OnDemand
O'Regan, Tarik Night City
Score for sale (North America): http://www.halleonard.com/product/viewproduct.do?itemid=14042322 Score for sale (UK, Europe and other territories): http://www.musicroom.com/se/id_no/01070238/details.html?kbid=1296 Information about the work and materials for hire: http://www.musicsalesclassical.com/composer/work/48048
Score begins on the next page.
Novello & Co Limited Part of the Music Sales Group
Tarik O’Regan
NIGHT CITY for double chorus (SSA, SATB) and percussion (2012)
full score
NOVELLO
Commissioned by the Vassar College Department of Music for the Vassar College Choir and Women's Chorus, and first performed by them on February 2 2013 at Vassar College, Poughkeepsie, NY. Double chorus (SSA, SATB) Percussion (2 players): Marimba, Vibraphone, Glockenspiel, Crotales, Suspended Cymbal, Bass Drum Percussion score available on sale: NOV162404-01 (set of 2) Duration: c. 9 minutes NIGHT CITY [from the plane] (1972) No foot could endure it shoes are too thin. Broken glass, broken bottles, heaps of them burn.
A pool of bitumen one tycoon wept by himself, a blackened moon.
Over those fires no one could walk: those flaring acids and variegated bloods.
Another cried a skyscraper up. Look! Incandescent, its wires drip.
The city burns tears. A gathered lake of aquamarine begins to smoke.
The conflagration fights for air in a dread vacuum. The sky is dead.
The city burns guilt. 窶認or guilt-disposal the central heat must be this intense.
(Still, there are creatures, careful ones, overhead. They set down their feet, they walk green, red; green, red.)
Diaphanous lymph, bright turgid blood, spatter outward in clots of gold to where run, molten, in the dark environs green and luminous silicate rivers.
Elizabeth Bishop (1911-1979) Words reproduced by permission.
for Christine Howlett and Vassar College
NIGHT CITY ELIZABETH BISHOP (1911‐1979)
TARIK O’REGAN (b.1978)
SOPRANO I
CHORUS I
q = 54
ALTO I
CHORUS II
SOPRANO II
ALTO II
TENOR II
BASS II
Percussion required: Glockenspiel, Marimba, Bass Drum, Vibraphone, Suspended Cymbal, Crotales
q = 54
Percussion I
Percussion II
Vibraphone (motor slow, soft mallets)
pp
6
Perc. II
(stick damp)
mp
© 2012 Novello & Company Limited
sim.
12
Perc. II
mf
pp
q = h.
2
A
17
S. I
pp
q = 162
p
2
it,
A. I
f
No
B. II
f
No
f
No
q = 162
A
foot could
f
No
T. II
p
it,
S. II
A. II
shoes
pp
foot could
foot could
foot could
en ‐ dure
pp
2
shoes
it,
2
en ‐ dure
it,
2
en ‐ dure
it,
Perc. I
Crotales
(one player)
2
it,
en ‐ dure
Bass drum (very soft mallets)
2
p
Glockenspiel
p
Vibraphone (motor off, hard mallets)
Perc. II
p
3
24
S. I
A. I
Perc. I Perc. II
S. I
A. I
31
2
2
thin.
f
O ‐ ver those
B. II
heaps of them
f
O ‐ ver those
mf
burn.
Brok ‐ en
Brok ‐ en
glass,
brok ‐ en
glass,
brok ‐ en
2
bot ‐ tles, 2
bot ‐ tles,
mp
fires
fires
pp subito
mf
fires
burn.
mp
ah
pp subito
mp
mp
no one could pp
burn.
fires
pp
fires
mf
ah
fires
mf
heaps of them burn. f
Perc. II
too
thin.
2
f
Perc. I
heaps of them
T. II
too
are
heaps of them f
A. II
are
f S. II
no one could
mp
no one could
mp
pp
pp
no one could
2
4
39
S. I
ah
A. I
walk,
A. II
walk,
T. II
B. II
walk,
p
no one could
ah
S. II
p
no one could
Perc. II
2
mp
mp
walk,
no one could
mp
walk,
no one could
p
mp
no one could
p
walk,
walk,
no one could
mp
no one could
p
no one could
walk,
walk,
p
walk,
Perc. I
walk,
no one could
mp
walk,
no one could
l.v.
mp
2
mp
mp
2
l.v.
