O'Regan A LETTER OF RIGHTS

Tarik O’Regan A LETTER OF RIGHTS (2015) Cantata for SATB chorus, strings and percussion Text by Alice Goodman

Full Score

NOVELLO

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A Letter of Rights was commissioned by Salisbury Cathedral to mark the 800 anniversary of Magna Carta.

First performance 13 June 2015 at Salisbury Cathedral by Salisbury Cathedral Choir and La Folia (leader Daphne Moody), conducted by David Halls, Director of Music at Salisbury Cathedral.

Duration c. 35 minutes

Instrumentation Percussion (1 player): Tubular Bells (positioned offstage, as far from the orchestra and chorus as is practicably possible. Pitches required: D4, F4.) Crotales (two octaves) Large Orchestral Bass Drum SATB Chorus, from which are drawn Soloists in all voice parts and a Semichorus, which should be formed of approximately a quarter of the singers in the Chorus, with a minimum of two singers per part; the minimum number of singers in the Chorus is 16. Strings: There should be an equal number of players for Violin I, Violin II, Viola and Cello; 2.2.2.2.1 is the minimum number of players required (examples of larger forces might be 4.4.4.4.2 or 10.10.10.10.4); a low-C extension for the Double Basses is required by at least one player.

Note from the composer and author: The cantata explores the text of clauses 39 and 40 (a right to due legal process) in the Great Charter of 1215: Magna Carta. The musical structure is formed of eight sections separated by short instrumental interludes, and is framed by a prelude and postlude. It is palindromic, with ‘The wording’ (Section 5) at its axis. But something comes before the text, before the pen curves through the air to form the first capital. That is the ground on which the letter is set: the parchment. Since the making of parchment requires the shedding of blood, this is where we begin. Tarik O'Regan & Alice Goodman 27 February 2015

Vocal score NOV165308 Parts available on hire from the publisher.

Text (Alice Goodman) 1. Parchment, not vellum Sheep, not calves. Oak gall, oak apple, ink. Texts are acts.

2. This is the initial sacrifice. Blood spilt, more death. Sheep are the wealth of England. Wool, meat, and skin, and bones: all gets used. Stay with the skin. Everything begins with a sacrifice, the bloodshed behind the ink. Behind the Charter of Liberties.

3. At the parchmenters hides become skins, soaked in lime to expose the follicles, scraped with a scudder to remove the hair; washed and treated again, then stretched out on wooden frames. Skill at every level, but here a slight slip and the whole skin’s ruined. Tension in the skin adjusted continually while a razor sharp lunar knife scrapes. An even thickness: perfectly smooth, the grain all in the same direction. Skins dry, stretched on their frames. Stay with the skin A single sheet of parchment, about fifteen by twenty inches.

Nullus liber homo capiatur, vel imprisonetur, aut disseisiatur, aut utlagetur, aut exuletur, aut aliquo modo destruatur, nec super eum ibimus, nec super eum mittemus, nisi per legale judicium parium suorum vel per legem terre. Nulli vendemus, nulli negabimus, aut differemus rectum aut justiciam.

4. The king himself seemed alone to be mighty in the land and he neither feared God nor regarded men. For the word of the king is powerful, and who can say to him, 'What are you doing?' The land kept silence. At the parchmenters hides become skins, soaked in lime to expose the follicles, scraped with a scudder to remove the hair; washed and treated again, then stretched out on wooden frames. Here we are, slaves to this day, slaves in the land that you gave to our ancestors. Its yield goes to the kings which you have set over us because of our sins; they have powers also over our bodies at their pleasure, and we are in great distress. An Eden of ancient liberties Law before the law. Uninvaded, secure, mythical good realm to be discounted, recalled, and appealed to. Remembered grievances. A charter of liberties blocking the king’s loopholes. Skill at every level, but here a slight slip and the whole skin’s ruined.

