Yehudi Wyner
PIANO CONCERTO ‘Chiavi in Mano’ (2004)
(Version for Small Orchestra)
from the G. Schirmer Rental Library date of printing___________
Associated Music Publishers, Inc. New York, NY
Yehudi Wyner
PIANO CONCERTO ‘Chiavi in Mano’ (2004)
Commissioned by the Boston Symphony Orchestra
Associated Music Publishers, Inc. New York, NY
Instrumentation 2 Flutes (2nd doubling Piccolo) 2 Oboes 2 Clarinets in B = 2 Bassoons 3 Horns in F 2 Trumpets in C Trombone Timpani Percussion (1 player) 2 bongos, 2 tom-toms (similar in timbre to bongos), small bass drum, suspended cymbal or brake drum, washboard
Solo Piano Strings
ca. 20 minutes The idea for a piano concerto for the Boston Symphony was instigated by Robert Levin, the great pianist and Mozart scholar . The idea was evidently embraced by BSO artistic advisor Tony Fogg and supported by music director James Levine. Much of the Concerto was composed during the summer or 2004 at The American Academy in Rome in a secluded studio hidden within the Academy walls. While much of the composing took place far from home, the concerto comes out as a particularly “American” piece, shot through with vernacular elements. As in many of my compositions, simple, familiar musical ideas are the starting point. A shape, a melodic fragment, a rhythm, a chord, a texture or a sonority may ignite the appetite for exploration. How such simple, insignificant things can be altered, elaborated, extended and combined becomes the exciting challenge of composition. I also want the finished work to breathe in a natural way, to progress spontaneously, organically, moving toward a transformation of the musical substance in ways unimaginable to me when I begin the journey. Transformation is the goal, with the intention of achieving an altered state of perception and exposure that I am otherwise unable to conceive. “Chiavi in mano” - the title of the piano concerto - is the mantra used by automobile salesmen and realtors in Italy: Buy the house or the car and the keys are yours. But the more pertinent reason for the title is the fact that the piano writing is designed to fall “under the hand” and no matter how difficult it may be, it remains physically comfortable and devoid of stress. In other words: “Keys in hand.” — Yehudi Wyner December 13, 2004
for Robert Levin
PIANO CONCERTO “Chiavi in Mano”
Rubato improvvisando
(Version for Small Orchestra) = 72
Yehudi Wyner (2004)
1 2
Flute (Piccolo)
Oboe
1 2
Clarinet in B
1 2
Bassoon
1 2
1 3 Horn in F 2
Trumpet in C
1 2
to mute Trombone
Timp.
Percussion
dolce Piano Solo
col pedale
Rubato improvvisando
= 72
I Violin II
Viola
Violoncello
Contrabass
Revised 1/2009
Copyright © 2005 by Associated Music Publishers, Inc. (BMI), New York, NY This arrangement Copyright © 2008 by Associated Music Publishers, Inc. (BMI), New York, NY Property of: G. Schirmer Rental Library International Copyright Secured. All Rights Reserved. 445 Bellvale Road Warning: Unauthorized reproduction of this publication is Chester, NY 10918 prohibited by Federal law and subject to criminal prosecution. SUPPLIED ON LOAN ONLY
2 sost.
5 Fl.
1 2
Ob.
1 2
Cl. 1 in B 2
Bn.
1 2
1 3 Hn. in F 2
Tpt. 1 in C 2
Tbn.
Timp.
Perc.
espr. Pn.
sost. I Vn. II
Va.
Vc.
Cb.
3 9 Fl.
1 2
Ob.
1 2
a tempo
Cl. 1 in B 2
Bn.
1 2
1 3 Hn. in F 2
Tpt. 1 in C 2
Tbn.
Timp.
Perc.
dolce
Pn.
5
a tempo I Vn. II
Va.
Vc.
Cb.
espr.
4 Animato 13 Fl.
= 144
2.: Flute
1 2
3
3
3
3 3
3 3 3
Ob.
1 2 3
3 3
Cl. 1 in B 2 3
Bn.
3
1 2
1 3 Hn. in F 2
Tpt. 1 in C 2
Tbn.
Timp.
Perc.
rich 3
Pn.
dim.
espr.
sustain
Animato I Vn. II
Va.
Vc.
Cb.
= 144
3
3
5 17 Fl.
a2
3
1 2 3
1 Ob. 2
3
3
3
3
3
3
3
3
3
3
3
3
3
Cl. 1 in B 2
1. Bn.
1 2
stopped 1 3
3
3
Hn. in F
stopped 2
3
3
Tpt. 1 in C 2
Tbn.
Timp.
Perc.
Pn.
I
Vn. II
Va.
div. a3 pizz. Vc.
Cb.
6 21 Fl.
1 2
Ob.
1 2
Cl. 1 in B 2
Bn.
1 2
1 3 Hn. in F 2
Tpt. 1 in C 2
Tbn.
3
3
Timp.
Bass Drum Perc.
3
Pn. 3
I Vn. II
Va.
Vc.
div. 3 Cb.
3
3
3
3
3
3
3
3 3
3 3
3 3
7 25 Fl.
1 2
Ob.
1 2
Cl. 1 in B 2
Bn.
1 2
1 3 Hn. in F
cresc. 3
2
cresc. Tpt. 1 in C 2
Tbn.
Timp.
Perc.
sim.
3
3
3
3
3
I Vn. II
Va.
Vc.
Cb.
3
3
3
3
3
Pn. 3
3
3 3
3 3
8 29 Fl.
1 2
Ob.
1 2
Cl. 1 in B 2
Bn.
1 2
3
3
3
1 Hn. in F
cresc.
3 3
3 2
cresc. Tpt. 1 in C 2
Tbn.
Timp.
Perc.
3
Pn.
3
3
3
3
3 3
I Vn. II
Va.
Vc.
Cb.
3
3
3
cresc. 3
3
3
3 3
3
9 33 Fl.
1 2
Ob.
1 2
Cl. 1 in B 2
1. Bn.
1 2
1 3
3
3
(cresc.)
Hn. in F
3
3
3 2 3
(cresc.) Tpt. 1 in C 2
Tbn.
Timp.
Perc.
3
3
Pn.
3 3
3
3
3
3
3
3
3
I Vn. II
3
3
3
3
3
3
3
3
Va.
arco unis. Vc. 3
3
3
3
(div.) 3
Cb.
3
3
3
10 37 Fl.
1 2
Ob.
1 2
Cl. 1 in B 2
(1.) Bn.
1 2
a2 1 3 Hn. in F
espr.
2
Tpt. 1 in C 2
Tbn.
Timp.
Perc.
3
3
3
3
3
3
3
3
leggiero
Pn.
3
div.
3
3 3
3
3
3
3
3
3
I Vn. II
3
3
3
3
3
3
3
3
3
3
div.
Va.
Vc. 3 3
Cb.
3 3
3 3
3
3 3
3
3
11 41 Fl.
1 2
Ob.
1 2
Cl. 1 in B 2
a2 Bn.
1 2
(a2) 1 3
cresc.
3
Hn. in F 2
Tpt. 1 in C 2
open Tbn.
Timp.
Perc. 3
3 3
3
Pn.
3
3
3
3
cresc.
3
3
3
3
3
3
3
3
3
3
3
unis. 3
I
sempre cresc.
sim.
Vn.
3
3
3
3
3
II
sim.
3
3
3
3
3
sempre cresc.
3
3
3
3
3
3
3
3
3
unis. 3
3
Va.
sim.
3
3
3
3
3
3
3
3
3 3
3
3
3
3
3
3
sempre cresc.
Vc.
sim.
3 3
3
3
sempre cresc.
3
Cb.
sim.
3
sempre cresc.
12 45 Fl.
Ob.
a2
1 2
3
3
3
3
3
3
3
3
3
3
3
3
3
3
1 2
Cl. 1 in B 2
1., solo Bn.
1 2
(a2)
a2
1 3 Hn. in F 2
1. Tpt. 1 in C 2
Tbn.
Timp.
Perc.
3
Pn.