5
B
47
S. I
mf
walk:
A. I
mf
those
S. II
B. II
walk:
flar‐ ing ac ‐ ids,
mf
mf
mf
those
mf
walk:
Perc. II
flar ‐ ing ac ‐ ids,
Perc. I
flar ‐ ing ac ‐ ids,
walk:
flar‐ ing ac ‐ ids,
walk:
T. II
q = q = 162
those
walk:
A. II
h = 81
those flar‐ ing ac ‐ ids,
mf
mf
mf subito
those
Suspended cymbal (marimba mallet)
mf subito
those flar‐ ing ac ‐ ids,
h = 81
B
q = q = 162 l.v.
Marimba (shared with Percussion II)
mf
6
53
S. I
p
flar‐ ing ac ‐ ids,
A. I
those flar‐ ing ac ‐ ids,
p
flar‐ ing ac ‐ ids,
S. II
p
those flar‐ ing ac ‐ ids,
those
those flar‐ ing ac ‐ ids,
A. II
p
those flar‐ ing ac ‐ ids,
T. II
p
p
fla ‐ ring a ‐ cids
p
Perc. II
fla ‐ ring a ‐ cids
B. II
Perc. I
those
Marimba (shared with Percussion I)
pp
7
59
S. I
and
A. I
va ‐ rie ‐ gat ‐ ed
bloods,
and
S. II
va ‐ rie ‐ gat ‐ ed
and
flar‐ ing ac ‐ ids,
A. II
flar‐ ing ac ‐ ids,
T. II
B. II
Perc. I
Perc. II
va ‐ rie ‐ gat ‐ ed
va ‐ rie ‐ gat ‐ ed
and
and
bloods,
and
bloods,
flar‐ ing ac ‐ ids,
mp
bloods,
flar‐ ing ac ‐ ids,
mp
va ‐ rie ‐ gat ‐ ed
bloods,
mp
va ‐ rie ‐ gat ‐ ed
bloods,
mp
p
8
65
S. I
mp
flar‐ ing ac ‐ ids,
mp
A. I
those flar‐ ing ac ‐ ids,
and
flar‐ ing ac ‐ ids,
S. II
those flar‐ ing ac ‐ ids,
and
those flar‐ ing ac ‐ ids,
A. II
those flar‐ ing ac ‐ ids,
T. II
B. II
Perc. I
Perc. II
flar‐ ing ac ‐ ids,
flar‐ ing ac ‐ ids,
mp
9
71
S. I
va ‐ rie ‐ gat ‐ ed
A. I
va ‐ rie ‐ gat ‐ ed
S. II
and
A. II
T. II
B. II
Perc. I
Perc. II
va ‐ rie ‐ gat ‐ ed
bloods,
bloods,
va ‐ rie ‐ gat ‐ ed
and
mf
those flar‐ ing ac ‐ ids,
mf
those flar‐ ing ac ‐ ids,
va ‐ rie ‐ gat ‐ ed
bloods,
va ‐ rie ‐ gat ‐ ed
bloods,
mf
those
bloods,
mf
those
and
bloods,
and
mf
those
mf
those
mf
mp
10
77
S. I
flar‐ ing ac ‐ ids,
A. I
flar‐ ing ac ‐ ids,
flar‐ ing ac ‐ ids,
S. II
flar‐ ing ac ‐ ids,
those flar‐ ing ac ‐ ids,
A. II
those flar‐ ing ac ‐ ids,
T. II
B. II
Perc. I
those flar‐ ing ac ‐ ids,
flar‐ ing ac ‐ ids,
those flar‐ ing ac ‐ ids,
flar‐ ing ac ‐ ids,
mf subito
Perc. II
mf
11
83
S. I
those flar‐ ing ac ‐ ids
A. I
S. II
those flar‐ ing ac ‐ ids
and
va ‐ rie ‐ gat ‐ ed
bloods.
and
va ‐ rie ‐ gat ‐ ed
those flar‐ ing ac ‐ ids
A. II
and
those flar‐ ing ac ‐ ids
T. II
B. II
Perc. I
Perc. II
va ‐ rie ‐ gat ‐ ed
bloods.
bloods.
and
va ‐ rie ‐ gat ‐ ed
and
and
bloods.
va ‐ rie ‐ gat ‐ ed
va ‐ rie ‐ gat ‐ ed
mf
mf
12
S. I
A. I
S. II
89
T. II
bloods.
C
The
h = h = 81
pp
Perc. II
92
A. II
B. II
h = h = 81
T. II
bloods.