5. The wording. Several more days to work out the precise wording and the proper legal terms. ‘Baron’ changed to ‘freeman’. Liber homo. A standing condemnation of the rule of arbitrary will. Custom and law may be revised. Government shall not be conducted to the damage of the governed. As the gold-finer will not out of the dust, threds or shreds of gold, let pass the least crum, so ought not the learned reader to let pass any syllable of this law. The governed are neither slaves nor victims. They are neither the merchandise nor the raw product of that which governs them. Put not your trust in princes. Tension in the skin adjusted continually while a razor sharp lunar knife scrapes. An even thickness: perfectly smooth, the grain all in the same direction. Skins dry, stretched on their frames.

6. ‘Do you understand each of these rights?’ For it seemeth to me unreasonable to send a prisoner, and not withal to signify the crimes laid against him. So the law becomes slack and justice never prevails. The wicked surround the righteous ‘You have a right to remain silent.’ Substance and invocation. Text, action. The law and the idea of the law. The thing said and the utterance, and with the utterance, the echo. Stay with the skin.

7. Sciatis nos intuitu Dei… The kiss of peace at the signing. Pursed lips. Tight-lipped. Close-mouthed. Noblesse oblige. A single sheet of parchment, about fifteen by twenty inches. This is the initial sacrifice. Blood spilt, more death. Sheep are the wealth of England. Wool, meat, and skin, and bones: all gets used. Stay with the skin.

Nullus liber homo capiatur, vel imprisonetur, aut disseisiatur, aut utlagetur, aut exuletur, aut aliquo modo destruatur, nec super eum ibimus, nec super eum mittemus, nisi per legale judicium parium suorum vel per legem terre. Nulli vendemus, nulli negabimus, aut differemus rectum aut justiciam.

8. Parchment, not vellum Sheep, not calves. Oak gall, oak apple, ink. Texts are acts.

Reproduced by kind permission of Alice Goodman. When reproducing the text for any source accompanying a performance or recording, please adhere strictly to the formatting and layout found here.

Translations Nullus liber homo capiatur, vel imprisonetur, aut disseisiatur, aut utlagetur, aut exuletur, aut aliquo modo destruatur, nec super eum ibimus, nec super eum mittemus, nisi per legale judicium parium suorum vel per legem terre. Nulli vendemus, nulli negabimus, aut differemus rectum aut justiciam.

‘No Freeman shall be taken or imprisoned, or be disseised of his Freehold, or Liberties, or free Customs, or be outlawed, or exiled, or any other wise destroyed; nor will We not pass upon him, nor condemn him, but by lawful judgment of his Peers, or by the Law of the Land. We will sell to no man, we will not deny or defer to any man either Justice or Right.’

Magna Carta (1215): clauses 39 and 40

Magna Carta (1297), statute of UK legislation: clause 29

Sciatis nos intuitu Dei…

‘Know Ye, that We, unto the honour of Almighty God…’

Magna Carta (1215): introduction

Magna Carta (1297), statute of UK legislation: introduction

Commissioned by Salisbury Cathedral

A LETTER OF RIGHTS ALICE GOODMAN

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M M M M

M M M M

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M M

M M M M M M M M M M M M M M M M M M M M M M 55555555555555555555555 1 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 G Vln. I

G 5M 5M 5M 5M 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M

M M M M M M M M M M M M M M M M M M M M M M M M

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Vln. II

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14

j k 55 G 5:

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Vln. II

M M M M G 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5

M M M M M M M M M M M M M M M M M M M M M M M M

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M M M M

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188

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mp G E5 5M 5M 5M 5M 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5

M M M M M M M M M M M M M M M M M M M M M M M M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M mp senza sord.

5M 5M 5M 5M

5M 5M

5M 5M 5M 5M

5M 5M 5M 5M

5M 5M 5M 5M

5M 5M 5M 5M

M M M M

M M M M

5M 5M 5M 5M 5M 5M 5M 5M 5 5 5 5 5M 5M 5M 5M M5 5M 5M 5M 5M 5M 5M 5M M5 5M 5M 5M 5M 5M 5M 5M M5 5M 5M 5M 5M 5M 5M 5M

= 5 5 5 5 5M 5M 5M 5M mf

Vla. div.

