Bright Sheng
THE NIGHTINGALE AND THE ROSE A Short Ballet Inspired by a Short Story by Oscar Wilde
From the G. Schirmer Rental Library Date of Printing
________
G. Schirmer, Inc. New York, NY
Bright Sheng
THE NIGHTINGALE AND THE ROSE A Short Ballet Inspired by a Short Story by Oscar Wilde
commissioned by New York City Ballet for whom Bright Sheng was the Composer-in-Residence from January 2006 to December 2007
G. Schirmer, Inc. New York, NY
Instrumentation:
Piccolo 2 Flutes (2nd doubling Piccolo) 2 Oboes English Horn 3 Clarinets in B= (2nd doubling E= Clarinet; 3rd doubling Bass Clarinet) 3 Bassoons (3rd doubling Contrabassoon) 4 Horns in F 3 Trumpets in C (3rd doubling Trumpet in B=) 2 Trombones Bass Trombone Tuba Timpani Percussion (4 players) Piano Harp Strings
duration ca. 15 minutes
The Nightingale and the Rose She said that she would dance with me if I brought her red roses," cried the young Student; "but in all my garden there is no red rose." From her nest in the holm-oak tree the Nightingale heard him, and she looked out through the leaves, and wondered. "No red rose in all my garden!" he cried, and his beautiful eyes filled with tears. "Ah, on what little things does happiness depend! I have read all that the wise men have written, and all the secrets of philosophy are mine, yet for want of a red rose is my life made wretched." "Here at last is a true lover," said the Nightingale. "Night after night have I sung of him, though I knew him not: night after night have I told his story to the stars, and now I see him. His hair is dark as the hyacinth-blossom, and his lips are red as the rose of his desire; but passion has made his face like pale ivory, and sorrow has set her seal upon his brow." "The Prince gives a ball tomorrow night," murmured the young Student, "and my love will be of the company. If I bring her a red rose she will dance with me till dawn. If I bring her a red rose, I shall hold her in my arms, and she will lean her head upon my shoulder, and her hand will be clasped in mine. But there is no red rose in my garden, so I shall sit lonely, and she will pass me by. She will have no heed of me, and my heart will break." "Here indeed is the true lover," said the Nightingale. "What I sing of, he suffers what is joy to me, to him is pain. Surely Love is a wonderful thing. It is more precious than emeralds, and dearer than fine opals. Pearls and pomegranates cannot buy it, nor is it set forth in the marketplace. It may not be purchased of the merchants, nor can it be weighed out in the balance for gold." "The musicians will sit in their gallery," said the young Student, "and play upon their stringed instruments, and my love will dance to the sound of the harp and the violin. She will dance so lightly that her feet will not touch the floor, and the courtiers in their gay dresses will throng round her. But with me she will not dance, for I have no red rose to give her"; and he flung himself down on the grass, and buried his face in his hands, and wept.
"Why is he weeping?" asked a little Green Lizard, as he ran past him with his tail in the air. "Why, indeed?" said a Butterfly, who was fluttering about after a sunbeam. "Why, indeed?" whispered a Daisy to his neighbour, in a soft, low voice. "He is weeping for a red rose," said the Nightingale. "For a red rose?" they cried; "how very ridiculous!" and the little Lizard, who was something of a cynic, laughed outright. But the Nightingale understood the secret of the Student's sorrow, and she sat silent in the oak-tree, and thought about the mystery of Love. Suddenly she spread her brown wings for flight, and soared into the air. She passed through the grove like a shadow, and like a shadow she sailed across the garden. In the centre of the grass-plot was standing a beautiful Rose-tree, and when she saw it she flew over to it, and lit upon a spray. "Give me a red rose," she cried, "and I will sing you my sweetest song." But the Tree shook its head. "My roses are white," it answered; "as white as the foam of the sea, and whiter than the snow upon the mountain. But go to my brother who grows round the old sun-dial, and perhaps he will give you what you want." So the Nightingale flew over to the Rose-tree that was growing round the old sun-dial. "Give me a red rose," she cried, "and I will sing you my sweetest song." But the Tree shook its head. "My roses are yellow," it answered; "as yellow as the hair of the mermaiden who sits upon an amber throne, and yellower than the daffodil that blooms in the meadow before the mower comes with his scythe. But go to my brother who grows beneath the Student's window, and perhaps he will give you what you want." So the Nightingale flew over to the Rose-tree that was growing beneath the Student's window.
"Give me a red rose," she cried, "and I will sing you my sweetest song."
in a water-pool, so was the rose that blossomed on the topmost spray of the Tree.
But the Tree shook its head.
But the Tree cried to the Nightingale to press closer against the thorn. "Press closer, little Nightingale," cried the Tree, "or the Day will come before the rose is finished."
"My roses are red," it answered, "as red as the feet of the dove, and redder than the great fans of coral that wave and wave in the ocean-cavern. But the winter has chilled my veins, and the frost has nipped my buds, and the storm has broken my branches, and I shall have no roses at all this year." "One red rose is all I want," cried the Nightingale, "only one red rose! Is there no way by which I can get it?" "There is away," answered the Tree; "but it is so terrible that I dare not tell it to you."
So the Nightingale pressed closer against the thorn, and louder and louder grew her song, for she sang of the birth of passion in the soul of a man and a maid. And a delicate flush of pink came into the leaves of the rose, like the flush in the face of the bridegroom when he kisses the lips of the bride. But the thorn had not yet reached her heart, so the rose's heart remained white, for only a Nightingale's heart'sblood can crimson the heart of a rose.
"Tell it to me," said the Nightingale, "I am not afraid."
And the Tree cried to the Nightingale to press closer against the thorn. "Press closer, little Nightingale," cried the Tree, "or the Day will come before the rose is finished."
"If you want a red rose," said the Tree, "you must build it out of music by moonlight, and stain it with your own heart's-blood. You must sing to me with your breast against a thorn. All night long you must sing to me, and the thorn must pierce your heart, and your life-blood must flow into my veins, and become mine."
So the Nightingale pressed closer against the thorn, and the thorn touched her heart, and a fierce pang of pain shot through her. Bitter, bitter was the pain, and wilder and wilder grew her song, for she sang of the Love that is perfected by Death, of the Love that dies not in the tomb.
"Death is a great price to pay for a red rose," cried the Nightingale, "and Life is very dear to all. It is pleasant to sit in the green wood, and to watch the Sun in his chariot of gold, and the Moon in her chariot of pearl. Sweet is the scent of the hawthorn, and sweet are the bluebells that hide in the valley, and the heather that blows on the hill. Yet Love is better than Life, and what is the heart of a bird compared to the heart of a man?" So she spread her brown wings for flight, and soared into the air. She swept over the garden like a shadow, and like a shadow she sailed through the grove. The young Student was still lying on the grass, where she had left him, and the tears were not yet dry in his beautiful eyes. "Be happy," cried the Nightingale, "be happy; you shall have your red rose. I will build it out of music by moonlight, and stain it with my own heart's-blood. All that I ask of you in return is that you will be a true lover, for Love is wiser than Philosophy, though she is wise, and mightier than Power, though he is mighty. Flame-coloured are his wings, and coloured like flame is his body. His lips are sweet as honey, and his breath is like frankincense." The Student looked up from the grass, and listened, but he could not understand what the Nightingale was saying to him, for he only knew the things that are written down in books. But the Oak-tree understood, and felt sad, for he was very fond of the little Nightingale who had built her nest in his branches. "Sing me one last song," he whispered; "I shall feel very lonely when you are gone." So the Nightingale sang to the Oak-tree, and her voice was like water bubbling from a silver jar. When she had finished her song the Student got up, and pulled a note-book and a lead-pencil out of his pocket. "She has form," he said to himself, as he walked away through the grove "that cannot be denied to her; but has she got feeling? I am afraid not. In fact, she is like most artists; she is all style, without any sincerity. She would not sacrifice herself for others. She thinks merely of music, and everybody knows that the arts are selfish. Still, it must be admitted that she has some beautiful notes in her voice. What a pity it is that they do not mean anything, or do any practical good." And he went into his room, and lay down on his little pallet-bed, and began to think of his love; and, after a time, he fell asleep. And when the Moon shone in the heavens the Nightingale flew to the Rose-tree, and set her breast against the thorn. All night long she sang with her breast against the thorn, and the cold crystal Moon leaned down and listened. All night long she sang, and the thorn went deeper and deeper into her breast, and her life-blood ebbed away from her. She sang first of the birth of love in the heart of a boy and a girl. And on the top-most spray of the Rose-tree there blossomed a marvellous rose, petal following petal, as song followed song. Pale was it, at first, as the mist that hangs over the river pale as the feet of the morning, and silver as the wings of the dawn. As the shadow of a rose in a mirror of silver, as the shadow of a rose
And the marvelous rose became crimson, like the rose of the eastern sky. Crimson was the girdle of petals, and crimson as a ruby was the heart. But the Nightingale's voice grew fainter, and her little wings began to beat, and a film came over her eyes. Fainter and fainter grew her song, and she felt something choking her in her throat. Then she gave one last burst of music. The white Moon heard it, and she forgot the dawn, and lingered on in the sky. The red rose heard it, and it trembled all over with ecstasy, and opened its petals to the cold morning air. Echo bore it to her purple cavern in the hills, and woke the sleeping shepherds from their dreams. It floated through the reeds of the river, and they carried its message to the sea. "Look, look!" cried the Tree, "the rose is finished now"; but the Nightingale made no answer, for she was lying dead in the long grass, with the thorn in her heart. And at noon the Student opened his window and looked out. "Why, what a wonderful piece of luck!" he cried; "here is a red rose! I have never seen any rose like it in all my life. It is so beautiful that I am sure it has a long Latin name"; and he leaned down and plucked it. Then he put on his hat, and ran up to the Professor's house with the rose in his hand. The daughter of the Professor was sitting in the doorway winding blue silk on a reel, and her little dog was lying at her feet. "You said that you would dance with me if I brought you a red rose," cried the Student. "Here is the reddest rose in all the world. You will wear it tonight next your heart, and as we dance together it will tell you how I love you." But the girl frowned. "I am afraid it will not go with my dress," she answered; "and, besides, the Chamberlain's nephew has sent me some real jewels, and everybody knows that jewels cost far more than flowers." "Well, upon my word, you are very ungrateful," said the Student angrily; and he threw the rose into the street, where it fell into the gutter, and a cart-wheel went over it. "Ungrateful!" said the girl. "I tell you what, you are very rude; and, after all, who are you? Only a Student. Why, I don't believe you have even got silver buckles to your shoes as the Chamberlain's newphew has"; and she got up from her chair and went into the house. "What I a silly thing Love is," said the Student as he walked away. "It is not half as useful as Logic, for it does not prove anything, and it is always telling one of things that are not going to happen, and making one believe things that are not true. In fact, it is quite unpractical, and, as in this age to be practical is everything, I shall go back to Philosophy and study Metaphysics." So he returned to his room and pulled out a great dusty book, and began to read. — Oscar Wilde
THE NIGHTINGALE AND THE ROSE A Short Ballet inspired by Oscar Wilde
= 126 Piccolo (Flute 2)
=
Piccolos
Appassionato
Bright Sheng
= 63
1 2
Flute 1 a2 Oboe
1 2 espr.
