Corigliano PHANTASMAGORIA orchestra

John Corigliano

PHANTASMAGORIA on “The Ghosts of Versailles” for orchestra

From the G. Schirmer Rental Library Date of Printing_______

G. Schirmer, Inc. New York, NY

John Corigliano

PHANTASMAGORIA on “The Ghosts of Versailles” for orchestra

Commissioned by the Minnesota Orchestra and Eiji Oue on the occasion of the Orchestra’s Centennial.

G. Schirmer, Inc. New York, NY

Instrumentation 3 Flutes (2nd & 3rd doubling Piccolo) 3 Oboes (3rd doubling English Horn) 3 Clarinets in B= (1 & 2 doubling Clarinet in A, 2 doubling E= Clarinet, 3rd doubling Bass Clarinet) 3 Bassoons (3rd doubling Contrabassoon) 4 Horns in F 4 Trumpets in C 2 Trombones Bass Trombone Tuba Timpani Percussion (4 players) Bass Drum Castanets Chimes Crotales Glockenspiel Low Drum Snare Drum Suspended Cymbal Tambourine Temple Blocks Tom-toms Triangle Vibraphone W ood blocks Xylophone

Keyboard: Piano, Synthesizer Harp Strings

Duration ca. 23 minutes

to the memory of Joel Honig

PHANTASMAGORIA on The Ghosts of Versailles for Orchestra ca. 15 seconds

John Corigliano

ca. 10 seconds

* Piccolo

1

Piccolo

2

Flute

1 gliss.

1 gliss.

Oboe

2

gliss.

3 gliss.

1

Clarinet

2 gliss.

3

Bassoon

1 2

Contrabassoon

1 2 Horn 3 4

harmon mute

to harmon mute (1., 2.)

gliss.

1 2

gliss.

Trumpet

3., harmon mute to harmon mute (3., 4.)

gliss.

3 4 to harmon mute (1., 2.)

Trombone

1 2 to harmon mute (Bs. Tbn.) to mute (Tba.)

Bass Trombone Tuba Timpani

bend

Vibraphone, bowed

l.v.

1 15

2 Percussion

15

3

4

Synthesizer

Harp

*

ca. 15 seconds div., con sord. gliss.

ca. 10 seconds gliss.

div. a3**

div., con sord. gliss.

gliss.

div. a3**

I Violin II

Viola al sord.

Violoncello

gliss.

al sord.

Contrabass *

Triangles with numerals within mean free cue beats. The numeral denotes the number of beats (cues) in the measure. Dotted lines indicate secondary cues.

**Divided evenly between 1st and 2nd Violins. For example, if there are six pitches and 24 players, 4 players should play each pitch.

SCORE IN C corrected 5/00 rev. 9/00 rev. 12/02 rev. 6/04

Copyright Š 2000 by G. Schirmer, Inc. (ASCAP), New York, NY International Copyright Secured. All Rights Reserved.

Warning: Unauthorized reproduction of this publication is prohibited by Federal law and subject to criminal prosecution.

2 = ca. 48 ***

3 Picc.

1 ( ) (

Picc.

)

2 ***

Fl.

1 ( )

(

1

Ob.

2

3

1

Cl.

2

3

Bn.

1 2

Cbn.

1 2 Hn. 3 4 1 2 Tpt. 3 4

Tbn.

1 2

Bs.Tbn. Tba.

Timp.

Vib., 2 players, bowed, l.v.** 1 Pedal Glockenspiel, soft sticks ***

15

2 Crotale, bowed, alternate notes,l.v.**

Perc.

sim.

15

3

4 8va

(white sound)

, legatissimo

Synth.

Hp.

sul ponticello* 1-2"

= ca. 48 1 solo*** (sord.)

I (

)

sul ponticello* 1-2"

Vn. II

8va

1 sola (sord.)*** Va. ( )

(

Vc.

Cb. *Free, chromatic, squiggly runs following shape of the lines. **Percussionists prepare note in parentheses, but do not play on downbeat. Ad lib. slow crescendo/diminuendo from niente to pianissimo to niente. Do not synchronize with the other players. ***All instruments finger line of eighth notes, but do not play. Occasionally, each player independently plays his or her instrument, so that ad lib., slow, legatissimo crescendos and diminuendos from and to niente occur [i.e. ( )]. These should sound randomly chosen and serve only to change the color of the chromatic line.

3 7 Picc.

*

1 (

Picc.

)

2 *

Fl.

1 )

(

)

1

Ob.

2

3 * 1 (

Cl.

)

(

)

2

3

Bn.

1 2

Cbn. 1 2 Hn. 3 4 1 2 Tpt. 3 4

Tbn.

1 2

Bs.Tbn. Tba.

Timp. ( = ca. 48) 1 player*

(Vib.) 1 15

(

Pedal

*(Glock.)

)

2 Perc.

15

3

4 8

*

Synth.

Hp.

(sord.) * Solo Vn. Vn.

I

div.

slow gliss.

(

)

gli altri

Vn. II div. a3

2/3

slow gliss.

1/3

slow gliss.

div.

8

* Solo Va. (

Va. al sord. gle altre

) gle altre, div., con sord. gliss.

Vc.

Cb. *Continue in tempo ( = ca. 48) without being conducted. Keep this steady tempo throughout the following measures / pages. Slight misalignments may occur, and this “out-of-phase� sound will not be objectionable. Vibraphone see also footnote on page 2 (***).

4 ca. 8–10 seconds

9 Picc.

1 **

Picc.

2

Fl.

1 filigreed, free

Ob.

1 filigreed, free

** Ob.

2 *

E.H.

( ) 1 * Cl.

filagreed, free

2

3 **2.

Bn.

(2.)

1 2 filigreed, free

* Cbn. 1. open* 2. stopped*

1.

1 2

2.

( )

Hn.

3., open

4., open *

3 4

3.

2.*( )

1 2

**1.

( ) *

Tpt. 3 4

4.

1.

3.

4.

( ) harmon mute **1.

Tbn.

1.

2., fltg.**

1 2 *harmon mute

Bs.Tbn. Tba.

Bs. Tbn.

Tba. ( ) Timp.

(Vib.) 1 15

**Glock.

2 **Crot.

15

Perc.

3

4

Synth.

**

Hp.

ca. 8–10 seconds Solo div. a3 Vn. I gli altri 2., 3.

Vn. II div. a3

1.

al sord.

Solo Va. gle altre **con sord., sul ponticello Solo Vc.

con sord., div. a4

gli altri **con sord., col legno Solo Cb.

con sord., div. a3

gli altri

*Finger note in ( ). Do not play. At appoximate positions in cue, play pitch, slowly cresc.—dim. from niente to pianissimo and back to niente. **Approximate position within cue.

2., fltg.

5 10 Picc.

= 60

**

1 (

( ) ** Picc.

2 ( )

Fl.

)

(

)

1

1

Ob.

2

3

1 2.,**

Cl. 2

( )

)

(

3 (2.)

Bn.

1 2 ( ) 2.,**

to Bassoon

(

)

Cbn. 1., ** 1 2 Hn. (

)

3 4 1., to Whispa mute 1 2

2. to straight mute 3. to straight mute

Tpt. 3 4

1. to straight mute Tbn.

1 2

2. remove mute Bsn. Tbn. to straight mute

Bs.Tbn. Tba.

Timp.

1 15

2 Perc.

15

3

4

Synth.

(to Piano)

Hp.

sul ponticello, tremolo*

ord.

div., a2

= 60

I Vn.

div., a2

sul ponticello, tremolo*

ord.

II gle altre, div., non vib. (sord.) a4 gliss. a3 gliss. a2 gliss. ***

gliss. a4

gliss. a2 gliss.

Va. div. a3 half step

liquid div. a2

Vc.

unis.

div.

Cb. *Free, chromatic, squiggly runs following shape of the lines. **All instruments finger line of eighth notes, but do not play. Occasionally, each player independently plays his or her instrument, so that ad lib., slow, legatissimo crescendos and diminuendos from and to niente occur. These should sound randomly chosen and serve only to change the color of the chord. ***Play indicated pitches. Boxes surrounding notes indicate 1/2 step clusters between and including outside pitches. (Individual notes are copied in parts.)

a3 gliss.