M M M M

M M M M

M M 5M 5M 5M 5M 5 5 5 5 5M 5M 5M 5M 5 5 5 5 5 5 5M 5M 5 5 5 5 5M 5M 5 5 5 5 5 5 5M 5M 5M 5M 5 5 5 5 5M 5M 5M 5M 5 5 5 5 5M 5M 5M 5M 5 5 5 5 5M 5M 5M 5M 5 5 5 5 5 5 5M 5M 5 5 M M M M M M

M M M M

M M M M M M

M M M M

M M M M

M M M M M M

senza sord.

=

mf

Cb.

2 ?

non vib.

'

mp

':

':

21

267

Crot.

j 5k 5 G 5:

5

5k

5

B

5k

5 5:

5

5

B

5k

M M M M M M M M M M M M M M M M M M M M M M M M 1 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M G Vln. I

5M M M M M M M M M M M M 5M M M M M M M M M M M M 55555555555 55555555555 5 div. 55555555555555555555555 G

M M M M M M M M M M M M M M M M M M M M M M M M G 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5

M M M M M M M M M M M M M M M M M M M M Vln. II div. G 5 5 5 5 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M M M M M

55555555555555555555

M M M M M M M M M M M M M M M M M M M M

5M 5M 5M 5M

M M M M

5M 5M 5M 5M

M M 5M 5M 5M 5M 5M 5M

5M 5M 5M 5M 5M 5M 5M 5M 5 5 5 5 5M 5M 5M 5M 5M 5M 5M 5M 5 5 M5 5M 5M 5M 5M 5M 5M 5M M5 5M 5M 5M

Vla. div.

5 5:

5

5k

5

B

5M M M M M M M M M M M M 5M M M M M M M M M M M M 55555555555 55555555555

5M M M M M M M M M M M M 5M M M M M M M M M M M M 55555555555 55555555555 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M

5M 5M 5M 5M

5M 5M 5M 5M 5M 5M 5M 5M

M5 5M 5M 5M 5M 5M 5M 5M M5 5M 5M 5M

M M M M

M M M M

M M M M

5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M M 5M 5 5 5 5 5M 5M 5 5 M 5M 5 5 5 5 5M 5M 5 5 M 5M 5 5

5 5 5M 5M 5M 5M 5 5 5 5 5 5 5 5 5 M M 5M 5M 5M 5M

M M 5M 5M 5M 5M

5555 5555 5555 5555

M M M M M M

M M M M M M

M M M M M M

M M M M

con sord. non vib.

':

':

':

':

':

':

2 ':

':

':

mp

Vc. div.

con sord. non vib. mp

Cb.

j k G 5 5

270

Crot.

1 G Vln. I div.

Vln. II div.

Vla. div.

Vc. div.

Cb.

G

5:

5

5

B

5k

5 5:

5

5k

5

B

5k

5

5:

5

5

B

5M M M M M M M M M M M M M M M M M M M M M M M M 55555555555555555555555

5M M M M M M M M M M M M M M M M M M M M M M M M M 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M

5M M M M M M M M M M M M M M M M M M M M M M M M 55555555555555555555555

5M M M M M M M M M M M M M M M M M M M M M M M M M

5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M

G 5M 5M 5M 5M 55555555555555555555

M M M M M M M M M M M M M M M M M M M M G 5 5 5 5 M M M M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M

M 5M M M M M

5

M M M M

M M M M 5M 5M 5 5 5 5 5 5 5 5 5 5 5 5

5M 5M 5M 5M 5M 5M 5M 5M

55555555555555555555 5555 5M 5M 5M 5M M M M M M M M M M M M M M M M M M M M M M M M M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 55555555555555555555 5555 5M 5M 5M 5M M M M M M M M M M M M M M M M M M M M M M M M M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M

