John Harbison
MILOSZ SONGS Poems by
Czeslaw Milosz Full Score
From the Rental Library of G. Schirmer, Inc. Date of printing ____________
Associated Music Publishers, Inc. New York, NY
John Harbison
MILOSZ SONGS Poems by
Czeslaw Milosz Prologue from Lauda..................................................1 1. A Task........................................................................6 2. Encounter.................................................................17 3. You Who Wronged..................................................35 4. When the Moon.......................................................47 5. O!..............................................................................59 6. What Once Was Great.............................................68 7. So Little.....................................................................81 8. On Old Women........................................................98 Epilogue: from Winter..................................................112 Post-Epilogue: Rays of Dazzling Light...........................118
commissioned by the New York Philharmonic Lorin Maazel, Music Director
Associated Music Publishers, Inc. New York, NY
Prologue: from Lauda And now we are joined in a ritual. In amber? In crystal? W e make music. Neither what once was nor what ever will be. Only what persists when the world is over. A Task In fear and trembling, I think I would fulfill my life Only if I brought myself to make a public confession Revealing a sham, my own and of my epoch: W e were permitted to shriek in the tongue of dwarfs and demons But pure and generous words were forbidden Under so stiff a penalty that whoever dared to pronounce one Considered himself as a lost man.
So Little I said so little. Days were short. Short days. Short nights. Short years. I said so little. I couldn’t keep up. My heart grew weary From joy, Despair, Ardor, Hope.
Berkeley, 1970 Encounter W e were riding through frozen fields in a wagon at dawn. A red wing rose in the darkness. And suddenly a hare ran across the road. One of us pointed to it with his hand. That was long ago. Today neither of them is alive, Not the hare, nor the man who made the gesture. O my love, where are they, where are they going The flash of a hand, streak of movement, rustle of pebbles. I ask not out of sorrow, but in wonder. Wilno, 1936 You W ho W ronged You who wronged a simple man Bursting into laughter at the crime, And kept a pack of fools around you To mix good and evil, to blur the line, Though everyone bowed down before you, Saying virtue and wisdom lit your way, Striking gold medals in your honor, Glad to have survived another day, Do not feel safe. The poet remembers. You can kill one, but another is born. The words are written down, the deed, the date. And you’d have done better with a winter dawn, A rope, and a branch bowed beneath your weight. Washington, D.C., 1950 W hen the Moon
The jaws of Leviathan W ere closing upon me. Naked, I lay on the shores Of desert islands. The white whale of the world Hauled me down to its pit. And now I don’t know W hat in all that was real. Berkeley, 1969 On Old W omen Invisible, dressed in clothes too big for me, I take a walk, pretending I am a detached mind. W hat country is this? Funereal wreaths, devalued medals, a general avoidance of remembering what happened. I think of you, old women, silently fingering past days of your lives like the beads of your rosaries. It had to be suffered, endured, managed. One had to wait and not wait, one had to. I send my prayers for you to the Highest, helped by your faces in old photographs. May the day of your death not be a day of hopelessness, but of trust in the light that shines through earthly forms. Epilogue: from W inter And now I am ready to keep running W hen the sun rises beyond the borderlands of death.
W hen the moon rises and women in flowery dresses are strolling, I am struck by their eyes, eyelashes, and the whole arrangement of the world. It seems to me that from such a strong mutual attraction The ultimate truth should issue at last.
I already see mountain ridges in the heavenly forest W here, beyond every essence, a new essence waits.
Berkeley, 1966
Do not die out, fire. Enter my dreams, love. Be young forever, seasons of the earth.
O!
You, music of my late years, I am called By a sound and a color which are more and more perfect.
O happiness! To see an iris. Post-Epilogue: Rays of Dazzling Light The color of indigo, as Ela’s dress was once, and the delicate scent like that of her skin. O what a mumbling to describe an iris that was blooming when Ela did not exist, nor our kingdoms or our countries! W hat Once Was Great W hat once was great, now appeared small. Kingdoms were fading like snow-covered bronze. W hat once could smite, now smites no more. Celestial earths roll on and shine. Stretched on the grass by the bank of a river, As long, long ago, I launch my boats of bark.
Light off metal shaken, Lucid dew of heaven, Bless each and every one To whom the earth is given. Its essence was always hidden Behind a distant curtain. W e chased it all our lives Bidden and unbidden. Knowing the hunt would end, That then what had been rent W ould be at last made whole: Poor body and the soul.
Montgeron, 1959 ©2003 by Czeslaw M ilosz, reprinted with the permission of the W ylie Agency Inc. Prologue, from Lauda translated by Czeslaw Milosz, Leonard Nathan, Robert Hass A Task and What Once W as Great translated by Czeslaw Milosz Encounter and So Little translated by Czeslaw M ilosz and Lillian Vallee You Who Wronged translated by Czeslaw Milosz and Richard Lourie When the Moon translated by Czeslaw Milosz and Robert Pinsky O!, On Old Women, and from Winter translated by Czeslaw Milosz and Robert Hass Rays of Dazzling Light translated by Jessica Fisher and Bozena Gilewska
Instrumentation 3 Flutes (2nd doubling Piccolo, 3rd doubling Alto Flute) 2 Oboes (2nd doubling English Horn) 2 Clarinets in B= (2nd doubling Bass Clarinet) 2 Bassoons (2nd doubling Contrabassoon) 2 Horns in F 2 Trumpets in C Trombone Bass Trombone Timpani Percussion (3 Players) Percussion 1: Vibraphone Percussion 2: Marimba, Temple Blocks, 2 Triangles, Crotales (E=) Percussion 3: Marimba (shared with Percussion 2), 2 Tuned Gongs (B=, B), Tubular Bell (D), Triangle, Tamtam, Crash Cymbal, Suspended Cymbal, Snare Drum, Bass Drum, Tambourine
Celesta Harp Solo Soprano Strings (10.10.8.6.4 maximum) duration ca. 30 minutes Concertino of instruments from the orchestra should be positioned forward: Orchestra Flute 3 Orchestra
Flute 2
Celesta
Flute 1
Orchestra Harp
Conductor
Percussion 1
Soprano Program Note Milosz Songs were commissioned by the New York Philharmonic for performance by Dawn Upshaw – my first piece for the orchestra, my fourth for her. Writing for Dawn Upshaw has always encouraged me to try new things. This piece surrounds the singer with a concertino group of six players: three flutes, vibraphone, harp, and celeste. This concertino plays an important, varied role in every song. I thought of these players as satellites revolving around the path of the singer. Milosz’s poems are Epilogues for the twentieth century. He was witness to its most harrowing events. He draws us, unready, as he was, into the great sweep of that history. Always, he reacts, as in “Encounter,” not “in sorrow, but in wonder.” As a reader I return again and again to such fierce, cunning, sweeping mid-length poems as “Preparation,” “Ars Poetica?,” “No More,” “Counsels.” As a composer I am drawn to fragmentary short lyrics, grateful for their elusive melody, their barely reconciled dissonant elements, their embrace of the every day. In 1994, I made my first Milosz setting, “December 1" (part of Flashes and Illuminations for baritone and piano). That poem concludes: I describe this for I have learned to doubt philosophy: and the visible world is all that remains. Czeslaw Milosz was born in Szetejnie, Lithuania in 1911. He was part of the Polish Resistance movement during World War II, and was the cultural attachée with the Polish Embassy in Paris. He defected to France in 1951. From 1960 to 1999 he taught at the University of California, Berkeley. Milosz received the Nobel Prize for literature in 1980. He died in Krakow in January 2004. During his half-century in the U.S., Milosz became involved in the translation of his poems. Working with students and colleagues, as well as by himself, he produced vivid English versions. I am grateful to Harper Collins Books for permission to use these translations from the Polish originals. – John Harbison
MILOSZ SONGS Czeslaw Milosz Lento, misterioso
John Harbison
Prologue: From Lauda = 80
1
to Piccolo Flute (Piccolo)
2
to Alto Flute 3 (Alto Flute in G) 1 Oboe 2 (English Horn) 1 Clarinet in B
to Bass Clarinet
2 (Bass Clarinet) 1 Bassoon
to Contrabassoon
2 (Contrabassoon)
Horn in F
1 2
Trumpet in C 1 2
Trombone
1 2
Timpani
Vibraphone, motor off 1
Percussion
2
3
Celesta
ma evidente
A B C DE FG
Harp
sonoro
sempre Soprano
And
Lento, misterioso
now
we are joined
in a
rit
u al,
= 80
I Violin II
Viola
Violoncello
Contrabass
Copyright Š 2006 by Associated Music Publishers (BMI) New York, NY International Copyright Secured. All Rights Reserved. Warning: Unauthorized reproduction of this publication is prohibited by Federal law and subject to criminal prosecution.
