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ISSUU Version for perusal only KIRKE MECHEM

Pride & Prejudice Opera in Two Acts Based on the novel by Jane Austen

piano - vocal score

G. SCHIRMER / New York

ISSUU Version for perusal only Important Notice

Performances of this opera must be licensed by the publisher. All rights of any kind with respect to this work and any parts thereof, including but not limited to stage, radio, television, motion picture, mechanical reproduction, translation, printing, and selling, are strictly reserved. License to perform this work, in whole or in part, whether with instrumental or keyboard accompaniment, must be secured in writing from the Publisher. Terms will be quoted upon request. Copying of either separate parts or the whole of this work, by hand or by any other process, is unlawful and punishable under the provisions of the U.S.A. Copyright Act. The use of any copies, including arrangements and orchestrations, other than those issued by the Publisher, is forbidden.

All inquiries should be directed to the Publisher: G. Schirmer Rental and Performance Department 2 Old Route 17 Chester, NY 10918 tel. (845) 469-4699 fax (845) 469-7544

Performance materials are available on rental from the publisher.

ISSUU Pride &Version Prejudice for perusal only Kirke Mechem

Opera in Two Acts

THE BACKGROUND

“It is a truth universally acknowledged, that a single man in possession of a good fortune, must be in want of a wife.” So begins Jane Austen’s novel, but 21st century audiences may need to be reminded that in Austen’s time, it was also true that a woman with no fortune needed to marry well, as there were few opportunities for her to make a living herself. The Bennets must find husbands for their daughters, who have no dowry. By law, Mr. Bennet’s estate can be inherited only by the nearest male heir, the ridiculously pompous vicar Mr. Collins. We must also remind ourselves that in the England of 200 years ago, social classes were more distinct and immutable than they are today.

THE STORY A wealthy and single young man from London, Charles Bingley, has just moved into the Netherfield estate. At a ball he gives for his neighbors, Mrs. Bennet is overjoyed to see that Bingley is attracted to her eldest daughter, Jane. But her second daughter, the witty and independent Elizabeth, is slighted by Bingley’s even wealthier friend, the proud and aristocratic Darcy. The spirited courtship between Darcy and Elizabeth — who at first cannot abide one another — is the main story of the opera. They not only misjudge each other, but are both victims of their own pride and prejudices. Only after much sparring and indignant misunderstandings do they come to recognize their true feelings, and can forgive themselves and each other. ACT I Scene 1: Netherfield mansion, early spring Scene 2: Longbourn, drawing room & garden, two weeks later Scene 3: The same, several weeks later ACT II Scene 1: Rosings, garden and park, two months later: July Scene 2: Longbourn, drawing room and garden, one week later Scene 3: The same, one month later Scene 4: The same, six weeks later: mid-September

Duration

17’ 19 32 17 11 11 18

TOTAL 2 hours, 5 min.

iii

ISSUU Version for perusal only CHARACTERS (in Jane Austen’s own words)

ELIZABETH BENNET, mezzo (second daughter of Mr. and Mrs. Bennet): Although not so handsome as her older sister, her face was rendered uncommonly intelligent by the beautiful expression of her dark eyes. She had a lively, playful disposition, which delighted in anything ridiculous, with more quickness of observation and less pliancy of temper than her sister, Jane. There was a mixture of sweetness and archness in her manner which made it difficult for her to affront anybody. MR. DARCY, baritone (friend of Mr. Bingley): Possessed of a fine tall person, handsome features, noble mien — and ten thousand a year from a large estate in Derbyshire. Clever and haughty, reserved and fastidious. JANE BENNET, soprano (eldest daughter of Mr. and Mrs. Bennet): She unites with a great strength of feeling a composure of temper and a uniform cheerfulness of manner. MR. BINGLEY, tenor: Just what a young man ought to be: handsome, sensible and goodhumored. Lively with happy manners, ease and perfect good breeding. MRS. BENNET, high soprano: A woman of mean understanding, little information and uncertain temper. The business of her life was to get her daughters married; its solace was visiting and news. MR. BENNET, bass: An odd mixture of quick parts, sarcastic humor, reserve and caprice. Fond of the country and of books. MR. COLLINS, bass-baritone: A clergyman. His air was grave and stately, and his manners very formal. A mixture of pride and obsequiousness, self-importance and servility. LADY CATHERINE DE BOURGH, contralto: Darcy’s aunt and patroness of Mr. Collins. A tall, large woman, with strongly marked features, which might once have been handsome. Her air was not conciliating. Whatever she said was spoken in so authoritative a tone as marked her self-importance. LYDIA, soprano (youngest daughter of Mr. and Mrs. Bennet): A well-grown girl of fifteen, with a fine complexion and a good-humored countenance — a favorite with her mother, whose affection has brought her into public at an early age. MR. WICKHAM, baritone (an officer in the militia): Endowed with all the best parts of beauty — a fine countenance, a good figure, and a very pleasing address. As false and deceitful as he is insinuating. CHARLOTTE LUCAS, soprano: Elizabeth’s intimate friend. A sensible, intelligent young woman, about 27. MISS BINGLEY, mezzo: Sister of Mr. Bingley. A very fine lady, but proud and conceited.

ORCHESTRATION

2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, 1 trombone (tenor-bass), Timpani, 1 other percussion, harp, strings.

CHORUS

SATB in first and last scenes; TB at end of Act I, Scene 2 iv

ISSUU Version for perusal only PREFACE TO THE OPERA

“AN OPERA on Pride and Prejudice?” I’ve been asked. “After all the films, plays and books, who needs an operatic version?” I can answer this question only with a more difficult question: “Why has no one ever written an opera on Pride and Prejudice before?” It is the most beloved novel in the English language; it has strong and varied characters, humor, opportunities for dancing, for ensembles and scenic beauty, and above all, it is built around one of the most fascinating love stories of all time. These are the hallmarks of opera. While films have the technique to open up action in ways the stage cannot, opera can more powerfully convey the passions and nuances of human emotions. The language of love is music. Why then, for two centuries, was Pride and Prejudice overlooked by opera composers? Could it be because the soprano doesn’t die? In 19th century opera that seems to have been obligatory, except for comic operas, which Pride and Prejudice could never have become. In spite of its frequent irony the book has important scenes of anguish and even anger. As Somerset Maugham observed in naming Pride and Prejudice one of the world’s ten greatest novels, Austen “had too much common sense and too sprightly a humor to be a romantic.” But what about 20th century English composers? Benjamin Britten, the greatest and most prolific, was interested mainly in the uncommon. Austen was not interested in the uncommon, but in the common, according to Maugham. “She made it uncommon by the keenness of her observation, her irony and her playful wit.” For American composers, opera — except for Porgy and Bess — was relatively unimportant until the latter half of the 20th century. After Menotti’s post-Puccini period, our composers concentrated on American subjects and idioms. The last quarter of the century saw the rise of what one critic called “CNN operas.” A 200-year-old British love story hardly seemed relevant to American composers and impresarios of that mind-set. But I agree with Anna Quindlen: “Jane Austen wrote not of war and peace, but of men, money, and marriage, the battlefield for women of her day and, surely, of our own.” Another reason 20th century composers ignored Pride and Prejudice probably had to do with musical style. Austen’s novels are so rooted in their time and place, it is hard to imagine them being sung to atonal or dissonant tonal music. I did not consider this a problem, as I have always tried to respect not only the words themselves but the style in which the original works were written. That is not to say that I have limited myself in this opera to the musical styles of the early 19th century (the novel was published in 1813). While I have imitated certain stylistic characteristics of the period, particularly in the dances, I was writing to engage a 21st century opera audience, which is just another way of saying that I was trying to compose inventive and expressive music that I would like to hear if I were in the audience.

ISSUU Version for perusal only

As one would expect, the music of Pride and Prejudice is tonal and melodic, but because the characters and situations are multifarious, so is the music. Like the novel, the opera changes gradually from comedy to poignant drama. Act I is full of gaiety, irony, humor and flirtation. Act II is deeper in feeling, suspense, and the possibility of tragedy before things get sorted out. It comes close to being a “grand opera.” It uses chorus and dancers and sometimes calls for a split stage, i.e., there is occasionally action in both the house and the garden at the same time. The orchestra, however, is only slightly larger than that of a Mozart or Stravinsky opera. It is not by accident that this is my most lyrical opera. My first three operas are quite different one from another: a satirical comedy (Tartuffe); a historical drama (John Brown); and a comic opera/musical (The Rivals). For my fourth opera I had my heart set on finding a play or novel with a great love story — one which also offered the variety of characters and situations that I always look for. Additionally, I hoped my source would be an American work, preferably from the middlewest where I grew up. But several months’ reading turned up nothing that I thought would make a good opera. Then I happened to see the old 1940 Pride and Prejudice film and a bell rang in my brain. I was not very fond of that adaptation, but it reminded me of how much I loved the book. I immediately read it again and was delighted to find how theatrically Jane Austen set up many of her scenes. (I later learned that her family and friends regularly produced plays at home.) I realized that Pride and Prejudice satisfied all my requirements except for being set in small-town England, not mid-America. I briefly considered transferring the story to America, but quickly realized that would be a great mistake. Can you imagine Darcy as a Kansas cattle baron? To compress 400 pages of words into two hours of music is daunting. The 1995 television version ran over five hours. My project was so formidable, in fact, that I told no one about it until I had written several scenarios, gradually whittling them down to workable size, then trying out several provisional librettos until I thought I had achieved one short enough to leave room for music. And now that the work is finished, I tremble that hard-core Pride and Prejudice fans — there are millions of them — will not forgive me. I apologize in advance for the necessary cuts, the telescoping of scenes and characters and the occasional rearrangement of locales: in the opera there are only three Bennet daughters, not five; scene 1 does not begin at the Bennets’ house nor at the first assembly. In order to get the action moving quickly, we plunge right into the ball at Netherfield. I have tried to arrange all this so that the important words and actions occur in about the same order as in the novel. I use Jane Austen’s own words wherever possible, only making changes necessary for modern comprehension or in the interest of brevity, or for musical reasons. I also put some of the choral passages into verse. (The chorus represents the townspeople and friends of the Bennets.) Finally, I want to assure fans of the novel that I love it as much as they do and have tried my best to remain true to its characters and its story. I sorely regret the cuts I had to make. But please remember: only Wagner could get away with five-hour operas. — K. M.

ISSUU Version for perusal only CONTENTS

ACT I, Scene 1 Opening scene (chorus, Mr. and Mrs. Bennet) 1 Good evening, Mr. Bingley (Bingley, Jane, Mr. and Mrs. Bennet) 16 That is Mr. Bingley’s friend (chorus, Darcy, Miss Bingley) 18 Minuet: Mrs. Bennet, chorus, Charlotte, Eliza, Miss Bingley, Bingley 22 Duet: Come, Darcy (Bingley, Darcy) 33 Poor Eliza! (Charlotte, Mrs. Bennet, Eliza, Lydia) 36 Oh, well, I don’t care (Eliza, SA chorus) 40 Finale: Ladies and gentlemen (Bingley, chorus) 45 Scene 2 Mrs. Bennet, Charlotte, Eliza 51 Duet: You’re in no hurry (Bingley, Darcy) 58 Gavotte I: (Mrs. Bennet, Bingley, Eliza, Darcy, Miss Bingley) 65 Gavotte II: Quartet (Charlotte, Eliza, Darcy, Miss Bingley) 68 Scottish reel (Darcy, Eliza) 72 It seems your wedding . . . (Miss Bingley joins Eliza, Darcy) 75 Variations on a sarabande by Handel (Eliza, Darcy) 85 Ah, what a perfect couple (Mrs. Bennet’s coloratura variation) 89 Finale: A soldier boy, a soldier boy (Lydia, Mrs. Bennet, TB chorus) 94 Scene 3

A lovely garden, Cousin (Collins, Mr. and Mrs. Bennet) 99 Mr. Wickham? Surely he’s too old for Lydia. (Jane, Eliza) 109 La la la la. / Madam, you seem to have recovered. (Mrs. Bennet, Jane, Eliza) 114 Ah, your modesty only adds to your perfection. (Collins proposes to Eliza) 120 Lizzy, go to your father at once! (Mrs. Bennet, Mr. Bennet, Collins, Charlotte) 129 Good morning, Miss Elizabeth. (Wickham, Eliza) 140 Aria: I was his godson (Wickham) 145 Aria: Let it be forgotten (Jane) 153 Finale: Did you hear the news? (Lydia, Mrs. Bennet, Eliza, Jane, Mr. Bennet) 155

ACT II, Scene 1 Cousin Elizabeth, we are almost there (Collins, Eliza, Charlotte) 165 Is your family connected at court? (Lady Catherine, Eliza, Darcy, Charlotte) 172 Duet: Darcy proposes to Eliza 181 Scene 2 Do you like it, Lizzy? (Lydia, Lizzy, Mr. and Mrs. Bennet) 200 Duet: letter scene (Darcy, Eliza) 205 Aria: But what if it is true (Eliza) 214 Scene 3 Duet with projections: Eliza tells Jane about seeing Darcy at Pemberley 219 What is the news, Father? (Eliza, Jane, Mr. Bennet, Mrs. Bennet) 234 Scene 4

I congratulate you, Jane. (Mr. and Mrs. Bennet, Eliza, Jane) 242 Lady Catherine visits Eliza 248 Lizzy, you look as if you’d seen a ghost. (Jane, Eliza) 257 Love duet: Mr. Darcy, I am a selfish creature. (Eliza, Darcy) 260 Finale: Chorus, Eliza, Darcy, Bingley, Jane, Mr. and Mrs. Bingley. 270

vii

Pride and Prejudice

ISSUU Version for perusal only

Kirke Mechem Opus 74

Act I, Scene 1

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f ™ fj j j ‰ j f f f f b f f b f f f f ™ F ff F ‰f f fff ff &b b b f ff F mf dim. espr. f f ™ fj f f f f f F F ? bb b ‰ f j j f bb F F F ff f

{

(The three Bennet daughters enter and greet their friends)

9 Meno mosso

poco rall.

j f f ™ ff ff j j ff f

(Mrs. Bennet tries to draw her husband away for a conﬁdential word.)

nf. f. f. f. nn n 2 bbb ™ fj 3 n f f b Œ Œ & b fff f nf.f f.f f.f f.f 4 nnff ffff n n 4 f.f f.f f.f f.f nff f mf . f. f. f. . ff. ff. ff. n f n f . . . . n f f f 3 f f j ‰n f ff ff ff nn n 2 ? bb b j j ff ff ff ff nf f fj ‰ 4 ‰ J nf bb ff f nn4 ‰ >J > > >

Mrs. B.

(rall.)

2 &4

{

∑

a tempo (q = 100)

∑

2 f. ‰ fj ‰ fj f. & 4 f f. f f . - J J p fff. ff. ? 2 J ‰ J ‰ j ‰ f. ‰ f. J 4

Mrs. B.

& Œ

{

‰ fj f

∑

f. f. f #fj . f f f. . J > . . f. f. f f f. f . . >f

My dear

j ff ‰ Œ f. j f. ‰ Œ

f f f f f bf f ™ f f f f f f f fj ‰

j f & f ‰ Œ f ? b ffJ ‰ Œ

You must in - tro - duce your - self

to Mis - ter Bing - ley

∑

once.

f f f f‰

Mis- ter Ben - net.

Œ Œ

f. f. f. f. mf . fff fff. fff. fff. legato j ‰ f f f

rit.

Oh, what a

j j f f f f f f f ff ff ff ff ff ff ff . . . . mf p espr. f. f. f. f. f f

(rit.) Mrs. B.

Mr. B.

& ?

{

fine

f f f

11 a tempo

∑

ISSUU Version f f f f f f f f ‰ J Œ ∑ ∑ J ‰ Œ for perusal only chance

for our girls.

How so?

Mrs. B.

Mr. B.

Mrs. B.

Mr. B.

think that he may

∑

{

f™ mar

f J

∑

‰

f f f

∑

one

of them.

∑

f f f f ‰ J

j j ‰ j ‰ ‰ f & ff ff ff #ff ff .p . . . mp . . . . ? ff ff ‰ ffJ ‰ ffJ #ffJ ‰

j j f j f. ‰ f ff ‰ f. f J f. . . ff. ff. . # .f nfJ ‰ nfJ ‰ ‰ J

Œ f

j f 42 ‰ f f f f f fJ f

? f™

{

sign

∑

3 4Œ

Non - sense! f f f 3 f 2 Œ J 4 4

∑

f j ‰ j f. #f . f. >f f. . f. f. j . # f f ‰ f j‰ > >f

11 a tempo

. . . . & f f f f

You must know

How can it af - fect them?

j j j j fj ‰ Œ ∑ & fff fff fff #ff ff ff f f f f f f f f. mf . f ? f f f f ‰ J f. f. fj ‰ Œ f f . (rit.)

f™ f

‰ fj f

But it is ver - y

∑

like - ly

fff-

Was that his de -

ff. ff. f . f .

f f f f f J

rall.

∑

that

he may fall in

∑

set - tling here?

12 .j .j j ff ff f f 3 f ‰ Œ f. f. f. f. 2 f. ‰ fj ‰ & f 4f f f f f 4 fJ f. . . . . . . f. f. f. f. pf. mf f . f 3 f f. Œ ff ff ff ff 2 ffJ ‰ fJ ‰ ? f. f. 4 f. . 4

j f f f. -

f f J f f f

rall.

j ‰ f. ‰ f f f f f. J

Mrs. B.

f™

J- J >f

U F F F p

13 a tempo

& fŒ

{

F F F

poco rall.

∑

with one

∑ ∑

f bf f ™ f f f f f f f f f f f f ff

them.

You must in- tro- duce your - self to

Mis- ter Bing-ley

FF FF

so he can ask

FF F

f™ f them to

j & Œ ff ff ff ff ff ‰ Œ . . . . . p. . . . ffff . ? Œ f f f f ffJ ‰ Œ

j j f f f f f f f f f ‰ bff ‰ ff ‰ #ff ‰ f ‰#ff ‰ f ‰ nff nff ‰ f. f. mf p . bf ‰ f ‰ f ‰ f ‰ f ‰ f ‰ ‰ fJ fj ‰ .

f f. J &

‰

dance,

Mr. B.

love,

poco accel.

a piacere

∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏

{

love,

f J

∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏

Mrs. B.

f f f f f f f f f. f. . . . . . . f f f f f f . f. f. . f f#f f. f f ‰ fJ f ™ fj .

ISSUU Version FF FFperusal only jf U fff ™™™ ffor F FF ∑ ∑ F & f f #f FF &

rapturously

? ff

Mrs. B.

U F

rit.

{

‰ fj f f f rit.

Oh, what a

∑

fine

chance…

∑

f. ‰ J

14 a tempo

‰

>f >f

∑

ff ‰ ff f ff J f ff

(cutting her off)

Ver - y well.

j j bFFF j j j b & F fff fff fff fff n ff ff ff fff fff ff ff ‰ ff f f f f f Œ > . . . . p . . . . f f f f nf f f f #fj ? bŒF f ‰ bb FF f #>f rit.

Recit.

14 a tempo

I shall go and assure him he can

Recit.

∑

col canto

∑

Mr. B.

f f f f f ? f f f5 f f f f f5 f f f f f f ‰

ISSUU Version j only for perusal f ∑ & nFF ff ‰ ff .

{

marry which - ev - er one of our girls he choos - es.

p FF

But I

must throw in

ff. J ‰

a good

f™

f J

word

for

∑

Poco meno mosso

Mr. B.

? >f f ™ Œ

{

15 q = 72

Liz- zy.

(Elizabeth, smiling, comes to her father, puts her arm around his waist.)

∑

& Œ

‰ j f™ bf

∑

bf J f™

≈ bf bf bf f bF

p espr.

16 Allegro moderato (q = 100) Mrs. B.

{

∑

(Mrs. Bennet warns her away.)

∑

bf J bf

≈ bf bf f bf bF

∑

bf bf bf

≈ bf bf bF

bf f bf bf

∑ f bf

f bf f f

bf bf bf

bf f bf f f f bfJ ‰ ‰ f f

j bf. f. bf. f. f. bf. bf. f. f. f. f. f. j ‰ bfj & ff bbf.f f. p . f .sub. . . . . . b ff. b ff. b ff ff f j b b f J ‰ J ? bf f bf f ‰ F f Œ

You'll do noth - ing of the

‰ ‰

j bf f. b f b ff bf J . b f. J ‰ bf. ‰ J sort!

She is

Mrs. B.

f f b>f f f F &

Mr. B.

{

so hand - some as

f & J f ?

∑

Mr. B.

Lyd - i - a.

f f

{

FFF F

‰ f f f f‰ Mis - ter Ben - net,

∑

j f #ff. ff. ff. ff. #f. ‰ mf . . . . . b ff ff ff ff b fff ‰ J ‰ 17

j . f ‰ nfJ ‰ f * .

f f ‰ J ‰ J f #f >f f f ‰ just look at

as good

∑

fff. f . f. f. f ff fff fff fff ff . . . . J . .f f. . f. ff. ff. #ff. ff f f J

reg - i- ment.

? f. J

nor

∑

Yes,

? f#f f Œ & Œ

∑

f J f. . ? j ‰ f. ‰ f f. J

∑

f ‰ fj F f f FFF #F

f J fff Œ

na - tured

{

Jane,

f. & J f-

Mrs. B.

ISSUU Version f. f. f. . . . ff f . . . . f f f f. nf. . nf. #f f f f . . f. j‰ n f ‰ b f f f for perusal only f f n f f nf J & . not

. . n f f f f ? f. b f f. f

Mrs. B.

f. ‰ J

Lyd - i - a.

∑

f >f ≈ f #f ™ J

She flirts

with half

‰ Œ

f the

∑

f. f. f. f. f. f.

#f. f f. f. .

‰ fJ f f

f f f f

∑

‰

you take de - light in vex- ing

me.

∑

. f f f f ffff f. ‰ fj ‰ fj ‰ fj ‰ fnfbf f fbf f. f. f. f. #f f. #f. f. f p f .f f. f. f. b f. f. . . f. f f f f f f f bf f bf f ‰ J ‰ J ‰ J ‰ fnfbf f fbf

Mrs. B.

j f f f f F ‰ f f f f &

{

∑ ∑ ISSUU Version for perusal b f f fonly b f f f fb f f f . bf. f. . f. f. bf f ‰ j ‰ j‰ j Œ ‰

You have no com - pas- sion for my nerves.

& f nf ff f. . p . . ? . # ff ‰ ffJ f

Mr. B.

{

∑

bf b>f fbf bf fbf

>f ™™ b f . ? bf J

Mr. B.

>f. f f ?

{

spect for your nerves.

? #f. ‰ J ?

ff ff . . f f . . b nfff f f # f f ‰ J ‰ J Œ

f f. .

. .f f

ffÆ b bf J

ffff

∑

‰ f f f f

I have heard you

j ‰ #f f. f. .

‰

j f j f f f f f f

18 Meno mosso q = ca. 84

>fbf f f nf nf nfj ‰ Œ . bb ff nf . p bb f>f mf > n ffbf nf f nf nf nfj ‰ fJ. ‰ .

f. J ‰

b ff. ff. b bf. f. p

‰& j f. j f. ‰

My dear,

have a high re -

∑

j f- j f. ‰ fj ‰ f. f. J .

f™ f f f f f

f f #f

men - tion them eve - ry

day

these twen - ty

f f. #f. . f. f. #f. f. f.

ff # f . ff. f. f.

ff f f. # ff . f. f.

‰ fJ f f ‰

19 Allegro moderato Mrs. B.

Mr. B.

? F

{

years.

∑

Good Heav - ens!

{

f f ‰ J J ‰

∑

Why yes,

∑

? fJ f

{

f J

Bing - ley

j & f f f p

not

this

‰ f

, U f f Œ

coming!

Œ ∑

f. ff ff ff ff f ‰ J

# ff ff ff ff f. f f. p

rall. f legatof f f f f f ‰ J tell you?

called on Mis - ter

j f Œ ‰ #f f f f f ∑ f f f f mf j ‰ . f ‰ f j ‰ ‰ j f. f J #f. f. She immediately signals for Elizabeth and Jane to join them.)

(Mrs. Bennet's surprise turns to pleasure. She embraces her husband.

(rall.)

j j ‰ f ‰ . f.

f f f J ‰

did

∑

? j ‰ j ‰ f. f.

Mr. B.

f f‰

Mis - ter Bing - ley is

f f f f #f nbff ‰ J b f. f f f f J ‰

19 Allegro moderato

f bf f

ISSUU∑ Version ∑ for perusal. only

j n f & ‰ #f f #f f f f # ff ‰ . . n f f ? ‰ #f #f f #f f J ‰ f

Mr. B.

‰ f f

20 a tempo

morn - ing.

U FF pp U F #F

∑

. . , . . . . f # f. f. f. . . . . f n f. f. f. f f f f f f f f b mf

& ff f fff fff fff fff

f. f. f. f. # f

ffff ffff ffff ffff #fff . . . . nf

{

f. &b J

ff f ‰ f ff f ? & b nfff fff fff fff J f. f. f. f. °

{

ffj f ff f f f f f f f.f f f f f ff. fff f f f f f J *

f. J

j f ff ff ff ff ff ‰ >> f f f f f .f f f f f fff ‰ J J

ISSUU Version for perusal only

approaches, as Jane and Elizabeth join their parents. Mrs. Bennet fusses over their appearance, 21 (Bingley and positions them to best advantage.)

j j j j f f f f & b ‰ fff ‰ fff ‰ fff ‰ fff Œ f. f. f. f. pp ?b F Ff -

{

j j & b fff fff ff ff fff ‰ Œ f f f f n f. ?b F

f ‰ J f

j f & b ff ‰ Œ . fff. b ? J ‰ f b

j ff ff f f

{

j‰ Œ ‰ j‰ j j j f f f f f f f f f f fff fff fff fff ff fff fff ff ff ff f . . espr. nF ff f f f ∑

Œ nF

fff fff fff fff FFF f f f f

F ‰ f °

f f

f f f f

f f

rall. poco a poco j . . ff ‰ f f f f f f f . . . . F f f f f ff fJ ‰ f fJ ‰ f f FFF f F F f f (Bingley arrives and is so overcome by Jane's beauty that he cannot speak. The two stop and look at each other in wonder.)

22 Larghetto q = 48

? b Œ ff F

F #f fF f f j j F F F fF f f pp cresc. poco a poco F F Œ ff F f F F F f una corda

fF bf F

nF nF

Ff nf FF F F F F

#F #F

Mr. B.

{

Good

fj f

p espr.

? b ‰F

{ {

f™

f bf

and our daugh - ters,

f f ? b bFf ™

‰ bf ™

f f f f

?b ‰

& ‹

Bing- ley.

May

pre - sent

fj f

f f J

f f

f ™ #f

tre corde

Bing.

eve - ning, Mis - ter

&b f

Mr. B.

f f f f ISSUU f f f f f f Version ‰ ‰ ≈ f f f f for perusal only f f f bf f f f f f

f J

?b ‰

# #

and

f f f bf

f f f ff ‰

E - liz

F bf f ‰ fJ

#fF f

3 f 3 f f f3 f f f f f f f J 3

I would be

n FF

Jane

hon - ored

FF FF

if Miss

Jane

FF F F

Ben - net

f J

‰

Mrs.

∑

(Bingley bows)

a - beth.

F f f

f f f

f™ f f f

3 f fj f

f f

would dance the min - u -

F #F

with me.

ISSUU Version f Œ f f f f f Œ for perusal only . . . . >

23 Allegro moderato (q = ca. 100)

Mrs. B.

{

tries to pull Jane forward.) # (Mrs. Bennet ∑ ∑

She would be de - light - ed!

# ‰ f f f. f f f. f f f f #f f 23 Allegro moderato (q = ca. 100)

# ff. > ?# f

{

. .f ff

>™ .f# fff ™™ J

# Œ

j ‰ Œ f f. ff. J ‰ Œ

f f f f 43 f

f f f

You are

Mis - ter Bing - ley.

Adagio

(serenely)

ver - y

? # FF

Adagio

?# F F

{

(enthusiastically)

pp col canto

kind,

‰

∑

f J

The

3 FF ™™ 4 3 4 FF ™™

. f. >f f f. f. f. ff. ff. ff. . f f J ff ff ff f f f f. f. f. mp f . f. f. ff. ff. ff. f . f. >f f f . f f J f. f. f.

2 f 3f f U f 4

6 8

U f f f f f 2 f ff 4

hon - or

2 4 fF

mine.

U f

6 6 8

(Jane and Bingley move away to take their places for the dance. Darcy and Miss Bingley walk downstage.)

# 6 Œ™ & 8

24 Vivace (q. = ca. 100)

? # 6 Œ™ 8

fff. fff. fff. fff. fff. fff. ff. ff. ff. ff. ff. ff.

° # &

∑

{

That

is Mis - ter

nff ™™ f™

™ >f

>f ™

° #2 & 4

∑

we hear.

Dar- cy's the name and he's

rich,

we hear.

2 4

∑

# 2 >f ‰3 f f & 4 ‹ rich, we hear.

?# 2 f ‰ f f ¢ 4> rich,

we hear.

∑

ff ™™ b b ff ™™

n ff ™™™ f

‰ f f 68 f ™ 3

rall.

Dar

‰

Dar

‰ f f 68 f ™

Dar

6 f f 8 f™

Mis-ter 3

Mis-ter

>f nf bf f f f 42

‰ f f 68 f ™ 3

Mis-ter

f bb fff

n ff f. f n ff J f ‰ ‰ 42 J j f. f f. f. f ‰ ‰ 42 .

Dar- cy's the name and he's

ff nf fj ff ff ff ‰ ‰ J . p . . b f. f f f f ‰ ‰ bf. >f ™ f. f. f. J Œ

f 2 4

Dar- cy's the name and he's

Mis-ter

#2 & 4

{

rich,

∑

Bing- ley's friend.

f f™ J

Dar- cy's the name and he's

# mff f f f f f J ‰ ‰ & J J J ‹ That is Mis - ter Bing- ley's friend. mf f f f f f f J J J f ‰ ‰ ?# J ¢

∑

>f nf bf f f f b>f

ISSUU Version 2 ∑ ∑ j f™ f> nf bf f f f bf 4 > f for perusal only >f nf f bf f f

# fff ™™™ & f™

> f f fJ #fJ ‰ f J J

ver - y

rall.

bf f fj #fj ‰ nf J J >

bf f fJ n>f J J ‰ ‰

> f f fJ #fJ ‰ ‰ J

ver - y

. f. f. f. f. f. f 3 f j 3 #fff #2 f f f f 6 f f f f f f f f ff f ff ff ff ‰ ‰ 8 & 4 fff . . . . . f cresc. p 3 . 3 . f. bf. f . f f . . 6 ? # 2 f. ‰ n f j 4J fJ ‰ f. f. f. f. ‰ ‰ 8 bff f f Dar

rich,

rich.

ff # fff ff f J J ‰ ‰

ver - y

rich.

f nf f nff ‰ ‰ J J

° #p™ & F

26 Allegretto (q. = 76)

f ™ Œ™ ∑ ∑ ISSUU Version # Œ™ ∑ ∑ & F ™ forf ™ perusal only

∑

hear.

& ‹

∑

{

Œ™

hear.

f™

Œ™

∑

f™

> f f ‰ f™ J f

He's

rich

f ™ nf

than Bing- ley: Ten

He's

rich

than Bing- ley:

f f f ‰ Œ™ J

∑

f f f nf

j f

>f ™

f f nf

Ten

thou - sand a

thou - sand a year,

ten

f ff ‰ ff ‰ ff ‰ ff ‰ ff ‰ fnf ‰ ff ‰ nffff f f f nf f f f. f. f . f f f f. p f f f nff f f f f f ?# f ™ f Jf J f™ f™ f™ f™ f™ ™ f 26 Allegretto (q. = 76)

# ‰

° # & &

∑

# # f f

∑

∑ ∑

Œ™ Œ™

f™ ‰ ‰ fJ ‰ ‰ fJ f ™

He must

f f f f f f f f f f >fJ ‰ ‰ J

& f f ‹ thou-sand a year, ten thou-sand a year for the rest of his life. f f f f f nf f f f f f f nf >f ‰ ‰ ?# f J ¢ J

{

year,

He must

ten thou- sand, ten thou-sand a year for the

# f f & f f f™ ? # ff f f f ™

rest of his life.

j j j ff ‰ ‰ ff ‰ ‰ ff ‰ ‰ ff ™™ nfff f. f™ f. . cresc. mf j j j nf ‰ ‰ ff ‰ ‰ ff ‰ ‰ ff ™™ f f™ nf. f. f.

∑

j f

∑ f. nf. f. f. . . . f. f f f. f f ™™ f

ff ™™

° # nf ™ &

f f f™ J

Œ™

‰ #f f f fj

ISSUU Version j # j f ™ Œ™ ‰ f ∑ ∑ f ™ f f f & for fperusal only #f want

∑

wife.

Have you ev - er

& ‹

want

∑

ff ™™

° # f #f f f & > # f #f

j ™ f f j f™ f

& ‹

{

f f >

∑

no - ble mien.

∑

>f f f . f. >f f f. f f . f f J f. f. f. #>f f f f f

An a - ris - to-crat

no - ble mien.

>f f . . . f . f J f f. f. f. f

Œ™

9 Œ 8

∑

9 Œ 8

∑

9 Œ 8

Œ™

>f f f

#>f f f f f

j f f f f f

9 Œ 8

seen such a hand - some man?

∑

ff f f f f f f™ f ‰ J J J An a - ris - to-crat

#fff f f f ™

seen such a hand - some man?

‰ f f f f f f f f f™ J J J

Have you ev - er

# nf. f. f. f. f. . . f. f. f f f ™ ff & #f f ff ™ ? # f ™™

Œ™

wife.

Œ™

∑

{

sin - gle young man

j f f #f f f

#f f f #f f J A

sin - gle young man

f f f f f J

sin - gle young man

j 6 f 8

with

j 68 f

with

j f 68 f 6 J 8

with

A sin - gle young man with >f f f f f # f #f j f #f 9 6 f f f f ™ f n f & f™ 8 # ff ff ff ff ff <n>fff ffj 8 > . . . . . > ff mf ff ™™™ #ff. ff. ff. . #>ff <#>ff. 6 > 9 f ? # ff ™™ ? f f J 8 & f f f f f 8 J #f

° #6 & 8 f f #f f

nf J

f™

#f f f f f f

ISSUU Version #6 j f #f ™ & 8 f for f f f f #f fonly f f f perusal wealth of

his

own,

must

be,

must

be,

must

# 6 f f #f f & 8 ‹ wealth of his own, wealth of

his

j bf

? # 6 f f #f f ¢ 8

{

f J

must

own,

f #f

must

be,

f f f

must

f #f f f J

must

be,

f J

f™

must

f J

. ff ™™ f f . #ff ™™ fff ™™™ fff #ff fff fff nfff n#fff f. f. f f f ™ . # f. . . . ff f f #f . f. f nf f f ##ff f ? # 6 f f #f f f bf f . f. 8 #f f nf f f wealth of

his

own,

must,

must

be,

f. J

‰ ‰ Œ™

#6 & 8 fff .

° # f™ & # & f™ want

# f™ want

& ‹ want ?# f™

{

want

# fff ™™™ & f™

#f f F ™ 27

wife!

f. f f FF ™™ f. f #f F ™ of

f of

wife!

f ™ J F a

wife!

‰ #ff f f. f. #f ? # f f f f ff #f f f f f

wife!

j ff . f. J f. J

rall. poco a poco

‰ ‰ Œ™ ‰ ‰ Œ™ ‰ ‰ Œ™

∑ ∑ ∑ ∑

rall. poco a poco f f f . f f f # f f f #f f f. #f f f nf nf ‰ f #f f ™ Œ . dim.fpoco a poco F™ f f ‰ # f f f nf nf FF ™ #f ? f #f f ™ f & #f

(The couples take their places to begin the dance.)

{

(rall.)

Œ™

∑

28 Gracefully q = ca. 100 (quasi in 1)

j ff

(The dancing begins.)

mf espr.

## &

f F

∑

j j f f fF f f f#f f f ™ f ™ f f f™ f f f f f f f ‰ f ? ## ‰ f ‰ ff F ™ f F f F™f # &#

Mrs. B.

{

## &

f™

How love

## Œ &

f f f™ Mis - ter

Bing

f f f™ f f™ #f f f

? ## ‰ f f f f F™

## 3 4

f™ f f f f f f f f ™ fJ f F

f Œ ? ## 3 Œ f Œ f Œ f f 4 f f F™ F™ F™ F™

{

f™

MINUET

## 3 & 4 f™

Mrs. B.

U# #f ™ & # 43

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& f f #f f ™ ? # f f #f ™ f

{

f f ?

rit.

f f J

ley's quite

f f J

‰ f f f F™

f™ car

ff ™™ F

f ‰ f f f Œ Œ f F™ F™

f f J

looks!

f f

ff ™™

‰ ff f F™ f

f f J a

ffj f ff

‰ f f f f F™

ly Jane

ried

Œ j f ff

‰ fff F™

F™

way.

ff f f f f f f ff f f f ‰ f F™

∑ Version ∑ ∑ Œ ISSUU f j f F f f f f Œ ‰ ∑ f # f for perusal only

## & f Œ 29

Mrs. B.

° ## & ¢

He's ver - y

## &

{

∑

mp ‰ fj f f f f f

fond

He's ver - y fond of

danc -

ing,

and you

danc -

ing,

and you

f f

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# &#

° ## f &

know what

# &# f

know what

# &# Œ ‹

? ## Œ

{

>f that

f > that f

speaks

f™

mp marcato

? ##

∑

of:

j ff

f™

it's a

They

say

it's a

mp marcato

# F™ & # ‰ #f f f f f f ™ f

say

They

ff J j ff

‰ fj f f ff F

cresc.

cer

cresc.

f™ f™

cer - tain

tain

step

ff fJ f

‰ fj f f F™

cresc.

toward fall

ff J

j ff ‰ ff F™

ff J f

ing in

fall - ing

step toward

Ff ™

f™

f™ f™ f

j ff ff

f ff

Mrs. B.

j f j f ‰ ‰ f #f F f f f f

ISSUU Version ° ## F ™ ∑ ∑ & for perusal only ‹ ## &

anguished

Oh,

can

see,

can

see

but

f f J

f™

one

of my

? ## F ™

{ ¢

## &

love.

∑

love.

f™

n ff

# F &#

{

daugh

f™ mar

ff f

## F & F

ried at

Neth

f n f f ff ™™ f #fF ™™ f f f nf f f ™ #fF f

ters

f f J

? ## #F f f f ff f ‰ fJ f f fff f ‰

Mrs. B.

## f &

{

™ f f f

f f ff ™™™ f ## #ff f f f nf f f & #f f f dance!

? ## ‰ fJ f f

Mis - ter

Bing

‰

f f J

ley's quite

f f f f J

f FF f poco cresc.

#ff

nFF

∑

f f #f f f ‰ f f nf f f ‰ Œ #F

Œ n ff F™

∑

j f #f f Ff nf

j f f f f™

? ## ŒF ™ ff

Mrs. B.

∑

er -

field!

ff fJ f

f f f

f™

Just

look

f f

F F

‰fffff ‰ f f J

rall. poco a poco

car

ff ™™ f™

f f ‰ f f f

f™ f™

ried

f ff J

f f f

j f f

at them

f fj f f f f f f f

F™

way.

f™ f™

f ‰ p

j f f f

f f

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{

dear!

ff f.

#f.

# f f f f f f &# ≈

{

## f & ff ? ## f f

j ‰ f.

I'm sure that she's de - ter - mined jæ 3. . . 3. . f ff fff f f ≈ff ‰ ff ff ff ff ≈ f F ff ff ff f. f. f. ff ff FF . . f ≈ff . f f f. f. f ≈ ‰ . f. f. j f . f.

> fff f f 3

jæ 3. . . 3. . f fff ff f 3 f ‰ ff ≈ ff FF f f f f F

that Mis- ter Bing- ley

≈ f f. ≈ f. f .

f. ≈ f. nf.

> ‰ f f f f f f f™ J

There's La - dy Lu - cas.

## & ff ≈ ff ff ff ff f f f. f. f. ? ## f ≈ f f . f f . # f.

Mrs. B.

f ≈ f f. f. f f. f.

to her family) ## ‰ (conﬁdentially, f f ≈f f f f f‰ Œ & J

{

(Lady Lucas and Charlotte enter)

j ? ## ‰ ffJ Ff f

Mrs. B.

31 Poco meno q = ca. 69

will

mar - ry her daugh - ter,

F™ f

>f f ‰

Char - lotte!

F F f

j‰ f f ≈ f f. f j ‰ . . f.

nn nn

ISSUU Version j ff f f f ‰ fJ ‰ & f f f f f f for perusal only 32

Mrs. B.

{

But

& f ff ? f f

Mrs. B.

{

Char - lotte

≈ ff ff f f. ≈ f f .

f friend,

Liz - zy,

& ‰ ff

{

ff f.

much

too

ff f.

plain.

f b fff

and her moth - er

f. n f.

nf.

f f f f.

‰

j f.

j fæ

may do her

j f ‰ >

worst,

f f f f ‰ fj But

Char - lotte her - self

ff ≈ ff ff f f f.

≈ f f ff f ≈f f f f

has- n't a chance

a- gainst

your best

ff f.

f. f ≈ f f f . ≈ f f f. . . f .

j ‰ f.

she

may

≈ f. bf.

≈f F ff FF

. . . 3. . ff ff ff f 3 f

? f ≈f f ≈ . f. f. f

fff FFF

is the first to ad - mit

& ff ≈ ff ‰F f f FF

ff ff

ff ff ff f. f. f.

She

≈

ff‰ ‰ f f f f f f f

& ff ≈ ff ff f f f. ? f ≈ff . f

Mrs. B.

fff fff . . f. f. Ub b

F™ Jane.

F™ f

F F

Ub j‰ b f f

ffff . . . f. f j ‰ . f. 3

Mrs. B.

(Charlotte Lucas joins the Bennets. Mr. Bennet moves away to a chair at the side and reads a book.)

f f ISSUU Version ‰ fJ f ∑ J bf. ≈ f. . b f ≈ ffor perusal only b f bf f #f f. f f f. & f . f f nf f f f f f ‰ Poco più mosso 33 q = 84

f 3 f F J

(suddenly sweet)

b &b

{

Char - lotte, dear!

. . . . . . . f ff. ff. ff. ff. ff. ff. ? bb j ‰ f f f f f f f 3 3 f.

Mrs. B.

Char.

b f &b b &b

fff. J ‰

see

you!

∑

‰ f f f™ f f (to Charlotte)

It's

nice

fff FFF

∑

‰ fJ f

(to Elizabeth)

∑

No more

j f #f

than yours.

∑

3 f f 3 3 f f b f f ≈ f f ≈ f f f ≈ fbf f ≈ nf ™ #f &b f ‰ f F f f f ™ f. f ff FF mf 3 p 3 . mp . f ff. f 3 j 3 f f f ‰ j ‰ f ‰ #nff f. ? bb fJ ‰ ‰ f f ‰ f J bf J f. nf. f. . . f J . 3 b f.

{

What a

. . . . 3 f p . . . . . . ff ff ff ff ff ff 3 3 j f f ff f f ‰ ‰ f f n f f f. f. . . . f 3 3 .

b &b Œ

{

beau - ti - ful gown!

f™ f f™ f 3

34 Meno mosso (q = 69)

f. J

j # nf j f #f f #f f nf #fJ f fJ f f # f ≈ f f f f f ff ff ff ff ff ff n f # f. 3 . . . . 3 cresc. dim. leggerio . p . ff. 3 # f n f f nn fff # f f j ? bb #f f #f ‰ J ‰ ‰ #fJ ‰ ‰n ff ‰ ## f ≈ f f nf . J #f. . 3 3 3 3 f 3 f. # f. b &b

(They show off, playfully admiring each other.) 3

(Darcy walks by with Miss Bingley on his arm.)

° ## & Œ

f 3f f f 3f f f #3f f #f ‰J J

‰ fJ

CHORUS

Now there's a fine la - dy.

{

## & ff ≈ f F ff ff FF

° ## &

∑ ∑

∑

3 >f 3 f f f ‰

∑

#fff ≈ fff nnfff fff fff fff f f f. f. f. f.

‰#f#fnff. #f. f ≈ f nf. f f . . f. f . . . mf

rall.

> f >f f f f 3

f. ‰ J

What an ar - ro- gant, ar - ro- gant face!

∑

3 ? ## f ™ f >f f J ¢

j f. ‰

>f >F 3 f > f f f f f f ‰

f. J ‰

>f 3 f f f F >

j f. ‰

3 3 What an ar - ro- gant, ar - ro- gant face!

3 f f f fF ™f f f f f ff ff ff f f f f F™ 3

What an ar - ro- gant, ar - ro- gant face!

≈ f f. f. f f. f f FF f . . . ™ f

3 >f 3 f f f ‰

Bing - ley's sis - ter.

## f & ff ≈ fff FFF

‰ f fff f ff > > f >F What an ar - ro- gant, ar - ro- gant face! 3

Œ ‰f J That's ff Œ ‰J f

That's

fff ##fff ≈ ff FF . f fF

#fff ≈ fff fff fff fff . . . #f

## f ™ f >f 3 & J f f ‹ Bing - ley's sis - ter.

{

∑

lace!

‰ #f nf f#f f ≈ f f #f. f. . . . . f .f #f . # f.

lace!

Just look at that

## &

? ##

Just look at that

Now there's a fine la - dy.

& ‹ ? ##

? ##

∑

ISSUU Version # & # Œ ‰ fj f #f f fj f ‰ fj f f f #f fj ‰ Œ . for perusal only ## mf

f. ‰ Œ J

rall.

dim.

ff ff ff ff f ‰ ff f 3

ff 3

f f #f 3

Miss B.

## &

∑

## F ™ &

{

Œ Œ f f f f f f

35 Minuetto (q = 100)

∑

ISSUU Version for perusal only f f f™ f j F

F™

These coun - try peo - ple must

f J

f™

# f f f f f & # f™ f f f F F p f ? ## Œ f Œ f f Œ f Œ f f f F™ F™ F™ F™

Miss B.

## f &

know

{

# & #

how

fas

f f -

tid - i_ous

f™

you

f f J

f™ J f F

you, Dar - cy.

f f

f™

ff J

are.

f If

Œ f f Œ F™ F™

(indicating Bingley and Jane, who are still dancing)

F™ F

f fŒ f f™

bore

35 Minuetto (q = 100)

F™

ly my

j f j f F ™ f f f ‰F f f f f f f f f f f ™ f #f f ™ #f ‰ f f™ f f f mf f ff ff Œ ff ff mp espr.f Œ F F n f f ? ## Œ F™ F™ f f F™ ## &

Miss B.

## f ™ &

broth

{

# & #

F™

ff J

er had

F your

F™

## F ™ f f f f f™ & ‰ #f ? ##

f F™

fine taste.

F™

ff ™™ j ™ ff f

‰ fj f f f f F F™

I fear he's lost his heart

ff f fJ ff FFf ™™

f f J

f f f ‰ f f f ff ‰ f f f ‰ff F F™ F™ p

f™

f nn

al -

ff J

F™ f n f n f ‰f

36 Poco meno mosso q = 76

Miss B.

& f f Œ

° Œ &

read - y.

& Œ

& Œ ‹ ? Œ

{

∑

ISSUU . f Version f. f f f ™ f f Œ ‰ J J ‰ J ‰ f f for perusal j ‰ . ‰ f ™only Œ ‰ f bf f f f f f f . J f

Such

f J

Such

‰

f J

Such

‰

Such

pride!

Such

f. J f. J

con - ceit!

f™

f f

Such

‰

con - ceit!

f™

f f

Such

‰

con - ceit!

Such

con - ceit!

She

f. J f. J

f f

She

‰ ‰

f f

She

36 Poco meno mosso q = 76

∑

≈ff f f f & f ≈ f f f f f ff ≈ f F n f f ff ff ff ff n ff ff ff ff ff ff ff b ff ff FF f . . . . . . . . mp f ? f ≈f f f#f f f f f f f f ≈ f f f f f f f#f f f b f f f f f #f f f f f f

° f™ f f™ & & f™ f f™

noth - ing like

f™ f f & ‹ noth - ing like ? f™ f f ¢ noth - ing like

{

noth - ing like

& ff ≈ f F f ff FF ? f f

f J

j ‰ f f™ f > her broth - er! j f f ™ fj ‰ f > her broth - er! >f f ™ f f J ‰ f

>f f ™ f J ‰

her

broth - er!

her

broth - er!

‰ fJ Such j ‰ f

>f ™ f f f >f ‰ J

f ™ f f f fj ‰ > > Such high and might - y airs! > > ‰ fJ f ™ f f f fJ ‰ Such high and might - y airs! >f > f f f ™ f ‰ J J ‰ f Such

ff ≈ ff ff ff fff fff f f f. f. . .

high

and might - y

ff ≈ f F f ff FF

high

f f f f f f#f f f f f f f ≈ f f fbf f f f ff

and might - y

airs!

f fnf f f f ff

° &

f 3f

f >f f >f f ™ f ‰ Œ J

ISSUU Version j‰ Œ ∑ ∑ f f f f f f f ™ f & > > for perusal only > f f f >f f f f ™ f

J‰ Œ

& ‹ Those two de - serve each oth - er. ? f 3f f >f f #>f f ™ f ‰ Œ J ¢

{

∑

Those two de - serve each oth - er. 3

pochiss. accel.

Those two de - serve each oth - er.

∑

pochiss. accel. f f #f # ff f f # f f f ™ f f f ff ™™ nf #f f f nf #f # ff f f ™ & f f #f #f f FF ™ # F J f FF #f f 3 ff f f ‰ f#f f f f ‰ f ? f # f ## f f ‰ f#f f ‰f #f f f #f

{

f ™™ ## ff ™

f f f f J

37 Minuetto q = 100

Bing.

## & ‹

{

# & #

∑ ∑

ff ff J

f ‰ fj f f F™

? ## ‰ j f f f f f F f

ff ™™ f™

, ,

f ™ fj f F ™

That

f f

is the

(Bingley brings Jane back to her family, then crosses to join Darcy and Miss Bingley.)

Fff ™™™ f™

ff fJ f

f™ f J f

j ff ™™ f f f™ dim. poco a poco f ‰ fj f f ‰ jf f f f F™ F™

‰ fj f f f f F

f F

most

f ™™ ff ™

f f J f

f f

beau - ti - ful

f f

crea - ture

f™ f J f f F

ev - er be -

f ™ fj n f f f f f f f ff ™™ f ff f f F # f f F F F™ mf p (dim.) ? ## ‰ f f f f Œ f Œ f f Œ f Œ nf f Œ f f f f f F F ™ ™ F™ F™ F™ ## &

f ™ fj f

Miss B.

Bing.

## &

## F ™ & ‹ held! ? ## # F & #

{

∑

F™

Yes,

fj f f

# F &#

Bing.

{

## & ff ™™™ nf ? ## ‰

Bing.

## Œ & ‹

{

## F & F

∑

f ff ‰ ff J

f f J

j f f ‰ ff F™ f™

con -

j ff

sid

F FF

but she smiles

Ff ™

dim. poco a poco

sweet,

∑

Œ ‰ fj #f f

I think she's

∑ ∑

(without expression)

## ff ™™ & F

## & ‹

∑

ISSUU Version ∑ ∑ ∑ F f only for fperusal f Œ Œ ∑ ‰ fJ f

f ? ## ‰ fj f f F™

Miss B.

f f J

'ring the

∑

f f

f™

too

ff J

F™ ‰ fJ f f f f™

com

f™ f™

‰ fff ff ‰

f™

j f f f f™

Œ ff n ff F™

j ff

‰ fj f ™

ff ™™ f™

j f f f # ff ™™ f ™

j f #f f ff

Œ n ff F™

∑

f f f F J

pa - ny's de - light

f F fJ f f f f f f ‰ ff

f f f F J

n f f f ™™ f f j f f f #f f ff f nf f f f f #f f The com

f f™

∑

pa - ny.

poco rall.

I nev - er met so man - y pleas ant (Miss Bingley makes a face and goes to join a lady friend.)

f f

F™

much.

F™

‰

ff ff J

ful!

f ff

∑

bbb c

F™

bbb c

(End of Minuet)

girls.

j f ff ff F ™ f dim. poco a poco f ‰ ? ## ‰ f f f f f ‰ f fff f ‰ f f f f f ff f f °

™ FFFF ™™™ F™

bbb c

f b &b b c Œ J ‰ f f Œ ‹ Come, Dar - cy. ? bb c ∑ b

39 Moderato q = ca. 100

Bing.

{

b &b b ‹

∑

h=h

∑

f f. ? bb f Œ C b

{

?b bb

{

Œ fj ‰ F ff FF . Œ j‰ F f. F

Ó Ó

cer - tain - ly

w w w w w

40 Adagio h = ca. 52

∑

f f f f f f f Œ f fff f Œ

∑

You know how

de - test it

F F

f bf f Œ

f™

f F J

FF F F

CF F F F

h=h

F F F F

CF F F F p

quaint-ed with my part - ner.

? bb F b #F

∑

un - less I am ac-

40 Adagio h = ca. 52

f f nf f f f

b &b b F

∑

(with dignity)

shall not.

b &b b w w w ? bb b w w

∑

j j ‰f f‰ Œ ff ff . . pj j ‰ ff f. ‰ Œ .

You must join the next dance.

39 Moderato q = ca. 100

j ? bb c f ‰ Œ b f

f f Œ

ISSUU Version Œ f f ff ∑ ∑ for perusal only

j b f & b b c ff ‰ Œ

Bing.

f f f™ f

FF F FF

F FF FF

such

FF F bF F

F F

#FFF nF F

e - ty

FF F F F

F F

w w

Œ f f f f f F nw w bw w

fear that I'd be

? bb f ™ b

{

bored

to death.

? bb ff ™™ b

f Ff f J f

{

here would be a

F FF

f f f nf Œ f J J ff F

ff f f

Œ ff

Your sis - ter is oc - cu - pied.

F fF

? bb nf ™ fJ f f b

? bb FF b

f f f™ f F

{

gift

{

? bb b

of speak - ing with strang - ers;

FF F F

w F

F™

f w

not

our

Poco meno

kind.

