Page 1

Danny Elfman

SERENADA SCHIZOPHRANA for Choir and Orchestra

from the G. Schirmer Rental Library date of printing ___________

Associated Music Publishers, Inc. New York, NY


Danny Elfman

SERENADA SCHIZOPHRANA for Choir and Orchestra

The text for movement V is by Danny Elfman and Claudia Brant

duration ca. 42'

Associated Music Publishers, Inc. New York, NY


1

Flute

Flutes

Oboes

Cor Anglais

Clarinets in Bb

Clarinet in Bb Bass Clarinet in Bb Alto Saxophone

Bassoon

Contrabassoon

Horns in F

    

Serenada Schizophrana I "Pianos"

q= 145bpm

2 4

2

  

4 4

Danny Elfman

orch. S Bartek

3

4

  

   



 

Trumpets in Bb

alto played by clari 3

Trombones

Bass Trombone

Tuba

Timpani Percussion 1 Piatti Snare Drum Picc Wood Block Percussion 2 sus cymbal Perxussion 2 Tambourine Percussion 2 Vibraphone Percussion 3 Xylophone Percussion 4 Glockenspiel Percussion 5 Tubular Bells

Keys 1 Piano

Keys 2 Piano

Keys 3 Synthesizer

Harp 1

  

Violin II

Viola

Violoncello

Double Bass

 

      

 

pp



electric guitar harmonic sounding at pitch

2 4

  



 

p RH



 



 simile  

 

simile



  









accoustic guitar harmonics sounding at pitch



4 4

 pizz no fingernail

 

 



 







 





pp

 

3 

pp

pizz no fingernail

 

 pizz no fingernail

pp

 

pp

 

 

 









 

pizz no fingernail

 



2

 

slight accents bring out slurred phrases

q= 145bpm

 

 

  

pp LH

P001 Mvmt1 Keys 3

       

 

4 4

1

Violin I

2 4

4

 

 

   

   

Copyright (c) 2005 by Associated Music Publishers, Inc. (BMI) and G. Schirmer, Inc. (ASCAP) New York, NY International Copyright Secured. All Rights Reserved. Warning: Unauthorized reproduction of this publication is prohibited by Federal law and subject to criminal prosecution.

    

 

   

 

 


Serenada Schizophrana I

2

PART 1 5

Fl.

 

6



7

8

Tbn.

B. Tbn.

Fl.

Ob.

C. A.

Cl.

     

Cl.

B. Cl.

Bsn.

Cbsn.

   

  Hns.

Tpts.

Tba.

Timp.

Keys 1 Pno.

 

Keys3 Synth.

Hp.

 

 



 

 

 

 

 

Vln. II

Vla.

Vc.

Db.

 

 

 





 

 

 



 

 

 

 

 



 

  

     



 



  

 



 



 

 

  

 

 



 

 

ad lib simile

 

 

 

 



 

 



 

 

  

PART 1 5

Vln. I

 

w/pedal

 

  

(bring out as melody) p

   

Keys 2 Pno.

     

       

 

 

 

  

  

 

 

 

 

6 

 

  

 

 

 

 

 

  

 

 

 

7  

 

 

 

 

 

8

 

 

 

 

 

 

 

 


Serenada Schizophrana I

9

Fl.

Fl.

 



 

10

5 4

11

4 4

 

3

12

1.



 poco

mp

Tbn.

B. Tbn.

Ob.

C. A.

Cl.

   

Cl.

B. Cl.

Bsn.

Cbsn.

   

  Hns.

Tpts.

Tba.

Timp.

Keys 1 Pno.

  

  

Keys 2 Pno.

Keys3 Synth.

Hp.

Vln. II

Vla.

Vc.

Db.

 

 

   

   

 



 



    



 

  



  

  

very slight accent

  

  

 

 

 





 

    

 

4 4

 

 

very slight accent

   

 

 

   

   

  

 

 



   

   

 

 



   

    





 



 



    



  

 

 

 



9

Vln. I

5 4

  

             

 

  

 

10

5 4

  

  

 

 

 

 

11

4 4

 

 

 

 

  

 

 

 

 

 

 

 

 

12

  

 

 

 

 

 

 


Serenada Schizophrana I

4

13

Fl.

Fl.

Ob.

C. A.

Cl.

  



mp

   

  

14

1.

15



16





mp

poco

poco



 

p

1.

mp

p

Tbn.

B. Tbn.

Cl.

B. Cl.

Bsn.

Cbsn.

   

  Hns.

Tpts.

Tba.

Timp.

Keys 1 Pno.

Keys 2 Pno.

Keys3 Synth.

Hp.

   

         

Vln. II

Vla.

Vc.

Db.



 



 

 

 

 

 

 



  

 

 

 

  

 

 

poco a poco crescendo

poco a poco crescendo

 

 



 

 

 

  

 

 

 



  

  



 



 

 



  

 

 

  

 

 

14

  

  

   

    

 

 

 

 

 

15  

 

 

 



 

 

  

13

Vln. I

 



poco a poco crescendo

 

 

 

 

 

 

 

  

 

 

 

  

  

  

 

 

 

 

 

16  

 

  

 

 

 

 

 

 


Serenada Schizophrana I

17

Fl.

Fl.

Ob.

C. A.

Cl.

  

18

19

   

  

 

mp

5

poco

mp

20



 



mp



 

Tbn.

B. Tbn.

B. Cl.

Bsn.

Cbsn.

 

  Hns.

Tpts.

Tba.

Timp.

Keys 1 Pno.

Keys 2 Pno.

Keys3 Synth.

Hp.

  

  

  

Vln. II

Vla.

Vc.

Db.

mp



 



 



 



 

 



 



 



 

 



 



 



 

 



 



 



 

 

 

 

 

  

 

 

 

 

  



 

 

  

 

 

 

 

  



 

 

 

   

17

Vln. I





 

mp

Cl.

mp

     

      

 

  

  

 

 

 

  

 

 

 

18

19 

 

 

  

  

 

 

 

 

 

 

20  

 

 

 

  

 


Serenada Schizophrana I

6

21

Fl.

Fl.

Ob.

C. A.

Cl.

  

Bsn.

mp

 

22



 

 

mp

1. only

 

mp

23

2 4

 

 

 1. mp

 

 

 

4 4



 





3.Bb Clari

poco





 

p

p

Tbn.

B. Tbn.

Hns.

Tpts.

Tba.

Timp.

Keys 1 Pno.

Keys 2 Pno.

Keys3 Synth.

Hp.

Vln. II

Vla.

Vc.

Db.

  

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

  

 



  

 



  

 



 



  

 



 



4 4

   mp

 

 

 

subito pp

 

 

 

 

 

 

 

 

  

 



  

 



 

  

21

Vln. I

2 4

 



Cbsn.

mp



 

24

 





poco



 





 

Cl.

B. Cl.

 

 

      

 

22

  

 

 

 

 

 

23

2 4

 

24

4 4

 

 


Serenada Schizophrana I

25

Fl.

Fl.

Ob.

C. A.

Cl.

   



Bsn.

 

1. 2.

 



mp

  



mp

  

  

  

  

28

poco a poco cresc.



     

poco a poco cresc.

      



mp

poco a poco cresc.

  

     



 



poco a poco cresc.

 poco a poco cresc.

    

         

  

      

poco a poco cresc.

Tbn.

B. Tbn.

Hns.

 

Tpts.

Tba.

Timp.

Keys 1 Pno.

Keys 2 Pno.

Keys3 Synth.

Hp.

mp subito pp

Vln. II

Vla.

Vc.

Db.

mp

               

 

 

  

               

                                     

                       

                                

m,p

simile

 



      poco a poco cresc.                                 

med hard wood mallet

 

 

  



 



                   

 

 

    

26

6 4

     

 

            

mp

mp

 mp

                

   

 

 

27

                             

   

 

 

 



                    

  

 

 

25

Vln. I

6 4

            

 

             

Cbsn.

              

      



         

     

    

poco a poco cresc.

1.2.

  

poco a poco cresc.

 

               

           



      

           

     



    

 



     

    

  

27

            

      

  

6 4

3.

  

Cl.

B. Cl.



26

   

7

28

                             

   

 

 


Serenada Schizophrana I

8

PART 2 30                   

29

Fl.

Fl.

Ob.

C. A.

Cl.

 

B. Cl.

Bsn.

Cbsn.

           

  



 

1.2.3.

B. Tbn.

Tba.

Timp.

Keys 1 Pno.

Keys 2 Pno.

Keys3 Synth.

Hp.

1.2.

Vln. II

Vla.

Vc.

Db.

 

 

 

f

 

f

         

f

f

 

 

to Bass Clarinet

 

mf



pp



mf



mf



pp

f



mf



mp

mf

                               

 

  

 

  

 

 

simile

 

 

     mfp                                   

4 4



                   

 

 





             

 



solo

mf

  

mp

 

   

  

       martellato                                   

mf

mp

   

mf

     

  

mp

mf

electric guitar harmonics

  

 

  

 

PART 2 29

Vln. I



Tpts.

 

32

f



pp

 





f

 

pp 4.5.6.

4 4

 

 

 

31

f

 

            

   



   

     

             

 

Tbn.

  





       

              

Hns.

       

           

 

       

           



Cl.

             

     

  

30

                             

   

 

mf

        

 

mf

        

 

   

   



  mf

mf

  f

  f

  f

31

4 4

  

mf

mf

   

col legno

 

mf

 

 

 

 

32

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

mf


Serenada Schizophrana I

33

34

9

35

36

 



Tbn.

B. Tbn.

Fl.

Fl.

Ob.

C. A.

Cl.

     

Cl.

B. Cl.

Bsn.

Cbsn.

   

  Hns.

Tpts.

Tba.

Timp.

Keys 1 Pno.

Keys 2 Pno.

Keys3 Synth.

Hp.

 

Vln. II

Vla.

Vc.

Db.



 



 

 

 

 

 

 

                               

  

 

 

 

 

 

          

 

 

 

 

 

 

 

 

 

 

 

 

34

35

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

                               

  

33

Vln. I



 

 

 

 

 

 

 

36

 

 

 

 

 

 

 

 

 

 

 

 

 


Serenada Schizophrana I

10

37

Fl.

Fl.

Ob.

C. A.

Cl.

Cl.

B. Cl.

Bsn.

Cbsn.

 



 

   

   

 

Hns.

Tba.

Timp.

Keys 1 Pno.

Keys 2 Pno. Keys3 Synth.

Hp.

Vln. I

Vln. II

Vln. II

Vla.

Vla.

Vc.

Db.

1 open, 3,5 muted

p

 

 

2 4

 

p

p

4 4



 

       

 

mp

1.

 

 

                

p

2 open, 4,6 muted

   

 slight accent



 mp

slight accent





mp

 

  p mp 

 

 

 

poco



 

mp

pp

 

 

pp

  

 

  

 

       

3a

  

 

 

 

 

        

 

p



1.



40

37

Vln. I

3a

4 4

B. Tbn.

2 4

39

Tpts.

Tbn.

38

 

   

       

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

38

2 4

 

 

 

 

 

 

 

 

divisi

   

4 4

 

39

divisi Arco

       

f Arco

divisi Arco

 

       f              

f

divisi Arco

divisi Arco

  

     

divisi Arco

 

f

f

 

      

 

40

                   

     

 

              

                                     

f

f

 

       

 

 

 

       

 

 

  

   

    

 

            

 


Serenada Schizophrana I

41

Fl.

Fl.

Ob.

 



  

42

Cl.

   

Cl.

B. Cl.

Bsn.

Cbsn.

   

 

Tpts.

Tbn.



Tba.

Timp.

Keys 1 Pno.

Keys3 Synth.

Hp.

 

Vln. I

Vln. II

Vln. II

Vla.

Vla.

Vc.

Db.



   p

mp



 

poco

 p

 mp

slight accent





mp

 



p

pp

 slight accent 

mp

 

mp

  p

 

 

poco

 

 

 

 

 

 

 

 

 

 

            

  

      

      

                   

         



pp

41

Vln. I

 

  p

mp

slight accent

pp

p

B. Tbn.

p

mp

  p

  slight accent  

pp

Hns.

 

44



p

mp

C. A.

43

11

   

   

  

    

                

      

42

 

 

  

 

    

      

      

                   

  

        

    

                  

      

 

 

 

 

  

43

        

      

    

 

              

  

 

 

    

      

    

   

    

 

     

      

 

 

 

 

 

  

  

   

 

 

             

    

                                     

     

44

       

   

 

 


Serenada Schizophrana I

12

46

45

Fl.

Fl.

Ob. C. A. Cl.

Cl. B. Cl.

Bsn.

Cbsn.

Hns.

 



     

Timp. Perc. 1 Piatti / sus Snr Picc WB Perc 3 Xyl. Perc 4 Glock. Perc 5 Tub. B.

Keys 1 Pno.

Keys 2 Pno.

Keys3 Synth.

Hp.

mp

mp

 

mp

 

mp

 



  

    

pp

3 mp

 

       

3

marcato marcato

Db.

6 4

 

p

mf

mfp

mf

    

3. bass 4. contra bass

f

       

mf

    

mf

div.

 

6 4

mf

             

 

 

f

p

          

mf

  

  

         

 

ss.

gli

 

 

f

f

 

          

Arco Marcato

Arco Marcato

mf

mf

         

      mfp     mfp

   

2.

mfp

mf

mfp

 

 

 

mf

       4.  2.   6.     mp      mp 

 

mfp



1. 5. 3.

mfp

  

mfp

1.3.5.

2.4.6.

    

  

mf

 

p

    

     

     

   

  

   

        mf

  

     

   

   1.mf  

                  

   

  

  



   

   

 



  

     

 

  

glis

s.





48

                          

mfp

    

Back 2 stands only         



                

First Vlns Lead ensemble

f

   poco     poco    mf      mf    

PART 3b 

LMLOLMLM

  

    

  

cue col piano 1

   

mf



mf

    

    

  

  

mf



   

mfp

 

                       

    3  3       

                 mp        mp 

f

     

  

 mf   

33

          33      

mfp

1.2.

mf

TUTTI                                           



mf

                                       

                                         

47

        

 

46

         

   1.     2.       

  mf    mf      mf

33

3

mf

     

mp

TUTTI

Vc.

 

mf

div.

Vla.

mf

 

mf

TUTTI

Vln. II

mf

     

45

Vln. I



  open mfp   mfp a2    

          

   mf    mf  

open



pp



      



                



mf

     

 

p

  

48

mf





         

 

B. Tbn.

pp

Tbn.

 

mp 1. 2.

6 4







    

mp



  

   

  

Tpts.

Tba.

mp



Piccolo

PART 3b

47   

           

   

  



 

    

 

     

gliss.

  

 

 

           

 

 

 

       

  

loco

  

      


Serenada Schizophrana I

49

Fl.

Fl.

Ob.

C. A.

Cl. Cl. B. Cl.

Bsn. Cbsn.

Hns.

    mf        mf       mf     mf  

       

             

Tbn. B. Tbn.

Tba.

Timp. Perc. 1 Piatti / sus Snr Picc WB Perc 3 Xyl. Perc 4 Glock. Perc 5 Tub. B.

Keys 1 Pno.

Keys 2 Pno.

Keys3 Synth.

Hp.

Vln. I

Vln. II

Vln. II

Vla.

Vc.

Db.

3

      

 

3

3

 3     

 

1.

        mf      mfp      mfp           mfp  

 



 



        

mf

mf

  

   mp     mp   

mfp

 mfp  

mp

     mp

 

mf



mf



mf

      

 

       s.

glis

                         

 

   

 

mfp

 

mfp



mfp

mfp



       

mf

 

           

             

     

               

      

        3  3  3   3            3 3                 mf         mf 33

  

 

Bass Clarinet



 

mf

mfp

 mfp     mf    

mf

                      

3

3

                     mf   f           f  mf 

f rip

        





      

      

 

mf

    

         f

                 

   

 



 





  

             

     

             

     

 gli s   s.   Dnat 

50

  

   

  

s.

glis

      

 

 

       

   

                 

Db

51    

       

 

   

gliss.

           

                    

  Dnat

f end cue

   

. gliss

gliss.

    

gliss.

 

  

               

f



f

 mf 

   

 2.3.                     mf  33           

 

 

mfp

     52      33   33         

PART 4a

gliss.

  mf      mf     mf  

       f mfp   rip                f mfp mf                       mf mp mf mfp                                                   mf mp         mp mf mf                    f mf mfp mf                       f mfp mf mf                       f mfp mf  mf                                   mf p mf                                                                                                                                                

  

 

            

            2.                    1.   5. 1.3.5.   mp 3. mf     2.      6.   2.4.6.  4. mf  mp            

                

  

 

                1. 

    p                                                                     

 

            

mf

49

Vln. I

           33

 

    2.  mf mfp      mfp        mf      mf     

 

               

  

mf

Tpts.

50

    

51

13

PART 4a                    

 

       

   

 

            

               

          

 

     fff      fff    

unis.

              

f

    

                     fff f                      melodic              fff



fff

52

f

           

melodic

f


Serenada Schizophrana I

14

53

54

55

56

 

 



                  

                 

                 

                 

                       

                      

                      

                      



 

Tbn.

B. Tbn.

Fl.

Fl.

Ob.

C. A.

Cl.

                      

Cl.

B. Cl.

Bsn.

Cbsn.

Flute

 

                 

mf

                        mf

                 

                       

                 

                       

Hns.

Tpts.

Tba.

Timp.

Keys 1 Pno.

Hp.

 

53

Vln. I

Vln. II

Vln. II

Vla.

Vc.

Db.

                                                             

                                  

54







           

55



              

56



              

                     

                     

                

            

            

             

            

            

             


Serenada Schizophrana I

57

Fl.

Fl.

Ob.

C. A.

Cl.

Cl.

B. Cl.

Bsn. Cbsn.

Hns.

                   

58

                  f

                                 



                    f

          f           f          f            f         



f

   

Articulated Marcato 5.6.

Str Mutes

mp

 

Tpts.

 

Tba.

Timp.

Perc 3 Xyl.

Perc 4 Glock. Perc 5 Tub. B.

Keys 1 Pno.

Hp.

  

mp

 

mf

    

             2.3.        

       

                                                               

                          

     

                 

f

f

               

     p

f

                      

 

                 

 

             

58

           

mf

59

           

                 

                 

marcato                                       poco

                 

                  

           

                

                   

   

   

melodic

f

div.

           

marcato

4b

60

div.

                  

 

poco

Db.

div.

Vc.

poco

Vla.

f

   f    f    



   

1.3.5.                   f  2.4.6.                 



           

    

poco

Vln. II

                        

                

   



                     f

         

60



57

Vln. I

1.2.     



                          mf   

 

                                     

 

4b



mp

B. Tbn.

       



Str Mutes

mp

Tbn.

       

            mf          3.5.    4.6.   mf 

 

             

                                       

Articulated Marcato 1.3. 2.4

                                      

                 

          

1.2..

                                          

59

15

                 

           

       

           

   

                                   

unis.

              

marcato

                 


Serenada Schizophrana I

16

61

Fl.

Fl.

Ob.

C. A.

Cl.

Cl.

B. Cl.

Bsn.

Cbsn.

           

      

                 

62

              

                                                          

                 

        

             

    

                                                           

        

             

    

                      

 

Hns.

           

63

       

   

      

                 

                                                            

  

               

    

        

                                     

Tbn.

B. Tbn.

                 

Perc 4 Glock. Perc 5 Tub. B.

Keys 1 Pno.

Hp.

 

mp Snare Drum

 med mallet     

 

mp

Vln. I

Vln. II

Vln. II

Vla.

Vc.

Db.

     mp          mp

poco

 

 

                       

 

poco

        

  poco

mp

 

poco a poco cresendo

 

      mp

       

mp

poco

 poco

poco

        

 

           



             

                                   

          

                        

62

                 

           

                 

                                  

61

Vln. I

 

                      

Perc. 1 Piatti / sus Snr Picc WB

 

to Eb Clari

Timp.

                                         

                 

Tba.

Tpts.

             

    

64

       

       

       

63

                 

           

       

           

   

64 

                               

        

             

    

                       

                       

                      

           

           

           

             

               

           

             

               

                

                

                

              


Serenada Schizophrana I

66

65

Fl.

Fl.

Ob.

C. A.

Cl. Cl.

B. Cl. Bsn.

Cbsn.

Hns.

 

        

B. Tbn.

Timp.

Perc 4 Glock. Perc 5 Tub. B.

Keys 1 Pno.

Keys 2 Pno.

Hp.

Vln. I Vln. I

Vln. II

Vln. II Vla.

Vc.

Db.

                                               

 

   

 

mp

 

poco a poco cresendo

  

 

 

 

65 

            

 

            

 

               

66  

           

f

f

 

  

    ff    ff     1.3.   5.   4.6.    2.   mf

f

  

  

 

  

  

   

   

ff

ff

 ff

 

 

  

     

     

      

 

 

 

 

 

    

   

s. glis

         

 

  ff       

ff

         

68

           

  

3

              mf                   

mute w/hand

MMMOLNLL

3     

 

   

piccolo trumpet

  

f

3

        

 

     

 

 

 

       3

  

 

gliss.



 





 



         

         



 

    

  

ff

           

                             

           

               

                 

                 

     

67

tutti

     ff

f

ff

f

     

3          

fp

 

     

 

              

      

ff

 fp      



          33   

fp

           

 

       

     

fff

  



3                  3 fff 3                  fff 3            Eb clari      ffff 3              ffff   3 to Bb Clari     

       

  

             

  

piccolo

                                                

                

                        

           

poco a poco cresendo

                         

                                         

68

         

                                    

Tbn.

Perc 3 Xyl.

                 

          

Perc 2 Tamb.

           

                        

Tpts.

Perc. 1 Piatti / sus Snr Picc WB

    

Tba.

                                                                                        

67

17

       

               

                 

                            

                  

  

unis.

ff

  ff div.    ff                     ff div.                    

ff

ff

              

   

    

   

 

         

 

 


Serenada Schizophrana I

18

69 

Fl.

Fl.

Ob.

C. A.

Cl.

Cl.

B. Cl.

Bsn.

Cbsn.

Hns.

       

         

      

 

Perc 2 Tamb. Perc 3 Xyl. Perc 4 Glock. Perc 5 Tub. B.

Keys 1 Pno.

Keys 2 Pno.

Hp.



 

      

  

 

Vln. II

Vla.

Vla.

Vc.

Vc.

Db.

s. glis

    ff      

ff

   

   

 

 

  f    

  

  

  

  

  

  

f

 

            

    gl   iss.  

  

mf

 

 

          gliss.  

mf

mf mf

  

 

                         

         

mp

mf

3

4c

         

        

  

               

  

   

ff

 

  

   



 

 

    



ff

        

     

  

   ff

 



         

gliss.

 

      cymbal   sus                 

69

Vln. I

  

fp

 

 

    

    mf                   

       

2.4.6

 

fp

fp

 

 

    

  

72

71 

      

 1.3.5.      

B. Tbn.

    



 

Tbn.

Perc. 1 Piatti / sus Snr Picc WB



Tpts.

Timp.

  

          

Tba.

4c

70

    

    

  

    

      

    

     

  

  

  

  

   

        

 

        

70       

 

 

 

 

71

72

  

  

    

   

      

tutti                             

           f             

f tutti

     

                    

f

                       

                    

f

     

  

        

    

  

    

  



    


Serenada Schizophrana I

73

Fl.

Fl.

Ob.

C. A.

Cl.

Cl.

B. Cl.

Bsn.

Cbsn.

Hns.

     

74      

           

     

  

      

    

  

   



   

 

  

  

 

75 

   

poco a poco crescendo

   

   

   

poco a poco crescendo

mp

mp

 

Tbn.

simile

1.4. p

3.6. p

 

 

  

 

 

       

   

Hp.

Vln. II

Vla.

Vla.

Vc.

Vc.

Db.

   

w/soft mallets

 

mf

   

   





mp

mp





poco

 mf

poco a poco cresendo

       mp   mp 

                             mfp            mfp   

sus cymbal

  

 

 

       

        

         

    

        

       

       

      

    

                  

    

          

   

   

     



   

Divisi





 

   

   





76 

 



   





 

   

        

   

       

        

                

   

   

    

    

         

          

                    

    

       

    Divisi        



        

   

tutti

           

                      

       

                                                                                                       

               tutti

75 

 

     



74

    mf           mfp

  

 

       mfp       

mp

mf

                       

mp

mp

 

    

mp

poco

mp

 

 

  

           

   

 

mp



  

p

 

73 

Vln. I

           



 

           

 

        

Keys 1 Pno.

 

mf

Perc 5 Tub. B.

 

mp

                     

mp

mf

   

Perc 4 Glock.

mf

 

mp

Tba.

Perc. 2 Sus Cymb

Timp.

            poco a poco cresenco 2.5.    

 

   

 

mp

mf

 

B. Tbn.



mf

                       

 

p

mf

mf



   

Tpts.

Clar.

poco a poco crescendo

piccolo trumpet

76

poco a poco crescendo

 

mp

19

   


Serenada Schizophrana I

20

Fl.

Fl.

Ob.

C. A.

Cl.

Cl. B. Cl. Bsn.

Cbsn.

Hns.

         

B. Tbn.

Perc 3 Xyl. Perc 4 Glock. Perc 5 Tub. B.

Keys 1 Pno.

Hp.

Vln. I Vln. II

Vla.

Vc.

Db.

  

   

  

  

   

 

   

  

mf

 ff

ff

mf

ff

ff



  

ff

     

ff

mf

mp

       

   

 

 p

mp

p

 

          

  

 

   

 

  

  

  

 

      

  

  

  

 

      

  

  

  

 

      

   

   

        

        

        



     

   

  



   

  



f



f

 

mf

    mp    

   

   

  



   

        

 

 

 

               

                

                                                                                     mf

   

   

 

        

   

   

 

        

 

  

 

                

 

 

   



mf

       

                    

   

              f 

4 4

   

 

80

 

 

 

                   ff     f         f      f      f     f    

4 4

  

f

       

 

  

  

   

     

        





                

    

               

 

78 

  

  ff    ff     ff

ff

      

    

  



           



    

ff

        ff             ff

      ff         ff

  

  

      

       

                    

                           

79 

  

                   

         

        

    

 

80         

        

               

   



 

             

  

      

    

   

          

   

    

    

         

 

 

             

              

4 4

          

         

  

  

    

    

    

  

                  

3 4

  

f

f

  

3 4

                                                 

f

f

              

                

            

         

 

piatti

 



          

  

  



mf

ff

      

     

 

  

  

ff

  

  

ff

mf    



  

  

                           mp  poco a poco  cresenco         mp   poco a poco  cresenco   

 

 

   

 



77 

Vln. I

   

mp

 

Tbn.

Perc. 1 Piatti / sus Snr Picc WB Perc. 2 Sus Cymb



   

   mp  mp         crescendo      crescendo        

Tpts.

Timp.

  

   

Tba.

  

79

78

77

    

  

    

3 4


Serenada Schizophrana I

21

4d 81

Fl.

  

3 4

82

83

84

 



Tbn.

B. Tbn.

Fl.

Ob.

C. A.

Cl.

Cl.

B. Cl.

Bsn.

Cbsn.

Hns.

  

 

Timp.

Keys 1 Pno.

Keys 2 Pno.

Hp.

to Bass Clarinet

 

 

Tpts.

Tba.

to Bb Clarinet

 

3 4

 

solo

 

mf

 

accompaniment

mf

   

  

          

 

  

 

          

 

 

 





 

simile ad lib

   

 



           

           

simile ad lib

4d 81

Vln. I

Vln. I

Vln. II

Vln. II

Vla.

Vla.

Vc.

Vc.

Db.

  

3 4

82

83

84



   




Serenada Schizophrana I

22

85

Fl.

 

86



87

88

Tbn.

B. Tbn.

Fl.

Ob.

C. A.

Cl.

Cl.

B. Cl.

Bsn.

Cbsn.

     

   

 

Hns.

Tpts.

Tba.

Timp.

Keys 1 Pno.

Keys 2 Pno.

Hp.

  

 

Vln. I

Vln. II

Vln. II

Vla.

Vla.

Vc.

Vc.

Db.













               

 







 



               













          



    

87

88

 



     

 



      

86

85

Vln. I


Serenada Schizophrana I

89

Fl.

 

90



91

23

92

Tbn.

B. Tbn.

Fl.

Ob.

C. A.

Cl.

     

Cl.

B. Cl.

Bsn.

Cbsn.

   

 

Hns.

Tpts.

Tba.

Timp.

Keys 1 Pno.

Keys 2 Pno.

Hp.

 

soli

Vln. I

Vln. II

Vln. II

Vla.

Vla.

Vc.

Vc.

Db.

  

    

  

 soli

    

  

        

             

     

  

         

       

   

              

           

89

Vln. I

  

90

91

92

 



     

 


Serenada Schizophrana I

24

94

93

Fl.

Fl.

Ob.

C. A.

Cl.

       

B. Cl.

Bsn.

Cbsn.

 

Timp.

Perc. 2 Sus Cymb

Perc 4 Glock.

Keys 1 Pno.

Keys 2 Pno.

Hp.

Vln. II

Vla.

Vc.

Db.

Bb CLARINET





mf



mf





mf

BASS CLARINET









1.3.5

p

     

 

mf

 

 

 

 

p

 

  mp   

             

mp

 

  

 

      

  

2.4.6.

 

     

p

 

 

 

 

  Let Ring

mf

mf

 

mp



       

 

 

  

 

 

      

           

           

           

           

93

Vln. I

Tpts.

Tba.

Hns.

B. Tbn.



Tbn.

 

Cl.

96

95

        

MARCATO      mp MARCATO

   

mp

94

95

           

          

           

          





















f

           

f

 

 mf



 mf















96

           




Serenada Schizophrana I

97

Fl.

Fl.

Ob.

C. A.

Cl.

 

B. Cl.

Bsn.

Cbsn.

      

Cl.

   

  Hns.

mf

Tba.

Timp.

Perc 4 Glock.

Keys 1 Pno.

Keys 2 Pno.

Hp.

Vln. I

Vln. II

Vln. II

Vla.

Vc.

Db.

 

     

p

  mf

 

     

p





 

  

 

 

  mf

 

 

 

mp

   

100

Tpts.

B. Tbn.

99

  

Tbn.

98

25

 

  

 



 

 

             

           

             



        

 

 

   

   

    

   

   

                   

            

  

              

   

   

97  98 99 100                                                                                                      

           

               

                        

 

                                     

                                    


Serenada Schizophrana I

26

rit.

101

Fl.

Fl.

Ob.

C. A.

Cl.

Bsn.

Cbsn.



 

     

 

Hns.

Tpts.

  

Tbn.

B. Tbn.

Timp.

Keys 1 Pno.

Keys 2 Pno.

Hp.

104



 

Tba.

103

Cl.

B. Cl.

102

 

 

     

    

    

    

    

                        

    

    

più tranquil

    

 

  3

  

 più tranquil



 



  



   

 

3

poco

 

    

 



poco

rit.

101

Vln. I

Vln. II

 

102

           

               p

             

103

104

           

           

           

           

           

           

           

           

           

           

           

p

Vla.

Vc.

Vc.

Db.

             

             

            p

p

p

           p


Serenada Schizophrana I

105

106

27

Slightly Slower q = 130

107

108

 





Tbn.

B. Tbn.

Fl.

Fl.

Ob.

C. A.

Cl.

     

Cl.

B. Cl.

Bsn.

Cbsn.

 

  Hns.

Tpts.

Tba.

Timp.

Keys 1 Pno.

Keys 2 Pno.

Hp.

  

Vln. II

Vla.

  

  

 

    

mp



 



  



   

   mp

         





   







Slightly Slower

   

106

                                          pp

q = 130

107

pp

Db.



pp

Vc.

 



105

Vln. I

5

 

    

            only slightly separated

108

           

 



ppp

ppp

only slightly separated

ppp

  

 

niente


Serenada Schizophrana I

28

109

110

111

112

 



Tbn.

B. Tbn.

           

Fl.

Fl.

Ob.

C. A.

Cl.

     

Cl.

B. Cl.

Bsn.

Cbsn.

   

  Hns.

Tpts.

Tba.

Timp.

Keys 1 Pno.

Keys 2 Pno.

 

Vln. II

Vla.

Vc.

Db.

           

solo

simile

            

           

     

 

 

 

 

  

  

110

 



109

Vln. I

    

            

Hp.

 

niente



111

112


Serenada Schizophrana I

29

PART 5a

113

Fl.

Fl.

Ob.

C. A.

Cl.

        

Cl.

B. Cl.

  

114

Slightly Slower e=q h.=86 115 (q=255 )

6 4

 

p

    

 

 1. only   p

116

 

 

    

 

 1. only  

    

to Eb Clari

   mp



  

  

  

  



  

Tbn.

B. Tbn.

Bsn.

Cbsn.

  Hns.

Tpts.

Tba.

Timp.

Keys 1 Pno.

Keys 2 Pno.

Hp.

Vln. II

Vla.

Vc.

Vc.

Db.

mp

                                              

 

113

Vln. I



     

 

6 4

f





sempre f

                   

         

sempre f

 

LNLOLNLM

 

  

  

 

  



    

 

  

  



          

simile

   

          

simile



  

  

 

 

PART 5a

114

Slightly Slower h.=86 e=q (q=255 )

115

6 4

 

Pizz mp Pizz

div.

116

Pizz mp

 



 



























mp

col legno w/ a little bow

 mp 

 



 


Serenada Schizophrana I

30

117

Fl.

Fl.

Ob.

C. A.

Cl.

Bsn.

Cbsn.

119

120



 

     

Cl.

B. Cl.

118

 

 

        

             

         

   

            

        

 

   

 

mp



    

 

 

    

 1. only 

mp

      mp  

  

   

     

  

 

   

    

 

 

       

  

   

    

     

  

Tbn.

B. Tbn.

           

           

            

             

          

           

            

Hns.

Tpts.

Tba.

Timp.

Keys 1 Pno.

Keys 2 Pno.

  



Hp.

  

Vln. I

mp

Vln. II

Vla.

Vc.

Vc.

Db.

  

      

 



      

  

117

 Pizz  

 

   

118  

 

119

 





















 



 

 







 

 

   

  

120





  

 

           









 



 









 

 




Serenada Schizophrana I

121

Fl.

Fl.

Ob.

C. A.

Cl.

       

 

Cl.

B. Cl.

Bsn.

Cbsn.

 

        

  

124

 



            

         

Hns.

123

122

31

          

   

            

          mf

mf

Tbn.

B. Tbn.

            

           

           

           

              

           

           

Tpts.

Tba.

Timp.

Keys 1 Pno.

Keys 2 Pno.

  

Hp.

Vln. II

Vln. II

Vla.

Vc.

Vc.

Db.