Property of: G. Schirmer Rental Library Bellvale Road Chester, NY 10918 SUPPLIED ON LOAN ONLY
2 6
Piccolo
Picc.
Fl.
1
Al. Fl.
1 Ob. 2
Cl. 1 in B
Bs. Cl.
Bn.
1
Cbn.
Hn. 1 in F 2
Tpt. 1 in C 2
Tbn. 1 2
Timp.
fast motor Vib. 1
Perc. 2
3
Cel.
F G
Hp.
Sop.
In
I Vn. II
Va.
Vc.
Cb.
am
ber?
In
crys
tal?
We
make
mu
sic
3 12 Picc.
Fl.
1
Al. Fl.
1 Ob. 2
Cl. 1 in B
Bs. Cl.
Bn.
1
Cbn.
Hn. 1 in F 2
Tpt. 1 in C 2
Tbn. 1 2
Timp.
(Vib.) 1
Perc. 2
3
evidente
Cel.
F G
Hp.
F G sonoro
Sop.
Nei ther what once
I Vn. II
Va.
Vc.
Cb.
was
nor what
ev er
will
be.
4 18 Picc.
Fl.
1
Alto Flute Al. Fl.
1 Ob. 2
Cl. 1 in B
Bs. Cl.
Bn.
1
Cbn.
Hn. 1 in F 2
Tpt. 1 in C 2
Tbn. 1 2
Timp.
(Vib.) 1
Perc. 2
3
Cel.
B C
Hp.
Sop.
On
I Vn. II
Va.
Vc.
Cb.
ly
what ex
ists
when
the
world
is
o
ver.
5 24
to Flute
Picc.
Fl.
1
Al. Fl.
1 Ob. 2
Cl. 1 in B
Bs. Cl.
Bn.
1
Cbn.
Hn. 1 in F 2
Tpt. 1 in C 2
Tbn. 1 2
Timp.
Vib. 1
Perc. 2
3
Cel.
Hp.
Sop.
I Vn. II
Va.
Vc.
Cb.
6
A Task Declamando
= 84
1 Fl.
Flute 2
Al. Fl.
1 Ob.
Oboe 2
Cl. 1 in B
Bass Clarinet Bs. Cl.
Bn.
1
Contrabassoon Cbn.
Hn. 1 in F 2
Tpt. 1 in C 2
Tbn. 1 2
Timp.
Vib., motor off 1
Marimba Perc. 2
Gongs 3
poco
Cel.
A B C DE F G
Hp.
declamando Sop.
In fear
Declamando
= 84
non div.
non div.
non div.
non div.
I Vn. II
Va.
Vc.
Cb.
and
trem bling
I
7 7 1 Fl. 2
Al. Fl.
1 Ob. 2
Cl. 1 in B
Bs. Cl.
Bn.
1
Cbn.
Hn. 1 in F 2
Tpt. 1 in C 2
Tbn. 1 2
Timp.
(Vib.) 1
Mar. Perc. 2
(Gongs) 3
poco
Cel.
D E G
Hp.
Sop.
think
I Vn. II
Va.
Vc.
Cb.
I would ful
fill
my life
8 13 1 Fl. 2
Al. Fl.
1 Ob. 2
Cl. 1 in B
Bs. Cl.
Bn.
1
Cbn.
Hn. 1 in F 2
Tpt. 1 in C 2
Tbn. 1 2
Timp.
(Vib.) 1
Mar. Perc. 2
(Gongs) 3
poco
Cel.
B D E F G
Hp.
pi첫 Sop.
On
I Vn. II
Va.
Vc.
Cb.
ly
if
I
brought
my self
to make
a
pub lic con fes sion
9 19 1 Fl. 2
Al. Fl.
1 Ob. 2
Cl. 1 in B
Bs. Cl.
Bn.
1
Cbn.
Hn. 1 in F 2
Tpt. 1 in C 2
Tbn. 1 2
Timp.
Vib., motor on 1
(Mar.) Perc. 2
(Gongs) 3
Cel.
Hp.
molto Sop.
Re veal ing
I Vn. II
Va.
Vc.
Cb.
a
sham,
my
own
and
of
my
ep och:
10 25 1 Fl. 2
Al. Fl.
1 Ob. 2
Cl. 1 in B
Bs. Cl.
Bn.
1
Cbn.
Hn. 1 in F 2
Tpt. 1 in C 2
Tbn. 1 2
Timp.
(Vib.) 1
Perc. 2
(Gongs) 3
Cel.
Hp.
Sop.
We
I Vn. II
Va.
Vc.
Cb.
were
per
mit ted
to shriek
with the tongues
of
dwarfs
and de mons.
11 31 1 Fl. 2
Al. Fl.
1 Ob. 2
Cl. 1 in B
Bs. Cl.
Bn.
1
Cbn.
Hn. 1 in F 2
Tpt. 1 in C 2
Tbn. 1 2
Timp.
Vib. 1
Mar. Perc. 2
Gongs 3
Cel.
B E F G
Hp.
sempre Sop.
But pure
I Vn. II
div. Va.
Vc.
Cb.
and
gen
erous words
were
for bid den
12 animando
37 1 Fl. 2
Al. Fl.
1 Ob. 2
Cl. 1 in B
Bs. Cl.
Bn.
1
Cbn.
a2 Hn. 1 in F 2
a2 Tpt. 1 in C 2
a2 Tbn. 1 2
Timp.
1
Perc. 2
3
Cel.
Hp.
Sop.
animando I Vn. II
unis. Va.
Vc.
Cb.
13 Pi첫 mosso 42 1
Fl. 2
Al. Fl.
1
Ob. 2
Cl. 1 in B
to Clarinet in B Bs. Cl.
Bn.
1
Cbn.
Hn. 1 in F 2
a2
a2
a2
Tpt. 1 in C 2
Tbn. 1 2
Timp.
1
(Mar.)
Perc. 2
Suspended Cymbal
Bass Drum
Sus. Cym.
Sus. Cym.
B.D.
3
Cel.
Hp.
F
Sop.
Pi첫 mosso non div.
non div.
I
non div.
Vn.
al sord.
II
non div. Va.
Vc.
Cb.
non div.
B.D.
14 48
Tempo I
rit.
1 Fl. 2
Al. Fl.
1 Ob. 2
1 Cl. in B 2
Bn.
1
to Bassoon Cbn.
Hn. 1 in F 2
Tpt. 1 in C 2
Tbn. 1 2
Timp.
Vib. 1
Perc. 2
3
Cel.
(sounding)
Hp.
marcato, secco Sop.
Un der so stiff
rit. I Vn. II
Va.
Vc.
Cb.
Tempo I
a
pen al
ty
that who ev er dares to pro
15 54 1 Fl. 2
Al. Fl.
1 Ob. 2
1 Cl. in B 2
1 Bn. 2
Hn. 1 in F 2
Tpt. 1 in C 2
Tbn. 1 2
Timp.
1
Perc. 2
3
Cel.
Hp.
Sop.
nounce
I Vn. II
Va.
Vc.
Cb.
one
Con
sid er’s him self
as a
lost
man
as a
lost
man
as a
16 Lento
rit.
61 1 Fl. 2
Al. Fl.
1 Ob. 2
1 Cl. in B 2
1 Bn. 2
Hn. 1 in F 2
Tpt. 1 in C 2
Tbn. 1 2
Timp.
Vib., slow motor
solo
1
Perc. 2
3
Cel.
A E F
Hp.
solo
F
cantabile Sop.
lost
man.
Lento
rit.
al sord. I
espr.
Vn. II
Va.
Vc.
espr. Cb.
17
Encounter Allegro agitato
= 144
1 Fl. 2
Al. Fl.
1 Ob. 2
1 Cl. in B 2
1 Bn. 2
Hn. 1 in F 2
take straight mute Tpt. 1 in C 2
Tbn. 1 2
Timp.
1
Mar. Perc. 2
3
Cel.
Hp.
Sop.
Allegro agitato
= 144
div., con sord.
I
3
3
3
3
3
div., con sord.
Vn.
3
3
3
3
3
3
3
3
3
3
3
3
3 3
3
3
3
3
II 3
Va.
Vc.
Cb.
3
3
3
3
3
3
18 6 1 Fl. 2
Al. Fl.
1 Ob. 2
1 Cl. in B 2
1 Bn. 2
Hn. 1 in F 2
Tpt. 1 in C 2
Tbn. 1 2
Timp.
Vib. 1
pochiss. Pedal Perc. 2
3
solo
Cel.
Hp.
agitato Sop.
We were rid
I Vn.
1 player II
Va.
Vc.
Cb.
ing
through fro zen
fields
in a
wag on
at dawn.
19 12
5
1 Fl. 5
2
Al. Fl.
