Issuu on Google+

The Music Sales Group

CHORAL BINDER 2013

VOLUME 2 POPS AND ERIC WHITACRE


LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N


Music Sales Choral Binder 2013 Vol.2 Pops and Eric Whitacre * With Accompaniment

Page

Title

Catalogue Code

3 11 19 27 37 49 69 81 97

POPS UPPER VOICES Diamonds Are a Girl’s Best Friend (SSAA) Fly me to the moon (SSAA) He was beautiful (Cavatina) (SSAA) In My Dreams (Tenor/SSA)* More than Words (SSA)* Someone like You (SSA)* The Tide Is High (SSA)* Wherever You Will Go (SSA)* White Christmas (SSA)*

NOV161964 NOV161942 NOV161986 NOV162173 NOV162052 NOV162140 NOV161612 NOV942282 NOV942161

Y E L 113 Bye Bye Blackbird* NOV941820 N C 125 Can’t buy me love* NO91586 N O 139 God Only Knows* NOV162041 A E NOV162184 151 In My Dreams* M R 161 No Matter What* NOV162063 R O O NOV162360 173 Sleepsong (Sop/SSATBB) C 193 Someone like You* S RF NOV162129 POPS L SAB E 213 A Hard Day’s Night* NO91564 A P 225 Help!* NO91553 S N 241 I Want to Hold Your Hand* NO91608 U I 257 Lady Madonna* NO91597 R E 273 Set Fire to the Rain* NOV161777 E 289 Somethin’ Stupid* NOV161667 S P U 301 Try a Little Tenderness* NOV161656 E R POPS TTBB IN O 317 Eleanor Rigby NOV161810 L 325 The GirlF from Ipanema NOV292446 N SatinTDoll 333 NOV161832 O Someone 341 NOV163108 O like You* 361 Wake up little Susie NOV161865 NWhite Christmas* 369 NOV942172 POPS SATB

385

Yesterday

NOV161909

393 413 429

ERIC WHITACRE Alleluia (SATB) The Chelsea Carol (SATB/Organ) Oculi Omnium (SATB)

CH79057 CH79629 CH79046

Members of our shop staff are happy to answer any enquiries about these featured titles or any of those listed in the full Music Sales Choral Catalogue. Please take this choral binder to one of our customer tills should you wish to purchase single or multiple copies of any of these featured titles.


LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N


NOVELLO LADIES’ BARBERSHOP

Diamonds are a Girl’s Best Friend Jule Styne, arr. Nicholas Hare

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

Novello/SSAA 3


LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

4


NOVELLO LADIES’ BARBERSHOP

Diamonds are a Girl’s Best Friend Jule Styne, arr. Nicholas Hare

Novello Ladies’ Barbershop offers unaccompanied arrangements of a variety of well-loved songs, from the 1920s to the 1970s.

LY E C of who Nall times all the voice parts, but each singer should be aware at N O has the melody, so that it is allowed to stand out. A discreet Ause of soloists E is often appropriate: some suggestions are given. R RM O O C Blend and balance of the harmony is another F element in successful S Rvital performance of this music, and vibrato be kept in check, so that L should E A in P the chords are clean and perfectly tune. The various vocalizations S (ah, ooh, mm, etc.) may be considered U IN as suggestions only and varied R according to the performance conditions. E E S P U Some of this has E quite a military mood, so the opening phrase can R be sung with some However, this mood needs to change IN emphasis. O L according to the words, N T F e.g. at bars 9 and 36. O O N Arranger Nicholas Hare has endeavoured to share the interest amongst

Novello/SSAA

5


LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

6


Diamonds are a Girl’s Best Friend from Gentlemen Prefer Blondes Words by Leo Robin Music byy Jule Styne Music by Jule Styne Arr. Nicholas Hare

Arr. Nicholas Hare

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

© Copyright 1949 (Renewed) Music Sales Corporation, USA. Dorsey Brothers Music Limited. All Rights Reserved. International Copyright Secured.

7


Ř

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

8


3

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

9




A series of outstanding songs, taken from the bestselling Close Harmony Ladies’ Barbershop Songbook, selected for their appropriateness for female singers, arranged for close-harmony quartets or women’s choirs.

Nicholas Hare’s beautifully crafted arrangements for SSAA are suitable for anything from four to four hundred singers. He has added helpful performance notes for each of the songs and the arrangements are notated on two staves for easy piano rehearsal.

Diamonds are a girl’s best friend

Sailing

NOV161964

NOV162030

NOV161964

Novello Publishing Limited 14/15 Berners Street, London W1T 3LJ, UK. Exclusive Distributors: Music Sales Limited Newmarket Road, Bury St Edmunds, Suffolk IP33 3YB, UK.

www.chesternovello.com 10

NOVELLO LADIES’ BARBERSHOP

LY E N C O AN E M R He was beautiful Can’t help lovin’ dat man O OR (Cavatina) NOV161920 C F SNOV161986 R L E I’m gonna wash that man Fly me to the moon A P (in other words) S N right outa my hair U I NOV161997 NOV161942 R E E S P U Do you want to know Big Spender a secret? E R NOV161953 NOV162008 IN O L F The Sound N ofTSilence We’ll meet again O O NOV292457 NOV162019 N

Diamonds are a Girl’s Best Friend

NOVELLO LADIES’ BARBERSHOP


NOVELLO LADIES’ BARBERSHOP

Fly me to the moon (in other words) Bart Howard, arr. Nicholas Hare

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

Novello/SSAA 11


LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

12


NOVELLO LADIES’ BARBERSHOP

Fly me to the moon (in other words) Bart Howard, arr. Nicholas Hare

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

Novello/SSAA 13


LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

14


NOVELLO LADIES’ BARBERSHOP

Fly me to the moon (in other words) Bart Howard, arr. Nicholas Hare

Novello Ladies’ Barbershop offers unaccompanied arrangements of a variety of well-loved songs, from the 1920s to the 1970s.

LY E C of who Nall times all the voice parts, but each singer should be aware at N O has the melody, so that it is allowed to stand out. A discreet Ause of soloists E is often appropriate: some suggestions are given. R RM O O C Blend and balance of the harmony is another F element in successful S Rvital performance of this music, and vibrato be kept in check, so that L should E A in P the chords are clean and perfectly tune. The various vocalizations S (ah, ooh, mm, etc.) may be considered U IN as suggestions only and varied R according to the performance conditions. E E S P U A particular featureE of this one is the smooth flowing lines. Each voice R part should ebb INand Oflow individually until they come together for the L final phrase. N TF O O N Arranger Nicholas Hare has endeavoured to share the interest amongst

Novello/SSAA

15


Fly me to the moon (in other words)

Words & Music by Bart Howard Words & Music by Bart Howard Arr. Nicholas Hare

Arr. Nicholas Hare

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

Š Copyright 1954, 1962 & 1973 Almanac Music Incorporated, USA. TRO Essex Music Limited. All Rights Reserved. International Copyright Secured.

16


3

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

17




A series of outstanding songs, taken from the bestselling Close Harmony Ladies’ Barbershop Songbook, selected for their appropriateness for female singers, arranged for close-harmony quartets or women’s choirs.

for anything from four to four hundred singers. He has added helpful performance notes for each of the songs and the arrangements are notated on two staves for easy piano rehearsal.

Diamonds are a girl’s best friend

Sailing

NOV161964

NOV162030

NOV161942

Novello Publishing Limited 14/15 Berners Street, London W1T 3LJ, UK. Exclusive Distributors: Music Sales Limited Newmarket Road, Bury St Edmunds, Suffolk IP33 3YB, UK.

www.chesternovello.com 18

NOVELLO LADIES’ BARBERSHOP

LY E N C O AN E M R He was beautiful Can’t help lovin’ dat man O OR (Cavatina) NOV161920 C F SNOV161986 R L E I’m gonna wash that man Fly me to the moon A P (in other words) S N right outa my hair U I NOV161997 NOV161942 R E E S P U Do you want to know Big Spender a secret? E R NOV161953 NOV162008 IN O L F The Sound N ofTSilence We’ll meet again O O NOV292457 NOV162019 N

(in other words)

Nicholas Hare’s beautifully crafted arrangements for SSAA are suitable

Fly me to the moon

NOVELLO LADIES’ BARBERSHOP


NOVELLO LADIES’ BARBERSHOP

He was beautiful Stanley Myers, arr. Nicholas Hare

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

Novello/SSAA 19


NOVELLO LADIES’ BARBERSHOP

He was beautiful Stanley Myers, arr. Nicholas Hare

Novello Ladies’ Barbershop offers unaccompanied arrangements of a variety of well-loved songs, from the 1920s to the 1970s.

LY E C of who Nall times all the voice parts, but each singer should be aware at N O has the melody, so that it is allowed to stand out. A discreet Ause of soloists E is often appropriate: some suggestions are given. R RM O O C Blend and balance of the harmony is another F element in successful S Rvital performance of this music, and vibrato be kept in check, so that L should E A in P the chords are clean and perfectly tune. The various vocalizations S (ah, ooh, mm, etc.) may be considered U IN as suggestions only and varied R according to the performance conditions. E E S P U Here is another smooth, E Rflowing number, oozing in nostalgia. It is marked N it! Inject a little more urgency at bar 43. Lento, but don’tIoverdo L FO N O OT N Arranger Nicholas Hare has endeavoured to share the interest amongst

Novello/SSAA

20


He was beautiful (Cavatina) Words by Cleo Laine Music by Stanley Myers Arr. Nicholas Hare

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

Š Copyright 1976 Robbins Music Corporation Limited. All Rights Reserved. International Copyright Secured.

21


Ř

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

22


3

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

23


Ś

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

24




LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

25


A series of outstanding songs, taken from the bestselling Close Harmony Ladies’ Barbershop Songbook, selected for their appropriateness for female singers, arranged for close-harmony quartets or women’s choirs.

He was Beautiful

NOVELLO LADIES’ BARBERSHOP

Nicholas Hare’s beautifully crafted arrangements for SSAA are suitable for anything from four to four hundred singers. He has added helpful performance notes for each of the songs and the arrangements are notated on two staves for easy piano rehearsal.

Diamonds are a girl’s best friend

Sailing

NOV161964

NOV162030

NOV161986

Novello Publishing Limited 14/15 Berners Street, London W1T 3LJ, UK. Exclusive Distributors: Music Sales Limited Newmarket Road, Bury St Edmunds, Suffolk IP33 3YB, UK.

www.chesternovello.com 26

NOVELLO LADIES’ BARBERSHOP

LY E N C O AN E M R He was beautiful Can’t help lovin’ dat man O OR (Cavatina) NOV161920 C F SNOV161986 R L E I’m gonna wash that man Fly me to the moon A P (in other words) S N right outa my hair U I NOV161997 NOV161942 R E E S P U Do you want to know Big Spender a secret? E R NOV161953 NOV162008 IN O L F The Sound N ofTSilence We’ll meet again O O NOV292457 NOV162019 N


Paul Mealor IN MY DREAMS for solo tenor, SSA chorus and piano

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

NOVELLO 27


Dedicated to my parents, with love

In My Dreams Written for The Military Wives Choir, Jonjo Kerr & Gareth Malone for their first album, ‘In My Dreams’

Words & Music by

PAUL MEALOR Adagio molto espressivo  F

Tenor Solo

Soprano 1

EE G E EE  i 1 EEEE  G E

0

rit.

0

a tempo

0

4

rit.

4

5 5

As I

EE G E EE 

0

0

0

0

0

0

0

0

Y E L 0 0 0 N C 0 2 O AN rit. rit. a tempo Adagio molto espressivo I5 5 E5 M 5  F 5 5 R E E E  5 5 5 R 55 0 4 4 5 5 O 5 G E E O C S RF I I I IE L 5 555 5 555 EEEE  5 5 5 5 5P 5 5 5 BM 5 A BM 5 5 5 E 5 5 5 5 BMS BM 5 5 N U I * * R E PE US E R N LI FO N T A a tempo O EE O 55 B 5 5 B 5 5 5 5 5 G E EE 5 N 5 i

Soprano 2

Alto

E EE  G E E

5 5



Piano

5

Ten. Solo

lie

EE G E EE Pno.

EEEE E

here

a tempo

at

0

night,

As my eyes give in

0

to

0

sleep,

0

5

5

5 5 As

I

I I I I 5 5 5 5 5 5 5 5B 5 5 5 5 5B5 5 5 5 5 5 5 5 5 MM 5 5 5 5 B BMM 5 5 * *

© 2012 Novello & Company Limited

28


2 molto rit.

I 5 5 5 5 5

E EE GE E5 5 5 i

9

Ten. Solo

1 EEEE G E

dream of you,

S.1

S.2

A.

here in my arms,

0

EE G E EE

lov - ing you.

4

0

0

0

I5 5  B

I’m hold- ing you,

0

0

EEEE E G 2

I 5 5 5 5 B

J

4

0

0

0

4

 4



 4

As you 

 4

5 5 5 5

As you 

Y E L molto rit. N C EEEE O 4 = 0  5 5I 5 B G E 5IN5 5 A 5 5 5 E M R R O 5 I55 O 5 5 5 5 5  C 5 EEEE 5 5 = 4 5 5 5  E S 5 R5 F5 5 5 5 5 5 5 5 L 5 E * * * A S NP U I R E E S P U B a tempo E 1 EEEE 5 5 N 5 5 RB 5 5 B 5 5 5 5 5 5 G E I O L F N T EE G E EEO5 O 5 5 5 B 5 5 5 5 5 5 5 B 5 N

5 5

As you

soloistic

Pno.

J

13

S.1

sleep

S.2

sleep

A.

2G

EEEE E

sleep

E EE GE E Pno.

5

EEEE E

there,

there,

5

there,

a tempo 

0

my

my

love,

As your eyes give in

love,

As your eyes give in

5 5 B my

5 5 5

love,

4

5 5

As your eyes give in

5

I5

BBMM

to

to

rest,

As you

rest,

5 5

rest,

4

5

As you

5 5 B to

5

As you

5

I5

I I I I 5 5 5 5 5B5 5 5 5 5 5B5 5 5 5 5 5 5 5 5 MM 5 5 5 5 5 5 B BMM 5 5 * * 29


3

E EE GE E4 i

17

S.1

1 EEEE 5 5 5 G E

I dream of you, J

A.

2

EE G E EE

5 5 5I 5 5

Pno.

I’m hold- ing you,

5 I5 5 B = 5 5 E  R molto rit.

4

soloistic

S.1

S.2

L

C

5

E

lov - ing you.

5 5 *

5 5 5

you’re in my arms,

In my dreams, my heart is

hold - ing you,

dreams,

you’re in my arms,

In my dreams, my heart is

hold - ing you,

dreams,

you’re in my arms,

In my dreams, my heart is

hold - ing you,

In my dreams, my heart is

hold - ing you,

dreams,

5 5 5 5 5

you’re in my arms,

EE G E EE = 5 5 5 5 a tempo

JJ

K

 5 5 5

5 5 5 5 5 5  =

5 5 5 5 5 55 55 EEEE 55 5 5 5B5 E BM B 5 BM 5 * * 30

JJ

5I 5I

In my

JJ

5I 5I

In my JJ

5I 5I

In my JJ

5I 5I

In my

I5 5 5I

5  I5 5 B 

dreams,

EEEE EB A. 2G

Pno.

N

5I 5 5 Y

O A5IN5 M R 5 5

O O C S 5 R5F5 5 E * P S N C a tempo U KI EEEE B R 5  5 5 5 5 G E E 5 E5 5 5 5 i P US E R5 5 K  5 5 1 EEEE B N5 O G E 5 5 5 5 5 I L F N K T EEEE O 5 5 5  5 B 5 G E O 5 5 5 5 5 N J

5I55 = 4 EEEE 5 5 5 5 5 E 5  5 5 5 L * A

21

Ten. Solo

lov - ing you.

5 5 5I 5 B

there in your arms,

E EE G E E BM

5I 5 5

I’m hold- ing you,

J

dream of me,

lov - ing you.

I 5 5 5 5 B

there in your arms,

5 5 5

I5 5 5

I’m hold- ing you,

I 5 5 5 5 5

dream of me,

lov - ing you.

I 5 5 5 5 B

there in your arms, J

EE G E EE 5 5 5

I5 5 5

hold- ing you,

I 5 5 5 5 5

dream of me,

S.2

I5 5 B

M = 5 5 5 B

5  I5 5 B  5  I5 5 B

5 5 5  I5 5 B  5 5 5 5 

5 55 5 55  55 55 5  5B5 B B B * * GGGGGG

Ten. Solo

molto rit.

J

J

55 55 5 55 5 55


4

5 5 5 K

EE 5 G E EE 5 B i feel - ing you,

1 EEEE 5 5 B G E

feel- ing you,

S.2

In my

lov - ing you,

5I 5I

lov - ing you,

EEEE E5 5 B G 2

5 5 5

B

In my

dreams JJJ

K

B

In my

dreams JJJ

5I 5I

B

you’re

5 5 you’re

5 5

5

5 5 K

 5 5 

al - ways there, In my

5

5 5 K

 5 5 

al - ways there, In my

5 5 K 5  5 5

you’re al - ways there, In my

5

5

K

5 5 5

 5 5 

Y E L a tempo N`a C BBMM 5 O rit. 55 5 55 N 5 A BM 5 5 E 5M 5 5 55 55 55  E EE 55 55 5 5 GE E R 5 =  55 5R O C 5F5O 5 5 55 5 5 S 555 555 EEEE 5 5  55 5R BB BB  E 5BM L B M E 5 5 BM BM A5 P 5 S * * U * N * I RI E E E E E  5 B 5 5 B 5 5 5P  5 S  G E E 5   U i E R N 1 EEEE  5 5 B 5 I 5 5O  5I 5 B  G E 5 L F N T O E E 5 5 B I  G E EE  5 5O 5 5  5 5 B N In my

dreams

you’re

GGGGG

lov - ing you,

GGGGG

feel- ing you,

al - ways there, In my

JJJ

GGGGGGG

GGGGGG

Pno.

dreams JJJ

5 5 5 K 5 5I I

EE 5 G E EE 5 B feel- ing you,

A.

lov - ing you,

5 5 5 K

5 5

B

GGGGG

S.1

JJJ

5I 5I

GGGGGG

Ten. Solo

D a tempo

rit.

25

29

S.2

ne - ver

die;

al - ways you,

dreams our love will

ne - ver

die;

al - ways you,

ne - ver

die;

al - ways you,

EEEE  5 E A. 2G

dreams our love will

5

5

5

I 5

dreams our love will

EE G E EE  = Pno.

 5 5

EEEE  55 55 E B B *

55

5 55

5

ne - ver



5  55B5 5 B

B

5

die;

55

55

55 55

*

31

55

5

BBMM BM

 

B

al - ways you,

GGGGG

S.1

dreams our love will

55 5 BM BM *

GGGGGG

Ten. Solo

5

5

5

5

 


5 molto rit.

EE 5 5 G E EE  5 i

32

Ten. Solo

al - ways love,

S.1

1 EEEE  5 5 5 G E

al - ways love,

S.2

 5

in

my

 5

 5

in

my



 BM

0

dreams.



  BM

0

dreams. 

 5

 5

E EE  5 5 5 G E E

  BM

0

LY E0 2 N C 5 5 5 5 BM 5 O AN E M a tempo `a molto rit. R 5  O0 OR 4 5  EEEE  55  5 55 55  G E 55 SC RF L E I 55    A 5 P E 5 5 EE E  555 5B5 5 5 5 =  5 5 5 S  E 5 5 5 BMM 5 5 5 5U N 5 I 5 R E * * E P US E R N LI FO N O OT N al - ways love,

A.

 5

E a tempo

in

E EE  G E E

my





in



 

my

dreams.

GGGGG GGGGGG

al - ways love,

dreams.



GGGGGG

Pno.

0

I 5 EEEE 55 5 5 5 G E Pno.

EEEE E

4

4

5 5 5

All a - lone

5 5

4

5 5

5 5 5

soloistic

5

here

5

5 5 B I

lie,

5 5 B

I I 5 5

5 5 As the

5 5

I I I I 5 555 5 555 5 5 5 5 5 5 5 5 5 5 5 5 5 5 BM BM 5 5 5 5 BM BM 5 5 * * GGGGGG

E EE GE E i

35

Ten. Solo

5 5

32


6

E EE GE E5 i

5 5

EEEE 5 G E

5 5

39

Ten. Solo

dark - ness falls

a - round,

5 5 B

5 5 5 5 5

5

5 5 5 5 5

5 5

I 5 555 5 EEEE 5 5 5 5 5 5 5 5 5 B 5 E M 5 5 5 BM 5 5 * *

5 5

5

I5 5

5

I’m

5 5 5

soloistic

J

I5 5 55 = 4 5 5

LY E N C O AN E R RM O O C molto rit. F SF a tempo R I5 5 IB E EE 5I 5 B L = E 5 5 5 5 5 5 5 GE E A 5 S NP5 i U I K R 1 EEEE 5 E 5 E 0 4 4 5 B 5 E G 5 5 5 5 P US 5I I E R N K I0 O 4 4 5 B EEEE 5 5 5 L G E 5I I 5 5 5 5 N TF O O K N EEEE 5 5 0 4 4 5 B 5 5 E JJ

43

Ten. Solo

I5 5

J

As I think of you, and your warm em - brace,

GGGGGGG

Pno.

5 5 B

5

home a - gain,

ev - er safe.

I’ll dream of you

for ev - er- more,

JJ

S.1

In my

dreams,

you’re in my arms,

In my

A.

2G

EEEE E

you’re in my arms,

5I I

In my

molto rit.

I5 5 5

I5

5 5 5 5 5 5 5 5 5 5 5 5 5I * * 33

dreams,

5 5

you’re in my arms,

 

In my

JJ

EEEE I5 5 B G E Pno.

dreams,



In my

JJ

S.2

 

5

 

In my

a tempo

= 5 5 5 5 JJ

5 5 5 5 5 5 

5 5 55 5 5 5 5 5 5 5 5 5B 55 BM B 5 BM 5 * *




7

EE G E EE  = i 1 EEEE  G E 5 47

S.1

EE G E EE  5

 5 5

I’ll dream

5

5

5

dreams, my heart is

S.2

EEEE  E 5 A. 2G

5

5

dreams, my heart

5

5

dreams, my heart

of  5I 5

5

5

hold - ing

B

5

5

you,

5

5

5

feel - ing

5

B

5



you,



5

hold - ing

I  5 5

you,

feel - ing

5

you,

B



is

5

hold - ing

I  5 5

you,

feel - ing

you,



is

hold - ing

you,

5

B B

5

55

55

5

B

BBMM BM

feel - ing you,

LY E N 5C 5 55 55 5 O 5 5 EEEE  5 5 5 A5 N  55B5 5 5 5 5 5   E B EM M B B R BBMR O O* * * C S F a tempo R molto rit. GL E  A P  EEEE  5 5 5 5 BM 4 4 5 S  N G E U I i R E E S  1 EEEE  5 5 5 P 5 0 5 U G E  BM E R N O I L EE 5 F 5 5  BM 0 G E EE  5N 5 O OT   E EE  N  E EE  G E E =

 5 5

5

5 

55

55

5

GGGGGG

Pno.