F w

Œ f ff f f I

bFF

F bw F w

#F nF

F #F

F F

f f f3 f Œ

es - peci_al - ly in the coun - try,

do not have the

F F F bF

f nf f f f

Be- sides,

nfF f bfF f Fw

F F

f #w ff ff w F

An - y oth - er wom - an

Œ ‰ fJ F

∑

pun - ish - ment to me.

#F f f

f 3f f f f ™ f ? bb J f Œ f b b &b b F F ?b F bb F

ISSUU Version b ™ fj f ™ fj f ™ fj f nF & b b Ff f for f F F F f F FF FF only perusal F #F F F fF f b & b b nF f F

fF J

where peo - ple are

F F

™ Œ f f f f f f f f fff Ó J J J

b & b b w nf f w f f f w f f f f f F F F pp f f f ?b F f f w f f f f f bb w w FF

FF F F

ver - y con - fined so - ci - e- ty.

FF F F

F F FF

FF F F

Poco più animato 42 h = 63

Bing.

b j f &b b ‰ f f f f Œ ‹ But look a- round you!

{

b &b b ‹ ? bb Œ b

{

b & b b FF F

These girls are

j ‰ nfj ‰ Œ nf nf nf mf

∑

F F

pret - ty.

F F

Ó Ó

on - ly hand - some girl

F bFF p FF

3 nf f f b f c f f Œ & b b nf f f f f ‹ here is one of her sis - ters just be - hind you.

{

un - com - mon - ly

f f f f f f f f f f f f f f fJ. ‰ Ó

rall.

b & b b FF F p ?b F bb F

∑

You were danc - ing with the

? bb F b F

Bing.

f f nf nf f Œ

ISSUU Version j j b j f f b ‰ ‰ Œ Œ FFF & b f for perusal ff ff ‰ Œ nFFFFonly F n ff > ? bb fj ‰ Œ b >f

Bing.

f nf nf f

Œ Œ

in the

j nff ‰ n ff mf j f ‰ f ‰ nfj But

room.

FF F F

j f ‰n nFF nf nF mf j Œ f ‰ #F f #F Œ

Œ f #f nf nf #f f f Œ

j nfj #FF j f #nff ‰ c ff ‰ nff ‰ #F . n f. j‰ c j j nf nf ‰ bf ‰ nF n f. nf bf nF

ff f

let me in - tro - duce you.

f f

nf f

{

(Darcy turns and looks for a moment at Elizabeth, then turns back to Bingley with a bored expression.)

43 poco rit.

? bb b

∑

? bb F b

? bb Œ nF b

f 3f nf f ™ 3f f nF J

nF F

F F

{

but

not

C ŒF F

hand - some e- nough to tempt

F F

me.

hu - mor

to dance with young la - dies

b & b b FFF ™™™ F ™ ?b ™ bb F F™

Poco più mosso 44 q = 60 a piacere

3 Œ bf f3 f f 4

I am in no

3 4 bbbFFF ™™™ bF ™ mfp col canto 3 4 F™ F™

3 >f bfb f >f f3 f Œ

Adagio

∑

j j b f ‰ bff ‰ Œ ? C b f b b ff ff p j ‰ fj ‰ Œ C f f f

3 bpf ™ f afpiacere Ó J f Œ Œ f f bf f F

(teasing)

w FF F F FF F b F n ? bb C f F f f F f w w b ?b C bb F F

F F

bw w

f ff Œ Ó

Poor E - liz - a!

f Œ Ó f

col canto

To be

slight - ed by oth - er men.

(Darcy walks away. Bingley goes upstage. The Bennet women and Charlotte have overheard Darcy.)

b C b & b

{

FFF ™™™ F ™ F™ F™

who have been

tol - 'ra - ble,

? bb bf f ‰ fJ bf 3f f bf f f ‰ f f3 f b J

{

She is

? bb FF b

Char.

f f f f f

ISSUU Version nf f bb #f ™ J ™ J C bf ™ fj f ™ fj F n f b & F F # F f F f . . . perusal .for only . . . ≈ nf f n f # f ≈ f nf f C

∑

b & b b nF F f F f

Adagio h = 52

3 f f f Ó nnn 42

on - ly just

tol - 'ra - ble!

∑

& n n4

2 nnn 4

f f > ISSUU Version ‰ J ‰ f f f f ff f ff ‰ f f f f‰ ffff . f for perusal j . ff. ff. ff. f f f ff-only . 2 f f f . f ‰ f f f f f ff ff ff fff & 4 ffffffff Allegro moderato 45 q = ca. 100

Mrs. B.

2 &4 Œ

{

What a

hor - rid,

f f f f f.f f ffff j ?2 f. ‰ 4

Mrs. B.

& f

{

f f

hand - some e - nough to

j f & f. ‰ p. f ? fJ ‰

Mrs. B.

j ff ‰ . ff. J ‰

& f

‰ fj

∑

you,

{

f. J

what a

‰ f f f f J

f f bf f f

j f.

dance with!

‰

An - oth - er time,

f f bf f j f.f . . . . f. f. f ‰ Œ f ff bf. f. f. f. . . p j f f f ‰ fJ. .

‰

∑

would not dance with

∑

him.

Œ ∑

Not

man!

. . . . . j ‰ fJ ‰ f.

f. ‰ J

‰

hor - rid, dis - a - gree - a - ble

rit.

‰ bf

Liz - zy, if

f. J

∑

were

bf. J

∑

f J

f f f f

(hand on heart)

. f. f f f bff f f & ‰ . f. f. bff. f.f f.f ff bfff ff ff b ff bF . . . . . F f p cresc. . fp . b f b f b f . ? J ‰ . f f f bf bfb f. . f. . bbFF

rit.

may

safe - ly

bF bF F bF

(p)

pro - mise

Mrs. B.

{

a tempo

∑

you,

∑

I'll

nev - er

(rit.)

go and tell your

∑

(She goes to ﬁnd him.)

∑

& f f ‰ fa - ther.

{

j b f bf.f f.f f.f f.f ff ‰ mf bb ff. ff. ff. ff. bff. ‰ Œ J

ff . ff .

I'll

him.

bbff. ff. ff . p f b f. bff. bff.

? F bF

∑

dance with

a tempo

& bF bF

Mrs. B.

‰ bf f f f f J

ISSUU Version j b>f f b f ‰ & f f f b>f Œ for perusal only (rit.)

∑

∑ Œ

‰ fJ

b f f fb f f f #f f f f . f. f. . f. f. f f f #f f f. ‰ f J & f. f. f. f. p bfff fff fff fff n fff ff ff. fff. fff. fff. # fff. b f b f b n ? f. f. f. J ‰ J ‰

f™ f f f f f f f f &

{

find a dash - ing

∑

f. nff ‰ Œ J n f. f ‰ Œ J

f f f f

∑

. . n ff ff ff f. f. . f f ff f. f. . f. f. f f f f ff ‰ f. b f. b f. . f pp f. . f b f F f f f f f bbff. f. f. f. F f .

cap - tain, Liz- zy, who's not puffed up with pride.

ISSUU Version ‰ fj f #f perusal only j ‰ for j j j j Œ ∑ & f f f f & ‰ fJ f f f f f f f #f 47 Poco meno q = 72

Char.

{

Per - haps Mis - ter

Dar - cy has

. ? ffJ ‰ Œ

Char.

& #f

{

for -

tune,

eve - ry - thing in his

48 Allegro moderato

∑

{

proud.

#ff f p j f.

f f f f f fJ f ™

? #fj ‰ #f. ‰ f. ‰ f J . J

Char.

∑

j ff nfff fff #fff fff f

& #fj f # ff ff

a right

f J ∑

f™

f ‰ Œ J ffj b FFF ff F

pride

fF f F

f bFf f J bf mf

Moderato q = 76

crime.

.j bf ‰

j f. ‰ Œ f. ‰ Œ J

Œ F F

bbFF pp

nat - u- ral,

bFFf f fF

Œ F bF F bF

.j bf ‰

Œ F bF F bF

∑ f

his

could for - give

fj

ff f ‰

f f ™ bf f J

bf(mocking Darcy) f f f bf

Moderato q = 76 fj

'ly,

∑

48 Allegro moderato

. . & ‰ bf f f. f. f. p fff. fff. b ? f. f.

ffj ff ff ff

fam

ff ff #ff ff f f #f f ‰ f. ‰ fj ‰ fJ. J .

fj f fj bFf J bf F

‰ bf

not

fa - vor,

With

fj

.j bf ‰

& F

{

pride,

had

# fj

? bF bF

U bf-

& Œ

{

F F

not

F F

‰ fJ fj ‰ Œ

j U f ‰ Œ f.

j ‰ f ‰ fj >f f J

Oh, well,

don't

& F

° f j‰ f ‰ f & J J >f

don't

care, no

j‰ ‰ j & f ¢ f f

care, no

f J I

{

don't

care,

f. j f.

f. > . f. p cresc. j c j ‰ f. ‰ fj >f f. .

f ‰ f f f f f f J don't.

What's a hand - some man to

. f n f fj f ff. ‰ f ff ff ff fff fJ . . p fff. f f J ‰ Œ . f. f. .

f f f f f f F

What's a hand - some man to

me?

don't. What's a hand - some man to

me?

don't. What's a hand - some man to

f> f fj ‰ f f f f f f F

j j fj f & ff ‰ ff.f ‰ ff ‰ Œ . . f. ff. ff. ? J ‰ J ‰ J ‰ Œ I

mine!

f j ‰ f f f f f #f F J f

me?

(They all laugh.)

mor - ti - fied

j ‰ fj ‰ fj ‰ Œ ‰ Œ & f f f j f.f f. f. . f. . . f p . f. ff. fff. f p f f ? f. f. f. f. J ‰ J ‰ J ‰ Œ f. f j ‰ > f >

49 Moderato q = ca. 100

cF Œ Ó f #f f f ISSUU Version . . Œ f f j ‰ U for perusal only c j ‰ j ‰ j Œ F F f & FF j #FF FF ff f f rit.

(mock tragic)

# fj

f ‰ J j f ‰ j‰ f

Œ Œ Œ

. j ‰ fff fff. fff. ‰ ‰ #ffj ‰ f. f. f. f f . . f. f f f f f.f f J . . . > > . f . . f ff. ff ff fJ >f >f f. f. f. f. f. . >f ‰ ‰ f f J ‰ f f . . . J f me?

& Ó

° &

(And

a - gree,

‰ j f

. f. f. . f. . f f f J ‰ f ? ‰ f. J ‰ f™ J f J f f . . j f. f. f. f. f. f. f. f. j ‰ fj ‰ j >f f f. . f. .

legato cresc.

∑

& ° & f™ ¢& f ™

{

some,

(And

∑

‰ j f p j ? j ‰ fj ‰ j >f f f. . . >f

is hand

∑

& Ó

(And

¢&

{

>f ISSUU Version j f™ f f Œ ‰ j f™ Œ f J J ™ f f for perusal only Ó Œ ‰ j ∑ ∑ f

>f J f™

f f

he is hand - some, I

a- gree.)

#f ™ ‰ fj But

f f f #f

∑

j j f> f ™ f ff f f ff f is hand - some, he is hand - some, I a- gree.)

∑

is hand -

j f

legato cresc.

ff f

some, he is hand - some, I

legato cresc.

. . f. ff. . . f f f fJ ‰ f. J ‰ J mf j f. f. ‰ ? j ‰ fj ‰ j >f f f . f. . . . ? f f.

f ff f

f J

would

a- gree.)

51 . . f . f f f ff. ff. f. . . ? f ff ff f ‰ J ‰& ‰ #f. ff ff f f f . . f. . . f j j ‰ fj ‰ fj >f f. f. f. ‰ f. f . J J f. . .

>f ™ ISSUU Version j f f ∑ ‰ Œ Ó & f™ J #>f J for perusal >f ™ ° #f ™ only f j Œ ‰ f ∑ ™ & J f #f be

hol

low

¢&

∑

{

‰ fJ

in - stead

j‰ ‰ j & # f ¢ > f f

{

mate;

f ? #f ‰ J

? j >f f

in - stead

f f f

f f™ f

lov - ing, he'd

f f™ f

lov - ing, he'd

f f ™ #f

j f f™

‰ #fj f ™

would

#>f ™

lov - ing, he'd

hol

j f™ f >

low

j f

f f J J ‰ Œ

hol

low

>f ™

"tol

>f ™

"tol

f f ‰ Œ J J

er - ate."

j f fj ‰ Œ

#f f f f f f f f f ‰ J f f f J ‰ Œ of

ff f f f ff f f #f f f ‰ f J p f ‰ f ‰ #f f nf j ‰ j ‰ #f fJ f nf J

But he

° & #fj ‰ ‰ nfj f > mate;

would

# ff f f f f #ff f ‰ Œ J ‰ J p j ? stacc. f f f #f f f j ‰ #f ‰ ff ‰ f f J

& Œ

f J

But he

. ? f f.

mate;

‰ ff mf

Fa la

er - ate."

nf. f. f . ff . . f p j j j > f f f f f f f f f f f j ‰ fj ‰ f. ‰ fj f f. > >f 52

&‰

ISSUU Version f ‰ fj ‰ f ™ f ∑ ∑ & J J ° j Œ ∑ ‰ f f fj ‰perusal ‰ f f f f f f fonly & f ‰ for Give

la,

fa la la,

j ¢& ‰ f f f ‰ mf

{

Fa la la,

fa la

‰ f f fj ‰

° & ¢&

{

leave

free!

∑

‰ ff

la.

f f f

fa la la

la.

>f f f™ ‰ J

f ‰ j ‰ f ‰ j ‰ f ‰ f ‰ f™ J f J f J J

love

leave

j ‰ fj ‰ fj ‰ fj ‰ f ™ f

Give

∑

Leave me be!

love

j j fff ‰ ffj ‰ fff ff ffj f. . . > . cresc. poco a poco p f. f. f. f. j ‰ f. ‰ f. >f f. f. f j ‰ f. J J J > f >

∑

Give

∑

f f f ™ f. f. f™ J ‰ Œ

fa la la,

. f. f. f. f f f f. f f f. & f. . . ? fj ‰ f. ‰ f. >f f. J . J J

f‰ f‰ F & J J

love

leave

mp j j f ‰ f ‰ ‰ f‰ ‰f J J mp

‰ Ó

be!

j #f f ™ me be!

don't

care.

‰ fJ Œ

Just

No!

‰ Ó

‰ fj Œ f

No!

53 . > j j .f j fj . . j ff ‰ f ‰ f ‰ j ‰ fffff ff fff ‰ Œ j ‰ fj ‰ f ‰ fj f f ‰ ‰ #fJ J & f ff f.f ff f.f f ff f.f ff J nff f ff f f . . . > J J sf pp stacc. f ff (cresc.) . f. f f f f f f . f > . . . f f j . f. f. ? f. f f fJ J ‰J‰ f‰J j f ‰ fJ ‰ f. f f. f ‰ j f . J J . f >f f. >f >

> ISSUUfj ‰ Version f ‰ fj ‰ fJ ‰ f f f f f fJ ‰ J J J for ° Ó j j ‰ j ‰ j ‰ only j ‰ j ‰ >f fj f f perusal ‰ ‰ f & f f f f J f f j j & f ‰ fJ ‰ f ‰ ‰ fJ > give

love.

For

cresc. poco a poco

what's

Yes!

For

Yes!

For

hand - some

man, what

{

what's

hand - some

cresc. poco a poco

what's

hand - some

j ‰ fj ‰ f f ‰ fj j ‰ fj ‰ fj ‰ f ‰ f & ff f f ff f f f f J sf p cresc. poco a poco f ff ff ff ff ff ff ff ff ? J ‰ J ‰ ‰ J J ‰ J ‰ J ‰ fJ ‰

f™

f >f ™ J

f f™ J

f >F J

me love

me free!

54 ritenuto E.

° f f & Give

give

¢& f f f

{

give

love

f f > love or

ff ™ fj ff ™ fj & f f ff - ff - ? ff f ff ff 54 ritenuto

leave

to me?

cresc. poco a poco

‰ fj ‰ j j ‰ j ‰ j ‰ fj ‰ f f f f

¢& Ó

rall.

leave me

f f

leave me

he?

to me?

j ‰ j f f f f

> j f f fj f ff f ff f f J > j J j f f f f f f f f f f J J

U Œ

f f f f f f

U Œ

What's a hand - some man to

lunga

U Œ

What's a hand - some man to

lunga

f f f f f f

What's a hand - some man to

rall.

man, what

a tempo

be!

ff ™ fj FF f f ŒF - f- ffff f

j f f

what

lunga

be!

F >

man,

ff-

w w w w w w w w

ff ff fj f f. f. ff. p sf j f. ‰ f f ‰ J . f. * a tempo

U Œ

lunga

ff fj f fff f. ff. . f . f f . .

ISSUU Version f. ‰ Œ ∑ J for∑ perusal∑ only Ó

55 Poco meno q = ca. 92

& F

me?

Bing.

& ‹ ° & F

j f. ‰

me?

¢& F

{

j f. ‰

me?

∑

3 Œ f f f

a piacere

∑

55 Poco meno q = ca. 92

. 3. . . . 3. . . . 3. . j Œ ‰ ff ff ff ff f f f f 3 ff f- f. f. f. F w f f f f f f f f f f f fffF & w w f f f f. ff ff. ff. ff. f ff f mf 3 f 3 f. f. f. f. . F ? f f J f. f f f f f f f f . . . . . f. bf. f. . . . >f f >

f fff Ó & ‹ gen- tle - men,

Bing.

{

& Ó ? Ó

™ Œ ff ™ ff FFF ™™™

ff ™™ ff FF ™™ Œ mf

La - dies and

ff ‰ J f ‰ J

col canto

f f™ f f f™ f F

Œ f f f fff

wel - come to Neth - er - field Hall!

From the bot - tom of my

Œ Œ

FF F F F

a piacere

Œ ff ™™ ff #w w mf ™ ff ™ ff w w Œ

col canto

Bing.

& #F ‹ heart, ° & &

& ‹ ?

{

& FF F ? F

Œ f

f f f™ f 3 f f Œ J 4

56 A tempo (q = ca. 92)

thank you

all

for

com - ing.

{

3 4Œ Œ f

Hur

∑

F FF

Ó p

Œ Œ

F F

∑

Hur

3 4Œ Œ

> 4 bf f f f f f 4

Œ Œ

cresc. f f f ‰

‰ f f f

who

wel

who

wel

cresc.

> ‰ f f f f

f. ‰ fj ff ff ‰ . J f. f. f ‰ f ‰ J J

rah for our new- est neigh - bor!

56 A tempo (q = ca. 92)

rah for our new- est neigh - bor!

3 ff Œ ff. ff. ff. 4 bffj ‰ f ff4 f 4f > . f. f. > ff f f 3 f Œ f ff ff 4 bf ‰ 4 4 bfJ Hur

mf cresc.

> ‰ f f f f It

∑

rah for our new- est neigh - bor!

f f f >f rah for our new- est neigh - bor! 4 >f f f f f f f 4

& ‹ ?

Hur

& Ó

∑

ISSUU Version 3Œ Œ f 4 >f f f f bf f f ∑ ∑ 4 4 for perusal only 3 4 f f ∑ ∑ f 4Œ Œ 4

° Ó &

4 4

is we

mf cresc.

who

> f f J -

f >f J

wel

come

f J f J

come

It is we who wel come f. f. f. f. . . . . ffff . . . . f f ffff ‰ ff ff ‰ f f & 3 J 3 3 p f mf . 3. . . . 3. . . . 3. . . ‰ ? f f ‰ f f ‰ f f ‰ f f ? ‰ ffff j ‰ & F™ ffff n f f f ff F™ Œ

° ff ™ &

f F J

you

to - day.

‰ fj f

We're glad

that you chose

you

to - day.

We're glad

that you chose

Bing.

{

to -

‰ J

f bf ‰ J

f f f

We're glad

that you chose

f f

here,

? Œ

∑

ff ff ff

‰ ff f

ver - y much

and we hope

here,

‰ ff f

ver - y much

here,

‰ ff f

ver - y much

and we hope

here,

fff ff

and we hope

come

& Œ

ff ‰ f f ff

F & ‹ come ? F

{

day.

∑

come

Poco meno mosso

& F

We're glad that you chose to .f f. . f. f. . . . ff ff ff f ff b ff f ff. ff. ff. 57 ff ™™ f j f f f f bf f f f f . f fbf f f. f f f f f & f ™ ff #fff ‰ ‰ f f. . f. J p f f # f. n f. f. b f. f. f. . n ff. j f . j ? f f f f ‰ ‰ J ‰ ‰ f f f bf. nf. . . #f. f. f f f fJ you

& ‹ ° F &

& ‹ you to - day. f ? f f f F

come

ISSUU Version Ó Œ ‰ fj f & f ™ fJ F f f f for perusal only # F f f f f f f f f f

f f

Œ Œ

and we hope

fff

‰

f f ff f ffff

f. f. . . . . f f f f. f J

ff . ‰ .j f f F f f F F

ver - y much

. . f #f

>F ff ff

(looking at Jane) espr. From what

unis.

that you'll

stay.

I've

f f >F that you'll stay. > f f w f f unis.w f f >

that you'll

stay.

that you'll

stay.

f. ‰ J ‰

.f Poco meno mosso ff ‰ Œ fj f fj ff ff ff J

. . f. #f. f. f fJ ‰ f

mf espr.

Bing.

f™

& ‹ seen ° &

to- night,

could take

a -

f ‰ Œ J

way!

mf dolce

Noth - ing

shall take him

shall take

him

f f J

mf dolce

∑

rall. fj f Fw f f f f f f f Fw & ‰ J F

fj FF F p

F j & ‰ #f f ™ f ‹ And now, en- joy ° Ó & #F (rall.)

∑

#f f

ffj f f f

shall take

him

j #ff fj f # ff ff

j #ff f

Noth - ing

w w w Œ

en - joy

∑

your - selves.

Young and old,

∑

{

∑

? f™ F

#fj

f f f # ff ff f # ff ff ff # ff #FFF espr.

a -

f #f #f Œ J f f . f fJ #w . f . . accel. poco a poco f f f #f #f f f f f f Œ

& #ff #ff fff f

a -

∑

(rall.)

f J

a -

f f J

#f f J

∑

way!

shall take him

& F ‹ way! ? ¢ F

a -

Noth - ing

mf dolce

F F

f #fJ f J

& F

way!

noth - ing

∑

way!

f f F

Noth - ing

f™ ? FF

Bing.

‰

f f J

ISSUU Version j f f #fJ f #f ∑ ∑ f J J for perusal only f f #fj f ∑ ∑ f

& ‹ ?

{ ¢

fdolcef J

mf dolce

f J f™

rall.

#f f f #f f f F F

ff f f fj ‰ Ó . nf. f. #f. p # ff. n ff. ff. f. mpf. . f f f J ‰ & accel. poco a poco

ISSUU Version U F #f f f f f f #f f Œ ‰ ‰ fj ## 68 Œ ‰ J for perusal only f. f. # f. . . . U ff Vivace q. = ca. 112

(accel.)

Bing.

& Ó ‹

{

tim - id and bold,

ff. ff. #f. ff. ‰ Œ f & J

& #ff ff#ff fj ‰ f . . . # f. . mf

## 659f f f J Bing. & 8 ‹ young and old, ° ## 6 ∑ S. & 8 A.

## 6 & 8

# 6 & #8 ‹ ? ## 6 8 ¢

{

∑ ∑ ∑

Let

eve - ry - one

#f f. f. f. f f F Ó . . f# f. f. nnFFF f U . f. . f n f . . #f. f. f f f#f nnnFFF Ó .f ? # f f f f . f . . . . f. .

Let

## 6 8

‰

j f f f f f

let

To - ry and Whig,

∑

j f f f f f f f f

let

eve - ry - one dance an old

∑ ∑ ∑

j j ## 6 fj j‰ ‰ f ‰ ‰ ‰ ‰ f ‰ ‰ ‰ f f & 8f f f f f f f mf ? ## 6 f ‰ ‰ j ‰ ‰ j ‰ ‰ fj ‰ ‰ f ‰ f f 8J f 59

dance!

∑ ∑ ∑ ∑

Œ™

## 6 8

j f f

Eng - lish jig!

Œ™ Œ™ Œ™

‰ j f

Let

j f

Let

j f f J

Let

j j‰ ‰ ff ‰ ‰ f f f f f ‰ ‰ f j‰ ‰ fJ f f f

50 S.

° ## f &

j f f f f f

j f f f f f f f f

f f™ J

j j ISSUU Version f f f f f f f f f f fj f ™ j f f f ## f f f f f f f f f f j f J for only & J f fperusal f f™ ‹ ## &

f f J

? ##

{

j f f f f f

young

and old,

let

To - ry and Whig,

let

eve - ry - one dance an old

Eng - lish jig!

young

and old,

let

To - ry and Whig,

let

eve - ry - one dance an old

Eng - lish jig!

f f

f f J

f f f f f J

f f f f f f f f J

f f™ J

young

and old,

let

To - ry and Whig,

let

eve - ry - one dance an old

Eng - lish jig!

young

and old,

let

To - ry and Whig,

let

eve - ry - one dance an old

Eng - lish jig!

f f f f f f f f f ‰ f f f f f f f f f fj ‰ ‰ f f f marcato ? ## f ‰ f ‰ f f ‰ ‰ f f f j‰ ‰ f f f f f f f f f f f ## &

{

f ## f

(Everyone dances: Bingley with Jane (Mrs. Bennet is overjoyed); Darcy with Miss Bingley (they ostentatiously keep to themselves); Mr. Bennet (with great reluctance) with Mrs. Bennet; Elizabeth and Charlotte with two young men; Lydia picks from three young ofﬁcers with whom she is ﬂirting.)

f. f f. n ff. ff. ff. ff. ff. ff. f f f f f f f f f & J J . . . p. . . . . . ff ff ff n fff fff fff fff. fff fff fff n fff. ff. f ? ## f f f 60

f f

f. f f f J

f. ff. # ff. ff. ff. ff. ff. f f f f f f f J

? f f f n f f f # f f f f f f f f f f f f f f f f f f # ff. ff. ff. f. f. f. f. f. f. f. f. f. . f f f f f f f f f ff. f. f. fff. f. f. f f f f ## ff ff ff f ff ff ff ff ff ff ff ff f f ff f f f #ff ff ff ff ff ff ff f f f f f f ffffff & f fJ ff f f Jf p cresc. poco a poco mf cresc. ff f ff f f f ff f ff f f ff n ff f ff ? ## f f f ™ f f f™ f F™ f #f f #f f ff f. # f. f. # f. f. . CURTAIN DOWN rall. a tempo fff. f. f. fff. f. f. f f f f f f. U f f f ## f f f f f f f f f f f f ‰ ‰ Œ™ ™ ™ F Œ ‰ f ™ & F J f f FF ™™ ff .dim. . . . . . . . . . . . mf ff ff ff ff ff ff ff fff fff fff fff fff fff U j f n f f f f f f f # f ? ## #f f #f f f ™ ‰ f f f ‰‰ Œ ‰ f ™ F ™ ‰ ‰ Œ f # f f # f. f. # f. . . . J F™ >f >f >f

{ {

Act I, Scene 2

ISSUU Version for perusal only

(At stage right we see into Longbourn, the Bennets' house. The large drawing room is handsomely furnished and opens at the left upon a garden with trees, shrubs and benches around a lawn, on which Elizabeth and her friend Charlotte are playing croquet. Two weeks have passed since the ball at Netherfield. Mrs. Bennet is in the drawing room receiving guests for a private afternoon assembly. They enter sporadically through a door at the back of the room, and include some army officers and other young men and women, mostly young friends of the Bennet daughters. Netherfield lies in the direction of the garden; the Bingleys and Darcy therefore enter and exit the house through the garden door. Mrs. Bennet calls out to Elizabeth.)

{

Moderato q” = ca. 66

& c Œ

(Picc.)

‰

“

f. f.

f™

& c ‰ f ff f ‰ f ff f ff f ff ff f ff Moderato q = ca. 66

?c F

Mrs. B.

& Ó

{

<“>

f f ‰

ff f ‰ b f f & ff ff f f bf ? F

{

min - ute the

& ff f f™

ff fff ff f f

ff f-

simile

ff f.

f f ‰

Liz- zy!

fff ff. ff. f ff ff. ff. j f. ‰ f

& f f f

Liz- zy!

j & f ‰

Mrs. B.

‰

mp ben articolato

f ff ff

>f bf f Bing - leys ar -

∑

rive.

j f. ‰

f f ff

ff f.

‰ f ff f ‰ f ff f ff f ff ff f ff F

‰ fj Be

f f sure and

f™ f > call the

ff ff. ff. f b f ff ff f ™™ f f f f f . . p 3 j ‰ bf. ff f ™ f f . f. ∑

∑

f f f f‰ ‰ J f Ó

Yes, Moth - er.

fbf. f f. f. f. f f f ‰ f ff f f f f f . . . . n ff f ff ff n ff ff ™™ - . 3 j F f # f b f j . F fff f f. 3

fff

ff f.

I shall.

‰ f ff f ‰ #f ff f ff f ff ff f ff F

Char.

a tempo > # f ff f f F ‰ ff J J rall.

& Ó

ISSUU Version ‰ #f f f f F ∑ ∑ J for perusal only #F F ff Is Mis- ter Dar - cy coming, too?

{

F & ‰ ff fff fff #FF f mf ? F F

FF F

a tempo

f & f f

#>f ‰ J

‰ #f f f

rall.

been here

two

weeks.

{

∑

And you

j ff fff ff #F f f ## FF ? F f #f f f #f

{

quite

& FFFF pp

un - a - ware

of his pres - ence.

f. ‰ J

ff f

ff f f ff

f #f #f f

‰

f f

f f nf f

They've

u- su_al, I fear.

#f#f ‰ j #f f ff ff fffff fff # f f #f f . . p F F #f f f f ‰ #f f J

still

find

him

ar - ro - gant?

j #f ff #FFF ff f #F f n f # f p F F

‰ #f J

I'm

‰

& #f f f #f #f f f f ™

f#f f f

& ‰

Char.

Œ ‰ j f

‰ f f f f f f f f J But

‰

not

∑

ff fff ff fff f f F

un - a - ware

ff f f. ff.

Char.

& fj ‰ Œ

∑

ISSUU Version f f‰ ‰ j f f j f f fff f & ‰ f bf f f for perusal only . . yours.

{

f & ‰ ff bfff fff ff bf Why does he

? F

Char.

& f

{

Char.

∑ f

bump - kins,

& ff f

f™

fff ff ff f f f ff f. f. j f. ‰ f

lis - ten to my con - ver

‰ f f

find

ff ™™

f fJ ‰

‰

{

f. f. f. f

coun -

try

‰ fj #f f (teasing)

™ j ‰ Ó f >f f f

You'll have to

ri - di - cu - lous?

fff f ‰ #ff # fff ff ff f f F

∑ #>f J

#>f

j #f ff #ffff. f. f f ‰ f f f f f #ff ff ff ff f #F & # ff f . . f. ff. # FF mp

f ff. ff. f f ff ff bff ™™ f f f f f . . p 3 j ‰ bf. ff f ™ f f . f.

me the most

all

ask Mis- ter Dar - cy that.

f f f fbf. f. . f. f. f. f. f. ‰ n ff f 3 j F f # f j . f f fbf. f. f.

f™ & #f f f & Ó

sa - tions?

f bf f ™ >

does he

f™

will.

‰ #f f f f ##FFF

f #f f f. #f. F

If I'm not

im -

Char.

ISSUU Version f #f f #f f f ™ #f fj ‰ Ó & #f f f f f #f for perusal only .

{

How brave you are!

f #f. . . f #f

pert - i - nent my - self,

‰

j #f

# ff

{

But not

Jane.

fec - tion for Bing - ley?

∑

& #FF F

nFFF

? F

of him.

‰ #ffj ff fff f # f f f f #F F

j f p

#f f f f ‰ fj

, f f f f f ff

Why does she con- ceal her af -

ff ##ff f F f f #ff # FF

#F #F

w nnw w

f #f f f f nw f

pp col canto

‰ f f f ff F

She must help him a- long.

∑

‰ ff f

f f f f nf F

# fff #fff . .

a piacere

She's much too reserved.

j #ff ‰ Œ #f j f ‰ Œ

& fJ #f fj f f Œ

{

#f ™ #f. f. f #f .

‰ #fj f- #f -

I shall soon grow a - fraid

rall. poco a poco

& #F ## FF

Char.

∑

Char.

‰ #fj f ™ #f f (still teasing)

ff f f ff

a tempo

∑

j ‰ j f ‰f f ff f f She does that,

FF F

as much as her

f ff fff ff ‰ fff ff fff f f

a tempo

‰

‰ ff f F f

Char.

> ‰ ™ f f f f f f ™ f #f f ™ ≈ f f f #f f f f f f f R poco rall.

ISSUU Version Ó ∑ & f #f f f for perusal only & Œ

But Bing - ley does - n't know her

{

Char.

# ff

>f f ™ f f f f #f >f ™ f ‰ f & J #f >f

{

lack of

nf ?#f

ff nf

fff

j f.

‰

. . f. f. j j f # f # f f. f. f. #f. f f f ff ‰ f f f ff ‰ ‰ ™ f f. f. 3 p f # f . f f f #fj ‰ f f ≈ f f f f. f. f f. fff. ‰ f. J A wom - an has to choose

man.

∑

{

a tempo

pas - sion.

n ff

p dolce

(rall.)

poco rall.

& #ff

##ff

na - ture al - lows.

w & w w ?

He may mis - take her plac - id ways for a

na - ture.

‰ #fj f

But Jane

& f. f. f. #f. f . # f. f. dim.

j‰ Œ f.

? f. #f. f. f. #f f. . f #f f >F 3

f™ f

#f ™ f

wants to know the man,

‰ j f f f

pochiss. rall.

‰ #f ‰ f ff f ‰##fff ff f f ff FF ff ff ff ff f ff F #f f

and know her

(rall.)

Char.

& Ó

{

own

f f

‰ #fJ

ISSUU Version j ∑ f f f ‰ for perusal only It's

bet - ter

Char.

{

man you

f f‰

mar - ry.

fff f. f. & f f ff p j ? b f f .

Char.

>f & J‰ Œ

n fff

mar

f ≈f

riage

a - bout the

ff ff . .

‰

bf ™

just

a game

f. f. f. #f. ff f f f f b b f f f f ff f. . . f f f f ff ff f ™™ f f ff f f f ™ f ™ . . 3 3 j ‰ f f f b f j f f f f . . . f™ f f ™ f f . f. f. 3

You make me laugh.

∑

‰ ff f f J

‰ j f f f™ f f f f Œ f

I cer - tain - ly do.

You don't be - lieve a word you say.

. .f f. f f™ f f f & ‰ f ff fff ff ff ff fff fff ff ff ‰ f ff #fff fF ™ f ff f f #ff Œ n ff f . . f. f. # ff f f pp F F F ? F F #F F F F #F 65

as you can

. . bff ff ff f j f.

f™ f

Hap - pi - ness

>f f j & ‰f f J ‰ Œ

{

lit - tle

chance.

f ™ bf

‰

<n>f ff fff ff f

a tempo

& ‰

f f

to know

feel - ings.

f ‰ #f ff #fff fff fff ff # ff f ? F F (rall.)

f nf f f f bf f f f f f

a tempo

‰#f f

What can

? ‰#f f #f f

f f f f #f f f

Char.

j >f f f >f f f f f f ISSUU Œ ‰ fVersion F . . . f. f. f b f . . . fonly for perusal f . . f f. f. f ff ff # f n fff fff f ff f f f f j ? J f & f f ff J ‰ Œ

{

girls like us ex - pect?

We must mar - ry well or become old maids.

‰ Œ f‰ f fnf. f. f f. f. f. . mf . pp p . f. f. f. f. f. f. f. b fff # Fff f f . . . . f. . f #f nf f f bf f f f ? n f f f ‰ f f f f ff ff ‰ J f f f f. . . f. . ... ..

&‰

(Elizabeth sees the Bingleys

66 and Darcy coming.

& ‰f f f

{

Here they come.

& ‰f f

‰ff f f f f f

I must go and tell my

ff f f n ff. ff. f. f ™ f f™ ‰J

? >fJ ‰

{

She motions to Charlotte, who follows her into the house, where they alert Mrs. Bennet and Jane. The Bingleys and Darcy arrive, just as Jane and Mrs. Bennet come out to meet them.)

f f

f f‰

moth - er!

fff f ™ 3

ffff 3

™

™ ff fff f f 3

f™

ff f 3

ffffff f f f f f f f f #f f f f f f f f. f f#f f p cresc. poco a poco ff. ff. f. f. ™ . b f . #f. f. f . . . #f f ™ f f f ? J ‰ ‰ J # f f #f. f #f &

f & ‰ J

67 Poco meno mosso

Mrs. B.

{

in!

rit.

& Œ

{

We are hon - ored to

ff f f

w & w w

f ‰ f F

b ff ff

‰ fj bf f f f f f

you a - gain

f ‰ bf bF

bff ff

∑

So nice of you to have us.

‰

f. f. f. f. . . . f f #f

‰F & F fff

fff

ff f

?‰

Ó bF

f. f. #f. f. . . f f fff

ff f

cresc. poco a poco

(Darcy holds Bingley back a step or two and they remain in the garden.)

f. f. b f. f. f. . rall. f f f f . . f bf ff ff f ff ff f bff f f J ff f f ff ff f f. f. bff ff ff bbFFF ff bf . . ..

f bf

a piacere 3

& bf ff ? f

F & #ff f

f dim. poco a poco

& Œ ‹

soon.

(The women go into the house.)

fff ‰ ‰ b f f f ? F& ? ff bfff ff F f bf f

{

see

a tempo (q = 66)

(coldly)

. & f

Bing.

ISSUU Version nf f f bff f bff ff bfff f f b b & f f f f for f f fperusal bf f f f f only bf f f f nf f f Come

f ? bf f bF

Miss B.

‰ bf f bf f f bf f bf bf f

poco rall.

You're in

col canto

Œ Œ

bf f f f™ f 3

hur - ry

Ó Ó

to join

f J

the

j bf. ‰

f f ‰ la - dies?

ww mp

j bf. ‰ f J f

mp dim.

f b ff

f f bf bf

f f f f f

I thought that you found Miss E -

Adagio h = 52 , ™ f bf f b C ff Ó Œ ‰ fj Œ bb ∑ ∑ & f ‹ liz- a - beth… in - t'rest - ing? But >f , ? ∑ bbb C Ó ‰ fJ f f f f Œ Œ f f f f f f Œ

rit.

Bing.

{

ISSUU Version for™ perusal only ,

ff ff ™ bff f bb C bf b j ‰ & f F ™ F FF f F mp pp ? ffJ ‰bbFF ™™ bbb C F F F F

Bing.

rit.

b F &b b ‹ why? ? bb b

{

68 Adagio h = 52

Œ nf f f f nf f #f Œ

Più animando

∑

She's a

b &b b w w

Più animando

F F

? bb w b #w

? b Œ f f nf bb

ex - cept her eyes, of course.

w F

F F

w w

∑

Œ f f f

f f F

She's hard - ly

beau - ti - ful,

69 Adagio

F bF

F F

fF F F f F F

∑

F F fF F

Œ FF

F F f F

‰ fJ f f f Œ ‰ fJ f f f f f f f f Œ f I must ad - mit,

FF F FF F

they have a beau - ti - ful ex - pres - sion

j ff ‰Œ Ó f ff ‰Œ Ó fJ

b FFF mp F bFF

FFF FF F

that

FF F FF F

∏∏∏∏∏∏∏∏∏∏∏∏

FF F FF FF

FF F pp FF bF

∏∏∏∏∏∏∏∏∏∏∏

∏∏∏∏∏∏∏∏∏∏∏∏∏

col canto b &b b w nw w mp ? bb nw w b w w

∏∏∏∏∏∏∏∏∏∏∏∏∏

{

f™ f F J

a piacere (meno)

69 Adagio

∑

though it mor - ti - fies me.

F F

ver - y pret - ty girl.

p sub., dolce

I don't de - ny it,

> > Œ f f f ff f f F

b ∑ Ó &b b ‹ Ver f f f ™ f nf f f nf ? bb f J Œ b

a tempo

f (mocking)

Bing.

? bb FFF b

Bing.

b &b b ‹

F nFF

∑

a tempo

j‰ j ‰ f FFF f ff bww f. f. F nF mf FF fj j w f. ‰ f ‰ w f.

#FFF nFF p

∑

f F Œ f J

falls short of per - fect sym - me - try,

b f &b b c ‹ yes!

{

FFF

f f f nf f f™

?b F bb F

Bing.

F F FF

F F

nF F F F

‰ nf f f J

71 Moderato (q = 66)

F F F F

And I have heard

and

∑

f # f ŒŒ

yet,

#w w w

FF FF

F F FF Œ ‰ fJ

(still mocking)

f f ™ nf J nf f Ó mp

Oh,

is some - how light and pleas - ing.

mp col canto

#w w w

∑

p a piacere dolce (meno)

f f f

Her fig - ure

FFF FF F

F n FF

w w w

∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏

b & b b nF F

y mor - ti- fy_ing in- deed!

∏∏∏∏∏∏∏∏∏∏∏∏∏∏

{

FFF

FF nF

∑

? bb Œ b

∑

un - com - mon - ly in - tel - li- gent.

∏∏∏∏∏∏∏∏∏∏∏∏∏∏

b & b b FF F

ISSUU Version ∑ ∑ for perusal only

∏∏∏∏∏∏∏∏∏∏∏∏∏∏

{

FF F

f f f f f

you

crit - i - cize her

man - ners.

w w w

ff ff f ff nff ™™ fj f b f & b b c ‰ f f f ‰ fff ff ff ‰ f ff fff f #ff F f nfF nff ff f C f f ff n ff ff ff f p ? bb c f Œ C nf Œ bf f f nf nf f F b

f f f f f f 3f f F f f

true;

her

man - ners are not those of the

fash - 'na - ble world.

F FF

F F

f Œ Version ISSUU forFF perusal only b FF FF FF F FF & b b C FF F FF ? bb C Œ F b

72 Adagio h = 52 mf

{

Yes,

F ? bb C FF b

it's

F bF F

F F F

FF F FFF

p nf ™ f leggiero f f n f f f n f n f nf ‰ nf#f f nf ™ nf c f f ? bb Œ f #f Œ ‰ J J b J

a piacere (meno)

b w & b b #w w w

col canto (meno)

oth - er hand,

73 Moderato (h = 66)

b &b b c Ó ‹ ? bb c f b

{

guil

FFF F F FF

nw w w w pp nw w w

∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏

∏∏∏∏∏∏∏∏∏∏∏∏∏∏

w ? bb #w w b w

Bing.

they have an eas - y play - ful - ness

‰ fj fJ ‰ Ó

Why, yes,

nnnFFFF p nFF #F

∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏

{

But on the

‰ fj nf f f I think I

have

∑

ing.

73 Moderato (h = 66)

b & b b c ‰ n f ff f ‰ ff fff ff ff f ff b f f p ?b cF bb F

‰ f nff fff bfff n ff f f

FFF F FF F

that I find quite

j nnfF ™ nf c F pp nnnFFF c

f f 2 f™ 4

poco rall.

seen you

be -

2 4

stare

∑

f C J

ff f 2 f nf f ff 4 ff ff ff ff C f nf 2 C 4F poco rall.

74 Adagio h = 52

Bing.

b &b b C F ‹ her. ? bb C Ó b

{

b &b b ‹ f ? bb b

{

Then

b FF

{

∑ a piacere (poco animato) f f f nf f ‰ f J

b & bb

care - ful.

And so must

fF F

FFF

F F

you.

Re - mem - ber who you

w nw w

mp col canto

w w

Œ nf f

(smiling)

∑

You are f f f f f f f nf f nf f ‰ f f f f f Œ J It would not

w w F w w

b & b b f nf ‹ much too ? bb b rall.

must be more

∑

are, Charles.

fff Œ se - rious.

∑

in - volve our - selves with girls out - side our world.

FF F

rall.

b & b b FF bF Ff n f f Ff

75 Adagio h = 52

∑

bF f f F

∑

f f f f f f f f nf f f ‰ J J ‰ ‰ J Œ

Œ f #n ff f Œ f

F F

Per - haps.

∑

? bb Œ b

∑

F F

b &b b F FF ? bb F b F

Bing.

∑

ISSUU Version Œ f f f f f f f ‰ fj f f for perusal only

74 Adagio h = 52

b &b b C F F pp ? bb C b FF

Bing.

I wish I

75 Adagio h = 52

F F FF

nF F FF

had

nF F FF

your

eas - y

F F FF

dis - po -

? bb f f ‰ f b J

{

f f

un - like my

{

of - ten been in love

nnFF

b & b b fF ™

F F p FF

be - fore,

F nF

b ∑ &b b ‹ ? bb Œ f f f b

{

f f

j f fF ™

nf nf

this one

bb f Œ Ó b & ‹ girl. ? bb Œ f f bfJ f ™ b

{

? bb FF b

FF bF F

nFF

f ff ff ff f f

FF bF F

#FF mf nF F

but

>f Ó

You have

f f

nF F #FF

f ff f

F nw w mp bw w

FF F F F

nev - er has the ob - ject of your love seemed in - dif - f'rent,

3 f f3 f f F f f nf

f f Ó

Dar - cy!

Jane is

∑

ver - y

a - mia- ble

∑

does.

w w

w w w F F

w nw

∑

nF Poco più animato

Œ #f f

3 3 f bf f f f3 f f f3 f Dar - cy, f f f Ó Œ f She shows an un - bear - a - ble lack of pro - pri - e - ty.—

But her moth - er!

b & b b FF

f f

dan - ger here.

Œ f

You're wrong,

f f

F nF

Œ ‰ fj

f f

But there

j j f f ™ f Óffj ‰ Œ #F n f. p mfj F F F ?b f ‰ Œ bb Œ F f. f f f

Bing.

f f f

‰ fJ f f

f f

own.

? bb #FF b

F F

? bb F FF b F f f f nf f ™ f F ? bb J b b & b b FF

Bing.

f f

ISSUU Version b bFF & b b F for bFperusal nFF only F n FF F F si - tion,

b & bb Œ

FF mf F F

bFFF F F

F bFF F F

FF F bF F

F nF FF

Poco più animato

#nFFFF f Ó

Bing.

b f f f nf f f nf &b b Œ f f f F ‹ I u- sual - ly fol - low your ex - c'llent ad - vice. 3

{

ff f n J‰ Œ J ‰ Œ

∑

{

b &b b w w w p ? bb w b w w

Bing.

Œ f

f f f F & ‹ com - ing this way. ff. ff. f. ff. f & Ó p cresc. . ff. ff. f. b f f f ? Ó

{

But

what I

feel

for

col canto

∑

p espr. f b Œ f f f f f f w &b b ‹ I have nev - er felt be - fore. ? bb Ó ∑ ∑ b

U f f F

f f F

a piacere (meno) p espr.

ISSUU Version j . bb f f ‰ Œ b ∑ ∑ ‰ Œ f & w n f w w . J w for perusal only . f. ? bb b

Bing.

∑

Animato h = 72

That's what

f f f f

U FF F fU FF F

nnn

They're

eve - ry lov - er says.

. . . . ff ff f f j F f f nfff ‰ Œ f. mf FF #ffj ‰ Œ n f. F

Animato h = 72

w w w w w w

Jane

nnn nnn

(Mrs. Bennet, Jane, Elizabeth and Miss Bingley step into the garden to invite the men in. Lydia, at the piano, warms up her ﬁngers.)

∑

ff. ff. f. ff. ff. f. f. ff. f. f f bf #f .f b ff. ff. f. ff. ff. ff. ff. f f f Ó

∑

f. Ó

>f. f.

∑

{

Gavotte 1

Version f. .f ISSUU .f . #C f n f Ó Ó Ó f f f & f ff ff ff f. f. f. f for f. perusal f. f.only f. n f # f. n f. . . . . . ? Ó #C f f f f Ó f f #f

Mrs. B.

Bing.

& & ‹

{

78 Gracefully (l’istesso tempo) (Other couples begin to dance.)

f™

# Ó #

Gen

∑

m # ff & f f FF f f F ?# m

Bing.

& ‹

{

# F

f f Œ f J

tle - men,

please come

∑

F f f f f f

∑

(Bingley goes to Jane.)

Œ f f

#f f f

f f f f f f f.

I'm de - light - ed to see

f. #ff. ff.

fj

f. #f

#f.

you!

Œ f

The ga - votte has be - gun.

. f f fF f. Œ

# fj f f f f f. f.

f. ?# f

in!

. . . . . f nF f fj F f #f f f fF f f #F b f. . f. j . . .  f f Œ ff f f. f.

(Mrs. Bennet returns to the drawing room.)

Jane,

. . fF f f. . #f

Miss

(Jane takes his arm. Bingley hesitates

∑

f. #Ÿf ff F f. f. Œ

∑

 f#f

f. f. n f. f. f. f.

Bing.

a moment, then goes to Elizabeth.)

{

f f

f f f f f

f ff

cresc.

∑

# fm f p

# f

f Ó

. f f f. f f. f. b f. f. Œ

f #f f f

{

came to

Œ f

# f

ff

f. . . . ? # f f. f f f. f.

 ff

fj

f f f f f f f.

# FŸ

∑

f#f

 ff

(drawing back)

∑

f #f f f f. F #F f. Ÿ F f Œ

fj

f f f f f f . f. f

I have not the least

Sir.

beg for a part - ner.

∑

# & f f f ff f f Ó

why are you not danc - ing?

∑

ten - tion of danc - ing,

(He takes her hand and is about to give it to Darcy, who, although extremely surprised, is not unwilling to take it.)

# fj fF f f f f. f f f & . . j  . f fff ? # fŸF

Miss E - liz

m ?# f f F

f ff

ISSUU Version . . . . f. # f f nf f. f f f f f f f f f f f f. fff & f f f. for perusal only . . f f f .f f. f f f f f . . . & ‹

∑

Ÿ f

ff f f f™ Œ f f I

hope you do

f #Ÿf ff F p

f J

not sup - pose

 f#f

f. n f. f. f. f.

f. .f f. Œ

∑

in -

f f f f f fff

(smiling)

poco rall.

Mis - ter Dar - cy is all pof f f f Œ f f Ó ∑

f f ffff f f f f f Œ fF ™ F It would be an

hon - or.

f. espr. . f f. f f. f. f f f f f ff

ff f ffff f f

poco rall.

f f ff pp

67 (She turns and goes into the house, followed by Jane and Bingley, who signals discreetly to Darcy, as if to say "I tried." Darcy does not seem either surprised or insulted by Elizabeth's behavior. Darcy and Miss Bingley remain in the garden, walking to and fro. Jane and Bingley join the dancing couples; the blossoming of their romance is clearly seen. Inside, Elizabeth goes to Charlotte.)

ISSUU Version # f f f F F Ó ∑ & for perusal only 80

{

(rall.)

a tempo

lite - ness to - day.

ff ff ff

# f & f ff

f f f

f ?# f

Miss B.

{

FF F

. f. f f.

f Œ f f

∑

. . f f f. f f. f

m f f F m f f F

{

# f™ # ff love

ff f F ?# p

j f ff

T f

F™

F w

F T Ff f J ‰ Œ >f. >f. Œ f. Œ Œ

to hear your thoughts

f f f f f ™ fj

such

so -

fj

ŸF

. f f.

Œ f

f f f f ff. f. F f

I'd

f. f

# fj F

b f.

The self - im - por - tance of these peo - ple!

. . f f f. f #f f f f. f f. f fF f f & #F . cresc. fj f Ÿ Ÿ F Ÿ f .  f ?# Œ f # #f. F f#f f f.

Miss B.

f. #f. . f. f f f

(to Darcy, in the garden)

∑

FŸ

dim.

 nf f f

f. Œ

rall. pochiss.

 ff

ty.

F bf f f f Óf f f f Œ

bf.

Char.

ISSUU Version j f f n4 Œ f Œ Ó ‰ ∑ ∑ f f f & 4 for perusal only f f f f ff F F ff f f f f F Gavotte 2 81 Moderato q = ca. 96

(rall.)

(to Elizabeth, in the house)

So, Liz- zy.

(in the garden, more to himself than to Miss Bingley)

?# Œ

{

My thoughts have been on the plea

& nw w w ? # nf.

Char.

f™

chance

Miss B.

{

of a pret - ty woman's eyes.

ff f fFF f

∑

Œ f f f f f f F ff f.

ff f.

ff f. f.

nf >f f f f f F > you turned Mis - ter Dar - cy down.

May one ask the la - dy's name?

Ff f #ff . .f f.

. f

(Darcy continues to be lost in his own thoughts.)

e - ven the score:

ff fff fff f f. . f f. ? f. f. & ff f.

sure

n4 F F FF 4 fff fff fff nFF . . . F pp .f f. n 4 f. f f 4 f . f. f. f.

f f f f F J to

Gavotte 2 81 Moderato q = ca. 96

(rall.)

n4 4

You've had your

ff f. f.

∑

. f nfff fff fff fff ff FF f ff.f fff f . . nf. f. f f. f. f. f. f.

Char.

∑

took it ver - y

∑

well,

{

#w ff ff . .

& f f f f f

∑

& ? f f

f >f a

game.

& f f f

F ff . F

ff .

f f #ff f f f f f f ff # ff f . . p espr. F & F FF F 82

Œ ‰ fj f f f f f f f f f Œ f ff f

You real - ly

find him quite a - gree - a- ble.

Heav - en for - bid!

‰ j ‰ Œ Ó f f f f >f f

E - liz - a - beth Ben - net!

Ben - net.

& nFF

ff . F

& Ó

{

E - liz - a - beth

Ben - net, you are play - ing

Miss B.

f f f >f f f f f Œ Ó la - dy with the pret - ty eyes, does she have a name? f f f f Œ ∑ ∑

I thought.

The

? f.

∑

E - liz - a - beth

f f & fff f f fF f

Char.