1 Ob. 2
5
1 Cl. in B
Clarinet in B 5
2
1 Bn. 2
Hn. 1 in F 2
Tpt. 1 in C 2
Tbn. 1 2
Timp.
(Vib.) 1
Perc. 2
3
Cel.
Hp.
Sop.
A red wing
1 player I Vn. II
Va.
Vc.
Cb.
rose
in
the dark
ness
20 18 1 3 3
Fl. 2 3 3 3
Al. Fl. 3
1
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
Ob. 3
3
2
3
3
3
3
3
3
3
3
3
3
3 3
3
3 3
3 3
3
3
3
3
3
3
1 3
Cl. in B
3
3
3
3
3
3
3
3
2 3
3
3
3
3
3
1 Bn. 2
Hn. 1 in F 2
Tpt. 1 in C 2
Tbn. 1 2
Timp.
Vib.
3
1
Mar.
Perc. 2 3
3
3
3
3
Cel.
3
l.v. 3
3
AB CDEFG
Hp.
l.v. 3 3
3
Sop. 3
And sud den ly
a hare
ran a cross the road. (1 player) 3
I Vn.
(1 player) II
Va.
1 player 3
Vc. 3
Cb.
3
3
3
21 23 1
3
3
3
3
3
3
3
3
3
3
Fl.
3
2
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3 3
Al. Fl.
3
3
3
3
3
3
3
3
3
3
3
3
1 Ob. 2 3
3
1 3
3
Cl. in B
3 3
3 3
3
3
3
2 3
1 Bn.
3
3
3
3
3
3
3
3
3
3
Bassoon 2
Hn. 1 in F 2
Tpt. 1 in C 2
Tbn. 1 2
Timp.
(Vib.) 3
3
3
3
1 3
secco poco Pedal
3
3
3
3
3
3
3
3
3
3
Perc. 2
3
3
Cel.
3 3
3
3
Hp.
Sop.
One of us
point ed to it
with
his hand sul G tutti
I Vn.
tutti II 3
Va.
Vc.
Cb.
22 G.P.
28 1 Fl. 2
Al. Fl.
1 Ob. 2 3
3
3
3
3
3
3
3
3 3
3
3
3
3
3
3
3
3
3
3
3
3
3
1 Cl. in B 3
3
2
3
3
3
3
3
3
3
1 3
Bn.
3
3
3 3
2 3
3
3
Hn. 1 in F 2
Tpt. 1 in C 2
Tbn. 1 2
Timp.
1
Perc. 2
3
Cel.
Hp.
Sop.
G.P. I Vn. II
Va.
tutti, div. Vc.
Cb.
23 32
Stesso tempo
= 72
1 Fl. 2
Al. Fl.
1 Ob. 2
1 Cl. in B 2
1 Bn. 2
Hn. 1 in F 2
Tpt. 1 in C 2
Tbn. 1 2
Timp.
1
Perc. 2
3
Cel.
Hp.
3
Sop.
That was
Stesso tempo
long
a
go.
To day
3
nei ther of them is
a
live,
Not the hare,
= 72
div. I
Vn.
div. II
div.
Va.
div. Vc.
Cb.
24 37 1 Fl. 2
Al. Fl.
1 Ob. 2
1 Cl. in B 2
1 Bn. 2
Hn. 1 in F 2
Tpt. 1 in C 2
Tbn. 1 2
Timp.
1
Perc. 2
3
Cel.
Hp.
Sop.
nor the man
who
made the
ges
ture.
O
unis. I Vn.
unis. II
Va.
Vc.
Cb.
my
25 42 1 Fl. 2
Al. Fl.
1 Ob. 2
1 Cl. in B 2
1 Bn. 2
Hn. 1 in F 2
Tpt. 1 in C 2
Tbn. 1 2
Timp.
1
Perc. 2
3
Cel.
Hp.
Sop.
love
I Vn. II
unis. Va.
unis. Vc.
Cb.
where
are
they,
where
are
they go
26 49 1 Fl. 2
Al. Fl.
1 Ob. 2
1 Cl. in B 2
1 Bn. 2
Hn. 1 in F 2
Tpt. 1 in C 2
Tbn. 1 2
Timp.
Vib. 1
Perc. 2
3
Cel.
B
Hp.
Sop.
ing,
I Vn. II
Va.
Vc.
Cb.
where are
they
go
ing
27 55 1
Fl. 2
Al. Fl.
1 Ob. 2
1 Cl. in B 2
1 Bn. 2
Hn. 1 in F 2
Tpt. 1 in C 2
Tbn. 1 2
Timp.
(Vib.)
1
Perc. 2
3
Cel.
Hp.
Sop. 3
The
3
flash of
a
hand,
I Vn.
div. II
Va.
div. Vc.
Cb.
28 61 1 Fl. 2
Al. Fl.
1 Ob. 2
1 Cl. in B 2
1 Bn. 2
Hn. 1 in F 2
2., with straight mute Tpt. 1 in C 2
Tbn. 1 2
Timp.
1
Perc. 2
3
Cel.
Hp.
3
Sop. 3
streak
of move
ment,
1 player
3
I 3
Vn.
1 player
3
unis.
3
II 3
Va.
1 player 3
Vc. 3
Cb.
29 67 1 Fl. 2
Al. Fl.
1 Ob. 2 3
1 Cl. in B
3
2 3
1 Bn. 2
Hn. 1 in F 2
(2.)
2. remove mute
Tpt. 1 in C 2
Tbn. 1 2
Timp.
Vib., motor off
3
3
1
3
3
3
3
3
3
3
3
3
senza Pedal Perc. 2
Snare Drum 3 3
3
3
3
3
3
Cel.
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
B
3
3
Sop.
rus tle
I Vn. II
Va.
Vc.
Cb.
of
peb
bles.
3
3
3
3
3 3
Hp.
3
3
3
3
3
30 72 1 Fl.
to Piccolo 2
to Flute Al. Fl.
1 Ob. 2
1 Cl. in B 2
1 Bn. 2
Hn. 1 in F 2
1., with straight mute solo Tpt. 1 in C 2
Tbn. 1 2
Timp.
1
Mar. 3
Perc. 2 3
3
Cel.
B G
Hp.
dolce 3
Sop.
I
ask
not
out
of
sor
row,
but
in
tutti I
tutti
Vn. II
div. Va.
tutti Vc.
Cb.
div.
won
der.
31 80
Luminoso
Piccolo, solo
Picc.
3
solo 1
3
3
3 3
3
3
3
3
3
3
espr. Flute
Fl.
3
3
espr.
3
3
3
1 Ob. 2 3
1 Cl. in B
3
2
1 Bn. 2
Hn. 1 in F 2
(1.) Tpt. 1 in C 2
Tbn. 1 2
Timp.
1
(Mar.) Perc. 2
3
l.v. sempre
Cel.
F
Hp.
Sop.
Luminoso div.
unis.
div.
I
div.
Vn.
unis.
div.
unis.
II
unis. Va.
legato Vc.
Cb.
unis.
32 84 Picc.
3
1
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
Fl.
3 3
3
3
1 Ob. 2 3
1 Cl. in B
3
2
1 Bn. 2
Hn. 1 in F 2
(2.) Tpt. 1 in C 2
2. take straight mute
2. open Tbn. 1 2
Timp.
Vib. 1
Pedal sempre Perc. 2
3
Cel.
l.v. sempre
Hp.
A
Sop.
div.
div. unis.
div. unis.
div. unis.
unis.
I
div.
Vn. II
Va.
Vc.
Cb.
div. unis.
div. unis.
div. unis.
unis.
33 88 Picc.
3
3
3
3
3
3
3
3
3
1
3
3
3
3
3
3
3
3
3
3
3
3
3
3
Fl. 3
1 Ob. 2
1 Cl. in B 2
1 Bn. 2
Hn. 1 in F 2
(1.)
2. with straight mute
Tpt. 1 in C 2
Tbn. 1 2
Timp.
(Vib.) 1
Perc. 2
3
Cel.
Hp.
Sop.
I Vn. II
Va.
unis. Vc.
Cb.
3
3
3
34 92
to Flute
Picc.
1
3
3
3
3
3
3
3
Fl.
to Alto Flute 3
1 Ob.
to English Horn 2
1 Cl. in B 2
1 Bn. 2
Hn. 1 in F 2
Tpt. 1 in C 2
Tbn. 1 2
Timp.
Vib. 1
Perc. 2
3
Cel.
Hp.
Sop.
via sord. I Vn.
via sord. II
Va.
Vc.
Cb.
35
You Who Wronged Risoluto
= 84
1 Fl. 2
Al. Fl.
Ob. 1
3
marc. English Horn E.H.
3
marc. 1 Cl. in B
5
marc.
5
marc.