5 

GGGGG

Ten. Solo



50

Ten. Solo

al - ways in

my

dreams,



5 5

in my



S.1

S.2

al - ways you,

in

my

dreams. 

al - ways you,

in

my

dreams.

E E 5 5 5 A. 2G `5a EEEE  55 G E

GGGGG

al - ways you,

5

in

my

molto rit.

55

 55

 55

0

 BM

dreams.

a tempo





0

5    5 EEEE  5555 5 =   5 5 55 5  E 5 5 5 5 5 5 5 * * GGGGGG

Pno.

5



34

4

5 5

5 5

I 555 5 5 5 5I I BM 5 BM

   


8

EE G E EE BM i dreams, 1 EEEE G E 53

Ten. Solo

S.1

S.2

A.

Pno.

4

EE G E EE

2G

EEEE E

I 5 EEEE 55 5 5 5 G E

4

5 5 in

my

BM dreams,

0

0

0

0

0

0

0

0

5 5

5 5

0

5 5

LY E N C I N 5 5 O EEEE 5 5 555 5 5 5 5 A 5 5 BBM 5 5 E E 5 5 5 M M 5 R 5 O OR* * SC RF L E A S NP U I R E molto rit. " PE S  EEEE 4 4 4 4 G E U 5 5 BM BM 5 E R i N I O  L 1 EEEE F 0 0 0 G E N 0 T O O E   E 0 0 0 G E EE N 0 4

0

56

in

S.1

S.2

A.

EEEE E G 2 E EE GE E

Pno.

 0  0

my

dreams.

0

molto rit.

0

I   5 EEEE 55B5 5 5 5 5 5 5 5 E BM 5 5 M 5 * 35

 0

0 55 5 5 5 5 5

GGGG

Ten. Solo

0

 BBMM BM  0 Duration: 3 min. (approx) 


PAUL MEALOR Ave Maria

She walks in beauty

SATB divisi NOV292765

SATB divisi NOV162074

Ave maris stella

Stabat Mater

SATB divisi NOV292875

Solo soprano, SATB divisi, harp (or piano) and strings Full score NOV292864; Vocal score NOV292853

Beata es, Virgo Maria

LY E N C Locus iste O AN Wherever Eyou are R RM O O Lux Benigna C S RF L E Now Sleeps the Crimson Petal A S NP U I R E E S P U E N OR O Sanctissima IMaria L N TF O O vos omnes O Novello N Publishing Limited Ubi caritas

SATB divisi NOV292776

SATB divisi NOV200937; Pack of ten NOV200937-10; Pack of twenty-five NOV200937-25

SATB divisi NOV292831

SSA and piano NOV201146; SATB and piano NOV292886; TTBB and piano NOV292897 All available in packs of ten (-10) or twenty-five (-25)

SSAAA and piano NOV292787

Four madrigals for SATB divisi NOV292710; I: Now sleeps the crimson petal NOV292721; II: Lady, when I behold the roses sprouting NOV292732; III: Upon a bank with roses set about NOV292743; IV: A Spotless Rose NOV292754

Paul Mealor IN MY DREAMS for solo tenor, SSA chorus and piano

Selected choral music by

SSA, piano, harp, percussion and strings Full score NOV201135

SATB divisi NOV292798; TTBB divisi NOV292809

SATB divisi and tubular bells NOV292842

part of the Music Sales Group

14/15 Berners Street London W1T 3LJ

Sanctuary Haunts

Exclusive distributors: Music Sales Ltd Newmarket Road Bury St Edmunds Suffolk, IP33 3YB

SATB divisi NOV292820

www.chesternovello.com Order No. NOV162173

NOVELLO

36


SSA/PIANO NOV162052

MORE THAN WORDS AS PERFORMED BY EXTREME ARRANGED BY PETER FOGGITT

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

NOVELLO CHORALPOPS

37


MORE THAN WORDS WORDS & MUSIC BY NUNO BETTENCOURT & GARY CHERONE Arranged by Peter Foggitt

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

Š Copyright 1990 Color Me Blind Music, USA Universal Music Publishing Limited. All rights in Germany administered by Universal Music Publ. GmbH. All Rights Reserved. International Copyright Secured.

38


3

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

39


4

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

40


5

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

41


6

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

42


7

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

43


8

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

44


9

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

45


10

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

46


11

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

47


12

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

Novello Publishing Limited part of The Music Sales Group

14-15 Berners Street London W1T 3LJ, UK www.chesternovello.com This publication Š 2011 Novello & Company Limited

48


SOMEONE LIKE YOU

SSA/PIANO

AS PERFORMED BY ADELE ARRANGED BY CHRISTOPHER HUSSEY

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

NOVELLO CHORALPOPS

49

NOV162140


LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

50


SOMEONE LIKE YOU WORDS & MUSIC BY ADELE ADKINS & DANIEL WILSON Arranged by Christopher Hussey

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

Š Copyright 2010 Universal Music Publishing Limited (All rights in Germany administered by Universal Music Publ. GmbH)/Sugar Lake Music/Chrysalis Music Limited. All Rights Reserved. International Copyright Secured.

51


2

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

52


3

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

53


4

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

54


5

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

55


6

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

56


7

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

57


8

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

58


9

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

59


10

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

60


11

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

61


12

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

62


13

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

63


14

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

64


15

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

65


16

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

66


17

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

67

123456789


LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

68


THE TIDE IS HIGH

SSA/PIANO

AS PERFORMED BY BLONDIE ARRANGED BY BARRIE CARSON TURNER

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

NOVELLO CHORALPOPS

69

NOV161612


LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

70


THE TIDE IS HIGH

WORDS & MUSIC BY JOHN HOLT, BILL PADLEY, HOWARD BARRETT, JEM GODFREY & TYRONE EVANS Arranged by Barrie Carson Turner

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

Š Copyright 1968 & 2002 The Sparta Florida Music Group Limited/Universal Music Publishing Limited (Administered in Germany by Universal Music Publ. GmbH). All Rights Reserved. International Copyright Secured.

71


2

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

72


3

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

73


4

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

74


5

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

75


6

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

76


7

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

77


8

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

78


9

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

123456789

79


LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

80


SSA/PIANO

WHEREVER YOU WILL GO AS RECORDED BY THE CALLING AND CHARLENE SORAIA. ARRANGED BY JEREMY BIRCHALL

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

NOVELLO CHORALPOPS

81

NOV942282


LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

82


WHEREVER YOU WILL GO WORDS & MUSIC BY AARON KAMIN & ALEX BAND Arranged by Jeremy Birchall

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

Š Copyright 2001 Alex Band Music/Amedeo Music. Universal Music Publishing MGB Limited. All Rights Reserved. International Copyright Secured.

83


2

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

84


3

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

85


4

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

86


5

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

87


6

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

88


7

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

89


8

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

90


9

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

91


10

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

92


11

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

93


12

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

94


13

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

95

123456789


ALSO AVAILABLE FROM MUSIC SALES: BEAUTIFUL (CHRISTINA AGUILERA) SATB/PIANO – NOV170533 SSA/PIANO – NOV170544 BLACKBIRD (THE BEATLES) SATB/PIANO – NO91300 SSA/PIANO – NO91289

LY E N C N O FIELDS OF GOLD (STING) A E M SATB/PIANO – NOV940907 R SSA/PIANO – NOV940918 R O O HALLELUJAH (LEONARD COHEN, JEFF BUCKLEY AND COTHERS)F SATB/PIANO – NOV940863 S SSA/PIANO – NOV940874 L ER HERO (MARIAH CAREY, X FACTOR FINALISTS) SA N P SATB/PIANO – NOV940830 U I SSA/PIANO – NOV940841 R I HAVE A DREAM (ABBA) E SE SATB/PIANO – NOV170467P SSA/PIANO – NOV170478 E RU MAN IN THE MIRROR IN (MICHAEL JACKSON) SATB/PIANO – NOV941281O L SSA/PIANO – NOV941094 N TF REJOICEO (KATHERINE JENKINS, IL DIVO) Novello Publishing Limited O SATB/PIANO – NOV940819 N DON’T STOP BELIEVIN’ (JOURNEY) SSA/PIANO – NOV941402 SAB/PIANO – NOV941435

WHEREVER YOU WILL GO

THIS SUMPTUOUS CHORAL ARRANGEMENT FOR SSA CHORUS WITH PIANO ACCOMPANIMENT IS EVEN MORE ENGROSSING AND AFFECTING – AN IDEAL PIECE TO ADD SOME EMOTIVE POWER TO ANY ENSEMBLE’S REPERTOIRE.

SSA/PIANO

WHEREVER YOU WILL GO IS THE UPLIFTING AND HEARTFELT HIT SONG ABOUT LOVE AND DEDICATION BY THE CALLING AND FAMOUSLY COVERED BY SINGERSONGWRITER CHARLENE SORAIA.

part of The Music Sales Group

14 -15 Berners Street London W1T 3LJ, UK

RULE THE WORLD (TAKE THAT) SATB/PIANO – NOV940940 SSA/PIANO – NOV940951

Exclusive distributors: Music Sales Limited Newmarket Road Bury St Edmunds Suffolk IP33 3YB, UK

RUN (SNOW PATROL, LEONA LEWIS) SATB/PIANO – NOV940852

www.musicsalesclassical.com

WONDERFUL TONIGHT (ERIC CLAPTON) SATB/PIANO – NOV170489 SSA/PIANO – NOV170511

This publication © 2013 Novello & Company Limited

96

Edited by Ruth Power

NOVELLO

YOU RAISE ME UP (JOSH GROBAN, WESTLIFE AND OTHERS) SATB/PIANO – NOV940929 SSA/PIANO – NOV940896


WHITE CHRISTMAS

SSA/PIANO

AS RECORDED BY BING CROSBY ARRANGED BY CHRISTOPHER HUSSEY

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

NOVELLO CHORALPOPS

97

NOV942161


WHITE CHRISTMAS WORDS & MUSIC BY IRVING BERLIN Arranged by Christopher Hussey

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

Š Copyright 1942 Irving Berlin Music Corporation. Australia controlled by EMI Allans. Print rights administered by Universal Music Publishing Limited for the world excluding United States and Canada. All rights in Sweden, Norway, Denmark, Finland, Iceland & Baltic States administered by Universal/Reuter-Reuter Forlag AB. All Rights Reserved. International Copyright Secured.

98


3

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

99


4

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

100


5

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

101


6

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

102


7

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

103


8

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

104


9

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

105


10

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

106


11

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

107


12

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

108


13

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

109


14

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

110


15

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

111


16

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

Novello Publishing Limited part of The Music Sales Group

14-15 Berners Street London W1T 3LJ, UK www.musicsalesclassical.com This publication Š 2012 Novello & Company Limited

112


BYE BYE BLACKBIRD

SATB/PIANO

WORDS & MUSIC BY MORT DIXON AND RAY HENDERSON ARRANGED BY JONATHAN WIKELEY

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

NOVELLO CHORALPOPS

113

NOV941820


BYE BYE BLACKBIRD WORDS BY MORT DIXON MUSIC BY RAY HENDERSON Arranged by Jonathan Wikeley

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

© Copyright 1926 Remick Music Corporation, USA. Redwood Music Limited. All Rights Reserved. International Copyright Secured.

114


3

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

115


4

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

116


5

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

117


6

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

118


7

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

119


8

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

120


9

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

121


10

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

122


11

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

123


12

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

Novello Publishing Limited part of The Music Sales Group

14-15 Berners Street London W1T 3LJ, UK www.chesternovello.com This publication Š 2011 Novello & Company Limited

124


CAN’T BUY ME LOVE

SATB/PIANO

AS PERFORMED BY THE BEATLES ARRANGED BY JEREMY BIRCHALL

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

NOVELLO CHORALPOPS

125

NO91586


LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

126


CAN’T BUY ME LOVE WORDS & MUSIC BY JOHN LENNON & PAUL MCCARTNEY Arranged by Jeremy Birchall

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

© Copyright 1964 Sony/ATV Music Publishing. All Rights Reserved. International Copyright Secured.

127


2

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

128


3

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

129


4

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

130


5

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

131


6

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

132


7

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

133


8

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

134


9

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

135


10

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

136


11

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

137


12

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

138

123456789


GOD ONLY KNOWS

SATB/PIANO

AS PERFORMED BY THE BEACH BOYS ARRANGED BY JONATHAN WIKELEY

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

NOVELLO CHORALPOPS

139

NOV162041


GOD ONLY KNOWS WORDS & MUSIC BY BRIAN WILSON & TONY ASHER Arranged by Jonathan Wikeley

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

Š Copyright 1966 Sea Of Tunes Publishing Company/Irving Music Incorporated, USA. Rondor Music International. All rights in Germany administered by Rondor Musikverlag GmbH. All Rights Reserved. International Copyright Secured.

140


3

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

141


4

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

142


5

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

143


6

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

144


7

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

145


8

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

146


9

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

147


10

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

148


11

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

149


12

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

Novello Publishing Limited part of The Music Sales Group

14-15 Berners Street London W1T 3LJ, UK www.chesternovello.com This publication Š 2011 Novello & Company Limited

150


Paul Mealor IN MY DREAMS for SATB chorus and piano

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

NOVELLO 151


LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

152


Dedicated to my parents, with love

In My Dreams Written for The Military Wives Choir, Jonjo Kerr & Gareth Malone for their first album, ‘In My Dreams’

Words & Music by

PAUL MEALOR Adagio molto espressivo q = c. 56

SOPRANO

ALTO

1 EEEE  G E EE G E EE 

rit.

a tempo

rit.

0

0

0

0

0

0

0

0 pp

E EE  G E E i

0

0

4

0

*

4

5 5

Y E L * 5 5 EEEE  C N 0 0 0 4 4  E 2 O AN I5 5 E 5 5 5 5 5 EEEE  R 5 5 5M 4 5 5 4 0 E 5 5 5 G  O OR5 C F S I I I I R 5 5 5 5 L EEEE  5 5 5 5B 5 5 5 5 E 5B5 5 5 5 5 5 5 5 5 E M A 5 5 5 5 BM BMM P 5 5 S N U I * * R E E S P U E R A a tempo N E 1 EE E 5 5 5 B 5 5 5 5 5 5 5 L5 I 5 F5O B G E N T i O O 5 N5 5 5 B 5 5 B 5 5 5 5 5 5 5 EEEE E

TENOR

As I pp

BASS

As I

pp

PIANO

5

T.

B.

here

at

night,

As my eyes give

in

to

sleep,

As I

lie

here

at

night,

As my eyes give

in

to

sleep,

As I

2

EE G E EE Pno.

lie

EEEE E

0

0

0

0

I I I I 5 5 5 5 5B5 5 5 5 5 5B5 5 5 5 5 5 5 5 5 5 5 MM 5 5 5 5 B BMM 5 5 * *

*This section may be sung as a tenor solo © 2012 Novello & Company Limited 153


2

1 EEEE E S. G 9

A.

T.

0

E EE GE E

0

0

EE G E EE 5 5 5 i

0

0

0

4

 4

p

5 5 As you p

5 5

I5 5  B

I 5 5 5 5 B

here in my arms,

mf

5

4

 4

As you

mf 5 I5 5 5 5

dream of you,

5 5 5 EEEE B. 2 E

molto rit.

5 I5 5 5

I’m hold - ing you,

lov - ing you.

I 5 5 5 5 B

5I 5  B

LY E N C EEEE 4 = 0 O E G  5 5I 5 B 5IN5 5 5 A 5 5 E M R R 5 O I 5 5 5 5 5  55 = 4 EEEE 5 5 5 O 5 5 C 5 5 5 E  5 5 5F 5 5 S 5 5 5 R 5 L *E * * SA N P U I R E E S B a tempo P U 1 EEEE 5 5 E 5 5 B 5 5 B 5 5 5 5 5 5 G E R N I O L F EEEE N G EO 55 55 T 55 55 BB 55 55 BB 5 5 55 55 55 5 O N E EE dream of you,

here in my arms,

I’m hold - ing you,

lov - ing you.

soloistic

Pno.

mf

13

S.

sleep

A.

sleep

there,

there,

my

my

love,

As your eyes give in

love,

As your eyes give in

to

to

rest,

As you

rest,

0

0

0

0

0

0

0

0

EE G E EE

0

4

5

I5

p

Pno.

EEEE E

BBMM

4

5

As you

GE E i EEEE B. 2 E

T.

5

5

I5

I I I I 5 5 5 5 5B5 5 5 5 5 5B5 5 5 5 5 5 5 5 5 MM 5 5 5 5 5 5 B BMM 5 5 * * 154


3

1 EEEE 5 5 5 E S. G dream of me,

A.

B.

I 5 5 5 5 B

there in your arms,

f

EE G E EE 55 55 55

I’m hold - ing you,

there in your arms,

mf

f

mf

f

I5 5 5 lov - ing you.

I 55 5 5 5 B

55 55 55I 55 55

dream of me,

T.

molto rit.

I5f 5 5 5 5

17

5I 5 5

I’m hold - ing you,

lov - ing you.

I5 5 B

M EEEE (tutti) = 5 5 5 B G E4 i I dream of you,

I5 5 5

hold - ing you,

lov - ing you.

I5 5 B

LY E N IC I O E 5 5 E 5 B 5N 5 5 4 = 5 5 A G E EE BM E  R RM 5I55 = 4 CO 5O5 5 5 5 5 5 5 EEEE 5 5 5 5 5 E 5 5 5  S 5 R5F 5 5 L * * * E A P S N U C a tempo KI R I E 1 EE E B 5 E 5 5  5 5 5 5  5 5 B 5 5 E5 S G E P5 U E R K I EEEE B N 5 5 5 5O 5 5  5 5 5 5  5 5 B I G E 5 L N TF E EE O 5 5 K 5  5 5 5 5  I5 5 B GE EB O 5 5 5   5 N i (tutti) EEEE 4 = 5 5 5 5 E 2 I dream of

5

5

you,

I5 5 5

hold - ing you,

lov - ing you.

soloistic

Pno.

ff

5I 5I In my

ff

5I 5I In my

ff

5I 5I In my ff

I5 5I

In my

I5

f

5 5I

21

A.

T.

B.

dreams,

you’re in my arms,

In my dreams, my heart is

hold - ing

you,

dreams,

you’re in my arms,

In my dreams, my heart is

hold - ing

you,

dreams,

you’re in my arms,

In my dreams, my heart is

hold - ing

you,

In my dreams, my heart is

hold - ing

you,

EEEE B E 2

dreams,

5 5 5

you’re in my arms,

E EE  GE E= 5 5 5 5 Pno.

5 5

5 5

K5 5  5 

5 5 5

ff

5 5 5 5 5 555 5 5 EEEE 55 5 5 5 B E BM B 5 BM 5 * * 155

 5 =

5 5 5  I5 

5 B

 5 5 5 5 

5 5 55  55 55 5  55B5 5 B B B * * GGGGGG

S.

55 55 5 55 5 55


4

D a tempo

rit.

5 5 5 K

1 EEEE 5 5 B E S. G 25

feel - ing you,

EE G E EE 5 5 B

5 5 5

feel - ing you,

In my

K

feel - ing you,

lov - ing you.

5I 5I

you’re al - ways there, In my

5 5

B

dreams fff

K I I5 5

5 5 K 5  5 5

5 5

dreams fff

In my

 5 5 

you’re al - ways there, In my

B

In my

5

5 5 K

5

K

5 5

 5 5 

you’re al - ways there, In my

5 5

5 5 K 5 5  

LY E N`a C BBMM 5 O 55 5 55 N 5 BM 5 A 5 E EE 5 5 5 55 55 5  55 55 5 E 5 5 55  GE E = 5 R 5RM O O 5 C 5 5 5 S 555 5 555 EEEE 5 5 5 5R5F5  5 BB 5 BB  E 5BM B M L E 55 55 BM BM A P S * * * U IN * RI E E E 1 EE E  5 5 5 5  5 S5 B 5 5 B  P U G E  E R EEEE  5 5IN5 O  5  I5 5 B 5 5 B  G E L F N T EEEE O 5 5 B  5 O 5 5 5  I5 5 B E    G N i

EEEE 5 5 B B. 2 E

5 5 5

B

In my

dreams

5

you’re al - ways there, In my

GGGGG

lov - ing you.

GGGGG

feel - ing you,

fff

GGGGGGG

GGGGGG

Pno.

dreams

fff

5 5 5 K 5 5I I

EE 5 5 B G E EE i

5 5

B

GGGGG

T.

lov - ing you.

5I 5I

GGGGGG

A.

lov - ing you.

fff

29

T.

ne - ver

die;

al - ways you,

dreams our love will

ne - ver

die;

al - ways you,

dreams our love will

ne - ver

5

die;

B

al - ways you,

ne - ver

die;

al - ways you,

EEEE  5 B. 2 E

5

5

5

I 5 

dreams our love will

Pno.

EE G E EE  =

 5 5

5



EEEE  55 E B B *

55

55

55

5  55B5 5 B

55

5

55

55 55

* 156

55

5

 

B

BBMM BM

GGGGG

A.

dreams our love will

55 5 BM BM *

GGGGGG

S.

5

5

5

5

 


5

E a tempo

molto rit.

1 EEEE  5 5 5 E S. G 32

al - ways

A.

T.

B.

love,

 5

 5

in

my

 5

EE G E EE  5 5 5

pp

 BM

dreams. pp

 5

al - ways love,

in

my

E EE  5 5 5 G E E i al - ways love,

 5

 5

in

my

 5

 5

in

my

0



0

BM

dreams. pp

  BM

0

dreams. pp

LY E0 N C N O `a A 5 E M 5   EEEE  55 R  55 G E 55  55 O0 OR 4 5 C F S I 55    R 5 5 EEEE  5555 5  L 5 =  5 5 BB5M 5 5 5 E 5 5 E5 5 5 5 5 A 5 P M S 5 * U IN* R E E S P U E R N I O L F 1 EEEE N * 0T 4 4 5 5 5 B 5 5 5 G EO O i N 5 EEEE  5 5 5 E 2

dreams.