Œ f f f f

ISSUU Version j‰ Œ Ó f f f f f f ™ fj F Œ ∑ f & . for perusal only > f ff f ∑

Miss B.

f FF

f FF F

∑

f ff f f ff f FF F

∑ f f

#Fw

ff F ff F #FF

f f

That would

& f

{

a great mis - for -

Miss B.

& f

{

one

& ff f. ?

Char.

Miss B.

& Ó & ?

{

joy?

E - liz - a- beth

nfff .

& FFF

f f f f f f™ f f Œ

tune:

F & F

Char.

ISSUU Version f f‰ Œ Ó ‰ j Ó & Ó f ff f for perusal only be

Miss B.

f f f f

fff . f.

∑

f f f

‰ bfJ

fff .

ff f. f.

f ff

Don't be a

∑

f f

f f f™

hate!

#ff .

n fff .

ff fŒ J

f™ fool,

That's

. ff f . nf.

nFff .

f ff

when am

ff f. f.

don't be a

∑

f f f f f™ -

f f f J

ed you

. . . . . . & ff ff ff ff nfff fff f fff ##fff f fff fff fn#fff ff. f f f f . . . . . . . . cresc. . . poco a poco f . f f f. f. ? #f. f f. f. f. f. #f.

fool.

Ó F

ask.

FF F

# FFF f

ff f. f.

Ó ∑

f f f f f

And

just what I ex - pect

E - li - za.

E - liz - a,

. f ff f. f. f.

sarcastically mp

whom

Real - ly, Dar - cy.

ff f fFF f f. f. j f f f Œ

ff f.

You're play_ing a game,

fff f bFff

fff . f.

f ‰ J

has de - ter - mined to

∑

fff .

f > f f f

find a man a - gree - a - ble

Ben - net?

to wish

ff . f.

ff f f

you

‰ f ff J dolce

You'll have a

Ó Ó Ó

# ISSUU Version f F™ ∑ Ó Œ f F™ & # f ™ for only f f f f perusal Ó ∑ F & J 84

Miss B.

charm - ing moth - er - in

{

# Œ

∑

f f & #fFF f #fFF f ?

Bing.

& & ‹

{

# #

∑

rall. poco

f™

law.

j f F

And

don't

f f f

Shall we

in?

for - get

F # ff ff F

F # fw f

T f . f

(p)

dim.

mod

es - ty.

∑

F T F

U ∑

U f f f f f F Œ J J 85 Più mosso h = 60

U w w f f f f f f f f w

f #f ?# j w f w pp

f bf

FŸ

Œ f.

f. . f. Œ f

∑

 ff

nf f ™ f Œ f f f J

That was splen- did, Miss Jane.

rall. poco

fj

85 Più mosso h = 60

(Darcy and Miss Bingley go into the house.)

(as the dance ends)

∑

(offering Miss Bingley his arm) mp

his

w nU w w

F F F F F

Will you walk out - side

∑

Bing.

(They walk outside and out of sight.) 3 3 j f f f f f f f Œ ∑ f ‰ f J f fŒ Ó

# Ó

ISSUU Version # ff f fF ∑ ∑ & ‹ for perusal only j &

{

Yes, of course.

# F & F p nF ?# F

Mrs. B.

{

ff J

‰

q=q f f f3 f f3 f 3 f 3f f f b 42 f J f J

Allegretto

Lyd - i - a,

ff. f. 2 b 4 f ‰ ff ‰ mf . ff ff. 2 f. b 4 f ‰ f ‰

f. f

∑

FF FF nF #FFF F FF F mf dim. poco a poco f. f. nf. f. f. f. nf. f. F

∑

accelerando (Lydia, still at the piano, begins to play.)

ff. ‰ ff. ‰ fj ‰ Œ ff f f . cresc. ff. ff. f ‰ f ‰ nfj F >F

play one of those live - ly Scot - tish

q=q

reels!

FF >

j nf

SCOTTISH REEL 86 Allegro molto q = ca. 132

f & b ff ™ f ff ™ f ff ? b ff ‰ ff ‰ ?

nFF

F #F

# Ó

bw w w ? # f.

{

get a breath of air?

I'll show you a- round the gar - den.

f™ f f f f™ ff fff ‰ f ‰

f™ f f ™ f f ff ‰ fff ‰

FF >

j nf

f™ f f™ f f f ff fff ‰ f ‰

(Darcy approaches Elizabeth. Some of the guests begin to dance the reel. Others take part later. They come and go.)

∑

>F f™ f f ™ j f f j & b f f f ™ f f f ™ ff ff ‰ #f F f f p > ff ff ff ff j F n f j ?b f ‰ f ‰ f ‰ f ‰ f f f ‰ F >f >f

j ‰ f f ff >ff ‰ f > J f f

(to Elizabeth) legato

Will

>F F > # fj F F

>F F > fj F F

you not

change your

j f

j nf

>F F > # fj F F

mind,

j f

?b f

{

dance

∑

{

∑

f™ f f

f nf &b ? b nf

heard

{

reel

with

me?

∑

(Elizabeth pretends not to hear him.)

f ™ fff

you,

Mis - ter

∑

ff 87 f ‰ J

j‰ >f >f f

Dar - cy.

∑

f ™ f f nf

asked if you would

∑

& f f

FF >

∑

j f

But

∑

f f f

Œ ‰ fJ

f™

how

not

like to

f f nf ∑

re -

dance this

∑

FF >

j #f

can I

f f

f f nf

FF >

j #f

‰

(with a mixture of sweetness and archness)

f Œ ‰ J

? j F #f

f > J

∑

j #f

‰

ply?

∑

j f

You

f nf f f f nf f f ? b f f f f f f f f f f f f f f f f f f ™ #f f f nf reel.

? f b f .

this

f & b f f f ff f

ISSUU Version f™ f f™ f f™ f f f™ f f™ f &b f ™ f f ™ f f ™ f ™ f f ™ f fj ‰ f for perusal only ff ff ff ff f > f f f ? f f f f f f ff f f f ff ‰ and

{

f™

‰

f f.

‰

f ‰ f. f J ‰

ff .

"yes,"

f ‰ nf ‰ f. f. >f >f

de -

spise

‰

FF F #>f

f ‰ J

f nf f f f f nf f f f# f f f f nf f f f f j ‰ f ?b f f f f f f & f ff #f j ? f ‰ f ‰ # f f f f f ‰ ‰& ‰ ‰ f ‰ b f f. nff nff f f f f ff > > . . f. . . . hoped

I'd ans - wer

taste.

88 E.

{

But I

j #f

{

love

to cheat

such

? #f F

j #f

Œ f

∑

f f &b f

f f f

& b #fj F F

j #f

&b F

f‰ Œ J

∑

{

this:

j & b nfFF

f n>f ‰ fj ‰ J J

∑

ISSUU Version f f f f f f f. f. fnf f. nf ™ f b fnf f f f f f f f & >f > f™ f for perusal only >f f F & b FF

f™

Œ f f

∑

j nf

? b j F nf F

j nf

∑

{

&b &b

b f.

#fj

have

de - cid -

F F

Œ ‰ fJ

ff >

j #f

ff &

j f ‰

f. f f ff f f f™ . . > > f ? #fj F n ff f F

f f bf f f f

ff f f

schemes.

f f

tell

you

f ffffffff F f >f f ff

cresc.

j #f

f #f f nf

f #f f f

F > I do not wish to dance the reel at all. f f f n f f. .f Œ ‰ J f. #f f nf. f. #f f . . . f. . f j j j    F F F #f #f #f F F F f & f. . f. f. f f

f f ‰ f J

f bf

. . f b f bf. fbf f f f f f f f f f f f f f#f f f f f f f#f f f f p mf > . f . >f . >f . >f . j . . f f ? f. n f f bf f ff f bf f. fJ bbff f. f f. . f > . Now,

Mis - ter

Dar - cy,

de - spise

you

>F b & ?b

{

dare.

f ‰ Œ J

ff. >f ?b J bf

ff. J

# Ff ™ f f ™ f Ff ™ f

ff f ?# f ‰ f ‰ F p

∏∏∏∏∏∏∏

Miss B.

{

fj

# f

f f™

deed

nfj

F nFF

fff f

fff fff ‰ ‰ F

∑

# f™ f f & f f™ ff f ? # f ‰ ff ‰

Miss B.

nfj

bFFF

mf dim.

F f™ f f

ff f™ f

not

j ‰ ff ff f >f fj f >f ‰ Œ

f f

FF F

# fj p

FF f™

∑

f f

seems your

wed - ding must

∑

f J

ffj ‰ f ™ f f ™ f f ™ f f f ™ f f f ‰ f f f

bFFF

# fj

(Miss Bingley, who has listened to their conversation, goes to Darcy.)

f™

ff ff f ‰ f ‰ f f

j j f f f

(mockingly sweet)

dare.

nfj

fff fff >f >f f ‰ ff f f f f ‰ ‰ ‰ F f J ‰ 90

∑

(with a good-humored bow)

(Elizabeth, surprised at his gallantry, walks away with a smile.)

∑

∏∏∏∏∏∏∏

{

∑

ISSUU Version f f f f f F Œ ∑ ∑ for perusal only F F F f F

f & b f fnf f f f f f f f f f f f

∑

# fj

j f f

# fj

post -

∑ &

ff f

your

la - dy friend

™ f. f. . f. f. . f. . f. f. . f. Ÿf . Ÿf . . f ™ f f ™ f f f Ÿf f. f f f f f f f f. . f. f f # ≈ ≈ ≈ f f f‰ & J p # j‰ f f f f ff ff ff ff ff f f & f f f f f f f f f f f f f f f f f f f>> poned.

That will

give

you

time

to teach

Miss B.

Miss B. D.

# f. ‰ f & J

{

some

∑

man - ners.

What

f ? j f & f f f f f f fj ‰ #fFF >f >f 91 (Miss Bingley laughs.) # ### ∑ ∑ & #

?# f™f f

{

∑

###

else do you pro - pose for my do - mes - tic fe -

F F

j f

j #f

∑

j #f

f™ f f f

∑

Where would I

∑

F F

Bingley forces herself to laugh again. It draws Elizabeth back.) ### (Miss f Œ ∑ ∑ ∑ &

{

be -

### f f f f f f f # f f f f f f f f fffff f f f f ffff ffff f f f. ff. f ff. ff. ff. # f f f ### fff f. ff ‰ J ‰ f f # f f ff J . f. f. f

lic - i- ty?

? # #fj F F Œ

∑

f f f f f f ff f f f f # f n f f f b f‰Œ fff f f fff f f ff f™ fff J . . . . . . . . . f f n ff ff . ff ff. ff. f fff fff fff ff ff > j f # ? ## #f . ‰ J f ff f ‰ & b ‰ J ‰ fJ f >f ### &

∑

ISSUU Version ™ ff f f f f f f f ™ f f f Œ ∑ ∑ f™ f f ff f ™ ff perusal # for only J ‰ & FF FF FF F ?#

Miss B.

f f fj ‰

gin?

{

∑

f f f &b & b #fj FF f

p sub.

f f f f f F F

Bing - ley,

∑

f. f. fnf f. nf ™ f f >f f j ? #f F F f f

Oh, Miss

j #f

f f Œ

Mis

j #f

ter

Dar - cy

fnf f f f f f f f > f™ f FF

ff >

ff &

ff f f

&b Œ f

{

not a man to

laugh at.

j #f

? #fj

And that's

# fj

f f

f ‰ #f

F #F

j #f

{

Œ f

f ‰# f ‰

f ‰ #f

The

#fj p

#fj

fj

f #f ™ f nf

fj

pit - y, for I

#fj

‰ j #f

∑

j #f

#F F

j f

ffffff

F nF

‰

F F

∑

f f f. f f . j f

f f™ f

F nF

# FF #F F

f f p

F F

j & #f

fool- ish

f f

Not to

me.

∑

f f F F

nFF

f. #f. f. f.

those

who

#f f ™ f

# FF

on - ly j #f

want a

f. ‰ #fj nf. ‰

j‰ j‰ f j j n f # f f . # f f. ‰ F ‰ F # f ff F F f. . > f ‰ f f f f f bf ‰ f J J

j #f

f™ f J

(teasing Elizabeth)

f ‰ f ‰

men may seem

j #f

joke.

j #f

f f f #>f f f J J

wis - est of

>f ‰ Œ J

?# #

F F

f ff

calmly

∑

‰ fJ f f

∑

# ∑ ∑ ∑ b Œ f & #f f f f> dear - ly love to laugh. f. #f. fj f. f. # j . j . j . f f ffff ffff #f f f f f f f f nf f ‰ b & f f f f f f ffff J f F j . . f. . f. .  F f ? b #f F # f f f . . f f f f. . f. . f

∑

ISSUU Version f. f. f. f . n f. f f f f #f ™ f J f f ∑ b ‰ f f & f f . f™ f > for perusal only > F F F nf f F is

& b #fj F F

f > fŒ

∑

j #f

on - ly laugh at fol - lies,

∑

f. f. f f f. f ™ f f

? #f F F j

>f f

f f

. ff fbf

f f bpfsempref bf bf

78 E.

j # & f f ‰ bf f

f ™ bf f f

whims and

f &b f f f

{

& b nfnFF . pp . f ‰ ff ‰ ? b fF

these, I think, are

{

∑

?b Œ f f &b

in - con - sis - ten - cies.

#fj

Œ ‰ fJ

∑

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j #f

I have

F F

{

pride?

∑

f f &b f ? b fj nFF

j #f

not.

those

F F

F #F

nF F

j #f

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∑

f f#f f f f fnf nFF f f. . f. f.

nFF

F F

F #F

j #f

F F

>f f fdim. poco f afpocof f f

Yes,

van - i - ty

j #f

F F

j #f

∑

F F

mf dim. poco a poco

j nf

van - i - ty and

∑

FF F

f™ f f f

∑

bFFF

∑

f f

F F ∑

nFF

j #f

∑

F F

nFF

F #>F

Such as

weak - ness - es.

j #f

Œ f f

∑

nf ™ f J

j nf

∑

‰

∑

j nf

f f f f f nf f f f > p j #fF F FF >

tried to a - void

j nf

j f.

∑

f nf# f

#F F

nF F

&b F ?

nFF . . ff ‰ ff ‰ F ∑

just what you have

∑

j #f

#fj

f f f f

j nf

But

weak - ness,

FF F FF

j f

∑

f f F nFF F F

j #f

in -

?b F

f Œ

Œ f

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{

But

#fj

?b f

{

∑

deed.

? b FF

con

trolled,

## & #

{

f™

f f™

#fj

where there

f f f. bf p

f f f™

f™

(Elizabeth turns away to hide a smile.)

{

## & #

f™

f f f™

j f

j #f

f ‰ fj f ‰ f. f.

F F

f™

f f f™

f J ‰ Œ

j #f

### ###

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f™

f ‰ J

∑

. ff f f

mind.

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ways

f f f™

f f f. f

f f f

### f f f f f f f f f f f f f f f f f f f f f f f f f ™ f f f f#f & ? ### jp leggero f F F

su - pe - ri - or

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f™

will

f f f f f

& b ff ff ff # FF f f f ?b FF f f f. f 95

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pride

###

f f™

f f nf f f f f f

j #f

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∑

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Miss B.

### &

Miss B.

{

∑

f ™ #f

j f f f

f f

Is your ex - am - i - na - tion

>f fj ‰ f >f

& #f f ‰

{

Ben - net?

{

Mis -

j ‰ # f. ‰ Œ

ter

∑

j f f

Dar - cy

F F F F

#f ∑

#f.

j f

∑

has

?C f f f f

Andante con moto

97 h = 52

f f Ó

made no such pre - ten - sion.

&C w

? C fw f nf f w mp espr.

∑

f #f

o - ver, Miss

#f #f #f f what were its

∑

#fj

∑

#f. ‰ J mf

∑

f de -

F F

fects

∑

F F Ó

That

sults?

bf f I

∑

f f bf ™

have

f F f f F

∑

f f

f™ f F J faults

∑

#F F

f f f f

re -

f #f.

‰ J

∑

And

‰

? F F

{

∑

j # f

& f ?

nn u

∑

& F F

nnn ‰

(The dance ends.)

& #f. j ? j f.

U ∑

f ISSUU Version f ™ #f . . > U U F F f #f . . n ### #FF n F f f FF n ∑ F & #f. f for perusal only . . f . f f #f. . U # # ff n ? ##

Allegretto q = 104

F F FF f

all.

f F

e - nough.

∑

F f F F

f f f f™ j f F J

C Ó

∑ F

b f b f3 f b F 3 bf b f f3 b f bf 3 b f bf f f bF 3 f bF ? Œ

{

can - not for - get

bbFF pp

∫FF

{

good o - pin - ion,

w w

2 f & 4 ‰ J nf f

{

F F

& Œ

{

Œ f f

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You

∑

are

f™ safe

f f j ‰ f. f f f f

#f f

. j fJ #f. f. f f. pp j ff ‰ Œ . But

f J

∑

bw bw

F ™ bf w f Œ

f bf f bf w

fault, in - deed.

bF F

mf espr.

my - self.

™ f Œ Œ f F bf F

a- gainst

bbFF

once lost,

98 Allegretto q = ca. 104

f f f 2‰ J &4 p f ?2 Œ ‰ J 4

oth - ers

nFF

? nf f f f f f F

the vic - es

bbFF

? nf f f f F

Œ ISSUU Version bF FF bFF ™™™ f bFF bb FF bbFF F ? bbFF for perusal only F ?

from

w w w

for - ev -

∑

f f f f . f. f nf f. & f f. f f f #f fj ‰ . . .. mf fff # ? ∑ ∑ J ‰ Œ & poco rall.

2 4

er.

& 4

2 4

#>f ™ f f f ‰ f J

f f #f f . f. f

w w w

laugh

real - ly

poco rall.

me.

lost

can - not

∑ ∑

f™

at it.

f. J

j ‰ & #ff ff .

Poco meno

∑

f™ f f f Ev - ery - one has

f. f. f p ff Œ f

Poco meno

F FF F

& Œ f ?

j f

‰

f™

f f

{

And

some

de - fect.

? #ff

f. f. nff. ff.

99 Allegretto

b &b b F ? bb b

{

one.

yours

ten - den - cy

f ‰ J

f™

bff

#ff ff . .

rall.

∑

{

?b bb

stand

? bb F b F bb b &

{

rall.

them.

F F

a poco

∑

bff

bff .

F F

ry -

bbb

bnff

∑

yours is to

will - ful - ly

mis - un - der -

ff .

∑

Œ f

∑

(smiling)

And

F F

FF F F F

F F

∑

f f

O Mis - ter Bing - ley,

f f

∑

ff Ff f ‰ J f f#nff

rall. poco

FF f f f f ™ Ff f f FF F

∑

Œ f F

Œ ‰ nfj

‰ fj f f f nf f F p

F F F F

∑

(Bingley and Jane come in from outside.)

f f f f Œ

bbb

f f f f 3f f f 3f f

ff F ‰ j f ff fff ff ff FF f f ff ff f ‰ f espr. f f F f f f FF ‰ nfJ b f f f f

f j ff ‰

Pochiss. meno mosso

∑ f f

Pochiss. meno mosso

100 Allegretto

f. f. F f f ff F b & b b ff f ? b fFF f f f bb

f. b f.

∑

99 Allegretto .

eve

hate

bbb

poco rall.

f. f.

∑

b &b b F FF

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bb ‰ fJ f. f. f f f f f. f. b & F F mf p ffff ™™™ ffff ? bb ‰ Œ FF b

f f

poco rall.

j fJ

nnn nnn

Œ nf f#f nf nnn

& fJ

f j f f™ f f

101 Andante q = 69

{

Bing.

will

give

an - oth - er

101 Andante q = 69

j ff ‰ ff f f

Allegretto

& Œ ‹

∑

ff f ‰ Not at

? f™

(rit.)

& f f

{

Allegretto

f J

f ff

left out some of the

f & f ff fff ff nf f ? F bf #f

∑

‰ ff fffff

all!

of - fi - cers

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#fff

‰

j ff ‰ ff f f

j ff

∑

ff fJ

ff f f f f f. ff. ff ff ff f™ . . f. p F #F F

j f f f

poco rit.

f ‰ Œ J

for - ward.

But last

cap - i - tal i - dea.

a tempo

poco rit.

It's a

fff f n FF nFF

don't

Poco animato

ff ff ff ‰ fff f & ff ff f f f f

∑

ball.

j ‰ f fj ‰ ff ff # ff f f f #f

∑

{

∑

Lyd - i - a,

& ‰ <n>ff <n> f p ? F

Poco animato

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hope you

time

j j f ‰ ‰ f ∑

you

j f f f f f F #F

rall.

f- ™pleading f f™ f rit.

∑

>f f. . . ffÆ ff ‰ fff fff fff ff ff ff ff f f f ff ff ff f ff f J . . f. . b f sfz p Æf ff ‰ f Ff ff #f F J >

Please in - vite them

FF F F

f & #f J ‰ #f fJ ‰

Allegretto

(rit.)

{

time.

(rit.)

f. J

∑

f bf f f f f ‰ J But some - thing more se - date,

102 Andante q = 69

bbb ‰ f fj ‰ b ff & b f f bf f bf p ? bb b F bb F

? bb b bb

{

∑

bf f f f ‰ J

please,

so Miss E - li -

j j ff ‰ ff ff ‰ ff f f bf bf F F

∑

‰

f fJ can - not

j j j ff ‰ ff ff ‰ ff fff f f bf bf F F

(Lydia walks away from the piano.) >f nn f nf f ‰f ∑ ∑ n ‰ Œ nn f f J

it of - fen

bb j f. ‰ b b b . f. f bb b bb

rall.

Allegretto

bf f f f find

played an - oth - er

poco rall.

(with a smile)

? bb b Œ bb

you

f f f f . f. bf f. f f f . . . f. f. p . bf. f f. bf. ‰ Œ Œ

102 Andante q = 69

bbb b & b

it's time

Allegretto

b & b bbb F

{

bbbbb

∑

(embarrassed)

FF F

dance.

∑

Lyd - i - a,

& FF F ? F

∑

ISSUU Version ‰ fj f f f ™ f bf f bbbbb ∑ ∑ fff Œ > for perusal only

all

poco rall.

nf -

I hate that kind of mu - sic!

∑

sive.

. j j f f b f b f n f b f & b b b ‰ ff ‰ fff f fJ ‰ ff ff. n f f‰ ? bb b J bb f f Allegretto

rall.

∑ ∑

∑

nnnnn

nn f n nn f j f fff f> f™ f f f mf FFF fff. ‰ ‰b fff. >FFF nnn n n J J

103 Andante

Mrs. B.

∑

‰ fj f f

f #f f #f J

f f J

∑

ISSUU Version j j j j j ‰ j f f f f f ‰ ‰ f f f f f & f f for f ffJ ff f perusal f f only # f f f f f f n f f f f f f f f f &

{

Per - haps Miss

{

Bing - ley

will

kind?

(Miss Bingley, with a

‰ f f #f F

f #f f fj f fj f j j f f f b f f f f f #f nf bf ™ f b 23 & f f ff # f f f F f f #f f espr. molto f ? F

{

(She sits down.)

condescending bow, goes to the piano.)

nf F

bf f f F

f F

104 Variations on a sarabande by Handel Lento h - ca. 60)

{

bFf

FF F

3 b2

(She begins playing in the manner of a great "artiste." Darcy offers his hand to Elizabeth. To everyone's surprise, she accepts. They, together with a few others – including Jane and Bingley – begin to dance.)

3 FF & b 2 FF FF Œ ff F F Ó nF # FF FF F F f ? 3F F Ó b2 F ™ f. f. f. F F

rit.

& b nFFF ? F b

∑ FF F F

∑ Œ f FF F Œ f F

FF F F

Œ ff #FFF Ó

Œ #ff FF FF Œ ff F F

FF Œ ff FF FF F F F F Ó F Ó FF F

F™

f. f f F . .

fff f f 105

f f f Œ Ó

It's a pret - ty tune, don't you think? (Darcy does not answer.)

. . Œ f f F Ó

. f

FF F F p

Œ f f ff FF Œ f F F

f f f f f f f F Ó ŒVersion ∑ ISSUU for perusal Œ f f ff only w Ó w # F F f &b F F F F F Œ F Ó &b

{

It's your turn to

F™

&b Œ

{

& b FFF ?b

f f f sempre p

Some re - mark a - bout the size

Œ FF F f

{

fF f b &

∑

FF F F

f f

the

or you could make some ob - ser -

FF ™ F

F™

f f f I'll

#fFF f F

w FF ™™ ÓF

f f f

‰ fj f f f f f f

room,

Ó f Œ #f

F™

f f Œ Ó

cou - ples.

say some - thing now.

F F

f Ó

va - tion on the num - ber

? b FF

F F

f f f f f f f

&b f f f f f F ?b

f Ó

f f

106

say what - ev

f Óf f

f f Œ f f ff Ó F

F F

F™ -

106

mp espr.

∑

F™ F™ F F

you

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{

wish

& b FF

F™ F™

F w

si - lent.

{

& b FF ? b FF

poco cresc.

{

& b w™ w™ ? b FF

to say

∑

F F

pre - sent.

Fw ™

rules

F™ w

w F

lit - tle as

f f f f f

Ff FF

On - ly for those who

∑

F™ F

w F

F F

F ‰ fJ f f

∑

pos - si - ble.

F™ f w w F

107

f f f f ™ fj F

we may be

for con - ver - sa - tion?

F F

Now

f™ f f J f™ f f J FF

107

for the

∑

Are these your

w F

F™ w

Œ f f f

F™ w

That will do

j b f ™ f F™ & like

F F

&b f f Ó ?b Ó

well.

me to.

?b F

Ver - y

F F f

F™ F™

Are these your own

poco cresc.

F w

f f feel - ings,

∑ Ó f ff f f f ?b Œ Œ

{

or do you i- mag- ine

F F

{

dim. poco a poco

f f F

F #F

w F

F™ w w F

? ## f ™ f f J

{

F ? ## #FF

un - less we can say some -

∑

f ff f

re - sem - blance of this

w w w

stacc. ? ## fsempre f f f

#f f

## Ó 108 F F ? ## F # ff thing a

F™ F™

f ff f Œ

your

char - ac - ter.

w f f

FF F

F F

w w w

f f f

maz -

FFF

w w w

How near

f f

it may be

f f

see

f f

(The dance has carried them near Mrs. Bennet, who is speaking in a loud voice to Charlotte and a few other women.)

I can - not say.

But you un - doubt - ed - ly think it a faith - ful

fff f f f f

f f

f ff f f Œ f

mine,

{

. ## f. f f f f # f . . . .

f f f f f f f ff f f F Œ

FF ™™™ F

ing.

f f f F

f fF f fF

w w w

? ## F ™

# & # FF w F w w ? ## f fff f f

108

each are un - will - ing to speak

f ? b fF

you are grat - i - fy- ing mine?

f f #f f ## >F & b f f f fJ f fJ fJ ‰ ‰ fj f f f f & b FF

ISSUU Version ™ perusal only Ffor F™ b f fw ™f & F w FF F w F ? b Ff f FF

Œ f Œ f f f f f f fJ ‰ ‰ fj > Both, for I've no- ticed we're a- like. We f f f ff f F ∑

f F f Ff ™™ f f w w w™ f f f f f f f F f f por - trait.

b b

f f ffff

Ah,

what a per - fect

f f #f f Œ

F™

f™

Jane

beau

109 (pointing to Jane and Bingley, who are dancing at the other end of the room)

and

FF F

Mrs. B.

FF f f Óf f

f f F Œ b &

{

#f f F

tions!

∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏

FF F

f J

F FF

be!

Œ nff

f f >f f f f f f

f f f f f FF Œ F FF

FF F

How im - por - tant

time

ti -

110

ffff f f f f ff f <#> f #F <#>f F Ó

It will be no

f #f f f f f f #f f f f FF Ó

wed - ding it will

F™ FF

fF f f f F Ó f. f. . f. n f f f Œ f f

fF f f f f f f f f f f FF f nFF #FF &b F Ó fp FF FF F ?b Ó n FF f f f f ÆfJ F nec

ver - y fond of Jane.

∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏

∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏ &b

∏∏∏∏∏∏∏∏∏∏∏∏∏

Mrs. B.

What a

ff ff f FF f F f#f f f f f F Ó mf FF F FF F ff

F FF

f f f f f f

rich!

fF f f f f f f f f f f F F f fF f f f f f f f # FF &b Ó fp p FF FF FF F F ? Ó b Æf w Ó Miss Bing - ley

f. J‰ Œ

F nFF

∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏

∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏

f FF f f ™ fj f ™ fj & b FF FF Œ #ff

Ó f

∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏

{

ful,

Œ f f ™ fJ

F f f

F FF

all

FFF F

∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏

∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏

cou - ple!

∏∏∏∏∏∏∏∏∏∏∏∏∏

{

?b F FF

Mrs. B.

ISSUU Version f ff F f ff fff f f f Œ #f nFF FF ff Œ ff & b FF for FF Œ F Ó F perusal only F F F F # FF

∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏

Mrs. B.

FF F

are good con -

ffffff FF Ó FF Ó F f‰ f f f J FF FF

be - fore

Ó f Œ #f

F f f Óf f

f. f. . f. f. f f

and

Lyd

{

U w

∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏

men,

F f f

meet

F F F

ÓF

a piacere

rall.

man - y, man - y, man - y, man - y,

oth - er

rich

oth - er

rich

FFF

FF F

FFF ÆfJ F , # # 43

men,

w nw w w

, # # 43

#w #w w

## 3 4

col canto

rall. .f . f. f. f. . f. . . . f. . . . . f. f. f f . f . . f f f ## 3 f f f ‰ f f f f. f. f. f f f. f J & 4 111 Allegro moderato q = ca. 76

{

ah,

## 3 & 4 ff. pp ff. ? ## 3 4

Mrs. B.

F F F

will

stop and stare at Mrs. Bennet in wonder.) , f (The f dancers f f f f f f f f w #f f

(rall.)

∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏

#U w w w # b & w fp U w w ?b w w

Mrs. B.

∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏

{

F F F f ? b f f f f Œf f . . . . . .

Mrs. B.

f f f. f. f. f. f f poco rall.

ISSUU Version FF f ffffff F f f f #f f f f F w ffff f F F ff ff FF f f f f f #f f FF for perusal only FF &b Ó Ó Liz

∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏

Mrs. B.

f. f. . f. f. f f Œ &b

∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏

# &#

{

ff . ff.

f f. ff.

ff . ff.

f f. ff.

ff . ff.

Fa ™tempo

fff . f.

ff f. f.

f fJ ‰ f

rit. >

# & #  f f f fnf f f f f f f f f f ff Ff nf f FF f f Œ ? ##

oth

F™

er rich young

ff f. f.

F™

ff f. f.

112 Allegretto q = ca. 72

ff ff -

oth

er,

ff ff f- ff mf f ff bf f- - b f∑

3 fff j f f f ‰ ff ff ff ff ff f f f f f f f f 3 f j f Œ f ™ f. f. f. f

men!

ff ff. ff. ff ™™ ISSUU b 2 ff ‰ bffj f f ‰Version f ff j b 4 f ff ff f f f ™ f f J nf f ff f f b f. f. f ? ## nf for f Œ perusal f. f. bf bb 42 only n f ™ f f f f { nf f J . f

(Elizabeth, after an abrupt bow to Darcy, goes immediately to her mother. Darcy walks a short distance away.)

## nnfff & f

{

accelerando

f. f. f f b bff ff ff f f ff ™™™ b f & (accel.)

? bb

{

f™

b f & b ff

f. f. f f f f

bf. f. f

rall. poco a poco . f. f. f. b f f f ff ™™™ bff ff f

. f. f f. f.

Œ FF

f.f f.f FF mp

. . ff Œ f

f. ff. ff. ff. ff. ff. ff. ff. f f n f f f f

f ff

f f

una corda

c c

113 a tempo (q = 72)

f nf f f f ‰ f f f nf f f f f ‰ ‰ f f f f

(During this conversation and the following, Elizabeth frequently glances at Darcy, and is dreadfully convinced 3 p poco agitato 3 3

b &b c Œ

{

f. f. f f ff ™™ f™

dim. poco a poco

j bf.

(rall.)

? bb

f . . bf f f

cresc. poco a poco

Moth - er,

b &b c w

col canto

w ? bc w b

please do not speak in this man - ner.

f .

f. f.

If you must, then at least speak

fF ™ f

Mrs. B.

f f f f f f f ISSUU Version ∑ Ó ≈ b f f f f f f fj ‰ Œ b f f ‰ & b f ffor f f fperusal only b &b

{

that although he is not always looking at her mother, his attention has been ﬁxed on her. The expression on

I'm not a - fraid of Mis - ter

soft - ly.

b j & b f.f ‰ FF ™™ ? bb f.

Mrs. B.

f. f.

{

f™

b f f‰ &b b &b

I am sure Mis- ter Dar - cy

f. f.

f. f. f

. . . . . . . >. . f f f f f f f f f fff

∑

≈ f f f f bf

him no par - tic - u - lar ci - vil - i - ty.

For heav - en's sake, speak

f b ff f. . f f f. f.

ff . f f.

f f. f f.

≈ f nf f f f f f - f f f f™

to his side and gives him occasional looks of shock and derision.)

low - er.

b &b Ó ? bb ‰

r ™ fff ‰ ' bfÆ ™ R ‰

You'll never win Mis- ter Bing - ley's ap - prov - al

FFFF

f F . f. f. f.

≈ Œ

ben marcato

I owe

Dar - cy!

b &b f f ™

{

FF ™™ pp f™

his face changes gradually from indignant contempt to a composed and steady gravity. Miss Bingley has come

b & b fff ≈ ff ff ff≈ f f j ‰ Œ f f f b f f ff . f ? bb ff ≈ bff ff ff ≈ ff ff ff. ‰ Œ J

heard eve - ry word.

j f f. j f f.

‰

‰ f f f bf f n n by in - sult - ing his

‰ f f fj ‰ f.f f.f ff ' p. . f f fÆ ‰ J ‰

‰ Œ

f. f.

nn nn

f™ j nf f. f >f ‰ f f > ff & > Oh what a com - fort to know j ‰ Œ Ó & f 114

Poco meno

allargando

f bf ™ J

Mrs. B.

{

friend.

bf bf ™ J

ISSUU Version ∑ for perusal only

(Mrs. Bennet turns again to Charlotte and the other women.)

oth

girls

j f™ bf

f J

can live

with

∑

f f nf f bbff f f bf f f f f f f & f fnf ff#f ff f nf f ff fbf f ff b fff bf f ffnfff f f f f dim. poco a poco mf . cresc. . . f. f # f bf ff ff ff f n f j ‰ f b ff ff ‰ b ff bff ff ‰ ff nffnff ? ‰ #f f. #f. f #f #f f bF bF . F bF

Mrs. B.

& nf ™

{

Poco meno

allargando

114

rit.

j f f f #f #f f ‰ Œ nf f J (Lydia goes to the piano and plays.)

ff #FFf #f f & nF‰ # f f #ff fFF ff ff f F n f #f Jane

in her

? ‰ #ff ff #ff FF nF ™

{

w & w

F™ ? F™

{

rit.

F™ F™

#f f #F ™ #f. f. #F ™ ∑

new

pal - ace.

#FFF mf

ff w f. f. w Ó

115 Allegro h = ca. 96

ff fJ ‰ Œ

C Ó

n f. f. w Œ nf f w

f f f f f f 3

Now that we're done with those

f. f. f f

ffw ff f ff ff ff ff ffw f f f f f f f f f w w Œ . . . . . .

116 Lento h = 66

FF F

F™ F™

∑

rall.

ff w f. f. f Œ Ó

3 & ffw f ff f 2 FF f w f F p 3F ? 2 w

∑

ff . . ff ‰ ‰ f f C #w #f f #w J

dim.

3 2Ó

Ó Ó

f f f f f Ó 3

accel. poco a poco

bor - ing old danc - es,

# FFF

F™

FF F

bf. f. f .

94 3 f ™ f3 f w f ™ f f J & f ff J

{

let's sing a song the whole reg - i- ment knows:

F F

# &#

F F

∑

## marcato f™ f f f & J

{

## &

sol -

f f p . ? ## f Œ f. Œ

dier boy,

Œ #f f w

f f f J

sol -

dier boy,

# &# w

° ## Ó & ‹ ¢

? ## Ó

{

∑

f Œ f.

Œ f "A

## C Ó Œ f f f f f f f. f. f. f. f f . . dim. molto

f Œ f™

What

ff Œ f. ff Œ f.

sol

f. f.

f Œ

f f f J a

ff Œ f. ff. Œ f

dier boy

for

f f f f

wed - ding

will

me."

w w w f. f. f f f f f f . .

(Lydia plays and sings, joined by the ofﬁcers and other young men. While they are singing, Darcy goes to Bingley, and after bowing to Jane, takes his friend away, in spite of Bingley's reluctance. Then, with Miss Bingley, the three of them make bows to Elizabeth and Mrs. Bennet. These are perfunctory leave-taking bows of thanks by Darcy and Miss Bingley, but apologetic and unwilling by Bingley. The three walk out to the garden and out of sight. Lydia and the men continue their song in sharp contrast to the dejection of Jane and especially Elizabeth, while their mother continues to rhapsodize, now in counterpoint to Lydia's song.)

be!

∑

(still gushing to her friends)

f™

118

Mrs. B.

## C

ISSUU Version FF ## C w™ FF FF # f f #w & FF ™ w Œ nF F Ó # f only f Ó #w for perusal #f f w 3

? F F

Mrs. B.

Allegro con brio 117 (h = ca. 104)

f. ‰ Œ J

(accel.)

∑

f f

f™ f f f F J walk - ing on the green marcato f™ f f f F J

walk - ing on the green

f f

marcato

## & f ff f f f. f f. f ff f. . f. f. f. f. . p ? ## f f f f Œ f. f. f f f f. . . 118

∑ F

thus,

grass,

thus,

grass,

Œ f Œ f fŒ f. ff ff. . f Œ f.

f Œ f Œ f. f.

∑

F F

thus,

F F

∑

Œ f f

thus.

Come

f Œ f Œ ff ff Œ #f f ff f. f. . . ff Œ ff. Œ ff Œ fff Œ f f f.

ISSUU Version ∑ ∑ ∑ ∑ Ó Œ f ° ## f ffor ff f f ™ f f f only f f FFperusal f™ f f f F f Œ & J J ## &

‹ all you pret - ty fair f f f f F ? ##

{

all you pret - ty

fair

° ## F & ‹ fair ? ## F ¢

a- long with

us.

maids,

walk

a- long with

us.

f Œ f. nf. Œ nff Œ

ff Œ f. ff Œ f.

f #f f f f Œ f f. FF ff Œ F f.

Œ f

f™

f™ f f f J

f F J

sol

you

take

you

take

{

fair

## Œ & ? ##

f f.

ff .

sol - dier boy!

f ™ f nf f J Œ ff

f f ™ Œ nf fJ f f #FF

maids, come walk

# & # Œ f Œ ff Œ ff f f. ff f. # f. . f ? ## f Œ f Œ f Œ #f f. f. f. # f. ## f ™ f F & J

f™ f f f J your - self

your - self

ffff f Œ f. f mf ff Œ Œ f. f f.

pret - ty and so

Œ f Œ ff f. f. p f Œ nf Œ f. n f.

rall.

∑

Œ f

f™

I'll

choose

you for

I'll

choose

you for

dier boy!

be,

f™

f f f J f f f J

f Œ f f f f Œ ff fff fff fff fff fff #f f >f nf- . . - . . f. p senza cresc. f. f. #f nf ff. Œ FF Œ f f #f nf F f . . >f rall.

Mrs. B.

## (rall.) U ∑ &

{

part -

(rall.)

{

a- long with

me.

Œ ff Œ ff f. f. mf f. Œ Œ f.

ff ™™ f™ f™ f™

j ff #fff fff f. . . f. #f. f. fJ f f f. Œ

119 U f " a tempo

fff Œ U" f Œ f

Bing - ley

∑

f F

f >F

and

live like

. ff. . . f f ? ## ff f f p

# > &# f Œ

{

>F ™

Jane

shall

mar

rich

## Œ &

n f. F nf F mf

∑

fff fff Œ . . ? ## F f Œ

f Œ f. ff Œ f.

∑

queen.

F ff F f F

F ∑

∑

∑ nf nf

f F f F F

> f f F

f f

∑

f f

ff. f ff. #>fff ‰ Œ . f n f Œ f f f fffff f f f f . f f. . J . . p f .f . > n ff f . f. F FF F f f Œ nf f ‰ Œ f J I would not

™ f f f f f fJ F

man that holds his nose

me.

a- long with

## f f f f f f nff. F & f f f FF

walk

ner. Come

## >f >F & # &#

∑

ISSUU Version ∑ f f f F™ Œ J for perusal only F ™ f f f

? ## F F

∑

° ## F p U f " ff f ™ & ‹ part - ner. Come walk pU ff " ff f ™ # F ?# ¢ # ## FF & #FF

Mrs. B.

119 a tempo

so high.

take a

f™ f f f Œ f f ™ fJ f f J I'd

f Œ ff ff Œ #f f ff f. . . ff. Œ ff. Œ ff Œ f f f

rath - er take a

sol - dier boy my

Œ ff Œ #fff ŒŒ fF f ff F f . . F F F #f Œ F F F #f

97 cresc. > f >f f f

>f > f

ceit - ed

man

∑ Ó ISSUU Version ## f ™ f f f F F™ f f™ f F Œ & for perusal Jonly J # &#

Mrs. B.

Why

does

that

con -

cresc.

° ## & ‹ ? ## ¢

{

heart

to glo - ri -

∑

FF F FF

## f f f & take a

f f

way our

° ## ™ f f f & f J ‹ sol - dier boy I'll sol - dier's

j f #f f f f ‰ Œ f f. FF ffj ‰ Œ F f.

? ## f ™

I'll

f f f J

dier boy

I'll

guests?

F F

sol -

ff ™™

rit. molto

∑

f f J ff ff J

f a

ff fff. fff. f f f f f f dier boy,

F F

Œ Œ f f™ f f f F J ev - er I

get

U ∑

U f"

U " ff Œ

be.

" ff A

∑

U Œ

be.

w w w

mar - ried,

∑

FF F

∑

f a

dier boy,

mf espr.

rall. rit. molto . . f f f f ## fff f f f f f f ff f f f f f f ff & f nw w

? ## f f f. f.

f™

ff f FF f F F

ff f f. f. p F F

be.

w w w

FF F

#F p

FF F

" U f f #FFF nff Œ

∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏

{

sol

wife

sol - dier boy,

∑

rall. > ## f f f f >f f f f F &

Mrs. B.

∑

## f Œ & f. . ? ## nff Œ

fy.

U f" n F ff Œ pp

120 a tempo

Mrs. B.

## &

∑

ISSUU Version f f f f f >f f f >f f F ™ Œ perusal only >f f f ™ f >f f ° ## f ™ for ™ > f f f f f F Œ f J & J # &# Ó

‹

? ##

{

They'll

f™

f >f f J

sol -

dier's wife she'll

sol -

dier's wife she'll

## fj & fff ‰ Œ > f ? ## j ‰ Œ f >f

120 a tempo

° ## F & ‹ sol F ? ## F ¢

{

sol

be,

> f ‰ f >f >f J rall.

f Œ F F FF

dier's

wife,

dier's

wife,

## ff nf f f ff Œ &

be,

# &# w

wife I'll

be,

f™

f >f f J

roy - al -

F a

FF a

ff ™™

wife I'll

ff >ff ff J

sol

dier's wife, a

sol -

dier's wife, a

sol

dier's wife, a

sol -

ff. ff. #ff ff. ff. ff f ff

f Œ f f #f f #f

U f w

rit. molto (in 4)

>f ™ >f >f > U f w J ty.

You'll

see!

> >f ™ > > >f U w w f f J sol - dier's wife she'll be! >f ™ >f >f >f U > f™ f f f w J w sol - dier's wife

I'll

sol - dier's wife she'll

j f f f f f f ff ™™ fff f f. f. f f. f. >f ™ > mp f ? ## nf #f f f nf #f f #f ff nf #f f ff > > f nf #f f #f rall.

sol - dier's

f fff ff ff f f f. f. f f. f. f f pp f #f nf #f nf #f f #f nf #f nf #f

Ó Ó

## F &

be,

sol - dier's

live

∑

ff >f

rit. molto (in 4)

ff >f

be!

U w w w w >

U f f w f> >f > w > fp

fff

dier's wife, a

f f f f

cresc.

f J ‰Œ Ó f‰Œ Ó J ff J ‰Œ Ó f fJ ‰ Œ Ó j ff ‰ Œ Ó f >f j f‰Œ Ó >f

BLACKOUT

Act I, Scene 3

ISSUU Version ? bb b 4 Œ ∑ ∑ ∑ Ó b b4 for perusal only Ÿ f . . > Ÿ

(The same as before. Morning, several weeks later. Mr. Bennet and Mr. Collins, a pompous clergyman, are strolling in the garden after breakfast. Jane and Elizabeth are embroidering in the drawing room. Mrs. Bennet comes and goes with household duties)

Andante q = ca. 69

Co.

{

f f f f f >f f . f. f f. . f f. . >f f f f f - ff f f f f f . f. f. f Œ & J‰ J‰ .

? bb b 4 f b b4

Folk tune: "The Vicar of Bray"

? bb b 4 f f f fj ‰ f j ‰ Ÿ ff b b4 f ff f f f f- f f f f f f f f f f f f f F f f f - . . . . . . > . . f. f. F f f. f. f > >f

Co.

mf pomposo

f dolcissimo ™ f f f J

121 a tempo

? bb b bb

rall.

f ff f

f f ff f

Cou - sin.

flat - ter my - self

that my vis - it

Œ FF ™™ FF ™™

ff ff

FF FF

FF ™™ F™ Œ

f f f . Œ .

f f f f f F

f FF F

espr.

f F

∏∏∏∏

f f . Œ

b & b bbb Ó

Larghetto q = 54 >f f f f f f >f >f ‰ ≈f f f

(inside, to Jane and Elizabeth)

? bb bbb

f f f ff F

religioso

I can - not stand that

brings the bless - ing of peace.

f f f f ff J

‰

ff ff

Some - time you must vis - it my

Larghetto q = 54

f f f

Œ FF ™™ FF ™™

FF ™™ F™ Œ

cantando

FF FF

∏∏∏∏∏∏

? bb f f f f b b b F™ dim.

F f

∏∏∏∏∏∏

bb & b b b Ff f f f rall.

f f

od - ious Mis - ter Col - lins!

∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏

{

∏∏∏∏∏∏ ∏∏∏∏∏∏

Co.

FF FF

f f f Œ

∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏

∏∏∏∏∏∏ ∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏

? bb b F ™ b b F™ F™ f Œ .

Mrs. B.

ly gar - den,

∏∏∏∏∏∏

{

fff Œ b & b bbb FFF ™™™ f love

(in the garden, to Mr. Bennet)

rall.

f .

f Œ

100

Mrs. B.

Co.

bbb b & b

hum - ble a - bode.

fF FF

f f

espr.

f f

∑

bb & b b b ff f ? bb bbb f f.

of the Hon - or - able La - dy

Cath - 'rine de Bourgh, whose be-

f f f

-j f f∫ ff ™ f ff ™ f f fff fff f ff ff ff ff f bf f. f f f f f . mf f ff f fff f f f f f f f- f f f. f f f f f f f f f f . . f . . . . . f. . . f. f 122 Andante

f f.

ff f f f.

f f.

f f

ff ff f f f f f f f f f. f. f f. . Adagio q = 60

F-

Ff f f f f f f fff f ? F . . . >. . . .

- i- cence has grant - ed me the rec - t'ry of her

f ff f ff f f f f f f. f f f . . f.

f f ff f

∑

rall.

nef

he can

f- f- f f f f f

? bb b f ™ f f f f. f. f. f. f. f. f. f. Fbb

{

f f f ff

122 Andante

proudly

home

ff f

‰ ff

∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏

{

b & b bbb f ™ ff ? bb b bb f

f .

Park,

∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏

? bb b Ó bb

out!

Ro - sings

∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏

>f >f >f > f‰ b b J &b b b throw us all

Co.

f .

FF FF

∏∏∏∏∏∏

∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏

? bb b FF ™™ b b F™ Œ

Co.

fff f

The gar - den looks out on

∏∏∏∏∏∏

{

‰

When your fa - ther dies

bbb ŒFF ™™ b & b FF ™™

Mrs. B.

f f f

f f

ISSUU Version f ff f f f f f f f f f ? bb b J ‰ Ó ≈f bb for perusal only Œ

∑

par

dim.

Œ F

ish.

f f-

ffff-

Co.

Mr. B.

? bb b bb

∑

‰ fJ

f ‰ J

Andante

ISSUU Version f f ? bb b Ó ‰ f f f f 2 f f f f f f f f f f ™Œ ∑ 4 bb J FF- for perusal only j F 2 ? bb F j

{

You seem ver - y

ff p? bb b F fbb F

Co.

2 4

∑

bbb

fff f-

In - deed!

for- tun - ate in your

pa - tron - ess, Cous - in Col - lins.

ff b fff f f bf J

4 f™ ff ™™ 2 4 f™

™ b fff ™™

ff f

bf ™

101

Such

Andante

ff n FF f F j f F b f FF

f ™ nf f f f F F nf nf nf f J ? bb b ## 4 8 bb con - de - scen - sion in a per - son of rank! .. ...... . f. bf. . . . n f b f f ## 4 f ™ f f fbf fF b n f n f f f b n f f f f f f f f b ∑ & bb b FF f f f 8 f nffJ ‰ nnff ‰ fJ ‰ f J cresc. p f f nf fff # 4 f n F ? bb b ∑ Œ f F F f f ‰ f ‰ nf ‰ nnFFF #8 ff bb J J F J

{ {

(Collins throws his arms out wide, overcome by his self importance. Mrs. Bennet enters

123 the garden to set down a pot of flowers. Mr. Bennet retires to a bench and reads a book.) rit. f

## 4 F ? f f f f f f f f f f f f f f >f f f & 8 FFf . f. f. Œ & f ? ## 4 f f f ff ff f 8F f f f f f f f f >f f f. f f F F . . F

Co.

≈ ff f f f f f f f

124 Larghetto

? ## 4 Œ 4

F™ FF ™™ Œ

ff ff

f .

FF FF

and as soon

as pos - si - ble!

∏∏∏∏∏∏

f Œ

Œ FF ™™ FF ™™

f f f™ f f f f ‰

∏∏∏∏∏∏

f .

mar - ry,

∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏

∏∏∏∏∏∏

∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏

? ## 44 F ™ FF ™™ Œ f . p

FF FF

∏∏∏∏∏∏

{

f ## 4 Œ fff & 4 FFF ™™™

She e - ven deigns to ad - vise me to

>f f ™

f .

f Œ

4 4 4 4

102

Co.

f f f f f ? ## ‰ fJ f f f f f f f f ‰ J f

ISSUU Version fff F Œ for perusal only FF ## f f F f ™ f F f F F f & f f f f F™ f f

fame.

f f f f f F™

f f

FF ™™

∑

## 2 & 4 ff ff ff

f f

have no doubt that all

FF ™™ F™ Œ

‰ fj f f f f f

I wish that it were so.

n FF

of them will soon

f Œ

f .f .

f f f f U J

mar - ried?

U fF FF f f f ff f f f ™ f Ff f f f ff f fff ™ ff f p FF f F f ff F f f F f f f Œ Œ Œ f f . .

(somewhat molliﬁed)

ex - ceeds their

∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏

{

far

∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏

125 Adagio (q = 60)

n ff ? ## 2 4

f f

dim.

∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏

∏∏∏∏∏∏ ∏∏∏∏∏∏ ∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏

? ## FF ™™ f F™ Œ f . .

f f

rall. f™ f f f f ™ f f f f f f ™ J ‰ ‰ J

## ŒF ™ ffff FFF & FFF ™™™ F

Mrs. B.

the beau - ty of your daugh - ters

∏∏∏∏∏∏ ∏∏∏∏∏∏

f F

# 2 & #4

I may say so,

espr.

∏∏∏∏

? ##

{

Ben - net, if

∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏

{

And Mrs.

? ## FFF

Co.

f f f fJ f f f J

f ‰ J Things

f. f. f f f. f. f f ff. ff. f. f. f f

f FF FF

f f

are set- tled so

odd - ly.

ff # ff ff

Mrs. B.

Co.

## &

∑

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{

You al - lude per - haps

FF ? ## FF

{

You must con - fess it's a

f f f nff ff

f ? ## f

Mr. B.

j f

j ff f f f f f.f f.f ff. ff. . cresc. . f f ff ff. ff. f #ff f

{

## & #FFF

griev - ous

law,

n ff

f ff f nf ff

∑

Œ ff f

on - ly

cru - el

law for

poor

ff nf f ff f f f

∑

ff f nf f ff f

∑

f J

f ™ f f nf

f f f nf f f f

chance that Mis - ter

Col- lins is my only male

126 a tempo

fff f nff f f f nff f ff f f f n f nf f nf n ff

? ## f #f nf f f f #f f nf p espr.

ff f f f f f

poco rall. f ≈ f >f f f f

ff #f f J It is

rit.

∑

deed!

#fff

wipes her eyes with a handkerchief.) ## (She ∑ ∑ & F

? ##

in -

126 a tempo

rit.

girls.

do, Sir,

tate?

fff

> ## f f f f f f f f f & ## & ff

Mrs. B.

to the en - tail of this es -

j ff f f f #ff f

Mrs. B.

‰ fj f f f

∑

103

ff f f f f f

104

Mrs. B.

Mr. B.

# &#

{

? ##

{

We can

Mr. B.

‰

it's an

∑

ff ff ff ff fff

f.f f.f fff

and

daugh - ters

∑

ffffffff

f™

f ææ

law

f f

#f æ

f æ

#f f f #f f f #ff fff fff fff fff fff fff fff

f æ

that gives

f f

f æ a

f f

man's

own

wife

‰

f J

f f

ffff f

noth - ing

when

∑

nf he

dim. poco a

128 Adagio (q = 60)

∑ Œ f> dies. Œ f ff f f f

Look on the bright side, dear.

128 f f f ff nff f ff nf ff f ## bf bf & f f.f f.f # ff f poco p ffffffff n ff ff. ff. ff ? ## ? f f & f f f ff n ff f nf fff f bf b f molto rall.

