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Kernis LOVE ADVICE

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Aaron Jay Kernis Love Advice (2015)

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Aaron Jay Kernis LOVE ADVICE (2014) for SATB Choir a capella

Written for the Princeton Singers

AJK MUSIC/Associated Music Publishers


LOVE ADVICE for chorus Texts 1.

ANNOUNCEMENT

Study after study shows that the prime determinant of our long-term happiness and health is the strength of our intimate relationships. People -- this is not some luxury you attend to after you take care of all the important things in life, like making VP or adopting a labradoodle. This is the centerpiece of your existence on Earth. So give it the attention it deserves. -

Dr. Ali Benazir

2.

HIS AND HERS

M Love Love is not Love is not an end.

W Love Love is Love is an end

Love is not an end. It is continuous, encouraging and cultivating us to be more in this world. Love is meant to encourage your dreams, not stifle them. Love is an end. True love. Not Hollywood love. Not the love you imagine at 16 or 18 or 21 or 23. But love with the person you decide to spend the rest of your life with. I seriously hope this love is an end. Love is not part of a checklist to life. People comment on how I should have everything lined up, and I’m left feeling like my Romantic view of love had been zapped of all its wonder and magic. Love is not part of a checklist to life. But marriage is. This is a reality -- and if you deny this, then you're not watching "Say Yes to the Dress" or flipping through bridal magazines. Love is not measured by the quantity of your money. If to love is to risk, then let love be measured by risk (not by how comfortable you are.) Love is not measured by the quantity of your money. But it helps. Love is an adventure.

Love is an adventure. And I didn't want it to end…

didn’t want it to…. Of course, it's more complicated than this. Love always is. Love is not an end. Love is not Love

Love is an end. Love is Love Love

-

Neil Samudre/Evelyn Lauer

3. SOUL KISS Like a bee that settles on the fragrant pistils of a flower, and sips in the nectar for honey, so should you sip in the nectar from between the lips of your love. And it is nectar. For there is in this mingling a symbol of the holy communion of the spirits of two soul-mates, joined together in the bonds of an indissoluble love. -

Hugh Morris, “The Art of Kissing”


Commissioned by the Princeton Singers for their 30th anniversary season

LOVE ADVICE for chorus 1. Announcement Emphatic, Declamatory q = 56

Dr. Ali Benazir

f-mf    

SOPRANO



    

ALTO





Stu - dy

TENOR





 

af - ter

stu - dy

f-mf     



f-mf        



 3

 



shows

  





 



af - ter

stu - dy

 

 

stu - dy

 

  3 3 

3      

3

shows

that the

  

shows



that the

3

af - ter

   

that the

3

   

3

Emphatic, Declamatory q = 56

3

Stu - dy

      Piano (for rehearsal only)       2 f       S. 



3

af - ter

Stu - dy

BASS

Aaron Jay Kernis (2014)

3

Stu - dy

f-mf

1

   



stu - dy

shows

              

that the

3

  



 

3

3  

3

prime de - ter - mi - nent

of our long -term

           f

A.

3

3

prime de - ter - mi - nent

 f

B.

f 3               

 

of our long -term

  

 

   3 

ha - pi -ness and health

     



hap - pi -ness and health

    

is the

is the 3  

is the

3     

3

prime de - ter - mi - nent

   3          3     

Pno.

of our long -term

      3  

  prime de - ter - mi3 - nent

T.



hap - pi -ness and health

of our long -term

   3   

hap - pi -ness and health

  3                 

is the

3                 3         

© 2014 by AJK Music. Administered Exclusively by Associated Music Publishers, Inc. (BMI) New York, NY International Copyright Secured. All Rights Reserved. Warning: Unauthorized reproduction of this publication is prohibited by Federal law and subject to criminal prosecution. Texts © by Ali Benazir. Used by permission.


2 4        

S.

 

strengthof our in - ti -mate

re

        

A.

Faster q = 69

ff           -

re

Peo-ple!