 

121

Vln. I



      

     

 



          

  

     

122   

  



















 



 

   

f









ARCO Marcato

f

ARCO Marcato

f



ARCO Marcato

f



ARCO Marcato

pizz.

f



f



pizz. f







      

     ARCO



Marcato ARCO

f



f

123 ARCO Marcato

   



124 

















 

     

 

 



 







 

 















 



 

 

 

 

 

 


Serenada Schizophrana I

32

125

126

127

128

 



Tbn.

B. Tbn.

Fl.

Fl.

Ob.

C. A.

Cl.

Cl.

B. Cl.

Bsn.

Cbsn.

     

   

 

Hns.

Tpts.

Tba.

Timp.

Keys 1 Pno.

Keys 2 Pno.

Keys3 Synth.

Hp.

                         

Vln. II

Vla.

Vla.

Vc.

Vc.

Db.

       

             

126

             

                            

            

             

             









 





3. Bass Trombone

4.Contra Bass Trombone

 

 

ff

 

 

 

 

 

  

 

  

 

                

 

 

 

 

 

       

 

 

 

  

127













ff





ff

























  

  

PLAY

           



PLAY

1.2. Tenor Trombone

           





ff

                 



            

             

125

Vln. I

ff

      

       

ff

128

   

                                   

   

 

       

  

 

                       

ff

           

ff

           

               

ff

   

   

   


Serenada Schizophrana I

129

Fl.

Fl.

Ob.

C. A.

Cl.

      

     

piccolo



       

ff

 Eb Clar.    ff

 

B. Cl.

Bsn.

Cbsn.

 

ff

 

Tba.

Timp.

Keys 1 Pno.

Keys 2 Pno.

Vln. II

Vln. II

Vla.

Vc.

Vc.

Db.

  



  

   



  

    

ff

   



  

ff



   



  

   



  



   



  

    





 

 

    



   



  



   



  

     ff    

ff

ff

 

 

   

    

 

   

  

 

 

        

  

  

     

     

   

        

                        

        

  

  

  

  



 

      

          



      

       

   

132

129

Vln. I



 131  

Hp.





B. Tbn.

   

Tpts.

Tbn.

  

   

2.4.6. senza mutes

Hns.



130

   ff       ff 

 1.3.5.  

  

ff



Cl.



33

                        

                  

130

 

 

     

       

                 

   

131

132

   

   

   

           

   

     

           

    

    

    

                       

   

     

                   

                    

           

                       

                                      

                        


Serenada Schizophrana I

34

133

Fl.

Fl.

Ob.

C. A.

Cl.

Bsn.

Cbsn.



 



   

Perc. 1 Piatti / sus Snr Picc WB

Keys 1 Pno.

Keys 2 Pno.

Hp.

Vln. II

Vla.

Vc.

Db.













 

 

 

 

 

 

 

 









   

  





 



f



   

  



   

  

 

 

                            

                              

   f     f    

 Piatti  

    

      

        

   

                

 

   

        



mf





              3

3

             

senza pedale

                3

      simile           

3

3

3

3

3

3

3

                         

133

Vln. I



mf



136

  

B. Tbn.

mf

f

   

Tbn.



2.4.6.

Timp.

 1.3.5.  

Tpts.

mf

Flute

mf

 

Hns.

Tba.

135

Cl.

B. Cl.

134

 

   

134

135

136

 

 


Serenada Schizophrana I

35

PART5b 137

Fl.

Fl.

 

138

            f

                           f

Ob.

C. A.

Cl.



B. Cl.

Bsn.

Cbsn.

   

  

 

139

  

  





   

 



  



  

  

f

 

Cl.



 

f Bb Clari

 

Tbn.

Tba.

Timp.

Keys 1 Pno.

Keys 2 Pno.

Hp.

                           

simile

f

 f

senza sord.

simile

Vln. II

Vla.

Vc.

Db.

3

  

  

  



   

   

  

  

  



 

  

    3        3

f

                         

rip

  



        3

3

  

   

  

   

3        f

 

f

rip

3          

f

     

  

 

  

 

 

     



 

    



f

   

 

  

  

   

                

   

   

 

  

 

    

 

f

f

rip

 

f

PART5b 

140

139

138 

sul pont 3

sul tasto 3

f

      

        

sul tasto 3

sul pont 3

sul pont 3

sul tasto 3

     

        







 



 f









  

 

3         f

  

  

137

Vln. I

senza sord.

                          

   3         

                            

  

f

B. Tbn.

 

  

f

Hns.

Tpts.

140

f

 f

f

      



     



ordinaire

ordinaire


Serenada Schizophrana I

36

141

Fl.

  

  

  

  

f

Fl.

Ob.



f

   f

C. A.

Cl.

Bsn.

  

142

 

  



          

  

mp

 

                  

      

3.to alto flute

mp

  

  

  



  

  

  



                    

 

f

mp

mp

                                      

mp

144

f

Cbsn.

  

  

143



   mp

                    f   

Cl.

B. Cl.

                                    

mp

mp

                  mp

mp

                    

1. only 2. cued

         

Tbn.

B. Tbn.

Hns.

Tpts.

Tba.

Timp.

Keys 1 Pno.

Keys 2 Pno.

Hp.

  

f

  

f

Vln. II

Vla.

Vc.

Db.

  



  

  

 

  



mp

  

 

  

 

  

   

 

     



     

 

     

    

mp

141

Vln. I

   

142

143

144

 

  

 

p


Serenada Schizophrana I

37

Part 5c 145

Fl.

Fl.

Ob.

C. A.

Cl.

  p 

  

 p 

     

 

Bsn.

     p

 

  

 

 

p





Tba.

Timp.

Keys 1 Pno.

Keys 2 Pno.

Hp.

Vln. II

Vla.

Vc.

 

 



  

  

   



 pp

  

   









  

  





                   mf mp

pp

pp





  

poco a poco cresendo

 poco a poco cresendo

         

espressivo

mp

pp

pp

mp

1.2.3 open slightly brassy

  

   

  mf                                

mp



   



       

Alto Saxophone

         

mp

pp

mp

148     

                   

  



  

                

                

            

            

 

4.5.6 mutes slightly brassy

              mp

              mp 

mp

mp

            mf

              

     



poco a poco cresendo

 

 

             

mf

    

     

     

poco a poco cresendo

 

 

Part 5c

 

147

146

   

  p

 

  

mf

 

  

 

  



pizz.

mf



pizz. mf

pp

mf

 

pizz.

  

pizz.

p

Db.

   

     

145

Vln. I

pp

  

  

  





Tpts.

B. Tbn.

     



  

Hns.

Tbn.

     

 

  

      p

p

Cbsn.

   

 p 

Cl.

A. Sax.

  

147

146

148 

poco a poco cresendo

poco a poco cresendo

poco a poco cresendo

poco a poco cresendo


Serenada Schizophrana I

38

149

Fl.

Fl.

Ob.

C. A.

Cl.

     

     

150     

         

       

   

Cl.

    

151

Bsn.

  

  

  

 

poco a poco cresendo

poco a poco cresendo

  

               

Tba.

Timp.

Keys 1 Pno.

Keys 2 Pno.

Hp.

Vln. II

Vla.

Vc.

Db.

2.

 

 

 

   

1.2.

 



   

       



    

    

  

    



    

            

            

             

                 

                  

                 

                 

                 

              poco a poco cresendo

            

            

            

 

           

  

 

   

 

  

  

  

  

    

 

    

     

 

simile

 

  

      

 

149

Vln. I

    

 

poco a poco cresendo

B. Tbn.



    

 Tbn.

1

   

Tpts.



               

 

poco a poco cresendo

Hns.

       

poco a poco cresendo

Cbsn.

          

 2.only       

152     

Alto Saxophone

A. Sax.

     

     

simile

150

  

 

  

     

 

151





 

152 


Serenada Schizophrana I      

153

Fl.

Fl.

Ob.

C. A.

Cl.

Cl.

B. Cl.

Bsn.

Cbsn.

   

f

         

 

f

   

 

     154             

      ff

         ff

B. Tbn.

Tba.

Timp. Perc. 1 Piatti / sus Snr Picc WB Perc. 2 Sus Cymb Perc 3 Xyl.

Keys 1 Pno.

Keys 2 Pno.

Hp.

Vln. II

Vla.

Vc.

             

 

          ff          ff

           

         

                  

                

             

            

ff

ff

 piccolo wood block

   

 

  

 

f

  

  

 

 

f

  

  

  

 

            

ff

ff

ff

   

ff

154



      3

ff

mf

ff

Db.

153

Vln. I

         

      ff          ff   

Tbn.

f

156

  

Tpts.

    155  

                         f                    

Hns.

39

3

   

mf

    

  

  

 

   

 

  

   

155

                      

3

3

simile

 

156



     

simile

 

xylophine w/medium mallet



lower wood block


Serenada Schizophrana I

40

Part 6a 157

Fl.

Fl.

Ob.

C. A.

Cl.

Cl.

B. Cl.

Bsn.

Cbsn.

Hns.

 

158

PRECISE and DELICATE

160

159

  

  

  

             

       

        

       

mf

mf

        

       

       

Tbn.

B. Tbn.

Tba.

Timp. Perc. 1 Piatti / sus Snr Picc WB Perc. 2 Sus Cymb

   mf 

precise and delicate

 

 

precise and delicate

     

 

mf

mf

     

precise and delicate

Perc 3 Xyl. Perc 4 Glock.

Keys 1 Pno.

Keys 2 Pno.

Hp.

mp 3

3

 

 

mf

mf

      

3

3



 

 



       

3

3

mf

      

3

3



mf

mf

      

3

3

 

 

mf

mf

      

3

3

      

     



      

     

                         

 

 

mf

mf

      

3

3

           

 

 

mf

      

3

                 

                              

Part 6a

 pizz.  

158

 

mf

 pizz

mf



pizz. 

 

mf

mf

   



   

3

                    

  

 

  

mf

pizz.

Db.

mf

mf

 

pp

mf

Vc.

 

  

       mf   pp                

                                            

pizz.

Vc.

mf

 

             pp

mp

precise and delicate

mf

Vla.

 

precise and delicate

pizz.

Vln. II

 

                                               precise and delicate 

157

Vln. I

     

Tpts.

     mp    

159

     

160 









   

   


Serenada Schizophrana I

161

Fl.

Fl.

Ob.

C. A.

Cl.

Cl.

B. Cl.

Bsn.

Cbsn.

Hns.

 

 

Perc 4 Glock.

Keys 1 Pno.

Keys 2 Pno.

Hp.



     

  

1.2.3

          mp

    mf   

4,5,6

  

  

   

mp

  

pp

  

      pp

  mp    

   

 mp  

Vln. II

Vla.

Vc.

Db.

  

   

mp

     

         

mf

pp

mff

mp

        

  

  

   p

  

  

  

  

 mf  

  

mf

                         mf

pp

mf

pp

mp

mp

          mp

        

  mp    

      pp

       

mf

mp

mf

pp

           

              mp               

 

pp

pp

                     mf

pp

pp

mf

  

  

mf

mf

  

  

 p   p

mp

  

           

           

           

           

            

           

           

           

            

           

           

           

            

           

    

   

 

 

mf



 

f

f

flutter pedal

           

flutter pedal

161

Vln. I

B. Tbn.

Perc. 2 Sus Cymb

Tbn.

Perc. 1 Piatti / sus Snr Picc WB

164

mf

Timp.

163



Tpts.

Tba.

162

41



    

    

162

    

 

163

164




























Serenada Schizophrana I

42

165

Fl.

Fl.

Ob.

C. A.

Cl.

Bsn.

Cbsn.



  

     

   

Keys 1 Pno.

Keys 2 Pno.

Hp.

Vln. II

Vla.

Vc.

Vc.

Db.

 

 

  



pp

3.6.

                      

             

         

           

           

 

167

4 4

  ff

  

Arco

Arco

ff

q=133

Arco Divisi

Arco Divisi

3 4

   

    

 

    

  

 

    

  

      

    

mf

mf

3 4

mf

  

4 4

 

 

168

   

               

ff

4. Bass Trb

166

   mf     mf 

pp

 

mf

       

 

str mutes

brassy

 

mf

brassy

 

str mute

            

 

f

                  mf 

2.5,

              

  

pp

3. Bass Trb

1.4. mf

 soli

 

f

   

 

  

pp

 

165

Vln. I

mf

    

  

mf



 

3 4

B. Tbn.

4 4



Tpts.

Tbn.

Hns.

Timp.

q=133

168

 

Tba.

167

 

Cl.

B. Cl.

166

mf

  

  


Serenada Schizophrana I

170

169

Fl.

Fl.

Ob.

C. A.

Cl.

    

Bsn.

Cbsn.

   

 

B. Tbn.

Keys 1 Pno.

Keys 2 Pno.

Hp.

      

3 4

Vln. II

Vla.

Vc.

Vc.

Db.

  

 

f

 

  

 

  

    

f

  



  

    

  

            

mf

 

 

       

4 4

  

 

 



 

 

 

  

 

 

soli

               

3 4

   

  

  

mf

       

       

            

4 4

           

 

 

f

 

f

  

  

 

  

         

  

     

                

3 4

soli

f

            

                

Part 6b 170

3 4

4 4

 

172

171

3 4

 

Arco Marcato

Arco Marcato

4 4

(ord)

   mf

 

  

 

 

  

 

  

 

Sul Pont

mf

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

  

  

  

  

  

  

  

  

  

  

  

  

  

  

 

 

solo            

 

 

 

f

 

 

mf

169

Vln. I



f

2.

3. mp

Tbn.

 

 

mf

  

 

mp

Tpts.

Timp.

 

mf

            

3 4



Hns.

Tba.

 

4 4

   

172

3 4

 

Part 6b

171

4 4



Cl.

B. Cl.

3 4

43

3 4


Serenada Schizophrana I

44

173

Fl.

Fl.

Ob.

C. A.

Cl.

    

Bsn.

Cbsn.

 

  mf         

  Tpts.

Tbn.

B. Tbn.

Timp.

Keys 2 Pno.

Hp.

         

 

 

3 4

 

Vln. II

Vla.

Vc.

Vc.

 

  

Db.

  

 

  

  

mf



         

           

4 4

 

    

  

         

     

                

           

            

3 4

 

            

 

  

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

  

  

  

4 4

  

 

 

 

Sul Pont

  

 

  

 

  

  

  

 

  

 

 

 

 

 

 

 

 

 

 

 

 

 

 

  

       

   



  

 







  

 

 

  

 

 

3 4

 



  



  

  

sus cymb w/ mallet





 

  

 

176  

  

     

      

   

3 4

PLAY

175

 

 

           

f

               



f

 

 

      

  

f

f

4 4

ord

      

 

ord

 f        f  

174

f

3 4

  mf     mf    mf  

Bass Clarinet

  

      

 

 

f

3 4

 

 

 

Sul Pont

4 4

  

f



176

173

Vln. I



    

3 4



mf

175





Keys 1 Pno.

 

Hns.

Perc. 2 Sus Cymb

p

 

Tba.



 

4 4

p



Cl.

B. Cl.

3 4

174



  ord

  

  

  

4 4

 

ord

 

 

 

      

  

      

   

        

3 4    

        

   


Serenada Schizophrana I

177

Fl.

Fl.

Ob.

C. A.

Cl.

    

Bsn.

Cbsn.

 

  

   

  Hns.

     

 

Keys 1 Pno.

Keys 2 Pno.

Vln. II

Vla.

Vc.

Vc.

Db.

     

 

 

 

      

 

 

 

      

      

     

 

    

      

3 4

   

   

 

 

mf

 

 

  

   

 



mf

 



 



  

3 4

      mp 

 

 

3 4



 



 

 

 

 

 





 

 

 

4 4



 

 

178

4 4

 





 

 

 

 

 

179

3 4

 

   

 

   

 

    

   

180

4 4

 

 

     

 

 

 

 

 

     

 

 

     

 

 

 

 

 

     

 

 

     

 

 

 

 

 

     

 

  

       

  

  

  

  

  

       

  



 

      

f

 

 

  

      

      

      

  



  

  

      

       mp

f

 

4 4

 

 

  

  

      

                   

      

     

 

177

Vln. I

Hp.

     

B. Tbn.

Perc. 2 Sus Cymb

Tbn.

Timp.

4 4

          2.4.6            1.3.5

3 4

180

    

179

Tpts.

Tba.

4 4



Cl.

B. Cl.

3 4

178

45

 


Serenada Schizophrana I

46

181

Fl.

Fl.

Ob.

C. A.

Cl.

 

B. Cl.

Bsn.

Cbsn.

Hns.

   

        

Cl.

 

mp

       mp

 

182

 

          poco a poco decresendo

      

        poco  a poco decresendo    

Tpts.

184

183

      

      

      

      

     

      

      

             

      

 

      

Tbn.

B. Tbn.

Timp.

Keys 1 Pno.

Keys 2 Pno.

Hp.

 

                 

mp

Vln. I

Vln. II

Vln. II

Vla.

Vc.

Db.

   

  

mp

  

 

pp

f simile

 

 

   

          mf

simile









  simile                 subito mp

 simile 



 

pp

 

  

subito mp

  

  pp

f

f

  

   

 



182

184 

 

     

183

 

   

181

Vln. I

pp

  



Tba.

 






Serenada Schizophrana I

7 186

185

Fl.

Fl.

Ob.

C. A.

Cl.

     

         

Cl.

B. Cl.

Bsn.

Cbsn.

 

p

       p

188

         p

187

 

47

Tbn.

B. Tbn.

Hns.

 

       p

Tpts.

Tba.

Timp.

Keys 1 Pno.

Keys 2 Pno.

Hp.

 

 



subito mp

   

Vln. I

Vln. II

Vla.

Vc.

Db.



 

  

   

subito mp

 

     

 

  pp

  

  

  

mf

  mf

 

 





  

            

 

L.V.

 

 

H.H. @ sounding ptich

  

  

subito mp

 

 

 

 

 

 

p

    

subito mp

pp

 

185

Vln. I

  

   

  

p

 



mf

     

 

 

             

                  

mf

 

 

 

 

7 186    

 

con sord. Legato Divisi

187

Magical



p

 

Magical

Legato Magical con sord.



 pp

poco

Magical con sord. (loco) Legato Divisi

con sord. sul pont

188

 

 



p

 

 

  

p

poco



 

  

 p

poco

 

 


Serenada Schizophrana I

48

189

190

191

192

 



Tbn.

B. Tbn.

Fl.

Fl.

Ob.

C. A.

Cl.

     

Cl.

B. Cl.

Bsn.

Cbsn.

   

  Hns.

Tpts.

Tba.

Timp.

Keys 1 Pno.

Keys 2 Pno.

 

 



    

    

 

 

Hp.





 

senza ped.

Vln. I

Vln. II

  

     

Db.

 

 

 

 

 

191



    

p

 

  



 

  

p

poco

  



 

 

poco

 poco

p

   

192





  

p

  

 

poco

poco

Vc.

poco a poco dim

p

   

                            



                                            

190

 

  

poco a poco dim

poco

Vla.

    

               

senza ped.

189

Vln. I

  

pp



 


Serenada Schizophrana I

193

194

49

195

196

 



Tbn.

B. Tbn.

Fl.

Fl.

Ob.

C. A.

Cl.

     

Cl.

B. Cl.

Bsn.

Cbsn.

   

  Hns.

Tpts.

Tba.

Timp.

Keys 1 Pno.

Keys 2 Pno.

Hp.

Vln. I

Vln. I

Vln. II

Vla.

Vc.

Db.

 

 p

 

 

                                                                  p

193       

194

195

 pp

 

   

pp

196 niente

 

loco

 

 

 

 


Serenada Schizophrana I Slightly Faster

50

accel.

197

Fl.

 

198



q=140

199

200

2 4

Tbn.

B. Tbn.

Fl.

Ob.

C. A.

Cl.

     

Cl.

B. Cl.

Bsn.

Cbsn.

   

  Hns.

Tpts.

Tba.

Timp.

Perc.2 Vib.

Keys 1 Pno.

Keys 2 Pno.

Keys3 Synth.

 

Vla.

Vc.

Db.

 

pp

 

 

elec 1

p

 

 

 

vibraphone w/slow motor w/ soft mallet

w/pedal

 

 

 

 

p

  

 

p

4 4

pp

 

 

 

 

 

 

Slightly Faster

   

 

accel.

Vln. II

197

Vln. I

Hp.

2 4

4 4

198

  

senza sord. Pizz

199

p

q=140 

 senza sord. Pizz

 

p

  

 

 

200

2 4

 

 

 

 senza sord. Pizz

 

p

 

4 4


Serenada Schizophrana I

201

Fl.

Fl.

Ob.

    

4 4

202

3 4

  



51

203

4 4

  

204

Tbn.

B. Tbn.

C. A.

Cl.

  

Cl.

B. Cl.

Bsn.

Cbsn.

   

  Hns.

Tpts.

Tba.

Timp.

Perc.2 Vib.

Keys 1 Pno.

Keys 2 Pno.

Keys3 Synth.

Hp.

 

 

4 4

  

L.H. Cue only



p

Vln. II

Vla.

Vc.

Db.

  

  

 

 

 

3 4

   

 

 

 

 

 

 

p

 

elec 1

 



 





 

 





 

  





 

 

 

 

 

 

 

 

 

 

 







p

 

pp

 



 

 

subtle accents bring out slurred phrases

 

 

 acc 1

4 4

pp

 

 







      

4 4

  

  

3 4

 

 

203

 

 

202

 

 

 

 

senza sord.

 

 

 

4 4

 

 pizz.

 

 

  

  

 

  

 



p

 

 

204

 

 

  

 

 

201

Vln. I

  

  

  

 

 

 

 

 


Serenada Schizophrana I

52

205

Fl.

 

206



207

208

Tbn.

B. Tbn.

Fl.

Ob.

C. A.

Cl.

Cl.

B. Cl.

Bsn.

Cbsn.

     

   

  Hns.

Tpts.

Tba.

Timp.

Perc.2 Vib.

Keys 1 Pno.

Keys 2 Pno.

Keys3 Synth.

  

 

  

pp

 

   



Vln. II

Vla.

Vc.

Db.

mp

     

       

 

 

  

simile

 

 



 



   

 



simile

  

 





  



 

 

 

  

 



 

 

 

 



 



 



  

 





  



 

 

 



 

 

 

206



 

 

 

 

 

 

 



 

  

 



 



 

 

207

 

 



 





 



 

208

 



  

 



 

 

 

 

 

 

  



5 4

 

 

 

 

 

 

simile

 

 

mp

205

Vln. I

 

 

 

 

Hp.

 

5 4

  

5 4


Serenada Schizophrana I

209

Fl.

Fl.

Ob.

C. A.

Cl.

Cl.

B. Cl.

Bsn. Cbsn.

Hns.

    

5 4

210

4 4

  

211



1.

53

212



mf

mp

mp

 

  

  

   

Tpts.

1.

 p

Tbn.

B. Tbn.

Tba.

Timp. Perc. 1 Piatti / sus Snr Picc WB Perc. 2 Sus Cymb Perc.2 Vib. Perc 3 Xyl. Perc 5 Tub. B.

Keys 1 Pno.

Keys 2 Pno.

Keys3 Synth.

Hp.

  

5 4

    

Vln. II

Vla.

Vc.

Db.

 



 

  



 



   

 

  

5 4



  

  

 

  

 

 

  

  

 

 

 

  

 

    

 







 

210  

  

 

4 4



 

 



 



 



 



 

 

 

  

 

    



    



 

 



 



 

 



    



  

 

 

 

211

  

poco a poco

 

poco a poco

 

 



 

   

 



 

 

 

 

poco a poco

 

 



  

 

  

 

  

 



 

   

 

 

 

 

 

 

 

  

  

 

  

209

Vln. I

4 4

 

  

 

poco a poco

 

212

 

 

 

 

 

 

 


Serenada Schizophrana I

54

213

Fl.

Fl.

Ob.

C. A.

Cl.

   



214



mf





  

215

2.3. flute

216





mp

 





poco

 





mp

poco

 

1.

mp

p

2.

Tbn.

B. Tbn.

B. Cl.

Bsn.

Cbsn.

   

 

Hns.

Tpts.

Tba.

Timp.

Perc.2 Vib.

Keys 1 Pno.

Keys 2 Pno.

Keys3 Synth.

Hp.

  

  

  

  

 

 

 

  

 

 

 

  

  

 

 

 

 

 

 

 

  

 

 

 

 

 

 

 

 

 

 

  

 

 

 

 

 

 

 

     

 

   

 

  

 

  

 

 

 

 

 

 

 

 

 

 

 

 

  

 

 

crescendo

Db.

 

214

crescendo

Vc.

 



crescendo

Vla.

p

 

 

 

 

 

 

 

crescendo

Vln. II

 

213

Vln. I

Cl.

 

 

 

 

  

  

 

  

 

 

 

215  

 

  

 

216

  

 

 

  

 

 

 

 

  

  

 

  

 

 

  

 


Serenada Schizophrana I

217

Fl.

Fl.

Ob.

C. A.

Cl.

Cl.

   



 

mp

 

mp

  

219



2.3.

poco

220

 

 

mp



mp



 

poco



 

mp



Tbn.

B. Tbn.

Cbsn.

 

Hns.

Tpts.

Tba.

Timp.

Perc.2 Vib.

Keys 1 Pno.

Keys 2 Pno.

Keys3 Synth.

Hp.

  

  

  

Vln. II

Vla.

Vc.

Db.

 

 

 

 



 



 

  

 



 

 

 

 

 

1. only

 



  

 



 

 

 

 



 



 

 

mp

 

 

  

 



 



 

 

  

 



 

 



 

 

  

 

 

 



 

 

 



   

  

217

Vln. I

mp



Bsn.

mp

B. Cl.

poco

 



poco

 

mp



218

55

  

        

 

 

 

 

 

218

 

 

 

  

 

 

 

219 

 

  

 

 

  

  



 

 

 

220

  

 

  

  

  

 

  


Serenada Schizophrana I

56

221

Fl.

Fl.

  

   

C. A.

Cl.

Cl.

B. Cl.

Bsn.

222

2 4

 

  mp

 

 

 

 

4 4



  



3.Bb Clar.

224

poco





 

 

 

Tbn.

B. Tbn.

Hns.

Tpts.

Tba.

Timp.

Perc.2 Vib.

Keys 1 Pno.

Keys 2 Pno.

Keys3 Synth.

Hp.

 

  

 

2 4

 

 



 



 

 





 



  

 

Vln. II

Vla.

Vc.

Db.

  

       

 

 

 

 



p

 

  

 

   

 

 

 

222

2 4

 

 

 

 

subito pp

 

 



223

4 4

  

 

 

 



     mp subito pp  



  

 

 



6 4

 



  

 

 

 

 

224 

  

 

 

 

 

 

  

6 4

 

 

 

 

 

 

  

 

mp

L.H.CUE ONLY

 

4 4





221

Vln. I



 

  

 

   



 

p







Cbsn.



 

223

 





 

mp

Ob.



  

 

 

 

6 4


Serenada Schizophrana I

225

Fl.

Fl.

Ob.

C. A.

Cl.

    

Cbsn.

  



  

mp

Tba.

Timp.

Perc.2 Vib.

Keys 1 Pno.

Keys 2 Pno.

Keys3 Synth.

Hp.

Vln. II

Vla.

Vc.

Db.

poco a poco cresc.



  

    

poco a poco cresc.

  

    

                       

              

     



     



 



 



poco a poco cresc.

poco a poco cresc.

         

           

      

poco a poco cresc.



                  

228

     

mp

 

poco a poco cresc.

  

              

             

  

      

 2.3.

2.4.6



pp

open

str mutes



pp



 

6 4

pp

mp

                   mp       

 

 

 

  

 

 

  

 

         

                 

 

                            

simile

    

 

   

 

  

  

                 

1.2.

poco a poco cresc.

                              

   

  



 

  



  

                 

 

  

   

6 4

mp

crescendo

mp

crescendo

mp

mp

                

   

 

            

            

   

   

             

            

    

arco

pp



228

                           pp

   

 

 

                  

227

 

 

 

            

                                

 

 

 

226

mp

  

 

             

225

Vln. I

     

           



1.2.

Tpts.

B. Tbn.

poco a poco cresc.

               

           

mp

         

  



      



227

      

poco a poco cresc.

     



 



     

 

Tbn.

 

mp

226

      

            

Bsn.

 

mp

 



Hns.



3.



Cl.

B. Cl.

6 4

1. 2.

57

 


Serenada Schizophrana I

58

Slightly Slower

229

Fl.

                           f

Fl.

                             f

Ob.

C. A.

Cl.

Cl.

B. Cl.

Bsn.

Cbsn.

Hns.

             

  

   

Keys 2 Pno.

Keys3 Synth.

Hp.

      f

f

f

1.3.5 mf

 

mf





 

                                              

 

mfp

mp

     

    

 

 

    

 

  

 

  

Vc.

Db.





  

 

 



 

 



 





 

 

  

 

 

 

 

 

softer than piano

 

  

 

 



  



 

 

Slightly Slower

                                    

      

END L.H. Cue

mp

              

 

 



mf

Vla.

    loco                                                      

 

  

mf

Vln. II

   

mf                     

mp

 

mf

 

mp

mf

Vln. I

mp

 

229

Vln. I

4 4

mf

 

mp

subito mp

 

mf

 



mf



232

subito mp

mf

 

B. Tbn.

Keys 1 Pno.

f

pp

Tbn.

Perc.2 Vib.

f

              f   

  

Tpts.

Timp.

4 4

231

              

Tba.

  

q=135

230

230

4 4

q=135   

  

mp

 arco

  

 

 

 

 

mp



p

 

col legno

232

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

poco

 

231

 

 

 

 

 

 

 

 

 


Serenada Schizophrana I

59

rall.

233

Fl.

Fl.

Ob.

C. A.

Cl.

Cl.

B. Cl.

Bsn.

Cbsn.

Hns.

 

 





     

    

Tpts.

Tbn.

B. Tbn.

Tba.

Timp.

Perc.2 Vib.

Keys 1 Pno.

Keys 2 Pno. Keys3 Synth.

Hp.

234

236

poco a poco decrescendo

235







   

 

   

 

poco a poco decrescendo

 

   mp 



 

  

 



 





 

                                                                                   

 

 

 

 

mp

 

 

 

 

 



rall.

233

Vln. I

Vln. I

Vln. II

Vln. II

Vla.

Vc.

Vc.

Db.

    

  

234

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 ppp

 

 pp

pp

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

  

 

 p

p

 

p

 

 

pp

   

236

 

poco

 

235

  

 

 

diminuendo

diminuendo


Serenada Schizophrana I

60

237

Fl.

Fl.

Ob.

C. A.

Cl.

Cl.

B. Cl.

Bsn.

Cbsn.

Hns.

 

 

Keys 2 Pno.

Hp.



     

  

Vln. I

Vln. II

Vln. II

Vla.

Vla.

Vc.

Vc.

Db.

pp

pp

 

   

  

 



 

    

 

 

 

 

pp

 

 

 

 

 

  

pp

 

   

                pp

                pp

pp

238

poco

q = 75

 

n.

239

 

   

niente

niente

poco

240

 n.

   

 

 

 

 

               

  



237

Vln. I

B. Tbn.

Keys 1 Pno.

Tbn.

Perc.2 Vib.

240

Tpts.

Timp.

239



Tba.

238

q = 75

con sord

pp

pp

 

 

diminuendo diminuendo

n.

poco

con sord

  n.

poco

 

 

 

 

  niente

niente


Danny Elfman

II - Blue Strings 2

=122

3

orch. edgardo simone

4

piccolo

1 = C flt, 2 = alto flt 1,2

1,2 ob/en hn en hn

clar 1,2

bs cl

bn 1,2

contra

horns

tpts

(6)

1,2,3

tbn 1,2

tbn 3,4

tuba

sus cym sn dr

timp

harp

D# Cb Bb / E F G Ab

piano

=122 solo

violin I

violin II

con sord. (thru ms. 57)

viola

cello

div.

div.

sim.

poco

poco cresc.

con sord. (to ms. 59)

pizz.

pizz.

con sord. (to ms. 53) cb poco

poco


II 5

6

pg. 2 7

8

piccolo (2 = alto)

a2

poco

flt 1,2

ob/en hn

clar 1,2

bs cl

bn 1,2

contra

horns

tpts

tbn 1,2

tbn 3,4

tuba

sus cym sn dr

timp

L.V. sempre harp

piano

solo

violin I

violin II

viola

cello

cb

sim.


II 9

10

piccolo

(a2) flt 1,2 (2 = alto)

ob/en hn

clar 1,2

bs cl

bn 1,2

contra

horns

tpts

tbn 1,2

tbn 3,4

tuba

sus cym sn dr

timp

harp

piano

(senza sord.) a1 (non solo) solo

violin I

violin II

viola

cello

cb

pg. 3 11

12


II 13

pg. 4

14

15

16

piccolo

(a2) flt 1,2 (2 = alto)

ob/en hn

clar 1,2

bs cl

bn 1,2

contra

horns

tpts

tbn 1,2

tbn 3,4

tuba

sus cym sn dr

timp

harp

B

piano

(4 vlns) unis.

4 vlns div. solo

violin I

4 vlns div. violin II

(unis.)

viola

tutti arco

cello

arco cb

div. a 3

(div. a3)


II 17

18

pg. 5

19

20

piccolo

flt 1,2

ob/en hn

clar 1,2

bs cl

bn 1,2

contra

horns

tpts

tbn 1,2

tbn 3,4

tuba

sus cym sn dr

timp

harp

piano

1 vln - non solo

(4 vlns) solo

poco

sub.

violin I

(4 vlns) violin II

poco

(unis.)

viola

cello

(tutti .div.)

poco

poco div. a3

1&2 trem., 3&4 legato

cb

poco 5&6 pizz.


II 21

22

pg. 6part 1B 23

24

solo espr. piccolo (2 = alto) flt 1,2

a2 soli espr.

ob/en hn

clar 1,2

bs cl

bn 1,2

contra

horns

tpts

tbn 1,2

tbn 3,4

tuba

sus cym sn dr

timp

harp

piano

4 vlns (+3) solo

gli altri con sord. violin I

tutti .div.

sul tasto

tutti unis.

violin II

viola

pizz. tutti .div. cello

pizz.

(1,2 trem/3,4 non)

cb (5,6 pizz)

(1-4 non trem.)

pizz.


II 25

26

pg. 7 27

28 3

piccolo

3

(2 = alto) flt 1,2

3

ob/en hn

3

3 clar 1,2

bs cl

bn 1,2

contra

horns

tpts

tbn 1,2

tbn 3,4

tuba

sus cym sn dr

timp

harp

piano

violin I

violin II

viola

arco

poco

cello

arco cb

pizz.

(unis pizz.)


II 29

30

pg. 8 31

part 1C

32

piccolo (2 = alto) flt 1,2

ob/en hn

clar 1,2

bs cl

a2 bn 1,2

contra 1. solo

2. solo horns

a2 4,5 con sord.

tpts

a2 tbn 1,2

a2 tbn 3,4

tuba

sus cym sn dr

timp

harp

piano

tutti senza sord. violin I

violin II

viola

cello

arco

2 pizz. cb

4 arco

unis.