127 Più animato q = 80

f f

f f J

that.

yes,

ff ff ff ff ff ff ff ff ffff ffff ffff ffff fff f f f ffff ffff f

rit.

‰

ff. ff. f f

molto rall.

e - vil

## f &

{

‰ f f f J But

blame him for

ff f f ff f f f

know.

f ## ææ &

hard - ly

j f f f #f

ffff ? ## f f f f ff

? ##

‰

∑

rel - a - tive.

## f &

## &

agitated

Yes,

# & # fJ

Mrs. B.

ISSUU Version ? ## f f f ‰ f f f f f f f f ‰ Œ J for perusal only ∑

## j & #f ff

Mrs. B.

f J

127 Più animato q = 80

rit.

Adagio (q = 60)

∏∏∏∏

Mr. B.

? ##

105

f f f f 3 f ‰ fJ f 4 J ‰

poco allargando

∑

#f f#ff

2 bbbbb 4

ISSUU Version # bb 2 3 & # f f#f ff f f f ff ff #ff ff #ff ff 4 #ff #f f f f#f f ff f f f b b b 4 f forf perusal f . . . only ff. ff ff ff. ff ff #f f f ff

{

Per - haps you

? ## # f f f ff f

{

will die

first.

3 4

129 a tempo

rall.

2 bbbbb 4

rit.

bbb 2 ? fbf f bf f bf f f f- f f f bf bf b & b 4 bfff ∫f f f f f f f Œ & f f dim. p ? bb b 2 bfff b b 4 fJ fbf f f f bf f f f f - f f b f b f ∫ f f f f f f f FF ∏∏∏∏∏∏∏∏∏∏∏∏

∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏

? b b 4 F™ b b b 4 F™ f F™ f f Œ Œ . . f f f f f ff f ? bb ‰ J J ‰ J ‰ ‰ bbb I,

I…

I as - sure

b f & b bbb f f f f f f f Ff f ∏∏∏∏∏

? bb b FFF bb

fFF f

f f F™

ff ff

Œ FF ™™ FF ™™

FF FF

f .

F™ FF ™™ Œ

f f f™

you, Mad - am,

f f f f Ff fffff

f ‰ J

boldly

F™

Œ fff FF ™™ f FF ™™

come

f f

f Œ

FF FF f

pre -

∏∏∏∏∏ ∏∏∏∏∏

{

forward…

cous- ins. Though I am cau - tious of ap - pear - ing

∏∏∏∏∏

FF FF

4 4

f f™ ≈ f f f f f f f f ∏∏∏∏∏

Co.

∏∏∏∏∏

fff Œ b b 4 & b b b 4 nFFF ™™™ f

I am a- ware of the plight of my fair

∏∏∏∏∏

{

f f f f ff f

(to Mrs. Bennet)

∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏

? bb b 4 Œ ≈ f f f b b4 130 Larghetto

∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏

Co.

4 4

(Mrs. Bennet is outraged, then pathetic again.)

FF ™™ f F™ f Œ f Œ . .

106

f ‰ ‰ f f f ff f f J

to ad - mire

∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏

∏∏∏∏∏

FF F Œ

p f f ? bb b FF ™™ f f b b F™ f f f f Œ f . Œ Œ f . . . 3 Recit. ? bb b ‰ ™ f f f f f f f ‰ f f f f f f bb R

∏∏∏∏∏

∏∏∏∏∏∏

{

And now, if you'll ex - cuse me,

I must write a

b & b bbb w w pp col canto ? bb b w bb w w

Co.

? bb b bb

{

f f f™ f

131 Andante q = ca. 69

bb & b b b ffff

ff f f f. f. ff f ? bb b f f f f f f b b f f f. f f f. . . . .

Mrs. B.

f F

But at pres - ent I must say no more.

them.

∏∏∏∏∏

{

pared

∏∏∏∏∏ ∏∏∏∏∏

Co.

f f

ISSUU Version Œ fff FF b fF f f b ™™ f FF fperusal & b b b FFFFfor ff f fonly FF f f ff ™ f Ff f ™ f ™™ f f ff f ff f ? bb b bb

∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏

Co.

F™

(shocked at his own boldness, he brieﬂy rall. covers his mouth with his hand.)

bb &b b b

- - ‰ fJ f f Œ

ex -

(He goes into the house, bows deeply to Jane and Elizabeth and goes to his room.)

∑

ff f

∑

ed pa - tron - ess.

rall.

∑

? ff ff ff ff f ff f ff f ff f f f f f f f f f f f f f f f f f f f f f f f f f f. f f. f. f. f f. f. f f. f f f f f f f f . . . . . f. f. f. . f. f.

Adagio q = ca. 60

Ff f f f f f f ffff ? bb F b b b . . . >. . . . ? bb b Œ bb F

F f ŒF

fff

f f f- -

dim.

fff

∑ fffff f

132

nnnnn 43 Œ Œ f f f f f 3

fff & nnnnn 43

f f f f f- - f- -

FF ™™™ F p 3 ™ nnnnn 4 FFFF ™™™

∏∏∏∏∏∏∏∏∏∏∏∏∏∏

{

alt

FF F F F

few lines

What do you make of

107 3 3 3 b f f f. ‰ 2 f f f b f f f ‰ ‰ f f f J & f 4 J f f f f f f

accel. 3

ISSUU Version 2 ∑ ∑ 4 Œ for perusal only j j 2 bf fj nf 3

Mrs. B.

Mr. B.

{

that, Mis - ter Ben - net?

& F™ FF ™ ? FF ™ FF ™™

Mr. B.

{

think - ing of mar - ry - ing one of our

bff f. p bf. J

‰ #bff f. . b f ‰ J

accel.

f f f f >f

f >f f f

that is the wish of

his ex - alt - ed

133 Larghetto

‰ b ff . . f ‰ J

rit.

Mrs. B.

f f

ff f f f f ff ff ff

two of my girls

pa - tron - ess,

you may be sure

j ff ‰ ffj ‰ . . ff. ‰ fj ‰ J f.

‰ fJ f

ffj ‰ f.f

j f ‰ f ' Œ

f#f f #f ff 3 it.

f fF#f & #f f f 3

(Mr. and Mrs. Bennet return to the drawing room, she still ecstatic while he gives her a withering look, and goes into his library.)

al - most

f f FF

ff f f f ? ? F F & F n f—& f ff ff ff f f Œ n f— F 3 ° * mp

2 f 4

‰

accel.

>f f f

accel. poco a poco

∑

mar - ried!

F ##FF p

∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏

{

FF F

Oh,

f f3

4 nnfff

‰

Ÿ >f ™ f f f ≈f f f ™ f fj ‰

Ÿ & f f f f f f. >f f f f f f f. ≈ f j ‰ f > . mf f f f f >f f. >f f. Ÿ f. j‰ ? f f f ff f f ≈ f f f f f f

ecstatically

daugh - ters?

ff f

∑

fF #f nf # f f #f #f f #f f f # # FF #ff f Œ mf

espr.

108

{

ISSUU Version j j . f ™ #f. f f j f f . . . f # f # f f ff ™™ #f ∑ ∑ & f> ‰ ff. ‰ f. f- J #f. f. f. f. f. perusal . . f. only ff # f. f . # f f # ffor # f # f j f f #f f ™ #f f. . #f #f f # f .f ?

134 Allegro moderato (q = ca. 100)

rall.

(Lydia enters from another room.)

f > & J f™ 135

{

Ma - ma,

‰ J ‰

? f f

Mrs. B.

& Œ &

{

#f #f

>f f f

you

did in - vite Mis- ter Wick - ham and his friends

nf nf

#f #f

nf nf

‰ fJ #f f f

#f Œ

J ‰

f ‰ J

f j & f fff ff f fff f # f f f n ff fff fff ff f fff

course I

did!

∑

f f

j f f f #f f f f >

#f f from the

j f f f#ff f # f fff fff ff fff fff fff #ff ff ff ff #ff f f

f. ‰ Œ J

ff ™™ .

cresc.

#f #f

nf nf

∑

f f ™ #f f f f f

#f f #f f ∑

‰ #fJ

#f f bf nf bf f . f . #fff ‰ f J ‰ f f # f f n f ‰ fj ‰ #fj fj ‰ & #f nf f f f f #f # f # f . 6 f. f. ff # ff. . J . f p . . nf f f f f #f. ‰ ? Œ #f f ‰ nff #ff ‰ Œ J J J f f reg - i- ment?

am walk - ing in to

town

109

ISSUU Version ∑ ∑ ∑ ∑ & #f f . . .. .. .. for perusal ‰ f f b f only ff f ff f j #f f nff. f ff. F f j j f f f

{

see

f f #f ™

what is

rall.

keep - ing them.

& ‰ #ff. ‰ #fff ‰ #fff ™™ . f #f f nf ?

136 Moderato q = 66

& Œ ‰ f f f f‰ Œ Mis - ter Wick- ham?

∑

{

∑

136 Moderato q = 66

& F F pp ? nFF

& ‰™

fnbff f F J J dim. f . . n ff f f b FF nf f f ‰ f bf f J J .J . .

r & #ff ‰ ™ ? fR ‰ ™

Sure - ly he's too old for Lyd- i - a.

∑

F f f

∑

3 f ff f f f f f f

Œ #ff ≈ #ff ≈

When did a man's age ev - er both - er

j ‰ Œ f # fJ j ff ‰ Œ J

FF FF

Œ Œ

Fff f f

3 f f f f f fJ f f f Œ

But we've met Wick - ham twice,

poco rit.

fF f

f #f f f f f ≈ f bf f f f R

her?

F Ff f f fff ff .. ..

poco rit.

& #f

{

FF FF

∑

(Lydia leaves; Mrs. Bennet goes into another room.)

nFFF bF

and he

∑

fan - cies

you.

FFF F

‰ ∑

f≈ f

Œ f f #f f

Do you

like him?

∑

j f #ffJ ‰ Œ f J ‰ Œ

≈

110

f f ff a tempo

{

Cer - tain - ly I like him.

& &

{

‰

f J

f™ f f ≈ f f

no - tice, Jane?

nf f f f f

when he

J ‰ n fJ ‰

‰

Since Bing - ley went a - way

137 Larghetto q = 50

{

& ##FFF ? F F

∑

col canto

∑

f™ f f f ≈ f #f f f f f f f

j ff ‰ Œ fJ f f ‰ Œ J

∑ ∑ ∑

But how

f ff F

did you

‰ f J

I've

cloud.

F f

f f

(Jane takes a piacere

Ff #f ff f f f f

∑

in.

you've been in a

#Ff ™ f

a letter from her sewing box.)

walks

f ff #ff#ff #f. f f ‰ ##ff ff ff f J

‰ fj f f f f #f ≈ f

read this letter from Car - o- line Bing- ley eve-ry day for a week

f ≈#f #f f f

∑

‰ Œ

look

dim.

‰ ff nff nff #ff F F

(ritenuto)

137 Larghetto q = 50

∑

f ff f J

Eve - ry fe - male turns

‰ #fJ

(ritenuto)

ff. & J #fff. n ? J

f ff f

ISSUU Version j j j j j f f j ‰ #f ‰ nff ‰ ff ‰ & ff nf.f ‰ f.f ‰ f f for perusal only . ff f f. f. . . . &

? #f J

f f‰

ritenuto

(rit.)

f f

f f f ‰ J

I'm sure they've gone for good.

f nff

(rit.)

‰ f f

a piacere

But they

j fff ‰ f ‰ J

111

(handing the letter to Elizabeth) 4 ‰ >f fJ ≈ fR f f f ‰™ f 8 J R

Lento e = 72

∑

{

(più mosso)

left

They'll soon re

∑

{

bF & bbfF

12 & 8 Œ™

‰ f f #f

Bing - ley won't come back.

{

F F

Not this year,

∑

8 ‰ bff ™

4 ‰ f™ 8 f™

j ™ ff

j ‰ j >f ™ & f f

{

to keep

him

j f nfJ f

from com - ing

F F

f f™

f bf

∑

12 8

b ffF #ff ff ffnff ff b ffF ff ff f , 12 f & 8 F F ev - er.

f nf #f f

12 8

f f ‰ f f bf f f f f ™

12 F ™ ff & 8 #ff nff ff ff ff ff ff ff ff f f#f f#f nfff bfff . . . .. . .. . . . . . p f f # f. f. bf ™ f. nf. . . ? 12 f f f. f. f. f ™ 8 It is on - ly clear

∑

(Elizabeth glances at the letter.)

that

Lento e = 72

∑

138 Allegro giocoso q. = ca. 96

it's clear from this

turn.

bf f f f j ≈ r f r ™ ‰ & f f f f

No,

(rall.)

on - ly ten days a - go.

∑

ISSUU Version f 4 j f f & f f f f ≈ f f f 8f ‰ Œ for perusal4 only f ™™ F &

that Miss Bing- ley is do - ing her best

fff . f.

>f ‰ ‰ f J

back.

She's

ff ff ff ff ff ff f fbf fbf f f. f. f. f. f. f. f ™ f. f. f. f. f. f. bff ™™ ff f f f J

‰ #f f#f f#f f

de - ter - mined that he

j‰ ‰ j ‰ f f & f ™™ f f f ‰ ‰ n f # f f f f f f f f f # f f f f # ff n ff ff ff ff ff . <#> f n f. f. f. f. f. . . . sempre p . .. . . ™ . f ™ f. #f. f. f. ‰ ‰ f. ‰ . . . . ? f #f f f ‰ f f ‰ f ff ™ J J

f J

ff ™™ ‰ f™

shall

112

f™

{

mar

Dar

J ‰ ‰

cy's

sis

f™

Ó™

{

f™

{

139 Larghetto q. = 54

? bff ™

{

f™

Ó™

#f ™

rit. molto

j #f#f#fnf f bf f ™ f ‰‰ ‰ ‰ ff nfbf f fnf f fff ‰#fff nnfff fff fff ff ##ff ™ n f ™ f™ . . . .. .. . p mp . f f bf ™ nf f. ‰ f. nnfF ™‰ f ‰ f #ff ‰ ‰#fff ™™™ f ™ f#f f#f f f ™ J

That would help Miss Bing - ley mar - ry

& Œ™

ter.

j & f fj f #fj nf fj f f f ™

j f bf

j f bf ™ fJ F ™ j f ff bff fF ™™ J J

& ff ™ fj ff

f™

rall. poco a poco

& f‰ f # ff ff . . pp ? f. ‰ #f.

f™

ISSUU Version j ff fbf fbf f #ff fbf f#fnf f f f f ‰ ‰ f f ff ff ff ff f f f fnf f b f f f f f f & nf. f. f. f. #ff #ff ff . . f. . . . onlyf. f. f. for perusal ff ™™ f. f. f. f. f. # f. f. ff ™™ f™ f™ #f. f. f. ff ™™ &

f f #f f ™

Allegro giocoso

f f J

can - not think

f™

Dar

f J

#f ™ f™

cy.

f™

b ff ™™

ff ™™

ill

nff ™™

ff ™™

2 j f f bf f f f

f J

Jane.

ff ™™

ff ™™ f #fj f ™

f™ & #ff nff ff ffbf fbf f f f ™ FF ™™ f ™ # f f ™ f f ™ Œ f f . . . f f™ #F ™ mf pp . . . .f mp f™ . ? f. f. f ™ f. #f f. f fbf fbf f nFF ™™ Think what you like,

Car - o - line Bing - ley.

an - y case

ff ™™ Ó™ nff ff ff ff ff ff f. f. f. f. f. f. p nf. #f. f. f. f. f.

F™ f f f ™ & J

f J

{

& Œ™

{

you.

rall.

f™

#ff ™f#f f f#f

f™

course

f J

f fj

f f ‰ f

Œ™

Ó™

Liz - zy,

f f f #fj f ™ Ó™

{

b & b bbb Œ

{

‰

f. #f. f. #f. f. J ‰ ‰ J ‰

j bb b f fj f ™ f f f f f bb

f™

our

‰ ‰

Œ™

Mis - ter Col - lins. . . . . . She's too up- set by f # f f f .j #f f ™ #f ™ bbbbb Ff ™ f f Œf™ ## fff ™™ fff ‰ ‰ Œ ff f ff f ff f ff ff f f f f f f f J . . . . . . . . . p . f. . f. f ™ f™ f f f ™ b J ‰ ‰ Œ b bbb f. . f. f. f. f ff ™™

moth - er they've gone.

? Œ™

j f #f nf fbf f j n f ‰ ‰ f™ ff ‰ #nfff. #ff.f fff. ff.f .

But we can't tell

ff ™™ f™

‰ #f f f f #f

you?

140 a tempo

f™ #f ™

f & f f #f

Ó™

f™

what would I do with - out

ff ™™

re -

f ff ™™ n fff

140 a tempo

rall.

he'll

™

p cresc.

turn.

Œ™ & Œ™

‰

rit.

ISSUU Version n ff ™™ f f nf ™ b ff ff FF ™™™ FF ™™™ ff ™™™ #FF ™ & ff ™™™ FF ™ J f. f. for perusal only f #f f f # f ? Œ ™ #f ™ Œ ™ fw #f f f #f nf #f bf f ™ j Bing - ley loves

& #Fff ™ f ff f ff f fff ™™™ nf f f Œ ™ . . . . . . p mp. . . . . . ? ff nf f f f f f ™ J ‰ ‰

‰

113

f J

j bbb f ™ f b & b nff ™™ bbffJ .. cresc. f nf bf f nf nf bnfff ? bb bbb J She's

near

f J

‰ ‰

j b f ‰ nf f. fff. b ‰ f J

hys -

ter -

‰

ics.

Œ™

Œ™ Œ™

4 4 4 4 4 4

114

141 Allegretto q = ca. 104

ISSUU Version bbb 4 f f f f f f f f f b & b4 f f f f f f ffff f>f > for perusal only . . f . f . . f f j f f. f. f f f j j b j

(Mrs. Bennet enters. Jane and Elizabeth exchange glances in astonishment at their mother's cheerful demeanor.) stacc. (cheerfully, as she goes about her work)

Mrs. B.

{

la la la

j 4 b f j ff f b ‰ ‰ ‰ Œ b f & b 4 f. f. f- f. ff f. j ‰ Œ . p ff f . f? bb b 4 ff ‰ Œ J ‰ f Œ f Ó b b4 J

Mrs. B.

f- f. f. f. b b &b b b la b b &b b b

{

la la la

∑

rall.

ff rall. . . f . f f f f. f. f. F b ff ff ff ff FF & b bbb

Mad- am,

F . ? b b f f. f. fJ ‰ j ‰ fF f f f F bbb f f. f

Mrs. B.

bb &b b b Ó

b & b bbb ≈ f f f f

{

f f

‰ f J Œ

la la la la la

142 Adagio q = ca. 60

f f Œ

la la la la

J‰J‰ ff ‰ Œ . . f. ‰ Œ f. f f f f. f f. f fJ ‰ j ‰ f f. J

la.

∑

‰ fj f f f f f f ™ Œ you seem to have re - cov - ered.

142 Adagio q = ca. 60

FF FF

f™ f f

In - deed

I have.

Œ Œ

≈

f.f f.f ff. ff.

f f f f f ff

And you shall know it soon e-

.. .... f ff f f ffff b f f F f f f f f.f f.f f . . .f f. n f ffff ffff FF b fff f f f F

∑

Have you re - ceived good news?

bb &b b b f f ? bb b ff bb

f. f. f. f. p fff. ffff.

115

Mrs. B.

b & b bbb F

{

. . ‰ f f f f. fJ ‰

≈f fff f f f f

ISSUU Version . . . . . . . ff j‰ bbb ff f nf f f f f f ff f f f f f bfff b . . . nf ff & b n f f f f f f f bf f f f f f f f ff . . . for perusal only nough.

fF n f ? bb b F bb

{

Now run a - long out - side and read;

bn ff

. nff

ff.

I must work this out.

bw f fff ff f f f f allargando

143 Moderato q = 66

poco accel.

(Mr. Collins enters the drawing room.)

. . . . . f. . . . f fff bff f f f f f bbb ff ff ff nfff nff ff f f b f ‰ ‰ ‰ f f f & b f nf. ff ff f nf f f ff f bf f f f f f . . f. ff b fff ff fff ff f ff . . . . . (Jane and Elizabeth go into the garden and read.)

? bb b bff f F ™ F™ bb

Mrs. B.

Co.

b f f f f f ‰ ff f f & b bbb ? bb b bb

{

Oh, Mis- ter Col - lins!

∑

Co.

I was hoping

to speak with you to - day.

b & b bbb w

f f f J

‰

And I

j f. ≈ f f j f. ≈ f f

with

f. ≈f f f. ≈f f f. f. f. f. j j f. ≈f f f. ≈f f f. f. f. f. j

f f f f ‰ ≈ f f f f f f f™ f f f f J

? bb b ffw ff FF bb w pp

bF FF

f f f F

I must no long - er de - lay in broach - ing a sub - ject so dear to my heart.

ff f

w w

ff f

w w w w

∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏

{

Adagio q = 58

you.

f f f f f fj ‰ Ó

f. f. f. >f f. f. f. f. f f j b b f f f ≈ f &b b b f- f. f. f. pp j j ffff. ff. ff. ≈ f f ? bb f ‰ Œ bbb f f. ? bb b F bb

F Œ

w w w

116

144 Recit.

Co.

3 2 Œ ‰ 4 ff I'm de f f3 f f 3f f f 3 f f 2 ? bb b ‰ f f f f f f f f‰ 3 ‰ f f Œ 4 4 bb J

{

b & b bbb FFFF

Co.

My hum - ble a- bode, Mrs. Ben - net,

144 Recit.

is in ver - y great need of a

3 4

pp col canto

? bb b bb

{

Has one of my

∑

∏∏∏∏∏∏∏∏∏∏∏∏

∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏

ff f ff f

∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏

f f Œ

fan - cy?

∑

f f J

f 3 f ‰ As

f - held

Œ FF ™™ FF ™™

F™ FF ™™ Œ

## 4 4

f f J

## 4 4

nF Œ

∑

nf My

ff ff

∏∏∏∏∏

f .

struck your

∏∏∏∏∏

FF FF

∏∏∏∏∏

? ## 44 F ™ FF ™™ Œ

∏∏∏∏∏

{

## 4 Œ & 4 FFF ™™™

the mo - ment my eye

2 4 ffj ‰ Œ . p. 2 fff ‰ Œ 4 J

f. nf nf f Œ .

∑

f f3 f f 3 f f 3f f 3 f ? ## 4 f J J 4 ff ff

girls

145 Larghetto (q = ca. 54)

mind was made up

a tempo

∑

3 3 b n f b f f f f b ≈ & bb nf f nf f f f f light - ed to hear it, Sir.

mis- tress.

∑

3 4

j b b n f & b b b nfff ‰ nfff p mf f f ? b b ff ‰ nff bbb J

Co.

∑

ISSUU Version for perusal only

? bb b b b FF F

Mrs. B.

3 4

∑

∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏

Mrs. B.

b & b bbb

a tempo

FF FF

f .

the love - ly

Jane.

f Œ

## 4 4

Co.

f f ? ## f f f f f f f

{

is the eld - est daugh - ter,

146 Allegro giocoso q. = 96

‰ Œ™

∏∏∏∏∏

f F

f f f f f

12 &b 8 Œ™

{

it would seem

most suit - a - ble?

b 12 8

‰

fJ j f ‰

f f#f f f

Œ™

12 b8

‰ Œ™

&b Œ™

{

f f

? Œ™ b

{

Œ™

rit. molto

soon.

Ff ™ ? b #f ™™

f f f f fj f ™ f J

f f J

that Jane

Ó™

™ ff ff ff Óff

No, Mrs.

Ben - net,

? b f ™ #f f f f p

annoyed

ff ff ff ™™ f f f™

did

f f

. j ff ‰ ff. ff ™™ f f f f#f f fff ‰ ‰ ? f. f ™ J ff ™™™ f .f . ™ f f f . ‰ f fJ ‰ ‰

like - ly to be

en - gaged

ver - y

Ó™

Œ™

not

Œ™ Œ™

f f # J

a tempo

>F ™ f f f f f f f‰ ‰ ‰

rit. molto

j ff. ‰ f f. nf ‰ fj f. ff ff f . . f f. f . ‰ f ‰ f.

I thought you knew

fp stacc.

f™ &b

I am so sor - ry.

f f f f f f f f f bff ™™ F™

p stacc.

?b f f f f f f

Co.

12 b8

™ 12 & b 8 Fff ™ f ff f ff f Œff f ff ff ™fbf f#fnf f # f f f f f f f f f f f#f f#f #f f f f nf n f f f f f f f f # f ™ Oh, Mis - ter Col - lins,

& b nFff ™ f ff f ff #f f

Mrs. B.

f f f f f F f™

? b 12 f f f f f f f f fff ™™ 8 f™

Mrs. B.

f f f f f f fJ ‰

ISSUU Version # f f f F f™ &# f f f f f f f f f f for perusal only she

? ## FFF

Mrs. B.

117

f™

f™ #ff ™™

Œ™

But

E -

know.

f #f nf #f nf f

Ó™

a tempo

F™

# #

118

# f

147 Mrs. B.

Co.

f ‰ f f

f ‰ f f™

f f™ J

f #f J

f f™ J

4 4

q. = q

ISSUU Version #f ?# Ó™ Œ™ ‰ ‰ J 44 ∑ for perusal only ™ Œ . . f. . f. . # ™ f. . &

{

liz

a - beth

in birth

and beau - ty both.

‰ Ff f f f f f f f f f ‰ #f ‰ f f ‰ f f f f f f f f f ff f f f f#f .. . .. . .. . .. . .dim. poco af.poco p f .f f f. f f. f f. ff ™™ . f . # f ™ f f f f #f ‰ ‰ f ‰ ‰ n ff ‰ ‰ fff ‰ ‰ ?# f J J J f J 147

#fj

∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏

Co.

?# 4 f 4

{

love

#4 j & 4 ff nf ? # 4 nfŒ 4 .

Co.

Mrs. B.

‰ f .

Ÿ f f Ÿ ff .

maid

f .

j ff f

Œ f .

Ÿ ff Ÿ ff .

too!

‰ f .

fj

f .

fj

j f

q. = q

4 4 4 4

U Ó

(hesitating)

U #w w w p U w w

3 f f f f3 f f ™ f f f U# 2 ? # ‰ #insinuating f f f f f f f f f f #4 J May I so - lic - it the hon - or of a pri - vate au - di_ence with her this morn - ing? U# U # # 42 ∑ & FF Fcol canto U ? # FF ## 2 ∑ 4

{

Recit. (meno mosso)

f™

f f ‰ f f f #f f f f #f J Oh dear! Liz- zy will be ver - y, ver - y Why, yes. Cer - tain - ly! . ff ‰ f. f. f. #f. f. f. . . ## 2 f f Œ ff ff f Œ #f f & 4 f.f f.ff f.ff.ff.ff.f#fJ . . p. p poco cresc. p . . . . . f f. f. # f. f. f. . . . . . . . . f f f f f f f f f f # f f f f f f f f f f f f f ffff f #f f ? ## 42 f f fffff. ## 2 ‰ j f & 4 f

{

‰ fj f

148 Allegro moderato q = ca. 72

(leading Mr. Collins into the garden.)

119

Mrs. B.

## f &

j f f ‰ f f f

(Both girls rise. Mrs. Bennet takes Jane's arm and begins to lead her back into the house. Elizabeth starts to follow them.)

f f f

j f f

ISSUU Version ## f. ‰ f f F f f f f f f f # & J for n F f f f. f. f f.f f.f #f perusal f.f f.f only . . f

{

hap - py.

Jane, come with

‰

me.

need

you

up - stairs.

f. ff. ff. ff #ff. ff. nn fF f f f f # f n f f n f fbf ff . f. nf. f. f. . . . . ? ## J ‰ f ff ff Œ

Mrs. B.

149

## &

{

∑

f f‰

# f f #f f f nf f f f f f f f f f & # ‰ #f f f f f #f f F poco a poco pp fdim. staccato f f f ff fffff f # f n f f f f f f#f f f f ? ## f#f f . .

Liz- zy,

# f &# f f f f f f ## &

{

‰

∑

Col - lins wants a word with you.

∑

f f f f f f #f

≈

∑

f f

Mis - ter

f. f.

∑

™ f f

f fff f f f ff ff ff # ff ff ff ff #fff nfff fff #fff ff ff f f f f f # f ff ff #f f p staccato # f dim. f#f f f f ? ## f. f. f. f f. f. f. f f f #f f f f #f f f f f f f f ff ## &

Mrs. B.

But I was just go_ing a - way

## f f ‰ &

f f‰

# &#

Liz- zy!

{

? ##

Liz- zy!

f f

‰ >f Stay

150

f f F

my - self.

(Elizabeth, vexed and embarrassed, stays, while

where you

f. f. ff f. f.

f f f f f f f #ff ff ff#ffff ff ff#fff f #f f #f f

are!

f. f. f. f. #f. f. f. f. #f. f. f. f. f. f. f. cresc. poco a poco

{

## >ff #f. f. >fff f. f. #>ff f. f. >f f. #f. f. >f f. #f. f. f f. f . f rall. poco a f nf f f & nf n f f. f. dim. f. . . > . > . >f >f #ffff f f f f f. f. f f # f. f. f f. f f. f mf # ? ## f ‰ # fJ ‰ f f nf J f f. n f .

ISSUU Version for perusal only

poco

## & ? ##

Co.

the business over with as quickly as possible, Elizabeth

ff f f n f f nf f f ff f f f f nf f f n f f f f f f

? ## Œ

{

? ## f ™

your

mod - es - ty on - ly 3

adds

to your per

n fff

fff ff f

f The

f. f.

f™

f. f.

f 3f f f 3 f f f3 f 3 f 4 f J J 4

152

ff ff

mo - ment I came

4 ŒF ™ 4 FF ™™ 4 F™ 4 F™ F™ Œ

f .

FF FF

sin - gled you out, my

f .

f f Œ

f™

f -

f fJ

dear

Œ FF ™™ FF ™™

FF ™™ F™ Œ

fec - tion.

ff # ff f f f™

f. f.

f3 f f J

f ‰3 f

f. f. 3

ff ff

FF FF

f .

E - liz - a- beth,

∏∏∏∏∏

∑

f. f.

f™

nff f f f f ff n ff ff

f. f. f f. f. f. f.

f™ f f f

ff f f n ff

n f 3f f f f

∏∏∏∏∏

? ## F

ff f

U nF

∏∏∏∏∏

## &

Ah,

f#f f f f f f f

f ‰ Œ J

∏∏∏∏∏

? ## Œ

{

151 Larghetto q = ca. 54

## Œ &

Co.

U n f f f f f f f f ŸF ?

rit.

sits down again.)

∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏

{

Mrs. Bennet and Jane go into the house and through a door that leads to the stairs. Deciding to get

∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏

120

f Œ

? ## f f f f

{

∏∏∏∏

‰f f

f. f. f. f.

∑

f™

cresc.

f ff

FF FF FF F

fff f ff f

j ‰ ff f

f. f.

fff fff fff ff ff ff f f f f

‰

f. f.

fff fff

f ff f. f. . .

(Elizabeth is so near (Mr. Collins enumerates with his ﬁngers, as if he has memorized laughing, she can say nothing.) his reasons. He sings more for himself than for Elizabeth.) pomposo

? ## f f ™ f U Ó mar - ry.

∏∏∏∏∏∏∏∏∏∏∏∏∏∏

nn Ó

U j nn w ff ‰ #fff w w f . w fj ff U ‰ f nn w f f. w

>f fff f f f f f f f f f≈≈f ff 3 J ‰ ≈ 4

First,

good ex - am -ple

mat - ri - mo-ny.

3 & 4 fff #fff fff fff fff f fj ‰ f # ff # ff . . . . pp ? 3 f f f f f f fj ‰ f ff 4f . f f. . .

FF F

#FFF F

it is a right thing for eve - ry cler - gy- man

- ? 3 f f f-#f- f f >f ™ f f f ™ f ‰ 4 Ó 4 J 4

{

f. f. f. f. f animato f f f f f fPoco f f f f f f f f f ff ‰

154 Moderato q = 60

rit.

{

f f F f f f f f f. f. f dim. poco a poco

But be - fore I am o- ver - whelmed by my feel - ings, I shall state the rea - sons why I've de- cid - ed to

# &# F # FF ? ## FF F

Co.

∑

life.

∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏

? ##

f ff f f

153 a tempo

? ## Œ

{

f F

dolce

## &

Co.

allargando

ISSUUf Version f ff F f f f f f ff ff f ff f F ## f f Ó f f ff f & ff f ff for perusal onlyf . . be the com - pan - ion of my fu - ture

? ## FFF

Co.

f. J‰ Œ

accelerando

∏∏∏∏∏∏∏∏∏∏∏∏∏

Co.

f f F fff

121

j ‰ nff 44 w w f. w w f j n f ‰ nf 44 w . w

FF F

>f >f

FF F

‰ ‰

Sec - ond,

to set a

3 4 3 4

f f 2 f f f f ff f 4

it will

2 ffj ‰ 4 f. . f 2 4 fJ ‰

j ff f. f. f J

add ver - y great - ly to my

‰ ‰

122

Co.

f f f >f f f f >f

155 f >f f ™ f. f. f. 3 f j f #f f f f f f 3 4 ? ≈ 4 #f ™ f f f. ‰ 4 Œ ‰ J 4 > hap pi - ness. And third - ly, it was par j .f f. . f f. . 3 3 Œ ‰#nfff 44 #FFF ™™™ & f f f f. f f f#f f f f f f 4 j ‰ 4 # ff # ff f. F ™ . pp . . . f p ff f f f f. f. f. f f j f f j 3 ? #f f f f f 3 f ‰ #f ‰ 4 F ™ Œ 4 f. #f f 4 F ™ 4 f. . . . . . . . . - ? 3 f f f f f f f f ‰ f f f f f- #f- ≈ f f f 4 fJ f fJ fJ f fJ 4 4

{

ISSUU Version for perusal only

tic - u - lar - ly rec - om - mend - ed

3 & 4 ##fff #fff . . pp . ? 3 ff f. 4

Co.

{

f ™ bf f

& nbFFFF ?

Co.

pa - tron - ess.

bF bF mf

fff . f.

ff f. f. f

ff f f f

by the

no - ble la - dy

j f f ‰ f f f nnff #ff ff ff ff nf f f f f nf f J

{

& Ó

? Ó

but

hon - or

4F 4 nFF 4 nF 4 nF

‰

of call - ing

#FFF

bf f f f b>f f f f f f. f f f f f Œ ‰ ‰ J ben misurato senza affrettando

"Choose wise - ly," she said.

a - ble

to make a small in - come

bff f. pp f f.

#fff . f.

ff f. f f.

"Let her be a

j fff ‰ b f. p j f. ‰

f ™ f f f f f f f bf f ? high,

I have the

use - ful sort of girl,

f™

f f

way."

long

F F f. f.

not brought up

j‰ f bff . j f. ‰

Œ Œ

j fff fff ‰ ffj ‰ nf f f f f f f . . . . . . f. . b ff. . . f. bfj ‰ fj ‰ nf. f. f. f. f f. f f . f. . . .

123

f f fJ ‰ Œ Sir, are you not… f f f f f f f f f f f ? Œ #f ‰ J & ‰ f 156

Co.

{

156

n f.

? f f f f f f f

{

f. f. f. J f J

157 (rall.)

? ‰

{

& ff ™™ f™ ?

Co.

{

And

f. f.

‰ f now,

#f f f f 5

f f f f f 3 J ‰ 4

& nwf FF ™™ f

? nw f f f

f. f. f. ‰ f. f. f. f. J

‰

rall. poco a poco

‰

#fff fff # FF . . F mf dim. ‰ f. f. f. f. f. f. f . f f f. f. f. f. f. f. f. f. f. . . Largamente fcon abbandono #f f F ‰ f #f f J #f nFF nFF

noth

of the

ing

#F n FF °

b >f ™ f f ™ bf f

f fJ #f cresc. poco a poco f f #f ‰ J but

re - mains

w w w Ów

Più mosso

you

f. J

ff f

#fff

sure

‰

poco animando

? ‰

Co.

f.f ff. ‰ ‰ f f. f. J

will in - her - it their es - tate.

& Ó

‰ f J

flat - ter my - self that your par - ents will ap - prove,

f.f p ff. ? j ‰ ‰ f f J . . n f.

Co.

∑

ISSUU Version Œ for perusal only j j f f f ‰ Œ ‰ Œ Ó f & j ‰ Œ

∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏

#f Ó

ritenuto

3 bf ™ 4 4 F f #fF ™ bf nff nff 4 f bf vi - o- lence of my af

as -

‰

w w Ów f 4 f4

- fect

3 4 bf f 4 #f ™ f f ™ bf f #f 4 f

f. f.

tion.

#f f f f f f. f. f f f F™ p

124

ISSUU Version ‰ f f j ‰ Œ f f#f f Ó ‰ f f f for perusal only . .

≈f f f f ff

158 Larghetto (q = 54)

& Œ

{

You are too hast - y, Sir.

& F ? Ó

Co.

j f ‰

‰ fj f f f f f f f

I thank you for your com - pli - ment,

159 Slow waltz (q. = ca. 42)

rall.

>f >f f j f ‰ Ó & ' can - not ac- cept. ? ∑

(Mr. Collins dismisses her words with a wave of his hand.)

{

f. ≈ f # fn f # f f f

F #f f f f f. f.

‰

but I

6 8

∑

6 f™ 8

‰ f

f f f f-

know that at first

(ingratiating)

Oh,

∑

‰ f young

j ff nf f f f. f. f. f. f. f. . f. 6 ‰ ff f ‰ ff f ‰ f ‰ f n ‰ f 8 f ff & f #f f ff f f . - - f- ff #f f . . . . . . . . pp f n f f f f f f f nf f f 6 ? #ffJ ‰ f f- ‰ ‰ j ‰ ‰ ‰ ‰ j j 8 F™ fJ ff f

Co.

f f f f ? f f

{

159 Slow waltz (q. = ca. 42)

rall.

dies

>f ‰ f f ‰ f

al - ways re - ject

& ‰ ff f ‰ ff ff f ? j ‰ ‰ ‰ ff f-

the man

they

j f f

j f

‰ fff f ‰ ff #f f f

f f f f. J

mean to

ac - cept.

‰

ff nf f f f ff n ff # ff f f. f. f. #f. . . ‰ j ‰ f f # f f.

Co.

? f #f #f f

>f f

f f ‰

Co.

{

am not dis - cour - aged, Cous - in,

rall.

? f

{

rall. .

#f fJÆ J tar

Co.

and

hope

ff ffnbff f. f. f. nf f bf

j > & #fff nfff #f f‰ > ? #f f . > f

f f

lead

you

to the

ISSUU Version . . . . . . . . . . . . . nff. bff. b ff f nff f f f f f f f f . . n f f . ff ff f f f bf f ff ff ff ff f. f f.perusal & f #f. #f.for f only . . . f f. . . . I

. f ? #f. f f

f J

125

f. f. f. f. f. f. f. f. f. f. f. f.

160 Larghetto

cŒ

∑ ‰

yet.

‰

≈ f f f f f fj ≈ fr ∑

Up - on my word, Sir,

your

160 Larghetto

c ∑ ff ™™™ f . . . . . . pp f #f nf #f nf f c . . f. f. j f™ f f f. f f f f f f ‰

f f f™ f #f f f ‰

f f f™f

6 ‰ Œ f f 8 f f >f >f > hope is ex - traor - di - nar - y. I am per - fect - ly se - ri - ous in my re - fus - al. f ™ f. . . . . . 6 f f ™ f f f f f. f 8 f™f ≈ Œ Œ & Ó f ™ f f. > >f p sf . f. f. f. f. . f. f f ™ f f # f . . . . ? ff f 6 f ≈ f f f‰ f. f. f. f 8 f f > f. . f. f. f. f. 161 Slow waltz - f- >f f f f ‰ f f f ff f f f f ‰ ? 6 Œ™ f‰ f f f 8 J &

{ {

ff f

risoluto

6 f & 8 ‰ ff fff ‰ fff #fff ‰ ff f ‰ f f ‰ ff f ‰ ff f f# f f -- -pp ? 6 j ‰ ‰ f- ‰ ‰ j ‰ ‰ ‰ j fj ‰ ‰ 8f fJ f f f Ah,

how charm - ing you are,

you

rall. molto

f ‰ fff f ‰ ff#f f f

el - e- gant fe - males who use

sus - pense

to in-

j f f

j f

126

f f

162 Allegro agitato

∑

2 4Œ

f f

Real - ly, Mis- ter

Co.

{

crease

our

ar -

dor.

#ff ff 2 ff. ff. . . ffÆ ‰ ™ # f f & ff nff ff ##fff fff ff. ff. f. f. 4 f f f f fR f f f . . f j 2 ? f. f. r ‰ ™ f f f f f 4 . . f f . . f. f. f f ' . .

f f ‰

ISSUU Version 2 ? f f f fJ f ∑ 4 for perusal only accel.

accel.

Moderato (q = ca. 60)

& f f f f f ™#f f

{

I am not an "el - e- gant

162 Allegro agitato

>f f ‰

fe - male,"

rall.

Col- lins!

ra - tio - nal

∑

rall.

‰

f f f ™ f f #f f f but a

per - son who

f. f.

∑ f. f.

f. f.

f™

U > f f

speaks

the truth.

Co.

∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏

U ff ff f f ff f ™ f Œ ‰ f f f . . . . & ff #f f . . f. f. f. f. f. f. . . ff .p . . . f. U f f . f. f # f ff f f # f f f . . ? ‰ f Œ f f f. ‰ f. #f. rall. f. & J ‰

{

Œ ∑

163 Andante con moto (e = ca. 72)

## 4 8

## 4 f 8

fdear

∑

f f >f f f f f f >f

cous - in, I am

not so eas - 'ly fooled.

e = q.

6 8 6 8

. . . . . . . 163 Andante con moto (e = ca. 72) e = q. f # f f f f f f f #4 6 & FFF f 8 n ff ff ff ff 8 f f f fff f f f f f f - f ‰ f ‰f . . . . . . . p f f f 6 ? FF f f f f f ## 48 f. f. f. . f. f #f f f f . . f. f. f. f. f. . . f f 8 . . rall.

127

f f f f ‰ ‰ f f f f f f f f Œ fJ f f f f Version ISSUU # 6 ∑ ∑ perusal f. only f j‰ ‰ & # 8 F for ™ Ff ™™ # f ™ f > f L’istesso tempo q. = ca. 72

Co.

? ## 6 Œ ™ 8

p (smugly)

{

Your dow - ry

? ## 6 f. 8 f f. f ™ .

Co.

is prac - ti - c'lly noth - ing,

{

trac - tions,

you may nev - er re - ceive

Co.

{

f™

There -

fore,

must

(condescendingly)

f f™ J

con - clude

f nf f f f f f J an

of - fer of mar - riage a

## f f. nf. f. f j ‰ ‰ nf. f. & . > n f. f. f. n f. f. f. f. p pp . . . n f. . ? ## f. . >f j ‰ ‰ nf. f . bf . f . bf f bf f bf. f f.

164 Slow waltz

spite of your man - y

f. f j‰ ‰ > f. f.

∑

nf f f f ? ## f f ‰ ‰ f f

and in

j j f. ‰ f f ™ that you

∑

f™

U f ‰ ‰ Un n J

- gain.

U ff ™™™ ff ™

nnfff ™™™™ f. n f

Un n

U™ f . f #f #f. f f . . . mf

mf ™ f f f‰ are

at -

not

U ,mp f f J

rious

U ff ff ‰ f ‰ j f ™™ ‰ ‰ ‰ ‰ ‰ f f & ff f j f fff ™™ f f f f ™ f f f f f -f. f f f f™ f f f™ f pp dolce mf pp pp n fU j‰ ‰ ? nf ‰ ‰ f ‰ ‰ fj ‰ ‰ fj ‰ ‰ ‰ f f f bf f f f f . . J J ff f f bf f bf f. f.

128

poco rit. E.

Co.

a tempo

∑

ISSUU Version f ™ f f n F F™ F™ f ? f f for perusal only &

(conﬁdently)

re - jec - tion of me. ff. ff. f. f. . . . f f n ff ff f f. . . . f. F ™ f f ff ff ff f F ™ &

{

your

& f ff fff fff fff ff f p f f ? f f f F™ poco rit.

ff f

ff ™™™ ff ™

fff ™™™ f™

a tempo

™ f ™ ff ™ f™

F™ F™

ff ™™™ bfff ™™™ ff ™ f ™

FF ™™™ FF ™

f™ f™ f™ f™

F™

{

∑

p . . ?2 . . f f 4ff f. f nf f f f Œ

& f #f ‰ f f fJ f

{

cresc.

f f ff f f J

∑

2 4

j #ff ‰ ‰ Œ ™ # ff.

2 4

j bf ‰ ‰ Œ ™ b f.

2 4

ffff f f f. f. f. f. . f. .f f. f. f. f f. ‰ ‰ f.

I thank you a - gain for the hon - or

2 &4

Well!

ff f f fff f

‰ fj f f f f f f f f

(Unseen by Elizabeth and Mr. Collins, Mrs. Bennet goes to the drawing room door and listens in.)

∑

#f ‰ ‰ 42 J

(stunned)

sfz

F™

165 Larghetto (q = ca. 54)

2 &4

Œ™

of your be - nev - o- lent pro-

f f Œ

(moving away to enter the house)

∑

ff. . f . f. f f f f f f f. f. ™ f ∑ Œ ‰ f f f . f & #f f f f f . . . . p mf f . . . . . ff bf. f. f. f. ff . ? ‰ f. f. f. f. ‰ f f j ‰ ‰ f . f f f ‰ bf f bf. f. f. f . . f. f. pos - al.

But my feel - ings

eve - ry re - spect for - bid

it.

{

∑

. ISSUU Version b f. f. f. nf. bf. f. . f U f Œ bf. f. ∑ bf. f. f & f . . b f. f. f. f. perusal only for U f ? ff bf

Can I speak an - y plain - er?

. . f f . f. f. . . b f.

166

## 3 & 4

? ## 3 f ™ 4

∑

f f f J

166

Mrs. B.

fff f

∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏

∏∏∏∏∏

## 3 Œ & 4 FFF ™™™

you are

ff ff

∏∏∏∏∏

{

Ah,

f. bf .

bf. f. #f f. Œ . b f. b f. f.

f f ‰

## 3 4

Allegro moderato (q = ca. 72)

∑

## 3 4

## 3 & 4

(remaining in the garden as Elizabeth enters the house)

(stopping Elizabeth as she enters the house)

f f3 f f

ff ff

Liz- zy!

∑

ef - fab - ly charm - ing.

Œ FF ™™ FF ™™

. ‰ ff ff fff . . J f . . . ff ff ff ‰

Allegro moderato (q = ca. 72)

‰

p . f. . f. f ? ## 3 F ™ f f f FF ™™ 4 F™ F™ f f F™ f f Œ Œ . . . . (Elizabeth leaves as Mrs. Bennet enters the garden.) ## Œ f f f f f 2 f f f ∑ ≈ f f f & 4

{

∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏

Co.

∑

∏∏∏∏∏

Mrs. B.

U a tempo f f ‰ ff f f f

(She turns at the door to the house.)

accel. poco a poco

∏∏∏∏∏

129

## ‰ ff. ‰ Œ Œ f f & f. f. fJ f. . . p ff ff ff f. f. f. f. f. f. f. f ‰ ? ## f. J ## 2 Œ & 4

{

Go to your fa - ther at

>f f. . . . . 2 f f nf f f. ff ff ff ff #f 4

once, and bring him here.

f> f f f f f f f f ff f. f. f. n f. f. #f. 2 f Œ 4 ° * ‰ fj f f f f f f f f ™ Œ f f f f f f

## 2 & 4 nnff. ff. ff. ff. nff. ff. ff. ff. p. ff ff. b ff. ff. f. f. f. # f. n f f f f ? ## 2 4

De - pend up - on it, Mis - ter

nff. ff.

ff ff ff nff . . . . ff. b ff. ff. f. f

Col - lins.

ff . ff.

ff ff ff . . . ff. n ff. ff.

Liz - zy shall be brought to

130

Mrs. B.

## f &

{

167

∑

> f f f f

>f > f

nf f

f > f

ISSUU Version # j ∑ & # nfff f.f ‰ nff. ff. ff. ff. nff. ff. ff. f.f f.f for . . b f. f. . f. f. # f. f. nperusal f. f. b f. f. f. n f. . . f. only f f f f f f f b f n f b f f f f f f f f f f ?# f rea - son.

head - strong, fool - ish

## >f &

{

She

f nf

‰ f J

f bf

ff. n nff. f. bf. #f n f #ff bnff

know

her

## ff. f. ff. ‰ j‰ ff bbff nf f ‰ f & f f fJ f #f. nf. n f##ff ffff ffff f. . . mf dim. . . p . . . . ff. n ff. ff. f # f ff f n f b f f. f b f. b f f. b f. b f. ∫ f. n f . p. . f f ff ? ## f. f. f. f.

Mrs. B.

Mr. B.

girl,

will

make

her

own

in - t'rest.

f f

f f‰ ‰

Mis - ter

Ben - net!

168 (Mr. Bennet and Elizabeth come into the drawing room; Mrs. Bennet goes in to join them.

# &#

{

but

∑

Collins remains in the garden.)

∑

. f. f. #f. f. f. nf. f. f. f. f. . f. f. ## ‰ . . f f f f f. f. #f f & #f. f. . . F dim. poco a poco cresc. pp . . . . .f#f. f. f. f. f. f. f. f # f. f f n f. f. f f. f. f. f. f. f. f. #f. . ? ## f f. f. ## >f f f f f f f f f ‰ Œ & ? ##

{

make Liz- zy mar - ry Mis - ter

# &# F ? ## f.

∑

f. f. f.

Col - lins!

j f. f. J

∑ ‰ ‰

∑

f f

You must

f. f.

f™

f. f.

f f f f f ‰ J fff f ‰

f f.f f.f nf p ff. ff. ff

Speak

nff f f

do not un - der - stand you, Mad - am.

f.f f.f ff. ff.

f.f f.f f.f f.f mf . n ff ff. ff. ff.

Mrs. B.

Co.

Mr. B.

>f ## f f ‰ & f f ff J ‰ ? ##

Mr. B.

∑

169 a tempo

Tell her you in - sist!

{

∑

(still in the garden, meditating on what has happened)

head - strong,

169 a tempo .f Æ fÆ fÆ #f. nf. f. rit. f. ‰ Œ ∑ f.f f.f f.f f.f #f f J p p Æ . . . . . f Æ ff f Æ pp # ff ff ff ff #f f f j ‰ Œ ? ## f. ‰ f. f. f. f. # f. f. f. >f >f j f ‰ ‰ ? ## f f ‰ ‰ ∑ f J > >f J J fool - ish girl!" Would that be a f f ≈ #f f ? ## Œ ‰ f f #f f f f f f #f f ‰ fJ

## f & nf

Co.

rit.

ISSUU Version ‰ fj >f f ∑ ∑ ∑ > , f f f ‰ Œ ∑ ∑ for perusal fonly f

Liz- zy!

? ##

131

{

Liz- zy?

Is this true,

. f. . . #f f . . f #f f f . ≈& #f f ff ff ff#fff ∑ # f. f. . . f. . p ? ## f. f. f. #f. f. f. ≈ f. # f. f f f. f. f f f. # f. f f f. f. f f f. # f. f f f. f. f f f. . . . . . . . . . . . . ## &

Co.

Mr. B.

. f. . . #f. # f . . f #f ff

Mis- ter Col- lins has asked you to mar - ry him,

? ‰

# &#

∑

170

‰

f J f

> ? ## f #f f >f f f f f ‰ Œ ? ##

{

suit - a - ble wife

for a

vic - ar?

have,

∑

Sir.

≈

and

you

have

∑

f ff f f f f ‰ f J

Would La - dy Cath - ’rine ap - prove?

∑

re -

f f

j j ## ffff. #f. f f ff ff f f f f f f f #f f ff#ff f ff F & f f f f f f f f f f f f f f f ff . . f. f. FF . . .. pp . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. . . ? ## f f f nf f f f f f ff f f f ff f f f fff f f f ff f ff f ff. f. F f f f. f. f. f. fused?

170

And

does your

132

Mrs. B.

Mr. B.

## &

∑

{

moth

‰ fJ

Yes, I

do in - sist

ff f

gain.

? ## Œ

{

‰

f. f. sf

∑

bf J

∑

dear,

that would sim - ply

nev - er

do.

ff # ff ff f f f

## & ? ##

ff f

Œ Œ

>f f f f J ‰ ≈

you have an un - hap - py choice be - fore you:

If you do not

∑ F

f ‰ J

∑

f™ f f f ‰ ≈f f f f f f

Liz - zy,

#f #fff ff. # f. f. f. f. .

. . . f f ff f f f. f f f f f f. f . . . . .

171 Moderato q = ca. 60

? ## Œ

{

f bf f f nf f f f

ff ‰

‰

∑

f f. f. f. f. #f. f. f. f. f. f. .

rall. poco a poco

- . . rall. poco a poco ## ff #f f f bf & #ff ff nnff #ff. nnff. # fff. bnbfff. n f. n f . . dim. poco a poco mf . n f. . b f. f. bf. bf. ∫f. f f f ? ## #ff f f f bf f. f

Mr. B.

I will never speak to her a -

f f. f. f f.

## f &

ff f

f #f f f

f ff f

in - sist you ac - cept?

f f f ? ## f f f f f f f f

Co.

f f >f

ISSUU Version > ? ## f f f >f f f fJ ‰ ∑ for perusal only # & # ff fff fff ff ff # ff f f f f f

Mrs. B.

‰ f f

∑ F

ff ™™ f f nf f ff ™™ ff ff .

FF j f. f. f.

‰

f. f.

Mr. B.

? ## f f f f f f ‰

{

f J

‰

f f™ f

f f

moth - er

nev - er

ISSUU Version ## j ‰ ∑ Œ & ff ≈ f ≈ f f nf f f. for perusal only .f f. f. f. f. .f ‰ ‰ ? ## ff ≈ nff ≈ ‰ f mar - ry Mis - ter Col - lins,

{

speak to

you

your

f. f.