Perc. I Perc. II
A. II
B. II
C
pp
The
cit
‐
cit
pp
‐
y
‐
‐
y
The
p
cit
‐
‐
y
niente
13
S. II
pp
95
A. II
T. II
B. II
p
burns
tears,
the
cit
burns
tears,
burns
tears,
burns
p
the
cit
T. II
B. II
Perc. I
Perc. II
‐
‐
‐
‐
p
(Marimba)
‐
‐
‐
‐
‐
‐
‐
‐
‐
‐
‐
‐
‐
‐
‐
‐
‐
‐
‐
‐
‐
‐
‐
p subito
pp
‐
‐
‐
‐
‐
‐
‐
‐
‐
‐
ty
‐
l.v.
‐
‐
‐
‐
ty
‐
‐
‐
‐
pp
cit
‐
cit
Bass Drum (marimba mallets)
‐
p subito
100
‐
the
S. II
A. II
‐
the
tears,
p
‐
p
Perc. I
Perc. II
‐
‐
‐
‐
‐
‐
‐
‐
‐
‐
‐
l.v.
‐
‐
‐
‐
sim.
14
S. II 104
A. II
T. II
B. II
burns,
‐
‐
Perc. I Perc. II
‐
‐
‐
‐
‐
‐
y
y
ppp A
ppp A. I A
S. II
A. II
T. II
B. II
Perc. I
Perc. II
l.v.
pp
108
S. I
mp
gath ‐ ered
mp
gath ‐ ered
lake
burns,
lake
of
of
tears,
burns
tears,
l.v. burns
pp
15
S. I
112
aq
A. I
S. II
aq
3
‐
ua ‐ ma
3
‐
ua ‐
ma
‐
‐
rine
rine
be ‐ gins
to
be ‐ gins
to
tears.
A. II
T. II
B. II
tears.
tears.
tears.
Perc. I Perc. II
pp
l.v.
16
S. I
116
smoke.
mf
The
A. I
cit ‐
y
burns
guilt.
mf
smoke.
S. II
The
cit ‐
y
burns
guilt.
mp
The
A. II
T. II
B. II
Perc. I
Perc. II
mp
The
The
The
pp
l.v.
17
120
S. I
For
A. I
S. II
guilt ‐ dis
For
the
guilt ‐ dis
‐ pos ‐ al
cit
T. II
B. II
Perc. I
Perc. II
mp
cit
‐
‐
‐
‐
mp
cit
‐
‐
‐
‐
‐
the
‐
‐
‐
‐
‐
‐
‐
‐
‐
‐
‐
‐
‐
‐
‐
‐
‐
‐
‐
‐
‐
cit
A. II
‐ pos ‐ al
‐
‐
‐
‐
‐
‐
mp
Marimba
mp
mp subito
mp subito
18
124
S. I
cen
A. I
S. II
‐
tral
cen
‐
tral
‐
T. II
‐
‐
‐
‐
‐
‐
‐
‐
‐
‐
‐
‐
‐
‐
‐
‐
‐
‐
‐
‐
‐
‐
‐
‐
‐
‐
‐
must
be
f
be
y
‐
‐
‐
‐
‐
y
y
Perc. I mp subito
Perc. II
y
‐
f
‐
must
‐
‐
heat
A. II
heat
‐
B. II
mf subito
mp subito
mf subito
19
S. I
128
this
A. I
this
in ‐ tense.
Di
in ‐ tense.
mf
burns
guilt.
mf
burns
T. II
B. II
Perc. I
Perc. II
mf
burns
mf
guilt,
the
cit
burns
guilt,
the
cit
mf subito
mf subito
‐
‐
Di
guilt.
Di
y
burns
guilt.
Di
f
burns
guilt.