6 14 Picc.

solo

1 free even pulses 1 legatissimo free even pulses

Fl.

2 solo

legatissimo 1

Ob.

2

3

1 Cl. dolce 2

3

1 2 Bn. 3

1 2 Hn. 3 4 1 2 Tpt. 3 4 1 2

Tbn.

Bs.Tbn. Tba.

Timp. free, even pulses (Vib.)

bowed:

1 pedal

15

2 Perc.

15

3

4

Pno.

Hp.

1-2

4.

3.

dolce dolce

(3.)

3-4 Vn. I 5

6-7 div. (tutti)

dolce

unis. (con sord.)

Vn. II 3

3

gle altre (div. a5)

Va.

div. a2 gl. a5 gl. a3 gl. a4 gl.

legatissimo

1 stand

Vc. unis., pizz.

Cb.

7 23 Picc.

1 3

1 Fl. 2

1

Ob.

2

3

1

Cl.

2 B Clarinet 3

1 2 Bn. 3

1 2 Hn. 3 4 1 2 Tpt. 3 4

Tbn.

1 2

Bs.Tbn. Tba.

Timp.

(Vib.) 1 15

2 Perc.

15

3

4

Pno.

Hp.

tutti div.

I Vn. II gle altre, div. a3 . gliss

Va. (1 stand)

div. a3 Vc.

Cb.

3

8 30 Picc.

to Flute

1

1 Fl. 2

1 3

Ob.

3

2

3

1

Cl.

2

3

1 2 Bn. 3

1 2 Hn. 3 4 1 2 Tpt. 3 4

Tbn.

1 2

Bs.Tbn. Tba.

Timp.

(Vib.)

l.v.

1 Chimes

15

2 Perc.

15

3

4

Pno.

Hp.

div. a4 8va

I div. a3

Vn. II

(1 stand) Va. le altre, div. (con sord.)

Vc. div. a3

Cb.

via sord.

4 soli, senza sord.

9 stagger breaths

= ca. 48–50

38 1

poss., legatiss., poco rubato (asynchronous) stagger breaths Fl.

2 poss., legatiss., poco rubato (asynchronous) stagger breaths Flute 3 poss., legatiss., poco rubato (asynchronous)

solo

1

Ob.

3

2

3 ***

stagger breaths 1 poss., legatiss., poco rubato (asynchronous)

***

stagger breaths Cl.

2 poss., legatiss., poco rubato (asynchronous) ***

stagger breaths 3 poss., legatiss., poco rubato (asynchronous) 1 2 Bn.

Bassoon 3 2. open 1 2

Hn. **

3 4

straight mute 1 2 3

Tpt. 3. straight mute 3 4

3

Tbn.

1 2

Bs.Tbn. Tba.

Timp.

Vib., softest sticks *** 1 blur, poco rubato (asynchronous) Pedal 2 Perc.

15

3

4 *** legato

Pno.

sempre

gliss.

l.v.

Hp.

= ca. 48–50 unis., free bows con sord.

***

I legatiss., poco rubato (asynchronous)

Vn.

unis., free bows con sord.

***

II legatiss., poco rubato (asynchronous) tutte, ** Va. legato (4 soli, senza sord.)

***

tutti, senza sord.

Vc. 5 players, div. a5, arco, senza sord.

*

Cb. *Cbs. harmonics at actual pitch **Very slow half-tone oscillation. ***Continue in tempo, ignoring the conductor’s acceleration. Stop at the large cutoff at measure 54. Do not crescendo.

legato

10

accel. poco a poco 44

=

1

3 3

Fl.

2

3 3

Piccolo

to Piccolo 3

3 3

1 sub.

Ob.

2 sub.

3 sub.

1

Cl.

2

3

1 2 Bn. 3 1. and 2. remove mute 1 2 Hn.

4. speed up oscillation

3.

cresc.

3 4 3.

4.

1.

1 2 Tpt.

(3.)

open

3. remove mute

3 4 1., straight mute Tbn.

Bs. Tbn., straight mute

open

remove mutes

3

Bs.Tbn. Tba.

2. open

1. remove mute

3

1 2

Tba., mute

brassy a2

brassy

Timp.

(Vib.) 1

Tambourine 2 Wood Blocks

Perc.

3

S.D., rimshot

15

4

Pno.

Hp.

accel. poco a poco via sord.

= I Vn.

via sord.

div.

II

speed up oscillation Va. cresc. div.

Vc. tutti, unis., arco, senza sord.

Cb.

11

= 144

49 Picc. 1

8va

1 Fl. 2

1

Ob.

2 to English Horn 3

1

Cl.

2 to Bass Clarinet 3

1 2 Bn.

to Contrabassoon

Contrabassoon

3 1.

1 2 Hn. 3.

3.

3 4 a2

2. to straight mute

1 2 Tpt. 3 4

Tbn.

to straight mute

1 2 Bs. Tbn.

Bs.Tbn. Tba.

Timp.

1 Bass Drum 2 Perc.

W. Blk. 3

4

Pno.

Hp.

= 144 (IV)

IV

(IV)

IV

I Vn. unis.

II

pizz.

III Va.

pizz. unis.

Vc.

Cb.

div., arco

12 58 Picc. 1

1 Fl. 2

1 Ob. 2 English Horn, solo E.H.

1 Cl. 2

Bs. Cl. a2, soli Bn.

1 2

Cbn.

1 2 Hn. (3.)

3 4 2., con sord.

1 2 Tpt.

con sord.

3 4

Tbn.

1 2

Bs.Tbn. Tba.

Timp.

1

2 W. Blk.

Perc.

3

Tom-toms 4

Pno.

Hp.

I Vn. II

Va.

div., arco unis., pizz.

Vc. pizz.

Cb.

13 66

to Flute

Picc. 1

1 Fl. 2

1 Ob. 2

E.H.

1 Cl. 2

Bs. Cl. a2 Bn.

1 2

Cbn.

1 2 Hn. 3 4 2. remove mute 1. (open)

2. open

1 2 Tpt.

remove mute

4., open

3. open

3 4 2. to straight mute Tbn.

1., solo (open)

1 2 to straight mute

Bs.Tbn. Tba.

Timp.

8

1 B.D. 2 Perc.

W. Blk. 3 T.-t.

4

Pno.

Hp.

div., arco

pizz.

I Vn.

pizz.

arco

pizz.

arco

div.

II

div.

Va.

unis., pizz.

arco

div.

Vc.

arco Cb.

div.

al sord.

14 75

rall. poco a poco

*

1

* Fl.

2

Flute

to Piccolo

*

3

* 1

*

Ob. 2

* E.H.

1 Cl. 2

Bs. Cl.

Bn.

1 2

Cbn. * open

* 1 2 Hn.

open * 3 4

1 2 Tpt. 3 4 (1.)

Tbn.

to straight mute

1 2 Tuba, with mute

Bs.Tbn. Tba.

Timp.

Xyl.

Vib.

8

1 Pedal 2 Perc.

3

4

Pno.

Hp.

rall. poco a poco I Vn. II unis.

Va. unis.

Vc.

unis., pizz.

Cb.

*Play chromatic, angular, ad lib. descending lines as fast as possible, making a diminuendo to niente.

15 79 Picc.

= ca. 84–92

(rall.)

1

1 Fl. 2

1 Ob. 2

E.H.

1 Cl. 2

Bs. Cl. * Bn.

1 2

* Cbn.

1 2 Hn. 3 4

1 2 Tpt. 3 4 straight mute Tbn.

2. remove mute

1 2

straight mute (Tuba) Bs.Tbn. Tba.

Timp.

(Vib.) 1

2 Perc.

3

4

Pno.

E C F B

gliss., with nail

Hp.

= ca. 84–92

(rall.)

I Vn. II al sord.

Va.

Vc. 2 soli, arco Cb. plodding *Play chromatic, angular, ad lib. descending lines as fast as possible, making a diminuendo to niente.

16 84 Picc.

=

1

1 Fl. 2

1 Ob. 2

E.H.

1 Cl. 2 to Clarinet Bs. Cl. 1., solo Bn.

1 2

3 3

3

3

3

3

3

3

sub.