English Horn espr. Clarinet in E
to Clarinet in B
Clarinet in E (Clarinet 2 in B )
Clarinet 1 in B espr. Clarinet in B
to Bass Clarinet
Clarinet 3 in B (Bass Clarinet) a2 Bassoon
1 2 espr.
Contrabassoon Contrabassoon (Bassoon 3) a2
Horn in F
1 3 a2 2 4 take straight mute
Trumpet in C
1 2 Trumpet in B take straight mute
Trumpet in B (Trumpet 3 in C) Trombone
1., solo
1 2 espr.
Bass Trombone Tuba
Timpani Glockenspiel 1 Suspended Cymbal, with Snare Drum sticks 2 Percussion
Large Tamtam, scrape in circular motion with metal stick 3
Triangle 4
8va
8va
8va
8va
8va
8va
8va
Wh. key gliss.
3
8va
Pno.
Bl. key gliss.
3
gl.
3
8va
gl.
8va
gl. gl.
solo, with plectra
Harp
8va
E F G A B C D
8va
3
8va
3
8va
8va
F A B D
3
The Nightingale’s monologue: Surely Love is a wonderful thing. It is more precious than emeralds, and dearer than fine opals. It may not be purchased of the merchants, nor can it be weighed out in the balance for gold.
div., al tallone
= 126
Appassionato =
= 63
unis., pizz.
I Violin div., al tallone
sempre unis., pizz.
div., al tallone
sempre unis., pizz.
div., al tallone
sempre unis., pizz.
II
Viola
Violoncello sempre pizz. Contrabass sempre
Corrected 9/07
Copyright Š 2007 by G. Schirmer, Inc. (ASCAP) New York, NY International Copyright Secured. All Rights Reserved. Warning: Unauthorized reproduction of this publication is prohibited by Federal law and subject to criminal prosecution.
Property of: G. Schirmer Rental Library Bellvale Road Chester, NY 10918 SUPPLIED ON LOAN ONLY
2 7 Picc.
1 2
Fl.
1
Ob.
1 2
(a2)
E.H.
1 Cl. in B 2
Bs. Cl.
1 2
Bn.
(a2)
Cbn.
1 3
Hn. in F
2 4 Tpt. in C
1 2
Tpt. in B
3
Tbn.
1 2
B.Tbn. Tuba
Timp.
1
2 Perc. 3
4
Pno.
with plectra
A B
Hp.
(pizz.) I Vn.
(pizz.) II
(pizz.) Va. (pizz.) Vc. (pizz.) Cb.
3 13 Picc.
1 2
Fl.
1
Ob.
1 2
1.
(a2)
2.
E.H.
1 Cl. in B
Clarinet in B 2
Bs. Cl. (a2)
2.
1 2
Bn.
Cbn.
a2 1 3
Hn. in F
espr. 2 4
Tpt. in C
1 2
Tpt. in B
3 (1.) 1 2
Tbn.
espr. B.Tbn. Tuba
Timp.
1
2 Perc. 3
4
Pno.
8va
with plectra
Hp.
E F
(pizz.) I Vn.
(pizz.) II
(pizz.) Va. (pizz.) Vc. (pizz.) Cb.
4 18 Picc.
1 2
Fl.
1
Ob.
1 2
E.H.
1
Cl. in B 2
Bs. Cl. 1.
a2
1 2
Bn.
Cbn.
(a2) 1 3
Hn. in F
2 4 Tpt. in C
1 2
Tpt. in B
3
Tbn.
1 2
(1.)
B.Tbn. Tuba
Timp.
1
2 Perc. 3
4
Pno.
8ba
Hp.
(pizz.) I Vn.
(pizz.) II
(pizz.) Va.
(pizz.) Vc.
(pizz.) Cb.
8ba
8ba
5 23 Picc.
1 2
Fl.
1
Ob.
1 2
1.
E.H.
1 Cl. in B 2
Bs. Cl. (2.) 1 2
Bn.
Cbn.
(a2) 1 3
Hn. in F
2 4 Tpt. in C
1 2
Tpt. in B
3
Tbn.
1 2
(1.)
B.Tbn. Tuba
Timp.
1
2 Perc. 3
4
Pno.
Hp.
(pizz.) I Vn. (pizz.) II
(pizz.) Va. (pizz.) Vc.
(pizz.) Cb.
6 28 Picc.
1 2
Fl.
1
Ob.
1 2
dolce, sempre legato
E.H.
1 Cl. in B
dolce, sempre legato 2
Bs. Cl. 1. 1 2
Bn.
dolce, sempre legato Cbn.
1 3
Hn. in F
2 4 Tpt. in C
1 2
Tpt. in B
3
Tbn.
1 2
B.Tbn. Tuba
Timp.
1
2 Perc. 3
4
Pno.
Hp.
I Vn. II
Va. (pizz.) Vc. (pizz.)
sempre
Cb. sempre
7 33 Picc.
1 2
Fl.
1
Ob.
1 2
E.H.
1 Cl. in B 2 Bass Clarinet Bs. Cl. dolce, sempre legato (1.) 1 2
Bn.
Cbn.
1 3
Hn. in F
2 4 Tpt. in C
1 2
Tpt. in B
3
Tbn.
1 2
B.Tbn. Tuba
Timp.
1
2 Perc. 3
4
Pno.
Hp.
I Vn. II
Va. (pizz.) Vc. (pizz.) Cb.
8 38 L’istesso tempo Picc.
1 2
Fl.
1
Ob.
1 2
*
E.H.
1 Cl. in B 2 to Clarinet in B Bs. Cl.
1 2
Bn.
Cbn.
a2, soli, 3. with brass mute
3
5
3
5
1 3 Hn. in F 2 4 1, solo, with straight mute Tpt. in C
1 2
Tpt. in B
3
Tbn.
1 2
3
3
6 3
B.Tbn. Tuba
Timp.
1
2 Perc. 3
4
Pno.
Hp.
The Student’s lament: She said she would dance with me if I brought her red roses, but in all my garden there is no red rose.
L’istesso tempo I Vn. II (pizz.) Va. arco, poco sul ponticello Vc.
(pizz.) Cb.
*Repeat only in ballet version. Do not repeat if performing concert version.
3
3
9 42 Picc.
1 2
Fl.
1
Ob.
1 2
E.H.
1
Cl. in B
2
3
1 2
Bn.
Cbn.
(a2)
3
1 3
3
Hn. in F
7
7
7
7
7
7
7
molto 2 4 (1.)
3
1 2
Tpt. in C
molto Tpt. in B
3
Tbn.
1 2
7
7
3
6
B.Tbn. Tuba
Timp.
1
2 Perc. 3
4
Pno.
Hp.
I Vn.
(pizz.) II
(pizz.) Va.
(poco sul pont.) Vc.
(pizz.) Cb.
10 45 Picc.
1 2
Fl.
1
Ob.
1 2
1
2
a2
E.H.
1 espr. Cl. in B
2
3 1. 1 2
Bn.
Cbn.
(a2)
1. to brass mute
5
1 3
Hn. in F
2 4 (1.)
3
1 2
Tpt. in C
3
Tpt. in B
3
Tbn.
1 2
B.Tbn. Tuba
Timp.
1
2 Perc. 3
4
Pno.
E F G A B C D
Hp.
B
espr.
D
Nightingale: Here at last is a true lover. What I sing of, he suffers: what is joy to me, to him is pain.
1
2 arco
sul G
I Vn.
espr. sul G
arco II
espr. arco Va. espr. arco, ord. Vc. espr. Cb.
11 50 Picc.
1 2
Fl.
1
Ob.
1 2
(a2)
E.H.
1
Cl. in B
2
3 (1.) 1 2
Bn.
Cbn.
a2 (with brass mute) 1 3
Hn. in F
2 4 1. (with straight mute) Tpt. in C
1 2
Tpt. in B
3
Tbn.
1 2
6
6
B.Tbn. Tuba
(wood mallets) Timp. Xylophone 1
2 Perc. 3
4
Pno.
Hp.
E
I Vn. espr. II
non div., pizz. Va.
non div., pizz. Vc.
div.
(pizz.) Cb. dim.
(dim.)
espr.
12 54 Picc.
1 2
Fl.
1
Ob.
1 2
a2
E.H.
1
Cl. in B
2
3 2.
1.
1 2
Bn.
Cbn.
(a2) 1 3
Hn. in F
3
2 4 (1.) 1 2
Tpt. in C
3
6
Tpt. in B
3
Tbn.
1 2
B.Tbn. Tuba
(wood mallets) Timp. Xyl. 1
2 Perc. 3
4
Pno.
Hp.
I Vn. II
non div., pizz.
arco Va. espr.
sub. non div., pizz.
arco Vc. espr.
Cb.
unis. (pizz.)
div.
sub.
13 57 Picc.
1 2
Fl.
1
Ob.
1 2 espr.
E.H.
1
Cl. in B
2
3
1 2
Bn.
Cbn.
(a2)
6
3
Hn. in F
remove mute
3
1 3 2 4 (1.)
Tpt. in C
1 2
Tpt. in B
3
Tbn.
1 2
9
B.Tbn. Tuba
Timp.
1
2 Perc. 3
4
Pno.
F A B C
Hp.
E F C
I Vn.
espr. II (pizz.)
espr.
arco
Va.
(pizz.)
arco
Vc.
(div., pizz.) Cb.
unis.
14 Picc.
Fl.
1
= 52
rit.
60 1 2
*
molto
1 2
Ob.
molto E.H. molto 1
to Clarinet in E
molto Cl. in B
2
molto 3
1 2
Bn.
molto Cbn.
1 3
Hn. in F
2 4 Tpt. in C
1 2
Tpt. in B
3
Tbn.
1 2
B.Tbn. Tuba
Timp.
1 Vibraphone, with hard plastic mallets, motor off
2 Perc. 3
4
Pno.
F A
Hp.
But the Nightingale understood the secret of the Student’s sorrow, and she sat silent in the oak tree and thought about the mystery of Love.
= 52
rit.
unis.
div. I Vn.
molto
dolce
II molto
dolce
Va. div.
molto
espr.
Vc. molto (pizz.)
dolce div. (pizz.)
Cb. arco *Repeat only in ballet version.
15 65 Picc.
1 2
Fl.
1
Ob.
1 2
1
2
solo
solo
E.H. espr.
espr.
Cl. in E
1 Cl. in B 3
1 2
Bn.
Cbn.
1., open 1 3
Hn. in F
2. 2 4
Tpt. in C
1 2
Tpt. in B
3
Tbn.
1 2
B.Tbn. Tuba
Timp.
1 (Vib.) 2 Perc. 3
4
Pno.
Hp.
1
2
I Vn. II
Va. unis., pizz.
div., arco
Vc. (div.) (pizz.) Cb. (arco)
unis., pizz.
16 70 Picc.
1 2
Fl.
1
Ob.
1 2
1.
a2
a2
1.
espr. E.H.
Clarinet in E Cl. in E
1 Cl. in B 3 1. 1 2
Bn.
Cbn.
a2, 3. open 1 3 Hn. in F
a2 2 4
Tpt. in C
1 2
Tpt. in B
3
Tbn.
1 2
1.
B.Tbn. Tuba
Timp.
1 (Vib.)
2 Perc. 3
4
Pno.
Hp.