? ## f f f f f

f. f. J

‰

f J and

# & # ff ff f . . n f. ? ## nff f f . f. f.

j ‰ j ‰ f ff f n f.f f.f f.f f.f ff . f. ' . . . . f f f f Æ ff f f f f f f f fJ ‰ . f. . .

? ## f f f f

nf f f f

{

Allego moderato q = ca. 72

speak to you a- gain if you do.

nf. nf f f f f. . . . nf . . ? ## #f. f. f. f. fJ ‰ f

f™

{

. ≈ f f. f.

>f f3 f ‰ fj ‰ ‰ fj

? Œ

E - liz- a- beth!

f. f. f. f. & ‰ nf

j f. ff.

ff. ff. ff

f. f. f. f.

‰

‰ fj

f f. f. - f. f.

liz- a- beth!

ff ff ™™ f f f f ™ . 3

f nf

will

nev - er

f. n ff. f nf f. .

ff .

ff. f. f. . # ff. ff. nn c ff ff #ff f f

nn c f ™™ n f f f ™ f f

f. f f.

(Elizabeth kisses her father and runs to her room. Mrs. Bennet stands in indignation and shock.)

nn c

>f f3 f

(Mr. Bennet returns to his library.)

& Œ &

172

will

a - gain,

## &

Mrs. B.

133

∑

ff. f. f. . f f ff f f f. f.

f f#f f ™

‰

>f f3 f f ‰ > ff

f - ff ff f- fffff . . 3 3 3 ? f f ff f j ™ ffff f f f ™ f fff f 5 Come

back here, E - liz-a - beth!

134 (Meanwhile, Charlotte, on her way to visit Elizabeth, has come into the garden and sees Mr. Collins.) (still in the drawing room)

Char.

& Œ

& Ó

{

f f f f‰ Œ Ó ‰ fJ f f f ‰ ‰ Version ISSUU #f f f f ™ ≈ f f #f f f ™ ‰ f f f for perusal only E - liz - a- beth!

rallentando

Do you hear me?

f bf f f & f fbf f f f f f f f f f f- #f. f f- f f f. f . . . . mp p. . f dim. ‰ j . f f . . #f f f ? bf . f bf f #nff nf f #f f f f f f bf . . . . . . F . . . .

{

ritenuto

ff f f

ff #ff

bb 2 & b b b 4 #f

173 Moderato (q = ca. 60)

? bb b 2 ‰ fJ f ™ b b4

FF F

Please do,

bbb 2 fFF b & b4 f

Miss

f f f f

3 4

Char - lotte.

3 4 ffF ™ 3 FF ™™ 4 F™

bbbbb 42

F F

∑

∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏

∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏

173 Moderato (q = ca. 60)

p F ? bb b 2 F b b4 F

FF FF

ff ff

f 3 f f ‰ ‰ f f f 4 J

here.

{

∑

She and her par - ents are dis - cuss- ing a mat - ter of some grav - i - ty.

# ff ? f f

Co.

f. >f f. f. # f. f . > . . . .. f f f f ff

rallentando

‰f f f f f f bbbbb 42 J Per - haps I should wait out 2 ? f f f f f f f f f f f f f f f f f™ f Ó bbbbb 4 &

Char.

Have you seen Liz- zy?

would be

f f f f f f f f

2 bbbbb 4 ∑

f™ hon

Œ FFF F™ FF ™™ Œ

f f f J -

ff ff

ored

∏∏∏∏∏∏

Co.

Col - lins.

Mis - ter

∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏

Char.

Oh, hel - lo,

f .

your

ff ff f ‰ J

∏∏∏∏∏∏

Mrs. B.

f .

4 fff 4

∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏

I have ob - served

∏∏∏∏∏∏ ∏∏∏∏∏∏

ff f

f .f .

∏∏∏∏∏

sempre p

∏∏∏∏

{

f f

you

a more

f FF

f f f f f f f F™ f

(When Elizabeth does not come back, Mrs. Bennet goes into the garden, too distraught to give more than a nod to Charlotte.)

? bb b f f f f f f f f f f f f f bb

2 #f nnnnn 4

bbb b & b ff f

nnnnn 42 #f ff # ff ™™™ f

{

ser - — ious turn of mind than is gen - er - al - ly found in

? bb b bf bb bf pp

ff f

ff f f f

174 Allegro moderato (q = 72)

Mrs. B.

ISSUU Version ff f ff ff bbb Œ f f f f b f f 44 f f f f f f only f & b FFfor ‰fperusal f f f f f f f J F FF ? bb b F ™ b b F™ F™ Œ

Co.

f f f f ‰ J

4 Ó 4

com - pa - ny.

∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏

Co.

? bb b f ™ f f Œ bb

135

4 &4

{

∑

ff f ff

this

house - hold.

2 nnnnn 4 f f

f™

f fff f

‰

Oh, Mis-ter Col- lins!

f f f nf 4 f n f f f f & 4 nf f f f f #f f f f ff nf cresc. . fp . . n f . . f . n f #f f bf ff ff . n f # f f f ? 4 f. #f f #f f # f bF 4

4 4

4 # f fff 4 4 f f#f f 4 fff f What a dread-ful

f bfff b ff f ff ff

(Charlotte moves away, but remains close enough to listen in on the following conversation.)

f ‰ f b ff ff F

136

Co.

scene we have had!

Liz - zy sim - ply will

{

? bbff ≈bbff ≈ ff

Mrs. B.

≈ f f f bb ff ≈ b f

Œ Œ

f f f f f f f f ‰ & ? f

{

You are ver - y kind to

where.

f f & fff f f ‰ ffj f f ? FF F

Allegro moderato

per - fect - ly re - signed

bfff

f b ff ff f

bfff p

Allegro moderato

∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏

Co.

ppp

I am

say

3 fj f f 4 ff. sfz . n nff 43 b ff J

175 Lento

let us be for - ev - er

U? F ‰ F

p col canto

U ‰ bF F

≈ f f f 42 to seek my

f ≈ f f f

fff fff

bU F

∑ f fff f f f f f ‰F ffj ff ff FF

2 nFF 4 F Œ

f U Œ

Please

ff f f ff ' f ff bfÆ bf

# fff #f

hap - pi - ness else -

but I'm de - ter - mined…

so,

f ™ f f >f

Œ 2 nFFF 4

∏∏∏∏∏∏∏∏∏∏∏

si - lent on this point.

Mad - am,

f f f f f

∏∏∏∏∏∏∏∏∏∏∏

{

‰ f f

not…

∏∏∏∏∏∏∏∏∏∏∏∏∏

? bf f bf f f

U U ‰ Œ

ISSUU Version Œ >f >f U f 3 ‰ f f f f f f ∑ 4 for perusal only

ff b f b & ff f f bff f f n fff f f f f ? ‰ b f bff ff ‰ ff ff bF bF

Co.

3 . 4 fJ

∏∏∏∏∏∏

‰ f f f f f

(Collins raises his hand to stop her.)

∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏

Mrs. B.

bf f f bf

175 Lento

f .

Larghetto

∑

f f ‰ ‰ f J

Mad - am,

U Œ

ff ' ffÆ U Œ

Larghetto

j f f. pp bff. J

j ‰ f f. ff. ‰ J ‰ ‰

Co.

Mrs. B.

Co.

? bf f f f

f J

U ‰

f f f™

f J

176 L’istesso tempo

## c

ISSUU r Version U ## c f ff f ff j j ‰ ‰ ≈ ≈ ‰ ff f & ff f ff f f f f f f. f. f. f. # f . for perusal only . . . f. f. f U f ff ff b f f b f f f f f f ? f # f

{

beg you, say

J ‰ J ‰

# &# ? ##

{

f f

more.

≈

f f f f ff f f

here

with - draw

ff f

# c f f f f f f ff f ‰ fJ ‰ fJ ‰ fJ ‰ fJ . . . . f

R ≈ ‰

∑

137

dim. poco a poco

U Ó

nn 2 4

a piacere

f f F

U f. ‰ Œ J

shouted: Oh, my poor nerves!

nn 2 4

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{

claim up - on your daugh

ter's

hand.

> (Mrs. Bennet goes inside.) f f j f b f f 3 Œ f f f bf 2 Œ ‰ F ff ff ff ff &4 . . . f.f f.f FFF ffJ f f. ff. ff. f . . j ? 2 Œ ff ff F f ‰ 4 3 F f

177 Allegro q = 104

{

Œ F FF Œ FF F

nn 2 4 nn 2 4

f f b f f fj(She seesfElizabeth f f f ‰ ff 3 J f f b f f fj f ‰ ff ff ff J &ff f 3

back into the room, and by a gesture, commands her to stay.) f coming poco rall. f f f f ?f ∑ ∑ f f & 3 f 3 f 3 f 3 j3 f 3 3 3 3 ? & f ‰ ‰ f f f f f f f f f f f f

12 8 12 8

138 (While Mrs. Bennet is berating Elizabeth in the drawing room, we see but do not hear an increasingly amiable conversation develop between Mr. Collins and Charlotte in the garden.)

Poco meno 178 q. = ca. 96 Mrs. B.

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tell you, Miss Liz - zy,

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Mrs. B.

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if you re - fuse

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your

ther

dies?

139

animando poco a poco 179

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f ™ f f j ‰ ‰ Œ™ J >f

molto rit.

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(When Collins and Charlotte disappear, Elizabeth goes into the garden.) 3

f f f f FF f & FF

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∑

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Œ w — w — w w— —

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f f nf

FF Ó

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∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏

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ff ff ff ff

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ff ff

Œ FF FF #FF F Œ

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{

f f#f f Œ 4 ™ f ff ™ nf 4 f

Œ™

espr.

Charlotte slowly walk off from the garden, arm in arm, looking very much like a loving couple.)

? f ff

{

f f f ? #f

∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏

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∑

going — to bed.

I'm

∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏

{

get no sym - pa - thy.

∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏

∏∏∏∏∏∏ ∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏

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∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏

Mrs. B.

(Mrs. Bennet leaves quickly as Collins and

ff 3

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bC bC

140

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&b C F F™

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cresc. poco a poco

poco rall.

∑

f f f f ff f Ó

Good morn - ing, Miss E - liz - a- beth.

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f. f. f f dim. poco a poco f >f n f bf f f f f. f. f. f ?b J ‰ J‰

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we've met

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be - fore,

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Œ f f f

f. J‰Œ

at your aunt's house.

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you have come

fff fff fff . . . f. Œ Œ

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George Wick - ham;

fff fff . . f. f.

fff .

F f f f F

Yes, of course. How nice to see

∑

. f f ff . f f f f .

f f

you.

∑

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(Wickham and two other ofﬁcers come to the garden.)

f f nf Œ f f f f f f nf f f f J

for Lyd - ia,

fff fff fff fff nFF F . . . . f. f. nf f f f #F

I'm a - fraid she's gone to town to look for

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141

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∑

{

Ride back and fetch her,

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∑

. (Wickham's friends leave.) F ?b f Œ Ó Ó

{

much.

Allegro

{

Andante h = ca. 63

∑

. . accel. F f f f. F- Œ f ff Œ . . . f. f f b f f. f. f bf. f. f ff f f f f bf

sports!

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w w w f. bf. f. f.

(Wickham sits as Elizabeth pours lemonade.)

∑

f Œ f

bf & b Œ b ff bfff ff ff ff ff FF f f f. f. F mp ?b w Ó Œ nf

∑

f f™ f f f J

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Andante h = ca. 63

∑

>f f. f.

184

bf f bf w &b Œ ?b

bf ‰ Œ J

f f f bf f f f f f f bf b ff f con brio f f f f fb f f f f f Ó

down?

rall. poco a poco

Good

Won't you sit

Thank you

Chris - to- pher?

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fff nff .

(accel.)

& b f. bF mf . ? b f F-

will you, Paul?

183

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∑

(to his friends)

& b ff ff f. f.

∑

accel.

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183

splen - did view here.

184

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∑

f ffff How far is it to

F #F

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142

Œff f F Œ

&b Ó

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Ne - ther - field?

(rall.)

&b Ó

? b nF

{

Œ Ó

∑

long has Mis - ter Dar - cy

been stay - ing

- f FF f f f FFF nf ff ff ff ff ff ff ff ™ f. f. f. f. . - p F™ n f F F f f f nFF ™™ Œ F -

nf f f f #f f f f

He was

(rall.)

f f

there with Mis - ter Bing - ley sev - 'ral

∑

ff f F

Ah,

I had not heard.

Lon - don.

?b Œ

. & b ff Œ . f ?b f .

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poco rall.

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poco rall.

there?

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How

FF f f f ™ f . ™ F f F ff f . -

? #F b

∑

Just a short walk.

F & b nFF

∑

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poco rall.

f f f

‰ fJ f bf f f

185 a tempo

weeks.

f f p ff

But they re - turned to

∑

j f bff ‰ Œ . ff. J ‰ Œ

185 a tempo

Œ Œ

f f f f f f™ ‰ f f f f

Pochiss. meno mosso

Mis - ter Dar - cy comes from Der - by I've been told,

∑

nf f f ff F f f nw ‰ f . F- bf mp f. F- f f w w w f f f #F f poco rall.

where he has a

∑

Pochiss. meno mosso

‰ f ‰ f ‰ wF wF

fJ ‰ Œ f

143

&b f ™

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a tempo

large

{

es - tate.

& b fF ™

a tempo

j f # n ff f # f. n ff . p

F ? b #F

nf- ™

? b nf f #f #f f

{

nect - ed

his fam

I'm

ver - y well ac- quaint - ed with

it.

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f nf

bf ™ f U ‰ fJ f f

'ly from

child - hood.

poco rit.

You look sur - prised,

fff .

? f b

{

How

∑

well

FF ™

186 Meno mosso

& b ff. . f ? f b .

F™ F -

f f do you

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know

Dar - cy?

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f #f nf

Andante

than

wish

f f #f f nw w Œ . n fff

to.

fff .

# f. ‰ J

f f f Œ J Miss Ben - net.

U n f f f b b f fff n ff & #fff F ff ff n ff F ™ f f f f f #F . . . . . . . pp U F ? b nf f #f. #f. f. f f F™ F f . . f. 186 Meno mosso

I've been con -

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‰

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144

∑

{

& b >f Œ Ó ?b Ó

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4 &b 4

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∑

is dis - gust - ed with his

I can - not pre - tend to be sor - ry or surprised,

fff .

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U ∑

∑

but

∑

f f f™ f f f f 4 f J 4 re - gret

what Dar - cy has be -

FF ™™ F™ FF ™™ F™

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≈f f f f f ™ Ó

rit.

You knew his fa - ther? a piacere (meno) f F f f f U f f f f™ f F ?b 4 ‰ f f f Ó 4 J J

{

come,

be - cause I hold his fa - ther

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∑

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F f f f f f f f f f f f fJ ‰

& b n ff ff ff f. f. f. p ?b w

here

I've known the man so long, I can - not be im - par - tial.

pride.

f f f bf f f > f

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bf f f f

f f nf f f f f Ev - ery- one f j ? b Œ ‰f f f f f ™ J Œ Ó & nff. ff.

∑

q=h

bb C

(circa)

bb C

in bless - ed mem - o - ry.

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f bbff f f

j (circa) b ff ‰ Œ b C f rit.

q=h

f bC b f n f ff

145

? bb C

{

(Wickham appears to be too moved by this memory to answer immediately.)

? bb C w

? bb

{

f F™

f Œ f

god - son.

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{

f f f f f™ fff f

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f f

will,

he pro

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not

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to me.

Œ bfF f f F ™™

f f f Œ And

f F J

De - spite

his wish

F -

es,

Fw #F f nf f f F

w w

his

Œ f f f ff ff f f

cresc. poco a poco

f™

f f f f f f f f f f f nf b j f ff ™f f f #f & b ‰ ff ™ fJ ff ™ J f FF f f f ? bb f f nf f #f f

∑

gen - 'rous liv - ing.

was his

188 animando

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f F J

ff ff ff

f f f™ f f f f f J

He was ver - y much at - tached

b & b Œ #ff ff ff Œ ff f f f f ? bb w w

f Œ f

∑ ∑ ∑ ∑ ISSUU Version ff nf bC Œ f b f Œ Œ & fff ff bFF f Œ ff ff ff ff nff fonly for fff ff ff perusal #ff fff fff n f f f #f f #f f 187 Andante sostenuto (h = ca. 50)

f f f

Œ fFF ™ f f ™ But

was

w Œ f f #f

a tempo

when Dar - cy's

Œ f f f ff ff f #f

146

E. W.

? bb f ™ nf F J

{

his son re - fused

hon - or

b &b

189 Agitato (q = 132)

? bb Œ

{

4Ó 4

∑

f f f and

gave

This is

noth - ing.

fff b fff ff nf

4 4

fa - ther's be - quest,

f f Œ

shock - ing!

ffj ‰ Œ f sfz #nnfff ‰ Œ J

189 Agitato (q = 132)

∑

4 4

w b & b nf f f f nfj ‰ Œ > pub - lic - ly dis- graced. ? bb ∑

{

f f

4f f Œ 4>

his

‰ #fj He

∑

‰

‰ f p

rit.

∑ f f F

should

{

me.

‰

f nf f

time he

will

F ‰ f f f J

be,

but not by

j Œ f fff ffff ffw ff ff ™™ ff F f f Ffnf f f F F F ff #F dim. f F f w F w bw w nF Dar- cy's

rit.

cresc.

Till I can for - get

b & b Œ ff ff ff Œ #ff ff ff f f #f f f f p ?b b w w fŒÓ

Some

∑

f f f f j‰ j‰ F Ó f f f f f #f FF f. # f. p j F f bf f f f f j f ? b nfR ‰ ™ Œ n f f n f ‰ ‰ ‰ F Ó b bf f f f F f. n f. 190 Andante sostenuto (h = ca. 50) f f F ff F f ff F F ™ ? bb F nF Œ Œ #f f f f b nfr ‰ ™ b & ## ff

f rall. f b F pocofa poco f bf nf f w

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? bb

fa - ther died,

b &b Œ

bU F™ f f

father

I can nev - er ex - pose

him.

6 nn 4 nn 46

6 nn 4

147

191 Lento h. = 42

6 &4 f f f F

{

f f f f f f f fŒ Œ Œ f f f f

ISSUU Version 6 F f #f f f f F F™ & 4 F™ ww™™ nF ™ for perusal only f f#f f # f f FF ™ f f f You are a ver

hon - 'ra - ble man,

Ó™

& F™ F™

{

?6 Œ 4

f #f f f F

Mis - ter Wick - ham,

#f f f #f

Œ Œ f f f f b>f f F 192

calm - ly.

And Dar - cy is proud of this?

? Œ f f F

{

? F™

fam

#f #F ™

∑ f bf

f f ? w™ f f

f #f bf f #f bf

3 4 ‰ f f f f™ f f f parlando

pride.

#f f #f w™

Dar - cy's moth - er

{

sister

f f f 3 F™ 4 F™

? F™ ? #F ™ # F™

9 ‰ ff f fff 8

193 Allegro giocoso q. = 96

of La - dy Cath - 'rine de

was the

f fJ ‰ ‰ Œ ™ & J La - dy Cath - 'rine is Dar - cy's aunt? - 3f- f# f f f f™ f f f f f f f 9 J ‰ ‰ Œ™ ? Œ™ ‰ 8 ∑

j f ‰ Œ Œ Ó™ f

Œ f f #f f f col canto 3 F™ F™ 4 Ó™

'ly

? Œ f nf #f f f

Ó™

f f f FF ™™

bear such in - just - ice so

nf f f f f F™ F™

™

& F ™ fF f ff f f f ff ff ff fF ™ f f bfff ™™™ nF ™ F™ . . . fp sfz p . f. f. F b f ? FF ™™ #f f f f f f f f f f ff f ™ f F™ F™

Bourgh.

And if she

Œ™ f

f J

has

her

9 f. f. f. # ff. ff. ff. f. f. nf f. f. f. ff. ff. f f f &8 f #f ff f. nf. f f> . > pp j 9 #fj ‰ ‰ Œ ™ ™ f Œ ‰ ‰ Œ™ Œ™ 8 f f n f. >f 193 Allegro giocoso q. = 96

148

f f f f f f J J

laughs) >f (Elizabeth f ‰ Œ™ Œ™

way,

her daugh - ter will marry

Dar- cy.

ISSUU Version ∑ j f f #ff ff ff ff f only f f ff f perusal f™ & bff ‰ ‰ for f.f ™™ # f ff f #ff f f f n ff f ff fj f f f f f f f f . . . . . . . . . . . . . f ?

{

p . b f ? bf ‰ ‰ f ™ f™ J

‰

j f f f f f f f

Do you know Mis - ter

∑

194 Moderato q. = 69

& f™

{

Œ™

Bing- ley?

friend:

Œ™

? #fF ™™

FF ™™

j ‰ ‰ F ™™ #f n FF ™

fj # f ff f #f #f J ‰ ‰ J ‰ ‰ FF ™™

∑

Œ™

f™

j f # f f f

He is Dar - cy's

FF ™™

sweet tem - pered and charm - ing.

‰

all.

j ‰ ‰ F™ ff #F ™

Œ™

‰ f f f™

‰ #f f f #f #f f ‰ Œ ™

j #f f ™ ‰ f & #F ™ #f f f™

f . . > j dim. ff >f . . j f f f f f. nf.f ff ff ff .

# ff f f™

ff ™™™ f

Not at

& F™ ff ™™ F™ p col canto ? fj ‰ ‰ Œ ™ Œ™ f

#fff ™™™ ÆfJ F ™

194 Moderato q. = 69

& Œ™

{

ff ™™ f™

cresc.

rall.

ff ™™

‰ f f #f fJ

f ™ nf ™ f ™ f ™

f ™ #f ™

FF ™™ F™

j ff ‰ ‰ f

can - not know what Dar - cy

FF ™™

j ff ‰ ‰

149

& f™

Œ™

195 Allegro q = ca. 126

2 4

∑

ISSUU Version F™ f ™ f f f™ 2 f f Œ ? Œ ™ Œ ™ #f 4 for perusal only 2 ™ ™ F FF & #F ™ FF ™ ff ™ 4 F f™

{

is.

(A messenger arrives with a letter.

n F™

? f™

{

Dar - cy can

please

f™

when he

F™

Œ ™ #f f f p

choos - es.

f™ f™ 2 4 #f >

He hands it to Elizabeth…

∑

#f f f f f f ff 6

fff

…and goes off.) dim. poco a poco

ff ff ff ff n ff ff ff ff ff ff ff ff ff ff ff ff ff ff ff ff f f f #f f f f #f f f f f f #f f f f f f f ? f &

poco rall.

∑

{

ff ff f f f f #FF

? f f f f

&b C

?b C Ó

{

∑

‰ #f f f f f f

Moderato (q = 69)

∑

It's a let - ter for Jane.

bet - ter

∑

friends.

∑

I'll

ff f f F It has been a great

F #F

just take it in.

f. f.

&‰

‰ f. f. b C mf

Œ ∑

ff ff ff ff Œ fff fff ff f. f. f. f. f f fff ff w

196 Andante h = ca. 63

& b C ff ff ff ff f. f. f. f. p ?b C j‰ Œ Œ f f.

find my

‰ f f f ff J

Œ f f f f ff F I'd

196 Andante h = ca. 63

f fŒ Ó Thank

you.

plea - sure.

f f f f ff. . f F f f f f .

FF ™ F™ F -

ff ff

150

&b Œ F

f f F Ó ∑ ∑ ∑ ISSUU Version . F- f f f f f f F f f ff FF f f f f ff F Œ Œ ff F & b ff F ™for f f f f only .perusal . F . F .

{

(Wickham bows and goes away as Elizabeth takes the letter to Jane, who entered the drawing room during the last scene.)

come a - gain.

. F™ n f f f f nF ™

f F™ ?b f F . -

{

F F

L’istesso tempo

∑

197 Lento h = 42

{

>F b & FF ? F b F >F

∑

bFF bF

F n FFF nFF F

bFF F

Œ f F

FF F

It's

bFF F

& b nF nn FF p ? b nFF nF

FFF F

they will not

bF bF

re -

all

It's from Ca - ro - line Bing - ley.

w w

∑

bf ™ f F J

bFF

o - ver now.

F F F F

bF F

198

So,

Œ f f ff f f F Œ

(Unable to read farther, she hands the letter to Elizabeth, who reads it.)

j &b f f f f f ™ f F

{

(handing the letter to Jane)

& b ff f f ff F w w ff F w w mp p . . ?b f Œ Œ ff f fff ff Œ Ó .. .. .. f .

. . Œ f. f. f Œ Œ f. f. f Œ Œ f. f.

f dim. poco a poco

F n FF

turn.

nFFF

FF nFF

F F

bF F

F F

∑

(Jane opens the letter and reads. Her face darkens. She gasps.)

U #w w w

U ∑

∑

bFF

# FF #n FFF nFF F #F

F F

3 3 j ‰ 3 f f ™ 3f f 3 f ™ f Œ Œ nf f f F f J J f

FF F F F

They will

F F

sac - ri - fice Bing - ley's hap - pi - ness:

FF F FF F

F F

#nFF nF #F #F

his

{

Mrs. B.

a piacere 3

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nF nF >f

(accel.)

{

f f

What

f # ff

#ff

ff f

j f ‰ Œ f

ff f

>f f f

the

world,

hap - pened?

ff f

f # ff

#ff

Meno mosso

∑

ff f

∑ f

ff f

“” q = q >f f f 2 n4

f f

> fff ff fff ff fff fff #f f J ‰ Œ j f f f ff f f fff ‰ Œ f #f f f > f

n 42

q=q

What

∑

> 3 3 > 3 f f 3 f 2 f fw ™ f f f fw ™ f f ∑

has

∑

™™ # ww w ™™™ 3 #w w 2

scream.

& Œ

, I could

an - gry at them all

fp col canto

3 (Mrs. Bennet rushes in.) 2

{

I'm so

199 Allegro q = 108

# F>FF >f F f & b ffJ ‰ Œ #F ff f ?b j ‰ Œ f F f> >F ° 2 ∑ &4 <“> fj f fff ff 2 f #f f &4 f

scorn - ful friend.

poco cresc.

2 & 4 ff #ff *

Mrs. B.

, >f 3 f f f Œ f f f f f

U Ó

schem - ing sis - ter and

F f F

F f f f f &b accel. 3

151

a piacere

I'm

j ‰ Œ f f ' n ffÆ col canto f ‰ Œ J Meno mosso

n 42

f f

Liz - zy!

∑ ∑ ∑ f f f f

sor - ry, Moth - er.

∑ ∑

152

Mrs. B. E.

∑

{

∑

f #f nf f

wick - ed

Dar

200 Allegro q = 126

{

bfff bfff fff nfff

& &

{

Mis - ter

f f

knew

would! I

bff f

& & bf

∑

#f f

& f f f F

{

pain - ful for me.

b ww w & w w ? bbbw w p

f ‰ J

bfff bfff fff nfff cy.

f #f nf nf

ff ff ff bf n f bf f

they are

& f #f nf nf

∑

We have news from Miss Bing- ley:

Mrs. B.

∑

f ‰ J

ISSUU Version Œ f f f f f f Œ f f bf f f f f Œ & f f for perusal only bFF FF ∑ F b F F & #F F F bF F ?

Mrs. B.

∑

f™

knew

∑

f J

nev - er com - ing

back.

F F

f™

#f nf nf

the one who

did

He's

bfff bfff

f #f

ff nff f f

∑

C Ó

Please,

h=h w bff #ff ff bbn ffff C nbbw w nf f f nw w ? C nw bf f f nf

bf f Œ f f

201 Lento h = 42

Œ bF p

bbbFFF bFFF

But

bbbFFF F F

bf I

bf bf bF

bbFF bF

bFF bF

shall

not grieve.

bF bF

would!

bfff bfff fff nfff this!

f #f nf nf

h=h

f f

nf nf

201 Lento h = 42

C F

That

Moth - er.

bbFF bF bF bF

This is

bbFFF F F

Œ bf f nf ™

bbbFFF nF nF

He will be

nnnFFF bF bF

j f

for -

& F

ten

pp b 4 F &b b 4 Œ

and

202 Lento molto

{

w bb 4 w b & 4

bf nF

f f

shall

all

? bb 4 w b4 w ° bb f b &

{

*Let

F™

for - got - ten,

f F

f f

FF ™™ f™

f F™ F™

f f J mp j f f

f™ FF ™ ™

bb fF b &

f f f f f f

ff *

ff FF ™™

flow'r

is for - got

b &b b w

{

ff ™™ ff bb ff bb ff bb ff FF ™™ b J &b b gold,

? bb ™ j b ff ™ ff f bf f FF ™™ bf b f bf

* Verse by Sara Teasdale (1884-1933)

ten,

For - got - ten as

Œ f

for



bbb 44

4 bbb 4

f f

F b f FF bfff bff f F f F bf FF F

f f

F- bf bf ev -

bbb 44

be - fore.

‰ fj f f bf bf

f f f f j ff f ™ FF f™ f f f ™ J Œ ‰ f f™ f ff b F f F ? bb fff f f b Œ ‰ fJ f

F™

ISSUU Version ∑ ∑ ∑ & w w w for perusal only ? w ∑ ∑ ∑ {w got

f bf

rit.

f f f f f

ff f

f f

f- ™ bf J f f bf bf FF ™™ F™

fire

bbff bf

that once was sing - ing

∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏

153

b F ™™ FF ™

mp f- bf Œ f

er and

ev - er,



ff f bfbb ff bf bf

f bf

bFF F

FFF F

F FF

Let

mp sub.

FF F-

154

j ISSUUf Version Œ f fff f f™ f f f FF – FF for perusal only – – F b F

b f f nF &b b

pp espr.

{

&b b

? bb b FF F

f- F

for - got - ten,

Œ ‰ f fff ff ff F J n f f FF espr. pp FF F

w w w

Time is a kind friend, he

FF ™™

F™ nF ™

203 non affrettando

b &b b F

{

F™

bff f

FF F

ff b ff ™™ ffj ff bff f ™ f ff ™ ff ff bff J f

bf bf

will make us

∑

old.

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{

If an - y- one asks,

b w &b b w p

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204

say it was for - got - ten

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FF FF

4 4 p

F™

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and

F ffff f f f™ f f f FF *

Long



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155

b f™ &b b

f J F

rall. poco a poco

f f Œ Œ f Œ f fVersion ISSUU f f Ff f f f ™ fj b only nf bff f FF & b b f ffor f FFF perusal Ff f F f w f F F F ff mf

{

long

(rall.)

hushed

b & b b fff ? bb ff b

{

As a flow'r,

bb f b &

{

a - go,

? bb F ™ b

j ff f‰

rall. poco a poco

Tempo I

U f

ritenuto

U FF

foot -

fall

U FF °

f™

f f J

long

for - got

j f f f f J

f™ f™

ppp

ten

snow.

ff ff

as a

ff nF F

, f f a

fire,

f Œ ‰ fj f f f f nf

f ™ fj F p

as a

dim.

Un n n 42

w w

U nnn 42

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2 nnn 4

bursts into the room, very excited.) f(Lydia f f f f f f #f f f f f f f f #f f f f f f f f #f 2 &4 >f f. ff. ff. ff. #>ff ff. ff. ff. fff fff. fff. fff. f f f f f f f f f ?2 4

{

205 Allegro q = ca. 132

FF # ? F

∑

. #f f f f#f #f.

‰ f f f™ f f

∑ fff

ff. f ‰ J

Did you hear the

∑

>f ™ f. ‰ J

news?

f. ‰ Œ J ∑

f f f f 3

Char -

bf f

lotte Lu - cas and

bf f f#f f f

f f f. f.

f f.

156 Mrs. B.

∑

f f

{

f™

Mis

ter Col

206

sil - ly,

& Œ

{

∑

206

f. J ‰

Œ f f

∑

That's

im -

{

ff. f

{

∑

ff. f

Œ F

#>ff f

‰ #f f 3

I was

∑

F #F f

j f ‰ f.

dim.

heard it from them

∑

f nbff. nf.

‰ b#fff ‰ bff ‰ f. . . bf. f ‰ ‰ ‰

f f f f

#f & . #f f f . ? fff ‰ Œ J

But I

pos - si - ble!

gaged!

just

‰ #nfff ‰ . . f f ‰ ‰

∑

f f f f #f f f ff. f

F nnFF

∑

f 3f f f 3 f F J

f™ > f f

Don't be

∑

‰ f f

>f ? ff

en -

∑

Lyd - i - a!

f. ‰ & J f f f

are

nf f f f >f f. f. f.

> & bf f ™ f f f

lins

f f f. f.

& bfff ‰ ff f. . p cresc. . # ? f. ‰ f

∑

f ‰ f Version f Œ ∑ ISSUU J bf #f f f f f f f#f fonly f f. f #f perusal & bf fbf ffor f # f f fnf f . f bf f F &

? bf f >f f.

Mrs. B.

∑

just

ff. f

walk - ing

f bf f f f f

pp cresc. poco a poco

n f nf

now!

f f f

>ff f

f #f

F ##FF

fff.

∑

f f f f fff.

fff.

∑

. #f f f f #f dim.

f J

‰

f f

f bf f f f f

bFF F

home.

3 ‰ f f There they

Mrs. B.

& &

{

Mrs. B.

fff

their

gar - den,

{

But

set - ting the wed - ding date.

j #ff ‰ Œ >f

j ‰ Œ f f fff >

Liz- zy!

∑

bfÆ

fÆ fÆ

He's

been

∑

fÆ

tak - en

j j j b f fbf f f#f f f b f fbf f f#f f f fffj f ff ff ff f.f f. f p p cresc. > . . . b >f f. f. f. f. ff ff ff ff ff. b fff fff fff fff b ff ff ff ff J J J fJ

truth!

208

f™

in!

& Œ

{

∑

‰ fff fff . . bf. f. ‰ bf f

j f # f nff ‰ ff ‰ ff f. . . p. cresc. . f ‰ f ‰ f. J

∑

Mis - ter Col - lins wants to mar - ry

It's the

207

∑

f f

I don't be - lieve it!

f. f. f. f. . . . f. f. > > f #f f f f‰ & Œ ‰ J

? F F

f ‰ J f f #f f ‰ Œ

∑

ISSUU Version f f f f Œ f f f f f f ‰ Œ Œ J J for perusal only

F & #FFF

Mrs. B.

∑

207

were,

& nFFF ?

∑

157

f #f f ™

∑

f f

∑

f f >f f

b f b f f f #ff f f f f f f f f f f f bf & bf f f f f f f f f f f f f f f What's

the mat - ter

with

Char - lotte?

Such

bor - ing

208

n>ff b ? f f

ff. f

ff. ff. f f

fff f>ff J

# fff J

p cresc. poco a poco

fff J

>f ff

n>ff f J

>f f # f ‹ f ff # ff ff # ff

158

Mrs. B.

#f f

#f ‰ Œ Version ∑ ISSUU J #f Œ ∑ ∑ & for perusal only & Œ

Tak - en

in!

f J

f™

man!

Let

{

# FF ? #FF

Mrs. B.

∑

& #f f

#f f f#f f#f

∑

>f #f f

But

#f f#f f#f f f #f f#f f#f f#f f #f

# FF # # # FF

F #FF

(p)

∑

& Œ & &

pos- si - ble!

#f f

209

ff # ? f p

Bor

#>f f f

can't

‰

‰ nfJ

ing!

legato

∑

‰

f >f ™ J

Ri - dic

This

f f J

may

f f

love

Char - lotte!

f J

f™

f #f

What

quite

‰

u - lous!

∑ ∑

‰ #f J

gen - er - ous.

209 (Mr. Bennet comes in from his library.)

{

∑

‰

Jane,

it's

im -

#f f#f f#f f f #f

# FF # # # FF pp

f f f J

f Not

#f f J

the mat - ter

good thing

bf J

f f

f J f J

with

bf f f f not

for

see

how

n f nf # f nf f f fnf n f n f f f# f f f # f f f f f f f #f f nf f #f #f #f f n f cresc. poco#affpoco nff #f

f nff

n ff f

b ff b ff

f fff

f bf f f fff b fff fff fff

Mrs. B.

b >f

159

210 rallentando

∑

ISSUU Version Œ ∑ ∑ & >f ffor perusal only Œ ∑ ∑ & &

Char - lotte!

∑

Char - lotte?

>f bf f & f Char - lotte Lu - cas… ff ? Œ ‰ J Char - lotte.

Mr. B.

{

>f bf

Mr. B.

{

f bf

211 Recit.

& Œ

? >f

{

sounds like

Bed - lam

here!

∑ ∑

f bf b f f f n f f bf b f f f f bf ff f bf f f f f f f ff ? # f # f >bf fbf

? f nbff

Mr. B.

f b >f

∑

210 rallentando

> f ? f bf f bf f >f rit. ? ∑ ff

∑

f f nf f ff f

‰ Œ

ff ? fJ ‰ Œ

bff f

bfff

bnfff

dim. poco a poco

bf f3 f f 3f f

‰ f f f J Is there a FF

ff J j ff f

ra - tion - al

FF F

f #f f f ‰ f f

bff f

There are two things, Fa - ther.

f bf

ex - pla - na - tion

? fj ‰ Œ #f

p col canto

∑ ∑

for

∑

‰

∑

this

f f f≈f f f f f ff ∑

& f f

f bf

Mis - ter

Col - lins and Char - lotte are en -

∑

noise?

211 Recit.

f #ff

‰

First,

∑

bfff

j ‰ Œ ff sfj f ‰ Œ f

∑ ∑

160

f f

f J ‰

all

Liz - zy's

fault!

212 Allegro (q = 132)

Mrs. B.

& Œ

f ‰ J

f J

ISSUU Version Œ ∑ ∑ & f f for perusal only ? ∑ ∑ ∑ is

{

#f f f f f f f f bf f f f#f f f f f f f f f f #f f f f f bf f bf

{

f>fff ffff. ffff. ffff.

p cresc. poco a poco

rall. molto

f bf p

∑

Recit.

∑

f bf f ‰ ™ R

∑

j & ff ‰ Œ ff sf ? fj ‰ Œ f

Bing - ley

not

the

sec - ond ca - lam - i - ty?

∑

Ne - ther - field.

∑

Well,

∑ ∑

FFF F

rall.

F F

fff Œ f f f

F F F

∑

f fj f fj f f f J to

3 3 f f f f ff f J

f™

∑

re - turn - ing

f bf

(to Elizabeth)

pp col canto

f™ f f fJ f fJ

∑

And

rall.

Mis - ter

f bf f f bf f f

# f>ff fff. fff. fff. b f f f f

f bf f #f f f f f f bf f #f f f f f F

& Œ

{

yes.

212 Allegro (q = 132)

Mr. B.

(cutting her off)

. . . . ? ##fff fff fff fff

∑

Yes,

Mr. B.

she…

gaged.

Mr. B.

‰

Œ f F f f f F

∑ F

Jane,

FF FF F

161

ISSUU Version f fff f f f f f f F f ™ ? Œ f™ f f f ‰ f J . . . . forf ™ perusal only f j Œ fff j 213 Moderato q = ca. 69

Mr. B.

{

next to

fff ™™™ f™

? Œ

ff ff ‰ Œ f. f. p f. f. ‰ Œ ff

{

f f nf

& ff ff ff . f f n ff. -f f ? f f

pleas - ant

sort

F F

your turn?

now and then.

f f #f f Œ #f

Let

Wick - ham be your man.

j #f f #ff ‰ ff f. mf j mp F f ‰ #f F f.

#FFF F

ff‰ Œ f. f. nF

F FF

in love

ff ff ‰ Œ f. f.

ironically

He's

to be crossed

ff ff ff ff ff. ‰ ff ff ff fff ‰ F . F f f . p . dim. . . f f f f f f f f f J ‰ F f ‰ f J ‰ F

when will it

? F

girl likes

f ff f f f

Liz- zy,

& F

Mr. B.

> ? Œ f f‰ Œ

{

f™

& fj ‰ Œ f. p ? fJ. ‰ Œ

Mr. B.

mar - riage,

f f

f #f

and would

jilt

poco rit.

Œ ∑ ∑

Œ Œ

f f

you

f #f f #f f #f

ff nf f f f f

f bff ff #f p

with

#f #f

f great

f f f

# # #

162

f f f f f f f f ISSUU Version ∑ & ? # F for perusal ∑ ∑ only ∑ 214 Allegro

Mrs. B.

∑

How

can

you

make

light

such

mis -

(He goes back to his library, holding his hands over his ears.)

Mr. B.

{

charm.

?# F F

Mrs. B.

& & & &

{

f f f f f f f f f f f f f f f #f f nf f f f f f f

214 Allegro

∑

>f ff

# f #

for

f -

∑

ff f

#>ff f

∑

tune?

# Œ #

>f ff

fff

‰ fJ

But

‰

f J

f f J f

f f

nf J

Why does - n't

Char - lotte

‰

ff n ff f f

f J

ff f

>f ff

f f f

Two

daugh - ters

not

Char - lotte find

> f f nf

Mis - ter

lins!

>f # f ff ff

fff

f™ f

man

‰

f f

al - most

fi - cer?

> f nf J -

tic.

f #f f f f f f f f f nf f f nf f f f f f f f f f #f f nf nf f f f f f # But

>f ? # ff ff

p sub. > > ff #fff fff n>fff fff n fff f

Col -

ff #>ff ff n ff f f f f

ff f

>f ff

pom - pous

ff n>fff # fff f

p cresc. poco a poco

163

Mrs. B.

f f f nf f f >f >f f ISSUU Version ‰ J Œ & # ‰ nf f f f f ‰ f nf f f f f Jfor perusal only > #>f Œ J & # f

mar - ried!

& &

{

∑

Mrs.

vic - ar,

nar - row - mind - ed

f nf f f f f

nf ‰ J

bore!

& ff >f

Mrs. B.

Char - lotte will

Who wants

# >f #

And

vic - ar!

ff f

ff >f

215

∑

f J

judge

too

f f

#f f f nf f f f f f f nf f f

ff # fff f >

# Œ &

f ‰

Don't

Col - lins!

ff # fff fff f > F

ff f

What

vic - ar!

ff # ? f

f f

un -

ex -

much

f f

What

ex -

pect

# f f nf f f f f f f #f #f f f &

ex -

pect

{

∑

What

215

nf ? # n ff p

ff f

FF– #FF– — — ff

#f #f f

pect

∑

#f f#f f f #ff

>f Œ

f f f #f f

nff f

f dim.

f f

f fnf

>f Œ

quick - ly!

nar - row - mind - ed

too

vic - ar!

f f f f f f f f f f f f f f f f

164

Mrs. B.

# F

∑

ISSUU Version F ∑ ∑ & only # nF for perusal F ∑ ∑ & &

# F

bear!

∑

pair!

{

# F

pair!

Mrs. B.

f f

f f f f

f f f f cresc.

# f

shall

nev

F ? # FF

{

f f

∑

col canto

FFF

f f

∑

FFF

∑

f j ™ J >f f

j ‰ Œ f.

a tempo

∑

f “” f f f f bbffff ffff ffff ffff bb ffff ffff bbffff ‰ Œ f J J J J J ff f bbffff ffff ffff ffff bbffff ffff b >FFF f f f f J J J J f

f™

216 a piacere (rit.)

{

pair!

∑

re - cov - er!

∑

FFF

∑

ff ff ff ff ff ff ff ff mp ff ff ff ff ff ff ff ff

“” f f U >f # Œ b f f bf b f f bf f bf bfff ‰ Œ & FF — f f F n f bf bf f f n f b f — J f F ff f f U – b F b f fbf fnfbf f ? # F— f ? j‰ Œ f nf bf f F & bf f bf f * F >f ° (She goes to the sofa and collapses.)

END OF ACT I

165

ISSUU Version for perusal only Act II Scene 1

{

(Two months later. July. The large garden and park surrounding Rosings, the hilltop estate of Lady Catherine de Bourgh in Kent. There are walks among the shrubbery and trees, chairs and tables in the garden, and a view of the pastoral landscape below. Mr. Collins is bringing Charlotte, now his wife, and her guest, Elizabeth, to call on Lady Catherine. They are walking through the park toward the house and garden.)

Comodo h. = ca. 44

Ff f f f f f b 6 Ff f f f f f f f f f f & b bbb 4 f f f f f f f f f f f f f f f f f f f f f f f f f f f f f fF ™ fF ™ F F™ ™ ? bb b 6 b b4

Co.

? bb b bb

{

f f f f™

∑

Cous - in

bbb f f f f f f F ff b & b ‰ f f f nf fF ™™

E - liz

FF f ff f

f f J -

™

f f F

a- beth,

are

most

f f f f Ff f f f f f f f f f f f

f f f f f f f f f f f f f f f f f f f f fF f f f f f fF f f f f f ™ ™ nf f bf ? bb b f bb

Co.

? bb b bb

{

F there.

f f

Soon

you'll see

F™ Ros

F™

f™ f Œ f

ings,

the mag - nif

b b Fff f f f f f f f f f f f f f f f f F ff b & bb ‰ f f f nf fF ™™

FF f ff f

ff J -

™

i- cent

f f ff

p f f f f f f f f f f fF f fffff f fff f f f f f f ff f f f fF ™ ™ nf f bf ? bb b f bb

166

Version f ™ISSUU ff F f f™ f f F™ ? bb b J Ó™ J bb for perusal only

rit.

dim. poco a poco

Co.

{

man

sion of

ŒŒ

Cath - 'rine de Bourgh.

f 3 4

This

ff f fn f ff b ff ff f f FF Œ 3 f 4 dim. p f f f f f f f f f f f f f f f f nf f f f f f f f f FF fF ? bb b fF F f f f Œ 43 f f F ™ f bb Ff f f Ff f ff Ff f f ™ b f f f f f f f f b &b b b f f f F™

Co.

? bb b 3 b b4

{

f f f f F

ff f F

vi -

ta - tion you must count

as the great - est

hon

2 Pomposo q = ca. 100

b 3 & b bbb 4 ffff nfff Œ nnfff ff Œ f. f. . . mp ? bb b 3 f Œ f f Œ b b4 f f f. f. f. .

Co.

? bb b bb

{

f f F™

your

f ff f f f f f f nnfff fff fbf f bff ff ff ff nff f . . mf f f f f Œ f f f ff nnff f f. . fff 5

f Œ

rall.

(putting up his hand to stop them)

∑

life.

b f f f f & b bbb ff ff ff ff fff f FFF ™™™ f ? bb b bf f f f ff b b bf f f f

ff nff Œ ff f. . f ff Œ f. .

F™

F™ F™

FFF ™™™ F™

FFF ™™™ F™ p sf dim. > . . . . . . . . . f f f f f f F™ F™ f f f f f

2 4 2 4 2 4

167

ISSUU Version f f f f f ? bb b 2 f f f f f™ f f ™ f ‰ J b b4 for perusal only b 3 Moderato q = ca. 80

Co.

{

Please

2 & b bbb 4 f ff . p ? bb b 2 b b4 f.

Co.

? bb b fJ f bb

wait

here.

fff .

ff f

senza rall.

{

‰

(He hurries off.)

must go

ff f.

read - y.

ff f

see

b fff.

3 4

∑

a - head

bF Œ

poco rall.

∑

that

all

ff f.

bf ∑

r ™ bbb F 3f b ∑ F f ‰ Œ & b n FF 4 ff F f F f F F f f dim. f> . .> . . > . .> . . . . 3 . . . . . > . . ? bb b b b f nfnf f f f nf nf f f f f f f 4 n f nf fb f f nf f fb f n ff ‰ ™ . . f. f. F ™ F F f R 3 3 3 3 f f f b b f &b b b Œ Œ f f f ‰ f f J f fj f f Œ f f f f fJ

4 Andante q = 69

Char.

{

bb & b b b fff FF F ? bb b bb

F™

I can't thank you e- nough

fff

F™

FF F

for your vis - it,

ff f

F™

E - liz - a.

ff f

Tell me the news from

ff FF f F F™

168

Char.

f ff f b . & b bbb f fJ ‰ f> f Œ

ISSUU Version b Œ ‰ nf f f f f f nf f nf ∑ & b bbb f f J for perusal only home.

{

How is Mis - ter Wick - ham?

b f & b bbb ff fff ? bb b bb

{

ff f

Œ n FFF ™™™ p

F™

f b & b bbb b & b bbb

n“f” f ten

n fff ? bb b f F ™ bb ÆfJ F ™

Char.

nff f

Mis- ter Wick - ham has dropped me

thou

&n f f

FF F

‰ Œ nF

rit.

I was nev - er in love with

col canto

F nFF p

Œ ‰ " j 44 nf a piacere

pounds.

But

j fff "‰ f. p j ? nF f "‰ nF f.

begin walking toward Rosings again.) ## 6 Ó(They Œ f f F f F 4 ™

q = h.

∑

b 4 & b bbb 4 Ó

sand

fff

dim.

‰ Œ™

Did you

know

that Mis

∑

4 4 4 4 f

5 Comodo

bbb 4 nf f f f f ™ j ## 6 F ™ b & b 4 nf f 4

{

j f

for a girl with

nf f nf f f f f f nf f f nf f f fnf fnf f f f f n#nFFF n F

bb 4 &b b b 4

? bb b 4 Ó b b4

nfff

ff f

∑

ter

him.

5 Comodo

## 6 Ff f f f f f Ff f f f f f 4 f f f f f f f f f f f f

q = h.

fffff ff f f f f fff f f fff f f f fF ™ fF ™ F F™ ## 6 ™ 4 p

Char.

## f f f F & ## &

{

f™

? ## f

here

fffffffff

6 a tempo

## (starting again) f & f Œ f

{

F™

ff J

rall. molto

U ∑

ISSUU VersionU U Œ Œ f #F Œ ∑ ∑ for perusal fonly ™

Dar - cy

vis

## f f f F f f f ‰ f f f #ff f fF ™™ &

169

it his

aunt? (Elizabeth stops)

f f J

Oh dear!

rall. molto

f f f ff ™™

#f f f U f#f f

ff f ffff f f f #f #f f f

f™

a piacere

f™

j ™ ff

ff J

U ∑

col canto

U ∑

f f f F

courts La - dy Cath -

'rine's

## Ff f f f f f Ff f f f f f ff ff ff F f f f f f f f f f f f f f f f ‰ f f f #ff f & Well,

may

a - mus - ing

to see

how he

p f f f f f f f f f f f f f f f f f fF f fF f fF f f f f f f f fff f f ™ ™ ™ #f ? ## F ™ f

Char.

## Œ Œ f f ™ & ## & f

{

But

Ó™

she

ff J

is not

F™

f Œ(SheŒstops.)Œ a piaceref f Œ f f bbbbb #f f

rall.

here.

∑

F™ Fff f f F ™ ## f f ™ f f f f f#FF ™™ f f f™ & fF ™™ f F™ f f f f f F™ f f f f f nf f f f f f ? ## f fF f F™ daugh - ter.

She's in De - von

∑

rall.

col canto

at the

bbbbb

∑

bbbbb

∑

bbbbb

170

b F™ & b bbb

7 a tempo

Char.

f™

haps

Mis -

ter

Dar

f f J

ISSUU Version b Ff f f f f f f f f f f f Ff f f f f f ff f f f f f f f & b bbb for perusal only f f f f f f

{

sea.

Per

fF ™

ff J

F™

f ? bb b F ™ bb

Char.

(They resume walking.)

{

b & b bbb f ™

come

b & b bbb Ff f

dolce

ff fff F f FF

bff f

{ {

f f fF ™ f f f f f f f f f f f F™ p

nnnnn

you.

cy has

∑

f F f nnnnn Ff f f f fffff fffff b f f f n f ff f f f f f to see

? bb b fF ™f f f b b F™ & ff f

(Rosings gradually comes into view.)

ff f fFF ™ ™

f f f ff f f f f f fF ™ f nnnnn bnfF #f ff # ff #f FF F

Ff f #f #ff ff ff #fff f f #f f f f

nff f

# f f f fn f f f f f f fbf f f #f nf f f ff f fF ™#f f f f f # f f f f f f F fF ™ fF ™ #f f p

ff bFf f bbff bf bbfff F f f # & #f f #f bf f # f f f f f bn fF n f f f bb ff b f f # ™ #f ?# F p cresc. poco a poco

b bbfff

bf bfF ™

bf bf

b ff f

f bff

f bf

f bfF ™

ff f

bf f

ff f f bf

{

171

Poco meno mosso

b ff f

bfff b bbfff b &

(They arrive at the garden of Rosings. Lady Catherine sits in a large, throne-like wicker chair. Mr. Collins hovers around her obsequiously.)

f nF f f nf f f ff f ff f f f f f

ff # fff f #f

ISSUU Version b f f bf f f f f f f f f f f bf f bf bfF bf ? n f f ™ f for fperusal F ™ only fF ™ fF ™ rall.

p cresc. molto

f bff

Mrs.

f .

9 Risoluto q = ca. 69

n>f f f > Yes, yes, I know, Col - lins. ‰

Col -…

∏∏∏∏∏

r b b f & b b b f f f f nnffff ‰ ™ sfz f ™ ? b b FFF f‰ bbb R

FF FF

an old

f Œ

(Lady Catherine dismisses Collins with an imperious gesture. He makes a submissive little bow of apology, as Lady Catherine appraises Elizabeth with a stern eye.)

f ? bb f f f f J bbb

{

f Œ

≈ f nf f

b & b bbb Ó

friend of

Œ FF ™™ FF ™™ FF ™™ F™ Œ

f .

∏∏∏∏∏∏

Co.

ff ff

may I pre - sent to you my cous - in, E- liz- a- beth Ben- net,

∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏

∏∏∏∏∏∏ ∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏

? bb b 4 F ™ b b 4 F™ F™ f Œ .

FF FF

∏∏∏∏∏∏

{

La - dy Cath - 'rine,

∏∏∏∏∏∏

j fj f fj fj # f fj f f f f f ff fff f f f ? fF ™ f f fF ™f f f f f 3 ‰ f f f f f f f f 2 w™ w >™ 8 Larghetto q = ca. 54 f f f f ™ f f f f f f f f 3f f f f3 f f f f f ? bb b 4 Œ ‰ ≈ ‰ ≈ b b4 cresc.

fff Œ b 4 & b bbb 4 FFF ™™™ f

Lady C.

∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏ ∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏

Co.

# FFallargando F # FF FFF nb FFF F bbbbb 44 ff # FF FFF nb FFF F 4 bbbbb 4

>F F

>F FF F

∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏

{

F f f 3 >FFF f f & f ffffff fffff 2 F q=q

Œ Œ

b 42

∑

2 b4

∑

b 42 ‰ ™ bfR f ≈ f bf ≈ f f ' f' f bf 2 ‰™ bf ff ≈ f bf ≈ f f f b4 f bf f f R ' f'

9 Risoluto q = ca. 69

172

Lady C.

(Collins backs away from Lady C. She gestures “Be gone!”)

ISSUU Version ffffÆ ‰ fJ ≈f f ∑ & b Œ for ≈ f f f ≈ f f f f f f n f f f f f f.f f.fperusal f f f. f. f f only &b

{

∑

Œ 10

f™ f

(to Elizabeth)

U p (not intimidated) j nf ‰ ff f ‰ Œ

∑

& b fJ f

{

f &b

{

j U f. ‰

fŒ

No,

f f

you have

we are not.

∑

n f. f. f. f. U j‰ ‰ J ‰ ff ff ≈ ff ≈ f f f ff fff ff # ff # ff 3 f f f f ff f. . f . p p .j mf . ff . . f f f f f f . f f f ? f # f f. f. f ≈ f f nf#f f f J ‰ & ‰ nffbf f J ‰ f f f ≈ >

con - nect - ed

∑

fff≈ ff f f f f

(Throughout this scene, Elizabeth's answers should be taken slightly slower than the main tempo)

∑

j f f f f ≈f f .

fam-'ly

∑

court?

Two

∑

#f f f

sis- ters, Mad -

f‰

am.

‰ fj

∑

f™ f f f Œ

f. # f. n f. . 11 f j j f J ‰ f f ≈f f f f & b #ff. ff ‰ ff nnffff≈ ffff #fff fff ff 3 n ff f ff ff ff' . . . . # f. p . . #f. mf f f f . . f f f . . . . ? b f#f ‰ j f ≈ f f f j n # ff J ‰ ? nf f f ≈ f f f. f. & f f f f 3 3 ' sis -

ters?

your

ff ff ≈ ff fff f

? b Œ f ≈ f f f f≈ f f f f ≈ f . . f f f. f. f f °

cresc.

? f f Œ b f f ' '

Lady C.

∑

Æ Æ ff f f f *

& b fff ff Œ ' f'

(She turns to examine Elizabeth))

And

you

all draw well?

j ff ‰ ff f f ' p f ‰ fj f '

173

Lady C.

&b f f ™ f f &b

No,

{

∑

ISSUU Version ™ f f f f f f‰ f f ∑ ∑ Œ > f ™ f f f #f f .. .... . forf f fperusal only f f f fj ff not

at all.

That is most pe - cu -

Lady C.

&b f f f ™ &b

{

nev - er had

f f f Œ f™

∑

ff. b ff. ff. nf b ff 12

‰

∑

&b Œ &b Œ ?b Œ

f f

∑

>f f f bf f ™ ‰ J f bf ™ f f f Œ ™ ff f

fff fff . .

er had

gov - ern - ess?

f f ≈ f bf bff ff ff .

bf f ≈ f . f j fj f f

We were al - ways

∑

j f™ f f f f

Œ fff≈ ff ff ff #ff f f f. f. ' # f ' pp mf f ≈f#f. f. nff Œ ' f '

gov- ern - ess.

Nev

&b Œ

{

liar. Has your gov - ern- ess then left you?

f & b ff fff ff ≈ f f f nf f .J ‰ fff ≈ fff fff fff fff ff Œ . . ' # ff f. f. f . .3 . . .3 . ' ff ff ff mf f f 3 f ‰ ff ≈ ff f f ff Œ ? b f f ≈f f J f f . f. . f. f. f '

‰#fj

en - cour - aged

f. f. Œ

fff fff Œ . . f.f f.f Œ

bf bfff ‰ J . bf f. ‰ bf J

j f f

You had

read

ff ™™ f™

f™

no ed -

f. ≈ f bf ≈ f f nf Œ . ' ' f. f bf. f f ≈ f bf ≈ f f nf Œ f nf ' '

‰ fJ fJ f and

‰ ‰

u - ca- tion?

had all

ffj ff f f j f #f

f fj f J

the

teach - ers

j j ff ff f f f ff j fj #f f

j f

j f j f

174

&b f f ≈ f f f f f ≈ f f f cheerfully

{

and that is

{

wish to learn.

‰ fJ

ffffÆ ff ff Œ ff ff nf ‰ fJ ff f f f. f. f f # f. f. f f . 3. . . p mf fÆ f f r f f ‰ ff J ‰ ff f #f f f ‰ ™ f J ff j f f f f . . f. . . ° * Up- on my

word!

You

f. . . f .f f. f J ‰

?b f f ‰ J &b f

for those who

e - nough

ff f f. ff.

& b ff fj ‰ f #n ff

Lady C.

∑

ISSUU Version ‰ ™ fr f f f ∑ ∑ ∑ for perusal only

need - ed

Lady C.

f™ f f

f. f. f. f. f. f. bf ™

f bf ™

>f ™ f

(Darcy comes from the house and joins the others.)

f f Œ

™ f. ‰ Œ ff nnnffff . f bfff ™™ bbfffbbfff ™™™ &b ≈ f . f J f b ff f f f f f f b . . f. . . mf p . . poco cresc. . ?b ≈ f. ≈ ≈ f. ≈ f f f. Œ f. Œ f f f. f f. * . * °. °

Lady C.

give

free

j f f f™ f

(changing expression instantly)

‰

dolce

But

here

is Dar -

f f ≈ f n ff.f ff.f fff ™™™ fff n ff

?b f ≈ f f f . . f™ f f p

ly for

14 poco ritenuto

&b Œ

{

your o - pin - ion ver - y

cy!

ver -

young

bbb ‰ fJ f f f f f Œ effusively

How splen - did to

j b fff ‰ ff ™™ ff b b ff ff ff p

j f ‰ Œ

per - son.

f bbb ff ff f

ff f f

see you!

ff f Œ f f ff f Œ

175

a tempo

b &b b

∑

{

Col- lins!

bb ™ f f ™ b & bf f f ™ a tempo

? bb b ff ™™ ff ff ™™ b

Lady C.

We are ac - quaint - ed

b &b b Œ

In - tro - duce them!

bf f bff

f f

bf ™ f f f f f

(angrily, to Collins)

? bb b

{

Why

was

I not told this?

∑

{

∑

b f. f. f. ff. ff ‰ nf J

met when I was in Hert - ford - shire.

pp 3

j ff fff p ‰ nffJ b ff

ff. ff. f ™ f ff ff f f ff ™™ f . ff ff f fff ™ ™ f

j f ‰‰

poco accel.

others) ? b(to the b b Œ ‰ fJ f ™ f f

(Collins gives an elaborate, (Elizabeth and Charlotte curtsey.) self-important bow.)

b f™ ff f™ b & b - fff f ? bb f f b

∑

f f f f f f™ f f

f ‰ J

15 Pochiss. meno mosso

∑

(to Lady Catherine)

∑

f f.

15 Pochiss. meno mosso

∑

al- read - y, Mad- am.

fj

f f bff bf f. f. . f. nff n ff Œ f. n f. f. f. f. f. f f f bf f. Œ f.

bf f f f . . bb bf ≈ f f ≈ f f f b f f bfff n ff & . f. f b f f f. f. ?b Œ bf ≈ f f f ff. f bb f.

f nf f

ISSUU Version f f‰ Œ b ∑ f™ f f f Œ &b b Œ for perusal only f. f. n f. f. f. f. . bf ™ (turning to Mr. Collins)

Lady C.

f f

≈f ff

∑

com - pli- ments.

fff

∑

(Lady Catherine stops him with a sharp look.)

∑

Ÿ j f f f ‰Œ b f >f ff ffff f f. f f f f n f f f .> . . . . . f. f f f ™ f. > . > nf ™ . . dim. . .. >f ff ff f ff ff f f f. . . . Ÿ  f f f™ f f ‰ f f f f f f ≈ f≈ J ‰ Œ b . J J > f. >

176

ISSUU Version f f f™ ‰ f f f f f f f f f f f f &b f ™ f f J for perusal only ff ff f f f f f 16 Risoluto (q = ca. 69)

(Elizabeth and Charlotte sit down at a table a short distance away; they play cards.)

(ingratiatingly, to Darcy, ignoring the others)

Lady C.

{

How is your young

&b Œ p . . ? b ff ff

Lady C.

&b f ™ >

{

‰

ff. ff.

ff >>

sis - ter?

Does she prac - tice

f™

. . . . fff fff fff fff

f™

ff. ff. f f

Lady C.

{

# ‰

3 4Œ

i- gence?

f j f f

who have that

# fj & fff ‰ > p > ? # fff ff.

ff. ff.

pia - no -

#2 F f f 4

There are

f true

#2 4

>f > fŒ

j Œ ‰ #ffff > Æff # fÆ f> f ff f ‰ f J

>f ff

∑

with due

peo - ple in Great Brit - ain

few

f J

sen - si - bil - i - ty

>f . . . ff ff ff ff

f ff

∑ f p fff. ff. ff. ff. >fff ff. ff. ff. #2 4

f™ f f f f

∑

for - te

f ff f f ff f ff. ff. fff. ff. fff. ff. fff. ff. f f f f f

(Lady Catherine does not wait for an answer, so Darcy drifts over to observe Elizabeth and 17 Charlotte at their game.) (unaware that no one is listening to her)

>ff >ff # f 3 f f f f 4 f. ff nff ‰ Œ & b fnf #f J cresc. f> > # f f f f f f 3 f. f ff n f f ?b 4 fJ ‰ Œ dil

ff. ff. f f

the

f f J

j > j f f >f ‰ f

mu - sic

that

∑

. . . . ff. ff. fff. #fff nfff fff fff f f

have,

j Œ ‰ n#fff f. ff. #ff. mff. #f f ‰ f J

Lady C.

# ‰

f f f J

f #f

Lady C.

{

# f

You mean to

bet - ter

fright - en me,

# f & J ‰

f ‰ J

∑

{

cards.

Mis- ter

taste.

#f ™ . ff F

But

I shall

. . . ff # ff ff

not

∑

Dar - cy,

by ob - serv

f™

. ff F

. . . ff # ff ff

ff f

f f #f #f f f 43

in - tim - i - dat - ed.

∑

ing me

∑

j ff f

‰? b 42

∑

fff

f ff

3 ‰ #f f 4

2 b4

Æ n ffÆ # f n f ff ff f#f j ‰ ‰ j 3 f. #ff nff ‰ ‰ j b 2 f f f #f. fff 4 ff & f J ff 4 . b f . f. . . mf Æ . ff. # ff. ff. p. # f # f n f f j # ff ‰ ‰ f 3 f j 2 ? # f f f ‰ ff ff f#ff n f ‰ ‰ n f J J 4f f . b4 J nf ' # f ff

Not at all.

(self-absorbed) j ™ 2 ‰ b f f f f & 4

f f f f f f ‰ ‰ f f f™

ISSUU Version ∑ ∑ f fJ ‰ & for perusal only # f ff f j &

# f & fff ‰ ‰ .j p ? # nf & j f f f n f. f. f. f.

177

?b 2 4

{

I had

∑ ff

f J

f f f ‰ J

learned

I know how

f™

f J

cresc.

f™ f f f

play

™ f cresc.

would have been a

seem

well you like to

f fff.

>f ™

f bf f J Œ

2 f™ f™ & b 4 fj ‰ ‰ f >f . . . . f. f. f. ff. ff. ff. ff. f f f f f ? b 2 >f f f f f ff ff ff ff ff ff ff 4f 19

f f f f

(Elizabeth and Charlotte laugh heartily. Lady C. looks at them angrily.)

great

j f

per -

f f . . f. f. b f. f f bf f. #f out -

ra - geous.

ff. ff. ff. b fff. fff. ff f ff #f f Œ

178

ISSUU Version ∑ ∑ Œ f f f & b >f f Œ > for perusal only f f. f. f. f. f. f. . . . . . . . . . f f j . 20

L’istesso tempo

Lady C.

{

(calling across to the card table) 3

form -

er.

ff. ? b #ff

Lady C.

fff. f

#f #f f nf nf #f f nf f ‰ ‰ nnfff F f J > . ff. . . . . . b f j . f # f n f nf bf f. #f. nf. . f. f #f ‰ ‰ f J >f

f f f ‰ &b

{

f f

say - ing

there?

You must

let

f f

on your

f™

con

F F

What are you

F F

f f f‰ > ver - sa- tion!

j f b ∑ ∑ ‰ Œ & f f f f f f f f f f f. ? b f f f f f f f f f f f f f f f f f f f f f f f f f f f f f f f f. ‰ f f f f f f™ f f f & b ‰ fJ f f f f ™ f f

Lady C.

{

Your neph - ew, I fear,

& b FF pF ? F b

∑

> ≈ f f f bf ‰ f

will teach you not to be- lieve a word I say.

∑

I do not like

j f ‰ fJ ff J ‰

Œ Œ Œ

j ff ‰ f f. f p mf. ff n ff J ‰

Œ Œ

bfff. ‰ ™ #f R f bf r ‰ ™ . . f. ° *

j > ‰ nfff b fff f. f .f 21

‰ f. J mf

this

179

Lady C.

& b f f f f #f f ‰

{

f bf ™

ISSUU Version j j r f ™ j Œ ‰ f bf ™™ b ‰ ff ™ ‰ ‰ & ff #fff fff f f n f f b f b f f f f ™ f f f. f f b f. f > . . > > only for perusal >. . j ?

{

b Œ

&b f

f f f f f. Œ f f. > f. f ° * °. *

∑

{

with me

in -

≈

f. ≈ ≈

f. ≈

∑

≈ f ff fff ≈ fff ≈ f f f ≈ f f f f f f f n f f f f f f f.f f.f f f f. f. f f f

f. Œ

f f ≈ f f. f. ff ≈ ff ff ff ff ≈ ff ff f f ≈ f . . f f cresc. poco a poco

Dar - cy,

22 Comodo

U mp dolce f f‰ # 6 f f f 4 breve

f™

F j fff

poco rall.

bbbbb

U# F™ b 6 4 f f f f f f F f f f f f ™ f f f ff ™™ f f f b bbb ‰ f #f F ™ p # 6 f f f f f f f f f f #f f f f f f f fnf f f f f f bb b bb u4 show our young guests

the

beau - ties of our park.

breve

? ffŒ b f . f. ? bb bbb

∑

come

(She starts toward the house with Collins in tow, then calls back to her nephew.)

side now.

&b Œ

{

Col - lins,

‰

& b fff#fff Œ . .

>f f > ‰ f™

kind of con- ver- sa- tion.

& b b fff Œ f. f.

Lady C.

∑

breve

f™

a tempo

f f J

(Lady Catherine and Collins go into the house. The other three begin to walk.)

∑

b Ff f f f f f f f f f f f Ff f f f f f f f f f f f & b bbb Glad

ly, Aunt

Cath -

'rine.

fF ™ f f f f f fF ™ f f f f f fF ™ f f f f f fF ™ f f f f f ? bb bbb p

180

{

ISSUU Version f™ f f nf f nf U n n 3 f f b f b ™ n n n4 f f & b b b f f f ‰F f f f nff f fF ™™ for f f f f perusal f f f f f f f f f f f f f f fonly n f nf f nn 3 ? bb f f

Char.

rall. molto

un n n 4

bbb

23 Più mosso q = ca. 104

j 3 & 4 ‰ fJ f f f f f ‰ Œ

{

I real - ly must go back.

3 &4

f f f f f f f f c bf f f J f f J

Mis- ter

j f Œ f‰Œ f p Œ f‰Œ J

∑

?3 4

∑

Col- lins does not like me to leave

c FF ™™ F™ pp c F™

poco rit.

∑

(She turns to go.)

Char.

& Œ

‰ fJ

f ‰ f f J

agitato

Come back,

Char - lotte.

f f f f f

poco rit.

Ów w w p w w w Ó

You don't know him, Liz - zy.

mind.

FF FF F F F

bFFFF FF F

∏∏∏∏∏∏∏∏∏∏∏∏∏

FFF F

Mis - ter Col - lins won't

j j ff ‰ ff ‰ f. f. . j ‰ fJ ‰ f.

f f f f bf f 43

∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏

j ff ‰ Œ f f ‰ Œ J

La - dy Cath - 'rine.

j f bff ‰ Œ j f‰Œ f

∑

∏∏∏∏∏

j f Œ n f ‰ & ff mf ? Œ #fJ ‰

∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏

{

(Charlotte stops.)

3 4 3 4 3 4

181

24 Comodo

## 6 Œ Œ ISSUU Version ∑ ∑ ∑ f f f f f f 4 for perusal j f f ##only Ff f f f f f 3 6 f b f F f f f f &4 F 4 f f f f f FF f Ff ™ Andante q = 80

(Charlotte leaves them with a conspiratorial glance at Elizabeth, who reluctantly walks on with Darcy in the park.)

3 &4

{

Mis- ter Bing - ley

?3 f 4f

## f & ? ##

fff

p espr.

f™

sis - ter

{

f bf f

ffff

f F J

are well,

∑

bf#f # 6 fF ™ f #4 ff p

ffff f

f Œ Œ Ó™ Ó™

hope.

f f #f

F™

Per - fect - ly

so,

and his

f f f fF ™ f f

∑

thank

you.

F f ## Ff f f f f f f f f F f ff f f f f f f f f f f f f ‰ f f f #f f fF ™™ f f ™ & fF ™ f f f f f fF ™ f f f f f f f f f f f f f f #f f f n f f f f nf f f f f f ? ## f f

# &#

{

∑

f f f™ I

have heard

j f f f

that Mis - ter

f # Ff f f f f f Ff f f f f f f f f f f f f f f f f &# fF ™ f f f f f fF ™ f f f f f fF ™ f f f f f f f f f f f ? ## F™ p

182

(betraying some emotion rall. in spite of herself)

## f &

{

Bing - ley

will

>f ™

f f f f f F J

, b b bb

Ó™

ISSUU Version , bb ## Ff f f ff ™ f f f f f n f f f f f f f f f f f f Ff nf f f f f bff f f f f f b b b & for perusal only not

re - turn to

Ne - ther - field.

f f f f f f f f f f n f f f f f f f ff f b ff f , f F ™ f ? ## nfF F™ f f bbbbb

25 a tempo

? bb b Œ bb

{

f f F

f f f

(uninvolved)

f f f f f

f f

bbb Ff f f f f f f f f f f f Ff f f f f f f f f f f f b & b I should not

be surprised.

He has man - y friends

and en -

fF ™ f f f f f fF ™ f f f f f fF ™ f f f f f fF ™ f f f f f ? bb b bb

{

? bb b bb

pp sub.

(Elizabeth controls her anger as they walk back into the garden.)

Œ Ó™

(Darcy's distant demeanor alternates with very tender, longing glances at Elizabeth, which he suppresses whenever she looks at him.)

∑

b b Ff f f f Ff f f f f & b b b f f f f ff f f f f f f f f f ff f f f f f Fff f ff f ff f Ff f f f f f gage - ments.

? b b fF ™ bbb

{

f f fff fffff f fffff fffff f ffffff f fff fF ™ F™ fF ™ F™ F™ f

bbb Fff ff nf ff b & b f f fnf nff

? b b f f f f f f fF ™nf bbb F f cresc.

p sub.

ff nfff ff f

f n f f nf

ff nn fff ff f rall.

f bfF ™ f

(Elizabeth sits down at the card table, glancing impatiently toward the house, hoping to be joined by the others.)

ff f ff f nf ff

ff nff

nf f nf f

nnnnn nnnnn

{

183

ISSUU Version ff ff f #f #ff ff Ff f #f #ff ff f f f f f f f f f f f f for perusal only ? #fF f f f ff f #ffF ™f f f f f #fF f f f ff f #ffF ™f f f f f 26 Pochiss. meno mosso

& Ff

{

cresc. poco a poco

ff bFf f bbff bf bbfff F f f # & f #f f #f bf f

(Darcy becomes agitated; walks nervously about the garden.)

# f f f f f bn fF n f f f bb ff b f f # ™ #f ?# F

{

∑

nf fF ™

b ff ff

f bf f

f ? J ‰ Œ

{

bf bfF ™

bf bf

b ff ff f bf

ff bff

ff ff

f bfF ™

bf f

ff ff f bf

27 Agitato h = ca. 54

rall.

ff bbnfff n & b ff nf ?

bff b b bff

ffj ff ‰ Œ & n FFF F f > ? bF b >F

b ff ff

f f fF ™ f

fff f

ff ff

No!

b f f f nf

bw w w b C ≈w bff ff ff bff ff ff ff nff ff ff ff bff ff bff ff fff ffffffff ff ff fp

C w w

f f bf

vain

have

(There is real pain in his words.) 3

Ó fff ‰ Œ fJ j f ‰ Œ f

∑ ∑

f bf f ‰ J rit.

strug - gled!

will not

j f bfff fff fff fff fff fff bfff ‰ Œ f f f f f f f. p j ‰ Œ F f F f. 3

184

? F

{

‰

b f b 3f f b>f >3 > f f bf

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{

FF >

ff ‰ Œ .

& f f f f f f b#ff ff ff ff ff ff bbw w ww f f f f f f f f f f f f p cresc. f 3 f f f ? f bf f bbff f nf f ff #f f w f nf bf nf f w w # f f nf f

{

pressed! 6

bf F

? bb bbb

{

tell you

? F F

(rall.)

& bbbFFF

feel - ings will not

∑

f f nf f f bf f f bF bF n f. f ? >f Œ ?

f. J

a tempo

how

>f 6 bbbbb 4

f f F

Poco meno

f bbbbb 46 fff

ff fff f f ff

ar - dent - ly

6 bbbbb 4 fF ™f

nw™

f fF ™

ff fff f

ad -

ffff

mire

b f f f f bF

You must al - low me

w w ww w w w

nff fff nfff f f

you

nf f ff f f f fnfF ™ fF ™ nw ™

re -

poco rall.

F™

cresc. poco a poco

p cresc. poco a poco

∑

rall. molto

fff n fff f f

and

f f nf f nnnnn

nf nf f f f f f f f f f f bbb nf f f f f f f f f f f f nf f f nf f nf nnnn b n & b nf f f f f f f molto f n f f f f n f ndim. n f f f f ? bb b f nf f nnn n f n f f n bb n f n fw™ ° * love

you.

185

12 Ó™ ISSUU Version ∑ Œ™ 8 12 f ™ only ff fff bff ™™ Ff ™™ ff ™ & f fffor nff perusal f 8 f f bf ™ f™ f™ f f ritenuto molto

{

(Elizabeth's astonishment is beyond expression. She stares, doubts her senses and is silent.)

29 Lento q. = ca. 42

e = e

f™

f f f 12 ? f f bf f f f f f f nfF ™f 8 f #f

senza cresc.

f f f f f ‰ J

f f f f

ff ™™™ f

well un - der - stand your as - ton - ish - ment.

? f f J

feel - ings –

& f™ ?

‰ f

f f

f f f™

f™

to hide

ff ™™ nf ™ f

f f f f 6 J 8 f™

Œ™

6 nfff nfff ff 8 f ™ f f™

f #ff ff # ff ™™ f #f f f ™

30 accel. poco a poco

and suc- ceed -

™ ff fff fff ##fff ™™ f

I have tried

fJ f f f ™ J f f ff ff f f f f f

? fF ™ f f f f bf ff ™

{

can

f™

f fF ™ f f f f f

f ? f f f f f f f f ‰ Œ™

{

‰

una corda

& fw™™

f™ f bf f

f f

(taking her silence for encouragement)

ed on - ly too

f f f™

f f J

these ten -

f J

der

ff fff fff f

f f f™

∑

well.

6‰ 8 f ff ff ™™ f ™ f Œ™ p

espr.

tre corde

ff #ff ff f #f f

‰ #f f ™ # f ™# ff f f™™ Œ #f ™ mf

186

? ‰ f f f #f #f

{

(accel.) cresc.

no long - er

have

the pow - er

f J

con

f ™™ f f f #f quer

this

? ‰ #f f #f f #f ™ ‰ #f #f #ff #ff f n f # f f ##ff f ™ f nf #f # f f Œ™ #f ™ #f Œ™ f™ ff ™ “‘ rit. a tempo (q. = 46) (rall.) ™ f f™ f bf f f f f bf ™ ? f ‰ J ‰ J

{

f dim. poco a poco

pas

ff f™ b f ff f

sion,

ff ™

nf fnf

{

f J

no long - er

? f™

f™ bf ™ bf ™

this

f™ f f #f f

? ‰ bf f bf & bbff ™™ bf ™

dim. poco a poco #f f #f f f #f ™ #f J

ISSUU Version ™ ff #ff f #ff ™™ ff #ff #ff #nnffff ™™™ & #ff ™™ f™ f # f ## ff ff ™™ ff f # f for perusal only But

f™ & nnfff ™™™

rall. poco a poco

bfff fff bff ™™

bf b ff ™

bf ™ bbff ™™ bf ™

have

ver - whelm - ing

bf f

ff b ff ff b f bf

{

bff ™™ f™

f f

bf f bf f

f ‰ f f f

nn ff ™™ nf ™

ff ™™™ f

ff ™™ f™

re -

f™ f™

that

pow'r.

f f f™

f™ bff ™™

my will,

ff fff fff f

must sim - ply

f f f™

f J bb f ™ b

a tempo

f™

f - - - - - ff nff fff bbb f ff ff ff ff ff f f

a- gainst my ver

cresc. poco a poco

rall.

& ff ™™™ f

bf bf bff ™bf f

ff bff f f b f b ff

Œ™

bf ™ ∫f ™

a- gainst my char - ac ter,

sion.

f ™ bf ™ nf ™ 31

>f f f ff b f f f f f >f ™ f f f ? ≈R J ≈ bel

bbff ™™ bf ™ pas

bf f

rea

son.

- f- f- f- f- ff bbb f f f f f f mf

187

b &b b Œ™

Per - haps you should lis - ten

b &b b f ™ f™ p ? bb ™ b ff ™

? bb b

{

f f

f™ f™

f™ f f f™ f f

rea - son speaks on - ly of

ob - sta- cles:

f ff f f f f f

Œ™ FF ™™ F™

' Œ™ f f f f n FF ™™ f f f f nF ™ ' ° mf

f f™ f f f f

f f J

si - tion

fam - 'ly,

b & b b fff ™™™ ? bb b

ff ™™

f™ f™

f ™™ f

? bb b f f f f

?b bb

rea - son, Mis - ter Dar - cy.

ff ™™

f f ? bb f f b

to your

with suppressed emotion mp

? bb b

{

ISSUU Version j Œ f f f f >f f ™ f f f f f f f f ‰ for perusal only Œ™ ‰ ‰ f ∑ ∑

of you and your

ff fff ff f f

f f f

f f

ff ™™ f™

f f

ff ™™

f™ f™ Œ™

> . f fff ‰ & f f > . . ff f ff ‰

Œ bff ™™ f™ f

f ™™ f f f f™ f ‰ f ff of

f™ f™

the in - fe - ri - or

ff ™™™ f

f f

f *

po -

f f

f J

f f f b f f- f- f-

and

f f

poco cresc.

rall.

ff ™™ f ™ f

the

dis - cred - it

f f

they would

ff ™™ b f b f ff ff f

f f

188

f f f f™

nf C Œ f f

(rall.)

{

bf f f

them

f ™ f nf f

f f f

bFF

with the warmth of my af

n FFF p FF nF

> f f nf f ™ f f f f nf fJ f

35 accel. poco a poco cresc. poco a poco

hope,

ff ™™ f™

dear E - liz - a - beth,

ff ff nff ff ™™ f f nf f ™

that my

f nf fec - tion.

™ nn FFF ™™ n#FFF ™™™ Ó

∏∏∏∏∏∏∏∏∏∏∏∏

∏∏∏∏∏∏∏∏∏∏∏∏∏∏

FF F FF F

a- gainst these

tri- umph

ff ff nff fff ™™™ f f nf

{

‰ f f™ f ™ ff f nf ™ Œ™ f™

### f f f ff #f ff f ™ & nff ™™ J #f ∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏

ward - ed by your

? ### f nf f f

ac - cept - ance of my hand

f #ff ff ff ™ f f p

f f fJ f ™f

f ff f f f f f J f-

* ### 6 8

‰ nf f f J And might I

Œ ‰

n fJ

### 6 8

rall. poco a poco

o - ver these ob - sta-cles

ff #ff f ff ™™ f # f # ff f ™

mar - riage?

f f-

> . .have bf ff Œ sf > . . bf ff Œ

f- #f f f ™ f f f f f f

‰ #f f ™ f f™ #f ™ #f f Œ ™ “‘ (rall.) f f f f f f f f #f f f f >f f f ? ### J ? ### 6 ‰ f f ™ 8 f f nf ™ f ™ f Œ™

pp cresc. poco a poco

bFF ™™ °

ob- sta- cles,

∏∏∏∏∏∏∏∏∏∏∏∏∏∏

nf f C nw w

fought to op- pose

? ### 6 f ™ 8

{

have fought

mf col canto

> f f f f f

### 6 & 8

∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏

bf f

∏∏∏∏∏∏∏∏∏∏∏∏

{

But

to mine.

∏∏∏∏∏∏∏∏∏∏∏∏∏∏

? bb b

bring

b &b b w w w f ? bb w w b w

f™ f f J

ISSUU Version j b Ó C w F & b b b fff ff nf ™ F FF FF bFFF ™™™ f f f nf ™ nw w for perusal only ÓF ™ F F w ? bb b

dolce

Œ™

ff ff ff f f f

will be re-

‰ #f f ff ff f f f f f™ rit.

∑

> f f C f f ff #f f Ff ™ ™ #f ™ f- f- J -f j - mp f #f ff ™ f f fF ™™ #f ™ C f- f- f J

∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏

? bb b

34 a piacere (meno)

189

36 Andante spiritoso h = ca. 60

### C Ó mp & f f

>f 3 f f f f

ISSUU Version for perusal only

(still seated)

Œ f f f f f f good o - pin - ion, I have nev - er de- sired your Mis- ter Dar- cy, > which you f Œ j j ff‰ Œ ### C f j j j ∑ ‰ Œ Œ f ‰ ‰ Œ ‰ ‰ & f ff ff # FFF sf J #ff #ff > mf p f f ff ‰ Œ Œ f ‰ ff Œ f j ‰ Œ? ? ### C ‰ ‰ Œ ‰ ∑ f f fJ F & ff fJ J J J ° * 3 ### f f f ∑ f f f >F f f f f Ó & > be - stowed most un - will- ing- ly. certain - ly have >f # f >f f f ### F j‰ Œ j ‰ F Œ fj ‰ ff f fF f f #f f f ‰ f f ‰ FF ff & #ff F #f f F f sf ff n ff fff # ff f f f F # f f n f f # f n f f f‰ f‰ ‰ f‰ F # f‰ Œ J ‰ f ‰ ? ## F Œ J J

{ {

### Ó &

{

f f

>f 3 f f f f

> j ‰ j fj ### f f f f f ff ‰ f ‰ Œ & ffj ‰ Œf # FFF f ‰nf ff ? ### ‰ f‰ Œ J

sup - pose I should feel great

### f 3f f f &

{

mildly sarcastic

### F FF & F ? ### F

fff f f f

grat - i- tude for these fine

j Œ ff ‰ j ‰ Œ #f #ff f f Œ f‰ f‰ Œ J J mf

rises.) j ‰ (She f. Œ f f

>f j j . f Œ nFFF ‰ Œ ‰ ff f f #f p mf F # FF F ff f #F f Œ F J‰Œ J‰

thank you for your

f ff fŒ

re - gard.

But

>f f f Œ

sen- ti- ments,

and

j ‰ j ‰ ŒF ff ff # FF

> f

ff ‰ Œ J

> f ff Œ f ‰ J ‰ F &f j ‰ Œ? J ff ° * 3 >f f fff f f Ó f p

ffff fffff f fff f f

I cannot pos- si- bly re - turn

ff ‰ ff cresc.

them.

FF f f f # f ‰ ‰ ‰f ‰ff

190

{

nf ISSUU Version f F bbb f f nf f f f f ff f f ff f f Œ F for perusal F f f f f f f f f nFf f nfF f f bff f nFF b ? ### nf #f nf f ff n ff nff ff n#FFF f f bonly F nb FF bnFF n b FF b b f >f f ### fffff &

f f f f f f

bb Œ b &

{

am sor - ry

FF F

b &b b f f

{

these great

>f f f

{

words cause

f FF F

F pain,

j ‰ ‰ j f ‰ f f >f f J

FF F

f f FF F

f f b FF nF

will

your

true

∑

j f™ f F

∑

FF F F

trust

that

FF F f f

f f f f

quick - ly

F bFF

Poco più mosso h = 52

F F

f f

char - ac- ter.

FF F

∑

f f f f ff F F f ? bb FFF FF F b F F

but

f f f f

Poco più mosso h = 52

Œ f

you have fought

b f f f f w b & b

b b & b f

f f f

ob - sta - cles

FF F

? b FFF bb

?b bb

severely

b f &b b f f f

dim. poco a poco

38 Lento h = ca. 42

? bb FFF b

(Elizabeth makes an effort to control herself and sits down again.)

bb b & F

rall. poco a poco

bring you

back

FF F

∑

Œ f

(Surprised and resentful, Darcy stands silent, then responds in a voice of forced calmness.)

∑

And

FF F F

w w

w w w w

3 3 F ? bb afpiacere f f f f f f f f f b

39 Recit. (meno mosso)

b &b b

col canto

all the re - ply which I am to

{

f f f f J

{

∑

ci - vil - i - ty,

f f3 f

you

j ff ‰ Œ f ffj ‰ Œ f

lit - tle

### >F &

have?

May

ask

∑

f f ? bb J b

f f

∑ ∑

? ###

dare

speak of

f f f ff ff ff 3

f f f F

F F

f > f f

why,

with so

(She rises.)

ject

me?

j f #ff ‰ Œ p ## fff- ‰ Œ J Ó

f f ‰ j ‰ Œ # fff . f .j j f ‰ Œ f f f &f ff ‰ Ó J vil - i - ty

### f 3f f f f f f fŒ & f f f >

{

such an of- fens - ive and in - sult - ing

>f ff f

of- fer?

f f ? ### f f ff ff ‰ #ff ‰ ff ‰ ff ‰#ff ‰ nff J J J J J f 3 3

###

f f

j ‰ f #ff fff J

af - ter

f f f

j nnff ‰ ? fJ

nf nf 3f f f f3 Œ f

j ### #ff ff f f f f nFF f f ‰ f ‰ ‰ f f f & #f f f f f f f f nf nf f f nf F mp

f f ‰

You

40 Andante spiritoso h = 60

### F & FF

ISSUU Version b j ‰ Œ Œ Ó &b b F f w f f w f F j for perusal only ? bb Ó Œ Œ f ‰ w f { bF this

j b f &b b f ‰ Œ f ? bb fj ‰ Œ b f

f f

191

nf f F bF fF F F f

And

how can you think I could

n ff f f nff ff #ff ff ff fff 3

n f nf f #f f f F f#f f

192

### f & f f f f

j f f f f f f f f f f f f™ f f f™ rall.

ISSUU Version ### f f f ff # FF & f f f perusal f> ffor f> f f f Óff ff nfff Ff fonly f f ff F f

{

ev - er love a man

who has

41 Recit.

{

col canto

### & nf ? ###

{

forcefully

Can you de - ny

? ### Ó

F Œ

(quasi a tempo) 3 3 ### ‰ a piacere j j f ™ f f f & f f f f f f f

### Ó &

my be - lov - ed sis - ter?

>f dim. > ? ### f f f f f f f f f

ru - ined the hap - pi - ness of

j ff ‰ Œ f p ff ‰ Œ fJ

f f Œ f f f

her from Mis- ter Bing- ley?

### Ó & ? ### Ó

∑

that

you have done all

∑ ∑

bbb

rall.

bbb

∑ ∑

rall.

b ff f

your

f #f

f f f3 f J

f™ pow'r

j f nff ‰ Œ > j ‰ Œ f >f

sep - a - rate

Ó Ó

42 Lento (h = ca. 42)

∑

Œ f f f f f f

(with assumed tranquility)

do not de - ny it.

42 Lento (h = ca. 42)

j b f bb f ‰ Œ f f f f F f > F f> p #f b f f f f j bf ‰ Œ bb F F #f f F b >f #>f F > j f ‰ Œ ff >

f f

nF F

193

ISSUU ∑ ∑Version Œ f f f f bf f f f f f bf f f f f f ? bb Œ f ‰ f f f f only Œ Ó ∑ for perusal b J b &b b

{

You have al - so

Towards him I have been kind - er

b &b b f F F F ? bb bF b F

bF F

? bb Ó b

{

b &b b

(rit.)

f f f F

nF F

bFF bw

accel.

to Mis- ter Wick - ham.

? bb b F bw

f F F F

b & b b ‰ fj f f fJ f ™

b &b b f

then toward my - self.

{

?b bb

bFFF F

f f ff f f

f fF FF

F bbFFF

b Fw

rit.

∑

> f f f f

∑ Ó

f f

a piacere bitterly

rit. b >f >f > > ff bff f f f f f f bf ff f f f f f ‰ Œ f f f f f f J f f f f f f f > f f f j col canto F > f ‰ Œ f nff b>f bbFFF f bf >f

Mis- ter

Mis- ter Wick - ham!

accel.

43 Allegro moderato q = ca. 96

4Œ 4

∑

? b f f f f fJ f fJ 4 f Œ bb 4 b &b b

act- ed with dis- hon - or

Wick - ham has dis - hon- ored

him

> f f nf f f f fj f

tells a

ver - y

∑ ∑

dif- f'rent sto - ry:

∑

self.

43 Allegro moderato q = ca. 96

(rit.)

‰

4 4f F 4 FF 4 nF p

f f nf Œ nFF FF n F F

F F

FF f

f f #f nf

194

> ISSUU C f f bf f f f Version ∑ ∑ f f f f f f f f™ f C ? bb for perusal only Ó Œ ∑ ∑ J b F b & b b nf

{

that you

rall.

de - prived him of his live - li - hood.

bb bFF ™™ b & nff F ™ F™ ? bb nff F ™ b

? bb C F b

{

? bb Œ b

f f

f f J

f J F

faults are

heav - y,

in - deed,

me.

{

bb b &

f ? b FFF bb

FF F

f f f FF F

f f

Are you sure

that your

f f

Œ f

f bb C b & f f f f

f . Fff Ó nF

f f nf f >f ff f F

dim.

44 Lento (h = 46)

pp F F ? bb C F b

f ffF

f bff f f f f f f >f f f

rall.

FF F

this is what you think of

Œ f f

f f f f pp FF FF F F

f f™ J

f J

pride

has not

been wound - ed

f f f FF F

fff b FF F

>f ™

ff f f f f bcresc. F poco a pocoFFF nFF f

f C #F

f f f f f this

cal - cu - la - tion.

f f f FF F

f ff f f FF F

f f by my

f f f

f FF F

h = q.

6 nnn 8

h = q.

nnn 68

6 nnn 8

195

ISSUU Version Œ™ Œ™ ∑ f for ff ff perusal ff >ff ff nff only 6 ff ff ™™™ &8 f f f f f f f f f f f f ?6 f f f 8

45 Appassionato q. = ca. 46

{

hon- est - y?

? 6 fff ™™™ 8

{

(Darcy walks about with quick steps)

f™ b fff ™™™

f™

#f Œ

f J

#f f nf ™™ f nf f #f >f > f f

‰ Œ™

‰dim. poco a poco

f f f I

hate dis -

ff ff ff f f f

nf ™ f f f nf ™ f #f

f f J

f J

ff ff f ™ f ™ f f ™ ff ff ff f ™™ f f ff & ff ™ f ff fff fff #ff ™™ f f f f f™ ‰ f ™ ? f bf ‰ f ff ‰ #ff #ff f ™ f ff ™ f f f b f nf ™ f f f f f™ #f ™ b f f ™ nf ™ f

{

guise

f f

flat - tered you?

ff ™™ & f™ ? ‰ bf ™ bf ™

Œ™

bff ff ff f f bf ™ bf bff bbff ™ f

eve - ry sort.

Œ > ff f ™bf f

f bf J

Did you

Should I

f f bf bf f f J ‰ ‰ bbb J rit.

ex - pect me

bfff bff ff bbff f bf bf bf

dim. ‰ bf f bf ™ bf ™ b f ™ f bf bf ™

have

to re - joice?

j f bbff ff bff bbb f bf f f ‰f ™ bf bf f ™ b f f™ bbb b f f™

196

nf f f f >f f f™ f nf f C ISSUU Version >f f f f f for perusal ? bb ‰ f f ™ f fJ only C Œ™ b bb f f f f bf f >f f f f b & Poch. meno

q. = h

You could not have made your of - fer

an - y way

that I could pos - si - bly ac -

{

Poch. meno

b & b b fff ™™ f ? bb b f™

in - fe - ri - or

con - nec - tions?

fff ™ nf f f f f

f f

f f nf f

f f

Lo mismo movimento rall. 46 h = 72

b f &b b C

{

your

f Ó

bb C b &

b &b b f f Œ f f

{

Dar- cy,

I could

b & b b fj ‰ Œ Ó f ? bb fj ‰ Œ Ó b f

>f 3 f f

nev - er for - get

FF F mf FF F

f f f f

n fff

f™

ff f

>f 3 f f f ff f f f f F > E - ven had you be- haved like a gen- tle- man,

it.

f f

Andante spiritoso h = 60

f f‰ ff‰ f ffffF > f. ff b ff. ff. n ff. ffff. F ? bb C f ‰ f ‰ f ‰ f ‰ J ‰ b f f cept

ff ™ f f f

>f your

j f‰Œ f ff ‰ Œ J

> f F

con - ceit

j ‰ fj ff f ‰ Œ FF f >f sf f f>f f ‰ J ‰ Œ bFF J

Œ Œ

f and

j ff ‰ f p j f‰ f b>f

bff. Œ bf ‰ Œ J

C f f

Mis- ter

‰

f‰f ‰ f f

F F

ar - ro- gance.

ff ‰ ff

F F

f f

q. = h

Ó >f f fff

fff b f f f f f F nf b ff f f Œ f > mf

197

f ∑ ISSUUF Version f f >f f fÓ f™ f f f f f ? bb Ó only Œ ‰ ∑ ∑ b for perusal f f f

b &b b Ó

{

47 rall. poco a poco

You are the last man

I would ever mar - ry.

n FF bf f f f F Óf n F F F # b f &b b b f f f f f f Œ f f f f Œ f f dim. poco a poco f f f f b F nFF f f ? bb bf F FF bF b bf nF

47 rall. poco a poco

? bb ‰ fJ f f f f b (rall.)

b &b b f F ? bb F b F

f f Ff f F F F

? bb f ™ fJ F b

∑

F FF

F Ó FF

{

own have been.

b & b b FF F ? bb FFF b

FF F

f FF

Ó FF F

f™ f f f J Œ f f ff and

48 Lento h. = 40

FF Ó F

6 4

f f ff f f f f f f F F pp f f f F FF FF F a piacere (meno)

feel - ings,

f F

w nw w w col canto nw w w

∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏

{

I under - stand your

f f™ J

You have said quite e- nough.

∑

(He starts to go.)

FF FF FF F

am a - shamed of what my

FF F pp FF bF

Fsincerely f f F Please

for - give

> 6 Fff f f f f f f f f f Fff f f f f f f f f f 4 f f

6 fFf f f f f f f f f f fFf f f f f f f f f f f f 4 > p

198

{

? bb Œ b

for

tak

f f

f F

ing

much

your

f fF ™

ISSUU Version f f ff f bb bf f ff f ff f ff bF b & f f f f f f f f f f bff f ff f ff f for perusal only f f f bf f bf f f f f f f f f ? bb f b F

j f ‰Œ f

? bb F ™ b

{

f bF

f bf f ff

f (He f Fwalks off into™ the park.) Ó

bb Fff f f f fbf f f f f f Fff f f f fbf f f f f f bFf f f f f f b & f bf f f f f f f time.

wish

you health

and

hap - pi- ness.

fF ™ f f f b f f fF ™f f f f f fF ™ f f f b f f fF ™f f f f f bfF ™b f f f f f f f f f f f ? bb F ™ F™ b

{

poco rall.

b & b b Ff bf

f bF f f f f f f f f f f f f Ff f f f nf f ff f ff f f f

(Elizabeth, overcome by the tumult in her mind, sits down and cries.)

f bf f f f nf nf f f ff f ? b fF ™f f f f f fF ™f f f f f b b F™ fFF ™ F ™

{

cresc. poco a poco

b & b b nff f

ff f

pochiss. accel. rall.

F F

F 3 ff 4

49 Più lento

nf f f f ‰ f fff ? bb f f b fF ™ f

{

3 4Œ

FF F

ffffff6 ff 4

q=q

Œ FFF

rall. > > b 6 & b b 4 Ff ™ f wF ™™™ f f Ff ™ f f f f f w f f f f f f f f f f f f f f

ff f

espr.

F™

ff f

™ w w w ™™

? b 6 f f f f f f f f f f f f f f f f f f w™ f ™ f ™ w™ b b4 f f f f f f f™ F™ F™ wf ™™ w™ * ° p

6 4

BLACKOUT

199

Act II

ISSUU Version f f f f f. . f f f f f. . f f f f f f f f f f fperusal f 3f f ff2 ffffffff 3 f for only 2 &4 4 4 4 Scene 2

{

(Longbourn, one week later. The Bennet family is in the drawing room. Mr. Bennet reads a newspaper, Mrs. Bennet is playing solitaire, Elizabeth and Jane are embroidering. Lydia is showing off a new bonnet.)

Vivo q = ca. 112

3 f f ff ##ff ff. nnff ##ff ff. 4 nff. . ff. . ##ff ff. . f> . . n>f . . . . . . 3 f. f f. f. f. f f. f. f. f f. f. 2 f f. f. f. ∑ &4 4 >f > f p 3 2 ? f f & 4 f f f. #f. f. #f. 4 f. f f f . . f . . . 2 &4

{

2 4 nff.

3 4 f. f. # f.

>f f 3 # f f f f f # 68 poco rall.

∑

## 6 8

9 . f. f. >f f. f. f. f. f. . f. f. >f f. f. f. f. f. f 8f p p p cresc. fff. fff. fff. ff>ff ffff. ffff. fff. fff. fff. ffff. ffff. ffff. fff. fff. fff. >f f. f. f. f. f. fff. fff. fff. ff>ff f. f. f. f. f. 9 ? ## 6 8 8 50 Allegretto q. = ca. 104

## 6 & 8

∑

{

## f f f f f f f 6 ‰ ‰ f f f f 98 J f 8 f f. f f f f & j . . . . . >f ™ f f f. mf . . p cresc. poco a poco ff ff . f. . f ff ff f ff 9 f j 6 ? ## J ‰ ‰ f ‰ ‰ f f f ‰ ‰ f f . ff 8 J ff 8 . . f f #f f. >

{

. #f. f. f. nf. . nf f . . . . . . f ## 9 f # f . . 6 f f f f nf f f fnf f f f. & 8 #f f. f. f f. f. f. f. f. 8 f f f f f 4 f 2 . 2 . . n ff ff ff n f. f f. f n f. ff. ff. ff. . . . . f f . . f f f f f f f 6 f f f f f#f f f f n f f f. ? ## 9 #f f f f f 8 8 2

200

f ™ nf . # f f f # f ff f ff Œ J ‰ ‰ J J Liz- zy? I bought it just to have an - oth - er band - box. . . . . . #f. f ™ nf f f f f f. f. f. f. ‰ f f. f f f. f. f#f f J pp . . . ff. ff. f ™™ dim. . ff fff n fff . f. f f. f. f. f. ffff f f f f f ™ f . f f f J ‰ ‰ Œ™ f f J

## ‰ f f f f f & f J J 52

{

ISSUU Version # f™ & # ‰ f. f. . # fff ™™™ for perusal only ? ## Œ™ Do you like it,

## &

Œ™

∑

f f f

## f f f f J J f™ &

{

Yes, so I

Œ™

You have - n't

f™

f ‰ ‰ f f J fJ ‰ ‰ Œ ™ J

f™

told

∑

a- bout your trip.

∑

can see.

53 ## f f f f f. ‰ ‰ fj ‰ ‰ f. f. f. . f. . . . f ‰ ‰ f ‰ ‰ f f f f. f J J f™ #fJ & #f. f. . J J p mf. . . f. f. f. . . . . . f f ff f. . f. . . f # f f f f f ff ff #ff ff nf f # fff J f fJ ff ff ff # ff f ff J ? ## J ‰ ‰ ‰ ‰ ‰ ‰ ‰ ‰ J J

# & # ‰ #f f f

{

## fj ‰ ‰ f. & #f. f p . # ff. # f f ? ## # fJ ‰ ‰ fJ

f #f f f ™

f f™

with a

54 Lo stesso tempo (q = 104)

heard,

f™

Liz- zy?

## 2 & 4 nnff nff ff f f f f f f f f n f f. f. f p ? ## 2 f fj ‰ f ‰ f ‰ 4 f f f. f. .

hus

Have you

j f ‰

f f ‰ fj ‰ fj ffj ‰ f. ff f. f f. .

I'm

going to

f ‰ f ‰ f. f. p

Bright -

q. = q

q. = q f. f. #f. f. f f f f ‰ ‰ 42 J f. ff. # ff. n ff. f J ‰ ‰ 2 4

band.

f f f

f ™ f ™ 42

Œ™

. . f. #f. ff #ff ff f f #ff #ff ‰ ‰ ff. #ff. ff f. f. f. f. f. . J p .f f. f. . . f. f. ff. # ff. ff. ‰ ‰ #f f f #ff #ff f fJ ‰ ‰

I had hoped you'd re - turn

## 2 F & 4

{

f #f f ™

on!

f ‰ f ‰ f. f.

f™ f f f j ff ‰ f. ff. ‰ f

j ff ‰ f. ff. f ‰

la la

201

Mrs. B.

## &

poco rit.

55 Vivo

f ‰ fj

ISSUU Version ## f f f f f ∑ ∑ ∑ ∑ & >f f ™ for perusal only f ? ## f ‰ f f Œ ∑ ∑ ∑

∑

la la la la la.

Mr. B.

{

That

has

poco rit. . f f f . ff f j ## f ∑ f f ‰ f & f f f f ff f. p fff fff fff fff fff. f . n . f ? ## ff ‰ ff ‰ f f f f f J J

Mrs. B.

## >f &

{

> > f f f f ‰ ‰ fj nf

not

been

j ‰ j ff ‰ ff f. f. nff ‰ ff ‰ f. n f.

she is

going!

course

she

is!

## f & nff ##ff ff. nff ##ff ff. n#fff fff fff fff fff fff fff≈ Œ n . . . . . . . n>f . . n>f . .

Mrs. B.

# & # ff f≈ ## &

{

f f f

f™ f

reg - i- ment have been trans - ferred

## ‰ &

? ## f

∑

to Bright

55 Vivo

j ‰ Œ ff f. j ff ‰ Œ f.

f f f

on.

∑

f f

All her friends in the

j f. f. f. ff ‰ ff . . p . f f ? f. f

f f ‰ f™ f f J rall.

Allegretto (q = 104)

. f f nf f f f ff n f f f f f n f f. f. f. f. f. f. ## f nf ≈ Œ & course

set- tled.

f f™ f J ‰

E - ven Mis- ter Wick - ham!

∑

‰ fJ

(holding up a letter to her father)

And

j j fff fff ‰ . . f. ‰ J

jf f j j j f ‰ f ‰ f f f f ‰ ‰ ff ‰ #fff ‰ ff f f fJ #f f ff . f. . f. . p poco cresc. . . f f f #f ‰ ffj ‰ ff. ‰ ff ‰ fff ‰ f f f f fJ #fJ f. J J rall.

202

>f ™ tearfully ## f ™ f ff f f f f #f &

∑ ∑ ISSUU Version ∑ ∑ ∑ ∑ ∑ for perusal only

56 ritenuto

Mr. B.

? ##

{

Allegretto

Col - 'nel For- ster's wife

56 ritenuto

Ff #f f f mp ff ff

? ## nFF

{

yes.

∑

F F

pp col canto

58 Vivo q. = 112

## &

∑

? ## f f ‰ Œ 3

Mr. B.

FF F

Allegretto

f f

{

nf nf

see that we'll have no

F F ∑ ∑

FF F

f f

Yes,

j ff ‰ Œ f

rall. poco a poco

dim. poco a poco

a piacere 3 ? ## j ‰ ‰ j f f f f f f f

? ##

me.

f f

F F

f 3f f f 3 f f f 3f f n f f f J

57 Recit.

# &#

in - vit - ed

∑

(glancing at the letter)

# &# F F

Mr. B.

has

rall. poco a poco

f J

peace

j f fJ ∑ ∑

(Lydia gives her father a ﬂeeting kiss.)

in this house

‰

Lyd - i - a does not go to

j nf ‰ n ff. f. ‰ ‰ f J

j & f n ff. p . f nf J

‰

f f f f ™ 68

Thank you, Fa- ther.

∑

6 8

poco rall.

∑

poco rall. f. f. f. f. . . . f f n f f fff ## 3 . #f. f f f f f f. f f f f f. f 6 f ff & 8 f. # f f. . 3 f 6 nfj ‰ ‰ Œ ™ ? ? ## #fff. ‰ Œ b f b f b f f & n f. f. 8 > ff ff. n f #ff ff. n f n J f f. f. n f. . Bright - on.

58 Vivo q. = 112

203

## f ™ &

Mrs. B.

ff f9f 8 f f f™

f™

‰f f

girls,

what an ex- cel - lent

59 Allegretto q. = 104

j f™ f‰‰

ISSUU Version . >f f. . f. f. f. 9 f f f f. . f. f. f f f f f f f 6 ## Œ ™ . f f f f f 8 f f ff f only f f. J f 8 for perusal & f. f . . .

{

See,

father you have!

Come,

j f ff ‰ ‰ f 68

Lyd - i - a!