-

la - tion- ships.

                  strengthof our in - ti -mate re la - tion- ships. Peo-ple!  f        ff        più                      

B.

strengthof our in - ti -mate, our in ti - mate re

      

Pno.



 

7

   

S.

not some

  

A.

not some

  

     

    lux - u - ry

you at tend

B.

mf

3

   

lux - u - ry

    

you

at -tend

some lux u - ry

 

 

you at -tend

 

ooo

Pno.

       

          p

 

This is

  sub. p

 

Peo-ple!

              

ooo

Faster q = 69

   

 

 

ff sub. mp     3    

p



3

to,

Peo -ple! -af - ter you take

p

ff

to,

care

sub. mp

      3



 

3

Peo -ple! af - ter you take

 

care

sub. mp mf p 3 3                  3     

 

  

p

ff

          This is not    

mf

  

p

T.

- la - tion- ships.

                         

3

This is

Peo-ple!

ff

T.

 

ff                

  

strengthof our in - ti - mate

la - tion- ships.

p

3

 

to,

Peo -ple!

f

sub. mp      

af

-

ter you

ff

Peo -ple! ooo

           3  3 3                         

 

3

 

     3


4

S.

cen - ter

    

A.

cen - ter

      cen - ter

T.



of your

ex

  



piece

of your

ex

 - piece

piece

of your

     

 

Pno.

21

 

S.



          

A Tempo

piece

   give

B.

-

mp

 

  

    

  

So

3

give

it

Earth.

ff



on

   

So



     

ten.      

mp

  

So give

it

3         

the



ff

Earth.

p

Earth.

on

3

p

ff



   

 

Earth.

on

tence

p

a - ten - tion,

     

p

 So

rit.



  the

a -

   a -

 

3

it

the

it

the

A Tempo

 

a - ten - tion,

mp

the

  

3

a - ten - tion,

      3

a - ten - tion,

          

   

  

3

Pno.

   

is - tence

of your ex - is - tence

        give

   

i-

 ff

on

   

                            

 

-

is - tence

broadening

mp T.

ex

 

A.

-

ten. rit.

   

           

the cen - ter -

  

  

   

    

B.

broadening

  

     18

the

      

a - ten - tion,

          3

3

        

a -

  

a -

     


5 poco rit.

   23

S.

mf

ten

 -

mf

 

A.

ten

T.

B.

-

    ten mf     

-

ten

-

      

Pno.

tion

mf

   

tion

 tion

  tion

   

 

it

de -

 it

          

poco rit.

a tempo

 

  p



de - serves.

  p

 

it

de -

 

it

de - serves.



f

serves.

p

 

attacca

    

f

serves.



p

   

a tempo

 

  

attacca

 


2. His and Hers

6

Neal Samudre/Evelyn Lauer

Aaron Jay Kernis

Moderato h = 69

Soprano

  

p

    

Love

 

Alto

p

p

Tenor

 

  

     

     

6

S.

      is,

A.

Love

      is,

T.

B.

       

  

is,

  

Love

Love is,

                     

mf

   

is

      

   

is

 

is not.

                  

   

is not.

p

end.

p

  

an

   p

mf

is not,

 

  

an

mf

          Love is,

       

Love

   

cresc.

is not,

 

Love

     Love is,

    

 

Love

cresc.

is not,

is,

Love is,

 

    

 

        

    

Love

Love

Pno.



 

   

cresc.

Love

Love

Love is,

Moderato h = 69

Piano

Love

Love

 

cresc.

Love

     

 

      Love is,

p

Bass

Love

Love

      Love

 

mf

end.

not

 

 

Love,

is not,

         

p

mp

Love

     

 

© 2014 by AJK Music. Administered Exclusively by Associated Music Publishers, Inc. (BMI) New York, NY International Copyright Secured. All Rights Reserved. Warning: Unauthorized reproduction of this publication is prohibited by Federal law and subject to criminal prosecution. Texts © by Neal Samudre and Evelyne Lauer. Used by permission.


7 10

 

 

 

 

A.

 

 

 

T.

        Love is not

 

              

S.

B.

 

             Love is not

anend.

is not an end

Pno.