5
2 5
1
3
marc.
Bn. 2
3
marc. 5
Hn. 1 in F 2 5
marc. Tpt. 1 in C 2
Tbn. 1 2
Timp.
1
Perc. 2
3
Cel.
C G
Hp.
Sop.
You who wronged
Risoluto
= 84
a sim ple man
Burst ing in to laugh ter
the crime,
And
senza sord.
I 5
5
5 5
marc. senza sord.
Vn.
at
6
II 5
5
5
marc.
5
6
5
6
Va. 5
5
5
marc. Vc. 5
marc. Cb.
5
5 5
6
36 5 1 Fl. 2
Al. Fl.
Ob. 1
E.H.
1 Cl. in B
marc. 2
marc. 1 Bn. 2
Hn. 1 in F 2
marc. Tpt. 1 in C 2
Tbn. 1 2
Timp.
1
Perc. 2
3
Cel.
Hp.
6
Sop.
kept a pack of fools
a
round
you
to mix
I 6
Vn.
6
II
Va. 6
Vc. 6
Cb.
good and e
vil,
to blur
the line.
37 8 1 Fl. 2
Al. Fl.
Ob. 1
5 5
E.H. 5
5
1 Cl. in B 2
1 5
Bn.
5
2 5
5
Hn. 1 in F 2
Tpt. 1 in C 2
Tbn. 1 2
Timp.
1
Mar., 2 Players on same instrument Perc. 2
martellato cresc. 3
martellato
cresc.
Cel.
Hp.
Sop.
Though ev ery one bowed down
be fore you,
pizz. I 5
5
Vn.
div., pizz. II 5
5
pizz. Va. 5
5
pizz. Vc. 5
5
pizz. Cb.
38 11 1 Fl. 2
Al. Fl.
Ob. 1
E.H.
1 Cl. in B 2
1 Bn. 2
Hn. 1 in F 2
Tpt. 1 in C 2
Tbn. 1 2
Timp.
1
(Mar.) Perc. 2
martellato cresc.
(cresc.) (Mar.) 3
(cresc.)
martellato
cresc.
Cel.
Hp.
Sop.
Say ing
vir tue
and wis dom
lit
your way,
I
martellato
Vn. II
martellato Va.
martellato Vc.
martellato Cb.
martellato
39 15 1 Fl. 2
Al. Fl.
Ob. 1
E.H.
1 Cl. in B
to Bass Clarinet 2
1 Bn.
to Contrabassoon 2
Hn. 1 in F 2
Tpt. 1 in C 2
Tbn. 1 2
Timp.
1
Mar. Perc. 2
Mar.
mart.
3
mart.
Cel.
Hp.
pi첫 Sop.
Strik ing gold med als
in
your hon or,
Glad to
I
martellato
Vn. II
martellato div. Va.
martellato
Vc.
martellato Cb.
have sur vived
an oth er
40 19 1 Fl. 2
Al. Fl.
Ob. 1
E.H.
Cl. 1 in B
Bs. Cl.
Bn.
1
Cbn.
a2 Hn. 1 in F 2
open Tpt. 1 in C 2
Tbn. 1 2
Timp.
1
Mar. Perc. 2
Mar. 3
Cel.
Hp.
Sop.
day,
Do
not
feel
safe.
8va
arco
non div.
I
Vn.
arco
unis.
non div.
II
arco
6
unis.
Va. 3 3
arco Vc.
arco Cb.
3
41 23 1 Fl. 2
Al. Fl.
Ob. 1
E.H.
Cl. 1 in B
Bs. Cl.
Bn.
1
Cbn.
Hn. 1 in F 2
Tpt. 1 in C 2
Tbn. 1 2
Timp.
1
Perc. 2
3
Cel.
Hp.
Sop.
The po et
re mem
glissando rapido I Vn.
glissando rapido II
Va.
arco 6
pizz. Vc. 6
div. Cb. 6
6
bers,
the po et
re mem
bers.
42 27 1 Fl. 2
Al. Fl.
Ob. 1
E.H.
Cl. 1 in B
Bs. Cl.
Bn.
1
Cbn.
Hn. 1 in F 2
Tpt. 1 in C 2
Tbn. 1 2
Timp.
1
Perc. 2
3
Cel.
Hp.
Sop.
You
can
kill
one
I Vn. II
glissando rapido Va.
glissando rapido Vc.
Cb.
but an oth er
is
born,
The words are
43 31 1 Fl.
Flute
3
3
3 3
2 3
Alto Flute Al. Fl. 3
3
3
Ob. 1
E.H.
Cl. 1 in B
Bs. Cl.
Bn.
1
Cbn.
Hn. 1 in F 2
Tpt. 1 in C 2
Tbn. 1 2
Timp.
Vib., motor off 1
marc. Perc. 2
3
3
evidente
Cel.
marc.
Hp.
Sop.
writ ten down,
I Vn. II
Va.
Vc.
Cb.
3
the deed,
the date
3
44 36 1 Fl. 2
Al. Fl.
Ob. 1
E.H.
Cl. 1 in B
Bass Clarinet Bs. Cl.
Bn.
1
Cbn.
Hn. 1 in F 2
Tpt. 1 in C 2
Tbn. 1 2
Timp.
(Vib.) 1
Perc. 2
3
Cel.
AB CDEFG
Hp.
Sop.
The po et
I Vn. II
Va.
Vc.
(div.) Cb.
re mem bers,
The po et
re mem
bers.
And you’d have done
45 rit.
41 1 Fl. 2
Al. Fl.
Ob. 1
E.H.
Cl. 1 in B
Bs. Cl.
Bn.
1
Contrabassoon Cbn.
Hn. 1 in F 2
Tpt. 1 in C 2
Tbn. 1 2
Timp.
1
Perc. 2
3
Cel.
Hp.
Sop.
bet ter
with a win ter
dawn,
A
I
half sul ponticello, half ord. II
half sul ponticello, half ord. Va.
half sul ponticello, half ord. Vc.
half arco, half pizz.
Cb.
and a branch
bowed
be
rit.
half sul ponticello, half ord.
Vn.
rope
neath
your
46 45
Meno mosso
1
staccatissimo
Fl. 2
staccatissimo Al. Fl.
staccatissimo Ob. 1
E.H.
Cl. 1 in B
Bs. Cl.
Bn.
1
Cbn.
Hn. 1 in F 2
Tpt. 1 in C 2
Tbn. 1 2
Timp.
Vib. 1
secco Perc. 2
3
Cel.
C D
Hp.
Sop.
weight
Meno mosso
div., tutti sul ponticello
I Vn.
div., tutti sul ponticello II
Va.
Vc.
tutti arco Cb.
47
When the Moon Grazioso
= 69
1 Fl. 2
Al. Fl.
Ob. 1
E.H.
Cl. 1 in B
Bs. Cl.
Bn.
1
Cbn.
Hn. 1 in F 2
Tpt. 1 in C 2
Tbn. 1 2
Timp.
1
Mar. Perc. 2
delicato 3
Cel.
Hp.
A C F
Sop.
When
Grazioso I Vn. II
Va.
Vc.
Cb.
= 69
the
moon
ris
es
48 8 1 Fl. 2
Al. Fl.
Ob. 1
E.H.
Cl. 1 in B
Bs. Cl.
Bn.
1
Cbn.
Hn. 1 in F 2
Tpt. 1 in C 2
Tbn. 1 2
Timp.
Vib., motor off 1
Mar. Perc. 2
3
Cel.
Hp.
Sop.
and
I Vn. II
Va.
Vc.
Cb.
Wo
men
in
flow
er
y
dress
es
are
stroll
ing,
49 16 1 Fl. 2
Al. Fl.
Ob. 1
E.H.
Cl. 1 in B
Bs. Cl.
Bn.
1
Cbn.
Hn. 1 in F 2
Tpt. 1 in C 2
Tbn. 1 2
Timp.
(Vib.) 1
Pedal
Pedal
Perc. 2
3
Cel.
bisb.
Hp.
Sop.
I
I Vn. II
Va.
Vc.
Cb.
am
struck by
their
eyes,
eye
lash
es
and
the
50 24 1 Fl. 2
Al. Fl.
Ob. 1
E.H.
Cl. 1 in B
Bs. Cl.
Bn.
1
Cbn.
Hn. 1 in F 2
Tpt. 1 in C 2
Tbn. 1 2
Timp.
(Vib.) 1
Perc. 2
3
Cel.
bisb.
Hp.
Sop.
whole
I Vn. II
Va.
Vc.
Cb.
ar
range
ment
of
the
world.
51 32 1 Fl. 2
Al. Fl.
Ob. 1
E.H.
Cl. 1 in B
Bs. Cl.
Bn.
1
Cbn.