GGGGG GGGGGG

al - ways love,

 BM

pp

GGGGGG

Pno.

E E 2 E EE

0

I 5 EEEE 55 5 55 G E Pno.

EEEE E

4

5 5

4

All a - lone pp

here

All a - lone

here

5 5 4 * 5 5

5 5 5

soloistic

5

5

I

5 5

lie,

As the

5 5 B

5 5

I

lie,

As the

5 5 B

5 5

I I I I 5 5 5 5 5 5B5 5 5 5 5 5B5 5 5 5 5 5 5 5 5 5 5 5 5 5 BMM BMM 5 5 * * GGGGGG

B.

I I 5 5

pp

35

T.

5 5

*This section may be sung as a tenor solo 157


6

1 EEEE 5 E T. G i

5 5

EE 5 E E B. 2 E

5 5

39

dark - ness falls

dark - ness falls

E EE GE E

5 5

a - round,

5

mf

5I 5

5 5 5 5 5

5 5 B a - round,

5

5

I5 5

I’m

5 5

5

I’m

As I think of you, and your warm em - brace,

5 5 5 5 5

5 5 B

5

5

5I 5

5

soloistic

5 5 5

L5Y 5 E555 = 4 N C O A5N E R RM O O C S RF tempo molto rit. L F a E A K P 1 EEEE 5I B 5 5 5 5 5 0 4 4S 5 N G E 5 5 U II R E E K P 4 US E EE 4 5 5I B 5 5 5 5 5 0 GE E 5 5 E R I IN O L F I5 5 IB E E I5 5 5 5 5 5 = 5 5 5 5 G E EE N5 BT O O i N I5 5 I 5I 5 I 5 5 EEEE 5 5B5 5 5 5 5 5 5 5 5 5 5 E M 5 5 5 BM 5 5 * *

mf

I

ff

43

S.

5 5

5

As I think of you, and your warm em - brace, mf

GGGGGGG

Pno.

5

5 5 5 5 5

5 5 B

5

In my

dreams,

you’re in my arms,

In my

ff

A.

In my

dreams,

you’re in my arms,

home a - gain,

EEEE B. 2 E

B

home a - gain,

EEEE I5 5 B G E

ev - er safe.

I’ll dream of you

(tutti) ff

B

5 5 5 = 5

ev - er safe.

5I 5 5

I5

= 5 5 5 5

EEEE E

5 5 5 5 5 5 5 5 5 5 5 5 5I * * 158

55 5 BM BM *

5 5 5 5

for



ev - er - more,

5 5 5 5 5

I’ll dream of you

ff

Pno.

for

 

In my

(tutti) ff

T.

 

 

ev - er - more,

5 5 5 5 5 5  555 B B *

5 55 5 5 5 5




7

1 EEEE  E 5 S. G 47

5

5

I5 

5

dreams, my heart is

5

EE G E EE  = i

 5 5

5

hold - ing

I  5

5

dreams, my heart is

B.

I’ll dream

E E  2 E EE  =

5  I’ll

of

5

you,

5 5

of

dream

B

5

5

5

5

you,

5 BBMM BM



B you,

5

5

you,

hold - ing

 5 5 55 55

5 

5

55

55

5

feel - ling

5

5

55

55

feel - ling



5 you,

5

 

you,

5

pp

50

S.

you,

feel - ing

5

hold - ing

5 

5

feel - ing



B

LY E N C 55 O 55 5N 5 5 A EEEE  5 5  555 5 E 55BM M 5  BB E  5B R B BMR O O* * * SC RF La tempo molto rit. E G A P S  1 EEEE  5 5 5 5 0 E 5 U INBM  G R E E S P U EEEE  5 5 0 5E 5  BM G E 5 R N LI FO  *  EEEE  5N T  BM 5 5 5 4 4 5   G EO O i N E EE  G E E =

Pno.

hold - ing

5 

you,

5

GGGGGG

T.

5

5

B

GGGGG

A.

EE G E EE  5

5

al - ways you,

in

my

dreams.

pp

A.

al - ways you,

T.

dreams. pp

my

EEEE  5 E 2

5 5  5

 5

M  B

`5a E E E  55 G E E

al - ways in

my

dreams,

5 EEEE  5555 5 E 5 * GGGGGG

Pno.

my

al - ways in

GGGGG

B.

in

55

 55

 55

dreams, pp

 

4

   5 =  5 5 55  5 5 5 5 5 5 5 *

*This section may be sung as a tenor solo 159

5 5 in my pp

* 5 5

in my

0 pp

4

pp

4

5 5

5 5

I 555 5 5 5 5I I BM 5 BM

   


8

53 1 EEEE BM E T. G i dreams, EEEE BM B. E 2

4

4

in

4

4

dreams,

5 5

Pno.

5 5 5 5 5 5 *

T.

5 5

my

dreams,

0

I 555 5 5 5 5 BBM 5 M

5 5 5 5 5 5 *

pp

EEEE 4 B. 2 E

in my pp

dreams.

in my pp

dreams.

in my pp

dreams.

 5  5 BM

4

in

EE G E EE Pno.

BM

EEEE E

 0

my

BM

5

5 5 55 5 5 5

 BBMM BM

dreams.

0

I   5 555 5 5 5 5 5 5 5 BM 5 5 BM 5 *

GGGG

A.

dreams,

LY E N C O AN E R RM O O C S RF molto rit. L E A " P   1 EEEE 4 S 4 E G N BM 5 5 BMU 5 4 I R E E S " P U EEEE 4 4 E E5 5R BM G BM 5 4 N LI FO " EEEE N T   4 4 E O G 5 5 BM BM 5 4 O i N 56

S.

5 5

4

my

BM

5 5 in

I 5 EEEE 55 5 5 5 G E EEEE E

5 5

0

"

 4  4  4  4

4

 0 Duration: 3 min. (approx)

160

123456789


SATB/PIANO NOV162063

NO MATTER WHAT AS PERFORMED BY BOYZONE ARRANGED BY PETER FOGGITT

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

NOVELLO CHORALPOPS

161


NO MATTER WHAT

(FROM ‘WHISTLE DOWN THE WIND’) MUSIC BY ANDREW LLOYD WEBBER, LYRICS BY JIM STEINMAN Arranged by Peter Foggitt

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

© Copyright 1998 Andrew Lloyd Webber licensed to The Really Useful Group Limited/Lost Boys Music/ Universal Music Publishing Limited (Administered in Germany by Universal Music Publ. GmbH). All Rights Reserved. International Copyright Secured.

162


3

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

163


4

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

164


5

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

165


6

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

166


7

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

167


8

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

168


9

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

169


10

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

170


11

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

171


12

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

Novello Publishing Limited part of The Music Sales Group

14-15 Berners Street London W1T 3LJ, UK www.chesternovello.com This publication Š 2011 Novello & Company Limited

172


SOLO/SSATBB NOV162360

SLEEPSONG AS RECORDED BY SECRET GARDEN ARRANGED BY DESMOND EARLEY

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

NOVELLO

CHORALPOPS

173


SLEEPSONG

WORDS BY BRENDAN GRAHAM, MUSIC BY ROLF LØVLAND Arranged by Desmond Earley For Alana, child of the Universe... now.

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

© Copyright 2004 Universal Music Publishing Limited/Peermusic (UK) Limited. All Rights Reserved. International Copyright Secured.

174


3

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

175


4

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

176


5

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

177


6

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

178


7

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

179


8

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

180


9

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

181


10

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

182


11

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

183


12

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

184


13

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

185


14

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

186


15

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

187


16

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

188


17

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

189


18

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

190


19

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

191

123456789


WRITTEN BY BRENDAN GRAHAM AND ROLF LØVLAND, WHO ALSO PENNED THE WESTLIFE HIT YOU RAISE ME UP. A BEAUTIFUL AND PEACEFUL CHORAL VERSION HERE ARRANGED FOR SIX PART CHORUS WITH SOPRANO SOLO.

SOLO/SSATBB

SLEEPSONG IS A RICH, CELTIC-INSPIRED SONG FOR CHOIRS LOOKING TO TEST THEIR ABILITIES WITH A NEW AND EXCITING CHALLENGE.

THIS A CAPPELLA ARRANGEMENT INCLUDES A REHEARSAL PIANO REDUCTION AND SPECIFIC DIRECTIONS FOR STAGGERED BREATHING THROUGHOUT, OFFERING SOME ADDED DIFFICULTY FOR ENSEMBLES. ALSO AVAILABLE FROM MUSIC SALES:

POKER FACE / BAD ROMANCE (LADY GAGA) SAB/PIANO – NOV941985

LY E N C N O MAKE YOU FEEL MY LOVE (ADELE/BOB DYLAN) A E M SATB/PIANO – NOV941017 R SSA/PIANO – NOV941765 R O O FEELING GOOD (NINA SIMONE) C F SATB/PIANO – NOV941688 S SSA/PIANO – NOV941721 L ER SATB A CAPELLA – NOV941743 TTBB/PIANO - NOV941776A SA N P U I SHINE (TAKE THAT) SATB/PIANO – NOV941127 R E E S THE CLIMB (JOE MCELDERRY/MILEY CYRUS) P U SATB/PIANO – NOV941413 E R N FIX YOU (COLDPLAY) SATB/PIANO – NOV941633 LI FO N (COLDPLAY) VIVA LA VIDA T O SATB/PIANO – NOV940995 Novello Publishing Limited O NWORDS (EXTREME) MORE THAN

SLEEPSONG

DON’T STOP BELIEVIN’ (JOURNEY) SSA/PIANO – NOV941402 SAB/PIANO – NOV941435

HALLELUJAH (LEONARD COHEN, JEFF BUCKLEY AND OTHERS) SATB/PIANO – NOV940863 SSA/PIANO – NOV940874

part of The Music Sales Group

14 -15 Berners Street London W1T 3LJ, UK

SSA/PIANO – NOV162052

Exclusive distributors: Music Sales Limited Newmarket Road Bury St Edmunds Suffolk IP33 3YB, UK

TRUE COLOURS (CYNDI LAUPER) SSA/PIANO – NOV942018 LIFE ON MARS? (DAVID BOWIE) SATB/PIANO – NOV942117

www.chesternovello.com This publication © 2012 Novello & Company Limited

HIDE & SEEK (IMOGEN HEAP) SATB A CAPELLA – NOV941578

Edited by Ruth Power

NOVELLO

192


SOMEONE LIKE YOU

SATB/PIANO

AS PERFORMED BY ADELE ARRANGED BY CHRISTOPHER HUSSEY

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

NOVELLO CHORALPOPS

193

NOV162129


LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

194


SOMEONE LIKE YOU WORDS & MUSIC BY ADELE ADKINS & DANIEL WILSON Arranged by Christopher Hussey

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

Š Copyright 2010 Universal Music Publishing Limited (All rights in Germany administered by Universal Music Publ. GmbH)/Sugar Lake Music/Chrysalis Music Limited. All Rights Reserved. International Copyright Secured.

195


2

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

196


3

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

197


4

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

198


5

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

199


6

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

200


7

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

201


8

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

202


9

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

203


10

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

204


11

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

205


12

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

206


13

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

207


14

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

208


15

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

209


16

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

210


17

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

211

123456789


ALSO AVAILABLE FROM MUSIC SALES: DON’T STOP BELIEVIN’ (JOURNEY) SSA/PIANO – NOV941402 SAB/PIANO – NOV941435 POKER FACE / BAD ROMANCE (LADY GAGA) SAB/PIANO – NOV941985

LY E N C O AN MAKE YOU FEEL MY LOVE (ADELE/BOB DYLAN) E M SATB/PIANO – NOV941017 R SSA/PIANO – NOV941765 O OR FEELING GOOD (NINA SIMONE) SC RF SATB/PIANO – NOV941688 SSA/PIANO – NOV941721 L E SATB A CAPELLA – NOV941743 A TTBB/PIANO - NOV941776A S NP U I SHINE (TAKE THAT) R SATB/PIANO – NOV941127 E E S P UCYRUS) THE CLIMB (JOE MCELDERRY/MILEY SATB/PIANO – NOV941413 E R N FIX YOU (COLDPLAY) I O SATB/PIANO – L NOV941633 F N VIVA LA VIDA (COLDPLAY) T O – NOV940995 SATB/PIANO O Novello Publishing Limited NWORDS (EXTREME) MORE THAN

A HARD DAY’S NIGHT

THIS THREE PART SAB ARRANGEMENT MAKES IT EASIER FOR SMALL SCALE CHOIRS AND AMATEUR GROUPS TO ACHIEVE THE PIECE’S RICH HARMONIES WITHOUT TENOR AND BARITONE PARTS.

SAB/PIANO

A LENNON & MCCARTNEY CLASSIC RELEASED AT THE HEIGHT OF BEATLEMANIA, A HARD DAY’S NIGHT IS THE PERFECT SONG FOR CHORUSES SEEKING THOSE SHARP, FIZZING 60S HARMONIES THAT SHINE IN A VOCAL ENSEMBLE.

HALLELUJAH (LEONARD COHEN, JEFF BUCKLEY AND OTHERS) SATB/PIANO – NOV940863 SSA/PIANO – NOV940874

part of The Music Sales Group

14 -15 Berners Street London W1T 3LJ, UK

SSA/PIANO – NOV162052

Exclusive distributors: Music Sales Limited Newmarket Road Bury St Edmunds Suffolk IP33 3YB, UK

TRUE COLOURS (CYNDI LAUPER) SSA/PIANO – NOV942018 LIFE ON MARS? (DAVID BOWIE) SATB/PIANO – NOV942117

www.chesternovello.com

HIDE & SEEK (IMOGEN HEAP) SATB A CAPELLA – NOV941578

This publication © 2012 Novello & Company Limited Edited by Ruth Power

NOVELLO

212


A HARD DAY’S NIGHT

SAB/PIANO

AS PERFORMED BY THE BEATLES ARRANGED BY BARRIE CARSON TURNER

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

NOVELLO CHORALPOPS

213

NO91564


LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

214


A HARD DAY’S NIGHT WORDS & MUSIC BY JOHN LENNON & PAUL MCCARTNEY Arranged by Barrie Carson Turner

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

© Copyright 1964 Sony/ATV Music Publishing. All Rights Reserved. International Copyright Secured.

215


4

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

216


5

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

217


6

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

218


7

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

219


8

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

220


9

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

221


10

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

222

123456789


ALSO AVAILABLE FROM MUSIC SALES: DON’T STOP BELIEVIN’ (JOURNEY) SSA/PIANO – NOV941402 SAB/PIANO – NOV941435 POKER FACE / BAD ROMANCE (LADY GAGA) SAB/PIANO – NOV941985

LY E N C O AN MAKE YOU FEEL MY LOVE (ADELE/BOB DYLAN) E M SATB/PIANO – NOV941017 R SSA/PIANO – NOV941765 O OR FEELING GOOD (NINA SIMONE) SC RF SATB/PIANO – NOV941688 SSA/PIANO – NOV941721 L E SATB A CAPELLA – NOV941743 A TTBB/PIANO - NOV941776A S NP U I SHINE (TAKE THAT) R SATB/PIANO – NOV941127 E E S P UCYRUS) THE CLIMB (JOE MCELDERRY/MILEY SATB/PIANO – NOV941413 E R N FIX YOU (COLDPLAY) I O SATB/PIANO –L NOV941633 F N VIVA LA VIDA (COLDPLAY) T O – NOV940995 SATB/PIANO O Novello Publishing Limited NWORDS (EXTREME) MORE THAN

A HARD DAY’S NIGHT

THIS THREE PART SAB ARRANGEMENT MAKES IT EASIER FOR SMALL SCALE CHOIRS AND AMATEUR GROUPS TO ACHIEVE THE PIECE’S RICH HARMONIES WITHOUT TENOR AND BARITONE PARTS.

SAB/PIANO

A LENNON & MCCARTNEY CLASSIC RELEASED AT THE HEIGHT OF BEATLEMANIA, A HARD DAY’S NIGHT IS THE PERFECT SONG FOR CHORUSES SEEKING THOSE SHARP, FIZZING 60S HARMONIES THAT SHINE IN A VOCAL ENSEMBLE.

HALLELUJAH (LEONARD COHEN, JEFF BUCKLEY AND OTHERS) SATB/PIANO – NOV940863 SSA/PIANO – NOV940874

part of The Music Sales Group

14 -15 Berners Street London W1T 3LJ, UK

SSA/PIANO – NOV162052

Exclusive distributors: Music Sales Limited Newmarket Road Bury St Edmunds Suffolk IP33 3YB, UK

TRUE COLOURS (CYNDI LAUPER) SSA/PIANO – NOV942018 LIFE ON MARS? (DAVID BOWIE) SATB/PIANO – NOV942117

www.chesternovello.com

HIDE & SEEK (IMOGEN HEAP) SATB A CAPELLA – NOV941578

This publication © 2012 Novello & Company Limited Edited by Ruth Power

NOVELLO

223


LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

224


SAB/PIANO

HELP! AS PERFORMED BY THE BEATLES ARRANGED BY PATRICK GAZARD

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

NOVELLO CHORALPOPS

225

NO91553


HELP!

WORDS & MUSIC BY JOHN LENNON & PAUL MCCARTNEY Arranged by Patrick Gazard

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

© Copyright 1965 Sony/ATV Music Publishing. All Rights Reserved. International Copyright Secured.

226


3

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

227


4

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

228


5

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

229


6

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

230


7

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

231


8

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

232


9

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

233


10

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

234


11

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

235


12

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

236


13

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

237


14

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

238


15

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

239

123456789


SATB/PIANO

THIS UNIQUE CHORAL TAKE ON THE BEATLES CLASSIC, HELP!, COMBINES THE MELODIES OF THE FAB FOUR WITH A RHYTHMIC SAMBA TWIST!

ALSO AVAILABLE FROM MUSIC SALES:

HELP!

ARRANGED FOR SAB CHOIR WITH PIANO ACCOMPANIMENT, CHORUSES WILL FIND THIS VIBRANT AND IMAGINATIVE PIECE IRRESISTIBLE.

DON’T STOP BELIEVIN’ (JOURNEY) SSA/PIANO – NOV941402 SAB/PIANO – NOV941435 POKER FACE / BAD ROMANCE (LADY GAGA) SAB/PIANO – NOV941985

LY E N C O AN MAKE YOU FEEL MY LOVE (ADELE/BOB DYLAN) E M SATB/PIANO – NOV941017 R SSA/PIANO – NOV941765 O OR FEELING GOOD (NINA SIMONE) SC RF SATB/PIANO – NOV941688 SSA/PIANO – NOV941721 L E SATB A CAPELLA – NOV941743 A TTBB/PIANO - NOV941776A S NP U I SHINE (TAKE THAT) R SATB/PIANO – NOV941127 E E S P UCYRUS) THE CLIMB (JOE MCELDERRY/MILEY SATB/PIANO – NOV941413 E R N FIX YOU (COLDPLAY) I O SATB/PIANO – L NOV941633 F N VIVA LA VIDA (COLDPLAY) T O – NOV940995 SATB/PIANO O Novello Publishing Limited NWORDS (EXTREME) MORE THAN HALLELUJAH (LEONARD COHEN, JEFF BUCKLEY AND OTHERS) SATB/PIANO – NOV940863 SSA/PIANO – NOV940874

part of The Music Sales Group

14 -15 Berners Street London W1T 3LJ, UK

SSA/PIANO – NOV162052

LIFE ON MARS? (DAVID BOWIE) SATB/PIANO – NOV942117

www.chesternovello.com

HIDE & SEEK (IMOGEN HEAP) SATB A CAPELLA – NOV941578

This publication © 2012 Novello & Company Limited

240

NOVELLO

Exclusive distributors: Music Sales Limited Newmarket Road Bury St Edmunds Suffolk IP33 3YB, UK

TRUE COLOURS (CYNDI LAUPER) SSA/PIANO – NOV942018


SAB/PIANO NO91608

I WANT TO HOLD YOUR HAND AS PERFORMED BY THE BEATLES ARRANGED BY JEREMY BIRCHALL

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

NOVELLO CHORALPOPS

241


I WANT TO HOLD YOUR HAND WORDS & MUSIC BY JOHN LENNON & PAUL MCCARTNEY Arranged by Jeremy Birchall

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

© Copyright 1963 Sony/ATV Music Publishing. All Rights Reserved. International Copyright Secured.

242


3

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

243


4

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

244


5

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

245


6

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

246


7

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

247


8

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

248


9

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

249


10

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

250


11

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

251


12

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

252


13

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

253


14

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

254

123456789


ALSO AVAILABLE FROM MUSIC SALES: DON���T STOP BELIEVIN’ (JOURNEY) SSA/PIANO – NOV941402 SAB/PIANO – NOV941435 POKER FACE / BAD ROMANCE (LADY GAGA) SAB/PIANO – NOV941985

LY E N C O AN MAKE YOU FEEL MY LOVE (ADELE/BOB DYLAN) E M SATB/PIANO – NOV941017 R SSA/PIANO – NOV941765 O OR FEELING GOOD (NINA SIMONE) SC RF SATB/PIANO – NOV941688 SSA/PIANO – NOV941721 L E SATB A CAPELLA – NOV941743 A TTBB/PIANO - NOV941776A S NP U I SHINE (TAKE THAT) R SATB/PIANO – NOV941127 E E S P UCYRUS) THE CLIMB (JOE MCELDERRY/MILEY SATB/PIANO – NOV941413 E R N FIX YOU (COLDPLAY) I O SATB/PIANO –L NOV941633 F N VIVA LA VIDA (COLDPLAY) T O – NOV940995 SATB/PIANO O Novello Publishing Limited NWORDS (EXTREME) MORE THAN HALLELUJAH (LEONARD COHEN, JEFF BUCKLEY AND OTHERS) SATB/PIANO – NOV940863 SSA/PIANO – NOV940874

I WANT TO HOLD YOUR HAND

FOR SAB CHOIR WITH PIANO ACCOMPANIMENT, CHORUSES CAN SUMMON THE VIBRANT SOUNDS OF THE SIXTIES WITH THIS LIVELY CHORAL TAKE ON A CLASSIC THAT AUDIENCES WILL LOVE.