I Vn. II
Va.
Vc.
unis., pizz. Cb.
17
poco accel. 75 Picc.
1 2
Fl.
1
Ob.
1 2
(a2)
(a2)
E.H.
Cl. in E
1 Cl. in B
3 (1.)
a2
1 2
Bn.
Cbn.
(a2)
take brass mute
1 3 Hn. in F
(a2) 2 4
Tpt. in C
1 2
Tpt. in B
3
Tbn.
1 2
(1.)
a2
B.Tbn. Tuba
solo, with wood mallets Timp.
Xyl. 1 Wind Gong 2 Perc. 3
4
Pno.
Hp.
poco accel. free bowing 8va
I free bowing
Vn. II
free bowing Va. (pizz.) Vc.
(pizz.) Cb.
18 = 69
(a2)
80 Picc.
1 2
Fl.
1
Ob.
1 2
(a2)
E.H. to Clarinet in B Cl. in E
1 Cl. in B
3 (a2) 1 2
Bn.
Cbn. (1.) a2, with brass mute 1 3
Hn. in F
2 4 st. mute 1 2
Tpt. in C
with straight mute Tpt. in B
3
Tbn.
1 2
B.Tbn. Tuba
Timp.
(Xyl.)
1 Wind Gong
dim.
2 Sm. Sus. Cym.
Perc. 3
4
Pno.
Hp.
Student: ‌But there is no red rose in my garden, so I shall sit lonely, and she will pass me by. She will have no heed of me, and my heart will break.
= 69 8
I Vn.
pizz. II
pizz. Va.
(pizz.) Vc.
(pizz.) Cb.
19 = 144
83 Picc.
1 2
Fl.
1
Ob.
1 2
( )
( )
E.H.
1 Clarinet in B Cl. in B
2
3 1. 1 2
Bn.
Cbn.
(1.)
remove mute
1 3
Hn. in F
2 4 remove mute Tpt. in C
1 2
Tpt. in B
3
Tbn.
1 2
remove mute
B.Tbn. Tuba
Timp.
1 Vib., hard mallets 2 Perc. 3
4
Pno.
E F G A B C D
Hp.
Suddenly the Nightingale spread her brown wings for flight, and soared into the air.
= 144
gli altri, div., pizz.
I 1 solo, arco, al tallone on the string
Vn.
1 solo 1 solo, al tallone, on the string
II
(pizz.)
la metĂ
(pizz.)
la metĂ
Va.
Vc. (pizz.) Cb.
non div.
20 88 Picc.
1 2
Fl.
1
Ob.
1 2
( )
( )
E.H.
1
Cl. in B
2
3 1. 1 2
Bn.
Cbn.
1 3
Hn. in F
2 4 Tpt. in C
1 2
Tpt. in B
3
Tbn.
1 2
B.Tbn. Tuba
Timp.
1 (Vib.) 2 Perc. 3
4
8va
Pno.
Hp.
(gli altri) I (1 solo) (1 solo)
Vn. II
(la metà, pizz.) Va. (la metà, pizz.) Vc. (non div.) Cb.
21 91 Picc.
1 2
Fl.
1
Ob.
1 2
1.
E.H.
1
Cl. in B
2
3 (1.) 1 2
Bn.
Cbn.
a2, open 1 3
Hn. in F
a2 2 4 open
Tpt. in C
1 2
Tpt. in B
3
Tbn.
1 2
open
2.
1. solo
Bs. Tbn., solo
B.Tbn. Tuba
(wood mallets) Timp.
1
2 Perc. 3 Large Bass Drum, heavy wood beater, dead stroke 4
Pno.
Hp.
(1 solo)
4 players, al tallone, on the string
(1 solo)
4 players, al tallone, on the string
I Vn. II (la metĂ , pizz.)
tutti, pizz.
Va. (la metĂ , pizz.) tutti, pizz. Vc.
Cb.
22 94 Picc.
1 2
Fl.
1
Ob.
1 2
( )
( )
(1.)
E.H.
1
Cl. in B
2
3
1 2
Bn.
Cbn.
1 3
Hn. in F
2 4 Tpt. in C
1 2
Tpt. in B
3
Tbn.
1 2
(1.)
(B.Tbn.) B.Tbn. Tuba
Timp. Glock. (hard plastic mallets) 1
(Vib.) 2 Perc. 3
4
8va
8va
Pno.
Hp.
(4 players) I Vn.
(4 players) II (pizz.)
Va. (pizz.) Vc. (pizz., non div.) Cb.
23 97 Picc.
1 2
Fl.
1
Ob.
1 2
( )
E.H.
1
Cl. in B
2
3
1 2
Bn.
Cbn.
1 3
Hn. in F
2 4 Tpt. in C
1 2
Tpt. in B
3 (1.) 1 2
Tbn.
(Bs. Tbn.)
B.Tbn. Tuba
Timp. Glock. 1
Vib. 2 Perc. 3
4
loco
Pno.
Hp.
la metĂ , al tallone, on the string
tutti, al tallone, on the string
la metĂ , al tallone, on the string
tutti, al tallone, on the string
I Vn. II
(pizz.) Va.
(pizz.) Vc.
(pizz., non div.) Cb.
24 100 Picc.
1 2
Fl.
1
Ob.
1 2
( )
E.H.
1
Cl. in B
2
3
1 2
Bn.
Cbn.
1 3
Hn. in F
2 4 Tpt. in C
1 2
Tpt. in B
3 (1.) 1 2
Tbn.
(Bs. Tbn.) B.Tbn. Tuba
Timp. Glock. 1
Vib. 2 Perc. 3
4
Pno.
Hp.
F
I Vn. II
(pizz.) Va. (pizz.) Vc. (pizz., non div.) Cb.
al sord.
25 103 Picc.
1 2
Fl.
1
Ob.
1 2
Piccolo 2 to Flute
2.
E.H.
1
Cl. in B
2
3
1 2
Bn.
Cbn.
a2 1 3
Hn. in F
a2 2 4
Tpt. in C
1 2
Tpt. in B
3 (1.) 2. 1 2
Tbn.
(Bs. Tbn.) B.Tbn. Tuba
Timp. Glock. 1 Vib. 2 Perc. 3 Lg. B.D. 4
Pno.
Hp.
al sord. I Vn.
al sord. II al sord.
Va. al sord. Vc.
Cb.
26 107 Picc.
= 138
1 Flute
Fl.
1 2
Ob.
1 2
dolce
E.H.
1 dolce Cl. in B
2 dolce 3
1 2
Bn.
Cbn.
1 3
Hn. in F
2 4 Tpt. in C
1 2
Tpt. in B
3
Tbn.
1 2
B.Tbn. Tuba
Timp.
1
2 Perc. 3
4
Pno.
Hp.
F ,G
In the center of the grass-plot were standing beautiful Rose-trees. “Give me a red rose,” the Nightingale cried, “and I will sing you my sweetest song.”
= 138 1 solo, con sord. I dolce
Vn.
1 solo, con sord. II
1 sola, arco, con sord. Va. 1 desk (pizz.), con sord. Vc. 1 desk (pizz.), con sord. Cb.
27 111 Picc.
1
Fl.
1 2
Ob.
1 2
E.H.
1
Cl. in B
2
3
1 2
Bn.
Cbn.
1 3
Hn. in F
2 4 Tpt. in C
1 2
Tpt. in B
3
Tbn.
1 2
B.Tbn. Tuba
Timp.
1
2 Perc. 3
4
Pno.
Hp.
(1 solo, con sord.)
I Vn.
(1 solo, con sord.) II (1 sola, pizz., con sord.)
Va.
(1 desk, pizz., con sord.) Vc.
(1 desk, pizz., con sord.) Cb.
28 115 Picc.
1
Fl.
1 2
Ob.
1 2
1.
E.H.
1
Cl. in B
2
3
1 2
Bn.
Cbn.
1 3
Hn. in F
2 4 with straight mute Tpt. in C
1 2
Tpt. in B
3
Tbn.
1 2
B.Tbn. Tuba
Timp.
1
2 Perc. 3
4
Pno.
Hp.
But the Trees shook their heads. “Our roses are white and yellow. But go to our brother who grows beneath the Student’s window, and perhaps he will give you what you want.”
tutti, con sord. I dolce tutti, con sord.
Vn. II
dolce tutte, div., arco, con sord. Va. dolce tutti, pizz., con sord. Vc.
tutti, pizz., con sord. Cb.
29 119 Picc.
1 (1.)
Fl.
1 2
Ob.
1 2
E.H.
1
Cl. in B
2
3
1 2
Bn.
Cbn.
1 3
Hn. in F
2 4 (with straight mute) Tpt. in C
1 2
Tpt. in B
3
Tbn.
1 2
B.Tbn. Tuba
Timp.
1
2 Perc. 3
4
Pno.
A Hp.
I Vn. II (div.) Va.
(pizz.) Vc.
(pizz.) Cb.
F
A
30 123 Picc.
1
Fl.
1 2
Ob.
1 2
Flute 2 to Piccolo
1.
dolce
dolce E.H.
1
to Clarinet in E Cl. in B
2
3
1 2
Bn.
to Bassoon
dolce
Cbn.
1 3
Hn. in F
2 4
Tpt. in C
1 2
Tpt. in B
3
Tbn.
1 2
B.Tbn. Tuba
Timp.
1
2 Perc. 3
4
Pno.
Hp.
(con sord.)
via sord.
I Vn.
(con sord.)
via sord.
II (div., con sord.)
via sord.
(pizz., con sord.)
via sord.
(pizz., con sord.)
via sord.
Va.
Vc.
Cb.
div., senza sord.
31 127 Picc.
1 2
Fl.
1
Ob.
1 2
1.
E.H.
Cl. in E
1 Cl. in B 3
1 2 Bn.
Bassoon 3
3. 1 3 Hn. in F 2 4
Tpt. in C
1 2
Tpt. in B
3
Tbn.
1 2
B.Tbn. Tuba
Timp.
1
2 Perc. 3
4
Pno.
Hp.
pizz., senza sord. I cresc.
Vn.
(div.) II
unis., pizz., senza sord. Va. pizz., senza sord. Vc.
pizz., senza sord. Cb.
32 131 Picc.
1 2
Fl.
1
Ob.
1 2
(1.)
E.H. Clarinet in E Cl. in E
1 Cl. in B
Clarinet in B 3
1 2 Bn. 3
(3.) 1 3 Hn. in F 2 4
Tpt. in C
1 2
Tpt. in B
3
Tbn.
1 2
B.Tbn. Tuba
Timp.
1
2 Perc. 3
4
Pno.
Hp.
(pizz.) I (cresc.)
Vn.
(div.) II
(pizz.) Va. (pizz.) Vc.
(pizz.) Cb.
33 135 1 2
Picc.
Piccolo
Fl.
1
Ob.
1 2
E.H.
Cl. in E
1 Cl. in B 3
1 2 Bn. 3
(3.) 1 3 Hn. in F 2 4
Tpt. in C
1 2
Tpt. in B
3
Tbn.
1 2 Tba.
B.Tbn. Tuba
Timp. Xyl. 1
2 Perc. 3
4
Pno.
Hp.
(pizz.) I
Vn.
(div.) II
(pizz.) Va.
(pizz.) Vc.
(pizz.) Cb.
34 139 Picc.