3
(cresc.)
unis. div. I
(cresc.) 3
3
3
3
3
3
3
3
3
3
3
3
3
3
Vn. 3
div.
3
unis. 3
II
(cresc.)
3
3
3
3
3
3
3 3 3
div.
3
unis.
3
3
Va.
(cresc.) 3
3
3
3
3
div.
3
3
unis.
Vc. 3
(cresc.) 3
Cb.
(cresc.)
3
3
3 3
3
3
3
3
3
3
3 3
3
13 49 Fl.
1 2
Ob.
1 2
Cl. 1 in B 2
(1.) Bn.
1 2
1 3 Hn. in F 2
Tpt. 1 in C 2
Tbn.
Timp.
Perc.
3
3
3
Pn. 3
3
3
I Vn. II
3
3
3
3
3
3
Va.
Vc. 3
3 3
Cb.
3 3
(div.)
3
3
14 = 100
53 Fl.
1 2
Ob.
1 2
Cl. 1 in B 2
Bn.
1 2
1 3 Hn. in F 2
Tpt. 1 in C 2
Tbn.
ossia, if Tom–tom isn’t available
3
3
3
3
3
Timp.
secco Large Tom-tom 3
Perc.
Pn.
cresc.
= 100 I Vn. II
Va.
Vc.
3
Cb.
unis. pizz.
15 56 Fl.
1 2
Ob.
1 2
Cl. 1 in B 2
Bn.
1 2
1 3 Hn. in F 2
Tpt. 1 in C 2
Tbn.
Timp.
Perc.
6
Pn.
I Vn. II
Va.
Vc.
Cb.
6
6
6
16 59 Fl.
1 2
Ob.
1 2
poch. accel.
tornando al tempo
Cl. 1 in B 2
Bn.
1 2
1 3 Hn. in F 2
Tpt. 1 in C 2
Tbn.
Timp.
Perc.
6
dim.
Pn.
cresc. 6
poch. accel. I Vn. II
Va.
Vc.
Cb.
tornando al tempo
17 a2
62 Fl.
1 2
a2 Ob.
1 2
a2 Cl. 1 in B 2
Bn.
1 2
a2 1 3 Hn. in F
2. 2
1. Tpt. 1 in C 2
Tbn.
Timp.
Perc.
6
6 3
(cresc.)
Pn.
6 6
I Vn. II
Va.
pizz. Vc.
(pizz.) Cb.
18 65 Fl.
1 2
Ob.
1 2
Cl. 1 in B 2
Bn.
1 2
1 3 Hn. in F 2
Tpt. 1 in C 2
Tbn.
Timp.
Perc.
leggiero
Pn.
I
Vn. II
Va.
Vc.
Cb.
19 68 Fl.
1 2
Ob.
1 2
Cl. 1 in B 2
Bn.
1 2
a2 1 3
Hn. in F 2
Tpt. 1 in C 2
Tbn.
Timp.
Perc.
Pn.
I Vn. II
Va.
Vc.
Cb.
20 71 Fl.
1 2
a2 1 Ob. 2
Cl. 1 in B 2
Bn.
1 2
1. to mute 1 3 Hn. in F 2
Tpt. 1 in C 2
Tbn.
Timp.
Perc.
espr.
Pn.
6
6
6
6
6
6
6
6
I Vn. II
Va.
Vc.
Cb.
21 74 Fl.
2. to Piccolo
1 2
1. 1 Ob. 2
Cl. 1 in B 2
Bn.
1 2
3. 1 3 Hn. in F 2
Tpt. 1 in C 2
to mute Tbn.
Timp.
Perc.
Pn.
I Vn. II
Va.
Vc.
Cb.
22 Piccolo
78 Picc.
Fl.
1
(1.) 1 Ob. 2
Cl. 1 in B 2
Bn.
1 2
stopped (3.)
3. to mute
stopped
to mute
1 3 Hn. in F 2
1. Tpt. 1 in C 2
mute Tbn.
Timp.
Perc.
Pn.
I Vn. II
Va.
Vc.
Cb.
remove mute
23 82 Picc.
Fl.
1
Ob.
1 2
Cl. 1 in B 2
Bn.
1 2
mute
tenuto
mute
tenuto
1 3 Hn. in F 2
(1.) Tpt. 1 in C 2
Tbn.
Timp.
Perc.
subito Pn.
I
Vn. II
Va.
Vc.
Cb.
24 85 Picc.
Fl.
1
Ob.
1 2
Cl. 1 in B 2
a2 Bn.
1 2
remove mute Hn. in F
1 3
remove mute 2
Tpt. 1 in C 2
Tbn.
Timp.
Perc.
Pn.
I Vn.
div. II
flautando
Va.
Vc.
leggiero Cb.
25 88
to Flute
Picc.
Fl.
1
Ob.
1 2
Cl. 1 in B 2
(a2) Bn.
a2
1 2
1. open
open
1 3
3. cuivrĂŠ
Hn. in F
open
open
2
Tpt. 1 in C 2
Tbn.
Timp.
Perc.
Pn.
I Vn. II
pizz. Va.
pizz. Vc.
Cb.
26 colla parte
91 Fl.
1 2
Ob.
1 2
Cl. 1 in B 2
Bn.
1 2
1 3 Hn. in F 2
Tpt. 1 in C 2
Tbn.
Timp.
Perc.
sostenuto
sub.
Pn.
presto e scherz.
amoroso
colla parte I Vn. II
Va.
Vc.
Cb.
27 93 Fl.
a tempo
a2 2.: Flute
1 2
a2 1 Ob. 2
a2 Cl. 1 in B 2
Bn.
1 2
1 3 Hn. in F 2
1. Tpt. 1 in C 2
Tbn.
Timp.
Perc.
leggiero
Pn.
a tempo I Vn.
unis. II
Va.
pizz. Vc.
(pizz.) Cb.
arco
28 95 Fl.
1 2
Ob.
1 2
Cl. 1 in B 2
Bn.
1 2
1 3 Hn. in F
smooth 2
Tpt. 1 in C 2
Tbn.
Timp.
Perc.
Pn.
I Vn. II
Va.
Vc.
Cb.
29 a2
= 84–88
97 Fl.
1 2
Ob.
1 2
Cl. 1 in B 2
Bn.
1 2
1. 1 3 Hn. in F
espr. 2
Tpt. 1 in C 2
Tbn.
Timp.
Perc.
8va
Pn.
= 84–88 I
appass.
Vn. II
appass.
Va.
appass.
Vc.
appass. Cb.
30 calando
100 Fl.
1 2
Ob.
1 2
Cl. 1 in B 2
Bn.
1 2
(1.)
3
1 3 Hn. in F 2
Tpt. 1 in C 2
Tbn.
Timp.
Perc.
Pn.
calando I
dim. Vn. II
cresc.
Va.
cresc.
Vc.
dolce Cb.
31 104 Fl.
1 2
Ob.
1 2
Poco meno
= ca. 80
Cl. 1 in B 2
Bn.
1 2
1 3 Hn. in F 2
Tpt. 1 in C 2
Tbn.
Timp.
Perc.
appass.
cresc.
Pn.
col pedale
Poco meno
= ca. 80
ten.
I Vn.
ten. II
Va.
Vc.
Cb.
32 107 Fl.
1 2
Ob.
1 2
Cl. 1 in B 2
Bn.
1 2
1 3 Hn. in F 2
Tpt. 1 in C 2
Tbn.
Timp.
Perc.
rubato
Pn.
I Vn. II
Va.
Vc.
Cb.
33 110 Fl.
1 2
Ob.
1 2
Cl. 1 in B 2
Bn.
1 2
a2 1 3 Hn. in F 2
Tpt. 1 in C 2
Tbn.
Timp.
Suspended Cymbal triangle beater Perc.
3
cresc.
3
Pn.
3
3
3
div. 3
I 3
legatiss.
Vn.
cresc. unis.
div. 3
II
legatiss.
cresc. div.
3
Va.
legatiss.
cresc. div.
3
Vc.
legatiss.
cresc. arco
Cb.
unis.
