Frank SEIS CANTOS DE LOS CAMPOS

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Gabriela Lena Frank

Seis cantos de los campos for two Pianos

From the G. Schirmer Rental Library Date of Printing________________

G. Schirmer, Inc. New York, NY

Gabriela Lena Frank

Seis cantos de los campos for two Pianos

I.............................Gigantes II............................Charangos III...........................Ara単as IV..........................Karnavalito-tito V............................Canto infantil VI..........................Danza del pueblo

Commissioned by Maxine Master Long for the 12th Dranoff International Two Piano Competition

G. Schirmer, Inc. New York, NY

2

Seis Cantos de los Campos I. Gigantes Gabriela Lena Frank (2013)

Maestoso 

Primo

 





 





     

Segundo

 







19



Pedal liberally



        

 

3

   

   



 19

 

Performance materials supplied by the composer.

 





   





19

   

 



 

      3

           









     Pedal liberally         



19



Copyright © 2013 by G. Schirmer, Inc. (ASCAP) New York, NY International Copyright Secured.All Rights Reserved.

Warning: Unauthorized reproduction of this publication is prohibited by Federal law and subject to criminal prosecution.



3

    

 

5



   

     

   

 7

   

9

   

6

         

    

6

 

 

 

 

 

 



19

      

6

6

I. Gigantes

            

  

   

           

 

        

 

  



19

 

 

6

   

 

       3     

3



       

 

6

 

 

 

 

 

 



19

   

      

  

  

 

     3

3        3

 

                        6



19





6





                                 19                     3                      19       3                              



    

 

        

 

17



 

  

  

 19

  

         6 6



 

   

          

 





21



  

 

     

         

  

 



  

19



  

              

 19

   

 

3

       

    

           

3

  6

 

  

     

   

   

   

     



       

   

         

5

19

6

 

6



    19

6



6

  19





 

   

      

   

6

       



              

6 6

 





3 3



 

       

         

   

 

19

    

I. Gigantes



 

 

 

 

 

 

      3

 

 





           3



    



    



      

           33



    



  

6 23



        



25



          

    

  

  6

6

 

  

 

 19

      

I. Gigantes

3

 

            



    

   

3

       

  

        

             

   

        

  

         6

   



19



    



6

      

19



  

           19                                                      27    19 19                

         



   

     







                   6

6

       

6

6



   

   

   

   

   

           

8

  35     

      

  

38



      

  

 

 

 

 

     

 



19

 

 

 

 

 

 

 

6

6

  

19

   









      

 



3

  



  



        



   

3



6

6

 

 

 

 

         

       

        

   

 



19

        

 

     



               





19

3

 



                3

6

 



6

                      

 





19

           36   

 

I. Gigantes

        

6

6

   

   

         

      3         3



I. Gigantes

10

 

 

    

 

6

 

6

 

     

            



 



      dramático









      



  

       



  

     





  

  

   





 

  

6





  

  

  



6

  

     



  

  

      dramático



6

  





  





  

 



  

   





6

6

           



6

molto allargando

                

 



 



 





    44              

molto allargando

11

II. Charangos

Leggiero 

                  m.d. sopra

7

        

7 7  fluttering but bring out top voice                    

Primo

7

  

Segundo



 

 





 

 

ritardando

                 

3

7

5

 

ritardando

  

5

       

          



 

 

a tempo

 

 

                          7

7

          



 

        

7

7

molto legato

7

 

     

molto legato

  

                 m.d. sopra

 



 



7 7  leggiero                    7

7

12

 

 

  

   

6

 

  7                   7 7                        Con Brio 









9



  

 

        



13

  

     

      

       

   

   

ritardando

7

             secco                    

                                    

           

II. Charangos

7

   

5

              7

 

5

                               

           



    

      

  

 

         

     

 

             

   

     





          

 

   

     

                



     

                        

            



   

        

   

   

 

II. Charangos

14



 







 

 

33

              7            

                  7

7

7



ritardando

 

ritardando

7

5

        

     

          7

         a tempo

38



 7            7

a tempo

     

5

              7

         

7



 

 

        

7

         

7

          

    









 

 

7

                  



   

 

           

















 

         7 7

 

         

7

  

35





    poco rit.