1 2
Fl.
1
Ob.
1 2
2.
E.H. to Clarinet in B Cl. in E
1 Cl. in B
to Bass Clarinet 3
1 2 Bn. 3
(3.) 1 3 Hn. in F 2 4
Tpt. in C
1 2
Tpt. in B
3
Tbn.
1 2 Tba.
B.Tbn. Tuba
Timp. (Xyl.) 1
2 Perc. 3
4
Pno.
Hp.
(pizz.) I (div.)
Vn. II
(pizz.) Va.
(pizz.) Vc. (pizz.) Cb.
35 143 Picc.
1 2
Fl.
1
Ob.
1 2
E.H.
1 Cl. in B 2
Bs. Cl.
1 2 Bn. 3
1 3
Hn. in F
2 4 (with straight mute) Tpt. in C
1 2
Tpt. in B
3
Tbn.
1 2
B.Tbn. Tuba
Timp.
1
2 Perc. 3
4
Pno.
Hp.
(pizz.)
al sord.
I Vn.
(div.)
al sord.
II
(pizz.) Va. (pizz.) Vc. (pizz.) Cb.
36 147 Picc.
1 2
Fl.
1
Ob.
1 2
E.H.
1 Cl. in B 2
Bs. Cl. 1. Bn.
1 2
Bn.
3
to Cbn.
1 3 Hn. in F 2 4 remove mutes 1 2
Tpt. in C
molto
Tpt. in B
3
Tbn.
1 2
B.Tbn. Tuba
Timp.
1
2 Perc. 3
4
Pno.
Hp.
arco, con sord. I dolce sempre unis., con sord.
Vn. Vn. II
dolce sempre Va. solo (pizz.) Vc. solo (pizz.) Cb.
37 154 Picc.
1 2
Fl.
1
Ob.
1 2
poco
E.H. poco 1 Cl. in B
Clarinet in B
dolce
poco
2 dolce Bs. Cl.
1 2
Bn.
Cbn.
1 3
Hn. in F
2 4 Tpt. in C
1 2
Tpt. in B
3
Tbn.
1 2
B.Tbn. Tuba
Timp.
1
2 Perc. 3
4
Pno.
Hp.
B C
(con sord.)
via sord.
I Vn.
(con sord.)
via sord.
II
Va. (solo, pizz.) Vc. (solo, pizz.) Cb.
poco
38 162 A tempo Picc.
1 2
Fl.
1
Ob.
1 2
= 144
E.H.
Cl. in E Cl. in B
1 Bass Clarinet
Bs. Cl.
1 2
Bn.
Contrabassoon Cbn.
1 3
Hn. in F
2 4 Tpt. in C
1 2
Tpt. in B
3
Tbn.
1 2
a2
B.Tbn. Tuba
Timp. Glock., with brass mallets 1
Vib., with hard mallets 2
Xyl.
Perc. 3
4
Pno.
Hp.
So the Nightingale flew over to the Rose-tree that was growing beneath the Student’s window.
A tempo
= 144
I Vn. II arco, al tallone, on the string Va.
tutti, arco, al tallone, on the string Vc.
tutti, div., arco, al tallone, on the string Cb.
39 165 Picc.
1 2
Fl.
1
Ob.
1 2
2.
E.H.
Cl. in E Cl. in B
1
Bs. Cl.
1 2
Bn.
poco Cbn.
1 3
Hn. in F
2 4 Tpt. in C
1 2
Tpt. in B
3
Tbn.
1 2
(a2)
B.Tbn. Tuba
Timp. (Glock.) 1 (Vib.) 2 Perc.
(Xyl.) 3
4
Pno.
Hp.
senza sord., al tallone, on the string I Vn. II
Va.
Vc. unis. Cb.
40 168 Picc.
1 2
Fl.
1
Ob.
1 2
(2.)
1.
E.H.
Cl. in E Cl. in B
1
Bs. Cl.
1 2
Bn.
Cbn.
1 3
Hn. in F
2 4 Tpt. in C
1 2
Tpt. in B
3
Tbn.
1 2
(a2)
B.Tbn. Tuba
Timp. (Glock.) 1 (Vib.) 2 Perc.
(Xyl.) 3
4
Pno.
Hp.
I Vn.
senza sord., al tallone, on the string II
Va.
Vc.
Cb.
41 171 Picc.
1 2
Fl.
1
Ob.
1 2
(1.)
2.
E.H. Clarinet in E Cl. in E Cl. in B
1
Bs. Cl.
1 2
Bn.
Cbn.
a2 1 3 Hn. in F
2 4
Tpt. in C
1 2
Tpt. in B
3
Tbn.
1 2
(a2)
B.Tbn. Tuba
Timp. (Glock.) 1
(Vib.) 2
Perc.
(Xyl.) 3 Wind Gong 4
Pno.
Hp.
ord. I Vn. II
Va.
Vc.
Cb.
42 accel.
174 Picc.
1 2
Fl.
1
Ob.
1 2
E.H.
Cl. in E Cl. in B
1
Bs. Cl.
1 2
Bn.
Cbn.
1 3
Hn. in F
2 4 Tpt. in C
1 2
Tpt. in B
3
Tbn.
1 2
B.Tbn. Tuba
Timp.
1
2 Perc. 3 (Wind Gong) 4
Pno.
Hp.
accel. I Vn.
ord. II
Va.
Vc.
Cb.
43
= 152 177 Picc.
1 2
Fl.
1
Ob.
1 2
E.H.
Cl. in E
Cl. in B
1
Bs. Cl.
1 2
Bn.
Cbn.
a2 1 3 Hn. in F
a2 2 4 open
Tpt. in C
1 2
Tpt. in B
3
Tbn.
1 2
B.Tbn. Tuba solo, with two wood mallets Timp. Glock. 1 Sus. Cym., with S.D. sticks 2 Perc.
L. Tam., with metal stick 3
Trg. 4
8va
3 8va
Pno.
3 8va
8va
8va
8va
8va
3 8va
3 8va
3 8va
8va
3 8va
Bl. key gliss.
8va
E F G A B C D
Hp.
= 152
div. II sempre
Va. sempre Vc. sempre
8va
3
8va
3
“Give me a red rose,” she cried, “and I will sing you my sweetest song.”
sempre Vn.
8va
3
sempre
I
Cb.
8va
ey g
te k
whi
8va
. liss
pizz.
8va
3
8va
3
8va
3
44 G.P.
181 Picc.
1 2
Fl.
1
Ob.
1 2
E.H. to Clarinet in B Cl. in E
Cl. in B
1
Bs. Cl.
1 2
Bn.
Cbn.
take brass mute
(a2) 1 3
Hn. in F
4. take straight mute
(a2) 2 4
1. take straight mute 1 2
Tpt. in C
take bucket mute Tpt. in B
3 take jo-ral bucket mute 1 2
Tbn.
take straight mute B.Tbn. Tuba
Timp. (Glock.) 1 Sus. Cym. 2 Perc.
(L. Tam.) 3 (Trg.) 4
3 8va
Pno.
8va
8va
8va
8va
3
Hp.
3
3
8va
3 8va
8va
8va
3
3
3
8va
8va
8ba 8va
3
But the Tree shook its head. “My roses are red, but the winter has chilled my veins, and the frost has nipped my buds, and the storm has broken my branches, and I shall have no roses at all this year.�
G.P.
I (div.) Vn. II
Va.
Vc.
Cb.
45 185 Picc.
1 2
Fl.
1
Ob.
1 2
= 54–58
E.H. solo 1
Cl. in B
molto
molto 2 solo
Bs. Cl.
molto
molto
1 2
Bn.
Cbn.
1 3
Hn. in F
2 4 Tpt. in C
1 2
Tpt. in B
3
Tbn.
1 2 with straight mute
B.Tbn. Tuba
Timp.
1 L. Temple Block, with hard mallet (dead stroke) 2 Perc. 3 L. B.D., with heavy wood beater (dead stroke) 4
Pno.
Hp.
= 54–58
al tallone, sul ponticello
solo
ord.
*
al tallone, sul ponticello
(ord.)
ord.
I molto
molto
Vn. solo II
sola Va.
solo
al tallone, sul pont.
ord.
al tallone, sul pont.
(ord.)
Vc. molto
molto ** Cb. *Glissando at the end of the first note value. **Tap the fingerboard with the right hand.
ord.
46 191 Picc.
1 2
Fl.
1
Ob.
1 2
E.H.
1 Cl. in B 2
Bs. Cl.
1., solo 1 2
Bn.
molto solo Cbn.
molto
1 3
Hn. in F
2 4 Tpt. in C
1 2
Tpt. in B
3
with bucket mute
soli, with jo-ral bucket mute 1 2
Tbn.
molto B.Tbn. Tuba
Timp.
1 L. T. Blk. 2 Perc. 3 L. B.D. 4
Pno.
Hp.
(solo)
al tallone sul pont.
I Vn. II
Va.
(solo) Vc.
Cb.
al tallone, sul pont.
47 197 Picc.
1 2
Fl.
1
Ob.
1 2
E.H.
1 Cl. in B 2
Bs. Cl.
1 2
Bn.
molto Cbn.
1., solo, with brass mute
molto
1 3 Hn. in F
molto
4., solo, with straight mute
molto
2 4
molto
molto Tpt. in C
1 2
Tpt. in B
3
Tbn.
1 2
remove mute
molto B.Tbn. Tuba
Timp.
1 L. T. Blk. 2 Perc. 3 L. B.D. 4
Pno.
Hp.
“There is a way, but it is so terrible that I dare not tell it to you.” … “If you want a red rose, you must build it out of music by moonlight, and stain it with your own heart’s blood. You must sing to me with your breast against a thorn. All night long you must sing to me, and the thorn must pierce your heart, and your life-blood must flow into my veins, and become mine.”
I Vn.
(pizz.) II
al tallone, sul pont.
1 sola, arco
al tallone, sul pont.
ord.
Va.
molto solo (pizz.) Vc.
al tallone, sul pont. solo
1 solo, arco
(solo)
Cb.
molto gli altri
al tallone, sul pont.
48 = 63
204 Picc.
1 2
Fl.
1
Ob.
1 2
a2
espr. E.H. espr. 1 espr.
Cl. in B 2
Bs. Cl. a2 1 2
Bn.
espr. Cbn.
(1.)
remove mute
1 3 Hn. in F
(4.) 2 4
Tpt. in C
1 2
Tpt. in B
3
Tbn.
1 2
1. solo, open
espr. remove mute B.Tbn. Tuba
Timp.
1 L. T. Blk. 2 Perc. 3 L. B.D. 4
Pno.
8ba
with plectra
E F G A B C D
Hp.
B A
The Nightingale: “Death is a great price to pay for a red rose, and life is very dear to all. Yet love is better than life, and what is the heart of a bird compared to the heart of a man?�
= 63 tutti, pizz. I Vn.
via sord.
sempre tutti, pizz., ord.
via sord.
sempre tutte, pizz., ord.
via sord.
sempre tutti, pizz., ord.
II
Va.
Vc.
tutti
sempre pizz.
Cb. sempre
B A
49 210 Picc.
1 2
Fl.
1
Ob.
1 2
(a2)
E.H.
1 Cl. in B 2
Bs. Cl. (a2) 1 2
Bn.
Cbn.
