170909
EDITION WILHELM HANSEN WH30863
Poul Ruders
KAFKAPRICCIO for large ensemble Five Paraphrases on the opera KAFKA’S TRIAL
Full Score
Written for and dedicated to Athelas Sinfonietta Copenhagen With support from the Danish Arts Foundation
Poul Ruders
KAFKAPRICCIO 2007-2008
Five Paraphrases on the opera KAFKA’S TRIAL
for large ensemble (sinfonietta)
Full Score
Duration: c. 19 min.
Ensemble 1 Flute dbl. Alto Flute in G and Piccolo 1 Oboe dbl. English Horn in F 1 Clarinet in B db. Bass Clarinet in B 1 Bassoon 1 Horn in F 1 Trumpet in B 1 Trombone 1 Percussion (one player): Tambourine (Tbrin.), Police Whistle (Pol. Whist.), Bass Drum (B. Dr.) Castanets (machine) (Cast.), Tubular Bells (Tub. B.), Tamtam (Tamt.), Glockenspiel (Glsp.), Triangle (Trgl.), Guiro (Gui.), Mark Tree (Mark T.), Xylophone (Xyl.), Spoons (if classic "thigh-beating" is not possible, then play two soup spoons on an anvil or piece of rail), Crotales (Crot.), Snare Drum (Sn. Dr.), Hi-hat, Kick Drum (Kick Dr.), Siren (hand-cranked, mounted), Ratchet, Lion’s Roar 1 Piano 1 Violin I 1 Violin II 1 Viola 1 Violoncello 1 Double Bass (with extension) (or multiple strings: 4-4-4-2-2)
All transposing instruments are notated in their relevant transpositions. All accidentals apply to each single note only, except for tied notes. Naturals are for "safety".
For further information about the composer, visit the website of Edition Wilhelm Hansen:
www.ewh.dk where you will find: list of works programme notes recording information relevant electronic updates performance calendar links news and much more ...
Poul Ruders KAFKAPRICCIO Five Paraphrases on the opera KAFKA’S TRIAL for large ensemble
2007-2008
Preface / Programme Note KAFKAPRICCIO, which was commissioned by ATHELAS SINFONIETTA COPENHAGEN, is a distillation for fourteen instruments from the massive forces of my opera KAFKA´S TRIAL, premiered by The Royal Danish Opera at the newly inaugurated Opera House on the Copenhagen waterfront in February 2005. The five movements paraphrase the tunes, harmony, rhythm and see-sawing mood swings of the original music, and needless to say, when you whittle the complex activity of 90-odd musicians plus 11 soloists and chorus down to only a handful of solo players, the end result comes out significantly different and far more transparent than the broadly speckled canvas of the operatic score. In the libretto by British Paul Bentley, two plots run parallel throughout the opera: Franz Kafka´s private struggle – in particular with one woman, Felice Baur, whom he cannot make up his mind to marry (or not marry), and the fictitious story of the hapless Josef K, the victimized (and rather obnoxious) protagonist of Kafka´s famous, unfinished novel The Trial. It was obvious to me, when deciding what to do with a miniaturized version of the opera, that I had to focus on the actual personae dramatis in this “double story”. Franz Kafka was hugely interested in klezmer, the folkloristic music of the Jewish communities in Eastern Europe around the beginning of the 20th century. So, the first movement, KAFKA, is a breathtakingly fast, klezmer-inspired opening, depicting the tortured soul of that most mythologized of authors. In the second movement, FELICE, I dim the light, so to speak, composing a tranquil music mirroring the thoughts and sorrows of a woman being held hostage, emotionally, by a man who cannot make up his mind. In the third movement, LENI, we are all of a sudden thrown head first into the middle of the the novel proper. The main character, Josef K, has been arrested and accused of a crime that he, and nobody else, seems to know what is. Accompanied by his Uncle Albert, Josef seeks out a dodgy (and mortally ill) lawyer, Dr. Huld, for legal assistance. Dr. Huld employs an uncommonly horny and sluttish female factotum, Leni, who succeeds in seducing Josef. The music should leave nobody in doubt as to the success of her endeavour… Josef K. works as a clerk in a bank. After being arrested, he is allowed to go to work and carry on as usual, but the dreary daily routine at the bank has changed. The term surreal does not even begin to describe