Page 1

The Music Sales Group

CHORAL BINDER 2016

SACRED, SECULAR AND CHRISTMAS


Music Sales Choral Binder 2016 All titles listed are SATB unless otherwise stated * with accompaniment Page

Title

Catalogue Code

3 6 10 13 25 31 36 45 66 70 74 76 82 95 123 143 149

SACRED George Arthur: Prayer of Thomas Ken Grayston Ives: Nos autem gloriari Paul Mealor: The Lord bless you and keep you Nico Muhly: Lord heare my prayer instantly Nico Muhly: Oculi omnium (Men’s Voices) Martin Neary: Preces and Responses (SSA) Owain Park: Beati quorum via Owain Park: The Lord’s Prayer John Tavener: The Apolytikion of St Nicholas John Tavener: The Lamb (Upper Voices) David Terry: For the Fallen Jeremy Thurlow: I got me flowers Judith Weir: His mercy endureth for ever* Judith Weir: Praise Him with Trumpets* Judith Weir: Truly I Tell You* James Whitbourn: Gratias agimus tibi Charles-Marie Widor: Surrexit a mortuis*

NOV295130 NOV295482 NOV295273 SRO100080 SRO100128 NOV295053 NOV295790 NOV295306 CH84502 CH84304 NOV295746 NOV295570 CH83864 CH84381 CH83743 CH84733 NOV295592

161 177 181 189 200 204 234 249

SECULAR Edward Gregson: Welcome (Upper Voices)* Thomas Hyde: Orpheus with his lute John Joubert: Autumn Rain (SSAA)* John Joubert: Be not afeard Paul Mealor (arr.): Ae fond kiss Nico Muhly: Gentle Sleep Nico Muhly: Whispered and Revealed* Tarik O’Regan: Love Reckons by Itself Alone

NOV165429 NOV165814 NOV950468 NOV165748 NOV165341 SRO100126 SRO100110 NOV165220

267 271 275 285 294 304 323 353 360 376 378

CHRISTMAS Ronald Corp: Susanni Adrian Lucas: Mary, that mother mild Paul Mealor: Behold a tender babe Owain Park: Cradle Lullaby (Upper Voices)* Owain Park: Lully, lulla (ATB) Owain Park: Shepherd’s Cradle Song Owain Park: Tomorrow shall be my dancing day Christopher Robinson: Hereford Carol* Carl Rütti: De Virgine Maria* R.R. Terry: Joseph and the Angel Stuart Thompson: The holly and the ivy*

NOV295284 NOV295636 NOV295350 NOV165363 NOV295185 NOV295174 NOV295119 NOV295647 NOV295020 NOV295669 NOV295438

1


2


George Arthur PRAYER OF THOMAS KEN

for SATB double choir unaccompanied

NOVELLO 3


Winner of the Hereford Three Choirs Festival Choral Composition Competition 2015 First performed at Evensong in Hereford Cathedral on 26th July 2015

PRAYER OF THOMAS KEN THOMAS KEN (1692)

GEORGE ARTHUR

   pp              Light and smooth q = c. 50

S. A. CHOIR I & II

Glo - ry

 T.        B. 

to thee, my God this

 

night,

      

for

 

      all

the bless - ings of

the

     

pp

    4

S. A.

light, T. B.



  

    wings.

T. B.



p

                keep

me, O keep me, King of

Kings,

p

8

S. A.

              

  

   mf

           

Teach me

   mf

to

live, that

I

may

dread

         

Š 2015 Novello & Company Limited

4

            

be - neath thine own al - migh - ty

         

             

the

grave as

lit - tle

as

my

           


3

    12

S. A.

bed,

CHOIR I

T. B.

S. A.



  

   

T. B.



  



S. A.

       

I may rise.

            

           

A. T. – teach me to B.



die, that so

S. – that f

rise glo- rious at

may

I may rise, that

I may rise,

that I

              

A. T. – teach me B.



I

to die, that

so

I

the aw - ful

may rise, that

         

rise glo - rious at the

may

             

        

f

may my soul on thee

re - pose, and

   



with sweet sleep, mine eye-



   



   

p

p                   

                        O

may my soul on thee

re - pose, and

with sweet sleep, mine eye-

   



p

         21

S. A. CHOIR I & II

T. B.

I may

            

O

aw - ful day.

T. B.

may rise, that

                   

day.



I

Suddenly still

rise.



that

may rise,

p                   

   S. A.   16

I may rise, that I

              

bed,

CHOIR II (CANON)

T. B.

S. – that

      



- lids close.

 A



 



 -

men,

  A - men,





5

   



 

A



   -

non dim.

men.

 


Grayston Ives NOS AUTEM GLORIARI for SATB choir unaccompanied

NOVELLO 6


for Michael Piret

2

Nos autem gloriari

Introit for Maundy Thursday

Grayston Ives (b. 1948)

Spacious, unhurried q = c. 44 SOPRANO

ALTO

TENOR

BASS

4 4 4 4

pp semplice e molto legato

4 4 4 4

Nos au - tem

in

glo - ri - a - ri

o - por - tet,

in cru

au

-

-

cru - ce

pp semplice e molto legato

Nos

cru - ce

tem,

nos

au

-

tem,

in

cru

-

Spacious, unhurried q = c. 44 Piano (for rehearsal only)

4 4 4 4

5

pp semplice e molto legato

Nos

au - tem

glo - ri - a - ri

o - por - tet,

in

pp semplice e molto legato

Nos

mf

- ce, in

- ce, in

au

tem,

-

nos au

-

tem,

in pp

cru mf

-

cru

-

in

ce,

pp

in

ce,

Copyright Š 2013 Novello & Company Limited. All Rights Reserved. International Copyright Secured.

7


3 10

3

cru - ce Do -mi - ni no -stri Je - su

6 4 6 4

cru - ce

cru

Je - su

ce

-

cru - ce

Je - su

Je - su 3

14

molto cresc.

re

-

mf

mp

Chri - sti:

in quo

mf

mp

Chri - sti:

6 4 6 4

mf

mf

re -

re - sur - rec - ti - o

est

4 4

pp

4 4

pp

6 4

4 4

ff

sa

sa

4 4

sa

sa

-

lus,

vi - ta,

-

lus,

vi

-

ta, et

-

lus,

vi

-

ta, et

-

lus,

vi

-

ta, et

mf

no - stra:

per quem

ff

per quem

ff

sal - va - ti,

per quem

sal - va - ti,

sal - va - ti,

8

sal p

mf

per quem

sal p

ff

no - stra:

sal p

mf

no - stra:

et

p

mf

no - stra:

sur - rec - ti - o

molto cresc.

in quo

4 4

pp

6 4

re - sur - rec - ti - o molto cresc.

in quo est mp

Chri - sti:

pp

est

mp

Chri - sti:

sur -rec - ti - o

molto cresc.

in quo

est

4 4

sal - va - ti,

sal -


4 mf

18

- va -

ti

et

li

pp

-

be - ra - ti

su

mf

- va -

ti

et

li

ti

et

li

-

be - ra - ti

su

ti

et

li

mus.

-

mus.

-

mus.

-

mus.

pp

-

be - ra - ti

su pp

mf

- va -

-

pp

mf

- va -

Fine

-

be - ra - ti

su

Fine

T/B unis.

moving freely De

-

us

mi - se - re - á - tur no - stri,

et

be - ne

-

-

cat no

-

bis:

D.C. al Fine

il

-

lú - mi -net vul -tum su -um su -per nos,

et mi - se - re - á

-

tur

no - stri.

Translation But as for us, it behoveth us to glory in the cross of our Lord Jesus Christ, in whom is our salvation, our life and resurrection, by whom we were saved and obtained our freedom. God be merciful unto us and bless us: and show us the light of his countenance, and be merciful unto us.

Novello & Company Limited. 14/15 Berners St, London W1T 3LJ www.musicsalesclassical.com

Order no. NOV295482

9


Paul Mealor THE LORD BLESS YOU AND KEEP YOU for SATB choir unaccompanied

NOVELLO 10


Dedicated to The Reverend Kenneth MacKenzie DL

The Lord Bless You and Keep You Written for the 200th anniversary of the Braemar Gathering Service at Crathie Kirk, 6th September 2015 and first performed by the University of Aberdeen Chamber Choir, conducted by the composer, in the presence of Her Majesty Queen Elizabeth II

PAUL MEALOR

Numbers 6:24-26

Adagio, molto rubato q = c. 68

SOPRANO

   

  

ALTO

S.

 



 make

 make

stagger breathing

  

T.

B.



stagger breathing

 



The







bless

you



Lord



bless



Lord

Lord

pp

Lord

    



A.

The







   3





    

TENOR

BASS

pp

poco rit.

you



and



and



keep

 



you;





keep

 

you;



 

A tempo



the



the

ppp



mm

ppp

 



mm

  his

  his

poco rit.











face

to

shine

on

you











face

to

shine

on

you









Copyright Š 2015 Novello & Company Limited

11

  

 

  

 

and be

and be

gra - cious to

gra - cious to


3

  S.    



  



    



  

 pp 

6

you;

A.

B.





the

you;

T.

A tempo

give

A.

  



give

T.

     give

  B.    

give



you



you

Lord

turn

his

face









Lord



turn

his

face

pp











the

Lord

turn

his

face









Lord

turn

his

face



the

9



the

poco rit.

  S.    





  peace.



rall.

  A

 

 

 

  

peace.



you

peace.



 

you

peace.



to - ward

 

to - ward





 

and





 

to - ward





to - ward

  -

-

A





-

-

you

you

you

 

you

   -

-

men.

 

men.

  -

A

-

-

men.

-

   

   -

A

12

-

men.













and

and

 and




Nico Muhly lord heare my prayer instantly for SATB divisi chorus unaccompanied

Chester Music 13


Lord heare my prayer instantly was first performed on 13 December 2014 in All Souls Episcopal Parish Church, Berkeley, California, by The International Orange Chorus of San Francisco, conducted by Zane Fiala.

Duration: c. 4 minutes

Text Lord heare my prayer instantly, which I before thee make, and let my crye come unto thee, do not the same forsake. Turne not away thy face from me when troubles me opresse, each day inclyne thine eare to me and succour my distresse. (anonymous metrical version of Psalm 102:1-2)

Guide to IPA symbols used: [ĆĽ] as in bed [e] as in make [i] as in seek [y] a French y, or German Ăź sound [o] as in boat

Order number: SRO100080

14


           

 '        # (

)  * +

 ! 

      



  







 



  



&

  











   







&



 













 





        

















 



 



 





  

  























 %







!









 





  





 





  

 















%

 



   

!



 



 





 











                   !   "                     

15





# $# $




   





 











 









 



     



  













  

           

%

 



 













 



     

!

&



 







 

 







 

      









  

 

   

     



   

   

 











   



  



 





 

 



 

 



















 

!



 



      

%

&



 



 



 







 

 





 



16

  



    

 

  







     

       




/ 

  







 



 



   





 

 

    

%





 



 





  





 

 

 



 



  





   

 





 



     

%



 

 





   



 

 





 

 

  



  

 







 





 























 



 





 

 

 





  

  







  

 





 

 





 

 



 

 



  

  



  



 







  

 

   , " - .

 

17



 

 



 



 







 





 

 



 

  

  

 



 













 

   

   

!













   

 





 

!



   



&







&

 






 "





  

    

      



!



          

      

 

%

   

      

   





         

          

 

         

 

              

%

             

&

 





 







       



  



 



  



 

  

 

 



 

  

 



18



 



   

  

   

  

            

         

   



  

 



 

 



 



#







 





 



 

  

  



 ,   





     







   

        

,   





    

    

  

  

 

    



     

   

     

 



!



  

           

    

                            

&



   

 



 

 





 



 

   

    

            

   

  

         


0 

  

 

 



  



 



 















 

    



 

  





 



 





 



  





 





 

 







  





 



  

 



   

 

 

!

&



 

 

%

  

  









    

 

 



   











       



   





   











 

   





!



 

 





 



  

     

&



 





 





  



 





19



    



  



    



  

 





 



 





 

  





  

%

  





 

  

 



 

  

  



  




3

     



       







    





 

 

















  





  

 



  





 

  

%

&

 

        

     

 

  

 

  



  









 





   



 











 



   

           

 

           

 

    

   



       

  

 





       



 





1 2 .  

 



    





 









           





  

 

1 2 .  

!



  







,   

  



 



 

 

 







  

 



 







 



  

  









  

 

   

%



 

  



&

   

!







 

    

   

            

       

20

    

   

 


4 $

      

 



  

 





&

  

  







 

 









 



























          



  







  





 



 

  





 



 



 







 

   



 



      



21





 

  





 





  















  

%







&





 

 













 



  

!





  

%

 



  

 

     







!



    

     

  

     








5 

 

   













 













 

 

!

  



 

  

%

&



 





 





 

 



 







    

!











 

 







 

 

      

%



  





 



   









 











 

    



 















 



 















&

 





   







      

       



 



 

 



    



 

   



 





   

22


$

 



  









 

 

 







 







 









 















 



 



               



!

&



 

 

 

 

 



 



 



 



  









 



 

%

 





 







   

 

 

 





   





    

 

 







 





 

  

 



 



               

    

%









 





   

  

 

!









 





  

%

&



  



 

   









    

   

23



     







   







     

 

 

  



    







  

  


   

    

 







   

  !

 

&



  

  

 



 

  

 





&



 



*+

 

 





 *+

 











     



 

%



  

 

   



 



 



  



 

 

   

!



     









    





   



 

%





 



  



     







   

   







   

 

 





















     

  

  

 

  







  

  

24

  

  


Nico Muhly OCULI OMNIUM for men’s voices unaccompanied

Chester Music

25


     

#$ #% $ & '      

#$ #% $ & '

! 33, &  4 ' ! 33, &  4 '

(

-     .      ! "      /     #    0   0     0 % # $56    .     

-      .    . & 7'  0 1 2  -     .      ! "      /         #    0   0     0 

   .     

-      .    .  0 1 2 

  



 (        

 

  

    

   

  )

) *

*



 

   

  )

    



 

         



             # +  +    +  +             

# +  +   + +      



#

+

+

    

   

 

 +  

#

 

 

#

+

 +      

#

+

 +  



  (  +  + ,  

     

 

 ( +  + ,  

% # $56 & 7'

 

   

    

+

+











+





+











  

 +  ( + + ,   

   

   

)     

   

    

*    +  ( + + ,    +  ( + + ,    



   

  



              *          !   "                +  ( + + ,         

                   !   "               26       

+



+



   

 +

    

    

 + + 

+

 +  

    















  

    

         +  +    +   +             +  +   +      +   + 

 +

 + 

 +


7 



 

  



 + 

)

 

  



*



 

)

*

8 +  + 





  

8 +  + 





  





      +  + 



*

       +  + 

 

 +

0

+

 

0

 





+

0

+



   

+



   

+





 

 

0



0



0

 



 









 



 +  +  + 



  

 

 



  

 +  + 





  

 

  



!





!





( + + 





0

+





0

+

    

+



+











!







( + + 

  



      



   

0

+











( + + 

27



 +  +  + 







 

 +  +  + 

 +  + 





 

 +  + 



          +  + 

 

 +  + 



   



)



  

 

   

  

 +  + 



8 +  + 

 



  



 + 

     

 +  + 



 + 

 

  

+




     

3

#$ #% $ & ' #$ #% $ & '      

3 ! 33, &  4 '

% # $56 & 7' -     .      * "      /  % # $56    #    0   0     0  & 7'    .     

-      .    . -     .      * "      /   0 1 2     #    0   0     0         .     

-      .    .

 0 1 2 

! 33, &  4 '

             

          

                                # +  +   + +        +  0  ( + +,                                  # +  +   + +        + + ,    +  0 (     # +  +    +  +          







       #  +   +       +      +  )  

    #  +   +     +        

        +   )          

  +    +     #  +  +   *         # +   +    +   +   

* 

#





 

)

 





+

  

   

           

     +    

               +

  

 

    

+





 

+





+



 

 



  +     ( +       +  (  +      



+ +

,   

 

,

 + , 

( +          

    (    + 

 + , 





        

  +      (   +  + , )        +  + ,  

       +    ( *                  (    + + + 

        ,

*  

              

     !   "     +               

                          !   "                      28

(

+

 + ,

               

   




 

)

*

     



















 



)

  



*

+









 

   



 + 

 +  +  + 



 + 

 



  

 + 



   



  





 

 +  +  + 



+

 + 

 + 

        +



            +





 



 

         

 

 

 









+





+

 



+

 



+









 + 





 



8

   



 + 

  



+



+





+



8  

+

+

+

      

8

 +  +  + 

+

 + 



 +

0

    



 

 

    

 +

)

*



 



 + 











    

 +



 + 

+

+

 + 





+



 + 



  

( +  + 

29

 



 









!





 

+

 





! +   

    !



+



  


Text Oculi omnium in te sperant Domine: et tu das escam illorum in tempore opportuno. Gloria tibi, Domine. Amen.

The eyes of all wait upon thee; and thou givest them their meat in due season. Glory to you, Lord. Amen. Psalm 144 (Vulgate)/145 (King James Version)

Duration: c. 1 minute (each setting)

30


Martin Neary PRECES AND RESPONSES for SSA choir unaccompanied

NOVELLO 31


Preces and Responses     

MARTIN NEARY

Allegro



       

 

MINISTER

O Lord, open thou our lips.

f

 



 



 



And our mouth shall shew forth

thy

praise.

 



 



 



f

 



f



And our mouth shall shew forth

 

thy

 

praise.



And our mouth shall shew forth

thy

    







to

help

us.

praise.

Andante mp

 

MINISTER





O God, make speed to save us.



make haste

O mp

make

   

  



    

to

help

us.

  

  

help



us.

Lord,

Lord,

     Allegro mf

As mf

it

As mf

it

As

it

        

 

Glory be to the Father and to the Son and to the Holy Ghost.

     

now

   

   





and ev - er

shall

be:

   





now

and ev - er

shall

be:





now

   

    

and ev - er

shall

be:



 

world

 



O Lord, mp

O

MINISTER





with - out

  

make



in



was

in



was

in

the be



end.

A





 

  



32

the be



end.

Copyright Š 2015 Novello & Company Limited

the be

-

gin- ning,

-

end.

A

-

-

  

is

   

gin- ning,

   

is



men.

 -



is



 

A

-



gin- ning,

       

with - out

with - out

to

       

world

world

haste

 

      

was

   

haste



men.

 men.




2

   



 f  



 f   



Marcato f

rit.

The

The

 

MINISTER



Praise ye the Lord.

The

   mp  





Lord’s

name

be





Lord’s



name

be

prais’d.









Lord’s

name

And

  mp  

And

  mp   

 

MINISTER

The Lord be with you.

And



prais’d.

prais’d.







with

thy

spi





with



with

thy





thy





be

Andante

After the Creed







 -

 spi



spi



rit.

 -

-



rit.





rit.

   



 mp  





 

 mp   





  

rit.

mp

 



Lord, have mercy upon us. Christ, have mercy upon us. Lord, have mercy up - on us.

Lord, have mercy upon us. Christ, have mercy upon us. Lord, have mercy up - on us.

 

MINISTER

Let us pray.

 

MINISTER

Our Father ...

Lord, have mercy upon us. Christ, have mercy upon us. Lord, have mercy up - on us.

 mf  

which who

} art in Heaven ... 33



  

... but deliver us from evil.

A -

men.


   mp  

Andante

And

   



And

 

us.

And

        

us

thy

   

us

thy

grant

   

us

thy

              Andante mf

And mer - ci - ful - ly hear us when we

              mf

 

MINISTER



O Lord, save the Queen.

   f   

   

    

   

And make thy cho - sen



Endue thy ministers with right - eous - ness.

-

va - tion.



 

   f   

 

rit.

 3   call up - on thee. 3

   

   mp  

3

call up - on thee.

      peo - ple

joy - ful.

peo - ple

joy - ful.

    

     

And make thy cho - sen

peo - ple

  

joy - ful.

Andante







And mp

bless

thine

in



And mp

bless





And

bless

    

MINISTER





O Lord, save thy peo - ple.

   

 34

thine

he



-

he

   



thine

in

 -

in

-



va - tion.

And mer - ci - ful - ly hear us when we

f



-

   

   

And make thy cho - sen

 

sal

va - tion.

call up - on thee.

Allegro

MINISTER

sal

-

And mer - ci - ful - ly hear us when we

   mf           



sal

grant

  mp     

 

O Lord, shew thy mercy up-on



grant

mp

MINISTER

3

he

  

-

ri - tance.

-

  

ri - tance.

-

  

ri - tance.


4

    

Moderato

 

Be - cause there

    

MINISTER

Give peace in our time,





O

Lord.

    3         ff

fight - eth for us,

but

on - ly

3           

ff

fight - eth for us,





3

   

fight - eth for us,

but

on - ly

is

Be - cause there

 

o - ther

     



is

none

o - ther

     



f

none

Be - cause there

is

none

o - ther

thou,

thou,

The Collects

    

        

  

            

rit.

take

Spi - rit

from

us.

p

take

not thy Ho - ly

Spi - rit

from

us.

     

p

And

take

1.

2.

A - men.

A - men.

     

not thy Ho - ly

p

                 

A - men.

 

that

O God.

     MINISTER

 

  

And

O God, make clean our hearts with - in us.

that

O God.

thou,

 

 

  



And

 

that

O God.

Andante

MINISTER

 

  



        on - ly

 

f

    

ff

but

     



f

A - men.

not thy Ho - ly

After the Final Collect





A

-

 



  

 

 A

-

  

A    

-

  

A - men.

A - men.

35

A

-

Spi - rit

 men.



-

 

from



-

men.

-

men.

-

 

men.

us.


Owain Park BEATI QUORUM VIA for SSATB choir unaccompanied

NOVELLO 36


Duration: c. 4 minutes

Psalm 119, verse 1 Beati quorum via integra est, qui ambulant in lege Domini. Blessed are the undefiled in the way, who walk in the law of the Lord.

Order Number: NOV295790

37


Commissioned by the Wells Cathedral Chorister Trust, and dedicated to HRH The Countess of Wessex GCVO, Royal Patron, Wells Cathedral Chorister Trust

Beati quorum via Psalm 119:1

OWAIN PARK Reflective and very flexible (q = 72)

   SOPRANO

ALTO

TENOR

BASS

 

    

p espr.

  

Be

-

   

Be

  a

 

  a

   

 

Be

-

p espr.

Be

-

a

a

  a



-

ti,

   

ti,

-

be





 ti,

Reflective and very flexible (q = 72)

Piano (for rehearsal only)

     

7

  

S.

A.

     



 

be

-

T.

   

 

 



 



-

-

  

 

-

a mf

-

-

-

mf

-

-

-

a

-

-

-

3

-

mp

be

      

a

-

mf

-

-

 3

  

  a

 

 

-

-

-

be

be

a

-

be

 

 

ti,

a

 

-

ti,



 

   

  

 

p espr.

     

quo - rum

ti

p

   

quo - rum vi - a, p

vi -

a,

    

quo - rum

quo - rum vi - a,

             

    

-

-

ti

-

ti

quo - rum vi - a, p

 

    

ti

 

  



 

        

be -

ti,

-

 

 

 

ti,

-

a

-



 

-

 

mp

      

 

ti,

-

-

    



38



         

© 2016 Novello & Company Limited Not for rental or hire by third parties

-

-

   

-

 

p

-

a

   

-

            

-



-

  

mf

-

 

ti

 

mp

 

be

 



   

-

mp

 

     

 

-



 



 

a

 



mf

 

be

B.



mp

be

  

 

 

a



ti,

-

-

ti,

-

meno p

-

Be p espr.

 

-

p espr.

 

  

p espr.

quo - rum vi - a,

  

 

 

 

  

quo - rum

quo - rum

    

quo - rum

       

  

 

 


2

poco rall.

11

S. Solo

 

Flessible

mf                 

quo - rum,

          mp

S.

quo - rum

  

A.

 



vi - a

    

dim.

    

dim.

quo - rum

vi - a,

T.

  

vi - a,

B.

 

vi - a,

    16

S.

 A.

quo - rum

quo - rum

vi



vi

vi

-

-

       quo - rum

poco rall.

vi

Flowing (q = 69)

       



  

       

 

         

 

       

 a

Flessible

                 

 

a

-

  

   



 

   

 

 

 

pp

pp

in - te - gra

est,

qui

est,

in - te - gra

est,

in - te - gra

 

  

  

           

  

   

   

mp

         

mp

3

3

qui

qui

3            

qui

3

Flowing (q = 69)

-

    

      





   

3

am - bu - lant,

 am

3

am - bu-

p

am - bu - lant, mp

qui

 



mp

pp

  

pp

 3            

est,

in - te - gra

pp

qui

p

B.

est,

in - te - gra

3

T.

ti.

a

dim.

-

        

a

-

-

 

dim.

vi - a,

-

dim.

    

be - a

 

bu

-

-

3

    3

       

39

lant,

3

 

3

        


19

S.

A.

    3

am

 - lant

    -

   



-

-

lant

   

       

     

lant

in

     

3

poco rall.

 

S.

f  

 

Do - mi - ni,

  f

 

    

   

f

B.

le - ge

3

 

Do - mi - ni,

  



  

     

 

Do - mi - ni,

mf espress.



 



 

le - ge

mf

   

le - ge

mf

   

in

le - ge

 





 





ge

 

   

in

mf

in

    

       Joyously

Do

le - ge

mf

Do - mi- ni,

  

le - ge

      

    

   

in

le - ge

 

   

    

  

 -



Do

   



mp

le - ge

Do

   



mp

le - ge

  





 





40

in

f

 

le - ge

in

 

mf

Do - mi- ni,

le - ge

le - ge

   

f   

in

   

in

Do - mi - ni,

 

    

Do - mi- ni,

le - ge

le - ge

 

mi - ni,

       

mp

in

Do - mi - ni,

 

le - ge

Do -mi - ni,

Do - mi - ni,



   

   

   

mf

-

  

mp

in

le

in

 



in

in

Do - mi - ni, f

   

   

in

Do - mi - ni,

T.

mf

Do - mi - ni, f

A.

in

3

22

le - ge

    

    

    

 

f

    

3

     

in

mf

Do - mi- ni,

mf

am - bu -lant



mf

bu

3

Do - mi- ni, f

   

-

-

le - ge

in



in

mf

   

       



bu

le - ge

mf

am

3

 

-

in mf

   

qui

qui

  

- bu - lant



f

   

mp

B.

3

  

mf

am

T.

      

3

Joyously

poco rall.

Do

    

le - ge

-

Do -mi - ni,

  

  

  

mi - ni,

-

mi - ni,

-

mi - ni,

   

     

  


4 25

Moving on a little

p

 

S.

A.

Do

-

in

-

B.

   Do



   

  

A.

T.

     

be

mp

  

mp



  

-

a

be

-

a

    

be

   

-

 ti,

 ti,

-

a

Do pp

-

Do

-

 



    

   

  



 

  

-

ti,

  

-

ti,

   -

mp

mp

    

 

 

 



-

 

mi

-

mi

        

-

 

-

mi

-

  

mf

      be

-

a

-

      be

-

a

-

      -

a



ni.

  

  

ni.







  

f

be

  



   

be

f

    

  

  

-

-



a

-

-

 

a



-

be -

be



 

ti,

be

-

 

 

 

mf

 

be -

ti,

-

 

 

           

  

mf

 

 

f

 

be -

a - ti,

-



mf

a - ti,

  

-



a - ti,

-

    

       

41

-

 



-

f

mf

      

-

-



       

ti,

be

     

f

ti,

         

 

   

be

-

p

Be - a

 

  

     

p

       

ti,

be

  

 



Be - a

Moving on a little

               

 

ti,

 

mf

-

 

ni.

 -

Be - a

mf



ti,

mf

     

-

p

 



  



Be - a

 

      

 





a - ti,

    

-



a - ti,

      be





-

be

ti,

-





  

        be

-

pp

mi - ni,

  

  

    

-

B.



mp

31

S.

  

-

   

mi - ni,

p

mi - ni.

p

 



pp

Do

  

Do



 

-

mi - ni,

p

 

Do

  

-

le - ge

p

mi - ni. mp

     

Do

T.

  

mf

-

mf

-

   

  

  


5 36

S.

A.

poco a poco  dim.     

   

- a - ti, quo dim. poco a poco

-

- a - ti, quo dim. poco a poco

-

 

  

  

- a - ti,

  

 

quo

dim. poco a poco

T.



-a

-

-



   -a

 



-

  

S.

p

est;



   

A.

p   



T.

   



est;

est;

p

est;

B.

  

est;

Meno mosso

 

  

 

  

  vi - a

 -

-

te



-

-



in

 



-

-

 

  

 

 

   pp

Be

 

 

 

p espr.

Be

-

p espr.



p

 

te

-

-



 



 





in - te - gra



in - te - gra



in - te - gra

  



 



gra

gra



 

 







 

 



 

 

Tempo primo (q = 72)

   p

vi - a

vi - a,

  

Meno mosso 41

in

   



   

 

 

rall.

   

 

vi - a,

   

ti,

vi - a

 

rum vi - a,

 -

   

ti,

 

vi - a,

rum vi - a,



dim. poco a poco

B.

rum vi - a,

   

-

 

rall.

-

a

     

-

p espr.

Be

-

p espr.

Be

-

p espr.

Be

-

  a

 

-





-

  a

  a

  a

 

 

42



 

ti,

Tempo primo (q = 72)





ti,

-

-

    meno p

be

-

-







ti,

ti,

 -

ti,

    

 

 

 

  a

     







be

-

 

 -

-

be

-

 be



-

  

 be

-

  



 



 


6 47

   

S.

A.

-a

-

   

-

   

     

-



 

  

  

T.

ti,



-

ti,

-

   

  



-

   

ti

quo - rum

ti

ti

 -

 

ti

p

 

-

-

be mp

-

be

-

-

 

a,

quo - rum

  

-

-

 

quo - rum

vi

-

-

-

  

-

 

-

-

-

a mf

-

a mf

-

-

-

-

a

-

-

-

-

 

-

 

-

3

  

p

3

  

  

vi

 

 

-

-

quo - rum

-

        

 

-

-

    

vi

-

mf

vi

a

     

 

 

 

-

-

   

 

 

 

rall.

vi

a,

p

quo - rum

be mp

   

quo - rum

 

-

 



p

p

-

 

a mp

ti

    

-

   

mf

 

    

-

-

 

-

 

-

ti,

-

B.

-

-

A.

be

50

S.

-a

  

 

ti,

-

      

be mp

mf

ti,

-

-

-a

B.

-

mp

-a

T.

-

a,

 -

-

  

a,

mp

a

in - te

 

vi

 



vi

 

quo - rum

quo - rum

vi

 

quo - rum

vi



      

-

-

-

-

gra

est,

a

   

 a

   

   



   



 







 

 

 

  



in - te - gra

a

in - te - gra

 -

a

  

  

 

 

 

 

 

   

43



 

 

 

 

 

 



in - te - gra

in - te - gra

rall.






S. Solo

Flessible

mf               

53

in

qui am - bu - lant

le - ge

    S.

 

 

  mp    

 

 

  

 

   

est,

Flessible

      57

        

mp

  

Do

  

 mp   Do

  

-

Do

   

Do

   

 

   

mi - ni.

 

-

  

-

-

  

mi - ni.

 



mi - ni.

 

     

 

mi - ni.

