Corigliano MIDSUMMER FANFARE

John Corigliano

MIDSUMMER FANFARE (2004)

full score

From the G. Schirmer Rental Library Date of Printing_______

G. Schirmer, Inc. New York, NY

John Corigliano

MIDSUMMER FANFARE (2004)

full score Commissioned by the Grant Park Music Festival, Carlos Kalmar, Principal Conductor

G. Schirmer, Inc. New York, NY

Instrumentation: Piccolo 2 Flutes 3 Oboes 3 Clarinets in B= 3 Bassoons 4 Horns in F 3 Trumpets in C (optionally doubling on Trumpets in D – parts are provided in C only) 2 Trombones Bass Trombone Tuba Timpani Percussion (3 players) Piano Harp Strings

duration: 5 minutes

MIDSUMMER FANFARE

Score in C *

John Corigliano (2004)

6–7 seconds

9–10 seconds

7–8 seconds

Piccolo

(slow)

**

1 Flute

(slow)

**

2

1

Oboe

2

3

1

Clarinet in B

2

3

1 Bassoon 2 3

1 3 Horn 2 4

2., with straight mute, play into stand slow gliss.***

2. take straight mute 1.

1 2

molto

Trumpet in C

with straight mute, play into stand

take straight mute

molto

3

Trombone

molto

1 2

Bass Trombone Tuba

Timpani

1

Percussion

2

3

Piano

Harp

al sord.

6–7 seconds

9–10 seconds

7–8 seconds

I Violin

al sord.

II

Viola

Violoncello

Contrabass

*denotes 3 free events cued by the conductor. The number inside the triangle indicates the number of cues. **Bend pitch one half step. Players determine their own slow, even tempo. ***Use third valve fingering, slide out to in.

Copyright © 2004 by G. Schirmer, Inc. (ASCAP) New York, NY International Copyright Secured. All Rights Reserved.

Warning: Unauthorized reproduction of this publication is prohibited by Federal law and subject to criminal prosecution.

Property of: G. Schirmer Rental Library Bellvale Road Chester, NY 10918 SUPPLIED ON LOAN ONLY

2 7–8 seconds

2

8–10 seconds

Picc.

1 Fl. 2

1

* 0

Ob.

N 0 N 0 N 0 N 0 N 0 N 0

2

0

3

1

slow, even oscillation (stagger breathing) Cl.

2

murmuring slow, even oscillation (stagger breathing) 3

murmuring 1 Bn. 2 3

1 3 Hn. 2 4

(2.)

1 2 Tpt. 3

Tbn.

1 2

Bs.Tbn. Tuba

Timp.

1

Perc.

2

Triangle 3

Piano

Harp

7–8 seconds ca. 1 1/2 seconds con sord.

I

ca. 1 1/2 seconds

Vn.

con sord.

II

Va.

Vc.

Cb.

*Continue this free but synchronized motion, ignoring the conductor’s beat.

8–10 seconds

N 0

N 0

N 0

N 0

3 (2) Picc.

1 Fl. 2

1 0

Ob.

2

N

0

3

1

Cl.

2

3

1 Bn. 2 3

1 3 Hn. 2 4

1 2 Tpt. 3

Tbn.

1 2

Bs.Tbn. Tuba

Timp.

Glockenspiel

Add

* 1

* Xylophone

occasional

8va

Perc.

2

3

*

Piano

*

Harp

I Vn. II

Va.

Vc.

Cb.

*Vary order of figures and length of fermatas. The texture should be sparse and pointillistic. The instruments should be dynamically balanced.

4 = 60–72 3 Picc.

* 1 Fl.

* 2

(lunga)

1

rubato

* Ob.

2

* 3

1

* Cl.

rubato

2

* 3

1 Bn. 2 3

1 3 Hn. 2 4

ca. 5 seconds 2. (lunga) 1 2 Tpt. 3

Tbn.

1 2

Bs.Tbn. Tuba

Timp.

(Glock.)

*

(Xyl.)

*

1

Perc.