Cbn.

1. gliss.

1 2 3

Hn. 3 4 1 2 Tpt. 3 4

1. (straight mute) Tbn.

1 2 3

Bs.Tbn. Tba.

Timp.

1 S.D., muffled 2 Perc.

3

4

Pno.

Hp.

= I Vn. II

Va.

Vc.

Cb.

17 90 Picc.

Piccolo

1 3

1 Fl. 2

1 Ob. 2

E.H.

1

Cl.

2

3 (1.)

3

Bn.

3

1 2 3

Cbn.

3

1.

1 2 brassy

Hn. 3 4 1 2 Tpt. 3 4

1. remove mute Tbn.

1 2 (with mute)

Bs.Tbn. Tba. sim.

Timp.

1

2 Perc.

3 Low Drum 3

4

Pno.

Hp.

I Vn. II 1. sola, con sord.

3

Va.

div. sul pont.

Vc. ord. tutti, div., sul pont.

Cb. ord.

3

18 95 Picc.

ten.

1

1 Fl. 2

1 Ob. 2

E.H.

1

Cl.

2

3 (1.)

Bn.

1 2

Cbn.

2. open 1.

1 2 brassy 4., open

Hn.

sub.

3 4 brassy to straight mute

sub.

1 2 brassy

Tpt.

sub.

3.

3. to straight mute

3 4 brassy

sub.

1., solo, open (ten.)

Tbn.

1 2 3

brassy

sub.

brassy

sub.

3

remove mutes

Bs.Tbn. Tba.

Timp.

1 Sus. Cym. 2 3

Perc.

B.D.

3 (Low Drum) 3

3

4

Pno.

Hp.

ten.

I unis., con sord.

Vn.

3

II

tutte, con sord.

Va. 3

al sord.

(arco, sul pont.)

unis., con sord.

Vc. 3

pizz. (arco, sul pont.)

arco al sord.

Cb.

pizz.

arco

unis., con sord.

19

= 144 100 Picc.

to Flute

1

1 Fl. 2

1 Ob. 2 solo E.H.

1

Cl.

2

Clarinet

to Bass Clarinet

3 a2, soli Bn.

1 2 Contrabassoon

Cbn.

1 2 Hn. 3 4 straight mute 1 2 Tpt. 3., straight mute 3 4 (1.)

Tbn.

1 2

Bs.Tbn. Tba.

Timp.

1

2 Perc.

W. Blk. 3

4

Pno.

Hp.

= 144 unis.

I Vn.

via sord.

senza sord.

II

pizz., senza sord.

via sord.

ord. col legno batt.

Va.

pizz.

via sord.

senza sord.

col legno batt.

Vc.

via sord.

Cb.

pizz., senza sord.

div. (col legno)

20 108 1

Fl.

2

3

Ob.

1

Ob.

2

E.H.

1 Cl. 2 Bass Clarinet Bs. Cl.

Bn.

1 2

Cbn.

1 2 Hn.

3. open 3 4 2. remove mute 1 2

Tpt.

3. remove mute 3 4 1., solo

Tbn.

1 2

Bs.Tbn. Tba.

Timp.

1 S.D. 2 Perc.

(W. Blk.) 3

4

Pno.

Hp.

col legno batt.

0

pizz.

arco

I Vn. col legno batt.

pizz.

arco

col legno batt.

pizz.

arco

div.

II

Va.

div., ord.

Vc.

arco Cb.

unis., pizz.

arco

div.

21

with ĂŠlan (

116

= 144)

1

Fl.

2

3

Ob.

1

Ob.

2

E.H.

1 Cl.

solo 2

solo Bs. Cl.

1.

Bn.

1 2

Cbn.

1 2 Hn. 3 4

1.

2. open 1 2

2. st. mute

Tpt.

1., straight mute 4. (open)

3. open

3., straight mute

3 4 2. open to harmon mute Tbn.

1 2 open

Bs.Tbn. Tba.

Timp.

1

2 Perc.

3

4

Pno.

Hp.

with ĂŠlan ( pizz.

I Vn.

unis., pizz.

II

unis., pizz.

Va.

pizz.

Vc. sub. pizz.

Cb. sub.

= 144)

22 124 1

Fl.

2 to Piccolo 3

Ob.

1

Ob.

2

E.H. solo 1 Cl. 2

Bs. Cl. (1.)

Bn.

1.

1 2

Cbn.

2.

1 2 Hn. 3.

3 4 1., solo, harmon mute to harmon mute 1 2 Tpt.

(3.)

3 4

Tbn.

1 2

Bs.Tbn. Tba.

Timp.

Vib. 1

2 Perc.

3

4

Pno.

8ba

Hp.

arco I dolce div., arco

Vn. II

dolce arco Va. dolce arco Vc. dolce Cb.

unis.

23 132 Picc.

=

1

1 Fl. 2

Ob.

1

Ob.

2

E.H.

1 cresc. poco a poco

Cl. 2

Bs. Cl.

(1.)

Bn.

a2

1 2 cresc. poco a poco

Cbn. cresc. poco a poco (2.)

1.

1 2 Hn.

(3.)

3 4 1. (harmon mute) 1 2

Tpt. 3 4 1., harmon mute Tbn.

1 2 Tuba, solo

Bs.Tbn. Tba. cresc. poco a poco

Timp.

1

2 Perc.

3

4

Pno.

Hp.

= I cresc. poco a poco

Vn. II

cresc. poco a poco Va. cresc. poco a poco div., arco

unis.

Vc. cresc. poco a poco

arco Cb. cresc. poco a poco

24 139 Picc.

1

1 3

Fl. 2

Ob.

1 3

Ob.

2 3

E.H.

1

Cl. 2

Bs. Cl.

a2 Bn.

1 2

Cbn.

1 2 Hn. 3 4 1. (harmon mute) 1 2 Tpt.

3

3 4 1. (harmon mute) Tbn.

1 2 3

Bs.Tbn. Tba. sub.

Timp.

1

2 Perc.

Castanets 3 W. Blk. 4

Pno.

Hp.

3

3

3

3

3

3

3

I marc.

Vn.

3

3

3

3

3

3

3

3

3

3

3

3

3

3

II marc. div.

3

3

3

unis., col legno batt.

ord.

col legno batt.

ord.

col legno batt.

Va.

div.

unis., col legno batt.

Vc. 0

Cb.

pizz.

25 145 Picc.

1

1 3

Fl. 2

Ob.

1

Ob.

2 3

E.H.

1 Cl. 2

Bs. Cl. a2 Bn.

1 2

Cbn.

with mute ossia: 1 2

remove mute

gliss.

3

Hn.

3

3.

3 4

subito 2. harmon mute

1. (harmon mute)

1 2 Tpt.

3. (straight mute)

3. open

remove mute

3 4 harmon mute*

3

change to straight mute Tbn.

1 2

gliss.

3

Bs. Tbn. to straight mute Bs.Tbn. Tba.

Timp.

1

2 Perc.

3 W. Blk. 4

Pno.

Hp.

non div.

3

3

3

I Vn.

3

sub.

pizz.

3

3

non div., arco

3

II 3

ord.

sub.

Va. ord.

sub.

Vc. sub. arco Cb. sub. *Horns play only if the Trombones cannot play the notes. Glissando for full value of the note.

26 Piccolo

151 Picc.

1 *

1

Fl. 2

Ob.

1

Ob.

2

E.H.

1 Cl. 2

Bs. Cl. (a2) Bn.

1 2

Cbn.

a2 1 2

3

3

3

3

Hn. 3 4 (1.)

1. and 2. remove mute

1 2 Tpt. to harmon mute 3 4

Tbn.

1 2

Bs.Tbn. Tba.

Timp.

1

2 Perc.

3

4

Pno.

Hp.

I Vn. II

Va.

Vc.

Cb. *Ossia Flute 1 doubles Flute 2

3., harmon mute

remove mute

27 157 Picc.

1 soli 1

Fl.

soli 2

1 Ob. 2

E.H.

1 Cl. 2

Bs. Cl.

Bn.

1 2

Cbn.

1., solo 1 2

3

Hn. 3.

3 4 open

1. and 2. to straight mute

1 2 Tpt.