 

 p

  

 



   

3

qui am - bu - lant p

 

in

le - ge

     3

qui am - bu - lant p

3

  

3    

qui am - bu - lant p

in

le - ge

3    



qui am - bu - lant

in

le - ge













 

 

3

  



  



3

p shimmering silver

 

 









p

mp

 





 

Be (B1: un peu en dehors)

-

-

   

a

-

mp

p

Be

    



 

 a

      

  

44

-

ti.

 

 

  

  

ti.

   

   

le

 

in

p shimmering silver

le - ge

in

p shimmering silver

 

qui am - bu - lant p

Meno mosso

   

mi - ni.

mp

B.

  

-

mp

T.

 

mp

Do

A.

 

  mp   

est,

S.

 

Do mi - ni.

 

mp gently purring

B.

 

 

est,

T.

    

  mp   

est,

A.

7

Meno mosso

 

-

ge

 

   


Owain Park THE LORD’S PRAYER for SSAATTBB choir unaccompanied

NOVELLO

45


The Lord’s Prayer was commissioned by Siglo de Oro and Patrick Allies as part of their ‘John Sheppard at 500’ celebrations. The piece is a reflection on the setting of The Lord’s Prayer by John Sheppard, published midway through the 16th century.

46


For Patrick Allies and Siglo de Oro

The Lord’s Prayer OWAIN PARK Slow and expansive h = 32

 

pp

 

hal - low’d

SOPRANO p

   

 

pp

- ther,

nn

 

pp

 

 

pp

 

pp

- ther,

nn

 

pp

 

 

pp



Our

Fa

     p

Our

-

Fa

-

ther,

p

Our

Fa

p

Our

Fa

   TENOR

p

  

-

-

-



Our

Fa

 

 

-

nn

ther,

ther,

 

Slow and expansive h = 32

Piano (for rehearsal only)

     





 

pp



 p    

Our

 p    

Our

  

hal - low’d,

 

   

 

  

© 2015 Novello & Company Limited

47

Fa

  

    



 

 

hal - low’d,

BASS

  

Our

hal - low’d,

 

 p     

hal - low’d,

ALTO

   

-



  Fa

  

 



-

 



Fa

-





  



 

  



  



 

 

  

 


2

6

  

pp

hal

 -

low’d

    



mp poco a poco cresc.



Our

Fa

-

 ther,

S.

  

pp

  

pp

- ther,

nn



Our

 

hal

p poco a poco cresc.

  

-

 

low’d,

Fa



-

  

mf

3

   



ther,

our

mp poco a poco cresc.



Our

Fa

-



ther,

our

A.

   

pp

  

  

pp

  

  

pp

- ther,

- ther,

T.

  

nn

nn

--

--

hal



--

-

Our

  

low’d,

  

  



   

   



  

  

48

 

-

mf

our

    

low’d,

Fa

ther,

     

Fa

      

    

low’d

pp



B.

  

p poco a poco cresc.

3

    

pp

hal

ah

Our

hal

p poco a poco cresc.

 mf

Our

Fa

-

   

 



3

          3


3

10

 

mf

our

3

3

Fa

-



Fa

-

ther

 

mf

 

   

pp

    

pp

which art in

ther

nn

heav’n...



S.

    Fa

 

Fa

A.

-

-

 

-

-

-

mf

  

 

-

 

ther

which art in

  

 

ther

- ther

which art in

 

-

-

-

ther,

    

-

ther

-



low’d...





pp

nn

heav’n...

 



Fa

    

mf

pp

hal

 



nn

heav’n...

 

pp



hal

-

low’d...

T. mf

Our

3

Fa

 

mf

 

which art in

 mf

 3

Our

3

3

            

  

3

 

Fa

 -

 

ther

         

mf

which art in

heav’n,

 

  

  

  

 



3

49

  

pp

nn

heav’n...

   



   



nn

      





heav’n...

which art in

 

pp

mf

- ther B.

   

pp

 

hal

-



low’d...

  



 

 

   


4

14

  

p

 Thy

king

-





dom

come, Thy



will

be

S.

  

  

mm

     p

Thy

king

A.

  

  

  

p

Thy

   

king

-

  

  

   

   

   

  

  

  

  

B.

   

  

mm

dom come...

  

 



dom

mm

  

  

-



T.

 



mm



       

50



 

  


5

20

 

f

 

f

   

Thy

will,

 

nn

done...

      

 

f

Thy

3

will be

S.

 

  A.

come,

Thy

will

p

 



be

mm

come...

done,

Done

 

   

f



Thy

    

      mp

f

Thy will be



done

T.

    B.

 

 

mp



  

Thy

king

p





Thy

king

p





Thy

king

  

  

  

-

-

-

 



dom come,

Done

 

f

f

dom



come,

 



  

 





dom

come,

       

    

51







f





Done

    

Thy

will be

       

 



  

 



3

 

 


6 poco rall. SOLO

24

  

  

  

 

3         



  

        



           



        









ah

done

 

   

 

S.

thy

will be

mp

as

it

is in

nn

heav’n...

mp

done

as

it

is in

nn

heav’n...

A.

  

   

will

be

mp

done

as

it

is in

    

 

  

     

 

        

in

earth

nn

heav’n...

 

mp



hal

-

low’d,

T.

in

  

 in

mp

earth

as

it

is in

mp

          

 

  

earth

as

it

is in





nn

heav’n...

 

nn

heav’n...

B.

  

done

        

 

  

3

 

poco rall.

  

  



     

       52

mp

 



hal

   

   

    





       

-





low’d,

        

 


7 Tempo primo

  

28

 

TUTTI

     

    

p

Give us this

day

our dai - ly



 

our

dai

bread,

S.

  

 

  

 

 



A.

pp like soft bells

 

Give

us

   

this

     

    

p

Give us this

day

day

our dai - ly

      p

Give us this

  

 

    

  



  

 

p     

   





day

our

    

p

Give us this

bread,

day

our dai - ly

-

ly

bread,

    dai - ly

bread,

bread,

T.

      p

Give us this

Give us this

day

our

    

day

our dai - ly

  

dai - ly

bread,

bread,

B.

 

 

 

   

      p

Give us this

Tempo primo





 



      

 

 



 



day

bread,

 

 

 

        

 

 

  

    

     

 



our

  

dai - ly

 

53

 


8

   

pp sotto voce

33



 

and

for - give



us

our



  

 

tres - pas - ses,



     



S.

    

 

and

As

pp sotto voce

 

p emerging

   

for - give

us

our



  

we for - give p emerging

 

     

p emerging



     





tres - pas - ses,

As we for -

A. pp sotto voce

  

us

our



  

 

pp sotto voce

and

us

our

  

 

 

 

 

    

and

for - give

for - give

tres - pas - ses,

tres - pas - ses,

   As

T.

   

   

for - give

us

our



 

 

  

 



  

 

p emerging

As

pp sotto voce

and

 

B.



  

 

tres - pas - ses,

 









      

54

       

 



them,



 

we for - give





   

 

 

 

 


9

37

p emerging

  

 

As

 

   we for - give

 

mm

them...

S.

  



them,

for



give,

hal

 -

low’d,

     



give

them



we for - give

 

them,

p



As

we

for

pp

hal

   

-

give

them... mm

As we for - give

       



   

p emerging

   A.

-

pp

 

them...

-

low’d

    



mm

mf

 

and

T.

  

 for

-

      p emerging

pp

 







 

 

 

pp

give,

As we for - give

them...

hal

 -

low’d,

   

mm

B.

 



hal

    

 

  

 



 

    

 

 

   

 

55



  

   

-



  

 



 



  

low’d,

  


10

41

poco a poco accel.

S.

mf        

and

let us not be led

mp

  

Our



Fa

in - to



temp - ta

 -

ti -

-

ther,

-

   



Our

Fa

A. mp

Our

     

      

let us not be led



Fa

ther,

in - to temp - ta - ti - on,

our

Fa -

-

T.

 

mp

 



Our

  

mp

 

Our

Fa

Fa

-

-

-

 

ther,

ther,



mf

and

B.

  

     

 

 

and

poco a poco accel.

mf

    



   

        

56



    

 

let us not be led

in -

   

     

      






11

45

mp

Our

Fa

 -

-

 -

-

mf

ther,

and

     let us not be

led

S.

 

- on,

 

  



    

Fa -

and

let us not be

mf

ther,

our

Fa

-

-

-

-

  

led



in - to

temp - ta

ther,

Our

Fa

-

ther,



-

A.

    

mf

 

 

 

our

Fa

- ther,

let us

and

  

not be led

in - to



- ther,

our

temp - ta

Fa - ther,

-

ti

-

on,

    

and

let us not be

mf

T.



 -

      let us not be led

-

-

 

in - to

-

-



 -

ther,

temp - ta

 -

Our



Fa - ther,

 Fa

ti -

on,

Our





Our

Fa

-

B.

  - to



temp - ta

  

 



 ti

-

on,

   

 

 

 



   

-



 

57

    

    



 



-

-

        


12

48

  

in - to

poco rall.

temp - ta

-

 

 

ti - on,

 

p

Gently flowing

But de - li

   

-

ver us

from

S.



 



- ti - on, mf

    

and

let us not be led

 

pp silver

 

 

        

in - to temp - ta - ti

-

mm

on,

p

But

de - li

-

 

ver

A.

   T.

temp - ta

-

in - to

temp

    

and

let us not be led

  

ther,

 

Fa

-

ta - ti - on,

-

         

 

-

-

-

 

on,

    

ther,

 

 

ther,

                

 

in - to temp - ta - ti -

 -

   

-

 

ti - on,

mf

-

B.

   

  

led

  

          

poco rall.

  



  

  

  



        

58

   

 

Gently flowing





 

  



 


13

    

      

 



p

But

de

52

e -

vil,

de - li - ver

us

from

 e

 -

pp

mm

vil,

S.

    us

from e

 

p

 -

      

li - ver us

   -

-

vil, us

from

e

 -

e



-

vil,

mm

vil,

    

from

pp

pp

mm

A.

    

De - li - ver us

pp

from

e

-

vil,

 pp



mm





 



be

thy



thy

    

 

 

 

  

Hal - low’d

be

pp

pp

  

Hal - low’d

T.

Hal - low’d

be

thy

thy

name.

name.

name.

B.

pp

Hal - low’d

  

   

     

            

 

 



59

 

  

   

 

 

be

name.


14

57

Slightly more movement

 

pp

mm

S.

   

mp

   

 

For

thine

is the king - dom

and the

pow’r. pp

 mm

A.

   

( pp)

mm

    

To

thee

be all ho - nour and

mp

T.

  

 

mp

For

    thine

 

is the king - dom



 

and the

 mm

pow’r.

B.

mp

mm

Slightly more movement

To

 

 

 

   



  

   

  



  

60

      thee

be all ho - nour and

 

 

 

 

 


15

61

 









S.

  

  

glo

-

mm

ry

   





 



   



 



A.

 

  

glo - ry pp

   

mm

mm

glo - ry

T.

 

p flessible

                   for

e

 

   

pp

-

-

-

-

-

-

-

ver - more.



   



   





B.

glo - ry

     

  

 

mm

      

           

   

 

 

61

 





  






16

66 Tempo primo

 

 



 

pp

pp

hal

-

 

low’d

S.

 

 

 



hal

   pp

Our pp

  

Fa

Our

-

-

 Fa

-

 -

ther,

 

pp

 

pp

 

pp

 

pp

 





   

ther,

-

low’d

pp

hal

A.

-

low’d

 

 

 

nn

  mm

 nn

 

  mm

T.

    pp



Our

Fa

   pp

Our

Fa

-

-

-

-

-

-

ther,

ther,

 

nn

mm

  

nn

  mm

B.

 

Tempo primo

 

 

  

   



    

62

pp

hal

   

-

low’d

    

 



 





 

 


17 With quiet exuberance 70

Tempo from Sheppard

mp cresc.

S.





ways

so

be

mp poco a poco cresc.

  

Al p

  

mm

-

 



  

    



 



so

be

it, mf



so

al -

     be

 

it, poco a poco cresc.

  

it,

      so be

it,

A. p

  

p

 

  

poco a poco cresc.



Al

-

       

so

be

poco a poco cresc.



it,

  

 



ways so

so

be

mf

 

be

it, al -

it,

T. p

 

 

 p

poco a poco cresc.



so

  



it,

al

   



be poco a poco cresc.



so

be

it,

so



       -

3

ways

 

  

be

so

it,

B.

  

p



poco a poco cresc.





mm

al

-

ways



so

be

it,

With quiet exuberance Tempo from Sheppard

 

   

   



     

        



   

   

           

   

63

 

         

  

3

 


18 mf 74

al



-

al

ways



-

-

 

mp





ways

so



  

    it.

be



it.

be

S.

-

ways

so

          -

-

 

be

mf

al

mp

ways

it... mp

   

so



be

it, al

-





ways

so

be



   





so

be



A.



  -

 

-

mf

al

-

-



ways

 

ways

so

 



so

mp

be



be

it, so mp

 

be

it, al

-

ways

it.

T. mf

    so

  be

be

it,

mp

  

  

so

be

it, al - ways



so

be

            



mf



mp

it,

so

be



 

-

ways

so be

it, al

-

ways

so

be

   

B.

 

mf

al

-



-

      

  

  

      

mp

 

         

   

it, so

 



be

it...

     

            

64







 

    






19

78

  

 p

Al - ways

 

  so

 

pp

be

it.

S. p

  

 

mm

p

  

 

  

 

mm

it...

   

   

ppp

hal

-

low’d...

ppp

mm

p

  

 

mm

it...

       

  

 

mm

it...

p

  

 

 

 

mm

it...

       

hal

-

low’d...

nn

 

hal ppp

-

low’d...

 

   

       

mm



 

    

        



 

  





65

 

hal

-

low’d...

nn

 

ppp

hal ppp

-

low’d...

 

 

hal

-

low’d...

nn

 

hal

-

  

  

 

    

 

 

  

low’d...

   

  

nn

ppp

nn

B. p

 

ppp

nn

T. p

 

A. p

 

nn

         

 


John Tavener APOLYTIKION OF SAINT NICHOLAS for unaccompanied choir SATB

Chester Music 66


This work was first performed on 11th November 1997 by the choir of St-Martin-in-the-Fields, London. Duration c. 1½ minutes Score on sale: Order No. CH84502

APOLYTIKION OF OUR HOLY FATHER NICHOLAS OF MYRA IN LYCIA (the wonder-worker) Strict rule of faith, and image of meekness, of self-discipline a teacher, you revealed to your flock the things of truth: for this you acquired the highest humility, the richest poverty.

Holy Father Nicholas, Pray to Christ God to save our souls.

No part of this publication may be copied or reproduced in any form or by any means without the prior permission of Chester Music Limited.

67


APOLYTIKION OF SAINT NICHOLAS John Tavener

 pp Soprano  

Sober, gentle and calm q = c.60

*Oh. p quietly

Strict

rule

of

faith,

Bass



         Strict rule of 

and



p quietly

Tenor

     



       

Alto

im

-

  

age of

meek

  

     

faith,

and

im

-

-

age of

meek

-

 ness,

 ness,

pp



* Oh.

 S.   (2)

(Oh.)

A.

    

   

     of self - dis

   

of self - dis - ci -

T.

B.





 - ci -

pline

pline

a

a









tea - cher,

tea - cher,

     

  



     

  



you re - vealed

you re - vealed

to

to

your flock

your flock



(Oh.)

 S.   (3)

(Oh.)

   



         the things



   

A.

the

T.

B.





things

   of

truth:

   of

truth:

     





     





for

for

this

this



(Oh.)

* ‘Oh’ as in the ‘o’ of ‘log’. Breathe when necessary, but not simultaneously. Š Copyright 1987 Chester Music Ltd.

CH84502

68

you

you

ac - quired

ac - quired

  the

 

the


2

 S.   (4)



(Oh.)

       

A.

high - est

-

li

         high - est hu - mi - li

T.

B.

hu - mi

-

-



 



the

 

ty,

the

ty,

      

rich

-

est

po

-

ver

       rich

-

est

po

-

ver

  

(5)



Ho - ly

p

 

A.

B.















Fa - ther

Ni - cho - las,





  



Ho - ly

Fa - ther

Ni - cho - las,

p





   Ho

T.

  p

-

ty.



ty.



(Oh.)

 p S.  

-



 - ly



Ho - ly





Fa - ther

Ni - cho - las,







Fa - ther





Ni - cho - las,





Pray

to



Pray



to





Pray

to

Pray

to









 

our

souls.



 

  

Christ God to save



  

our

souls.



  



 

Christ God to save

our

souls.

Christ God to save

our

souls.

Christ God to save



  











 

12th November 1987

CHESTER MUSIC part of The Music Sales Group 14/15 Berners Street, London W1T 3LJ tel: +44 (0)20 7612 7400 fax: +44 (0)20 7612 7549

Exclusive distributor: Music Sales Ltd, Newmarket Road, Bury St Edmunds, Suffolk, IP33 3YB tel: +44 (0)1284 702600 fax: +44 (0)1284 702592

www.musicsalesclassical.com e-mail: music@musicsales.co.uk

69


John Tavener THE LAMB for upper voices unaccompanied

Chester Music

70


for Simon’s 3rd birthday

1.THE THELAMB LAMB John Tavener arr. Barry Rose

1  p 5 5 5 5  : 1 G 5     5 5 

With extreme tenderness – flexible – always guided by the words q = c.40

 G

Sopranos

2

2

Lamb,

who

0

 G

1 Altos

Lit - tle

2

made

thee?

 G

 2G 

Dost thou know

 !5 E5 E5

5

2

S. 2

5 

5 

A. 2

de - light,

Gave thee cloth - ing

5 

of

5 !5 

Poco meno mosso

5 

 5

I5 

  5I !5

Gave thee such pp

  G  !5  G  5

a

a

 5

 5I

 5

 5

 5I

 5

Gave thee such pp

  5

5 

Gave thee such

a

a

thee?

By

0

 5

5 

the stream and

o’er

made

5 thee?

5 5 

the mead;

0

of

1  pp G 5

2G

thee feed

Gave thee cloth - ing p

Gave thee such pp

1

bid

 !5 E5 E5

 5 E5 E5 !5

    5 5 5 !5 G 2 7

1

and

who

0

1  1 G 5  S.

life,

0

made

    5 5 5 5 5 !5 5 :

0

Gave thee

who

5

p (or S.2)

3

2

Dost thou know

0

forward 1  Moving 5 5 5   !5 1 G 5 E5 E5    S.

 5 5 5 5 5 5 5 : 

5

5 

Soft - est

 5

de - light,

 5

Soft - est

5

ten - der voice,

 5

 5

5

 5

 5

5

 5

 5

5 

ten - der voice,

ten - der voice,

5

ten - der voice,

Š Copyright 1982, 2009 Chester Music Ltd.

71

5 

5 

 5

5 

5 5 

cloth - ing, wool - ly, bright;

5 !5 5  5 5  

cloth - ing, wool - ly, bright;

I5 

5 

 5

5

 5

all

Mak - ing

the vales

Mak - ing

all

the vales

re - joice?

Mak - ing

 5

 5I

5 

 5

 5

all

 5

 5

 5I

Mak - ing

 5I

all

the vales

 5

 5

re - joice?

 5

5

 5

5

 5

 5

re - joice?

 5

 5

 5

the vales

5

re - joice?



poco




3

1  5 1 G 5   Lit - tle S.    2 G 5 5

I5 5 5  :    5 5

9

 5I 5 5 5 5 :

Lamb, who made

Lit - tle

1

Lamb, who made

 G  5 5 5 I

 5 5 5:

 2 G   2 5 5 5I

A.

Lit - tle Lamb

who made

5

Lit - tle Lamb

5:

who

made

5

thee? Dost thou

5

S.

2

1 A. 2

5

5

5

5

5

5

5

5

 G

Lit - tle

Lamb,

I’ll

tell

I’ll

tell

5 thee,

5 thee,

0

 2G 

5

13

S.

He

 G

5 

is

5 

called

  5 E5 E5 !5

(optional – as required)

2

5 

5 

5 

 5

He is called (optional – as required)

1 A.

 G

 5

 5

 5

He

is

called

 2 G  2 5 He

 5

is

 5 called

 5

5

BI

5

BI

B

who

B: B:

thee?

made

thee?

B:

B

made

5 5

who

made

thee?

B:

thee?

Lit - tle mp

Lamb,

Lamb,

I’ll

tell

I’ll

tell

Lamb,

I’ll

 !5 E5 E5

 5  5

tell

5 

5 

 !5

 E5

by

thy name,

For

he

calls him - self

 E5

 E5

 !5

 E5

 E5

 5

   !5 E5 E5

 5

thy name,

72

For

For

he

he

thee;

5 5 

calls him - self

 E5

5

5 

 E5

by

thee;

5

tell

 E5

   5 E5 E5 !5

5

      5 5 5 5 5 !5 5 :

I’ll

he

thy name,

thee;

thee;

Lamb,

For

by

5

      5 5 5 5 5 5 5:

thy name,

!5

B

made

by

!5

B

  5 5 5 5 5 !5 5 :

Lit - tle



B

 5 5 5 5 5 5 5 : 

Lit - tle

1  1 G 5 

5

who

who

Lit - tle mp

0

5

know

thee? Dost thou know

  G  5 5 5 5 5 5 5 : Lamb,

5I

thee? Dost thou know

A tempo – moving forward

Lit - tle mp

5

know

thee? Dost thou

1  mp 5 5 5 5  : 5 5 1 G 5      11

I5

5

5

 5

calls him - self

 5

calls him - self

a

a

 5

Lamb.

5 Lamb.

5

a

Lamb.

a

Lamb.

 5 5

  


4

15

5 

He

S.

2

meek, and

he

is

    5 5 5 !5 G 2

5 

5 !5 

is

1  pp 1 G 5 

5 

Poco meno mosso

17

I,

S.

 5

  G  !5

I, pp

a

 5

 2G   5

 5

I, pp

a

I,

he

a

5 

I5 

5

5I

5 

 5I

 5

 5

 5

a

lamb,

We

are

 5I

 5

 5

child, and thou

 5

5

lamb,

 5

We

 5

5I

 5I

 5

 5

 5

5

 5

 5

5I

5

5

5 

5 

5

5

Lit - tle Lamb, God

CH84304

5 

5

bless

 5 5: bless

(optional – as required)  G       5

I5 

 5

Lit - tle Lamb, God

2

lit - tle

 5

child, and thou

5

a

5 thee!

5 thee!

5

bless

thee!

5:

5

bless

thee!

lamb,

are

rit.

5

5

Lit - tle

5

5

Lit - tle

5

5

5

I5

Lamb,

God

5I

5

5

Lamb,

God

BI

5

BI

Lit - tle Lamb,

73

called

God

B God

by

 5 by

 5

by

 5

are called

Lit - tle Lamb,

5

called

are called

We

child.

5 

a

 5I !5

a

lit - tle

5 5 5

child.

 5

his name.

 5

5

his name.

 5

5

 5

5

his name.

his name.

B:

 B

bless

thee!

B:

 B thee!

B:

 B

bless

thee!

B:

thee!

bless



5

by

bless



poco

 B

Chester Music

2

5 

be - came

We

 G   5 5    5 I 5 5 5 5:

A.

He

lamb,

Lit - tle Lamb, God

1

mild,

5 5 

5 !5 5  5 5  

a

child, and thou

(optional – as required)

5 

is

a

5 

5 

5

Lit - tle Lamb, God

2

 5

 5

19

 G

be - came

5 

1  5 I5 5 5  : 5 1 G 5     5  S.

He

5 

child, and thou

 G  5

1

2

I5 

a

pp

2

meek, and

mild,

 5

THE LAMB – for upper voices unaccompanied

He

A.

5 

is

 !5 E5 E5

 5 E5 E5 !5

JOHN TAVENER

1  1 G 5 


David Terr y FOR THE FALLEN for SATB choir unaccompanied

NOVELLO 74


For the Fallen Laurence Binyon (1869-1943)

David Terry (b. 1975)

With reverance

4 4

SOPRANO ALTO

mp

They shall grow not

4 4

TENOR BASS

old,

as

we

that are

left

grow

old:

mp

6

subito p

Age

shall not

wea - ry them,

nor

the years con - demn.

At

the

subito p

11

cresc.

go

-

ing

down

of

the

sun

and

in

the

morn - ing,

cresc.

Lento

16

pp

We

will

re - mem - ber them,

we

will

re - mem - ber

them.

pp

5 November 2013 Copyright Š 2013 Novello & Company Limited. All Rights Reserved. International Copyright Secured.

75


Jeremy Thurlow I GOT ME FLOWERS

for SSATBB choir unaccompanied

NOVELLO 76


I got me flowers to straw thy way; I got me boughs off many a tree: But thou wast up by break of day, And brought’st thy sweets along with thee. The Sunne arising in the East, Though he give light, & th’ East perfume; If they should offer to contest With thy arising, they presume. Can there be any day but this, Though many sunnes to shine endeavour? We count three hundred, but we misse: There is but one, and that one ever. George Herbert

Duration: circa 2 minutes

77


for Timothy Brown and Robinson College Chapel Choir

I got me flowers an Easter anthem

George Herbert (1593-1633) Andante q = 72 p

4 4

SOPRANO

3

I

got

p

4 4

ALTO

p

4 4

TENOR

Jeremy Thurlow (b. 1967) 3

me flowers

to

straw

thy way;

I

got

3

I

got

got

off

me boughs

off

me boughs

off

3

me flowers

to

straw

thy way;

I

got

3

I

me boughs

3

me flowers

to

straw

thy way;

I

got

4 4

(one or two baritones may sing with the tenors in bars 1-7, ad lib.)

BASS

4 4

Piano (for rehearsal only)

4

4 4

3

a

tree:

3

ma - ny

3

3

But thou wast mp

up

But thou wast mp

up

But thou wast

up

by

3

a

tree:

a

tree:

break of

by

break of

by

break of

3

3

3

3

Copyright Š 2013 Novello & Company Limited. All Rights Reserved. International Copyright Secured.

78

day,

And p

day,

And p

3

3

3

p

3

3

3

ma - ny

3

mp

3

ma - ny

3

3

day,

And


2 7

p

pp

brought’st thy sweets a - long with thee.

The

Sunne

a - ris - ing

pp

brought’st thy sweets a - long with thee.

The

in the

p

Sunne

a - ris - ing

in the

Sunne

a - ris - ing

in the

Sunne

a - ris - ing

in the

p

brought’st thy sweets a - long with thee.

The p

The

10

f

East, Though he give f

and th’East per - fume;

light,

and th’East per - fume;

and th’East per - fume;

East, Though he give

light,

and th’East per - fume;

3

If they should of - fer to con mf

3

3

If they should of - fer to con mf

light,

3

If they should of - fer to con mf

3

East, Though he give f

light,

3

East, Though he give f

mf

3

3

If they should of - fer to con 3

3

3

3

79


3 14

f

3

- test

With thy a - ris - ing,

With thy a - ris - ing,

With thy a - ris - ing,

sume.

they

mp

pre

-

With thy a - ris - ing,

sume. mf

they,

they

mp

3

- test

-

mp

3

- test

pre

f

3

- test

they

mp

p

pre

sume.

-

p

mf

they,

they

pre

-

sume.

3

3

17

pp

3

Can there be an - y oth

-

er day but this,

Though ma-ny sunnes to shine en -dea-vour?

Can there be an - y oth pp

-

er day but this,

Though ma-ny sunnes to shine en -dea-vour?

Can there be an - y oth

-

er day but this,

Though ma-ny sunnes to shine en -dea-vour?

-

er day but this,

Though ma-ny sunnes to shine en -dea-vour?

pp

3

3

pp

3

Can there be an - y oth 3

3

80


4 21

p cresc.

ff

3

We count three hun p cresc.

dred,

We count three hun p cresc.

dred,

We count three hun p cresc.

dred,

We count three hun -

dred,

but we

misse:

mf

There

is

but one,

ff

3

but we

misse:

mf

There

is

but one,

is

but one,

is

but one,

ff

3

but we

misse:

There ff

3

but we

misse:

There

3

3

rall.

p

24

that

one

ev- er,

that

pp

one

ev - er,

that

that

one

ev- er,

that

mp

and that

ev - er,

mp

and that

one

ev - er,

that

that

one

ev - er,

p

one

ev - er,

ev - er.

one

ev - er. pp

p

one

one

pp

p

that

ev - er. pp

one

ev - er,

rall.

81

and

ev - er.

and


Judith Weir HIS MERCY ENDURETH FOR EVER for chorus SATB (withSAATTBB divisions) and organ for chorus

Chester Music 82


This work was commissioned by Her Majesty’s Government and the Dean and Chapter of Westminster. It was first performed by the Choir of Westminster Abbey under the direction of James O’Donnell, at a service of thanksgiving held in Westminster Abbey on Sunday 10th May 2015, to mark the 70th anniversary of VE Day. Duration c. 4 minutes Order No. CH83864

HIS MERCY ENDURETH FOR EVER O give thanks unto the Lord, for he is gracious: for his mercy endureth for ever. O thank the Lord of all lords: for his mercy endureth for ever. Who only doeth great wonders: for his mercy endureth for ever. Who remembered us when we were in trouble: for his mercy endureth for ever. And hath delivered us from our enemies: for his mercy endureth for ever. O give thanks unto the God of heaven: for his mercy endureth for ever. O give thanks unto the Lord of lords: for his mercy endureth for ever. from Psalm 136 Eternal God, in whose kingdom no sword is drawn but the sword of righteousness, and no strength known but the strength of love: We pray thee so mightily to spread abroad thy Spirit, that all peoples may be gathered under one banner, of the Prince of Peace; as children of one God and Father of all; to whom be the dominion and glory now and for ever. Amen. from The Book of Common Prayer

No part of this publication may be copied or reproduced in any form or by any means without the prior permission of Chester Music Limited.

83


HIS MERCY ENDURETH FOR EVER Judith Weir (2015)

3 4

Con moto q = 132 (1 in a bar)

mp bright and clear

Organ

3 4 3 4

mp strong, firm but in the background

8

mp

S.

O mp

give

thanks,

O mp

give

thanks,

O

give

thanks,

A.

T. mp B.

O

mf

give

thanks,

O

mp

12.15

Š Copyright 2015 Chester Music Ltd.

CH83864

84

All rights reserved Printed in England


2

17

mp

S.

O mp A.

O

mf

mp

mp

T.

O p

mf

give thanks un

to

the Lord,

for

he is gra

cious mp

B.

give

thanks,

O

mf

25

mf

mp

mf

f

mp

mp

S.

give

thanks, mf

give

thanks,

O f

give

thanks,

mf

mp

A.

give

p

thanks, his mf

mer cy en

du reth for

e

p

ver. mf

T.

for mf

e

ver,

mf

Thank the

Lord of all mp

B.

give

thanks,

for

e

ver,

mf

85

mp


3

33

mf

f

mp

mf

S.

O

give

mf

thanks,

O

f

O

give

mp

thanks,

O

give

mf

p

give

thanks,

A. mf

f

give

O

p

mf

thanks, his

p

mer cy en

du reth for

e

ver.

mf

mp

p

T.

lords,

for

e

ver.

mf

mp B.

for

e

f

mp

ver, give

mf

mf

86


4

40

f

mp

f

mf

S.

thanks, mf

for

f

his mer cy en p mf

du reth for

e

ver. p

A.

Who mf

on

ly

do eth great geat won f

ders:

on

ly

do eth great geat won

ders:

O

p mf

give

thanks,

T.