34 113 Fl.
Subito
= ca. 60
1 2
1. 1 Ob. 2
1.
espr. Cl. 1 in B 2
Bn.
1 2
1 3
molto dim. Hn. in F 2
molto dim.
Tpt. 1 in C 2
Tbn.
Timp.
(Sus. Cym.) Perc. 8va
blurred
Pn.
Subito
= ca. 60
unis.
div.
unis.
I
molto dim.
Vn. II
molto dim.
Va.
dim. Vc.
molto dim. Cb.
dim.
dim.
35 a2
115 Fl.
1 2 3
1. Ob.
1 2
1. Cl. 1 in B 2
Bn.
1 2
a2 1 3 Hn. in F 2
Tpt. 1 in C 2
Tbn.
Timp.
(Sus. Cym.) Perc.
Pn.
div.
unis.
I Vn. II
Va.
dim. unis. Vc.
Cb.
36 117 Fl.
= ca. 72
a2
rit.
= 60
1 2
espr.
Ob.
1 2
Cl. 1 in B 2
2. Bn.
1 2
1 3 Hn. in F 2
Tpt. 1 in C 2
Tbn.
Timp.
(Sus. Cym.) Perc.
Pn.
= ca. 72 I
espr. Vn. II
espr.
Va.
Vc.
Cb.
rit.
= 60
37 = 88
121 Fl.
1 2
dolce Ob.
1 2
Cl. 1 in B 2
(2.) Bn.
1.
1 2
dolce
1 3 Hn. in F 2
dolce Tpt. 1 in C 2
Tbn.
Timp.
Perc.
improvvisando in background
Pn.
= 88 I Vn. II
Va.
Vc.
dim.
Cb.
dim.
3 3
3 3
3 3
38 126 Fl.
1 2
Ob.
1 2
Cl. 1 in B 2
rubato 3
Bn.
3
1 2
1 3 Hn. in F 2
Tpt. 1 in C 2
Tbn.
Timp.
Perc.
3 3
3
Pn.
3
3
3
3
3
3
I Vn. II
Va.
Vc.
Cb.
3
8ba
39 rit. 129 Fl.
1 2
Ob.
1 2
Animato
= 184
Animato
= 184
Cl. 1 in B 2
Bn.
1 2
1 3 Hn. in F 2
Tpt. 1 in C 2
Tbn.
Timp.
Perc.
3
Pn.
3
8ba
rit. I Vn. II
Va.
Vc.
Cb.
40 133 Fl.
1 2
Ob.
1 2
Cl. 1 in B 2
Bn.
1 2
1 3 Hn. in F 2
Tpt. 1 in C 2
Tbn.
Timp.
Perc.
leggiero ed animato
cresc.
Pn. 3
3
3
3
3
I Vn. II
Va.
Vc.
Cb.
3
3
41 139 Fl.
1 2
Ob.
1 2
=
Cl. 1 in B 2
Bn.
1 2
1 3 Hn. in F 2
Tpt. 1 in C 2
Tbn.
Timp.
Perc.
3
Pn.
3
3
3
dim. 3 3
3
3 3
= I Vn. II
Va.
Vc.
Cb.
42 rit.
142 Fl.
1 2
Ob.
1 2
molto accel.
Cl. 1 in B 2
Bn.
1 2
1 3 Hn. in F 2
Tpt. 1 in C 2
Tbn.
Timp.
Perc.
Pn.
3
3
3
3 3
3
3
rit.
molto accel.
pizz.
I Vn.
pizz. II
pizz. Va.
pizz. Vc.
Cb.
43 146 Fl.
Ob.
a tempo
= 184
1 2
a2
a2
a2
a2
a2
a2
1 2
Cl. 1 in B 2
Bn.
1 2
1 3 Hn. in F 2
Tpt. 1 in C 2
Tbn.
Timp.
Perc.
Pn.
a tempo
= 184 arco
I Vn.
arco II
Va.
Vc.
Cb.
44 a2
150 Fl.
fltg.
1 2
a2 1 Ob. 2
a2 a2 Cl. 1 in B 2
Bn.
1 2
1. 1 3 Hn. in F 2
Tpt. 1 in C 2
to mute Tbn.
Timp.
Perc.
Pn.
on the string I Vn.
on the string II
arco, on the string Va.
Vc.
pizz. Cb.
45 (a2) ord.
154 Fl.
1 2
(a2) Ob.
1 2
Cl. 1 in B 2
Bn.
1 2
1 3 Hn. in F 2
Tpt. 1 in C 2
con sord. Tbn.
Timp.
Perc.
Pn.
I
cant. Vn. II
cant.
Va.
arco Vc.
arco Cb.
46 158 Fl.
1 2
(a2) 1 Ob. 2
Cl. 1 in B 2
Bn.
1 2
a2 1 3 Hn. in F 2
1. Tpt. 1 in C 2
remove mute Tbn.
Timp.
Perc.
Pn.
I Vn. II
pizz. Va.
pizz. Vc.
div. Cb.
47 162 Fl.
1 2
Ob.
1 2
(
=
)
(
=
)
Cl. 1 in B 2
Bn.
1 2
sub. (a2) 1 3 Hn. in F 2
(1.) Tpt. 1 in C 2
open Tbn.
Timp.
Bongos Tom–toms Perc.
with fingers
Pn.
I
Vn. II
arco Va.
Vc.
Cb.
48 166 Fl.
1 2
leggiero, preciso
Ob.
1 2
leggiero, preciso
Cl. 1 in B 2
Bn.
1 2
1 3 Hn. in F 2
Tpt. 1 in C 2
Tbn.
Timp.
(Bongos) (T.–toms) Perc.
incisive, non legato
Pn.
pizz. I
Vn.
pizz. II
pizz. Va.
Vc.
Cb.
49 170 Fl.
a2
1 2
a2 1 Ob. 2
Cl. 1 in B 2
a2 Bn.
1 2
a2 1 3 Hn. in F 2
a2 Tpt. 1 in C 2
Tbn.
Timp.
Perc.
Pn.
arco I Vn. II
(pizz.) Va.
(pizz.)
arco
Vc.
pizz. Cb.
50 174 Fl.
1 2
Ob.
1 2
=
Cl. 1 in B 2
(a2) Bn.
1 2
sub.
(a2) 1 3 Hn. in F 2
1., 2. mute
(a2) Tpt. 1 in C 2
3
3
3
Tbn.
Timp.
(Bongos) (T.–toms) 3
3
Perc. 3
with fingers
Pn.
= I Vn.
arco
3
3
II
leggiero (pizz.) Va.
Vc.
arco Cb.
(div.)
3
3
3
3
51 178 Fl.
1 2
Ob.
1 2
Cl. 1 in B 2
Bn.
1 2
1 3 Hn. in F 2
3
3
Tpt. 1 in C 2 3
3
3
3
3
3
Tbn.
Timp.
(Bongos) (T.–toms) Perc. 3
3
3
3
3
3
3
3
3
3
3
Pn.
I Vn. II 3
Va.
arco Vc.
Cb.
3
3
3
3
3
3
3
3
52 = 104
182 Fl.
1 2
Ob.
1 2
2. to Piccolo
Cl. 1 in B 2
Bn.
1 2
1 3 Hn. in F 2
1., 2. remove mute Tpt. 1 in C 2
Tbn.
Timp.
(Bongos) (T.–toms)
3
Perc. 3
3
leggiero
Pn.
= 104 I Vn. 3
II 3
Va.
Vc.
Cb.
3
3
53 186 Picc.
Fl.
1
Ob.
1 2
Cl. 1 in B 2
Bn.
1 2
1 3 Hn. in F 2
Tpt. 1 in C 2
Tbn.
Timp.
Perc.
Pn.
I
Vn. II
Va.
Vc.
Cb.
54 Subito 190
= 138
Piccolo
Picc. 6
Fl.
1 6
Ob.
1 2
Cl. 1 in B 2 6
Bn.
1 2
a2 1 3 Hn. in F 2
a2
1., 2. without mute Tpt. 1 in C 2
Tbn.