SAB/PIANO

WITH HAND CLAPS, FINGER CLICKS, AND A DRIVING, ROCK’N’ROLL VIBE, I WANT TO HOLD YOUR HAND HAS NEVER SOUNDED MORE ALIVE THAN IN THIS EXHILARATING CHORAL POP ARRANGEMENT BY JEREMY BIRCHALL!

part of The Music Sales Group

14 -15 Berners Street London W1T 3LJ, UK

SSA/PIANO – NOV162052

Exclusive distributors: Music Sales Limited Newmarket Road Bury St Edmunds Suffolk IP33 3YB, UK

TRUE COLOURS (CYNDI LAUPER) SSA/PIANO – NOV942018 LIFE ON MARS? (DAVID BOWIE) SATB/PIANO – NOV942117

www.chesternovello.com

HIDE & SEEK (IMOGEN HEAP) SATB A CAPELLA – NOV941578

This publication © 2012 Novello & Company Limited Edited by Ruth Power

NOVELLO

255


LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

256


SAB/PIANO NO91597

LADY MADONNA AS PERFORMED BY THE BEATLES ARRANGED BY JEREMY BIRCHALL

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

NOVELLO CHORALPOPS

257


LADY MADONNA WORDS & MUSIC BY JOHN LENNON & PAUL MCCARTNEY Arranged by Jeremy Birchall

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

© Copyright 1968 Sony/ATV Music Publishing. All Rights Reserved. International Copyright Secured.

258


3

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

259


4

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

260


5

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

261


6

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

262


7

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

263


8

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

264


9

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

265


10

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

266


11

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

267


12

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

268


13

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

269


14

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

270


15

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

271

123456789


ALSO AVAILABLE FROM MUSIC SALES: DON’T STOP BELIEVIN’ (JOURNEY) SSA/PIANO – NOV941402 SAB/PIANO – NOV941435 POKER FACE / BAD ROMANCE (LADY GAGA) SAB/PIANO – NOV941985

LY E N C O AN MAKE YOU FEEL MY LOVE (ADELE/BOB DYLAN) E M SATB/PIANO – NOV941017 R SSA/PIANO – NOV941765 O OR FEELING GOOD (NINA SIMONE) SC RF SATB/PIANO – NOV941688 SSA/PIANO – NOV941721 L E SATB A CAPELLA – NOV941743 A TTBB/PIANO - NOV941776A S NP U I SHINE (TAKE THAT) R SATB/PIANO – NOV941127 E E S P UCYRUS) THE CLIMB (JOE MCELDERRY/MILEY SATB/PIANO – NOV941413 E R N FIX YOU (COLDPLAY) I O SATB/PIANO – L NOV941633 F N VIVA LA VIDA (COLDPLAY) T O – NOV940995 SATB/PIANO O Novello Publishing Limited NWORDS (EXTREME) MORE THAN HALLELUJAH (LEONARD COHEN, JEFF BUCKLEY AND OTHERS) SATB/PIANO – NOV940863 SSA/PIANO – NOV940874

I WANT TO HOLD YOUR HAND

FOR SAB CHOIR WITH PIANO ACCOMPANIMENT, CHORUSES CAN SUMMON THE VIBRANT SOUNDS OF THE SIXTIES WITH THIS LIVELY CHORAL TAKE ON A CLASSIC THAT AUDIENCES WILL LOVE.

SAB/PIANO

WITH HAND CLAPS, FINGER CLICKS, AND A DRIVING, ROCK’N’ROLL VIBE, I WANT TO HOLD YOUR HAND HAS NEVER SOUNDED MORE ALIVE THAN IN THIS EXHILARATING CHORAL POP ARRANGEMENT BY JEREMY BIRCHALL!

part of The Music Sales Group

14 -15 Berners Street London W1T 3LJ, UK

SSA/PIANO – NOV162052

Exclusive distributors: Music Sales Limited Newmarket Road Bury St Edmunds Suffolk IP33 3YB, UK

TRUE COLOURS (CYNDI LAUPER) SSA/PIANO – NOV942018 LIFE ON MARS? (DAVID BOWIE) SATB/PIANO – NOV942117

www.chesternovello.com

HIDE & SEEK (IMOGEN HEAP) SATB A CAPELLA – NOV941578

This publication © 2012 Novello & Company Limited Edited by Ruth Power

NOVELLO

272


SET FIRE TO THE RAIN

SAB/PIANO

AS PERFORMED BY ADELE ARRANGED BY CHRISTOPHER HUSSEY

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

NOVELLO CHORALPOPS

273

NOV161777


SET FIRE TO THE RAIN WORDS & MUSIC BY FRASER SMITH & ADELE ADKINS Arranged by Christopher Hussey

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

Š Copyright 2010 Chrysalis Music Limited/Universal Music Publishing Limited. All Rights Reserved. International Copyright Secured.

274


3

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

275


4

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

276


5

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

277


6

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

278


7

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

279


8

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

280


9

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

281


10

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

282


11

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

283


12

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

284


13

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

285


14

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

286


15

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

287


16

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

Novello Publishing Limited part of The Music Sales Group

14-15 Berners Street London W1T 3LJ, UK www.chesternovello.com This publication Š 2012 Novello & Company Limited

288


SOMETHIN’ STUPID

SAB/PIANO

AS PERFORMED BY FRANK AND NANCY SINATRA ARRANGED BY PATRICK GAZARD

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

NOVELLO CHORALPOPS

289

NOV161667


SOMETHIN’ STUPID WORDS & MUSIC BY C. CARSON PARKS Arranged by Patrick Gazard

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

© Copyright 1967 Greenwood Music Company, USA. Administered by Montclare Music Company Limited for the UK and Eire only. All Rights Reserved. International Copyright Secured.

290


3

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

291


4

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

292


5

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

293


6

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

294


7

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

295


8

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

296


9

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

297


10

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

298


11

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

299


12

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

Novello Publishing Limited part of The Music Sales Group

14-15 Berners Street London W1T 3LJ, UK www.chesternovello.com This publication Š 2012 Novello & Company Limited

300


TRY A LITTLE TENDERNESS

SAB/PIANO

AS PERFORMED BY OTIS REDDING ARRANGED BY JEREMY BIRCHALL

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

NOVELLO CHORALPOPS

301

NOV161656


TRY A LITTLE TENDERNESS WORDS & MUSIC BY HARRY WOODS, JAMES CAMPBELL & REGINALD CONNELLY Arranged by Jeremy Birchall

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

Š Copyright 1932 & 1960 Campbell Connelly & Company Limited. All rights for the USA and Canada assigned to EMI Robbins Catalog, Inc. All Rights Reserved. International Copyright Secured.

302


3

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

303


4

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

304


5

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

305


6

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

306


7

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

307


8

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

308


9

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

309


10

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

310


11

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

311


12

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

312


13

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

313


14

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

314


15

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

315

123456789


ALSO AVAILABLE FROM MUSIC SALES: DON’T STOP BELIEVIN’ (JOURNEY) SSA/PIANO – NOV941402 SAB/PIANO – NOV941435 POKER FACE / BAD ROMANCE (LADY GAGA) SAB/PIANO – NOV941985

LY E N C O AN MAKE YOU FEEL MY LOVE (ADELE/BOB DYLAN) E M SATB/PIANO – NOV941017 R SSA/PIANO – NOV941765 O OR FEELING GOOD (NINA SIMONE) SC RF SATB/PIANO – NOV941688 SSA/PIANO – NOV941721 L E SATB A CAPELLA – NOV941743 A TTBB/PIANO - NOV941776A S NP U I SHINE (TAKE THAT) R SATB/PIANO – NOV941127 E E S P UCYRUS) THE CLIMB (JOE MCELDERRY/MILEY SATB/PIANO – NOV941413 E R N FIX YOU (COLDPLAY) SATB/PIANO – NOV941633 LI FO N T VIVA LA VIDA (COLDPLAY) O SATB/PIANO – NOV940995 O Novello Publishing Limited N MORE THAN WORDS (EXTREME) HALLELUJAH (LEONARD COHEN, JEFF BUCKLEY AND OTHERS) SATB/PIANO – NOV940863 SSA/PIANO – NOV940874

TRY A LITTLE TENDERNESS

ARRANGED FOR SAB CHORUS WITH PIANO ACCOMPANIMENT.

SAB/PIANO

RECENTLY MADE POPULAR AGAIN DUE TO A COVER BY FLORENCE + THE MACHINE, TRY A LITTLE TENDERNESS IS THE PERFECT CHOICE FOR AMATEUR CHOIRS SEEKING AN ELEGANT AND SOPHISTICATED CENTREPIECE TO THEIR CHORAL POP REPERTOIRE. BASED ON OTIS REDDING’S SMOOTH AND SOULFUL TAKE ON THE SONG, THIS CHORAL VERSION IS BURSTING WITH RICH HARMONIES AND JAZZY CHORD PROGRESSIONS.

part of The Music Sales Group

14 -15 Berners Street London W1T 3LJ, UK

SSA/PIANO – NOV162052

Exclusive distributors: Music Sales Limited Newmarket Road Bury St Edmunds Suffolk IP33 3YB, UK

TRUE COLOURS (CYNDI LAUPER) SSA/PIANO – NOV942018 LIFE ON MARS? (DAVID BOWIE) SATB/PIANO – NOV942117

www.chesternovello.com

HIDE & SEEK (IMOGEN HEAP) SATB A CAPELLA – NOV941578

This publication © 2012 Novello & Company Limited Edited by Ruth Power

NOVELLO

316


NOVELLO BARBERSHOP

Eleanor Rigby John Lennon & Paul McCartney, arr. Nicholas Hare

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

Novello/TTBB 317


LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

318


NOVELLO BARBERSHOP

Eleanor Rigby John Lennon & Paul McCartney, arr. Nicholas Hare

LY E N C O AN The arranger has endeavoured to share the interest E Mamongst all the R voice parts, but each singer should be aware at all times of who has the R use of soloists is O melody, so that it is allowed to stand out. A discreet O F SCgiven. often appropriate: some suggestions are R L E A P vital element in successful Blend and balance of the harmony S isNanother U vibrato performance of this music, and I should be kept in check, so that R E in tune. The various ‘vocalisations’ the chords are clean and perfectly E S P beUconsidered as suggestions only and varied (ah, ooh, mm, etc.) may E R conditions. according to the performance N I O L The accompanying N T Fparts should be neat and tidy, with no let-up in the O theOfinal bar. It is particularly important that the lyrics should rhythm until be clearly projected. N The Novello Barbershop series offers unaccompanied arrangements

of a variety of well-loved songs, from the 40s to the 70s.

Novello/TTBB 319


LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

320


Eleanor Rigby Words and Music by John Lennon & Paul McCartney Arr. Nicholas Hare

John Lennon and Paul McCartney Arr. Nicholas Hare

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

Š Copyright 1966 Sony/ATV Music Publishing. All Rights Reserved. International Copyright Secured.

321


Ř

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

322


3

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

323


A series of the finest songs for close harmony TTBB singing, taken from the bestselling Novello Barbershop Songbook. Renowned

Eleanor Rigby

NOVELLO BARBERSHOP

vocal arranger Nicholas Hare has added helpful performance notes to each of the songs, which are given delightful fresh and modernsounding treatments.

Arranged specifically for male-voice groups (from as few as four voices in some numbers to a full choir), the songs are notated on

LY E N C O AN Angel Eyes Wake up, Susie E little M R NOV161799 NOV161865 O OR FI did for love SCWhat Eleanor Rigby R L NOV161876 NOV161810 E A P S U IN When I’m sixty four The Girl from Ipanema R E NOV292446 NOV161887 E S P U Satin Doll E Whispering grass R N NOV161832 NOV161898 LI FO N T Swing sweet chariot Yesterday O Olow, NOV161843 NOV161909 N

two staves for easy piano rehearsal.

NOV161854

NOV161810

Novello Publishing Limited 14/15 Berners Street, London W1T 3LJ, UK. Exclusive Distributors: Music Sales Limited Newmarket Road, Bury St Edmunds, Suffolk IP33 3YB, UK.

www.chesternovello.com 324

NOVELLO BARBERSHOP

Uptown Girl


NOVELLO BARBERSHOP

The Girl from Ipanema T Antonio Carlos Jobim, arr. Nicholas Hare An

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

Novello/TTBB 325


LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

326


NOVELLO BARBERSHOP

The Girl from Ipanema Antonio Carlos Jobim, arr. Nicholas Hare

LY E N C O AN Arranger Nicholas Hare has endeavoured E to share the interest M R among all the voice parts, but each singer should be aware at all times R Oto stand of who has the melody, so that it is allowed O out. A discreet use C F S of soloists is often appropriate. L ER P vital element in successful Blend and balance of the harmony SAisNanother U vibrato performance of this music, and I should be kept in check, so that R E in tune. The various vocalisations the chords are clean and perfectly E S P beUconsidered as suggestions only and varied (ah, ooh, mm, etc.) may E R conditions. according to the performance N I O L Sing this Latin-American N T F number with a strong sense of rhythm, even in O O the smoother sections. N The Novello Barbershop series offers unaccompanied arrangements

of a variety of well-loved songs from the 1940s to the 1970s.

Novello/TTBB


LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N


The Girl from Ipanema (Garota de Ipanema) Original words: Vinicius de Moraes English words: Norman Gimbel

Antonio Carlos Jobim Arr. Nicholas Hare

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

Š Copyright 1963 Antonio Carlos Jobim and Vinicius De Moraes, Brazil. Copyright renewed 1991 and Assigned to Songs Of Universal, Inc and Words West LLC, USA. English Words Renewed 1991 by Norman Gimbel for the World and Assigned to Words West LLC (P.O. Box 15187, Beverly Hills, CA 90209 USA). Universal Music Publishing Limited (administered in Germany by Universal Music Publ. GmbH) (58.33%) & Windswept Music (London) Limited (41.67%). All Rights Reserved. International Copyright Secured.


2

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N


123456789

3

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N


NOVELLO BARBERSHOP

A series of the finest songs for close harmony TTBB singing, taken from the bestselling Novello Barbershop Songbook. Renowned vocal arranger Nicholas Hare has added helpful performance notes to each of the songs, which are given delightful fresh and modernsounding treatments.

Arranged specifically for male-voice groups (from as few as four voices in some numbers to a full choir), the songs are notated on

LY E N C O AN Angel Eyes Uptown E GirlM R NOV292468 NOV292523 O OR Fup, little Susie SCWake Eleanor Rigby R L NOV292534 NOV292479 E A P S U IN What I did for love The Girl from Ipanema R E NOV292446 NOV292545 E S P U E R Maria When I’m sixty four N NOV292490 NOV292556 LI FO N T Satin Whispering grass O Doll O NOV292501 NOV292567 N

two staves for easy piano rehearsal.

Swing low, sweet chariot

Yesterday

NOV292512

NOV292578

NOV292446

Novello Publishing Limited 14/15 Berners Street, London W1T 3LJ, UK. Exclusive Distributors: Music Sales Limited Newmarket Road, Bury St Edmunds, Suffolk IP33 3YB, UK.

www.chesternovello.com 332


NOVELLO BARBERSHOP

Satin Doll Duke Ellington, arr. Nicholas Hare

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

Novello/TTBB 333


LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

334


NOVELLO BARBERSHOP

Satin Doll Duke Ellington, arr. Nicholas Hare

LY E N C O AN The arranger has endeavoured to share the interest E Mamongst all the R voice parts, but each singer should be aware at all times of who has the R use of soloists is O melody, so that it is allowed to stand out. A discreet O F SCgiven. often appropriate: some suggestions are R L E A P vital element in successful Blend and balance of the harmony S isNanother U vibrato performance of this music, and I should be kept in check, so that R E in tune. The various ‘vocalisations’ the chords are clean and perfectly E S P beUconsidered as suggestions only and varied (ah, ooh, mm, etc.) may E R conditions. according to the performance N I O L The close harmony N T Fin this song needs a smooth balance between the parts. If O you have enough voices, try the rich chords in the alternative O final bar. The Nrhythms should be gently swung. The Novello Barbershop series offers unaccompanied arrangements

of a variety of well-loved songs, from the 40s to the 70s.

Novello/TTBB 335


LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

336


Satin Doll Words by Johnny Mercer Music by Duke Ellington & Billy Strayhorn Arr. Nicholas Hare

Music by Duke Ellington & Billy Strayhorn Arr. Nicholas Hare

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

Š Copyright 1953 & 1960 Tempo Music Incorporated, USA. Campbell Connelly & Company Limited. All Rights Reserved. International Copyright Secured.

337


Ř

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

338


3

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

339


Satin Doll

NOVELLO BARBERSHOP

A series of the finest songs for close harmony TTBB singing, taken from the bestselling Novello Barbershop Songbook. Renowned vocal arranger Nicholas Hare has added helpful performance notes to each of the songs, which are given delightful fresh and modernsounding treatments.

Arranged specifically for male-voice groups (from as few as four voices in some numbers to a full choir), the songs are notated on

LY E N C O AN Angel Eyes Wake up, Susie E little M R NOV161799 NOV161865 O OR FI did for love SCWhat Eleanor Rigby R L NOV161876 NOV161810 E A P S U IN When I’m sixty four The Girl from Ipanema R E NOV292446 NOV161887 E S P U Satin Doll E Whispering grass R N NOV161832 NOV161898 LI FO N T Swing sweet chariot Yesterday O Olow, NOV161843 NOV161909 N

two staves for easy piano rehearsal.

NOV161854

NOV161832

Novello Publishing Limited 14/15 Berners Street, London W1T 3LJ, UK. Exclusive Distributors: Music Sales Limited Newmarket Road, Bury St Edmunds, Suffolk IP33 3YB, UK.

www.chesternovello.com 340

NOVELLO BARBERSHOP

Uptown Girl


SOMEONE LIKE YOU

TTBB/PIANO

AS RECORDED BY ADELE ARRANGED BY CHRISTOPHER HUSSEY

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

NOVELLO CHORALPOPS

341

NOV163108


SOMEONE LIKE YOU WORDS & MUSIC BY ADELE ADKINS & DANIEL WILSON Arranged by Christopher Hussey

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

Š Copyright 2010 Universal Music Publishing Limited/Sugar Lake Music/Chrysalis Music Limited. All Rights Reserved. International Copyright Secured.

342


3

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

343


4

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

344


5

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

345


6

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

346


7

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

347


8

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

348


9

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

349


10

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

350


11

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

351


12

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

352


13

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

353


14

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

354


15

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

355


16

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

356


17

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

357


18

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

358

123456789


ALSO AVAILABLE FROM MUSIC SALES: BEAUTIFUL (CHRISTINA AGUILERA) SATB/PIANO – NOV170533 SSA/PIANO – NOV170544 BLACKBIRD (THE BEATLES) SATB/PIANO – NO91300 SSA/PIANO – NO91289

LY E N C N O FIELDS OF GOLD (STING) A E M SATB/PIANO – NOV940907 R SSA/PIANO – NOV940918 R O O HALLELUJAH (LEONARD COHEN, JEFF BUCKLEY AND COTHERS) F SATB/PIANO – NOV940863 S R SSA/PIANO – NOV940874 L E A HERO (MARIAH CAREY, X FACTOR FINALISTS) S NP SATB/PIANO – NOV940830 U I SSA/PIANO – NOV940841 R I HAVE A DREAM (ABBA) E SE SATB/PIANO – NOV170467P SSA/PIANO – NOV170478 E RU MAN IN THE MIRROR JACKSON) IN (MICHAEL O SATB/PIANO – NOV941281 L SSA/PIANO – NOV941094 N TF REJOICEO (KATHERINE JENKINS, IL DIVO) Novello Publishing Limited O SATB/PIANO – NOV940819 N

SOMEONE LIKE YOU

THIS VERSION FOR TTBB CHOIRS WITH PIANO ACCOMPANIMENT IS A GRAND AND DEFIANT PIECE, THAT ADDS A SENSE OF HOPEFUL DETERMINATION AND SPIRIT WITH ITS EXPLORATION OF THE MALE VOCAL REGISTER.

TTBB/PIANO

SOMEONE LIKE YOU IS THE BITTER-SWEET SMASH-HIT FROM ADELE – A TALE OF OVERCOMING LOST LOVE WITH DIGNITY AND SELF-RESPECT INTACT. IT IS A SONG RICH WITH POTENTIAL FOR MALE VOICE CHOIRS SEEKING A POWERFUL AND ENGROSSING NUMBER TO ADD TO THEIR CHORAL POP REPERTOIRE.

DON’T STOP BELIEVIN’ (JOURNEY) SSA/PIANO – NOV941402 SAB/PIANO – NOV941435

part of The Music Sales Group

14 -15 Berners Street London W1T 3LJ, UK

RULE THE WORLD (TAKE THAT) SATB/PIANO – NOV940940 SSA/PIANO – NOV940951

Exclusive distributors: Music Sales Limited Newmarket Road Bury St Edmunds Suffolk IP33 3YB, UK

RUN (SNOW PATROL, LEONA LEWIS) SATB/PIANO – NOV940852

www.musicsalesclassical.com

WONDERFUL TONIGHT (ERIC CLAPTON) SATB/PIANO – NOV170489 SSA/PIANO – NOV170511

This publication © 2013 Novello & Company Limited

359

Edited by Ruth Power

NOVELLO

YOU RAISE ME UP (JOSH GROBAN, WESTLIFE AND OTHERS) SATB/PIANO – NOV940929 SSA/PIANO – NOV940896


LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

360


NOVELLO BARBERSHOP

Wake up, little Susie Felice & Boudleaux Bryant, arr. Nicholas Hare

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

Novello/TTBB 361


NOVELLO BARBERSHOP

Wake up, little Susie Felice & Boudleaux Bryant, arr. Nicholas Hare

LY E N C O AN The arranger has endeavoured to share the interest E Mamongst all the R voice parts, but each singer should be aware at all times of who has the R use of soloists is O melody, so that it is allowed to stand out. A discreet O F SCgiven. often appropriate: some suggestions are R L E A P vital element in successful Blend and balance of the harmony S isNanother U vibrato performance of this music, and I should be kept in check, so that R E in tune. The various ‘vocalisations’ the chords are clean and perfectly E S P beUconsidered as suggestions only and varied (ah, ooh, mm, etc.) may E R conditions. according to the performance N I O L This song N requires F a bright approach. The opening should simulate T O strumming guitars. Keep a strict beat from beginning to end. O N The Novello Barbershop series offers unaccompanied arrangements

of a variety of well-loved songs, from the 40s to the 70s.

Novello/TTBB 362


Wake up, little Susie Words and Music by Felice & Boudleaux Bryant Arr. Nicholas Hare

Arr. Nicholas Hare

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

Š Copyright 1957 Sony/ATV Acuff Rose Music, USA. Sony/ATV Music Publishing. All Rights Reserved. International Copyright Secured.

363


Ř

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

364


3

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

365


Ś

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

366


5

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

367


A series of the finest songs for close harmony TTBB singing, taken from the bestselling Novello Barbershop Songbook. Renowned vocal arranger Nicholas Hare has added helpful performance notes to each of the songs, which are given delightful fresh and modern-

Wake up, little Susie

NOVELLO BARBERSHOP

sounding treatments.