5M 5M 5M 5M

5M 5M 5M 5M 5M 5M 5M 5M 5M 5M

M M M M 5M 5M 5M 5M 5M 5M 5M 5M

M M M M 5M 5M

5 5 5 5 5 5 5 5 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M

M M M M

M 5M 5 5

5 5 5M 5M 5M 5M 5 5 5 5 5 5 5 5555 5555

M M M M M M M M M M M M M M

M M M M

M M 5M 5M 5M 5M 5 5 5M 5M 5M 5M 5M 5M 5M 5M M 5M 5 5 5 5 5M 5M 5 5 M 5M 5 5 5 5 5 5 5 5 M M 5M 5M 5M 5M

M M 5M 5M 5M 5M

5555 5555

M M M M M M

M M M M M M

':

':

non div.*

non div.*

' ' ::

' : ':

: ' ':

: ' ':

2 ':

':

':

* If there is more than one player, non divisi passages can be performed divisi.

22

Section 4 273

1 G

solo

274 q = 52 !!!!! ?

0

mp

The

S.

? 2G

chorus

p

B

?

pp

' !!!!!

Crot.

5:

5k

5

5

5

5 B

5

=

4

B

!!!!!

to Large Bass Drum

0

0

5M M M M M M M M M M M M 5M M M M M M M M M M M M ! ! G 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 ! ! ! ?

non vib.

5

4

mf

non vib.

Vla. div.

5M 5M 5M

5M M5 5M

5M 5M

5M 5M

0

0

0

0

0

0

3

5

5M 5M 5M 5M 5M 5M 5M 5M 5M 5M

mf 5M M M M M 5M 5 5 5 5 5M 5M 5M 5M

5

B:

5 B

B

5

B:

5 =3 5

5

B

!5 5 =3

3 = = 5 5

B

5 = = 5

3

5

3

5

M

5M

1st solo

ppp sempre non vib.

!!!!!

0

0

con sord.

4

2nd solo

ppp sempre

3

0

0

0

0

0

5M 5M 5M 5M

M M

5M 5M !

5 5 5M 5M 5M 5M 5 5 5M 5M 5M 5M 5M 5M 5 5 5M 5M ! !!! M M M M

0

0

0

0

0

55 !!!!!

M

0

0

0

0

0

55 !!!!!

M mf !! 5M 5M ! ! !

0

0

0

0

0

0

0

0

0

0

' '

55

M

55 ::

mf

Vc.

' '

55 ::

2 '

5:

!5 5

B

!!!!!

Cb.

= 5

mf

5M 5M 5M 5M 5M 5M 5M

5M 5M 5M 5M 5M M M 55

land

ppp sempre

! ! con sord.4 G 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M ! ! ! ?

5M 5M

in the

5 5 5 5 5

mp 3

others con sord.

G

might - y

king

mf

Vln. II div.

to be

4

solo

sord. 1 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M !! ! senza ? 4 5 5 5 B : ! ! G Vln. I div.

5 5 5 5 5 5 B

king him - self seemed a - lone

The

j 5k 5 G

5 5

= 5 5

4

55

M

mf

279 (solo)

1 !5 5 G 5 5 5 and he

S.

0

B

0

0

0

0

4

!5 5 5 5

(solo)

B

(others)

Vln. I

G

B

(1st solo)

G Vln. II

B

(2nd solo)

G B

Vc.

0

B

B

B

B

B

B

B

B (con sord.)

0

Cb.

2

0

con sord.

0

0

B

0

4

5

(non vib.)

4

ÂŻ 5

ppp

B

?

4

mf

= 5 5 5 : 0

MM 5 : 5 5 5B BB p "

sul pont.