 

an end,

Love is

            

      

      

not

It is con - tin-u -ous, en -cour - a - ging and

                             

            

      

 

e=e 14

S.

   

         p

Love

A.

  

is,

p        Love

                  not, cul -ti -va-ting us to be more in this f mf                  mf

T.

B.

cul - ti - va - ting

Pno.

Love is

f

us to be more in this

Love is

   



p



world.

 

mf

 

an

 

p

 

world.

                                               

an

is,

mf

 

e=e

    

   


9 23

 Solo Soprano 



 

f

True

mf-p

  

S.

True,

    



  



 

True,

mf-p

   True

T.

B.

mf-p   True

Pno.

  

 

26

 Solo Soprano  

  



  Not

      

  

    

 

 

 





 

B.

 



 

Not



Pno.

 



Hol - ly -wood

    Hol - ly -wood

     



  

    

 

    

   Hol - ly -

Hol - ly -

wood

 

       

Hol - ly

wood

   love.

love.

          

  

Not

 

Hol - ly - wood love.

wood

     

   

Hol - ly - wood love.

 

wood

mf-p

  

mf-p

 

Not

Not

  

 

Not

love

T.

Not

mf-p



Hol - ly



love.

love.

A.



Not

love.

   mf-p

Not

love.

  

 

Not



  

   

love.

love.

Hol - ly - wood

S.

love.

mf-p

A.



e=e

 

the



 

the

 

the

mf

 

love.

  



mf

 

love.

            

e=e

 

 

 


10 28

  f-mf Solo Soprano     you

love

i

mf-p

love,

    



  

 

 

    teen,

T.

Pno.

   

six - teen

 



you

i

eigh - teen

-



ma - gine

       ortwen -ty

 

three.

     three.

         twen ty one twen -ty

three.

 

at

six





 

 

 

teen

 

f

But

 

love with the per - son

     

      

love with the per son you

f

per son                     But

          

Relaxing - - -

          

mf

the

or



eigh -

f

But

 

six - teen,

 

     

love with the per

- son

 

loveyou i-ma - gine

               

or

twen ty - one twen -ty

A.

at

twen ty - one

S.



 

gine,

   

         

ma

love,

30

Solo Soprano

-

love,

Pno.

- ma - gine

i

mf-p

A.

  

   

S.



            Relaxing - - -

                     


11

- - - - - - - - - - - - - - - - - - - - - - - -

    Solo Soprano     34

you de - cideto

S.

        p

love,

you

love,

 

p

A.

 

You

spend

I

Pno.

    

  

your life

S.

love

is an

 with.

  



T.

end.

B.

hope

   that this

        I

  

    

      



 

ser iously

Slower q = 80

p

thisLove is an end.

  

Love,

      

Love. love is an end.                       hope

    

Love

p

A.

ser -ious ly

With Energy q. = 92

rit.

40

 

              

    

     

 

mp

- - - - - - - - - - - - - - - - - - - - - - - -

     

mf, espr.         

p

    

 

spend the rest of your lifewith.

  

  

Slower q = 80

 

sfp

   Life

sub. p                        mf

Love is not partof a check list to life. Peo-ple com-ment

  

sub. p                                   Love is not partof a check list to life. Peo-ple com-ment

rit.

Pno.

With Energy q. = 92

                   

                               


13 With Energy q. = 92

50

S.

 f   

 

Love

is not part

     f

A.

   

Love

T.

  

is not part

       

   

 

f

f    

  

of

a check -list

to

to

Tenor 1

 

       

 

marriage is,

    

   

mar - riage is,



2

is,

T.

 

      

2   

2

f

A.

a check -list

  

52

S.

of



 

mar - riage is,

 

  

marriage

But

fp



 

life.

But

 

 

is not part

         

mf-p

of

  

a

   

 

     

 

This

is

p 2

 

life.

Love

With Energy q. = 92

  



   

Pno.

fp      

   

  

is.

a

re - al - i - ty

mf-p

 

  

This

is

a

 

re -

 

     

 



check list.

Pno.

