Ruders GUITAR CONCERTO NO 2 - PAGANINI VARIATIONS

EDITION WILHELM HANSEN WH30481

Poul Ruders

PAGANINI VARIATIONS GUITAR CONCERTO NO.2 1999-2000

Score

Commissioned by David Starobin and the Odense Symphony Orchestra Dedicated to David Starobin

Poul Ruders

PAGANINI VARIATIONS GUITAR CONCERTO NO. 2 1999 - 2000

for guitar solo and orchestra

Theme (from CAPRICE NO. 24 for violin solo)

Variations 1 - 21 Variations 22: Finale prestissimo

Premiered by David Starobin, guitar and the Odense Symphony Orchestra conducted by Jan Wagner 19 April 2001

Full Score Duration: ca. 18 min.

Edition Wilhelm Hansen, Copenhagen

Orchestra 2 Flutes (both db. Piccolos) 2 Oboes 2 Clarinets in B (both db. Clarinets in A) 2 Bassoons 2 Horns in F 2 Trumpets in B 1 Percussion (one player): (instruments in order of appearance:) Tubular Bells (Tub. B.) Vibraphone (Vibr.)

Glockenspiel (Glsp.)

Sand Paper (Sand P.) Tamtam (large) (Tamt.)

Mark Tree (Mark T.) Triangle (Trgl.)

Crotales (Crot.)

Guiro (Gui.) Whip Tambourine (Tbrin.)

1 Harp 1 Digital Piano (not a Synthesizer!), state of the art, with (at least) the following programmes: Piano, Electric Piano, Harpsichord, Vibes

Guitar solo Strings (suggested 10-8-6-4-2)

The score is not written in C All transposing instruments are notated in their relevant transpositions All accidentals apply to each single note only, with the exception of tied notes Naturals are for "safety" only

Poul Ruders PAGANINI VARIATIONS for guitar solo and orchestra

Preface / Programme Note There is a solid tradition in the history of Westen music of turning the theme of Niccolò Paganini’s CAPRICE NO. 24 for violin solo into a set of variations endemic to the time and style of each individual composer; Liszt, Brahms, Rachmaninov, and Lutoslawski being the most prominent names.

When I was asked by David Starobin to write a guitar concerto for him, I thought: “Well, why not have a go at it?”

– bearing in mind that not only is Paganini the most celebrated violin-wizard of all times, but he was also a more than accomplished guitarist.

There are 22 variations in all, numbers 1 to 16 all adhering strictly to the 16-bar pattern laid down by Paganini himself. From variation 17, though, the writing becomes more symphonic and the rigid 16-bar regime is not strictly followed any more. The last variation, Finale prestissimo, is a 6 X 16 bars “white-knuckle ride”, in which the hitherto soloistic role of the guitar gives way to that of a “primus inter pares” (i.e. “first among equals”).

As with another set of variations of mine, CONCERTO IN PIECES (based on a tune by Henry Purcell), the nature and shape of my PAGANINI VARIATIONS may be compared to a stroll through a hall of mirrors: the “portrait” – the theme – is gradually being distorted out of all recognition, but it is still the same “original” walking by.

Poul Ruders, June 2000

Poul Ruders PAGANINI VARIATIONER for guitar solo og orkester

Forord / Programnote Det er en hævdvunden tradition i den vesterlandske musik at komponere variationer over Niccolò Paganinis CAPRICE NR. 24 for violin solo, og hver ny variationsrække afspejler naturligvis sin egen tid og stil; mest prominent blandt Paganini-variationer er dem komponeret af Liszt, Brahms, Rachmaninov og Lutoslawski.

Da David Starobin bad mig om at skrive en guitarkoncert til ham tænkte jeg “hvorfor ikke kaste sig ud i det?” – idet jeg havde i tankerne at Paganini ikke blot er alle tiders mest berømte “violin-troldmand”, han var også en habil guitarist.

Jeg har komponeret 22 variationer i alt; nummer 1 til 16 holder sig strengt til Paganinis oprindelige 16-takters skema, men fra variation 17 bliver skrivemåden mere symfonisk, og 16-takters strukturen blødes op. Den sidste variation, Finale prestissimo, er en 6 x 16 takters hæsblæsende stafet, i hvilken guitaren bliver en “primus inter pares” (“først blandt ligemænd”) i stedet for hele tiden at være i forgrunden.

Lige som et andet af mine variationsværker, CONCERTO IN PIECES (baseret på et tema af Henry Purcell) kan mine PAGANINI VARIATIONER sammenlignes med en tur i et spejlkabinet; “portrættet” – temaet – bliver gradvist forvrænget, efterhånden til uigenkendelighed, men det er stadig den samme “original” der portrætteres.

Poul Ruders, juni 2000

for David Starobin

PAGANINI VARIATIONS for Guitar solo and Orchestra

TEMA Quasi Presto

Poul Ruders, 1999 - 2000 = 108

1 Flauto 2

1 Oboe 2

Clarinetto

1 2

in Si

2 2

1 Fagotto 2

1 Corno

5

sim.