1. Hn. 1 in F 2
Tpt. 1 in C 2
Tbn. 1 2
Timp.
1
Mar. Perc. 2
delicato 3
Cel.
Hp.
Sop.
I Vn. II
Va.
Vc.
Cb.
dim.
52 40 1 Fl. 2
Al. Fl.
Ob. 1
E.H.
Cl. 1 in B
to Clarinet in B Bs. Cl.
Bn.
1
Cbn.
(1.)
take straight mute
with straight mute
Hn. 1 in F 2
1. Tpt. 1 in C 2
Tbn. 1 2
Timp.
1
(Mar.) Perc. 2
(dim.) 3
Cel.
Hp.
Sop.
It
1 player, ord.
I Vn. II
Va.
Vc.
Cb.
seems
to
me,
it
53 48 1 Fl. 2
Al. Fl.
Ob. 1
to Oboe E.H.
1 Cl. in B 2
Bn.
1
Cbn.
remove mute Hn. 1 in F 2
1. Tpt. 1 in C 2
Tbn. 1 2
Timp.
1
Perc. 2
3
Cel.
Hp.
Sop.
seems
to
me
that
tutti, ord. I Vn.
ord. II
ord. Va.
ord. Vc.
pizz. Cb.
from such
a
strong
54 56 1 Fl. 2
Al. Fl.
1 Ob. 2
1 Cl. in B 2
Bn.
1
Cbn.
Hn. 1 in F 2
Tpt. 1 in C 2
Tbn. 1 2
Timp.
1
Perc. 2
3
Cel.
Hp.
Sop.
mu
tu
al
at
trac
tion
The
ul
I Vn. II
Va.
Vc.
arco Cb.
pizz.
ti mate
truth
55 64 1 Fl. 2
Al. Fl.
1 Ob.
Oboe 2
1 Cl. in B 2
Bn.
1
Cbn.
Hn. 1 in F 2
Tpt. 1 in C 2
Tbn. 1 2
Timp.
1
Perc. 2
3
Cel.
Hp.
Sop.
should
is
sue at
last
I Vn. II
Va.
Vc.
div. Cb.
unis.
56 72 1 Fl. 2
Al. Fl.
1 Ob. 2
1 Cl. in B
Clarinet 2
Bn.
1
Cbn.
Hn. 1 in F 2
Tpt. 1 in C 2
Tbn. 1 2
Timp.
1
Perc. 2
3
Cel.
Hp.
Sop.
I Vn. II
unis.
div. Va.
Vc.
arco Cb.
div.
unis.
div.
57 80 1 Fl. 2
Al. Fl.
1 Ob. 2
1 Cl. in B 2
Bn.
1
Cbn.
1., open
2., open
Hn. 1 in F 2
Tpt. 1 in C 2
Tbn. 1 2
Timp.
1
Perc. 2
3
Cel.
Hp.
Sop.
I Vn. II
Va.
Vc.
unis., pizz. Cb.
58 molto rit. 87 1 Fl. 2
Al. Fl.
1 Ob. 2
1 Cl. in B 2
Bn.
1
Cbn.
Hn. 1 in F 2
Tpt. 1 in C 2
Tbn. 1 2
Timp.
Vib. 1
Pedal Perc. 2
3
Cel.
Hp.
C E
Sop.
molto rit. I Vn. II
Va.
pizz. Vc.
(pizz.) Cb.
59
O! Lento
= 80
1 Fl. 2
Al. Fl. 5
5
1 Ob. 2
1 Cl. in B 2
Bn.
1
Cbn.
Hn. 1 in F 2
Tpt. 1 in C 2
Tbn. 1 2
Timp.
Vib. 1
Pedal Perc. 2
3
Cel.
l.v.
6
C
Hp.
3
3
3
Sop.
O
Lento I Vn. II
Va.
Vc.
Cb.
= 80
O
3
60 5 1 Fl.
3
3
3
3
3
2 3
Al. Fl. 3
1 Ob. 2
1 Cl. in B 2
Bn.
1
Cbn.
Hn. 1 in F 2
Tpt. 1 in C 2
Tbn. 1 2
Timp.
Vib. 3
1
Perc. 2
3
Cel.
3
3
Hp.
Sop.
hap
pi
ness!
I Vn. II
Va.
arco Vc.
Cb.
61 9 1 Fl. 2
Al. Fl.
1 Ob. 2
1 Cl. in B 2
Bn.
1
Cbn.
Hn. 1 in F 2
Tpt. 1 in C 2
Tbn. 1 2
Timp.
Vib. 1
Perc. 2
3
Cel.
C D G
Hp.
3
3
Sop.
To
see
an
i
3
ris.
The col
I Vn. II
Va.
Vc.
unis., arco Cb.
3
3
3
3
or
of
in
di go,
62 13
5
1 6
5
Fl.
5
3
2 6
Al. Fl.
1 Ob. 2
1 Cl. in B 2
Bn.
1
Cbn.
Hn. 1 in F 2
Tpt. 1 in C 2
Tbn. 1 2
Timp.
(Vib.) 3
1
Perc. 2
3
Cel.
5
6
Hp.
D
E
G
5
3
3
G
5
F
B D G
E F
3
3
3
Sop. 3
as
E
la’s
dress
was
once,
and the
del
i
cate
scent
like
that of her
I Vn. II
Va. 3
div.
3
3
Vc. 3
Cb.
3
3
3
3
63 animando
18
3
3
3
1 6
5
Fl.
3
3
6
3
3
3
2
Al. Fl. 3
6
1 Ob. 2
1 Cl. in B 2
Bn.
1
Cbn.
Hn. 1 in F 2
Tpt. 1 in C 2
Tbn. 1 2
Timp.
(Vib.)
3
3
3
1 6
5
3
3
6
3
3 3
Perc. 2
3
Cel.
6
3
Hp.
B G
F
F
A D
C
B C
Sop. 3
3
skin.
O,
animando
O,
3
3
3
I 5
Vn.
6
3
5
3
3 0
II
Va. 3 3
Vc. 3
Cb.
3
64 23
calmando
a tempo 3
1 Fl.
3
3
2
Al. Fl.
1 Ob. 2
1 Cl. in B 2
Bn.
1
Cbn.
Hn. 1 in F 2
Tpt. 1 in C 2
Tbn. 1 2
Timp.
(Vib.)
3
1 3
3
Perc. 2
3
Cel.
ABCD EFG
Hp.
3
3
3
mum bling
to
3
Sop.
O,
calmando
O,
a tempo
I Vn. II
Va.
Vc.
(actual pitch) Cb.
O,
what a
de
scribe an
i
3
ris
that was
65 29 1
Fl. 2
Al. Fl.
1 Ob. 2
1 Cl. in B 2
Bn.
1
Cbn.
Hn. 1 in F 2
Tpt. 1 in C 2
Tbn. 1 2
Timp.
1
Perc. 2
3
Cel.
Hp.
E
3
3
3
3
Sop.
bloom
3
ing
when 3
3
div.
unis.
I 5 3
Vn.
div. a2
sost.
3
3
unis. 3
II 3
3
sost.
div. a2 3
3
unis.
Va.
div.
3
sost.
3 3
3
unis., pizz. 5
Vc.
sost. Cb.
E
la
did not
ex
66 34 1 Fl. 2
Al. Fl.
1 Ob. 2
1 Cl. in B 2
Bn.
1
Cbn.
Hn. 1 in F 2
Tpt. 1 in C 2
Tbn. 1 2
Timp.
Vib. 1
mormorando Perc. 2
3
Cel.
A D G
Hp.
mormorando
3
3
3
Sop.
ist,
nor
our
king
doms
or
non div. I 6
Vn.
non div. II
Va. 6
Vc.
Cb.
our
67 38 1 Fl. 2
Al. Fl.
1 Ob. 2
1 Cl. in B 2
Bn.
1
Cbn.
Hn. 1 in F 2
Tpt. 1 in C 2
Tbn. 1 2
Timp.
Vib. 1
Pedal Perc. 2
3
Cel.
l.v.
C
Hp.
Sop.
coun
3
3
tries!
I Vn. II
Va.
arco Vc.
Cb.
68 Maestoso
What Once Was Great
= 108
1
Fl. 2
Al. Fl.
1 Ob. 2
1 Cl. in B 2
Bn.
1
Cbn.
Hn. 1 in F 2
Tpt. 1 in C 2
Tbn. 1 2
Timp.
1
Perc. 2
Crash Cym. 3
Cel.
E
Hp.
Sop.
Maestoso I Vn. II
Va.
Vc.
Cb.
= 108
69 7 1 Fl. 2
Al. Fl.
1 Ob. 2
1 Cl. in B
sub. 2
Bn.
1
Cbn.
Hn. 1 in F 2
Tpt. 1 in C 2
Tbn. 1 2
Timp.