Timp.
Small Bass Drum Perc.
4
Pn.
4
4
Subito I Vn. II
arco Va.
Vc.
Cb.
4
= 138
55
= 206
193
=
=
Picc.
Fl.
1
Ob.
1 2
Cl. 1 in B 2
a2 Bn.
1 2
a2 1 3 Hn. in F 2
a2
a2
Tpt. 1 in C 2
Tbn.
Timp.
(B.D.)
rim shots
Perc.
Pn.
rinforzando
= 206 =
div.
=
unis.
I Vn.
div.
unis.
div.
unis.
div.
unis.
II
Va.
pizz.
Vc.
pizz. Cb.
56
Meno mosso = 120
197
accel. molto
Picc.
Fl.
1
Ob.
1 2
Cl. 1 in B 2
(a2) Bn.
1 2 1 3
Hn. in F 2
Tpt. 1 in C 2
Tbn.
Timp.
Perc.
cresc. Pn.
Meno mosso = 120 I Vn. II
Va.
Vc.
Cb.
accel. molto
57 202
= 108
broaden a little
= 80
Picc.
Fl.
1
Ob.
1 2
Cl. 1 in B 2
Bn.
1 2
1 3 Hn. in F 2
Tpt. 1 in C 2
Tbn.
Timp.
Perc.
8va
marcatiss.
Pn.
= 108 I Vn. II
Va.
Vc.
Cb.
broaden a little
= 80
58 206
ritornando al tempo
a tempo ( = 108)
ritornando al tempo
a tempo ( = 108)
Picc.
Fl.
1
Ob.
1 2
Cl. 1 in B 2
Bn.
1 2
1 3 Hn. in F 2
Tpt. 1 in C 2
Tbn.
Timp.
Perc.
Pn.
I
Vn. II
Va.
Vc.
Cb.
59 210
to Flute
Picc.
Fl.
1
Ob.
1 2
Cl. 1 in B 2
Bn.
1 2
1. 1 3 Hn. in F
2. 2
Tpt. 1 in C 2
Tbn.
Timp.
Perc.
Pn.
I Vn. II
Va.
Vc.
Cb.
60 214 Fl.
1 2
Ob.
1 2
Cl. 1 in B 2
Bn.
1 2
1 3 Hn. in F 2
Tpt. 1 in C 2
Tbn.
Timp.
Perc.
Pn.
I Vn. II
Va.
arco Vc.
arco Cb.
div.
61 218 Fl.
1 2
Ob.
1 2
Cl. 1 in B 2
a2 Bn.
1 2
1 3 Hn. in F 2
Tpt. 1 in C 2
Tbn.
Timp.
Bass drum Perc.
Pn.
I Vn. II
pizz. Va.
pizz. Vc.
div., pizz. Cb.
62 222 Fl.
1 2
Ob.
1 2
Cl. 1 in B 2
(a2) Bn.
1 2
1 3 Hn. in F 2
1. Tpt. 1 in C 2
Tbn.
Timp.
(B.D.) Perc.
Pn.
I Vn. II
Va.
arco Vc.
arco (div.) Cb.
63 225 Fl.
1 2
Ob.
1 2
Cl. 1 in B 2
Bn.
1 2
1 3 Hn. in F 2
Tpt. 1 in C 2
Tbn.
Timp.
Perc.
cresc.
cresc.
Pn.
div. I
Vn.
div. II
arco, div. Va.
Vc.
Cb.
64 229 Fl.
1 2
Ob.
1 2
Cl. 1 in B 2
Bn.
1 2
1 3 Hn. in F 2
Tpt. 1 in C 2
Tbn.
Timp.
Perc.
Pn.
unis. I
cresc. Vn.
unis. II
cresc. unis. Va.
cresc.
Vc.
Cb.
65 Subito = 72 (with a beat; rock and roll)
poco rit. Fl.
poco sost.
2.: Flute
232 1 2
2. to Piccolo 3
3
3
3
3
3
3
3
1. 1 Ob. 2
Cl. 1 in B 2
echo
1. Bn.
1 2
3
echo
a2
to mute
3
mute
1 3 Hn. in F
3
2
1. to mute Tpt. 1 in C 2
Tbn.
Timp.
Perc.
Pn.
poco rit. I
Vn. II
Va.
Vc.
Cb.
Subito = 72 (with a beat; rock and roll)
poco sost.
66 236
Very flexible, molto rubato
a tempo = 176
= 88–92 accel.
accel.
a tempo = 88
accel.
a tempo = 88
Picc.
Fl.
1
Ob.
1 2
Cl. 1 in B 2
Bn.
1 2
remove mute Hn. in F
1 3
2
Tpt. 1 in C 2
Tbn.
Timp.
Perc.
(not triplets) 3
Pn.
3
3
dolce espr. 3
3
Very flexible, molto rubato I Vn. II
Va.
Vc.
Cb.
= 88–92 accel.
3
a tempo = 176
67 240
senza misura
= 76
accel.
Piccolo
Picc.
3 3
7
Fl.
1
Ob.
1 2
3
3
Cl. 1 in B 2
Bn.
1 2
1 3 Hn. in F 2
1. mute Tpt. 1 in C 2 3
dolce Tbn.
Timp.
Perc.
accel.
Pn.
Sost.
senza misura I Vn. II
Va.
Vc.
Cb.
= 76
accel.
68 rit. 243
to Flute
Flexible
= 72
accel.
rit.
= 63–66
rit.
= 63–66
Picc.
Fl.
1
Ob.
1 2
Cl. 1 in B 2
Bn.
1 2
1 3 Hn. in F 2
(1.) 1. remove mute Tpt. 1 in C 2
Tbn.
Timp.
Perc.
3
espr.
rich
Pn.
3
rit.
Flexible
= 72
accel.
I
dolce Vn. II
Va.
Vc.
Cb.
69 247 Fl.
1 2
Ob.
1 2
Cl. 1 in B 2
Bn.
1 2
1 3 Hn. in F 2
Tpt. 1 in C 2
Tbn.
Timp.
Perc.
rubato cresc. molto
Pn.
cresc.
I
Vn. II
Va.
Vc.
Cb.
70 251 Fl.
Subito
= 50
1.
1 2
floating 1. solo Ob.
1 2
floating espr.
1.
Cl. 1 in B 2
floating Bn.
1 2
1. 1 3 Hn. in F 2
1. without mute Tpt. 1 in C 2
dolce Tbn.
Timp.
Perc.
dolce
Pn.
Subito
= 50 al sord.
I
Vn. II
pizz. Va.
al sord. Vc.
legato unis. Cb.
legato
al sord.
71 (1.)
rit.
255 Fl.
1 2
dim. (1.) Ob.
1 2
dim. (1.) Cl. 1 in B 2
dim.
Bn.
1 2
(1.)
open
1 3
dolce
Hn. in F 2
Tpt. in C
Tbn.
Timp.
Perc.
in background in foreground
dolcissimo Pn.
rit. I
Vn. II
al sord. Va.
Vc.
Cb.
72 259 Fl.
1 2
Ob.
1 2
a tempo
poco sost.
Cl. 1 in B 2
Bn.
1 2
1 3 Hn. in F 2
Tpt. 1 in C 2
Tbn.
Timp.
Perc.
rubato
Pn.
I Vn. II
Va.
Vc.
Cb.
cresc.
pi첫
a tempo
poco sost.
73 262 Fl.
= 69
1 2
1. 1 Ob. 2 3
Cl. 1 in B 2
1. Bn.
1 2
1 3 Hn. in F 2
Tpt. 1 in C 2
Tbn.
Timp.
Perc.
Pn.
= 69 con sord. I
tranquillo
Vn. II
arco con sord. Va.
tranquillo con sord. Vc.
tranquillo con sord. Cb.
tranquillo
via sord.
74 rit.
lunga
266 2.: Flute fltg.
Fl.
Vivacissimo
= 168
1 2
legatiss., shadowy lunga Ob.