2

Crotale

Vibraphone

3

(blur) Pedal on

*

Piano

*

Harp

= 60–72 solo I Vn. II

sul ponticello ** Va.

Vc.

Cb.

*Ignore conductor. Continue as before until cut-off at measure 38. **Play as rapidly as possible between and including the indicated pitches. Use all chromatic pitches but avoid repitious patterns and scales.

5 8 Picc.

1 Fl. 2

1

Ob.

2

3

1

Cl.

2

3

1 Bn.

rubato 2 3

1.

1 3 Hn. 2 4

1. (open) 1 2 Tpt. 3

Tbn.

1 2

Bs.Tbn. Tuba

Timp.

(Glock.)

1

(Xyl.) Perc.

2

3

Piano

Harp

tutti, senza sord., sul ponticello

I

senza sord., sul ponticello

Vn. II

Va.

sul ponticello

Vc.

sul ponticello Cb.

6 15

*

Picc.

rubato, espr.

1 Fl. 2

1

Ob.

2

3

1

Cl.

2

3

1 Bn. 2 3

stopped

1.

1 3

in tempo

espr.

Hn. 2 4

1 2 Tpt. 3

1.

Tbn.

1 2

rubato Bs.Tbn. Tuba

Timp.

(Glock.)

1

(Xyl.) Perc.

2

Vib. * 3

blurred Pedal on

Piano

Harp

I Vn. II

Va.

Vc.

Cb.

*Slow, even, unmeasured pulses.

7 22 Picc.

1 Fl. 2

1

Ob.

2

3

1

Cl.

2

3

1

asynchronous

Bn.

2

asynchronous

3

asynchronous (1.)

1 3 Hn.

2.

asynchronous

2 4

slow, unmeasured pulses 3

1.

1 2

(2. open)

Tpt. 3

Tbn.

1 2

Bs.Tbn. Tuba

Timp.

(Glock.)

1

(Xyl.) Perc.

2

(Vib.) 3

Piano

Harp

I Vn. II

Va.

Vc.

Cb.

Bass Drum

8 28 Picc.

1 Fl. 2

1

Ob.

2

3

1

Cl.

2

3

1

Bn.

2

3

1., open 1 3 Hn.

2.

2 4

1 2

with straight mute Tpt.

take straight mute 3

Tbn.

1 2

Bs.Tbn. Tuba

Timp.

(Glock.)

1

(Xyl.) Perc.

2

Crot.

3

Piano

Harp

I Vn. II

Va.

Vc.

Cb.

9 *

35 Picc.

1 Fl. 2

* 1

Ob.

2

3

* 1

Cl.

2

3

1 Bn. 2 3

* 1 3 Hn.

* 2 4

* 1

* Tpt.

2

continue pattern, ignoring conductor 3

Tbn.

1 2

Bs.Tbn. Tuba

Timp.

1

Perc.

2

Low Trg. 3

Piano

Harp

I Vn. II

Va.

Vc.

Cb.

*Keep same tempo as before.

10

ca. 5 seconds (first time only) 36

accel. poco a poco

Picc.

1 Fl. 2

1

Ob.

2

3

1

Cl.

2

3

1 Bn. 2 3

1 3

Hn. 2 4

1

Tpt.

2

3

Tbn.

1 2

Bs.Tbn. Tuba

Timp.

1

Perc.

2

B.D. 3

Piano

Harp

ca. 5 seconds (first time only) accel. poco a poco

slowly change from sul ponticello to ordinario

I

slowly change from sul ponticello to ordinario

Vn. II

slowly change from sul ponticello to ordinario Va.

slowly change from sul ponticello to ordinario Vc.

slowly change from sul ponticello to ordinario Cb.

11 37

*

(accel.)

accel. molto

(accel.)

accel. molto

Picc.

1 Fl. 2

* 1

Ob.

2

3

* 1

Cl.

2

3

* 1 Bn.

* 2 3

* 1 3 Hn.

* 2 4

* 1 2 Tpt.

* 3

Tbn.