MM BB

mp

poco

0

B

0

0

B :

B

0

0

B:

B

B

° B

° B

5 5 5 5 of the king

0

is

5

4

0

0

0

MM 5 : 5 5 5B BB p " poco

5 5 5

?

pow - er - ful,

0

men.

0

unis. (non vib.)

ppp

4

For the word

p

...nor re - gard - ed

1 G !B

nei - ther feared God...

(chorus)

2G

5

B

° B

ord.

MM 55

BB

0

4

55 pp

B

B

5

4

?

B

B

B

5

4

?

B

B

B

5

4

?

0

?

0

0

0

0

0

?

0

0

0

0

0

23

290

1 (solo) G 4 4 5

B 5 5 5 555

and

S.

2G

0

(solo) sul pont.

1 G

G

0

MM BB

0

0

B

B:

are

B

0

(2nd solo) G B:

B:

B

0

B :

0

0

0

0

0

0

-

5 5 you do

con sord.

mp

5 B

5

ing,

what mp

-

are

you do

ing,

what

are

you do

55 5 5 : 55 5 5: 55 5 55 5 B :

5 5

mf

5

0

senza sord.

B:

B:

B:

B:

B:

B:

5

0

0

con sord.

5 5 5

Vc.

0

0

0

0

0

B:

0

(solo 1) p

298

1 5 G

what (solo 2) p

S.

5

T.

B.

2

0

0

0

2nd solo

G 5 =

Vln. II

B:

55 5 : 55

0

pp subito

Vla.

5 do

B -

div.

0

5 do

B -

0

B:

55 5 5: 55 5 = 54 B:

B: 0

0

0

0

0

4 4

4

5

4

land

The

land

B:

B: B:

kept

BB

si - lence.

55 55 55 55 kept

0

"

N

4

M BM

M 5M

pp

Cb.

2

B :

(non vib.)

B :

0

B: 0

B: 0

B:

5 5 At

"

B:

(non vib.)

B:

pp

B:

B: B:

?

5 5 5

parch - ment - ers

5 5

5

At the parch - ment - ers pp

4

5 5 At pp

the

5 5 5 5

4

5 55

55 55 55 5 5 55 55 55

5 5 At

'MM

the

55

parch - ment - ers

5 = 4 "

0

0

0

0

0

0

0

0

0

0

0

0

0

0

0

0

0

0

0

0

0

0

B B p

B

p

5 5

" " " "

5 hides,

?

5 hides,

55 55 55

0

5

hides be -

At the parch - ment - ers pp

4

5 5 hides be -

parch - ment - ers

0

B

hides be -

5 5 5

0

5

5 5 “

pp

4

0

" B:

?

the

5

p

B:

0

p

Vc.

pp

0

" "

?

BB

si - lence.

Large Bass Drum very soft mallets

0

B:

B:

The p

5

B:

B:

55 55 55 55

?

4

p

B:

B:

B:

55 5 5 55 55

2nd solo

pp

chorus

0

B:

B:

55 5 : 55

55 5 =

B:

303 q = 72 ? 4

0

ing?’

0

55

55 5 5:

pp

B:

0

ing?’

0

55 5 5 :

ing,

pp

ppp

B:

0

0

pp

55 5 5 55

G B:

5 you

G i

G

5

0

0

1 1st solo G B Vln. I

5 you

are

N

B. D.

5

5 5 5:

G

A.

0

are

G 5 5 5 : what

0

-

B

B:

(non vib.)

Cb. 2

ing,

non vib.

pp

B

5

=

B:

ppp

-

pp

0

5 5

5

55 5 5 :

p

non vib.

4

5 5 5

5

5 5 5 : 5 5 5: 5 5 5

5 B

0

5 B

0

you do

are

0

G B :

0

5

mp

5 5

5 5 5 : 5 5 5: 5

B :

5

‘What f

f

(others)

Vla. div.