Arranged specifically for male-voice groups (from as few as four voices in some numbers to a full choir), the songs are notated on

LY E N C O AN Angel Eyes Wake up, Susie E little M R NOV161799 NOV161865 O OR FI did for love SCWhat Eleanor Rigby R L NOV161876 NOV161810 E A P S U IN When I’m sixty four The Girl from Ipanema R E NOV292446 NOV161887 E S P U Satin Doll E Whispering grass R N NOV161832 NOV161898 LI FO N T Swing sweet chariot Yesterday O Olow, NOV161843 NOV161909 N

two staves for easy piano rehearsal.

NOV161854

NOV161865

Novello Publishing Limited 14/15 Berners Street, London W1T 3LJ, UK. Exclusive Distributors: Music Sales Limited Newmarket Road, Bury St Edmunds, Suffolk IP33 3YB, UK.

www.chesternovello.com 368

NOVELLO BARBERSHOP

Uptown Girl


WHITE CHRISTMAS

TTBB/PIANO

AS RECORDED BY BING CROSBY ARRANGED BY CHRISTOPHER HUSSEY

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

NOVELLO CHORALPOPS

369

NOV942172


WHITE CHRISTMAS WORDS & MUSIC BY IRVING BERLIN Arranged by Christopher Hussey

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

Š Copyright 1942 Irving Berlin Music Corporation. Australia controlled by EMI Allans. Print rights administered by Universal Music Publishing Limited for the world excluding United States and Canada. All rights in Sweden, Norway, Denmark, Finland, Iceland & Baltic States administered by Universal/Reuter-Reuter Forlag AB. All Rights Reserved. International Copyright Secured.

370


3

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

371


4

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

372


5

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

373


6

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

374


7

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

375


8

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

376


9

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

377


10

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

378


11

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

379


12

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

380


13

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

381


14

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

382


15

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

383


16

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

Novello Publishing Limited part of The Music Sales Group

14-15 Berners Street London W1T 3LJ, UK www.musicsalesclassical.com This publication Š 2012 Novello & Company Limited

384


NOVELLO BARBERSHOP

Yesterday John Lennon & Paul McCartney, arr. Nicholas Hare

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

Novello/TTBB 385


LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

386


NOVELLO BARBERSHOP

Yesterday John Lennon & Paul McCartney, arr. Nicholas Hare

LY E N C O AN The arranger has endeavoured to share the interest E Mamongst all the R voice parts, but each singer should be aware at all times of who has the R use of soloists is O melody, so that it is allowed to stand out. A discreet O F SCgiven. often appropriate: some suggestions are R L E A P vital element in successful Blend and balance of the harmony S isNanother U vibrato performance of this music, and I should be kept in check, so that R E in tune. The various ‘vocalisations’ the chords are clean and perfectly E S P beUconsidered as suggestions only and varied (ah, ooh, mm, etc.) may E R conditions. according to the performance N I O L F the melody may be treated quite freely, provided This is a song N where O OT parts provide a clear beat. that the accompanying N The Novello Barbershop series offers unaccompanied arrangements

of a variety of well-loved songs, from the 40s to the 70s.

Novello/TTBB 387


LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

388


Yesterday Words and Music by John Lennon & Paul McCartney Arr. Nicholas Hare

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

Š Copyright 1965 Sony/ATV Music Publishing. All Rights Reserved. International Copyright Secured.

389


Ř

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

390


3

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

391


A series of the finest songs for close harmony TTBB singing, taken

Yesterday

NOVELLO BARBERSHOP

from the bestselling Novello Barbershop Songbook. Renowned vocal arranger Nicholas Hare has added helpful performance notes to each of the songs, which are given delightful fresh and modernsounding treatments.

Arranged specifically for male-voice groups (from as few as four voices in some numbers to a full choir), the songs are notated on

LY E N C O AN Angel Eyes Wake up, Susie E little M R NOV161799 NOV161865 O OR FI did for love SCWhat Eleanor Rigby R L NOV161876 NOV161810 E A P S U IN When I’m sixty four The Girl from Ipanema R E NOV292446 NOV161887 E S P U Satin Doll E Whispering grass R N NOV161832 NOV161898 LI FO N T Swing sweet chariot Yesterday O Olow, NOV161843 NOV161909 N

two staves for easy piano rehearsal.

NOV161854

NOV161909

Novello Publishing Limited 14/15 Berners Street, London W1T 3LJ, UK. Exclusive Distributors: Music Sales Limited Newmarket Road, Bury St Edmunds, Suffolk IP33 3YB, UK.

www.chesternovello.com 392

NOVELLO BARBERSHOP

Uptown Girl


Eric Whitacre ALLELUIA for SATB chorus a cappella

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

Chester Music

393


LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

394


for Dr. David Skinner and the choir of Sidney Sussex College, Cambridge

ALLELUIA for SATB chorus a cappella ERIC WHITACRE

Rubato e molto cantabile q = c.66

SOLO SOPRANO

b & b bbb c

SOPRANO

b & b bbb c Ó

p Œ œ œ

ALTO

w

j P œ œ œ œœ œ œ

5 4 Œ

Al - le - lu

5 4 ˙.

w

-

ia,

˙

Al - le - lu,

b & b bbb c

b V b bbb c

45

pY 54 Œ L œ œ œE ˙ N C

O ApN E ˙ ? bb c ∑ ∑ bbb R∑ R45MŒ œ œ œ O O C bb Œ œ œ w S w RF 45 œ œ œ œ œ œ & bbb c Ó L E ˙˙ œ A ? bb b c 5 Œ œœ œœ œ ∑ ∑ ∑ P 4 bb S U IN R E j j j E b b Œ œ œ œ œ œ œ Pœ œœ œ œœ œ S œ œ b Œ œ œ Œ Œ œ b b & E RU N O I b b ˙. ˙ ˙. ˙ ˙. ˙ b b L b & F N T O b b O ∑ ∑ &bbb N ∑ TENOR

Al - le - lu

-

ia,

-

ia,

BASS

Al - le - lu

j œ

Piano

œ

(for rehearsal only)

5

SOLO S.

S.

al - le - lu

-

œ œ œ

˙

ia,

al - le - lu

-

œ œ œ

˙

ia,

al

-

œ le -

(u)

A.

T.

bb Vbbb Œ

al - le - lu

B.

? bb b Πbb

-

bb & bbb

Œ

œ œ œ

? bb b bb

Œ

œœ œœ œœ

ia,

al - le - lu

˙

œ œ œ al - le - lu

Œ

j œ œ

Œ

ia,

œ ˙˙

Œ

œ œ œ

Œ

œœ œœ œœ

© 2012 Chester Music Limited This edition not for sale in the USA and Canada

395

j œ œ

Œ

ia,

Œ

ia,

œ ˙˙

œ œ ˙

al - le - lu,

˙

œ œ œ al - le - lu

œ

-

Œ

œ

Ó Ó

Œ

œ œ ˙ al - le - lu, j œ œ œ

œ œœ

œœ ˙˙

œ


2 8

SOLO S.

S.

b & b bbb Œ

œ

j œœ

- lu

-

Œ

b & b bbb ˙ .

œ

accel.

œ

c w

-

-

˙

ia.

c ˙

(u,)

A.

T.

b & b bbb

b V b bbb Œ

c Œ

œ œ ˙

Œ

3 4

w œ œ œ

œ œ œ

œ œ œ œ

al - le - lu,

al - le - lu,

al

œ œ œ

œ œ

œ

Al - le - lu,

al - le - lu,

c

Œ

le

-

3 4

œ œ œ

œ œ

al - le - lu,

al - le -

3 4

œ œ œ œ œ

Y E L ? bb Œ Œ ∑ ∑ c bbb N C O AN E Mœ œ bb œ œ œ c ˙ & bbb Œ Œ œ œ œ œR Rœ œ œ œ œ œ O œœ œœ ˙˙ C FœO œ œ œ œ œ ? bb b œ Œ Œ c Œ œ S œ bb œ L ER A P (q = 72) S F U IN 3 œ œ œœ œ œ c œ œ ˙œ b 3 b &bbb 4 œ œ œ œ œ c œR ˙ œ œ œ œ 4 E E P US F E R b 3 b N b c c œ ˙ œ b œ 43 œ œ œ œ & b 4 œ œ Iœ O œ ˙ œ L œF N T O F ˙. b b b 3 œ ˙O ˙ œ b c œ bœ œ ˙ c œ ˙. V 43 b 4 N al - le - lu,

B.

-

43

al

œ œ ˙

-

le - lu - ia,

3 4

al - le - lu,

j œ

?

&

11

S.

- lu,

A.

al - le

- lu - ia,

T.

al - le

B.

F ? b b 43 œ bbb œ

-

al - le

-

lu - ia,

-

c œ œ -

bb & bbb

œ 43 œœ œ œ œ œœ œ œ

? bb b bb

œ 43 œœ

˙ ˙˙

-

-

˙˙

al - le

lu - ia,

al - le

al - le

lu - ia,

˙. ˙.

lu - ia,

c

œœ œ ˙˙

œ c œ œ

-

-

lu - ia, al - le

-

lu - ia,

al

-

-

lu - ia,

œ 43 œ

˙ ˙

b œ˙ . œ ˙ ˙.

396

le

œ c œ -

-

-

43

f œ œ œ al - le -

f œ œ al - le -

lu - ia,

c

œ œ ˙˙œ œœ ˙

˙ œ 43 œ

c

œ œ

œ

œ

˙˙ ..

œ œœ œ 43 œ œ œ œœ œ ˙ ˙

43

lu - ia,

lu - ia, al - le

al - le

œ œ

-

œ œ

˙˙ ..

œ

œ œ œ œ


3

bbb œ œ . b & b

œ œ J œ

- lu - ia,

al

15

S.

A.

T.

b & b bbb œ œ .

j œ œ

- lu - ia,

al

b f V b bbb œ bœ al

B.

f ? bb ˙ bbb ˙

œ

-

œ œ œ œ œ - le - lu - ia,

œ -

-

˙œ

-

al

U

U

al

-

-

-

-

le - lu

œ -

˙œ

œ -

Œ

-

-

-

le - lu - ia,

al - le - lu,

al - le - lu,

T.

al - le - lu,

P bbb c ˙ b V b

- lu

B.

k

ia,

c œ œ

œ œ œ

œ -

-

œ

œœ

-

-

le

-

-

œ œ œ œ c ˙

U

al

-

-

le

19

A.

ci

Œ

LY E N CŒ Œ œ œ œ œ. bb œ œ 43 œœ œ œ œ œ œœ œ œ œ œ œ & b b b œ œ. œ O œ œ œ œ œ œœ œ N J Aœ E œ b œ b œ œ œ ˙˙ M œœœ œ œ˙ œ œœ œœ œ œœ œ ? bb b œœ œœœ 43 œœR œ R œœ œ œ b b ˙˙ ˙ œ O O u C S RF con moto (q = 72) L Pœ œ œ œ œ œ œ œ PœEœ œ œ œ A b b Œ œ œ œS œ œ œ œ œ œ &bbb c Ó U IN R P b Œ œ œ œE œ œSœEœ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ & b bbb c Ó P U E R P N b b & b b b c Ó LŒI œ œ Oœ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ F N P T O b b O &b b b c Ó NŒ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ al

S.

k

le - lu,

43 œœ

˙˙

ci

œ

43 œ œ œ œ œ œ

al

U

œœ

œ

43 œ

˙

œ

le - lu - ia,

œ œ

œ

œ œ 43 œ

œ œ œ

le - lu - ia,

œ

œ

U

al - le - lu,

˙˙

P ? bb c ˙ bbb ˙

-

- lu

-

al - le - lu - ia, al - le - lu - ia, al - le - lu,

al - le - lu - ia, al - le - lu - ia, al - le - lu,

al - le - lu - ia, al - le - lu - ia, al - le - lu,

al - le - lu - ia, al - le - lu - ia, al - le - lu,

al - le - lu,

al - le - lu,

al - le - lu,

al - le - lu,

-

c c

œ

al - le - lu - ia, al - le -

œ

al - le - lu - ia, al - le -

œ

al - le - lu - ia, al - le -

œ

al - le - lu - ia, al - le -

ia,

˙ ia,

bb & bbb

c Ó

Œ

? bb b bb

˙ c ˙ ˙

˙˙˙

œœ œœ œœ œœ

œœœ œ

œ œ œœœœ œ œœ œœ œœœ œœœ œ œ œ ∑

œœœ œœœ œœ œ œ œœ œœ œœœœ ∑

397

œœ œœ œœ œœ

œœœ œ

œœœœ œ œœ œœ œœ œœ œ œ œ œ œ œ œ ∑

ik


4

23

&

bbbb

b œ

œ

Ó

˙

Œ

- lu,

al

S.

bb &bbb œ œ œ œ œ - lu - ia, al - le - lu

bb &bbb œ œ œ œ œ bb &bbb

- lu,

bb Vbbb

œ

Ó

- ia,

F œ œ

œ

œ

œ œ

bb Vbbb

al - le - lu

al - le - lu

-

-

-

-

-

ia, al - le

-

ia, al - le

al - le - lu - ia, al - le - lu - ia, al - le

B.

? bb b bb

al - le - lu - ia, al

bb & bbb ? bb b bb

œ œ œY œ L Eœ

œ œ

N

C

œœ œ

œœ œ

œ

˙

œœœ

œœ œ

œœ

˙œ

œ œœ

œ œœ

œ œ

-

œ œ œœ

œ œ œ

398

œ

-

œ

œ

œ œœ

œ

-

-

-

-

-

lu

lu

-

lu

-

le

œ

œ

œ

œœ œœ

œœœ œ

œ ˙œ

-

-

lu

-

lu

-

œ

œ œ œ

œ

-

F œ œ al

al - le - lu - ia, al - le - lu - ia, al - le

T.

Œ

O AN F Eœ Mœ œ œ œ R œ œ ˙ œ œ O œ Rœ ˙ O SC RF F L E œ œ ˙ Ó Œ œ œ œ œ Aœ œ P S N œ œ U I R FE Eœ œ S Ó Œ P œ œ œ œ œ œ œ œ œ œ U E R N LI FFO œ ˙œ Ó N TŒ œ œ œ œœ œœ œ œ œ œ O O œ œ œ œ N

- lu - ia, al - le - lu,

A.

F œ œ

-

œ œ -

ia,

al

œ

œ œ

ia,

al

-

˙ ia,

˙ ia,

ki

˙ ˙ ia,

œ ˙˙ ˙˙

œ œ

œ œ


5

bbb œ œ œ œ œ œ œ b b & œ

26

-

S.

-

-

-

-

A.

bb &bbb -

bb Vbbb bb Vbbb ? bb b bb B.

? bb b bb

-

lu

-

w

c

œ

le

-

-

-

-

-

le

-

-

-

-

le

-

-

-

-

Ó

w

Œ

-

-

-

le

-

lu

-

al

-

-

-

le

-

lu

-

-

le

-

bb & bbb

œ ˙˙œ œ œ œ œ œ œ œ œ œ œ œ

? bb b bb

œœ

œ œ œ

œ œ œ œœ œ ˙

-

-

-

-

P

Ó

Œ

-

-

ia,

lu

w

ia,

-

ia,

-

c

42 ˙œ

c ˙w ˙.

œ

399

al

-

le

ia,

42 œœ œ œ œ œ

-

al

ia,

al

œ œ al - le -

ia,

-

lu

-

lu

al

al

lu

œ œ al - le -

P

ia,

-

42 œ œ œ œ

Œ

Ó

ia,

c

œ

P

LY E N C P 2 O c ÓN Œ 4 œ œ œ œ œ œ œ A œ œ w E R RM PO O œ œ œ œ C 2 œ 4 ˙ œ œ œ Sc w RF L E A PP S œ 2 œ c œ N w 4 U œ œ œ œ ˙ I R E E P P US œ œ œ 2 œ œ œ Eœ c ˙ œ 4 w R N LI FO P 2 c œ ON T œ ˙ 4 œ œ ˙. œ œ w O N -

al

T.

œ

lu

2 4 œ

œ

c

œ

-

le

-

bb &bbb ˙ -

le

œ œ œ

bb ˙ &bbb

2 4 œ

-

-

œ œ al - le -

œ œ al - le -

œ le

k -

œ le

k

lu,

i

al - le - lu,

Ó

w œ

œ œ œ

i

œ ww

œ

Œ

œ œ

œ

œ


6

F bbb ˙ . b b &

fœ œ

- lu,

f œ œ

30

S.

al - le - lu

- lu

-

F bbb ˙ b b & - lu

-

F b ˙œ œ b Vbbb

ia, al

al - le - lu

œ ia,

al - le - lu

-

-

-

-

ia, al

-

le

j œ œ -

ia, al

le

-

le

-

-

-

c

le

-

43 œ œ œ œ œ œ lu - ia, al

-

lu

c

œ

lu - ia, al

-

le

-

43 œ œ œ œ œ œ

œ œ -

c œ œ ˙

œ -

-

j œ œ œ œ œ

œ. f œ

-

œ

3 4 ˙

ia, al

œ.

f œ œ

-

œ ˙ J -

œ

43

-

ia,

al - le -

-

˙˙

ia,

-

œ

43 œ

œ œ œœ

al - le - lu - ia,

al - le

-

lu

-

al

ia,

al

˙

-

-

œ œ

lu

al - le -

-

ia,

œ œ

lu

al - le -

-

ia,

-

lu

-

-

-

al - le

S.

A.

T.

- lu - ia,

al - le -

ia,

-

-

le

lu

-

43

-

lu

-

-

lu

-

-

ia,

ia,

-

lu

al

-

ia,

ia,

-

43

43

al

-

-

œ

-

lu

-

ia,

al

-

-

-

-

- lu - ia,

al

-

le

-

lu

-

ia,

al

-

-

-

-

œ -

-

al

bb & bbb

3 4 œ

? bb b bb

˙ 43 œœ

-

˙ ˙

? b b b 43 œ bb œ -

œœ

le

œ œ

˙ ˙

le

-

œ

-

-

œœ œ

œ

-

œ c œ

-

-

lu

-

ia,

c œœ

œ

˙˙˙

œ c œœ

lu

˙˙

œ˙ ˙

400

-

i -

œ -

Œ

ik

Œ

ki

ia.

œ Œ œ

-

œ

le

œ œ œ

k

-

-

c œ

œ -

al

bb ˙ V b b b 43

43

œ œ

- lu - ia,

al

B.

al

43 i

œ œ

34

SOLO S.

43 k

œ œ ˙

c œ

le

le

3 4

œ œ ˙

c œ œ ˙

le

43

œ œ

bœ œ ˙ Y L E C˙ . N F f˙ œ œ ? bb b ˙ 3 N O ˙ ˙ c œ ˙ . 4 œœ ˙ bb ˙ ˙ E MAœ ˙ R œ œœ œœ œœ .. œœ œœ ˙ œ œ bbb R . 3 ˙ ˙ ˙ O b œ œ œ œ œ œ œ œ œ œ œ . & 4 œ œ œ œ œ c œ œ ˙ b œ œ. œ œ O J C F œ œœ œ S ˙˙ œ œ œ œ ˙ b œ˙ . œ ˙ œ œ ˙˙ œ œ ? bb ˙˙ c œœ b b b ˙˙ ˙. L 43 œœER˙˙ œ SA N P F œ œ bb œ œ œ œ. I ∑ cU Ó Œ J & b b b 43 R E E S F P œ œ œ ˙ bbb 3 œ œ œ U œ bœ ∫œ Œ b c b 4 & Eœ œ R IN O F L bbb 3 œ œ œ œ œ ˙ F œ bœ ∫œ Œ b c œ b 4 & N Tœ O O F b b b 3 œ œN Œ b c œ ˙ ˙ œ œ b 4 & œ - lu

B.

ia,

-

A tempo

œ

œ œ J œ

œ.

f œ œ œ

bb F &bbb ˙

T.

œ.

al - le - lu

F b b ˙. b & bb - lu,

A.

rit.

œ

Œ

œ

œœ ˙

œ

œ. bœ

∫œ

j œ bœ œ

œ

œ

œ


7 37

SOLO S.

bb & b b b bœ œ ∫œ œ ˙ -

S.

-

bb &bbb œ -

A.

B.

-

œ

œ œ œ -

œ

b Ó

˙ - lu, P œ

bb Vbbb Ó

P œ

-

al

-

& V

bbbb

-

b œ -

le

lu,

le

bbbb

-

T.

le

rit.

lu

-

ia,

al

bœ bœ ∫œ

œ -

-

œ bœ

-

-

œ -

-

le

œ

œ bœ œ

œ œ

lu,

al - le - lu,

al - le -

œ LYœ b œ E P œ œ œC œ œ ? bb b Ó bœ œ ON bœ N Œ œ œ bb A E M P Rœ R ? bb b Ó bœ Œ œ œ O ∫ œ bb w O C S ∑ RF bbb œ b œ b ∫ œ ∑ œ ˙ & œ œ œ œ œ b L E A P b œœ b œ œ œ ˙œ œ ∫ œ b œœ b œœ œœ œ œœ œ S œœ b œ œœ œ œœ œ œ ? bb œ œ œ bœ Ó bbb w U∫ b œœ IN Ó Œ R (rit.) ERubato (h = c.60) E Fj œ œ S P œ œ œ œ nœ œ œ ? bb b ∑ ‰ b ‰ œj U œ bbb b b E R N p I P O L b F bbbb œ * œ œ œ œ & b bbb œ bœ N œ œ œ O OTœ p P N * bbbb Œ bbbb œ œ œ ∫œ œ œ œ œ œ bœ

-

al

al

-

-

-

-

-

-

-

-

-

-

-

-

-

-

œ

le - lu,

al - le - lu,

le,

le

al - le - lu,

-

Al

S.

al - le - lu,

A.

T.

&

b V b bbb w

al - le -

œ

k i

lu,

le - lu,

al

-

œœ œ

œ nœ

le - lu - ia, al

-

al - le - lu.

œ bœ ˙

b

-

œ

al - le - lu.

œ

œ

bbbb

bbbb

- lu,

B.

? bb w bbb w b & b bbb ? bb bbb

œ bœ Œ ww w

œœ b œ ˙œ

œ

œ

bbbb

ww

bbbb

ww j œ œ

œ nœ

œ

œ

j œ œ

* voices enter individually, repeating boxed notes at independent tempi and always legato 401

i

al - le - lu,

40

SOLO BASS

œ œ

k

œ

œ

œ

œ nœ


8

œ nœ œ œ œ œ œ œ œ

43

SOLO B.

? bb bb

S.

b & b bb

-

-

-

-

le

œ œ ˙. -

lu

-

F œ œ Œ œ œ

ia,

Al - le

A.