Who f

mp

for

mf

e

ver. p

B.

thanks,

O

give

thanks,

mf

mp

mp

48

p

p

mp

mf

S. mf

when p

we

were in trou

ble, when mp

we mf

when

we

were in trou

ble, when mp

we mf

when p

we

were in trou

ble, when mp

we mf

when softer tone

we

were in trou

ble, when

we

A.

Who

re mem bered us p mf

p

T.

re mem bered us B.

p

mp

87


55

mp

5

mf

p

S.

were in trou

mp

ble: mf

f

mf

e f

mf

O

give mp

A.

were in trou

ble: his mp

mf

mp

ble: his p

mer cy en

du reth for

ver. mp

T.

were in trou

mer cy en

du reth for

e

mf

ver.

B.

were in trou

ble:

mf again bright

f

give

mp

mf again bright

62

O

mp

mp

mf

f

mf

e

ver.

p

S.

thanks, mf

f

his mf

mer cy en mp

du reth for p mf

A.

And mf

hath

de

li vered us f mf

And hath f mp

de

li vered us

mp

p

from mf

our

e

ne

from

our

e

ne

T. f

mf

mf

B.

thanks,

his

mer cy en

du reth for

e softer tone

mf

88


6

69

mp

mf

p

mf

give mp

thanks, mf

p

his mf

give mp

thanks, mf

p

give mf

thanks, f

S. mp

p

mies: mp

p

O

mer cy en

du reth for

A.

for

e

ver, for mf

T.

mies: mp

p

mp

mf

for

mf

f

p mf

B.

ver.

O

his mer cy en fuller and stronger

du reth for

e

ver,

for

mf

mp

mf

mp

76

f

mf

ver.

O

f

mf

ver.

O

f

mf

ver. f

mf

ver.

O

ff

f

f

S.

e

give

thanks

un

to

the

f

God ff

of hea f

A.

e

give

thanks f

un

to

the

God ff

of hea f

give

thanks f

un

to

the

God ff

of hea f

give

thanks

un

to

the

God

of hea

T.

e

O

B.

e

f

f

89


7

83

ff

mf

p

mf

ven, mf

p

thanks, mf

for

his

mer cy en f

du reth for

thanks,

for

his

mer cy en f

du reth for

f

S. ff

e

ver.

e

ver.

e

ver.

e

ver.

A.

ven, mf

ff

T.

ven, mf

give,

for

his

mer cy en f

du reth for

ven,

give,

for

his

mer

cy

ff

B.

91

mp

mf

f

mp

mf

f

for

mf

p

mf

p

O mf

give

thanks

un to the

Lord f

of

Lords: mf

mf

p

O mf

give

thanks

un to the

Lord f

of

Lords: mf

mf

p

O mf

give

thanks

un to the

Lord f

of

Lords: mf

O

give

thanks

un to the

Lord

of

Lords:

mf

f

mf

S.

A.

T.

B.

mf

mf

p

mf

p

mf

90

f

mf

f

mf


8

99

f

mf

f

S.

for his

mer f

cy

en

du mf

reth

for

e f

ver.

for his

mer f

cy

en

du mf

reth

for

e f

ver.

for his

mer f

cy

en

du mf

reth

for

e f

ver.

for his

mer

cy

en

du

reth

for

e

ver.

A.

T.

B.

f

f

107

Strong, powerful q = 84 f

mf

f

mf

f

mp

f

mf

S.

E f

ter

E f

ter

E f

ter

E

ter

nal

God,

in mp

whose king f

dom

whose king f

dom

whose king f

dom

whose king

dom

no sword is drawn mf

A.

nal

God,

mp

in

no

sword mf

T.

nal

God,

in mp

no sword is drawn mf

B.

nal

God, in

Strong, powerful q = 84 mf stronger, more forthright tone

mf

91

no

sword


9

111

f

mp

mf

S.

but the sword of

right

eous

ness, f

and no strength

right eous

ness,

eous

ness, f

mf

right eous

ness,

and no strength known

mf

A.

is

drawn, f

and no strength known mp mf

T.

but the sword of

right

and no strength

B.

is

115

drawn,

f

f

mf

f

mf

mf

f

mf

S.

known

(mf )

but the strength

of

love: f

We pray thee

so migh ti

ly

to

so migh ti

ly

to

mf

A.

but the strength f

of

love:

mf

f

We mf

T.

known

but the strength

of

love: f

(mf )

We pray thee mf

B.

but the strength

of

love:

92

We

f

mf

f

mf


10

119

f

mf

mp

mf

f

S.

spread a f

broad thy

Spi mf

rit,

that all

peo ples may be ga thered f

A.

pray thee, f

thy

Spi rit, mf

that

all

mp

peo ples

may

be

ga thered f

mf

T.

spread a f

broad thy

Spi

rit,

that all

peo ples may be ga thered f

mf

B.

pray thee,

123

thy

3

Spi rit,

that

all

peo ples

may

f

mf

be

ga thered

mp mf

S.

un der one ban ner,

of the mf

3

Prince

of

Peace;

f

as chil dren mp

A.

un der one ban ner, 3

of

the

mf

Prince f

of

Peace;

Prince

of

Peace;

of

Peace;

mp mf

T.

un der one ban ner, 3

of the mf

f

as chil dren mp

B.

un der one ban ner,

of

the

Prince

3

f

mf

3

f

mf

93


127

mp

f

S.

of

one

God

to mf

f

mf

3

whom mp

mf

A.

and

Fa ther of

all;

f

be

the

do

mi nion and mp

the

do

mi nion and

T.

of

one

God

mf

f

to

mf

3

whom mp

mf

B.

and

130

Fa ther of

f

all;

be

mf

f

S.

now

and

for

e

ver.

A

men.

f A.

glo ry

and

for

e

f

ver.

A

mf

men.

f

T.

now

and

for

e

ver.

A

men.

f B.

glo ry

and

for

e

ver.

A

f

f

94

men.

11


Judith Weir PRAISE HIM WITH TRUMPETS for 2 trumpets, SATB chorus and organ

Chester Music 95


Praise Him with Trumpets was commissioned by Historic Royal Palaces in collaboration with The Choral Foundation, for the Hampton Court Chapel Royal Choir in celebration of Hampton Court 500. It was ďŹ rst performed on Monday 16th November 2015 at Hampton Court Palace, by Max Bronstein and Ryan Linham (trumpets), Rufus Frowde (organ) and the Hampton Court Chapel Royal Choir, conducted by Carl Jackson.

Duration c. 5 minutes Score on sale Order No. CH84381 Part for two trumpets (in C) Order No. CH84381-01 This work may also be performed without trumpets.

PRAISE HIM WITH TRUMPETS text from Psalms 146 and 150

For as long as I live, I will praise the Lord; I will sing psalms to my God all my life long. Put no faith in princes, in any man who has no power to save. He breathes his last breath, he returns to the dust: Praise him with fanfares on the trumpet The Lord feeds the hungry and sets the prisoner free. The Lord loves the righteous and watches over the stranger; Praise him with fanfares on the trumpet, praise him with tambourines and dancing, praise him in the vault of heaven, the vault of his power; praise him with the clash of cymbals; The Lord shall reign for ever.

CHESTER MUSIC part of The Music Sales Group 14/15 Berners Street, London W1T 3LJ tel: +44 (0)20 7612 7400 fax: +44 (0)20 7612 7549

Exclusive distributor: Music Sales Ltd, Newmarket Road, Bury St Edmunds, Suffolk, IP33 3YB tel: +44 (0)1284 702600 fax: +44 (0)1284 702592

www.musicsalesclassical.com e-mail: music@musicsales.co.uk

96


PRAISE HIM WITH TRUMPETS Trumpet 1 in C

p

  

        f mf

Soprano

Pedal

 

       f 3

 

p

mf

 





















    

q = 88: Energico

*   

 

    

3

(mf)

3

3



   

3     







   Tpt. 2    









 

3

   





mp: in the background

3

       mf f

    

  



 

f

3





 

mf



 

f



4



mf







3        



3



          Tpt. 1 

Org.

 



Tenor

Organ

 

  

Alto

Bass

f

mf

Trumpet 2 in C

Judith Weir (2015)

  3          q = 88: Energico



3

    

   

      mf 3

  

p

3

       mf

            3

3



 

* Play the passages in small type if trumpets are not available Š 2015 Chester Music Ltd.



CH84381

97

      mf 3



    p

3 3         

3 3  3             

 




2

 Tpt. 1  



7

Tpt. 2

Org.

 

  





f

p







  

3     



f







 

p mf

3

mf

 

3

  







 







 





 



 



 







 





3

 

  



 



mf



3

   f



 

p

mf

mf

3

  

mf

3

  

3

p





 

 

3

 

     3

p

  

     

3

3

3



 



p

3

3    

       3



3

 

mf



3





mf

  Tpt. 1   11



 



p

       3

  

  



 

 

f

Org.

Org.

3



f

    



mf



  

3

Tpt. 2

p



  

9



 

  

  Tpt. 1  Tpt. 2



3



 





f

3

mf

  

 



  



3

  



p

    

mf



   

3



98

3

 

 

3    



     

p



3

 





f

 

       f 3

3

3

p

3

mf

3

   



3



  


3

             Tpt. 1 

3 3               3 3 3

13

3

Tpt. 2

Org.

 





3

3

mf



p

f

mp mf

3

f

mp

          3

3

3

  

  Tpt. 1 

3

  

 S.  A.

Org.







3

3

p

 f

p



3

   





 

mf: bright



3

 

3  S.     

mf

long as

I

Org.







3

I

live,

live,

    3

     

 3

 

p

 

mp

For as mp

 

For as



   

   



3

mp

mf

 

I

will

mp





I

   3



will

praise

mf



3

praise

  3



99

3

      

     

      long as

3



p

mf

3

A.

3     



mp: gentle, mellow

17

mf





    

    

 

 





3

3

      (mp) 3

3





mf

3 3               3



f





   

15

Tpt. 2



3

3

mp subito

f

     



   

the

Lord;

   the

Lord;

    3

     


4

 S.   19

A.

Org.

  







21

God

Org.

 



God

B.

Org.

Ped.



p



 





3

   

  I

I

 

   





will



my life

mf



my life

   

  3



long,

 

my life

  

my life

3

3





mf



in

(mf: bright)

3        

mf

    

l.h. and pedal: rich, warm

 mf

100

to

my



 

f

p



 

long.

            3 3



   

no faith

 

long.



Put



p





my

 

prin - ces,

no faith

to

f

in

Put mf



 

3

   



 



3

psalms

          





   

sing

long,

               3  3 3    

   



mf

    

3

 

psalms



 

mp

all

mf

 

      

p

3    

sing

 

mp

all

will

mf

    3

mp

       

p

               3

24

T.

 

mp

  

 S.   A.

p

     3

3

p



p



prin - ces,

    

3        

 


5

 S.  27



B.

 





faith

in



mf





Put

no

faith

in

       3

  Org.

  







praise the Lord; 3

 

praise



  

the Lord;



3

B.



      praise the Lord;  

3

praise



  

the Lord;

Ped.

3

     

I will

3



p mf

  

prin - ces.

   

 

  

I will

f

mf

   

 

 3  

 

I live, f

I will mf

I live,

I will

3

   

 

    

  

f: strong, firm

  

f

 

mf

to

my

God

       

 

mf

God mf

        sing

3

psalms

f

3

to

my

 

3 3        

 

psalms f

sing



psalms f 3

to

psalms

to

     

sing

3                3

3

              3  





f 3

3

sing

 

mf

I live,

3

I will

  

long as



I will

I will

f

3

long as



 

I live,

   

For as

prin - ces.



long as

long as

 

mf

   

For as p mf



3

 

f

3

 

 

     

 

I will

3

Org.





30

T.

 

3

3  S.     

A.



   

 

Ped.

mf

For as

    Put no 



 mf

T.

 



For as



A.



mf

 101

my

 

my

    









all



God



mf

God

my

  





all

my

  

all

my

  all

my

  

   

  

   


6

 S.       33

life

A.

long,

       life

T.

B.

long,

Ped.

my life

       life long, my life

        life

Org.

my life

long,

my life

               



  f

f

  f

 







mp

mf



long.

  f

mp



long.

  

       3



in

prin - ces,

   mf



Put no faith

in

   

mf: bright

3        



mf: rich, warm



3        

    

    



p



3

prin - ces,

3        

  



  



mf

        

mf



p



who has no power to save.

     

a - ny man



Put no faith



p

3

  

mf

         

Ped.



long.

  mp       in a - ny man

  





in

Org.

mp



mp

B.



long.

37

T.

mp





breath



who has no power.





        

rich, warm

 

 

102

mf    He breathes



mf

 

  

  his last

 

   



mp



breath,

 


7 p    



41

T.

 

he

Org.

Ped.

 Tpt. 1  44

Tpt. 2



 S.  A.

T.



 

Org.

      

Ped.





to

the

mp







he

re

3

dust:

   



 

 -

    3

mf

f

3

  mf

  f f

    3

mf

f 3

 

 

 3 3

 3

-



-

the

3

 

 3





 



3



  

   

3

the 3

fares on

 

the

  

3

  



  



mp

3

mf

p

  



trum - pet,



3

mf

p

  



trum - pet,













3

   



  





mf: reedy

 

 

3

 

 

 

3

 

 



 

3

3

 





  

 



103

 

mp 3

dust:

  

  

  

fares on

3

to



3



  

3

turns



Praise him with fan

  





Praise him with fan



p



3

3

3

mf





dust:

mf



p

B.

re - turns

      

mfp



dust:

3   B.     

mfp




8

 Tpt. 1  

   

46

Tpt. 2

S.

A.

  

Org.

mf

    



3

3

f

3

  mf

3

  f

mf

    

Praise him with fan

mf





3

 



3

3

 

Praise him with fan 3







-

3



 



the

    

 

3

48

Tpt. 2

 

 S.   A.

  

Org.



   

         3

f

mf

3

3

3

3

         3

mf mf

f f

    3

3

  

 

3

Praise him with fan - fares on

mf

f

     3

3

  

the 3

Praise him with fan - fares on 3

            3





3

3

3

    

3

3

mf

p





 

mf



p

  

3



trum - pet,



 

 

3

 

  



 



    

    

ff

    

mf

ff

    

mf

ff

mf

ff

mf

  ff

trum

   

     



 

3

ff

f

 -

ff

the

   mf

3

 Tpt. 1  



trum - pet,

the 3



mf

ff

 

3

 

3





 

ff

3

fares on 3

 

 





ff

fares on

f

  

  



-

 3

f

3







trum

pet.

f

f

104



 -

pet.

    

       



 

    

   

 




9 3      Tpt. 1     

51

mf

Tpt. 2

Org.

Ped.





mf

Ped.



 Tpt. 1  56

Tpt. 2

Org.

Ped.

    



3

  





 

 



 

p

 

         







3

mf 3

  



f

 



3

 



 





 

   

p



3

  

3       



 

 



mf



3

    

f

3

    

           

3





     

p

3

3



  

3

 

p

mf

   

  

   

  

     f 3



 



    

3

 

mf

Org.



mf

 

3

mf



54





   

      mf

 

f

   

     f 3

3 3            

  Tpt. 1   Tpt. 2

mf

mf

    

3

f

  

        

 

3





3

 

 

105

 

   3

p mf

   

  

f

3

  



3

 



      3

f

3

 



 



mf





  

  







f

  

p



3     

 





 





mf

p

 3



3

 

 


10

 Tpt. 1    58

Tpt. 2



 

p

mf

  



 



mf

 Org.

Ped.

   

3

3





      

   

 

p

3

3

 

60

 

mf



3



mf

 B. 





  mp

 

3    

3



   3

 

p





3

f

 





mf

 



3

  

 



3





3 3         

 







mp







The

Lord

feeds

the



     

 





 

 

    









106

3



   

3





p

mf



3

 

 

mp

     

p



 



 

     

f

     

 





3 3           



f

Ped.

3

 

  

3

Org.

3



p

 

 Tpt. 1  Tpt. 2

 

     

3

mp warm, gentle

mp

 


11

 S.  63

 

T.

B.





 

Ped.



     



 S.   67

loves

 the

   loves 

mf





sets

the

pris - oner

 

mf





sets

the

pris - oner

  



  



  

mp









the





mp











and





free;

free;





 



 



wat - ches

 



wat - ches

mp



The





 



o - ver

 

 





  

  

 Lord

 





   

   

 



 

o - ver



Lord

The





  

107

 

mp





  

 









mp



 

righ - teous

mp



  

mp



 



 

and

          





righ - teous

mf





mf

 



T.

Ped.

and

   

A.

 



hun - gry

Org.

Org.



and

  

B.





 mf





the

stran

-

mp

mf





the

stran





-

mf

the

stran

-



     




12

 Tpt. 1  



 



71

Tpt. 2



B.





Ped.

3

p



ger;

p



 

ger;

mp

-

f

    



ger;







        mf



mf

    3

3

 

3

  



3

 

Praise him with tam - bou- rines and



3         

mf

3















    3

f strong, firm

 

3

3

3

3

 

Praise him with tam - bou- rines and

           



the trum - pet,

3

 

3

3

  

p





3

fan - fares on

 

mp

-

Org.

         3

3        

mf

f

mp



  

3 3  3                   

mf



f

3

Praise him with

-

 

3

mf

 

T.

3

mf

 S.  

A.

3 3                  

3

3       



3

   

108

3

          

3     



3




13

  Tpt. 1 

3           

74

f

Tpt. 2

   f

  S. 

3         mf

f

dan

f

 

A.

dan

  

T.

B.

Org.

Ped.



mf

-

    

  

3

cing,

3

 

 

      



3

f

3        

cing,



3



  

   



3

3

 

mf

f

mf

and dan - cing,

f

and dan - cing,

f



mf

     

3

mf

     

3

Praise him with tam - bou- rines

and dan - cing,



  

f

    

3

Praise him with tam - bou- rines

mf

mf

3

Praise him with tam - bou- rines

mf

-

3

      



 

3

mf

      

f

f

  

 







f

dan

f



dan

mf

  

-

cing,

mf

       3

-

f

cing,

3

mf

        

dan

-

cing,

 

       3

3



109

mf

                

3

3

       3



     

3

mf

 



3 3      

  




14

 Tpt. 1  77

Tpt. 2

PiĂš mosso

      





 

B.









3













  

3

  

3

him in

3

3

praise

  

vault,

f

  

the

him in

3

f

   the

him in

praise

mf

  

3

vault,

f

   the

vault,

f

3

him in

  

the

Ped.

     ff

     

        f 3

3

  



3

 













3





mp

 

mp

 

mf









110

3



  

3

  

3





   





vault,

f

   the

vault,

f

3

him in

mf



   the

him in

3

praise

  

  

3

him in

praise

    

f

mf

  

3

mf

mp

 



praise

mp

 

f

3

praise

vault,

PiĂš mosso

Org.



(mf)

praise

T.

mf





praise

A.



f



 S. 

3

3

the

him in

3

 











  

f

   the

3



vault,



vault,




15

 Tpt. 1  79

Tpt. 2



3

  

  S.  

mp



A.

mp

 

mp

   

T.

B.

Org.

Ped.

          3

3





mp







3

  

3

mf



him

3

praise



mf



3





3

praise

    



3



3

him

in





3

   

3

3

  

   

3

  

3





 

 

of

3

the vault

3

 

of

the vault

3

 

of

the vault

in

  

    

the vault

in

  

him

mf

in

   him

praise

   

 

mf

praise





3

mf

 





 3

 

     f



 f

mf

  f

hea

-

-



 hea

-

-

 -

-

  f

hea

-

f

hea

 



-





of

-

-

 -

 





 

(f sempre)



ven,

 



 



ven,

ven,

  -



ven,





  





 

  



 



mf





 

f



111




16

 Tpt. 1 







 S. 



81

Tpt. 2



A.

3

         





mf

3

 

the

mf



3







  

3

  

3

him in

3

praise

f

  

mf

 

3

the vault,

the

f

him in

  

mf

 

3

the vault,

the

mf

B.

Org.

Ped.











3

 

the

     

      ff



3

 





3







3





 

3

   

f

3













 



  



 



  



 



f

 3  vault of



f

his power;

f

    3

vault of

his

   3

vault of

power;



f

his power;

f

3     

vault of

 mf





 





  112



   

mf

mf

 

  

mf 3

3

3

praise

T.

  



his

power;


17

 Tpt. 1  83

Tpt. 2

S.



 



A.

 mp



3              



mp



3

mf

mf

3

3

3

   

3

3

  

f

  

3

Praise him with fan - fares on



mf

3

    

3

  

the

3

Praise him with fan - fares on

B.

Org.

Ped.



3

3 3            mf

  

3

  



  



f

the

  

3

3

mf

3

3

trum - pet,

  

3

trum - pet,

mf

   





 

T.

  

f

           mf f

3

      

3

3

 



 



3

Praise him with tam - bou- rines



mf

 3  





3

Praise him with tam - bou- rines

        ff



3

     

3

     

   











  

 

3

 







3

 



3      

       3 

113

 

3

and

3

 

and

       


18

  Tpt. 1  85

f

Tpt. 2

  

3

3

f

 

 

T.

Org.

Ped.



-



-

tam

 

mf



 

3

 

-

mf



dan - cing, tam

    

     

 

     

 

3

bou - rines

3

bou - rines

3

 



 



-

 

 

and

3

bou - rines

3



and

  

-

-

3



-



3

bou - rines

     f



3



3



-





 

3



dan - cing, tam

f

B.



mf

3

3

mf

tam



3



mf

f

 

mf



 





  

 S.  

A.



 

f

dan

  -

f

dan

-



 -

-

 -

-

  f

dan

 



-

f

dan







     





 

 





 

114



 

   





f

and

and







-

 -

-

 -

cing.

 



 



cing.

cing.

  -



cing.





 



 

 

mf






19

 Tpt. 1 



















87

Tpt. 2

 S.  

mf





Praise

the

mf

 

A.

Praise

  

T.

B.



 Org.

Ped.

 

 mf 

mp

Lord,

    

the

Lord

mf

f



Praise

the

mf



Praise

the



praise





 



f



in the vault,



f

mp

Lord,







f



in the vault,



on the trum - pet,

mf

praise

     Lord

him

praise

 mf 

f

   



the



Lord

f

   

 him



with



on the trum - pet,



mf







praise

the

Lord

with









 

 



 

 

 



115

mf



praise

 





praise

 



mf




20

 Tpt. 1 







91

Tpt. 2



 

B.

Org.

Ped.



with the

f

clash



 

him

  the

with the



f

clash

  



  











f



f

   clash

 

 

the



 

him

 

T.



        



of







cym - bals;

of

  

of









of



  









ff

3



3



3

Praise

ff





f

 

3

  

3

3

3

  

3

3

 



     





3

  the

him on

3

 

the

   

   

 

the

him on

Praise



  

3

him on

ff



3

him on

Praise

cym - bals;

    

116



cym - bals;



3

Praise

cym - bals;

   

ff

ff



ff

f

clash



3

          f

  S. 

A.



  the

3

 

 


21 94          Tpt. 1 

f

3

mf 3

-

trum

-

f

-



pet,

-





3



3

3



3

praise

3

  

  

  

  

3

  

  

 

mf

  

mf

  

of

mf

of

of

        3



his,

 

the vault



power,

  



3

his

f



  



power,

  



the vault

3

his

f

the vault

3

f

of

3

117

3



  

3

     

      

mf 3

f

f

         

3

3

the vault

him in

  3    

f

mf

mf 3

him in

f



  

3

him in

praise

pet,





ff

him in

f

pet,

3

3

praise

       

  





mf

trum



f





3

praise



f



pet,

mf

   trum

T.



mf

 

A.

f

f



f

Ped.

f

  

mf

mf

trum

Org.

ff



3

f

B.

3

          

f

S.

f

           3

Tpt. 2

                    3



f



his,

 

 mf 3

   


22

  Tpt. 1  97

Tpt. 2

S.

A.





mf

mp





mf

  

mf







3

   

3

him in

3



  

3

  

3

him

in

in

3

him in



  



    3



3

3



3

3

3

3

     

mf

f



     

mf

f

  

mp



  

mp



the vault.

the vault.



3



praise

the vault,

3

3

mp mf

the vault,

         

3

  



3

  

him

praise

praise

Ped.

f

3

3

     



praise

mf

Org.





   praise



f

mf

 

  B. 

     



mp

mf T.





mp mf



  

3

him on

 

f



praise

  

3

him on

   

3

  

the trum - pet.

3    

3



      





3

     

3

118

  

the trum - pet.

f

3

3








23 3  Tpt. 1        

100





mf

Tpt. 2

3     

f



mf

 S.  

A.

T.

B.

 

  

  

ff

 

The

ff

The

ff

The

 

   







ff

f

            

3

3

3

f

ff



f

shall

  shall

  shall

 

Lord

     f



Lord

 

3

3

Lord

 

3

          ff

f

3

3

mf

                    

Lord

  Org.

Ped.

ff

   The

         

shall

3

f







for

e



reign

f







for

e



for

e

 



for

e

reign

f

 

-

ver,

mf

-

 

ver,

mf

 

-

ver,

mf

 

-

ver,

    



     



   

  

 

 



  

 

 119

3

mf



 

reign

f

ff

 

reign

f

3

 

3

mf


24

 Tpt. 1 















 S. 







104

Tpt. 2

A.

  

T.

B.



 

The

mf



3

Praise

mf



Ped.

  

  

3

  

3

him in

3



 

the

mf

      3



Lord



Lord



 

vault,

3

f

mf

f









reign

  mf

 mf

The

 

  

 

    

3



  120

  

3

reign

The



3

3         

shall

mp



mf

shall



 

vault,







mp

   the

him in

  

mf



The

Praise

Org.

mf





         

 


25

  Tpt. 1 

      

 

       

107

Tpt. 2

S.

  

 

A.

 

T.

B.





ff

 for

Ped.





3

3

f

3

-

f

-

 -

-

mf

(no staccato) 3

3

mf





ver,



 ver,



Lord

shall

reign,







Lord

shall

reign,



  



      



f

f

 



3

f



 e

(no staccato)

f

 e



     



        Org.

ff

3

for

3

3

3





 

mf

 

  

3

Praise him in

 

mf





3

  

Praise him in

 





 



  mf

121

3





 

the

3

  the


26

 Tpt. 1  



 



110

Tpt. 2

 S.  

 

B.





mf



Org.

Ped.







  

3

  

3

3

  

mp



   

3



the



mf

 -

-

  

   



3

  

3

3

   

 p



p

























pet.

mf

 -

f

trum

3

  

pet.



f

trum



mf

   

mf 3

trum

   

mf

the

mp

mf

f

   

the

3

trum



  

f

the

Praise him on





 

Praise him on

vault,



mf

f

   vault,

T.

 

f

mf A.

 

pet.

mf

 -

pet.

 

 



 



3



 

 

3



 

 



 

Order No. CH84381

122


Judith Weir TRULY I TELL YOU for chorus SSATB and organ

Chester Music 123


First performed by the Choir of Westminster Abbey at the Commonwealth Day Observance, 9th March 2015.

Duration: c. 4 minutes Order No. CH83743 TRUL Y I TELL YOU TRULY When I consider your heavens, the work of your fingers, the moon and the stars that you have ordained, What is man, that you should be mindful of him; the son of man, that you should seek him out? You have made him little lower than the angels and crown him with glory and honour. You have given him dominion over the works of your hands and put all things under his feet. O Lord our governor, how glorious is your name in all the world.

Psalm 8: 4–10 Truly I tell you, whoever does not receive the kingdom of God as a little child will never enter it.

Mark 10: 15 I will bless the Lord at all times; his praise shall ever be in my mouth. My soul shall glory in the Lord; let the humble hear and be glad. O magnify the Lord with me; let us exalt his name together. I sought the Lord and he answered me and delivered me from all my fears.

Psalm 34: 1–4 Truly I tell you .

No part of this publication may be copied or reproduced in any form or by any means without the prior permission of Chester Music Limited.

CHES TER MUSIC CHESTER part of The Music Sales Group 14/15 Berners Street, London W1T 3LJ tel: +44 (0)20 7612 7400 fax: +44 (0)20 7612 7549

Exclusive distributor: Music Sales Ltd, Newmarket Road,Bury St Edmunds, Suffolk, IP33 3YB tel: +44 (0)1284 702600 fax: +44 (0)1284 702592

web: www.musicsalesclassical.com e-mail: music@musicsales.co.uk

124


TRULY I TELL YOU Text: Psalm 8; Mark 10; Psalm 34

Judith Weir (2014-5)

q = 84

2 4 Organ

3

3

3

3

3

3

3

3

3

Gt.+Sw. f

2 4 2 4

3

16'+Gt.+Sw. f

4

3

3

3

3

3

3

3

3

3 8

3

3 8

3

9

3 8 p

mf

S. A.

When

I con

si der your hea

vens, mf

T. B.

the

Sw.

mf

work of your

mp

mf Š Copyright 2015 Chester Music Ltd.

CH83743

125

All rights reserved Printed in England rev. 3.15


2

mf

16

f

mf

p

S. A.

the

moon and the stars that you p

have

you

have

or

dained,

mf

p

T. B.

fin

gers,

or

dained, 3

mf

23

3

mp

3

Gt. f

3

3

3

3

3

3 3

3

3

3

26

3

3

3

3

3

126

Sw. mf


3 32 S. A. mf T. B.

What is

man,

that

you should be

mind

ful

of

him;

mf

mp

mf

37

mf

f

mf

p

S. A.

the

son of p

T. B.

man,

that

you should seek

mf

127

out? mf

f

you should seek

mp

him

him

p

out?

Gt. f

3

3


4

43

3

3

3

3

3

Sw. mf

3

48

mf

mp

S. A.

You have made

T. B.

him

lit

tle

mp

low

er

than the an

gels

mf

mf

mp

mf

128


54

f

(mf )

5

mf

p

S. A.

and crown him T. B.

f

(mf )

3

60

3

3

3

p

mf

3

3

3

with glo ry and ho nour.

3

3

3

3

Gt. f

3

3

63

3 4

TENORS, BASSES

T. B.

3

3

3

3 4

3

3 4

3

3

3

3 4

3

129

mp

You

Sw. mp

have gi ven


6 67

3 8

mf

S. A.

him T. B.

do

mi

nion

o ver the works of your

3 8

mf 3

3

3

3

3

mf

3

3 8 3 8

3

3 8

mf

f

71

mf

p

S. A.

hands T. B.

and put

all

things

f

un

der his

mf

3 4

feet.

p

3 4 3 4 3 4 3 4

130


77 S. A.

7

3 4

O Lord

3 4

T. B.

3 8

f

our

f

3 4

3

3

3

3

3

3

3 4

80 S. A.

3 8

T. B.

3 8

3 8

3

3 8

f

mf

how glo

rious is

3 8 3 8

Gt. f

3 4

go ver nor,

your name in

mf

all

f

2 4 the

world.

2 4

3 8

2 4

3 8

2 4

3 8

2 4 131


8

Poco meno mosso

88 q = 72

2 4

Ch. 8' 4' 2ďż˝' 2'

Sw. 8' mp

2 4

(Man.)

92

6 8

SOPRANOS

TENORS

6 8

mf

Tru

ly

I

tell

you,

ly

I

tell

you,

mf

Tru

6 8 Gt.+Sw. mf

6 8

95 S.

who e

ver

does not re ceive

the

king

dom of

God

who e

ver

does not re ceive

the

king

dom of

God

T.

132


9

98

mp

mf

mp

S.

as mp

a

lit

tle

child

mf

mp

T.

as

a

lit

tle

100

child

mf

S.

will

ne

ver

en mf

ter

en

ter

T.

will

ne

ver

3 4 3 4 3 4 3 4

102 S.

T.