1 3
Hn. in F
2 4 1., solo, with straight mute
3
3
1 2
Tpt. in C
3
Tpt. in B
3
Tbn.
1 2
(1.)
B.Tbn. Tuba
Timp.
1
2 Perc. 3
4
Pno.
Hp.
“Be happy,” cried the Nightingale, “you shall have your red rose… All that I ask of you in return is that you will be a true lover.”
(pizz.) I Vn.
(pizz.) II
(pizz.) Va. (pizz.) Vc. (pizz.) Cb.
50 214 Picc.
1 2
Fl.
1
Ob.
1 2
1.
(a2)
(1.)
E.H.
1 Cl. in B 2
Bs. Cl. 2.
(a2) 1 2
Bn.
Cbn.
a2, soli, with brass mute 5
1 3
Hn. in F
3
3
3
3
2 4 1. (with straight mute)
(1.) 1 2
Tpt. in C
6
Tpt. in B
3
Tbn.
1 2
1., solo
espr. B.Tbn. Tuba
Timp.
1
2 Perc. 3
4
Pno.
(with plectra)
E F
Hp.
(pizz.) I Vn.
(pizz.) II (pizz.)
Va. (pizz.) Vc. (pizz.) Cb.
51 218 Picc.
1 2
Fl.
1
Ob.
1 2
E.H.
1 Cl. in B 2
Bs. Cl.
a2 1 2
Bn.
Cbn.
(a2)
3. remove mute
1 3
Hn. in F
2 4 (1.) 1 2
Tpt. in C
3
3
3 3
Tpt. in B
3
Tbn.
1 2
(1.)
B.Tbn. Tuba
Timp.
1
2 Perc. 3
4
Pno.
8ba
with plectra
B D E G A
Hp.
(pizz.) I
Vn.
(pizz.) II
(pizz.) Va.
(pizz.) Vc.
(pizz.) Cb.
G
D E F
52 222 Picc.
1 2
Fl.
1
Ob.
1 2
E.H.
1 Cl. in B 2
Bs. Cl. (a2) 1 2
Bn.
Cbn.
a2, open 1 3 Hn. in F
3
5
2 4 1. (with straight mute) Tpt. in C
1 2
Tpt. in B
3
Tbn.
1 2
6
(1.)
B.Tbn. Tuba
Timp. Xyl. 1
2 Perc. 3
4
Pno.
Hp.
B E F A
(pizz.) I
Vn.
(pizz.) II
(pizz.) Va.
(pizz.) Vc.
(pizz.) Cb.
3
53 226 Picc.
1 2
Fl.
1
Ob.
1 2
E.H.
1
Cl. in B 2
Bs. Cl.
1 2
Bn.
Cbn.
(a2)
3
1 3
Hn. in F
3
5
2 4 (1.) 1 2
Tpt. in C
3
Tpt. in B
3
3 (1.)
remove mute
1 2
Tbn.
B.Tbn. Tuba
Timp. (Xyl.) 1
2 Perc. 3
4
Pno.
Hp.
I Vn. II
Va.
Vc.
Cb.
6
54
a2
229 Picc.
1 2
Fl.
1 a2 1 2
Ob.
E.H.
1 Cl. in B 2
Bs. Cl.
1 2
Bn.
Cbn.
(a2)
3
1 3
Hn. in F
3
2 4 (1.) Tpt. in C
1 2
Tpt. in B
3
Tbn.
1 2
B.Tbn. Tuba
Timp.
1 Triangle 2 Perc.
L. Tam., scrape in circular motion 3
4 8va
black key gliss.
L.H. palm Pno.
solo
E F G A B C D
Hp.
(pizz.) I Vn.
(pizz.) II
(pizz.) Va.
(pizz.) Vc.
(pizz.) Cb.
al sord.
55
= 42
rit. 232 (a2) Picc.
1 2
Fl.
1
Ob.
1 2
solo
(a2)
solo E.H. dolce solo 1 poco
Cl. in B 2
Bs. Cl.
1 2
Bn.
Cbn.
a2, open 3
3
1 3 Hn. in F
a2, open
3
2 4
(1.) Tpt. in C
1 2
Tpt. in B
3
Tbn.
1 2
3
3
remove mute
open
open B.Tbn. Tuba
Timp.
1 (Trg.) 2 Perc.
(L. Tam.) 3
Wind Gong 4
Pno.
8ba
Hp.
5
5
5
5
5
5
3
= 42
rit. I Vn. II arco
6
6
3
6
5
5
5
Va. molto arco
6
6 3
6 5
5
Vc. 5
(pizz.) Cb. 3
molto
56 234 Picc.
1 2
Fl.
1
Ob.
1 2
E.H.
1 Cl. in B 2
Bs. Cl.
1 2
Bn.
Cbn.
(a2) 1 3 Hn. in F 2 4
Tpt. in C
1 2
Tpt. in B
3
Tbn.
1 2
(a2)
B.Tbn. Tuba
Timp.
1
2 Perc. 3
4
Pno.
3
Hp.
C F 3
3
3
3
3
3
Making of the Rose I: When the moon shone in the heavens, the Nightingale flew to the Rose-tree and set her breast against the thorn. All night long she sang with her breast against the thorn, and the cold crystal Moon leaned down and listened.
I Vn. II 3
div.
3
Va.
3
Vc.
3
3
div.
3
(pizz.) Cb. 3
3
3
3
57 238 Picc.
1 2
Fl.
1
Ob.
1 2
1., solo
1., solo
dolce E.H. dolce
1 poco
Cl. in B 2
Bs. Cl.
1 2
Bn.
Cbn.
1 3
Hn. in F
2 4
Tpt. in C
1 2
Tpt. in B
3
Tbn.
1 2
B.Tbn. Tuba
Timp.
1
2 Perc. 3
4
Pno.
3 3 3
E F G A B C D
Hp.
3
3
3
3
I Vn. II (div.)
3
G
unis., non div., pizz. arco
div.
3
Va.
unis., non div., pizz.
pizz.
arco
div., arco
Vc. 3
3
(pizz.)
arco
Cb.
3 3
3
3
3 3
58 243 Picc.
1 2
Fl.
1
Ob.
1 2
(1.) a2
(1.)
E.H.
1 Cl. in B
poco 2
Bs. Cl.
1 2
Bn.
Cbn.
3.
1 3
Hn. in F
2 4 Tpt. in C
1 2
Tpt. in B
3
Tbn.
1 2
2.
B.Tbn. Tuba
Timp.
1
2 Perc. 3
4
Pno.
3
3
3
D G A
Hp.
3
3
I Vn. II unis., non div., pizz.
(div.) Va.
(div.)
div. a2, pizz.
Vc. pizz. Cb. 3
3
3
247 Picc.
1 2
Fl.
1
Ob.
1 2
59
Poco Pi첫 Mosso ( = 50)
(a2)
1.
E.H.
1 Cl. in B 2
Bs. Cl. a2 1 2
Bn.
espr. Cbn.
1. solo, open 1 3
Hn. in F
dolce sempre 2 4
Tpt. in C
1 2
Tpt. in B
3
Tbn.
1 2
B.Tbn. Tuba
Timp.
1
2 Perc. 3 (Wind Gong) 4
Pno.
3
3
3
3
Hp.
3
3
3
3
Poco Pi첫 Mosso ( = 50) I Vn.
arco
sul G
II
3
arco
espr. pizz.
3
5
Va. 3 5
unis., arco
3
Vc. 3
espr.
3 3
Cb.
3
3 3
5 5
60 rit.
251 Picc.
1 2
Fl.
1
Ob.
1 2
E.H.
Cl. in E Cl. in B
1 solo
Bs. Cl. molto
dolce 1.
(a2) 1 2
Bn.
Cbn.
(1.) 1 3
Hn. in F
2 4 Tpt. in C
1 2
Tpt. in B
3
Tbn.
1 2
B.Tbn. Tuba
Timp.
1
2 Perc. 3
4
Pno.
E F G A B C D
Hp.
rit. arco, con sord. I sempre legato
molto
Vn. II molto
5
5
(pizz.) Va. 5
Vc. molto
(pizz.) Cb. 5 5
5
5
61
a tempo 255 ( = 42) Picc.
1 2
Fl.
1
Ob.
1 2
E.H.
Cl. in E Cl. in B
1
Bs. Cl.
1 2
Bn.
Cbn.
1 3
Hn. in F
2 4 Tpt. in C
1 2
Tpt. in B
3
Tbn.
1 2
B.Tbn. Tuba
Timp.
1
2 Perc.
L. Tam., solo 3
Wind Gong 4
Pno.
3
Hp.
F
3
3
3
a tempo ( = 42)
B E
3
3
3
3
(con sord.)
I Vn. II arco Va. 1 solo, con sord. Vc. espressivo div., arco Cb.
gli altri, div. unis.
62 Subito = 96
259 Picc.
1 2
Fl.
1
Ob.
1 2
a2
E.H. E Clarinet, soli gl.
Cl. in E
gl.
gl. gl.
soli Cl. in B
gl.
gl.
gl. gl.
1
Bs. Cl.
1 2
Bn.
Cbn.
1 3 Hn. in F 2 4
Tpt. in C
1 2
Tpt. in B
3
Tbn.
1 2
B.Tbn. Tuba
Timp.
Xyl., solo 1
2 Perc.
(L. Tam.) 3 (Wind Gong) 4
8va
8va
8va
Pno.
Hp.
3
3
C A
3 3
3
The Tree cried to the Nightingale: “Press closer, little Nightingale, or the day will come before the rose is finished.�
Subito = 96 (con sord.)
1 solo, senza sord.
I gli altri (con sord.)
Vn.
free bowing 1 solo, arco
II
Va. solo Vc. altri (div.) Cb.
63 263
= 63 Piccolos, a2
1 2
Picc.
Fl.
10
10
10
10
10
10
10
10
1
1 2
Ob.
E.H.
Cl. in E
Cl. in B
1
Bs. Cl.
1 2
Bn.
Cbn.
a2 1 3 espr.
Hn. in F
a2 2 4
Tpt. in C
1 2
Tpt. in B
3
Tbn.
1 2
espr. a2 (open)
espr.
2.
B.Tbn. Tuba
CF B F Timp.
1 2 L. Tam., scraping Perc.
3
Wind Gong 4 5
5
Pno.
5
5
5
5
5 5
5
8va
8va
( )
with Plectra
( )
E F G A B C D
Hp.
Making of the Rose II: So the Nightingale pressed closer against the thorn, and louder and louder grew her song, for she sang of the birth of passion in the soul of a man and a maid. tutti, pizz., senza sord. 5
= 63
5
I 5
Vn.
tutti, unis., pizz.
5
5
5
II 5
pizz.
5
5
5
Va. 5
5
5
unis., pizz. Vc. 5 5
pizz. Cb.
5
5
5 5
64 265
a2
1 2
Picc.
5 9
Fl.
1 10
10
1 2
Ob.
E.H. 9
10
Cl. in E
Cl. in B
1 9
10
Bs. Cl. 1 2
Bn.
Cbn.
(a2) 1 3
Hn. in F
(a2) 2 4 (a2)
Tpt. in C
1 2
Tpt. in B
3
open
solo
espr. espr.
1 2
Tbn.
B.Tbn. Tuba
Timp.