1
Perc. 2
Crash Cym. 3
Cel.
Hp.
Sop.
What
I
Vn. II
Va.
Vc.
Cb.
once
was
great,
70 15 1 Fl. 2
Al. Fl.
1 Ob. 2
1 Cl. in B 2
Bn.
1
Cbn.
Hn. 1 in F 2
Tpt. 1 in C 2
Tbn. 1 2
Timp.
Vib. 1
Perc. 2
3
Cel.
Hp.
Sop.
now
I Vn. II
Va.
Vc.
Cb.
ap
peared
small.
King doms were
fad
ing
71 23 1
Fl. 2
Al. Fl.
1 Ob. 2
1 Cl. in B 2
Bn.
1
Cbn.
Hn. 1 in F 2
Tpt. 1 in C 2
Tbn. 1 2
Timp.
(Vib.) 1
Perc. 2
Crash cym. 3
Cel.
Hp.
Sop.
like
I
Vn. II
Va.
Vc.
Cb.
snow
cov
ered
bronze.
72 31 1
Fl. 2
Al. Fl.
1 Ob. 2
1 Cl. in B 2
Bn.
1
Cbn.
Hn. 1 in F 2
Tpt. 1 in C 2
Tbn. 1 2
Timp.
1
Perc. 2
Crash Cym. 3
Cel.
Hp.
Sop.
I
Vn. II
Va.
Vc.
Cb.
73 39 1 Fl. 2
Al. Fl.
1
sub.
Ob. 2
sub.
1 Cl. in B 2
Bn.
1
to Bassoon Cbn.
Hn. 1 in F 2
sub. Tpt. 1 in C 2
Tbn. 1 2
Timp.
1
Perc. 2
3
Cel.
Hp.
Sop.
What
I Vn. II
Va.
Vc.
Cb.
once
could
smite
now
smites
74 47 1 Fl. 2
Al. Fl.
1 Ob.
to English Horn 2
1 Cl. in B 2
1 Bn.
Bassoon 2
Hn. 1 in F 2
Tpt. 1 in C 2
Tbn. 1 2
Timp.
1
Perc. 2
3
Cel.
Hp.
Sop.
no
I Vn. II
Va.
Vc.
Cb.
more.
Ce
les
tial
earths roll
on
75 55
cedendo
Tempo I
cedendo
Tempo I
1 Fl. 2
Al. Fl.
Ob. 1
E.H.
1 Cl. in B 2
1 Bn. 2
Hn. 1 in F 2
Tpt. 1 in C 2
Tbn. 1 2
Timp.
1
Perc. 2
3
Cel.
Hp.
Sop.
and
I Vn. II
Va.
Vc.
Cb.
shine.
76 63 1 Fl. 2
Al. Fl.
Ob. 1
E.H.
1 Cl. in B 2
1 Bn. 2
Hn. 1 in F 2
Tpt. 1 in C 2
Tbn. 1 2
Timp.
1
Perc. 2
3
Cel.
Hp.
Sop.
Stretched
on
the
grass
I Vn.
dolce
sub.
II
dolce
sub.
Va.
sub. dolce Vc.
sub. Cb.
sub.
by
the
77 71 1 Fl. 2
Al. Fl.
Ob. 1
E.H.
1 Cl. in B 2
1 Bn. 2
Hn. 1 in F 2
Tpt. 1 in C 2
Tbn. 1 2
Timp.
1
Perc. 2
3
Cel.
Hp.
Sop.
bank
I Vn. II
Va.
Vc.
Cb.
of
a
riv
er
As
long,
long
a
go,
78 79 1 Fl. 2
Al. Fl.
Ob. 1
E.H.
1 Cl. in B 2
1 Bn. 2
Hn. 1 in F 2
Tpt. 1 in C 2
Tbn. 1 2
Timp.
1
Perc. 2
3
Cel.
Hp.
Sop.
I
I Vn. II
Va.
Vc.
Cb.
launch
my
boats
of
79 85 1 Fl. 2
Al. Fl.
Ob. 1
E.H.
1 Cl. in B 2
1 Bn. 2
Hn. 1 in F 2
Tpt. 1 in C 2
Tbn. 1 2
Timp.
Vib., motor on 1
chiaro Pedal Perc. 2
3
Cel.
Hp.
Sop.
bark.
I Vn. II
Va.
Vc.
Cb.
80 rit.
91 1 Fl. 2
Al. Fl.
Ob. 1
E.H.
1 Cl. in B 2
1 Bn. 2
Hn. 1 in F 2
Tpt. 1 in C 2
Tbn. 1 2
Timp.
(Vib.) 1
(Pedal) Perc. 2
3
Cel.
l.v. sempre
Hp.
Sop.
rit. I Vn. II
Va.
Vc.
Cb.
81
So Little Allegro con fuoco
= 160
Allegro con fuoco
= 160
1 Fl. 2
Al. Fl.
Ob. 1
E.H.
1 Cl. in B 2
1 Bn. 2
Hn. 1 in F 2
Tpt. 1 in C 2
Tbn. 1 2
Timp.
1
Perc. 2
3
Cel.
Hp.
Sop.
I Vn.
pizz. II
pizz. Va.
pizz. Vc.
pizz. Cb.
82 9 1 Fl. 2
Al. Fl.
Ob. 1
cresc.
English Horn E.H.
cresc. 1 Cl. in B
cresc. 2
1 Bn. 2
1. Hn. 1 in F 2
cresc. Tpt. 1 in C 2
cresc. Tbn. 1 2
cresc.
Timp.
1
Perc. 2
3
Cel.
Hp.
Sop.
I Vn.
arco
cresc.
II
arco
cresc.
Va.
cresc. arco Vc.
arco
cresc.
Cb.
cresc.
83 17 1 Fl. 2
Al. Fl.
Ob. 1
E.H.
1 Cl. in B 2
1 Bn. 2
Hn. 1 in F 2
Tpt. 1 in C 2
Tbn. 1 2
Timp.
1
Perc. 2
3
Cel.
Hp.
ansioso Sop.
I
said
so
lit tle,
Days
were
short.
I
pizz. II
pizz. Va.
Vc.
Cb.
Short nights.
div.
pizz.
Vn.
Short days.
84 24 1 Fl. 2
Al. Fl.
Ob. 1
E.H.
1 Cl. in B 2
1 Bn. 2
Hn. 1 in F 2
Tpt. 1 in C 2
Tbn. 1 2
Timp.
1
Perc. 2
3
Cel.
Hp.
Sop.
Short
years.
I
said
so
lit tle.
unis. I Vn. II
Va.
pizz. Vc.
Cb.
I
could n’t keep up.
My
85 31
senza vibrato
1 Fl.
senza vibrato 2
senza vibrato Al. Fl.
Ob. 1
E.H.
1 Cl. in B 2
1 Bn. 2
Hn. 1 in F 2
Tpt. 1 in C 2
Tbn. 1 2
Timp.
Vib., motor off 1
(match Flutes) Perc. 2
3
(match Flutes)
Cel.
Hp.
C
secco
F
B C F
B F
Sop.
heart
grew wea ry
from
joy,
De
arco I Vn.
arco
leggiero
II
leggiero
arco
Va.
arco Vc.
pizz.
leggiero
Cb.
leggiero
leggiero
spair,
86 39 1 Fl.
to Piccolo 2
Al. Fl.
Ob. 1
E.H.
1 Cl. in B 2
1 Bn. 2
Hn. 1 in F 2
Tpt. 1 in C 2
Tbn. 1 2
Timp.
(Vib.) 1
Mar. Perc. 2
3
Cel.
C G
Hp.
Sop.
Ar
dor,
Hope.
I Vn. II
Va.
Vc.
arco Cb.
87 47 Picc.
Fl.
1
Al. Fl.
Ob. 1
E.H.
1 Cl. in B 2
1 Bn. 2
2.
1.
Hn. 1 in F 2
2. Tpt. 1 in C 2
2. Tbn. 1 2
Timp.
1
(Mar.) Perc. 2
3
Cel.
Hp.
Sop.
I Vn. II
pizz. Va.
Vc.
Cb.
88 55 Picc.
Fl.
1
Al. Fl.
Ob. 1
E.H.
1 Cl. in B 2
1 Bn. 2
(1.) Hn. 1 in F 2
Tpt. 1 in C 2
Tbn. 1 2
Timp.
1
Perc. 2
3
Cel.
Hp.
Sop.
The jaws
I Vn. II
Va.
Vc.
Cb.
of
Le
vi
a than
89 61 Picc.
Fl.
1
Al. Fl.
Ob. 1
E.H.
1 Cl. in B 2
1 Bn. 2
Hn. 1 in F 2
Tpt. 1 in C 2
Tbn. 1 2
Timp.