5

sim.

in Fa

2 1 Tromba

2

in Si

2 2

Tubular Bells

Percussione

étouffée

Arpa

Do

Press: HARPS

Digital Piano

Guitar solo 8

Quasi Presto

= 108

1 Violino 2 Viola Violoncello

Contrabbasso

8

Copyright © 2000 by Edition Wilhelm Hansen, Copenhagen

Sol

Do

2 7

1 Fl. 2 1 Ob. 2 1 Cl. in Si

2 1 Fg. 2

1 Cor. in Fa

2

1 Tr. in Si

2

Tub. B.

Perc.

Arpa

Sol

Dig. Pno.

Guitar solo 8

1 cresc.

Vl.

2 Va. Vc.

Cb.

8

3

=

1 VAR. 1:

1

1 Fl. 2

Guitar solo 8

Vl. 1 sub.

pizz.

Vc. pizz.

Cb.

8

6

1 Fl. 2

Guitar solo 8

Vl. 1 Vc. Cb.

8

11

1 Fl. 2

Guitar solo 8

Vl. 1 Vc.

Cb.

8

= 108

4

=

1

2 VAR. 2:

= 108

1 Fl. 2

1 Ob. 2

1 Cl. in Si

2

1 Fg. 2

1 Cor. in Fa

2 cup mute

1 Tr. in Si cup mute

2

Vibr.

Perc.

Arpa

Dig. Pno.

Guitar solo 8

1 sub.

Vl.

2

Va.

Vc.

Cb.

8

senza motore

5 7

1 Fl. 2

1 Ob. 2

1 Cl. in Si

2

1 Fg. 2

1 Cor. in Fa

2

1 Tr. in Si

2

Vibr.

l.v.

Perc.

Arpa

Dig. Pno.

marc. sopra

Guitar solo 8

1 Vl.

2

Va.

Vc.

Cb.

8

6 12

1 Fl. 2

1 Ob. 2

1 Cl. in Si

2

1 Fg. 2

1 Cor. in Fa

2 (cup)

1 Tr. in Si

(cup)

2

Perc.

Arpa

Dig. Pno.

Press: PIANO

(marc. sopra)

Guitar solo 8

1 Vl.

2

Va. arco

Vc.

arco

Cb.

8

=

3 VAR. 3:

= 108

7

1

1 Fl. 2 1 Ob. 2 1 Cl. in Si

2 sim.

1 Fg. 2

1 Cor. in Fa

2 sim.

1 Tr. in Si

2

Perc.

Arpa

Sol

Dig. Pno.

senza Ped.

Guitar solo 8

1 Vl.

2

Va. Vc.

Cb.

8

8 6

1 Fl. 2

1 Ob. 2

1 Cl. in Si

2

1 Fg. 2

1 Cor. in Fa

2

1 Tr. in Si

2

Perc.

Arpa

Si

Dig. Pno.

Guitar solo 8

1 Vl.

2

Va.

Vc.

Cb.

8

9 11

1 Fl. 2

1 Ob. 2

1 Cl. in Si

2

1 Fg. 2

1 Cor. in Fa

2

1 Tr. in Si

2

15

Perc.

Arpa

Do

Dig. Pno.

Guitar solo 8

1 Vl.

2

Va.

Vc.

Cb.

8

10

=

4 VAR. 4:

= 72

1

1 Fl. 2

1 Ob. 2

1 Cl. in Si

2 1 Fg. 2

1 Cor. in Fa

2 straight mute

1 Tr. in Si

straight mute

2 Glockenspiel 15

Perc.

Arpa

Press:

VIBES

8

8

Dig. Pno.

senza Ped.

sul pont. damp

Guitar solo 8

1 Vl.

2

Va.

Vc.

Cb.

8

8

11 7

1 Fl. 2

1 Ob. 2 1 Cl. in Si

2

1 Fg. 2

1 Cor. in Fa

2 1 Tr. in Si

2

15

Glsp.

Perc.

Arpa

8

8

Dig. Pno.

ord.

Guitar solo 8

1 Vl.

2

Va. div.

div.

Vc.

Cb.

8

12 12

1 Fl. 2

1 Ob. 2

1 Cl. in Si

2

1 Fg. 2 con sord.

1 Cor. in Fa con sord.

2

1 Tr. in Si

2

Perc.

Arpa

Fa

Mi

Dig. Pno.

Guitar solo 8

1 Vl.

2 (div.)

Va. unis.

Vc.

Cb.

8

La

Sol

Fa

Do

=

5 VAR. 5: 1

= 50

13 Press:

E-PNO

legato

Dig. Pno.

senza Ped.

sim.

pizz.

Guitar solo 8

sub.

Vc.

5

Arpa

Dig. Pno.

Guitar solo 8

pizz.

Vl. 2

unis.

Va.

pizz.

14 9

Fl. 1 8

Picc.

1 Ob. 2

1 Cl. in Si

2

1 Fg. 2

1 Cor. in Fa

2 cup mute

1 Tr. in Si cup mute

2

Perc.

legato

Arpa

Si

Do

Dig. Pno.

ord.

Guitar solo 8

legato

arco spicc.

1 sim.

Vl.

(pizz.)

arco spicc.

2 sim. arco

Va.

Vc.

Cb.

8

15

13

Fl. 1 8

Picc.

1 Ob. 2

1 Cl. in Si

2

1 Fg. 2

1 Cor. in Fa

2

1 Tr. in Si

2

Perc.

Arpa

Re Fa

Dig. Pno.

Guitar solo 8

(spicc.)

1 Vl.

(spicc.)