4:3

4:3 to straight mute

3., open 3 4 4:3

4:3 2., straight mute

Tbn.

1 2 3., straight mute

Bs.Tbn. Tba.

Timp.

1

2 Perc.

3

4

Pno.

Hp.

I Vn. II div.

unis., pizz.

Va.

pizz.

Vc.

Cb.

28 161 Picc.

1

1 Fl. 2

1 Ob. 2

E.H. 3

3

3

3

1 dolce Cl.

3 3

3 3

2 dolce Bs. Cl. a2 Bn.

1 2

Cbn.

1 2 Hn.

(3.)

3 4 straight mute 1 2

Tpt. 3 4 (2.)

Tbn.

1 2 (3.)

Bs.Tbn. Tba.

Timp.

1

2 Perc.

3

4

Pno.

3

3

3

3

3

3

3

3

Hp.

I div.

Vn.

unis.

II dolce arco Va.

arco Vc.

pizz.

Cb.

29 167 Picc.

1

1 Fl. 2

1 Ob. 2

E.H. 3

3

3

3

3

3

3

3

1 dolce

Cl.

3 3

2 dolce Bs. Cl.

Bn.

1 2

Cbn.

1.

3

1 2 Hn. 3 4 remove mute 1 2 Tpt. 3 4

Tbn.

1 2

Bs.Tbn. Tba.

Timp.

1

2 Perc.

3

4

Pno.

3

Hp.

I

II dolce Va.

Vc.

arco Cb.

3

div.

Vn.

30 172 Picc.

1

1 Fl. 2

1 marc.

Ob. 2

marc.

E.H.

1 Cl. 2

Bs. Cl. a2 Bn.

1 2

Cbn.

1 2 Hn. marc.

3 4 open 1 2 Tpt.

3., straight mute 3 4

Tbn.

1 2

Bs.Tbn. Tba.

Timp.

1

2 Perc.

3

4

Pno.

Hp.

unis., arco div., pizz.

I marc.

Vn.

non div. unis.

II div., pizz.

unis., arco

Va.

Vc.

pizz.

Cb.

arco

31 177 Picc.

=

1

* 1 Fl. 2

1 Ob. 2

E.H.

1 Cl. 2

Bs. Cl.

Bn.

1 2

Cbn.

a2 1 2

3

3

3

3

Hn. 3 4 to straight mute

straight mute

remove mute

1 2 Tpt.

(3.)

remove mute

3 4

Tbn.

1 2

Bs.Tbn. Tba.

Timp.

1

2 Perc.

3

4

Pno.

Hp.

= I Vn. II

Va.

Vc.

Cb. *Ossia double Flute 2.

32 182 Picc.

=

1

1 Fl. 2

1 Ob. 2

E.H.

1 Cl. 2

Bs. Cl.

Bn.

1 2

Cbn.

1 2 Hn. 3 4

open

1 2 Tpt. 3., open

3. to straight mute

3 4

1., 2. straight mute remove mute

Tbn.

1 2 3. (straight mute)

Bs. Tbn. remove mute

Bs.Tbn. Tba.

Timp.

1

2 Perc.

3

4

Pno.

Hp.

= I Vn.

div. a3 II div., pizz.

Va.

Vc.

pizz.

Cb.

33 186 Picc.

1

1 Fl. 2

1 Ob. 2

E.H.

1 Cl. 2

Bs. Cl. a2 Bn.

1 2

Cbn.

1.

1 2 Hn. 3 4 3

3

1 2 3

Tpt.

3., solo, straight mute 3 4

3

3. remove mute 3. open

3

4. open Tbn.

1 2

Bs.Tbn. Tba.

Timp.

Xylophone

8

1

2 Perc.

3

4

Pno.

3

3

Hp.

3

3

non div.

I

Vn. unis.

II

unis., arco

Optional:

div., pizz.

Va. Optional:

pizz.

Vc.

arco Cb.

Optional: 0

pizz.

34 192 Picc.

1

1 Fl. 2

1 Ob. 2

E.H.

1 Cl. 2

Bs. Cl. a2 Bn.

1 2

Cbn.

3

3

3

3

1 2 Hn. 3 4

1 2 Tpt.

3

3

3

3

3

3

3

3

4.

3 4 3

3

3

3

3

3

open Tbn.

1 2 3

3., open Bs.Tbn. Tba.

Timp.

8

1

15

2 Perc.

3

4

Pno.

3

3

Hp.

unis. div.

I Vn. II

unis., arco Va.

arco Vc.

arco Cb.

35

rall.

*

196 Picc.

1 3

3

*

1 3

Fl.

3

*

2 3

3

* 1

3 3

3

3

*

Ob. 2

3 3

3

3

E.H. * 1

3

3

* Cl. 2

3

3

to Clarinet Bs. Cl.

Bn.

1 2

Cbn.

1 2 Hn.

3 3

3 3

3 4 1.

1. and 2. to straight mute

1 2 3

Tpt.

3

(3.)

3 4

3. and 4. to straight mute

3 3

Tbn.

1. to straight mute

1 2

Tuba, solo Bs.Tbn. Tba.

Timp.

Xyl.

8

1 3

Glock.

15

2

3

3

B.D.

Perc.

3

3 Vib. 4

Pno.

8ba

Hp.

rall.

div.

al sord.

I 3

Vn.

3

3 3

3

3

div.

II

(div.)

0 0

div. 3

3

3

3

Va.

div.

0

Vc. 0

Cb.

*Play chromatic, asymmetric ad lib. lines as fast as possible, while articulating a diminuendo to niente.

al sord.

36

= ca. 80

200 Picc.

1

1 legatissimo

Fl. 2

1 Ob. 2

E.H. 3

3

3

3

1

legatissimo Cl.

2

3 1.

Bn.

1 2 legatissimo

Cbn.

2.

3

3

1 2 legatissimo

Hn. 3 4 1 2 Tpt. 3 4

Tbn.

1 2 (Tuba)

Bs.Tbn. Tba.

Timp.

8

1 15

2 Perc.

(B.D.) 3

4

Pno.

8ba

Hp.

= ca. 80 I Vn. II al sord.

Va. al sord.

Vc. div.

Cb.

3

3

3

37 206 Picc.

1

1 Fl. 2

1 Ob. 2 3

3

E.H.

3

dolce, espr.

1

Cl.

2

3 3

3

a2 Bn.

1 2

3

dolce, espr.

Cbn.

(2.)

1., with mute

1 2 3

Hn.

3

3

3

legatissimo

3 4 1 2 Tpt. 3 4 1., straight mute Tbn.

remove mute

1 2 3

3

3

3

3

3

legatissimo

Bs.Tbn. Tba.

Timp.

8

1 15

2 Perc.

3

4

Pno.

3

D C B EF GA

Hp.

3

unis., con sord.

I Vn.

legatissimo

unis., con sord.

II legatissimo

unis., con sord.

3

3

3

3

3

Va.

unis., con sord.

Vc. legatissimo

Cb.

legatissimo

3

3

3

3

3

3

3

38 211 Picc.

1

1 3

Fl.

3

3

3

3

3

3

2

1 legatissimo

Ob. 2 3

3

E.H. molto 1

Cl.

2

3

Bn.

1 2 3

3

molto

Cbn.

(1.)

3

1 2 3

Hn.

3

3

3

3

3

3

3

3 4 1 2 Tpt. 3 4

Tbn.

1 2

Bs.Tbn. Tba.

Timp.

8

8

1 15

2 Perc.

3

4

Pno.

3

3

C

Hp.

D

C

C

B

I 3

Vn.

3

3

3

3

3

II

Va. 3 3

3

3

3

3

Vc. 3 3

Cb.

legatissimo

3

3

3

3

39 215 Picc.

**

1

** 1 *

Fl. 2

( ) ** 1 Ob.

* 2 ( ) to Oboe

Oboe **

E.H. **

possibile

1

* Cl.

2 ( )

** Clarinet

3

** 1 Bn.

possibile

*

2 ( ) Cbn.

= ca. 84

(1.)

1 2 3.**

Hn. 3 4 * 1 2 Tpt. 3 4 Tbn.

1 2

Bs.Tbn. Tba.