            7



7

poco rit.

 

 



17

II. Charangos



60

 

        



 66





         















  

  





  

  

          

       

7                      7

7

     

68



          



              

   

    













        













7

                         



     

          77            











        poco rit.         

7 7

 









7

 

      

   



7









 

poco rit.









 poco rit.

 

poco rit.

7

     7

         

19

III. Arañas

Scurrying, with humor 

 

Primo

      Pedal liberally   

Segundo

 

 





 



 

  

Pedal liberally

  

  

a tempo

 



 









a tempo

7

   

   

  

 





   





      

 



poco rit.



 



































 

  





 

poco rit.



 





III. Arañas

20 13



a tempo



       

24





  





 





 

 

 







a tempo

 

 

a tempo















  

 



      

 

    



















 

  

 

 poco rit.    





 

  19







      





 





  



   





     

        



  

  





      

  

  

 





  

   

 

 









5



   

22

 

46

   





   

   

  

  

 

 

 

   





  

 

 

       





 

    



 











 

 

      

  

  

                                         



 

 

 

 

a tempo, con brio

 

  



 

  

  

  

  

 

 

55









 

  

51



III. Arañas







    

 





  

  

 

 

                     









III. Arañas

     

65







60

  

 



        

  

  

 

            

 

  

        

        





   





   



    

  

  

  



 

 

    

   

                                 





    

  

  

 

 

 

 

                  

   



  

    

   

 

  

  

 







   





  

        









   

70















23







     



         

           

24 75



  

  

    

 

    

  

III. Arañas

  

                                               80                           

85



  

         



 





 





 

   

 







 

 

 

 

 

     

  

  

  

                                                                  

 



  



  

                       

 

        

  

   



           

 

  

   

 

        

         

  

  

 

 

  



III. Arañas

26 105

 



 

  

110



 









   

   













  

  



 



 

  



   







  











  

   



  









   



 

 

          

 

 

   

   



          





  









  





  







 

   

  







 

  

  



   





  

 

  







    





  

  

  



  

 



   

 



  

   





  

  

    



  

   









114



  

  

 







   





    

III. Arañas

28 133













 









 



 

 









  



  

 

 









     











    

  

  



 













 

 

 



 





 





 

 





 

 

 





  144  

  

 







 

 

   

 



poco rit.

138

  

a tempo



  



















                     

   



5





29

IV. Karnavalito-tito

Spirited 

Primo

 





 





 

Segundo

 

                       

m.d. siempre sopra

       

5





          



                        

        







                                          

       

                       



      

       

         



                  



   

    

                   

       



                      

      

30 9

   

13



                                                



   

                             17





    

     

         

    

    

IV. Karnavalito-tito

                                            

 

      

           

 

 

      

   



         

                   

 



  

      

    

                   



                                                                                                                                                                                       

IV. Karnavalito-tito

      

20

 



 

                   

      

      

23

        

26



  

  

           

 



                                                                     

         

    





 



    

      



 

 

 

 

 

   

    

 

 



                





  



                     



                      

        

   

  

  





  

31



                               





      

        

IV. Karnavalito-tito







     46

                                                                                    50                                                                           



33

                                                                                                                       

                    

42

        

                         

  



  

 

      

                   

        

                                           

 













 

34

IV. Karnavalito-tito

Playful, poco meno mosso y rubato 

 

53

                

 string.              3

 



 



 

56



          

 





               

3        3            







     



                 3 3  string.                             59



   

         

                                                          



 



 









   

   



 



 



















   

 

 

                  

   

                                        



  

      

IV. Karnavalito-tito

36

                                    



72

 

                



76

   79



         

Tempo Primo

 

  

  



  

        

      

 



                 

    









  

 

    

 

 



 

 

 



                         



 

 

                   

 

 

 

      

   

        

    

           



      

 

                          

 

 



   

             

 



                 

82





 

      

      

              85

        

  



 

    

 



      

      

     

  



  

 

 

     

 



 



         

   

      



 

    

   

         

 

 

      



   

37



      

   

      

             





                          

               

                        





                              88

 

IV. Karnavalito-tito

    