  

 

       2

2



  

 

  

 


Much Slower, Poco Adagio, Cantabile q = 42

     57

S.

sf

flip-pingthroughbri-dal mag-a

sf      

A.

p

rit.

          

flip-pingthroughbri-dal mag-a

  

zines.

p



zines.

15

mf, cant.

  

T.

     

Love

is not



Love,

mea - sured

mf, cant.

B.

  

    

 

Love

   



   

 

    

Pno.

   

p

62

T.

  

      3

3

    3

      3

3

If love,

   

- ney.

p If

love

  

risk

love is to

   

risk, then

let

mf

love is to

risk then

 3                             

   

                

3

3

3

mf

3

If love,

Pno.

       

3

3

by yourmo

If love is to

sured

    

                        

of your money.

B.

 

mea -

3

of your money.

by the quan-ti - ty

is not

Much Slower, Poco Adagio, Cantabile q = 42 

rit.

    

Love

by the quan ` -ti - ty

         

is not mea - sured

Love

      

  

let

    

              3


16 65

S.

A.

      

p

q=q

legato

        3

    3



3

Love

is not mea - sured by the quan - ti -ty

p

legato

        3

3



Love

  

3              love bemea- sured by risk

Bar. Solo

  mp

B.

       

mf, cant.

 3        

love bemea - sured

Pno.

 

by

            

 

of your

p

 

 

 

 

3

3

not

by how

 

comfort

a ble

  

p

 

risk.

      3

                3 3

3

div. a 3

is not mea - sured by the quan - ti -ty

mp

T.

of your

q=q

          3

  3

3

 

 3

 


18 72

S.

 

 

  

         

cresc.

ture, Love

cresc.

    

A.

is



ture, Love

B.



 

T.



ven - ture,



 

ven - ture,

S.



an ad -ven - ture,

   

f

      f

    Love f    Love

-

ture

 

-





  

  



is an ad -ven - ture, Love

   

     

an ad -ven-ture

is,

             

      

Love

    

is an ad -ven - ture, Love

is

is an ad - ven - ture,

is,



     

            

Love

ture, Love

an ad -ven-ture

is an ad - ven - ture,

    

  

is

         

Love

ture, Love

     

       

Pno.

                                        

is an ad -ven

B.



   

f

T.

an ad -ven -

  

an ad -ven - ture,

is an ad -ven

A.

love is

   

       74

     

ture,

       

Pno.

an ad -ven -

     



Love

is, Love is ad -ven-ture

      

is, Love is ad -ven-ture

        

ad -ven ture, an ad -ven - ture

         

ad -ven ture, an ad -ven - ture

                          

         


76

S.

  

   Love

 

A.

 Love

T.

B.

              is,

Love

Pno.

an ad -ven

              is,

is

an ad -ven

S.

  

love,

love is ad - ven -

A.

  

love,

T.

B.



-

ture

Love

ture,love is as - ven -ture is an ad

cresc.         

love is ad - ven -ture,

love is ad - ven -ture, is an ad

 

 





                      

 sf

 

   

love, love

sf

held back

         sf

love

love

love

sf

sf

sf

 

     love

      

love

love

f molto                             venture, ad-ven ture is anad-ven-ture ad-ven-ture ad-ven-ture ad - ven f molto                               venture, ad-ven ture is anad-ven-ture

          

Pno.

Love

     

love, love

         

 

  



cresc.

Broadening

    



ture

                 

         

78

-

             

Love

an ad -ven -ture,ad -ven-ture

 

is



cresc.

          an ad -ven -ture,ad -ven-ture         

 

19

cresc.

ad-ven-ture ad-ven-ture

    

  

Broadening

ad - ven

-

        held back

                                  


90

S.

 p  

is.

 

A.

21

A little slower and quieter than at first h = 56

  

 

p

    

Love

is

p

    Love

    is.

     

   

p

T.

B.

  

Love

  

     

 

94

S.

  

 

Love

p

 

Love

Love

tutti

is.

Pno.

      

p

is not

    

     

 

     

poco rit.

an end.