1 2
lunga 1. Cl. 1 in B 2
(1.) Bn.
legatiss., shadowy lunga
1 2
lunga 1 3
Hn. in F
lunga 2
lunga Tpt. 1 in C 2
lunga 1 Tbn. 2
lunga Bs.Tbn. Tba.
lunga Timp.
lunga Perc.
jazz accents lunga
Pn.
rit. sul pont. div.
lunga
Vivacissimo
non vib.
via sord.
div. lunga non vib.
via sord.
I Vn.
con sord. sul pont. II
lunga Va.
lunga
via sord.
Vc.
lunga Cb.
cresc.
leggiero, agile
lunga
via sord.
= 168
75 270 Fl.
1 2
Ob.
1 2
Cl. 1 in B 2
Bn.
1 2
1 3 Hn. in F 2
Tpt. 1 in C 2
Tbn.
Timp.
Perc.
sub.
Pn.
leggiero
I Vn. II
Va.
senza sord. Vc.
pizz., senza sord. Cb.
76 = a2
275 Fl.
1 2
a2 1 Ob. 2
a2 Cl. 1 in B 2
a2 Bn.
1 2
1.
3. Hn. in F
1 3
2
Tpt. 1 in C 2
Tbn.
Timp.
Perc.
ma leggiero
Pn.
= I Vn. II
Va.
Vc.
Cb.
77 279
2. to Piccolo
*
Picc.
Fl.
1
Ob.
1 2
Cl. 1 in B 2
Bn.
1 2
1 3 Hn. in F 2
Tpt. 1 in C 2
Tbn.
Timp.
Bass Drum Perc.
Pn.
unis. senza sord. I Vn.
unis. senza sord. II
senza sord. Va.
Vc.
Cb. *: Note for conductor: If necessary, these 4 measures (m. 280–283) may be conducted as two 5/4 measures, to facilitate execution.
78 284
Piccolo fltg. to Flute
Picc.
fltg. 8va Fl.
1
a2 Ob.
1 2
Cl. 1 in B 2
Bn.
Hn. in F
1 2
1 3
2
Tpt. 1 in C 2
Tbn.
Timp.
Perc.
Pn.
I
on string Vn. II
on string
Va.
Vc.
Cb.
79 288 Fl.
1 2
Ob.
1 2
Cl. 1 in B 2
Bn.
1 2
1 3 Hn. in F 2
Tpt. 1 in C 2
Tbn.
Timp.
Cymbal bell (or brake drum) Perc.
T.–tom
Pn.
brutal
I Vn. II
Va.
Vc.
Cb.
80 292 Fl.
1 2
Ob.
1 2
Cl. 1 in B 2
a2 Bn.
1 2
1 3 Hn. in F 2
Tpt. 1 in C 2
Tbn.
Timp.
T.–tom, Bongo Perc.
B. D.
Pn.
I Vn. II
Va.
Vc.
Cb.
81 298 Fl.
1 2
Ob.
1 2
Cl. 1 in B 2
Bn.
1 2
1 3 Hn. in F 2
1. Tpt. 1 in C 2
Tbn.
Timp.
(T.–toms) Perc.
Pn.
I Vn. II
Va.
Vc.
Cb.
Cymbal bell (or brake drum)
Cymbal bell (or brake drum)
82 2.: Flute a2
304 Fl.
1 2
Ob.
1 2
Cl. 1 in B 2
a2 Bn.
1 2
a2 Hn. in F
1 3
2 4
Tpt. 1 in C 2
Tbn.
Timp.
Bass Drum Perc.
1
Pn.
I
Vn. II
Va.
Vc.
div. Cb.
5
83 (a2)
308 Fl.
1 2
Ob.
1 2
a2 Cl. 1 in B 2
Bn.
1 2
1 3 Hn. in F 2
Tpt. 1 in C 2
Tbn.
Timp.
Perc.
Pn.
I
Vn. II
Va.
Vc.
Cb.
84 312 Fl.
a2
1 2 4
Ob.
4
1 2 4 4
a2 Cl. 1 in B 2 4
Bn.
1 2
a2 1 3 Hn. in F 2
Tpt. 1 in C 2
Tbn.
Timp.
Perc.
Pn.
I
Vn. II
Va.
Vc.
Cb.
4
85 316 2. to Piccolo Picc.
Fl.
1
Ob.
1 2
Cl. 1 in B 2
Bn.
1 2
a2 1 3 Hn. in F 2
Tpt. 1 in C 2
Tbn.
Timp.
Perc.
sempre
Pn.
div.
unis.
I
cresc. Vn. II
cresc. Va.
Vc.
Cb.
86 320
Piccolo
Picc.
Fl.
1
Ob.
1 2
a2 Cl. 1 in B 2
Bn.
1 2
1 3 Hn. in F 2
Tpt. 1 in C 2
to mute Tbn.
Timp.
(B. D.) Perc.
brilliant, hard Pn.
div.
unis.
I
(cresc.)
Vn.
cantabile, legato div.
II
cresc.
cantabile, legato
div.
Va.
div. Vc.
Cb.
unis.
87 325
to Flute
Picc.
Fl.
1
Ob.
1 2
(a2) Cl. 1 in B 2
Bn.
1 2
1 3 Hn. in F 2
Tpt. 1 in C 2
Tbn.
Timp.
Perc.
Pn.
I Vn. II
Va.
Vc.
Cb.
88 330 Fl.
1 2
Ob.
1 2
Cl. 1 in B 2
1. Bn.
1 2
1 3
molto dim.
Hn. in F 2
molto dim. Tpt. 1 in C 2
Tbn.
Timp.
Perc.
molto dim.
Pn.
unis. div. I
Vn.
unis. II
div. Va.
(div.) Vc.
Cb.
89 334 Fl.
2.: Flute
1 2
1. 1 Ob. 2
Cl. 1 in B 2
(1.) Bn.
1 2
1., 3. to mute 1 3 Hn. in F
to mute 2
Tpt. 1 in C 2
Tbn.
Timp.
Perc.
7
Pn.
I
Vn. II
Va.
Vc.
Cb.
90 337 Fl.
1 2
Ob.
1 2
senza misura
Cl. 1 in B 2
Bn.
1 2
1 3 Hn. in F 2
Tpt. 1 in C 2
Tbn.
Timp.
Perc.
8va 8va
Pn.
dim.
senza misura I
Vn. II
Va.
Vc.
Cb.
8va
loco
91 338 Fl.
1 2
Ob.
1 2
= 112
Cl. 1 in B 2
Bn.
1 2
remove mute
mute 1 3 Hn. in F
mute
remove mute
2
Tpt. 1 in C 2
remove mute
sord. Tbn.
Timp.
(T.–toms, Bongos)
(B. D.) Perc.
Pn.
= 112
unis.
I Vn. II
unis. Va.
(div.) Vc.
Cb.
92 342 Fl.
1 2
Ob.
1 2
(
= 112)
Cl. 1 in B 2
Bn.
1 2
1 3 Hn. in F
open 2
Tpt. 1 in C 2
remove mute Tbn.
Timp.
Perc.
(non troppo legato)
leggiero
Pn.
( I Vn. II
Va.
Vc.
Cb.
= 112)
93 345 Fl.
1 2
Ob.
1 2
(
=
)
( = )
Cl. 1 in B 2
Bn.
1 2
1 3 Hn. in F 2
Tpt. 1 in C 2
Tbn.
Timp.
Perc.
Pn.
ma leggiero
cresc.
( I
Vn. II
Va.
Vc.
Cb.
=
)
( = )
94 350 Fl.
a2
1 2
3 3
3
3
3
3
a2 Ob.
1 2 3
3
3
3
3
3
a2 Cl. 1 in B 2
3
3
3
Bn.
1 2
1 3 Hn. in F 2
Tpt. 1 in C 2
Tbn.
Timp.
Perc.
Pn.
I
Vn. II
Va.
Vc.
Cb.
3
3
3
3
3
3
95 354 Fl.
(a2) (
=
)
(
=
)
1 2 3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
(a2) Ob.