1 2

Bs.Tbn. Tuba

Timp.

1

Perc.

2

3

Piano

Harp

I Vn. II

Va.

Vc.

Cb.

*Repeat three cue pattern. Accelerate, using as many repetitions as necessary to build to a climax.

The conductor should speed up cues little by little so that the horns, trumpet and woodwinds eventually overlap into a wild, blurred frenzy.

attacca

12 38

= 144–156 to Flute

Picc.

1 Fl. 2

1

Ob.

2

3

1

Cl.

2

3

1 Bn.

a2 2 3

a2 1 3 Hn.

a2 2 4

1 2 Tpt.

to Trumpet in D, if available 3

a2

1.

a2

1.

1.

1 Tbn. 2

molto

molto

molto

Bs. Tbn.

Bs.Tbn. Tuba

Timp.

1

Tenor Drum Perc.

2

B.D. 3

Piano

Harp

= 144–156

arco

pizz.

I Vn.

pizz.

arco

pizz.

arco

II

Va.

div.

Vc.

Cb.

unis.

13 46

=

1

Fl.

2

Flute 3

1

Ob.

2

3

1

Cl.

2

3

1 Bn.

a2 2 3

a2 1 3

molto

Hn.

molto a2

2 4

molto

molto to Trumpet in D, if available 1 2 Tpt. 3

a2 1 Tbn. 2

Bs.Tbn. Tuba

Timp.

Tambourine 1

Snare Drum, r.s.

Ten. Dr. Perc.

2

B.D. 3

Piano

C

Harp

= I

molto

Vn.

pizz.

II

molto pizz.

Va.

molto

molto

Vc.

molto molto Cb.

14 53 1

Fl.

2

3

1

Ob.

2

3

1

Cl.

2

3

1 Bn. 2 3 1 3 Hn. 2 4

(Trumpet in D) 1 2 Tpt.

(Trumpet in D) 3

Tbn.

1 2

Bs. Tbn. Bs.Tbn. Tuba

hard sticks Timp.

Tamb.

1

S.D. Perc.

2

(B.D.) 3

Piano

(F )

Harp

non div.

F C

div.

I

Vn.

non div. (pizz.)

div. a2, arco

II

(pizz.)

Va.

Vc.

Cb.

arco

15 60

=

1

Fl.

2

3

1

Ob.

2

3

1

Cl.

2

3

1 Bn.

a2 2 3

a2 1 3

a2

Hn. 2 4

1 2 Tpt. 3

Tbn.

1 2

Bs. Tbn. Bs.Tbn. Tuba

Timp.

(Tamb.)

S.D.

1

Ten. Dr. Perc.

2

B.D. 3

Piano

Harp

(div.)

unis.

= I Vn.

unis.

II

Va.

Vc.

Cb.

16 66 1

Fl.

2

3

1

Ob.

2

3

1

Cl.

2

3

1 Bn.

(a2) 2 3

1. (a2) 1 3

poss.

Hn.

(a2)

2.

2 4

poss.

1. 3 1 2 Tpt.

take straight mute 3

a2 Tbn.

1 2

Bs. Tbn. Bs.Tbn. Tuba

hard sticks Timp.

S.D. 1

Temple Blocks

(Ten. Dr.) Perc.

2

Tamb.

3

Piano

Harp

(F C )

solo I Vn. II

Va.

pizz.

Vc.

Cb.

17 8 seconds

6 sec.

10 sec.

72 1

Fl.

2

3

1 (0) N 0 N 0 N 0 N 0 N 0

Ob.

0

2

0

N 0 N 0 N 0 N 0 N 0

3

1

Cl.

2

3

1 Bn. 2 3

a2

1.

1 3

sub., leg.

Hn.

a2 2 4

sub., leg.

take straight mute 1 2 Tpt. 3

Tbn.

1 2

Bs.Tbn. Tuba

Timp.

Vib.

(chromatic cluster)

1

Pedal on (Pedal on)

Glock.

Perc.

2

Xyl. 3

Piano

Harp

8 seconds

6 sec.