 

A.

   

B.

 

Love

Pno.

is not

      Love

 

 

dolce

 

 

dolce

 

an

 

is not

             

an

 

 



 

end.

 

 

 

is.

end.

is.

Love

     

end.

an

Love

an end.

T.

 



    

  

an

is not

A little slower and quieter than at first h = 56

 

 

is

    is

 

   

end.

is

poco rit.

  

 

 

  

    


22 99

S.

  

Poco meno, h = 48



is

A.

 

T.

   not.

B.

 

Pno.

  

102

S.

 

 

 

Love

 is 

 più p

  

più p

  Love

Love

  

Love

not.

 

più p

più p

  

   

   Love

Poco meno, h = 48

Love

Love

Love



 

  

 

 

    

 p

Love

A.

pp



Love,

 

T.

B.

pp



mp



mp



pp

Pno.

 

 

 

p



Love

pp

Love,

  

p

Love



mp

Love,

pp

pp



p

Love

 

  

     


3. Soul Kiss Moderately Slow q =52-56

Hugh Morris

     

Alto Solo

23

mp

 3                              mm

mm

Moderately Slow

 q =52-56                 

Piano (for rehearsal only)

Aaron Jay Kernis

1 solo - hum into wax paper wrapped comb p, espr. mp

mm

 3                  

 

 

NB: This movement requires the choir to hum through wax-paper wrapped combs. All sections with mm as the text have this technique. The choir will have to use music stands or share music with a partner so that one hand can hold the music and the other the comb. It will tend to be necessary to exaggerate the dynamics of the hummed music. Humming through the comb is canceled when ord. is notated.

    6

S.

       Like

A. Solo

    

a

                        

  

B.

      

Pno.

 

bee

p

a

bee

        p

Like

    

        Like

a

                                       

a

that ord.

 p        Like

T.

bee

 

p

mm

A.

 

p

bee

        

joining the others

  

that

  

that

  that

   that

     

© 2014 by AJK Music. Administered Exclusively by Associated Music Publishers, Inc. (BMI) New York, NY International Copyright Secured. All Rights Reserved. arning: Unauthorized reproduction of this publication is prohibited by Federal law and subject to criminal prosecution. Text in public domain


25

        17

S.

very connected

  

mf port.

mp

sip

 



in the

nec

sip

p

 -

tar



from

be -

port.

        mf

A.

 

mp

sip

        sip,           mf

B.

sip,

  

mp

p

sip



mp port.

sip

          

21

S.

mf

      tween

     

mf

A.

lips

       lips mf

T.



mf B.

  

lips

Pno.

 the

lips

 

of your

love,

  of your

of your

   

in the nec - tar

from between the

      from between the

  

f

       your

    

love

 

love, and it

   





is

nec - tar

f 

And it

is

     



And it

is

      And it

         





     

   

                                   

   

       

love

    

from between the

very connected

of

in the nec - tar

in the nec - tar

     

  

   

  

             

Pno.

  

sip

mf port.

T.

p

f

 



  

nec - tar



nec - tar

f

 

is

nec - tar

 

    



         


26

2 soli - hum into waxpaper wrapped comb

    26

S. solo

p, espr.



mm

  

S.

  

A. Solo

A.

   

T. solo

   

T.

Bar. solo

 

mf

mm

pp

    

  



     pp

  

p



        

mm

mp

  

mf

 

mp dim.

   

 

      

    

 

3

 

 mp

 

        3

mm

pp

      

mf

 

 

3                             

Pno.

mp

mm

  

mm

2 soli - hum into waxpaper wrapped comb p, mp espr.





 

3

pp

p

3

         

  

            

mf

mm

 

mm

      

2 sol1 - hum into waxpaper wrapped comb p, mp espr.

mm

B.

mf

mm

  

3

 

             

mp

     

mm

 

2 soli - hum into waxpaper wrapped comb mp p, espr. 3

mp

mf

   

            



p

3

mp

mm

  

mp

           3

3

3                            3

3


28 f

       34

S. solo



off comb, join others

p

f

 a

    

S.

f

 For

f

     

A. Solo

    

A.