II 33

pg. 9

34

35

36

to flt. 3 piccolo (2 = alto)

to flt. 3 flt 1,2

ob/en hn

a2 clar 1,2

bs cl

bn 1,2

contra

horns

4,5 con sord.

tpts

tbn 1,2

tbn 3,4

tuba

sus cym sn dr

timp

harp

piano

violin I

violin II

viola

cello

div.

cb


II 37

38

pg. 10 39

40

c-flt, col 1 piccolo

a3 flt 1,2

ob/en hn

clar 1,2

bs cl

1. bn 1,2

contra fiber mute 1.

horns

2,3

senza sord. 4,5,6 .

4,5 (5 + 6)

1. cup mute tpts

tbn 1,2

tbn 3,4

tuba

sus cym sn dr

timp

harp

piano

div. violin I

violin II

viola

cello

div. a3 cb

+ 2 & 3 st. mutes a3


II 41

42

43

(c-flt, col) piccolo

flt 1,2

ob/en hn

clar 1,2

bs cl

bn 1,2

c(ontra) contra

1.

horns

2,3

4,5,6 . 2. tpts

tbn 1,2

tbn 3,4

tuba

sus cym sn dr

timp

harp

piano

unis. violin I

violin II

viola

cello

cb

pg. 11 44


II 45

46

pg. 12 47

48

piccolo

flt 1,2

ob/en hn

clar 1,2

bs cl

bn 1,2

contra

horns

2.

1. open

tpts

tbn 1,2

tbn 3,4

tuba

sus cym sn dr

timp

harp

piano

non solo (accompaniment)

solo

gli altri unis. violin I

violin II

viola

1st 3 vc - 2&3 con sord (1 senza)

cello

back 5 vc div. (2) (3)

cb

soli


II 49

pg. 13

50

51

52

piccolo

flt 1,2

ob/en hn

clar 1,2

bs cl

bn 1,2

contra

horns

1.

tpts

sempre tbn 1,2

tbn 3,4

tuba

sus cym sn dr

timp

harp

piano

solo

violin I

violin II

viola

3 soli cello

unis. back 5

cb


II 53

54

pg. 14 55

56

piccolo

flt 1,2

ob/en hn

clar 1,2

bs cl

bn 1,2

contra

horns

1.

tpts

tbn 1,2

tbn 3,4

tuba

sus cym sn dr

timp

harp

piano

solo

violin I

(senza sord.) violin II

viola

3 soli cello back 5

3 cb (senza sord.) cb


II

faster 57

=139

58

59

pg. 15 60

part 2

piccolo

flt 1,2

ob/en hn

clar 1,2

bs cl

bn 1,2

contra

horns

tpts

tbn 1,2

tbn 3,4

tuba

sus cym sn dr

timp

harp

piano

faster

=139

solo

(senza sord.) violin I

sul D violin II

senza sord.

viola

stands 2,3 & 4 div.

senza sord. 3 soli cello

senza sord. back 5

1 solo cb con sord. cb

{


II 61

62

63

piccolo

flt 1,2

ob/en hn

clar 1,2

bs cl

bn 1,2

contra

horns

tpts

tbn 1,2

tbn 3,4

tuba

sus cym sn dr

timp

harp

piano

solo

violin I

violin II

1 sola non espr. (accompaniment) 1 sola

viola stand 2-4

(div.)

agitato

3 soli

sim.

cello back 5

cb

1 solo

pg. 16 64


II 65

pg. 17

66

67

68

piccolo

flt 1,2

ob/en hn

clar 1,2

bs cl

bn 1,2

contra

horns

tpts

tbn 1,2

tbn 3,4

tuba

sus cym sn dr

timp

harp

piano

solo

violin I

back 2 stands violin II

1 sola

brusquely viola

poco a poco cresc.

stand 2-4

3 soli

poco a poco cresc.

cello back 5

cb

1 solo

poco a poco cresc.


II 69

70

pg. 18 71

72

piccolo

flt 1,2

ob/en hn

clar 1,2

bs cl

bn 1,2

contra

horns

tpts

tbn 1,2

tbn 3,4

tuba

sus cym sn dr

timp

harp

piano

solo

cresc. violin I

violin II

cresc. 1 sola

cresc. viola stand 2-4

brusquely

cresc.

cresc. 3 soli cello

cresc. back 5

cb

1 solo

cresc.


II 73

74

pg. 19 75

76

piccolo

flt 1,2

ob/en hn

clar 1,2

bs cl

bn 1,2 bn 2 contra + bn 2 contra

horns

tpts

tbn 1,2

tbn 3,4

tuba

sus cym sn dr

timp

harp

piano

1st 3 stands div. solo

stands 4-5 violin I back 2 stands violin II

div. 1 sola

viola stand 2-4

1. solo 3 soli cello

(Tutti div.)

back 5

cb

1 soli


II 77

flute 3

78

pg. 20 79

80

piccolo

flt 1,2

ob/en hn

clar 1,2

bs cl 1. bn 1,2 contra + bn 2 a2 contra

a4

soli

1-4 metal mutes horns

a2

5-6

2. (open)

1&3 st. mutes

tpts ten. st mutes tbn 1,2

tbn 3,4

tuba

sus cym sn dr

timp

harp

piano

unis..

marc.

1st 3 stands

stands 6.7

4-7unis.

violin I stands 4-5

tutti marc. violin II

unis. 1st stand

viola stand 2-4

marc.

marc.

cello

tutti div. senza sord.

tutti senza sord. cb

tutti div.


II 81

flute 3

82

pg. 21 83

84

piccolo

flt 1,2

ob/en hn

clar 1,2

sim. bs cl

1. bn 1,2 bn 2 contra (contra) 1-4

horns

tpts

tbn 1,2

tbn 3,4

tuba

sus cym sn dr

timp

harp

piano

1st 3 stands

violin I

violin II

viola

unis. cello

tutti div. cb

a2

a2

a2


II 85

86

pg. 22 87

88

piccolo (2. to alto flt) flt 1,2

ob/en hn

clar 1,2 1.

stacc.

bs cl

1. bn 1,2 contra contra bn 2

molto marc.

1-4

horns (hn 4 w/ metal mute col 1-3 open) (metal mutes) 5-6

tpts a2 - 1 st. mute / 2 open tbn 1,2

tbn 3,4

tuba

sus cym sn dr

timp

harp

piano

unis. violin I

violin II

col legno viola

[ col legno sul C & G

cello

[ col legno

cb

[


II 89

90

pg. 23 91

92

piccolo

flt 1,2

ob/en hn

1. solo clar 1,2

bs cl

bn 1,2

contra

horns

tpts

tbn 1,2

tbn 3,4

tuba

sus cym sn dr

timp

harp

piano

violin I

cresc. un poco

violin II

cresc. un poco (col legno) viola

poco div. col legno & pizz.

sul D cello

poco

cb


II 93

94

piccolo

flt 1,2

ob/en hn

clar 1,2

bs cl

bn 1,2

contra

horns

tpts

tbn 1,2

tbn 3,4

tuba

sus cym sn dr

timp

harp

piano

un poco cresc. violin I

violin II

tutte arco ord. viola

un poco cresc. cello

cb

pg. 24 95

96


II 97

98

pg. 25 99

100

piccolo

a2 marc. flt 1,2 (2 = alto)

a2

ob/en hn

3

marc.

3

3

3

3

3

a2 clar 1,2

bs cl

3 a2 bn 1,2

3

3

3

3

3

3

3

3

3

3

3

3

contra

a2

horns 4,5 & 6 senza sord

marc.

st. mutes tpts

tbn 1,2

tbn 3,4

tuba

sus cym sn dr

timp

harp

piano

2 vlns soli

solo

tutti unis.

altri div. violin I

div.

marc.

violin II

arco ord.

viola

marc.

marc.

sul D

cello

div. a 3 arco ord.

2 soli arco ord. cb

II

marc.


II

pg. 26

101

102

103

104

piccolo

flt 1,2

ob/en hn

3

3

3

3

3

a2 clar 1,2

bs cl

3 bn 1,2

3

3

3

3

3

3

3

3

3

3

contra

horns

a2

open tpts

tbn 1,2

tbn 3,4

tuba

sus cym sn dr

timp

harp

piano

marc.

violin I

unis. violin II

viola

cello

cb

cresc.


part 3A 105

II

pg. 27

106

107

108

piccolo

flt 1,2

ob/en hn

clar 1,2

bs cl

bn 1,2

contra

horns

tpts

tbn 1,2

tbn 3,4

tuba

sus cym sn dr

3

3

3

3

timp

harp

piano

light and delicate 3 vlns ( ) (light accents) ( )

( )

violin I

1 stand div. violin II

1 sole

viola

cello

cb

[vc 5-8 con sord.]

( )

( )

( )

sim.


II 109

110

111

piccolo

flt 1,2

ob/en hn

clar 1,2

bs cl

bn 1,2

contra

horns

tpts

tbn 1,2

tbn 3,4

tuba

sus cym sn dr

timp

harp

piano

(3 vlns) violin I

(1 stand)

unis.

violin II

(1 vla)

viola

(div.)

1 solo

cello

cb

pg. 28 112


II 113

114

pg. 29 115

116

piccolo

flt 1,2

espr. (solo - col vc)

ob/en hn

clar 1,2

bs cl

bn 1,2

contra

horns

tpts

tbn 1,2

tbn 3,4

tuba

sus cym sn dr

timp

harp

piano

CUE 1. solo violin I

back 1/2 - con sord. violin II

(front)

viola

(div.)

con sord.

(back 1/2)

(1 vc)

(1 solo)

cello

cb

vc 2-4 (senza sord.)

solo espr.

vc 5-8 con sord.


II 117

118

pg. 30 119

120

piccolo

flt 1,2

ob/en hn

clar 1,2

bs cl

bn 1,2

contra

horns

tpts

tbn 1,2

tbn 3,4

tuba

sus cym sn dr

timp

harp

piano

CUE solo

violin I

front 1/2 - con sord.

violin II

(back 1/2 - con sord.)

sola viola {back 1/2)

sempre vc 1 & 2

soli espr.

solo cello

(5-8 con sord.)

(5-8 mutes off)

cb


II 121

pg. 31

122

123

piccolo

flt 1,2

ob/en hn

clar 1,2

bs cl

bn 1,2

contra

horns

tpts

tbn 1,2

tbn 3,4

tuba

sus cym sn dr

timp

harp

piano

play solo

gli altri violin I poco

(front 1/2 )

violin II (back 1/2 )

viola

(senza sord.) vle 2,3,4

{back 1/2)

vc 2 & 3 (2 vc soli) cello

(div.)

vc 4-8

(senza sord.) 1 solo

cb

poco

gli altri

I (sounds 8va)

124


125

II

part 3B Quartet

pg. 32

126

127

128

129

piccolo

flt 1,2

ob/en hn

clar 1,2

bs cl

bn 1,2

contra

horns

tpts

tbn 1,2

tbn 3,4

tuba

sus cym sn dr

timp

harp

piano

very little vibrato

non vib. solo

violin I

( 1 solo remove mute)

violin II

niente!

very little vibrato sola viola

very little vibrato

2,3,4

vc 1 solo

very little vibrato

vc 2,3

poco

cello

vc 2,3

solo cb altri


II 130

131

132

pg. 33 133

piccolo

flt 1,2

ob/en hn

clar 1,2

bs cl

bn 1,2

contra

horns

tpts

tbn 1,2

tbn 3,4

tuba

sus cym sn dr

timp

harp

piano

solo

violin I

1 solo

violin II

1. sola viola 2. sola

1. solo cello

cb

very little vibrato

134

135


II 136

137

138

pg. 34 139

140

141

piccolo

flt 1,2

ob/en hn

clar 1,2

bs cl

bn 1,2

contra

horns

tpts

tbn 1,2

tbn 3,4

tuba

sus cym sn dr

timp

harp

piano

solo

violin I

1 solo violin II

add other viole 1. sola viola 2. sola

1 solo cello

cb


142

(molto rit) part 4

II

=81

143

144

pg. 35 145

146

147

piccolo

flt 1,2

ob/en hn

clar 1,2

bs cl

bn 1,2

contra

horns

tpts

tbn 1,2

tbn 3,4

tuba

sus cym sn dr

timp

harp

piano

(molto rit)

=81

solo

(gli altri unis.) violin I

front 5 vlns (senza sord.) 1 solo violin II

all mutes off

back 5 vlns (senza sord.)

altri

1. + altre viola

(vle - all mutes off)

tutte div.

espr.

2. sola

tutti unis. cello

1 solo

div. cb

espr.

(unis.)


II 148 piccolo

flt 1,2

ob/en hn

clar 1,2

bs cl

bn 1,2

contra

horns

tpts

tbn 1,2

tbn 3,4

tuba

sus cym sn dr

timp

harp

piano

tutti unis. (senza sord.) violin I

violin II

viola

cello

cb

back 5 vlns

149

150

pg. 36 151

152

153


II 154 piccolo

flt 1,2

ob/en hn

clar 1,2

bs cl

bn 1,2

contra

horns

tpts

tbn 1,2

tbn 3,4

tuba

sus cym sn dr

timp

harp

piano

violin I

front 5 violin II back 5

viola

cello

cb

div.

155

156

pg. 37 157

158

159


II 160

161

pg. 38

162

163

piccolo

flt 1,2

ob/en hn

clar 1,2

bs cl

bn 1,2

contra

horns

tpts

tbn 1,2

tbn 3,4

tuba

sus cym sn dr

timp

harp

piano

violin I

front 5 violin II back 5

sonoro

viola

div. a 3

sonoro

cello div. a 4

sonoro

div. cb

sonoro

164

165


II 166 piccolo

flt 1,2

ob/en hn

clar 1,2

bs cl

bn 1,2

contra

horns

tpts

tbn 1,2

tbn 3,4

tuba

sus cym sn dr

timp

harp

piano

violin I

front 5 violin II back 5

viola

cello

cb

167

168

pg. 39 169

170

171


II 172 piccolo

flt 1,2

ob/en hn

clar 1,2

bs cl

bn 1,2

contra

horns

tpts

tbn 1,2

tbn 3,4

tuba

sus cym sn dr

timp

harp

piano

violin I

violin II

viola

cello

cb

173

174

pg. 40 175

176

177


II 178

179

pg. 41

180

181

piccolo

flt 1,2

ob/en hn

clar 1,2

bs cl

bn 1,2

contra

horns

tpts

tbn 1,2

tbn 3,4

tuba

sus cym sn dr

timp

harp

piano

3 violin I

3

violin II

viola

cello

cb

182

183


II 184

185

part 5

186

187

piccolo

flt 1,2

ob/en hn

clar 1,2

bs cl

bn 1,2

contra

horns

tpts

tbn 1,2

tbn 3,4

tuba

sus cym sn dr

timp

harp

piano

espr.

violin I

espr.

violin II

espr. espr.

viola

espr.

espr. 3 soli con sord.

cello

vc 4-8

sul E 2 cb cb

pg. 42 188

189


II 190 piccolo

flt 1,2

ob/en hn

clar 1,2

bs cl

bn 1,2

contra

horns

tpts

tbn 1,2

tbn 3,4

tuba

sus cym sn dr

timp

harp

piano

violin I

violin II

viola

(3 vc) cello (5 vc)

cb

191

192

pg. 43 193

194

195


II 196 piccolo

flt 1,2

ob/en hn

clar 1,2

bs cl

bn 1,2

contra

horns

tpts

tbn 1,2

tbn 3,4

tuba

sus cym sn dr

timp

harp

piano

violin I

violin II

viola

cello

cb

197

198

pg. 44 199

200

201


II

=135

202

203

204

faster piccolo

flt 1,2

ob/en hn

clar 1,2

bs cl

bn 1,2

contra

horns

tpts

tbn 1,2

tbn 3,4

tuba

sus cym sn dr

timp

harp

piano

faster

=135

1st 2 stands div. sul tasto

1st 3 stands

violin I

violin II

poco sul pont.

viola

tutte con sord.

poco sul pont.

cello

2 soli

(low octave only) cb

pg. 45 205

206

207


II 208

209

pg. 46

210

211

piccolo

flt 1,2

ob/en hn

clar 1,2

bs cl

bn 1,2

contra

horns

tpts

tbn 1,2

tbn 3,4

tuba

sus cym sn dr

timp

harp

piano

1st 3 stands

dim.

violin I

dim.

dim.

violin II

viola

cello

dim.

dim.

cb

dim.

212

213


II 214 piccolo

flt 1,2

ob/en hn

clar 1,2

bs cl

bn 1,2

contra

horns

tpts

tbn 1,2

tbn 3,4

tuba

sus cym sn dr

timp

harp

piano

1st 3 stands

violin I

violin II

viola

cello

cb

215

pg. 47 216

217

218

219


Serenada Schizophrana III "A Brass Thing"

q=214 part 1 1

 

  Oboe  Flute

  1& 3 

Cor Anglais/ Oboe Clarinet1

2

8 4

1.only

mp

  

 

 

Danny Elfman

4

Alto Saxophone

3

orch S Bartek

7 4

poco

   

mp

  

 

 

 

  the kit plays part  

   

   

   

PERC 4 Hi T.Blocks

PERC 5 Chimes

 

 

 

 

Bassoon

   Horn in F 

Contrabass Bassoon

  Trumpet in Bb  Horn in F

  Trombone

Trumpet in Bb

Bass Trombone

   Timpani  Tuba

  PERC 1 Wood Blocks 

Drum Kit OPT alternate

PERC 1 Snare Drum PERC 2 2 Sus Cymbals Piatti PERC 2 Hi T. Blocks

 

8 4

if drum kit plays Tacit snare ONLY when the kit plays part

  PERC 3 Lo T. Blocks  PERC 3 if drum kit plays Hi Hat/Cymbals   Tacit HiHat ONLY when PERC 4  Shaker  PERC 4 Glockenspiel  PERC 2 Vibraphone

 PERC 5  Cymbals 

Keys 1 Piano 1

Keys 2 Piano 2 Synth 2

Keys 3 Synth 1

Harp



  

 

SYNTH CELESTE

MUSIC BOX

  

7 4

Bb B Clari/ Bb Clari

8 4

poco

8 4

   

q=214  

1

Violin I

Violin II

Viola

Viola

Violoncello

Double Bass

    

  

8 4

2

part 1 pizz.

p pizz.

p

senza sord.

senza sord.

 

 

 

3  

 

 

 





 

pizz.

senza sord.

p pizz.

senza sord.

 

  

 

p pizz.

 

 

senza sord.

4

 

    

    

 

    

    

    

7 4

    

    

    

 

    

    

8 4


2

Serenada Schizophrana III 5

  Fl.

 Ob.

C. A.

Cl. 1&3

B. Cl./ Cl. 2

 

8 4

6  



 

mp

8

  

7

cue

 p





mp

poco

 

p



 



 



 Tbn.

marcato

marcato

marcato

Bsn.

Cb. Bssn

Hn.

Hn.

Tpt.

Tpt.

B. Tbn.

Tba.

Timp.

PERC 1 S. D.

PERC 3 H.H / Cym.

     

4 4

8 4

 

   mp

  

  

  

    mp

  

  

  

 mp







4 4

Hp.

5

Vln. I

Vln. II

Vla.

Vc.

Db.

      

  

8 4

6   tutti

 

   

   

 

   

   

   

7    

   

   

 

   

   

   

8    

   

   

 

   

 mp

mp

mp

 

mp

4 4


3

Serenada Schizophrana III 9

 

Cl. 1&3

B. Cl./ Cl. 2

Bsn.

Cb. Bssn

Hn.

Hn.

Tpt.

Tpt.

 



 

 

PERC 1 S. D.

PERC 3 H.H / Cym.





  

 

     



4 4

 

  

  

 

mf



mf

 

 

 

 

 

 

mute



  



  



mf

8 4

       mp 3

  mutes mp

 mp

     poco 

Bring Out Trombone 1 as Melody

5.6. .

 mp

  

  

1.3. 2.4.

mute

   

mute 3

 



 

B. Tbn.

Timp.

2 4

 Tbn.

Tba.

8 4

12 



C. A.

4 4

11 

Fl.

Ob.

Section 1b

10

   poco 

 poco

      

 

3

     

3

    5.only

  

1.3. only

    

 

  

  

 

ppp

ppp

mf

mf

  

  

 

 

   subito p

  

  

  subito p 

  

  





subito p

 

  

  

  

   

2 4

       

 

7 4

 

7 4

Hp.

9

Vln. I

Vln. II

Vla.

Vc.

Db.

      

4 4

10  

8 4

Section 1b

11

12

 

2 4

 

 

7 4


4

Serenada Schizophrana III 13

  Fl.

 Ob.

C. A.

Cl. 1&3

B. Cl./ Cl. 2

Bsn.

Cb. Bssn

Hn.

 

14

7 4

8 4

 



mp

 





Tpt.

Tpt.

 

 





 





 







mp



 





1.3.2.4 (mutes)

mf







  

 mp





   

  

mf

     

  

Bring Out Trombone 1 as Melody

 



 mf 

7 4

 



 

     

mf

poco







 

  

open

mf

open

 









 









   mf

  



  



  



  







mf

mf

open

mf

mf

    mf

poco

mf

5.6. open

 

B. Tbn.

PERC 3 H.H / Cym.

mf

PERC 1 S. D.

 Tbn.

Timp.

8 4

mp

Tba.

16

7 4

mp

Hn.

15

  

 poco



poco

8 4

mf



 mp



mp



 

 

  

 



  

  

  

Bring Out Trombone 1 as Melody



mf



mf





7 4

  

 



  



mf

  

mf

8 4



mp

 

mp

mp 

  

Hp.

13

Vln. I

Vln. II

Vla.

Vc.

Db.

      

7 4

14  

8 4

15  

7 4

16  

8 4

 

 


5

Serenada Schizophrana III 17

18

 

19



C. A.

   

Hn.

 

 

 

 

  

 

 

   

 

  

 

 

 Tpt.  Tpt.



  Tbn.  mf    B. Tbn.   f

Tba.

Timp.

PERC 1 S. D.

PERC 2 Piatti Cym.

PERC 3 H.H / Cym.

PERC 4 Shkr/Piatti 2 Cymb

 

mf

 mf



 

 

 

 

 

 



 

 

 





  



     

4 4





pp





pp

  

      



 



poco

 

 

 

 

 



 

 

(mutes)





1.3. 2.4. poco

mp

  

 

 

  

     

   



    

     



   









   



   

8 4

  

f

    

  

 



poco

f

1.3. only

  





pp

mp

 

subito mp



subito mp

  

subito mp

med sus cymb  w/med mallet 

  

  





 

 

p

4 4

  



 

19



18

 



f

 

 

1.3. only

poco

  

  

8 4

20

4 4

 

  

poco

Bring Out Trombone 1 as Melody

 

 Vln. II  

Db.



poco

 

 

  





 

 

  

17

Vc.



Vla.

  



 

Hp.

Vln. I



  

poco

mf Hn.



 

mf

Cb. Bssn

mf

Bsn.

  

mp

 Cl. 1&3   B. Cl./ Cl. 2



mp

Fl.

Ob.

20

 

8 4


6

Serenada Schizophrana III 21   Fl.

Ob.

C. A.

  

Section 2a

8 4



B. Cl./ Cl. 2

Cb. Bssn

Hn.

Hn.

Tpt.

Tpt.

Tbn.

  

  

 



 

 



Timp.

PERC 1 S. D.

PERC 2 Piatti Cym. PERC 3 H.H / Cym. PERC 4 Shkr/Piatti 2 Cymb PERC 5 Chim.

     

  

     

8 4

 

mf

Vc.

Db.



 





f

f 2.3. Harmon Mutes

  

  

  

f

 

f



f

 

  

   

1. only

 

          









   





mf

 1.2.

 

pp

mf

1.3. 2.4.

     mp

    

     

1.3. only  



    mf







   f   

  

f



 

 

f

f

 subito p

 



    

    

   

subito p

subito p

 



    

 

 

2 4

 

 



 

 

 

 





 



subito mf

7 4

subito mf

 

f

 f

 f

 

23

2 4

 





 

mf

8 4



24 

7 4

 

 





22



mf















2.3. Harmon Mutes













f

very MUTED w/ leather hard mallet



mf

 



f

  



mf

 

mf

f

f

1.3.2.4.

subito mf





mf

     

f

 

 

pp

f

  

 

8 4

 

mf (mutes)



1.2.

mf

f

Section 2a

8 4

7 4

 

 

sus cymb w/ med hard mallet

 

    

mp

1. Harmon Mute

 Vln. II   Vla.

1.3.

 

21  Vln. I  



f

 

24

2 4

f

  Hp.



mf

 

f



23 

mf

Tba.

22



f

mf

mf

B. Tbn.

1.2.

 

  mf



 

1.2.

f

mf

 Bsn.

 

 

 Cl. 1&3 

1.2.

 

  

8 4


7

Serenada Schizophrana III 25

  Fl.

 Ob.

C. A.

Cl. 1&3

 

8 4



Hn.

Hn.

  

   

2.4.

  



  

 

PERC 1  S. D.   PERC 2 Piatti Cym. PERC 3 H.H / Cym. PERC 4 Shkr/Piatti 2 Cymb PERC 4 Glock.

PERC 5 Chim.

 

8 4

 

Vc.

Db.

  

  

p

pp



 

 

 

 











 

 

 

 



 

 

 

 







mf

    mf    mf   mf

   mf 

     mp



 

  2.only 

(1.3.)

   p

   pp

1.2.3 to mutes

 

 subito mf

4.5.6. to mutes

4.5.6

 

subito mf

   

 



mp

  

4. 5. 6.

  

   

  

  

open

open



1. Harmon Mute

2.3. Harmon Mutes





subito mp

    

  p

 

 

 

  

 

 p

2 4

  

 p  

   

pp

  

subito

   subito mf   mf 

subito mf

7 4

 

 

mf

  

 



   



 

 



mf













mf

 

 



       

 

mf

subito mp

1. 2. 3.

  

mf

 

  mf    

open

    mf    mf  mf

 



5 4

 

 

 

 

 

 

 

 

 





 

 

w/ med mallet







 

 

 

  

8 4

26  

2 4







27  

7 4



 



  p

8 4

 Vln. II   Vla.

25

Vln. I

  Hp.

1.3.

 Tbn.

Timp.

  



 

Tba.

5 4



3.

 

B. Tbn.

 

28

7 4

mp

 Tpt.  Tpt.

 Bsn. Cb. Bssn

 

27

2 4

 

A. Sax.

B. Cl./ Cl. 2

26

8 4



p

 





28  

5 4

 

8 4


8

Serenada Schizophrana III   Fl.

Ob.

C. A.

Cl. 1&3



30

8 4

31

32 

    mf



 

   

         mf

mf



 

   

 

 

 

mf B. Cl./ Cl. 2

Bsn.

f

 f  1.2.  Hn.

Cb. Bssn

marcato

Hn.

Tpt.

 

 

 

 

 

marcato ord





mf 3.4.5.6

Cuivre

mf

f

 f

 



open

f marcato

B. Tbn.

Tba.

Timp.

Dr Kit opt alt

PERC 1 S. D. PERC 2 Piatti Cym. PERC 2 3 W.B./ HI T. Bl. PERC 3 H.H / Cym. PERC 4 Shkr/Piatti 2 Cymb

     

Hp.

f marcato

8 4

Vla.

Vc.

Db.

poco cresc.

  

               

  

   

8 4

 

 

 

 

 

 

  

 



 

 

 

  

mf



 

                

     

         

     

         

      

     

   

                 

      

   

 

 

 

 



 

 

 

 

 

  

 mf

 

 

 

 

    

 

 

  

   mf        

PLUNGER MUTE

 

  

    

               

 

 



       

       

       



 

  

  



 

  

 

   

 

      33        

 

3

   1.2.3.

 



     



3

          

     

      33        

     

3

  

4.5.6.





 

   

 

 

          



       



  3



mf

     

     

     

 

 

mf

        

        

  

 

 

  

 

  

  

 

  

   

   

   

   

   

 

 

 

Part 2b

30

32

31

 

 

f

f

f



f

 f mf

                   

f

 

 

f

p

p



         

 

f

f

mf

 

mf

f

         

  rip         

  rip  

Med Wood Block

 



 

 Vln. II  



mf



 

 

 

mf

mp

 let ring

29

Vln. I

f

mf

  

      mf    mf     mf 



PERC 4 Glock. PERC 4 W.B. Hi T. Bl.



 marcato    f mf marcato  mf    Tbn.  Tpt.

 

mf

   



   





Part 2b

29

f

 f

 

f

f

    mp

 

 






9

Serenada Schizophrana III Part 3a 33   Fl.

Ob.

C. A.

34 

 





WAH w/ Plunger and Growl

 

   

 

 

    mf   Dr Kit  

PERC 3 H.H / Cym. PERC 5 Chim.

 





    

 mutes

mutes





 

 

 

mp



 

mp very MUTED w/ hard mallet

 

     

1.2.3.

3

   

    

    

  

  

mf

f

4.5.6.

  

 

mf

cuivre

    mf

3

   

3

   

   

mp

 

  











 



mf

 

      f    f   

 

   

3

   

  

   

  



  



3

3

slightlygrowly  andbrassy    

 

   

           







mf

mf





 

  

 

mf

mf

  

   

 

 



 



mf

 

 

  

 

 1.2.3.

         

  3

     mf

   

    

4.5.6.

3

mp

3

3

   3

  

   

 

f

f

 

3

  

   

  



     

     

 f     f  

  



mp

  Hp.



 

mp

 

 

       

w/Stick on the Bell

opt alt

PERC 2 Piatti Cym.

 

2 4

mf

mf

mf w/ med mallet poco cresc.

 

 

open

slightly growly and brassy to bar 58

Timp.

PERC 1 S. D.

slightly growly and brassy to bar 58

mf

 

   Tbn. 

mf

Tba.

mf

   

B. Tbn.

Tpt.

mf

Tpt.

 

mf

 Hn.  Hn.

mf

 Bsn.

Cb. Bssn

36

 Cl. 1&3  B. Cl./ Cl. 2

35

 

 

 

 

 

     

  

          

  













 

 

  

  

  

 

 

  

 





 





  

 





2 4

Part 3a 33  Vln. I  

34

 Vln. II   Vla.

Vc.

 col legno     mf

mf

 col legno    a1

   pizz. pizz.

Db.

mf

a1

 

  

35

36

   

  

   

  

   

  

   

  

   

  

   

  

   

  

   

  

   

  

 

 

     

   

  

   

  

   

  

 

 

     

2 4


10

Serenada Schizophrana III 37

  Fl.

Ob.

C. A.

  

2 4

 



Cb. Bssn

Tpt.

Tpt.

Dr Kit opt alt

PERC 1 S. D.

PERC 2 Piatti Cym. PERC 3 H.H / Cym.

PERC 4 Glock.

PERC 5 Chim.

Hp.

  

  

 

 

   

mf



     





1.2.3.

      

   

4.5.6.

  

3

pp

   mf

  

Vc.

Db.

   









3. ONLY

2 4



  

      

 

 f



  

 







f

mf

 

 

     

    

   

   

    

    

    

mf

mf

mf

p

p

  

p

mf

  f     

 





mp 3



    mp

3

    mp

     

 

  

 



cuivre 3

     f

3

    

  

8 4



3



     3

    

 

3

3

  









mp







 

6 4





3

pp 3

     

mf



3

pp

     

            







 











 



 

 

  

  

2 4







 simile

 simile

 simile

 

7 4

 





  



   

    



   

   

   

   

   

8 4

 

mp

39

38 



    



mf

   

poco



 



 





mp



 

3

  

 

 

4.5.6.

   

 



 



  

mf

  



 

mf

  

   

   mf    mf

 

  

mf

mf

  

   

 



mf

 

mf

  

poco

 

mf

 

mp

f

   

  

 

  

mp

f

  mp 

8 4

mf

     

 

 

p

 

 

 

 

     

f

f

    mf  

f



    

 

    

mf

    f

  

mp

 

mf

7 4

2. TO PLUNGER MUTE     

 

 

mf

6 4

 

 

 Vln. II   Vla.

mp 3

37

Vln. I

   

p

  

simile



   

p

      mf



 

   

mf

Timp.



     

  

 

40         

p

  

simile

 Tbn.

Tba.

mf

       

   



B. Tbn.

p

       

p

 Hn.  Hn.

Bsn.

8 4

         

p



7 4

 Cl. 1&3  B. Cl./ Cl. 2

39

38



40

8 4

    

  

  

  

  

  

  

  

6 4

8 4

     

  

   

 

 

   


11

Serenada Schizophrana III 41

  Fl.

Ob.

C. A.

Cl. 1&3

B. Cl./ Cl. 2

Bsn.

Cb. Bssn

8 4



      



 Tpt. 

1.2.3.

3

cuivre

3

3

3

3

3

3

                f  pp

                      

3

mp 1Plunger Mute in

mf 2.Plunger Mute in

Tpt.



B. Tbn.

Tba.

Dr Kit opt alt

  

PERC 1  S. D.   PERC 2 Piatti Cym. PERC 2 3 W.B./ HI T. Bl. PERC 3 H.H / Cym. PERC 4 Shkr/Piatti 2 Cymb PERC 4 Glock.

PERC 5 Chim.

Hp.

 

 



 

 



8 4



 

  

 

   

 

 

 

  

  

    

 

 

 

poco cresc.

 



Vln. II

Db.

       mf  



 

    



      

      

  

 

              

    



 

 

  p           

  

  

     

  

     

  

 





  

  













 









 

mf

 

mf





  

 

  

 

 

 



8 4

divisi

  mf

divisi

5-8 Pizz



mf

divisi col legno



mf divisi Pizz

1-4 Snap Pizz



mf

  

mf

 

 

   

   

43 

    

   

  

    

   

    

   

  

   

         

   

    

   

    

    

  

 f

 f

1.2. Snap Pizz 5.6. Pizz

 

 

3.4. Snap Pizz 7.8. Pizz

 

 

 

f

f

f



4 4

Part 4a 44

mf

 

42





poco cresc.

   

mf





mf



   

 

mf



  mf  

 



mp

mf

mp

 

 

f

mp

   

f

   

  

       



   

 f    f

     

 

mp

f

                                      

              

 

   

                 f                 mp            

        

 

   

                  f

 



Vc.

   

 

 Vla.  Vla.

mf

    

4 4

a2 1.&3

                                                      

41

Vln. I

  mf  

            mf             mf         

 

poco cresc.

mf



poco cresc.

     

OPEN

mf

    



 

 

poco cresc.

 

  

mf

 Tbn.

Timp.

43

 Hn.  Hn.

42

Part 4a 44

   

   

    

    

    



 

    

arco Marcato

 

arco Marcato

tutti arco Marcato





 

                 ff                  ff

                

ff arco Marcato

CUE7..Snap 8. Pizz f 1.2. Snap ff 3.4.5.6 Pizz

 f

          

          

    

4 4


12

Serenada Schizophrana III 45

  Fl.