it. In a broom closet Josef finds the two warders who arrested him, they are being flogged by a mysterious official, the flogger, because they helped themselves to Josef´s breakfast during the arrest. The fourth movement, JOSEF, juggles the music from these relevant scenes in the opera. Those who have read The Trial will remember that in the last chapter, Josef K. is being executed in a stone quarry by two sinister characters wearing bowler hats. Even at this stage of the story, Josef does not know why all this happens, but nevertheless he is finally convinced that he actually deserves to die. Which he does – depicted in the music of the fifth and last movement. THE EXECUTION. Poul Ruders
Poul Ruders KAFKAPRICCIO Fem parafraser over operaen PROCES KAFKA for kammerorkester 2007-2008
Forord / Programnote KAFKAPRICCIO blev bestilt af ensemble ATHELAS SINFONIETTA COPENHAGEN. Værket er en destillation for 14 instrumenter af det store orkesterpartitur som udgør min opera PROCES KAFKA, der blev uropført i februar 2005 på Operaen, Holmen, indviet kort forinden. De i alt fem satser parafraserer melodier, harmonier, rytmer og – ikke mindst – rutschebane-humørudsvingene i den oprindelige opera-musik. Det er indlysende at når man komprimerer et 90 mand stort orkester samt 11 solister og et 4-stemmigt kor ned til et par håndfulde instrumentalister – så bliver resultatet helt anderledes – en meget mere gennemsigtig musik end i den brogede, vrimlende og højrøstede opera. Librettoen til operaen blev forfattet af engelske Paul Bentley, som lader to spor løbe side om side igennem operaen: det ene forløb skildrer forfatteren Franz Kafkas private kvababbelser, især hans affære med kvinden Felice Baur, som han ikke kan tage sig sammen til at gifte sig med – eller helt beslutte sig til ikke at gifte sig med. Det andet spor i operaen er den fiktive historie om den ulyksalige Josef K, den hårdt prøvede (og temmelig usympatiske) helt i Kafkas ufuldendte roman Processen. Det stod mig hurtigt klart da jeg skulle komponere KAFKAPRICCIO at mit fokus måtte blive personae dramatis, personerne i denne dobbelte historie fra operaen. Forfatteren Franz Kafka var vældig interesseret i klezmer-musik, en folkemusik som oplevede en opblomstring i de de jødiske miljøer i Østeuropa i begyndelsen af 1900-tallet. Med denne inspiration in mente blev førstesatsen, med titlen FRANZ, til en halsbrækkende hurtig og furiøs klezmer-inspireret indledning, som skildrer den herostratisk berømte forfatters martrede sjæl. I andensatsen dæmpes lyset og vi møder FELICE i en rolig musik som spejler kvindens tanker og sorger. Hun er et følelsesmæssigt gidsel hos en mand, som ikke kan beslutte sig for om han vil hende for alvor. Tredjesats, LENI, kaster os hovedkuls midt ind i romanhandlingen. Hovedpersonen, Josef K, er blevet arresteret og anklaget for en forbrydelse, som hverken han eller vi forstår karakteren af. Ledsaget af sin onkel Albert søger Josef K. juridisk assistance hos sagføreren Dr. Huld, som er uhelbredeligt syg og temmelig lurvet. Hos Dr. Huld arbejder en i særklasse liderlig og tarvelig tjenestepige, Leni, som forfører Josef. Musikken beskriver hendes bestræbelser og man lades som lytter forhåbentlig ikke i tvivl om hendes succes... Vor “helt” Josef K. er ansat i en bank, og selv efter sin arrestation er det ham tilladt at gå på arbejde – men den daglige rutine i banken er uigenkendelig. Surrealistisk er et mildt ord for hvad der nu går for sig. I et skab opdager Josef fx de to Vogtere få pisk af en mystisk embedsmand, Prygleren, fordi de to så deres snit til at stjæle Josefs morgenmad ved arrestationen. Denne fjerde sats hedder JOSEF og den jonglerer musik fra de pågældende scener i operaen. Læsere af Processen vil vide at Josef K. i romanens sidste scene føres ud af byen til et stenbrud, hvor han bliver henrettet af to dystre herrer iført bowlerhatte. Selv på dette fremskredne stade af processen har Josef ingen anelse om hvad der foregår og hvorfor han retsforfølges, men forløbet har ikke desto mindre overbevist ham om at han fortjener at dø. Hans dødsscene beskrives i musikken til denne femte og sidste sats: HENRETTELSEN.