2

Va.

Vc.

Cb.

8

Sol

Re

16 =

6 VAR. 6: 1 8

= 108

solo

Picc.

Guitar solo 8

sub.

1 Vl.

2

Va. Vc. Cb.

8

9 8

Picc. cresc.

Guitar solo 8

cresc.

1 cresc.

Vl.

2

Va. Vc. Cb.

8

17

=

7 VAR. 7:

= 108 /

= 72

1

Fl. 1

muta in Fl. gr.

8

Picc.

1 Ob. 2 1 Cl. in Si

2

1 Fg. 2 senza sord.

1 Cor. in Fa

senza sord.

2 senza sord.

1 Tr. in Si

senza sord.

2 Sand paper

Perc.

Arpa

Press:

PIANO

Dig. Pno.

senza Ped.

Guitar solo 8

solo

Vl. 1 gli altri

Vl. 2 Va. Vc.

Cb.

8

sul pont.

18

9

1 Fl. 2

1 Ob. 2 1 Cl. in Si

2

1 Fg. 2

1 Cor. in Fa

2

1 Tr. in Si

2 Sand P.

Perc.

Arpa

Do

Mi

Dig. Pno.

ord.

Guitar solo 8

tutti unis.

1 Vl.

2 div.

Va. div.

Vc.

Cb.

8

unis.

19

=

8 VAR. 8:

= 72 /

= 108

1

1 Fl. 2

1 Ob. 2

1 Cl. in Si

2 1 Fg. 2

1 Cor. in Fa

2

Tr.

1

in Si

2

Perc.

Arpa

Sol

Dig. Pno.

Guitar solo 8

1 Vl.

2

Va. div.

Vc.

div.

Cb.

8

20 6

1 Fl. 2

1 Ob. 2

1 Cl. in Si

2

1 Fg. 2

1 Cor. in Fa

2

1 Tr. in Si

2

Perc.

Arpa

Dig. Pno.

Guitar solo 8

1 Vl.

2

Va.

Vc.

Cb.

8

21

12

1 Fl. 2

1 Ob. 2

1 Cl. in Si

2

1 Fag. 2

1 Cor. in F

2

1 Tr. in Si

2

15

Perc.

Harp

Do

Dig. Pno.

Press: VIBES

Guitar solo 8

1 Vln.

2

Vla.

Vcl.

Cb.

8

22 =

9 VAR. 9:

= 72 /

= 108

1

1 Fl. 2

1 Ob. 2

1 Cl. in Si

2

1 Fg. 2

1 Cor. in Fa

2

1 Tr. in Si

2 Glsp.

15

Perc.

Arpa

VIBES

Dig. Pno.

sempre

Guitar solo 8

1 Vl.

2

Va.

Vc.

Cb.

8

23

5

1 Fl. 2

1 Ob. 2

1 Cl. in Si

2

1 Fg. 2

1 Cor. in Fa

2

1 Tr. in Si

2 15

Perc.

Arpa

Dig. Pno.

Guitar solo 8

1 Vl.

2

Va.

Vc.

Cb.

8

Glsp.

24

9

1 Fl. 2 1 Ob. 2

1 Cl. in Si

2 1 Fg. 2

1 Cor. in Fa

2 1 Tr. in Si

2 15

Glsp.

Perc.

Arpa

Do

Dig. Pno.

Guitar solo 8

pizz.

1 Vl. pizz.

2

pizz.

Va. pizz.

Vc. arco 8

Cb. div.

pizz.

8

25

13

1 Fl. 2

1 Ob. 2

1 Cl. in Si

2 1 Fg. 2

1 Cor. in Fa

2 Harmon mute

1 Tr. in Si

Harmon mute

2

15

Glsp.

Perc.

Arpa

gli

Sol

ss.

Dig. Pno.

Guitar solo 8

arco

gliss.

1 Vl. arco

2

gliss.

arco

Va.

gliss.

Vc. arco

Cb.

8

div. pizz.

26 =

10 VAR. 10:

= 108 +

+

+

+

+

+

1 muta in Fl. picc.

1 Fl. muta in Fl. picc.

2 1 Ob. 2 Cl.

1

in Si

2

1 Fg. 2

1 Cor. in Fa

2

1 Tr. in Si

2 15

Glsp.

Perc. damp damp

Arpa

Dig. Pno.

sul pont.

sim.

Guitar solo 8

marc.

+

+

sim.

sul pont., spicc.

1 Vl.

sul pont.

2

Va. Vc. Cb.

8

spicc.

27

+

+

+

+

+

+

+

+

5 8

1 Picc.

8

2

1 Fg. 2

Cor.

1

in Fa

2

Tr.

1

in Si

2

Guitar solo 8

1 Vl.

2

+

+

+

+

+

+

+

+

9 8

1 Picc.

8

2

1 Fg. 2

Cor.

1

in Fa

2

Tr.

1

in Si

2

Guitar solo 8

1 Vl.

2

28

+

+

+

+

13 8

1 Picc.

8

2 1 Ob. 2 1 Cl. in Si

2

1 Fg. 2

1 Cor. in Fa

2

1 Tr. in Si

2

15

Perc.

Arpa

Dig. Pno.

Guitar solo 8

1 Vl.

2 Va. Vc. Cb.

8

29 =

11 VAR. 11:

= 108

1 8

muta in Fl. gr.