1 2
(a2) Cl. 1 in B 2 3
Bn.
1 2
open 1 3 Hn. in F 2
Tpt. 1 in C 2
Tbn.
Timp.
Perc.
Pn.
I 7
Vn. II 7
Va. 7
unis. Vc.
Cb.
7
96 358
2. to Piccolo
Piccolo
Picc. 7
Fl.
1
Ob.
1 2
Cl. 1 in B 2
Bn.
1 2
open 1
Hn. in F 3 2
a2 Tpt. 1 in C 2
open Tbn.
Timp.
Perc.
7
Pn.
7
I Vn. II
Va.
Vc.
arco Cb.
97 362 Picc.
fltg. Fl.
1
Ob.
1 2
Cl. 1 in B 2
Bn.
1 2
(a2)
1.
1 3 Hn. in F 2
(a2) Tpt. 1 in C 2
Tbn.
Timp.
(B. D.) Perc.
Pn.
div.
I
legato div.
Vn. II
legato div. Va.
Vc.
Cb.
98 fltg.
366 Picc.
Fl.
1
Ob.
1 2
Cl. 1 in B 2
Bn.
1 2
1 3 Hn. in F 2
Tpt. 1 in C 2
Tbn.
Timp.
Perc.
Pn.
al sord. I
Vn.
al sord. II
Va.
div. Vc.
Cb.
99 poco slentando
370 Picc.
Fl.
1
Ob.
1 2
Cl. 1 in B 2
Bn.
1 2
1. 1 3 Hn. in F 2
Tpt. 1 in C 2
Tbn.
Timp.
Perc.
dim.
Pn.
poco slentando I Vn. II
Va.
tutti Vc.
Cb.
div.
100 374 Picc.
Fl.
1
Ob.
1 2
Cl. 1 in B 2
Bn.
1 2
1 3 Hn. in F 2
Tpt. 1 in C 2
Tbn.
Timp.
Perc.
(dim.)
Pn.
I Vn. II
unis.
al sord.
Va.
dim. Vc.
dim.
Cb.
unis.
101 378
( .=
)
= ca. 92 not rigid
)
= ca. 92 not rigid
Picc.
Fl.
1
Ob.
1 2
Cl. 1 in B 2
Bn.
1 2
1 3 Hn. in F 2
Tpt. 1 in C 2
Tbn.
Timp.
Perc.
legato
Pn.
( .= I Vn. II
Va.
metĂ Vc.
legatiss. Cb.
102 384 Picc.
Fl.
1
Ob.
1 2
Cl. 1 in B 2
1. Bn.
1 2
1 3 Hn. in F 2
Tpt. 1 in C 2
Tbn.
Timp.
Perc.
espr.
3
Pn.
I Vn. II
Va.
Vc.
Cb.
3
3
3
3 3
3
3
3
103 389 Picc.
Fl.
1
Ob.
1 2
Cl. 1 in B 2
(1.) Bn.
1 2
1 3 Hn. in F 2
Tpt. 1 in C 2
Tbn.
Timp.
Perc.
3
3
3
3
3 3
3
Pn.
I
Vn. II
Va.
Vc.
(no upper E ) Cb.
3
104 394
poch. sost.
a tempo
Picc.
Fl.
1
Ob.
1 2
Cl. 1 in B 2
Bn.
1 2
1 3 Hn. in F 2
Tpt. 1 in C 2
Tbn.
1 2
Timp.
Perc.
cantabile 3
3
Pn.
pi첫 espr.
poch. sost.
3
a tempo con sord.
unis.
con sord.
unis.
I
Vn. II
con sord. Va.
al sord. Vc.
Cb.
con sord. tutti
3
105 399 Picc.
Fl.
1
Ob.
1 2
Cl. 1 in B 2
Bn.
1 2
1 3 Hn. in F 2
Tpt. 1 in C 2
Tbn.
Timp.
Perc.
3
Pn.
3
3
dolce
3
via sord.
cresc.
senza sord.
I
cresc.
Vn.
via sord.
senza sord.
II
cresc. via sord.
senza sord.
Va.
cresc. 3
3
via sord.
senza sord.
Vc.
cresc. espr. Cb.
106 404 Picc.
Fl.
1
Ob.
1 2
Cl. 1 in B 2
Bn.
1 2
a2
a2
1 3 Hn. in F
cresc.
3
cresc.
3
2
1. Tpt. 1 in C 2
cant.
cresc.
Tbn.
Timp.
Perc.
8va
3
3
3
Pn.
8va
I
Vn. II
Va.
Vc.
Cb.
cresc. molto
appassionato
107 407
senza misura
a tempo
poco rit.
Picc.
Fl.
1
Ob.
1 2
Cl. 1 in B 2
a2 Bn.
1.
1 2
dolce rough 1 3 Hn. in F 2
(1.) Tpt. 1 in C 2
Tbn.
Timp.
Perc.
precipitato
dim.
Pn.
senza misura
a tempo al sord.
I Vn. II
Va.
Vc.
Cb.
poco rit.
108 412
a tempo
Picc.
Fl.
1
Ob.
1 2
1. Cl. 1 in B 2
(1.) Bn.
1 2
1 3 Hn. in F 2
Tpt. 1 in C 2
Tbn.
dolce
Timp.
Perc.
espr.
Pn.
a tempo con sord. I
legatiss. Vn. II
Va.
inside Tbn. sound Vc.
leg. div. Cb.
109 relax tempo
417 Picc.
Fl.
1
Ob.
1 2
(1.) Cl. 1 in B 2
1. Bn.
1 2
1 3 Hn. in F 2
Tpt. 1 in C 2
Tbn.
Timp.
Perc.
cresc. Pn.
relax tempo I
Vn. II
Va.
Vc.
unis. Cb.
110 421 Picc.
Fl.
1
Ob.
1 2
Cl. 1 in B 2
(1.) Bn.
1 2
poco cresc. 1 3 Hn. in F 2
Tpt. 1 in C 2
Tbn.
1 2
Timp.
Perc.
espr.
Pn.
I
Vn. II
Va.
Vc.
leg.
Cb.
111 rit.
424 Picc.
Fl.
1
Ob.
1 2
Cl. 1 in B 2
(1.) Bn.
1 2
1 3 Hn. in F 2
Tpt. 1 in C 2
Tbn.
Timp.
Perc.
Pn.
rit. I
dolce
Vn. II
dolce
Va.
Vc.
div. Cb.
112 Allegro giocoso 428
(
= 126–132
= )
Picc. 3
Fl.
1
3
3
3
3
3
3
3
3
3
3
Ob.
3
3
3
Cl. 1 in B 2
3
3
a2
3 3
3 3
leggiero
1. 3
1 3
leggiero 2
Tpt. 1 in C 2
Tbn.
Timp.
Perc.
Pn.
Allegro giocoso
flaut. via sord. I
Vn. II
Cb.
3
3
Hn. in F
Vc.
3
1 2 3
Va.
3
1 2
1.
Bn.
3
(
= )
= 126–132
3
113 432
to Flute
Picc. 3
Fl.
1
3
3
3
3 3
a2
3
3 3
3
1 Ob. 2 3
3
a2 Cl. 1 in B 2
Bn.
Hn. in F
3
3
3
3
1 2
1 3
2
3
3
3
Tpt. 1 in C 2
3
Tbn.
Timp.
Perc.
3
Pn.
3
3 3
3
3
3
3
3
I 3
3
Vn. 3 3
II
3 3 3
Va. 3
3 3
Vc. 3 3
3
unis.
3
3 3
3
3
senza sord.
Cb.
3
3
3
sub.
114 435 Fl.
1 2
Ob.
1 2
Cl. 1 in B 2
Bn.
1 2
1 3 Hn. in F 2
Tpt. 1 in C 2
Tbn.
1 2
Timp.
Perc.
tenuto
3
Pn.
Vn. II
Vc.
Cb.
3
3
cresc. 3
I
Va.
3
3
3 3
3 3
3 3
3 3
3
115 439 Fl.
1 2
Ob.