3 4 3 4

p

6 8

p

6 8

it.

it.

3 4 3 4

6 8 Sw.

6 8 133


10 105

Tempo I 108 q = 84

2 4

3

3

3

3

9 8

2 4

9 8

2 4

9 8

2 4

3

3

3

3

3

Gt.+Sw. f

3

2 4

3

3

2 4

111

3

3

Solo

3

3

3

3

134

3

3

3


114

mf

11

f

S.

I mf

will

bless the

Lord f

at

all

I mf

will

bless the

Lord f

at

all

I mf

will

bless the

Lord f

at

all

I

will

bless the

Lord

at

all

A.

T.

B.

3

3

3

mf

f

3

3

(Man.) 3

3

3

Ped.

117

mf

S.

times;

his

praise

shall

e mf

ver

times;

his

praise

shall

e mf

ver

times;

his

praise

shall

e mf

ver

times;

his

praise

shall

e

ver

A.

T.

B.

3

3

3

3

3

3

135

3

3

3

3

3

mf

3


12

120

p

S.

be

in

my

mouth. p

A.

be

in

my

mouth. p

T.

be

in

my

mouth. p

B.

be

in

my

mouth. 3

3

3

3

3

3

3

3

3

mp

f

3

3

3

(Man.) 123

mf

S.

My mf

soul

shall

My mf

soul

shall

My mf

soul

shall

My

soul

shall

A.

T.

B.

3

3

3

3

mf

Solo

3

3

136

3


f

126

13

mp

mf

mp

let mf

the

let

the

S.

glo ry in

the

Lord;

glo ry in

the

Lord;

f

A. f

mp

mf

mp

mf

T.

glo ry in

the

Lord;

let

f

the

B.

glo ry in

the

Lord;

let

the

3

3

3

3

f

3

3

3

3

mf

130

p

S.

hum

ble

hear

and

be

glad.

hum

ble

hear

and

be

glad.

hum

ble

hear

and

be

glad.

hum

ble

hear

p

A. p

T. p

B. 3

and 3

3

3

be 3

glad. 3

3

3

3

3

137

3

mp

3

f


14

133

3 8

mf

S.

O mf

3 8

A.

O

mag

3 8

mf T.

O mf

3 8

B.

O 3

3

3

3

3

3

3

3

mf

3

137

mag

mag

mag

3 8

3

3

3

3 8

3

f

S. A.

ni

fy

the

Lord

with

T. B. f 3

3

3

3

3

3

3

3

f

138

3

3

3

3


15 mf

141

ff

f

S. A.

me;

let

T. B.

mf

us

3

3

his

ff 3

3

f

mf

f

145

alt

f 3

3

ex

3

3

3

mf

S. A.

name

to

ge

ther.

T. B.

mf

f 3

3

3

3

3

3

mf

139

3

3

3


16 148

(mf )

S. A.

I T. B.

sought the

Lord and he

an swered me

(mf ) 3

3

153

3

p

mf

S. A.

and de T. B.

p 3

li

vered

mf 3

3

3

140

3

3

3

3


17 f

157

2 4

S. A.

me

from

T. B.

all

my

fears.

2 4

f 3

3

3

3

f

3

3

3

3

3

2 4

3

2 4 2 4

Poco meno mosso

161 q = 72 S. A.

2 4

3 8

mp

Tru T. B.

2 4

3 8

Poco meno mosso q = 72

2 4

3 8

Ch. 8' 2'

mp

Sw. 8'

2 4 2 4

3 8 3 8

Ped. 16'+Sw. mf

141

mp

ly


18

165

p

S. A.

I

tell

you.

T. B.

p

169

172

123456789

Order No. CH83743

142


James Whitbourn GRATIAS AGIMUS TIBI for unaccompanied voices (in any combination) with optional ‘Amen’ for SATB choir and organ ad lib.

Chester Music 143


Duration: c. 1½ minutes

Gratias agimus tibi, Domine Jesu Christe, qui propter salutem nostram gaudium tua magna misericordia nobis dedisti. Da nobis gratiam ut non modo huius mundi res consideremur sed quoque cum Sancto Stephano patrono nostro semper conspiciamur caelos apertos et gloriosi corporis tui visionem, qui vivis et regnas in saecula saeculorum. Amen. Nigel Palmer

We give thanks, Lord Jesus Christ, to you who, for our health, have given us joy through your great mercy. Give us grace that we may not only look to the things of this world, but also with Saint Stephen our patron we may always see the heavens open, and the vision of your glorious body, who lives and reigns for ever and ever. Amen

Order Number: CH84733

144


Gratias agimus tibi

The college grace of St Stephen’s House, Oxford for unaccompanied voices (in any combination) with optional ‘Amen’ for SATB choir and organ ad lib. Latin text by NIGEL PALMER

JAMES WHITBOURN

Con moto (q. = c. 74) (I)* f

       

VOICE(S) 1

Gra - ti - as

VOICE(S) 2

 

VOICE(S) 3

  

a - gi - mus

Gra

5

     

pro - pter sa - lu - tem

-

-

-

-

10

     no

-

 

bis

-

-

tram

-

-

-

de - di

-

-

-

-

© 2016 Chester Music Ltd.

-

-

gau - di - um

 -

-

    

sti.

-

Da no - bis

-

-

-

-

mi - se - ri - cor - di - a

-

 

 -

-

-

     gra - ti - am ut

 -

-

-

-

-

-

    

non mo - do

 

-

     

tu - a mag - na

-

 

qui

-

-

ste,

   

   

 

(II)*

-

Chri -

 

 

  

Do - mi - ne Je - su

 -

-

     nos

bi,

 

-

-

    

 

ti

  

 mf

hu - i - us

  -

-

-

-

-

* This line can be divided between two soloists as marked. It can also be sung by a group of singers or by a solo voice throughout.

145


2 15

          mun - di

res con - si - de - re

 ti

-

21

-

Gra

   - no

 

- no

 

- no

-

     

  

pa - tro - no

pa - tro - no

pa - tro - no

 

- per

 

- per

-

tos

nos - tro

nos - tro,

nos - tro,

et

   

  

  

   

sem - per con - spi - ci - a

tos

et

glo

tos

  

  

pa - tro

-

  

pa - tro

-

no

no

no

no

et

-

glo

-

-

si

-

  

ri - o

-

si

cor

si

cor

-

-

   

 

-

nem

 

vi - si

vi - si

vi - vis et reg - nas in

 -

o

 -

 -

o

sae - cu - la

-

 -

-

-

-

-

-

-

146

stro

cae

nem

A

A

 

 

los

a-

 

los

-

cae

-

los

a-

a-

    

tu - i

po - ris

tu

po - ris

-

tu

rum.

-

-

 

-

  

A

vi - si -

   

sae - cu - lo -

  

-

  

Ste - pha -

cor - po - ris

            

- o - nem, qui

cae

stro

Ste - pha -

mur

   

     

ri - o

-

-

 

31

-

Ste - pha -

ti - as, sed quo - que cum San - cto

glo - ri - o

 

-

sed quo - que cum San - cto

         

    -

  

mur

sed quo - que cum San - cto

26

- per

    

-

as,

     

  

-

   

mf

    (I/II)

i

 i

-

men.

-

-

men.

-

-

men.

 


3

       ff

S.

A

-

ff

A.

T.

  

men,

A





-

ff

        

A

-

-

-

-

 

  -

A

Org.



-

A

ff

B.

-

-

     

men,

-

A

men,

A



 

-

men,

A

-

-



-

-

-

-

-

-

-

-

    

-

-



-

-

-

 

Ped.

42

A



 

men,

f

men,

-

men,

A

         

-

   

-

-

men,

A

men,

A

   -

-

-

-

 

 

  











A

A

A

A

A

-

men,

 



- men,

A

 

 

 

 

- men,

A

- men,

     

-

men,

   

-

men,

-

men,

 





 

 

 

A

A

-

-

A

-

-

-

men,

-

 -

-

men,

A

-

men,





men,

A

 

  

  147

-

-

-

-

-

-

-

-

-



men,

-

 -





  

 -

-

men,



-


4 47

 -

-

 

-

-

men,



  A

  

-

-

-

-

A

-

men,

A

 

-

men,

men,

  

A -

 

   

 

52

   

 

-

-

men,

men,

A

-

-

-

 

 

-



-

-



men,

-

-

-

-

men,



 

-

 

-

p

 -

-

 -

-

-

 -

-

 

men.

p

-

-

-

-

-

-

 -

-

-

mp

 A

  



A

mp

A

-



mp

-

-

ff

men,

    -

   



mp

A

A

A



 

mf

men,

A

A

-

   

mf

 

men,

 

 ff

 -

-

-

-

-

-

-

-

-

-

-

 -

148

-

 -

-

-

-

-

-

 

men.

p

 

 -

men.

p

 -

 

-

men.

 

  -


Charles-Marie Widor SURREXIT A MORTUIS for SATB choir and organ

Organ part realised by Richard Hills

NOVELLO

149


Surrexit a mortuis Christus Dei Filius Pastor bonus Pastor qui animam Pro grege suo posuit.

He rose from the dead, Christ, the Son of God, the good shepherd, the shepherd who, for his flock, laid down his life.

Pascha nostrum immolatus est Christus Pascha nostrum Surrexit a mortuis. Alleluia

As a victim for us he was sacrificed, the Christ, as a victim for us he rose from the dead. Alleluia

Duration: circa 5 minutes

150


à Monsieur le Chanoine R. MOISSENET, Maître de Chapelle de la Cathédrale de Dijon

Surrexit a mortuis

Charles-Marie Widor (1844-1937) Organ part realised by Richard Hills (b. 1980)

Easter respond Allegro

c

Sw.

Gt. fff

ORGAN

c c

Gt.

5

Sw.

Gt.

Gt.

10

S. A. Sur - re - xit T. B.

a

mor - tu - is

Chri -stus De - i

fi - li - us,

ff (Sw.)

Gt.

Sw.

Copyright © 2013 Novello & Company Limited. All Rights Reserved. International Copyright Secured.

151

Sw.

Gt.


2 15

ff

pa - stor

(Gt.)

bo

-

nus,

Sw.

pa

-

stor

bo

-

(Gt.)

(Sw.)

Gt.

nus,

pa

Sw.

-

stor, qui

Gt.

Sw.

20

a - ni -mam

pro gre -ge su - o

(Gt.)

po - su - it,

Sw.

(Sw.)

24

po

-

su

-

it.

Gt. Sw.

(Sw.)

Gt.

152

pro gre - ge su - o

Gt.


3 29

f

S. Sur - re f

-

-

xit, sur - re

-

-

-

xit.

-

A. Sur - re f

xit a

-

mor

tu - is,

sur -re

-

xit.

mor - tu - is,

sur -re

-

xit.

-

T. Sur - re ff

-

-

xit a

B. Sur - re

-

xit a

mor - tu - is,

sur - re - xit a mor

-

tu - is.

Sw.

Gt. Sw.

34

T. B.

Pa - stor

bo - nus,

pa - stor, qui

Gt. Sw.

Sw.

a piacere

40

a - ni -mam Gt.

pro gre -ge su - o Sw. Gt.

po

-

su - it.

a piacere Gt.

153


4 44

mf

S. Pas - cha

no

-

-

-

strum im - mo - la - tus

est,

pas

-

mf A. Pas

-

cha

no

-

strum, pas

-

cha

no

-

cha

no

-

strum, pas

-

cha,

pas

-

cha

strum im

-

mo -

-

-

mf T. Pas mf B. Pas

p

-

cha

no

strum, no

-

-

-

-

Sw. mf

49

p

-

-

cha no

-

-

-

-

strum,

-

pas p

strum

-

im-mo - la - tus est,

im

- mo

la - tus est,

-

im p

no

-

-

-

strum

im-mo

-

la

tus est

-

Chri

-

stus, pas p

- la

-

-

-

tus

est,

Chri

-

-

stus

im-mo- la

tus

-

p

154


5 53

cha

-

- mo- la

-

-

no

tus est,

cha no - strum

est,

Chri

stus

-

im

im - mo

strum

-

im-mo - la

mo

-

-

im - mo - la

la

-

la - tus

est,

-

-

-

tus

est,

tus

est,

tus

-

im - mo

est,

-

la

-

tus est, Chri -

(Sw.)

(p) Gt. to Ped. only (no pedal stops) 57

dim.

Chri

-

stus,

pas

-

-

-

cha no

-

strum.

-

cha no

-

strum.

dim.

Chri

-

Chri

stus,

-

pas

-

dim.

stus,

pas - cha no - strum. dim.

- stus, Chri

-

stus,

pas

-

cha no

-

strum.

Gt. ff

dim.

+ Full pedal

155


6 61

ff

S. A. Sur - re

ff T. B.

Sur - re - xit a

-

xit a

mor - tu - is

mor - tu - is

Chri - stus De - i

Gt.

Sw.

Chri-stus De - i

fi

-

li - us,

Gt.

Sw.

66

fi -

li - us,

pa

-

pa

stor

bo

-

-

stor

-

nus,

pa

bo

-

-

nus,

pa

Gt.

stor qui

stor Sw.

Sw.

-

Gt.

Sw.

71

a - ni -mam

pro gre -ge su - o

156

po - su - it,

pro gre - ge su - o


7 75

po

su

-

it.

-

Gt.

80

f

S. Sur - re

-

-

-

xit, sur - re

-

-

-

xit,

-

f A. Sur - re

xit a

-

mor

tu - is,

sur-re

-

xit,

mor - tu - is,

sur-re

-

xit,

-

f T. Sur - re ff

-

-

-

xit a

B. Sur - re

-

xit a

mor - tu - is,

sur - re - xit a mor

-

tu - is,

Sw.

Gt.

Sw.

157


8 85

S. A. sur - re

-

xit,

-

sur -

T. B. sur - re

xit

-

pa

stor

-

bo - nus,

Gt.

Sw.

90

- re

-

xit

bo - nus

a

a

mor - tu - is

pa

- stor

bo

-

-

mor - tu - is,

Gt.

pa

-

stor

Sw.

Gt. Sw.

nus,

Sw.

95

bo

-

nus,

pa

stor

-

bo

-

-

nus,

bo

Sw.

Gt.

dim.

Gt.

158

Sw.

-


9 100

espress.

-nus,

sur

-

re

xit

-

a

mor

tu - is,

-

espress.

(Sw.)

3

3

3

Gt.

3

3

Sw.

3

3

3

Gt.

3

Sw.

3

3

Gt.

3

ff

mf

+ Full pedal ff

Gt. to Ped. only (no pedal stops) 103

sur

3

3

3

3

3

Sw.

-

re

3

xit

-

3

Gt.

3

3

a

Sw.

mor

3

3

tu -

-

Gt.

3

mf Gt. to Ped. only (no pedal stops)

106

- is

Chri - stus

3

Sw.

3

3

Gt.

3

De

3

-

i

fi

3

Sw.cresc.

159

li - us,

-

3

3

3

fi

-

3

li -

-

3

3


10 109

ff

sf

- us.

Al - le - lu

ff

-

-

ia.

sf Gt.

ff (Sw.)

Gt.

Sw.

Gt. fff

fff

+ Full pedal

114

119

Order no. NOV295592

160

Novello & Company Limited 14/15 Berners St, London W1T 3LJ www.musicsalesclassical.com


Edward Gregson WELCOME for upper voices and piano

NOVELLO

161


Welcome

for upper voices and piano

Welcome, originally written for boys’ voices, organ, brass, and percussion, was specially commissioned for a concert marking the Royal Opening of the Bridgewater Hall, Manchester, on 4 December 1996, in the presence of Her Majesty The Queen. The work was premiered by The Manchester Boys’ Choir, with Wayne Marshall (organ), and an instrumental ensemble from the Royal Northern College of Music, conducted by Adrian Jessett. Some years later the composer made a new version especially for the Kinder Children’s Choir of the High Peak (Joyce Ellis), who gave the first performance at a concert in the Buxton Opera House in 2006. It is that version for upper voices and piano that is published here. Composer’s Note: The text of Welcome is simple, consisting of the word ‘Welcome’ repeated many times in a variety of languages, from the initial English, through various European languages, to Hebrew and Arabic (with echoes of La Marseillaise and God Save The Queen appearing in the musical fabric) – thus it was my intention to provide a fitting way of welcoming a new and diverse audience into a new concert hall designed for a new Millennium. Performance Note: The voices are divided into as many as six parts in certain places, but I have mainly left it to the conductor to decide on how to distribute these parts, depending on the size and make-up of the choir. Nevertheless, the work is suitable for performance by any mixture of upper voices, from children’s choirs to female voices.



Duration: c. 4 minutes

162


Commissioned for the Royal opening of the Bridgewater Hall, Manchester

Welcome

Edward Gregson p tranquillo

Steadily q = c.112

4 4

UPPER VOICES

4 4 PIANO

4 4

Wel

-

p leggiero

3

-

5

-

come,

-

-

wel

-

poco cresc.

-

-

-

come,

mp

poco cresc.

etc. 7

mf wel

-

-

-

-

-

-

-

-

-

come,

mf

Copyright Š 2015 Novello & Company Limited

All Rights Reserved

163


2 pp

9

11

cresc.

p

wel

-

-

come,

wel

(cresc.)

(mf )

A

-

come,

pp

- come,

(cresc.)

-

cresc.

p

13

-

wel

pp

(mf )

[

]

15

mp

wel

½ Ped.

164

-

-

-


3 17

mf

-

-

come,

wel

-

come,

p

19

wel

-

-

-

come,

wel

-

-

-

come.

molto cresc.

B q = c.126

f

(molto cresc.)

23

Faster, with energy

f

21

( f ) marc.

senza Ped.

beat 4 (q.+q.+q+q)

10 8 10 8

mf

10 8

Ben

10 8

mp

165

-

-

ve - nu

-

to,


4 25

mf

Will

ben

-

-

-

-

ve - nu

-

to.

-

Bien

-

-

kom -

-

-

-

men,

ve

-

ve

-

27

will

- ni

-

kom -

men.

Bien

do.

Will

-

-

-

-

-

-

kom

-

men,

f

(mp)

29

- nue,

bien - ve

-

4 4 4 4

vel

-

kom - men.

4 4

f

nue,

bien - ve- nue.

Will - kom- men.

Bien - ve- nue.

Will - kom- men.

f

- nue,

4 4 mf

166


5 32

C

ff

Ben

-

ve - nu

-

to.

-

ve - nu

-

to.

ff

Ben

C

ff mp pi첫 legato

con Ped. 35

mf sost.

Sha

-

lom,

(sim.)

38

mf sost.

Sha

-

lom,

sha -

sha

-

lom,

sha -

167


6 41

- lom,

sha

-

lom,

- lom,

sha

-

lom,

Mar

44

-

ha

-

ba,

Mar - ha - ba,

sha

-

lom,

sha -

p

mar

47

-

ha

-

ba,

5 4

mar - ha - ba,

mar-ha - ba,

sha

-

p

lom,

5 4 5 4 168

mar-ha - ba,

5 4

mp

- lom,

4 4

mp

sha - lom,

4 4

sha -

4 4 p

4 4


51

4 4

7

D

p

f leggiero

pp

mar - ha - ba.

Yo - ko -

4 4

pp

- lom.

D

4 4

f marc.

4 4 55

- so,

yo - ko

-

so,

f sostenuto

Hae

-

rae mai

ra,

hae

mf

58

yo - ko

ra,

-

so.

Hae

-

rae mai

ra.

hae

-

rae mai

ra.

169

-

rae mai


8 61

f

Yo - ko

-

so,

-

so,

f

Yo - ko

f

Do - bro f

pa - ja

-

lo

-

vatch,

Do - bro

pa - ja

-

lo

-

vatch,

do - bro

pa - ja

-

lo -

-

ve -

sost.

(con Ped.) 64

f

Bien

f

Yo - ko

vatch,

-

so.

Ben

do - bro pa - ja - lo- vatch,

marc.

170

-

ve-nu - to,

do

-

bro

ben -

pa-ja - lo- vatch,


9 f

67

molto cresc.

Will

-

-

kom - men,

will

-

kom - men.

-

molto cresc.

- nue,

bien

-

ve - nue,

bien

-

ve -

molto cresc.

-

ve - nu - to,

ben

-

-

ve - nu - to,

ben - ve - nu - to,

molto cresc.

do

-

bro

pa - ja - lo - vatch,

do

-

bro

pa - ja - lo - vatch,

molto cresc.

E

rit. 69

ff

(cresc.)

Vel

-

kom- men, vel

-

Tempo I q = c.112

kom- men.

ff

(cresc.)

- nue,

bien

-

ve - nue.

ff

(cresc.)

ben - ve-nu - to, ben - ve-nu - to.

ff

(cresc.)

do

-

bro

pa - ja - lo - vatch.

E Tempo I q = c.112

rit.

(cresc.)

ff

p

171


10 p

71

Wel

-

come,

mp

mp

73

wel

-

come,

p

½ Ped. 75

mf

wel

mf

-

-

come,

wel

(mp)

-

p

77

wel

-

-

-

-

-

come.

cresc. mf

(Ped. sim.)

172

-

-

come,


11 f

79

F Tempo II q = c.126

10 8 10 8

f

10 8

senza Ped. beat 4 (q.+q.+q+q) 81 mf

10 8

Wel

10 8

-

-

-

-

come,

wel

-

-

-

-

come,

f

Wel

-

-

-

come,

wel

-

-

-

come,

10 8 mp

10 8

mf marc.

R.H.

mp

83

wel

wel

-

-

-

-

come,

-

-

-

-

come,

wel

wel

-

-

-

-

come,

-

-

-

-

come,

cresc. (R.H)

173


12 85

f

f

wel

-

come,

wel

-

come,

f

87

f

wel

-

-

-

-

come,

wel

-

-

-

-

come,

mf f

89

7 8 wel

-

-

-

-

come,

4 4 wel

7 8

-

-

come,

4 4 cresc.

7 8 (Ped. sim.)

174

4 4


13 91

G

4 4

fp

wel

come,

-

wel

fp

4 4

wel

G

4 4

fp

f

-

10 8

come,

-

f

come,

wel

-

come,

10 8

f

4 4 93

10 8

10 8

10 8 10 8 10 8 10 8

mf

wel mf

-

-

-

-

-

-

-

-

come,

wel

-

-

-

-

-

-

-

-

come,

mf

poco a poco cresc.

94

wel

-

poco a poco cresc.

come,

wel

-

poco a poco cresc.

come,

wel

-

-

come,

-

-

7 8 7 8 7 8 7 8 7 8

175

wel

-

-

come,

wel

-

-

come,

wel

-

-

come,

cresc.

4 4 4 4 4 4 4 4 4 4


14 96

4 4

wel (div. a 4) f

-

wel

-

4 4 4 4 4 4 98

molto cresc.

f

-

-

-

-

-

-

come, (div. a 5)

molto cresc.

come,

f

cresc.

ff

wel (div. a 6) ff

wel

-

come,

wel

-

come,

come,

wel

-

come,

ff

fp

101

wel

-

come!

fp

wel

-

ff

ff

come!

ff

176


Thomas Hyde ORPHEUS WITH HIS LUTE for SATB choir unaccompanied

NOVELLO 177


2 In memory of John McCabe

Orpheus with his lute SHAKESPEARE Henry VIII, 3.1.4–15

THOMAS HYDE (2015)

Gentle q = c.66

3 4

SOPRANO

p

3

Or-pheus

3 4

ALTO

3 4

TENOR

3 4

BASS

5

p

with his lute

Or-pheus

with his lute

p

And the moun-tain tops

that

that

3

made trees,

And the moun-tain

tops

that

3

3

Or-pheus

with his lute

made trees,

And the moun-tain tops

that

mp

when he did sing:

mp cresc.

p

bow

fpp

them - selves

p

bow

fpp

them - selves,

sing:

bow

3

bow themselves when he did

© 2016 Novello & Company Ltd. Not for rental or hire by third parties.

sing: mp cresc. 3

them - selves,

bow themselves when he did

p

bow

sing:

mp cresc.

p

fpp

freeze,

made trees,

3

fpp

freeze,

3

And the moun-tain tops 3

Or-pheus p

bow them-selves

freeze,

made trees,

3

SOPRANO SOLO p

freeze,

with his lute

cresc.

them - selves,

bow them-

178


3

f

9

mp

To his mu - sic

f

plants

Ev - er

plants

Ev - er

mp

sing

To his mu - sic

f

mp

sing:

and flow-ers

mp

f

-selves when he did sing:

14

and flow-ers

pp sub.

sprung;

f

as sun and

showers

pp sub.

sprung;

sprung; as sun

and showers

f

sprung; as sun

and showers

pp sub.

sprung;

19

and showes

mp

4 4 pp

mm

pp

mm

p

Ev - ery thing that heard him

had made a last- ing spring.

fpp

p

spring,

a

fpp

fpp

spring.

3

E - ven the bil - lows of

the

3 4

4 4

3 4

4 4

3 4 mp

mm

play,

179

3 4

4 4

sea, mp

bil - lows of

3

the

sea,

mp

bil - lows of

4 4

last- ing spring.

spring.

f

as sun

Ev - er

p

There

f

pp sub.

sprung;

Ev - er

3

the

4 4 4 4

sea,

4 4


4 22

f

4 4

Hung f

their

Hung f

their

Hung f

their

Hung

their

heads,

3 4

4 4 4 4 4 4

heads,

is

3 4

heads,

3 4

heads,

26

mu - sic

such

2 4

3

art,

2 4 mu - sic

mu - sic

mu - sic 30

mp

3 4

is

is

is

such

such

such

2 4

Kill - ing 3

art,

lay

by.

In sweet pp

and then mp

lay

by.

In sweet pp

and then mp

lay

by.

In sweet pp

and then

lay

by.

In sweet

3 4

Kill - ing 3

art,

and then mp

care

and grief of

Kill - ing

care

3 4 3 4

and grief of

care

and grief of

care

and grief of

SOPRANO SOLO p

mp

Fall a - sleep,

poco tenuto

4 4

Fall

a -

Fall

a -

heart

Fall

a -

heart

Fall

a -

heart

4 4

3 4

3

art,

2 4

Kill - ing

pp

Fall a - sleep,

heart

4 4 4 4

pp

or hear - ing, die. pp mp

p

sleep, p

a - sleep,

a

-

sleep,

sleep,

a - sleep,

a

-

sleep,

die. pp

a - sleep,

a

-

sleep,

die. pp

a

-

sleep,

p

sleep,

p

sleep, Order no.: NOV165814

a - sleep, 14-15 Berners St, London W1T 3LJ

www.musicsalesclassical.com

180

or

hear - ing, die.

pp

die. Deal, 19 April 2015


John Joubert AUTUMN RAIN for SSAA choir and piano

NOVELLO

181


Commissioned by Cantamus for the D. H. Lawrence Centenary, September 1985, with the aid of funds provided by East Midlands Arts.

Autumn Rain

D.H LAWRENCE (1885–1930) Poco lento e calmo

4 4

SOPRANO

p

4 4

ALTO

Poco lento e calmo

4 4 PIANO

4

4 4

JOHN JOUBERT (Op. 105)

The p

plane

leaves

The

plane

leaves

p

3

fall black and wet

on the

lawn;

the cloud

sheaves

in

on the

lawn;

the cloud

sheaves

in

3

fall black and wet

8

3

hea-ven’s fields set 3

hea-ven’s fields set

3

droop and are

drawn

in

3

droop and are

drawn

All Rights Reserved

© Copyright 2015 Novello & Company Limited

182


2 11

cresc.

fall-ing seeds of rain,

in

fall-ing seeds of rain,

in

fall-ing seeds of rain,

of

cresc.

in fall-ing seeds of

rain,

in fall-ing seeds of

rain,

in fall-ing seeds of

L.H.

cresc.

14

p

mf

f

rain,

f

rain, mf

rain, p

rain,

f

17

mfp

rain,

mf

p

pp

rain;

mfp

pp

mf

rain;

mf

the

pp

3

seed of heav’n on my face

mf

183


3 mf

20

I

pp sub.

3

hear a - gain

like e

-

choes e

fall-ing

ven pp

e

-

that

ven,

L.H.(non arp.)

p

pp sub.

p

mf

24

soft

-

soft

27

ly pace

-

heav’n’s muf

ly,

-

mu

poco più mosso

-

fled

fled

floor,

floor,

mf

the

winds

mf

the

poco più mosso

mf

-

3

184

that tread out

winds

all

the

that tread out


4 29

3

3

grain

of tears,

the

store

har-ves - ted in

3

all

the

grain

of tears,

the

store

the

3

har-ves - ted

3

31

p cresc.

3

sheaves of

pain

3

caught

up

a - loft,

p cresc.

3

in

the

sheaves of pain

caught

3

mf cresc.

33

caught

up

a-

p cresc.

3

up a - loft,

mf cresc.

- loft,

3

caught

f cresc.

3

caught

up

f cresc.

3

up a -

loft,

f cresc.

mf cresc.

185

a

-

a

-

3

caught

L.H.

up


5 35

ff

- loft:

ff

- loft:

ff R.H.

37

Tempo I

3

ff

the sheaves

of dead

men

ff

the sheaves

3

of dead

men

Tempo I

ff

40

that are slain

f

now win - nowed soft f

on the floor

of

heav’n;

now win - nowed soft

on the floor

of

heav’n;

f

186

that are slain


6

pp leggiero

43

3

3

man - na in - vi - si - ble,

pp leggiero 3

3

man - na in - vi - si - ble, 3

p

45

pp

3

3

mf

man-na in - vi - si - ble, 3

3

man - na

in - vi

-

si - ble

of mf

all

the

pain

of

all

the

pain

7

7

mf

47

p

here

to us

given;

here

to us

given;

p

p

187

3


7 50

pp 3

3

3

fine-ly di-vi - si - ble, pp 3

3

fine-ly di-vi - si- ble, 3

3

fine-ly di-vi - si - ble,

fine - ly

3

di

-

vi - si - ble, 9

pp

52

pp

fall - ing as rain,

fall - ing as rain,

fall - ing

as

fall - ing as rain,

fall - ing

as

pp

fall - ing as rain,

(pp)

55

mf

pp

ppp

pp

rain. ppp

rain,

mf

rain,

rain.

3

mf dim.

ppp

188

3


John Joubert BE NOT AFEARD

for soprano solo and SATB choir unaccompanied

NOVELLO

189


Duration: c. 4½ minutes

Be not afeard: the isle is full of noises, Sounds and sweet airs, that give delight, and hurt not. Sometimes a thousand jangling instruments Will hum about mine ears; and sometimes voices That, if I then had waked after long sleep, Will make me sleep again: and then, in dreaming, The clouds methought would open and show riches Ready to drop upon me that, when I waked I cried to dream again. The Tempest III:ii William Shakespeare

Order Number: NOV165748

190


Commissioned by Music Sales to commemorate the 400th anniversary of Shakespeare’s death.

Be not afeard

John Joubert (b.1927) Op. 179

The Tempest III:ii Shakespeare

    

Poco Lento

SOLO SOPRANO

SOPRANO



    



    

ALTO

 





 p

 p

Be not a - feard:



p             Be not a - feard: p              

Be not a - feard:

TENOR

BASS

PIANO ( for rehearsal only)



Be not

    





      

5

 

 

 

  



   



   

   the isle

is full

of



   

  



 

          



           

the isle

  



  

is full

  

nois - es, mp

  

p

nois - es, mp

 

p

of

  



   

ah

of

      

Š 2015 Novello & Company Limited

191

 

  

   



  

 



 

nois - es,

  

     

p

      

   

nois - es, mp



of

is full



mf

p

is full

the isle

 

         

mp

the isle

         



a - feard:

Poco Lento

    

ah

    

    



   

p

  

  

      

   


2

   

9

p

      

p

       

Sounds p

and sweet

Sounds

and sweet

     

   

            Sounds and sweet p

       

p



Sounds

     

       

and sweet

     

     

         

12

f

  f 

ah

 not.

hurt f

not.

    hurt f

  

hurt

ah

 

not.