Timp.

Crot.**

15

1 Glock.,** soft sticks 15

2 Perc.

3

4

Pno.

Hp.

= ca. 84 div. a3 I Vn. div. a3 II div. a4 Va. sul tasto (con sord.)

Vc. dolce, singing Cb. *Players finger note in parentheses. Do not play. At random moments, several seconds apart, play the indicated note and dynamic contour from niente to pianissimo back to niente. Wait several seconds before repeating. **Play short figures in box in any order. Wait several seconds (varying the wait) before playing the next figure. Figures may be repeated. Continue until conductor gives left-hand cue, then slowly fade out.

40 222 Picc.

1

1 Fl. 2

1

Ob.

2

3

1

Cl.

2

3

Bn.

1 2

Cbn.

1 2 Hn.

(3.)

3 4 1 2

Tpt. 3 4

Tbn.

1 2

Bs.Tbn. Tba.

Timp.

15

(Crot.)

15

(Glock.)

1

2 Triangle

Perc.

3

Vib. 4

Pedal

Pno.

l.v.

dolce

Hp.

I Vn. II

Va.

Vc. (actual pitch) l.v.

Cb.

41 230 Picc.

1

1 Fl. 2

1

Ob.

2

3

1

Cl.

2

3

Bn.

1 2

Cbn.

1 2 Hn.

(3.)

3 4 1 2

Tpt. 3 4

Tbn.

1 2

Bs.Tbn. Tba. felt sticks Timp.

15

(Crot.)

15

(Glock.)

1

2 Perc.

3

4

Pno.

l.v. sempre 8va

loco

solo *

(loco)

Hp.

filigreed, crystalline senza sord.

2 Solo Vn.

Vn. I gli altri

Vn.

II

Va.

Vc. div.

Cb. *Grace notes played on the beat for first beat of measure only.

42 236 Picc.

1

1 Fl. 2

1

Ob.

2

3

1

Cl.

2

3 (1.)

Bn.

1 2 (2.)

Cbn.

1 2 Hn.

(3.)

3 4 1 2

Tpt. 3 4

Tbn.

1 2

Bs.Tbn. Tba.

Timp.

15

(Crot.)

15

(Glock.)

1

2 Trg.

Perc.

l.v.

3 Vib. 4

Pedal

solo

Pno.

filigreed, crystalline

8va

ossia:

Hp.

(loco)

dolce

2 Solo Vn.

Vn. I gli altri

Vn.

II

Va.

Vc. (l.v.)

Cb.

l.v.

43 242 Picc.

**

1

1 Fl. 2

1

Ob.

2

3

1

Cl.

2

3 (1.)

Bn.

1 2 (2.)

Cbn.

1 2 Hn.

(3.)

3 4 1 2 Tpt. 3 4

Tbn.

1 2

Bs.Tbn. Tba.

Timp.

15

(Crot.)

15

(Glock.)

1

2 Perc.

3 (Vib.) 4 (Ped.)

*

Pno.

Hp.

(l.v.)

2 Solo Vn.

Vn. I gli altri

Vn.

II

Va.

div.

Vc. senza dim.

Cb. *First beat, grace notes on the beat. **Left hand cue from the conductor. Diminuendo to niente

senza dim.

44 247 Picc.

rall.

to Flute

1

1 Fl. 2

1

Ob.

2

3

1 to E Clarinet Cl.

2

3 (1.)

Bn.

1 2 (2.)

to Bassoon

Cbn.

1 2 Hn.

(3.)

3 4 1 2

Tpt. 3 4

Tbn.

1 2

Bs.Tbn. Tba.

Timp.

8

(Crot.)

15

(Glock.)

1

2 Perc.

3 Vib. 4 3

Pno.

l.v. sempre

Hp.

rall.

unis.

2 Solo Vn. unis.

Vn. I gli altri unis.

Vn.

II div. a2

Va.

unis.

Vc.

Cb.

3

45

Slightly slower

252

= ca. 72–75 (

= 48–50)

1

Fl.

2

3

1

Ob.

2

3

Cl.

E

1

Cl.

Cl.

3

1 2 Bn. 3

1 2 Hn. 3 4 1 2 Tpt. 3 4

Tbn.

1 2

Bs.Tbn. Tba.

Timp.

Glock.

15

1 15

2 Trg.

Perc.

l.v.

3 Vib. 4

Pno.

Hp.

Slightly slower

= ca. 72–75 (

= 48–50)

Solo Vn. free bows (con sord.)

dolce

Vn. I gli altri legatiss., poco rubato, asynchronous free bows (con sord.)

Vn.

II legatiss., poco rubato, asynchronous unis.

Va.

div. a4 Vc.

Cb.

46 stagger breath =

256 1 poss., legatiss., poco rubato, asynchronous stagger breath

Fl.

2 poss., legatiss., poco rubato, asynchronous stagger breath Flute 3 poss., legatiss., poco rubato, asynchronous 1

Ob.

2

3 stagger breath Cl.

1 poss., legatiss., poco rubato, asynchronous

E Cl. stagger breath Cl.

3 poss., legatiss., poco rubato, asynchronous 1 2

Bn.

Bassoon 3

1 2 Hn. 3 4 1 2 Tpt. 3 4

Tbn.

1 2

Bs.Tbn. Tba.

Timp.

15

1 15

2 Perc.

3 (Vib.) 4

Pno.

l.v. sempre

*

l.v.

Hp.

= I

Vn. II

Va.

gli altri, div. a4

1 solo

tutti

Vc. 1 solo (con sord.)

Cb. *On the beat.

legatissimo

47

= ca. 48–50 261

=

1

Fl.

2

3

1

Ob.

2 Oboe 3

Cl.

1

E Cl.

Cl.

3 a2, soli 1 2 3

Bn.

3

to Contrabassoon 3 1., slow quarter tone oscillation

slow quarter tone oscillation 2.

ord.

3

3

1 2 Hn. 3

3 4

3

1., solo (mute) 1 2 3., with harmon mute, slow quarter tone oscillation

Tpt. 3 4

1., solo, open Tbn.

3

1 2

3

Bs.Tbn. Tba.

Timp.

8

1 S.D.

15

2 Tamb.

Perc.

3 Vib., softest sticks 4 blur, poco rubato, asynchronous Pedal

Pno.

Hp.

= ca. 48–50 = I Vn. II free bows (con sord.)

Va. legatiss., poco rubato, asynchronous

Vc.

pizz.

Cb.

48

= 96–100, accel. poco a poco

265 1

Fl.

2 to Piccolo 3

1

Ob.

2 to English Horn 3

Cl.

1 E Clarinet

E Cl. to Bass Clarinet Cl.

3

Bn.

1 2

Cbn. (slow quarter tone oscillation)

sim.

1 2

slow quarter tone oscillation

sim.

Hn.

sim.

3 4 sim.

(1.)

1 2 Tpt. 3 4 Tbn.

1 2

Bs.Tbn. Tba.

Timp.

= 60 Glock.

15

4-5 sec.

1 l.v.

(S.D.) 2 Perc.

(Tamb.)

3

(Vib.)

to Crotales

= 74

15

Crot.

4-5 sec.

4 l.v. = 70 8

8va

3-4 sec. l.v.

Pno.

Hp.

= 96–100, accel. poco a poco pizz.

8va

Solo Vn.

senza sord. via sord.

I Vn.

via sord.

senza sord.

II senza sord. via sord.

Va. via sord.

Vc.

(pizz.)

Cb.

arco

8va

pizz.

arco

49

= 144

= 96

271

accel. poco a poco

=

Picc.

1 Fl. 2

1 Ob. 2

E.H.

Cl.

1

E Cl.

Bs. Cl.

Bn.

1 2

Cbn. sim.

1 2 Hn.

sim.

3 4 (1.)

1 2

Tpt. 3 4 1. open Tbn.

to straight mute

1 2 Bs. Tbn.

Bs. Tbn. to straight mute

Bs.Tbn. Tba.

Timp.

15

(Glock.)

1 (S.D.) 2 Perc.

(Tamb.)

3 15

(Crot.)

4

Pno.

15

Hp.

= 144

= 96 =

Solo Vn.

div.