 Ob.

C. A.

Cl. 1&3

B. Cl./ Cl. 2

Bsn.

 

46

4 4

   



Hn.

Tpt.

Tpt.



Timp.

PERC 2 Piatti Cym.

Hp.



Vln. II

Vla.





4 4

 



  



 

 

 

    mf



 

 

    

  





 

 

mp



 

 



mp

mp

f

  

   

  

 

8 4



 



     

  f



 

 





f

     

      

  

   

    







 

 

 

 







 



 

 

    

 

mp

      



mp

f

  

  



     

  

mf

 

     

mp

f

 

 

      

   

  

f

mf

           

f

mf

   

 

  



      







 

 



 

 



2 4

 

 

       

Vc.

46

4 4

ARCO

       ff 

8 4

47        ARCO

       ff





3 3 3 3                             

                  

  

 

  

 3  3    3   3                           

      

 3        







7..Snap   8. Pizz               



            

3.4.5.6Pizz 

          3

     

        

f

7 4

  3 3                              3 3

 

CUE

2 4

                  3

 

            

7 4

48 3



        

1.2. Snap

Db.

mf

45

Vln. I

    

mf

 

 

 

  



mf



 

          

7 4

    mp

f



    

2 4

         

             

mp

flutter

 

        

 

 Tbn.

Tba.

 

 

 

B. Tbn.

f

 

  

 

 

                  

mp

Hn.

flutter

           

mp



48

mp

Cb. Bssn

8 4

47

3

3


13

Serenada Schizophrana III 49

  Fl.

 Ob.

C. A.

Cl. 1&3

B. Cl./ Cl. 2

 

50

7 4

  

           

                   

 Bsn.

mf

Cb. Bssn

Hn.

 

mf



 

 

 

mf

Hn.

Tpt.

 

 

 Tbn.

    mf

Tba.

Timp.

Keys 3 Synth. 1

Hp.



 

 

   

 

 

7 4

mf



Vln. II

Vla.

                

 

 

     

         

     mp

 

 

f

mp

 

 

mp

f

 

       

f

       

 



 

 

mp

  

            

 

 

 

  



  

 

 

    

  

  

  



f

    

 

 

 

  

  



  

8 4

  

mf

 

 

 

 

 

  

mf

mf

   



 

   

mf

 





 

 

  

 





  



2 4

 



4 4







 

 

     

8 4

 3 3 3                      3

                      3

3

3

3

51                                  3

3

3

3

                           3

3

3

3

3 3 3                               3

3 3  3                                3

2 4

4 4

 

 

 

 

   

  

  





  

  





 3    3    3    3                     

 3   3 3     3                            

       

       

   









3 4

52

Vc.

7 4

mf

50

 

 

mf

SYNTH CELESTE

      

 

mf



   

mp

f

mp

f

    

 

   

3 4

mf

 

f

   

 

          

  

    

f

  

 

  

 

a2 1&3

         



Db.

f

    

  

 



f

 

 

 

 

49

Vln. I

4 4

f

mf

 

 

2 4

  

B. Tbn.

52

mf



Tpt.

8 4



51

3 4


14

Serenada Schizophrana III 53

  Fl.



 Ob.  C. A.

Cl. 1&3

B. Cl./ Cl. 2

3 4

 

     mf

mf

   



 

 

    



8 4

mf

Tpt.

Tpt.

   mf

  

f

  

  

mf

Timp.

Dr Kit opt alt

PERC 1 S. D. PERC 2 Piatti Cym.



    

 

     



  

   

 



  



  

mf

mf

mf

mf

 

  

3 4

Hp.

    mf

 

 

   PERC 4 Glock. 

Keys 3 Synth. 1

mf

 

mf very Muted

  mf

Vln. II

 

 Vla.  

 tutti

Vc.

Db.

 



   

 

       

  

 

 

      

 

f slightly accented beats 1-3-5-7

  

  

slightly accented beats 1-3-5-7

  

  

        

  

mf

mf

 

f



  





           

poco



  



3

   

3

   

f

   

  

   

sf

 

 

       poco

   poco



GROWL

 

 

  

 

 

  

   

 

f

    sf

    







 

       

 



   

  

  

  

  

  

  





 

8 4

 f

 

f



f

  f

  f  f

  

       

    

      

    

      

    

  

    

     

       

     

 

   

    

 

 

 



 

         



   

     

55

Part 4b

  



 

  

     



  



  

mf



1.2. rip

poco

GROWL

   



  

   





     

  

 

     



  

    

     



  

   

     



  



   

 







   



  

f

  f 

  

 

tutti



  

 f

f



 

54







3 4

     

 

   

53

 Vln. I  

8 4

MUSIC BOX

f

  

f

PIATTI

 

mf

 

   mf

GROWL sf    

  

         

poco



mf

       

3

   

f

3



 

PERC 3 H.H / Cym.

PERC 5 Chim.

f

f

  





                  mf                                  mf

mf

     f             

  

  

 



mf

 Tbn.

Tba.

             

          

mf

 

B. Tbn.

       

56

mf

f

         

mf

 Hn.

Hn.

55

mf

 Bsn. Cb. Bssn

Part 4b

54

56             

   

            

     

   

     

   

 

 

 

                                                                         


57 A     Fl.      Ob.   

     B. Cl./  Cl. 2      Bsn.

Cb. Bssn



1.2.       3.5.  4.6. Hn.   Hn.

Tpt.

 

sf

Tbn.

      Tba.     Timp.  

B. Tbn.

  PERC 1 W. Bl.  PERC 1 S. D.



   PERC 3 Low T. Bl.  PERC 3 H.H / Cym.   PERC 4  Shkr/Piatti 2 

  

                 



            

  rip      

 rip                 rip          

GROWL



 Tpt.      

Dr Kit opt alt

                

  



   

  PERC 5 Chim. 

Keys 3 Synth. 1

Hp.

        rip

4 4

  





ff

ff

  

 

  

ff

 

                

4 4

 

p p









3

  

   

   



3

 

 

 

  

 

           3

p

          

    

 

p

3

    

  

 

 

 

   

            ff

    ff

 divisi  

 divisi     divisi   divisi

          ff

divisi

          divisi ff            ff     

ff

q=107

58

4 4

    

a10

subito p a4

   

a5

   subito p

59

          

 



   

  

 

  





  

  





















3

3

 

 

 

mp

        



                       Vc.                  Db.

  

mp

p soft mallet open



p 3

  

mf

       

 sus w/  med hard mallet   

SYNTH CELESTE

Temple Blocks

  

  Vln. II    

60

 

59

ff

  

 

Vla.

ff

58

ff

   

Vln. II

   ff   ff    

 ff  rip      



57 A   Vln. I  Vln. I

ff

                     

   

  

ff

  

   

     ff    

      ff      ff    

  

PERC 2 3 W.B./ HI T. Bl.

Cymb PERC 4 Glock.

                                         



  Cl. 1&3  C. A.

     

    

ff

15

Serenada Schizophrana III q=107 HALF TIME

  

 

60

        











 











  

   

  

                     

        

subito pp

pp

a5

          subito p poco            subito p

 

subito p

   

   

p

     

 

 

   

   

   

       

 

 

 

       poco        

       

p


16

61

Fl.

Ob.

C. A.

Cl. 1&3

B. Cl./ Cl. 2

Tpt.

Tpt.



     

   

 Tbn.

Timp.

PERC 1 W. Bl. PERC 2 3 W.B./ HI T. Bl.

 

  PERC 4  Shkr/Piatti 2  PERC 3 Low T. Bl. Cymb

PERC 4 Glock.

PERC 5 Chim.

Keys 3 Synth. 1



 p

3 3





Vla.

  

 Vc.

Db.

poco

   

  

 

 

 

 

 

 

 

  



legato



mp

 

 





 

legato

mp legato



mp



 3



3

  

mp







mp

mp

Low Wood Block

 

mp



               

2 Wood Blocks

 METAL SHAKER

mp SYNTH CELESTE Play 8va 

 

 Med Wood Block

 

mp



 

 



 



 

 



CUE

 

 



mp









 









 

 

63

64





Section 5a 62

  

            

 







 



 

  

 

  

3

mp legato

 



mp legato

  

3

 

legato

  



mp

       



a1

3 mp



 







legato

3



Vln. II



        



Vln. II

legato mp

61          Vln. I  Vln. I

open, mutes off 2.4.6.

  

 

mp

 

Hp.

open, mutes off 1.3.5.

   



 legato

B. Tbn.

Tba.

64

 Hn. Hn.

63

 

 Bsn.

Cb. Bssn

Serenada Schizophrana III

Section 5a 62

 


17

Serenada Schizophrana III

Fl.

Ob.

C. A.

 



  

  

B. Cl./ Cl. 2

Bsn.

Cb. Bssn

Hn.

Hn.

Tpt.

Tpt.

   







Dr Kit opt alt

 PERC 1 W. Bl.   PERC 2 Piatti Cym. PERC 2 3 W.B./ HI T. Bl. PERC 3 H.H / Cym.

 

  PERC 5  Cym. 

PERC 4 Shkr/Piatti 2 Cymb

PERC 5 Chim.

Keys 3 Synth. 1

Hp.

  

Vln. II

Vla.

Vc.

Db.

 

 

 

 

 

 

 

 

  f   

mp

f

slowly open

   

 

 

mp

   

 



3

mp

    







mp

 

mp

 

3

3

   

  

 

  

3

3

 

 

 

 

        

       

f

           f 

   

  

  

  

 



 

  

 

3

mp

   

 







 



  



3

3

3

  

  

3

3

 

    3  

 

 

 

 3

  

67

 

PIZZ

PIZZ

PIZZ

PIZZ

 

68 

mf divisi mf divisi

mf

mf



 

 

 

 

 



 





Section 5b 



3

66



               

   

    3   



   

            

3

 

 

 

 



mp

 

 

mp

mp

mp

  





3

 

         

f

3

 

3

 

 

       

            

 

         

f

 



       

               

3

 

  



mp

      mf    

 

3

 3  



  

               

 

cymb w/stick on bell

mf

slowly open

  mp    

 



         

mf

   

 

 f  

   

mp

 

   

   

HH

               

mf

mp

mp

 

    mp 

68 

mp

3.5. open 4.6. open

67



1.2 Mutes

65

Vln. I

 

1.2 Cup Mute wah

     

 

 

f

  



1.2 Cup Mute wah

 Tbn.

Timp.



Clari 3 to Alto Sax

 

Tba.

f



mf



B. Tbn.



 





 

  



 Cl. 1&3    A. Sax.

Section 5b

66

65

3

3

   


18

Serenada Schizophrana III 69 

 

 

  Fl.

Ob.

C. A.

Cl. 1&3



Bsn.

Cb. Bssn

Hn.

Hp.

Vln. II

Vln. II

Vla.

Db.



 

              

 

             

 

  

mf





       

 

 

 

 

 



   



subito p

   

  

 

 

   



 

3

 

   



   

 





  

  

 

3

 

3

 



 3

 

 

     w/ med mallet

3

 

mf

3

3

             

             

3

3

  

mf

70 Section 5c 

  

  

 



 

mf

 

 

   

subito p



mf

 mf  

 



  Vc.

 

p



69

Vln. I

2.

     Dr Kit opt alt  

PERC 5 Cym.



         

    

Timp.

PERC 4 Shkr/Piatti 2 Cymb

subito p

B. Tbn.

PERC 3 H.H / Cym.

 

mf

PERC 2 3 W.B./ HI T. Bl.

 



   Tbn. 

PERC 1 W. Bl.

1.



    Hn.     Tpt.  

Tba.

72

mf

Tpt.

71

               

A. Sax.

B. Cl./ Cl. 2

70 Section 5c

 

Pizz

Pizz

     

   

     

mutes legato

pp









tutti

tutti

divisi

subito p

(Pizz)

subito p

(Pizz)

divisi

subito p

72

71

subito p

subito p


19

Serenada Schizophrana III 73

  Fl.

Ob.

C. A.

Cl. 1&3

   

Bsn.

Cb. Bssn

Hn.

Hn.

Tpt.

Tpt.



3.

 

p

2 4

75

 poco

 poco

3 4

  

 

 

76

4 4

  

 



 

 

A. Sax.

B. Cl./ Cl. 2

74

 



 

poco





poco





 



Tbn.



B. Tbn.

 

 

 

Tba.

Timp.

PERC 1 S. D.

2 4

3 4

 

4 4

 

 

Hp.

73

 Vln. I   Vln. II

Vln. II

Vla.

Vc.

Db.



       

 tutti   



pp

2 4

75

arco legato

arco legato

pp

3 4

hamonics





 

 

pp

sul pont.

pp

76

4 4

   

pp

pp

74

 


20

Serenada Schizophrana III

Section 5d 77

Fl.

78

 



 Ob. 



C. A.

 Cl. 1&3  

A. Sax.

B. Cl./ Cl. 2

Tpt.

Tpt.

mp

 

mp

Timp.

PERC 1 S. D. PERC 2 Piatti Cym. PERC 3 H.H / Cym. PERC 4 Shkr/Piatti 2 Cymb PERC 5 Chim.

Keys 1 Pno 1.

Hp.

   

mp

 

      

 

  

 

 

  

 

  

 

mp

 



 

 

mp

 

  

 

 

      



   

 

 

























   

  

 

 

to Harmon Mute

  

  

  

 

 

 

          1.

 

  

          

mp

    

 

  

 

 Vln. I  Vln. I

Vln. II

Vln. II



Db.

 



   

  

 



  





 

  

  

2.3. open

 





 



 

  

 

 

  

  



 

 

 

 

 METAL SHAKER



    

 

 









































legato

mp legato mp legato mp legato mp arco legato





 

    

 

 

 mp

 mp

 mp



    

mp





mp

 

sus with med mallet

80

79

 

 

  

 



  

mf

 

poco

senza sord.



 

mf

mf Pizz - 1/2 section Snap

poco

Pizz - 1/2 section Snap Vc.   



 Vla.  



senza sord.

 



  



78

poco

  



 

Section 5d 77



 

 

poco

 

   



 

  

 

  



poco

mp





mp

  





poco

poco

mf

Clari 2 to Bb Clari

     

mf

( Clari 3. t ALTO SAX)

80



mp

 

     

       mp with plunger wah    

Muted

mp

 

 

  

   

 

mp

mp

  



4.5.6. OPEN

  

         

ON BELL W/ STICK  CYMBAL    

 

1.2.3. w/ MUTES



3

  Tbn. 

Tba.

      3

3

   



B. Tbn.

3

 Hn. Hn.

  Bsn. 

Cb. Bssn

79 mp      

mp

 

 

 

 


21

Serenada Schizophrana III 82

81      Fl.  

   Ob.  

Hn.

Hn.

  

  

   

   

 

  

   

  

 

   

  

 



 Bsn. Cb. Bssn

  

      

     Cl. 1&3  

B. Cl./ Cl. 2



  

  

Timp. Dr Kit opt alt PERC 1 S. D. PERC 2 Piatti Cym. PERC 3 H.H / Cym. PERC 4 Shkr/Piatti 2 Cymb PERC 5 Cym.

  

Keys 2 Pno. 2 Synth. 2

 

mf

 



Hi Hat

 



 

 

  





  

  

 

    

mf

 

  

Hi Hat

 

   

  

     

 

 

 

     



  

  

   f

  f    f     f  

       

     

      

mf

 

               

3

         

mf

 

mf



  

        

 

poco   

poco

 















 



 poco  

  

 

84

   





    

poco

  

3

       



     

mf

poco

poco

   



     

  

             

  

 

 

 

 

  

 



 





 

 

 

           

 

  

  

 

   

            

    

    

  

 

 



     poco    

  

   

  

   



  

  

    

poco

  



           

  

  



 

 

  

 

 





83

 f

 

f





f

 

  

 f

f

 

marcato

 

f



 



  

    

   

   

   







 

marcato

 

marcato

 

 





 

  







 



 

 



 

marcato

p

   p

  

 

p

 

 

mf

84

marcato

 

marcato

f

 

sus with med mallet

 

            

    

82

 

poco

  

poco

  

  

p

poco

 



p

f

   

  

   

 

 



 

   

mf



  

mf

 

  

     

   

mf

mf CYMBAL ON BELL W/ STICK

  

  

 



poco

f  

      mf   snare 

  

    

   

Db.

  

mf

  Vln. II  

Vc.

  

  

mf

Vla.

    

mf

Vla.

  

83

f



81    Vln. I 

Vln. II

f

(open)

 

 



f

f

Harmon mute

  

  

  

f

  Hp.  

Vln. I





f

  

   

 

 

  f 



 

f



mf

Tba.

f

  

f

     Tbn.   B. Tbn.

 



    



 Tpt.  Tpt.

 

f

C. A.

A. Sax.

  



 

 





  



pp





  



pp

   



  



 pp

   



  



pp

 

 

 

 

 

 

pp

  

pp

 

 



     

 pp

pp


22

Serenada Schizophrana III

Section 6 85

86

87

88

 



 



 









  Tpt. 



Fl.

Ob.

C. A.

Cl. 1&3

B. Cl./ Cl. 2

Bsn.

Cb. Bssn

Hn.

Hn.

Metal Str Mute









mp

Metal Str Mute

Tpt.    

mp

  

Metal Str Mute

Tbn.

mp

Timp.

Hp.



p

 

 

   

   

      

      

       

 p



   

  p

 3.Bass Trb 4.Bass Trb

 

 

B. Tbn.

Tba.



Section 6 85

Vln. I

Vln. II

Vla.

Vc.

Db.

86

87

88

 

 

  

 

 Metal Str Mute Metal Str Mute


23

Serenada Schizophrana III 89

90

91

92

 



 



 









  



Tpt.    

  

Fl.

Ob.

C. A.

Cl. 1&3

B. Cl./ Cl. 2

Bsn.

Cb. Bssn

Hn.

Hn.

Tpt.

Tbn.

  2. only  

B. Tbn.

Tba.

Timp.

3 only

 



 mp

 

   mp  

mp

 

 

mp

 





 





 

  







 

 





 

 





p

     p  

 

   p

 

p

   

 

 

Hp.

89

Vln. I

Vln. II

Vla.

Vc.

Db.

90

91

92

 

 

 

 


24

Serenada Schizophrana III 93

94

95

96

 



 



 









  Tpt. 



Fl.

Ob.

C. A.

Cl. 1&3

B. Cl./ Cl. 2

Bsn.

Cb. Bssn

Hn.

Hn.



p

  

 

  Tbn. 

 

 

B. Tbn.

Tba.

Timp.

 





mp

 Tpt.   p



 

   mp     

mp



  

  

 

 

 

mp





poco

 

 

poco

mp

 



poco

 



poco

mp



poco

 

poco

 



 

mp



poco

  mp

 

 

Hp.

93

Vln. I

Vln. II

Vla.

Vc.

Db.

94

95

96

 

 

  

 

poco


Section 6b 98

97  





p





p

 1. only Ob. 

p



  

 

p

B. Cl./ Cl. 2

Bsn.

Cb. Bssn



 Hn.

Hn.

Tpt.

Tpt.

Tbn.

Chorale



  

Chorale

  

p

Vc.

Db.



 

legato



 



 

 



mf

3. Bass Trb 4. CUE bass trb only legato

mf





mp

mp







4. END CUE





 



Section 6b 98

97

Vla.

Vln. II

 

  Hp.

Vln. I







p

Timp.

 3.4, mf

p



1. 2



  

 legato mf

 

B. Tbn.

Tba.

100 



Cl. 1&3

99 

Fl.

C. A.

25

Serenada Schizophrana III

99

100

 

 

  

 


26

Serenada Schizophrana III 102

101

 



legato

C. A.

Cl. 1&3

B. Cl./ Cl. 2

Bsn.

Cb. Bssn

 



 



 

     Hn.

Hn.

Tpt.

Tpt.









mp

 

 

legato

Clari 2 to Bass Clari

 















 

legato



mp







 



 

 



 



Hp.

102

101

Vln. I

Vln. II

Vla.

Vc.

Db.

103

104

 

 

 

 





 

  

B. Tbn.





mp



Timp.

Tbn.

Tba.

mp

 



104

mp legato

Fl.

Ob.

103


27

Serenada Schizophrana III 105     Fl.

Ob.

C. A.

Cl. 1&3

B. Cl./ Cl. 2

Bsn.

Cb. Bssn



Tpt.

Tpt.



    





 



  

 









 p  1.2.3.Mutes



 





mp



PERC 3 H.H / Cym.

Hp.

 

Vla.





1.

3. TENOR TRB

 

 

mp







 

 

  poco cresendo



2 4

 



   

pp

106 

accel.

107  

 

FASTER 108 q = 134 

  p

 

Harmonic (15va)



ord.

p

 

 

 p   p

p

mp

 





mp

OPEN

 

 Vc.  Db.

 





 Vln. II 

Vla.

2.



 Vln. I 

Vln. II



mp

105

Vln. I

Mutes

Timp.





pp

Tba.



2 4

mp

 Tbn.

B. Tbn.

FASTER 108 q = 134

107

p



 

 

  

accel.

 

 Hn.

Hn.

106

     

divisi

p

  p

  p

  tutti

 

 p

2 4


28

109

Fl.

 

  Ob. 

  Cl. 1&3 

110

2 4

B. Cl./ Cl. 2 Bsn.

Cb. Bssn

  

Hn.

  

4 4

C. A.

A. Sax.

Serenada Schizophrana III Section 7 111



  Tpt.  Hn.

Clari 3. to ALTO SAX

Clari 3. to ALTO SAX

Clari 2. to Bb Clari



 

 

p



mf

B. Tbn.

 

Tba.

 

mf



  

Timp. Dr Kit opt alt PERC 1 S. D.

PERC 2 Vib. PERC 3 H.H / Cym.

  

  

 

2 4

Cym.

Keys 1 Pno 1.

Keys 3 Synth. 1

Hp.

 

 

Vln. I

     

Vln. II

Vln. II

Vla.

Vla.

Vc.

Db.

      

  

 

4 4

mfp

 

 

2 4

     

Snare w/ brushes

mf

  mp  

freely

mp

mp

 

 freely

mp

mf

 

3



mp

 

    



7

   

 

 

 

 

3

   

  

3



  

    







 

3

 

  

       

       



P.D.L.T

3



3

 



    

 

 

   mp MMLOLMLM   

 



Section 7 111 mf

mf

mf

tutti pizz.

tutti pizz.

   

 

 

112 











tutti pizz.







tutti pizz.



















mf

mf tutti pizz.

mf





mf



mf

pizz.



pizz.

 mf



mf

 

 



pizz.



pizz.













mf

mf

3



3

 

3

 

mf



tutti pizz.

mf



  

          

MUSIC BOX sounds 8va

mf

3

mp

mf

4 4

mp Cymbal w/ stick on bell



110 

Snare w/ brushes

Sus Cymbal

  mf   1.&2. Metal MUTES      mf  3. Metal MUTE mf    

2.3.. Harmon MUTES



Hi Hat w/ brushes

Hi Hat w/ brushes

mf

mf

Vibes w/ med mallet- motor on fast

 

109

Vln. I

p

 

  PERC 5  

PERC 4 W.B. Hi T. Bl.

mf





mf

mf

poco









mf



mf

 Tbn.

lead with melody legit tone

mp



Tpt.

112


29

Serenada Schizophrana III 113

Fl.

Ob.

C. A.

Cl. 1&3

Hn.

Hn.

Tpt.

Tpt.



3. Alto Flute

1.only

 

 

PERC 3 H.H / Cym. PERC 4 W.B. Hi T. Bl. PERC 5 Cym.

Keys 3 Synth. 1



    

   



   

 

 



 

Vln. II

Vla.

Vc.

Db.

3



     

  

   





   

3

3

 



 

     



3



3

 

 

3



    

 

3





    

 

3







  

 

 



3

 

3

 

 



 

    

 

3

  

 

 

 

 

 

 

tutti



tutti













3





 

    







       

  3

  

 

3

 







 

   

  

   

      

3

  

       

3



3

 

    

  

   

 

  

  

 

 

 

 

3



 

116 

 





115 

 

   

3

 

 

cue



 

    

 



 

3

 

3

  3



mf

114

tutti



3







mf

3

tutti

 

3

   

mf

 



  

 

3

3

    

3

3

    

 

 



    

3

 

3

3

113

Vln. I

 

mf

    

 

3

3

  

 

 

3

  3

 

mf

3

cue

 

 



  

 



  

Hp.

 

 Dr Kit  opt alt     PERC 1   S. D.   PERC 2 Vib.

3

 

mf

 

mf



B. Tbn.

Timp.

mf

  Tbn.

Tba.

116 3 3               

 Bsn.

Cb. Bssn

115

 

A. Sax.

B. Cl./ Cl. 2

114































3

 


30

Serenada Schizophrana III 117

Fl.

   

   

    Ob.  C. A.

Cl. 1&3





 

Bsn.



Cb. Bssn



Tpt.

Tbn.

Tba.

Timp.

PERC 3 H.H / Cym. PERC 4 W.B. Hi T. Bl. PERC 5 Cym.

Keys 3 Synth. 1

Hp.









Vln. II

Vla.



  

  

     

 

 



 

 





    

 

3

  

3

 



   

       

 

   







   

open1.2.3.

open 4.5.6.

open

3

 

 

 

3

 



 Db

 



 

mp

    mp

open

 

3



    

 

3

     

 

3



3 4

 

 

 

 

3



 

 3

 

 3

 

 

    

 

 



  3

Cb

Ab

divisi

divisi

divisi

 

















 

 arco

arco

  

 

 pizz.

f

 pizz.

   f

    f

f

f



 

120 

 

4 4

 



     

   

3

119



  



 

 

 

     



    

f

f



   

    

  

  

   

   

   

    

f

118

f

   

f

3

     

3

 cue

   

 



3



 Vc.   Db.

Vln. I    Vln. II

117

Vln. I

  



     PERC 1   S. D.  

PERC 2 Vib.



4 4

Dr Kit opt alt

PERC 2 Piatti Cym.



3 4







B. Tbn.

 Tpt. 

120

 



 Hn. Hn.



119

  

A. Sax.

B. Cl./ Cl. 2



118

   

f

 f

   

   

  

  

  

  

  



  

3 4

tutti



tutti



tutti

tutti

 

  

  

  

  

  





  

4 4


31

Serenada Schizophrana III

B. Cl./ Cl. 2

Bsn.

Cb. Bssn







   

            

 Hn. Hn.

Tpt.

Tpt.

B. Tbn.

Tba.

Dr Kit opt alt PERC 1 S. D. PERC 2 Piatti Cym.

 

    

Cym.

Keys 1 Pno 1.

Keys 2 Pno. 2 Synth. 2

Keys 3 Synth. 1

4 4

open



 



mf

 

 

 

 

 

 

     

2.4.6.

  

ff

  ff

  



ff

ff

         

 



  

    

    

 

   

    

 

   

         

 

   





   

   

  

  

 

   

   









f



  

f

   

  

   

   

  

 









      

 

   





 

 

 

   

    

    

    

  

 

     

  

     

  

     



 



 



     

  



    

  

  

 

      

ss.

CUE 2.3.





   

ff

ff

ff

  

   

 



 

 

  

   



1.3.5.

MUSIC BOX sounds 8va

ff



       

 

mf

    

  

 

 

mf



  f

 

   f     f     f



 

 

     ff

open

f

gli

Hp.

         mf    f   

   

f

 

  PERC 5  

PERC 3 H.H / Cym.

  



 

  

  

  

ff

  

Tbn.

Timp.

  



ss.

Cl. 1&3

4 4

124

123

 Ob.  C. A.

Section 8 122

gli

Fl.

121  

 

   

  

    

    

  

   

  

 

         

     

 

  

     

Section 8 121  Vln. I  Vln. I



 Vln. II  Vln. II



 Vla.  Vla.

Vc.

Db.



 

 

122

4 4

   

   

ff

ff

ff



arco

legato

arco

legato

arco

 

 

ff

            ff             ff 

    

     

ff

            ff 

legato



 ff             ff

124

123

  ff arco

 

      ff      

ff

 

    

       

    

            

             

 

           

arco

 

    

     

     

  

     



 

    

 

    

legato

 

 

 

     

           

     

          unis.     

     

 

 

cello cue

  

  


32

Serenada Schizophrana III 125    Fl.





126 



127 







 



 

    

END CUE

    

mf



128 

 

2. only



 Ob. 





C. A.

Cl. 1&3

B. Cl./ Cl. 2

Bsn.

Cb. Bssn

Hn.

    

 

  

 

     Tpt. 

Tbn.

    

Tba.

Timp.

PERC 2 Vib.

Keys 1 Pno 1.

Keys 2 Pno. 2 Synth. 2

 

 

 

 

 

 

 

 







 





 







f

          

 

 

 



 3





 3

 

Vla.

Vc.

Db.



   

 

   

 

 

 

 

 

   

  

 

  

 

 

 



divisi













        mf

 

 

 

 

 



 

f

 

 

 

 









 











mf

















slightly more VIB

 

   

127 

 

 

 

 

 

 

               





                 

   

 





 





               



 





poco

               

               

               

               

               

(Play)

               

               



128

  

               

       

PLAY

mf



slightly more VIB

divisi

mf



f

CUE col Piano 1

NNMOMNNM



3



CUE col piano 2

 

 

mf







 



3

3



mf

 





 

 

   Vln. II  

 



 



 



 

 

  

ff

 

 

 

 





 

3



3



ff

3



f

mp





Vla.









mf

 



Vln. II

   

mp







126 



mp

 



Vln. I

mp

     



 



125 Vln. I

mp



 

 

Hp.

 



B. Tbn.

mf

Hn.

Tpt.

3. to ALTO Flute

mf

poco

poco

poco

poco


129

   Fl.   

 

a1

     Cl. 1&3  mp

    mp 

B. Cl./ Cl. 2

Bsn.

Cb. Bssn

 

Hn.

B. Tbn.

Tba.

Keys 1 Pno 1.

 

CUE

CUE Keys 2 Pno. 2 Synth. 2

Hp.



 

    PLAY    

 

mp

  

Metal Straight Mutes

 

Light Jazzy On the Bell Cymbal w/ stick

 

mp

 

 

 

 

 

 



mp

 legato

mp

sul tasto

mp



 

pizz.

pizz.

pizz.



a4



mp a3

 

a3 mp a2 mp a3



a3 mp

pizz.

mp

 

 

   simile  

 





 



3

3

  

 

  



 

3

 

      



simile

 poco    poco

33

3





 

    

 

 



132  



 

 

 

 









mp

3

 

  

 



 

 

 

 







 



3

 

3

131  

 

      

mp

3

 



p

mp

 

 

 

   

p

mp con sord.

 

 a4 pizz.

poco

p legato

 

3



Section 10 130 legato  a6 sul tasto  a4 

mp

3

CUE

 

mp

legato

 consord.

Db.



mp

mp

mp

  

 

    

mp

 

 

mp





mp

Vc.

    

Light Jazzy On the Bell Cymbal w/ stick snare w/ Brushes

  mp

3. Tenor TRB Metal Straight Mute

 

w/ Brushes

divisi ord.    Vln. II   mp  divisi ord.  Vln. II      mp      Vla.

Vla.

poco

divisi ord.

Vln. I

p

ord.  divisi   

2.4.6.

129

Vln. I

mutes

mp





mp





CUE only

   PERC 4 Glock. 

PERC 3 H.H / Cym.

 

PERC 1 S. D.



Dr Kit opt alt

  

Timp.



mp



Tbn.



Hn.

Tpt.

- solo





   mp  Tpt. 



2. to Alto Flute

C. A.

A. Sax.

132 

p

3.Alto Flute

p

131 

p

 Ob. 

33

Serenada Schizophrana III

Section 10 130


34

Serenada Schizophrana III 133

Fl.

Ob.

C. A.

Cl. 1&3

 

Bsn.

Cb. Bssn

Hn.

Hn.

Tpt.

Tpt.

Tbn.

  

Timp.

Keys 2 Pno. 2 Synth. 2

Hp.









 

  



 

1.only



 

 

 

   

    

3

3 3

3

 

    

    

 

  

  



3

3









 



3

 

3

 

3

3

     

 

  

 

 









3



rall.

      

    

 

  

  







3



    

3

3



 

3

      

 

  

Vln. I

Vln. II

Vln. II

Vla.

Vla.

Vc.

Db.

 

 

     

   

 

 

 

 

134 

mp

 

 

 

 



 

 

  







 

 



 



 

 



mp

 

 

 

 







 

mp

136  

 

 



 

 







 





 

135  

 

3



rall. 133    Vln. I 

3





3

poco

 3



poco

3





p







poco

    

 





poco

rall.

 

 



p





p





 

4.5.6.

p

poco

    

poco



 

poco

 

      



 

 

  

 poco

p

  

       

p

  

 

1.3.5.

 

    PERC 4 Glock.    Keys 1 Pno 1.

 



 Dr Kit  opt alt     PERC 1     S. D. PERC 3 H.H / Cym.

 

B. Tbn.

Tba.

 

p

136

2. Alto Flute

A. Sax.

B. Cl./ Cl. 2

   

135 rall.

134


35

Serenada Schizophrana III 138 SLOWER q = 110

137

Fl.

Ob.

C. A.

Cl. 1&3

    

Bsn.

Cb. Bssn

Hn.

Hn.

Tpt.

Tpt.

Tbn.

Timp.

Dr Kit opt alt PERC 1 S. D.

Keys 1 Pno 1.

Keys 2 Pno. 2 Synth. 2

Hp.

Vla.

Vla.

Vc.

Db.



p

 



   









 

   

  

p

poco

p

poco

   

  

 

 

 



  

    

 



3

3

  

3

3

  

3

 





3

3

3

 

 

   



 

  



     

 

 

 



 

 

  

 

 

 

q = 110

139





















   

   

  

con sord.

arco tutti

arco tutti

  











 



a7

a7

  p

niente

p

 

 

 poco

 

140  

p



 



p

 

 

 

niente

niente







con sord.

poco

 



p

  

138  

 

  

poco



 

p



p



  

poco



1.3.5.

 Vln. II   Vln. II

137    Vln. I  Vln. I



     PERC 4 Glock.   

PERC 3 H.H / Cym.

B. Tbn.

Tba.

140  solo

 

A. Sax.

B. Cl./ Cl. 2

139

poco

 arco

pp

poco


36

Serenada Schizophrana III 141  

Fl.

Ob.

C. A.

Cl. 1&3

Bsn.

Cb. Bssn

Hn.

Hn.

Tpt.

Tpt.

142



143 Section 11a   WoodWinds Featured

mp



p

(2.3.Flute)

WoodWinds Featured

p

PERC 1 S. D.

Vln. I

Vln. II

Vla.