1 Picc.

muta in Fl. gr.

8

2 1 Ob. 2 flz.

1 Cl. in Si

flz.

2

1 Fg. 2

1 Cor. in Fa

2

Tr.

1

in Si

2 con motore Vibr.

Perc.

3

3

3

3

3

3

3

3

3

3

3

sempre

Arpa

Press:

VIBES

3

Dig. Pno.

3

sempre

Guitar solo 8

ord. senza vibr.

1 3

Vl.

div., ord.

2 div.

Va. div.

Vc. unis. arco

Cb.

8

3

30 5

1 Fl. 2 1 Ob. 2 1 Cl. in Si

2

1 Fg. 2

1 Cor. in Fa

2

1 Tr. in Si

2 Vibr.

Perc.

3

3

3

3

3

3

3

3

3

3

3

3

Arpa

Dig. Pno.

Guitar solo 8

1 Vl.

2

Va.

Vc.

Cb.

8

31 9

1 Fl. 2 1 Ob. 2 1 Cl. in Si

2

1 Fg. 2

1 Cor. in Fa

2

1 Tr. in Si

2 Vibr.

Perc.

3

3

3

3

3

3

3

3

3

3

Arpa

Dig. Pno.

3

Guitar solo 8

1 3

Vl.

2

Va. unis.

Vc.

Cb.

8

32 13

1 Fl. 2

1 Ob. 2 1 Cl. in Si

2

1 Fg. 2

1 Cor. in Fa

2

Tr.

1

in Si

2

Vibr.

Perc.

3

3

3

3

3

3

3

3

3

3

3

3

Arpa

Dig. Pno.

Guitar solo 8

1 Vl.

sul pont.

2 sul pont.

Va. sul pont.

Vc. sul pont.

Cb.

8

=

33

12 VAR. 12:

= 108

1

1 Fl. 2

1 Ob. 2 sim.

cup-mute

1 Tr. in Si

cup-mute

2 Vibr.

Perc.

Dig. Pno.

Guitar solo 8

sub. solo ord. espr.

3

3

3

3

3

3

3

3

3

3 3

Vl. 1 (gli altri)

5

1 Fl. 2

1 Ob. 2 norm.

Cl.

sim.

1 norm.

in Si

2

Tr.

1

in Si

2

Guitar solo

(solo)

Vl. 1 3

3

3

3

3

3

3

3

34 9

1 Fl. 2

1 Ob. 2 Cl. 2

in Si

Tr. 1

in Si

Arpa

Guitar solo 8

(solo) sul I a

Vl. 1

13

1 Fl. 2

1 Ob. Cl.

2

in Si

2

Arpa

Guitar solo 8

=

35

13 VAR. 13: 1

1 Fl. 2

1 Ob. 2

1 Cl. in Si

2

1 Fg. 2

1 Cor. in Fa

2

Tr.

1

in Si

2

Tamt.

Perc.

Arpa

Dig. Pno.

(Tacet)

Guitar solo 8

tutti

1 Vl.

ord.

2 ord.

Va. ord. non div.

Vc. ord.

Cb.

8

= 108

36

9

1 Fl. 2

1 Ob. 2

1 Cl. in Si

2

1 Fg. 2

1 Cor. in Fa

2

harmon mute

1 Tr. in Si

2

Tamt.

Mark Tree

Perc.

Arpa

Dig. Pno.

Guitar solo 8

solo tutti div., con sord.

1 Vl. non div., con sord.

2 div.

non div., con sord.

Va. (non div.)

(non div.), con sord.

Vc. con sord.

Cb.

8

37

=

14 VAR. 14:

= 36

1

1 Fl. 2

1 Ob. 2

1 Cl. in Si

2

1 Fg. 2

1 Cor. in Fa

2

1 Tr. harmon mute

in Si

2

Mark Tree

Perc.

l.v.

sound:

Arpa

sim.

Dig. Pno.

Guitar solo 8

sonore espressivo

(div.)

1 Vl.

(non div.)

2 (non div.)

Va. (non div.)

Vc.

Cb.

8

38 5

1 Fl. 2

1 Ob. 2

1 Cl. in Si

2

1 Fg. 2

1 Cor. in Fa

2

1 Tr. in Si

2

Perc.

Arpa

Dig. Pno.

Guitar solo 8

1 Vl.

2

Va.

Vc.

Cb.

8

39 9

1 Fl. 2

1 Ob. 2

1 Cl. in Si

2

1 Fg. 2

1 Cor. in Fa

2

1 Tr. in Si

2

Perc.

Arpa

Dig. Pno.

Guitar solo 8

(div.) 1. sul I/II

1 (non div.)

(II)

Vl.

2 (non div.)

Va. (non div.) div.

Vc.

Cb.

8

40

13

1 Fl. 2

1 Ob. 2 1 Cl. in Si

2

1 Fg. 2

1 Cor. in Fa

2

1 Tr. in Si

2

Perc.

Arpa

Dig. Pno.

Guitar solo (8)

8

1 Vl. (I/II)

2 non div.

Va. non div.

Vc.

Cb.

8

(8)

=

41

15 VAR. 15:

= 108

1

1 Fl. 2

1 Ob. 2 1 Cl. in Si

2

1 Fg. 2

1 Cor. in Fa

2 1 Tr. in Si

2 Perc.

Arpa

Press:

VIBES

Dig. Pno.