 

    

mf

 airs,

 

that give de - light,

mf



    



    

airs,

and

 

that give de - light,

mf

airs, mf

and

 

that give de - light,

and

that give de - light,

and

    



airs,

      











   



 



  

mp

 

 

   



  

   



   



   



   

 

     

mf  

     

 

   

      mf

Some - times a

Some - times a

  



192

          

mf



Be

not.

                 



ah

ah

hurt f

    



   

mf         

   

thou

thou

  

-

sand

-

sand



       


3

15    S. 



    

A.

   f

mf





Be

not





 f  a - feard.

      f         jang ling in - stru - ments not

T.

a - feard.

   f           B.    



jang

-

ling in - stru - ments

    

 mf       

  S.  A.

ah

Will hum,

       mf



  

mf

mf

   





        will hum

a - bout mine

will hum

a - bout mine

               

     

       

       



     

  

 

              f

thou

-

sand

jang

-

ling in - stru - ments f

                  

Some - times a

 

   



thou







 

ears;

              

   



Some - times a

  



    

 

 





Will hum,

 

  T.   ears;     B.  



     mf

 

                  

18

S. SOLO

 

  



-

sand



193

-

ling in - stru - ments



mf



 

Be

not

        



jang



f

   

mf

Be

 

a - feard.

                     


4 21



mf





   

    

  

    

that hum, mf

   not

      



         

a - feard. f

  

 

    

     



   

    

 

 

   



 





 

  

  

  

p cresc.

and some - times voic - es,



And some - times voic

     

   

  



 

 

  

 

 -



   



   

 

     

 





-

 



and some - times piĂš f

   

  

and some - times

 



and some - times voic - es, piĂš f

 

  

es,

  

 

 piĂš f   

  

 

es,

    

piĂš f



    



ah

  

  p cresc.       And some - times voic p cresc.          

ears;

          

and some - times voic - es,



 

a - bout mine

  

 

ears;

mf



p cresc.



a - bout mine

that hum

ah



          



f

     

that hum

that hum,

  

24

       

mf



      



 



and some - times voic - es,

 

                        

194



 

  

      

   

 


5 piĂš f

   

27

    

   



      ah

voic

    

voic

      



           

  

29

f

-

 

es,



  

 

-

es,

f

    

  

 



     











    





   

      

   

mf

then had waked

then had waked

       af

      



af

           

   -

-

ter long

  

ter long



mf

sleep, mf

 

 

 

That,

if

 

I

had waked

That, if

I

then

had waked

 

 





 

 

 

  

 

 

 

 



  

-

I

  

ter long

  

ter long



 p

sleep, p



sleep,

 

   

af

  



sleep,

195

  



af

if

then

  

-

 

I



af mf

                                

 

That, f



ah

     



f

That, if f



    



af

   

 

 

 

      

   -

ter long

   -

ter long

     


6

32      S.  

af

      

A.

af

 p    sleep,

T.

p      B.  



S.

ter long

  

-

ter long



            

  



p

     

A.

-

sleep,

35 S. SOLO

  



   

 

B.

 

  



     

sleep,

      

 

      

 

Will make me

pp





sleep,

      

 pp  

      

   

Will make me

sleep

Will make me

sleep

 

   

- gain:

     





 

 

  

 

Will make me

sleep

sleep



a -

a -

a - gain: pp

a - gain:

  

   

 

 

  

    

  

  

  

   







   















ah

      

   



 

- gain:

T.

pp































 





 

196

 





 



 


7 38

    

        









    



 



and

A.

     







then,







             





       

me -thought

cresc.

      

me -thought



would op - en

and show

        would op - en

and show

                     the clouds me -thought would op - en and show cresc.

T.

cresc.           B.  



the clouds

         

 

 

 

       

me -thought

 

   

              

in dream - ing,

cresc.

the clouds

in dream - ing,

in dream - ing,

 

 

    

in dream - ing,

then,

the clouds

   

then,

then,



     S.          42

and

and

  

    

p

p

p



    



and

p

        







    



   

would op - en

 

 

 

197

 

and show

 

 

 

 

f



 

cresc.



   



cresc.







cresc.

rich - es, f cresc.







 



    and show

    and show

   

rich - es,



 

and show

rich - es, f



   

rich - es, f

 

and show

 

 

 

 


8

      45



rich - es

    

       rich - es    



Rea - dy to drop

Rea - dy to drop

 3         

Rea - dy to drop



      

3

3

        48

wak’d

me;

  I

when

           I wak’d I

p cresc.

that, when

that, when p

me;

 

    

I wak’d,

 

    

that, when

         

when

 

I wak’d,

   

p cresc.        

   

    

that

when

  I wak’d,

                        

           

cried

I wak’d

to f

     I

     cried

I wak’d

                                          







           

      

f

I



cried

f

              when

         

that

       

p

f

          

that

   

I wak’d,

cresc.

 

up - on



that, when

      

 3         

Rea - dy to drop

   

cresc.

p

me;

up - on ff

      

that

me;

up - on ff



I

 

up - on

        

      

 3          



rich - es

p

ff



rich - es



ff  3          

to

 





 

cried

               

                

198

                       


9 poco rit.

51

   

S. SOLO



    S.    

dim.

p

   

dream, dim.

A.

T.

         dream,

to

dim.

 dream



   

to





  





 

 a



p

 dream



-

 

gain,

a - gain,

a

      

-

 

gain,

meno mosso

       

pp

      

ah

            

     

                     

ah



     

 

   

    

 

   

a - gain.

pp

to dream pp

to dream pp

 

   

 

    

to dream pp

                     

199

  

   

                     

   

ah

 

   



poco rit.             

54



      

a - gain,

to dream

                   B.  

p

p

p

dim.



   



to dream

            

         





 

         

meno mosso

to dream

                

   

a - gain.

         

a - gain.

    

a - gain.

     

      

    

 

 


PAUL MEALOR

AE FOND KISS

SATB divisi chorus unaccompanied

Dedicated to Dr Shaun Ryan and all my fabulous friends in the Universities of Ulster and Aberdeen Chamber Choirs

Ae Fond Kiss

ROBERT BURNS

arr. PAUL MEALOR

Adagio con molto espress q. = c. 34

at pleasure    pp folklike,     SOPRANO          Solo

Ae fond kiss,and then we se - ver!

ALTO

TENOR

BASS

Piano (for rehearsal only)

    6

tears









    





















         

 

I'll pledge thee,



  





    



    

   

  



pp





 







 





  

 

    





 



War - ring sighs and groans I'll wage



 









 



mm*





mm*





ah



pp

mm*









ah pp



mm*



 











 



 





 





* Gradually open to ah Copyright Š 2015 Novello & Company Limited

200

 

thee. pp









  

 

Deep in heart-wrung



  

  

Ae fare - weel, a - las for e -ver!

  

   

   



        

 

 

  



ah


2

    

Solo at first, other sopranos join gradually mf

11

  

  

   

Had we ne - ver lov'd sae kind-ly,

Solo at first, other altos join gradually mf

   

  

 



   

Had we ne - ver lov'd sae kind-ly,

   

     



ah

    

mf

  

 

     

     16



Had we ne - ver lov'd sae blind-ly,



 

 

 



    



   

  

 

 

    

         



We



We

   

  



    

  

 



  

 



  

had ne'er been bro - ken heart

  

had ne'er been bro - ken heart

 



    

 

    

201

 

  

-

-

  

Ne - ver met

 

     



   

 

 

   



  

Ne - ver met

ah

      

  

  

Had we ne - ver lov'd sae blind-ly,



  

 







 

ed.



ah



  

 

 

 

  



  

rall.

ne - ver part-ed,

    

  

   



 

  

ne - ver part-ed,

  

 

 



Stagger breathing mf

  

ah



mf







ed.



ah

ah

 





  

 

 

  

   

   

ah

 

 

  

 

or

 

or

 


A tempo

21      

ah ff

Fare

 ff   

Fare ff

      Fare ff

    



Fare

      ff

     

    25

 

  

  

 

  

 

   

 

  

  

thee weel, thou

thee weel, thou

thee weel, thou

thee weel, thou

 

  

first



first



first

 

first



  

 



 

and fair - est!

  

   

   

joy

    

and trea-sure,

        Thine be il

  

    

    

Thine be

   

joy

and trea-sure,

    

    

Thine be

        

il - ka

- ka

il - ka

         

    

joy

  

and trea-sure,

    

        

 



  

 



 

  

 

  



 



Fare

  

and trea-sure,

  



and fair - est!

joy

il - ka



Fare

    



 

thee weel, thou best

thee weel, thou best



and fair - est!

    

  

Fare

    

  





and fair - est!

 

 

Fare

    

 

  



    

  

Thine be



3

thee weel, thou best

thee weel, thou best

  

 

     



  

Peace, en - joy - ment,

 

 

     

* Gradually change to ah

202



 

and dear - est!

    

and dear - est!

 

 

     

rall.











love

     

    

      

Peace, en - joy - ment, love



and dear - est!



Peace, en - joy - ment, love

   

    





Peace, en - joy - ment, love



and dear - est!

 



  

    

  

 

  

and plea - sure!

and plea - sure!

  

and plea - sure!

  

 

 ah

and plea - sure!*

      

 

  

 

 


   



  

30



















   











 



Solo pp folklike, at pleasure

   



    35

Deep

fond kiss, and then

  





 



 

  

    

we se - ver!

   

     

Ae

fare - weel,



    

 



    

I'll pledge thee,

   

  

 



a - las

    

for

e -ver!

    



  

 



 

  

  

molto rall.

in heart-wrung tears

 



  

  

         



pp

  



 





  

 

  

 

  

      



 

  thee!

 



    

  

 

      NOVELLO

NOVELLO NOVELLO part of the Music Sales Group 14/15 Berners Street, London W1T 3LJ Exclusive distributors: Music Sales Limited, Newmarket Road, Bury St Edmunds, Suffolk IP33 3YB Order No. NOV165341 www.musicsalesclassical.com

     

War - ring sighs and groans I'll wage

    



AE FOND KISS - SATB divisi chorus unaccompanied



 

Stagger breathing pp ah

ah

  

  



Ae

     



con molto espress q. = c. 30

PAUL MEALOR

4

203


Nico Muhly GENTLE SLEEP for SATB choir unaccompanied

Chester Music 204


Commissioned by Wigmore Hall, with the support of AndrĂŠ Hoffmann, president of the Fondation Hoffmann, a Swiss grant-making foundation. Premiered by Stile Antico on 27 November 2015 at Wigmore Hall, London, as part of their Tenth Anniversary Celebration.

Text O sleep, O gentle sleep, Nature's soft nurse, how have I frightened thee, That thou no more will weigh my eyelids down, And steep my senses in forgetfulness? Why rather, sleep, liest thou in smoky cribs, Upon uneasy pallets stretching thee, And hush'd with buzzing night-flies to thy slumber, Than in the perfum'd chambers of the great, Under the canopies of costly state, And lull'd with sound of sweetest melody? William Shakespeare Henry IV: Part II, Act III, Scene I

Duration: c. 5 minutes 30 seconds

205


for Stile Antico

GENTLE SLEEP William Shakespeare

S

A

T

Nico Muhly (2015)

q = 86

3 4 3 4

as smooth as possible; stagger breathing p O,

3p 4

O,

B

3p 4

O,

6

2 4

S tenuti indicate very subtle stresses A O,

O,

2 4 2 4

T O,

2 4

B O, Copyright Š 2015 by St. Rose Music Publishing Co. and Chester Music Limited. International Copyright Secured. All Rights Reserved. Warning: Unauthorized reproduction of this publication is prohibited by federal law and subject to criminal prosecution.

206


2 12

S

O

2 4

A

2 4

T

2 4

B

20

p

2 mp 3 4 4 3 4 3 4 3 4

sleep, pp

O

gen tle

sleep,

p

O, pp

O,

p

mp

O,

O,

mp

O,

pp

p

mp

O,

O,

mp

A q = 96, moving

mp

S O,

A O,

solo, rhythmically conversational mp T Na ture’s soft

nurse,

mp B O,

207


3 27

mp

S O

A

sleep,

pp

O solo pp, privately

O

sleep,

gen

O

tle

sleep,

O sleep,

O, pp tutti

T how have I

fright ed thee,

O, pp

B O,

p

34

mp

S O,

A

p

mp

p

O,

O,

mp

T p

O, mp

B O,

208

sleep,


4

41

B q = 104, faster still solo mp cantabile That

thou

no

more

wilt

weigh

my

eye

lids

pp S No,

pp

No,

no,

(solo) pp

A

No,

tutti ppp, lazily, slightly uncoordinated with one another

No,

pp

T

No,

no,

no,

no,

no,

pp

No,

no,

B

209

no,


5

46

down,

And

steep

my sens

es

in

S no,

no,

no,

A

no,

no,

T

no, solo private, almost inaudible pp p

no,

no,

B Down, down, down, down, down, down, down, down,

210

for


6

51

(solo)

get

ful ness?

S

Weigh,

A no,

down,

solo mp, cantabile

That thou

no

more

T no,

no,

no,

no,

solo, sim. pp

p

B down, down, down, down, down, down, down, down,

211

no,


7

56

tutti, div.

Weigh,

weigh,

weigh,

weigh,

weigh,

S

eye,

eye,

eye,

eye,

eye,

A down,

wilt

weigh

my

eye

down,

lids

down,

T no,

no,

no,

no,

no,

B

212

no,

no,


8

62

S

weigh,

sens

eye,

ses,

for

get

ful

ness,

down,

A down,

down,

down,

(solo)

And

steep

my

sens

es

in

for

get

ful ness?

T no,

no,

no,

no,

B

213

no,

no,


9

68

f

sens

es,

sens es,

Why

ra ther,

sleep,

S f

sens

es,

sens

es,

Why

ra ther,

f A why,

Why

ra ther,

sleep,

f

fade

No,

f T no,

f

no,

solo, sim. pp

p

sens es, sens es,

sens es, sens es,

no,

B

214


10 73

C

mf

Solo S 2 Solo A liest

thou

in

smok

Soprano ppp

No,

S ppp

No,

no,

ppp A No,

no,

ppp

No,

no,

no,

no,

no,

T ppp

No,

no,

solo, conversational pp p

pp

sleep, Why ra ther, sleep, Why ra ther, sleep,

B

no,

thou in smok y

tutti p

why,

ra ther,

215

smok


11 78

Solo S 2 Solo A y

cribs,

Up on

un

eas

no,

S

no,

no,

A no,

no,

no,

T

no,

no,

p cribs, in smok y

cribs,

eas

y,

eas

B

216

y


12 83

Solo S 2 Solo A pal lets

stretch ing

thee,

S

weigh,

A no,

down,

no,

no,

T

no,

no,

no,

y,

stretch ing, stretch ing, stretch ing, stretch ing, stretch ing,

y,

stretch

B

217


13 88

Solo S 2 Solo A And

hushed

with

night,

buzz ing

night

night,

flies

night,

S

night,

night,

down,

A night,

no,

no,

T

no,

no,

hushed with buzz ing night flies, hushed with, hushed with, hushed with,

B

ing,

hushed,

hushed,

218


14 92

Solo S 2 Solo A to

S

thy

night,

slum

ber

night,

down,

night,

night,

night,

down,

more,

A night,

no,

night,

night,

no,

no,

T

no,

no,

hushed,

night,

hushed,

night,

B

219


15 p

97

Solo S 2 Solo A Than

S

in

the

per

fumed

cham

bers

night,

night,

night,

thee,

A night,

night,

no,

no,

T

no,

no,

cresc.

per

fumed,

B cresc.

per

fumed,

220


16

mf

101

4 4

Solo S 2 Solo A of

the

3 4

great,

f

Per fumed,

G.P.

per fumed,

per fumed, per fumed,

per fumed.

4 4

3 4

4 4

3 4

4 4

3 4

4 4

3 4

4 4

3 4

4 4

3 4

4 4

3 4

S f

Per

fumed,

per

fumed,

per fumed.

f A per

fumed,

per

fumed,

f

no.

T f

no,

no.

mf

per

B

fumed.

mf

per

fumed.

221


17

D semi-chorus 106 ppp

3 4

S

Un der the

3 ppp 4

A

Un der the

3 4

T

o pies

of

cost ly

state,

And

can

o pies

of

cost ly

state,

And

can

o pies

of

cost ly

state,

And

ppp

Un der the

3 4

B

can

mp, heavy Un der

the

112

can

p

S lulled

with sound of sweet est solo privately, pochiss. espress. pp p

[sou* sou sou sou * as in “sound�

A

lulled

with sound

of

mel

o

dy?

sou sou sou sou] sound,

p

sweet est

mel

o

dy?

p T lulled

with sound

of

sweet est

B

222

mel

o

dy?

o pies,

2 4

G.P.

3 4

2 4

3 4

2 4

3 4

2 4

3 4

2 4

3 4


18 118

S

E tutti pp

3 4

Un der the

can

o pies

of

cost ly

state,

And

Un der the pp

can

o pies

of

cost ly

state,

And

Un der the

can

o pies

of

cost ly

state,

And

can

o pies

of

cost ly

state,

And

3 pp 4

A

3 4

T

3 pp 4

B

Un der the

solo privately, pochiss. espress. pp p

124

[sou sou sou sou

S

p lulled with sound of sweet est solo privately, pochiss. espress. pp p

A

sou sou sou sou] sound,

mel

o

dy?

[sou sou sou sou sou sou sou sou] sound,

p

lulled with sound

of

sweet est

mel

p

o

dy?

T lulled with sound

of

sweet est

mel

o

dy?

p B lulled with sound

of

sweet est

223

mel

o

dy?

2 4

G.P.

3 4

2 4

3 4

2 4

3 4

2 4

3 4

2 4

3 4

2 4

3 4


19

solo 130 F mp espress.

3 4

S

Un

der

3 pp 4

Un der the

3 4

T

o pies

of

cost ly

state,

And

Un der the pp

can o pies

of

cost ly

state,

And

Un der the

can o pies

of

cost ly

state,

And

can o pies

of

cost ly

state,

And

3 pp 4

B

can

can o pies

3 pp 4

A

the

Un der the

136

S

of

lulled solo pp

A

cost

ly

with

of

sweet est

state, p

mel

o

dy?

mp

[lu* lu lu lu * as in “lulled�

lulled

sound

2 4

with

lu

lu

lu

2 4

lu]

p

sound

of

sweet est

mel p

o

mel

o

dy?

T lulled

with

sound

of

sweet est

dy?

p B lulled

with

sound

of

sweet est

224

2 4

mel

o

dy?

2 4 2 4 2 4


20

141

2 4

(solo)

G

3 4

Un

der

the

can

S

3 pp 4

2 4 2 4

Un

der the

can o pies

of

cost ly

state,

solo mp espress.

Un

3 4

der

the

can

o pies

of

cost

A

2 4

T

2 4

3 pp 4 Un

3 4

der the

can o pies

of

cost ly

state,

der the

can o pies

of

cost ly

state,

pp

Un

solo p

2 4

3 4

2 4

3 pp 4

[ste* ste ste ste * as in “state�

B

Un

der the

can o pies

225

of

cost ly

state,


21

147

o pies

of

cost

ly

state,

o

dy?

o

dy?

o

dy?

o

dy?

S p And

ly

lulled

with sound

of

sweet est

mel

state,

A p

And

lulled

with sound

of

sweet est

mel

p T And

lulled

with sound

of

sweet est

mel

mp

ste

ste ste ste]

B p

And

lulled

with sound

226

of

sweet est

mel


22

153 H (solo)

Un

der

the

can

o pies

of

S

Un der the

(solo)

can o pies

of

cost ly

state,

And

mp espress.

Un

der

the

can

o pies

of

A

Un der the

can o pies

of

cost ly

state,

And

solo mp

Un

der the

can

o pies

of

cost

T

Un der the

can o pies

of

cost ly

state,

And

can o pies

of

cost ly

state,

And

(tutti) B Un der the

227


23

159

cost

ly

state,

2 4

3 4

4 4

2 4

3 4

4 4

2 4

3 4

4 4

2 4

3 4

4 4

2 4

3 4

4 4

2 4

3 4

4 4

2 4

3 4

4 4

S p lulled

with sound

cost

of

ly

sweet est

mel o

dy?

state,

A p

lulled

with sound

of

sweet est

mel o

ly

dy?

state,

T p

lulled

with sound

of

sweet est

mel o

dy?

p B lulled

with sound

of

sweet est

mel o

228

dy?


24 166

(tutti, div.) S

I

p

4 4

Sound,

sound,

4p 4

Sound,

pp stylised, lean into appoggiaturas

4 4

(tutti, A div.)

(tutti, div.) T

O

sleep,

O

O

sleep,

O sleep, pp, articulate and delicate

4 4

O

4 4

pp

4 4

pp

4 4 4 4

sleep,

pp stylised, lean into appoggiaturas

4 4

4 4

B

sound,

O

O

sleep,

sleep,

sleep,

O

sleep,

O

sleep,

pp, articulate and delicate

O

solo mp

O

sleep,

O

sleep,

gen

tle sleep,

pp O

sleep,

O

sleep,

pp, articulate and delicate

4 4

O

229

sleep,


25 171

sound,

sound,

S sound,

A

sound,

O,

O

gen

tle sleep,

O,

O

gen

tle sleep,

O

sleep,

O,

O

gen

tle

sleep,

O

O,

O

gen

tle

sleep,

O

T

O

Na

ture’s

sleep,

soft

nurse,

B O,

O,

O

gen

tle

sleep,

sleep,

230

O


26 175

sound,

sound,

S sound,

A

sound,

O sleep,

Na ture’s soft nurse,

O

sleep,

O sleep,

Na ture’s soft nurse,

O

sleep,

O

gen

tle,

gen tle,

gen tle,

gen

tle

sleep,

O

gen tle,

gen tle,

gen

tle

sleep,

O

gen

tle,

T

O

(solo)

how have

I fright

ed thee,

That thou no more wilt weigh

my eye lids

B gen tle,

gen tle,

gen

O

231

tle

sleep,

gen

tle,

O


27 mp

179

sound,

sound,

3 4

O

mp

3 4

S sound,

O

mp Na

Na

A

ture’s soft nurse,

steep my

ture’s soft nurse,

steep my

O

gen

gen

tle,

gen

sens

sens

es.

3 4

O

3 4

es,

tle,

O,

tle,

3 4

O,

3 4

T gen

tle,

gen

tle,

O

O,

gen

down,

And steep

O,

tle,

my sens

es

in

for

get

tle,

gen

O

tle,

O,

gen

232

tle,

3 4 3 4 3 4

B gen

3 4

O,

3 4


28 183

3 4

S

3 4

sleep,

O

gen

tle

sleep,

p

sleep,

O

gen

tle

sleep.

3 pp 4

A

3 4

T

188

p

O, pp

O, (solo) fade

3 4

B

S

p

J

tutti

ful ness?

mp

O

sleep,

p

mp

pp

O. p

mp

pp

O.

mp

mp

pp

A O,

p

O.

mp

pp

T O.

p

pp

B O

gen tle

233

sleep.


Nico Muhly WHISPERED AND REVEALED for SATB choir and harp

Chester Music 234


Commissioned for Essential Voices, USA.

Composer’s Note Whispered and Revealed is a setting of Snow-Flakes, by H.W. Longfellow. While the music oftentimes reflects the delicacy of winter weather, both text and music hint at an anxiety, a swelling, and a repetitive keening that can accompany — and announce — the same precipitation. Whispered and Revealed was commissioned by Essential Voices USA and is dedicated to their conductor, Judy Clurman, and was written in the final days of 2014. Nico Muhly 2015

Text Out of the bosom of the Air, Out of the cloud-folds of her garments shaken, Over the woodlands, brown and bare, Over the harvest-fields forsaken, Silent, and soft, and slow Descends the snow. Even as our cloudy fancies take Suddenly shape in some divine expression, Even as the troubled heart doth make In the white countenance confession, The troubled sky reveals The grief it feels. This is the poem of the air, Slowly in silent syllables recorded; This is the secret of despair, Long in its cloudy bosom hoarded, Now whispered and revealed To wood and field. Henry Wadsworth Longfellow

Duration: c. 3 minutes 30 seconds

The harp part is on sale separately, order no. SRO100110-01

235


for Judith Clurman

WHISPERED AND REVEALED H.W. Longfellow (1807 - 1882)

Nico Muhly (2014)

Fast q = 144

2 2 S

2 2

A

2 2

T

2 2

B

2 2

Harp

p

Out,

p

Out,

out,

out,

out,

out,

out,

out,

out,

out,

out,

2 2

mp

2 2

S

out,

out,

out,

out,

out,

p

A Out,

Copyright Š 2015 by St. Rose Music Publishing Co. and Chester Music Limited. International Copyright Secured. All Rights Reserved. Warning: Unauthorized reproduction of this publication is prohibited by federal law and subject to criminal prosecution.

236

out,


2 9

out,

out,

out,

out,

out,

out,

out,

out,

out,

out,

out,

out,

out,

out,

out,

out,

out,

13

237


3 17

3 2 3 2

mp

out,

out,

mp

2 2

mp

2 2

mp

2 2

out,

3 2

mp

out,

out,

3 2

2 2

3 2

A

S

A

T

B

2 2

3

Out of the bos

3

om

of

the

Air,

mp, simple

2 2

3

Out of the bos

om

of

the

Air,

3

Out of the bos

om

of

the

Air,

3

Out of the bos f

Out of the 3

mp, simple

2 2

Out of the 3

mp, simple

2 2

2 2

mp, simple

2 2

Out of the 3

om

of

the

mp

2 2 238

Air,

Out of the


4 25

3

cloud

folds

of her

3

gar ments

shak en,

O ver the 3

3

cloud

folds

of her

gar ments

shak en,

O ver the

3

cloud

folds

of her

3

gar ments

shak en,

O ver the

3

cloud

folds

of her

3

gar ments

shak en,

29

O ver the

3

wood lands

brown

and

bare,

O ver the

har

vest

fields

har

vest

fields

har

vest

fields

har

vest

fields

3

wood lands

brown

and

bare,

O ver the 3

wood lands

brown

and

bare,

O ver the 3

wood lands

brown

and

bare,

O ver the

239


5

B

33

for

sak

p poss.

en,

Si lent,

and soft,

and slow

De

and soft,

and slow

De

Si lent,

and soft,

and slow

De

Si lent,

and soft,

and slow

De

p poss.

for

sak

en,

Si lent, p poss.

for

sak

en,

for

sak

en,

p poss.

mp

C

39

scends

mf

the snow.

E ven

as our cloud y

mf

scends

the snow.

E ven

as our cloud y

mf

scends

the snow.

E ven

as our cloud y

mf

scends

the snow.

E ven

mp, steady

mf

240

as our cloud y


6 44

poco

fan cies

take

Sud den ly

shape

in some di vine

poco

fan cies

take

Sud den ly

shape

in some di vine

poco

fan cies

take

Sud den ly

shape

in some di vine

poco

fan cies

take

Sud den ly

shape

in some di vine

48

ex pres

sion,

ex pres

sion,

ex pres

sion,

f

E

ven as

the

trou

bled

heart

bled

heart

f

ex pres

sion,

E

241

ven as

the

trou


7 52

mf

Out,

mp

doth

mp

doth

In

the white

In

56

out,

out,

out,

te nance

con

fes

sion,

te nance

con

fes

sion,

mf

the white

f

out,

coun

3

make

out,

mf

3

make

out,

The

coun

D trou bled

sky

re

veals

The

trou bled

sky

re

veals

The

trou bled

sky

re

veals

The

trou bled

sky

re

veals

The

f

The f

The f

The

3

3

3

3

ff 3

242

3

3

3


8 60

grief

it

feels.

grief

it

feels.

grief

it

feels.

grief

it

feels. ff

mf

ff

64

3

3

This is the poem of ff

3

3

This is the poem of ff

3

3

the

3

This is the poem of

243

the

3

This is the poem of ff

the

the


9 68

f

air,

Slow ly

in

si

3 2

lent

f

air,

in

si

lent

Slow ly

in

si

3 2

lent

3 2

air, 5

f

2 2 2 2 2 2

p

cord

ed;

ed;

cord

ed;

2 2 2 2 2 2

la bles

se

cret

of

cret

of

2 2

des

pair,

des

pair, mf

cret

of

des

pair, mf

3

This is the

se

cret

of

des

pair,

5

f

p sub.

244

2 2

3 2

3

se

re

2 2

2 2

mf

se

re

3 2

3

This is the p

la bles

mf

This is the p

syl

3

This is the p

cord

re

2 2 syl

f

72

la bles

3 2

Slow ly

air,

syl

2 2

3 4 3 4 3 4 3 4 3 4 3 4


10 76

3 4 3 4 3 4

mp dolciss.

3 4 3 4

81

Long in mp dolciss.

3 4

2 2

mp dolciss.

its

cloud

y

its

cloud

2 2

y

mp dolciss.

Long in

om

2 2

Long,

Long in

bos

its

cloud

2 2

y

hoard

ed,

p

long,

bos

om

bos

om

hoard

ed,

2 2

p dolciss.

2 2

mp

Now

whis pered

p

Now,

245

and re vealed

To


11 86

wood

and

field, mp

Now

whis pered mp

Now

and re vealed

To

whis

and re vealed

pered

wood

and

To

91

field,

wood

and

field,

246

Now

whis

pered

and re

Now

whis

pered

and re

Now

whis

pered

and re

Now

whis

pered

and re


12 96

vealed

To

wood

and

vealed

To

wood

and

vealed

To

wood

and

vealed

To

wood

and

3 2

field.

3 2

field.

3 2

field.

3 2

field.

3 2 3 2

p

101

Out,

out,

out,

Out,

out,

out,

Out,

out,

out,

Out,

out,

out,

247


13 105

out,

out,

out,

out,

out,

out,

out,

out,

3 4

3 2

3 4

3 2

3 4

3 2

3 4

3 2

3 4

3 2

3 4

109

3 2 3 2 3 2 3 2 3 2 3 2

out,

out,

out,

out,

3 4

3 2

pp

3 4

3 2

pp

3 4

3 2

pp

3 4

3 2

pp

3 4

3 2

3 4

3 2

O ver,o ver,o ver,o ver,o ver,o ver, o ver,o ver,o ver,o ver,o ver,o ver.

O

ver,

o

ver,

o

ver,

o

ver,

o

ver,

o

ver.

O ver,o ver,o ver,o ver,o ver,o ver, o ver,o ver,o ver,o ver,o ver,o ver.

O

ver,

o

3 2 248

ver,

o

ver,

o

ver,

o

ver,

o

ver.