T.

b & b bb

Œ

b V b bb

F œ

Ó

? bb bb

Ó

F n œœ ‰ œœ œœ œœ J

F œœ œœ

-

Al - le

-

lu,

F œœ œ œ

-

Al - le

-

-

Œ

le

al - le - lu,

al - le -

œœ œœ

al - le - lu,

lu,

al - le -

F j ‰ œ œ œ œ lu, al - le - lu F j œ œœ œ œ ‰ Y œ

-

al - le - lu

-

L

E

C N j N œ O bb n œœœ ‰ œœœ œœœœ œœœ Œ ww ˙˙ & bb Ó E œMA œ R j œ œ œ œ œ œ œ œ œ ˙ . œ Oœœ œ Rœ ‰ œœ œ œ ? bb b œ œ b œ œœ œ ŒC œ œO J Ó S RF L E A œ œ F œ œ œ P nœ n œSœ œ œ œ œ œ ˙. ? b b ‰ œj œ œ œ œ ∑ bb U IN R E E F p S œ œ P b b Œ œ œ n œœ ˙˙ .. U & b b œ œ œ œE N OR I p F L F bb œœ œœ œ b Œ b œ œ N & œ œ ˙˙ .. O œOT F œ œ N bb œ œ nœ œœœ œ

œœ œœ

F j ‰ œœ œœ œœ œœ

œ œ

Al

B.

lu,

œœœ œ

nœ œ

œ ia,

œ œ ia,

œœ œœ

œœ œœ

œœ

œ

46

SOLO B.

al - le - lu - ia, al

S.

-

-

-

-

le

-

lu - ia,

B.

Vbb

? bb bb

k

b

al - le - lu - ia,

- lu,

T.

bi

al - le - lu - ia,

- lu,

A.

b

Ó

bb & bb

ww

ww

? bb b b

œ œ œ œ nœ ‰ œj œ

œ

Ó

œ nœ œ œ œ œ

402

Ó

b

œ nœ œ œ œ œ œ

b

œ œœ

al - le F œ œ œ

- lu - ia,

al

-

Œ

œœœ œœœ œ œ

n œœœ œ

˙˙ ... ˙˙ .

œ œ ˙ . œœ œ Ó

œœ œœ œ œ

n œœ

nœ œ Ó œœ œ œ œ œ

˙˙ œ œ

œœ

-

-

le - lu -

b

b


(Poco più mosso q = 63)

F b ‰ j œ œ nœ œ nœ nœ & nœ

50

al

-

le - lu - ia, al

-

œ

œœœ

-

-

S.

&b

A.

T.

-

-

-

le

˙. b n˙ .

œœ œœ

- ia,

al - le

& b ? b

53

&b &b

-

-

le - lu - ia, al

-

lu

al - le - lu,

-

ia,

œ

œœœ

-

-

œ œ œ œ œ -

-

-

˙

œ

lu,

al

˙˙

n ˙˙ -

lu

al

-

al - le - lu,

-

al

-

-

œ -

le

-

˙

œ œ œ

lu,

al - le - lu,

Œ

ia,

N

œY œ œ

L

C

-

-

le

-

lu,

al

lu,

-

al

-

-

-

œ œ

E

al - le - lu,

œœ

le

-

le

œœ

- lu,

&b

le

œ œ œ

Oœœ œ AœœNœ œ œ n œœ œ œ n œ œ ‰ j œ œ nœ œ nœ nœ œ œ n œ œ œ œ E M nœ nœ R ˙. œœ œ ˙˙ RŒ˙ œ œ œ˙˙ Oœ n ˙˙ .. œ œ ˙ C FO S R = 60) Con moto (hL E f œ ˙ œ œ ˙ œ œ œ S˙ A N P˙ œ œ œ œ œ U I R f E E S œ ˙ œ œ ˙ œ œP U ˙ œ œ œ ˙ œ œ E R N I Of L œ œ œ œ œ œ œ œ œ œ Œ œN œF ˙ œ œ œ œ O OT f N ˙ ˙ al - le - lu,

S.

A.

œ -

-

œ œ œ

F b V ˙. al

B.

-

&b

?

œ œ œ œ œ

F j œ œ nœ œ nœ nœ nœ al

9

rit.

œœ

œ

œœ

œ

œœ

œ

œœ

œ

˙

-

-

al - le -

-

le

k -

i

˙

-

-

œ

le

--

œ

œ

(ossia)

al - le - lu,

T.

œ Vb œ œ

al - le - lu,

B.

?

b

œ - lu,

& b ? b

al

-

-

-

-

œ œ œ

œ œ

al - le - lu,

al

f œœ

œ œœ œ œœ œ œ œ œœ

˙œ

œ

˙˙ œœ

œ œ œ

œ œ

-

le

œœ

˙˙

le

-

le

-

˙˙

˙

œ œ œ œ

al

-

-

œ œœ

˙˙ ˙˙

al

˙˙

œœ

œœ

ia,

al

œœ

œœ

-

ia,

al

œ

œ œ œœ œ œ

lu

-

-

˙˙ -

˙˙ œ

lu - ia,

-

œ

lu

˙˙œ ˙˙ ˙˙

403

œœ œœ

-

-

œœ œœ

-

-

œœ

˙

-

-

-

˙˙ -

˙˙ ˙˙

œœ le -

ki

˙˙

-

˙œ

le -

-

œ

le

-

˙œ

œ

œœ ˙˙

œœ


10

œ œ

57

S.

& b ˙. - lu,

A.

al

-

-

œ

ia,

˙

˙

-

-

-

-

œ

œ -

le

-

œ -

-

-

-

le

œ -

ia,

F œ

˙.

˙

le

-

-

ia,

al

-

-

lu

-

ia,

al

-

-

-

-

-

-

-

-

-

le

-

-

le

-

˙

lu

-

˙.

œ

-

œ

Y E L U ?b ˙ ˙ œN ˙ C ˙ ˙ ˙ ˙ œ O N A U E˙ M œ wœ ˙ œ œ œ R b œ œ œ ˙ œ œ . œ & ˙ œ œ œ ˙ R ˙. œ O O ˙˙ ˙˙ ˙ ˙ ? b ˙˙ ˙˙ S˙˙˙˙C. RF œœ œœ ˙˙ ˙ ˙˙ ˙ u L E A P Spoco (In 4) (q = 76) Na poco rit. p U I œ ˙ b ∑ Ó Œ œ ∑ R & w E E P US p E ∑R ∑ ∑ &b ˙ ˙ w N ˙ ˙ I O L F F N ˙ T œ œ ∑ V b ˙ O˙ w œ O ˙. N - lu

œ

-

˙.

-

-

˙

-

˙.

˙˙

-

œ

-

œ

˙˙ -

˙

-

œ

-

al

U

-

œ

˙˙

˙

-

-

-

U

˙ ˙

˙

œ

al

?b ˙ B.

-

œ

œ

Vb ˙ - lu

U

&b ˙ - lu,

T.

A tempo (h = 60)

U

molto rit.

lu,

-

lu

al

-

ia,

œ

61

S.

- lu,

A.

al

- lu,

T.

al

? B.

-

F b ˙ al

& b

? b ˙˙

-

le

œ

-

?

-

al

˙

b

-

-

œ -

le

le

œ ˙ ˙

-

œ

al

˙

˙ -

lu,

lu

-

-

-

˙

˙

ia,

al

w

˙

lu,

al

˙ w˙

œ -

le

-

˙ ˙˙

le

œ œ œ

404

-

œœœ

˙

le

le -

-

k

i

lu,

w -

-

lu,

˙

œ

∑ œ

-

œ le

œ

Ó ˙

-

-

œ

lu,

Ó

Œ

ww˙

˙

œ

˙

œ

˙˙

˙˙

œ


Tempo I (q = c.66) P r 5 Œ œ nœ œ œ

rit. 66

SOLO S.

& b ˙.

Œ

- lu. S.

& b ˙. - lu,

A.

&b

œ œ

n 45 ˙.

al - le

-

lu

n 45 Œ

˙

- lu,

T.

B.

?

œ

œ

Al - le - lu

-

ia,

n 45 Œ

69

SOLO S.

& Œ

œ

& ˙.

-

˙

œ œ œ

-

al - le - lu

-

ia,

al - le - lu

-

ia,

al - le - lu

ia,

al - le - lu

Œ

-

ia,

˙

œ œ œ

Y E L 5 C ˙ ∑ ˙˙ Œ N n 4 Œ O œœ Aœœ Nœœ ˙ E n 45 Œ œR Œ M œ œ œ nœ œ œ œ œ œ œ œ œ œ ˙. ˙ O ˙R ˙ . O œ œ œœ ˙˙ ˙ ˙C œœ œœ n œœ F ˙ 54 Œ œ œ S Œ ˙˙ ˙˙ n œœ œœ œœ œœ œœ œœ R L E A P S Dolce (q = 72) r r N # U 6 œ œ I œ c w œ œ œ œ œ 4 Œ RŒ œ œ ˙ œ Œ Ó E E S P U π # 6 E ∑ Ó c œ œ 4 ˙N Rw . I O L π # N T F 46 Œ Œ π ∑ Ó c O ˙ œ œ ˙. œ œ œ œ O N π π

al - le - lu

S.

ia,

r œ

& b ˙. b

al - le - lu

p œ œ œ

al - le - lu

?

œ

˙

Œ

˙

p œœ œœ œœ

b

œ œ œœ œ œ

˙.

p œ œ nœ

r

Œ

˙

al - le - lu

Vb

œ

n 4

π

11

-

ia,

al

-

-

ia,

-

ia,

r œ

le

-

lu,

al - le -

A.

& Œ

œ

al - le - lu

T.

V Œ

B.

œ œ œœ œ œ

ia,

-

46 Œ

ia,

-

ia,

Œ & ˙.

œ œ œ

r œ œ

œ ˙

? Œ

œœ œœ

˙˙ ˙˙

Œ

al - le -

œ œ ˙.

c

Ó

œ œ

al - le - lu,

46 Œ

˙˙

al - le - lu

œœ œœ œœ œœ

al - le - lu,

˙

œ œ œ

al - le - lu

? Œ

-

al - le -

π Œ œœ œœ ˙˙ ..

c

π œ œ

Ó

al - le - lu,

œ

r œ œ

Π46 w .

Œ

œ

46 Œ

Œ

œœ œœ ˙˙ .. œœ œœ ˙˙ ..

˙

405

# #

al - le -

œ

c w c

œ ∑

Ó

Œ

œ œ

œ œ

œœ

œœ

# #


12

TUTTI

# (π) & ˙

73

S.

A.

&

#

˙

˙

œ

œ

˙

œ

œ

œ

œ

œ

œ

œ

˙

œ

œ

œ

œ

œ

œ

œ

œ˙ ˙ . ˙

˙

œ

œ

œœ

˙˙

˙˙

˙˙

œœ

œœ

- lu,

œ

œ

œ

˙.

œ

- lu,

T.

V

#

˙

˙

œ

˙

˙

˙

- lu,

B.

?# ˙ - lu,

&

#

? #

77

S.

&

˙ œ ˙˙

# œ

œœ

LY E N C N œ œœ O ˙œ ˙˙ ˙ œ œ œ œ œ œ œ A E M R ˙˙ ˙ œ ˙˙ œ˙ œœ ˙ . ˙˙ œœ œ˙˙ ˙ œ œ œ ˙ O ˙ R O C S RF L E A S NP œ œ U œ ˙. œ œR œ œ I œ œ œ œ E E S P U E R ˙œ œ œ œ œ œ œ œ N œO œ œœ œœ œ ˙ I L N TF O O ˙ ˙ œ ˙ œ N œ œ œ œ ˙ al - le

A.

&

# œ

al - le

T.

V

#

œ

al

B.

?# œ œ

&

œœ

#

? #

œ

œœ

œœ

-

le

œœ

œœ

al

-

le

œœ

-

-

-

lu,

lu,

lu

-

-

˙˙

˙˙ -

-

-

-

˙˙

œ

œ˙

œ

œœ

œœ

œœ œ

œœœ

˙œœ

œœ œ

œœ œ

œœ

œœ œ

œœ œ

œœ œ

œœ œ

œœ œ

˙˙ ˙

œœ œ

œ al

œ -

œ œœ

al - le

œœ

œœ œ œœ

œ˙ .

˙˙ ˙

˙˙ ˙

œ

-

ia,

œœ

lu,

œ

406

al

œœ

œ

œœ

œœ œ

œœ œ

-


81

S.

&

#

Ó

˙.

œ

Œ

- le - lu,

A.

&

T.

V

#

-

? # ˙˙ - lu

&

# ˙ œ

# ˙˙ & -

T.

V

# f˙

al

B.

f ?# ˙ ˙

le

-

-

˙˙

-

Œ

˙

lu

-

3

le

-

-

˙œ

œ lu

-

œ

ia,

-

˙˙

le

-

le

œ

œ

# ˙˙ ˙

? # ˙˙ ˙

lu,

al

˙ -

˙

lu

-

œ

˙.

ia,

œ.

Œ

LY E N C N O Ó Œ ˙ œ œ œœ ˙. œ œ ˙ ˙ A ˙ ˙ Œ E M ˙. œ R Rœ œ ˙ . ˙. ˙ œ˙ œ œ œœ œ O œ œ. œœ ˙ œO œ ˙˙ œ œ˙œ ˙ Œ œC œ S RF L E A S NP U I œ˙ œ œ œR œ œ E œ œ œ œ w E S P U E œ œ IœN œORœ ˙ œ œ ˙ œ œ ˙ L F N O˙ OT œ œ œ œ Ó œ œ œ ˙ N ia,

al

le

-

lu - ia,

-

-

lu - ia,

-

œœ

œœ

œœ

al

-

-

-

-

-

˙ ˙

-

-

-

-

-

-

-

-

œ œ

-

-

-

œœ

œœ

-

-

-

-

-

-

le

-

-

œ œ J œ le - lu

-

œ œ

-

œ˙

œ œ J œ

i 43 k

lu,

lu

-

le - lu,

˙˙

œ œ

le

-

43

ia,

œ

al

œ

- ia,

&

-

al - le

œœ

œ œ

œ

al

œ œ

˙.

œ

˙

ia,

-

F œ œ ˙˙

-

# f & ˙ al

-

˙

-

œ

13

3

85

A.

œ

-

-

Œ ? # ˙˙

S.

œ ˙.

Œ

al

B.

al

# ˙ -

˙

œ

f

œœ

œ

43 -

˙˙

43

al - le - lu,

œœ œ œ œœ

œ œ

œœ

œ˙

œ

œ œ

œ˙

œ

œœ

˙.

˙ ˙ ˙

œœ œ

œ œœ

œ œœ

œ œ œ

œ˙ ˙

œ

˙ ˙œ

œ

œœ œ

407

œ œœ

˙˙ ˙

43 43


14

allargando

accel.

# 3 & 4

89

S.

Œ

&

c Ó

∑ -

-

# 3 4

F

-

-

c

-

al

T.

V

-

B.

œ œ œ œ

# 3 œ 4

? # 43 # 3 4

? # 43

92

S.

A.

T.

&

# c

# & c

- lu

# V c

- le

-

-

-

&

# c

-

-

lu,

-

le

-

-

œ 43 œ

lu

lu,

al

-

-

-

le

-

al

-

ia,

le - lu - ia, al - le

al - le - lu - ia, al

-

le al - le - lu

-

lu

-

ia,

œ

œ.

œœ

ia,

al - le - lu

-

ia,

-

c

43 43

-

-

-

lu

-

-

-

-

le

le

-

ia, al

-

-

-

-

le - lu,

˙

œ ˙.

408

-

c c

-

œ

al - le - lu

œ >œ >œ #>œ # œ c œ œ œ c

c

al - le -

œ œ œ # œ˙

œ

j œ. œ # œœ œ c # œœ œ œ œ œ

-

œ ‰ J

al - le - lu, al - le - lu,

œ œœ # œ œœ œ # œœ

-

le

le - lu - ia,

-

ia,

-

j œ œ œ œ ‰œ . œ œ œ

al

˙

43 œ˙ . œ œ

-

ci c

-

al -

œ

k

-

j #œ œ œ œœ

-

c

œ #œ

al

3 4 œ.

-

al

ia,

œ # œ n œ˙ œ ˙ œ

? # c # œœ

-

le - lu,

al

? # c #œ - lu

le

-

- lu,

B.

f œ #œ ‰ œ œ J

c œ

-

#œ œ œ œ -

al

LY E N # œC f œœ œ œœ œ œ N œ 3 œ œ œ c Ó O œ Œ 4 œœ A œ E R RM O œ œ œ #œ Ó Œ ∑ c œ œœ œ O 43 œ œ. œ œ # œ œœœ œœ #œ C œ œ œ J F S R œ œ œ œœ œ œ Lœ œ œE# œœ œ 3 œœœ # œœœ œ œ œ œ œ œœ ‰A J c œ œ 4 œ S NP U I R molto rit. E œ œ œ E œ #œ ˙ P‰ œj U43S œ œ œ # œ œ œ c œ œ # œ œ E R N > > I O 43 œ œ # œ c œ œ #˙ œ œ n œ Lœ ˙ F œ œ œ N T O Oj œ œ œ 3 œ. œ œ >œ >œ >œ œ # œ c ‰ œ œ N œ œ 4 J -

al

&

al - le

F

-

lu,

3 œ œ œ 4

f

-

œ

œ

-

f œ œ

Œ

œ #œ œ œ

3 œ 4

al - le

# 3 & 4 -

A.

c Ó

A tempo, con moto (q = 72)

f œ œ

œœ œ

œ œ œ ‰ œJ


# œ> ˙ . & œ

95

S.

w

w

œ #œ #œ

œ œ

al

-

&

#

#œ nœ œ nœ -

# ˙ V

-

#œ œ œ #œ

œ

ia

˙

-

œ #œ œ

‰ ‰ nœ œ

-

œ œ #œ œ œ œ #œ Lœ Yœ >œE>œ n >œ >œ >œ >œ ˙ ˙ #œ N C O AN E ˙ ˙. œ w # œ # œœ œ œ œ œœw œ # œœ R # œœ œ n œ œ n œ #œ œœ œ œ œ Mœ œ œ œ nœœ œ œœ œœ œ O OœRœ #œ ˙ Œ # ˙ ˙˙ œ œœ œ œ n œ œ œ œ œ C ˙˙ œ # œ œ œ œ œ œ œ # œ S RF # œ L E A P Maestoso, Sostenuto (q = 63) S ˙ ˙ ˙ œ ‰ œ ‰ œ ‰ Uœ ‰ IœNœ ˙ œ œœ œ œœ R E E S P ˙ ˙ Uœ ‰ ˙ œ ‰ œE œ ‰ œœ ˙ œ ‰ œœ œœ œ N OR I pL F N ‰ Œ ‰ œj œ œ œ . œ ‰ œ œ œ˙ œ ˙˙ j O œ œT ˙ ˙ œ œ O N P >

-

#

? #

al - le - lu - ia,

al - le

-

3

?# &

œ œ œ œ nœ œ > > > > >œ >œ lu - ia, al - le - lu - ia, al - le > > œ œ Œ nœ œ

œ œ

œ

al - le 3

al - le -

p

‰ ‰ nœ œ

le - lu - ia,

œ œ œ œ œ œ œ

#œ ˙

-

subito 3

œ œ Œ

œ œ

- ia,

B.

Œ

p

al - le -

# œ> ˙ . & œ

- lu

T.

˙

subito 3

- lu - ia,

- lu - ia,

A.

15

allargando

A tempo, mosso

-

-

-

-

-

-

-

-

le

-

lu - ia,

al - le - lu - ia, al - le 3

3

99

& S.

&

A.

&

# # #

- lu

-

ia,

al - le - lu

-

ia,

al - le - lu

-

ia,

al - le - lu

-

ia,

al - le -

- lu

-

ia,

al - le - lu

-

ia,

al - le - lu

-

ia,

al - le - lu

-

ia,

al - le -

-

ia,

al

le - lu,

al - le - lu

-

ia.

- lu,

T.

V

# œ ‰ Œ J

al - le

-

Ó

lu

Ó

- lu,

B.

> ? # œj ‰ Œ

œ

œ

al - le

Ó

-

-

œ

œ

lu

-

Ó

- lu,

&

#

? #

œ

˙ ‰ œœ

ia,

F œ œ al - le

˙˙ Ó

œœ œ

>œ œ ‰ Œ J

Ó

‰ œ œ œ

˙˙ ˙˙

œœ œ

‰ œ œ œ J

Ó

œ

œ

409

al - le - lu

˙

-

ia.

œ

œ

lu

-

ia.

A

œ

˙˙œœ

‰ œ œ

œœ .

œ

œ œ œ . œœ

‰ œœ œ œ

˙ œ˙˙

œ

œ

‰ œ œ œ

˙˙

ki ki

-

˙˙ œ

œ œ

œ.

-


16

A tempo (q = 72)

allargando

103

&

f œ #

˙.

˙.

œ

- lu - ia.

S.

&

f # ˙

A.

&

A

V

V

f # ˙

A

f ?# w -

B.

f

? # ˙. -

f # œ˙ & œ ˙ ? # w˙ .

˙

œœ

ia,

al - le - lu

-

-

-

-

œ

œ

ia.

A

-

œ -

-

ƒ ˙ -

˙

œ -

œ -

-

-

˙

-

-

-

-

-

men,

-

-

-

-

-

-

-

-

-

-

-

˙. ˙.

ƒ

œ -

-

-

-

-

-

œ. œ

-

œ œ œ œ

-

-

˙˙ . œ ˙ w w

-

-

-

-

˙

-

a

-

men,

a

men,

-

-

f

a

-

-

-

œ

men,

-

-

i

œ

a

-

k -

-

i -

-

men,

a

-

-

-

-

-

men,

a

-

-

-

-

-

œ

œ œ

˙ œ

œ

œ

ww ww

410

-

k -

œ œL œ N

˙

œ

-

˙

œ œ -

œ

Y E œ œ œ C˙ O AN E M ƒ R ˙ Rœ w ˙. O œ œ O SC RF L ƒE A P˙ . ˙ œ œ œS œ w œ N U I R E E S P U ƒ E wR w ˙ ˙ N LI FO N ƒ O OœT w w ˙ ˙ N ˙.

f # w A

T.

-

f œ

#

A

œ.

- lu

ƒ ˙

˙

œ

œœ œ

˙˙ œ ww ww

˙

œ

œ œ


17 107

S.

A.

& &

#

˙

- men,

a

-

men,

œ

œ

˙

#

œ

œ

-

T.

