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Musgrave ORFEO I

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Musgrave, Thea Orfeo I

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Thea Musgrave ORFEO I an improvisation on a theme for solo flute and pre-recorded sound track (1975)

NOVELLO


ORFEO I Orfeo I is projected as a ballet for solo male dancer, but it can also be presented dramatically in concert performance. Simple moves for the flute are indicated in the score – and where possible there should be some lighting effects. The flute should be played with considerable rubato: adjust the tempo so that synchronisation is approximately as written; it need only be exact where there are arrows. An accidental applies only to the note it precedes, EXCEPT where one note or a pair of notes is immediately repeated. Layout of Speakers

(Left)

(Right)

L

R STAGE

AUDIENCE

Orfeo I was commissioned by the BBC Transcription Service for James Galway and received its first performance on 4th July 1976 at the Chichester Festival, performed by James Galway. Duration: 13Âź minutes All the music on the sound track is played by James Galway. Any public performance of the work must give published credit to James Galway as performer on the sound track, and the BBC as producer. Recorded by the BBC Transcription Services Engineering: Adrian Revell Production: James Burnett & Thea Musgrave The work also exists in two other versions: Orfeo II for flute and 15 solo strings, and Orfeo III for flute and 5 solo strings.


4

ORFEO I An improvisation on a theme

I Orfeo Laments [Orfeo stands on the banks of the River Styx and grieves for Euridice]

[Stand centre stage] Flute (in C)

Tape

 

Thea Musgrave

Tempo giusto q = c.54

 

Suggested lighting cues: 1 Spot on Orfeo *)

gliss.

pp

 

mp

 

   

 

 

   

  

 

  

      gliss.  

  

p

pp

        

 

        

   p

  

[   

   



  

  

  

] 



 

  

                  



    

 mf

 

 

  

 

 

  

pp

*) Stravinsky: Orpheus © 1948 Hawkes & Son (London) Ltd. Reproduced by permission of Boosey & Hawkes Music Publishers Ltd.

This edition © 2003 Novello & Company Limited © 1975 BBC



  

 

] 

pp

   

                 pp

[

  



p

      

                 

  

   gliss.  

                                   

  

  gliss.   

   

   

 

 


8

II Orfeo crosses the River Styx  

[Still standing by L speaker]

 

  [Breath]  pp

 

 





 

gliss.

START after silence on tape

[Charon consents to listen on his plea.]

  

 

  

ppp

 

]

  



pp

  

  mf



] 

c. 15''

   

p

rit.

    

 

  p

5 Faint blue ripple – gradually increase to maximum over 30 seconds.

pp

       

   

pp

  

 

    

 

pp

 

p



     

    

               

      [

 

Omit if necessary

Adjust tempo & length of rests so as to merge with music on tape – play extra bar in brackets if necessary.

rit.

più mosso

pp



   

pp

 

  



Silence

più mosso

c. 30''         ( )      

  

   p

mf



pp

  

c. 23''

      

 

[Timing guide] [0''

sim.

 



 

 

 

 

         




                                 3  

       

 

mp

  

 

  

cresc.

        

     

    

 

 

dim.

      [  ]  



                



p



  

        

mf

3

cresc.

 

 

  pp

     

cresc.

mf



  

     

f

  p

p

   

  

mp

cresc.

      

f

dim.

p

f

                                        

                      mf dim.

 

   

 rit.         accel.    stacc.                  

   

 ] [             

[Euridice approaches: Orfeo shields his eyes and turns his back]

p cresc.

cresc.

3

] [               

3

    

mf

    

               

    

        

   

     

3

p

mf

       

p

                                 [     ]                                 3 3



 

 

mf

     

  

f

    

     p

[Look, then step towards R speaker. Then decisively turn away – back towards audience] lunga

                 

               

)

  

f

cresc. circa  

15

]           [

V.S.


19

    

gliss.  

    



pp



 

 

    

p

 

     p

 

 

 

 

 

  



  

 



 

 [ ]    

mf

 

 gli  ss.   

          

    

             

3

          p 



 

      

pp

dim. a niente

 

 

   

     

   

  

  

ppp

 

    

  



 

  

15 Spot fade

   


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