Db.

mp



    







WoodWinds Featured



   

 



OPEN

OPEN

 WoodWinds Featured      mp

  

  

WoodWinds Featured

  

  



  

  

  

  

  



 



  

WoodWinds Featured

(tuba)

 



 



mp

 

142

143 Section 11a

   

 

tutti   

  



tutti con sord. arco

2 4

 

 w/stick

2 4

  

poco









p

w/stick

poco

p

 

 

 niente

   

4 4

144

p

4 4

  Vc.

141 Vln. I

 





  Hp.

 

2 4

mp

Dr Kit opt alt

 

B. Tbn.

Timp.

 

 Tbn.

Tba.

144

 

A. Sax.

B. Cl./ Cl. 2





4 4


37

Serenada Schizophrana III 145

  Fl.

 Ob.

C. A.

Cl. 1&3

B. Cl./ Cl. 2

 

4 4

146 

 



 

 

  

mp

 Hn. 

mp

clari 1&3

  

 

   

  

  

   END CUE   

mp

mf

   

   

   

   

mp



 

   

   







 Tpt. 



Hn.

Tpt.

  

 Tbn.

Tba.

Timp.

Dr Kit opt alt

PERC 1 S. D.

  

B. Tbn.

    

 

4 4

  

 

 

mf

  

  





 





 

  

 

  



mf







 

mf

 

 

mp

  

mf

  mp

  

 

 

 

mp

  

 mp



   

 

 

  

  



 

 

 

 

 

2 4



2. To Bass Clarinet

   



 

  

 

 

3 4

  



   

Vln. II

Vla.

Vc.

Db.

 

4 4

 

2 4

148  

3 4

 

 

 

mp

 

 

mp

END CUE





 

   

        

  

 

  

 

Hp.

Vln. I

mp

147



146

  

145



  

 4.5.6.

  



 

  

  

   

  

 

1.2.3

mp



 

  



mf





3 4

 

mp



  



p

  

2 4

 

148

 

 CUE 1&2   Bsn. 

Cb. Bssn

 p

p

147


38

Serenada Schizophrana III 149

150

   Fl.

Ob.

C. A.

Cl. 1&3

B. Cl./ Cl. 2

4 4

   

Hn.

Hn.

Tpt.

Tpt.

Dr Kit opt alt

PERC 1 S. D.

PERC 2 Piatti Cym.

PERC 5 Chim.

Vc.

Db.

    

   

  

 

    

  

 

 

 

 

  

 

   

    

 

  

 

 

  

 

  

   

 







 

    

 

 



   

 

mp

   

 

 

 

  

4 4

mf



  

  

  



     

  

  

  



       

  

   

  

  

  

 

  

 

 

  

  

  

 

 

 

   

    

 



  

  

  

mp



  

 

 

p

  

  

poco a poco cresc

   

   

 

 



 

 

 

  

 

   

  

mf

  







  

 

4 4

 

  

 

 

  

3 4

w/ mute on

152

 

   

mf

 

 

    mf

151

 

                         

150

    

mf

 

 



   

    mf

mf

  

p

 

 

   mp

mp

 



4.5.6

   

p

  

 

 

   mp

3 4



      

  

 

 

 

     

 

mp

  

   mp

 



   

open

   

    



  

poco

mp



 

  

 

pp

 

  

 

      

  

149

Vla.

Vln. II



Hp.

Vln. I

B. Tbn.

Timp.

     Tbn. 

Tba.

152

 

  Bsn. Cb. Bssn

151

3 4


39

Serenada Schizophrana III 153

  Fl.



 Ob.  C. A.

154

3 4

  



 Cl. 1&3 

B. Cl./ Cl. 2

Hn.

Hn.

Tpt.

Tpt.

f

Dr Kit opt alt

PERC 1 S. D. PERC 2 Piatti Cym. PERC 3 H.H / Cym. PERC 4 Shkr/Piatti 2 Cymb PERC 5 Chim.

Keys 1 Pno 1.

 

  

3 4



   

 

    f

 

            

   f

  

 

f

  

Vla.

Vc.

Db.

   

 

f

 

 



   

 

  

hand in bell

            

4 4 choke

  

 



 

choke

 

   f   

      

  

   

 

      f

  

  

3

   

3

    ff

 

  

  

  

  

 

   3       f 

   3        

 

  

   

 

 

 open

 f 

 Brassy

 Brassy  f

open

mf

 











  

 

     

  

   

    

  

  

  

mf

 

 

   3        

 

  

   

 

 

 

  

     



senza sord. divisi

senza sord.divisi

senza sord.

senza sord.

arco a5 pizz. a1

 

     

  

     

 

 

   













 

 

  

















 







senza sord.

 

mf



mf

 

155 

     

 

mf



  

mf

    

 

 

f

 

 

    

    3   ff      

 

f

 

  

 f

     

 

5.6. open

 

3

   

  



       

4 4

154

  f  



   

3 4

  

   

2.4. open

 

3

 

1.3 stopped ff

 

f

   

156

f

f

Sus Cymbal

 

 

   

f

 

 



 

f

   

f

  

f

 155

  



     

 

f

f



mf

hand in bell

  mf

2.3 Flute

f

 Vln. II  Vln. II



f

153

Vln. I

 

f

 

 



      

 

 

Hp.

 

 

 Tbn.

Timp.

 

 



 

 

 

Tba.

 

brassy



   

3.



  

   

1.

 

 

 

f

B. Tbn.

   

Alto Sax to Clari 3

 Bsn. Cb. Bssn

 

A. Sax.



  

4 4

  

156

 f

 

 f

 

 f

 

 

 

 f   f

   

  

  

  

  

  

  

 

 

   

   

     

 

 

 

 

  

  

 

 

  

  

 

 

 

 

   

   

   

   


40

Serenada Schizophrana III 157

158

  Fl.

Ob.

C. A.



 

f

        

        



f

    

    

         

 

    Tpt.    Tpt.      Tbn.     B. Tbn.

f

Hn.



PERC 3 H.H / Cym. PERC 4 Shkr/Piatti 2 Cymb PERC 5 Chim.

Keys 1 Pno 1.

     

  

    

f

f

f

       

 

 

 

 

   

  



 

   

    

  



 ff

  

    

     

 

 







 

  

   



gliss.

ff

 

 



    

     

 

 





 



  











 



     

 



glilissss.. g

 f

 f

     

   

 f

 



 f

 

  

   

 

 



 



  





 

     

  

p

 

   

gliss.

mf

f



f

 







 

  

solo

f

   

gliss.





  

     

    



 

Hp.

 

  

ff

     

 

  

PERC 1  S. D.   PERC 2 Piatti Cym.





160

mf

ff

      

     

cuivre

Dr Kit opt alt

PICCOLO

f

Timp.

     

          Bsn.    Cb. Bssn      cuivre  Hn.    

Tba.

f

 Cl. 1&3  B. Cl./ Cl. 2

     

FASTER

Section 12 159 q = 128





f

FASTER Section 12 157   Vln. I  

  Vln. II   Vln. II    Vla.

Vc.

Db.

  

           

     

   

  

          

     

  

     

  

  

  

    

    

158 



 



 







 

 





  

  









fff



fff



 

 159 q = 128   

fff





 

  

   

fff

  

   

fff

    

    fff  

fff

pizz.

p pizz.

p pizz.

p

p

 

 

p

pizz.

tutti pizz.

p

pizz.

160

     









  

  

  


41

Serenada Schizophrana III 161

162

   Fl.

Ob.

C. A.

Cl. 1&3

B. Cl./ Cl. 2

Bsn.

Cb. Bssn

Hn.

Hn.

Tpt.

Tpt.



163



164



 



 



 



 



Tbn.



B. Tbn.

 

Tba.

Timp.

Hp.

 

161

Vln. I

Vln. I

Vln. II

Vln. II

Vla.

Vla.

Db.

163



   

   

 

 

 

 

 

 

 

























 



  

 

 

 

 































 









6 4



6 4

164

 



Vc.

162

6 4


42

Serenada Schizophrana III 165

  Fl.

 Ob.

C. A.

Cl. 1&3

B. Cl./ Cl. 2

Bsn.

Cb. Bssn

Hn.

Hn.

Tpt.

Tba.

Timp.

6 4

166 

167

3

7 4

SHORT ENDING

 

solo

espress.

168

12 4



 3

 



 



 

  

     

6 4

7 4

    3

12 4

3   



4 4

4 4

Hp.

165

Vln. I

Vln. I

Vln. II

Vln. II

Vla.

Vla.

        

166

6 4   

  









 

Vc.

 Db.

   

  

167

      

   

  

      

      

  

  

  

7 4   

  

168  

12 4

 





4 4


43

Serenada Schizophrana III 169

  Fl.

 Ob.

C. A.

Cl. 1&3

B. Cl./ Cl. 2

Bsn.

Cb. Bssn

Hn.

Hn.

Tpt.

Tba.

Timp.

4 4

170 

mp

3

   





















171 

3 4

172 





subito pp

 



 



 

1.only CUE 3.5

pp



4 4

 

mp













pp



 

 

 

 

4 4

3 4

4 4

Hp.

169

Vln. I

Vln. I

Vln. II

Vln. II

Vla.

        

4 4

170 

con sord.



171

3 4

legato

pp

 

con sord.

pp

con sord.

con sord.

p

p

4 4

 





p

arco



p

 legato

 Vc. 

Db.



pp

arco pp

172

 unis. arco

 p




44

Serenada Schizophrana III 173

  



174 

mp

Fl.

Ob.

C. A.

Cl. 1&3

B. Cl./ Cl. 2

Bsn.

Cb. Bssn

Hn.

175 Expressive 3

   







176



















 



 



 

1.3. cue 5

mute

p



poco



p Hn.



mute

2.4. cue 6.

pp



poco

 Tpt.  

 

 

 

Tba.

Timp.

pp

Hp.

173

Vln. I

Vln. I

Vln. II

Vln. II

Vla.

Vc.

Db.

174

175

176

  



 

 











   

    

 

 

p



p

p

p

 

 

p


45

Serenada Schizophrana III 177

178

  

3

5 4

Fl.



 



179 

4 4

pp mp

 p

mp

 p

 

 

 Bsn.

C. A.

Cl. 1&3

B. Cl./ Cl. 2

Cb. Bssn

Hn.

Hn.

   



mp



pp

  p

 mp

 p

 

p

poco

 

 

 

Timp.

pp

 Tpt.   Tba.



5 4

 

pp

p

4 4

Hp.

177

Vln. I

Vln. I

Vln. II

Vln. II

Vla.

Vc.

Db.

178

  



 

     









p

p

4 4

180 

p

 

unis.

 

p

unis.



 

p

   

5 4

179

  

mp

Ob.

180

arco unis.



legato


46

Serenada Schizophrana III 181

  

182 

 



183

 

 

184 

 



p

pp













mp

Fl.

Ob.

C. A.

Cl. 1&3

B. Cl./ Cl. 2

Bsn.

Cb. Bssn

Hn.

Hn.

Tpt.

Tba.

Timp.



 



 

  p

  

Flute 2

pp

 





 



p

mp

mp

Clari 1 only

  p



mp

 

mp





p

mp

p

 



 

 

 

 

Hp.

181

Vln. I

  

182 

183

184 divisi a6

Vln. II

Vla.

Vc.

  

   

  



 a6 only

  p





divisi divisi

a4 a4

only slight accents

p

 

 

p



 





p

mp





p

p Db.

p



 


47

Serenada Schizophrana III 185

   p

Fl.

186 

C. A.

Cl. 1&3







p





Hn.

Hn.

Tpt.

Tba.

Timp.



p

mp

 



p

  



 mp



p

 

  

 p

mp







mp



 mp















mp

 



 

 

 

mp

 

p



 

mp

 

 

 



 p

mp p

mp

Cb. Bssn

A. Sax.

Bsn.

188

p

B. Cl./ Cl. 2

mp

 Ob.



187

Hp.

185

Vln. I

Vln. I

  

Vla.

 

 

p









187 

mp

mp

mp

p



 



 



 



 

 

p

 p



p



 

poco

p

p

p

p

Vc.

 p

divisi a7

  

188 divisi a7

mp

 

Db.

 p

  

   Vln. II  

Vla.

186

p


48

Serenada Schizophrana III 189

190

  

 mp

Fl.

C. A.

p

 Ob.

 

3 4



mp

4 4

 

pp

192 Solo Expressive    p

mp

 



 

191

 

p

Cl. 1&3

B. Cl./ Cl. 2

Bsn.

Cb. Bssn

Hn.

Hn.

Tpt.

Tba.

Timp.

  



 

 

 

 

mp

p

 

 

 

 

pp

3 4



 

p

4 4

Hp.

189

Vln. I

Vln. I

Vln. II

190

  

 



  

191

3 4 

4 4

  

divisi a4 sul tasto

divisi a3 sul tasto

p



divisi a3

Vla.

Vla.

 



  

 Db.

 

Vc.

divisi a4 sul tasto

divisi a4 sul tasto

p

 p

 poco

 





p

   

192

poco

poco

poco




49

Serenada Schizophrana III 193    

194

195













196 



poco

Fl.

 Ob.

C. A.

Cl. 1&3

B. Cl./ Cl. 2

Bsn.

Cb. Bssn

Hn.

Hn.

Tpt.

Tba.

Timp.

 



 



 



 

 

 

 

Hp.

193

Vln. I

 

194

195

divisi a4

 



p

Vln. I

Vln. II

Vln. II

Vla.

Vla.



 

     

mute

mute



poco

divisi







poco



p

 

p

Vc.

Db.



p

  

 poco

divisi a3

  



196

poco

a6


50

Serenada Schizophrana III 197   

199

198 



pp

mp



200 



p

5 4



mp

Fl.

 Ob.

C. A.

Cl. 1&3

B. Cl./ Cl. 2

Bsn.

Cb. Bssn

Hn.

Hn.

Tpt.

Tba.

Timp.

 



 



 



 

 

   

Vln. II

Vla.

Vla.

   

poco

    

pp

  

poco







L.V.







Db







 

200

poco

  pp

199

pp

Vc.

Db.

  

198

pp

Vln. II

original part

197

Vln. I

MNLONNMM

Hp.

Vln. I



5 4

poco

5 4


51

Serenada Schizophrana III 201

  Fl.

 Ob.

C. A.

Cl. 1&3

B. Cl./ Cl. 2

Bsn.

Cb. Bssn

Hn.

Hn.

Tpt.

Tba.

Timp.

5 4

202  

4 4

pp

mp

203



204  

3 4

poco

 

 



 





     

5 4

 

4 4

 

G#

 

L.V.

 

 



B nat

  

L.V.

   

    

L.V.

4 4



4 4

3 4

   

p

 

G nat

      L.V.

3

3

Hp.







Vln. I

Vln. II

Vln. II

Vla.

Vla.

 

5 4











202

201

Vln. I

4 4



   



203









3 4



     

 

Vc.

 Db.

204 

3

3



 

4 4


52

Serenada Schizophrana III 205

  Fl.

 Ob.

C. A.

Cl. 1&3

B. Cl./ Cl. 2

Bsn.

Cb. Bssn

Hn.

Hn.

Tpt.

Tba.

Timp.

4 4



206   

poco





p

p

207 

208

 







poco

 



 



  

     

 

4 4

3              

L.V. 3



F nat

3

3

   



L.V.

E nat

L.V.



Gb

Hp.



 3

205

Vln. I

Vln. I

Vln. II

Vln. II

Vla.

Vla.

 

4 4

 3

3

 3

207

206



208



      

Vc.

 Db.


53

Serenada Schizophrana III 209

210

  



211



pp

Fl.

 Ob.

C. A.

Cl. 1&3

B. Cl./ Cl. 2

Bsn.

Cb. Bssn

Hn.

Hn.

Tpt.

Tba.

Timp.

 



 



 



     

  

3

3

 

 

Hp.



209

Vln. I

Vln. I

Vln. II

Vln. II

Vla.

Vla.

 

211

210

 



 





  

Vc.

 Db.


Danny Elfman

IV - Quadruped Patrol =165 (& flt 3)

2

3

orch. edgardo simone

section 1a

4

picc.

(2. = alto flt throughout) flt 1,2

ob/en hn

clar 1,2

bs clarinet

bn 1,2

contra

horns

tpts

tbns

tuba

pn 1

col legno (sounds 15vb)

kybd 2

poco

P002 Mvmt 3 Keys 2

HARP part -- ms 83-89

synth

P003 Mvmt 3 Keys 3 LOG DRUM- written pitch is meaningless -- trigger only

perc. 1

perc. 2

perc. 3

perc. 4

perc. 5

timp

choir

=165 vln 1-4

violin I

vln 5-8

(but very decisive) 4 vlns violin II

(but very decisive) (very decisive) 4 vole viola

(slightly to the fore)

div. - 1/2 pizz.- 1/2 col legno altre vle.

poco

1st stand cello

(but very decisive) cb


IV 5

6

pg. 2 7

8

picc.

flt 1,2

ob/en hn

clar 1,2

bs clarinet

bn 1,2

contra

horns

tpts

tbns

tuba

pn 1

poco

kybd 2

synth

perc. 1

perc. 2

perc. 3

perc. 4

perc. 5

timp

choir

very gradual cresc. to ms. 27 (vln 1-4) violin I (vln 5-8)

violin II (4 vln)

(4 sole) viola

(2 pizz./4 col legno) (altre)

pizz. (vc 3-5) cello

(vc 1,2)

1 CB cb

very gradual cresc. to ms. 27


IV 9

10

pg. 3 11

picc.

flt 1,2

ob/en hn

clar 1,2

bs clarinet

bn 1,2

contra

horns

tpts

tbns

tuba

pn 1

kybd 2

synth

perc. 1

perc. 2

perc. 3

perc. 4

perc. 5

timp

choir

(1-4) violin I

(5-8)

violin II (4 vln)

(4 sole) viola

(pizz & col legno) (altre)

(vc 3-5) cello

cb

(vc1,2)

(1 cb)

(pizz.)

12


IV 13

pg. 4

14

15

16

picc.

flt 1,2

ob/en hn

clar 1,2

bs clarinet

bn 1,2

contra

horns

tpts

tbns

tuba

pn 1

kybd 2

synth

perc. 1

perc. 2

perc. 3

perc. 4

perc. 5

timp

choir

(1-5 unis) - ->

(Vln 1-4) violin I

vln 5

(vln 5-8)

violin II (4 vln)

(4 vle) viola

(pizz & col legno) (altre)

(vc 3-5) cello

cb

(1,2)

(1 cb)


IV 17

18

pg. 5

1B bridge

19

20

picc.

flt 1,2

1.

ob/en hn

clar 1,2

bs clarinet

bn 1,2

contra

horns

tpts

tbns

tuba

pn 1

kybd 2

synth

perc. 1

perc. 2

perc. 3

perc. 4

perc. 5

timp

choir

vln 1-4 1-5 unis violin I

subito

violin II (4 vln)

subito

(4) viola

subito (altre)

(vc 3-5) cello

(vc 1,2)

subito tutti

2 CB

cb

subito

3

3


IV 21

pg. 6

22

23

24

picc.

flt 1,2

a2 3

ob/en hn

a2 clar 1,2

bs clarinet

bn 1,2

contra

horns

tpts

tbns

tuba

pn 1

kybd 2

synth

perc. 1

perc. 2

perc. 3

perc. 4

perc. 5

timp

choir

violin I

(5 vln)

violin II

(4 vln)

viola

(2 sole)

cello

(2 vc)

cb

(2 cb)

3

3

3

3

3


IV 25

pg. 7

26

2a strings

27

28

3

3

3

3

picc.

1. flt 1,2

2.

ob/en hn

a2

3

3

a2

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

clar 1,2

bs clarinet

3

a2

3

3

3

3

3 3

3

3

3

3

3

3

3

3

3

3

3

bn 1,2

contra

horns

tpts

tbns

tuba

non legato

3

3

pn 1

3

3

3

3

STRUCK GLASS

kybd 2

STRUCK GLASS / GAMELAN BELLS

3

3

synth

perc. 1

perc. 2

perc. 3

perc. 4

perc. 5

timp

choir

violin I (4 vln)

violin II

(4 vln)

tutte viola

div. 1/2 detache, 1/2 legato (1 bow per quarter) 3 3 3 3

(sole)

(vc 1-4)

tutti

3 3

3 3

cello 3 div. 1/2 detache, 1/2 legato (1 bow per quarter)

tutti div. cb

3

2 cb

(2 cb) 4 cb


IV 29

pg. 8

30

3

31

32

picc. 3

3

3

3

3

3

3

3

3

3

3

3

3

(1.) flt 1,2 (2. = alto flt)

3

1.

ob/en hn

clar 1,2

bs clarinet

3

3

3

3

3

3

3

3

3

3

3

3

3

bn 1,2

contra

horns

tpts

tbns

tuba

pn 1

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

kybd 2

synth

perc. 1

perc. 2

perc. 3

perc. 4

perc. 5

timp

choir

tutti

div. 1/2 detache

violin I 3

3

3

3

div. 1/2 detache

tutti violin II 3 3

3

3

3

3

3

3

3

3

3

3

3

3 3

3 3

3 3

viola 3

3 3

3 3

3

3 3

cello

cb

cresc.

3 3


IV 33

pg. 9

34

2B winds 35

36

3

picc. 3

3

3

3

(1.) flt 1,2 3

3

3

(1.)

a2

3

ob/en hn

3

3

3

3

3 3

3

3

a2 clar 1,2 3 3

3

3 3

bs clarinet 3

2.

3

3

1.

bn 1,2

bn 2 & contra contra

horns

tpts

tbns

tuba

3

pn 1

3

cresc.

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

kybd 2

synth

perc. 1

perc. 2

perc. 3

perc. 4

perc. 5

timp

choir

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

violin I

violin II

viola 3

3 3

cello

cb

3 3

3

a2

3

3

3

3

3


IV 37

pg. 10

38

3

39

40

pic. to flt 3

picc. 3 3

3 3

3

3

3

3

3

3

3

3

3

3

flt 1,2 3 1,2. 3 3

ob/en hn e.h..

clar 1,2 3 3

3 3

bs clarinet 3

3 3

3 bn 1,2 3

3

3

3

2.

contra bn 2 & contra

3

3

horns

tpts

tbns

tuba

pn 1

3

3

3

3

3

3

3

3

3

3

3

cresac.

3

3

3

3

3

3

3

3

3

3

3

8va bassa

kybd 2

synth

perc. 1

perc. 2

perc. 3

perc. 4

perc. 5

timp

choir

violin I

violin II

1/2 detache

3

3

3

3

3

3

1/2 detache

3

3

3

3

3

3

3

3

3

viola

cello

1/2 detache

(2 cb)

cb (4 cb)

3

3 3


IV

pg. 11 3A

41

42

43

44

flt 1,2

ob/en hn

3

3

3

3

3

3

3

3

3

3

3

3

clar 1,2

3

3

bs clarinet

a2

soli

marc.

bn 1,2 3

3

3

contra

horns

tpts

tbns

tuba

pn 1

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

col legno (15vb)

8va bassa

kybd 2

organ 1

log drum

synth

perc. 1 low temple block perc. 2 chinese "bendy opera" cym perc. 3 wood shaker <D1> perc. 4 castanets perc. 5

timp

choir

marc. violin I

3

detache 3

3

3

3

3

3

3

3

3

3

3

3

violin II

detache

3

3

3

3

3

3

3

3

detache 3

3

3

3

3

3

1/2 pizz. 1/2 col legno

viola

cello

cb

detache

unis.


IV 45

pg. 12

46

47

48

flt 1,2

ob/en hn

3

3

3

3

3

3

3

3

3

3

clar 1,2

bs clarinet

3

3

3

bn 1,2 3

3 contra

horns

tpts

tbns

3

3 tuba

pn 1

kybd 2

3

3

synth

bass drum perc. 1

perc. 2 (chinese "bendy opera" cym) perc. 3

perc. 4

metal shaker

wood shaker <D1>

perc. 5

timp

choir

violin I

violin II

1/2 pizz. 1/2 col legno arco viola

cello

cb

[

[

3


IV 49

pg. 13

50

51

52

flt 1,2

a2

ob/en hn

3

3

3

3

3

3

3

3

3

3

3

a2

3

clar 1,2

3

3

3

3

bs clarinet 3 3

a2

bn 1,2 3

3

3

3

contra

horns

tpts

tbns

tuba

pn 1

kybd 2

3

3

synth

bass drum perc. 1

perc. 2 (chinese "bendy opera" cym) perc. 3 metal shaker

wood shaker <D1>

perc. 4 5 perc. 5

timp

choir

violin I

violin II

1/2 pizz. 1/2 col legno arco viola

cello

cb


IV 53

pg. 14

54

55

56

flt 1,2

ob/en hn

3

3

3

3

3

3

3

3

3

3

clar 1,2

3

bs clarinet 3 3

(2)

3 3

a2

3

3

bn 1,2 3

3

3

3

3

3

3

3

contra

horns

tpts

tbns

tuba

pn 1

kybd 2

3

3

3

synth

bass drum perc. 1

perc. 2 (chinese "bendy opera" cym) perc. 3 metal shaker

wood shaker <D1>

perc. 4 5 perc. 5

timp

choir

violin I

violin II

1/2 pizz. 1/2 col legno arco viola

cello

cb


IV

pg. 15 3B bridge

57

58

3

59

a3

60

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

flt 1,2 ,3

3

ob/en hn

3

3

3

3

3

3

3

a2 clar 1,2

3

3

3

3

3

3

3

3

3

3

bs clarinet

3

3

3

3

bn 1,2

contra

horns

tpts

tbns

tuba

pn 1

kybd 2

3

3

synth

bass drum - w/ hard mallet, dampen at edge perc. 1 sec perc. 2

perc. 3 metal shaker

rattlesnake shaker <F1>

perc. 4

perc. 5

timp

choir

violin I

violin II

1/2 pizz. 1/2 col legno arco viola

cello

cb

3

3


IV 61

a3

62

pg. 16

3

3

3

3

3

3

3

3

3

3

3

3

3

63

64

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

flt 1,2,3

3

3

3

3

ob/en hn

clar 1,2

bs clarinet 3

3

3

3

3

3

3

3

bn 1,2

contra

horns

tpts

tbns

tuba

pn 1

kybd 2

synth

perc. 1

perc. 2

perc. 3

perc. 4

perc. 5

timp

choir

violin I

cresc. violin II

arco

cresc.

viola

cresc. cello

cb

cresc.

1/2 pizz. 1/2 col legno


IV 65

3

a3

3

66

3

3

pg. 17

4A

3

(3. to pic.)

67

3

68

1 & 2 a2

flt 1,2,3 3

3

3

3

3

3

3

2.

3

ob/en hn

(ob. 2, en/ hn.)

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

clar. 2.

clar. 1 to Eb sop. cl..

clar 1,2

bs clarinet 3

3

3

3

a2 bn 1,2 3 contra

a4

(1,3 on top)

1-4 horns

a2 5,6

brassy 1,3 tpts

cresc. 2 1&3 (open) 1,3

tbns

2. harmon mute 2,4

tbn 4 & tuba tuba

pn 1

to piano 2

kybd 2

3

3

synth

tamb

3

3

perc. 1 bs dr. perc. 2

thin sus cym. perc. 3

perc. 4 bass drumsec.

chimes perc. 5

timp

choir

violin I

violin II

arco viola

I cello

cb

3

3


IV

pg. 18 4B piano

69

70

71

72

picc. 3

3

3

3

3

3 3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

flt 1,2

ob/en hn

ob 2.

clar. 1= Eb sop. cl.. clar 1,2

bs clarinet

a2 bn 1,2

contra

1,3,5

a3

1-4 horns

2,4,6

a3

5,6

1,3 tpts 2

a2 1,3 tbns 2

tbn 4 tuba

pn 1

piano

kybd 2

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

8va bassa

synth

tamb

3

3

3

3

perc. 1 chinese tam

bs dr.

perc. 2

heavy sus cym. perc. 3 glockenspiel (8va)

3

perc. 4

perc. 5

timp

choir

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

violin I

violin II

3

viola

cello

cb


IV 73

pg. 19

74

75

76

picc. 3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

flt 1,2

ob/en hn

legato

(1=Eb sop.)

3

3

clar 1,2 3

3

3

3

3

3

3 3

3 bs clarinet 3

3

3

3

3

3 3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3 3

3

3

3

3

3

3

3

3

3

3

3

bn 1,2 3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

contra

1,3,5 horns 2,4,6

1,3 tpts 2

tbns

tuba

pn 1

pno 2

3

3

3

3

3

3

3

3 3

8va bassa

loco

synth

perc. 1

perc. 2

perc. 3

3

3

3

3

perc. 4

perc. 5

timp

choir

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

violin I

violin II

3

3

3

3

3

3

3

3

3

3

3

viola

3

3

3

3 3

cello

cb

3

3

3

3 3


IV 77

pg. 20

78

79

80

picc.

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

flt 1,2

ob/en hn

3

3

3

(Eb sop.)

3

3

3 3

3

3 3

3

3

clar 1,2

3

3

3

3

3

bs clarinet 3

3

3

3

3

3

bn 1,2 3

3 3

3

3

3

3

3

3 3

3

contra

1,3,5 horns 2,4,6

1 & 3 st mutes

tpts

3

tpt 2 open

tbns

tuba

pn 1

3

3

3

3

3

3

3

3

3

3

3

pno 2

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

synth

perc. 1

perc. 2

perc. 3 (glock) perc. 4

perc. 5

timp

choir

3

3

3

3

3

3

3

3

3

3

3

3

violin I

3

3

3

violin II

3

3

3

3

viola 3

3

3

3 3

3

3

3

cello 3 cb

3

3

3 3

3

3

3


IV

pg. 21 4C suspension

81

82

83

84

picc. 3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

flt 1,2

3

ob/en hn

3 3

3

3

3

3

3

3

3

3

3

3

3

3

(Eb sop.) clar 1,2 3

3

3

3

3 3

3

3

3

3

3

3

3

3

3

3

3

3

3

bs clarinet 3

bn 1,2

3

3 contra 3

3

3

3

3

3

3

a3

3

1,3,5 horns

a3

3

3

3

3

3

3

3

3

3

3

2,4,6

a2 (st mutes) 1,3 tpts 2

(2. harmon) 1,2

(a3)

tbns

(3 & 4. open) 3,4

tuba

martellato

pn 1

3

3

3

3

pno 2

3

3

3

3

3

3

3

even - no accents 3

3

3

3

3

3

3

3

3

to organ 1 & 2

3

3 8va bassa

3

3

3

HARP

synth

even - no accents 3 3

3

D C# B# / E F Gb A

XYLOPHONE hard mallets 3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

perc. 1

perc. 2 claves perc. 3

perc. 4

perc. 5

timp

choir

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

violin I 3

violin II

3

viola 3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

cello

cb

3


IV 85

pg. 22

86

3

3

87

3

88

to flt 3

picc.

3

3

3

3

3

3

flt 1,2

1.

a2

ob/en hn

3

3

3

3

3

3

3

1. (Eb sop.) clar 1,2

bs clarinet

a2 bn 1,2

contra

+

+

+

1,3,5 horns

3

3

3

3

3

3

3

3

a3

3

3

(open)

3

3

3

3 3

3 3

3 3

3

3

3

3

3

3

3

3 3

3 3

3 3

3 3

3

2,4,6

1,3 tpts 2 (1. open) (2.)

a2

1,2 tbns

3 3,4 3 3

3 3

3 3

3 3

tuba 3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

pn 1

kybd 2

3

3

3

3

3

3

3

HARP

perc. 1

perc. 2

perc. 3 sus cym perc. 4

perc. 5 6

6

6

3

timp

choir

3

3

3

3

3

3

violin I

violin II

II corde

I corde

viola

div. cello

cb

unis.

+


IV

pg. 23

5A - Back to the top 89

90

91

92

flt 1,2

1,2 ob/en hn

3

3

3

3

3

3

3

en hn

(1. to Bb clar.) clar 1,2

bs clarinet

a2

3

3

bn 1,2 3

3

3

3

3

3

contra

1,3,5 horns

.

3

3

3

3

2,4,6 3

a2 (sord.)

3

3

3

1,3 tpts 2

1,2 tbns 3,4

3 tuba

pn 1

organ 2

kybd 2

organ 1

3

synth

log drum

big timp

bass drum - sec.

perc. 1 wood block perc. 2

perc. 3 metal shaker perc. 4 wood shaker <D1>

5

perc. 5 chinese "bendy opera" cym timp

choir

molto marc. violin I

molto marc. violin II

molto marc. viola

molto marc. cello

cb

3

3


IV 93

pg. 24

94

95

96

flt 1,2

1.

ob/en hn

a2

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

clar 1,2 (Bb)

3

3

3

3

3

3

3

3

3

3

3

3

3

bs clarinet 3

3

3

3

3

3

bn 1,2

contra 3

+

3

1,3,5 horns

a3 2,4,6

+ 1,3 tpts

all st. mutes 2

1,2 tbns 3,4

tuba

pn 1

kybd 2

3

synth

(bass drum - sec.)

(Xylo) perc. 1

perc. 2

perc. 3 metal shaker

wood shaker <D1> perc. 4

5 perc. 5 (chinese "bendy opera" cym) timp

choir

violin I

violin II

viola

cello

cb

3


IV 97

pg. 25

98

99

100

flt 1,2

a2

ob/en hn

3

a2

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3 3

3 3

3 3

3 3

3

3

clar 1,2

bs clarinet 3 3

a2

3

a2

bn 1,2 3

3

3

3

contra

+

a3

+

1,3,5 horns

a3

1.

+

2,4,6

1,3 tpts 2

1,2 tbns 3,4

tuba

pn 1

kybd 2

3

synth

(bass drum - sec.)

(Xylo) perc. 1

perc. 2

perc. 3 metal shaker

wood shaker <D1> perc. 4

5 perc. 5 (chinese "bendy opera" cym) timp

choir

violin I

violin II

viola

cello

cb


IV 101

pg. 26

102

103

104

flt 1,2

3

ob/en hn

3

3

3

3

3

3

3

clar 1,2

3

3

3

3

3

3

3

3

3

bs clarinet 3

3

3

3

3

3

3

bn 1,2 3

3

3

3

contra

a3

3

3

3

3

+

1,3,5 horns

a3 + 2,4,6

1,3 tpts 2

1,2 tbns 3,4

tuba

pn 1

kybd 2

3

synth

(bass drum - sec.)

(Xylo) perc. 1

perc. 2

perc. 3 metal shaker

wood shaker <D1> perc. 4

5 perc. 5 (chinese "bendy opera" cym) timp

choir

violin I

violin II

viola

cello

cb

3


poco a poco rit.

.

.

.

IV

pg. 27

5B - Bridge 105

a3

106

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

1&3

107

108

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3 3

3

3

3

flute 1-3 2 (alto) 3

3

3

3

ob/en hn

a2

3

clar 1,2

bs clarinet 3

3

3

3

3

3

3

3

bn 1,2

3

3

3

3

3

3

contra

1,3,5 horns 2,4,6

1,3 tpts 2

open

a2

1,2 tbns 3,4

tuba

marcatiss.

pn 1

8va bassa

3

3

3

3

kybd 2

synth

(bass drum - sec.)