Poul Ruders, november 2008
Poul Ruders KAFKAPRICCIO
1. FRANZ page 1
2. FELICE page 24
3. LENI page 29
4. JOSEF page 38
5. THE EXECUTION page 44
1
KAFKAPRICCIO 5 Paraphrases on the opera 'Kafka’s Trial'
I. Franz Poul Ruders, 2007-8 Presto
= 160
Flauto 3
3
3
muta in Oboe
Corno inglese 5
3
3
Clarinetto in Si
2
Fagotto 3
Corno in F
5 straight mute
3
Tromba in Si
2
3
straight mute
Trombone 3
(slap) Tambourine
Percussione
Pianoforte
senza ped.
Presto
= 160
1 3
Violino 3
2
Viola 3
Violoncello
Contrabbasso
8
Copyright Š 2008 by Edition Wilhelm Hansen AS, Copenhagen
3
3
2
9 Fl.
Ob.
Cl. in Si
Fg.
Cor. in F (straight mute)
Tr. in Si (straight mute)
Trbn. Police Whistle
Perc. Bass Drum
Pno.
1 Vl. 2 Va. sul pont.
Vc. sul pont.
Cb.
8
1 17 Fl.
Ob. Cl. in Si
Fg.
Cor. in F
Tr. in Si
Trbn. Castanets
Perc.
Pno.
1 1 Vl. 2 Va. ord.
Vc. Cb.
8
3
24 Fl. Ob. Cl. in Si
Fg. Cor. in F
Tr. in Si
Trbn. Cast.
Perc.
Pno.
pizz. arco
0 0
1 pizz.
Vl.
arco
2 pizz.
Va. pizz.
Vc. Cb.
8
2 33 Fl. Ob. Cl. in Si
Fg. Cor. in F
Tr. in Si senza sord.
Trbn. Tubular Bells
Perc. leggiero
Pno.
2 1 Vl.
(arco), sul pont.
2 arco, sul pont.
Va. arco, sul pont.
Vc. ord.
Cb.
8
4
42 Fl.
Ob. Cl. in Si
Fg. Cor. in F
Tr. in Si
Trbn. Cast.
Perc.
Pno.
senza ped.
0
1 Vl.
ord.
2 Va. ord.
pizz.
Vc. pizz.
Cb.
8
3
Mezzo tempo
48
= 80
Fl. Ob. 3
Cl. in Si
Fg. Cor. in F cup mute
Tr. in Si
Trbn. Cast.
Tam-Tam
15
Perc.
Pno.
3
3
3
Mezzo tempo 0
= 80
con sord.
1)
(1. solo)
1 3
Vl. 2 sub.
ord.
3
3
Va. arco
3
Vc. arco
Cb.
8
1) If multiple strings
5
53
Tempo I ( = 160)
rit.
Fl. Ob.
Cl. in Si
Fg.
Cor. in F
Tr. in Si straight mute
Trbn.
Glockenspiel
15
Triangle
Perc.
Pno.
rit.
Tempo I ( = 160)
(tutti) senza sord.
1 Vl. 2
Va.
Vc.
Cb.
8
4
60 Fl.
Ob.
Cl. in Si
Fg.
Cor. in F
Tr. in Si
Trbn. Trgl.
Perc.
cresc.
Pno.
gliss.
4 1 Vl. 2
Va.
Vc. marc.
Cb.
8
6
66 Fl.
Ob. Cl. in Si
Fg.
Cor. in F senza sord.
Tr. in Si senza sord.
Trbn. Perc.
Pno.
0
0
1 Vl.
0
0
2
Va.
Vc.
Cb.
8
5
72 Fl. Ob.
Cl. in Si
Fg. Cor. in F
Tr. in Si solo
Trbn. Guiro
Perc.
Pno.
5 1 Vl. 2 sul pont.
Va. Vc. Cb.
8
7
78 Fl. muta in Corno inglese
Ob.
Cl. in Si
Fg. 3
3
3
3
Cor. in F
Tr. in Si
Trbn. 3
Perc.
Pno.
sul pont.
1 Vl.
sul pont.
2
Va. sul pont.
Vc. Cb.
8
84
6
Fl. 3 3
Cor. ing. cresc.
5
Cl. in Si
Fg. 3 3
Cor. in F 3
Tr. in Si
Trbn. 3
Perc.
Pno.
6 1 Vl. 2
Va. Vc. 3
Cb.
8
3
8 7 Mezzo tempo
91
= 80
Fl. Cor. ing. Cl. in Si
Fg. 4
Cor. in F
Tr. in Si
3
harmon mute
solo
Trbn. ''sobbing'' (wa-wa)
Perc.
Pno.
7 Mezzo tempo (sul pont.)
ord.
(sul pont.)
sub. ord.