1 2
Cl. 1 in B 2
Bn.
1 2
1 3 Hn. in F 2
Tpt. 1 in C 2
Tbn.
Timp.
Perc.
3
3
Pn.
3
3 3
3
3
3
cresc.
3 3 3
3
3 3 3
3
3
I
Vn. 3
3
3
3
3
3
II
Va.
Vc.
Cb.
3
116 442 Fl.
1 2
Ob.
1 2
Cl. 1 in B 2
Bn.
1 2
1. 1 3 Hn. in F 2
Tpt. 1 in C 2
Tbn.
Timp.
Perc.
3
3
3
3 3
Pn.
3
3 3
3
I
Vn. II
Va.
Vc.
Cb.
3
3
3
117 445 Fl.
2.: Flute
1 2 3
1. 1 Ob. 2 3
3
3
3
3 3
3
3
3
3
3 3
Cl. 1 in B 2 3
1. Bn.
1 2
3
3
3
3
3
3
3
3
3
3 3 3
(1.) 1 3 Hn. in F 2
Tpt. 1 in C 2
Tbn.
Timp.
Perc.
3 3
Pn.
3
3
3
3
9 3
3
3
3
pizz. 3
I
Vn.
pizz. 3
II
pizz. 3
3
Va. 3
pizz. 3
3
Vc. 3
Cb.
3
3
118 3
448 Fl.
1 2 3
Ob.
3
3
3
3
1 2 3 3
3
3
3
3
3 3
3
Cl. 1 in B 2
Bn.
3
3
3
3
3
3
1 2 3
1 3 Hn. in F 2
Tpt. 1 in C 2
Tbn.
Timp.
Perc.
3
3
3
3
3
3
3
3
Pn.
3 3
3
I 3 3
Vn. 3
3
II 3
(pizz.)
3
3
Va. 3
(pizz.) Vc.
3 3
Cb.
3
119 451 Fl.
1 2
Ob.
1 2
Cl. 1 in B 2
Bn.
1 2
1. 1 3 Hn. in F
dark 2
dark Tpt. 1 in C 2
Tbn.
dark Timp.
Perc.
3
3
Pn.
3 3
3
3 3
3
3
3
3
I
Vn. II
Va.
arco, div. a3 Vc.
inside Trombone sound Cb.
120 455 Fl.
1 2
Ob.
1 2
Cl. 1 in B 2
Bn.
1 2
(1.) 1 3 Hn. in F 2
Tpt. 1 in C 2
Tbn.
Timp.
Perc.
3
Pn.
I
Vn. II
Va.
Vc.
Cb.
3 3
3
3
3
3
121 460 Fl.
1 2
Ob.
1 2
Cl. 1 in B 2
Bn.
1 2
(1.) 1 3
Hn. in F 2
Tpt. 1 in C 2
Tbn.
1 2
Timp.
Perc.
3
3
Pn.
3
3
I Vn. II
Va.
Vc.
3
Cb. 3
3
3
3
3
3
122 465 Fl.
1 2
Ob.
1 2
Subito
= 144
1. Cl. 1 in B 2
Bn.
1 2
1 3 Hn. in F 2
Tpt. 1 in C 2
Tbn.
Timp.
B.D. Perc.
3
sim.
3
3
3
3
3
cresc.
3
3
Pn. 3
Subito
3
3
3
3
3
= 144
3
3
arco, div. a3
I
arco, div. a3
Vn. II
arco, div. a3 Va.
(div. a3) Vc.
Cb.
123 a2
469 Fl.
1 2
espr.
espr. 1. 1 Ob. 2
espr. espr. Cl. 1 in B 2
3
3
3
3
3
3
3
3
3
3
3
dim. poco a poco Bn.
1 2
3
1 3
a2
Hn. in F 2
Tpt. 1 in C 2
Tbn. 3
Timp.
Perc.
3
3
3
3
Pn.
3
3
3
3 3
3 3 3
3
3 3
unis.
I
leggiero Vn.
(div. a3) II
Va.
Vc.
Cb.
espr.
3
124 (a2)
472 Fl.
1 2
(1.)
Ob.
1 2
Cl. 1 in B 2
Bn.
3
3
3
3
1 2
1 3 Hn. in F 2
Tpt. 1 in C 2
Tbn.
Timp.
Perc.
3
Pn.
3 3
3
3 3
3 3
3
3
I Vn.
unis. 3
II
3
3
3
3
3
3
incisivo unis.
3
Va.
incisivo unis. Vc. 3
3
incisivo
div. 3
Cb.
incisivo
3
3 3
3 3
125 475 Fl.
3
1 2
3
3
3
1 Ob. 2
3
3 3
Cl. 1 in B 2
3
3 3
a2 Bn.
3
1 2
3
3
cresc.
1 3
cresc.
Hn. in F 2
cresc. 1. Tpt. 1 in C 2
3
3
3
3
3
3
3
3
Tbn.
Timp.
Perc.
brilliant
3
cresc.
Pn.
3
3
3
3
3
3
3
3
3
3
3
3
I 3
Vn.
div. 3 3
II
3
3
3
3
3 3
cresc. 3
3
3
3
3
Va.
3 3
cresc.
3
div. 3 Vc. 3 3
3
cresc. 3
Cb.
cresc.
3
3 3
3
3
3 3
3
unis. pizz.
126 478 Fl.
Ob.
3
1 2
3
3
1 2
3
3 3
3 3
Cl. 1 in B 2
3
3
3
1. Bn.
1 2
3
1. 1 3 Hn. in F 2
(1.) Tpt. 1 in C 2
1., 2. to mute 3
3
3
3
Tbn.
Timp.
Perc.
nonchalant
3
3
3 3
3
3
3
Pn.
3
3 3
3
3
I 3
3
3
Vn. 3
unis. 3
II
3
3
3
3
3
3 3
3
sim. 3
3
Va.
3
3 3
sim.
3
unis. Vc. 3
3
3
3 3
3
3
3
3
sim.
div., arco 3
3
Cb.
sim.
3
127 481 Fl.
1 2
Ob.
1 2
Cl. 1 in B 2
(1.) Bn.
1 2
(1.) 1 3 Hn. in F 2
Tpt. 1 in C 2
Tbn.
Timp.
Perc.
3
Pn.
3
3
3
3
3
I Vn. 3
II
3
3
3
3
3
3
3
3
3
3
3
3
cresc. 3
Va.
cresc.
Vc. 3
3
cresc.
3
3
3
Cb.
cresc.
3
3
3
3
3
3
128 484 Fl.
1 2
Ob.
1 2
Cl. 1 in B 2
(1.) Bn.
espr.
a2
1 2
1 3 Hn. in F
espr. 2
espr. Tpt. 1 in C 2
Tbn.
espr.
Timp.
Perc.
Pn.
I
Vn. II
3 3
3
3
3
3
3
3
3
3
Va.
div. Vc. 3
3
3
Cb. 3
3
3
3
3
3
3
129 487 Fl.
1 2
3
3
3
3
3
3
3
3 3
1 Ob. 2
3
3
3
3
3
3
3
3
3
3
Cl. 1 in B 2 3
3
3
3
3
(a2) Bn.
1 2
3
1 3
3
3
3
3
3
3
3
Hn. in F 3
2
3
3
3
3
3
3
3
Tpt. 1 in C 2
to mute Tbn.
Timp.
Perc.
Pn.
I
Vn. II
3
3
3
3
Va.
Vc.
3
3
3
Cb.
3
130 490 2. to Piccolo Fl.
1 2
1. 3
1 Ob. 2
Cl. 1 in B 2
Bn.
1 2
1 3 Hn. in F 2
1., 2. mute
3
Tpt. 1 in C 2
mute
remove mute
Tbn.
Timp.
Perc.
Pn.
3
div.
3
3
3
3
unis. 3
I 3
Vn.
3
3
3
3
3
3
sempre dim.
3 3
div.
3
3
3
3
3
3
3
3
II 3
unis. 3
sempre dim.
div.