1
Perc. 2
3
Cel.
Hp.
Sop.
Were clos
ing
u
pon
me.
Na ked,
I Vn. II
arco Va.
Vc.
Cb.
I
lay
90 67 Picc.
Fl.
1
Al. Fl.
Ob. 1
E.H.
1 Cl. in B 2
1 Bn. 2
Hn. 1 in F 2
1. Tpt. 1 in C 2
Tbn. 1 2
Timp.
1
Perc. 2
3
Cel.
Hp.
Sop.
on the shores Of de
sert
is
lands.
The
white
whale
I Vn. II
Va.
Vc.
div., pizz. Cb.
91 73 Picc.
Fl.
1
Al. Fl.
Ob. 1
E.H.
1 Cl. in B 2
1 Bn. 2
Hn. 1 in F 2
1. take straight mute 2. take cup mute
(1.) Tpt. 1 in C 2
Tbn. 1 2
Timp.
1
Mar. Perc. 2
Tambourine 3
Cel.
Hp.
Sop.
of
the
world
Hauled
me
down
to
its
pit.
I Vn.
div. II
Va.
Vc.
Cb.
92 78 Picc.
Fl.
1
Al. Fl.
Ob. 1
E.H.
1 Cl. in B 2
1 Bn. 2
chiuso Hn. 1 in F 2
chiuso Tpt. 1 in C 2
Tbn. 1 2
marc.
Timp.
1
(Mar.) Perc. 2
(Tamb.) 3
Cel.
Hp.
Sop.
I Vn.
unis. II
Va.
Vc.
marc. unis. (pizz.) Cb.
93 83 Picc.
Fl.
1
Al. Fl.
Ob. 1
E.H.
1 Cl. in B 2
1 Bn. 2
aperto 2. Hn. 1 in F 2
aperto Tpt. 1 in C 2
Tbn. 1 2
Timp.
1
Temple Blocks Perc. 2
B.D. 3
Cel.
Hp.
intenso Sop.
And now
I Vn. II
Va.
Vc.
Cb.
I
don’t know,
94 89 Picc.
Fl.
1
Al. Fl.
Ob. 1
E.H.
1 Cl. in B 2
1 Bn. 2
Hn. 1 in F 2
Tpt. 1 in C 2
Tbn. 1 2
Timp.
1
Perc. 2
B.D. 3
Cel.
Hp.
Sop.
and
now
I
don’t
know
What
1 player I Vn. II
Va.
Vc.
arco Cb.
0
in all
that,
what
what
in
all
that
95 97
Piccolo, solo
Picc.
solo Fl.
1 3 3
solo Al. Fl.
Ob. 1
E.H.
1 Cl. in B 2
1 Bn. 2
Hn. 1 in F 2
2., with cup mute Tpt. 1 in C 2
Tbn. 1 2
Timp.
Vib. 1
Perc. 2
3
Cel.
B C E G
Hp.
Sop.
was
I Vn. II
Va.
Vc.
Cb.
was
real.
3
3
3
3
96 102 Picc.
Fl.
1
3
3 3
3
3
3
3 3
fltg. Al. Fl.
Ob. 1
E.H.
1 Cl. in B 2
1 Bn. 2
Hn. 1 in F 2
1., with straight mute
remove mute
Tpt. 1 in C 2
Tbn. 1 2
Timp.
(Vib.) 1
T. Blks. Perc. 2
3
Cel.
Hp.
Sop.
I Vn. II
Va.
Vc.
Cb.
97 108 Picc.
Fl.
1
ord. fltg. Al. Fl.
Ob. 1
E.H.
1 Cl. in B 2
1 Bn. 2
Hn. 1 in F 2
Tpt. 1 in C 2
Tbn. 1 2
Timp.
(Vib.) 1
Perc. 2
3
Cel.
Hp.
Sop.
I Vn. II
Va.
Vc.
Cb.
ord. fltg.
98
On Old Women Andante camminando
= 66
Picc.
Fl.
1
Al. Fl.
1
delicato Oboe
Ob. 2
delicato 1 Cl. in B
delicato 2
delicato 1
delicato
Bn. 2
delicato
Hn. 1 in F 2
Tpt. 1 in C 2
Tbn. 1 2
Timp.
1
Perc. 2
3
Cel.
Hp.
E F G
Sop.
Andante camminando
= 66
I
delicato, marcato
Vn. II
delicato, marcato Va.
delicato, marcato Vc.
delicato, marcato Cb.
99 7 Picc.
Fl.
1
Al. Fl.
1 Ob. 2
1 Cl. in B 2
1 Bn. 2
Hn. 1 in F 2
open
Tpt. 1 in C 2
Tbn. 1 2
Timp.
1
Perc. 2
3
Cel.
Hp.
Sop. 3
In
I Vn. II
Va.
Vc.
Cb.
vi
si ble,
100 14 Picc.
Fl.
1
Al. Fl.
1 Ob. 2
1 Cl. in B 2
1 Bn. 2
Hn. 1 in F 2
Tpt. 1 in C 2
Tbn. 1 2
Timp.
1
Perc. 2
3
Cel.
Hp.
Sop.
dressed in
I Vn. II
Va.
Vc.
Cb.
clothes
too
big
for me,
I
take
a
walk
pre
ten ding
I
am
a de
101 21 Picc.
Fl.
1
Al. Fl.
1 Ob. 2
1 Cl. in B 2
1 Bn. 2
Hn. 1 in F 2
Tpt. 1 in C 2
with straight mute remove mute Tbn. 1 2
Timp.
1
Perc. 2
3
Cel.
Hp.
parlando, agitato 3
3
3
Sop.
tached
I Vn. II
Va.
Vc.
Cb.
mind.
What
coun try
is this?
Fu
ne
re al wreaths
102 animando
28 Picc.
Fl.
1
Al. Fl.
1 Ob. 2
1 Cl. in B 2
1 Bn. 2
Hn. 1 in F 2
Tpt. 1 in C 2
Tbn. 1 2
Timp.
1
Perc. 2
3
Cel.
Hp.
Sop. 3
3
de val ued
med als
a gen
e ral a
void
ance
of re mem ber ing
what
animando I
div.
Vn. II
div. Va.
Vc.
Cb.
103 34
rit.
a tempo
Picc.
Fl.
1
Al. Fl.
1 Ob. 2
1 Cl. in B 2
1 Bn. 2
Hn. 1 in F 2
Tpt. 1 in C 2
Tbn. 1 2
Timp.
1
Perc. 2
3
Cel.
Hp.
pieno Sop.
hap pened.
I
rit.
a tempo
I Vn.
unis.
sul D
II
unis. Va.
Vc.
Cb.
think
of
you
old
wom
en,
104 41 Picc.
Fl.
1
Al. Fl.
1 Ob. 2
1 Cl. in B 2
1 5
molto
Bn. 2
5
molto
Hn. 1 in F 2
Tpt. 1 in C 2
Tbn. 1 2
Timp.
1
Perc. 2
3
Cel.
Hp.
3
3
Sop. 3
si lent ly
I Vn. II
Va.
Vc.
Cb.
3
fin ger ing past
3
days
of your lives
like the beads of your ro
sa ries.
105 48 Picc.
Fl.
1
Al. Fl.
1 Ob. 2
1 Cl. in B 2
1 Bn. 2
Hn. 1 in F 2
Tpt. 1 in C 2
open Tbn. 1 2
Timp.
1
Perc. 2
3
Cel.
Hp.
Sop.
It
had
to
be
suf
fered,
div.
Vn. II
Va.
Vc.
Cb.
dured,
div. unis.
I
en
unis.
man aged.
div.
106 55 Picc.
Fl.
1
Al. Fl.
1 Ob. 2
1 Cl. in B 2
1 Bn. 2
Hn. 1 in F 2
Tpt. 1 in C 2
Tbn. 1 2
Timp.
1
Perc. 2
3
Cel.
Hp.
Sop.
One
al sord. I Vn.
al sord. II
al sord. Va.
al sord. Vc.
Cb.
had
to
wait
and
not wait,
one had
to.
107 61 Picc.
Fl.
1
Al. Fl.
1 Ob. 2
1 Cl. in B 2
1 Bn. 2
Hn. 1 in F 2
Tpt. 1 in C 2
Tbn. 1 2
Timp.
1
Perc. 2
3
Cel.
Hp.
dolce Sop.
I
unis., con sord. I Vn.
con sord. II
con sord. Va.
con sord. Vc.
Cb.
send
my
prayers
for
you
to
the
High
est,
108 67 Picc.
Fl.
1
Al. Fl.
1 Ob. 2
1 Cl. in B 2
1 Bn. 2
Hn. 1 in F 2
Tpt. 1 in C 2
Tbn. 1 2
Timp.