(sul pont.)
sub. ord.
(sul pont.)
sub.
= 80
1 Vl. 2 Va. ord.
Vc. Cb.
8
8
99
Tempo I
= 160 muta in Flauto piccolo
Fl. 3
cresc. muta in Ob.
Cor. ing. 3
cresc.
Cl. in Si
Fg.
4
Cor. in F
5
Tr. in Si
3
cresc. senza sord., colla parte
Trbn. Mark Tree
Xylophone Tamt.
8
Perc.
Pno.
8
Tempo I
= 160
1 3
Vl. 2 3
Va. 3
Vc.
Cb.
8
9 107 8
Fl. picc. Ob.
Cl. in Si
Fg.
3
Cor. in F 3
Tr. in Si
Trbn. 3
8
Xyl.
Perc. 3
3
Pno.
1 Vl. 2 Va. Vc.
Cb.
8
9 113 8
Fl. picc.
Ob. Cl. in Si
Fg.
Cor. in F
Tr. in Si
3
Trbn. thumb Tamb.
Perc.
Pno.
9 1 Vl. 2 Va. Vc. Cb.
8
10 10
118
muta in Fl. grande
8
Fl. picc. 3
3
3
3
Ob. 3
Cl. in Si
Fg. 3
con sord.
Cor. in F
3
3
3
Tr. in Si
cresc. harmon mute
Trbn.
3 3
slap Tamb.
Perc.
Pno.
10 3
1 Vl.
3
3
3
3
3
3
3
3
3
gliss.
3
2
3
Va.
3
3
Vc.
3 3
pizz.
Cb.
8
127 Fl. Ob. Cl. in Si
Fg. senza sord.
Cor. in F
Tr. in Si straight mute
Trbn. Tamb.
Perc.
Pno.
max.
sim.
1 max.
Vl. 2 Va. Vc. arco
Cb.
8
sim.
11
135
11
Fl. muta in Cor. ing.
Ob. Cl. in Si
Fg. Cor. in F
Tr. in Si 3
3
Trbn. cresc. 8
Perc.
Pno.
11 (arco)
1 Vl. (arco)
2 pizz.
Va. pizz.
Vc. Cb.
8
12 143
G.P.
Fl. Cor. ing. 5
Cl. in Si
Fg.
G.P. Cor. in F
Tr. in Si
Trbn. sub. 8
Xyl.
gli
Perc.
ss.
G.P. G.P.
Pno.
senza ped.
12 G.P. 1 Vl. 0
2 arco
Va. arco
Vc.
Cb.
8
0
12 150
13
Fl. Cor. ing.
Cl. in Si
Fg. Cor. in F
Tr. in Si
Trbn. Tamt.
Perc.
Pno.
13 1 Vl. 2 Va. Vc.
Cb.
8
14 157 Fl. Cor. ing. Cl. in Si
Fg. con sord.
Cor. in F cup mute
Tr. in Si senza sord.
Trbn. Perc.
Pno.
14 1)
solo
1 3
Vl.
3
2 pizz.
Va. pizz.
Vc. Cb.
8
1) If multiple strings
13
165 Fl.
3
3
3
Cor. ing. 3
3
3
3
3
3
3
3
3
3
muta in Clar. basso in Si
3
Cl. in Si
Fg. 3
senza sord.
Cor. in F
3 3
Tr. in Si
3
3
3
3
Trbn. Perc.
Pno.
(tutti) 0
1 Vl. 2 3
3
3
3 3
3
3
arco
Va. 3
Vc. 3
Cb.
8
172
15
Fl. Cor. ing. Cl. bso. in Si
9
Fg. 3
Cor. in F
Tr. in Si
straight mute
Trbn. 8
Xyl.
Perc.
Pno.
15
sul pont.
1 Vl.
sul pont.
2 sul pont.
Va. 3
sul pont. arco
Vc. sul pont.
Cb.
8
14 16
178 Fl. Cor. ing. Cl. bso. in Si
Fg. Cor. in F straight mute
Tr. in Si straight mute
Trbn. 8
Perc.
Pno.
16
(sul pont.)
1 Vl.
(sul pont.)
2 (sul pont.)
Va. (sul pont.)
Vc. (sul pont.)
Cb.
8
184 Fl.
3
3
3
3
3
3
3 3
3
3 3
3
muta in Ob.
3
Cor. ing. 3 3
3
Cl. bso.
3 3
3
3
3
muta in Cl. in Si
in Si
Fg. 3
3
3
3
3
3
Cor. in F 3
3
3
Tr. in Si
3
3
3
3
3
3
Trbn. 8
Xyl.
