Adamo REGINA COELI

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Mark Adamo

Regina Coeli from FOUR ANGELS for Harp and String Quintet

From the G. Schirmer Rental Library Date of Printing_______

G. Schirmer, Inc. New York, NY

Regina Coeli from FOUR ANGELS Mary, mother of Jesus; in Roman Catholicism, the Angelic Queen, who, at the hour of her death, was assumed bodily into heaven by the seven orders of angels over whom she now reigns.

She intercedes on behalf of human beings at the right hand of God.

Solo Harp

Violin I



 

 





 

Viola

pp

 

Violoncello



 

Vn. II

Va.



3

pp







   



 

3

 



 

   



























     3

     













     

 

 













   

mf

     mf

   

mf



   

 









 



  





 





pp



      

  

pp

 

Copyright © 2007 by G. Schirmer, Inc. (ASCAP), New York, NY This arrangement Copyright © 2009 by G. Schirmer, Inc. International Copyright Secured. All Rights Reserved.

Warning: Unauthorized reproduction of this publication is prohibited by Federal law and subject to criminal prosecution.





3

3

     

pp









     





 







  

   







12

Vn. I



  

Vn. II

Va.



   7

Vn. I



As if in prayer q = 58

   

Violin II

Contrabass

As if in prayer q = 58

   

Mark Adamo







p





p





3

 









 























coll' arpa

  



pp

  coll' arpa

  



Stringendo

 





rfz

      

    

     

cold, bitter, recriminatory (non arp.)



3

  

 

3 3

 

  









 









  



 

 





q = 63

 

          





3

     

p

   

p

  p

   p



             

Stringendo

p



  

pizz. arco

     p



3

3



  

                    

       

    

Cb.



pp

Solo Hp.

Vc.

   

 

 

Va.





36

Vn. II

   



pp

 



più mosso

pp

q = 63

Vn. I





 





        

Ab Db





Cb.

 



pp coll' arpa

 



        

coll' arpa

      

 



Vc.



mf ringing

coll' arpa

Va.

 



Vn. II





 



Vn. I



6

6 

 



impetuous

Solo Hp.



più mosso





 





            



32



11

pp warm, rich

Solo Hp.

 

  

 

  



Vn. II



Va.

Vc.



 



 

 

Va.



Vc.





     

  

  



   



   mp

 

   

   

 

 



  

  

 



mp





 

mp

 

 

 



ppp

 

pizz., non div., quasi arp.

 

















n

 





    

   

 





pp

 

ppp

 

pizz.

ppp

mp



 

pizz., non div., quasi arp.





   pp



 







 

Vn. II

Cb.

 

   

Solo Hp.

Vn. I

ppp

  

  





 



110

    

ppp



pizz.





Cb.



 



 

non div.

n

n

  



 

ppp

 





7

  

mp

7

               



  

 

    

Tempo primo q = 54

Vn. I

        

  





     

 



Tempo primo q = 54



107

 

 







n



 