1 2 (L. Tam.) Perc.
3 (Wind Gong) 4
5
Pno.
5
5
5
5
5
5
5 8va
8va
( )
( )
Hp.
(pizz.)
5
I 5
5
5 5
Vn.
(pizz.)
5
II 5
5
5 5
(pizz.)
5
Va. 5 5
5
5
(pizz.) Vc. 5
5
5
5
5
5
(pizz.) Cb.
65 267
(a2)
1 2
Picc.
Fl.
10
10
10
10
10
10
9
10
1
1 2
Ob.
E.H.
Cl. in E
Cl. in B
1
Bs. Cl.
1 2
Bn.
Cbn.
(a2) 1 3
Hn. in F
(a2) 2 4 (a2)
Tpt. in C
1 2
Tpt. in B
3
Tbn.
1 2
B.Tbn. Tuba
Timp. B to A 1 2 (L. Tam.) Perc.
3 (Wind Gong) 4 5
5
5
5
5
Pno.
5
5
5
5
5
5
5
5
8va
8va
( )
( )
Hp.
5
(pizz.)
5
I 5
Vn.
5
5
5
5
(pizz.)
5
II 5
5
5
5
5
(pizz.)
5
Va. 5
5
5 5
(pizz.) Vc.
5 5
5
5
5
5
5
(pizz.) Cb.
66 269
(a2)
1 2
Picc.
10
Fl.
10
1 10
10
10
10
1 2
Ob.
E.H.
Cl. in E
Cl. in B
1 10
10
Bs. Cl. 1 2
Bn.
Cbn. a2 1 3
Hn. in F
a2 2 4
Tpt. in C
1 2
Tpt. in B
3
Tbn.
1 2
B.Tbn. Tuba A to G Timp.
1 L. B.D., heavy wooden beater 2 Perc.
5
L. Tam.
5
3 Wind Gong 4
5
5
5
5 5
Pno.
5
5
5
5
8va
8va
( )
( )
Hp.
5
5
I 5
5
Vn.
5
5
II 5
5 5
5
Va. 5
5 5
5
Vc. 5 5
Cb.
5 5
67 271
(a2)
1 2
Picc.
Fl.
10
10
10
9
10
9
10
10
1
1 2
Ob.
E.H.
Cl. in E
Cl. in B
1
Bs. Cl. 1 2
Bn.
Cbn.
1 3
Hn. in F
2 4 Tpt. in C
1 2
Tpt. in B
3
Tbn.
1 2
B.Tbn. Tuba G to A Timp.
1 (L. B.D.) 2 Perc.
5
(L. Tam.)
5
3 (Wind Gong) 4
5
5
5
5
5 5
5 5
5
5
5 8va
8va
( )
( )
Hp.
5
5
I 5
5
5
5
Vn.
5
5
II 5
5
5
5
5
5
Va. 5
5
5
5
Vc. 5
5 5
5
5
5
Cb.
5
68 273
(a2)
1 2
Picc.
Fl.
10
10
10
10
10
10
10
10
10
10
10
10
10
1
1 2
Ob.
E.H. 10
Cl. in E
Cl. in B
1 10
10
Bs. Cl. 1 2
Bn.
Cbn.
1 3
Hn. in F
2 4 Tpt. in C
1 2
Tpt. in B
3
Tbn.
1 2
B.Tbn. Tuba A to A Timp.
(L. B.D.) 1 2 5
5
5
5
(L. Tam.) Perc.
3
(Wind Gong) 4
5
5
5
5
Pno.
5 5 5
5
5
5 5
5
5
5
5
8va
8va
8va
( )
( )
( )
5 8va
( )
Hp.
5
5
5
5
I 5
5
5
5
Vn. 5
5
5
5
II 5
5
5
5
5
5
5
5
Va. 5
5
5
5
5
5 5
Vc. 5
5
5
5 5
Cb. 5
5
5 5
69 275
(a2)
1 2
Picc.
10
Fl.
10
1 10
10
( )
1 2
Ob.
E.H. 10
10
Cl. in E
Cl. in B
1 10
10
Bs. Cl. 1 2
Bn.
Cbn.
1 3
Hn. in F
2 4 Tpt. in C
1 2
Tpt. in B
3
Tbn.
1 2
B.Tbn. Tuba
Timp. (L. B.D.) 1 2
Perc.
5
5
(L. Tam.)
5
3
(Wind Gong) 4
5
5
5
5
5
5 5
5
5 8va
8va
( )
( )
Hp.
5
I 5
5
Vn.
5
5
5
II 5
5
5
5
5
Va. 5
5
5
5
Vc. 5
5 5
5
Cb. 5
5
70 277 Picc.
1 2
Fl.
1
Ob.
1 2
= 152 subito
E.H.
Cl. in E Cl. in B
1
Bs. Cl.
1 2
Bn.
Cbn. (a2) 1 3 Hn. in F
(a2) 2 4
open (a2) Tpt. in C
1 2
Tpt. in B
3
Tbn.
1 2
B.Tbn. Tuba
F to G Timp.
Xyl. 1 Sus. Cym., with metal chain 2 Perc. 3
4
Pno.
Hp.
The Tree cried to the Nightingale: “Press closer, little Nightingale, or the Day will come before the rose is finished.”
= 152 subito I Vn. II
Va.
Vc.
Cb.
71
lunga
280
a2
1 2
Picc.
5
Fl.
1 5
a2 1 2
Ob.
crying E.H.
Cl. in E crying Cl. in B
1 to Clarinet in B
crying
Bs. Cl.
1 2
Bn.
to Bassoon Cbn. (a2) 1 3 Hn. in F
(a2) 2 4
Tpt. in C
1 2
Tpt. in B
3
Tbn.
1 2
to Trumpet in C
B.Tbn. Tuba
Timp.
Crotales, solo 1 (Sus. Cym.)
5
2 Perc.
L. Tam. 3 L. B.D., solo 4
Pno.
Hp.
Making of the Rose III: So the Nightingale pressed closer against the thorn, and the thorn touched her heart, and a fierce pang of pain shot through her.
lunga I Vn. II
Va.
Vc.
Cb.
72
lunga
284
=
a2
1 2
Picc.
5
Fl.
1
Ob.
1 2
5
(a2)
E.H. to Clarinet in B Cl. in E
Cl. in B
1
Cl. in B
3
1 2 Bn. 3
1 3
Hn. in F
2 4 1 2 Tpt. in C 3
1 2
Tbn.
B.Tbn. Tuba
Timp.
Crot. 1 5
2 Perc.
(L. Tam.) 3 (L. B.D.) 4
Pno.
E F G A B C D
Hp.
lunga I Vn. II
Va.
Vc.
Cb.
=
73
= 76 (a2)
288 Picc.
1 2
Fl.
1
Ob.
1 2
E.H.
1
Cl. in B
2
3
1 2 Bn. 3
a2 1 3
Hn. in F
a2 2 4 a2 1 2
Tpt. in C
Trumpet in C 3
1 2
Tbn.
a2 B.Tbn. Tuba
Timp. (Crot.) 1 Small Ratchet 2 Perc.
(L. Tam.) 3
4
Pno.
with plectra
5
Hp.
5
Bitter, bitter was the pain, and wilder and wilder grew her song, for she sang of the love that is perfected by death, of the love that dies not in the tomb.
= 76 I Vn. II
Va.
Vc.
Cb.
5 5
74 =
290 Picc.
1 2
Fl.
1
Ob.
1 2
a2
a2
E.H.
1
Clarinet in B Cl. in B
2
3
1 2 Bn. 3
(a2) 1 3
Hn. in F
(a2) 2 4 (a2) 1 2
Tpt. in C 3
1 2
Tbn.
(a2) B.Tbn. Tuba
Timp. Bell Tree 1 (Ratch.) 2 Perc.
L. Tam., scrape with metal stick 3
4
8va
Pno.
5
Hp.
5
5 5
= I Vn. II
Va.
Vc.
Cb.
75
= 152 (a2)
292 Picc.
1 2
Fl.
1
Ob.
1 2
=
(a2)
E.H.
1
Cl. in B
2
3 a2 1 2 Bn. 3
1 3 Hn. in F 2 4
(a2)
(a2)
(a2)
to B Piccolo Trumpet
1 2 Tpt. in C
to B Piccolo Trumpet 3
1 2
Tbn.
(a2) B.Tbn. Tuba
Timp.
1 (L. Ratch.) 2 Perc.
L. Tam. (ord.) 3 molto L. B.D. 4 molto
8
Pno.
B C D E F G A
Hp.
= 152
=
I Vn. II
Va. pizz. Vc.
pizz. Cb.
76 Picc.
1 2
Fl.
1
Ob.
1 2
=
= 76
295
a2
a2
E.H.
1
Cl. in B
2
3 a2 1 2 Bn.
Bassoon 3
a2 1 3 Hn. in F
a2 2 4 a2 1 2
Picc. Tpt. in B
3
a2 1 2
Tbn.
a2 B.Tbn. Tuba
Timp. Bell Tree 1 (L. Ratch.) 2 Perc.
(L. Tam.) 3
(L. B.D.) 4
8va
Pno.
with plectra 8va
5
Hp.
5
= 76 I Vn. II
Va.
Vc.
Cb.
5 5
5 5
=
77 = 152
298 Picc.
1 2
Fl.
1
Ob.
1 2
a2
a2
E.H.
1
Cl. in B
2
3 (a2) 1 2 Bn. 3
(a2) 1 3
Hn. in F
(a2) 2 4 (a2) 1 2
Picc. Tpt. in B
3 (a2) 1 2
Tbn.
(a2) B.Tbn. Tuba
ord. Timp. Bell Tree 1 (L. Ratch.) 2 Perc.
L. Tam., scraped 3 (L. B.D.) 4 8va
Pno.
8
Hp.
= 152 I Vn. II
Va.
Vc.
Cb.
78 (a2)
301 Picc.
1 2
Fl.
1
Ob.
1 2
(a2)
E.H.
1
Cl. in B
2
3 (a2) 1 2 Bn. 3
(a2) 1 3 Hn. in F
(a2) 2 4 (a2)
Picc. Tpt. in B
to C Trumpet 3
1 2
Tbn.
(a2)
(a2) B.Tbn. Tuba
Timp.
(Bell Tree) 1 (L. Ratch.) 2 Perc.
(L. Tam.) 3 (L. B.D.) 4
8
Pno.
Hp.
I Vn. II
Va.
Vc.
Cb.
to C Trumpet
1 2
79 305 Molto adagio Picc.
1 2
Fl.
1
Ob.
1 2
= 42
E.H.
1
Cl. in B
2
3
1 2 Bn.
to Contrabassoon 3
1 3
Hn. in F
2 4 take harmon mute 1 2 Tpt. in C
take harmon mute 3
1 2
Tbn.
B.Tbn. Tuba
Timp.
1
2 Perc. 3
4
Pno.
3
Hp.
E F G A B C D
3
3
3
And the marvelous rose became crimson, like the rose of the eastern sky. Crimson was the girdle of petals, and crimson as a ruby was the heart.
Molto adagio
= 42
1 solo, arco, con sord.
I molto legato 1 solo, arco, con sord.
Vn. II
molto legato 1 sola, pizz., con sord.
Va.
le altre, div., arco, senza sord.
unis.