Guitar solo

5 8

5

senza sord.

1 Vl.

senza sord.

2 senza sord.

Va. senza sord.

Vc. senza sord.

Cb.

8

unis.

42

5

1 Fl. 2

1 Ob. 2

1 Cl. in Si

2

1 Fg. 2

1 Cor. in Fa

2

1 Tr. in Si

2 Triangle

Perc.

Arpa

5

Dig. Pno.

Guitar solo 8

5 5

1 Vl.

2

Va.

Vc.

Cb.

8

5

5

5

5

5

43

8

1 sub.

Fl. 2

sub.

1 Ob.

sub.

2

1 Cl. in Si

2

1 sub.

Fg. 2

sub.

1 sub.

Cor. in Fa

2 sub. cup mute

1 Tr. cup mute

in Si

2 Trgl.

Perc.

Arpa

5

5

5

5

Dig. Pno.

Guitar solo 8

1 Vl.

2

Va. sub.

Vc. sub.

Cb.

8

sub.

44

13

1 Fl. 2

1 Ob. 2

1 Cl. in Si

2

1 Fg. 2

1 Cor. in Fa

2

1 Tr. in Si

2 Trgl.

15

Perc.

Arpa

5

5

5

Dig. Pno.

Guitar solo 8

5

1 Vl.

2

Va.

Vc.

Cb.

8

5

5

5

=

16 VAR. 16:

45

= 108 (

= 72)

1

1 Fl. 2

Crotales

15

l.v.

l.v.

Perc.

Guitar solo 8

1 Vl.

2

7

1 Cl. in Si

2

sim.

15

Crot.

each note to be dampened

3

Perc.

3

Guitar solo 8

1 Vl.

2

3

46

12

1 Fl. 2 1 Ob. 2 1 Cl. in Si

2 1 Fg. 2

1 Cor. in Fa

2 senza sord.

1 Tr. in Si

senza sord.

2 3

15

Perc.

Arpa

marc.

Press:

Dig. Pno.

marc.

Guitar solo 8

1 Vl.

2

Va. Vc.

Cb.

HARPS

8

Sol

Mi

Sol

Do

47 =

17 VAR. 17:

= 108

1

1

3

3

3 3

3

Fl. 2

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

Ob. 1 cup mute

Tr. 1 in Si

Guitar solo

3

3

3

3

8

1 Vl.

2

3

3

3

3 3

sub.

3

3

3

3

3

3

5

1

3 3

3

3

3

3

3

3

3

3

Fl. 2 3

3

3

3

3

3

3

3

1 Ob.

3

2

3

3

1

3

3

Cl.

3

3

3

in Si

2 3

3

1

3

3

3

3

3 3

Fg. 2

3

3 3

3

3

3

3

3

3

3

3

3

Tr. 1 in Si

3 3

Arpa

3

3

3

Re Do Si Fa Sol

3

3

Guitar solo 8

3

3

3

3

3

3

3

3

3

3

3

3

3

3

1 Vl. 3

3

3

2

3

3

3

3

3

Va. 3

3

3

3

3

3

3

3

3

48

9

1

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

Fl. 2

3 3 3

3

1 3

Ob.

3

3

2 3

3

3

3

3

3

3

1 3

Cl. in Si

3

3

3

3

3

3

3

3

3

3

3

3

3

2

3 3

1 3

Fg.

3

3

3

3

3

3

2 3

3 3

3

3 3

3

3

3

3

1 Cor.

3

3

3

3

3

3

3

in Fa

3

2 3

1

3

Tr.

3

3

cup mute

in Si

3

3

3

3

3

3

3

3

3

2 3

3

Perc. ord.

3

3

3

3

3

3

3

Arpa

sulla tavola 3

3

Press: PIANO

Dig. Pno.

senza ped. sul pont. ord.

pizz. 3

Guitar solo 8

3

3

3

3

3

3

3

3

3

sul pont.

3

1

3

3

3 3

3

3 3

3

Vl.

3

3

3

sul pont.

3

3

2

3

3

3 3

3 3

3

3

3

sul pont.

3

Va. 3

3

3

3

3

3

3

sul pont.

3

Vc. 3

Cb.

8

3

3

3 3

3 3

3

3

3

sul pont. non div.

49

14

1 Fl. 2 1 Ob. 2 1 Cl. in Si

2 1 Fg. 2

1 Cor.

3

3

3

3

3

3

3

3

3

3

3

in Fa

2

1 Tr. in Si

2 3

Perc.

Arpa

Dig. Pno.

3

3

3

3

3

3

3

Guitar solo 8

3

3

3

3 3

3

3

3 3

non div.

0 0

1 3

Vl.

3

3

3

3

3

non div.

0 0

2 3

3

non div.

0 0

Va. 3

3

3

3

3

3

3

3

3

3

3

3

Vc.

Cb.

8

50

18

3

1

3 3

Fl.

3

3

2

3 3

3 3

1 Ob.

3

2 3

3

3

1 Cl.

3

3

3

3

3

3

3

3

in Si 3

3

3

3

3

2

3

3

3

3

3

3 3

1 Fg.

3

3

3

3

2

1 Cor.

3

3

3

3

in Fa

2 3

3

1 3

3

3

3

3

3

Tr. in Si

2 3 3

Guiro

Perc.