V

#

-

-

w - men,

#

? #

110

S.

&

#

˙œ ˙ ww

w - lu.

A.

&

#

-

V

#

-

-

Œ

˙.

&

#

? #

w Œ ˙w. w

-

œ -

men,

F

œ

œ -

a

-

œ

œ

-

-

-

-

œ -

-

w

˙.

a

-

œ œ

w -

men,

-

-

-

-

-

men,

k

men,

-

i

men,

a

-

-

-

men.

a

-

-

-

men.

œ

œ

œœ

œ a

-

?# w w a

œ -

LY E N C œ ˙. wO N A E M R Ó Œ œ ˙œ w˙ Oœ OR œ œ w C F S œ œ œ ˙. œ œœœ œ œ L ˙ EœR ˙˙ SA N P U I π R E E w w w S P U E R P π N I Œ L œFO ˙ . w w œN œ O OT p π N Œ ˙. w w œ

- men,

B.

-

a

a

T.

-

œ

- men,

&

-

Œ

al - le -

˙.

?# w ?#

w

w -

B.

Ó

˙

P

men,

˙˙ .. -

-

œ

-

œ

-

œ œ

œ

Œ

men,

π ww a

ww -

-

-

men.

w˙ .

Œ

www

www

˙. ˙˙ . .

Œ

ww

ww London, September 2011 1 2 3 4 5 6 7 8 9

411


ERIC WHITACRE Mixed chorus unaccompanied A Boy and a Girl Oculi omnium

CH73172

solo S, SATB CH79046

Her Sacred Spirit Soars

CH73161

LY E N C O AN Lux Aurumque HL08501418 E Nox Aurumque CH75438 R RM O O Sleep HL08501462 C S RF Sleep my child CH75229 L E A P Three Flower Songs CH75427 S U IN Water Night HL08500040 R E E S P U When David Heard HL08501407 E R Mixed chorus with accompaniment N I O L Vol. F Animal Crackers N T 1 SATB, piano CH73183 O O Vol. 2 SATB, piano CH75416 Animal Crackers N Chester Music

Hope, Faith, Life, Love

HL08501472

i thank You God for most this amazing day

Five Hebrew Love Songs Seal Lullaby

HL08501708

SATB, pf and violin HL08501466

SATB, piano CH73678

The City and the Sea

Eric Whitacre ALLELUIA for SATB chorus a cappella

Selected choral works by

part of the Music Sales Group

14/15 Berners Street London W1T 3LJ Exclusive distributors: Music Sales Ltd Newmarket Road Bury St Edmunds Suffolk, IP33 3YB

SATB, piano

(settings of E. E. Cummings):

412

www.chesternovello.com Order No. CH79057

Chester Music

i walked the boulevard CH77968-01 the moon is hiding in her hair CH77968-02 maggie and milly and molly and may CH77968-03 as is the sea marvelous CH77968-04 little man in a hurry CH77968-05


Eric Whitacre THE CHELSEA CAROL for SATB chorus and organ

LY E N C O AN E R RM O O C S RF Provisional score L E A November 2012 S NP U I R E E S P U E R N LI FO N O OT N

Chester Music 413


Adveni, Sapientia, Donum Hinvernale – Confirma nos vigilantes Ad quem adventurum.

Come thou, Wisdom, Gift of Winter – Strengthen us to wait For Him who is to come.

Adveni, adveni somnifera, Aevifera, Regina solis siderum.

Come thou, come dream-bearer, Time-bearer, Queen of sun and stars.

Adveni, adveni lunifera, Glacifera, Regina mater temporum.

Come thou, come moon-bearer, Frost-bearer, Queen and mother of the seasons.

Y E L Holy lady, Queen!N Sancta domina Regina! C Holy lady of silver! Sancta domina argentea! N O Sancta domina purissima! Purest holy lady! E MA R R flower-bearer, Adveni, adveni florifera, Come thou, O Ocome Solifera, Sun-bearer, Regina lucis candida. Queen of gleaming light. F SC R Adveni, adveni messifera, thou, come sheaf-bearer, L Come E Nivifera, Snow-bearer, A Regina somnis magistra. S N PQueen and mistress of dreams. U I Come thou, Mother! Adveni, Mater! R Adveni ad nos! Come to us! E E Adveni, Domina! Come, Lady! S P U E R N I O more overtly pagan hymn to the Mother (Virgin or otherwise). For this Advent text I chose a darker, L The images here are amongF the multiple roles the Mother plays as the wheel of the seasons turns N about us. Advent is a time of darkness, of waiting, of preparation. We wait all year long for various T O Onatural and those declared. In this text we wait "for Him who is to come". milestones, both those N broken some of the traditional rules of Latin grammar, and have invented an I have very consciously altered form here and there. These alterations are for poetic reasons, and to underscore the fact that Latin is NOT a dead language, its rules fixed and fossilized. It is a living language, available like any other for poetic alteration, innovation, and adaptation to contemporary needs. Charles Anthony Silvestri

Duration: c. 7 minutes

414


Composed for, and premiered by, the Choirs of Birmingham-Southern College, Lester Seigel, conductor, to commemorate the 75th anniversary of the College's Service of Lessons and Carols.

THE CHELSEA CAROL C.A. SILVESTRI

ERIC WHITACRE

Lontano; liberamente q = Ç 60

SOPRANO

& 44

p ‰ œ

p ‰ œ

j œ œ

Ad

ALTO

TENOR

& 44 V 44

∑ p w oh p w

-

j œ œ

Ad

-

2 œ œ 4œ œ œ ve - ni,

4 4

Sa - pi

-

2 œ œ 4œ œ œ ve - ni,

Sa - pi

w

w

24 ˙

w

w

2 4˙

-

2 4

œ œ b˙.

en - ti - a,

4 4œ œ b˙.

2 4

44 w

24

en - ti - a,

L44Yw E N C O AN 24E ∑ 44 ∑ ∑ ∑ ∑ & 44 M R p O 2O˙ R 4 w ?4w w w 4w 4w w w SC RF4 ˙ L ∑ E 24 ∑ 44 ∑ ?4 ∑ ∑ 4 A S NP U I R E 2 E 24 ∑ j Œ 44 ‰ S & 24 4 œ œ b œ œ 44 w P b œ œ œ Aœ bœ U œ E N R 24 44 24 ∑ Œ 44I ‰ Ob œj & 24 œ b œ L œ œ w œ œ F Aœ œ N Tbœ O O4 2 4 2 V 24 ˙ 4˙ 4w 4˙ N4w BASS

?4 4

2 4

oh

Organ

Sw.

6

?2 4 ˙ & 24 ?2 ˙ 4 ˙ ?2 4

44

44

24 44

-

num

Hin - ver - na

-

le –

44

Do

-

num

Hin - ver - na

-

le –

4 4

24 ˙ ∑

44 w w ∑

24

Do

44 w ∑

24

24

44 w ∑

24 ˙ ˙ ∑

24

44

24 ˙ ∑

44 w w ∑

44

24

44 ∑

24 ˙ ˙ ∑

24

44 44

44

12/12/2012

© 2012 Chester Music Ltd. 415


2 11

j œ œ

& 44 ‰ N œ

Con - fir - ma

j œ œ

& 44 ‰ N œ

Con - fir - ma

b œ œ 24 œ # œ œ nos

vi

-

4 4 #œ

gi

-

b œ œ 24 œ # œ œ nos

vi

-

lan

-

44 #œ -

gi

lan

2 4

#˙.

Œ

3 4

Œ

34

tes

24 œ

#˙. -

œ

tes

V 44 w

24 ˙

44 w

24 ˙

34

?4 4 w

2 4˙

4 4 w

2 4 ˙

3 4

& 44 ?4 4 ?4 4

15

& 34 & 34 V 34

LY24 E∑ N C N2 ˙ O 24 ˙ 44 w ww A ˙ w E M 4˙ R R O 2 4 2 ∑ ∑ ∑ ∑ 4 4C 4 O S RF L E A S NP U I 44 24 j ‰ ∑ R b œ Nœ NE œ œ b œ Eœ w bœ P US 44 j E 24 ‰ ∑ b œ R N œ œ N N œ w bœ b œ œ LI FO N T 24 44 ˙. O ˙ w w O N quem

ad - ven - tu

-

rum.

Ad

quem

ad - ven - tu

-

rum.

24 ˙

? 3 ˙. 4 ˙. ?3 4

44

Ad

?3 4 ˙. & 34

24

24

44 w

24 ˙ ˙ ∑

24

44

ww ∑

44 w w ∑

44

416

34 3 4

34 34 34 34 34 34

ww ∑

34

34


3 19

Solenne q = Ç 54

3 &4 3 &4 3 V4

P

˙.

˙

œ

œ

P

Ad

-

ve - ni,

˙

œ

œ

P Ad

-

ve - ni,

˙

œ

œ

Ad

-

ve - ni, ve - ni,

œ

œ˙ . ˙

P Ad ? 34 ˙.

˙

˙.

˙

Œ

˙

˙.

˙

Œ

˙

Œ

˙

˙˙ ..

Œ

˙˙ .

˙

œ

œ

ad

-

ve - ni

˙

œ

œ

ad

-

ve - ni

˙

œ

œ

ad ad

-

ve - ni ve - ni

˙.

œ

œ˙ . œ

œ

œ

som -

œ

œ

som -

œ

œ

som som -

œ

Y E L œœ ˙˙ .. ˙˙ .. ˙˙ œœ ˙˙ . ˙˙ . Nœœ ˙˙˙C ˙. ˙. ˙. . O AN œœ ? 34 ˙ Œ ˙˙˙ .. ˙˙˙ .. ˙˙˙ œœ E˙˙ . Mœœ ˙˙˙ . ˙. . . . R R O ? 34 O ∑ ∑ ∑ ∑ ∑ ∑ SC RF L E A S NP U I & ˙ œ R ˙ œ œ ˙ ˙ œ E œ ˙ œ E #˙ S P U E œR˙ œ & ˙ œ ˙ ˙ N œ œ ˙ #˙ œ I O L F V ˙ ON T œ ˙ œ ˙ œ ˙ œœ œœ ˙˙ œ O˙ N 3 &4

Œ

25

- ni

-

fe

-

ra,

Ae

-

vi

-

fe

-

ra,

Re

-

gi

-

na

so - lis

- ni

-

fe

-

ra,

Ae

-

vi

-

fe

-

ra,

Re

-

gi

-

na

so - lis

- ni - ni

-

fe fe

-

ra, ra,

Ae Ae

-

vi vi

-

fe fe

-

ra, ra,

Re Re

-

gi gi

na na

so - lis so - lis

˙˙ .

œ

˙ ˙.

-

œœ

˙˙˙.

œ

œœ

˙˙˙.

œœ

#˙ ˙˙˙ .. .

? ˙ ˙.

œ

& ˙˙ ˙. ? ˙˙ ˙. ?

˙˙ .

œ

œœ

˙˙˙.

œœ

œœ

˙˙˙.

œœ ∑

˙ ˙.

œ

˙˙˙ . ˙˙ ˙. ∑

417

œ

œœ

œ˙ .

˙

œœ ˙˙ ˙˙˙ ... ˙. ∑


4 31

&

j œ œ

œ.

P

˙.

˙ Ad P

si - de - rum.

&

j œ œ

œ.

˙.

si - de - rum.

j œ œ

V œ.

si - de - rum. si - de - rum.

j œ œ

? œ. ˙. &

˙˙ ..

? ˙. ˙. ?

38

& ˙ ad

&

˙ ad

V ˙

ve - ni,

œ -

ve - ni,

˙

œ

œ

Ad

-

ve - ni, ve - ni,

˙˙ ..

˙ ˙

œ

œ˙ . ˙

˙˙ .

œœ

˙˙ .

œœ

˙˙˙ .. . ˙˙˙ .. .

Sw. + 4'

˙˙ . .

˙

˙.

˙

˙.

˙

˙˙ ..

˙˙ .

Œ Œ

œ

ve - ni

lu - ni

-

fe - ra,

Gla - ci

-

fe - ra,

Re

œ

-

ve - ni

lu - ni

-

fe - ra,

Gla - ci

-

fe - ra,

Re

- gi

lu - ni lu - ni

œ

œ ˙œ . œ

˙ ˙.

& ˙ ˙. ? ˙ ˙.

œœ

˙˙ ˙.

œœ

œœ

˙˙˙ .

˙˙ ˙. ˙˙ ˙.

œœ ∑

-

fe - ra, fe - ra,

Gla - ci Gla - ci

œ

˙˙ .

œ

˙ ˙.

œœ

˙˙˙. ˙˙˙.

œœ

˙˙ ˙. ˙˙ ˙.

œœ ∑

œœ ∑

418

Œ

Y œœE œœ L ˙ ˙N Cœ˙ . ˙˙ . ˙ Oœ ˙AN œ ˙ œ ˙ œ ˙

-

˙.

Œ

˙.

E R RM ∑ CO ∑ O ∑ ∑ ∑ ∑ S RF L E A S NP U I œ œ R ˙ ˙ œ œ œ E˙ œ ˙ œ E P US E œ ˙ œ ˙ œ ˙ œ œ INœ œ R˙ O L N œ Tœ Fœ ˙ œ ˙ œ ˙ œ ˙ Oœ O N ˙˙ . .

ve - ni ve - ni

?

-

˙ P

P Ad ∑ ˙. ˙.

-

?

ad ad

˙

Ad

˙.

œ œ

˙.

˙˙ ..

œ

-

Re Re

œ

˙˙ .

œ

˙ ˙.

œœ

˙˙˙. ˙˙˙.

œ

#˙ ˙˙ .. ˙.

œœ ∑

œ -

na

-

na

œ

˙˙

fe - ra, fe - ra,

œœ ∑

œ

- gi

- gi - gi

œœ -

na na

œ

œœ


5 45

&

˙.

œ œ œ

ma - ter tem - po

&

œ œ œ

˙.

ma - ter tem - po

V ˙˙ ma ma -

? ˙. ˙.

œœ

˙.

-

˙. ˙.

4 4

44

rum.

˙.

-

rum.

˙.

tem - po - po

˙. -

rum. rum.

˙. ˙.

˙.

˙.

˙.

˙.

44

˙. ˙.

˙. ˙.

˙. ˙.

˙. ˙.

4 4

Y E ˙˙ .. & 44 ˙˙ .. ˙˙ œœ ˙˙ N C N ˙. O ? ˙˙˙ ... 44 ˙ ˙ ˙ ˙ ˙ . . . . . A ˙. ˙. ˙. ˙. ˙. ˙. ˙. E R RM ? 4 ∑ ∑ ∑ ∑ CO ∑O ∑ ∑ 4 S RF L E A Poco mosso S NP F U I 4 3 Œ 44 œ & 4 b œ œ œ œ œ œ œ 23R˙ 2 ˙ œ b œ E bœ œ œ bœ œ E S P U F 44 b œ 3 E 3 j Œ 44 œ & 2 œ œ IœNœ œ R2 œ . œ ˙ nœ bœ œ œ œ œ O L F 3 F 44 b œ N T 4 3 V Oœ œOœ œ œ œ 2 ˙ ˙ œ Œ 4 œ bœ œ œ bœ œ bœ 2 N F Gt.

&

# ˙˙

# œœ # # œœ # ˙˙

n n ˙˙L..

Sw.

q = Ç 66

52

Sanc - ta

do - mi - na

Sanc - ta

do - mi - na

Sanc - ta

do - mi - na

? 44 b œ

œ

Sanc - ta

w F

-

na!

Re - gi

Re - gi

œ œ œ œ

23 œ .

do - mi - na

& 44 b œœ œœ œœ F ? 44 b œœ œœ œœ ? 44

Re - gi

-

-

na!

na!

œ ˙ J

Re - gi

nœ -

Œ

na!

do - mi - na

Sanc - ta

do - mi - na

Sanc - ta

do - mi - na

44 œ bœ

Sanc - ta

œœ

23 ˙˙

˙˙

n œœ

Œ

œœ

23 ˙˙

˙˙

n œœ

Œ

23 w .

Sanc - ta

44 œ bœ 44 œ bœ 44 w

419

ar -

ar -

œ œ œ œ

23

do - mi - na

œœ b œœ

b œœ

23

œœ b œœ

b œœ

23 23


6 55

& 23 . œ

j œ ˙

œ

Œ

œ bœ

V 23 œ .

œ.

Œ j œ #œ

ar - gen - te - a!

j œ ˙

œ

Œ

- gen - te - a!

? 3 œ bœ 2

œ.

j œ #œ Œ

ar - gen - te - a!

& 23 œ . b˙

j œ ˙˙

# œœ

j œ ˙˙

? 3 b ˙œ . 2

3 œ œ bœ œ œ 2 #œ.

Sanc - ta

- gen - te - a!

& 23

f 4 #œ 4 nœ

Œ

# œœ Œ

f 4 #œ nœ 4

do - mi - na

Sanc - ta

f 4 #œ nœ 4

do - mi - na

Sanc - ta

# œf n œ 4 4

do - mi - na

Sanc - ta

do - mi - na

pu - ris - si - ma,

œ œ œ œ œ 23 # œ .

j œ ˙.

- ris

- ris

si - ma,

si - ma,

-

si - ma,

-

?

œ œ œ œ œ 3 #œ. 2

pu

pu

-

œ

& # œœ

œœ

? # œœ

œœ

w> .

pu

b œœ œœœ b œœœœ b œœœœœ &

ris

ris

-

-

-

-

b œœ

œœœ b œœœœ b œœœœœ

ris

-

3 2

44 44

n >œœœ .. . ƒ n œœœ ... >

44 w f 420

pu -

œ ˙. J

pu -

Y

b œœE# n œœ # œœ bœ N œœLb œœ C

N 3 bO b œœ b œœ # n œœ # œœ œ A œ œ 2 E

œ

si - ma!

, ,

si - ma!

œ

,

34 3 4 34

si - ma!

œ ˙ J

-

pu - ris - si - ma,

œ

44 n œ

si - ma,

-

ris

-

J

- ris

?

pu

pu -

pu - ris - si - ma,

58

-

œ ˙. J

R RM O O ?3 4 3 4 w 2 #w. 2 w. C S RF > L E A S N>ƒ P > j œ . ˙ . U# œ I44 œ . œJ ˙œ œ. œ ˙. ˙. & J R E E S P U >ƒ >œ >˙ 4 # œ œ ˙ œ n ww . . E R œ ˙ & 4 n œœ .. J N J LI FO ƒ >œ . >œ >˙ ˙. œ . Nœ ˙ . # œ 4 T J V 4 O JO ƒ Nœ ˙ . >œ >˙ #œ. œ n >œ .. w - ris

pu -

pu - ris - si - ma,

œ œ b œ œ œ 23 # œ .

4 #œ nœ œ 4 œ œ #œ [+ full Sw.] #œ 44 œ n œœ # œœ

œ ˙. J

si - ma!

,

w

> >œœ n ˙˙˙˙ œ J

˙. ˙˙˙ ...

œ

j ˙ œœ n >˙˙˙ >œ

˙˙˙ .. ˙ ..

œ

w

34 34 34 34


7

Maestoso {q = Ç 54}

( ƒ) 3 &4 ˙

61

Ad

ƒ) 3 &4 ˙ (

Ad

ƒ) 3 V4 ˙ (

Ad

(

?3 4

ƒ ˙)

Ad

œ

œ

-

ve - ni,

œ

œ

-

ve - ni,

œ

œ

-

ve - ni,

œ

œ

-

˙

˙.

˙

˙

˙.

˙ ˙

Œ

˙

˙.

˙

˙.

˙

ve - ni,

œ œœœ

Œ Œ

œ

œ

ad

-

ve - ni

flo -

˙

œ

œ

œ

ad

-

ve - ni

˙

œ

œ

ad

-

ve - ni

œ

flo -

ad

-

ve - ni

flo -

œ

˙

Œ

œ œ œ

œ

˙ LY ˙˙ . E N C 3 œ N˙ O œœœ ˙ &4 ˙ .. ˙ ˙ œ œ A ˙ ˙ ˙ ˙ œ œ ˙. ˙. ˙ ˙ E ˙ . M ˙˙ . R R O ?3 4 ˙. O˙ . ˙. ˙. ˙.C ˙. F S ƒ L ER A P S œ ˙ ˙ U œ IN˙ œ ˙ œ œ ˙ œ & #˙ R E E S P ˙ ˙U œ œ ˙ E œ ˙ œ œ ˙ #˙ œ & R N I O L ˙ ˙ œ œ ˙ Fœ ˙ œ œ ˙ N ˙ œ V T O O ˙˙ ˙˙ œœN ˙˙ œ œœ ˙˙ œ œ œ ˙ ˙ ? œœœœ Ï œœœ œ

˙˙˙ .. .

œœ

& 34 ˙˙ .

˙˙˙

˙˙˙

œ

˙

œœ

˙˙ . ƒ

flo -

œ œ

œœ œœ

67

- ri

-

fe

-

ra,

So

-

li

-

fe

-

ra,

Re

-

gi

-

na

lu - cis

- ri

-

fe

-

ra,

So

-

li

-

fe

-

ra,

Re

-

gi

-

na

lu - cis

- ri

-

fe

-

ra,

So

-

li

-

fe

-

ra,

Re

-

gi

-

na

lu - cis

- ri

-

fe

-

ra,

So

-

li

-

fe

-

ra,

Re

-

gi

-

na

lu - cis

œ

œœ

œœœ ˙˙˙˙

œ

˙ ˙œœ. ˙˙

˙˙ & ˙.

œœ

˙˙˙.

œœ

˙˙ ˙.

œœ

˙˙˙.

& ˙˙˙ ˙.

œœœ

˙˙˙˙ .

œœ

˙˙˙˙ .

œœœ

˙˙˙˙ .

?

˙.

˙.

˙.

˙.

421

œ

#˙ ˙˙˙ . ˙.

˙.

?


8 73

& œ.

j œ œ

˙.

can - di - da.

& œ.

j œ œ

˙.

can - di - da.

V œ.

œ œ J

˙.

can - di - da.

? œ.

˙.

œ œ J

?

˙.

79

& ˙ ad

& ˙ ad

V ˙ ad

? ˙

ad

& ˙˙ . ƒ & ˙ ˙. ?

˙.

˙˙ . ˙. ˙.

œœ œ œœ

œ

œ

Ad

-

ve - ni,

˙

œ

œ

Ad

-

ve - ni,

˙

œ

œ

Ad

-

ve - ni,

œ &

œ

œ

˙

can - di - da.

& ˙˙ ˙ ? ˙ ˙

˙

˙ ˙ ˙ ˙

Ad

-

ve - ni,

˙˙ .