10 sec. tutti

I Vn. II

Va.

arco Vc.

Cb.

18 4–5 seconds

7 seconds

3 seconds

7 seconds

3 seconds

73 1

Fl.

2

3

1

Ob.

2

3

1

Cl.

2

3

1 Bn. 2 3

1 3 Hn. 2 4

2. with straight mute

1., with straight mute 1 2

sub., leg.

Tpt.

with straight mute 3

sub., leg.

1 Tbn. 2 Bs.Tbn. Tuba

Timp.

Vib. (cluster) 1

(Pedal on) Perc.

2

3

Piano

Harp

4–5 seconds I Vn. II

Va.

Vc.

Cb.

19 4 seconds

4 seconds

5 seconds

5 seconds

4 seconds

4 seconds

74 1

legatissimo Fl.

2

legatissimo 3

legatissimo 1

legatissimo Ob.

2

legatissimo 3

legatissimo 1

legatissimo Cl.

2

legatissimo 3

legatissimo 1 Bn.

legatissimo

a2 2 3

legatissimo a2 1 3 Hn.

a2 2 4

1 2 Tpt. 3

1., with straight mute Tbn.

a2, 2. with straight mute

1 2

legato Bs. Tbn., with straight mute Bs.Tbn. Tuba

legato

Timp.

1

Perc.

2

3

Piano

Harp

4 seconds

4 seconds

5 seconds

5 seconds

I

sub.

Vn. II

sub.

Va.

sub.

Vc.

sub.

Cb.

sub.

div.

4 seconds

4 seconds

20 76

= 144–156

1

Fl.

2

3

1

Ob.

2

3

1

Cl.

2

3

1 Bn.

(a2) 2 3

a2 1 3 Hn.

legato a2 2 4

legato 1 2 Tpt. 3

a2 1 Tbn. 2

Tuba Bs.Tbn. Tuba

Timp.

Suspended Cymbal 1

Perc.

2

B.D. 3

Piano

Harp

= 144–156 I Vn. II

(F )

* Va.

asynchronous * Vc.

asynchronous Cb.

*Ossia omit tremolo beams, single strokes.

(F )

21 79 1

Fl.

2

3

1

Ob.

2

3

1

Cl.

2

3

1

cresc.

Bn.

a2 2 3

cresc.

1.

1 3 Hn. 2 4

1. (with straight mute) 1 2 Tpt. 3

(a2) Tbn.

1 2

a2 Bs.Tbn. Tuba

Timp.

S.D. 1

Tamb.

Perc.

Ten. Dr.

2

B.D. 3

non cresc.

Piano

Harp

(C and F )

* I

sim.

Vn.

asynchronous

(C and F )

II

sim. asynchronous

div.

Va.

molto div.

Vc.

molto unis.

Cb.

*Ossia omit tremolo beams, use only single strokes.

molto

22 84 1

Fl.

2

3

1

Ob.

2

3

1

Cl.

2

3

1 Bn.

(a2) 2 3

a2 1 3 Hn.

a2 2 4

remove mute 1 2 Tpt.

remove mute 3

a2

1.

Tbn.

1 2

molto Tuba Bs.Tbn. Tuba

Timp.

Tamb.

1

(Ten. Dr.) Perc.

Sus. Cym.

2

(B.D.) 3

Piano

Harp

Vn.

*

(F )

*

(F )

I

Vn. II div.

(F )

*

*

(F )

Va.

* Vc.

Cb.

*Ossia omit tremolo beams, use only single strokes.

(F )

23 (

87

=

)

1

Fl.

2

3

to Piccolo 3

1

Ob.

2

3

1

Cl.

2

3

a2 1 Bn. 2 3

1 3 Hn. 2 4

open 1 2 Tpt.

open 3

a2 Tbn.

1 2

Bs.Tbn. Tuba

Timp.

(Tamb.)

1

(Sus. Cym.) Perc.

T.Blks.

2

S.D.

B.D.

3

Piano

non arp.

Harp

(ord.)