3

3

Arpa

Re Do Mi Sol La 3

3 3

3

3

Dig. Pno.

ord.

3

3

Guitar solo 3

8

ord. div.

3 3

3

1 3

3

Vl.

3

non div. ord.

3

2 ord.

3

3

Va. 3

3

ord. non div.

Vc.

3

ord. div.

Cb.

3

3

3

non div.

8

3

3

3

3

3

3

3

3

3

51

22

1 3

Fl.

3

3

3

3

3

3

3

3

2 3

1 Ob.

3

3

3

3

3

3

2 1

3

3

Cl.

3

in Si

2 3

1 Fg.

3

2 3

3

3

3

3

1 Cor. in Fa

2

Tr.

1

in Si

2 Guiro

3

3

3

Perc.

Arpa

Sol

3

3

Press: HARPS

3

3

Dig. Pno.

3

3

Guitar solo

3 8

3

3

3

3

3

3 3

1

3 3

Vl.

3

3

3

3

3

2 3

3

Va. non div.

3

Vc. non div.

Cb.

8

3

52 =

18 VAR. 18:

= 108

1

1 Fl. 2

1 Ob. 2 1 Cl. in Si

2

1 Fg. 2

1 Cor. in Fa

2

1 Tr. in Si

2

Guiro

Perc.

3

Arpa

Fa Re

Dig. Pno.

Guitar solo 8

gliss.

1 cresc.

Vl.

gliss.

2 Va.

Vc.

Cb.

8

53

7

1 Fl. 2

1 Ob. 2

1 Cl. in Si

2

1 Fg. 2

1 Cor. in Fa

2

1 cresc.

Tr. in Si

2 cresc.

Whip

Perc.

Arpa

Dig. Pno.

Guitar solo 8

1 Vl.

2

Va. Vc. Cb.

8

Tambourine

54

13

1 Fl. 2 1 Ob. 2

1 Cl. in Si

2

1 Tr.

(cresc.)

in Si

2 (cresc.)

(thumb) Tbrin.

Perc.

Guitar solo 8

1 Vl.

2

17

1 cresc.

Fl. 2

cresc.

0

Guitar solo 8

cresc.

sub.

cresc.

(1. metĂ ) cresc.

tutti

div.

Vl. 1 cresc.

55

=

19 VAR. 19:

= 108

1

1 Fl. 2

1 Ob. 2 1 Cl. in Si

2

1 Fg. 2

1 Cor. in Fa

2 senza sord.

1 Tr. in Si

senza sord.

2 Trgl.

Perc.

Arpa

Do

Press:

Dig. Pno.

E-PNO

secco

Guitar solo 8

3 3

3

3

3

3

3

Vl. 1

3 3

div.

3

3 3

3

3

Vl. 2

3

3

3 3

3

Va. pizz.

Vc.

pizz.

div.

8

3 3 3

3

div.

Cb.

3

3

56 5

1 Fl. 2 1 Ob. 2 1 Cl. in Si

2

1 Fg. 2

Cor.

1

in Fa

2

Tr.

1

in Si

2 Trgl.

Perc.

Arpa

Re Fa

La

Dig. Pno.

Guitar solo 8

3

Vl. 1

3

3

3

3

3

div.

3

3

3

Vl. 2

3

3 3

3

3

3

3

3

3

div.

3

Va.

Vc. div.

Cb.

8

3

3

3

3

3

57

9

3

1

3 3

Fl.

3

3

3 3

3

3

3

3

3

3

3

3

3 3

3

2 3

3

3

3

1

3 3

Ob.

3

3

3 3

3

3

3

3

3

3

3

3

3 3

3

2 3

3

3

1 Cl. in Si

2

1 Fg. 2

1 Cor. in Fa

2

Tr.

1

in Si

2

Perc.

Arpa

Dig. Pno.

Guitar solo 8

3 3 3

Vl. 1

3 3

div.

3

Vl. 2 div.

Va.

Vc. div.

Cb.

3

8

3

3

3

3

3

3

3

3

3

3

3 3

3

3

58 =

20 VAR. 20: Fl.

= 36

1

2 Ob. 2

Guitar solo 8

sonore intimo

(div.)

1 Vl. unis., con sord.

2

Va. Vc. Cb.

8

6

Guitar solo 8

1 Vl.

2 Va. Vc. Cb.

8

11

Guitar solo 8

1 Vl.

2 Va. Vc. Cb.

8

unis., con sord.

59 16

1 Fl. 2

1 Ob. 2

1 Cl. in Si

2

1 Fg. 2 con sord.

1 Cor. in Fa

con sord.

2 (senza sord.)

1 Tr. in Si

(senza sord.)

2

Perc.

Arpa

Dig. Pno.

Guitar solo 8

1 Vl.

2 con sord. div., sul pont.

Va. arco (div.), sul pont.

con sord.

div., sul pont.

con sord.

Vc.

Cb.

8

60 20

1 Fl. 2

1 Ob. 2

1 Cl. in Si

2

1 Fg. 2

1 Cor. in Fa

2 1 Tr. in Si

2

Perc.

Arpa

Dig. Pno.

Guitar solo 8

1 Vl.

2

Va. div.

Vc. div.

8

Cb. div.