T. solo

T.

Bar. solo

B.

  

    

  

   

p

For,

for



f

 a

     

     

Pno.

f-mf

f

f



there,



        mm

 



f-mf

off comb, join others



f

there

p

f



in

this

 in

 this





 

min - gling

 

a



 

min - gling

a

off comb, join others

f

 a

 For



f-mf



a

p

f-mf

For,

for

  

there,

  

 

join others f

 

f

there



in

this

  in

 this





 



 

 

 

min - gling

  

a

 

  

min - gling

 

   

 

   

a

 

  


30

43

S.

Broadly, with a rich sound

  p    



  

p

the

 

 

      



p

B.

  

the

 p       bonds,

the

Pno.

    

   f    45

S.

  



in

-

      f

A.

in

       in

-

f

T.

B.

-

f       

dis

-

-







dis

-

dis

-

Pno.

   

 

  

 sol

sol

 

sol

sol

   



of

an

  of

an





of

an

 

 

of

an

        

      

     

  



molto - - - - - - - -



-

-

-

-

 -

-

ua

-

ua

-

-

ua

  

-

 

     

p

   

ble

 

p

 

ble

 

molto - - - - - - - -



 

ble

 

ble



 -

-

ua

 

 

 



rall. - - - - - - - -

              

  

 -

dis

 

in



bonds

  

rall. - - - - - - - -



broadening

        

  

Broadly, with a rich sound

      



bonds



bonds,



  

the





bonds





bonds

   

bonds,

T.

  





bonds,

A.

broadening

 

   

 


accel. poco a poco - - - - - - - - - - - - - - - -31p, stagger breathing

       46

S.

a tempo



love. p with comb

A.

     

 

mp

p

mm

 p      love.



mp

3

mm

                   a tempo

  

mf

p

     

3

m

mf

     

with comb

p

mm

p

mm

     mm

accel. poco a poco - - - - - - - - - - - - - - - - -

3                                   

   

Pno.

p

mm

 

mp

p with comb

B.

mp

mp

3                           3

mm

T.

  

3

                      3

      

3

- - - - - - - - - - accel. - - - - - - - - - - - - - - - - - - - accel. molto - - - - - - -

S.

p with comb

     50



p



   

p

mf

             mm

T.

B.

p

  

mf

mp

mf

mp

                  mm mm              mm

p

mm

     mm

mp

     

mm

mm

A.

mf

mp



  

  

mm

mp

   mm

  f

mf

f

           mm

            f

mf

mm

- - - - - - - - - - accel. - - - - - - - - - - - - - - - - - - - accel. molto - - - - - - -

             

Pno.

       

                                 


33

Sustained, Floating h = 46

62

S.

pp, dolciss.

      

  

 

ah

        

ah

  

   

T.

  







 



pp, dolciss., stagger breathing

B.

       

    

ah

with comb, gentle hairpins, breathe as needed

       

ppp

   

    

  

ah

pp, dolciss., stagger breathing

       ah

  

ah

pp, dolciss.

A.



 

 

 

 

    

 

 



 

 

 

 

 

 

 

 



    



 

mm 4 Soli SATB

with comb, gentle hairpins, breathe as needed

ppp

    

 

 

mm

Sustained, Floating h = 46

        

Pno.

        

     

             

  

     

    

             

 


Sostenuo, q = 46

35

rall. molto - - - - -

slow gliss.

     72

S.

ppp

slow gliss. *

 

   gliss.   

ppp

  

 

ah

     

ppp

A.

    ah

ah

slow gliss. *

   

       ah

ppp

T.

6      gliss.    6

 

ah

                    mm

ppp

  

  

 

ah

into comb

B.

ppp

   

mm

ppp

    

ah

   

ord.

ord.      

   

ah 4 Soli SATB

ah

  

comb off comb off

                     

ah

into comb mm

Sostenuo, q = 46

Pno.

ppp

   

                   

ppp

   

  

comb off

mm

ah

rall. molto - - - - -

                 

           

        


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