Di
‐
‐
f
y
‐
f
f
Di
S. II
A. II
‐
‐
‐
f subito
f
20
D
132
S. I
h = 54
q = q = 162
‐ aph ‐ a ‐ nous
S. II
‐ aph ‐ a ‐ nous
‐ aph ‐ a ‐ nous
A. II
‐ aph ‐ a ‐ nous
T. II
‐ aph ‐ a ‐ nous
D
lymph,
mp
bright tur ‐ gid
lymph,
mp
bright tur ‐ gid
mp
bright tur ‐ gid
mp
bright tur ‐ gid
lymph,
h = 54
q = q = 162 Perc. I
Perc. II
lymph,
‐ aph ‐ a ‐ nous lymph,
B. II
lymph,
A. I
pp
21
S. II
p subito
139
blood,
B. II
spat ‐ ter
blood,
‐
ward
in clots
out
‐
ward
of
spat ‐ ter
p subito
blood,
spat ‐ ter
out
‐
out
‐
ward
ward
gold
gold
of
in clots
gold
E
in clots
of
of
in clots
p subito
Perc. I Perc. II
out
p subito
blood,
T. II
spat ‐ ter
A. II
E
gold
p
pp
p
2
146
S. I
pp
p
to
A. I
Perc. I Perc. II
where
p
pp
to
2
where
run,
run,
mf
2
22
153
S. I
mol ‐ ten,
A. I
mol ‐ ten,
S. II
2
in the dark
2
in the dark
en ‐ vi ‐ rons,
en ‐ vi ‐ rons
A. II
B. II
Perc. I
Perc. II
p
ah
mf
and
en ‐ vi ‐ rons
green
en ‐ vi ‐ rons
green
green
mf
ah
en ‐ vi ‐ rons green
f
f
en ‐ vi ‐ rons
T. II
f
mf
f
en ‐ vi ‐ rons,
f
en ‐ vi ‐ rons green
f
green
and
mf
lu
mi ‐
lu
and
lu
and
lu
‐
‐
mi ‐
‐
‐
‐
‐
p
p
23
160
S. I
pp subito
mp
mp
A. I
ah
si ‐ li ‐ cate
‐
Perc. I
Perc. II
pp
si ‐ li ‐ cate
B. II
pp
mi ‐ nous
si ‐ li ‐ cate
mf
ri ‐ vers,
pp
‐ nous
T. II
2
sil ‐ i ‐ cate
riv
‐
p
sil ‐ i ‐ cate
riv
2
‐
ers,
ers,
p
si ‐ li ‐ cate
‐ mi ‐ nous
p
pp
ah
‐ nous
A. II
ah
S. II
ah
pp subito
ri ‐ vers,
ri ‐ vers,
sil ‐ i ‐ cate
p
sil ‐ i ‐ cate
p
sil ‐ i ‐ cate
p
ri ‐ vers,
2
sil ‐ i ‐ cate
p
24
167
S. I
mp
A. I
S. II
riv ‐ ers,
riv ‐ ers,
riv ‐ ers,
Perc. I Perc. II
riv ‐ ers,
B. II
‐
‐
riv
‐
‐
ers.
mp
sil ‐
i ‐ cate
riv ‐ ers.
i ‐ cate
riv ‐ ers.
mp
sil ‐
i ‐ cate
sil ‐
mp
ers.
mp
T. II
riv
sil ‐ i ‐ cate
A. II
mp
sil ‐ i ‐ cate
h. = q
sil ‐
mf
mf
i ‐ cate
2
riv ‐ ers.
riv ‐ ers.
F
q = 54
S. II 173
T. II
Perc. II
pp subito
pp subito
Vibraphone (motor slow, soft mallets)
pp (stick damp)
sim.
25
180
S. I
G
p
A pool
A. I Perc. II
186
of
Perc. II
mp
mp
bi ‐ tu ‐ men
mp
‐ coon wept by
A. I
Perc. II
wept by
him ‐ self,
one ty ‐ coon,
a
him ‐ self,
mf
a
one
black ‐ ened,
black ‐ ened,
mf subito
mp subito
ty ‐
one
p
of
pp
pool
mf subito
a
one ty ‐ coon,
190
S. I
pool,
mp subito
bi ‐ tu ‐ men
p
p subito
mf
A. I
p
A
p
S. I
ty ‐ coon
mp
a
black
a
black
f
‐
ened
‐
ened
f
moon.
f
moon.