8

61

=

21 VAR. 21:

= 108

1

1 Fl. 2

1 Ob. 2 muta in Cl. in La

1 Cl. in Si

muta in Cl. in La

2

1 Fg. 2 1 Cor. in Fa

2

1 Tr. in Si

2 Vibr. (motor off)

Perc.

5

sempre

Arpa

Press: VIBES

Dig. Pno.

5

sempre 3

3

3

3

3

3

Guitar solo 3

8

3

3

senza sord.

gliss.

1 Vl. senza sord.

2 (div.)

Va. (div.)

Vc. (div.)

Cb.

8

gliss.

62 5

1 5

5

Fl. 2 5

5

5

5

Vibr.

Perc.

Dig. Pno.

5

5

3

Guitar solo

3

3

3

3

3

3 3

8

3

1 Vl.

2

9

Fl. 1 5

Dig. Pno.

5

3

3

3

3

3 3

3

3

3

3

3

3

3

3

Guitar solo 8

3 3 3

Vl. 1

3

3

3

63 13

1

5

Fl.

5

5

2

5

5 5

5

1 Ob. 5

2

5

1 Cl.

3

in La

2 3

1 Fg. 2

1 Cor. in Fa

2 1 Tr. in Si

2

Vibr.

Perc.

5 5

5

Arpa

Dig. Pno.

5

5

5

3 3

3 3

3

3

3 3

3

5

3

3

3

3

3

Guitar solo 8

3 3 3 5

1 Vl. 5

2 senza sord. unis., ord.

Va. senza sord. unis., ord.

Vc. senza sord. unis., ord.

Cb.

8

64 5

�

=

→

22 VAR. 22: Finale prestissimo ( = 135)

1

1 Fl. 2 1 Ob. 2 1 Cl. in La

2 1 Fg. 2 senza sord.

1 Cor. in Fa

senza sord.

2

Tr.

1

in Si

2

Perc.

Arpa

Dig. Pno.

0 0

Guitar solo 8

Finale prestissimo ( = 135) spiccato leggiero

0

0

0

sub.

Vl. 1

0

spiccato leggiero

sub. spiccato leggiero

Vl. 2

sub. spiccato leggiero

sub.

pizz.

Va. pizz.

Vc. Cb.

0

8

0

0

0

0

0

0

65 5

1 Fl. 2

1 Ob. 2

1 Cl. in La

2 1 Fg. 2

1 Cor. in Fa

2 harmon mute

1 Tr. in Si

harmon mute

2

Perc.

Arpa

Dig. Pno.

Guitar solo 8

0

0

0

0

Vl. 1

Vl. 2

Va.

Vc. Cb.

8

66

A

9

1 Fl. 2 1 Ob. 2 1 Cl. in La

2 1 Fg. 2

1 Cor. in Fa

2

1 Tr. in Si

2

Perc.

Arpa

Dig. Pno.

Guitar solo 8

A 0

0

0

0

Vl. 1

Vl. 2

Va.

Vc. Cb.

8

67 13

1 Fl. 2

1 Ob. 2 1 Cl. in La

2

1 Fg. 2

1 Cor. in Fa

2 1 Tr. in Si

2

Perc.

Arpa

Dig. Pno.

Guitar solo 8

Vl. 1

Vl. 2

Va. Vc. Cb.

8

68 17

B

1 Fl. 2

1 Ob. 2

1 Cl. in La

2

1 Fg. 2

1 Cor. in Fa

2

1 Tr. in Si

2

Perc.

Arpa

Dig. Pno.

Guitar solo 8

B Vl. 1

Vl. 2

Va.

Vc.

Cb.

8

69 21

1 Fl. 2

1 Ob. 2

1 Cl. in La

2

1 Fg. 2

1 Cor. in Fa

2

1 Tr. in Si

2

Perc.

Arpa

Dig. Pno.

Guitar solo 8

Vl. 1

Vl. 2

Va.

Vc. Cb.

8

70 25

1 Fl. 2

1 Ob. 2

1 Cl. in La

2

1 Fg. 2

1 Cor. in Fa

2 1 Tr. in Si

2

Perc.

Arpa

Press:

E-PNO

Dig. Pno.

senza pedale

Guitar solo 8

Vl. 1

Vl. 2

Va.

Vc. Cb.

8

71

C 29

1 Fl. 2 Fg. 1 Ob. 2

1 Cl. in La

2

1

2

1 Cor. in Fa

2 1 Tr. in Si

2

Perc.

Arpa

Dig. Pno.

marc.

Guitar solo 8

C 0

0

0

0

Vl. 1

Vl. 2

arco

Va. (pizz.)

Vc. Cb.

8

72 33

1 Fl. 2

1 Ob. 2

1 Cl. in La

2 1 Fg. 2

1 Cor. in Fa

2

1 Tr. in Si

2

Perc.

Arpa

Press: PIANO

Dig. Pno.

Guitar solo 8

Vl. 1

Vl. 2

Va. Vc. Cb.

8

73

D

37

1 Fl. 2

1 Ob. 2

1 Cl. in La

2

1 Fg. 2

1 Cor. in Fa

2

1 Tr. in Si

2

Perc.

Arpa

PIANO

Dig. Pno.

Guitar solo

D Vl. 1

0

0

Vl. 2

0

0

Va.