3
3 3
Va. 3
3
3
3
sempre dim.
unis. 3
3
3
3
3
Vc. 3
3
3
3
3
sempre dim. Cb.
3
3
131 493 Picc.
Fl.
Ob.
1 2
Cl. 1 in B 2
Bn.
3
3
1 2
1 3 Hn. in F 2
Tpt. 1 in C 2
Tbn.
Timp.
Perc.
Pn.
I
3
3
3
3
3
3
3
3
3
3
3
3
Vn. II
unis. Va.
Vc. 3
3
3 3
Cb.
3
3
132 496
= 126
Picc.
Fl.
Ob.
1 2
Cl. 1 in B 2
Bn.
1 2
1 3 Hn. in F 2
Tpt. 1 in C 2
Tbn.
Timp.
Washboard Perc. 3
3
3
3
3
3
3
3
= 126 I Vn. II
Va.
Vc.
Cb.
3
pesantissimo
Pn.
3
3
3 3
3
3 3
3 3
3 3
3 3
3 3
3 3
3
133 499 Picc. 3
Fl. 3
Ob.
3
3
1 2
Cl. 1 in B 2
3
3
3
3
3
3
Bn.
1 2
1 3 Hn. in F 2
Tpt. 1 in C 2
Tbn.
Timp.
(Washboard) Perc. 3
3 3
Pn. 3
I Vn. II
Va.
Vc.
Cb.
3
3
3
3
3
3
3 3
3
3
3
3
134 502 Picc.
Fl.
1
Ob.
1 2
Cl. 1 in B 2
Bn.
3
3
1 2
1 3 Hn. in F 2
Tpt. 1 in C 2
Tbn.
Timp.
(Washboard) Perc. 3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3 3
3
3
3
3
3
3 3
3
Pn. 3
3
3
3
3
3
3
3
3
div. I 3
legatiss.
Vn.
3
div. II 3
unis.
legatiss. div.
3 3
Va. 3
legatiss.
Vc. 3
legatiss. Cb.
3
135 505
fltg.
Picc. 3
3 3
3
3
3
3
3
fltg. Fl.
1 3
Ob.
3
3
3
1 2 3
3
Cl. 1 in B 2
Bn.
1 2
1 3 Hn. in F 2
fltg.
(1., 2. mute) Tpt. 1 in C 2
3
3
open Tbn.
3
3
3
3
Timp.
(Washboard) Perc. 3
3
3
3
3
3
3
3
3
3
3
3
3 3
3
Pn. 3
3
3
3
3
3
3
3
3
3
3
unis. I Vn.
3
3
3
3
3
3
3
3
unis. II
unis. Va.
Vc.
Cb.
3
136 508
3
Picc. 3
Fl.
1 3
3
Ob.
3
3
1 2 3
Cl. 1 in B 2
Bn.
1 2 3
1.
1 3 3
3
Hn. in F 3
3
2
1., 2. remove mute Tpt. 1 in C 2 3 3
normal
growl
normal
growl
Tbn.
3
3
3
3
Timp.
Bass Drum
3
3
3
3
3
3
Perc.
3
3
3
3
3
3
3
3
3
3
Pn. 3
3
3
3
3
3
3
3
3
3
3
3
I Vn. II
Va.
3
3
3
3
Vc. 3 3
Cb.
3 3
3 3
137 511 Picc.
Fl.
1
Ob.
1 2
Cl. 1 in B 2 3
Bn.
3
3
3
3
3
1 2
3. 1 3
3
3
3
3
1.
3
3
3
Hn. in F 3
3
3
3
3
3 3
2
1., 2. without mute Tpt. 1 in C 2
Tbn.
1 2
3
3
3
3
3
3
3
3
3
3
3
3
3 3
Timp.
(B. D.)
3
3
3
3
Perc.
3
Pn. 3
3 3
3 3
3
3
3
3
3
3
3
3
3
3
3
3
on the string
I
3
3
3
on the string
Vn. II
3
3
3
on the string Va. 3
3
3
on the string Vc. 3 3
3
3
3
3
3
3
3 3
Cb.
3 3
3
138 513 Picc.
Fl.
1
Ob.
1 2
Cl. 1 in B 2
Bn.
1 2 3
1 3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
Hn. in F 2
Tpt. 1 in C 2 3
3
3
3
3
Tbn. 3
3
3
3
3
3
3
3
3
3
Timp.
Washboard Perc. 3
3
3
3
3
3
lift the beat, clarify
3
3
3
Pn.
3
3
3
3
3
3
3
3
3
3
3
3
3
al sord.
3 3
I 3 3
Vn.
3
al sord.
3
3
II 3
3
al sord.
Va. 3
3
Vc.
3
3
3
3
3 3
Cb.
3
3
3
3
3 3
3 3
139 516 Picc.
Fl.
1
Ob.
1 2 3
3
3
3
Cl. 1 in B 2
Bn.
1 2
1 3 Hn. in F 2
Tpt. 1 in C 2
Tbn.
Timp.
(Washboard) Perc. 3
3
3
3
3
3
3
3
dim. poco a poco
3
3
3
3
3
3
3
3
3
3
3
3
con sord.
3
3
3
3
con sord.
3
3
3
3
meno
3
3
3
Pn. 3
3
3
3
3
con sord. I Vn. II
Va.
Vc.
Cb.
140 519 Picc.
Fl.
1
Ob.
1 2
Cl. 1 in B 2 3
Bn.
3
3
1 2
1 3 Hn. in F 2
Tpt. 1 in C 2
Tbn.
Timp.
(Washboard) Perc. 3
6
3
dim.
3
3
3
3
3
3
3
Pn. 3
3
3
3
(con sord.) I 3
Vn.
(con sord.) II
(con sord.) 3
Va.
Vc.
Cb.
(IV)
3
3
3
3
3
3
3
3
3
141 relax tempo
522
rit.
Picc.
Fl.
Ob.
3
3
3
3
3
3
3
dolce
1 3
3
3
dolce
1 2
Cl. 1 in B 2
Bn.
1 2
1 3 Hn. in F 2
Tpt. 1 in C 2
Tbn.
Timp.
Perc.
3
3
3
3
Pn. 3
3
3
3
3
3
3
relax tempo
3
3
3
3
rit.
div.
I Vn.
div.
3
II
via sord. Va.
Vc.
Cb.
142 526
a tempo
Picc.
Fl.
1
Ob.
1 2
Cl. 1 in B 2
Bn.
1 2
1 3 Hn. in F 2
Tpt. 1 in C 2
Tbn.
Timp.
Perc. 8va
3
Pn.
3
3
3
3 3
3 3
3
3
3 3
a tempo I Vn. II
Va.
Vc.
Cb.
3
143 529 Picc.
Fl.
1
Ob.
1 2
3
Cl. 1 in B 2
1. Bn.
1 2 3
1 3 Hn. in F 2
Tpt. 1 in C 2
Tbn.
Timp.
Perc. 8va
8va
8va
3
Pn.
3
3
3
3
3 3
3
3
I Vn. II
3
senza sord. Va.
Vc.
unis. Cb.
3 3
div.
144 532
to Flute
Picc.
3 3
Fl.
1 3
Ob.
3
1 2
Cl. 1 in B 2
Bn.
1 2
1 3 Hn. in F 2
Tpt. 1 in C 2
Tbn.
Timp.
Perc. 8va
3
Pn.
3
via sord. I Vn.
via sord. II
Vc.
Cb.
3 3
3
Va.
3 3
145 a2
535 2.: Flute Fl.
Ob.
1 2
1 2
3
3
3
3
Cl. 1 in B 2
1. Bn.
1 2
1 3 Hn. in F 2
1. Tpt. 1 in C 2
Tbn.
Timp.
Bongos Tom–toms
3
Perc.
8va
3
3
3
3
3
Pn. 3
3
3
3
6
3 3 3
3
3 3
3
3
senza sord.
unis., pizz.
senza sord.
unis., pizz.
I
Vn. II
unis., pizz. Va.
pizz.
div. arco
unis., pizz.
Vc.
div., pizz. Cb.
unis. (pizz.)