0

solo 2

him,

f

5

0 55 5 5 : 55 5 5 5 5: 5 = 5 "

MM 55 BB ::

(1st solo)

Vln. II

to

0

(solo 1)

‘What

ord.

mp

Vln. I div.

who can say

Â’

24

305

1 G

0

0

0

2+3

mp

solo

5 5 5 5 B

5

?

0

washed and

S.

(chorus)

G 5 5 B - come

G

A.

B 5 5 5 5

to ex - pose the

fol - li - cles,

scraped with

B

B

-

re

0

0

a scud - der to re - move

-

B

B

B

move

the

0

5

'

the

hair;

5

'

the

hair;

5 B

move

B

lime,

5 5 5

'

re

5 B

to re - move

5 5

5:

5

B

lime,

5 5

scraped with a scud - der

5 5 5 B

5 '

5 5 5 5 5

5

fol - li - cles,

5 '

soaked in

1 Vln. I G

5 5 5 B

to ex - pose the

soaked in

2 B:

5 5 5 5

5 5 5 5 5

skins,

G B: i

T.

5

skins,

- come

B.

0

B

'

the

hair;

'

'

hair;

0

0

B

a - gain,

5 5 5 5 5

then stretched

out on

0

0

0

0

0

0

0

0

5

5

solo

?

treat - ed

5

B

5

5

5 5 B

p

Vla.

0

0

0

senza sord. unis.

0

(non vib.)

0

'0

ppp

Vc.

2

0

0

0

senza sord. unis.

0

B ::

B

B ::

B

: B:

B

: B:

pp

(non vib.)

0

B

0 '

pp

ppp

(solo)

wood - en

S.

G

(chorus)

B:

!B

313 B: 1 G 5 !5

!!

A.

2

0

0

0

2+3

p

?

0

!! 5 5 B

4 4 5

0

we

are,

!!

0

5

5 5 B

B:

slaves

to this day,

slaves

0

5 5 5

5 5

5 5

5 5 5 B

in the land that you gave to our

0

0

an - ces - tors.

?

0

0

5 5

5 5 5 5

Its

p

4 B

yield goes to the

B

1 ! 5 5 !B : G

B

B:

Vla.

B

: B:

B

: B:

Vc.

2 B

B ::

B

B ::

kings

5 5

5

Its

(solo)

Vln. I

0

frames.

Here

G

0

yield goes

!!

0

0

0

0

0

0

!!

0

0

0

0

0

0

!!

0

0

0

0

0

0

pp

321

1 B S. G

5

5

which

G 5 5 B

A.

5

you have sent

B

T.

B.

2

0

0

o

pp

?

B

0

'

5

ver

'

'

5

'

us,

4

B

p

5 5 5 5 5 5 5 5 5:

be - cause of

0

our

sins; they have pow - ers

?

4

5 5 !5

al - so

at their

o - ver our bod - ies

p

5 5 B: pow- ers

pp

5 5 E5 5 5 E5 B

o

5 -

ver

B

4

pp

EB our

bod - ies

at their

B

plea - sure,

5

ppp

5

and

4

plea - sure,

!5 5 5 5 5

ppp

and

plea - sure,

5 5

B

plea - sure,

pp

5 B: -

3+2

5 B: their

us

'

o - ver us,

5

to the kings,

G i

pp

5 5 5 5 B:

ppp

5

and

4

ppp

5

and

25

331

q = 60 328

1 S. G B

5

5

B:

we

are

in

great

A.

5

5

B:

we

are

in

great

G B i we

T.

B.

G B

2

5

B:

are

in

great

'

dis - tress.

5

An

4

'

dis - tress.

5

4

'

dis - tress.

E - den of

f subito

B

5

5

B:

we

are

in

great

0

E5

4

E'

dis - tress.

0

E - den of

an- cient lib -er - ties

5 5 5

55 55 55 55 55 BB

E - den of

an- cient lib -er - ties

f subito

0

0

5 5 555 B

5 :

0

5: Law

0

5 : Law

5

5 5 5

5 5 555 B

An

E - den of

an- cient lib -er - ties

0

?