œœ

˙˙˙ .. .

˙˙ .

œœ

˙˙˙ .. .

˙.

˙

Œ

˙.

˙

Œ

˙.

˙

Œ

˙.

˙

œœœ œ œ œ œ œœœ œœ ˙˙ Y ˙ L E Ï N C œ œ N O œ œ œ Eœœœ ˙˙˙ A œ œœœ

R RM O O˙ . ˙. ˙. C ˙. S RF L E A P S œ ˙ œ œ œ œ œ ˙ U œ IN˙ R E E S P ˙U œ œ ˙ œ ˙ œ œ œ E R œ IN O L œ ˙ œ ˙ œ œN œ œ F œ ˙ T O O œœ ˙˙ œ ˙˙ œœ œ N œ œ œ ˙˙ -

-

ve - ni

ve - ni

mes - si

mes - si

-

-

fe

- ra,

fe

Ni - vi

- ra,

Œ

Ni - vi

-

-

fe

fe

œ œœœ œœœ œ

˙.

˙

œ

- ra,

Re -

˙

œ

- ra,

Re -

˙

œ

-

ve - ni

mes - si

-

fe

- ra,

Ni - vi

-

fe

- ra,

Re -

-

ve - ni

mes - si

-

fe

- ra,

Ni - vi

-

fe

- ra,

Re -

œœ

˙˙ ˙.

œœ

˙˙ ˙.

œœ

˙˙˙.

œœ

˙˙ ˙.

œœ

˙˙˙.

œ

œœ

˙˙ ˙.

œœ

˙˙˙ ˙.

œœœ

˙˙˙˙ .

œœ

˙˙˙˙ .

œœœ

˙˙˙˙ .

œ

œ

œ

œ

œ

œ

œ

œ

œ

œ

œ

œ

422

œ

œ

˙˙

œ

œ

œ


9 85

& #˙ - gi

-

& #˙ - gi

V ˙ - gi

? ˙

- gi

& #˙ &

na

-

œ

œ

œ

œ

˙.

ma - gi

œ

som - nis

na

œ -

œ

som - nis

œ -

œ

œ

œ

œ

som - nis

na

œœ

-

œ

˙. ˙˙ ..

-

som - nis

ma - gi

-

œœœ ˙˙˙˙

˙˙ ..

na

œ

œ

ma - gi

œ

Ad - ve

˙ -

˙

f œ

stra.

˙.

ma - gi

f œ

˙

Ad -

stra.

˙.

stra.

˙˙ ..

#˙ ve F ˙. oh F ˙.

4 4

#œ -

ni,

Ma - ter!

44

w

34

44

w

34

œ ?

# ˙˙ F ˙˙ . .

E R RM O O ? œ œ œ 44 ∑ ˙. ˙. ˙. C S RF L E A S NP U3 I & 34 œ .. œr # œ 44 # ˙ . R œ 4E˙ #œ #œ n˙ ˙. E S P U 4 3 3 & 4 # œ .. œr # œ N 4 En ˙ . R œ 4 # ˙ #œ nœ b˙ ˙. LI FO N T44 34 V 34 ˙ . O w ˙. ˙. ˙. O N ˙˙˙ .

œ

Ad -

4 Y # œœ 4 L # # œœ # ˙˙E œ N C O 44 AwwN

Gt.

˙˙

˙˙˙ .. .

˙˙˙ .. .

nos!

- ve - ni ad

?3 4 ˙.

nos!

Ad

44 w

? 3 ˙. 4 ˙.

œ

44 w w ∑

44

-

-

ve

ve

-

-

34 ˙.

44 œ #œ # # ˙˙ ..

& 34 # ˙˙

?3 4

Ad

34 # œœ # ˙˙

34

Do - mi

# # œœ b n ˙˙ ˙˙ . .

423

ni,

Do - mi

˙.

34 ˙ . ˙. ∑

ni,

-

-

34 3 4

34

˙.

44

91

- ve - ni ad

3 4

oh

stra.

Sw.

œ˙œ. ˙˙˙

œ

Ma - ter!

ni,

3 4

Ad -

4 4 nœ b˙

#œ -

œ

#œ n˙

na!

4 4

˙.

na!

˙.

44

˙.

˙.

44

˙˙ ..

˙˙ ..

˙˙ . .

˙˙ . . ∑

44 44 ∑

44


10

Lontano; liberamente

q = Ç 60 p 4 ‰ &4 œ

97

j œ œ

p 4 ‰ &4 œ

Ad

p 4 V4 w

-

j œ œ

Ad

-

2 œ œ 4œ œ œ ve - ni,

Sa

?4 4 ?4 4

101

& 44 & 44 V 44

ve - ni,

Sa

24 ˙

-

œ œ b˙.

pi

-

2 4

œ

Œ

4 4

Œ

44

en - ti - a,

-

44 œ œ b˙.

2 4˙

en - ti - a,

24

œ

44 w

24 ˙

44

4 4 w

2 4 ˙

4 4

LY24 E∑ N C N O 24 ˙ 44 w 24 ˙ ww A ˙ w E ˙ R RM 2 4 O 2 ∑ ∑ ∑ ∑ 4 4 4 O C S RF L E A S NP I œ 44 24 U 24 j ‰ ∑ R b œ b œ œ œ œE œ E œ w bœ P US 24 44 24 j E ‰ ∑ œ b œ b œ R œ œ w N œ œ bœ œ LI FO N T 24 44 24 wO ˙ w ˙ O N

& 44

24

44

Do

-

num

Hin - ver

-

na

-

le –

Do

-

num

Hin - ver

-

na

-

le –

?4 4 w

24 ˙

?4 w 4 w ?4 4

pi

2 œ œ 4œ œ œ

p ?4 4 w & 44

-

4 4

24

44 w

24 ˙ ˙ ∑

24

44

24 ˙

44 w w ∑

424

44

24

24 ˙ ˙ ∑

24

44 44 4 4

44 44 44 44 44 44

44


11 105

j œ œ

& 44 ‰ N œ

Con - fir - ma

nos

j œ œ

& 44 ‰ N œ

2 4 œ #œ œ

bœ œ

vi

gi

nos

vi

-

44 #œ

gi

2 4

#˙.

œ

Œ

3 4

Œ

34

lan - tes

-

24 œ #œ œ

bœ œ

Con - fir - ma

-

4 4 #œ

24 œ

#˙.

lan - tes

-

V 44 w

24 ˙

44 w

24 ˙

34

?4 4 w

2 4˙

4 4 w

2 4 ˙

3 4

& 44 ?4 4 ?4 4

109

& 34 & 34 V 34

LY24 E∑ N C N O 24 ˙ 44 w 24 ˙ ww A ˙ w E ˙ R RM 2 4O 2 ∑ ∑ ∑ ∑ 4 4 4 O C S RF L E A S NP U 44 I 24 j ‰ ∑ ∑ R b œ Nœ œ b œ œ Ew Nœ E w bœ P US E24 R 44 j ‰ ∑ ∑ b œ N œ œ N N œ w w bœ b œ œ LI FO N T 24 44 ˙. O ˙ w w w w O N quem

ad - ven - tu

-

rum.

Ad

quem

ad - ven - tu

-

rum.

24 ˙

? 3 ˙. 4 ˙. ?3 4

24

44 w

24 ˙ ˙ ∑

24

44

Ad

?3 4 ˙. & 34

24

44

44

w ∑

∑ ww

425

w

w

44 w w ∑

ww ∑

∑ ww

34 34 3 4


LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

426


LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

427


Eric Whitacre THE CHELSEA CAROL for SATB chorus and organ

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT Chester Music N part of the Music Sales Group

14/15 Berners Street London W1T 3LJ

Exclusive distributors: Music Sales Ltd Newmarket Road Bury St Edmunds Suffolk, IP33 3YB www.musicsalesclassical.com Order No. CH79629

Chester Music

428


Eric Whitacre OCULI OMNIUM for Soprano solo and SATB chorus a cappella

LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

Chester Music

429


About the work : In November, 2010 Dr. David Skinner, conductor of the Chapel choir at Sidney Sussex College, Cambridge University, asked me to compose a setting of the Oculi Omnium. This is the ‘Sidney Grace’, recited at High Table and other campus ceremonies and, as I was serving a three-month term as a Visiting Fellow at Sidney, I was honoured to accept the challenge. The final ‘Amen’ is a direct quotation from my choral work i thank You God for most this amazing day, and the entire piece is based on those blossoming cluster chords. E. E. Cummings’ poem ends with the line, ‘now the eyes of my eyes are opened’– I felt that these words matched perfectly the sense of wonder contained within the Latin text.

Y E L About the composer : N C Born in 1970, Eric Whitacre has become one of the leading voices in contemporary choral N O composition. His concert works are regularly performed throughout the world. A E M R Text O OR CeorumFin tempore opportuno. Oculi omnium ad te spectant, Domine; tu das eis escam S Aperis tu manum tuam, et imples omne animal benedictioneR tua. L Sanctifica nos, quaesumus, per verbum et orationem; E A P benedicito. Istisque tuis donis, quae de tua bonitate sumus percepturi, S Per Jesum Christum Dominum nostrum. Amen. N U I R Ethou givest them their meat in due season. E The eyes of all look toward thee, O Lord; S P every living thing with thy blessing. Thou openest thine hand and fillestU Ethee, through word and prayer; Sanctify us, we beseech N and give thy blessing to theseR gifts, which of thy bounty we are about to receive, I O thyAmen. through JesusL Christ our Lord. N TF The Grace of Sidney Sussex College, Cambridge O O N

Eric Whitacre

Duration c. 3 minutes

A recording of Oculi Omnium is available on Decca Records 2796323

430


IRU'U'DYLG6NLQQHUDQGWKHFKRLURI6LGQH\6XVVH[&ROOHJH&DPEULGJH

OCULI OMNIUM

for Soprano solo and SATB chorus DFDSSHOOD

THE SIDNEY SUSSEX GRACE

ERIC WHITACRE

1 EEEE VHPSUH 5 5 5  B G 5 5 5 )UHHO\( = c.84)

SOPRANO SOLO



DGOLE

ALTO

TENOR

BASS

ad te spec - tant, Do

)UHHO\( = c.84)

E EE  GE 0 Piano

 IRU UHKHDUVDO RQO\

K

 5 B

mi - ne: Y * L EÑÑÑ^ 5 K EEEE VHPSUH 5 5 55 B 5 B 5 C ÑÑÑ_55 N 5 G 5 5 5 N O om -ni -um O - cu - li om - ni - um (- um) E MA R R * K EEEE VHPSUH 5 5 5  O ÑÑÑ^ 5 5 B G ÑÑÑ_ 55 5 5 5 5 5 5 B om5 -ni5-umC FO S O - cu - li om - ni - um (- um) R L E K  A* EEEE VHPSUH P S ÑÑÑ^ G 5 55 55 55 55 55U BB 5IN5 5 ÑÑÑ_ 55 om -ni -um O - cu - li om - niR - um (- um) E E P US  EEEE 0 E R G N i LI FO  NEEE T E 0 2O O N O - cu - li om - ni - um

SOPRANO

5 5 E5 M

E EE GE

5 55 555

 55 555 5555 55 55 55



-

5 5 E5 M

K

 5 B

ÑÑÑ^ ÑÑÑ^ 555 ÑÑÑ^ 5 ÑÑÑ_ 5 ÑÑÑ_ ÑÑÑ_ 5

ÑÑÑ^ BBÑÑÑ^ B ÑÑÑ^ BBBÑÑÑ_ ÑÑÑ_ ÑÑÑ_

* voices enter individually, repeating boxed notes at independent tempi and always legato © 2012 Chester Music Limited This edition not for sale in the USA and Canada

431


2

  1 EEEE 5 B 5 S. 5 solo G 5 5 5

EEEE G S.

A.

EE GEE 2

EE GEE



DGOLE FRPHVRSUD

tu das e - is es - cam

K

5 5 E5 5 5 B

eo - rum in tem - po - re op

 5 B 5 5 5 5 5 B 5 5 5 5 om -ni -um

-

tu das e - is es - cam

por - tu - no.

ÑÑÑ^555 ÑÑÑ_

K

(- um)

K

 5 5 5 B 5 5 5 5 5 5 5 B om5 -ni5-um

ÑÑÑ^ 5 ÑÑÑ_ 55

tu das e - is es - cam

(- um)

 5 55 55 55 55 55 BB 5 5 5

ÑÑÑ^

K

ÑÑÑ_ 55 Y om ni um tu das e - is es - cam L E (- um) C N K 5 EEEE B 5O E5 N5 B G E MA5 R R ÑÑÑ^ EEEE  5 55 BÑÑÑ^ O ÑÑÑ^ ÑÑÑ^ 555 B ÑÑÑ^ 55 55 55 BBÑÑÑ^ O G 5 ÑÑÑ_ ÑÑÑ_ C 5 5 5 5 5 5 B ÑÑÑ_ 55 ÑÑÑ_ 5 5 5 5 5 5 BÑÑÑ_ ÑÑÑ_ S RF L E A S NP U I J R 1 EEEE  E 5 B E 5 G 5S 5 5 E5 P5 Utu ma - num tu - am, A - pe - ris E J EEEE  IN OR 5 5 B 5 5 5 B G 5 5 L E5 F 5 N A - T pe - ris tu ma - num tu am, O O  J EEEE N G 5 55 55 55 55 BB 5 E5 

S. solo

S.

A

A.

EEEE  2G 5 A

E EE GE E EE GE

-

-

pe

E55 pe

-

-

ris

55

ris

tu

55

tu

? 5

E55

555

5555

ma - num

tu

ma - num

55

55

tu

5

55

555

5555

5555

432

55

5555

-

-

am,

BB

am,

BBB BBBB

J


3

 1 EEEE  S. 5 5 5 5 5 5 5 solo G 5 E5 5 5 5 5 5 5



et

S.

a - ni - mal be - ne - dic - ti - o - ne

tu

-

 EEEE  5 5 5 5 5 55 55 G 5 E5 5 5 5 5 5 5

et

im - ples om - ne

a - ni - mal be - ne - dic - ti - o - ne

tu

 EEEE  5 G 5 E5 5 5 5 5 55 55 55 55 55 55 55 55 55

et

A.

im - ples om - ne

B

im - ples om - ne

a - ni - mal be - ne - dic - ti - o - ne

tu

-

-

a.

BB BB

J

a.

Ltu - a.E N C N BB O EEEE = ?M 5 5 5 5E 5 55 A555 B G M R R O E E E G E 5 E55 55 555 555 5555 5555 5555 5555 C5555 5555 F5555O5555 5555 5555 BBBB S R L E A S NP U I R 1 EEEE    E E 5 5 5 5 5 5 5 B G 5 5 5 5 5 S 5 E5 5 5 P U - su - mus, per ver - bum et o - ra - ti - o - nem; Sanc - ti - fi - ca nos, quae E EEEE  IN OR   5 5 5 5 5 55 55 BB L G 5 5 5 5 5 E 5 5 5 F 5 N - ti T - fi - ca now, quae - su - mus, per ver - bum et o - ra - ti - o - nem; OSanc O EEEE  N E5 5 5 5 5 55 55 55 55 55 55 55 55 55 55 BB G im - ples om - ne

J

a.

 EEEE  G 5 BB 2 5 E55 55 55 55 55 55 55 55 55 55 55 55 55 5Y

et

J

J

a - ni - mal be - ne - dic - ti - o - ne





S. solo

S.

J

K

J

K

J

K

J

K

5

Sanc - ti - fi - ca nos, quae - su - mus, per ver - bum et o - ra - ti - o - nem;

A.

EEEE    2G 5 E55 55 55 55 55 55 55 55 55 55 55 55 55 55 55 BB

Sanc - ti - fi - ca nos, quae - su - mus, per ver - bum et o - ra - ti - o - nem;

E EE GE E EE GE

=

4

4M

 5 E55 55 55 555

5 5 5 55 555

BBB

  555 5555 5555 5555 5555 5555 5555 5555 5555 5555 5555

BBBB

4M

5

433

5

K


4

  1 EEEE  5 B 5 S. 5 solo G 5 5 5

EEEE G S.

A.

EE GEE 2

EE GEE

O - cu - li



om - ni - um

Is - tis - que tu - is do - nis, quae de

 5 B 5 5 B 5 5 5 5

om - ni - um

 5 5 5 BB 5 5 5 5 5 5

5 5 5

om - ni - um

 5 55 55 55 55 55 BB

om - ni - um

5 5 5



O - cu - li

om - ni - um



O - cu - li

om - ni - um



5 5 5

LY E N C EEEE 0 N O B G A E M R R EEEE  5 55 BÑÑÑ^ O ÑÑÑ^ B ÑÑÑ^ B 5 5 5 O G ÑÑÑ_ 5 55 555 555 555 555 BBBÑÑÑ_ ÑÑÑ_ SC RF L E A S NP U I K R 1 EEEE  5 5 E5 E E B G 5 P US tu - a bo E- ni -Rta - te su - mus per - cep - tu - ri, be - ne - di - ci - to. EEEE IN O ÑÑÑ^555 K ÑÑÑ_ L G “ N TF (- um) O K EEEE NO ÑÑÑ^ 5 ’ G ÑÑÑ_ 55 O - cu - li

om - ni - um



S. solo

S.

A.

2

EE GEE EE GEE

(- um)

K

(- um)

K

ÑÑÑ^ ÑÑÑ_ 55

B

5

E EÑÑÑ^ ÑÑÑ^ E BBB B G E ÑÑÑ^ ÑÑÑ_ ÑÑÑ_ ÑÑÑ_ BB

5 E5

5

B

ÑÑÑ^ ÑÑÑ^ 55 ÑÑÑ^ ÑÑÑ_ 5555 ÑÑÑ_ ÑÑÑ_ 434


1 EEEE  4 S. solo G 

EEEE G 5

J

S.

Per J

A.

?

Je

Per

5

-

E 55 BM BM

EEEE  G 2 55 EE G E E

E5 5

J

EB

5 5

sum

Chris - tum

EB

5M 5 B 

Je - sum

Chris - tum

E 55MM 55 B  B

55 BBM M

55 BBM M

 55MM 55 BB

? E 55

Do - mi - num.

Chris - tum

5 5 BBMM

EB5

Do - mi - num.

5 5 BBMM

B

Do - mi - num

BBMM

Je - sum

E 55

5

SRFRULW

''



''

 

SRFRULW E 55MM 55 5M 5 B '  B



S.

A.

T.

B.

i



A

-

-

-

E EE  5 55 2 E  5' M A

G

EEEE DWHPSR ' 

EEEE  

5_

-

-

-

-

-

-

-

-

-

-

-

-

' '

^ 5^ 5 _ 5_ 5

5^

^ 5 ^ 5^ 5 !5_ 5_ 5_ ?

* stagger breathing to maintain a continuous sound 435

-

men,

-

men,

 555 ^^^_ 555555 _5 ^ ^ ^5555 ___ 55



B

Y E L  'C 55 BM 55 BM 55MM 55 BN 5 5 BM BM OBB AN'' E R RM DWHPSR O O 1 EEEE   ' C 0 ? G  S RF  - trum. L E  EEEE  ? A 5  55 BBMM P 5 5 G  5 5 5 U5S!5 N A I- - - - - men, R  E E EE  E S GE ? P 5U 5 !5 5 5 5 55  55 BBMM E A - - - - - - men, EEEE  4 IN  R  55 BBMM O G  L 5 BBB ! 5 BM 5 F 5 5 N T 5A - - - - - - - 5- men, O O E EE  5 BM  555 BBBMMM G E N= 5 5 5 555 BBMM EE G E E

S. solo

nos -



  “       

BBMM (no breath)* BM  BBBMMM BM



BBMM BM

 


6

1 EEEE  G ?

5

55 5 5  5 5 5 5 5

5

5 5 5 5 5 5 5



a

-

-

-

-

-

-

BBMM

 

men,

S.

E EE  GE ?

T.

B.

 

LY E N C N O EEEE  A  E  555 BBBMM B  G 4 B 5 5 B M M R R 5 5 5 5 O a - C-O men, S RF L E A P S EEEE  = M 5 B 55 B  555 BBBMMM  G  5 5 5 R5U BIMM N i E - - - - - men, a - ES P U E R N I O L F '' 55 BBMM (no breath) EEEE N T 5 55   5 BM 2 O 5'M O Na - - - - - - - - - men, a

A.

 55 BBMM

E EE  GE  EEEE 

-

-

-

-

^ 5^ 5^ 5_ 5_ 5_ 5

?

5_

-

5^ 5^ 5 _ 5_

5^

?

436

-

men,

^^^_ 555555

BM BMM BBM

 

^ ^ ^555 __555 _

BBMM BM BM



_

5


7

1 EEEE  ? G  

S.

A.

T.

B.

5 B 5 5 E5 5  5 B MM 5 5 5

=

E EE  GE ?

a

=

EE G E E  ?

a

EE G E E  = i

-

-

-

-

5 5 E55 5 5 5 a

5

-

-

-

-

B 5 5 5 BB -

5 555 5 BBBMMM 5 5

-

-

men,

-

men,

-

men, (no breath)

 55 EBBMM

-

-

-

-

-

-

’

 5 BM 55 BBM  555 BBBMMM

men, Y L5 BEM(no breath) EEEE  5 '  CM N ' 2 5' M 5 5 O A55N BBM a - men, E M RE5^ R5^  E^^^ 555 EBBM EE O G E E  ? 5 _ 5_ ^ BBMMM _ 5555 5_ 5_ C O S RF ^ BM ^ 5^ ^ ^5555 EEEE  5_ 5^ 5 BM  ? L _ 55 E _ 5_ 5_ BM _ A P S N U I    R  1 EEEE E 55 BBMSE 4 BBMM 0 G M M P U EBBM 55 '' E a men, a men. R N   E  E E I 0 G E 4 L BBM FO 55 BBM BBMM 55 ' M N TM ' O Oa - - men, a men.     EEEE N ' ' ' B B ' G a

-

-

-

men, 

-

-

-

-

-

-



S.

A.

T.

B.

i

a 

-

EE GEE

a

-

4

EEEE

' ' '

BM BBMM BM

E EE ' 2 E '

-

' '

' ' '

-

a

-

' '

men,

5 55 5

a 

BM BBMM BM

0 ' ' ' 437

-

-

B B E BBBMM B MM B B B

-

men.

-

B B

men.

B B B

555 5

 ' ' 

' '' '  ' ' '

“

Cambridge, November 2010


LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

438


LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

439


LY E N C O AN E R RM O O C S RF L E A S NP U I R E E S P U E R N LI FO N O OT N

440


Music Sales Choral Binder 2013 Vol. 2