Tarik O’Regan LOVE RECKONS BY ITSELF ALONE for SATB chorus unaccompanied

NOVELLO

249


Commissioned by ASHINAGA for the "At Home in the World" concerts. World premiere 10 June 2015 at Jazz at Lincoln Center, New York City, USA by Vassar College Choir under the direction of Christine Howlett. Duration: 7 minutes Text:

If it is true that the world talks too much then let's all keep quiet and hear the eloquence of silence. If it is true that the world sees too much then let’s all close our eyes and see the inner vision beneath the closed eyes. If it is true that the world hears too much then let’s wax our ears and listen to the chastity of inner music that defies betrayal by the wayward wind. If it is true that the world moves too much then let’s stand statuestill and imitate the stubborn will of trees that move without being peripatetic. from If It is True, Richard Ntiru (b.1946) A star was talking with the withered leaves In the still midnight. Only the wind stirred round me then. Strangely forlorn, I tried to share their words. The star swooped from the heavens. I searched among dead leaves But could not ever find it. Star and Dead Leaves, Tsuboi Shigeji (1897-1975) Love reckons by itself alone, "As large as I" relate the Sun To one who never felt it blaze, Itself is all the like it has. Love reckons by itself alone, Emily Dickinson (1830-1886)

'If It is True' (p.395) from THE PENGUIN BOOK OF MODERN AFRICAN POETRY edited by Gerald Moore and Ulli Beier (Fourth edition, Penguin Books, 1998) Text copyright © Richard Ntiru. All Rights Reserved. Reproduced by permission. 'Star and Dead Leaves' (p.181) from THE PENGUIN BOOK OF JAPANESE VERSE translated by Geoffrey Bownas and Anthony Thwaite (Penguin Books 1964, Revised edition 1998, 2009) Translation copyright © Geoffrey Bownas and Anthony Thwaite, 1964, 1998, 2009 Reproduced by permission of Penguin Books Ltd.

250


Commissioned�by�the�Ashinaga�Foundation

LOVE�RECKONS�BY�ITSELF�ALONE Words�by: Richard�Ntiru�(b.�1946) Tsuboi�Shigeji�(1897�1975) Emily�Dickinson�(1830�1886)

TARIK�O’REGAN

              q�=�80

        

pp

SOPRANO

If it is true

      pp

ALTO

that the world talks too much

ah

     ah   BASS  

pp

TENOR

  

q�=�80

Piano��� (for�rehearsal only)�����

  

  

 



A.

            

     

      

 

then let’s all keep qui � et and

 





 

 

�

   





si



 







4�+�3



 



ppp

 si

�







�

lence,



lence.

 

���������Copyright�©�2015�Novello�&�Company�Limited

251

 si





 







�



 







     





�

 

lence.

 

ppp

si







   





 

hear the el � o � quence of

   T.    

  



4

S.

        



 

ah



  







4�+�3

�

      

lence.

  

 

 

 

 

 


2

  S.      

a�tempo�(q�=�80)

9

p

If it is true



p

 

A.

If

T.

  

 



 

that the world sees too

     it is true

 p

    

       

much

  

that

the world sees too much



a�tempo�(q�=�80)

 





 



eyes and see the vi ďż˝ sion be

ďż˝

ďż˝

         



 





 

    



     













closed



  

 



eyes,

pp





 

eyes,

pp

 



pp

*



ah



ah







*��This�passage�(bars�14�46)�should�feel�like�a�single�melodic�line�traversing�the�Tenors�and�Basses. ����Each�ah�is�to�be�sounded�with�a�slight�accent.

252

 

ah

 

ah

 



  

  

*



eyes.









pp

closed



   



 



closed

the







neath



see the in ďż˝ ner vi ďż˝ sion be ďż˝ neath

B.











4�+�3



12

T.

 





   S.          

   

then let’s all close our

 



        

    

then let’s all close our eyes and

ah



A.

4�+�3

 



 



 


3

 ppp S.   15



closed



eyes.

ppp

 

A.

closed

  

T.

B.





ah



ah





ah

 





star

was

   ah

   ah

          



p











was

  

ah

ah

 

ah

 

ah







    



       

 



 



 



 

talk ďż˝ ing

  

ah

ah

 

with

with



the



the

with ďż˝ ered

  

with ďż˝ ered



ah

ah

ah

 

 



253

ah

 



 



    

 

 



  

      

  ah



ah

 



  

          



ah

ah

     

       

 



ah



talk ďż˝ ing



star

  

  

       

p

 

ah



           

ah



ppp

B.

ah



A

  



ah

 

19

T.

ah

sim.

 

          

A

   

     

 ppp S.   A.



   

sim.

    ah

 



eyes.

       

ah







   



ah

  




4

 S.    23

  

leaves

in the still

 

A.

B.





ah

  







the

 

T.

B.



  

  

ah



 





           

ah





stirred

ah





     

round



    

   

ah





ah





   

ah

ah

 



ah



ah

 

    

  

254

  ah

 





 ah

        

    ah

 

ah



         

ah





    

  

then,

   ah

ah

ah





 



me

  

ah



 

 

then,



round

ah













me



mp

ah



ly

ah



stirred

  



ah

   

ďż˝

mp



ly



   





wind

On

molto

ah



ďż˝

 

      



mp

ah

ah



On

     

       

wind



the

ah

ah

           

27

A.

ah

 

  S. 



molto

  

 

   

  

ah

mp

 

 



mid ďż˝ night.

  

  

ah





in the still

  



mid ďż˝ night.

  

leaves

T.



 

ah



 

ah

 

ah

    



ah



ah

 

 

 




5

 S.   31



round

me

 

A.

B.



  S.  35

ah

ah

  

  

molto



tried

     



ah

   mf

 

 

ah

ah

         

 ah

 

  







  

 

 

 

 

ah

ah

 

    

their words.

 

their words.

ah

 ah

    

  

      

255

ah

 

The

star

ah



ah

ah

 

  

star



ah

 

ah

   

 

        

 

  

ah

 

ah

 

    

f      



      

The

ah

ah

     

 



    



ah

       

to share

ah

 

ah

 





  f

ah

  



 

 





I

  

to share

f

tried

  

 

 



mf

B.



  



 

T.



f

molto A.

ah

  

    

ah

   

ah

     

 





 



I

p

  



ah

     

 

Strange ďż˝ ly for ďż˝ lorn,

  

ah

ah



then.

  

    

Strange ďż˝ ly for ďż˝ lorn,



me

   

then.



round

T.



p

 



 

    

      

ah

 


6

  S.  39

  

swooped

mf

  

swooped

B.



   

  

  S. 

ah

ah

       



B.

dead

ah





 





           

ah





leaves

But



leaves

   





ah

ah



  

ah

ah

ah

 



  

 

ah



   







     



a







       

 



not,



not, pp

    

ah

ah

ah

  

pp

 

 

 

        

ah

 

 



ppp

 

ah

ah ppp

 

ah

 





pp

  

ah

ah





 

ah

pp



could

 

  

ah

 

ďż˝

ah



ah





256



ah

ah







 

mp

ah



a ďż˝

mp

     

  

ah

 

searched



could





mp



But

ah

  



searched

ah

  

       

    

  

ah



  





  





dead



   



mong

��mong

T.

ah



 

A.

ah

I

   

ah







I

  

ah

  

 

43

ďż˝

  

mp

 

 



from the heav ďż˝ ens.

  

  

T.

 

from the heav ďż˝ ens.

 

A.



mf

ah





  

ah

     


7 rall.

 S.   47

ppp

 

could

not

ev



 

  

 

 

ďż˝

er

find

it.

ppp

 

A.



could

B.



ev ďż˝ er

find

it.

 

ord.

  



  

T.

not

ah

 











  S.    51

 







 





   

world talks too much

A.

T.

      

     

 

     

  





 





4�+�3



        it

is

true

pp



ah

pp

 













  

     





257



  

 



 

 

  

  

hear the el ďż˝ o ďż˝ quence of

  

 

      

 

             

that the

   



 

then let’s all keep qui � et and



pp

If



4�+�3

ah





a�tempo�(q�=�80)

 



a�tempo�(q�=�80)

poco

 



   



 

 rall.





 







 


8

     54

S.

  

A.



B.



si

58







lence.











  it



is



true

 

  

it

p



If





 

 



 

  





  







  

 



lence.

 



ďż˝

lence. ppp



ah









 

is

ďż˝

that



true

 the



ďż˝

 

lence.











much











 

world hears too

that

 

the world hears too much













it

is

true

  

 





  

258

 



 B.   

ďż˝

 

p



  

ďż˝



  





ord.



p

If

si

Si

If

T.

ďż˝



lence,



ďż˝

p

A.

si



ppp

    

 S. 

ďż˝



  

  



ďż˝

     



  

 

ppp

si

T.

ppp

 

 



  

 

 


9

S.

poco�rall.

   

4�+�3

60

 

A.

p

mf



                

then let’s lis �

mf

  

ten

   

then let’s wax our ears and mf

   

T.



mf

B.

   



   

4�+�3













be ďż˝ tray ďż˝ al

ďż˝ fies



pp

    ďż˝ fies

T.

B.



 

pp







be ďż˝ tray ďż˝ al









 

hears,

  





     

in ďż˝ ner mu ďż˝ sic that de ďż˝

p

     

  

that de ďż˝

of

in � ner mu � sic that de � poco�rall.

  

    

 

 





    

 





wind.

    

by the way ďż˝ ward wind.







 

Poco�meno�mosso�q�=�72



 



 





  

259









by the way ďż˝ ward wind. ppp



  

by the way ďż˝ ward

 

  

 

ppp

be ďż˝ tray ďż˝ al

ďż˝ fies,



chas ďż˝ ti ďż˝ ty

  

 

sic, p

ppp

pp

 

 

    

   

in ďż˝ ner mu ďż˝ sic that de ďż˝

Poco�meno�mosso�q�=�72

pp

�fies

A.

ďż˝

          

 

of p

lis ďż˝ ten to the mu

world

     

chas ďż˝ ti ďż˝ ty

     

   

the



 S.   63



the



 



that

to

     





 

 

(q�=�72)

ppp



Love,

 

ppp



Love,

  

ppp

Love, (q�=�72)

   

   

 

 


10

 S.  

 

67

A.





 





B.

  



 

 



 

pp

 

 



 









love reck ďż˝ ons by

   



pp

 

love reck ďż˝ ons by

  









 

 

 S.    73

A.

T.

B.

         

  

“As large as

pp

love reck ďż˝ ons by T.

p

   



 

re ďż˝ late pp

 

re ďż˝ late pp

 

re ďż˝ late



 

 

 





  









 



it ďż˝ self a ďż˝ lone,

it ďż˝ self a ďż˝ lone,

 



 

 





 





 







 













 





 



the

  

 

 

the







the



  

Sun

Sun



 

To p



To p



one who

one who

one who

Sun

To

 







 

 



 

one who

260



 

p









 

pp

I�

  

it ďż˝ self a ďż˝ lone,

To





 

 

ne ďż˝ ver

ne ďż˝ ver

ne ďż˝ ver







 

ne ďż˝ ver



 

 

 

  

felt ďż˝ it

  

felt it

blaze,



  



felt it

mf



mf



mf



blaze,



blaze,

  



  

felt it



blaze,

 



 







 






11

      77

S.

A.

T.

B.

SOLO mp

 

   

OTHERS mp

molto

   

It

    

  

f





It

   

  





It

 









 

q�=�80 TUTTI

  S.       82

pp subito

If

it

is

    

true

ďż˝

ďż˝





 







mf



ďż˝



mf

self is

 

 



 

 

 

 

    that the

 









 













  







   



  



 

 

 





   

   

world talks too much



has.



    

 



ah

has.

the like it





    mf

all



has.

has.

the like it

   



the like it mf

all



  

   

all

self is

pp subito

 

it

   

 T.   

q�=�80

like

self is

ah



all the

   

pp subito

A.



f

f





 

f



f  

     4�+�3

ah

  

 

        

  

 









 

then let’s all keep qui � et and













261

4�+�3





 





    

  


12

  S.     85

A.

 

             

hear the el ďż˝ o ďż˝ quence of

T.

  B.        

     

 

   

 

ďż˝ lence.

ďż˝ lence.

T.

    

   B.   





 

  

 

ďż˝ lence.

      

si

ďż˝

si

ďż˝







lence,



ďż˝



lence.

ďż˝

ppp

Si

 









 





ďż˝



ďż˝



 



si

ďż˝



ďż˝

ďż˝

 

a�tempo�(q�=�80) p

    

If

 









   S.   A.

  



ppp

si



89



 

 

ppp

it

is

true

that the worldmoves too

p

    



If

it

is

 

true

p



  

ah

  



much

that the worldmoves too much



   

a�tempo�(q�=�80)









 



 









262



 

 

 



 







 


13

   3�+�4 S.    92

 

then

  

A.



      









let’s





stand and

 

then let’s stand sta � tue � still

T.

  



3�+�4











  

 





and

94





trees that move with ďż˝ out be ďż˝ ing



A.



  



  

trees that move with ďż˝ out be ďż˝ ing

T.

B.



 

   be

ďż˝

 









 



ďż˝

  

 

ing

 



 

i ďż˝ tate

 





ďż˝



ďż˝



Love,

 

  

263



the

 



of



 









stub ďż˝ born will



  



 

  



p







of

 

pa ďż˝ tet ďż˝ ic.

 



pa ďż˝ tet ďż˝ ic.

pp

pp



stub ďż˝ born will

 

pp

 

the



Love,

  

i ďż˝ tate



pp

per ďż˝ i



  

im ďż˝

per ďż˝ i



  

   



  



im ďż˝

 





  S.   

  

Love

 

p

 

love

 



 





 



p



love





 






14

 S.   98

T.



Love





ďż˝

  

ons



  



by

 

 

    

 

A.

  

T.

B.







large





 

as



 

re





I�

re

ďż˝

self





it

ďż˝

ďż˝

 



I� re � late

 

ďż˝

f







f



Sun

To

264





f



Sun

To



   









one





 one

 

 

one

  





one

To

  

“As large

mp

“As



f

 

 

To

 

 



Sun







  

mp

 

  



“As large

 

a ďż˝ lone,

  

ďż˝ lone,

 

  

late the Sun

     

a



 

the

 





late the

 



mp



lone,

self

 

 

“As large





 

mp



lone,

ďż˝







  

 

self a





I�

as

ďż˝

ďż˝

  

ďż˝

 

re ďż˝ late the



as

  

I�



it



self a

   



as



reck ďż˝ ons

104



it

 

 

ďż˝



by

by

 

it









 S.  





by

reck ďż˝ ons

 





reck ďż˝ ons



   reck







 

A.

B.

p



 

 



 

   

 


15

 S.   110





who

who

   B.  





  S. 

who



 



 ďż˝

B.



  ďż˝

is

is





  

self



all



all

  









 

 







  

  



265

 

 



the





 





 

 

like

the





it



it







like

ďż˝



 







self

It

 



 ďż˝



like

  



ff

the

all

 



It

blaze,

the

is



blaze,

ďż˝

ďż˝





it



all

It

ff

 

  





is







blaze,



 



 It

ff

it

  





�self

   



self

felt





it

  

 



blaze,





felt

 



felt it





ver

ver

 

felt







ver

ver



  







ďż˝

ďż˝



ďż˝

ďż˝

ne

ne

 

T.





116

A.

 



who



ne

ne



  

T.





 

A.



ff



 

it

  like

 



 



 

    



has,

  it

 



  






16

   122

S.

p

B.



  

has,

 



the

like

p





has,

 

   

 S.   

A.



B.





is





   

 

it



has.

    

 

   

 

 

  



if



it

if



if

it

has.



it

is





it

is





 

 

 

 



true.

 



ppp



it

 



 



true.



If

pp



If,

pp



If, pp



If,

 



true.



     

 

is

ppp







ppp







 





 ppp

 





true,



  



like

  

has.



q�=�72

 





pp

  

T.





 



like it

 

has.

 

the

the

128

it

like it

 

 p

T.

the

p



A.

 

 

has,



Poco�meno�mosso



is

Poco�meno�mosso q�=�72

 

 

 

true.









 



 





 

 





   

  

   New�York�City,�December�2014

266


Ronald Corp SUSANNI for SATB choir unaccompanied

NOVELLO

267


SUSANNI A little child there is yborn

Words anon. 15th century

RONALD CORP

Moderato

                   mf

SOPRANO ALTO

A

TENOR BASS



lit

- tle child there

  

is

y - born,



       

su - san - ni, su - san - ni,

su - san - ni.

                     

Ei

-

-

lu - ya, To

-

a,

mf

             

And

he



sprang out

of

Jes - se's



save all us

thorn,



8                               

Al - le - lu - ya, al - le

a, ei

     



     

4

mf

      

that were for - lorn.

                            

 

Now     

for - lorn.

   

 

13

                    Ei -

a, ei

-

a,

su - san - ni, su - san - ni,

                                Je - sus is

the

child - es

name,

Words collated by Percy Dearmer (1867-1936); from the Oxford Book of Carols by permission of Oxford University Press Š Copyright 1986 Novello & Company Limited

268


2

         17



                



Al - le - lu - ya, al - le - lu - ya, And

                                     su - san - ni.

And Ma - ry mild she

is his dame;

game                              22

so





our sor -row is

turned to

game. game.

         

It



fell

up - on



the high mid - night,





                             27

The stars

                         Ei -

a, ei

a,

-

       31

fair





   

and bright,



       35

su - san - ni, su - san - ni,

 

    

Al - le - lu - ya,

might.



     

al - le

-

lu - ya

      

 

they

shone both



       

The

an - gels

sang with

       

 

      Ei - a, ei - a,

all their might.

     

su - san - ni.

       

Three kings there

269

               came with their pres - ents


               40

3

   

              su - san - ni, su - san - ni,

      44

       

Al - le - lu - ya,

    48



  



su - san - ni.

     

al - le

-

lu - ya

      



               

Of

myrrh

and gold

and frank - in - cense,

       

As

clerk - es

sing

in

       

     their

se - quence. se - quence.

   

se - quence.

sit we down up - on our knee,                        

f Now

f

f

Ei

-

a, ei

-

a,

our knee, we down up - on sit                        

Now

f

           52

     

                    su - san - ni, su - san - ni,

         56

Al - le - lu - ya,







     

su - san - ni.

        And

pray

we to

the

        

     

        

       

       

al - le

-

lu - ya, Our

270

      Tri - ni

-

ty,

   

molto rall.

     

help,

for

our suc - cour

to be.

    


Adr ian Lucas MARY, THAT MOTHER MILD for SATB choir unaccompanied

NOVELLO 271


2

Mary, that mother mild from the Kölner Gesangbuch 1623 arr. Adrian Lucas

Lento

SOPRANO

c

1. Ma - ry, that moth- er 2. Lord, suf - fer now thy

ALTO

mild, thrall

Sped, with her heav’n - ly child, To fare in peace with - all,

To For

mild, thrall

Sped, with her heav’n - ly child, To fare in peace with - all,

To For

Sped, with her heav’n - ly child, To fare in peace with - all,

To For

c 1. Ma - ry, that moth- er 2. Lord, suf - fer now thy

BASS

To For

c 1. Ma - ry, that moth- er 2. Lord, suf - fer now thy

TENOR

Sped, with her heav’n - ly child, To fare in peace with - all,

mild, thrall

c

1. Ma - ry, that moth- er 2. Lord, suf - fer now thy

mild, thrall

Lento

Piano (for rehearsal only)

c c

5

- day from Beth - le - hem why mine eyes have seen

Un - to Je - ru - sa - lem: My Sa - viour Christ, I mean

She to the tem - ple The Gen - tiles’ can - dle

- day from Beth - le - hem why mine eyes have seen

Un - to Je - ru - sa - lem: My Sa - viour Christ, I mean

She to the tem - ple The Gen- tiles’ can - dle

- day from Beth - le - hem why mine eyes have seen

Un - to Je - ru - sa - lem: My Sa - viour Christ, I mean

She to the tem - ple The Gen- tiles’ can - dle

- day from Beth - le - hem why mine eyes have seen

Un - to Je - ru - sa - lem: My Sa - viour Christ, I mean

She to the tem - ple The Gen- tiles’ can - dle

© Copyright 2012 Novello & Company Limited. All Rights Reserved. International Copyright Secured.

272


3 10

there bright,

Babe And

Je - sus needs must bear; Is - ra - el’s de - light.

And A

there, at God’s com pro - phet- ess then

there bright,

Babe And

Je - sus needs must bear; Is - ra - el’s de - light.

And A

there, at God’s com pro - phet- ess then

there bright,

Babe And

Je - sus needs must bear; Is - ra - el’s de - light.

And A

there, at God’s com pro - phet- ess then

there bright,

Babe And

Je - sus needs must bear; Is - ra - el’s de - light.

And A

Si - me - on An - na was

stand: name:

there, at God’s com pro - phet- ess then

14

- mand, came,

Good And

- mand, Good came, And

Si - me An - na

- mand, came,

Good Si And An

- mand, came,

Good And

-

-

Si - me An - na

-

on was

did her

did her

-

me na

on was

did her

273

on was

did her

The Of

stand: The name: Of

old man Ma - ry’s

stand: name:

old man Ma - ry’s

stand: name:

The Of

The Of


4 17

old man fond - ly Ma - ry’s gen - tle

fond - ly gen - tle

fond gen

pressed boy,

pressed boy,

-

to his ho - ly

The in - fant to his Spake she with ho - ly

ly tle

old man fond - ly Ma - ry’s gen - tle

in - fant she with

The Spake

pressed boy,

in - fant to his she with ho - ly

The Spake

pressed The in boy, Spake she

-

-

fant to his with ho - ly

breast, joy;

The E’en

breast, joy;

The E’en

breast, joy;

The E’en

breast, joy;

The E’en

21

Christ ex - pec - ted so, Christ- child, draw

long, near,

Christ ex - pec - ted so, Christ- child, draw

long, The near, Our

bur souls

Christ ex - pec - ted so, Christ - child, draw

long, The near, Our

bur souls

Christ ex - pec - ted so, Christ- child, draw

The Our

long, near,

-

The Our

Order no. NOV295702

274

bur - then of his souls in such wise

-

-

then of his in such wise

then in

of his such wise

bur - then of his souls in such wise

song. cheer.

song. cheer.

song. cheer.

song. cheer.

Novello & Company Limited 14/15 Berners St, London W1T 3LJ www.musicsalesclassical.com


Paul Mealor BEHOLD A TENDER BABE for SATB choir unaccompanied

NOVELLO 275


  



 Commissioned by the Hauser-Oberschneider family to celebrate the 150th anniversary of Summer Fields School

276


for my great-nephew, Joshua David Walton, on his birth 2015

Behold a tender babe Extracts taken from Robert Southwell’s ‘In Freezing Winter Night’ 16th Century

  SOPRANO   

PAUL MEALOR

Lento con espressione q = c. 66

   pp

    

be - hold a ten - der

Be - hold,

pp

ALTO

pp

Be - hold,

   

pp

pp sub.

pp

BASS

Piano (for rehearsal only)

     



 

 S.   4

      

pp

      

   

   

p sub.

pp

T.

B.



   - hold,





p sub.

    

 



   be - hold

                 

       



       p

in freez - ing win - ter p

   

In freez - ing win - ter,

       

  

   

      

   

   

in freez - ing win - ter p

in freez - ing win - ter

p



In freez - ing win - ter,

     



pp

In freez - ing win - ter, pp

  

  

In freez - ing win - ter,

pp

be - hold,

   

     

be - hold a ten - der babe,

pp

A.

  

be - hold



 

Be -

pp



    



be - hold,

pp sub.

     

pp

be - hold,

Lento con espressione q = c. 66

 

be - hold,

   

be - hold,

Be - hold,

babe, pp

be - hold,

  

  

pp

  

   

be - hold,

       Be - hold,

TENOR

pp

      





   

  

   

Š 2015 Novello & Company Limited

277

   

    

in





  

    

freez - ing win - ter

  

   

   



  






2 rit.

 S.  

    

7

night,

A.

 



A

 

In win - ter





night, f

         In freez - ing win - ter mf

  

mf

B.

  



 

In

  



 

B.







 

 

      ah

  

 

       

        p

in freez - ing win - ter

In home - ly man - ger

        p



night,

In home - ly man - ger

A a tempo    

 



 

 

 



 

 

tremb - ling



 





 

 

ff



  

 

   

 

     

 



  

       

ff



ppp

    



     

A - las!

A pit - eous

sight!

     

 

A - las!

    ppp

ff



A - las!

  

278

A pit - eous

sight!

    

 

A pit - eous

sight!

 

molto rit.

       

        

ppp

   

lies:

    

ppp

A pit - eous

ah

     tremb - ling lies:   

p

In home - ly man - ger

       

f

 

ah

night,



ff

lies:

tremb - ling

T.



ter

  



molto rit.

10

  

 

  

  S. 

A.



night,

freez - ing win - ter

rit.

-

f

In freez - ing win - ter

T.

p

       

night, in freez - ing win

mf

    

a tempo f

   

  

        

      



     


3



  S.   14

sight!



   

T.

B.

 

   

A.

 

     



B a tempo

   



pp

pp

This sta - ble,

     

-

ce’s

     



this sta - ble,

            

   

This crib His chair,

pp

pp sub.

     sta - ble,

 



 



 



   







this crib His chair, p

    

pp

    

     

p

 

  



 

 

 

279

  

     p

this crib His chair,



This crib His chair,



      

this crib His chair,

pp

pp sub.



p

    

This crib His chair,

 

            



This crib His chair,

this sta - ble,

          



this sta - ble,



       

      

court,

this

pp

pp



 

this sta - ble,

this sta - ble,

pp

B.

pp

pp sub.

      a Prin

T.

     

this sta - ble,

        

pp

18

pp sub.

     

this sta - ble,

pp

this sta - ble,

pp

    

This sta - ble,

   

      this sta - ble,

pp

            

   

court,

pp

B a tempo           

 S.   A.

a Prin - ce’s

     

pp

      



This sta - ble,

This sta - ble,

   

pp



this





  

   crib His chair,



 

  

 

  








4

C

rit.

 S.  

    

21

 

A.

His chair

f state;



 

of

state, This crib his chair



mf

    





        This crib His chair of mf

  



This

crib His chair

of

 



 

rit.

  

 

 

   





 

 





state, f

chair

       

p       

of

The beasts are par - cel p



  

state;

    

The beasts are par - cel

a tempo

C  

  



  

 

 

 

 



 



  

 

             

     

24

ah

ff

 

   

of

His

pomp,

of

His

pomp,

     

        



ah

ff



ppp

  

ppp

   

       

The wood - en dish his

plate.

ppp

The                     The wood - en dish his ah

     of

B.

His pomp,

     



 

of

   

His



    ppp

ff



pomp,

    

   



his plate

ff

T.



molto rit.

  S. 

A.

p

The beasts are par - cel

      

his

ah

state;



state; f

of

  





of



mf

B.

p

       

f

This crib His chair

T.

a tempo

    

The wood - en dish his

molto rit.

                  

280



 

      

   

his plate

  

 plate.

 plate.

 

 



  



  


5

D

  S. 



         

T.

B.

 

 

  

 S.   32

to



     

poco rit.

 thy

to

 

T.



thy



  

 

 

to

thy



 

King;

   

Chris - tian wight,



 







 

 

 

 

 



 

  



Do hom - age

        ff

with joy, Do hom - age

    

ff

 

  

with joy,

 



    

  

 

     



Do hom - age

a tempo



 ah

fff

              

  

 

 

     

joy,

and praise

fff

 



With joy,

poco rit.

a tempo

  



  

  

and praise



    

281

 



ah



With fff





 

With joy we high - ly

                



a tempo

fff

 

King;

   

  

Do hom - age

with joy,

poco rit.

ah

  

 

with joy,

   

Chris - tian wight,

ap - proach, O

King;



ah

ap - proach, O

a tempo

           

A.

B.



 

  

ff

 



       

D

   

ff

Chris - tian wight,

f

With joy

 

ap - proach, O

      

  



f

With joy

 



O Chris - tian

      



   



Joy! f

With joy

a tempo

poco rit.

f    

28

A.

a tempo

 his

 hum -



ble

pomp,

    

praise

his hum - ble





his

hum

      



 

   

 -

  

ble

pomp,

   

pomp,



 

    


6 rit.

 S.  

fff

   

With joy,

T.

  

   

fff

B.

  S. 



and praise

his

 

  



and praise

 



 

   



 



 







Solo

molto rubato

bri(ng).*

  

heav’n

doth

 

heav’n

  

   

Which he

from

heav’n

doth

Adagio con espressione q = c. 52



 

 

 

 

 

 







    

 











   







stagger breathing

 

 



ppp

    joy

stagger breathing



 

doth

   

pp



ap - proach, O Chris - tian

ah ppp

 

 

ah

molto rubato

 

 

from

    



       

Which he



doth

from

     

E

  



Which he

pp

  

 

     pp

pomp,

 

   

from heav’n

pp

 

 

  

Which he

pomp,

 

 

With

   bri(ng).*

B.

 

his hum - ble

hum - ble

              



bring.

T.

his

rit.



 



pp

pomp,



With joy we high - ly praise

bring.



hum - ble

Adagio con espressione q = c. 52

    

 



     

39

A.

 

      

With joy,



  

E

 

ah

fff

  





ah

fff

A.





35

   











  



   

*gradually change vowel sound to ‘ah’

282







   








7

   

rit.

44

T.

B.

  

 

wight,

Do

hom

  



   

 









  



50

A.



  

B.



 









  

















  



Be - hold,







  a

 



  



 



 







  





babe,





a

babe,

  





a

 

babe,

  







be - hold

a

babe,

  



283

 











   



In



 



 

ten - der



King.

 

be - hold

ppp

 

  

be - hold

  





be - hold

ppp

thy

 

 

  



to

rit.



Be - hold, ppp

hom - age

 

  

ppp

   

 

Be - hold,





Do

Be - hold,

T.



age

  

 S.    



-





 



In



In



 In





 


8

 S. 

rit.

53





freez - ing

A.



-



 



ter

night.

 



freez - ing

T.



win



   freez



- ing

 



freez - ing



win



win

-

-



 



night.





Solo

ter





night.

ter

 -



ter



 win







pp

 A

 ten -



 

der

babe.





B.

  



freez - ing



 win

-

 

pp



ter

rit.





night.











 

 





 

 

284

  







   




Owain Park CRADLE LULLABY for upper voices and piano (or organ)

NOVELLO 285


Commissioned by the Wells Cathedral Chorister Parents’ Association

286


For James Matthias Benjamin Owens and his parents, Matthew and Ali

Cradle Lullaby

Northeastern Cradle Song

OWAIN PARK (b. 1993)

     UPPER  VOICES 

Lusingando q = c. 80

Piano or Organ









                          p legato sempre              con Ped.

       5



       









 

Lul - la - by,

 

   

        

          

          9



lul - la - by,

      

A FEW VOICES p dolce e legato

  



My good ba - by,

   



   

 



   



   

mp

  

Hush - a - bye,

                

           

   

Š 2015 Novello & Company Limited

287

sing

p

sleep.

   

 

mp



  sing

 

      


2

      



      



13



p





hush - a - bye,



16











p









by,



         







  





sleep.





 

   

        

   

 

       

   

mf

I

wind is quiet,

II

wind is quiet,

the

the

mf

tree leaves hang

 

tree leaves hang

      

              



 





   

TUTTI



mp

  

  



   









The



    



  

 

        

20



Sleep now ba -

                





moon is



 

   

the

 

mp

   



win - dow,

      o - ver the

bright,



      o - ver the

 



win - dow,

mp

    My

    mp

My

                

mf

288

    


3

        23





lit - tle

ba

      

rall.







-

by,

go

to

 







      

a tempo

26

    



  

Sleep,

dream - ing sweet

   

          p

       30

I

 



 

Lul - la - by, II mf

      

 

Lul - la - by,

     mf



         

  sing

 







 



 





dreams.

cresc.