0

5 : Law

M BM mf

5 5 5 5

5 5 5 5 5 5 5

be - fore the law.

5 5 5 5

Un - in - vad - ed, se - cure, myth - i - cal

5 5 5 5 5 5 5

be - fore the law.

5 5 5 55

55 55 55 55 55 55 55 55 55 55 Un - in - vad - ed, se - cure, myth - i - cal

5 5 5 5 5 5 5

be - fore the law.

BMM

5 = 4

?

B

I5 = 4

4

5 55

Un - in - vad - ed, se - cure, myth - i - cal

M 'M

f

5 55

Un - in - vad - ed, se - cure, myth - i - cal

be - fore the law.

5 5 5 5

5 5 5

mf

q = 72

vib. ord.

0

0

Law

An

5

an- cient lib -er - ties

5 5 5

0

q = 60

55 55 55 55 55 BB

5

An

331 1 G

5 5 5

f subito

5

f subito

N

B. D.

5

5

4

q = 72

'

'

f

ff

5

'

'

'

f

tutti div. senza sord.

Vln. I div

G

vib. ord.

0

0

0

'

B

'

f

G

0

0

0

I5 = 4

4

5 = 4 I

4

ff

vib. ord.

B

'

'

f

ff

f

5

5 f

tutti div. senza sord.

Vln. II div

G

0

0

0

vib. ord.

B

'

'

0

0

0

4

ff

f

= 4 I5

vib. ord.

B

'

'

'

5

'

f

= 4 I5

4

= 4 I5

?

= 4 I5

?

ff

f

5

f

Vla. div

0

0

0

vib. ord.

'

'

B

ff

f

Vc.

0

0

0

0

?

vib. ord.

B

B

f

Cb.

2

0

0

0

0

vib. ord.

senza sord.

?

B

f

f

ff

B

= 4 I5 ff

'

'

f

?

Âą '

f

26

336

3+2

1 S. G 5 5

5= 4

ff

good realm

G 5 5

A.

5= 4

B.

2

5= 4

good realm

B. D.

MM N B

= 5 5 5 5

Vln. I div.

= 5 5 5 5

G B:

5 5

=

ff

5 5 5 5

5 5

5

0

0

0

4

5 B

0

0

?

0

5 B

4

5 B

4

0

0

and ap - pealed to.

5 5

0

0

?

0

and ap - pealed to.

Vln. II div.

G

= 4 5I ff = 4 5I ff 5I = 4

B:

B : Vla. div.

Vc.

= 4 5I

B:

ff

B:

A.

G

chart

5 chart

T.

-

-

G B: i

B. 2 B: con sord. non vib.

1 G ' Vln. I div.

G

0

0

0

0

0

0

0

0

0

Vc.

0

0

55 B

?

?

non vib.

0

ppp

0

0

0

0

0

0

0

0

0

0

BB

BB ::

BB

BB ::

BB

BB ::

BB

BB ::

55 = 4

?

?

BB

BB ::

BB

BB ::

BB

BB ::

BB

BB ::

55 = 4

?

?

0

non div. non vib.

con sord.

' '

pp

ppp

0

non div. non vib.

con sord.

' '

pp

ppp

0

?

4

solo

5 B 5 5 5 5 5 B

5 !5 5 !B :

mp

0

0

0

B

pp

= 4 5

B:

non vib.

con sord.

° B

0

0

0

tutti con sord.

4

non vib.

5 B

5 5 5

5 B:

5

of

-

er - ties

block

5 5 5

5 B:

5

of

er - ties

block

5

5 5 B:

of

lib - er - ties

5

5 5 B:

of

lib - er - ties

lib

lib

-

5

5

B

5

5

-

5 5 5

ing

B

the king’s

5 5 5 -

B:

0

0

0

0

0

0

0

loop - holes.

5

B:

ing the king’s loop - holes.

'

5

block - ing,

B:

0

4