(Xylo) perc. 1

perc. 2

perc. 3 rattlesnake shaker <F1> perc. 4

perc. 5 (timp.) timp

choir

poco a poco rit.

.

.

.

violin I

violin II

viola

cello

div. cb

marc.


.

.

.

IV pg. 28 (poco a poco rit) . . .

.

109

110

3

3

3

3

3

3

3

3

111

.

3

=100

3

112

3

3

3

3

3

3

3

3

3

3

3

3

3

3 3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

flute 1-3

3

ob/en hn 3

cresc.

3

3

3

3

3

3

3

3

3

3

3

3

clar 1,2

bs clarinet 3

3

3

3

3

3

3

3

bn 1,2

3

3

3

3

3 3

contra

+ 1,3,5 horns

cresc.

+

3

2,4,6

a2 open 1,3 tpts

open 2

cresc.

3

a2

1,2

cresc.

tbns

a2

3,4

cresc. 3

3

3

3

3

3

3 3

tuba

pn 1

cresc. molto

cresc.

8va bassa

3

3

3

3

kybd 2

3

3

3

3

synth

cresc.

(Xylo) perc. 1

perc. 2 2 sus cyms. perc. 3

perc. 4 tam-tam perc. 5

timp

cresc. choir

.

.

.

.

violin I

cresc. violin II

viola

cello

cb

cresc.

(poco a poco rit)

.

.

.

.

=100

113


Serenada Schizophrana

q=128 1

  Flute  

 Oboe  English Horn/ Oboe

4 4

Alto Saxophone Bassoon

Piccolo / Alto Flute



 Clarinet 

Bb B Clari/ Bb Clari

1.Eb Sop Clari 2.Bb Clari / Bass Clari

3. Bb Clari

 

   Horns in F 

  Perc2 Marimba 2  Perc 1 Marimba 1

Perc 2 Temple Blocks 2 Perc 3 Temple Blocks Perc 3 Clave Perc 3 Rattlesnake and High Shaker Perc 3 Cymbals Perc 3 Bass Drum Perc 3 Xylophone

4 4

 

Med. Soft Mallets

 p

Optional Extra Perc 6 Xylophone Optional Extra Perc 6 Vibraphone

Keys1 Piano 1

Keys2 Piano 2 Synth 1

Keys3 Synth 2

1.Eb Sop Clari 2.Bb Clari

3. Bb Clari

mp

p

mp

a2

p

  p

p

   

 

Med. Hard Mallets

p

 

    



 

  

 

   

  

  

 

 

 

 



 

 

 

p MNMOMNMM

 

  

electric guitar harmonic 

 

  

 

 

 

 

 

 

  

 

 

 

 

 

 

 



 

 

 



 



 



 

PLAY 8va - sounds 8vb from written

p

                                               

 

 

P003 Mvmt5 Keys 2



pp

 P004 Mvmt5 Keys 3 

 

           

 

  

  

  

mp

mp

mp



p



  Harp    

Choir

  Perc 5 Chimes  Perc 5 Tambourine  Perc 5 Temple Blocks 

Optional Extra Perc 6 Wood Blocks

 

Perc 4 Glockenspiel

Perc 5 2 Tom-toms

   Perc 4  

Perc 5 Low Shaker

Perc 4 Vibraphone

   

Cymbals Perc 4 Picc WB/ Temple.Blocks 1

  Perc 1 Temple Blocks 

Timpanist plays Tambourine

  Trombones



Trumpets in Bb

Timpani

  Trumpet in Bb 

Tuba / Cimbassa

Horns in F

Danny Elfman

4 

Contrabass Bassoon

Bass Trombone Contra Bass

V - "I Forget" (Choral) 3

2

 

q=128 1  pizz slight accents  Violin I       slight accents  mp  Violin I  pizz   mp pizz   Violin II    Violin II

Viola

  

 Violoncello

  Double Bass 

4 4

pizz mp

   slight accents  

pizz

  

 

 

mp

slight accents pizz mp



slight accentspizz

mp

2

 pizz  mp



 

 

  

  

  

 

  

3 

   

  

 

 

 

 

 

   

  

 



 

 



  

   

pizz. mp

4  



  

  

 

 

 

   



 

    

 

 

  

  

  

 

 



 







 

 

 

 

   

 

  

  


Serenada Schizophrana - V

2

5     Fl.

     p

p

Ob.

   

6

7

p

E.H.



mp



mp

 

 

  

 

  

p

p

p

p

p

 

8 



mp

p

   Cl. 

  

 

p

B. Cl./ Cl.

A. Sax.

Bsn.

Cb. Bssn

Hn.

Hn.

Tpt.

Tpt.

Tbn.

B. Tbn.

p

  

       

Tba.

Timp.

Perc 1 Mar.1

Perc 2 Mar.2 Opt. Perc 6 Vib.

Keys1 Pno 1.

Keys 2 Piano Synth.

Keys3 Synth

     

 

 

 

 

       

Vln. II

Vln. II

Db.

  

  

 

  



  



                      

   

 

p

  

               

  



 





 

 

  

 



 

 







 

 

   







 



 

  

 

 

 

 

  

 

 





 







 

  

 

 

 



 

SOLO SOPRANO

p/mp

 

Pen

8 

7

 

 

 

 

 

6

  

 

mp

   Vc.

       

p





p

  Vla.

 



mp

5  Vln. I   Vln. I

p

  Choir





   

  

Hp.





 

 

 



 



   

 





 

  

 

 

 

 

 

 

 



 

 

  

 

 

 

 

-


Serenada Schizophrana - V

3

part 1

9   Fl.

Ob.

E.H.

Cl.

10

       

11

12

B. Cl./ Cl.

A. Sax.



 

Bsn.

Cb. Bssn

Hn.

Hn.

Tpt.

Tpt.

Tbn.

B. Tbn.

 

       

Tba.

Timp.

Perc 1 Mar.1

Perc 2 Mar.2

  

  

 

 Opt. Perc 6 Vib. 

Keys1 Pno 1.

Keys 2 Piano Synth.

Keys3 Synth

      

 

  



          

 

 



  

 



  



      

 

      

  

 

  

  

       



 

 

 

sa



-

mien

-

to

tu - ve





       

   

 



 

pe

 -

ro

pron - to_ex

 -

         

tra - vie

 

pre

 -

gun

-

to_a

-

quí

y_a

   

    

 

        

 

-

lla

 

en

 don

-



de

lo

de - je?

 

ni

part 1

9

 Vln. I   Vln. I

Vln. II

Vln. II



    

 

  Vc.

Db.

 

  







 

  Vla.



10 

  

 

 

 



 

 

 

 

 

 



  

   



 



11  

 

 







 

 



 



12 

   



 

 





 

  



 

   Choir

  



  

Hp.

  





  

 



 



 


Serenada Schizophrana - V

4

13   Fl.

Ob.

E.H.

Cl.

14

       

15

16

B. Cl./ Cl.

A. Sax.



 

Bsn.

Cb. Bssn

Hn.

Hn.

Tpt.

Tpt.

Tbn.

B. Tbn.

 

       

Tba.

Timp.

Perc 1 Mar.1

Perc 2 Mar.2 Perc. 4 Picc WB/ T.Bl 1 Opt. Perc 6 Vib.

Keys1 Pno 1.

Keys 2 Piano Synth.

Keys3 Synth

Hp.

     

Vln. II

Vln. II

 

 

Db.



 

     Piccolo Woodblock 4 PITCHES   

  









 



 

poco

poco

p

 

 

 

  



  

 





 

por

a

 -

qui

ni

por

 

 

 



 a

-

ca

   

ni

 















por

a

- lli

ni

por

a

- lla

 

  

 

 



 

 





 

 

ni_en

 el

 jar

 -

din

ni_en

el







  

 



 

 





 







    

 



 des

-

van

  





don - de_es

 que

 se_i -



 

A

ra.

16 





por



 

  

 

 

15



 

                





14

 

 

 

  

 

                   

4.5.6. mutes

  

  Vc.

   Vla.



  

13  Vln. I   Vln. I

 

   Choir

1.2.3 open





 

 

 

  

 

 



 

 

  

 

 

 

 





  

 

 

 

 

 

 

 

 


Serenada Schizophrana - V 17   Fl.

Ob.

E.H.

Cl.

18

5

19

20

 



 

 

B. Cl./ Cl.

A. Sax.



Bsn.

Cb. Bssn

 

   2.5.  p

1.4

Hn.

3.6.

Hn.

Tpt.

Tpt.

Tbn.

B. Tbn.

Perc 1 Mar.1

Perc 2 Mar.2 Perc. 4 Picc WB/ T.Bl 1 Opt. Perc 6 Vib.

Keys1 Pno 1.

Keys 2 Piano Synth.

Keys3 Synth

Hp.

p

Vla.

Vc.

Db.

    mp

      

      

       

 



      

     

mp

p

p



p

p

pp

p

pp

p



 

        





 

 

 



 

 

 

 

 

 

 











          

               

Piccolo Woodblock

            

  

 



elec 1

 

 



       

don - de_es

-

ta?

No



        

     

   





se,

no

se

lo_ha

bre

de

 -

ja

-



do_en

el

ca

 -

 

mp

18 

















 

 





-

pel,

en

la

fuen

-







te?

Con

la

mo













-

ne

-

da

que_a

te?

Se



































 

















 





 

-

ven

-

20 



pa

un































 













 

19







fe?

En



 

                

 

     

 

     

 



   

                  

p

mp



       

           p mp

17  Vln. I     Vln. II

          pp p

pp

   Choir

          p pp

 

Tba.

Timp.

 

                 p pp p pp





 

 







 

 

 

 


6

Serenada Schizophrana - V

POSSIBLE CUT BAR 22 to BAR 39 part 2

22

21

  Fl.

 

 Ob.  E.H.



24

23  

  mf

 

mf

mf

  



 

  mf

 mf



mf

 

 

  

 Cl. 



B. Cl./ Cl.

A. Sax.

Bsn.

Cb. Bssn

 

    

1.2.3 open Hn.

pp

Tpt.

   

Tpt.

Tbn.

B. Tbn.

 

Perc 1 Mar.1 Perc 2 Mar.2 Perc.3Shakers Perc. 4 Picc WB/ T.Bl 1 Opt. Perc 6 Vib.

 

 

         

Keys 2 Piano Synth.

Keys3 Synth

  

 

  

Brassy

Brassy









 

 



 

poco

 

     

mf

mp

 

 

Brassy

poco

mp

 

 

 

  lower piccolo woodblock   

Rattlesnake Shaker





  

  

 

  

 

  

 

  



 

 

 

 

 

  

elec 1

 

   

     

    fue



na

-



dan

-





do

con



un

mf

 

 

 



 

          

 

   

               

 

 

                               

  

  poco mf 

1.&2.

CIMBASSA

f

3. only Bass Trb

mf

mp

             Hp.    Choir



 

mf

mf

 

Keys1 Pno 1.

mf

mf



Tba.

Timp.

p





mp

4.5.6. MUTES Hn.

mf

              

     

pez?

part 2

22

21

Vln. I

  

 Vln. II       Vla.





  Vc.

Db.



  





























 

 

 













 

24

23

 

 















 

















 

 







 

 


Serenada Schizophrana - V 26

25   

        Ob.  

on all slurred 1/8ths slightly accent the first

Fl.

E.H.

Cb. Bssn

Hn.

Hn.

Tpt.

Tpt.

Tbn.

 

 

 

  

 1.&2.  

Tba.

Timp.

Perc 1 Mar.1

Perc 2 Mar.2

 

  

     

Keys1 Pno 1.

Keys 2 Piano Synth.

Keys3 Synth

Hp.

 

 f



 



 

poco

 

poco

 mf

 



 

poco

mf

 

 

 

  

  

 

 

  

 

 

 

  

  

  

  

  

poco

mf

 

poco

mf

 

1.&2.

 

 

          

 

  

      

  

 

 

     

 

    





      



 



Mi

per

-

ro

qui

-

zas

lo

lle

-





vo

o









 



 

 

  

 -

cul

-

ta

tras

su

hue

 -

so

  Ol

27   



  





-

teo

se





 









  

 

 -

cre

-

 



to_el

jar - din

se

28 

 

fa

 

-

  









 

 



 

   

 

         

  

CHOIR





 

26



  

 

 

  

 



 Vln. II  



      



mp

 



f

mp

 



Db.

 

 

                      

mf

f

  

 Vln. I   

Vc.

25

Vla.

  Choir

28 

 

  





f



mp

poco

 



27

  

mp

mp



poco

 



mp

     Perc. 4 -  Picc WB/      T.Bl 1



poco

Perc.3Shakers

Opt. Perc 6 Vib.

mf

mp

B. Tbn.



 



mf

on all slurred 1/8ths slightly accent the first

  

B. Cl./ Cl.

Bsn.

  

   Cl. 

A. Sax.

 

a2

7

  



















 

-


Serenada Schizophrana - V

8

29    Fl.

Ob.

  

 mf

 

30 

 

a2

  

     Cl. 



  

E.H.

mf

32 

mf

f



 



mf

f



f

poco

B. Cl./ Cl.

31  



f

poco

A. Sax.

Bsn.

Cb. Bssn

Hn.

Hn.

Tpt.

Tpt.

Tbn.

B. Tbn.

  

 

Perc 1 Mar.1

Perc 2 Mar.2

Perc.3Shakers perc 3B. D. Perc. 4 Picc WB/ T.Bl 1 Opt. Perc 6 Vib.

Keys1 Pno 1.

Keys 2 Piano Synth.

Keys3 Synth

Hp.

  

 1.&2.  

Tba.

Timp.

 

 

  

mf

 

      

 

       

 

  

  

 

 



mp

 

 





 

 

to BASS DRUM

w/Medium Hard Beater 

mp



 

 

  



 

 

 

  

 



 

  

  

   

 

 





ra

que

       

 

 lo_en

 

   

 



                

ter - ro?

 

Ni





por

a

 

 

 

  

 

-









qui

no

por

a

ARCO

a8

 



 -

ca













 

Divisi a6 (pizz)

 

Tutti

por

a

 -

lla,

 



yo

bus

 



 -

32 

  a6

-





lli,

yo

bus

  

 -

co_a

 -

lla

 y

  

(pizz)



 





 









 







ARCO

 

 

a6

co_a



ni

 

31



p

mp

                

30 



 -

 

      



 

      



  

 



Db.

Vc.

 

Vla.

Vln. II

29  Vln. I   Vln. I

  Choir

 

            mp pp pp

poco



   

  p

mp

poco

mf

   

Str Mutes

            

poco

  

p

mf

   

 

Str Mutes

 

 

p


Serenada Schizophrana - V 33     Fl.

Ob.

 



34 



 



35 



 mf

f

 

36 

on all slurred 1/8ths slightly accent the first

 











 mf

f

 



 f

B. Cl./ Cl.

A. Sax.



Bsn.

Cb. Bssn

Hn.

Hn.

Tpt.

 

    

  

(OPEN) 1 & 3

MUTES

Tbn.

B. Tbn.

Timp.

Perc 1 Mar.1

Perc 2 Mar.2

Perc. 4 Picc WB/ T.Bl 1 Opt. Perc 6 Vib.

Keys1 Pno 1.

Keys 2 Piano Synth.

Keys3 Synth



 



 

  



 

 Piccolo  Woodblock 

 

 

  

 

   

 

 











  

  

  

  

 

 

             

            

 

  

 





 

     

na - da

aah



 

3

 

   



  

                 

    

 



Y

u

-









no_y

dos

y

me_ol

 -

vi

-





de

la_as

   



 -

tu

-







cia

se

me

 

fue.

p

 

Mi_his - to

35

-

ria

se

bor

-

 

ro_o

tra

vez

no_hay

36



 



  

 

  

 

 

 

 

 





 

 

 

 

 

 





 



 

 





 

 



  

divisi











  

 









  

  



mp

34

   

 

  

 



 

 



         

Db.

to SHAKER

 

  

Vc.

p

      

 



p

mp

Vla.

 

  

  

 

Vln. II

  

33  Vln. I   Vln. I

  

 

pp

  Choir

  

  

 

             

 

Hp.

mf

  

  

mp

   perc 3 B. D.   

Perc.3Shakers

  

  



Tba.

5&6

  

  

mp

  

            

pp

Tpt.

  

 f

 



mf

E.H.    Cl.

9





 





 

   


Serenada Schizophrana - V

10

37

   Fl.

Ob.

E.H.

Cl.

  



 

 

38  

END POSSIBLE CUT BAR 22 to BAR 39



mf

 



 

mf





mf

to PICCOLO

f



mf





 

 

40 



f

 

part 3

39

   

mf

 

mf



 



 

 

B. Cl./ Cl.

A. Sax.



Bsn.

Cb. Bssn

 

Hn.



Hn.

Tpt.

Tpt.

 

B. Tbn.

Tba.

Perc 1 Mar.1

 

  

      Perc.3   Shakers  Perc. 4 Picc WB/ T.Bl 1 Perc. 4 Glock. Opt. Perc 6 Vib.

Keys1 Pno 1.

Keys 2 Piano Synth.

Keys3 Synth

 

Piccolo Woodblock

   

Choir

 



  

  

  

 

Vla.

Vc.

Db.



 

ni

 

des - pues, no_hay







hoy

ni

nun

 -

ca

   

 ni

 

 des

-

  

  

 

 

 

 

 

 

 











 











      

  

 a1

Pizz

 

 

   

  

    

  

  

 

mp

 

 

   

mp

 

 

 

 



         

      B nat



 

        

part 3

40

Pizz a 8







 











 



 

 

Pizz a 6

Gamelan Bells @pitch

  

  

39



mp

pues...

  

  

 

mp

  

poco

 

poco

mf

 

 





 



 





 





 Divisi

poco

2.

mf

 

     

mp

 

1.

ORGAN 2 sounds 15va

ca



          

 

mp 1.

                              

ORGAN 1 sounds 8vb

 

 

   

      

    

38





 

 

brassy

  

 



 

 

-





nun

brassy

ni

 

 

mp

37

Vln. II

 Vln. I    

 

hoy

Vln. I

 

  poco



mp

poco

 

         

 

     

 

poco

poco

  

 

mp

 

(stopped)

5.6. mf

mp

      2.4

   

1.3.



          

  

  

 

 

4.5.6

mf

    mf     mf



 

Hp.

Mutes Off

Perc 2 Mar.2

perc 3B. D.

    mp      mp

1.2.3.

 

Tbn.

Timp.

 

 

 


Serenada Schizophrana - V 41    Fl.

Ob.

E.H.

Cl.

  

A. Sax.

Bsn.

Cb. Bssn

mf

 





 

Tbn.

  

       2 mp  

   

   B. Tbn.   

Timp.

Perc 1 Mar.1

Perc 2 Mar.2

Perc.3Shakers perc 3B. D. Perc. 4 Picc WB/ T.Bl 1 Opt. Perc 6 Vib.

Keys1 Pno 1.

Keys 2 Piano Synth.

Keys3 Synth

Hp.

  

    poco

    

  

 

 



     

     

Vc.

Db.









 









    

 

 

mf

    

   

5.6.

                 mp

   poco  

mp 1.

     

2.

 

  1.  2.  mf    3.    4.5. mf  6.

   

 

  

  

mp

poco

      

mp

    

 

    poco

poco



 

  

 

 

 

     

    

  



 

  

 

 

 

 

 

         

 

 

 

  

 

 

  

 

 

 

 

 

 





        

      

  



   

Se

42

des



 





 









 



va

-

ne

-

ce

mi

ra

-





zon

en

un

43



-







 

 

 

 

 

ta - zon

de_a

   



 -

zu

-

car,

  mi

44 

 

 

  

 

 

      

 

  

mf

mp

 



  

poco

 

 

poco

mf

 

poco

          

  

2.

mp

 

1.

mf

 

mp 1.

     



  

 

 

poco

5.6. mp

   poco  

                

 

   

poco

 

poco

mf

  

 

  

poco

        2.4 mp     

 

   

poco

mp

 

mf

mp

  poco  

poco

poco

mf

 1.3

(stopped)

3

5.6. mf

       2 mp

poco

 

mf

1.

mf

 

poco

 

   

poco

  

 

mf

                                      



mf

on all slurred 1/8ths slightly accent the first



 

      2.4. mp   

 

1.3

 

       





  

   Vla.

mp

41  Vln. I    Vln. II

  poco  

poco

mp

  Choir

poco

 



 

poco

 

mf

 

on all slurred 1/8ths slightly accent the first



 

 

mf

     

 

 

(stopped)

3

44 

5.6. mf

  

43

Tba.

mf

    1.    mf   2. 3.   Hn.     4.5.  mf   6. 

Tpt.



mf

Hn.

Tpt.

 

 

 



mf

  

mf

  

B. Cl./ Cl.

42 



11

 









 



 




Serenada Schizophrana - V

12

45    Fl.

Ob.

E.H.

Cl.

   



Bsn.

Cb. Bssn

 

Perc 1 Mar.1

Perc 2 Mar.2

Keys1 Pno 1.

Keys 2 Piano Synth.

Keys3 Synth

Hp.

 

   

Vc.

Db.



  

 



poco

     

     3

    

poco

mp

 



 





 





 





 

   

3.6.

                 

 

mp

poco

 

poco

 

1.2. 3.

mf

mp 1.

     

2.

 

  

mf

mp

 





 





 

   

1.

 

 poco

     

mp

3

 

 

  

 

 

 

  



 

 



-

ma

se

con

 

 



    







mf

mf



    



    

 

  

 









 

 



 

  



 

 

  

  

   

       



       



 

- vier - te_en

sal

a

-

den

-

tro

de_un

ca

-

 

jon.

 

Es













 

toy

en

u

-

na

nu

 -

be

 



que

su

47

-



 



 

 

 p

   



  

 



  

-



be,

su

-

 



       

 

 



  



mp

 



only slight accents

 

 

1.2..



  

mf

mf





to PIANO

 

    

               

 

 



   



46



   



  

      

   

 

   mf

 



  





 



       



  



             poco apoco cresc.

  





mp

poco



    

poco

mf

 



mp

  

poco

2 mp



 4.   5.  6. mf 

mf

mf

  

      

 

poco

  

mf

poco

   

al

poco

 

 

 

 

       2.5. mp    

 

1.4. mp

poco

   







mf

 

poco

 



   

mf

(stopped)

 



   

on all slurred 1/8ths slightly accent the first

mf

  

 

 

  



48

  

 

5.6. mf

    poco

   Vla.



   

45  Vln. I    Vln. II

 



  Choir

 

 

Opt. Perc 6 Vib.





Perc. 4 -  Picc WB/   T.Bl 1 Perc. 5 Tamb.

47  

perc 3B. D.



Perc.3Shakers

 

mf

    B. Tbn.     Tba.

Timp.

 

    1.2.    mf   3.  Hn.     4.  5. mf   6.       Tpt.   2 mp

Tbn.

mf

Hn.

Tpt.

 

mf

  

46 

mf

  

B. Cl./ Cl.

A. Sax.

be_y

su

-

  

be

  y

48

 

 





  Pizz

















 





 

 

  

  

   









 


Serenada Schizophrana - V 49

on all slurred 1/8ths slightly accent the first

   Fl.

Ob.

E.H.

on all slurred 1/8ths slightly accent the first

  





A. Sax.

Bsn.

Cb. Bssn

Hn.

Hn.

 

  

   

 

p

Tbn.

B. Tbn.

Perc 1 Mar.1

Opt. Perc 6 Vib.

Keys1 Pno 1.

Keys 2 Piano Synth.

Keys3 Synth

Hp.

  

 

 

 

f



Vln. II

Vc.

Db.

  

   



 

  

 

 

 

 

 



f

f

 

  

f

f

f

      

 

  

 

f

 

mf

  

 



  

  





 

poco

  mp  p

 

      p

(CIMBASSA)

      

 

  

  

  

       

  

mp

p

poco

 

  

mf

  

 



  

  

  



 



  



    

  





    

  

 





  





poco



   

   

mp

 

 



subitop

 4.5.  6.

subitop

mp

poco

  

  

  

     

  

  

  

 

  

f

  

    





  

  

  





 

 

 



 





                   



 nun

-

     

 

   a1  

 

 

 

 

 



                









ca

mas

se

de

 -

ten

 -

dra

se

va







y

vuel

-





va

so

-







bre

la

ciu

 -

dad

se

va

51

50

52











 



 



 



 

 

 







  



  

  



 

 a1

 

   

 

 

   

 



O

sen



   

  

 

 

 



3 4

 -

sa -

Part 3b



 

 

 1.2.  3.

poco

  

  

f

 

 

3 4

f

poco

 

p

  

f



mp



p

poco

  

f

  

 

 

f

mp

  

picc WB

 

  

  

 

poco











poco

p







  Vla.

 



 

 

 

 

49

Vln. I

 



 

 

   mf



      

  Choir

f

f

   

 

mp

 



 

 

    

 

f

on all slurred 1/8ths slightly accent the first

    

 

  

52  

  

  

51

   

f

on all slurred 1/8ths slightly accent the first

 

p

 

 

 

 



 

f

 Perc 2 Mar.2     Perc.3 Shakers   Perc. 4 -  Picc WB/    T.Bl 1 Perc. 5 Tamb.

  

 

 

Tba.

Timp.

50  

f

  

     Tpt.    Tpt.

 

 Cl.   B. Cl./ Cl.

  

  

PLAY

13

Part 3b

 





3 4


Serenada Schizophrana - V

14

53

  Fl.

Ob.

E.H.

Cl.

   

Bsn.

Cb. Bssn

Hn.

Hn.

Tpt.

Tpt.

Tbn.

B. Tbn.

Tba.

Timp.

Perc 1 Mar.1

Perc 2 Mar.2

mf

 

54 



mf

 



  



  

 

 

  

  

 



 

 



 

 

   





mf



 

 

only slight accents

 











 



only slight accents

 

 









 





 





  

56 

 





  

   

 

 

 

 

 

 

 

 

  



 

mp

  

only slight accents

 

 







 



































 



 











 

 



mp



   Low Shaker Perc 5   



mp







 











  

3 4



 

 

 

  

 



  



  

  



only slight accents

mp

  

  

mf

55 

 

B. Cl./ Cl.

A. Sax.

3 4



 



 





 

 



 

 



 



 

 



Perc.3Shakers

Low Shaker

Opt. Perc 6 Vib.

Keys1 Pno 1.

Keys 2 Piano Synth.

Keys3 Synth

 

3

3

   

3

    

 

3

   

3

legato



mp



 

 





 

cion

 

 

3 4

 

 

 

 

 







 



 

 

 

 

 





 

 

  la_in

 -

spi

-

ra

-

 

 

cion

en

 es

-

te_in

54 















 

ARCO  marcato  

stan

 -

 -

-

 

te





va

lle

- gan

55

-

ci

-

na

56 





 











 



 

 







 



 





















Fa



do.







-





-

 

3

 Vln. II  

Db.

 

3

    

 Vln. I  

Vc.

3



   

53

Vla.

    

  Choir

 

   

 

Hp.

    

 

 

-


Serenada Schizophrana - V 57    Fl.

Ob.

E.H.

 

 

58 

   



  

 Cl.  

  



 

  







 

 

  



 

 





A. Sax.

Bsn.

Cb. Bssn

Hn.

  

   

     Tpt.  Hn.

Tpt.

Tbn.

B. Tbn.

Perc 1 Mar.1

Perc 2 Mar.2

Keys1 Pno 1.

Keys 2 Piano Synth.

Keys3 Synth

Hp.

Vc.

Db.

 

 

 



  

 

 

 

 

 

 

 

 

  



























 

















































 



       

 

 



 

 

 

 





  





 

  

3

 



 





 

 



 

3

 

    

 

 



 



 

 



 

 

   

3

 

   

3

     

 

    

  

 

 



 



3      

  

 

 

 

 

 









 

 

 





 



y

dis

 -

trac

-

 

 

cion

di

-

me

de

58 













 

  

 

 

que

'sta

-





ba

yo_ha

59















 









 

















 

 

  



blan

-

do

 

Voy

por

a

60  

 -

 

 

  



 

 

  

 

 

 

   

 

  Vla.

  



57  Vln. I   

Vln. II



cion

Vln. II

 

(PICCOLO)

  Choir







  Perc 5  

Opt. Perc 6 Vib.

  

60 



Perc.3Shakers Low Shaker



Tba.

Timp.

  

   

B. Cl./ Cl.

59 

   

 

15

 

ARCO

 



 







 

 





 











 

 

-


Serenada Schizophrana - V

16

61 

  Fl.

Ob.

E.H.

Cl.

  

Bsn.

Cb. Bssn

Hn.

Hn.

Tpt.

Tpt.

Tbn.

B. Tbn.



Perc 1 Mar.1

Perc 2 Mar.2

 

  

 

Keys1 Pno 1.

Keys 2 Piano Synth.

Keys3 Synth





  

63 

 

 

 

 

 



  





 

 





 

 

 

 

 





 

     

     

 

 

 

 

 

 



 



 

 

     

   Piano  



 



 

 

 

 

 

   

 

 

 





 

simile

 

simile

 



  



 

 





 

qui





 

 

 

voy

por

a

 -

 

ca

voy

por

a

62 

 

-

 

lli

voy

por

a

 

 

63 

 







  





 















 

 

 

-

-

 

lla

64

 

 

  

 

 

 

4 4



 

4 4

 

 

2 4

 



 

 



Db.



 Vln. II  

Vc.

 

 



  Vln. I  

Vla.

2 4

61

Vln. II

64

  Choir

 

 

  

Hp.

62 

   Perc 5   

Opt. Perc 6 Vib.

  



Perc.3Shakers Low Shaker

   

Tba.

Timp.

  

B. Cl./ Cl.

A. Sax.

 

2 4

 

y_un

 



 

 



4 4


Serenada Schizophrana - V 65

  Fl.

Ob.

E.H.

    

4 4



A. Sax.

Bsn.

   

 Cl. 

 

B. Cl./ Cl.

 

  





        

    

 

  



        



  





 

   

   

   Hn. 



Tpt.

Tpt.

Tbn.

B. Tbn.

Tba.





Perc 3 Cym./ Piatti Perc. 4 Glock.

Perc 5 Low Shaker Opt Perc 6 W. Bl. Opt. Perc 6 Vib.

Keys1 Pno 1.

Keys 2 Piano Synth.

Keys3 Synth

Hp.

Choir

   

Vln. II

Vla.

f

f



 



 



 









 



 









  f  3.4.   f   

      

























cuer - vo

ne

- gro

4 4

  

  

mf

 



 



mf

me



 



 

 



mf

 



open

 

        



 

 

 

 

 

   

 

 

   

 

 



 

 

 





 

 

 sub.f

per - si - gue

 

 



 



mf

 

     



f

     

  



 





p

 

      



 

 muted

f

ORGAN 1 sounds 8vb

f

 

Ah

Ah

Part 4

66 





  



 

 

 

 

  





 Vc.   Db. 



 

   3.4.     

   



 

f 

1.2

  f 

mf

to CHIMES

Synth Celeste sounds 8va



Piccolo WoodBlocks 3 PITCHES



 

 

f

f

 

  

f

mf





mf

     



 

piatti

 

     

  





mf

 



mf



 



p

 

f

    

1.2

f

 

 

 

 

f

3 4

f



 



 

4 4

 



f

 

f

68  

 

 



67

 

 Vln. I 

Vln. II



   

65

Vln. I

f

   Perc 1 Mar.1 

Perc 3 Picc WB T. Bl.

3 4



 

 

Timp.

Perc 2 Mar.2



66

 



  

Cb. Bssn

Hn.

   

 

17

Part 4

(ARCO)



 

  



 

 1/2 step trills DIVISI

ARCO

3 4

melodically

a6 

 a4  a4 

 

TUTTI

f

   

f

ARCO TUTTI

f melodically

f

f

f

  

     simile very slight accents  to 80        

 

 

 

67  

 

 

 

simile

  

 

 

 

 

 

 

68

 

 

 

 

 

 

 

 

ARCO

f

       

 

 

 

 

 

 

 





 

 



   

 




Serenada Schizophrana - V

18

70 

69

  Fl.

Ob.

E.H.

Cl.

 

Bsn.

Cb. Bssn

Hn.

Hn.

Tpt.

Tpt.

f



  

 



 

 

 



 

 

Perc. 5 Chimes

Opt Perc 6 W. Bl.

Opt. Perc 6 Vib.

Keys1 Pno 1.

Keys 2 Piano Synth.

Keys3 Synth

Hp.



 



Vln. II

Vla.

Vc.

Db.

 

f



   

 

 

 muted   





 

 

 

       

f

 

 



 



 

 

 

 

 

 

 

 



 

  

 

 





f

 f

 

 

  

 

 

 

 

 

 



 

 

 

 

 

 



    



 

 

 

 

 



 

               

 

   

   

 

 

 

 

  

   

 

 

 

   

72

 

 

 

 

 

 

 

 

 

 



 

 

 

 

  

 

Ah

71

 

 

70

 



Ah

 



 

 

 

 

 

 

 

 

 

 



  

    

  

      

       

  

 



 

 

 

     



   

 



 

 

f

mf



 





p

      



 

       

     

f







 

     

 

 

 

 



   

f

     



f

      

mf

f

 



      

      

  

   





     

p

  



f

 

 

72 

f





      

 

f

69   Vln. I   Vln. I

  Choir



   mf   Perc 1 Mar.1 

Perc. 4 Glock.

   



1.2.  mf  3.  4.   5.   mf  



f

 

 



  





Timp.

Perc 3 Cym./ Piatti

  

 

   f   B. Tbn.   f   Tba.

Perc 3 Picc WB T. Bl.



Tbn.

Perc 2 Mar.2

f

B. Cl./ Cl.

A. Sax.

71

 

 

 

 

 

 

       

 

 

 

 

 

 

 

 

 

 

 

      

  

   

 

 

 

 

 



 

 

 

 

 

 

 

 


Serenada Schizophrana - V   Fl.   Ob.

E.H.

Cl.

 

A. Sax.

Bsn.

Cb. Bssn

 

   

  

 

      Hn.      Tpt. 

      

  

 

     

     

       Perc 1 Mar.1 

Perc. 4 Glock. Perc. 5 Chimes

Opt Perc 6 W. Bl.

Keys1 Pno 1.

Keys 2 Piano Synth.

Keys3 Synth

Hp.

Choir

Vln. II

Vln. II

Vla.

 

     

     



poco decrescendo

      

     

      poco decrescendo        poco decrescendo

     

 

     

   

  

 

     

     

     



 

   

 

  



 

      

     

     

  

      

     

     

 

 



Marimbas Lead Orch

    Marimbas Lead Orch    

 

 

 

 

 

 

  

 

 





     

 

 

 

 

 

 



  

 

 

  

   



 

 





 

 





  



 

 

 

poco decrescendo





 



 

Ah

  

a2   a4

    a4

 



 

sim.