  

sing

lul - la - by,



   

  

 

 



 

 

My good ba - by,



        

 

   

lul - la - by,

289

ly,

   



  

     



-

 







 

-

  



    

mf







quick

  

 

p

sleep

 

mp

          







My good ba





   

   

-

by,



 


4

     



33

  

sleep.

Hush - a - bye,

     

  

     

     

sleep.

      





Sleep now ba - by,



Sleep now ba - by,

mp

           39

 dim.

 

         p espress.

  



hush - a - bye,

      

f

     





 





 

 

 









mp



The

moon

 

          290

 









 

is bright,

mp dolce

 



 

 

   

   



       

  

sleep.

 

  

hush - a - bye,

sleep.



      

 

      

36

  mp      

sing

  



f

 

  



    mp     

f

sing

Hush - a - bye,

  

  

     

the

    




5

         42

wind is quiet

       

mf



 

 

  

soft -

  





cra - dle mo - ving

  

     

46

the

 

 

      

     

 

ly,

 

   

mf

       

p    SOLO      50

mp











  

         



p



 

     

   

Sleep,

dream - ing sweet

 

    



 

 



   





dreams.



dreams.

     

    

   

p

Tempo primo

dream - ing sweet

OTHER VOICES



          

   

  

Sleep,

     



lit - tle one,

 



   

My



Un poco meno mosso

close your eyes,

      

  

              

rall.

 

p

  



  

 

            cresc.

291

 

  



 

   

  


6

       54

mp dolce e sospirando

SOLO



I









 

Lul - la - by,

II mf

        



Lul - la - by,



     mf

      

   

 sing

 

mf

     

  



  

sleep.

  

     

     

sleep.







  

sing

  sing

               

292



   My good ba

     

Hush - a - bye,





              

Hush - a - bye,

     

         

    My good ba - by,

lul - la - by,

ah

     

  

sing lul - la - by,

         

57



ah

mf

     



-

by,

             





   

f

ah

  

f



hush - a - bye,

  

f

hush - a - bye,



       

f

   


7

     

mf

60



  mp       





Sleep now ba - by,

   mp       

    

      64

    

    



soft

-



rall.



ly,

 









sleep.

 



 

mp

 

 

   



   

      

Meno mosso



 p

SOLO



Sleep,



       

OTHER VOICES



  



      pp

p



               

rall.



   

    





  



pp

dream - ing sweet dreams.



mm







sleep.

Sleep now ba - by,

    



mp

     



dim.

   

293



ppp

          

ppp

   

      


Owain Park LULLY, LULLA for ATB divisi choir unaccompanied

NOVELLO

294


For the Vicars Choral of Wells Cathedral

Lully, lulla Coventry Carol; Pageant of the Shearmen and Tailors, 15th Century

   

OWAIN PARK

Andante e sospirando

ALTO 1

TENOR 1

p dolce e cantabile







Lul - ly,

    





lul - la,

thou



pp estinto

 



lit



-

tle



Lu...





...la,

lul



child,

By



lul

pp estinto



-

-

-







by,

lul - ly,







lul -

la,





la,

lul



  BASS 1  



   













    













   













ALTO 2

TENOR 2

BASS 2

-

-

la,

Andante e sospirando

Piano (for rehearsal only)

     

 



 



 

  





 

Š 2015 Novello & Company Limited

295





  



  



 




2

 A.1    7

pp



- lay.

    lul

T.1

oo

pp

 -



lul

-













  











B.2





oo















pp





oo

 



  

oo

p poco fuori ma misterioso T.2

oo

oo

pp

lay.







oo

lay.



  B.1    A.2  



  

oo

 









pp















Lul - ly,

 

 







  



   

296



  



mp molto teneramente

 





 







lul -




3

 A.1    14





   





   



T.1

B.1

A.2

  

B.2





























 oo







oo













oo





















oo

   







- la,

thou

lit - tle ti - ny

child,

By

by,

 



    











oo



 





oo

   

T.2



  

lul - ly,



297

 

  

lul - lay,

  

 





  

 

    

 




4

 A.1   







20

 

T.1

B.1

A.2

B.2

  











oo















oo

   

T.2









 oo



oo









  











 



 

   

oo



 



thou

lit - tle

 

  

  



ti - ny



 



 child,





 





298





By

by,



     

 lul

-





ly

lul -

    

 




5

 A.1    25

   

T.1

B.1







B.2







By

by,



mp



 

 

   



 







 

mp



   



O

sis

-





ly

lul

-

-

lay.





lay.









By

by,

lul - ly

lul

-

-

















By

by,

lul





By

by,

mp

 

too,

lul







ters

ly





mp







lul



-



mp



mf risoluto ma patetico

 

lul

by,

 

-



By



SOLO ( 30)

lul

by,









- lay.



B.1



By

 A.2    T.2

mp



-

-



ly

lul





ly

lul



 

 





-

-

lay.

 





lul - ly

lul

-

-

 lay.





 



 























how

may

we

do

For

to

299



lay.





lay.









   pre -


6 36 B.1

(SOLO)

  

  





  



we do

sing,

- serve

41 B.1



this

whom

 A.2   47

T.2

 



This

p lamentoso







by

by,

lul

-

   

f stridente

    

f stridente



He - rod, f stridente

He - rod,



 the

  



 king,

   



 the

  



In his

rag



  

lul

  

-

ling,

For

-



 rag

-

     -



ing,

 

    -



ing,

  Charg-ĂŠd

       



lay?

In his



   

300

-

king,

rag

-





   

the

-

    

ly

     -

young



In his

king,

 



  





poor



He - rod,

     B.2  





day



 





mp piangevole

  

 he

      


7

 A.2    52

- ing,

T.2

hath

this













58

might,

  

his

(64 )

  

day



That

   



 



woe

 





All young child - rĂŠn

to

slay.







 







 

 

 

is

me,





to







Poor Child

In





In

his

own









 

 





 

slay.



slay.

p













for

thee!



 





301

 

to





 





might,

p

 

mp smorzando



  

mp smorzando

All young child - rĂŠn

 





All young child - rĂŠn

 

  

of

might,

of

mp smorzando





men











  

of

 

own sight,

mp affettuoso e dolce



men

  



SOLO



His

meno f

His

men



  





  







His



own sight,



meno f





his

 







meno f









  

day

  

 

In



this

day



sight,



this



  B.2   

hath

  

 



 A.2     

A.1

he

      Charg-ĂŠd he hath 

  

 

Charg - ĂŠd

  B.2  

T.2

 





And

 







 e

-

  

ver





  

morn

and


8 (SOLO) 71

  

  

A.1

day,

     77

A.1

p

By

by,

 

T.1

 A.2  



B.2







part

thy

-

ing

Nei - ther



lul -





ly

lul

-





lay!









 



say

mp dolce e cantabile



Lul





- ly,

mp dolce e cantabile





TUTTI









mp dolce e cantabile





p sonoro





mm



nor

sing





p sonoro









lul -

la,





lul -

la,





lul -

la,



thou



thou

 thou

















 



mm

 

For



Lul - ly,

 

T.2

    

Lul - ly,





  

TUTTI





B.1









p sonoro



mm



















 



302



 



 



 

 




9

 A.1    83

lit

T.1

   lit

B.1

    lit

 -

tle

 -

-

B.2



child,

 tle



By



lul





-



ly

 



lul





rallentando e diminuendo al fine







child,

By

by,

lul

lul



lul



-

-

ly



by,

 

lul

-









-

 

lay.

 

lay.

 

  

mm







 

 





 





 

rallentando e diminuendo al fine

oo

 





 



 



 



 



303

 

 

 

 

    



mm





rallentando e diminuendo al fine



 

 

 



mm

mm

-

mm

 

 

lay.

ly

rallentando e diminuendo al fine





 

By

mm



by,



mm

   





rallentando e diminuendo al fine



mm

  

child,

tle

 A.2   

T.2



rallentando e diminuendo al fine



      










Owain Park SHEPHERDS’ CRADLE SONG

for SATBarB divisi choir unaccompanied

NOVELLO 304


To Iain and Naomi, on the birth of your first child

Shepherds’ Cradle Song JOHN DAVIES

OWAIN PARK

    SOPRANO     

Peaceful and serene c. q = 80



     



pp





p





mm



 

  

doo doo doo doo

 

doo doo

ALTO

     

p gently

      

doo doo doo doo

        doo pp

TENOR

BARITONE

BASS

  



       









doo doo doo doo





doo

    

 

doo doo

  

doo

pp



doo





doo

 doo



    

doo

doo doo

pp







doo

doo

doo



 



Peaceful and serene c. q = 80

Piano (for rehearsal only)

          

  

  

 

  



  

Š 2015 Novello & Company Limited

305

   

 

   

  

 

   


3

  S.     4

   mp



Lul

    

 

-

    mp

  

doo doo doo doo

Lul

-



la



la

-

-

 



 



oo

by.

by.

   p





p

   oo

A.

    

T.

Bar.

      doo



   



   

mp

Lul



pp



-

-

la

-

Pno.

la

-

 -

mp

p

  Sing

  







O

 

Lul

    

by.

en dehors

  

-

mp

doo

      

  

la

-



  lul

-

la

 

  



       

  

306



 



slum - ber

heav’n - ly

   p



oo

by.

-



  

by.

p  Slum -

  





p

oo

 

Lul

    

 

by.



         

B.

      



mp

doo

   

la



mp

Lul

     

-



 



by.

 

 





 



ber,

p

Slum -



   

mm

   

ber, mm



      

  

  

 

  










4

   S.       

  



        

  



8

oo

A.

Bar.

       trea



sure,





Sleep

     



       

  

Slum



 

well,





   

thou dar - ling





oo







child;

  

  

  

  

doo doo



-

ber, mm

oo

-

  



 

While

oo

 -



oo

oo

T.



mp

doo

doo doo

doo doo

  doo doo

B.

     

Slum

     Pno.

    

     

ber, mm

  

oo

   

 





    

doo



 







307

  



  

  





doo

doo

   










5

     S.           11

an - gel

A.

shall fan thy brow

wings

       

wings

T.

Bar.

With

gen - tle mo

    

          



  



   



doo



doo

    doo

tion



 

 

doo

doo

doo

   



-

  

oo

doo doo doo

   

oo

brow

       oo p

  

      

     shall fan thy



ah

  

oo



B.

      

doo

    Pno.

    

      

    



doo doo doo doo doo

ah

 

 

 

 

  

 

 

      

      

308

  



 doo

          

        

 


6

   S.      14

mf

mild.

A.

T.

Bar.

   

 

  

 

    

We shep - herds poor

     

mf



are come to

mf   

      



 

are come to

doo



doo

            doo doo doo doo

doo

 

are come to

  

mp

shep



-



sing

doo

 

doo



  



oo

 

sing

A

    

We shep - herds poor

mp

sing

    

We shep - herds poor

      

 

  

doo

doo

 

p

A







   

herds,

doo

doo

doo doo doo doo

B.

       

mild.

    Pno.

  

      

mp

  







shep - herds,

   

       

come

     

 

 

 

  

309

  

    

 

to

       

doo

doo

     



  

     


7

  S.        17

mp

     

lul - la - by,

A.

    

a

Doo doo doo

doo

 

doo doo,

mp

T.

Bar.

King.

 

 

    

doo doo doo doo

           A lul - la - by,

  

un - to our

lul - la - by

p

      

  

doo

King.

           a

       





lul - la - by un - to our

    



   

oo

lul - la - by,

            p

lul

 

   -

mp

  

oo

King.

lul - la - by

Lul

la

  -

 -

la,

B.

        p

  

doo

   

 

doo

 

   



 

 





doo

 

  

doo

 

 

doo

 

 

  



 

   



 



 





doo

Pno.

    

  





 

310





mp

Lul

   



-

la,

        




8

  S.      20

      Lul

-



  



  

la

-

-

-

 



 



by.

A.

   



Lul

T.

Bar.

      Lul

-



la

   -

 -

la

-

      

- by.

     

lul

  

 

-

-

la





     



   



-

-



-

by.

-

     -

-

 mp

  Lo,

by.



  -

ry,







 

now with

 Ma

mp



        

p

Doo doo doo doo doo doo doo doo

by.

B.

       lul

    Pno.

 -

   

        

la

-

-

-

  

   

  



  







by.

  



 

311

 



p



mm

 









    



 









 




9

   S.  23

   

SOLO



pp



ah



        



  



mp

  

Hath



laid

thee



to

sleep,



A.

      

p

         doo doo doo doo doo doo doo

lov - ing hand,

 p    ah

T.

mp

  



down.

p            

Bar.

doo doo doo doo doo doo doo doo

   

ah

mp





doo

    

While



 





p

mm



ah

mm



       





ah

doo doo doo doo doo doo doo

B.



  

ah

    Pno.

  

   

  

        



  mm

            

  

 

 

  

     

    

312


10 26    S. 







  p                 

    

  







  

mm

at thine head

doth

stand

 

A faith - ful watch

to

A.

        

Jo - seph at thine head

doth

         

T.

    

Bar.

ah

stand





A







mm

   

mf





faith - ful watch





 

to

    to



ah



doo



    



mm

doo doo doo

ah





        

 

B.



     

Pno.

  





       

   

  







ah

     

 

313

 

   

        


11

   S. 



   



29



keep.

 mf

  Now



  

   

  

   

on their straw

the ox - en

    

mild,

A.

   





keep.

T.

Bar.

mf



Now

      keep.



   



   



      



on their straw



mf



now

 



Now



 

mf

the ox - en



on their straw,

mild,



ox - en,

   

on their straw



 

on their straw,

  

mf

the ox - en

  

 

mp





the

ox

  -

en Are

        mild,



ox - en,

mp





the

ox

  -

en Are

B.

    Pno.

  

   



mf



now

 

 



on their straw,

 



ox - en

mild,

       mp

Doo doo doo doo doo

 

 

  



    

 



  

 







 

  



   





 

 

 

 

314


12

   S.  32

SOLO p

 

rall.

  

doo doo doo doo

 

 

doo doo

a tempo

  

  

doo doo doo doo

  pp  





oo













pp



mm

A.

 pp   oo

T.

Bar.

   



are

  doo

doo doo

 

doo

    

     

ly - ing still,

are

 

  





ly - ing still,









 

doo doo

   

ly - ing still.

  

p

Doo doo doo doo

    

        ly - ing still, pp











p



Sleep

B.

      

 

pp

doo

    Pno.

  

ba





doo

rall.

          

     

    

   



 

  

315











doo



Sleep



a tempo



 

 

p

      

 


13

  S.     35

    







  

  

 p





 

  

Doo doo doo doo

 

doo doo,

 

doo doo doo doo;

A.

   

 



  







  

    





 



 





doo doo doo doo

Doo



      doo pp

T.

Bar.

    

doo



     

pp





Ho - ly

doo

doo doo

pp







Doo

doo

doo

doo

 doo



pp





Child.

doo

doo





 

B.

        

 

    

 







Ho - ly

Child.



  

  

Pno.

 

 







p

Sing

      

  



316



    



     





  


14

     mp S.       38

TUTTI

Lul

-

         mp

A.

Lul

        Lul

-

mp

T.



la



la

-

-

 -

la

-

 



 



 

by.

mp

Bar.

              Lul

-

mp

       Lul

la

-

 -

la

-

oo

by.

by.

  

   p



oo

p

   

   oo

mp

  



O

oo

  



slum - ber,

 





heav’n - ly trea - sure,

    p





oo

by.

 

 

  



 

by.

Slum -

oo

 

  

p

ber, mm

 

Slum -

  

ber, mm

B.

      



mp

lul

Pno.

-

la

-

    

  

     

       

  

 

by.

Slum -



 





 





 

317

ber, mm

Slum -

 

  

ber, mm

      

        



 

  

p

 

 

  

  

 

 


15

  S.        42







oo

A.





oo

T.

Bar.

    

          While

       

      Sleep

mp

 well,





   

wings

    



dm

shall fan thy

 



            



ba dm

oo

    





doo doo doo doo

        

    

dm

   

p

oo

     

shall fan thy

oo

thou dar - ling child;



an - gel wings

    doo

B.

       dm

    Pno.

    

dm

         



ba dm



 

        

doo







doo

doo





doo

    dm

dm

 

dm

 

            

           

             

  



318


16

     S.     45

brow

A.

     

Bar.

  

With

gen - tle mo

mild.

  



 

-

tion

oo

        

  

   



     

-

    

      

brow

T.





    ah



 

doo

doo

   oo

But

mf



But



  

oo

mf

 

mf

But

    doo



doo

doo

      



doo doo doo doo

doo

B.

       

  

dm

    

    

    

 

Pno.



    

ba

doo doo doo doo doo

      

       

  

        

319



 doo

 

mild.



 

  

  



   

         


17

   S.     48

 

     be thine at

now sweet dreams

A.

     

 

be thine at

Bar.

night,

night,

Sleep Ho - ly





              now sweet dreams be thine at night,



  

  

     

    

doo

mp

 

  





p

 

Babe,

Sleep

  

doo doo doo doo





 

doo doo



 

oo

oo

mp







Sweet

dreams,

doo

doo

 

 

    

    

now sweet dreams

T.

mp

p

    

Sleep Ho - ly

   



doo doo doo doo mm

Sleep

  

Babe,

 

 

dm

ba



 

B. mp

    

Sweet

Pno.



dreams,

  

     thine

doo

at night

    

 

           

    

 

  

     

     



mm

  

   

     

   

320





dm

  

ba



     

      


18

       S.         51

molto rall.

Ho - ly Babe

A.

T.

Bar.

     

Meno mosso

to

-

doo

     

  doo doo

      doo





to

-



 



-



doo doo

    

to

mm

pp



doo doo doo

                 Ho - ly Babe to night.



doo

night.

     

 

pp

  



mm

pp





mm

 



mm

night.

pp





mm

 



mm

night.

B.

      



doo

    Pno.

    

to

molto rall.

               

  

  

-

 



mm

night.

 

Meno mosso

       



  

321



  

 



 

doo doo doo doo doo doo

       

 

p

  

       


19

  S.    

    

   

   

    

   



 

  

  

55

A.

T.

Bar.

mp dim.

Lul - la



-

by,

mp dim.

Sing

lul - la

-



   

       

mp dim.

-

doo doo

       p

Lul - la

lul

-

doo doo doo doo



lul

lul

    

  

-

by,

lul

-

by.

 

-

la,

-

la



-

 -

la



la



-

 



 



 



 

by.

pp

 -

by.

pp

-



lul - la - by.

pp



  

by,

Lul - la

la

pp

-

lul

mp dim.

 

-



by,

mp dim.

 

pp

      

by,

    

Lul - la

rall.

by.

B.

   

mp dim.

 



mm

   Pno.

  

   

Lul - la,





  

        



       

 



  

lul

 



 

     

    

  

  

 

    

pp

 -

-

la

-

-

by.

rall.

   

322

      



 


Owain Park TOMORROW SHALL BE MY DANCING DAY for SATB double choir unaccompanied

NOVELLO

323


For Stephen Layton and The Choir of Trinity College Cambridge

Tomorrow shall be my dancing day OWAIN PARK

Traditional With vitality; dancing q = c. 108

SOPRANO

fp       

  

             Sing,

Sing,

 

fp      

 

      

fp

Sing,

Oh!

fp

TENOR

 

Oh!

fp

ALTO

      

fp

fp

Oh!

 

fp

 BASS   SOPRANO

ALTO

TENOR



        

 



Oh!

  

mf

fp

Sing,

Oh!

 

mf

fp

 

Sing,

Oh!

 

 

       

Piano (for rehearsal only)

 







fp

fp



 

mf



Oh! fp

 

Sing,

Oh!

 

mf

fp

 

Sing,

Oh!

 

 

fp

 

       

 

 







Š 2015 Novello & Company Limited

324

fp

Sing,

Oh!

mf

Sing,

Oh!

    



 



 



Sing,

   

mf

3

Sing,

fp       



 

Sing,

   



 



Sing,

 



   

With vitality; dancing q = c. 108

 

          

Oh!

Sing,

 

Oh!

  fp

 

 

Sing,



fp

   

Oh!

fp      

Oh!

Sing,

fp mf       

  BASS  

Sing,

 

fp

fp

   

fp



Oh!

Sing,

 

mf

fp      

fp

Sing,

fp

Sing,

   

fp



mf



Sing,



mf



Sing,



mf



Sing,

  

mf

Sing,

 

 

  







3

  


2

            3

mp

f

6





  





Oh! f

mp









  





Oh! f

   3

f









mp





      

Dan





mf



Sing,



-

cing,

dan

-

-

-

-

cing,

-

-

cing,

dan

-

-

-

-

cing,

poco

-

-

cing,

dan

3

-

-

-

-

cing,

              Dan

poco

-

-

 3



dan

cing,

                      

  



poco

mp lively

Oh!

3



                        



   

-

mp lively

Dan

f



                       

Oh! f

mf

poco

mp lively



    Oh!



                          Dan

f

  







mp lively

Oh!

   





Sing,



f



sub. mp

Oh!

 

mf

Sing,

    Oh!

 





Sing,

  

  

mf

        

325

 

-

          3

-

 

-

-

                 

cing,

  








3

     10

Oh!

   

Oh!

rall. f       

my love,

Sing,

      

Oh! f

Sing, Oh!

 f               Oh! my love, Sing, Oh!     

Oh!

   





my love.

    

my love. f

my love,



  

   

      



my love.

    

my love,

 

  

 

Sing, Oh!

 

   

-

-

-

-

-

cing

-

-

-

-

-

-

-

-



f



day.

    mf

dan- cing



f

   

-

3

        

 

-

-

-

-

cing



                   



   

3







  

326



day.

 

rall.





day.

                     -

 

mp



cing

                        3  dan - 3 cing day,

dan



day.

                      -





f

dan





dan - cing

f

-

 

my love,

                       dan

mp











   







 






4 a tempo

14    



p dolce en dehors



To

    

-







To





    





 

 



  

 

 

mor - row shall

 mm



p

 mm

 







 







   



mm

  

be



 





    

(echo)

dan - cing day,



  mm





  327

my



  



dan - cing day;

p

 

a tempo



my

be

 



 



    I

 



 

     







mm

dan - cing day



    I

           



  p



 p





dan - cing day;

 







  

-

my

mm

p dolce en dehors



be



mm



         



  

   





p

day.

 



mor - row shall



  

  

 



   

 

    

 



 

 


5

      18

          

would my

  

true

p





mm

    

love

did so

 





chance



chance

love

chance

     

   

     

          

chance

would my

   

true

love

did so



 did

  

  

did



 

  



  



meno p



To

 



 



  

 

 

328

the



meno p

To

        le - gend

    

    

mp

see

   the



To

see

the



  



To

see

the



  



   

see



 



  



le - gend

 

To

 

le - gend



meno p

 

le - gend

see,

To



le - gend

     

see,

meno p



  

see,

   

chance



meno p

meno p

   



see

   

chance

        

chance

chance

    

To

To

   



    

mp

the

 

   

     


6

   

     

21

of

my play,

        of

play,

To

 To

          of play, To 

 

call

 

call

 my



my

         



         



true

true

love

love



 

call

my

           





my

love

of

play,

   

     

of

    le

     le

      le

   

 

  

To

my play,

To

 -

gend

 -

gend

 -

gend

 

call

 

call

 my

to

to

my

my

dance;

dance;

  





  





true

to

my

              

true

love

to my

dance;

     

 



 

  



call

call

 

to



  



call

     

  

   

 

      

329

 

      









Sing,



my



f



Sing,

       

  

f

 



 



 




7 24       

  

    

  

       love;

  

     

  

      

  

dance;

   



Oh!

  

My love,

       dance;     

Oh!

   

 

  

  



love,







 

Oh!

my love,





Oh!

My love,

my

  

 



  

 



love,

my love,

  

 

   

 

 

330

Oh!

  

      My love,

Oh!

  My

 

My



 

Oh!

My



Oh!

  My

     My love,

       

     

      

     

My love,

Oh!

My love,

Oh!

          

piĂš f gioioso

Oh!



piĂš f gioioso

piĂš f gioioso

piĂš f gioioso

Oh!

Oh!

  

piĂš f gioioso

          

  





piĂš f gioioso

piĂš f gioioso



 

  



         

my

  





piĂš f gioioso

My love,



 

 



 

 

Oh!

My love,

My love,

      My love,







     







    

   


8 28       

 

       

 

        love, Oh!

 

        

 

love,

Oh!

love,

Oh!

love,

Oh!

My

My

My

my

   

    

   

    

Oh!

Oh!

     Oh!   

Oh!

 

   

  

My love,

My love,

     

My love,

      My love,

         





             





         





            





love, Oh! My

love,

love,

Oh!

my

love,

             



mf              



                



Dan

-

Dan

-

-

-

-

cing,

-

cing,

mf

Oh!

My love,

Dan

-

-

-

cing,

mf



               

Oh!



love,

My love,



 

my

My love,

 

    

love,

love,

mf

Oh!

 

love,

my

my love,



 

my

my love,

love, Oh! My

 

 

love,

My love,

      

    

331

Dan









 

-

-

-



cing,







 



  





 



   

 

 






9

  31

 



 



f



Sing,

  

Oh!

 



 

  



f



Sing,

 

Oh!

     

f



Sing,

Oh!



My love,

   



Sing,

Oh!



Oh!



My love,

    



My love,

Oh!

My love.

         

sing,

     



        

sing,

My love, f



 

My love.

        

sing, Oh!

My love.

        sing,

Oh!

 

My love.

                                    sim.

dan

-

-

cing,

dan

-

-

-

-

-

cing,

dan - cing, dan - cing,

                                   sim.

dan

-

-

cing,

dan

-

-

-

-

-

cing,

dan - cing, dan - cing,

                                  



 3 3 sim.

dan

-

-

cing,

dan

-

-

-

-

-

cing,

dan - cing, dan - cing,

sim.                                     dan

-

-

cing,

dan



        





     





-

-

3

        

 

-

 

-

-

cing,

               

         

dan - cing, dan - cing,

          



          3

332

   


10

    



rall.

35



         



     



 









done

 

for my









true

             This have I

done

    

 



 p

for my

true

for my





              



               

   

mp espress.

 



I

born

3   

of



a



  



   



p sost.

 

mm

love.

p sost.

  



mm



  





More reflective q = c. 88

  

 

 



  





333



mm

true

rall.



ah

p sost.

love.

                done



Then was

               This have I done for my true love.

This have I

 

SOLO

               This have I

More reflective q = c. 88





    

 

 3




11

    39

SOLO

pp

 



mp espress.        



 

ah

Thus was

I

knit

SOLO

 

mp espress.

  



pure, of

         vir - gin   

p sost.

  



3

  

her

I took

TUTTI p

 

        -

ly

sub -

pure,









  

  



   

 



 

  



pure,

pure,

 





  

   

Thus

p sost.







 

to

 





Thus

  3

 



   

334



3

  

 

to



Thus



knit



pure,

 

I

Thus

pure,

  

 

to

Thus was

  





mp espress.        



 

man

SOLO

 

 

p

stance...

   



  

 



pure,



TUTTI

3

flesh

to







 

was

    I

knit



 



 





  

 

  




12

     43

accel.

  

man’s na

-





To

call

TUTTI

ture

mp

   







     man

To

call



   



mp

   

man’s na

-

    



TUTTI

ture

To

man,

            

my

true

love

to

call my

true

love

to



my

true

love

to

call

my

3

true

love

to



call

my







To

call



  



  

call

accel.

 

 





 

   3





   

 

 

  

3      



335





  





  



  

 love;

 

 



   





love;

 



     

love;

true

  



love;

true

my



dance;

true

my



my

true





dance;

    



my

f

my

 

dance;

              

call

To

my

     

f

To

  

dance;

         



3

my

          



To

     man,



   

man,

   

f

f

    

To

         

  

   



  


13 46       

Tempo Iยบ q = c. 108 mf



Dan

     

-

mf

   

-

 

cing,

            Dan cing, mf



      



Tempo Iยบ q = c. 108

  

dan

cing,





 

           

       

       

      

336

mf cresc.

     



dan

mf cresc.

-



cing,

dan -

     

mf cresc.

     -

-

     

    

cing,

dan -

          mf cresc.

dan



-

     

dan

   

    

dan

dan



-

mf cresc.

   

cing,

  mf         -

-

    

cing,



          

Dan

-



-

-

      

Dan

-

 

mf





Dan

-

mf cresc.

cing,

      

Dan

    

-

mf



      

    

      

-

dan -





      

cing,

   

   



    




14

                  49

- cing,

dan

-

cing,

f

   dan

-

    -

                  - cing,

dan

        - cing.

-

cing,



   

dan





-

cing,

dan

-

cing,

dan

           cing.

-



 f

  

 

  

cing,





dan

3  3    

Sing, f

3  3    

Sing,

Oh! My love, Oh! My

 -



Oh! My love, Oh! My

 



cing.







mf



cing.





Sing,

 

f

 



 

  

   



  

           

  

  

 

 

       



- cing.

 

               -



cing.

f                   -





337

3 3      

Oh! My love, Oh! My

Sing,

f

Sing,

       



 3   3 

Oh! My love, Oh! My



3

   

       3

3







   3



   


15

    52



   



mf

 



Sing,

Oh!

         

My

      love, mp

love, my

love,

love,



Oh! My

love,

my love,

mp       love,

my



love,







have I done for



   

my

my

 true

 true









love. mf

    

This

mp

 

   

    

  

 3    

have I done for



    

    

love.

   

This

   







3      

mf





   

This

mp



my

mf



     

  



  mf   

This

3

    

have I done for

3

    

have I done for





my

true





my

true

            

   



 

 

       

 

 

 

 

  

338



 

3

3


16

   



  



56



 



           



mm

  mm



wrapp’d

I



 



   

love.

     

 



 













pp





 

         

 

a

p



mm

 

mm

 

man - ger laid,

and





   

 

wrapp’d

I

was

 pp 







   







pp

p

 

So



p en dehors

In

     love.

was

  



mm

  





pp

p

love.

and

man - ger laid,

   

pp

p

       

a





p en dehors

In

     love.









 



339



  







    



   

So









 



 

 


17

   pp     60

 

mm



ah

      

Be

        my

ve - ry poor; this was

p        

chance

Be mp

ah

Be

      

 

mp

     

  

-



Be

-

twixt

an

 

 

twixt

and

twixt

 



ah

     

 



ah















 

  

340





  



a

     

p

a

      

mf

-

a

     and

     Be

a

    

Be - twixt

chance

     

ox and

 

 

        my

ox

      

ah

ve - ry poor; this was

  

-



ah

      

   

an

mf

 

  

twixt

    

     

   

-

 

twixt

an

ox and

a

 

  

 

 

mp

   

 

  

 

mp

an

an



ox

ox

      

 



  








18 mp                 63

sil - ly poor ass

To

        

sil - ly poor ass

       sil - ly         sil - ly

 ass

To

  ass

To



sil - ly poor ass



     

   

  

my true

love

to

love

to

To



love

 my

true

my true

love



my

to

my

dance.

   

-

        

   

to

love

to

my

my

    

 



 

dance.

 

     

 

     

 

dance.

my

mp

love.

call.

341

-

    





Dan

    

true

call

 

dance.

love.

call

  

my

mp



    

dance.

                 

 

my

    



   

poor ass

     

   



mp

call

To

        

true

   

poor ass

 

call

 

To

   

   

my

 



        

       



call

   

To

    

call

    

my true

    

ass

     

 

To

         sil - ly

call



    

  



Dan

-

-

mp

Dan

 





 

 





 

-

 

-

  



 

 

 


19

      66

mp



  Dan

    

f



Sing,

  Oh!