26
A. I
molto
194
Perc. II
H pp
pp
200
S. I
I
ppp
q = 162
molto
ah
A. I
S. II
molto
mf
An ‐ oth ‐ er cried,
ppp
mf
ah
An ‐ oth ‐ er cried,
ppp
molto
mf
An ‐ oth ‐ er cried,
ah
A. II
Perc. I
Perc. II
ppp
ah
Suspended cymbal (marimba mallets)
molto
pp
mf
An ‐ oth ‐ er cried,
q = 162
l.v.
molto
Marimba
mf
27
205
S. I
p
an ‐ oth ‐ er cried
A. I
S. II
p
an ‐ oth ‐ er cried
p
an ‐ oth ‐ er cried,
A. II
p
an ‐ oth ‐ er cried,
T. II
B. II
Perc. I
Perc. II
an ‐ oth ‐ er cried,
mf subito
an ‐ oth ‐ er cried,
mf subito
p
Marimba
pp
a,
a,
28
210
S. I
an ‐ oth ‐ er cried a,
A. I
mp
a
a
sky ‐ scrap ‐ er
mp
an ‐ oth ‐ er cried a,
S. II
sky ‐ scrap ‐ er
mp
sky ‐ scrap ‐ er,
A. II
a
sky ‐ scrap ‐ er,
sky ‐ scrap ‐ er p
T. II
B. II p
Perc. II
a
sky ‐ scrap ‐ er
Perc. I
mp
29
216
S. I
up.
up.
sky ‐ scrap ‐ er
A. II
T. II
B. II
Perc. I
Perc. II
mf
up.
Look!
Look!
Look!
a
sky
mp
mp
a
‐
sky
‐
scrap ‐ er,
mp
mf
In ‐ can ‐ des ‐ cent,
In ‐ can ‐ des ‐ cent.
scrap ‐ er,
In ‐ can ‐ des ‐ cent.
up.
In ‐ can ‐ des ‐ cent,
mf
sky ‐ scrap ‐ er
mf
Look!
A. I
S. II
mf
Look!
mf
Look!
Look!
Look!
In ‐ can ‐ des ‐ cent,
In ‐ can ‐ des ‐ cent,
mf
mp
30
221
S. I
in ‐ can ‐ des ‐ cent.
A. I
S. II
Perc. II
Look!
in ‐ can ‐ des ‐ cent.
T. II
Perc. I
A. II
B. II
Look!
In ‐ can ‐ des ‐ cent.
Look!
In ‐ can ‐ des ‐ cent.
Look!
in ‐ can ‐ des ‐ cent.
in ‐ can ‐ des ‐ cent.
mf subito
mf
31
226
S. I
In ‐ can ‐ des ‐ cent,
A. I
Perc. II
T. II
Perc. I
its
wires
A. II
B. II
In ‐ can ‐ des ‐ cent,
S. II
wires
Look!
In ‐ can ‐ des ‐ cent,
Look!
In ‐ can ‐ des ‐ cent,
its
drip.
its
wires
drip.
its
wires
drip.
mf
drip.
Look!
In ‐ can ‐ des ‐ cent,
Look!
In ‐ can ‐ des ‐ cent,
mf
32
S. I
A. I
S. II
231
wires drip.
wires
pp
The
T. II
drip.
234
Perc. II
A. II
B. II
h = h = 81
Perc. I
T. II
Perc. II
A. II
B. II
J
pp
J
h = h = 81
pp
The
con
‐
‐
fla
‐
‐
con
‐
‐
fla
‐
‐
‐
‐
The
con
‐
‐
fla
p
niente
33
S. II 237
A. II
pp
B. II
Perc. I
‐
‐
‐
‐ gra
tion,
the
p
‐
con
‐
‐
‐
‐
p
the
‐
p
Perc. II
‐
the
tion,
tion,
‐
con
p
‐
the
The,
‐ gra
‐ gra
T. II
p
p subito
Vibraphone (motor slow, hard mallets)
p
S. II 242
A. II
T. II
B. II
Perc. I
Perc. II
‐
‐
‐
‐
‐
‐
‐
‐
‐
‐
‐
‐
‐
‐
‐
‐
‐
‐
‐
‐
‐
‐
‐
con
‐
‐
‐
‐
p subito
‐
‐
‐
‐
‐
‐
‐
‐
‐
‐
‐
‐
‐
‐
‐
‐
‐
‐
‐
‐
‐
‐
‐
‐
‐
‐
‐
‐
‐
‐
‐
‐
‐
‐
‐
‐
‐
fla
‐
fla
con
‐
sim.
