Mazzoli MAGIC WITH EVERYDAY OBJECTS by ScoresOnDemand

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Missy Mazzoli Magic With Everyday Objects (2007)

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transposed score

Magic With Everyday Objects for NOW Ensemble

  

Moderato q = 100

Flute

Clarinet in Bb

Piano

Electric Guitar

Double Bass

  

Pno.





diffused, rubato molto expressivo

    p

  



  

                                    

   



    

  

  

 











 

















  



          

 

2007



poco cresc.

          

                               

Copyright © 2007 by G. Schirmer, Inc. (ASCAP), New York, NY International Copyright Secured. All Rights Reserved. Warning: Unauthorized reproduction of this publication is prohibited by Federal law and subject to criminal prosecution.

Con forza, Coming out of nowhere

 8    Fl.  

 





 

 

Cl.

Pno.

  

   



Db.





 



f imitate electronic delay and decay, mechanical sim.

                subff                           all downstrokes, legato

E. Gtr.

 

             f    

  

            

          ff

     

      





  

      

                 

   

Cl.

Pno.





E. Gtr.

Db.



      

 



 

 

 











 

 



 

   

                 

                                

 

    

   

 

       

  

     

 



    

  



                    ff p  ff                                                                                                        

     

 



        

13   Fl. 

   

  

                           

  

    

        

  

 Fl.  191

Cl.



 

E. Gtr.

    

Db.

 

 





  



Cl.

E. Gtr.



Cl.

E. Gtr.



 















 



 









 







 







                 

      

Pno.





199

Fl.





            

feedback!

195   Fl. 







 









p watery, diffused, rubato





 

  

       



  

 

          

                   

  

233

Pno.

E. Gtr.

 



 



                 

   

 

 



237

Pno.



 

keep pedal down, let sound decay naturally

  

              fade out with piano

E. Gtr.