1
Perc. 2
3
Cel.
(match Flutes)
sonoro (match Flutes)
E F
Hp.
3
3
con fervore
Sop.
helped
I Vn. II
Va.
Vc.
Cb.
by your fa ces in old
pho to graphs
May
the day
109 74 Picc.
Fl.
1
Al. Fl.
1 Ob. 2
1 Cl. in B 2
1 Bn. 2
Hn. 1 in F 2
Tpt. 1 in C 2
Tbn. 1 2
Timp.
Vib. 1
(match Flutes) Perc. 2
3
Cel.
Hp.
Sop.
of
I Vn. II
Va.
Vc.
Cb.
your death
not
be
a
day
of
hope
less
ness,
110 81 Picc.
Fl.
1
Al. Fl.
1 Ob. 2
1 Cl. in B 2
1 Bn. 2
Hn. 1 in F 2
Tpt. 1 in C 2
Tbn. 1 2
Timp.
(Vib.) 1
(match Flutes) Perc. 2
3
(match Flutes)
Cel.
Hp.
(match Flutes)
dolcissimo Sop.
but
I Vn. II
Va.
Vc.
Cb.
of
trust
in
the
light
that
shines
through
earth
ly
111 rit.
88 Picc.
Fl.
1
Al. Fl.
1 Ob. 2
1 Cl. in B 2
1 Bn. 2
Hn. 1 in F 2
Tpt. 1 in C 2
Tbn. 1 2
Timp.
(Vib.) 1
Perc. 2
3
poco
Cel.
Hp.
Sop.
forms.
rit. I Vn. II
Va.
Vc.
div. a3 (actual pitch) Cb.
to Flute
112 Lento, sognando
Epilogue: From Winter
= 66
rit.
1
Flute
Fl.
pi첫
poss.
2
pi첫
poss.
Al. Fl.
pi첫
poss.
1 Ob. 2
1 Cl. in B 2
1 Bn. 2
Hn. 1 in F 2
Tpt. 1 in C 2
Tbn. 1 2
Timp.
Vib., motor off 1
Perc. 2
3
Cel.
Hp.
E
G
G
A
A BC DEFG
Sop.
And now
Lento, sognando con sord. flautando
con sord. flautando II
con sord. flautando Va.
con sord. flautando Vc.
marc. Cb.
to keep run ning
When
the sun ris es
be yond
the bor der lands of death.
= 66 rit.
I
Vn.
I am read y
al sord.
113 7
a tempo
1
sempre
Fl. 2
sempre Al. Fl.
sempre 1 Ob. 2
1 Cl. in B 2
1 Bn. 2
Hn. 1 in F 2
Tpt. 1 in C 2
Tbn. 1 2
Timp.
(Vib.) 1
Perc. 2
3
Cel.
Hp.
Sop.
I
al read y see
a tempo I Vn. II
Va.
Vc.
Cb.
moun tain ridg es
in
the heav en ly for est
where
be yond ev ery
es
sence, a new es sence
114 13 1 Fl. 2
Al. Fl.
1
accomp.
Ob. 2
1 Cl. in B 2
1 Bn.
accomp. 2
Hn. 1 in F 2
Tpt. 1 in C 2
Tbn. 1 2
Timp.
(Vib.) 1
Perc. 2
3
Cel.
Hp.
Sop.
waits.
You
mu
I
accomp.
Vn. II
accomp. Va.
accomp. Vc.
accomp. Cb.
sic
of
my late
years,
115 rit.
19 1 Fl. 2
Al. Fl.
1 Ob. 2
1
accomp.
Cl. in B 2
1 Bn.
accomp.
to Contrabassoon 2
1. Hn. 1 in F 2
accomp. Tpt. 1 in C 2
Tbn. 1 2
Timp.
1
Perc. 2
3
Cel.
Hp.
cantabilissimo
Sop.
I
am
called
by a
sound
and
a
col or
which are more and more
rit. I Vn. II
Va.
Vc.
con sord. Cb.
div.
per fect.
116 25
Pi첫 lento
= 108
Pi첫 lento
1 Fl. 2
Al. Fl.
1 Ob. 2
1 Cl. in B 2
Bn.
1
Cbn.
Hn. 1 in F 2
Tpt. 1 in C 2
possibile Tbn. 1 2
possibile
Timp.
1
Perc. 2
3
Cel.
Hp.
AB C D E FG
A
pieno
deliberato Sop.
Do not die out
Pi첫 lento I Vn. II
Va.
Vc.
unis. Cb.
= 108
fire.
En ter my dreams,
love.
Be
Pi첫 lento
young
for
ev
er,
117 ritardando molto
31 1 Fl. 2
Al. Fl.
1 Ob. 2
1 Cl. in B 2
Bn.
1
Contrabassoon Cbn.
Hn. 1 in F 2
Tpt. 1 in C 2
Tbn. 1 2
Timp.
Vib. 1
Pedal Perc. 2
Tamtam 3
Cel.
C
C
D
l.v.
Hp.
A
Sop.
sea
sons
of
the
earth.
ritardando molto I
non div.
Vn. II
non div. Va.
Vc.
div. Cb.
118
Post Epilogue: Rays of Dazzling Light Tempo giusto
= 108
1 Fl. 2
Al. Fl.
1 Ob. 2
1 Cl. in B 2
Bn.
1
Cbn.
Hn. 1 in F 2
Tpt. 1 in C 2
Tbn. 1 2
Timp.
Vib. 1
Pedal Crotales
Triangle (very high)
Perc. 2
poco Chimes 3
poco
3
Cel.
l.v.
3
3
3
Hp.
Sop.
Light
Tempo giusto I Vn. II
Va.
Vc.
Cb.
= 108
off
met al
shak en,
119 5 1 Fl. 2
Al. Fl.
1 Ob. 2
1 Cl. in B 2
Bn.
1
Cbn.
Hn. 1 in F 2
Tpt. 1 in C 2
Tbn. 1 2
Timp.
1
(Trg.)
Triangle (Low)
Perc. 2
Triangle (High) 3
Cel.
Hp.
Sop.
Lu
I Vn. II
Va.
Vc.
Cb.
cid
dew
of
heav en
Bless each
and
ev
ery one
To
whom
the earth is
giv
en.
120 11 1 Fl. 2
Al. Fl.
1 Ob. 2
1 Cl. in B 2
Bn.
1
Cbn.
Hn. 1 in F 2
Tpt. 1 in C 2
Tbn. 1 2
Timp.
Vib. 1
Pedal Crot.
Trg. (very high)
Perc. 2
poco Chimes 3
poco
3
Cel.
l.v. 3
3
3
3
3
3
3
3
3
Hp.
Sop.
Its
I Vn. II
Va.
Vc.
Cb.
es sence was al
ways
hid den
Be
121 16 1 Fl. 2
Al. Fl.
1 Ob. 2
1 Cl. in B 2
Bn.
1
Cbn.
Hn. 1 in F 2
Tpt. 1 in C 2
Tbn. 1 2
Timp.
1
(Trg.)
Trg. (low)
Perc. 2
Trg. (high) 3
Cel.
Hp.
Sop.
hind
I Vn. II
Va.
Vc.
Cb.
a dis
tant
cur tain
We chased it
all our lives.
Bid den
and un
bid den.
122 22 1 Fl. 2
Al. Fl.
1 Ob. 2
1 Cl. in B 2
Bn.
1
Cbn.
Hn. 1 in F 2
Tpt. 1 in C 2
Tbn. 1 2
Timp.
Vib. 1
Pedal Crot.
Trg. (very high)
Perc. 2
poco Chimes 3
poco
3
Cel.
l.v.
3
3
3
3
3
Hp.
Sop.
Know ing
I Vn. II
Va.
Vc.
Cb.
the hunt
would end
That then what had
been
123 27 1 Fl. 2
Al. Fl.
1 Ob. 2
1 Cl. in B 2
Bn.
1
Cbn.
Hn. 1 in F 2
Tpt. 1 in C 2
Tbn. 1 2
Timp.
1
(Trg.)
L. Trg.
Perc. 2
(High Trg.) 3
Cel.
Hp.
Sop.
rent
I Vn. II
Va.
Vc.
Cb.
Would
at
last
be
made
whole:
Poor
bod
y
and
124 33 1 Fl. 2
Al. Fl.
1 Ob. 2
1 Cl. in B 2
Bn.
1
Cbn.
Hn. 1 in F 2
Tpt. 1 in C 2
Tbn. 1 2
Timp.
Vib. 1
Pedal Crot. Perc. 2
Chimes 3
3
Cel.
3
3
3
3
l.v. 3
Sop.
the
I Vn. II
Va.
Vc.
Cb.
3
3
F A
Hp.
soul.
3
3
B
3 3
3
F G
3