Vn.

(

=

non div.

)

I

(ord.)

Vn. II div.

(C F )

(ord.)

(ord.)

(C F )

(C F )

pizz.

non div.

arco

pizz.

non div.

arco

(C F )

Va.

non div.

Vc.

(C F ) Cb.

24 92

Piccolo

Picc.

poss. asynchronous

1

poss. asynchronous Fl. 2

poss. asynchronous

1

asynchronous Ob.

2

asynchronous 3

asynchronous 1

asynchronous Cl.

2

asynchronous 3

asynchronous 1 Bn. 2 3

a2 1 3

molto

Hn.

a2 2 4

molto 1 2 Tpt. 3

Tbn.

1 2

molto Bs.Tbn. Tuba

molto

Timp.

Tamb.

1

Bell Tree Perc.

2

S.D., r.s.

3

Piano

(F )

Harp

non div.

I

poss. unis.

Vn.

div.

non div., arco

II

poss.

Va.

Vc.

Cb.

unis.

25 97 Picc.

1

Fl. 2

1

Ob.

2

3

1

Cl.

2

3

1 Bn. 2 3

a2 1 3 Hn.

a2 2 4

1 2 Tpt. 3

Tbn.

1 2

Bs.Tbn. Tuba

Timp.

(Tamb.)

1

(Bell Tree) Perc.

2

(S.D.) 3

Piano

(F C )

Harp

(F C )

8va

non div.

I

poss.

8va

Vn.

non div.

II

poss.

Va.

Vc.

Cb.

div. a2

unis.

26 100 Picc.

1 Fl. 2

1

poss.

Ob.

2

poss.

3

poss.

1

poss.

Cl.

2

poss.

3

poss.

1

poss.

Bn.

a2 2 3

poss.

a2 1 3 Hn.

a2 2 4

1 2 Tpt. 3

Tbn.

1 2

Bs.Tbn. Tuba

Timp.

molto

S.D.

1

Ten. Dr. Perc.

2

Tam-tam

B. D.

3

Piano

Harp

non div.

I Vn.

non div.

II

Va.

div.

Vc.

div.

Cb.

unis.

27 104 Picc.

1

Fl. 2

1

Ob.

2

3

1

Cl.

2

3

1

Bn.

a2 2 3

(a2) 1 3 Hn.

(a2) 2 4

1 2 Tpt. 3

(a2) Tbn.

1 2

Bs.Tbn. Tuba

Timp.

S.D. 1

(Ten. Dr.) Perc.

Tamb.

2

Xyl. 3

Piano

(F C )

Harp

I Vn. II

Va.

Vc.

non div.

Cb.

28 108 Picc.

1

Fl. 2 3

3

3

3

3

3

3

3

3

3

1 3

Ob.

2 3

3

1

Cl.

2

3

1 Bn.

a2 2 3

(a2) 1 3 Hn.

(a2) 2 4 3

3

3

3

3

3

3

3

2.

1 2 Tpt. 3

Tbn.

1 2

Bs.Tbn. Tuba

Timp.

(S.D.)

Ratchet

1

Glock.

(Tamb.)

Perc.

2

(Xyl.) 3

Piano

Harp

non div., pizz.

0

0

0

0

0

I Vn.

non div., pizz.

0

II

pizz.

Va.

pizz.

Vc.

pizz.

Cb.

29 112 Picc.

8va

1 8va

Fl. 2

3

3

3

3

3

3

1

Ob.

2

3

1

Cl.

2

3

1 Bn.

a2 2 3

(a2) 1 3 Hn.

(a2) 2 4 3

3

1 2 Tpt. 3

Tbn.

1 2

Bs.Tbn. Tuba

Timp.

(Ratchet)

S.D.

1

(Glock.)

Perc.

3

3

tutta forza

Sus. Cym.

2

tutta forza Xyl.

B.D.

3

tutta forza

Piano

Harp

non div.

I

non div.

Vn. II

arco

non div.

arco

non div.

Va.

Vc.

0

Cb.

arco