2 soli, arco, con sord.
Vc.
gli altri, div., arco, con sord.
gli altri, div., arco (senza sord.) Cb. solo, pizz. (senza sord.)
sempre sempre
gli altri unis.
3
80 309 Picc.
1 2
Fl.
1
Ob.
1 2
1., solo
espr. E.H.
1
Cl. in B
2
3 1., solo 1 2
Bn.
espr. Cbn.
1 3
Hn. in F
2 4 1 2 Tpt. in C 3
1 2
Tbn.
B.Tbn. Tuba
Timp.
1
2 Perc. 3
4
Pno.
dolce
3
3
G
Hp.
D 3
(1 solo)
I Vn.
(1 solo) II (1 sola, pizz.)
Va.
(le altre, arco)
Vc. (gli altri, div., arco)
div., free bowing
free bowing
(solo, pizz.)
Cb.
(gli altri, arco)
free bowing
3
3
81 314 Picc.
1 2
Fl.
1
Ob.
1 2
(1.)
E.H.
1
Cl. in B
2
3 (1.) 1 2
Bn.
Cbn.
1 3
Hn. in F
2 4 1 2 Tpt. in C 3
1 2
Tbn.
B.Tbn. Tuba
Timp.
1
2 Perc. 3
4
Pno.
Hp.
(1 solo) I (1 solo)
Vn. II
Va. (2 soli, div.)
Vc.
(gli altri, div.)
(2 soli)
Cb.
(gli altri)
2 soli, div.
82 318 Picc.
1 2
Fl.
1
Ob.
1 2
(1.)
E.H.
1
Cl. in B
2
3 (1.) 1 2
Bn.
Cbn.
1 3
Hn. in F
2 4 1 2 Tpt. in C 3
1 2
Tbn.
B.Tbn. Tuba
Timp.
1
2 Perc. 3
4
Pno.
Hp.
I Vn. II
Va. (2 soli) Vc. (2 soli) 1 solo
Cb.
(gli altri)
83 322 Picc.
(
= 84) 1.
6
6
6
6
1 2 sempre
Fl.
1
Ob.
1 2
sempre
6
6
6
6
6
6
6
6
6
6
6
6
E.H.
1 Cl. in B 2
Bs. Cl.
Bn.
1 2 Contrabassoon
Cbn.
Hn. in F
1 3 2 4 with harmon mute, stem in sempre
1 2 Tpt. in C
sempre with harmon mute, stem in 3
Tbn.
sempre
1 2
B.Tbn. Tuba
Timp. Glock, with plastic mallets 3
3
1 Vib., with hard mallets 3
3
3
sempre
3
2 Perc.
sempre
3
3
3 Wind Gong 4
Pno.
Hp.
(
= 84)
Then she gave one last burst of music. The white Moon heard it, and she forgot the dawn, and lingered on in the sky. The red rose heard it and trembled all over in ecstasy, and opened its petals to the cold morning air‌
1 solo, senza sord. 3
3
3
3
3
3
3
3
Vn. I solo 3
3
div., pizz. (senza sord.) Vn. I gli altri div., pizz. (senza sord.) Vn. II arco sola
3
3
3
3
Va. sola unis., pizz., senza sord. Va. le altre (con sord.) Vc. solo pizz., senza sord. Vc. gli altri tutti pizz.
sempre
Cb. sempre
sempre
3
3
84 6
323
6
1.
1 2
Picc.
sempre 6 Fl.
6
6
6
6
6
6
6
6
1 6
6
6
1 2
Ob.
E.H.
Cl. in E sempre, legato
Cl. in B
1
Bs. Cl.
1 2
Bn.
Cbn.
1 3
Hn. in F
2 4 1 2 Tpt. in C 3
1 2
Tbn.
B.Tbn. Tuba
Timp. (Glock.)
3
1 (Vib.)
3
3
2 Perc.
3
3
3
3
3
3 (Wind Gong) 4
Pno.
Hp.
2 soli, senza sord., div. 3
3
3
3
3
3
3
3
3
3
3
3
Vn. I 2 soli (div.)
Vn. I gli altri tutti div., pizz., senza sord. Vn.
II 3
(sola)
3
2 sole, div.
Va. (pizz.) Va. le altre Vc. solo (pizz.) Vc. gli altri (pizz.) Cb.
senza sord.
3
3
85 6
324
6
6
6 6
6
6
6
1 2
Picc.
6
Fl.
1
Ob.
1 2
6
6
6
6
6
6
6
6
6
E.H.
Cl. in E
Cl. in B
1
Bs. Cl.
1 2
Bn.
Cbn.
1 3
Hn. in F
2 4 1 2 Tpt. in C 3
1 2
Tbn.
B.Tbn. Tuba
Timp. 3
(Glock.)
3
3
1 (Vib.)
3
3
3
2 3
3
Perc. 3 (Wind Gong) 4
Pno.
Hp.
(div.)
3
3
3
3
Vn. I 2 soli (div.)
3
3
3
3
3
3
3
3
Vn. I gli altri (div.) Vn.
II (div.)
Va. 2 sole 3
3
3
(pizz.) Va. le altre
Vc. solo (pizz.) Vc. gli altri (pizz.) Cb.
3
86 6
325
6
6
6
6
6
1 2
Picc.
6
Fl.
6
6
1 6
6
6
6
6
6
6
1 2
Ob.
E.H.
Cl. in E Cl. in B
1
Bs. Cl.
1 2
Bn.
Cbn.
1., solo 1 3
Hn. in F
2 4 1 2 Tpt. in C 3
1 2
Tbn.
B.Tbn. Tuba
Timp. (Glock.) 3
3
3
3
1 (Vib.)
3
3
2 Perc.
3
3
3
3
3
3
3 (Wind Gong) 4
Pno.
Hp.
(div.) Vn. I 2 soli 3
3
3
(div.) Vn. I gli altri (div.) Vn.
II (div.)
3
3
3
3
Va. 2 sole 3
(pizz.)
3
Va. le altre
Vc. solo (pizz.) Vc. gli altri (pizz.) Cb.
3
3
87 6
6
6
326 1 2
Picc.
6
6
6 6
Fl.
6
6
6
6
6
1 6
6
6
6
6
1 2
Ob.
E.H.
Cl. in E Cl. in B
1
Bs. Cl.
1 2
Bn.
Cbn.
(1.) 1 3
Hn. in F
2 4 1 2 Tpt. in C 3
1 2
Tbn.
B.Tbn. Tuba
Timp. (Glock.)
3
3
3
1 3
(Vib.)
3
2 3
Perc.
3
3
3 (Wind Gong) 4
Pno.
Hp.
3
(div.)
3
3
Vn. I 2 soli (div.)
3
3
3
3 3
Vn. I gli altri (div.) Vn.
II 3
3
3
(div.) Va. 2 sole 3
3
3
3
3
Va. le altre
Vc. solo (pizz.) Vc. gli altri (pizz.) Cb.
88 327
6
a2
1 2
Picc.
Fl.
6
6
6
6
6
6
6
6
6
6
6
6
6
6
6
6
1 6
6
1 2
Ob.
E.H.
Cl. in E
Cl. in B
1
Bs. Cl.
1 2
Bn.
Cbn.
(1.) 1 3 Hn. in F 2 4 1 2 Tpt. in C 3
1 2
Tbn.
B.Tbn. Tuba
Timp. (Glock.) 1 (Vib.)
3
3
3
3
3
2 3
Perc.
3 3
3
3 (Wind Gong) 4
Pno.
Hp.
3
3
3
3
3
(div.) Vn. I 2 soli 3
3
3
(div.) Vn. I gli altri (div.) Vn.
II 3
3
3
(div.) Va. 2 sole (pizz.) Va. gle altre
Vc. solo (pizz.) Vc. gli altri Cb.
3
3
3
3
3
89 328
6
1.
1 2
Picc.
6
Fl.
6
6
6
6
6
6
6
6
6
6
6
1 6
6
1 2
Ob.
E.H.
Cl. in E
1
Cl. in B
1
Bs. Cl.
1 2
Bn.
Cbn.
(1.)
a2
1 3
Hn. in F
2 4 1 2 Tpt. in C 3
1 2
Tbn.
B.Tbn. Tuba
Timp. (Glock.) 3
1 3
3
(Vib.) 2 Perc.
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
4
Pno.
Hp.
(div.)
3
Vn. I 2 soli (div.) Vn. I gli altri (div.) Vn.
II (div.)
3
3
3
3
3
Va. 2 sole (pizz.) Va. gle altre via sord. Vc. solo (pizz.) Vc. gli altri (pizz.) Cb.
90 329
6
6
6
6
6
1 2
Picc.
6
6 6
Fl.
6
6
6
6
1 6
6
6
6
6
1 2
Ob.
E.H.
Cl. in E
Cl. in B
1
Bs. Cl.
1 2
Bn.
Cbn.
(a2) 1 3
Hn. in F
2 4 1 2 Tpt. in C 3
1 2
Tbn.
B.Tbn. Tuba
Timp. (Glock.) 3
3
3
1 3
(Vib.)
3
2 3
Perc.
3
3
3 (Wind Gong) 4
Pno.
Hp.
3
(div.)
3
3
3
Vn. I 2 soli (div.) 3
3
3
3
unis.
Vn. I gli altri (div.) Vn.
unis.
II 3
(div.) Va. 2 sole
3
3
3
(pizz.) Va. le altre senza sord. Vc. solo (pizz.) Vc. gli altri (pizz.) Cb.
3
3
3
3
91 330
6
6
6
6
6
6
6
6
6
1 2
Picc.
6 6
Fl.
1
Ob.
1 2
6
6 6
6
6
6
6
E.H. to Clarinet in B Cl. in E Cl. in B
1
Bs. Cl.
1 2
Bn.
Cbn.
(a2) 1 3
Hn. in F
2 4
1. remove mute 2.
1 2 Tpt. in C 3
1 2
Tbn.
B.Tbn. Tuba
Timp. (Glock.) 3
3
3
3
3
1 3
(Vib.)
3
2 Perc.
3
3
3
3
4
Pno.
Hp.
(div.)
3
3
3
3
Vn. I 2 soli 3
3
3
3
Vn. I gli altri
Vn.
II 3
3
Va. sola
3
3
Va. le altre
Vc. solo (pizz.) Vc. gli altri (pizz.) Cb.
IV
3
92 331
string.
2.
6
6
6
6
6
1 2
Picc.
6
6 6
Fl.
1
Ob.
1 2
6
E.H.
1
Cl. in B
2
Bs. Cl.
1 2
Bn.
Cbn.
(a2) 1 3
5
7
5
7
3 3
Hn. in F
a2 2 4
1., open 1 2 3
Tpt. in C
3
3 a2, open 1 2
Tbn.
B.Tbn. Tuba
Timp.
1 (Vib.) 3
3 3
3
2 Perc.
L. Tam. 3
Wind Gong, solo 4
Pno.
with plectra
B C D E F G A
Hp.
But the Nightingale’s voice grew fainter, and her little wings began to beat, and a film came over her eyes…
string.
1 solo 3
3
3
2 sole 3
3
3
I Vn. II
Va. 1 solo Vc.
Cb.
3
3
93 334 Picc.
1 2
Fl.
1
Ob.
1 2
= 152 subito
E.H.