I

Vn.

div.

II

div.

Va.

div., senza sord.

Vc.

Cb.

accel. poco a poco

50

(accel.)

275 Picc.

1 Fl. 2

1 Ob. 2

E.H.

Cl.

1

E Cl.

Bs. Cl.

Bn.

1 2

Cbn. ord.

1 2 Hn. ord.

3 4

(1.)

1 2 Tpt. 3 4 with straight mutes, slow quarter tone oscillation, asynchronous Tbn.

1 2

Bs.Tbn. Tba.

Timp.

15

(Glock.)

1 (S.D.) 2 Perc.

(Tamb.)

3

15

(Crot.)

4

Pno.

gliss.

Hp.

(accel.)

Solo Vn. unis.

I Vn. II

unis.

Va.

via sord.

Vc.

Cb.

51

= 144 279 Picc.

1 Fl. 2

1 Ob. 2

E.H.

Cl.

1

staccatissimo

to B Clarinet E Cl. Bass Clarinet Bs. Cl. a2 Bn.

stacc.

1 2 stacc.

Contrabassoon

Cbn. stacc.

2.

1 2 staccatissimo

Hn.

4.

3 4 staccatissimo 1 2

Tpt. 3 4 1. sim.

Tbn.

2. sim.

1 2 with straight mute slow quarter tone oscillation Bs. Tbn. remove mute

Bs.Tbn. Tba.

Timp.

15

(Glock.)

1 (S.D.) 2 Perc.

3 15

(Crot.)

4

Pno.

l.v.

Hp.

l.v.

= 144 I Vn. II

Va. staccatissimo

unis.

Vc. staccatiss. arco Cb. staccatiss.

52 285

=

Picc.

1 Fl. 2

1 Ob. 2 English Horn E.H.

1 Cl. sub.

B Clarinet 2

Bs. Cl. (a2) Bn.

sub.

1 2 sub.

Cbn.

etc.

(2.)

slow quarter tone oscillation

1 2 Hn.

sub. etc.

(4.)

slow quarter tone oscillation

3 4 sub.

1 2 Tpt. 3 4

Tbn.

1 2 Bs. Tbn. open

Bs.Tbn. Tba.

Timp.

15

(Glock.)

sub.

1 S.D. 2 Perc.

B.D. 3 15

(Crot.)

4

Pno.

Hp.

= I staccatissimo Vn.

unis.

II staccatissimo

Va. sub.

Vc. sub. arco Cb.

div.

staccatissimo

53 290 Picc.

1 sub.

Fl. 2

soli 1 Ob.

soli 2

E.H.

1 sub.

Cl. 2

Bs. Cl. a2 Bn.

1 2 sub. to Bassoon

Cbn. sub.

2.

3

1 2 Hn.

4.

3 4 sim.

1 2

2. straight mute a2

ten.

straight mutes

ten.

Tpt. 3 4

Tbn.

1 2

Bs.Tbn. Tba.

Timp. sub.

15

(Glock.)

1 S.D. 2 Perc.

3 15

(Crot.)

4

(Piano)

Pno.

Hp.

I sub.

Vn.

pizz.

II pizz.

div., arco

unis.

Va. sub. unis.

pizz.

div., arco

unis., pizz.

Vc.

pizz.

Cb.

sub.

54 296 Picc. soli 1 Fl. soli 2

1 Ob. 2 soli E.H.

1 Cl.

(

poss.)

(

poss.)

2

Bs. Cl.

(a2)

a2

1 2 Bn. soli 3

3

3

3

1 2 (

Hn.

poss.)

ord.

3 4

1 2 Tpt. 3 4 (straight mute) Tbn.

1 2

Bs.Tbn. Tba.

Timp.

15

8

1 (S.D.) 2 Perc.

Tamb.

3 15

4

Pno.

Hp.

I Vn.

arco II

Va.

Vc.

Cb.

55 302 Picc.

1 Fl. 2

1 Ob. 2

E.H.

1 Cl. 2

Bs. Cl.

a2 1 2 Bn. Bassoon 3 3

1 2 gliss.

Hn. 3 4

1., open

2., con sord.

1. remove mute 1 2

3

3

Tpt.

2. remove mute

3

a2 (con sord.)

3

3

3 4

3. remove mute

3

3

3

open remove mute Tbn.

1 2 3

Bs.Tbn. Tba.

Timp.

Xyl. 8

1

2 Perc.

(Tamb.)

3 3

15

4

Pno.

Hp.

I Vn. II

pizz. arco

pizz.

Va.

div.

pizz.

Vc.

arco Cb.

solo, sul pont.

tutti, pizz.

56

molto rall.

308

(ten.)

Picc.

1 Fl. 2

1 Ob. 2

E.H.

1 Cl. 2

to Clarinet Bs. Cl.

1 2 Bn. 3

3

1 2 gliss.

Hn.

a2 3 4 2. open 1.

1 2

Tpt. 3 4

Tbn.

1 2

Bs.Tbn. Tba.

Timp.

Xyl.

8

15

1

2 Perc.

3 15

4

Pno.

Hp.

molto rall.

(ten.)

I Vn. II

pizz.

div., arco

arco Va.

arco Vc.

arco

div.

solo, sul pont.

Cb. gli altri (div.)

57

a tempo Piccolo

314 Picc.

1

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

Fl.

2

1

3

Ob. 2 3

E.H. 3

1

Cl.

3

3

3

3

2 Clarinet

3

3

1 2

3

Bn. 3 3

1 2 Hn. 4.

3 4

3

2. to straight mute 1 2 Tpt.

3. open

3. to straight mute

3 4

Tbn.

1 2

Bs.Tbn. Tba.

Timp.

Glock.

3

15

3

3

1

Trg. 2 Perc.

Tamb.

3 3

Cast.

4

Pno.

Hp.

a tempo I Vn.

0

II unis.

Va. unis.

Vc.

arco

tutti, unis., ord.

0

Cb.

pizz.

0

3

58 320 Picc.

1 Fl. 2

1

3

Ob. 2 3

E.H. 3

1

Cl.

2

3

3

1 2 3

Bn. 3

3

1 2 Hn.

brassy

3.

(4.)

3

3 4

4.

3

3

brassy 3

3

3

2. straight mute 1 2

1.

Tpt.

3. straight mute 3 4 to straight mute

Tbn.

(4. straight mute)

1.

1 2 Bs. Tbn. and Tuba to straight mute

Tuba

molto

Bs.Tbn. Tba.

Timp.

8

1

2 Perc.

(Tamb.)

3 3

4

8va

Pno.

Hp.

martelĂŠ I martelĂŠ

Vn. II

* Va. *

marc.

Vc.

pizz.

marc. arco 0

Cb.

*Play chromatically between and including the pitches in the box. Vary patterns (no scales). Bow and finger as fast as possible. Stay within the pitches indicated in the boxes as the pitches rise.

59 326 Picc.

1

3 3

3

3

3

Fl.

2

3

1 Ob. 2

E.H. 3

1

3 3

Cl.

2 3 3

3

3

1 2 3

Bn.

3 3

3 3

1 2 Hn.

brassy 3.

3 4

3

3

3

3

4.

3

brassy (1., open)

2.

2. open

1. (open)

3

3

1 2 3

Tpt. (straight mute)

remove mute

open 3

3

3 4 2. straight mute open

remove mutes Tbn.

1 2

Tba., straight mute

Bs. Tbn. open

remove mutes

3

3

3

3

Bs.Tbn. Tba. Bs. Tbn., straight mute

Tuba, open 3

3

Timp.

Glock.

Xyl.

8

15

3

3

1 S.D., rim shot 2 3

Perc.

Tamb.

3

4 to Synthesizer (organ sound)

Pno.

3

Hp.

3

3 3

I Vn. II

Va. unis.

3

3

Vc. 3

Cb. 3

60 332 Picc.

1 3

3

3

3

3

3

3

3

Fl. 2

1 Ob. 2

E.H.

1

Cl.

2

3

a2 1 2 3 3

Bn.

3 3

3

2. to mute 1 2 3

Hn.

3

4.

3. and 4. to mute

3 4 3

3

3

3

3

3

2. to whispa mute

1 2 Tpt. 3.