Let's

. . f. . mff. .f f. f. f. f. f. f>f f. . f. f. f. . . . f f . f . f f f f f f f f f f f f ‰ ‰ ff ‰ ‰ 9 f ff ? ## f f f f f f ff f 68 J f 8 J f

Mrs. B.

## 6 f ™ & 8

{

choose

f™

f ff

your

dress - es.

f. f. f. f f f f ™ f. f. f. f ™ . ? ## 6 f. f f. f. f. f 8 . f ## 6 & 8

{

## nff. f & fJ ff n f. f ? ## nf f J

Mr. B.

ff. fJ f. f J

## &

(rall.)

? ##

∑

{

∑

(Lydia and Mrs. Bennet exit.) f. ‰ ‰ q. =2q ∑ ∑ 4 J

2 nf f f f f f f f j ‰ ‰ 4 fff ≈ fff fff nfff f. . . . . j ‰ ‰ 2 f ≈ f. #f. f. nff. nff. ff. ff 4f ff f f #f f.

molto f f .j ‰ # f f f rall. . # f f f f f f #f f J fff ff f f f f nfff f#f f f f f f f . f- f- f- f- f. f dim. molto n ff. f #f. nf. #f. nf. nf. f f f #f ≈nf f f f ‰ nf f #f nf n f #f nf f. f # f n f f J f . .

∑ ∑

> f f™ Œ f f f f f f™ f f

61 Recit (poco meno)

Fa- ther,

∑

j ## f f f ≈ f f f f f f f f & ff ff f ff ‰ Œ f f f- f- f- f- f- f- - f- fp sfp col canto f ? ## #f f nf #f f f f fj ‰ Œ ≈ # f- f- nf- #f- f- f f- f- F (rall.)

she should not be al- lowed to go.

∑

Recit (poco meno)

∑

No?

j ff ‰ Œ . p. #ff ‰ Œ J

204

Mr. B.

## &

ISSUU Version ∑ for perusal only ∑

{

62 Lento q = 44

? ##

∑

# F &# Œ

f f ff f f #f

63 accel.

? ##

{

F f f

ff f ff f #f f

ff f f #f

∑

ff f

ff f ff f f ff

in the

f f

(rall.)

∑

F ff f ff f f f f f

f f ff f f f f

I'm glad you are back, Liz - zy.

f Œ F F

respect -

ff f

ed.

#FF

∑

f f f f f #f f f f

ff .

F f f

li - brar - y.

ff .

j f fj # f n FF

ff f f #f

fff ffff

f f (He exits.) n 3 f f f f n4 ‰ f J (with deep affection)

∑ ? f

f fŒ

cresc.

∑

rall. poco a poco

‰

∑

will be dis - graced.

f f f ™ #f f

are known, you will

64 Lento

## F & # &#

F f f f

Where - ev - er you and Jane

I will be

? ## f#f f ? ##

f f f™ f f f f ‰ f J

(He rises and starts to go.)

# &#

Mr. B.

f f f f f f #fj ‰ Œ ‰ j f ™ f f

She will flirt with eve - ry of-fi- cer, and Jane and I f ? ## ‰ J f ‰ ∑ ∑ ∑ J Why not? ## ∑ ‰ & ff ‰ #FF ‰ ‰ n f f f f n f. n f. . . pp poco cresc. mfp . . . bf. f b f n f nF f f f ‰ ? ## ‰ ‰ f ‰ F ∑

? ## Œ

Mr. B.

f™ f ff

‰ f f f ≈f

∑

poco rall.

ff ## ff . .

ff .

(Elizabeth, disconsolate, walks into the garden and sits. The lights go down and she is seen only by a spotlight at the left.)

nn 3 ff ™™ 4 nn 3 4

∑

f #f f f J <n>f f f #f 3

mp espr., ﬂessibile

∑

205

ISSUU Version j #f f & ff f f bf f f f f f f bf f#f f nf #f f#f f f # f b f f f for perusal only

{

(Another spotlight at the other side of the stage reveals Darcy at a desk, writing a letter. As he writes, a messenger takes the letter to Elizabeth and leaves.) 3 3 3

∑

f f bf f

bf f nf f f f nf f f fbf f#F b f f & ff f ?

rall.

bf f f f f f 3

#f f b>f 3

65 a tempo (lento) quasi recitativo

f f f f

f f ‰ f J

(reading over what he has written) 3

? bb c Œ

{

bc w b w & w pp ? bc w b w w

Be not a - larmed, Mad- am.

? bb #f f f f ≈ f

{

j f ‰ b b & FF F

gust- ing to you.

? b #FF b F

This

f™

bf f ™ n f J # f f bf

cresc. poco a poco

f bf

accel.

dim. poco a poco

j bf f bb c f bf f bb c

f f3 f f f f f f f f f f f let - ter will not re- peat those sen - ti - ments

w w #w n ww w w

so dis -

3 f f™ f f 3 f f f f f f f™ 3 f f f f J ‰ on - ly ask that you grant me your at - ten - tion

Ó nbFFF FF F

FF F FF F

for the sake

FFF FF F

206

b &b Œ

Jus - tice!

{

jus - tice.

Allegro q = ca. 80

b &b ≈ f

f nf f

fj

f nf f f f ≈ ≈f

fj

b b Ó & >f f f Œ pol - o - gize! calmly f f™ ? bb Œ ≈ f f f

f™

dares

to try

{

fj

FF f

66 Lento q = ca. 40

b &b

f f J

f w

I had

{

fj

? bb

f J

Ów w f Œ

but this was be - yond what I had ev - er seen in him.

f f

F nf J

fj

of - ten seen Bing - ley in love

Allegro

f #f

to a -

bf f ff ff f fq = e f f ≈ ≈ ≈ bf ≈ bf

f f f ff f f f ? bb ‰ fJ f f f f FFf

q=e

f™ f f f f f f f f ‰ f f

∑

b Ó &b w

∑

As to your sis - ter:

? bb

66 Lento q = ca. 40

b & b Ów w

≈ nf f

I'm a - mazed

(grace notes very short) fj

? bb Œ w °

ISSUU f f Versionf ? bb nfJ f Œ Ó for perusal only∑ >f > nf ‰

Allegro q = ca. 80

f f J

f f f >f nf ‰

Bril - liant!

f J

An - y fool

f nf f f f ≈ ≈f

≈ f ≈nf f f f f cresc.fj b f mf fj f fj bf fw °

Allegro

f J

fF F

be - fore,

b f f f n>f ‰ ™ b & R

{

≈

f ? bb w

fj

Lento

‰

∑

≈

ren - i- ty.

FF w

f f

f f nf

f J

f f

ed by

your

with rising emotion

fj f

f f

pride!

‰

f J

F f f J

f J ‰

2F bbb 4

false!

f J

dim.

‰ f f

You were

∑

all.

bbb 42 ‰ ™

67 Allegro

r f f ≈ f f f ≈ f bf f ≈ f f cresc. poco a poco mp f . ff. n f f f f. 2 n f b . ‰ ‰ f J n f b b 4 ff f J

f f J

Ff ™ f f

Lento

That is

bff ™™ bf ™

b f™ &b b

al - so observed your sister's se -

f f bbb 2 F 4

f™ f f f

jf f nf

67 Allegro

‰™

? bb f #f f

{

fj

Her heart did not seem touched at

poco a poco

? bb ‰ b

fj

≈f

≈

? bb #f f f ‰ f J

{

An - y fool!

b &b Ó

blind

‰

that!

fj

b & b #FFF w

> f f fJ

ISSUU Version f™ f f f f ? bb f f f ‰ f ∑ J only ffor fperusal f bf f f f f n f ff F f f f nf b F could see

207

f f

‰

f f ff f J

You show

f ‰

f f J

no re - morse,

f J

‰ nf f f J

no re -

f nf f f ff b f f f ff f f f # f # f f b f f b f f ≈nf ≈f ≈ f nf f f f f & b b fnf ≈ f mf . cresc. . . . n ff. ff. fff ff ff n ff f f f f f f f f f n f bf ? bb ‰ b fJ ‰ n ff ‰ fJ ‰ #f ‰ fJ ‰ fJ J J b Your moth - er

and young - er

sis - ter

be - trayed

208

bb >fJ ‰ b & rall.

U F

∑

‰ f f f f f f 43 a piacere, indignantly

ISSUU Version ff U f f f™ f f ? bb ∑ b for perusal only bf f bf bf ™

gret!

rit.

{

to -

Oh!

And you wish to do me

tal want

of pro - pri

e - ty.

ff ff j U ff f f b b f b f f f ≈ ≈bf ≈f fff ‰ Œ &b b ≈ > sfz bn ffff dim. ff f b f j U f n f f ? bb f bff nfff ‰ Œ b Œ F > u

rall.

b 3 >f >f Œ &b b 4

68 Andante q = ca. 50

? bb 3 b4

{

jus- tice!

>f f > > f f nf f ‰ Œ ff I am too

∑

69 Lento (q = 40)

? bb c b

{

f f

f f f f fff ‰ ‰ J

Wick - ham,

his vic- ious pro - pen - si - ties

with contempt

F ? bb c FF b

69 Lento (q = 40)

? bb c b

F #nFF

f ff f f F

col canto

∑

rit.

∑

3 4

∑

3 4

∑

an - gry for jus- tice!

≈ f nf r ‰™ f f f n>f > f r f f ‰™ F

j b 3 n f Œ & b b 4 n ff ‰ Œ sfz >j p ?b 3 f ‰ Œ Œ b b4 f ffff

3 4

pochiss. rall.

68 Andante q = ca. 50

b &b b c

∑

(Darcy continues to write.)

‰ ff c

As for

pochiss. rall.

? c

∑

Œ fff f f f f f nf

‰™ f f f R

f f f™ f f f f f

f f

This must be

n FFF

were ob - vi- ous from boy - hood,

f f nf f F

f nb ff

j f f f f

f f

j f

2 4 2 4 2

& 4

2 4

209

j ‰ Œ Œ ‰Version ISSUU f f™ >f ™ nf f >f f ? bb 2 bf for f ff Œ ∑ perusal only b4 bb 2 >f b & 4J

false!

{

it must

be.

∑

? bb 4 F ™ b4 fa

ther

died

4 4

f f

4 4

When my

Allegro (q = ca. 80)

∑

F F

70 Lento (q = 40)

b 4 &b b 4

{

be false,

q =e

q =e f f f 4 f f ffnf ≈ f f ≈ f nf f f f f ff 4 p . f ff. f . fff. n ff n f f f . 4 . ff ‰ J ‰ J f 4

one wit - ness will tes - ti - fy.

‰

? bb 2 F b4 F

must

more than

b 2f & b b 4 fJ

f f f Œ ≈ n f f

Allegro (q = ca. 80)

f f f

accel. poco a poco

f. ‰ Œ J

This is pride!

>f f J

Pride!

Wick - ham

f f f f f J

per - suad - ed me to

f f f b 4 j & b b 4 Œ ‰ fj f f ‰ fj ff f ‰ fj f f ‰ f ff nf ‰ fJ ff ‰ J cresc. poco a poco p ff. ff. f n F ™ n f Œ n f f f f ? b 4 n F™ #f Œ nf Œ Œ b b4 w n f w

70 Lento (q = 40)

? bb b

{

accel. poco a poco

give

him

three thous - and

(accel.)

f nf

b fff f nf f ff f f f b f & b ff. ff. f #f ? bb Œ Œ b

Allegro (q = 80)

2 ™ 4 #f

e=q

pounds

3 f f nf f

in place

the

f™ f f ≈ f rall.

live - li - hood

2 #fff f ≈ nf nf f ≈ f FF 4 F fp f n ff. ff. FF F f 2 ‰ f ‰ J 4 J

e=q

210

j ‰ Œ ISSUU ‰ Version ∑ f f f nf f f f f nf f ? bb f f only nf f ‰ ‰ for perusal b J J bb b &

{

j bf f f f

rit.

This

cler - gy - man

r b & b b ff.f ‰ ™ fff. ? bb R ‰ ™ b

rit.

my fa - ther

{

to lead

b & b b bbFF bF mf ?b F bb F

b ‰ b & b

{

‰

bb f f f f f f f f b & f f ≈ ≈ f dim. poco . a poco f f f ™ ?b b b f™ f ff f. . This is shock - ing!

used

the

≈ f bf f

Lento (q = 40)

Œ ‰™

f R

f nf

nf ff

to write.) f ™ f b f ™ f f f f(Darcy f continues ‰ Œ

71 Allegro (q = 80)

life

of waste and dis - si - pa - tion.

ff f

f f cresc.

bf bf

bfffr ‰ ™ f. r ff ‰ ™ f.

‰™

ff R

f f

be.

him.

r ‰™ bn ff n f. p r ‰™ f f.

? bb f f ™ f f f f b mon - ey

left

can - not

Lento (q = 40)

f f °

n>f

false!

f f

nf nf Œ

nf nf

f f

f f *

F fffffff nf ≈F bf f f f f f f nf bf ≈ ≈ f f f f™ f nF f bf f f f™ . f f. n F . It must

211

ISSUU Version ? bb f™ f nf f f f ™ f f f f f ‰ f f f f f ™ f b J J for perusal only F b FF ffff U b F nFF ™ U ∑

{

72 Lento

Now I must un- fold the worst,

&b b r ‰ Œ f p U ? bb F b F

? bb b

∑

{

∑

? bb b f f f nf 3

? bb nf b

∑ ∑

f f f f f

ff f

{

F ? bb n FFF b ?b bb

age

∑

cresc.

nf f 3

accel. poco a poco

4 FFF 4

#nFFF

sis - ter

who was fif - teen years

f f f f f f nf f#f f fF fF

U Ó

FF F

rit.

f f f f f f f f

a piacere

Wick - ham took ad - van - tage of her

U Ó

f U Ó 3 f w f f f u fF #f f f ° 3

fff

f f

4 4

at the time.

f f

f f f f3 f f f f ™ f f f f ™ f 4 ‰ 4J

(accel.) 3

f f f f

with rising emotion

It con - cerns my

? bb b

J ‰ Œ

j f f f f f

j f f f

∑

for which I must ask your se - cre - cy.

ppp

(continuing to write)

fp col canto

212

73 Allegro q = ca. 80

™ 2 4 ‰ bf

(rit.)

ISSUU Version f f f F f f 2 Œ ? bb f f f 4 b for perusal only b &b b

{

∑

No!

youth and af - fec- tion - ate

(rit.)

Œ w

? bb b

heart…

? bb ww b

bb >f b & pain

? bb ‰ b

bf -

{

f f f

ful.

I was a

gross - est

?b Œ bb

{

>f > f f J

false - hood!

‰

f™

too

‰

for - tune

bf f ff ff f f f ≈ ff bfbf 2 ≈bf f f ≈ ≈ & 4 f dim. molto ff bffff bfff fff f 2 f nf 4 Æf F F f Æ J J * ∑

f f n>f to pre - vent

‰

> f f fJ ‰

ff f

It is false!

f f >f f ‰ This

must

f™

the

the e - lop- ment.

j™ j j™ j b b f f f ™ ≈ f f b ≈ ≈ f f f f f f ≈ ff ™ f & b b f™ f ff ™™ f f™ f™ ™ f p pp f ? bb f f n f b f f f f f f b &b b f f

73 Allegro q = ca. 80

ble

good

f f J This is f f J

‰

f f

b f f nf ‰

>f J ‰

False!

‰

f bfnf

≈ f j f.

ff f nf ff bb f ≈ ff f ≈ ff f f f ≈ f f f ≈nf ≈ n f ≈ b n f f & f f f f #f f #f fff. ?b ‰ J bb

‰

Her

for - tune

was

his

chief

ff. f J

fff. ‰ J ‰

ff. f J

n ff. # ff. bf nf ‰ J ‰ J

cresc. poco a poco

ob- ject,

but he al - so

fff. n ‰ J

ff. ‰ #fJ

213

f f f f f #f b &b b ‰ J

> f fJ

ISSUU Version‰ Œ nf nf f™ f f J ? bb for perusal only J ‰ Œ b f f f f

(throwing the letter down, scarcely looking at the last page)

{

will never

look

sought

venge

. bff. b ff. ff

ff.

nf f f f f f f f b &b b f f f f ? bb b

{

a - gain!

rit. 74 Larghetto q = ca. 48

lunga

me.

f f f

f™

Lento (q = 40)

‰

(Darcy's spotlight slowly grows dimmer.)

I will

bb U b & F FF lunga ?b U bb F F lunga

on - ly

add

f f

God bless

ff f f

you.

f™ F F

j f

nnn nnn

∑

Œ?f

(Darcy disappears as his

nnn f bf #f f f bf f 3

ppp

spotlight goes out. The lights come up on the garden, where Elizabeth walks about in the greatest agitation.)

f f bf f # f

accel. poco a poco

f#fn f # f # f b f f & f#f f f f #f f f #f f 3 3 3 p cresc. poco a poco 3 3 f bf # f f bf- ? f & f f nf f b f f f f- #f nf

? f f bf f#f f ?

let - ter

>f f fnf f f f f #f fnf f f f f f nf fbf f f f f f f f f fnf fbf f . . dim. poco a poco . ff > f # f n n ff f f # f n# ff bf f f nf bf f nf bf

U ? bb U Œ ‰ ff f f f b

{

at this

214

ISSUU Version j ‰ fJ f ≈ f b F Œ f f ff f Œ ‰ & f f fff for perusal only U FF j‰ nF ‰ Œ ‰ (She picks up the letter.)

75 lunga

{

U ∑

Lento (q = 40)

But what if it is

lunga

& F

U ? nF n FF

lunga

{

#>f ™

f J

>f 3 f

#f & #f

clev - er

{

? #f

Œ Œ

ff ™™ f™ ff ™™ f- ™

f f

p a piacere

f bf3

Œ Œ

in my

j #ff ‰ # fff- ‰ f J

act - ed!

∑

#>f f f

‰

f J

∑

‰

>3 ff #f f nf f f ™ #f f n f f

F F

#>f f f f #f n f f

col canto

‰

f f f bf f ™ Œ

a - buse!

ff ™™ f™

A tempo

∑

ff ™™ f- ™

##ffff p n fff- ‰ J

How des - pi - ca- bly have I

f #f ™ #f f

Oh!

pos- si- ble?

‰ Œ

j Œ nbfff ‰ bFFF fFmp pp j Œ nbnfff ‰ FF F

### fff

It rings true!

ff f

j & ##ff ‰ fmf ? ##fff ‰ J

f f bF > rit.

is pos - si - ble.

Is that

F f ‰ Œ b# fff Jj Œ fff ‰ -

∑

#f f f f ‰

true?

(continuing to read)

(reading it)

nf f f 3

f f #>f > #f 3

wit - ty

Œ Œ

in scorn!

j #fff ‰ #f ff f ‰ J sfz

215

f nf 3 bf ™ 4

Ó Ó f f ISSUU Version f #f nfj 3 j #4 f ™ for ™ perusal only f b f ™ f & f™ f nnf 4 w f f ‰ 4 ## FF ™ FF f f nw f w f ™ #f & Œ

{

f™ ? ff ™™ f™

j f f nf

who am

‰ 43 nfFF ™™™ F™

dim.

fj bf f

{

love

{

espr.

fff

# #f ™

Meno

FFFF

f f #f f J

van

i - ty, not

#3 j ‰ & 4 #f f f #f f

{

'Till this

mo - ment,

#3 j ‰ & 4 #f f f #f f pp ? # 43 #f f f #f fj ‰

f f fff

Van - i - ty,

FF f #f

f #f n f ff f #f n f

love

#f f f 3

# fJ FF F

j #f f ™

f f3 f f ‰ J

f #f nf

Had I been in

shamed.

#4 w 4 Fw

I could not have been so blind.

f f

#4 4F

espr.

# ##Fff ™ #f f fj f & #F f f # fff f dim. molto pp # Fff # f f FF #f Óf f ff ? # #f F ™™ J f #ÆfJ F ™

# f ™ f#f 3f J & f f f f # w & wF ™ mp sfp #F ™ ? # Œ FF ™™

f #f f

#f f

f f

f#3f f f Œ J ‰ Œ

Œ #ff f n## FFFF

van - i - ty,

f™ F

#f f f ™ f f #f

FFF # j f#F

∑

3 4

j #f f ™

3 4

has been my fol - ly.

ff fJ ‰ nff Œ

F # FF

f™ F™ F™

j #f ™ pF j #f # Ff f ™ ™ # f #f

F ##F

‰ nfj #f #f #f ™ f F

f f nf f F nF ™ 3

F™

knew

myself.

#f #f fj #f F™ F™

nev - er

3 4 n4 8 n4 8 n 48

216

ISSUU Version f f 4 f f f f f ≈ f f f f ‰ fj f f f ≈ &8 Œ for perusal only j 4‰ j ‰ j j ‰ j ‰ ‰ ‰ j ‰ j ‰ j

{

78 Adagio e = ca. 58

And what he writes a- bout Jane,

ff f-

fff -

?4 F 8f ‰ f J J

ren - i - ty."

{

It is

hon

or.

is he so wrong?

ff f-

ff f

f fJ

‰ f ‰ J

nf f ™ f f f f f f

& ‰ #f ff nff f f ? #ff J ‰ #fJ ‰

ff f-

F fJ

‰

f & #f f f ≈

{

(studying the letter again) 3

sim.

‰

With - out my

j bff f ‰

His words

f f nf f f f F f f n ff ff #f f

≈ bf f f

j‰ fff f f f#f f b ‰ f & f ff ff pp ff # ff F ? f f f J ‰ fJ

#ff J ‰

≈ff

f‰

an ac - cu- rate de - scrip - tion.

j j ‰ ff ‰ ff f #f F fJ ‰ #f ‰ J

b#fff

fff

sister's se -

F fJ ‰

fJ ‰

n fff

ff f

f ™ f bf f f f re- veal a man of

‰ fj ‰ ff f™ fJ ‰ bfJ

j f f fj ‰

f ™ f f ‰ fJ bf bf f bbb 42

fool - ish pre - ju- dice,

‰

"…your

j ff ‰ f

f™ f ‰ f J J

j ff bf fj ‰

how dif- f'rent it

j bfj f ‰ ff ‰ bbff ff bf J ‰ fJ ‰

bbb 42

2 bbb 4

217

>f >f >f j ™ f f >f f ISSUU Version Œ ‰ nf ff f ≈ f fff fnf f fff f f f bb 2 ‰ ™ for perusal only f f f n f ≈ f ≈ b r nf f & 4 f f f ≈ f nf f ≈ f 79 Allegro (q = 80)

b 2 & b b 4 nF

{

sounds.

But

b & b b f nf f f

{

it can - not

fff bf fff nf f#f ‰ ‰ ‰ #f f ‰

cresc. j ? bb 2 nff ‰ ‰ ‰ b4 J #f f

still

‰ nfJ

bf nf

con - sole

ff. f J

poco rall.

ff. ‰ #fJ f

bf f f f #f f ≈ nf f ≈ #f f f b f f f f f ≈bf f f ≈ f f f ≈ ff nf f f fnf b ≈f nf f &b b

feel

such

n ff f f fff ff ff bn ff f ? bb ‰ f f ‰ f f f f f b

b fff

ff nf f

for

a tempo

b &b b ‰

{

his

>f bbb f

? bb b

f f

con - tempt.

f J f f

f f

sion

‰ fj

nnn

U j j ‰ f ‰ fj ‰ ff ‰ fj ff ff ff f p f fj ‰ fj ‰ f ‰ fj ‰ J f f

nnn

U ‰ fJ f

f f

fff

ritenuto

f f

ff #f

lunga

ger,

con -

com - pas

lunga

sion

and

nnn

218

j f f #f ™ f fj ‰ #f ™ f ISSUU ∑ ‰ Version #f #f ‰ #f ™ f f for perusal f FF– #fj f f only # ff f f f f – # f # f™ – Œ f F #f & 80 Lento

& F-

{

shame.

#f f

? F F

{

I know not

{

bF & bF ?

∑

Œ F FF F FF

to think,

what

#f ™ f f j ‰ #f f f Œ F f F f * °

f f

j f F

#f ™

what

∑

do.

fj Œ #f f nf f f

# ™ & f f f #Fff ™ f mp pp F ? nf f f # FF f

∑

what

f f

& ‰ fj f f

know not

f f f 3

Van - i - ty,

pp espr.

f f f F FF F FF

not

love,

# ff ™ f p

∑

F FF

#ff

#f #ff ∑

#f f f #f f 3 f f f f # f f f f #f f f 3

f f #f f F FF

to feel,

has been my

™ >f f f

fol - ly.

F FF F FF

BLACKOUT

219

Act II

ISSUU Version ## 12 ∑ f. f f f f f f f & 8 for f. f f. f f. f. f. f f. only perusal f f ff f f. . . . . .j . . .j . . . .. f.. .. . Scene 3

{

(Longbourn,the following summer. Elizabeth has just returned from a trip. Her baggage is brought in by a servant while she is greeted by Jane.

Allegro q. = ca. 100

? ## 12 ™ 8 w w™

## &

{

> f ™ fJ f f f J

I'm

f ? ## Fw™ ™

w™ w™

∑

## &

. f‰ ‰ f‰ ‰ f‰ f f ff w™

p cresc.

j nf ™ f f™ f f f f J F

F™

F™ F™

‰ff f

f™

that I

Ó™

∑

{

∑

# &#

had

to in - ter - rupt

your

∑

Œ ™ f ™ f ™ f fJ

f f. f. f. f. f. f. f. f. f. f. f. . f. f f f. f f f. f. f. f. f. f . dim. . j cresc. j‰ ‰ . ‰ . . . . p f ‰ ‰ f f ff ™ w™ f w ? ## w f ™ w™ w™ ## ‰ &

f™

f fj f j f f f f f f nff ff f f. f f . . f. . f. . . . . . . . pp . F ™ f. f f f ff f f f f F ™ f ‰ ‰ nf ‰ ‰ J. ‰ ‰ .J ‰ ‰ J J

sor - ry, Liz- zy,

# & # fJ f f ™ jour - ney.

f f nf f ™ J J

blame

∑

my-

220

## nf ™ f f j f ™ f & f J

{

self

# &#

for this

Wick - ham

{

# & # Ó™

Pno.

F™ w™

F™

f™

grace.

# & # f™ > thought

{

w™

Œ™

was,

f™

less.

f f™ J

I knew

f f J

how

cor-

f. f. #f. f. f. f. f. f. f. f. f. f.

p cresc. poco a poco

j f

and

knew

f >f f f J

that Lyd - i - a

ffff J

was ut - ter - ly

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~f f f f f f f f f f f f f F™ J ‰ ‰ Œ™

## w ™ & w™ >. . . . . . . . . . . . ? ## f f f ff f f f f f f f w™

# & #

dis

f™ f™

## >f ‰ ‰ >f f & J J rupt

- -

j f. ‰ ‰ Œ ™

ISSUU Version j j f w™ ∑ f ™ f f f fonly # f for perusal w ™ #f w™

f ™™ f ™ ? ## n w w™

F™

Ó™

.j ‰ ‰ ## ™ & f f f f f f. f. f. f. f. f. f f . . . . . . ? ## ™ F f™ f™ F™ f™ f™

f f f. f. f. . f. f. f. f. f. . f. f. w™ w™

f™

Poor

f™ F™ mf

f™

Jane!

f™

w™ fJ ‰ ‰ Œ ™

Ó™ . . . f. . f f f f f f f f f f f . . . . .

Ó™

221

f f™ Œ™ Œ ∑ ISSUU Version J # f f ‰ Œ™ ™ Œ f f ™ f ™ fperusal & # Œ ™ for onlyŒ ™ J ## &

{

rit.

# F™ &# F™ ? ##

You look pale.

rit.

F™

f™ ff ™ ™

™ ##ff ™ pp

## >f f ‰ Œ ™ & # &#

>f ™ >f ™

a tempo

hys -

Moth - er?

a tempo

nF ™ nF ™ p

f #f J

rall.

ter - ics.

{

Œ™

with

f. f. . f. . f. . f. f. f. f. f. #f f f j ? f f

And

f f

Œ™

bed

She'll

j f

be glad

∑

you're

f™ F™

f™

Œ™

83 Meno mosso q. = 84

F™ Ó™

f f f f

home.

a piacere

rall. 83 Meno mosso q. = 84 >f . f f . f f f f. f. #f. f. . f ? ## f w™ .j col canto . . pp f ‰ ‰ fj ‰ ‰ f ‰ #f . . . p ? ## w ™ f f f #w w™ w ™™ w™

## Ó™ &

Œ™

{

? ## F ™ ? ##

F™ F™

f ‰ ‰ J

He re - turns today.

f™ f fJ

F™

Is Fa- ther still there?

j‰ ‰ f f

What has been heard from

‰ f f f f f ‰ f f f f f f J

## f f ‰ Œ f f f f f™ & J Lon- don?

j f

Œ™ Œ™

Ó™

and

∑

our

un - cle

are

f. f. f. f. f. #f. f. f. f. f. f. f.

222

Andante sostenuto q. = 69

Œ™ ‰#f f f f f fJ f ™ >f ™ ISSUUÓ™ Version J Æ j j for perusal only f j f f f™ f #f f f ™ #F ™™ ? ## f ‰ ‰ Œ ™ f f f ™ f # f #f #f ™ f ™ F J f#f f f fF ™ ## f f f fJ f Ó™ &

{

search - ing the cit - y.

? ## j ‰ ‰ Œ ™ f f '

#F ™ f™

espr.

#f ™ f ™

## Œ ™ ‰ & #f f f f ™ f f f ## &

{

&f J p

f f

f™ F™

j ‰ ‰ Œ™ #f

yet.

∑

? ## Ó™

## 9 & 8

f™

Mis- ter Wick - ham may mar - ry her

## w ™ & w™

I ex - pect it

j ‰ ‰ f ‰ ‰? f

w™ w™ w ## w w ™™™

f f 68 #fj f f f f f ff J

j #f #f

rall. molto

we can do noth - ing but wait for

Fa - ther.

Œ™ Œ™

f™ F™

Ó™

> f f ™ #fJ f J

f™

FF ™™

Ó™

f ™ Œ ™ 98

Well,

∑

You know that's not like - ly,

a tempo

## 9 F ™ & 8 FF ™™ F™ ? ## 9 F ™ 8

f™

all to end well.

j f‰ ‰

w ™ w w ™™ pp w w ™™

9 8 9 8

U ∑

lunga

∑

Uj FF ™™™ ff ‰ ‰ Œ ™ F f lunga mf U . . 6 f. f. #f. f f. f. f. f. #f. f f. f. ∑ 8

6 ™ 8 #FFF ™™

lunga

9 8

223

f™ f f f™ f f f ISSUU Version J j j ## nU FF ™™™ for perusal f ™ f ™ f f ∑ only ff ™™ #ff ‰ ‰ ff ™™ ff ‰ ‰ & FF ™ ## U™ & Œ

{

f ff f f a piacere 5

84 Allegretto (q. = ca. 88)

Tell me a- bout your

met

Mis - ter

Dar

Pem - ber - ley

∑

es -

f ‰ ‰ Œ™ J ‰ f f f

tate?

A com- plete

∑

f f™ J

sur - prise!

(A projection shows the events at Pemberley that Elizabeth describes.)

f ‰ ‰ J

∑

‰ f f f f J p

We had been

ff. ‰ ‰ ## ff fj f j fj n f ‰ ‰ f #f & F™ nfff ™™™ f f. J mp pp . . F ™ f™ ? ## f ™ #f ™ ##ff ‰ ‰ nff ‰ ‰ nf f f J J . . .

j j ff ‰ ‰ ff ‰ ‰ Œ ™ f. #f. .j ff ‰f ‰ f. f J ‰ ‰ Œ™ > . .

# f ™ f f f f ™ f ‰ j nf ™ f ™ &# f ™ bf ™ J f

Œ bfJ

? ## #ff ™™ Œ ™

bff ™™

{

at his

rit.

# f f f j f &# J

{

You

## &

trip!

j f

mp p .f f. f. . . #f. . f ™ f f ™ f f ‰ ‰ f J f f f f. nf. f. f. f. f. f. . f. J

col canto U F ™ ? ## nF ™

j ‰ ‰ Œ f

## f ™™ ™ & ff ™ Œ sured

rit.

85 Lento q. = ca. 40

(rit.)

he was

ff ™™ Œ ™ f™ ff ™™ ™ Œ

gone,

but

there

nfF ™™ n F ™ nf ™ ff ™™ bff ™™

was,

nf ™ f™ bbf f f f f f bff ™™ pp

as -

f™

f nf J

f™ nf ™ f bf f f f f

kind

bf ™ b f™

and

bff ™™

224

## &

{

∑

ISSUU Version f #f f fj f Œ f J for perusal only j j n f ff ™ j f

## nf & J f

gen - tle.

# & # nff

∑

The change

#f f #fJ f ™

f f nf

f f f f™

But his let - ter

had

∑

was as- tound - ing.

#f J

ff ™ f ™

‰ f f

f f f nf

f J

j f

≈ #f f f f f ≈ f f f f f n f f n f f ≈ ≈ ≈ ≈ n f f f f f f f f f f f f f f f f™ ? ## nf ™f f™ #f ™ f™ f™

## f &

f f f f f

## f &

f f f f f

{

al - read - y

soft - ened your

j f f f f

feel - ings.

fff f

Did you

real - ly

f f ff

ex - pect

ff f nff ™™ J nf ™

his

≈ f f f f f ≈ fn f ≈ f f f f f ≈ ≈ f f f ≈fffff f ? ## #f f f f f f ™f f f f f ™ f ™ f™ f™ f™

## nf ™ & ## &

{

rall.

love

## nnff ™™ & nf ™

rall.

ff to be

∑

f J f

al- tered?

86 Allegro q = 80

Un n 42 Un n 42 f

∑ ff f

∑

Af - ter the hate - ful

bfff fff #ff ™™™ f

? ## ≈ f nf f f bf f ™™ f™ pp

f f

man - ner

of my

f re

Un bf f nf f n 42 ≈ n f b f ≈ ≈ f f fff f f 86 Allegro q = 80

nn 2 fÆ u 4J

p cresc.

‰

j bf '

‰

j #f '

‰

#f #f ' '

225

rall.

# f ™ f bf f f f ™ ‰ # J ff f

ISSUU Version ff#f f 6 bf#f f f ∑ ∑ ffor & f 8 perusal only F &

{

fus

al?

? bFFF

6 Œ™ 8

Recit.

87 Allegretto (q. = ca. 80)

## &

∑

## ‰ ‰ j f ™ f &

{

6 8

∑

But Jane,

f™ f

ff f

a piacere

I was sur - prised he would e - ven speak to me.

col canto

∑

j f f ™ Œ™

Œ™

You did- n't write

Bing- ley was there

one

day.

## f ™ &

{

f f f f

in - t'rest in

# & # ff ™™

j ff ‰ ‰

f™ ? ## f ™

ff J ‰ ‰

Dar

∑

f f f ‰ J

‰ f f f fJ f f f

me that.

quasi a tempo (poco meno)

ff. ‰ ‰ j ‰ ‰ f ™ fJ f™ f.f p. mp ff n ff. ff ™™ J J‰‰ ‰ ‰

‰ f f f f f™ J poco rall.

Did you talk

∑

with

Œ™

him?

Œ™ f

ff ™™ ff ™™ q. = q

U C

U ‰ C

Yes.

cy's sis - ter.

ff. ‰ ‰ f. ‰ ‰ fJ J ff. f. J ‰ ‰ J ‰ ‰

∑

It was plain to see he has

rit. . ## j ‰ ‰ Œ ™ fff ‰ ‰ j ‰ ‰ f ™ fJ & f.f f.f f™ f™ mf pp p. ff ff. ff. # ff ™™ f ™ ? ## J ‰ ‰ Œ ™ J ‰ ‰ J ‰ ‰

∑

Œ ™ f f f f f fj ‰ ‰ J rit.

f f

∑

quasi a tempo (poco meno)

87 Allegretto (q. = ca. 80)

## &

∑

Œ™

ff ™™

poco rall.

Œ™

ff ™™

ff ™™ ff ™™

fff. ‰ ‰ UC J f. f ‰ ‰ C J u

q. = q

226

fVersion f f f F f f f f f ISSUU f f f #f f perusal only f f ## C for f f f f f f F f f f & f #f 88 Larghetto (h = ca. 48)

## C &

{

re - mem - bers

? ## C Œw f f f

Œ f f f f F™

## &

poco rall.

p espr.

# &# f

## f &

{

∑

plea - sure

? ## w Œ f

ex - act - ly

f f

## &

‰ "‰ j j f f f speak of that. ## Œ ™ Œ "j & f

{

# f™ & # nf ™ ? ##

ff ™™

But

j ff ‰ "‰ j f ‰ "‰ f

∑

see - ing

when

"last

had

F F f f #f Œ

f ™ f f #f f wF

6 Œ™ 8

h = q.

∑

6 8

Miss

Jane."

poco rall.

w f f #F

w #f f #F #Ff f F

the

f f f ∑

Let us not

h = q.

6 8 F™ F™ 6 F™ 8 F™

89 Allegretto (q. = 80)

∑ f

j fj f f

Dar - cy's let - ter

f™ cleared

∑

f f f f f J

Bing- ley

j ff ‰ ‰ #ffj ‰ ‰ f. f. p f. ‰ ‰ #fJ. ‰ ‰ J

89 Allegretto (q. = 80)

∑

an - y

ff ™™ f™ f™

∑ f™

blame.

j ff ‰ ‰ f f ‰ ‰ J

227

{

## 4 & 4

sin - cere from the

start.

I would not be sur - prised to

f ‰ ‰ f f f #f ™ J

poco animato

F ™ col canto

∑

{

Ne - ther - field.

poco animato

rall.

## f f f f f & J aunt think of Dar - cy? ## ∑ &

{

## f ™ & f™ ff ™™ ? ##

j f #f ‰ ‰ # ff. J ‰ ‰

fj f f f f ‰ f F J mf f f f f f ‰ J

Allegretto

Œ™

∑

#f ™ She

Allegretto

∑

6 8

see him ver - y soon a - gain at

6 Œ™ 8

∑

## 4 f f f f f f #f f f ™ f F & 4 Œ

f ‰ ‰ Œ™ J

rall.

## 4 nfj j ‰ fj ‰ j ‰ ‰ ff fff #fff & 4 nff . . . . p . . . . f f ? ## 4 f ‰ f ‰ ff ‰ ff ‰ 4J J J J

f ‰ ‰ ‰ #f f #f f f f f 44 J J a piacere

ISSUU Version j j ## ™ f f f ™ F ™ f ff ‰ ‰ f f ff #f ™ F ™ ‰ ‰ Œ™ & nfff ™™ f f perusal f. f. f. f ™ F ™ only f for . . . He has been

? ## nf ™

f f f f f™ J

## f f f & ‰

poco rall.

f ‰ Œ

liked him.

ff. fJ fff mf f. #f J

ff ™™ f™ f™

4 4

f f f

a piacere

What did our

∑

6 Ff ™™ #f ™ 8 canto ‰ f. f. ppf col ™ F™ 6 8 poco rit.

∑

4 4

f J

∑

f f f f™

Ac - cord - ing

FF ™™ F™

poco rit.

F™

her,

4 4 4 4 4 4 4 4

228

rall.

## 4 & 4

{

Allegretto q = 100

Jane,

p f. ff. f. # ff. ff. ff. ff. #FF ™™ 6 ‰ 8

sim - ply can - not

&b f f Œ maz - ing.

& b nFF pp #F ? b

f J

3 f f f f f f f

I have nev - er seen him like

ff f

f f J

be - lieve it.

ff ff ff f j f f f f™ f p f f f f™ f f f f f J

fF ™™

ff ™™™ f ff ™™

j f ‰

f J

b 42 f ™ #ff ™ f change is

too

ff ‰ ‰ q. =bq 2 FF fJ 4 #F ff FF 2 J ‰ ‰ b4

this:

#f ™

q. = q

This

‰

j f

ff n ff

f™

nFf ™™

fe) j f f f f ‰ J f

F™ ? ## F ™

{

.f f. f. . f. . . rall. ‰ f f f ff f ff ff 68 FF ™™

91 Larghetto q. = ca. 46

## FF ™™ & FF ™™

sure she is right.

Dar - cy is still in love with me.

f ## ( fe ™™ &

{

I'm

(She laughs.)

## 4 fj j nfj & 4 nff ‰ f ‰ f ‰ ff . n f. f. f. . ? ## 4 ff ‰ ff ‰ f. ‰ ff 4J J f J

6 Œ™ ∑ ∑ 8 f™ f f f f™ ISSUU Version , ## 4 f f f 6 ∑ ∑ F Ó & 4 f f nf f 8 for perusal only Allegretto q = 100

f f ‰ cor - dial,

ff ff

j f

in -

ff ff

229

4 ŒVersion ‰ ™ nfr nf f f f f f Œ ∑ ∑ ISSUU 4 f f™ f f 4 ‰ j fperusal ∑ ∑ only f #f & b f f for 4 #f a tempo

{

for - mal.

& b ff ? b ff

He looked at me

FF # ff col canto ff FF

ten - der- ly.

‰

j ff ff J

‰

f ‰ fJ f f #f f F ™ f ff f f

rall.

and tried to make them out,

92 Largo flessibile q = ca. 58

Œ Œ f

f™

sure

#3 & 4

{

lay a- wake at night

#3 & 4 F

∑

? # 3 Œ Œ <n>f 4

Œ F bF FF

Œ F nF FF

‰ J f ‰ fj with - out

4 4 4 4 #3 4

suc- cess.

#3 4

∑

#3 4

‰ F

f f

hate him now.

No,

how

b FF

f f f f J f f™

ly cannot

j ff ‰ Œ J ff J ‰ Œ

, f

>f f f f j 4 fff Œ Ó f & b 4 ‰ fj f f ‰ fj f f ‰ f f f p . cresc. f Æ Ó f Œ F >ff ?b 4 Œ #f fŒ Ó 4w > f Ó Œ I

feel - ings?

f f #mpff

a tempo

Andante q = ca. 72

4 &b 4 Œ

{

And what were your own

a piacere dolce

ff f f ff ff f FF

230

ISSUU Version f F Œ Œ Œ f f f f ™ bf f f f & J J perusal only # Œ for ff fff fff F Œ f F Œ F f & F F

{

# f f f™ can

hate

him

F™

? # FF # F

‰f f F

{

spect.

What I

felt

Œ FF F™ F FF

# f f f

F™

# FFf f f & f f f

me,

{

loved

? # F ™™ F™ F f

molto

E - ven dis - like

F™ F™

was

f f f™

‰ f™

ff fff f

F™ F™

F F

ff fff f

f f

p sempre

j f f f f3 f f f

ff f

i - tude not

f ff f fff f ff f f Œ F

f f f f f f™

F F

pochiss. rall.

f F

but for hav - ing for - giv - en me.

f f f f f F ™ #F Œ ppp f f F™ f f f Œ F Œ 3 Œ

on - ly for hav - ing

cresc.

re -

cresc. poco a poco

grat

ff f

gave way to

grat - i- tude,

f Œ F F

# ff f & f ff ff f FF ?# f

now?

2 4 2 4 2 4

231

ISSUU ∑ ∑ ∑Version Œ ‰ fj f f f f f f f f f #2 ‰ ff f f fff f ™ f nfperusal ∑ & 4 #ffor f f f only fŒ f 93 Moderato q = ca. 60

rall.

#2 & 4

{

For a man so proud,

?# 2 Œ 4

j nf .j f ‰ f‰ #ff nff ffJ . p f J ‰ f f. ‰ J

# fff f f f‰ &

{

∑

f f f f f f f ff. ‰ f f f ≈ f ? f f f‰ f . f ff. f f f f #f f R ‰™ ‰ R ≈ ‰ ff f f f f f

Larghetto q = 54

∑

f ff f 3

What did he

& ‰ j #f f f f j ‰ Œ f f

{

f ff

.j fff ‰ f fJ #f . Ff f. ‰ J

run a- way with Wick - ham?

f ? # ff f &

rall.

Allegro q = 80

accel.

# ff & f

has

is that not tru - ly as - ton- ish- ing?

93 Moderato q = ca. 60

#2 Œ & 4

Does Dar- cy know that Lyd - i - a

Un - for- tun - ate - ly, yes.

? # #f. ‰ Œ J

Larghetto q = 54

?# j ‰ Œ f. p

& F

fJ ‰ Œ j f‰ Œ f

∑

Œ f f f f‰≈ff f f f f fff

say?

Al- most noth - ing.

F ∑

Ff J F

But I could see such anger in his

‰Œ

f f

ff ‰ ™ fR sf ffff R ‰™

232

∑

{

∑

pochiss. animato

‰ fj f f

eyes.

I'm

3 4f

F F

3 4 ff

Andante 95 q = ca. 72

# 4 #>F & 4 #4 Ó & 4

{

rall.

f‰ Œ J

accel..

But

Jane,

∑

see him a- gain.

sure I will nev - er

pochiss. animato

∑

## FF ™™

- U # f f™ # f j # f f f # f f ‰ ‰ #f f & J f f J > an - ger is on - ly at Wick - ham. And at him - self U # Œ F ™™ FF ™™ # & F ™ Œ #f # FF ™ # F™ F™ mf U FF ™™ # F ™ ##FFF ™™™ #F ™ ?#

{

Per - haps his

past.

3 4

∑

(The projections end.)

ISSUU Version ‰ j f f f f f 43 & f f f f f f Œ J for perusal only Æ &

# j ‰ Œ & fF p Æj f ‰ Œ ?# F

rit.

poco cresc.

4 #f #f f #f #f 4 J for hid - ing Wick - ham's

Allegro q = 80

4 4 4 4

∑ ∑

3 4 3 4

# 4 ‰ j faccel.‰ j #f#f #f f f#f#f #f nff f f f f f f #f f f f f f 43 #f & 4 #f #f f #f f f f f cresc. mp mf. f ff ff. f # # f # f f f ? # 44 # fJ ‰ Œ fJ ‰ Œ # fJ ‰ fJ ‰ Œ & j ‰ ?3 4 # f # ff w > Andante 95 q = ca. 72

Allegro q = 80

bf f f bf f

Moderato q = ca. 66

#3 & 4 Œ

{ {

{

broth - er- in- law?

# f f™ loved him,

?# F F &

{

# F

ff ‰ Œ fJ f sfj p fF ‰ Œ Œ F ™™

f f f f J ff fff fff f

and could have been

™ nFf J ‰ Œ '

f f f f f F™

Larghetto flessibile 96 (q = 58)

f b FF

f f™

j f F

Œ F F

Œ FF

hap - py

F F

who would suit

me most–

f f ff™ f F J

Œ Œ f

with

f n FF

that I see

cannot

f F™

be.

fff f f fff fff f FF f

I could

have

>f f f- f- f- J

f J

ff f f ff ff f

Œ f ™ fj f F now

Now

him–

F F

# Fff ff ffff f f ff ff Œ ff f f Œ F & ff F F bF mp pp F f F F F f F ?# F F f FF ™™ F man

∑

F™

fp col canto

Nev- er!

∑

# & ŒF ™ FFF

would Dar - cy wish to become his

Moderato q = ca. 66

FFF ™™ ?# &

Lyd - i - a,

e - ven if Wick - ham should mar - ry

# n>f 3 nf f f ™ ‰ >f f ‰ Œ Œ & &

3 >f 3 f a piacere 3 n f J f f f ‰ f bf bf f bf bf f f J J

ISSUU Version nffÆ ‰ Œ # 3 Œ bŒF bf Œ & 4 nF ™ for perusal nffJ only bF ™ ? # 3 Œ bFŒ 4

233

Ff f FJ

he is ex- act - ly

Œ F™ F F

rall.

the

f J

U b Œ b bC

U Œ f Œ f Œ Œ bbb C Œ F F bf bf pp F U n FF FF ™™ nF f FF ™™ bbb C

234 (Mr. Bennet enters from outside. He walks slowly, puts away his traveling bag, embraces Jane and Elizabeth silently and sits down.)

ISSUU Version Ó Œ f ff ∑ ∑ ∑ ∑ bb C F for perusal ff bf f only f f bf w b F f & F F f f bbff f f 97 Largo h = 40

Recit.

b &b b C

{

Largo h = 40

What is the

molto legato, poco pesante

f w FF FF mf poco pp FF cresc. F a poco F f ? bb C Œ ff bbw f w b f f f f b ff ff f b ff f f bw

b &b b f

news,

Mr. B.

f f Ó

{

wearily

Get

your moth - er,

b &b b w w

b &b b f

dured,

Mr. B.

?b Œ bb

{

b & b b bbFF ? bb b

f Jane.

Adagio q = ca. 52 h = q

2 bf f3 f f 3f f f f f 4 3

sor - ry for what you en -

2 4 Ó

Adagio q = ca. 52

4 ff

h =2 q

w w

w ? bb w b

(Jane goes.)

f ™ f f bf

Fa - ther?

? bb Ó b

bf 2b f 4

w w

accel.

∑

3 f bf f3 f f ‰ f f f Fa - ther.

forcefully

own fault

FF F

and

should

(Mrs. Bennet enters, followed by Jane.)

∑ f f f f suf - fer for

bf Œ nf p

it.

accel.

fF ‰

∑

b 44

∑

4 b4

f bf

b 44

b ff ™ f

4 b4

235

> f f ‰ f Version ISSUU f F ‰ fj f f f f fJ ‰ Œ nf f for perusal only FF 4 j w F Ó Œ b ‰ Œ F F & 4 F f 98 Allegro moderato q = ca. 100

Mrs. B.

4 &b 4 Ó

{

Mis- ter

bw ?b 4 w 4

Mrs. B.

You are home!

&b Œ

{

Ó f f f f

Then who will fight

>f f‰ f f f J

ffj ‰ Œ f ' ffÆ ‰ Œ fJ

? Œ f F b

f f f f f‰ Œ

{

?b F ?b

down,

F p

f. J j f.

mar - ry her?

∑

# ffÆ nf F F #f ‰ ‰ ? f f J 3 Æ nF F n fff 3 ‰ ‰ F J ff fF

ffj ‰ Œ ffj ‰ Ó f f ' ' Æ ffÆ n f #nff ‰ Œ f ‰ Ó J J

Mrs. Ben- net,

f f f

Wick - ham and make him

j f &b f ‰ Œ Œ ' f ? b fÆ ‰ Œ Œ J

Sit

With - out Lyd - i - a?

f.f f.f f.f f.f f. p mf . . . . . Œ b ff ff ff ff ff ‰ Œ FF J

(wearily)

Mr. B.

Ben- net!

f f ‰ J f fŒ Œ f f ™ fJ

rall. poco a poco

and try

for once

‰Œ

∑

‰Œ

∑

to listen.

F F F F

∑ Ów w F w

mp dim. poco a poco

F F

236

ISSUU Version ?b Cffff f f f f f F ∑ ∑ perusal only wF for w w F ? 99 Recit.

(rall.)

Mr. B.

{

b w F w

ppp

{

Mr. B.

was

?b F™ F™

f f3 f f f f f f

Œ f f 3

leav - ing,

and

in - sist - ed

j ff ‰ Œ f. . bff ‰ Œ J

w w w w

‰ fJ f f

that I bring the news to

j ‰ Œ f bff. j f. ‰ Œ

Recit.

But are they mar - ried?

Più mosso

Œ Œ

j #fff ‰ Œ f. sfz . # f #f ‰ Œ J

∑

w w

you with - out de - lay.

& b #FFF ™™™

∑

col canto

Più mosso

? #f f f f F b

{

j ff ‰ Œ f- ‰ Œ J

∑

Your

and Wick - ham have been found.

?b f f f f f f f f f f Œ j b f & ff ‰ Œ p ? b fJ- ‰ Œ

Mrs. B.

w w

broth - er told me just as

‰ fJ

(to Mrs. Bennet)

Lyd - i - a

Mr. B.

∑

> Ff Ff

∑ ∑

Recit. .

fj f bf f bf f b fff ‰ Œ F fJ f p 'Æ f #f bf n f f f f bf f nF f J ‰ Œ F ° *

237

Mr. B.

f f f ff F Œ f f >f f f f f Œ ŒISSUU f f f f f f f Version forF perusal j‰ Œ Ó f F f fonly Ó Ó &b w f F f ?b F

{

No,

Mrs. B.

Mr. B.

{

f f f f

slowly, with distaste

but

done.

{

#ff # & f #f ?# f

w w

#f #f ™ & J

∑ Ó

#F ™

I dis - like it ver - y much,

ver - y soon.

f ™ f #F J

bf ' sf j #f ‰ Œ '

100 Allegro moderato

n 42

2 n4

∑

n 42 Œ

2 n4 Œ

∑

f f

∑

F f.f f.f f.f f.f F f ff. ff. ff. ff. #FF

∑

Oh, my

100 Allegro moderato

?b Ó

Lyd - — ia!

FF F

&b Ó

Mrs. B.

it must

∑

?b Œ

I am as- sured that they will be

but

?b w w

dear

∑

# FF #FFF FF #F #F ‰ fj f f

poco rit.

ff. ‰ ‰ bf. f. bf f. f. bf. bf. f. f. f. f. f. j f bff ‰ nff ff ff ff ffj ff ffj b f. f. f. f. f f f . J . b ff. pf. f. f. f. nf ff. bb ff . ff . b ff. . f J ‰ b f f b f f ‰ ‰ J J This is

de -

238

f #f f f f f. ‰ f ISSUU Version f Œ f f J & # f. f. f. . . . # f f fonly #f j #f. f. f. f. . . f j j perusal j for f f f f ‰ Œ ‰ & f f f #f f f f ‰ f

(rit.)

Mrs. B.

{

light

a tempo

ful

in - deed.

Mar- ried

fff fff

ff ff f > mf f j f # f FFF f f # f ? #F f f #>f °

Mrs. B.

{

f Mrs.

fff f ‰ J

Mrs. B.

{

#f f ™

dear

Wick - ham,

j ‰ f & #f. ‰ p f #f ? f #f

too.

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f- ™ f f Œ How I

fj ‰ fj ‰ fj fff FFFF . f f f f f f f f f . & nff ff f. ff J ff . f f f f f F . . . . . . . . p f cresc. . . . . FF F . f f f f . . . f f f j j . . #f F ? nf ‰ f ‰ fff f ‰ fJ ‰ J n f. f. f-

teen!

f f f Œ f J

poco rall.