Vc. Cb.

8

74 41

1 Fl. 2

1 Ob. 2

1 Cl. in La

2

1 Fg. 2

1 Cor. in Fa

2

1 Tr. in Si

2

Perc.

Arpa

Dig. Pno.

Guitar solo 8

0

0

Vl. 1

0

Vl. 2

Va.

Vc.

Cb.

8

0

75 45

1 Fl. 2

1 Ob. 2 muta in Cl. in Si

1 Cl. in La

muta in Cl. in Si

2 1 Fg. 2

1 Cor. in Fa

2 1 Tr. in Si

2

Perc.

Arpa

Dig. Pno.

Guitar solo 8

Vl. 1

0

Vl. 2

0

Va. Vc. Cb.

8

0

0

76 49

E

1 Fl. 2 1 Ob. 2

1 Cl. in Si

2

1

2

1 Cor. in Fa

2

1 Tr. in Si

2

Perc.

Arpa

Fg.

Dig. Pno.

marc.

Guitar solo 8

E Vl. 1

Vl. 2

sul pont.

Va. sul pont., arco

Vc. Cb.

8

77 53

1 Fl. 2 1 Ob. 2

1 Cl.

2

in Si

2 2

marc.

1 Fg.

marc.

2

1 Cor. in Fa

2

1 Tr. in Si

2 Tubular Bells

Perc.

Arpa

l.v.

Dig. Pno.

Guitar solo 8

Vl. 1

Vl. 2

Va. sub.

Vc. Cb.

8

78 57

1 Fl. 2

1 Ob. 2 1 Cl. in Si

2

1 Fg. 2

1 Cor. in Fa

2

1 Tr. in Si

2 Tub. B.

Perc.

Arpa

Dig. Pno.

Guitar solo 8

Vl. 1

Vl. 2

Va. sub.

Vc. Cb.

8

79

F

61

1 Fl. 2 sim.

1 Ob.

sim.

2

1 Cl. in Si

2

1 Fg. 2

1 Cor. in Fa

2

Tr.

1

in Si

2 Tub. B.

Perc.

Arpa

Dig. Pno.

Guitar solo 8

F Vl. 1

Vl. 2

Va. sub.

Vc. Cb.

8

80 65

1 Fl. 2

1 Ob. 2

1 Cl. in Si

2

1 Fg. 2

1 Cor. in Fa

2

1 Tr. in Si

2

Perc.

Arpa

Dig. Pno.

Guitar solo 8

1 Vl.

2

Va.

Vc.

Cb.

8

81

G 69

1 Fl. 2

1 Ob. 2

1 Cl. in Si

2

1 Fg. 2

1 Cor. in Fa

2

1 Tr. in Si

2

Perc.

Arpa

Dig. Pno.

Guitar solo 8

G 1 Vl.

2

Va.

Vc.

Cb.

8

82 73

1 Fl. 2

1 Ob. 2

1 Cl. in Si

2

1 Fg. 2

4

1 Cor. in Fa

4

2

1 Tr. in Si

2

Perc.

Arpa

Dig. Pno.

Guitar solo 8

1 Vl.

2

Va.

Vc.

Cb.

8

83

H 77

1 Fl. 2 1 Ob. 2

1 Cl. in Si

2 1 Fg. 2

4

sim.

4

sim.

1 Cor. in Fa

2

1 Tr. in Si

2

Vibr.

Perc.

Arpa

Dig. Pno.

Guitar solo 8

H 1 Vl.

2 Va. ord.

Vc. div., ord.

Cb.

8

84 81

1 Fl. 2

1 Ob. 2

1 Cl. in Si

2

1 Fg. 2

1 Cor. in Fa

2

1 Tr. in Si

2

Vibr.

Perc.

Arpa

Dig. Pno.

Guitar solo 8

1 Vl.

2

Va. Vc.

Cb.

8

85

I 85

1 Fl. 2

1 Ob. 2

1 Cl. in Si

2 1 Fg. 2

1 Cor. in Fa

2

1 Tr. in Si

2

Vibr.

Perc.

Arpa

Dig. Pno.

Guitar solo 8

I 1 Vl.

2

Va. Vc.

Cb.

8

86 89

1 Fl. muta in Fl. picc.

2

1 sub.

Ob. 2

1 Cl. in Si

2 1 Fg. 2

1 Cor. in Fa

2

1 Tr. in Si

2

Vibr.

Perc.

Arpa

Dig. Pno.

Guitar solo 8

cresc. div.

1 Vl.

2 div.

Va.

div.

Vc.

unis.

Cb.

8

87

senza rit.

J 93

Fl. 1

3

3

3

3

3 3

decresc.

3

8

Picc. decresc.

1 3

3

3

3

3

2 3

3 3

3

decresc.

Ob.

3

3

3

3

decresc.

1

3 3

Cl. in Si

2

3 3

1 Fg. 2

1 Cor. in Fa

2 1 Tr. in Si

2

Perc.

Arpa

Dig. Pno.

Guitar solo 3

8

3

3

3 3

(cresc.)

senza rit.

J 3

3

3

3 3

decresc.

Vl. 1 div.

3

3

3

3 3

decresc.

Vl. 2 3

decresc.

Va. Vc. Cb.

8

3

3

3 3

3

WH30481 ISBN 978-87-598-7183-6