 

 

 

 

    

 

    

 

 

 

 

 

 

 

 

   

 

   



 

 

 

 

 

  

 

 

      

 



 







75

74  



 

 

   

   

 

mf

   

mf

mf

mf

 

 mf

mf

  

 

poco decrescendo



 

 

 

 

 

    

 

poco decrescendo

 



poco decrescendo

 

 

poco decrescendo

    

mf

76  

 

 

 

          



 

 

 



 





 





poco decrescendo

 





 

poco decrescendo

 



  

XYLO

     

       

to Xylo

  

 

 

  



 



 

 

     

poco decrescendo

     



    

poco decrescendo

 



  

   

 

  

       Db.  Vc.

73   Vln. I    Vln. I

  

Opt Perc 6 Xyl.

Opt. Perc 6 Vib.

  Perc 2   Mar.2 

Perc 3 Cym./ Piatti

 

 

Timp.

poco decrescendo

  

   f   B. Tbn.  f   Tba.





 



Tbn.

Perc 3 Picc WB T. Bl.

  

 

 

 

Hn.

Tpt.

 

76

 

B. Cl./ Cl.

75

74

73

19

 

 

 

      

poco decrescendo

 

 

 

 

 

 

poco decrescendo

 

poco decrescendo

 

 


Serenada Schizophrana - V

20

77

78

  Fl.

Ob.

E.H.

Cl.

 

   

  

A. Sax.

Bsn.

Cb. Bssn

 

B. Tbn.

     

Timp.

Perc 1 Mar.1

Perc 2 Mar.2 Perc 3 Cym./ Piatti

Perc. 3 Xyl.

Perc. 4 Glock.

 

      

     

      

     

Vln. II

Vla.

Vc.

Db.

     

  

  

 

 

     

     

     

  

  

  

     

  

  

        

  

 

 

   



   

 

 

 

 



 

 

 



 

 

 

 

 

 

 



 



 

  



 

 



 



 

 



     

mp

mp

 

1. 2. 3.

 4.5.  6.

   mp 3. TENOR TROMBONE  

 

 

 









 





 

 

 

sus w/ med mallet p



  

 

 





   

 

  

 



 

 

 





 



 

 











 

 mp

 

 

 

mp







78

   

 



 

 

    

        

         

 

 

  

 

 

 

 

 

 

   

 

 

 

 

 

 

  



 



 

         

mp

 

 

 



 



 



 

mp

 



mp

 

mp





  

end 1/2 step trills

 

 

mp

 

80

 

 

 

mp

 

79

 

  









 

 



 

 





 

to Piccolo Wood Block

poco a poco decresc

mp

 

 



 

     



 



 

  

poco

mp



 

 



 

 



  mp

      

 

 

 

 

mp

 

 

  

poco



      

77

Vln. II

  

 

mp

  

80  

 

Vln. I



Vln. I

  

 

Opt. Perc 6 Vib.

Choir

 



Hp.

Xyl.

Keys3 Synth

 

 

 



     Opt Perc 6

Keys 2 Piano Synth.



Perc. 5 Chimes

Keys1 Pno 1.

     



Tba.



       Hn.        Tpt. 

Tbn.

  

Hn.

Tpt.



      

B. Cl./ Cl.

  

79

 

mp

mp

 

 

 

 

 

 


Serenada Schizophrana - V

Fl.

Ob.

E.H.

Cl.

81    

 

 

poco



  

poco

 

  

82  

 

poco a poco decresc

  

 

poco

 

poco a poco decresc

83  

21

 

 

 

84  

 

 

 

  

 

 

B. Cl./ Cl.

A. Sax.



 Bsn. Cb. Bssn

Hn.

     

1. 2. 3.

  4.5.  6.  Tpt.  Hn.

Tpt.



Perc 2 Mar.2

Perc 3 Picc WB T. Bl.

  

Perc. 4 Picc WB/ T.Bl 1

Opt Perc 6 Xyl.

Opt. Perc 6 Vib.

Keys1 Pno 1.

Keys 2 Piano Synth.

Keys3 Synth

Hp.

    



Perc. 5 Chimes

 

 















 

Vla.

Vc.

Db.

    poco a poco decresc

 



 

 

 

 

   

 

Piccolo WOODBLOCK



     poco a poco decresc  

 











 

 

poco a poco decresc

  

 

 

 

 

 

  

 

 



 

 



 















 

 

 

  











 

 

 

 

 

 



 

 

  

 



 

 

mp







 

  

 





 

  

 











 

 

 

  



 

 

 

 

 

  



 

 

 

 



 

 

 

 



poco a poco decresc

 



 

 



 

 

 





 

 

  



 

 

  



  

 

  

 

     

mp

   

 

 

poco a poco decresc

 

   

81  Vln. I   Vln. II

  

  Choir

 



 

Perc. 3 Xyl.

Perc. 4 Glock.

 

Tba.

Perc 1 Mar.1

   Tbn.    B. Tbn. 

Timp.

 

 

 

 

82

   

 

 

 

83



 

84

 

 

 

 

poco a poco decresc

 

 

poco a poco decresc

 

 

 

 

 

 

 

mp poco a poco decresc

 

 

 

 


Serenada Schizophrana - V

22

85      Fl.

Ob.

E.H.

Cl.

      

    

A. Sax.



Cb. Bssn

Hn.

 

  

    Tpt. 

Tbn.

B. Tbn.



Perc 1 Mar.1

Perc 2 Mar.2

Perc 3 Picc WB T. Bl.











 



Tba.

Timp.

 

      

 

  







 

  

 













  

 

  













 



  



  









 

 

  

 

 

 







     





 















     















  

 

 



 

 













 





  



 

 

 

 

Perc. 5 Chimes Opt Perc 6 Xyl.

Opt. Perc 6 Vib.

Keys1 Pno 1.

Keys 2 Piano Synth.

Keys3 Synth

Hp.



   

 







 

  

Vln. II

Vla.

Vc.





 

 

  

 

  

 

 







 

  





  

 

 

 



 



 



  

 



 

 

 

 





 



 

  

  

  

    

 

 



 

 

     

   Db. 



87



 

 





 





  

 







 

 



88

  

  

 

86

 





 

  

  

poco a poco decresc



 

 



  

85

Vln. I

 

  Choir

Perc. 4 Picc WB/ T.Bl 1









 

 

  

 

 



Perc. 4 Glock.

 

Perc. 3 Xyl.

 

 

 

 

 



  

p

 

  

 

   

p



  

    



  

 

 

Hn.

Tpt.

88  

  

 

  

B. Cl./ Cl.

Bsn.

87

86  





 

 

 




Serenada Schizophrana - V 90

89

  Fl.   Ob.

  

  

p

B. Cl./ Cl.

A. Sax.



Cl.

Bsn.

Cb. Bssn

  

 

  Hn.   

  

    Tpt.       Tbn.    B. Tbn.   Tpt.

Timp.

Perc. 4 Picc WB/ T.Bl 1 Perc. 4 Glock.

 



  





     Opt Perc 6 

Opt. Perc 6 Vib.

Keys1 Pno 1.

Keys 2 Piano Synth.

 

Keys3 Synth

Hp.

Choir

  

 

 









 

 

 

 

 





Vln. II

Vla.

  

 



 





  





p

  

  











 



 

 

 

  



  

  







 

 

  



 

  

 



 

 

 

 



 

 

 

 



  



  





 







    

 

 

 

 

 







 



 

 

   

   

 

2 4

   

     

 

 

   



 

 

 

 



 



       

 

 

 

 

 

 



  

  

 



 

3 4

 

mf

mf

High Shaker

 

sus cymb with med mallet

 

  mf



to shaker



 





 



 

to shaker

 





   

 

 

 

  



 



mf

 

 

 



    

mf

 

p







 



p

 



  

    Vc.    Db.  

 



90

  

 

 

 

p



 p

 

 

 

 

 

 

 

 

 

 

 

 

2 4 

 

 

 

 

 

p

Part 5

92

3 4

   

 

 

91



Gamelan Bells

 

mf

p

 



 



mf

 

to SUS CYMB





mf

  

 

     

to SUS CYMB

  



 

 

 

89

Vln. I

 

     





Perc. 5 Chimes Xyl.







p

 

p



  

 

3 4



Perc 3 Cym./ Piatti Perc. 3 Xyl.

p

  

       Perc 2  Mar.2  Perc 3 Picc WB T. Bl.

2 4

p

Perc 1 Mar.1

92 

Hn.

Tba.

  

  

91



E.H.

23

Part 5





PIZZ

mp PIZZ

 mp

PIZZ

 

 

 

 



mf



mf

 

mp

  

mp PIZZ

mp PIZZ

 

mp

 

   

 


Serenada Schizophrana - V

24

93  

94

95

 



 

B. Cl./ Cl.

A. Sax.



 





 

E.H.

Cl.

Bsn.

Cb. Bssn

Hn.

Hn.

Tpt.

Tpt.

Tbn.

B. Tbn.

 

 

Perc 2 Mar.2

p

   Perc 4    

Opt. Perc 6 Vib.

Keys1 Pno 1.

Keys 2 Piano Synth.

Keys3 Synth

Choir

Vc.

Db.

 

  

 

 

 









 



  



mp

  

  

94 

   Vla.

p

93   Vln. I    Vln. II

  

Hp.

 

Perc.3Shakers

Cym. Piatti



Tba.

Timp.

 

p



 

 

 

p

p

  Lo

95 

 







 

 





-

co_en

la

co

 -

ci

-

na_en

96

 

 bus



Ob.

96 

 

 

Fl.

1. only



 

 





 

 

 


Serenada Schizophrana - V 97    Fl.   Ob.

E.H.

Cl.

 

Hn.

Tpt.

Tpt.

Tbn.

   

seperate

 Perc. 4 -  Picc WB/   T.Bl 1

Perc. 5 Tom-t.

Opt Perc 6 W. Bl.

Opt. Perc 6 Vib.

Keys1 Pno 1.

Keys 2 Piano Synth.

Keys3 Synth

       

  f

  f    f

 

 

 















 

 

 

       

     















       

     

 

mf

 

mf

 Temple block

 

 

mp

 



 

 



mf

mf

Temple block

 

  



 

mf

Temple block

subito p

  

mf

 





bo

-

tes

de



 mf

  

  Db. 

 -

su

-









 





 

f

 

 



f

 

f

f

f  f

 

  



f



 

  

 

    



subito p

 

 f

subito p

 

A

 -































 

   



  

simile

simile

   



-

tro

 de_un

 za

-

pa

 

 

subito mp

 

subito mp

 









  

den

-

to_hun -

100

  

99

 ARCO

ra

98

   

 ba

 

mf

subito p

 ORGAN 1 sounds 8vb

  

subito p

 



 

 

 

 

f

Piccolo WB

  

subito f

     

 

mf

       

 

 

let jangle

 Vln. I      Vln. II   

Vc.





97

Vla.







  Choir



  

Hp.

 

  

 

 

Perc 5 Low Shaker









 

   

  



perc 3B. D.

Perc. 5 Tamb.

f



f

TAMBOURINE

 



 

 

  

Perc.3Shakers



subito p

 







  



Timp.

Perc 2 Mar.2



100

  

1.

 



 

  

 

Perc 1 Mar.1



 

 

f



   

  

Tba.

Timp Plays Tamb.

 

  

f

seperate



B. Tbn.

  

f



99  

f

 

 

  

 

f



PICCOLO



  

f

Cb. Bssn

98  

 

 

 



Bsn.

Hn.

 

B. Cl./ Cl.

A. Sax.

1. 2.

25

subito mp





 

 





 

 

  

PIZZ p

 


Serenada Schizophrana - V

26

101

    Fl.    Ob.

E.H.

Cl.

Bsn.

Cb. Bssn

Hn.

Hn.

Tpt.

Tpt.

Tbn.

B. Tbn.

 PICCOLO

 



 

 f

f

Opt. Perc 6 Vib.

Keys1 Pno 1.

Keys 2 Piano Synth.

Keys3 Synth

Hp.

Choir





 



 



















   









 





 



  

 

 



 



Piccolo WB mf

mf mf

 

 

 



 

mp



di

-

do_en

el

  

  



 

 

Temple block

 

 

 

  



 

mf

Temple block

 





f

   

 

 

subito p



 f



 

 

 ff



 tremolo - motor on, slow

 

subito pp



 

 



 

 

f

















 

 









 

 

   

   

  

  



 

  



  

104

f

f

subito pp







tremolo - motor on, slow



f

103

  

fa.

 

 

mf

 -

subito p

f

 

so

f

 

Tacit IF Perc 6 plays

 

 

 

 

 

102 

 



 

mf

 

 

 

 

mf



       

 

  

 

     

Temple block

 

mf



mf

 



 

       

     

  



mf

 

 

let jangle

 

 



     

f

  

  

     

       

 

 

       

 

f

  

   f  

 

Db.



    

 Vln. I      Vln. II   

Vc.



101

Vla.



 

   

  



 

T.Bl 1

Opt Perc 6 W. Bl.



   

 Perc. 4 -  Picc WB/  

Perc. 5 Tom-t.



 

104

Perc.3Shakers perc 3B. D.

Perc. 5 Tamb.



 

  

Perc 4 Vib.

f

  

 



Perc 3 CLAVE

  



   

   



Timp.

Perc 2 Mar.2

   

Perc 1 Mar.1

f

mf

 

103  

  

 

f

Perc 1 T. Bl.

 



   

 

  

102  

   f  f

Tba.

Timp Plays Tamb.

 

 

B. Cl./ Cl.

A. Sax.

1. 2.

 













 

 









 

 





   

   

     

   


Serenada Schizophrana - V

27

Part 6

105   Fl.

Ob.

E.H.

Cl.

106

       

107

108

B. Cl./ Cl.

A. Sax.



 

Bsn.

Cb. Bssn

Hn.

Hn.

Tpt.

Tpt.

Tbn.

B. Tbn.

 

       

Tba.

Timp.

Perc. 2T. Bl. 2

Perc 3 CLAVE

 

 

 Perc. 4 -  Picc WB/  Perc.3Shakers

 

Perc. 4 Glock.

Perc. 5 Chimes Opt. Perc 6 Vib.

 

Keys1 Pno 1.

Keys 2 Piano Synth.

Keys3 Synth

Hp.



 

 

 

 

 

 

 



p

picc wood block

p

 

 

 



p

muted

 

 

 



p



 

 





 

p

 Synth Celeste sounds 8va

 

 



 







 

Vln. I

Vln. II

Vla.

Vc.

Db.

     

   

106

107

 p

 

Mi

 vi

-

da_y

mi

 ra

 -

Part 6

105

 



 

 

 



 



  Choir

 

   

T.Bl 1

Perc 4 Vib.

 

108

zon

 de_in


Serenada Schizophrana - V

28

109   Fl.

Ob.

E.H.

Cl.

110

       

111

112

B. Cl./ Cl.

A. Sax.



Bsn.

Cb. Bssn

Hn.

Hn.

Tpt.

Tpt.

Tbn.

B. Tbn.

 

       

Tba.

Timp.

Perc 1 Mar.1

Perc. 2T. Bl. 2 Perc 3 CLAVE

Perc.3Shakers Perc. 4 Picc WB/ T.Bl 1

    

     

Perc. 4 Glock.



Opt. Perc 6 Vib.

Keys1 Pno 1.

Keys 2 Piano Synth.

Keys3 Synth

Hp.

  

 

  

 



 

  

 

  

Vla.

Vc.

Db.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

  

 



 

 

p

 

 

 

 











 

 



 

 







 



   

   

 



co

 -

gni

-

to

 es

-



tan,

Bus

-



co

ba

-

 

jo_el

man

-



tel

a

den

-

 

 

 

 

 





tro

de

un

pan,

Es

111

 



110





 

109  Vln. I   Vln. II

p



  Choir

 



  

Perc 4 Vib.

Perc. 5 Chimes

 

 -

cri

-







tos

en

pa

112

 -

pel



que_ha -


Serenada Schizophrana - V

29

Part 6b

113

Fl.

Ob.

E.H.

Cl.

115

114

        

116

3

(Piccolo)

      3

f

3   

f

1. Eb soprano f

2. Bb Clari

        

3

3

A. Sax.



Cb. Bssn

Hn.

Hn.

 

 







 Tpt.  Tpt.

Tbn.

B. Tbn.

 

Tba.

    Perc 1  Mar.1   p  Perc 2 Mar.2 

 

Timp.

Perc. 2T. Bl. 2 Perc 3 CLAVE Perc.3Shakers Perc. 4 Picc WB/ T.Bl 1

Keys3 Synth

  



  

 

 

  

 

 

 

 

 



p

 

 

 



 

 

 

 

  

  2.4.6

 p

 

MUTES



p

 





 

 

 

 

 

 

 

 

 

 

 

 

    







ce

tiem

-



po

 bo

 -

te,

 De_a -



 





dor - no_en



 

 

 pas -



  

un

mf

 

  f 2.   

 

 

f









tel,

en

u

-

  

poco

f

 

f

 

 

mf

 

na

 la

-

 

 

 

 

  

 

mf





   

     

    

  

   

   

   





   

  

 

f

 





 ORGAN 1 Sounds 8vb

  

 

  

poco

to MARIMBA

  

BRASSY

f

  

 mf

 

f

 

f

 

f



 

 

   

 

 

  

mf



 Hp.      

cuivre

 

 

p

 

 



 

Choir

    Opt. Perc 6  Vib. 

Keys 2 Piano Synth.

Perc. 5 Chimes

Keys1 Pno 1.





Perc 4 Vib. Perc. 4 Glock.

1.3.5.

3

B. Cl./ Cl.

Bsn.

   

3

  

 

  

va

 -

do

-

 

  

ra.

   mf

sop alto

 

 

 

 

 

   

antiphonal

 

  

Part 6b

113  Vln. I  Vln. I

Vln. II

Vln. II

Vla.

     

 Vc.

Db.

 

116

115

114 

PIZZ

PIZZ

PIZZ

PIZZ

ARCO

ARCO

   

 

mf Ord

 

mf ARCO Marcato

 

mf

 

mf

mf

mf

 

mf

  

    

 

 

 

 

 

   

   

 

 

 ARCO

 

Marcato mf

 


Serenada Schizophrana - V

30

117

        

   Fl.   

   

 Ob.   E.H.

Cl.

      



   

       

3

     

118 

   3

3

 3    3

3

   

3       

3

3 3

     

      

3 3

    3

     

3

3

3

3

      3

3

119

          3

  

120

          3

 

 3   

3       

3

3

      3

   

 3         

3

3

3

3

A. Sax.



Cb. Bssn

Hn.

Hn.

Tpt.

   

  

  

 

    Tpt.        Tbn. B. Tbn.

Tba.

 

 

   

    

 

 

      poco a poco crescendo    Perc 1      Mar.1 

Perc. 2T. Bl. 2 Perc 3 CLAVE

 

poco a poco crescendo

 

 Perc. 4 -  Picc WB/  Perc.3Shakers

 

Perc. 4 Glock.

 

  

Opt. Perc 6 Vib.

Keys1 Pno 1.

Keys 2 Piano Synth.

Keys3 Synth

Hp.

Choir

 

  

poco a poco crescendo

 

poco a poco crescendo

 

    

    



  

   

   

 



  

 

  

3.

  

 

 

        



 



 

 

 

 

     

 

  

    

 

 

    



  

    

 

 

 

 

 





 

 

     

 

   

   

   

  

   

 

  

 

 

 

 

 

 

  





 

 

 

 





 

 

 

 

  

  

  

         

 

 

  

  

 

118 

 

 

 

 

 

 

 

 

poco a poco crescendo

poco a poco crescendo

poco a poco crescendo

 

poco a poco crescendo

poco a poco crescendo Ord

    

 

 

 

 

 

  

 

  

  

  

119  

 

 

 

 

 

 

 

 

 

 

 

 

 

  

poco a poco crescendo

Db.

poco a poco crescendo

 

 

  

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 







poco a poco crescendo

Vc.

120

 

    

poco a poco crescendo

 



 

 

 

    

 

  

 

    

 

  

  

 

 

 

 



  

 

 

 

PIZZ

Vla.

 

PIZZ

Vln. II

PIZZ

Vln. II

PIZZ

Vln. I

  

117

Vln. I

 

 

poco a poco crescendo

Perc. 5 Chimes

 

poco a poco crescendo

T.Bl 1

Perc 4 Vib.

 

 

 

    

Timp.

Perc 2 Mar.2

3

 

3

B. Cl./ Cl.

Bsn.

        

3

    

3

 

 


Serenada Schizophrana - V 121

3

3            

   Fl.   

3      3  3

33

        

 Ob.     Cl.  

 

   

3

 3  3              

E.H.

3

3

 

3

3

122    

 

     

     

           

123

          

31

Part 7a

3

   



 3         

3

      

3 3    

3 3

3  

3

124

      

  

3

3

      

3

 

   Hn.  

B. Cl./ Cl. A. Sax.

Bsn.

Cb. Bssn

     Tpt.  Hn.

  

 

    Tpt.         Tbn. B. Tbn.

Tba.

Timp.

  

 

  

       Perc 2  Mar.2  Perc 1 Mar.1

  Perc 3  Picc WB 

Perc. 2T. Bl. 2

  

  

   

T. Bl.

 

 

 

Perc 3 CLAVE

       

 

     

    

 

 

   

    

 

 

      





   



  







  

 







  

 

   

     

   

 

  f

 



 

   

  

 

 

 

 

    

   

    

Perc. 4 Glock. Perc. 5 Chimes

    

  Opt. Perc 6 Vib. 

 

 



Keys 2 Piano Synth.

Keys3 Synth

Hp.

Choir

  

 















3

mp

mf

to Low SHAKER

 

   

 

3

     

    

poco a poco crescendo

 

  

   Vln. II   Vln. I

   

    Vc.    Db. 







 









 

   

 

     

   

 

 

 

 

 





 

Part 7a

123  

 

f

      

 

   

 

 

 

     

 

 

 

 

   

 

 

 

 

 

 

 

 

   

   

 

122

 



   

 

 

 

     

 

 

 

124 

f

f

 

f

 

f

 

f

  

f

  

f

f

 

 

3

3

   

 

 

 

  

 

3

mp

 



 

 

  3



    

f

 Vln. I  

Vla.



121

Vln. II

Perc 5 Low Shaker

Keys1 Pno 1.

Perc 2 to Temple blocks

Perc 4 Vib.

  

 

f

ALT

   

 

  f   f   f  

Perc. 4 Picc WB/ T.Bl 1

   



Perc.3Shakers

  



    f

   

   

   


Serenada Schizophrana - V

32

125   Fl.

Ob.

E.H.

Cl.

126

       

127

128

B. Cl./ Cl.

A. Sax.



 

Bsn.

Cb. Bssn

Hn.

Hn.

Tpt.

Tpt.

Tbn.

B. Tbn.

 

       

Tba.

Timp.

Perc 1 Mar.1

Perc. 2T. Bl. 2 Perc 3 CLAVE

 

    3

  Perc. 4 -   Picc WB/   T.Bl 1

Perc 5 Low Shaker Opt. Perc 6 Vib.

Keys1 Pno 1.

Keys 2 Piano Synth.

Keys3 Synth

Hp.

   

Vla.

Vc.

Db.

3

 

3

  3

  3

  3

 

 



 

 

3

3

 

 

3

3

 

3

  3

 

 



 



 

 

3

3

  3

  3

 

3

  3

 

 

 



 

 

 

3

 



to CHIMES

 

 

3

3



 

 

   

   

126

127

 



3

 

3

3

  

MUTED

 



 

125  Vln. I   Vln. II

 



 

  Choir



 

 

Perc.3Shakers

Perc. 5 Chimes

128

 


Serenada Schizophrana - V 129

130

  Fl.

 

 Ob.  E.H.

131



 Cl. 

33

Part 7b

 

  

  

   

   

   

p

A1

132   

  p

   

   

p

  p

A. Sax.



 

Cb. Bssn

Hn.

Hn.

Tpt.

Tpt.

Tbn.

B. Tbn.

 

       

Tba.

Timp.

Perc 1 Mar.1

Perc. 2T. Bl. 2 Perc 3 CLAVE

Perc.3Shakers Perc. 4 Picc WB/ T.Bl 1 Perc. 5 Chimes Opt. Perc 6 Vib.

Keys1 Pno 1.

Keys 2 Piano Synth.

Keys3 Synth

Hp.

      3

           





 



 

3

3

 

3

 

 

3

 

 

3

 

 





 



 

 

 

 

3

3

3



 

 

 

3

 

3

3

3

 





 



 

 

 

3

 

3



 

 

3

3



 

   



 

 



p

 



 

  p

3

 

mf

  Choir

   



B. Cl./ Cl.

Bsn.

  

Part 7b

129  Vln. I   Vln. II

  

Vla.



 Vc.

Db.

 

130

132

131

ARCO

ARCO

 mf

  mf





 

 









 

 

   

   

mf

mf



mf

   

mf

mf


Serenada Schizophrana - V

34

133     Fl.

  

 



A. Sax.

Bsn.

   f

Hn.

Tpt.

Tpt.

Tbn.

B. Tbn.

Perc 3 CLAVE

Perc. 4 Glock.

Opt. Perc 6 Vib.

Keys1 Pno 1.

Keys 2 Piano Synth.

Keys3 Synth

Hp.

Choir



Vla.

134 

simile

  

 

 

 

 

 

 



135 



136 

 

  

 

 

 

 

f

  

 

 

 

 





  

 

 

 

 

 

mf

 

mf

 

mf

 

 

 

 

 

 





1.2.3

4.5.6

















 

POCO A POCO CRESCENDO

   mp

poco

 

   mp

poco





 

  

 

 

 

mp

 



mutes

















mutes

 

p

 



mf

p



 

 

  

 

 mf

  

 

  

 

 

mf

ORGAN 1 sounds 8vb

 

 

 

 

 

 

 

 

 

 



 

 

 



 



 

 

 

134   

 

 

135  



POCO A POCO CRESCENDO

 

 

  



  



 

 

  

  

  

 

POCO A POCO CRESCENDO

 



 

 

 

f

  

133   Vln. I     Vln. II

f



Tba.

Timp.

 Cb. Bssn   Hn.



  Cl. 

B. Cl./ Cl.

f

   Ob.   E.H.

simile

136  

 

 

 

 

 

 























 

















 





   

   

   

  

  

  

 

POCO A POCO CRESCENDO







POCO A POCO CRESCENDO

















POCO A POCO CRESCENDO

Vc.

      Db.  

POCO A POCO CRESCENDO

   

   

   

 POCO A POCO   

   

CRESCENDO

POCO A POCO CRESCENDO


Serenada Schizophrana - V 137    Fl.



 

 Ob.   E.H.



A. Sax.

Bsn.

Cb. Bssn

Hn.

Hn.

Tpt.

Tpt.

Tbn.

B. Tbn.

Perc 3 CLAVE

Perc. 4 Glock.

Opt. Perc 6 Vib.

Keys1 Pno 1.

Keys 2 Piano Synth.

Keys3 Synth

Hp.

Choir



 

138 



139 

  

 

 

 

poco

poco

poco

 

 

 

 

140



 

 



 

 

 

 

 

 



 

  

mf

 

mf

 

mf

   

 

 

 

 

 

 

 

 

 

 

 

  























 

  



 

mf

poco

 

  

mf

poco

 



mp

mf





 

 

 

 

 

 

 

 











mp

 

  

 

 

  

  mf

 

  

  

  

 

 

 



  

137   Vln. I    Vln. II

 



Tba.

Timp.

 



   Cl.  B. Cl./ Cl.

35

  

  



 

  



138 

 

 

 

 

 

 

 

 

 

 

139  



 

 

 



 

  



 

140 

 

 

 

 

 

 























   





 





 





 

 

 

      Db.  

  

  



   

   



   

   



   

   

Vla.

  Vc.







  







  







  


Serenada Schizophrana - V

36

141    Fl.

Ob.

E.H.

Cl.

 

 

 

142

 

 

143

 



mp

poco





A. Sax.

Bsn.

Cb. Bssn

Tpt.

Tpt.

    

 Hn.  Hn.

poco

 

 

f

mp





f

  

 

1.2.3.

4.5.6.



1.

Straight MUTES

  

  



 

 

mf

  

brassy

mf

 

  





poco

    

poco

  

poco

 

 

  

 



 

 

 Tbn.

 

B. Tbn.

Tba.

Timp.

Perc 3 CLAVE

Perc. 4 Glock.

Opt. Perc 6 Vib.

Keys1 Pno 1.

Keys 2 Piano Synth.

Keys3 Synth

Hp.

Choir

      

Db.



mp

 



 

  



 

 



 

 

  

142 











    f  

 

 

   

   

f

 f

     f

144



  f

Part 7c

143

  

 

  

f

Vc.

f

Vla.

 

141   Vln. I   Vln. II

 



poco

poco

 

 

mp

 

 

  

Clar 1.

 mp

mf

mp

mf

MUTE OFF

 





poco

 

mp

poco

poco

   

B. Cl./ Cl.

144

PICCOLO

    



Part 7c

 


Serenada Schizophrana - V   Fl.

147

146

145 

   



  

Cl.







 



mp

poco





 

poco

poco

E.H.

148

mp

Ob.

37



mp



mp

poco



p



poco

  

 

 poco

B. Cl./ Cl.

A. Sax.





Bsn.

Cb. Bssn

Hn.

   mf

Hn.

Tpt.

poco



  

B. Tbn.

Perc 3 CLAVE

Perc. 4 Glock.

Opt. Perc 6 Vib.

Keys1 Pno 1.

Keys 2 Piano Synth.

Keys3 Synth

Hp.

Choir

 

 

 

  

 

Vc.

Db.

 

 

 

 

poco

 

poco

 

 

 

 

 

 

 

       

 

p

 

 

 

 



   

   

   

 

 Vln. I  

Vla.

mf

147

146

145

Vln. II

 

 

Tba.

Timp.

 

 

poco

 Tpt.    Tbn.

 

 

148


Serenada Schizophrana - V

38

149   Fl.

Ob.

E.H.

Cl.

150

 

 



poco



152

    

151

  

 mp

 



p

 



poco





 pp





poco

B. Cl./ Cl.

A. Sax.





 

Bsn.

Cb. Bssn

Hn.

Hn.

Tpt.

1. Solo

p

Tbn.

B. Tbn.

Perc 3 CLAVE

Opt. Perc 6 Vib.

Keys1 Pno 1.

Keys 2 Piano Synth.

Keys3 Synth

Hp.

Choir

Db.







poco

pp



 

  

 

 

 



 

 

 Vln. II  

Vc.

poco

149  Vln. I  

Vla.



p



Tba.

Timp.

 

poco

Tpt.



      

 

   

2 4

150

151

2 4

152

2 4


Serenada Schizophrana - V Part 8

153

  Fl.

 

 Ob.  E.H.

Cl.

Bsn.

Cb. Bssn

Hn.

Hn.

Tpt.

Tpt.

Tbn.

B. Tbn.

Perc.3Shakers perc 3B. D.

Perc. 4 Glock.

Perc. 5 Chimes

Perc. 5 Tamb. Opt. Perc 6 Vib.

Keys1 Pno 1.

Keys 2 Piano Synth.

Keys3 Synth

Hp.

pp

 

Vc.

p

     p



 

 

pp

     

  



2 4

3 4

 

mp

 

 

High Shaker

p

   

   

p

SOLO SOPRANO



   



 



Mi

ge

-

nio

se

me

fue

mi_i

2 4

 

-



dea

se

es

open

mp

PIZZ

PIZZ

  p

PIZZ

 p  

3 4

 -

ca

-

 

po



-

  



 

PIZZ

Co

-



mp

 









mp









-

-

- mo,

156

155





 

 

mp

p

-

  





p

PIZZ

 mp

p

154

 

 Db. 



mp



 Vla.

Part 8

Vln. II

p

153

Vln. I

 

  Choir

pp

 

Tba.

Timp.

3 4



B. Cl./ Cl.

A. Sax.

2 4

156   

155

154 

39



 

mp

PIZZ

 

 



mp

mp


Serenada Schizophrana - V

40

157    Fl.



 



 





 



 

poco



 

  Cl. 

poco

B. Cl./ Cl.

A. Sax.

Bsn.

Cb. Bssn

Hn.

Hn.

Tpt.

Tpt.

Tbn.

B. Tbn.

Perc.3Shakers Perc. 4 Glock.

Perc. 5 Chimes

Opt. Perc 6 Vib.

Keys1 Pno 1.

Keys 2 Piano Synth.

Keys3 Synth

Hp.

 

poco



Tba.

Timp.

  

  



Vln. II

Vc.

p

p

     p

p





 

  



 co

-

-

-

-

-

 

mo

p

 

Mi

     



  

  Db. 



plan

se

me_ol

 -

vi

-

dio,

mi_his





 

 

 p

p

  

-

ria

se_ha

per

 -

di

 -

do

 

p



















 

 

 

 

-

 

-

-

-

mo,

160



-







mp

159

p

p

 

to

Co

p

-

158 



  Vla.

 

 

157

Vln. I

  

   Choir

160   

159

poco

 Ob.  E.H.

158

 

PIZZ

mp

mp

mp







 

mp

mp

mp




Serenada Schizophrana - V

41

Part 9

161    Fl.

Ob.

E.H.

Cl.

 

poco



  

poco



   

A. Sax.

Bsn.

Cb. Bssn

Hn.

Hn.

Tpt.

Tpt.

Tbn.

B. Tbn.

Perc 1 Mar.1

Perc 2 Mar.2

poco

 

 

Keys1 Pno 1.

Keys 2 Piano Synth.

Keys3 Synth

Hp.

 

p







mp









 









p

 

poco

    

mp

mp

mf

mf



mp







mf

 

 

 

 

  



4 4

mf

 

mf

 

 

 

  

   co

tutti

-

-

-

-



mo,

Mi

pien

-

 sa

-

mien

-

 



































to

se

me



-

tio

a

den

-

tro

 de_un

-

 a

la

 -

ta.

  En

 











 

mf



mp

 1.



p

 

 







p

mf





poco

 



  Choir

 



 

164

     Perc. 4 Glock. 

Opt. Perc 6 Vib.

Perc.3Shakers

Perc. 5 Chimes

mf

163

mp



Tba.

Timp.

4 4

  

 

poco

B. Cl./ Cl.

162

 

tre_u - na_al - mo_ha - da

- chon,

 

 

y_el

col

mi

















Part 9

161

 Vln. I   Vln. I







  Vla.

Vc.

Db.

 Vln. II   Vln. II

ARCO

DIVISI

 

  

  

  

 

4 4



mp





mp

 



162   

ARCO

    mp

DIVISI



163

ARCO

ARCO

ARCO







mp

164  

 mp

  mp

  ARCO  

mp

mp

 

 

 

   

   

   

ARCO

DIVISI

   























   


Serenada Schizophrana - V

42

165   

166 

p

Fl.