Wick - ham, how ver - y well it sounds!

101 a tempo

six

f fff F J f

f J f

long

fff. ffJ ‰ Œ fff. f‰Œ J

#>f ‰ #f f

‰

But the clothes!

j j #f f j # f #fff ‰ #fff nf ‰ f f . J #f cresc. f #f n>f #f # f ‰ f #f J

‰

see her!

And

∑

#f J

> > f f f #f ‰f f

The

‰ #>f f f # f

f f f #f

j f.

f f™ wedding

f f #f ‰ .J & #f #f ‰

239

Mrs. B.

ff f

≈ff ff

clothes!

I must write

to Lon - don at

‰ ISSUU Version Œ >f f f f >f f f f >f f f f f f n f fperusal ‰ # f #for only ffff nf f f #f#f f fff ff > & &

{

(She goes out to look for pen and paper.)

once!

fff

ffff bf f f f j f f nf f f f >f f f f >f f f f f ? f . ≈ >fff & ff ‰ . f

dim.

102

rall. E.

∑

{

Lento q = ca. 54

### Œ

∑

3 2 f f f f 4 f f f™ ‰ f f 4

You are ver- y

### & fff fff f FF #f f #f f f F mp pp j j bf ™ n f f f ™ f ? f #f f f f#f f ### F bf f F f #f

Mr. B.

### 2 f 3 f f f f f f & 4 J

‰

? ### 2 4

{

### 2 & 4 ? ### 2 4

to this than you have

∑

told.

∑

FF Œ

‰

grave, Fa- ther.

There is

3 4 FF ™™ F™

2 4

3 4 FF ™™

2 4

∑

3 f f f f™ f f f f f f f

a piacere (meno)

There are

FF F

j f

two things I would ver - y much like

∑

col canto (meno moso)

240

Mr. B.

? ### fJ

f f f

mon - ey

your un - cle had to pay to

{

know:

How much

sfz

### &

Lento

ff f

∑

‰

3 ? ### f f f f f f f f Œ

{

Lento

? ### FF F pp

ff f

3 f >f f f f f >f f ™ # ? ## ‰ f J

103 poco animato

{

no man in his

sens - es would mar - ry

j f f f f f f r ‰™ f # fff 3 3 mf f f f f f f j f f ‰™ ? ### ‰ f f f f f f f f f R ### ‰ &

and

r ff ‰ ™ f

j f ‰ Œ

∑

f f f f f f #f ‰ fJ f f f f p

I mean that for the lit - tle dowry I can give,

∑

FF F

f J

What do you mean?

how will I ev - er re - pay him?

### Œ &

Mr. B.

f f f 3

‰

Wick - ham;

ffr ‰ ™ f

Mr. B.

> 3 f f f f f f ‰

‰ ISSUU Version r ™ ### ‰ r r ‰™ ≈ Œ f for perusal only ff & # fff ff ‰ n fff f ? ### ‰ fff J

f f

f- f-

F FF F >f f f Lyd - i - a.

Œ Œ

fff f

∑

fff #f f

Allegro

∑

f f f #f f f nf 3 f f f #f f f n f f f f f 3 dim. poco a poco f f f #f f f nf 3 f f 3

241

Mr. B.

### ‰ &

Mr. B.

f f ‰ Œ

rall.

f f f ISSUU Version f #>f > ? ### #f ‰ Œ Œ ‰ ‰ J ∑ for perusal only ## j

{

& # ff f p ? ### #fj #F

j #f

a piacere

Can

Un - cle

af - ford

‰ ‰

col canto

. ### 4 & 8 #ff #f f f ff p ff. ? ### 4 #ff #f f 8

Wick - ham is

{

ten

>f f

a great

fool

#F ‹F mf

f f f #f U if

he takes

‰

her

. U f f #ff ff

f ff. U ff f #f #f

f f

4 8

>f f f f n f f a

far- thing less than

f nf f nf

rall. molto

4 8

for

4 8

nf f f f

U ∑

(He retires to his library while Jane and Elizabeth look at each other glumly.)

∑

thou - sand pounds.

### ≈ f & f #f ≈ f ? ### f ≈ fff ≈

‰

j f

course not.

##FF

∑

104 Ben misurato e = ca. 100

? ### >f

rall.

? ### 4 f #f f f f 8

{

it?

∑

f ®ff f f ®ff fU ff ? f f f

‰ f™ f f f f f f ≈ f ™ f. f. f. f f . . f f

≈ f ≈ f

U ≈ f ff f BLACKOUT

242

Act II Scene 4

ISSUU Version 2 ‰ ff ff #f ‰ ff ff f ‰ ff ff f & 4 ‰ ‰ ff. ff. f f . .f . . . .# f f for perusal only f ™ f ™ f ™ f™ ?2

{

(Longbourn, six weeks later. Morning. Mrs. Bennet is again preparing for visitors, this time to celebrate Jane's engagement to Bingley. Elizabeth is helping her mother; Jane and Mr. Bennet are downstage.)

Allegro vivo q = ca. 104

f. f.

‰ ff ffnff . . >f f. j J f. f. f.

. ff. ff. ffff. . . . f . . f f f ‰ ff ff f f f f f f J ‰ & ‰ ff. ff. ff f mf > >f > f >f f. j f f. . ? fj f J f. J J ‰ .

f. . f f. J fJ J . . . . . . p ‰ fff fff fff ‰ b# fff fff fff F F

{

4 ff . .

f. f.

cresc. poco a poco

. .f f # f. f. f n f f . . f #f

. . . ‰ fff fff fff ffffÆ ? F J ‰

Mr. B.

{

f. f.

f. J

105

. j ff f. j ff f. f. f. f. f fJ f. fJ f. . . . mf . . . ‰ fff fff fff ‰ ## fff fff fff F F & nff f f. . f. f. f f f f f™ Œ ff ‰

ff f . . fbf nf j ffff ‰ '

106

∑

j j f™ f f f fbf f f f & f ‰ f ‰ f™ ff f F p f mf f f bf f f f ffff ? fJ ‰ b fJ ‰ bfff ™™™ fbf F

∑

I con - grat - u- late you, Jane,

F F

‰ ‰ f ™ f f b fj fj f ™ f f bfj ‰ fj ‰

243

Mr. B.

{

& ?

Mrs. B.

Mr. B.

f™

F ∑

? f f #F

{

ble young

Mis - ter Bing- ley

f f bfj ‰ fj ‰

∑

Œ f f f f

f ‰ f f J

Oh my dear

∑

107

{

∑

most

a - gree - a -

F F

F so

∑

j f ‰ f

hap - py!

∑

Our

b f. . f b f. J fJ J . . . . . . p ‰ b fff fff fff ‰ b fff fff fff bF bF

j f ‰ Œ ∑

f. J

∑

bf ™ f #f f f ™ nf nf f F & &

∑

I am

∑

F F

guests to - day will cel - e- brate your joy.

∑

F F

f f #f f . f. F F

Jane,

man.

. . F f f #f f f F #F

& F F

Mrs. B.

nf ™ f f f f f f #f Œ

on this en - gage - ment.

f bf

f ™ fJ ISSUU∑ Version forf ™ perusal only f f fj ‰ fj ‰ nF F f # f FF

? ‰ fJ f f

rallentando molto

∑

f J f

∑

j f

rallentando molto 107 f. # f. f. n fn f . nf f ff f f nf n f f. #f. j f f. j f f. bb ff J f. J f f f bf nf & f. . . . . . . dolce . . . . p ‰ fff fff fff ‰ ## fff fff fff f f ‰ b fff fff fff ffff j f F F f f ? F f ff ‰ Œ J ‰ Œ f It

tru - ly

the

244

ISSUU jVersion f f f™ f f f F ‰ # f f f for perusal only f j j f j ‰ f j ‰ f ‰ f ™ f f ‰ f ff ff f

& f

Lento q = ca. 50

{

j f ‰

hap - pi_est,

wis - est

f ff ff ff J ‰

f ‰ & J

f f‰

{

f ‰ J

{

ff f ff

Allegro vivo (q = 104)

Just

f f

f f f. f. f

f #f all

turned

Wick - ham

fff. ? j‰ J ‰ f.

Mrs. B.

and most

ff pp f ? f ffJ ‰ & f

Mrs. B.

accel.

and

j f.

‰

out

should.

end.

ff ™™

f #ff ‰ J nf

f ‰ J

fff f

f ‰ J

Lyd - i - a;

f™ f f f. f. f. f ™ fff. bff ™™ ‰ J f™

f #f f #F

rea - son - a - ble

f ff ff f ‰ J

Œ #f f

ff ff bf f f f f f bf f

ffff

108

∑

j j jf # f # f j‰ j‰ f f j j & # f f ##FF # f. # f. #f f #f #F f™ j‰ j ? Ff #Ff f ™ # f f #f f #f ‰ F #f F

has

f f #F p

f bf F

‰ f f ™ #f f f J If

on - ly they had

j ff n#ff ‰ # fff . . f cresc. f f f f

245

Mrs. B.

{

f F ISSUU Version ∑ ∑ ∑ J . . . f . . f f. f only f f for perusal . # f f n f f. f f. f. . f nf. f J J J ‰ j ‰ j J

™ >f #f f ™ f #f not been sent

# ff.f

fff #FF . #F

? f f

#f #f

(Mr. Bennet throws up his hands and retires to the library; Mrs. Bennet goes to another room.)

far

a - way.

. . . . . . . . . f. f fff fff fff ‰Fb# fff fff fff ‰F fff fff fff f f. f. f. F cresc. poco a poco

{

rall. poco a poco f f. . f f f f f . f. #f f ‰ Œ f #f f #f f ff f f#f f & j fff f n>f dim. poco a poco j j j f. f ‰F ff ff ffF ff ff > f#f f f ? f. f ffff F

109 Largo h = 40 (q = 80)

## C &

{

∑

f f f I

## C &

∑

? ## C Œ f w p espr.

f f

F™ w

am the

f f f

f f- f f f

most for

Œ f ff ff Fw

tu- nate

f f

F crea -

F™ w

ture!

Fw F

∑ F

## C ## C

Œ f f ™ fJ To find

that

fF F F f F Fw

246

{

? ##

## Œ & ## &

{

## &

F™

has

all

f f

could see

∑

f 3 4 F™

(q = ca. 100)

this

‰ f f f f ™ fJ f J ∑

time.

Liz - zy,

f F

3Œ f Œ f f Œ f f 4 f f F™ F™ F™ mf

f f f Œ

you

∑

Oh,

∑

j f f f ™ #f F

hap - py.

∑

#f f

j f j f f f f ™ f f fF ™ fj f F ™™ f f f f f f F ff f™ J f ™ #f f ™ #f fff ff I

# f &#

{

loved

if on - ly

? ## Œ F™

F f f

ISSUU VersionŒ Œ f f f F perusal only ff ## F ™ for f 3 f ™ F f & FF F FF ™ F f 4 f ™ fj FF ™ # & # F™

110 Tempo di Minuetto

f f f™

hap - py

Œ f F™

j f F

with - out

f Œ f f ŒF ™ F™ f

your

good - ness.

But

could never

Œ ff F™

f f.

‰ f f J

cresc. poco a poco

f™ f™

per - haps

‰F fj f f f f F ™ f f ## F ™ f f f j f ™ f f ™ & ‰ fJ # f f f ™ #‰F J f p pp f f j ff f f #f ? ## f f f f ‰ ff f F

with good

f f fJ f p f ‰ fj f f F™

247

f F

## f. &

{

pompously

luck,

I may

J f

meet

an - oth

J f f ™ fJ f

Liz - zy,

You are

 ff

? ## f f f f. f. f f . f.

f f f f f. f. f f. .

Why do you sup - pose Mis - ter

∑

Recit. (meno mosso)

cf f.

far

too

∑

cyn - i - cal.

Dar - cy came back to

∑

™ #w w w w ™™™

™ #w w w ™™

nw w w

f f f Ó

 ff

f f f f. f. f .

dim.

rall.

nn 3 2 nn 3 2 nn 3 2

Œ f f bf f f f

Ne - ther - field?

™ bbw w w ™™

∏∏∏∏∏∏∏∏∏∏∏∏∏

™™ w ? 23 w w™

pp col canto

ŸF FF

lins.

f >f f f f J ‰

f F f nf ™ f J

∏∏∏∏∏∏∏∏∏∏∏∏∏

3 & 2 w™

(Elizabeth

Col

. . #F fF f f FF F

Recit. (meno mosso)

3 &2

ter

Ÿ . . . . . . Ff ff f f ff f f f f f f f #fnf f f F> f f f f #f F #w >

3 Ó a piacere & 2 #f f f f #f f f

{

J #f f f# f ff #ff f

imitates Mr. Collins’s pompous gestures.)

Ÿ ## Ff f FF & F> F >

Mis

> cF

ff ™

f Œ Œ f f f

j f f™

## Ó &

{

f f

rit.

f f F™ Œ ff n ff ? ## ‰ fj f f f F™ f ‰ f F™ J

Più mosso 111 q = ca. 112

ISSUU Version ‰ fJ f F f ™™ ff f #ff f FF f f f fonly ## Ff ™ for ffperusal ™ f ™ ™ f f ™ f f cF f rall.

™™ bw w bw ™

a piacere

I have won - dered that my-

248

f f f f nf ™ fJ bf f f f Œ Ó bf bf f f f bfJ bf Version & f Œ Œ ISSUU J for perusal only Ó ff ™™ & bw bww FF w bbw w

2 &4 Œ

{

2 &4

?2 F 4

{

f ™ f bf bf

(They look out and see Lady Catherine de Bourgh coming through

2 4

∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏

bw w w

≈ff f f fff f‰

f f

‰™

ff ™™ mf 3 2 f ™ f bf f 4

bbbw w w

112 Risoluto q = ca. 69

∑

I heard the sound of a car- riage.

‰™

Pem - ber - ley.

2 4

F bFF

? Ó bbbw w w

∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏

2 4

His silence and in - dif - f'rence are not as he was

self.

∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏

{

3 4

3 r b Œ 4 bf f. ≈ f. b f ≈ f f f . ' ' p bf b f. ≈ f bf ≈ 43 Œ R . . f f f ' '

∑

2 4 f ≈f f ≈ f 42

ffÆ ffÆ b b f f f ff nn ff ≈ ff b ff ff ff bbff b ff f f f. # f f nf f ff. bnfff ≈ fff bfff ff f f f f &f f f f ' f ' °

the garden path, preceded by a servant in livery, who leaves at a wave from Lady Catherine. Jane goes to another room; Elizabeth greets Lady Catherine in the garden.)

2 & b 4 b f f n f ≈ f bf f.f f.f bn ff ff bb ff . cresc. poco a poco ? b 2 f f nff ≈ ff bbff. 4 . .

accel.

249 surprised and apprehensive U &b Œ ‰ f f f f ‰ Œ

a tempo

ISSUU Version U Œ ‰ j ∑ ∑ ∑ &b f f f™ f for perusal only U F F f La - dy

∑

Cath - 'rine!

darkly

Lady C.

{

a tempo

&b F U &b F F

Lady C.

{

113

&b f

well,

f f

Miss

p j ? b ff f ff ‰ f f. ‰

Lady C.

f f ‰

Ben - net.

f bff. bf f.

&b f ≈ f f f f p

&b Œ

‰ f f

∑

{

No,

in - deed

∑

‰

j f

bff Œ f.

You

‰

ff Œ .

j f >

f f f f bf ™

re - port of

f b f ≈ nf

ffÆ fÆ f Œ

hope

you

j f. ‰

bf bf f f ≈ bbff bf

f. ‰ fJ

nnff

I've

come.

ff fff ff ≈ bbfff bbfff b bf f

not.

nff

∑

f f >f ≈ bf bf

must know why

bffj ‰ bff ' fj ‰ f '

f f f J

a - larm - ing

∑

na - ture

f #ff. bfff. Œ . f. ff Œ f

j ff ‰ f.

∑

j f

has

are

∑

pÆ Æ ≈ f bf bf ≈ f nf f Œ b ff f Œ F ' ' *

F F

j & b bff bf ff ‰‰ f f.

F ≈

f nf f

reached me:

n fff n#fff Œ . . nf. J f™ >

250

Recit.

Lady C.

f f f 42 ISSUU f f f f f f fVersion f f f f f f f f f U 2 for perusal only ∑ 4

&b Œ ‰

{

&b ?b

a piacere

I have heard that you will soon be

u - nit - ed

with my neph - ew,

2 4

w W

b>f b>f ‰ ™ f bf ™ f f ™ 2 b>f >f ‰ ‰ f f f f b bf & 4 f f f fff> R

{

mar - riage!

2 & b 4 bfff f ' mf ? b 2 #f 4 #f '

Though I

a tempo

Lady C.

nff Œ f ' f Œ f '

∑

{

f ™™ b ff f ™ bf bf f f

came

at once

b f ™ f f ™ bf bf ™ f f ™ bf

f ff Œ f. .

∑

3 3 3 3 b f f f f f f ‰ ff f bf f ‰ f

114 Poco meno q = ca. 63

" & b bf f f ≈bf bf j ‰ f > hear you de - ny it. bbbfff f f f ‰™ &b R

bff bf Œ bff. bbff.

∑

innocently

∑

If it

why did your la - dy - ship

can - not be true,

114 Poco meno q = ca. 63

ff. ff. f " b Œ ‰ j f ff ff f f ff ff n ff fbf f dolce p. p f f b f™ " r ? b ≈ f . ‰ ™ bf bf fj ff b ff ff ff f b ff ™ . J b f. b f f. f. rit. molto

cresc.

know this to be a scan - dal - ous false - hood,

rit. molto E.

col canto

Lady C.

Dar - cy,

∑

ff f f f f

f j f f ‰ bf 3

b fff-

bff 3

251

j & b f f f fJ 3

{

ff? b bf

Lady C.

see

f f bf f f f ∑ f #f f ‰ #ffff nfff ‰ Œ > > f cresc. mf ff- nb ff ff >f pf. f. f. n f>ff fff. fff. fff. f f bf bf ‰ ™ f ≈ nff f f f f f R f > ° * bf

f f‰

I have nev - er heard it,

Mad - am.

∑

Œ ≈ f f f bf f f nf f

∑

f f . ff. ff j f#fn f f # f f # f ‰ nf. nfff ff ‰ Œ n >f bff pp >p mf .f f. .f f. j >f f. f. f. f f f f f f f n ff. . f nf ‰ f bff f f f > ‰

da- tion for it?

ff.

not to

Can you de - clare there is no foun--

& b >f f f f Œ &b Œ > ? fff b

Can you pre - tend

115

‰ff ff f f

&b Œ

{

∑

me?

know of it?

>ff ? f b

Lady C.

3 b ff f

&b f f f Œ &b Œ

&b Œ

{

∑

(Lady Catherine raps her cane on the ground in anger.)

&b f

∑

ISSUU Versionj ‰ f f nf f f ∑ ∑ ∑ f for perusal only j j f

come so far to

Lady C.

115

‰

f f f f

f f

f bf

f f f

∑

. . . . bbffff fff n ffff fff poco cresc.

#f f f

I do

not choose

“f” f

. f f . f f . f f n f. f #f f bf f f nf #f.

pp ff. f

ff. f

∑

ff. f

an - swer

ff. bf

all

∑

of your

ff. #f

la - dy - ship's

∑

f f

ques - tions.

bff f f. #ff. pp f. f. f.

252

ISSUU j ‰ nf f f f f f b>f ™ ‰ f f f f f bf Version bf f f. ‰ Œ perusal only >f j bfj j fj >f for n n f f f # f Œ ‰ n ff ff ‰ ‰ bfff b ff ‰ Œ ∑ & b ‰ ff bnff ‰ 116

Lady C.

rall.

&b Œ

{

This is

J J mf > f ? b ‰ f fj ‰ J >f

not to be borne!

I in - sist on be - ing

>f nf ‰ nf J

>f j f ‰ >f

‰

a tempo

∑

(q = ca. 63)

∑

sat - is - fied!

bf.

. f. fJ

bF bF

‰ f J

f f

> > & b bf f f f bf f f f f f f f ‰ Œ - - - - -

Your

f f f f f

la - dy - ship de- clared that im -

∑

severely, a piacere

Lady C.

{

Has my neph - ew

∑

(q. = ca. 63)

j ff F fp j nf nf

∑

&b Œ

& b bf. ff. ?b

j ff fJ

‰ Œ

j f f

‰ Œ

f f . f f nf fff. J ‰ ‰ 117 rit. molto

&b f ™ f f Œ

{

mar - riage?

pp col canto

pos - si- ble.

Lady C.

a tempo

&b ?

made you an of - fer

‰ nf J f

∑

f f f f f f ≈ #f >f f f f f f ‰ > >

should be im - pos - si- ble!

j j n f ‰ ff f bfff ‰ f f f. > >f mf j f j .f ‰ f f ‰ > f >

‰ ‰

j #fff n f. f. fJ

must be im - pos - si- ble!

ffj ‰ ff . j f ‰ f.

∑ Œ

‰

j nf

Un -

j fj # f #n >fff nfff ‰ Œ > pp n>f n>ff ff. ff. ff. nfJ f 117 rit. molto

‰ ‰

253

ISSUU Version ∑ Œ Œ &b f™ f f ™ f f #f f > nf f™ f f for perusal only . f™ . b f ™ f Œ bf bf b ∑ Œ (rit.)

Lady C.

{

less you have

Risoluto (q = 69)

>f b b f & f >

{

f. ‰ ‰ f J J fÆ . f Œ f ff Æ f .f f Œ

un - der - stood.

& b f bbfff n fnfff f f f ? b f bf bffj f bf f #f f °

Lady C.

{

∑

# f>ff ™ n b & R ‰ Œ >r ™ & b nb#fff ‰ Œ F

≈f f

f f #F

b ff ™ f. f ™ bf. ‰ bf ™ f f ™ bf

mp . . . . ff fff # fff ≈ fff #n fff. n f ?b f f nfJ

Lady C.

ff fff . .

Let

en - snared him.

This

match

bb fff p

never

∑

right - ly

f ≈ f n ff.f ff.f fff ≈ fff

f. Œ

fff

f j fj ‰ Œ ‰ > f™ >f >

can

f ≈ f f. f. ff ≈ ff

cresc.

to which you as - spire

118

take place!

#F #F

Once

≈ nf#f f

f f #f

f bf

and for

all,

j fff b fff ff ff ff bb fff fff fff fff bn fff fff fff fff f. . . . . > . . . > . . . mf jp j j j ? f f b f ‰ ‰ nf f. f. f. j ‰ ‰ f f ‰ Œ f. nf f. . >f >f ‰

254

Lady C.

rit.

a tempo

∑

{

Lady C.

are you en - gaged

to him?

>f f b f &

prom - ise nev

Lady C.

ff Œ . f. f Œ

rall.

&b f ™ f f f &b

{

(rit.)

beg

to end this

∑

f °

∑

f™ f

∑

f f f J f f

∑

f- f 3 f ff ™™ J f- fdolce p f- n f- f- f f f nF F 3

119 Risoluto (q = 69)

∑

‰ f f f f‰ Œ > >

in - ter - view.

&b f

fff f f ff mp bf ff f

?b Œ

‰ #fj fff . mf j ‰ f f.

∑

and

∑

bf f f f f f

molto distinto 3

Not so has - ty!

(rit.)

prom - ise,

ff ≈ ff ff ff Œ . .

j f f ‰ f

poco rit.

ff f

I will make no such

Œ fff ≈ fff fff # fff . .

you

≈ ff f f f f fff fff. f. p mfp f. ≈n ff. f f f f ‰ ff

to be?

And will

poco rit.

∑

‰

dolce ma risoluto

rall.

f f ‰ Œ J

a tempo

rit.

& b fff . # ff. ? b #f

f f™

I am not.

&b Œ

{

∑

(simply)

ISSUU Version ™ bf f f f. ‰ Œ ∑ & b ‰ fj f f J for perusal only >f > j‰ & b fj ‰ Œ b f f f f ' f ?b j ‰ Œ Œ f >f

‰ f f fj ‰

∑

know the par - tic - u - lars

119 Risoluto (q = 69)

ff f f f f f f f f f f f bff ff ff ff ff ff f. f. f. f. f. f. f. f. f. f. f. f. >f f. f. f. f. f. pp j j f j j ‰ f ‰ Œ ‰ Œ f f ‰ f . f. f. f. 3

255

>f #>f j j j f f f f j ISSUU Version Œ ‰ f f f b f f f f f f f f & f f f > j j for perusal only f f ∑ ∑ b n f ‰ Œ ff ‰ & n ff ff ff ff ff ff ff f f a piacere

Lady C.

{

of your sis - ter's e - lope - ment. 3

. # f. f. fJ f ™

>f f. f. f.. f. f. f ?b Œ fJ ‰

Lady C.

& b bf f f f f f

{

j ‰ b b f & bb ff ' Æ ? b bbff ‰ J

Lady C.

Œ Œ

∑

{

(accel.)

&b Œ

? f b

#>f >f ‰ Œ

neph - ew?

j #f f #f f

j #f

j f. ‰

‰

poco accel.

‰ j ≈ f f f f ff f f f f f deliberately

Is such a

U ∑

lunga

U ∑

rit.

‰

girl

to be the sis - ter - in - law

∑

j f f f f

(stunned) 3

This can - not be

lunga

>j lunga U j f ‰ Œ # f # f ‰ ‰#n fff fF > u f n>f b>f lunga U ‰ ‰ nf bf ‰ Œ J J

Più mosso

j ff

nn ffj ‰ ffbffbf ∑ f f bf n nff . f ppp p F j ffbffbfffbf F nf ‰ n f.

∑

j >f ‰ b f &

col canto (meno)

sis - ter.

Più mosso

(accel.)

I have learned that Dar - cy spent ten - thou - sand pounds to

f fŒ

save the good name of your

∑

true.

∑

‰ ™ fR f

>r ‰ ™ #f fff f mf > r f ‰™ f It

rit.

j ‰ f ∑

Œ #bFFF bF ŒF F

256

j ISSUU Œ Version ∑ ∑ &b f f f f f f f f f™ f f ‰ ‰ f f >f b ∑ ∑ ∑ ∑ & for perusal only >f 120 Risoluto

a piacere

Wheth - er Mis - ter Dar - cy in- ter - vened or

Lady C.

{

f >f fff ‰ ™ f b ∑ & R r ff f f j‰ Œ ? b f ‰™ Œ f >f >*f °

Lady C.

120 Risoluto

j & b f f f >f ‰ &b

{

∑

ask you to leave.

∑

(accel.)

121 a tempo

∑

? b bf f F

j ff ‰ Œ . j f ‰ Œ f.

bFFF FFF

∑

ff F fJ ‰ . f F fJ ‰ .

121 a tempo

rall.

accel. poco a poco

∑

f f

f™ I

ff nn ff f# f

≈f ff

accel. poco a poco

f ≈ f b ff.f ff.f bnn fff ≈ fff bbbfff

f. f. f. f. nf.f f.f bbff. ff. nfff fff f. f. f. f. f. f. b f. f. b f. . f. .

‰™

cresc. poco a poco

(Lady Catherine leaves quickly.) >f > > > > f f f f™ f >f Œ ∑ R

a tempo

f f bff ff ≈bbff nf ≈ f bfff bf fJ. ‰ ff bf n ff f f . j j f bf ‰ nf ‰ ff f ff ‰ f ff #f J f f

se - ri_ous - ly dis- pleased!

ff ff b nf f

FF col canto p FF

(Lady Catherine stares at her, then starts to go.)

b>f f f b ™ & f f

{

I must

true.

j b f & f ‰ f. ' mf j ? f ‰ b f .

Lady C.

not,

But

I know how

j ‰ bbff ™™ f bf ™ bf f f bf ™ bf f f f f> j ‰ bf ™ f bf ™ bf f f f f> °

to stop you!

257

ISSUU Versionf f f f f f bbb 43 b 3 j f bf f f f bf f f b Œ b4 & b fj for j j perusal f nf only f f bf f f ff f ff f f f≈f

rall. poco a poco

{

∑

bf bf

122 Larghetto q = ca. 44

b 3 &b b 4

ghost.

∑

f bf

b &b b

∑

Dar - cy

F F

who res - cued our fam - i - ly.

{

? bb bF b

‰ ‰

f bff. f.

bff b ff

≈bf f f f f

dim.

ff f f f f

f™ F

FF FF

f f ffJ ff

n ff ™™

F F

He paid off Wick-ham and made him mar-ry Lyd-i - a.

j f bff . j bf.

∑

3 Œ f f f f ™ f ≈ f bf f f nf f f f ‰ Œ J

f f ≈bf bf bf f f b j fff Œ & b b ‰ f bf f bb b & n FF F

3 bbb 4

∑

you look as if you'd seen a

j f™ ff nfff ff ff fn Ff ™ f FF F J F f f j f f nf f ff

col canto

122 Larghetto q = ca. 44

?b 3 b b 4 f™

It was

b 3 &b b 4 f ™ # ff ™™

dim.

b 3 &b b 4 f Œ

{

∑

a piacere

Liz - zy,

?b j ‰ Œ f >f

∑

(Jane comes back into the garden.)

‰ ™ fr <n>f f f ‰ f f-

I don’t be - lieve it.

His aunt told me.

j b f n ff ‰ bf pp

j‰ f

We owe

258

ISSUU Version j for perusal j only b 2 f f ‰ f Œ ‰ fj ‰ &b b F 4f

bb >f f nf f >f f ™ ≈ 2 f™ f b & f f f 4f f ff f f ≈f f f 123

{

eve - ry - thing to Dar - cy.

#ff . f ? bb j b nf

bb f ™ b &

{

‰

rall.

hates.

f J

How

2 4 fJ

n ff

F F

a tempo

f #f

b &b b

{

b &b b F F ?b F bb F

∑

Poco meno

you, Liz - zy.

F F

‰

f f f 3

Why would he

‰ f f - 3

ff ff

ff F ÆfJ F f

F F

that?

poco cresc.

3 4

f- 3f- f- 3 f 4

heart wants to be - lieve

Poco meno

f f fj ‰

F F ∑

fervente

How my

F n FF

F F

and bribed the man he

b f & b b ‰ fJ f f f f f Œ did it for

ff j f

‰

f f f nf f f f

found the two in Lon - don,

mor - ti - fied he must have been!

b & b b Ff F f ? bb F b

He must have

∑ f

that!

f f f 3F ff ff ff 4 F f - - - f - -3 f f f 3f nf 4 3

‰ f f 3

But his

f Œ

b &b b

∑

{

man - ner now gives me no

f- f- f- f n f - -3 ff nf f f f F #f

124 Adagio q = ca. 60

b 2 &b b 4

b 2 &b b 4 ‰

{

hope.

∑

Dar - cy and I

124 Adagio q = ca. 60

ff f

nf Œ

b & b b #f f f f fJ ‰

Œ Œ

j b f & b b ff f ? bb f b J

bbFF bF nF p

‰

r2 nf 4 nf

Œ #f

∑

What?

Did

≈ # f n f #f#f nf#f f #nnfff nnff #f

∑

It's id - le gos - sip.

j ff f f J

FF F

#f #f

n>f ‰ J

‰ ™ bfR bf f ≈ ‰ ‰ f f bf f f fff

‰

≈ fff 42

were en - gaged!

∑

Of course not!

2 4

‰™

Dar - cy tell her that?

b &b b Œ

{

j f f bf f f f f f nf f

bff f f f bf f bf mf pj ? bb 2 ‰ f f bf f b 4 bf f f bf f ‰ Œ J bf

∑

She heard that

bb 2 nfff b & 4 f

2 4

Why did La - dy Cath - 'rine come at all?

∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏

nf f f f f

Version bb f ™ ISSUU f f ∑ b Œ n f & f f F bb f for perusal only b f n f & f f ff f f f f f Ff f f F ? bb #nff b

f f ff

∑

259

F F

3 4

∑

f ff

Heav - en knows what he'll say

‰ Œ

bf bff f F

‰ Œ

3 4

3 ff ff f 4 f f fff 3

f bf f f3 f 3 4 3

260

b 3 &b b 4

ISSUU Version f b 3 2f &b b 4 f f f f f f 4 f ‰ Œ for perusal only

{

when he learns of his aunt's

bbfff

? bb 3 bf b4 F

125 accel. poco a poco

bb b &

is.

ff ff

∑

2 4 FF

string.

∑

FF F F

rall.

∑

Œ f f f f ≈ f f f f f f f™

∑

Dar - cy,

I am a

self - ish crea - ture;

(Jane hurries back into the house, where preparations for the party continue and guests begin to arrive. Darcy walks into the garden.)

125 accel. poco a poco

ff ™ f bf fff #f fF f J nfj f ™ nf F ? bb bf ™ nf f ™ nfJ F b F nf

{

here he

vis - it.

Mis - ter

b &b b f F

soon know;

ff bff f f ff f f 42 nFF

b & b b fj ‰ Œ

{

You will

b 3 & b b 4 ff f

‰ f f f f ‰ f f

2 4Œ

∑

string.

ff f f ff fff f f

f ff

rall.

f f

F F

Larghetto q = 42

b &b b Œ

b &b b F F ? bb FF b p

f f ff ff ff f F fJ ‰ Œ

dim. poco a poco

f f f 3 f‰ fj 42 f f f- ™ f f 4 f f f- f-

for

f f f 3f ff ff ff 4 f F F

re - lief

of my

own

feel - ings,

f f f 3f F F 4Œ Œ

may be wound - ing yours.

2 4f f f f f f 2 4 ff f ff f

f f f f f nf f f f nf f #f

261

b f &b b Œ f f

2 12 f f nf 3 f f nf f nf f ‰ f 4 f f 4 f fnf f f ™ 8

ISSUU Version b 3 j ‰ 42 &b b 4 FFF ff n FF for ff n ffperusal n FFF f only J 3 2 nF ? j

{

But I

must thank you for your

bbb FF

4 nF

126 Agitato q. = ca. 80

Œ™

b 12 &b b 8 f f f ? bb 12 b8

{

kind - ness to my fam - 'ly

Lyd - i - a.

Œ™

in re

f ‰

- gard to my sis - ter,

4bF

12 8

∑

12 8

f f f f f f bf f f f

f J

I am ex - ceed - ing - ly sor - ry you found

(Darcy is surprised and disturbed.)

126 Agitato q. = ca. 80

b 12 &b b 8 w™ f™

f™

bf ™

w™ f™

f™

bf ™

f™

? bb 12 f f f f f f bf f f f f f f f f f f f bf f f f f f b 8 w™ w™

? bb f ™ b

{

rall.

out.

f ‰ ‰ Œ J

f f J dolce

But if

f J you

f™

f J f ‰ f f f f f 9 8

ritenuto

must

∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏

b & b b f f f f f f f f f f f f FF ™™ f f f f f f f f f f f f n FF ™™ mf pp dolce f ™ ™ ™ f f ?b ™ FF ™™ f™ f™ f™ bb f n F™ F™ F™

thank me,

let

be for your -

j ff ‰ ‰ Œ ™ ff j ff ‰ ‰ Œ ™ f

9 8 9 8

262

f f f f n f bf f f ™ f ™ f ‰ ‰ n 6 Version ISSUU ™ J J n n8 Œ J only j n6 bb 9 for perusal f fbf f n b f n F ™ Ff ™™ ™ & 8 f™ f f f 8 f™ f ff f f f ? bb 9 f fJ f ™ b8 (ritenuto)

{

self

127 Lento q. = 42

a - lone.

Much

re - spect

your fam

'ly

™ ™ f fJ f ff f ? bb 9 f f f #f f f f nf n 6 #fF ™ f f f f f fF ™ f f f f f bfF ™ f f f ™ n n8 b 8 f ™ nf

ff ™™

{

Œ™

∑

‰

f #f

f #f f f

I thought

nff #ff ff #ff nf f f #f

ff ™™ ff ff #ff & f ™™ f # # f f f #f f # ff f f ™ f f #f f™ f cresc. ? ‰ ‰ f #f #f ™ f ™™ # f f™ f f #f ™ #f # f Œ ™ #f f “‘

{

#f f #f nf on - ly

you.

‰

on - ly

your feel - ings are

nff f f ™™ f

ff f

f f f dim. poco a poco #f f™ f #f f # f f ÆfJ f ™

‰ f f nf f f

& ##fff fff ff ff ™™™ # ff ™ n ff ™™ f™ p pp ? f #f #f #f f ‰ #f ™ f f f f

you,

‰

f f f f

f J

still what they were

ff ™™ f™

j ‰ f

senza cresc.

ff fff fff f f

j f

263

>f mf ? f f ‰ ‰ bf f f f J

{

me at

j f

once.

Œ™

changed,

nfbf

fec - tion for you

bf ‰ f f

F™ f™ F™ f™ pp f b f f f J ‰ ‰ Œ™ ? ‰

∑

* f

, # ## 4 f F # 4Œ , # # 4 No,

∑

f ? bf f bf f f f fJ fJ ‰ ‰ me on this sub - ject for - ev - er.

& bff ™™ bf ™ ? ‰

bbbfff ™™™

f f J

f bf J

but one word from you

F™ nF ™

f bbfff ™™ f

j ‰ f

FF ™™

, # ## 4 wwww # 4

fF °

ff 3

j f

f fff f p

you

need not be si - lent.

∑

129 Larghetto q = ca. 52

ff bfff ff b bf f

senza cresc.

∑

f J

will si - lence

bf bf ™ ff ™™

# #4

#### 4 w & 4w w w Ó

un -

- - - - - ff bff bff ff ff ff ÆfJ f ™ ÆfJ f ™

Lento, come sopra

∑

129 Larghetto q = ca. 52

{

u p U bf f f f ™™ ff ™ bf f

pochiss. accel.

? ‰™

? f™

{

tell

Ros - ings,

& F™ F™

b f f f f bf bf

128 Larghissimo e = 66

‰ ISSUU ‰Version U bfff- ff- bfff- fffff ™ ™ ™ for perusal only f b b f f ™ f f & f ™™ ff ™™ ff ™™™ ff ™™ bf f f f f f ™ > ? ‰

U f f ‰

rall.

fF F

f Ff ™ f f 3

F f

f f fJ f f

264

#### f f f f ‰ & J

ISSUU Version nFF #### f f n F n f Œ for perusal only f f ™ & f f f FF ™ nnFF nF

{

My heart

has changed,

f ? #### f

f F f f f

#### 6 ‰ & 8

nf ™ f f f ™ f f

{

FF ™™

? #### f ™ f F J

{

liz - a- beth!

#### F & f ™ fJ FF ? #### Ff f FF F

fn f n f nf

f nf nf 3 n f ‰ f 4 give me

∑

ff n#ff nff fff ™™™ f #f nf

nf ‰ f ff f f f™

c >F ™

F nF nF nF

f f

dear

est

E -

c FF w

#ff ff

f f

130 Adagio q = 66

f nf 43 F ™™ J nn FF ™ ff

been so hap - py in my

6 8

joy!

c #w #F

f ™ fJ 3 n f f f ™ f f nf w f f J Œ 2 er

130 Adagio q = 66

f F 3 4 Œ Œ ‰ J c

dolce

F F FF F

f 3

Largo h = 42

I have nev-

nf nf f

(beaming with happiness) p

ff nff nf 3 n n f f ff nf f 4 f nf f nf f

6 8

q = q.

plea - sure and

q. = q

rit.

? #### 6 ‰ f f ™ 8 f f nf ™ #f

f 3

q. = q

∑

pp cresc.

Your af - fec - tion - ate words

# ff ™™ f™

6 8

q = q.

com - plete - ly changed.

rit.

? #### 6 8 #### 6 & 8

f f nF ‰ fJ

life.

w 3 nf ff f f f f w 2 n fF nff ff ff ff w dolce ™ nf f w w 3 w 2 F F w™ F

Ó nF nF nF

h=h

nnnn C nnnn C

h=h

nnnn C

265

{

∑

It is

F C & F

What do I not owe you?

nF nF

w ?C w w

FFF

{

w FF F

∑

but

∑

3 2Ó Ó

nFF

f 23 FF ™™

me.

You are the

core

ff bFf

f f

4 4 bw w w 4 bw 4 bb w w mf

{

changed me

f 3F 2

in eve - ry

& F™ f ff b FF ™™ ? ™poco cresc. bff bF bf F™

bear to re - mem - ber

the things I

way.

3 2F F

3 2 Fw

nn w F nw w

∑

F F

of my

Larghissimo q = 60

‰ bf f f 23 f nf f f nf f f f f 44 F J I can - not

F F

j f 44 F Ó

& Ó

f bf f f f

w bw F

Larghissimo q = 60

3 F™ f 2 F™ F F f b fF

? F™

bw w

nfF f

poco rall.

∑

bf f f 4 b F f f bf f f f ‰J Œ 4

you have for - giv

(He embraces her tenderly.)

n FF

3 & Œ f f f f f Œ Ó Œ f 2 F f f bf ™

& FFw

My be - hav - ior has been un - for - giv - a- ble,

poco rall.

who owe you.

ppp

bw w w

un - for - giv - a- ble.

f™ Œ ff f f f f f f ff

Ó f f f ™ fJ f f -

ISSUU Version f- f ?C f ff f ∑ ∑ ∑ for perusal Fonly F &C

be - ing.

You have

b Fw™

bw w F™

4 Œ f f bf 4 said.

4 4 FF F mf 4 4 bF F

bbb

I de- served them.

b Fff ff F F F

bbb bbb

266

? bb Ó b

f f f b f f f f ™ f b f f f f bf b f f f J Œ ‰J Œ ff

? bb b FF

ISSUU Version F F bperusal b FF F bF b FF for only F F F f b ? bb f F f f F f f F f f F b

poco rall.

131 Adagio q = 72

{

I was taught to think mean - ly of those

pp poco cresc.

b &b b ? bb b

{

(rall.)

bf still

∑ f Œ

f f but for

(rall.)

?b bb F F

F F

& F™

{

& &

me?

FF w F

∑

FF F

f #f nnn 43

3 nnn 4

So might I

bF F

f nf ™ bfJ 4 f f f f ™ 4

nf f f f ™ f f

How could

world.

132 Larghissimo (q = 60)

bF nF ? bb Ff F F f b

be - yond my nar - row

you

ev - er

have

Œ Œ

you, dear E - liz - a - beth.

fall - en in love

4 4

f nff ff

f #f f nf ™ bfj 4 fF F n 3 f F bf 4 F f f & n n 4 f™ J pp F ™ F ™™ 3 4 n n n 4 FF ™ & F f 4f f ∑

3 4Œ 3 4 FFF ™ 3 4Œ

f f I

Œ ?f

had

∑

f f f f™

f J

fall - en in love

FF F FF ™™

bff bf

be -

with

∑

132 Larghissimo (q = 60)

3 4

f J

nf f ∑

bf ™ f f ™ f f ™ f fore

bbbfff f f

I knew that I'd

ff f

bf bf

ff f

bf bf

be -

267

‰ f f f f 42 f ™ f #fj ‰

133 Allegretto moderato q = ca. 80

& Œ ?

{

gun.

133 Allegretto moderato q = ca. 80

& ?

∑

j 2 j‰ ‰ f‰Œ 4 #ff f f f f # . . . f. p mf. . f. f. f f f f 2 J‰ ‰ f J‰Œ 4

Œ Œ rall.

Lento

∑

‰ #f J

∑

dolce

nf ™ f f f f

Lento

rall.

∏∏∏∏∏∏∏∏∏∏∏∏∏

∏∏∏∏∏∏∏∏∏∏∏∏∏∏

j ff ‰ bbfff f ff ‰ nbff f bf J

ff. ff. f. . . f ff ff f ‰ #f. ff ff f . . . f. f. j ‰ fj ‰ f f f . f. . . . f.

Recit.

3 ‰ fj f f f bf fj ‰ 43 I thought I had

∑

lost you.

?3 4

Recit.

Œ ff f col canto ff Œ f

∑

3 4

∑

3 4

∑

3 ‰ f f f f #f ™ f 42 #f f f f ™ f nf f f f f ™ Œ J J J

134 Allegretto (q = 80)

3 &4

{

∑ ∑

f f ff ™™ ff#ff ™™ ff # FF f f F p F FF ? f f f FF # F f

∑

of your mind,

and for your eyes, of course.

∑

It was for the live - li - ness

∑

{

∑

Was it my im - pert - i- nence?

j‰ n f n ff ff f . . . pj ? f ‰ nf. ‰ J f

∑

ISSUU Version f f >f ™ f f f f f 2 # f f‰ Œ Œ 4 Œ ∑ J for perusal only

& ‰

∑

Where did you find the

∑

134 Allegretto (q = 80)

∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏

3 & 4 n nFF nF mf # ? 43 # FF #F

Œ Œ

poco rall.

2 4

cour - age

risk an - oth - er re - fus - al?

∑

2 #fj ‰ Œ 4 # ff 2 ##ff ‰ Œ 4 J

a tempo

∑

f ‰ #f f J ‰ ‰ #f f From my aunt,

ff f

nff nf

poco rall.

a tempo

#FF F #F

3 4

j ff ‰ Œ f f‰ Œ J

La - dy

268

f f f f #f

‰ bf J

{

You

Cath - 'rine.

f f f f >f ? bb b 3 b 2

f f

fus - al to re - nounce me

bbb 3 F b & 2F F

gave me

b & b bb

fF ™

(accel.)

{

∑

bbbb 23

f my

bbb Fw™ b & ww

bf f

F f f

∑ ∑

∑

road just now. Your re -

3 4 bfff fff fff ™™™ ‰ . . p . 3 f. ff bff ™™ ‰ 4

q=h

bbbb 23

3 bbbb 2

f f f F

hope

and the

cour - age

f f f f nf Œ nnff Œ

F CF

f™ f f J

™ f J

poco accel.

come

F f f F f f Œ F n F f F f n ff

at once

and

ff Œ f

2 4 ≈fff f f f f ff f ff f f

h = q = ca. 44

learn

(accel.)

poco rall.

F™ C f F ff f w

w w

? bb b F ™ b

? bb bb

I met her on the

bnnffff f f ff #ff f f f.f f. f f . f . f

135 Larghetto h = ca. 44

{

∑

know that she came here?

? bb b 3 FF b 2F

3 4

q=h

ISSUU Version #f f bf f f f f f f f f f 3 3 ? ‰Œ ‰J ‰ ∑ bbbb 2 4 for perusal only & Œ

r # f & # f ‰™ Œ #f mf # ? fR ‰ ™ Œ

poco rall.

. f 2 4 J

So La - dy Cath - 'rine, who likes to man - age eve - ry- one's af -

‰

∑

fate.

h = q = ca. 44

2 4 fFF 2 pp 4 f

F fF f

nf f

269

‰ fJ

b & b bb f

has

{

man - aged to bring us to - geth - er.

f j bff ‰ Œ f p ff ? bb b f b n f f f nf J ‰ J b & b bb F ? bb b F b

hap

Bing.

{

∑

? bb b b

∑

{

&b ?b

rall.

f f. f. FFF F

py.

ver - y

That should make her

ver - y

rit.

quasi a tempo

col canto

∑

(They laugh and embrace. Bingley arrives in the garden.)

, fj f fj fj f ∑ b ff ff ff ff ff .

f. f. f . . ff f f ‰

136 Allegro moderato q = ca. 104

bb &b b

&b ‹

py.

That should make her

136 Allegro moderato q = ca. 104

hap

p dolce

pp dolce

. . . . f f f f f nf f n ff fff Œ f . f f ‰ Œ f ‰ f J

b & b bb ff f

f f f f

quasi a tempo

ISSUU Version f f f f f f ? bb b ∑ ∑ ∑ b for perusal only fairs,

f f f f ff f f Œ rit.

b Œ

∑

‰ f f f #f f

Moderato q = ca. 69

∑

ff ff Œ f. f. dim. poco a poco >ff FF f ff FF f ? (sempre Ped.)

Have I come at the wrong

f. f. f f . . ‰F ff ff J p Œ #f F *

j ff f.

time,

‰ f f f J

rall.

f ‰f f fJ F f

Œ F

the

dolce

right

one?

#f f F dolce

2 4 2 4 2 4

270 3 f 3f f f f ?b 2 ‰ f f f 4 J

bf f f f f

f™ f f f

Ex - cept that now you will have to

share your joy with

f f ≈f

137 Larghetto q = ca. 40

ISSUU Version f f bf bf 2 f f f f f f f f b & 4 f for perusal only f f bf ™ f fj f

{

The best of all pos - si- ble times!

? b 2 ‰F fj f 4

‰ fj

?b f™

‰

f ff

# bf f f f f f f f fJ f fJ f f f fJ fJ f Œ # 68 3

sure that my par - ents will

∑

Doppio movimento e = q = 80

us.

bFf ™

& b ff f f bf f Œ ? b F bf f #FF F ‰ fJ

not ob - ject to hon - or - ing two be - troth - als.

∑

FFF

fF f

∑

bf f f f

FF F nF FF

∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏

{

I'm

f f

f ‰ J

f J

Doppio movimento e = q = 80 3

&b Œ

‰ j f bf ™ f

## 6 8

# 68

## 6 8

(They enter the house, now ﬁlled with guests (Chorus), musicians, food and drink. Bingley goes to Jane, Darcy and Elizabeth stand together, hand in hand, then go to ask the blessing of Mr. and Mrs. Bennet. We see this while the chorus sings.)

q. = ca. 104 138 Vivace fffff fffffff fffffffff f ff ff f f f f f f f f f f >f f f f f f. ## 6 fJ ‰ ‰ & 8

Pno.

{

j fj f j f f j f f f f f f ‰ ‰ ‰ ‰ f f f f f f f f f f f ? ## 6 f f 8 ## 6 f & 8f

{

## fŸ ™ &

Pno.

## &

f. ‰ ‰ J

Ÿ f™

f. ‰ ‰ J

ff ff ff ff f f . .. .. . f. f. f f f. . .f .f f

f f f f f f f f

f f f f f f f f f ‰ f. f. f. f. f f p f ? ## f ‰ f ‰ f ‰ ‰ f f f f f f f. f. . . p

f> f f fj ‰ ‰ . . . >ff . . . f f f‰‰ J

f f f f ff j ‰ ‰ f> f. f. f.

f. f . f. f.

f> f f fj ‰ ‰ . . . >f f f fj ‰ ‰ . . .

271

° ## &

139 (The chorus is astounded, almost

whispering to one another.)

>f ™ >f ™ ISSUU Version >f f f ## f ™ f f fJ f f ‰ f ‰ ‰ f fj ‰ Œ™ f ™ & J ‹ for perusal only f ™ ∑

∑

What

? ##

{

? ##

∑

f™

° ## &

## & >f

## Œ ™ & ‹ ? ## >f ¢

{

Dar - cy and

Liz - zy Ben - net!

∑

What

∑

can

## &

this?

f ? ## >f ™

mean?

>f ™

∑

What

∑

∑ f f

f™

∑

this?

139

## &

f f

‰

j f f

f™

>f ™

What

‰

∑

Liz

f f

f™ >is

zy Ben- net!

zy Ben- net

look like a king and a

‰

f f

this?

Dar - cy and

What

>f ™

™ >f

king and a queen.

. . f f. f. f. f. f f. >f f. f. f. f f. j f f f f f fJ f f f f f f f. f. f. f fj f f f f > f f J Liz

f f f™ f f f f f f ‰ f J

They look like a cou - ple, a

Dar - cy and

j f f j f f >f ™ >f ™ f™

f™

f f f f f f f f f f f™ J

Dar - cy and

f f

f f f f f J J

∑

‰ f f Œ

∑

Œ™

. f. f. n f. f. f f.

queen!

f™ ™ >f

>f ™

272

° ## f &

f f f J ‰

∑ ISSUU Version ## n>F ™ ‰ f. f. f ‰ f ∑ & f™ . for perusal only ## ™ j f™ f™ f f. nf. . f. Liz

this?

& Œ ‹ ? ## Œ ™

{ S.

cresc. poco a poco . nf. . f™ f ‰ f ‰ f f™

140

# &# & ‹

smiled!

f™

Ha ha ha!

zy Ben - net!

f f™ J

f™

f ‰ ‰ J

f. f. f.

laughed!

Ha ha ha

ha!

The proud

man

laughed!

Ha ha ha

ha!

f f f f J

f. f f f J

f. n ff. ff. ff. ff. ff. ff. f f f f f f f f f J

& f f ff ff nfff fff fff p

f. f. f. f. f. f.

f™

f. ‰ ‰ Œ ™ J

man

140

f J ‰ ‰ Œ™ E - liz

The proud

f. f f f J

f. f J

nff ff ff fff fff fff f. f. f. f. f. f. ff ff ff fff fff fff # f. f. f. . . . cresc. poco a poco

. f . . f. f. f. f. f. f. f f. f. f f. f. f ‰ f f f f f f f . f. f. f. f. f. f. f ‰ f f f f f ‰ f f

Ha ha

ha ha ha ha ha ha

Ha ha

Ha ha ha!

f™

ha ha ha ha!

. f.poco a poco # f. cresc. f ?# J ‰ ‰ Œ ¢ # ‰

{

J ‰ ‰

cresc. poco a poco

Ha ha ha!

poco a poco ## ‰ f. cresc. f. f. ‰ f f ™ smiled!

E - liz

>f n f f ff # f &# n>f f ff ™™ ? ## nf f

° ## f ™ &

The proud

f f™ J man

E - liz

f™

f ‰ ff f f f f f f

- a smiled!

laughed!

f™ a

pride - ful pair

f J

ha!

E - liz

The

f f J

ha ha ha

The pride - ful pair

f ‰ ff f

The pride

smiled!

f f J

f J

ful pair

The pride - ful pair

ff. # ff. ff. ff. ff. ff. ## f f f f f f ff ff ff f f f ff ff ff f f ff fff fff. fff. fff fff. fff. f J f f f f f f & f fJ f ## ? & #ff ff ff fff fff nfff f f f f f f f f. f f. f f f™ f. f. f. f. f. f. f™ . .

Mrs. B.

Mr. B. S.

f™ ™ f f Œ J

# & # Œ™

Of course

f f ‰ &# f J rec - on- ciled! ## f f f ‰ J & ‹ rec - on- ciled! ? ## f f f f ‰ ¢

{

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END OF OPERA