-

 

My love,

mp

               Dan

-

-

dan

3

-

-

-

-

-



cing,

 

Oh!

My

-

-

cing,

dan

 

cing,

dan

-

     

-

-

cing,

dan

-

-

-

-

-

-

cing,

 

           3

-

3

-

-

-

-

-

cing,

f



Sing,

Oh!



     

dan

 

-

3

           

342

3

-



-

-

  

cing,

  

- cing,



f stridente

 

Sing,

My love.

       

dan 3 -

   

-



  

- cing,

-

-

cing

       -

         

       

-

-

poco a poco cresc.

  dan

-

dan

-

3

      

cing,

-

      

-

love.

poco a poco cresc.

   

-

-

 

Sing,

       3

-

  

f stridente

dan - cing,

       

           

   

  

3

-



poco a poco cresc.

           - cing,

   

dan

poco a poco cresc.

        

-



dan

mp

Dan

cing,



cing,

mp

    

-

           

cing,

-

-



              Dan

    

poco a poco cresc.

           -

poco a poco cresc.

       

      

 

 



3

 

 



    3








20 molto rall.

     69

    



dan

-

-

-

3

-

-

   



       3  cing day,



  

   

cing

day,

3

piĂš f



Sing,



 





day,

Sing,

- cing,

dan



dan

-

3



   

-

-

-

-

-

     

-





Oh!

-

My



Oh!

My

-

 -



cing

day.

-



 

love,

3



 



love,

Sing,

 3   Oh!

My,

    -



cing





-



   

love,



 

3

-





-

-

             dan

3

 

My love.

my

    



 

love,

f stridente

3

   

Oh!

 

 

my

       

-

 

-

3

cing day. 3

  



day,

Oh!





  

f

3

Sing,

love,

my

Oh!

My,

   



 

My,

3

love,

Oh!

My,

molto rall.

     

   









3

 3



 

 3



   

  

   



         3

 

3





3

3

           3

343


21 Triumphantly

     71

  3 

ff

This

   

ff

    

ff

   

ff

       

have I 3

     This

have I

  3  This

have I 3

     This

have I

   3  ff

have I

This ff

3

     This

              

have I

  3  ff

This

have I

ff

3

     have I

This

Triumphantly

  

  

3



  

  



  

  

  

  



   

done for



my

 

done for

true

love.





my

true







done for

my

true





      



 

done for

done for



my

my



love,

true

love,



 

true

love.

my

true

love,

   

This

have I

love,

This

have I

f

love,

    

 

   

   

 

   

3

344

done for



This

my

 

done for

true

3

my

have I

for







 

true

my

done for



3

my





done for

my

3

 true

3

 true

3











  

 

 

 

 

 

    

3



mf



      3  

true

3    



f

true





    3  



      my

have I

f

done for

done for

This

    3  



my



f



done for



  3    







love,



 



3

  


22

    75

rall.







mp



3

   

for my true love.

     love.     







p







  

p





love.

 

3

  

love,



for my true p

       love.



  



 

pp

  



p

  

love.

3

3



   









 



 

 





Oh!

pp

 





pp ‘purring’

 

  

345





Sing,

      

My

mp

Oh! My love,

  

 

 

mp

  

         

Gradually intensifying q = c. 80

 



 

  

Oh!

rall.

    

pp



      

 





Oh!

Oh!

Oh!

   



love,





     



My love,

love.





My

Oh!



 mp

Oh!

p





Sing,

   

  





accel.

My love,

   

   

Gradually intensifying q = c. 80 p





accel.



  

p cresc.



Sing,

       


23

    

 

80

mp





love,





mf

 

Oh! My

mf



   

Sing,

Oh!

My love,

  

    

mp



Sing,

Oh!

 

mp       



love,

 

 



 

mf



Sing,

      





mf

My

love,

my

   



mf

 

Oh! My



   

Oh!

My love,



Oh!









           Oh! My



        mf

  



Oh! My love.







Oh! My



 

    



love,

Oh! My love,

 



Oh! My love.

        

         mf





    





     

love,

Oh! My





Sing,



  

 

 



Oh! My



346

   





mf

Oh!

My

 







    

  

 

 


24

     

    

 

     

  

 

f

84

f

love.

  

f

       love.

      

  

      

   

     

  

f

love. f

f

love.

f             love.

Then

   f

Then

 





-

  aft

er - wards bap



-



er - wards

- tised



bap

I was;

-

The



 

tised

I

                 aft

   

-

aft

er - wards bap



-



er - wards

- tised

 

bap

I was;

-

The



   

tised

I

                 aft

-

er - wards bap

- tised

I was;

The

 f   

                

  

   

Then

Then

 



aft

 

  





                

 f   

 

    

f

Then

     





 f   

 



f

Then

     

love.



Then

   

f

f

Tempo Iยบ q = c. 108 Full of joy!

f

Then

aft

aft

aft



-

-



er - wards

er - wards

bap





-

er - wards

Tempo Iยบ q = c. 108 Full of joy!

 



  





 

 

347





bap

-

- tised

 

bap

 

tised

I

I was;

-



The



   

tised

I

 

     



 

 

 

 

 

 


25 88                         Ho

-

  

ly

Ghost on me did

  

was;

The Ho

-

glance,

My

The Ho

-

ly Ghost did

glance,

My

Fa - ther’s

  

-

ly

ly Ghost did

glance,

Ghost on me did

  



was;

The Ho

-

My

glance,

My

Fa

      

   

The Ho



  

  

-



 

-

heard



ther’s voice

heard

 

voice

3

heard

  



ther’s voice

heard

                   

ly Ghost did

glance,

       

was;

-

voice

  

Fa - ther’s

My

Fa - ther’s

                      Ho - ly Ghost on me did glance, My Fa       

heard

          

                         Ho



                   

       

was;



Fa - ther’s voice

                      Ho - ly Ghost on me did glance, My Fa      

 

ly Ghost did

   

glance,

 





 





 

 

My

  

348

 

heard

   -



ther’s voice

          

 



voice

Fa - ther’s

heard

 

voice



 

 

    

 

 

  



    

3

heard

     3




26

   

 

91

from

a - bove

      from a

     from

 

   

-

To

         



call

my

true

            bove

To

call

      a - bove

 

To

call

   

-

bove

To

     

true



        



  



         



true

from

a - bove

      from a

     from

-

To

true



call

my

true

 

 love

to

love

to

love

love

to

bove

love.

      a - bove

my

 

To

true

my

true

from a

     

 

-

bove

      





To

 

  



 

  



    





dance.





to



3

349



piĂš f

 

  

my

 

  

dance.



Sing,

love

call;



my

 

            

dance.

dance.

my

      



call

my

to



call

my

 



           To

dance.

my

my

 

my



my

call

to

  

           3     from a

love





 

  

dance.



piĂš f

 

Sing,

  

 







  






27 94       





     

  

      

  

     

  

      

  

  



Oh!

  

My love,

my

Oh!

     

  

My love,

love,

   

 



  





  



 

Oh!

 

My

gioioso



 

Oh!

My



gioioso

 

Oh!

My

       

     

Oh!

Oh!

My love,

Oh!

My love,

Oh!

         

gioioso

Oh!

My love,





 

 

   

 



 

 

350



gioioso

     

  



My

      

Oh!

my love,

Oh!



gioioso

My love,

gioioso



 

    

Oh!

my love,



       

gioioso

          

my

  





  

   

love,

  



         

          



gioioso

Oh!

My love,

My love,

My love,

      My love,







     







    

    


28 98       

mf         

f                 

       

mf           

    

love,

Oh!

love,

Oh!

        love, Oh!          love,

    Oh!

   

Oh!

     Oh!   

Oh!

 

   

   

Oh!

My

love,

My

love,

Sing,

love,

love

       

Oh!

mf          

My

My

fp

Sing,

f                 

Sing,

Oh!

My

love

f mf                          

My

love,

Sing,

fp         



fp           



fp          



My love,

My love,

  

    

 

 

mf

Sing,

 

mf

Sing,

mf      Sing,

Sing,



     

fp          



fp        



Sing,

Oh!

  

Sing,

fp

  Oh!

Sing,







     

 

  







   



 

  

 



fp          

fp



love



     Oh!

Sing,

 

love,

My

fp

Sing,

fp        

My

Oh!

Sing,

My love,

Oh!



Sing,

f fp                   

Sing,

My love,

 

Oh!

 

mf

351

 









  





   

       




29 f 103             Oh!

My love

     

    

fp

Oh!

f             Oh! My love

            f

Oh!

My love,

             f

Oh!

My love

    

     

fp

     

fp

Oh!

     Oh!   

Oh!

  

      

    

   

   

 

    

 

fp





  

Sing,

Oh!

ff



ff

Sing,



ff

Sing,

 

ff

dan

 

Sing,

Oh!

ff

Sing,

 

ff

Sing,











  

my

true

love

to

my

dance!

-

-

-

cing

day!

               





love!

                

ff

Sing,

My

call

dan

ff

    

                

Sing,



   

-

-

-

cing

day!

   

   

My

love!

             my true love to my call

    

dance!

                 

dan

-

-

-

cing

day!

               

dan

-

-

-

cing

day!



    

                            

         

352


Christopher Robinson HEREFORD CAROL for SATB choir and organ

NOVELLO 353


Come all you faithful christians that dwell here on earth, Come celebrate the morning of our dear saviour’s birth. This is the happy morning, this is the blessed morn: To save our souls from ruin, the Son of God was born. Behold the angel Gabriel, in scripture it is said, Did with his holy message come to the virgin maid: ‘Hail blest among all women!’, he thus did greet her then, ‘Lo, thou shalt be the mother of the saviour of all men.’ Her time being accomplish’d, she came to Bethlehem, And then was safe deliver’d of the saviour of all men. No princely pomp attended him, his honours were but small; A manger was his cradle, his bed an ox’s stall. Now to him that is ascended let all our praise be; May we his steps then follow and he our pattern be; So when our lives are ended, we all may hear him call: ‘Come, souls, receive the kingdom prepared for you all.’

Duration: circa 2 minutes

354


Hereford Carol Trad. English carol arr. Christopher Robinson q = 108

3 4

SOPRANO ALTO

mf

Come

3 4

TENOR BASS

mf

q = 108

3 4 ORGAN

3 4

mp

(Man.)

5

3

all

you faith - ful chris - tians that dwell here on

earth,

Come

ce - le - brate the

più f

10

morn - ing

of our dear sa - viour’s birth.

This

più f © Copyright 2012 Novello & Company Limited. All Rights Reserved. International Copyright Secured.

355

is

the hap - py morn - ing, this


2 15

3

is the bless -ed morn:

20

To

save our souls from ru - in, The

Son of

God was

p

S. born.

Be - hold p

the

born.

Be - hold the

an - gel Ga -bri - el, in scrip - ture it is

A. an - gel Ga -bri - el, in scrip - ture it is

T. born.

B. born.

mf

p

(Man.)

26

3

said,

Did

with his

ho - ly mes - sage come

to

the

vir - gin maid:

said,

Did

with his

ho - ly mes - sage come

to

the

vir - gin maid:

mf

‘Hail

mf

‘Hail

356


3 31

3

T. blest a - mong all wo - men!’, he thus did

greet her then,

‘Lo,

thou shalt

be the

‘Lo,

thou shalt

be the

B. blest a - mong all wo - men!’, he thus did greet her

then,

relax tempo a little

36

mo - ther of the

sa - viour of all

men.’

mo - ther of the

sa - viour of all

men.’

relax tempo a little

mf

(Man.) 41

Ped.

TENORS & BARITONES (or SOLO) mp espress.

3

Her time be - ing ac - com - plish’d, she came to Beth - le - hem,

And

p

46

mf

then was safe de - liv - er’d of the

sa - viour of all

men.

No

prince - ly pomp at-

mf

357


4

51

3

-tend - ed him, his

ho - nours

were but small;

A

man - ger

was his

pick up the tempo

55

cra - dle, his

bed an

ox -’s

stall.

pick up the tempo

cresc.

60

DESCANT

f

Now to

OTHER VOICES

Now to

(cresc.)

him

let

f

f

358

him

that

is

as - cend - ed

let


5 64

3

all

our

praise

be;

May

we

fol - low and

3

all

our

praise

be;

May

we

his

steps then

lives

are

end - ed,

are

end - ed,

fol - low

and

68

he our

he

pat - tern be;

So when our

our pat - tern be;

So when our

lives

we

we

all may hear him

all may hear him

poco rit.

73

call:

‘Come, souls, re- ceive

the king - dom pre - pared

for you

all.’

3

call:

‘Come, souls,

re - ceive the king - dom

pre

- pared for you

poco rit.

359

all.’


360


to Stephen Cleobury and the Choir of King's College, Cambridge Commissioned by the College for ‘A Festival of Nine Lessons and Carols, 2014’

De Virgine Maria TWELFTH CENTURY

CARL RÜTTI (2014)

q = c.120

3 4

SOPRANO

Solo mp

1. In

3 4

ALTO

hoc

an

-

ni

3 4

TENOR

3 4

BASS

3 4

q = c.120

Organ

3 4 3 4

pp Ged. 8'

16' + man. (Ged. 8')

7

mf

S.

cir

-

cu - lo

Vi

-

ta

da - tur

sae - cu - lo,

Na-

All Rights Reserved

© Copyright 2015 Novello & Company Limited

361


2 13 (Solo)

p

S.

-

to

no

19

-

bis

Par - vu - lo

De

Vir - gi - ne

Ma

-

Tutti f

S.

- ri

-

a.

Ver f

-

bum

ca

-

ro

fac - tum

Ver

f

bum

ca

-

ro

fac - tum

Ver - bum f

ca

-

ro

fac

-

tum

Ver - bum

ca

-

ro

fac

-

tum

A.

T.

B.

mp

f

362


3 p

24 S.

est

De p

Vir - gi - ne

Ma

-

ri

-

a.

est

De p

Vir - gi - ne

Ma

-

ri

-

a.

De

Vir

-

gi -

ne

Ma - ri

-

a.

Vir

-

gi -

ne

Ma - ri

-

a.

A.

T.

est

p B.

est

De

p

30

pp

S.

2. O pp

be

-

a

-

ta,

be

-

a -

2. O

be

-

a

-

ta,

be

-

a -

A.

Solo mp T.

2. O

be

-

a

-

ta

363

fe

-

mi - na,

Cu

-

ius


4 36

p

S.

-

ta

fe

mi

-

-

na

O

p A.

- ta (Solo)

fe

-

mi

-

na

O

mf

T.

ven - tris

42

Glo - ri - a

Mun

-

di

la

-

pp

S.

Vir

-

gi - ne

Ma

-

ri

-

a.

-

gi - ne

Ma

-

ri

-

a.

ri

-

a.

pp A.

Vir

p T.

De

Vir

-

gi - ne

Ma -

mp

364

vat

cri - mi -na


5 47

p

f

S.

Ver f

-

bum

ca

-

ro

fac - tum

est

De p

Vir - gi - ne

Ma

-

Ver Tutti f

bum

ca

-

ro

fac - tum

est

De p

Vir - gi - ne

Ma

-

Ver - bum

ca

-

ro

fac

-

tum

est

De p

Vir

-

gi

-

ne

Ma -

ca

-

ro

fac

-

tum

est

De

Vir

-

gi

-

ne

Ma -

A.

T.

f B.

Ver - bum

f

53

f

S.

- ri

-

a.

3. Stel f

-

-

la

- ri

-

a.

3. Stel f

-

-

la

- ri

-

a.

3. Stel f

-

-

la

- ri

-

a.

3. Stel

-

-

la

A.

T.

B.

mp

mf

f

365


6 58

mf

S.

So

-

lem

pro

-

tu

-

lit,

Sol mf

sa

-

So

-

lem

pro

-

tu

-

lit,

Sol mf

sa

-

So

-

lem

pro

-

tu

-

lit,

Sol mf

sa

-

So

-

lem

pro

-

tu

-

lit,

sa

-

A.

T.

B.

Sol

mf

62

f

S.

- lu

-

tem

con

-

tu - lit,

Car f

-

-

nem

- lu

-

tem

con

-

tu - lit,

Car f

-

-

nem

- lu

-

tem

con

-

tu - lit,

Car f

-

-

nem

- lu

-

tem

con

-

tu - lit,

Car

-

A.

T.

B.

nem

f

366


7 66

p

S.

ve

-

ram

ab

-

stu - lit

De p

Vir

-

gi - ne

Ma

-

ve

-

ram

ab

-

stu - lit

De p

Vir

-

gi - ne

Ma

-

ve

-

ram

ab

-

stu - lit

De p

Vir

ve

-

ram

ab

-

stu - lit

De

Vir

A.

T.

-

gi

-

ne

Ma -

gi

-

ne

Ma -

B.

-

p

71

f

S.

- ri

-

a.

Ver f

-

bum

ca

-

ro

fac - tum

- ri

-

a.

Ver

f

bum

ca

-

ro

fac - tum

- ri

-

a.

Ver - bum f

ca

-

ro

fac

-

tum

- ri

-

a.

Ver - bum

ca

-

ro

fac

-

tum

A.

T.

B.

mp

f

367


8 p

76

div.

S.

est

De p

Vir - gi - ne

Ma

-

ri

-

a.

est

De p

Vir - gi - ne

Ma

-

ri

-

a.

est

De p

Vir

-

gi

-

Ma - ri

-

a.

est

De

Vir

-

gi

- ne Ma - ri crisp sound (e.g. 8'+2' or 8'+11/3') 3

-

a.

pp 4. De

A.

T.

ne

B.

3

3

3

3

p 8'

3

Ped. 81

pp 4. De

S.

Vir

-

gi - ne

Vir

Ma - ri

-

-

gi - ne

Ma - ri

a.

De

-

Vir

-

a.

De

gi - ne

Ma -

mp A.

4. Fons

de

p leggiero

T.

de

4. Fons p leggiero B.

3

3

4. Fons

3

3

3

3

368

3

3

de

3


9 84

Vir

S.

-

- ri

gi - ne

Ma - ri

a.

De

-

-

Vir

-

a.

De

Vir

gi - ne

Ma - ri

-

gi - ne

Ma -

a.

De

-

A.

su

-

-

o

ri

-

-

vu

-

lo

su

-

-

o

ri

-

-

vu

-

lo

-

o

-

-

vu

-

lo

Nas

-

T.

B.

su

3

3

ri 3

3

3

3

3

3

3

87

S.

- ri

-

Vir

-

a.

De

Vir

gi - ne

Ma - ri

-

-

gi - ne

Ma - ri

a.

De

-

Vir

a.

-

gi - ne

A.

-

-

ci - tur

pro

po

-

pu - lo

T.

Nas

-

-

ci

Nas

-

-

ci

-

tur

-

tur

pro

po

-

-

pu

pro

po

-

-

pu

-

B.

3

3

3

3

3

369

3

3

3

3


10

90

mf

S.

Quem

tu

-

lit

de

pp

De

Vir

-

gi - ne

Ma - ri

a.

De

-

a.

De

gi - ne

Ma -

A.

pp

Vir

-

gi - ne

Ma - ri

-

Vir

-

p T.

Quem

- lo

tu

-

-

lit,

tu

-

lit

de

tu

-

-

lit,

tu

-

lit

de

p B.

- lo

Quem

3

3 3

3

3

3

3

3

370

3


11 93

p

S.

vin

-

cu - lo

-

gi - ne

Ma - ri

-

a,

Ma - ri

-

Vir

A.

- ri

-

De p

Vir

-

gi - ne

a,

De p

Vir

-

gi - ne

a,

De p

Vir

-

gi - ne

De p

Vir

T.

vin

-

-

cu

-

cu

-

lo

-

lo

-

-

gi

-

gi

-

B.

vin

3

-

3

3

De

3

Vir

3

-

3

3

3 3

96 S.

Ma

-

ri

-

-

a.

Ma

-

ri

-

-

a.

-

ri

-

-

a.

-

ri

-

-

a.

A.

T.

- ne

Ma

- ne

Ma

B.

3 3

3

3

mp

3

371

3

3

3

3


12 99

p

f

S.

Ver f

-

bum

ca

-

ro

fac - tum

est

De p

Vir - gi - ne

Ma

-

Ver

f

bum

ca

-

ro

fac - tum

est

De p

Vir - gi - ne

Ma

-

Ver - bum

ca

-

ro

fac

-

tum

est

De p

Vir

-

gi

-

ne

Ma -

ca

-

ro

fac

-

tum

est

De

Vir

-

gi

-

ne

Ma -

A.

T.

f B.

Ver - bum

f

105

pp

S.

- ri

-

a.

5. Laus, mp

ho - nor, vir - tus

- ri

-

a.

5. Laus, pp

ho - nor, vir - tus

- ri

-

a.

5. Laus, pp

ho - nor, vir - tus

- ri

-

a.

5. Laus,

ho - nor, vir - tus

A.

T.

B.

pp Ged. 8'

16' + man. (Ged.8')

372


13 111

p

mp

S.

Do

-

mi - no

Do

-

mi - no

De

pp

-

o

Pa - tri

et

Fi - li - o,

o

Pa - tri

et

Fi - li - o,

Sanc mp

A.

De

-

Sanc -

mp T.

Do

-

mi - no

De

-

o

Pa - tri

et

Fi - li - o,

Sanc mp

Do

-

mi - no

De

-

o

Pa - tri

et

Fi - li - o,

Sanc -

B.

117

p

S.

-

to

si - mul

Pa

-

ra

-

cle - to

De p

-

to

si - mul

Pa

-

ra

-

cle - to

De p

-

to

si - mul

Pa

-

ra

-

cle - to

De p

-

to

si - mul

Pa

-

ra

-

cle - to

De

A.

T.

B.

8'+4'

373


14 121 S.

Vir

-

gi - ne

Ma

-

ri

-

-

a.

Vir

-

gi - ne

Ma

-

ri

-

-

a.

A.

T.

Vir

-

gi

-

-

ne

Ma

-

ri

-

-

a.

Vir

-

gi

-

-

ne

Ma

-

ri

-

-

a.

B.

mp cresc.

124

f

S.

Ver

-

bum

ca

-

ro

fac - tum

-

bum

ca

-

ro

fac - tum

Ver - bum

ca

-

ro

fac

-

tum

ca

-

ro

fac

-

tum

f A.

Ver

f T.

f B.

Ver - bum

(cresc.)

7

f

374


15 128

rit.

mp

poco cresc.

p

S.

est

De

Vir

gi - ne,

-

de Vir poco cresc.

p

-

gi - ne,

de

mp

A.

est

De

Vir pp

gi - ne,

-

de poco cresc.

Vir

-

gi - ne,

de mp

T.

est

De pp

Ma poco cresc.

-

De

Ma

-

ri

-

a,

-

de

mp

B.

est

-

ri

-

a,

-

de

rit. p pp

p

a tempo q = c.120

133

pp

S.

Vir - gi - ne

Ma

Vir - gi - ne

Ma

ri pp

-

-

-

-

-

a.

ri pp

-

-

-

-

-

a.

A.

-

T.

Vir

-

gi - ne

Ma - ri pp

-

-

-

-

-

a.

Vir

-

gi - ne

Ma - ri

-

-

-

-

-

a.

B.

a tempo q = c.120 very clear (poco ritenuto)

Birdcall: Scharf 1', mf Larigot 11/3' only

7

8' p 16'+8' Ped. Zug, 3rd July 2014

123456789

375


R. R. Terr y JOSEPH AND THE ANGEL for SATB choir unaccompanied

NOVELLO 376


Joseph and the Angel R.R. Terry

Allegretto q. = 98

S. A.

6 8

f

As

T. B.

6 8

Jo - seph was

a - walk

-

ing

He heard an an

-

gel

sing,

This

f mf

5

night shall be

born

Our hea - ven - ly

king.

(1.)He (2.)He (3.)He (4.)He

nei - ther shall nei - ther shall nei - ther shall nei - ther shall

be be be be

mf 10

cresc.

born cloth ed rock ed chris - ten - ed

In In In In

hou - sen pur - ple sil - ver white wine

nor nor nor nor

in in in in

hall, pall, gold, red,

Nor But But But

in all in in

the place of in fair a wood - en the fair spring

cresc.

rall.

14

dim.

Pa - ra - dise, But lin - en As cra - dle That wa - ter As

in an ox - ’s wear ba - bies rocks on the we were chris - ten -

stall. all. mould. ed.

No - ël,

dim. © Copyright 1912 J Curwen & Sons Limited. All Rights Reserved. International Copyright Secured.

377

No - ël.


Stuart Thompson THE HOLLY AND THE IVY for SATB choir and organ

NOVELLO 378


2

Joint winner of The Times Carol Competition 2011

The holly and the ivy 17th-18th century traditional

6 8

q. = 68

ORGAN

6 8

Stuart Thompson

3

3

3

f

Ped.

4

SOPRANOS & ALTOS mf

The hol 3

-

ly and

the

i - vy,

When they

are both

full

3

mf

8

grown,

Of

all

3

12

the trees that are

in the wood, The hol - ly bears the

3

f

crown:

The ris -

ing of

the

f

Š Copyright 2012 Novello & Company Limited. All Rights Reserved. International Copyright Secured.

379

sun

And the run - ning of

the


3 16

deer,

The

play - ing of

the mer - ry or - gan, Sweet sing - ing

in

the

20

choir. 3

3

3

mf

23

mf

S. The hol mf

-

ly bears

a

blos - som,

As white as the li

-

ly

The hol

-

ly bears

a

blos

-

som,

As white as the li

-

ly

-

ly bears

a

blos

-

som,

As white as the li

-

ly

-

ly bears

a

blos

-

som,

As white as the li

-

ly

A.

mf T. The hol

mf B. The hol 3

3

380


4 27

pi첫 f

flower,

And Ma

-

ry bore sweet Je

-

sus Christ, To be

our sweet sa-

pi첫 f

flower,

And Ma pi첫 f

-

ry bore sweet Je

-

sus Christ, To be

our sweet sa-

flower,

And Ma

-

ry bore sweet Je

-

sus Christ, To be

our sweet sa-

-

ry bore sweet Je

-

sus Christ, To be

our sweet sa-

pi첫 f

flower,

And Ma 3

31

3

f

- viour:

The ris -

ing of

the

sun

And the run - ning of

the

f

- viour:

O the ris - ing

of the sun

And the run - ning

of the sun

And the run - ning

f

- viour:

O the ris - ing

f

- viour:

The ris

-

ing,

the

f

381

sun,

the run - ning of

the


5 35

deer,

The

play - ing of

the mer - ry or - gan, Sweet sing -ing

in

the

deer,

The

play - ing of

the mer - ry or - gan, Sweet sing - ing in

the

deer,

The

play - ing of

the mer - ry or - gan, Sweet sing - ing in

the

The

play - ing of

the mer - ry or - gan, Sweet sing -ing

the

deer,

39

in

mf

choir.

mf

mf

choir.

The

mf

choir.

mf

mf

choir.

The 3

3

3

mf

382

3


6 43

p

mp

ah

ah

hol - ly bears

a

ber

mp

ah

ah

a

red

-

p

hol - ly bears

mf

ber

ry,

As

red

as an -

y

blood,

as an -

y

blood,

as an -

y

blood,

as an -

y

blood,

And

mf

red

-

ry,

As

red

And

f

47

p

mp

ah

ah

mf

To

do

f

poor sin - ners good:

Ma - ry bore sweet Je - sus Christ To do poor

p

mp

ah

ah

The

sin - ners good:

mf

To

do

poor sin - ners good:

f

Ma - ry bore sweet Je - sus Christ To do

poor sin - ners good:

f

383

The


7 51

ris - ing of

the

sun

And the run - ning of

the deer,

The

f

O the ris - ing

of the sun

And the run - ning deer,

The

of the sun

And the run - ning deer,

The

f

O the ris - ing

ris

-

ing, the

sun,

the run - ning of

the deer,

55

The

mf

play - ing of

the mer - ry or - gan, Sweet sing - ing

in

the choir.

mf

play - ing of

the mer - ry or - gan, Sweet sing - ing in

the choir.

mf

play - ing of

the mer - ry or - gan, Sweet sing - ing in

the choir.

mf

play - ing of

the mer - ry or - gan, Sweet sing - ing

in

the choir. 3

mf

384


8 59

TENORS & BASSES f

The 3

3

hol

63

ly bears a

-

3

3

mp

prick - le,

As sharp

as an -

y thorn,

And Ma

-

3

ry bore sweet

3

mp

67

f

S. The

ris - ing of

the

f A. O the ris - ing

f T. Je - sus Christ

On Christ - mas day in the morn:

O the ris - ing

f B. Je - sus Christ

On Christ - mas day in the morn:

The

ris

f

385

-

ing,

the


9 71

sun

And the run - ning of

the deer,

The

play - ing of

the

of the sun

And the run - ning deer,

The

play - ing of

the

of the sun

And the run - ning deer,

The

play - ing of

the

The

play - ing of

the

sun,

the run - ning of

the deer,

75

mf

mer - ry or - gan, Sweet sing - ing

in

the

choir.

mf

mer - ry or - gan, Sweet sing - ing in

the

choir.

mf

mer - ry or - gan, Sweet sing - ing in

the

choir.

mf

mer - ry or - gan, Sweet sing - ing

in

the

choir. 3

mf

386

3


10 79

f

3

The hol f

-

ly bears

a

bark,

As

The hol f

-

ly bears

a

bark,

As

The hol f

-

ly bears

a

bark,

As

The hol

-

ly bears

a

bark,

As

3

3

83

bit - ter as an -

y

gall,

And Ma

-

ry bore sweet Je

-

sus Christ For

bit - ter as an -

y

gall,

And Ma

-

ry bore sweet Je

-

sus Christ For

bit - ter as an -

y

gall,

And Ma

-

ry bore sweet Je

-

sus Christ For

bit - ter as an -

y

gall,

And Ma

-

ry bore sweet Je

-

sus Christ For

3

3

387


11 87

to

re -deem

us

all:

The

to

re -deem

us

all:

O the ri - sing

of the sun

to

re -deem

us

all:

O the ri - sing

of the sun

to

re -deem

us

all:

The

ri - sing of

ri

-

the

sing, the

sun

And the

sun,

the

f

91

run - ning of

The

play - ing of

the mer - ry or - gan, Sweet

And the run - ning deer,

The

play - ing of

the mer - ry or - gan, Sweet

And the run - ning deer,

The

play - ing of

the mer - ry or - gan, Sweet

The

play - ing of

the mer - ry or - gan, Sweet

run - ning of

the deer,

the deer,

388


12 95

p

sing - ing

in

the choir.

p

sing

-

ing

in

the choir.

p

sing

-

ing

in

the choir.

p

sing - ing

in

the choir. 3

3

mp

98

molto rall.

molto rall. 3

p

Order no. NOV295438

389

Novello & Company Limited. 14/5 Berners St, London W1T 3LJ www.musicsalesclassical.com


ALPHONSE LEDUC A S S O C I AT E D M U S I C P U B L I S H E R S BOSWORTH CHESTER MUSIC J. CURWEN DUNVAGEN EDITION WILHELM HANSEN EDWIN ASHDOWN

MUSIC SALES N O V E L L O & C O M PA N Y PA T E R S O N ’ S P U B L I C A T I O N S ST ROSE PUBLISHING G. SCHIRMER THAMES PUBLISHING UNIÓN MUSICAL EDICIONES

PUB32175

Music Sales Choral Binder 2016  

PUB32175 Sacred, Secular and Christmas.

Read more
Read more
Similar to
Popular now
Just for you