 Ob.   p

 

 Cl. 

Bsn.

Cb. Bssn

Hn.

Hn.

Tpt.

Tpt.

Tbn.

B. Tbn.

Perc 1 Mar.1

Perc 2 Mar.2

Keys1 Pno 1.

Keys 2 Piano Synth.

Keys3 Synth

Hp.

poco

 

 

 

 

 

 

mp

   

mp

 

mf

 mf



 

 

 

mf

 

 

 1.

mp

mp

 

 

       

 

  

 

 

 

 

mp

 

 

 

poco

 

 

 

 

p

poco

 

 

-

no

se_a

-

tas

-

 

co.

 



 











 

 

 

 

 

 

 

     Db. 

   

   

   

Ni

por

 a

-

qui

ni

por

 a

-

ca

166

 



 



  ni



por

 a

-

lla

yo

 

 

 

 

 

  

 

 

 

 

 

 

  

   

 

   

 

 

 

 

   

 

  



bus

- co_a

-

lli,

yo

bus

- co_a

- lla

168

 

   

 

167 

 

 

 

 

 

 

 

 

 

 

 

p

 

 

 

mf

simile

p

 

mf

 

Vc.

 p   

168



  Vla.

165  Vln. I  

Vln. II

sue

Vln. II

p

  Choir

mp

   Perc. 4 -   Picc WB/   Opt. Perc 6 Vib.



Perc.3Shakers

T.Bl 1



Tba.

Timp.



B. Cl./ Cl.

A. Sax.



 poco

 

E.H.



167 



 

 

 

 

 

  

 

 

  

   

 

   

   

 

   

  



 

 

 

 

 

 

 

 

 

  y


Serenada Schizophrana - V

Fl.

Ob.

E.H.

Cl.

169   

  

 

 

Bsn.

Cb. Bssn

Hn.

Hn.

Tpt.

Tpt.

Tbn.

B. Tbn.





    

Perc 1 Mar.1

Perc 2 Mar.2

mp

poco

mp

poco



Keys 2 Piano Synth.

Keys3 Synth

Hp.

Db.

p

172 

 

 

 

 

p

 

 

 

 

    

     

 

 

 

 

 



 

 

 

 

 

 

poco

   p

 

 

 

 

 

 

   

   

-

da

na

-

 

dan - do_es - tan

 

en

el

ca

-

fe

 

bai

170 

 

 

 

 

 

 

 

lan - do_en

la

pa

-

 

red,

 

sal

171

 

-

 

 

  

 

 





  

1. only

 

 Vln. II   

Vc.

 

 

169  Vln. I    

Vla.

na

Vln. II

  Choir

171 

p Low Shaker

Keys1 Pno 1.

 

1. only

   Perc. 4 -   Picc WB/   T.Bl 1

Opt. Perc 6 Vib.

Perc.3Shakers

Perc 5 Low Shaker



Tba.

Timp.

170

mp

B. Cl./ Cl.

A. Sax.

43

-

tan

-

do

den

 

-

tro

de_u

-

na

red.



 

 



O_en

172

 







 

 


Serenada Schizophrana - V

44

173     Fl.

Ob.

E.H.

Cl.

Bsn.

Cb. Bssn

Hn.

Hn.

Tpt.

Tpt.

Tbn.

B. Tbn.



2. Flute

 

 

p

poco

p

poco



 

 



 

 

 

 

 

 

 

 

 

 

 



 

 



 





 

 

 

 

 

 

sa

Low Shaker

 

 

 

 

un

jar

-

 

ron,

 

o_en

un

jar

173

             

 

ron

-

 

o_en

un

bal

174 



 



 

 

 

Perc.3Shakers

   Perc 5   

 

  

3 4

  





 

  

 

 

Db.

p

Vc.

 

Vla.



 

Vln. II

 

Vln. I

Choir

Hp.

Keys3 Synth

 

 

Keys 2 Piano Synth.

Keys1 Pno 1.

 

2. Bb Cari

Opt. Perc 6 Vib.

176

Perc 2 Mar.2

175  

 

Perc 1 Mar.1

3 4

 

    

 

174

  

Tba.

Timp.



B. Cl./ Cl.

A. Sax.



3 4

-

 

con

 

o_en

el

jar





 

 

 

 





 

din

 

o_en

el

 

176

175

 

-

 

 

 

 

-


Serenada Schizophrana - V 177    

 

poco a poco crescendo

Fl.

Ob.

E.H.

Cl.



Bsn.

Hn.

Hn.

Tpt.

Tpt.

Tbn.

B. Tbn.



178    

 

 

 

 



3. PICCOLO

 

  

 

 

 

 

 



 

 



 



  

 

180  

 

 

 

 



 





 

 

 

 



179   



poco a poco crescendo

   



 



  

 





 







 



 



 





 

Tba.

Timp.



 

 

poco a poco crescendo

Cb. Bssn



  

      poco a poco crescendo

B. Cl./ Cl.

A. Sax.

 

45

  

 

 



 



 



 

 

 

 

Perc.3Shakers

Low Shaker

Perc 1 Mar.1

Perc 2 Mar.2

  

   Perc 5   

Opt. Perc 6 Vib.

Keys1 Pno 1.

Keys 2 Piano Synth.

Keys3 Synth

Hp.

Choir

 

 

 

  

 

lon

177   Vln. I          Vla.  

Vln. II

Vc.

Db.

    

 

o_en

-

tre

la

sal

 

o_en

un

ca

-

 

jon

 

en

178

179

 

  

 

  





   



 

 

 

 

 



 

 

 

don

-

de_es

 

ta

  a

don

 

 

-

de

180 

 

  

 

  

 



 

 


Lighter

46

181     Fl.       Ob.       Cl. 

E.H.

Bsn.

   



 

 

  

4 4

 

mp



 

  

 

 

 

 







 

 



mp

mp

 

 

B. Cl./ Cl. A. Sax.

182  

Serenada Schizophrana - V

Part 10



mp

mp

 

 183        

  

 

 



 



 

 

    

 

 



 





  

  

     

184  

 

 

 

 

 

  Tpt. 

 

Hn.

Tpt.

Tbn.

B. Tbn.

Tba.

Timp.



Timp Plays Tamb.



     Perc 2 Mar.2  Perc 1 Mar.1

 Perc 3  Picc WB  

 



 

Perc.3Shakers Perc. 4 Picc WB/ T.Bl 1 Perc 4 Vib.

Perc. 4 Glock. Perc. 5 Chimes

    

Keys3 Synth

Hp.

Choir

to Picc WB

3

  

 

 to CHIMES

 

 

 

    

 

3

    

 

w/ motor on slow



 

  



 

 



 

 

 







 



Synth Celeste sounds 8va 

  

 

fue

 

mi

 



 

vi

 

Mi

-

 

 

  

 



 

 

 mp

 p

 

Vibraphone Sounds 8vaw/ motor on slow

    

  

mp

 Tacit IF Perc 6 plays

 

mp



 

GAMELAN @pitch

 

 

 



3

 



mp

w/ motor on slow

mp

   

  MUTED

Temple Blocks

mp

Tacit IF Perc 6 plays

  

pp

 

mp

3

   Opt. Perc 6 Vib. 

Keys 2 Piano Synth.

3

mp

        

Perc 5 Low Shaker

Keys1 Pno 1.

 

 

pp

mp to vibes

 

Picc WB

Perc. 2T. Bl. 2

T. Bl.

4 4

 

 

   Hn. 

Cb. Bssn

    

 

pen - sa - mien - to

se



a

den



 





me - tio

-



tro

de_u

da

-

 

ta

se

con sord.  





 

na

la



 -

-

ce

 

mi



en

















 





des - va

- ne

ra - zon

Lighter

 Vln. I    Vln. I

Vln. II

Vla.

      

      

  Vc.

Db.

    

Part 10

182

181

PIZZ con sord.

 

 

   

 

LEGATO

 

PIZZ con sord.

4 4

183 

con sord. p

 p

1/2 section con sord. 1/2 section con sord.

 DIVISI

 p DIVISI

 p



   

  

 

  

1/2 section

 p

p con sord.

   

    

  p

184    



 

 



 

    

 

 1/2 section

 

   

   

 


Serenada Schizophrana - V 185     Fl.    Ob.

E.H.

Cl.

  

    

   

  

 



 

 

 



 

 

 

 

 



 



 

186  

 

    

    

47

187

  

  

 

 

  

 

 

 

 

 

 

3 4

  

 

 

  

 



 

 







  

 

 

 

188    

    

 



  

 

 

 



 



 





 



B. Cl./ Cl.

A. Sax.







Bsn.

Cb. Bssn

Hn.

Hn.

Tpt.

Tpt.

Tbn.

B. Tbn.

 

      

Tba.

Timp.



Timp Plays Tamb. Perc 1 Mar.1 Perc 3 Picc WB T. Bl. Perc. 4 Picc WB/ T.Bl 1

     

     

Keys1 Pno 1.

Keys 2 Piano Synth.

    





Db.

 

 

 

 

 

 



 

   

  

 

 

 



 

  

 

 



 



 

  

 





don

 

 

-



de_en

don



  

de_es

 

 

 



  

 





 

 

ta

 

 

 

  

ni





por

 

a

- qui



ni

por

a



 



186 

 



 

 



 -

 



 

 

ni

qui

por

 

a

 -

ni



 









 



 

 

 

3 4

ca



por

a

  

 

1/2 section

 -

 

ni

mas

a





 



  -

lla



ca



 

187



 

 -

 -

 

 

 



 

 

    

 3

  Vc.

3 4

3

  Vln. II   Vla.



185  Vln. I   Vln. I

   

3





   Choir

 

 

 

Hp.

 

Keys3 Synth

 

   Perc. 4 Glock. 

Opt. Perc 6 Vib.



3

Perc 4 Vib.

Perc. 5 Chimes



  





 

188  

 



   















  

 

 


Serenada Schizophrana - V

48

189       

Fl.

  

Ob.

  

E.H.

  

Cl.

 

  

 

 



 

 



 

  

Hn.

 

Tpt.



Tpt.

 

Tbn.

B. Tbn.

Tba.

 

 

Perc. 4 Picc WB/ T.Bl 1

   Perc. 4 SYNTH CELESTE   Glock.     Opt. Perc 6  Vib.  Perc. 5 Chimes

Keys3 Synth

Db.

 

 



 

 

 





 

 

 



 



 



 

 

 

 

 



 

 

 

 



 







190 





191 

 

 

 



 

 



 



 

 

 



 

 



 

 

 

 





 



 











 

  









  





192 



 





 



 



 



 



 





 





 

 



  





2. Bass Clar.



 

  

 



  Vc.

 

 

 Vln. II  

Vla.

189   Vln. I  Vln. I

192  

   Choir

  

  

191   

 

Hp.



 

SYNTH CELESTE Keys 2 Piano Synth.

Perc 4 Vib.

Keys1 Pno 1.



 

  

 

 

Perc 1 Mar.1

 

Timp.

 

 

A. Sax.

Hn.

 

190  

Cb. Bssn

 

B. Cl./ Cl.

Bsn.

  

  

    

 


Serenada Schizophrana - V 193      Fl.

Ob.

  

p

   

p

E.H.

 

 

Cb. Bssn

Hn.

Hn.

Tpt.

Tpt.

Tbn.

B. Tbn.

Perc 1 Mar.1

Perc. 2T. Bl. 2

Perc. 5 Chimes

Opt. Perc 6 Vib.

Keys1 Pno 1.

Keys 2 Piano Synth.

Keys3 Synth

Hp.

Vla.

Vc.

Db.

194  

 

 



p



  

 

 





 





 



p

2. Bass Clar.

p

  

  p

195



 

196  

 



 



 





 





 

 

 



 

       

    

 

 

    

p

 

 

 



 

 

  



 

 

  



 

Ah

194

 

Ah

195

196

 TUTTI  

 

TUTTI  

 

     

 



p



p

 

 





 

 



  



 



  

a4

Vln. II

193 a 10   Vln. I   Vln. I

 

  Choir

p



Tba.

Timp.

B. Cl./ Cl.

Bsn.



 Cl.  

A. Sax.

49

  


Serenada Schizophrana - V

50

197      Fl.

Ob.

E.H.

Cl.

   

  



  

Bsn.

Cb. Bssn

Hn.

Hn.

Tpt.

Tpt.

Tbn.

B. Tbn.

Perc 1 Mar.1

Perc. 5 Chimes

Opt. Perc 6 Vib.

Keys1 Pno 1.

Keys 2 Piano Synth.

Keys3 Synth

Hp.

Choir

Vla.

Vc.

Db.

 

 



 

 

198  

 



 

 

 

 

199 

 

  





 



 





 



 

 



200  

  

 

  

 

 





 





 





 



 





 

  

  

 

 

 

 

 

 

  



 

 

   





    

 

198

 

  

Ah

197  Vln. I   Vln. II



Tba.

Timp.

  

   

B. Cl./ Cl.

A. Sax.



 

Ah

199

200

 



 



 

 





 

 



  


Serenada Schizophrana - V 201      Fl.

Ob.

E.H.

Cl.

   

         

B. Cl./ Cl.

A. Sax.

Bsn.

Cb. Bssn

Hn.

Hn.

Tpt.

Tpt.

Tbn.

B. Tbn.

Perc 1 Mar.1

Perc. 5 Chimes

Opt. Perc 6 Vib.

Keys1 Pno 1.

Keys 2 Piano Synth.

Keys3 Synth

Hp.

Choir

Vla.

Vc.

Db.

 

 







 

 

 

203

 



 



 



 

 



 



 

 

  

204 

 

 



 

 







 Legit Tone



 



 





 

  

   

 

 

 

p

  



 

 

 

   





Struck Chromatic Glasses sounds 15va

 



mp

Ah

   

 

1. only con sord. arco

   pp

202



 

(Cue to Clar 3)

201  Vln. I   Vln. II

 



Tba.

Timp.



 

 

202  



 

51

 

Ah

203

204







pp

pp

pp




Serenada Schizophrana - V

52

205     Fl.

Ob.

E.H.

Cl.

  

 

   

Bsn.

Cb. Bssn

Hn.

Hn.

Tpt.

Tpt.

Tbn.

B. Tbn.



Perc 1 Mar.1

Perc. 5 Chimes

Opt. Perc 6 Vib.

Keys1 Pno 1.

Keys 2 Piano Synth.

Keys3 Synth

Hp.

Choir

Vla.

Vc.

Db.

 

 

 



 





 



207

208

 



 



 





 

 



 

 

 

 

 

 



 



 





 

 



 





 

  

   

 

 

 

 







 

 





 

Ah

   

 

   pp

206



 

 



 

 



205  Vln. I   Vln. II

206



Tba.

Timp.

 

   

B. Cl./ Cl.

A. Sax.

 

 

Ah

207

208







pp

pp

pp




Serenada Schizophrana - V 209     Fl.

Ob.

E.H.

Cl.

   

Bsn.

Cb. Bssn

Hn.

Hn.

Tpt.

Tpt.

Tbn.

B. Tbn.

Perc 1 Mar.1

Perc. 5 Chimes

Opt. Perc 6 Vib.

Keys1 Pno 1.

Keys 2 Piano Synth.

Keys3 Synth

Hp.

Choir

Vla.

Vc.

Db.

 



 



 



    







 



211

212 

 



 

 



 





 

 

 

 

 

 









 



 



 

 

 

 



 





 

  

   

 

 

 

  



 

 

 



 



 

 





 

Ah

   

 

   pp

210



209  Vln. I   Vln. II

Tba.

Timp.

 

   

B. Cl./ Cl.

A. Sax.

210

 

53

 

Ah

211

212







pp

pp

pp


Serenada Schizophrana - V

54

213     Fl.

Ob.

E.H.

Cl.

  

    

Bsn.

Cb. Bssn

Hn.

Hn.

Tpt.

Tpt.

Tbn.

B. Tbn.

 



  

 



B. Cl./ Cl.

A. Sax.

 





 

 

 



 

 







 

214

  

 

215



 



216

 

 



 

 

  

 



 





 



 







 



 





Tba.

TUBA



mp

Timp.

Perc 1 Mar.1

perc 3B. D.

 

  

 

 

Keys1 Pno 1.

Keys 2 Piano Synth.

Keys3 Synth

Hp.

Choir

Vla.

Vc.

Db.

 

 

 

 

p

 



 

 

 





 

 





 

 

Ah

213  Vln. I   Vln. II

 

 Perc. 5  Chimes   Opt. Perc 6 Vib.

   

 

   pp

214

Ah

215

216







pp

pp

pp




Serenada Schizophrana - V 217     Fl.

Ob.

E.H.

Cl.

  

Bsn.

Cb. Bssn

Hn.

Hn.

Tpt.

Tpt.

  poco

218 

 

 





 

 

    





 

   

B. Cl./ Cl.

A. Sax.

 

poco



poco

poco

Hp.

Choir

Vla.

Vc.

Db.



 



 



 

poco

 

 



 

 

 

 

 



 

 





 



 



 

 

   

mp

   mp

sim.

 

  

  

   

  

      

 

  

   



 



 

 

 







 

 





   

   

 

 

Ah

218

  



  



   

217  Vln. I   Vln. II

mp

Keys3 Synth

220



poco

219



Tba.

Keys 2 Piano Synth.



Keys1 Pno 1.

Opt. Perc 6 Vib.

Perc. 5 Chimes

poco

 

perc 3B. D.

 

Timp.

 Tbn.

B. Tbn.

 

 

55

Ah

219

220




Serenada Schizophrana - V

56

221     Fl.

Ob.

E.H.

Cl.

 

Bsn.

Cb. Bssn

Hn.

Hn.

Tpt.

Tpt.

 

  

Keys 2 Piano Synth.

Keys3 Synth

Hp.

Choir

Vln. II

Vla.

Vc.

Db.

224 



 

 

 







 

 

 



 

 





 

 









 



  

 

  

     

  

  

  

   

  poco a poco decresendo to











 

 

 

 

Ah

222

Ah

223

224

 



   





  the end 

poco a poco decresendo to the end

 

   



poco a poco decresendo to the end

 

   

  

 

     

  



poco a poco decresendo to the end

  

 

   

poco a poco decresendo to the end

 

poco a poco decresendo to the end



 



 

poco a poco decresendo to the end

 

poco a poco decresendo to the end

 



 

221  Vln. I   Vln. II



223

 

Keys1 Pno 1.

Tba.

Opt. Perc 6 Vib.

  

Perc. 5 Chimes

 



B. Tbn.

perc 3B. D.

 

  

  Tbn.

Timp.

222

 

 

poco a poco decresendo to the end

  

B. Cl./ Cl.

A. Sax.

 




Serenada Schizophrana - V 225     Fl.

Ob.

E.H.

Cl.

 



Bsn.

Cb. Bssn

Hn.

Hn.

Tpt.

Tpt.

   

perc 3B. D.

Perc. 5 Chimes

Opt. Perc 6 Vib.

Keys1 Pno 1.

Keys 2 Piano Synth.

Keys3 Synth

Hp.

Choir

Vla.

Vc.

Db.



 

227 

228  





 



 





 

 

 



 

 



 





 

 

 

 

 

 

 

 





 

  

 



 



   

  

  

  

  



 

      

   

  

  

   

  

   

     

 







 

 





 

Ah

226

227

228



 

 

 

Ah

 

     

 



 

 

  



  

  

 

     

 

225  Vln. I   Vln. II

226  



Tba.

Timp.

  

  Tbn. B. Tbn.

 

   

B. Cl./ Cl.

A. Sax.

 

57


Serenada Schizophrana - V

58

229     Fl.

Ob.

E.H.

Cl.

   

Bsn.

Cb. Bssn

Hn.

Hn.

Tpt.

Tpt.

     

Opt. Perc 6 Vib.

Keys1 Pno 1.

Keys 2 Piano Synth.

Keys3 Synth

Hp.

Choir

Vla.

Vc.

Db.



 



 

230 





 



 

 



 

 





231 

232 





 

 





 



 

 

 







 



 



   

  

  

  

      



 







 

 

 



 

 

 

Ah

230

231

232



 

 

 

Ah

 





 

229  Vln. I   Vln. II

 

       Tba. 

Perc. 5 Chimes



B. Tbn.

perc 3B. D.



   Tbn. 

Timp.

 

B. Cl./ Cl.

A. Sax.


Serenada Schizophrana - V 233     Fl.

Ob.

E.H.

Cl.

 



Bsn.

Cb. Bssn

Hn.

Hn.

Tpt.

Tpt.

Tbn.

B. Tbn.

   

perc 3B. D.

Perc. 5 Chimes

Opt. Perc 6 Vib.

Keys1 Pno 1.

Keys 2 Piano Synth.

Keys3 Synth

Hp.

Choir



 



 

 

 

 



 

Vc.

Db.



236  



 

 

 

235  

 





 

  

 

 



 



237  

2.





 



 







   

  

 

 









 

 

 



 

 

 Vln. I  

Vla.



233

Vln. II

 

Tba.

Timp.

234  



 

B. Cl./ Cl.

A. Sax.

59

234

236

235

237



 

   

 


Serenada Schizophrana - V

60

238    Fl.

Ob.

E.H.

Cl.

       

Bsn.

Cb. Bssn

Hn.

Hn.

Tpt.

Tpt.

Tbn.

B. Tbn.

Perc. 5 Chimes

Opt. Perc 6 Vib.

Keys1 Pno 1.

Keys 2 Piano Synth.

Keys3 Synth

Hp.

Choir

Vla.

Vc.

Db.

 

 

 

239

240

 

 

 

 

241

242 

 

 

 

 

 





 



 





 

   



 





 



 

 

 



   

238  Vln. I   Vln. II

Tba.

Timp.

B. Cl./ Cl.

A. Sax.

 

1.

239

pp

240

241

242



 

   


Serenada Schizophrana - V 243   Fl.

Ob.

E.H.

Cl.

Bsn.

Cb. Bssn

Hn.

Hn.

Tpt.

Tpt.

Tbn.

B. Tbn.

Perc. 5 Chimes

Opt. Perc 6 Vib.

Keys1 Pno 1.

Keys 2 Piano Synth.

Keys3 Synth

Hp.

Choir

Vla.

Vc.

Db.

245

246

 

 

 

 

 

 

 

 





 



 





 

  

  





   

 



ppp

ppp

ppp



 

 

 



   

243  Vln. I   Vln. II

Tba.

Timp.

 

B. Cl./ Cl.

A. Sax.

244

61

pp

244

245

246



 

   


 

1

Flute

Oboe Cor Anglais

Clarinet

Bass Clarinet in Bb Bassoon

     

4 4

q=133

 Timpani  Perc 1 Marimba 1

 

    Perc 2 Marimba 2 

Perc 1 Cymbals/Piatti 3 Perc 1 Tambourine Perc 1 Snare Drum

Perc 3 Cymbals

Perc 4 Wood Blocks Perc 4 Glockenspiel Perc 4 Piatti 2 BD w/ Piatti Perc 5 Chimes Perc 5 Tambourine

Harp

Keys 1 Piano

Keys 2 Synthesizer 2

Piano

Choir

 

 

2 4

   

4 4

    

  

  

  

  

  

 

 

 

 

 

  

 

 

P004 Mvmt6 Keys 2

Electric Guitar HARMONICS sounds 8va

 

  



 

   

    Violoncello   Double Bass 

P0045 Mvmt6 Keys 3 Pt1 p HARP MODS Not Sounding At Written Pitch- EFX

 

4 4

  

 

 

 







  

2 4

  

 

4 4

 

 





 

3

2

 

q=133

  

1

Viola

 Violin I   Violin II

Keys 3 Synthesizer 1

  

mp

    Perc 3 Xylophone 

Perc 2 Vibraphone Perc 2 Tam-tam Perc 2 Cymbals Perc 2 Bass Drum

pp

4 4

solo expressive

1. only

  

Danny Elfman

4

  Trumpet 1 

Tuba

 

 

4 4

3

Fr Horns

Bass Trombone

2 4

   Fr Horns 

Trombone

2

Contra Bassoon

Trumpet 2 3

Serenada Schizophrana VI Bells And Whistles

4

 






2

Serenada Schizophrana VI Bells And Whistles

 



5

Fl.

Ob. C.A.

C. A.

Cl.

     

6

 

7

1. only

   Hn. 

  Tpt. 



Bsn.

Cb. Bsn.

Hn.

Tpt.

Tbn.

B. Tbn.

Tba.

Timp. Perc 1 Cym./ Piat./ Tam Perc 2 Vib. Perc 3. Sus Cymb Perc 4 Glock. Perc 5 Chimes

Hp.

Keys 1 Pno. 1

Keys 2 Pno. 2 Synth

 

   

   

   

 

  

Keys 3 Synth

Pno.

 

  

  

 



 



 

 

  

 





 

 





 

  

 



 Vln. I  

Choir

  

5

   Vla.    Vc.   Db. 

Vln. II

6

7

8

  

B. Cl.

p

8


3

Serenada Schizophrana VI Bells And Whistles

   9

Fl.

Ob. C.A. C. A.

Cl.

Section 1a

10

 subito pp

       

11

 p

 

pp

12



subito pp

 

p

pp

  

   Hn. 

  Tpt. 



B. Cl.

Bsn.

Cb. Bsn.

Hn.

Tpt.

Tbn.

B. Tbn.

Tba.

Timp.

 

 

   Perc 2 Vib. 

Perc 1 Cym./ Piat./ Tam

Perc 3. Sus Cymb Perc 4 Glock. Perc 5 Chimes

Hp.

Keys 1 Pno. 1

Keys 2 Pno. 2 Synth

 

   

 

  

Keys 3 Synth

Pno.

Choir

  

 

9

Vln. I

   Vla.    Vc.   Db. 

Vln. II

 



p

 

 

  

 



harmonics @ sounding pitch







p

 

 







 

  

 



 



 

 

Section 1a

10

pizz.

pizz.

pizz.

pizz.

11 p

 

p

p

p





12

 

 

 

 

  





 

 

 

 


4

Serenada Schizophrana VI Bells And Whistles

 



  

  

   Hn. 

  Tpt. 



13

Fl.

Ob. C.A. C. A.

Cl.

B. Cl.

Bsn.

 

Cb. Bsn.

Hn.

Tpt.

Tbn.

B. Tbn.

Tba.

Timp.

 

  

  Let Notes Ring  Perc 2   Vib. 

Perc 1 Cym./ Piat./ Tam

Perc 3. Sus Cymb Perc 4 Glock. Perc 5 Chimes

 

Keys 1 Pno. 1

 

 

Keys 2 Pno. 2 Synth

    

GAMELON BELLS @ pitch



Pno.

Choir





  

 

    Vla.     Vc.    Db. 

Vln. II





 

 



























 

 





 

 

  



 



 

 









 





 

 

 

 

 

 

  





 

 

 

 

 





16

 

 

 

 

  



 

 



15

14

13

Vln. I

p

 

 

sounds 15va   

16



 

15

p SYNTH CELESTE

 

Keys 3 Synth

p

 

Hp.

14

 

  

 


5

Serenada Schizophrana VI Bells And Whistles

 



  

  

   Hn. 

  Tpt. 



17

Fl.

Ob. C.A. C. A.

Cl.

B. Cl.

Bsn.

 

Cb. Bsn.

Hn.

Tpt.

Tbn.

B. Tbn.

Tba.

Timp.

 

  

   Perc 2  Vib. 

Perc 1 Cym./ Piat./ Tam

Perc 3. Sus Cymb Perc 4 Glock. Perc 5 Chimes

 

Keys 1 Pno. 1

 

   

Keys 2 Pno. 2 Synth

  

Choir

 

 

  

    Vla.     Vc.    Db. 

 

 

 

 







pp



 







 



 

 

 

 

17

Vln. II

 



 Vln. I  

 



 

 

 



20

 

Pno.

 

 

Keys 3 Synth

19

C nat

Hp.

18

18

 

 

 

 

  





19

 

 

 

 

 





20

 

 

 

 

  



 

 



 

 

 

 


6

Serenada Schizophrana VI Bells And Whistles

 









21

Fl.

Ob. C.A.

C. A.

Cl.

B. Cl.

Bsn.

Cb. Bsn.

Hn.

Hn.

Tpt.

Tpt.

Tbn.

B. Tbn.

Tba.

Timp.

   

      

  

   Perc 2  Vib. 

Perc 1 Cym./ Piat./ Tam

Perc 3. Sus Cymb Perc 4 Glock. Perc 5 Chimes

Hp.

Keys 1 Pno. 1

Keys 2 Pno. 2 Synth

 

Pno.

Choir

 

 

  

Vln. II

Vla.

Vc.

Db.

 

23

 

 

24

 

 

 

 

 

 

 

SYNTH CELESTE sounds 15va

 





















CHROMATIC GLASS sounds 8va







Electric Guitar 1HARMONICS sounds 8va

 















 

 

  

        





22

 

 

 

 

 



23

 

 

 

 





 

 

 

 

 

 

 

24

 



 

 

 

 



GAMELON BELLS

21

Vln. I

 

 

Keys 3 Synth

22


7

Serenada Schizophrana VI Bells And Whistles

 



  

  

   Hn. 

  Tpt. 



25

Fl.

Ob. C.A. C. A.

Cl.

B. Cl.

Bsn.

 

Cb. Bsn.

Hn.

Tpt.

Tbn.

B. Tbn.

Tba.

Timp.

 

  

   Perc 2  Vib. 

Perc 1 Cym./ Piat./ Tam

Perc 3. Sus Cymb Perc 4 Glock. Perc 5 Chimes

Hp.

Keys 1 Pno. 1

Keys 2 Pno. 2 Synth

Keys 3 Synth

Pno.

Choir

 

 

 

 

 

  

  

  

 

 



G nat

 

 



 

 



 





































 

 

  

 

  

  

    Vla.     Vc.    Db. 

 

26

 

 

 

 



 

25

 

 

28

  

27

 Vln. I   Vln. II

 

 

26

  





27

 

 

 

 



 

 

28

 

 

 

  



 



 

 

  

 


8

Serenada Schizophrana VI Bells And Whistles

29

Fl.

Ob. C.A. C. A.

Cl.

B. Cl.

Bsn.

 



  

 

  1. solo  

mp

   Hn. 

  Tpt.  Hn.

Tbn.

B. Tbn. Tba. Timp.

  

 

Keys 1 Pno. 1

Keys 2 Pno. 2 Synth

Keys 3 Synth

Pno.

Choir

 

 

Vln. II

Vla.





Eb

 

  



  p  divisi 

divisi   



divisi

 divisi        

divisi











 

 

 

 

p

 

  

  

 

 

































 

 

 

 

  

 





 

  

 

30





 

 

 

   

   

 





 

 

 







31

Section 1b

    p

arco

 

 p 









divisi

divisi

p

pizz. p





w/pedal

divisi arco



 

 



    Db.  Vc.

 Vln. I 

Vln. II

29

Vln. I

  



 

  

 

poco

 

 

 

mp





 





32

 

  

Section 1b

   Perc 2 Vib.   Perc 3.  Sus Cymb    Perc 4 Glock. 

Hp.

 

  

31

poco

Perc 1 Cym./ Piat./ Tam

Perc 5 Chimes



Cb. Bsn.

Tpt.

30

p p

    



 







      nat harmonics sounding pitch

 

32

   arco    p

 

 

 

arco p

  

poco crescendo

 

      poco crescendo      

poco crescendo

 

 



poco crescendo

 

  

  

           



 


9

Serenada Schizophrana VI Bells And Whistles

 



  

 

33

Fl.

Ob. C.A. C. A.

Cl.

 

    Bsn.

B. Cl.

mp

   Hn. 

  Tpt. 

B. Tbn.

Tba.

Timp.

  

  

   Perc 2 Vib.   Perc 3.  

   Perc 5 Chimes 

Keys 1 Pno. 1

Keys 2 Pno. 2 Synth

Keys 3 Synth

Pno.

Choir

B nat

 

 

 

 

 

 

  

 

  

 Bb

  

  

  

4.6. CUE 2.



 

poco

mp mp

p

 

  

mp

 

    

 

 

 

   mp











 











  





















 

 Vln. I   

 Vln. II   Vln. II      

    

     Db. 

  

  

         

 

  

   

  

 

 

 

  

 

34

 

  

  

          

       

 

 

 

 

   

  

  

     

 



35

 

       



   

 

arco

            

 

   

    

3

    

                     

 

 mp

   

     

36

3

3

 

 

  

 

 

p

 

 

p

 

pp

p

33

Vc.

poco



 Vln. I 

Vla.

  

 

  

poco

p

 

Perc 4 Glock.

 

Sus Cymb



mp

pp

36



Perc 1 Cym./ Piat./ Tam

Hp.



1.3. CUE 5.



 

poco

35



Hn.

Tbn.



Cb. Bsn.

Tpt.

34

3

3

                  mf        

            

 

   

     

mf

  

      mf    mf         mf

 

    

mf mf

 

 


10

37

Fl.

Ob. C.A. C. A.

Cl.



  

 

   Bsn.

   Hn.  

Cb. Bsn.

  Tpt. 

B. Tbn.

Tba.

Timp.

  

  

subito pp

   Perc 2  Vib. 

Perc 1 Cym./ Piat./ Tam

   Perc 4 Glock. 

Hp.

Keys 1 Pno. 1

Keys 2 Pno. 2 Synth

Keys 3 Synth

Pno.

Choir

subito pp

Vla.

Vc.

 

 

  

subito pp

 

subito pp

poco crescendo

 

poco crescendo

  

  

 

 

 

 

 

subito pp

 

 





 



 

  



pizz.

subito pp pizz.

  pizz.  

subito pp pizz.

 pizz.  Db.  subito pp subito pp

pizz.

  

38

 subito ppp

unis.

 

 

 

  

poco crescendo

subito pp

pizz.

 

 

poco crescendo

subito pp

 Vln. I  

Vln. II

 

37

Vln. II

 

Perc 3. Sus Cymb

Perc 5 Chimes

poco

 

poco

 

Hn.

Tbn.

40

39

 

B. Cl.

Tpt.

Serenada Schizophrana VI Bells And Whistles

38

 

   

 

  

   

   

39



  

 

  

  



 

   

 

  

  

   

   



 

40

 

 

 

  

  





 

   

 

  

  

   

   



 

 

 

 

  

    

   

   

arco

  

  

   

   

arco

  


11

Serenada Schizophrana VI Bells And Whistles

 



41

Fl.

Ob. C.A. C. A.

Cl.

42

     

   Bsn.

   Hn. 

Cb. Bsn.

   ppp Tpt. 

4.6. CUE 2

Hn.

Tbn.

B. Tbn.

Tba.

Timp.

Keys 2 Pno. 2 Synth

Keys 3 Synth

Pno.

Choir

Vln. I

Vc.

Db.

mf

 



2. only English Horn

mf

3. English Horn

 

mf

 

mf

p

 

  

  

mf



pp

   p

 

 