3. and 4. to whispa mute

3 4 to straight mute Tbn.

1 2 3 3

3 3

to straight mute

Bs.Tbn. Tba.

to mute 3

3

Timp.

(Glock.)

15

8

Xyl.

1 3

3

S.D. 2 Perc.

W. Blk. 3

4

Synth.

3 3

Hp.

3 3

I

Vn. II

al sord.

Va. 3

3

Vc. 3

Cb.

3

al sord.

61 338 Picc.

1 Fl. 2

1

dim.

Ob. 2

dim.

E.H.

dim.

1

Cl.

2

3 (a2)

1.

1 2

dim.

Bn. 3

1 2 Hn. 3 4 1 2 Tpt. 3 4

Tbn.

1 2

Bs.Tbn. Tba.

Timp.

8

1 Trg. 2 Perc.

Tamb.

3 Vib. 4

Synth.

Hp.

I

dim.

Vn.

pizz.

al sord.

II con sord.

Va.

dim. al sord.

Vc.

Cb.

62 344 Picc. *

rall.

1

dim.

Fl.

* 2

dim.

1 Ob. 2

E.H.

1

Cl.

2

3

1 2 Bn. 3

1 2 Hn. 3 4 1 2 Tpt. 3 4

Tbn.

1 2

Bs.Tbn. Tba.

Timp.

8

1

2 Perc.

3

4

Synth.

Hp.

al sord.

I Vn.

div. a3, arco, con sord.

II

Va.

Vc.

Cb. *Flutes cue each other in tempo change (rall.).

63 347 Picc.

(rall.)

1

(rall.)

Fl. 2

1 Ob. 2

E.H.

rall.

free, slow, asynchronous pulses 1

poss. free, slow, asynchronous pulses Cl.

to Clarinet in A

2 free, slow, asynchronous pulses

to Bass Clarinet

3

1 2 Bn. 3

1 2 Hn. 3 4 1 2 Tpt. 3 4

Tbn.

1 2

Bs.Tbn. Tba.

Timp.

8

1

2 Perc.

3

4

Synth.

Hp.

div. a4, con sord.

I Vn.

div. a4 II

div.

Va. div. a4, con sord.

Vc. 1/2 section, con sord. (actual pitch)

Cb. 1/2 section, con sord.

64

Adagio,

= 60

350 Picc.

1 Fl. 2

1 Ob. 2

E.H.

1 Cl. 2

Bs. Cl.

1 2 Bn. 3

1. solo (open) floating

3

1 2

Hn.

2. mute mute 3 4 1 2

Tpt. 3 4 straight mute Tbn.

1 2 straight mute

Bs.Tbn. Tba.

Timp.

8

1

2 Perc.

3

4

Synth.

Hp.

Adagio,

= 60

I Vn.

div. a2 (con sord.)

II

div. (con sord.)

Va.

div. a2 (con sord.)

Vc. unis. (con sord.)

Cb.

65 356 Picc.

1 Fl. 2 solo 1 floating

Ob. 2

E.H.

1 Cl. 2

Bs. Cl.

1 2 Bn. 3

poss.

1 2 Hn.

1.

3 4 1 2

Tpt. 3 4

Tbn.

1 2

Bs.Tbn. Tba.

Timp.

8

1

2 Perc.

3

4

Synth.

Hp.

I Vn. II

Va.

Vc.

Cb.

2.

66 362 Picc.

1 Fl. 2

1 poss.

Ob. 2

E.H. solo 1 Cl. 2

Bs. Cl.

1 2 Bn. 3

(2.)

1. with mute

remove mute

1 2 (1.)

Hn.

2.

3 4 1 2 Tpt. 3 4

Tbn.

1 2

Bs.Tbn. Tba.

Timp.

8

1

2 Perc.

3

4

Synth.

Hp.

I Vn. II

Va.

Vc. div.

Cb.

67

rall.

368 Picc. solo 1 3

3

3

Fl. 2

1 Ob. 2

E.H.

1 Cl. 2

Bs. Cl.

1 2 Bn. 3

1. open 2.

1 2 Hn. 3 4 1 2 Tpt. 3 4

Tbn.

1 2

Bs.Tbn. Tba.

Timp.

8

1

2 Perc.

3

4

Synth.

Hp.

rall.

div. a2 (con sord.)

I Vn. II

Va.

Vc.

unis.

Cb.

68 374

a tempo

Picc.

1 3

Fl. 2

1 3

Ob. 2

E.H.

1 Cl. 2

Bs. Cl. 1.

1 2 Bn. 3

3

1 2 Hn. 4.

3 4 (open) 1 2 Tpt. 3 4

Tbn.

1 2

Bs.Tbn. Tba.

Timp.

8

1

2 Perc.

3

4

Synth.

Hp.

a tempo I Vn. II

Va.

Vc.

Cb.

1.

69 380 Picc.

1 Fl. 2

1 Ob. 2

E.H.

1 Cl. 2

Bs. Cl. (1.)

1 2 Bn. 3

1. with mute 1 2 Hn.

4.

3 4 (1.)

1 2 Tpt. 3 4

Tbn.

1 2

Bs.Tbn. Tba.

Timp.

8

1

2 Perc.

3

4

Synth.

Hp.

I Vn. II

Va.

Vc.

Cb.

70 386 Picc.

1 Fl. 2

1 Ob. 2 3

to Oboe

3

E.H. 3

1 Cl. 2

Bs. Cl. (1.)

1 2 3

Bn. 3

1. remove mute 1 2 Hn. 3 4 (1.)

1 2 poss.

Tpt. 3 4

Tbn.

1 2

Bs.Tbn. Tba.

Timp.

8

1

2 Perc.

3

4

Synth.

Hp.

unis.

I

Vn.

unis.

II

(div.)

Va.

(unis.)

Vc.

(unis.)

Cb.

3

71 392 Picc.

1 Fl. 2

1 cold Ob.

2 cold 3 to Clarinet in A

3

1 Cl. 2

Bs. Cl.

1 2 cold

Bn. 3

1 2 Hn. 3 4 1 2 Tpt. 3 4

Tbn.

1 2

Bs.Tbn. Tba.

Timp.

8

1

2 Perc.

3 Vib., motor off 4

Synth.

Hp.

1 solo, senza sord., quasi recit. urgent 1 solo via sord.

3 5

I Vn.

gli altri II

Va.

Vc.

Cb.

gli altri via sord.

3

3

72 396 Picc.

1 Fl. 2

1

Ob.

2

3

1 Cl. 2

Bs. Cl.

1 2 Bn. 3

1 2 Hn. 3 4 1 2 Tpt. 3 4

Tbn.

1 2

Bs.Tbn. Tba.

Timp.

Chimes

8

1

2 Perc.

3

4

Synthesizer (organ sound)

Synth.

Hp.

(1 solo) IV

3

3

I 3

Vn. II

Va.

via sord.

senza sord.

Solo Vc.

flowing

gli altri senza vib. (con sord.)

Cb.

73 401 Picc.

1 Fl. 2

1

Ob.

2

3

1 Cl. 2

Bs. Cl.

1 2 Bn. 3

1 2 Hn. 3 4 1 2 Tpt. 3 4

Tbn.

1 2

Bs.Tbn. Tba.

Timp.

Chimes

l.v.

1

2 Perc.

3

4

Synth.

Hp.

1 solo I slowly growing more intense

Vn. II

Va.

Solo Vc. gli altri

Cb.

slowly growing more intense

l.v.

74 406 Picc.

1 Fl. 2

1

Ob.

2

3 Clarinet in A*

1

Cl.

asynchronous Clarinet in A* 2

asynchronous Bs. Cl.

1 2 Bn. 3 3

(open) 1 2 Hn. 3 4 1 2 Tpt. 3 4

Tbn.

1 2

Bs.Tbn. Tba.

Timp.

Chimes

l.v.

l.v.

1

2 Perc.

3

4 to Piano

Synth.

*

etc.

Hp.

(solo) I 3

Vn.

div. (con sord.)

II

div. (con sord.)

Va. 3

Solo Vc.

div. (con sord.)

gli altri (con sord.)