34
S. II 246
A. II
Perc. I
Perc. II
S. I
‐
‐
‐
‐
T. II
B. II
‐
‐
‐
‐
‐
‐
‐
‐
‐
‐
‐
‐
‐
‐
‐
‐
‐
fla
‐
A. II
ppp 250
fla
‐
‐
‐
‐
‐
‐
‐
‐
‐
‐
‐
‐
‐
‐
‐
‐
‐
‐
‐
‐
‐
‐
‐
‐
‐
‐
‐
‐
‐
‐
‐
‐
‐
‐
con ‐ fla mp
‐
con ‐ fla
‐
‐
‐
‐
‐
‐
‐
‐
‐
gra
‐
‐
‐
‐
gra
‐
‐
‐
‐
‐
‐
‐
‐
‐
‐
‐
‐
‐
‐
‐
‐
‐
gra ‐ tion
‐
‐
‐
‐
‐
‐
‐
‐
‐
‐
‐
‐
‐
‐
gra ‐ tion
‐
‐
‐
gra
‐
‐
‐
‐
mp
‐
‐
‐
‐
tion
tion
‐
‐
‐
‐
‐
‐
‐
Perc. II
‐
T. II
Perc. I
‐
‐ B. II
‐
‐
The
S. II
‐
The ppp
A. I
‐
‐
‐
‐
‐
‐
‐
gra
‐
‐
‐
‐
‐
‐
‐
‐
‐
‐
‐
‐
‐
‐
35
254
S. I
fights
A. I
fights
S. II
for
air,
for
air,
the
the
con ‐ fla ‐
con ‐ fla ‐
fights
A. II
T. II
B. II
‐
‐
‐
‐
tion
‐
‐
‐
‐
fights
fights
tion
fights
Perc. I
Perc. II
36
258
S. I
‐ gra ‐ tion
A. I
‐ gra ‐ tion
S. II
mf
fights
for
air
mf
fights
for
A. II
T. II
B. II
Perc. I
Perc. II
for
air
mp
air
for
for
mp
air
air
for
air
37
262
S. I
A. I
S. II
in
a
in
dread
a
dread
in
A. II
in
mp
B. II
mp
T. II
Perc. I
in
in
mp
vac ‐ uum,
a
vac ‐ uum,
a
a
a
a
mp
Perc. II
a
mp subito
mp subito
38
266
S. I
dread
A. I
dread
S. II
T. II
B. II
The
Perc. II
vac ‐ uum.
The
vac
dread
‐
‐
‐
‐
‐
‐
‐
‐
f
Perc. I
vac ‐ uum.
dread
A. II
f
vac
dread,
dread,
mp subito
mf subito
mp subito
mf subito
39
S. I
270
sky,
A. I
sky,
mf
T. II
B. II
Perc. I
Perc. II
‐
‐
‐
‐
‐
‐
mf
mf
dread
‐
‐
dread
vac
‐
‐
‐
‐
‐
‐
‐
‐
mf subito
uum,
vac
uum.
f
The
mf subito
uum.
mf
‐
The
S. II
A. II
The
‐
uum,
dread
dread
f
The
f
f
vac ‐ uum. The
vac ‐ uum. The
f subito
f
40
K
h = 54 q = q = 162
S. I
274
is
dead.
sky
A. I
sky
S. II
is
sky
is
A. II
sky
sky is
T. II
B. II
sky
K
Perc. I
Perc. II
is
is
L
dead.
dead.
dead.
dead.
dead.
h = 54
q = q = 162
L
p
Crotales
pp
Glockenspiel
pp
(motor off)
niente
pp
41
283
S. I
A. I
Perc. I Perc. II
S. I
pp
(Still,
291
T. II
B. II
Perc. I Perc. II
p
crea ‐ tures,
there are
2
crea ‐ tures,
2
care ‐ ful
care ‐ ful
ones,
ones,
o ‐ ver ‐ head.
mp
They
A. II
2
S. II
there are
o ‐ ver ‐ head.
A. I
(Still, pp
p
mp
set down their
They mp
set down their
They
set down their
mp
They
set down their
p
feet,
they p
feet,
they p
feet,
they
walk,
walk,
walk,
p
feet,
they
walk,
42
S. II 299
A. II
T. II
Perc. I Perc. II
B. II
306
they pp
B. II
T. II
Perc. I Perc. II
walk
they pp
walk
they pp
walk
they
walk
ppp
green,
M
A. I
A. II
S. II
pp
q = 54
h. = q pp
ppp
green,
red;
pp
red;
ppp
red;
pp
green,
green,
ppp
green,
(motor slow)
p
43
312
S. I
pp
red.)
A. I
S. II
A. II
T. II
B. II
green,
pp
red;
red.)
ppp
red.)
green,
pp
red.)
green,
red.)
red.)
Perc. I
Perc. II
mp
Bass Drum (very soft mallets)
ppp
niente