1
Cl. in B
2
3 1. 1 2
Bn.
Cbn.
(a2) 1 3 Hn. in F
(a2) 2 4
1 2 Tpt. in C 3 (a2) 1 2
Tbn.
a2, soli 3
B.Tbn. Tuba
Timp.
1
2 Perc. 3
4
Pno.
Hp.
= 152 subito
And at noon the Student opened his window and looked out. “Why, what a wonderful piece of luck! Here is a red rose!” Then he put on his hat and ran up to the Professor’s house.
I Vn. II
Va. tutti, arco, al tallone, on the string Vc.
tutti, arco, al tallone, on the string Cb.
94 337 Picc.
1 2
Fl.
1
Ob.
1 2
E.H.
1
Cl. in B
2
3 1. 1 2
Bn.
Cbn.
1., solo, open 1 3 Hn. in F
2 4 1 2
Tpt. in C 3 1., solo 1 2
Tbn.
3
(a2) 3
B.Tbn. Tuba
Timp.
1
2 Perc. 3
4
Pno.
Hp.
I Vn. II
Va.
Vc.
Cb.
95 340 Picc.
1 2
Fl.
1
Ob.
1 2
E.H.
1
Cl. in B
2
3
1 2
Bn.
Cbn.
(1.) 1 3
Hn. in F
2 4 1., open 1 2 Tpt. in C 3 (1.) 1 2
Tbn.
3
3
3
(a2) B.Tbn. Tuba
Timp.
1
2 Perc. 3
4
Pno.
Hp.
I Vn. II tutti, arco, al tallone, on the string Va.
Vc.
Cb.
96 343 Picc.
1 2
Fl.
1
Ob.
1 2
E.H.
1
Cl. in B
2
3
1 2
Bn.
Cbn.
(1.) 1 3
3
Hn. in F 2 4 (1.) 1 2 Tpt. in C 3 (1.) 1 2
Tbn.
B.Tbn. Tuba
C GDA Timp.
1
2 Perc.
L. Tam., scraped 3 L. B.D., with wood beater 4
Pno.
Hp.
I Vn. II
Va.
Vc.
Cb.
97 346 Picc.
1 2
Fl.
1
Ob.
1 2
E.H.
1
Cl. in B
2
3
1 2
Bn.
Cbn.
1 3
Hn. in F
2 4 1 2 Tpt. in C 3
1 2
Tbn.
B.Tbn. Tuba
Timp.
1
2 Perc.
(L. Tam.) 3 (L. B.D.) 4
Pno.
Hp.
tutti, arco, al tallone, on the string I Vn.
arco, al tallone, on the string II
Va.
Vc.
Cb.
98 349 Picc.
1 2
Fl.
1
Ob.
1 2
E.H.
1
Cl. in B
2
3 2. 1 2
Bn.
Cbn.
1 3
Hn. in F
2 4 1 2 Tpt. in C 3 1., solo 3
1 2
Tbn.
a2, soli 3
B.Tbn. Tuba
3
Timp.
1
2 Perc.
(L. Tam.) 3
(L. B.D.) 4
Pno.
Hp.
“You said you would dance with me if I brought you a red rose,” cried the Student. “Here is the reddest rose in all the world.”
ord. I Vn.
ord.
molto
ord.
molto
II
Va. ord. molto Vc. ord. molto Cb. molto
99 352 Picc.
1 2
Fl.
1
Ob.
1 2
E.H.
1
Cl. in B
2
3
1 2
Bn.
Cbn.
a2, soli 1 3 Hn. in F 2 4 2., solo, open 3
1 2 Tpt. in C 3 (1.)
3
3
5
1 2
Tbn.
3
(a2) B.Tbn. Tuba
Timp.
1
2 Perc. 3
4
Pno.
Hp.
I Vn. II
Va.
Vc.
Cb.
100 355 Picc.
1 2
Fl.
1
Ob.
1 2
1.
E.H.
1
Cl. in B
2
3
1 2
Bn.
Cbn.
(a2)
3
1 3
Hn. in F
2 4
3
3
solo (2.)
5
1 2 Tpt. in C
3
3 (1.) 1 2
Tbn.
(a2) B.Tbn. Tuba
3
3
Timp.
1
2 Perc. 3
4
Pno.
Hp.
div. I Vn. II
Va.
Vc.
Cb.
3
3
101 358 Picc.
1 2
Fl.
1
Ob.
1 2
1.
E.H.
1
Cl. in B
2
3
1 2
Bn.
Cbn.
(a2) 1 3
Hn. in F
2 4
1 2 Tpt. in C
3
3 (1.) 1 2
Tbn.
5
B.Tbn. Tuba
Timp.
1
2 Perc. 3
4
Pno.
Hp.
8va
(div.) I Vn. II
Va.
Vc.
Cb.
3
102 361 Picc.
1 2
Fl.
1
Ob.
1 2
(1.)
E.H.
1
Cl. in B
2
3
1 2
Bn.
Cbn.
(a2) 1 3
Hn. in F
3
3
3
2 4 1 2 Tpt. in C 3 (1.) 1 2
Tbn.
B.Tbn. Tuba
Timp.
1
2 Perc.
L. Tam. 3
L. B.D. 4
Pno.
Hp.
8
(div.) I Vn. II
Va.
Vc.
Cb.
3
103 364 Picc.
1 2
Fl.
1
Ob.
1 2
E.H.
1
Cl. in B
2
3
1 2
Bn.
Cbn.
(a2) 1 3
Hn. in F
2 4 1 2 Tpt. in C 3 (1.) 1 2
Tbn.
B.Tbn. Tuba
G to A Timp.
1
2 Perc.
L. Tam. 3 L. B.D. 4
Pno.
Hp.
“I am afraid it will not go with my dress,” she answered; “and, after all, who are you? Only a student. And, besides, the Chamberlain’s nephew has sent me some real jewels, and everytbody knows that jewels cost far more than flowers.”
I Vn. II al tallone, on the string Va.
Vc.
Cb.
104 367 Picc.
1 2
Fl.
1
Ob.
1 2
E.H.
1
Cl. in B
2
3
1 2
Bn.
Cbn.
1 3
Hn. in F
2 4 1 2 Tpt. in C 3
1 2
Tbn.
B.Tbn. Tuba
Timp.
1
2 Perc.
(L. Tam.) 3
(L. B.D.) 4
Pno.
Hp.
I Vn.
al tallone, on the string II
Va.
Vc.
Cb.
105 370 Picc.
1 2
Fl.
1
Ob.
1 2
E.H.
1
Cl. in B
2
3 2. 1 2
Bn.
Cbn.
1 3
Hn. in F
2 4 1 2 Tpt. in C 3 1., solo 1 2
Tbn.
3
a2, soli
3
3
B.Tbn. Tuba
D to E Timp.
1 Wind Gong, solo 2 Perc.
(L. Tam.) 3
(L. B.D.) 4
Pno.
Hp.
unis., al tallone, on the string
ord.
I ord.
Vn. II
ord. Va. ord. Vc. ord. Cb.
106 373 Picc.
1 2
Fl.
1
Ob.
1 2
E.H.
1
Cl. in B
2
3
1 2
Bn.
Cbn.
a2, soli 1 3
Hn. in F
2 4 3
solo
9
solo
to B Picc. Tpt.
1 2 Tpt. in C
molto 3
3 molto
(1.) 1 2
Tbn.
5
3
molto
(a2) B.Tbn. Tuba 5
molto
Timp.
1
2 Perc. 3
4
Pno.
Hp.
I Vn.
sub. II sub.
Va. sub. Vc. sub. Cb. sub.
3
3
107 376 Picc.
1 2
Fl.
1
Ob.
1 2
1.
E.H.
1
Cl. in B
2
3
1 2
Bn.
Cbn.
(a2) 1 3
Hn. in F
5
2 4
9
Picc. in B Tpt.
5
3
2 Tpt. in C 3 a2 1 2
Tbn.
3
(a2)
3
5
B.Tbn. Tuba
Timp.
1
2 Perc. 3
4
Pno.
Hp.
div. I Vn. II
Va.
Vc.
Cb.
108 379 Picc.
1 2
Fl.
1
Ob.
1 2
(1.)
2.
E.H.
1
Cl. in B
2
3 1. 1 2
Bn.
Cbn.
(a2) 1 3 Hn. in F
3
3
3
3
a2 2 4
3
Picc. in B Tpt.
3
2 5
Tpt. in C 3
(a2) 1 2
Tbn.
3
3
3
(a2) B.Tbn. Tuba 3
5
3
3
Timp.
1 Wind Gong 2 Perc.
L. Tam. 3 L. B.D. 4
Pno.
Hp.
“You are very ungrateful,” said the Student angrily; and he threw the rose into the street, where it fell into the gutter, and a cart-wheel went over it. “What a silly thing Love is,” said the Student as he walked away. “I shall go back to Philosophy and study Metaphysics.”
(div.)
I Vn. II
Va.
Vc.
Cb.
109 1.
382 Picc.
1 2
Fl.
1
Ob.
1 2
2.
E.H.
1
Cl. in B
2
Clarinet in B 3
1 2
Bn.
Cbn.
(a2) 1 3 Hn. in F
3
3
3
3
(a2) 2 4
Picc. in B Tpt. 5
2 Tpt. in C 3 (a2)
3
1 2
Tbn.
(a2) B.Tbn. Tuba
Timp.
1 (Wind Gong) 2 Perc.
(L. Tam.) 3 (L. B.D.) 4
Pno.
Hp.
(div.)
I Vn. II
Va.
Vc.
Cb.
5
3
5
110 385 Picc.
1 2
Fl.
1
Ob.
1 2
E.H.
1
Cl. in B
2
3
1 2
Bn.
Cbn.
(a2) 1 3 Hn. in F
(a2) 2 4
Picc. in B Tpt.
2 Tpt. in C 3 (a2) 1 2
Tbn.
(a2) B.Tbn. Tuba
Timp.
1 (Wind Gong) 2 Perc.
(L. Tam.) 3 (L. B.D.) 4
Pno.
Hp.
(div.)
I Vn. II
Va.
Vc.
Cb.
111 388 1 2
Picc.
sub.
Fl.
1
Ob.
1 2
E.H.
1
Cl. in B
2
3
1 2
Bn.
Cbn. (a2) 1 3 Hn. in F
(a2) 2 4
Picc. in B Tpt.
2 Tpt. in C 3 (a2) 1 2
Tbn.
(a2) B.Tbn. Tuba
Timp.
1 (Wind Gong) 2 Perc.
(L. Tam.) 3
(L. B.D.) 4
Pno.
Hp.
gli altri, div.
(div.)
I 1 solo Vn. II
Va.
Vc.
Cb.
112 = 42
ca. 6 sec.
391 (2.) Picc.
1 2
Fl.
1
Ob.
1 2
E.H.
1
Cl. in B
2
3
1 2
Bn.
Cbn.
1 3
Hn. in F
2 4 1 2 Tpt. in C 3
1 2
Tbn.
B.Tbn. Tuba
Timp. Crotales, bowed 1
2 Perc. 3
4
Pno.
solo
Hp.
5
A 3 3
The Nightingale’s body is alone on the stage…
ca. 6 sec.
= 42
(1 solo) I Vn. II
div. Va.
div. Vc.
div. Cb.
unis.