Cb. *Play free waves of arpeggios on the given notes. Start niente, cresc. to pianissimo and fade to niente. The line should be legatissimo, blurred, and asynchronous with other players. Do not play any pitches that cannot be played at a dynamic of pianissimo. The waves should start slowly, accelerando as the pitches ascend, and ritardando as the pitches descend.

75 412 Picc.

1 Fl. 2

1

Ob.

2

3

1 etc.

(C7)

Cl.

2 etc.

(C7) Bs. Cl.

1 2 Bn. 3 poss.

(1.)

1 2 Hn. 3 4 1 2 Tpt. 3 4

Tbn.

1 2

Bs.Tbn. Tba.

Timp.

Chimes

l.v.

1

2 Perc.

3

4

Pno.

Hp.

play only EG B*

sim.

1 solo I Vn. II

Va. via sord.

Solo Vc. gli altri

Cb.

*Play free waves of arpeggios on the given notes. Start niente, cresc. to pianissimo and fade to niente. The line should be legatissimo, blurred, and asynchronous with other players. Do not play any pitches that cannot be played at a dynamic of pianissimo. The waves should start slowly, accelerando as the pitches ascend, and ritardando as the pitches descend. (Plucked notes, not a gliss.)

76 416 Picc.

* 1 etc.

Fl. * 2 etc.

1

Ob.

2 Oboe 3 cresc. poco a poco

1 etc.

Cl.

2 etc.

Bass Clarinet

*

Bs. Cl. etc. a2 1 2 cresc. poco a poco

Bn. 3 1. to mute

cresc. poco a poco 2.

1 2 Hn. 3 4 2. whispa mute 1 2 Tpt.

1.

1. straight mute whispa mute

3 4

Tbn.

1 2

Bs.Tbn. Tba.

Timp.

Chimes

l.v.

1

2 Perc.

3

4

play only D GA C

Hp.

Solo Vn. senza sord.

Vn. I gli altri cresc. poco a poco Vn.

II via sord.

senza sord. (div. a2)

Va.

Solo Vc.

via sord.

senza sord.

gli altri via sord.

senza sord.

Cb.

*Play free waves of arpeggios on the given notes. Start niente, cresc. to pianissimo and fade to niente. The line should be legatissimo, blurred, and asynchronous with other players. Do not play any pitches that cannot be played at a dynamic of pianissimo. The waves should start slowly, accelerando as the pitches ascend, and ritardando as the pitches descend.

77 421 Picc.

3

dim.

3

1 etc.

Fl. 2 etc.

1 3

Ob.

dim.

2

3

dim.

(cresc.)

1 etc.

Cl.

2 etc.

Bs. Cl. etc. (a2) 1 2 Bn.

(cresc.)

dim.

(cresc.)

dim.

3 1. remove mute 1 2 Hn. 3 4 (1.)

1. remove mute 1.

2.

1 2 Tpt.

1.

2.

dim.

3 4

Tbn.

1 2

Bs.Tbn. Tba.

Timp.

Chimes

l.v.

1

2 Perc.

3 Glock.

l.v.

15

4

A C F

Hp.

Solo Vn. div.

Vn. I gli altri (cresc.)

Vn.

II (div. a2)

Va.

Solo Vc. gli altri div.

Cb.

etc.

3

78 426 Picc.

etc.

1 Fl.

etc.

2

1

Ob.

2

3

etc.

1

Cl. etc.

2

Bs. Cl. etc. (a2) 1 2 to Contrabassoon

Bn. 3

1. open

2.

1 2

* *

Hn. 3 4

dim.

2.

1 2

*

1.

Tpt.

dim.

3 4

dim.

Tbn.

*

*

1 2

dim.

Bs.Tbn. Tba.

*

dim.

Timp.

(Chimes) 1

2 Perc.

3 15

4

Hp.

al sord.

Solo Vn.

al sord.

Vn. I gli altri

Vn.

II half section

Va. al sord.

Solo Vc. gli altri

Cb. *Breathe here only if needed to complete the diminuendo to niente.

79 432 Picc.

1 Fl.

to Piccolo 2 solo 1 3

Ob.

2

3

1 etc.

Cl. 2 etc.

Bs. Cl.

Bn.

1 2

Cbn.

3

1 2 Hn. 3 4 (2.)

1. to whispa mute

1 2

2.

(1.)

Tpt.

1. whispa mute

3 4

Tbn.

1 2

Bs.Tbn. Tba.

Timp.

1

2 Perc.

3 15

4

Pno.

play only D GB C

Hp.

play only A C F

etc.

etc.

tutti, div. a3 (5,5,4), con sord.

I Vn.

tutti (div.)

unis.

tutte, div. a2

(div. a2)

tutti, div., con sord.

(div. a2)

II

Va.

Vc. unis.

Cb.

80 437 1 Picc.

2 solo Fl.

1

1

Ob.

2

3

1 Cl. 2

Bs. Cl.

Bn.

1 2

Cbn.

(1.)

1 2 Hn.

(ten.)

3 4

(ten.)

1 2 Tpt.

3.

(ten.)

3 4

Tbn.

1 2

Bs.Tbn. Tba.

Timp. (ten.)

Chimes 1

2 Perc.

3 15

4

Pno.

rall.

Hp.

(ten.) div. a2 I 3

3

Vn. II

Va.

Vc. 1 solo via sord.

Cb.

81

= ca. 48 (rall.)

**

443 1

feathery

(rall.)

Picc. **Piccolo 2 feathery Fl.

1

accel. *** 1

Ob.

2

3

1 Cl. 2

Bs. Cl.

Bn.

1 2

Cbn.

1 2 Hn. 3 4 1., straight mute*** 1 2 evenly

Tpt. 3 4

Tbn.

1 2

Bs.Tbn. Tba.

Timp.

Chimes 1 Vib., bowed 2 Perc.

3 Glock., bowed 15

4

8va

*

Pno.

Hp.

= ca. 48 div., free bows

unis.

8va

*

I legato

Vn. II

Va.

Vc.

Cb. *Violin I and Piano continue in exact tempo without conductor after the double bar (m. 453). **Piccolos perform a slow and even rallentando, ignoring the conductor. ***Oboe 1 and Trumpet 1 play slowly and evenly, niether aligned nor in the tempo of Violin I. (In m. 453, Oboe 1 begins to accelerate. Trumpet 1 remains at the same tempo.)

82 446 Picc.

2

Fl.

1 graceful 1

Ob.

2

3

1 Cl. 2

Bs. Cl.

Bn.

1 2

Cbn.

1 2 Hn. 3 4 (1.)

1 2 Tpt. 3 4

Tbn.

1 2

Bs.Tbn. Tba.

Timp.

1 (Vib.) 2 Perc.

3 (Glock.)

15

4

8

Pno.

slow gliss., l.v.

feathery

Hp.

8

I Vn. II

Va.

Vc.

Cb.

83 447 Picc.

2

Fl.

1

1

Ob.

2

3

1 Cl. 2

Bs. Cl.

Bn.

1 2 Contrabassoon

Cbn. secco

1 2 Hn. 3 4 1 2 Tpt. 3 4

Tbn.

1 2

Bs.Tbn. Tba.

Timp.

1 Vib. l.v.

l.v.

2 Perc.

Pedal 3 15

l.v.

4

8

Pno.

l.v.

l.v.

Hp.

8

I slow gliss.

Vn.

div. a3, con sord.

II div. a4, con sord.

slow gliss.

Va.

Vc. 1 solo, senza sord.

3

Cb.

3

pizz.

arco

gliss.

gliss.

pizz.

arco, sul pont.

84

= 60

rall.

449 Picc.

2 (stretch) Fl.

1

3

(stretch)

1

Ob.

3

2

3

1 Cl. 2

Bs. Cl.

Bn.

1 2

Cbn.

1 2 Hn. 3 4 1 2 Tpt. 3 4

Tbn.

1 2

Bs.Tbn. Tba.

Timp.

1 (Vib.) 2 Perc.

3 Glock.

15

4

Pno.

(actual pitch) l.v.

Hp.

= 60

rall.

div. a3

I

div. a3 loco

8va

Vn. div. a2 II

unis.

Va. legatissimo div.

Vc.

Cb.

non cresc.