 1
1
ffp
B.Tbn.
Tba.
Alto Sax.
2
Sop. Sax.
1 2
B. Cl.
( ff )
fff
fff
1 2
Fl.
Ob.
1 2
Picc.
240
fff
div. arco
fff