 

 

 

    

    

      

 

       

                     



 

                     

     

IV. Karnavalito-tito

38

 

92

   

  



 

 







       

        







 



    





                                                             96                                  





        

          

      

 

      

 

39

V. Canto Infantil Dolce 

Primo

 



 







 







                       smorzando, espressivo                           

 

 

4



       

 

              

3

3

   



     

  

  

3

3

    



3

 



Pedal liberally



  

Pedal liberally

     



3

3

   espressivo  



 

Segundo

             

poco rubato



          3



   

3







 

     

  

  

 



 

  

40

        6                   3 3 3 3                     

V. Canto Infantil

   



    







8





   

10





 

 

  



 



     

3



  



   



   





  

 

 

3

  





            



      

3



 



3





 

     

3





  



 

                      



3

  

3

 

                 



3

3

3

      







 

     3

 







  



     



3



3

  





  



 

 

  

 



 

42



14





    





3







  

  m.d. sopra            

15





 

 

  









       

              

   3

  

      

 

         















      

 













 



            

3









      

 3

      

3

3

 



 3

3

      





      





  

16

 



3



   





3

 





3

3









V. Canto Infantil

 

3





     

  





      









              3  

    

 

  

 



3

3

  



 





      18            3 3 3                             20

 

 

     











 



                    22     3 3         

 







  

  



Poco Meno Mosso  

 

                 3 3  molto 3 rit.      



Poco Meno Mosso

   

V. Canto Infantil

 

lunga



3                 molto rit.                          3 calando

3

3

  

lunga

3





 

          ritardando

    

3

3



3





3

 

3

 



   

     







      

 

 

 

 

ritardando

 

calando





43

44

VI. Danza del Pueblo Vivo 

   







                                             



Primo

Segundo

6

 

         

  

      

 

 

 

             

 

     

 















                

 

  

 

   

                 

 

             

   

    

      

 

 

  

               

 



             

   

 

   

  

   

 

   

   

  

   

  

        

  

     

Composer's note: The tempo of this music must be between 132 and 136. I you slow down this style, it becomes an entirely different song form, shifting to another region of the country, and the native citizens wouldn't recognize it!

46

           

24



 



                            

     

VI. Danza del Pueblo

                                                                              

                                     

29





      

           

                  

                     

35

        

        

   

      

     

           



                   

               

                         



                                                                       

              

          

   

             

     

      

 

             

      

        

    

           

47

VI. Danza del Pueblo

                                                                                 46                                                                     40

 

51





                              

  

    

   

                   

           

           

          

  

   

     



    

                

                    

                 

     

       

 



 

         

        





      











poco allarg.



  

    

poco allarg.

   

  

 



      

        

 



    

          

      

48

VI. Danza del Pueblo



56

                  

62

 

    





 





 

      

              

     

       

          66

 

 

     

    

                  







a tempo





            

    



         

      

                   a tempo                                                                                           

            

  



 

     

 

   

      

 

        

     

  

 

     

           

            





           



50 85



      

   VI. Danza del Pueblo                      

                           





           

      poco rit.              



  













                                                    



    



    





             a tempo                                         



 

      

a tempo

  



97

       

poco rit.



        



    

               





   



             

   





                                     

                                       



91

                          

   

         



        

  

 

 

 



101



  

  

  

 

 

   

 

 

                 

                  105                      





            110          

     

      

       

  

         

   

  

   

     

   

 

   

             

                



 

    

  

VI. Danza del Pueblo



                                       

                

  

          



                        



  

 



 

 

     

    

 



   

    

   

        

                

 



         

        

     

 

                 

   

    

 

      

    

  

 

51

 

        

        

52

   

         

115

      



     

         













              

                               poco rit.

     

  

   

          

  

   



       

poco rit.

128

           

    

120

                         

   



       

VI. Danza del Pueblo





          









 

 

     

         









  

              

                   

                               

                              









   

















                                

              gradually accelerando                        gradually accelerando          

54

VI. Danza del Pueblo

                                        ritardando

152

                                                                                                                      ritardando

 156              

        

                        

 



         

        



lunga

 

        



            

lunga



    





              

                             