3
Perc.
3
3
3
3
3
8
r.h.
Pno.
8
l.h.
ord.
1
3
3
Vl.
3
3
3
3
3 3
3
3
2 3
Va. 3
3
3
3
pizz.
Vc. 3
3
pizz.
Cb.
8
3
3
3
15
191
17
Fl. Ob. Cl. in Si
Fg. Cor. in F senza sord.
Tr. in Si
3
Trbn. Perc. loco
Pno.
17 sul G
1 3
Vl. ord.
2 ord.
sul G
Va. ord.
3
(pizz.)
Vc. Cb.
8
18
198 Fl. 3
Ob. 3
solo
Cl. in Si
Fg.
Cor. in F 3
3
Tr. in Si
Trbn. Spoons
Perc.
Pno.
18 3
3
1 Vl.
sul G
3
2 3
Va. 3
3
Vc. (pizz.)
Cb.
8
16
204 Fl. Ob.
Cl. in Si
Fg. port.
Cor. in F
3
Tr. in Si
3
3
3
3
3
3
3
3
3
3
3
3
3
Trbn. Spoons
Perc.
Pno.
3
sul A
3
sul A
1 3
Vl. 2
3
sul A
Va.
3 3
(pizz.)
Vc. (pizz.)
Cb.
8
19 211 Fl. Ob.
Cl. in Si
Fg.
Cor. in F
3
Tr. in Si
3
senza sord.
Trbn. Spoons
Perc.
Pno.
19 1 Vl.
3
2 3
Va. 3
arco
Vc. arco
Cb.
8
17
217 Fl.
Ob.
Cl. in Si
Fg. 3
3
3
Cor. in F
3
Tr. in Si
Trbn. Tamb.
Perc.
Pno.
1 Vl. 2 Va. pizz.
Vc. pizz.
Cb.
8
20
225 Fl. Ob.
3 3
Cl. in Si
Fg. 3
Cor. in F straight mute
Tr. in Si
Trbn. 5
Perc. l.v.
Pno.
20 0
1 3
Vl.
3
3
2 3
Va. arco
Vc. arco
Cb.
8
3
18 21 = 80
(Mezzo tempo)
232 Fl. Ob. dim.
Cl. in Si
dim.
Fg. dim.
Cor. in F dolce
Tr. in Si velvet mute
Trbn. dolce Mark Tree
Tamt.
Perc.
l.v.
3
dim.
Pno.
3
3
3
3
21 = 80
(Mezzo tempo)
flautando
1 Vl.
flautando
2 flautando
Va. flautando
Vc. flautando
Cb.
8
22
Tempo I ( = 160)
accel.
237 Fl.
cresc.
Ob. cresc.
Cl. in Si
cresc.
4
Fg. cresc. 4
Cor. in F
cresc.
(straight mute)
Tr. in Si
cresc.
Trbn. cresc. Xyl.
8
Perc.
Pno.
22
Tempo I ( = 160)
accel. non flautando
1 cresc. non flautando
Vl. 2
cresc. non flautando
Va. cresc. non flautando
Vc. cresc. non flautando
Cb.
8
cresc.
8
19
244 Fl. Ob. Cl. in Si
Fg.
Cor. in F
5
5
Tr. in Si
Trbn. Xyl. 8
15
Perc.
Pno.
arco
pizz.
0
1 Vl.
pizz.
arco
2 pizz.
arco
pizz.
arco
Va.
Vc.
Cb.
8
23 252 Fl.
Ob. 3
3
3
3
3
Cl. in Si
Fg.
3
3 3
3
3
Cor. in F 3
Tr.
3 3
3
3 3
in Si senza sord.
Trbn.
Glsp.
15
l.v.
Perc.
Pno.
23 1 Vl. 2 pizz.
Va. pizz.
Vc. Cb.
8
20 24 259 Fl.
6
3
3
7
3
7
Ob. 6
3
3
Cl.
3
3
in Si
7
6
Fg. 7
3
7
3 3
Cor. in F
6
(straight mute) 3
Tr. in Si
6
gliss.
gliss.
Trbn. 3 5 15
Glsp.
glis
Perc.
s.
3
gliss. 6
3
Pno.
3
7
3 3
gliss. 6
7
24 0
1 Vl. 0
2 arco 3
3
Va. 6
arco
Vc. Cb.
8
264 Fl. Ob. norm.
flz. 3
Cl.
3
in Si
Fg.
Cor. in F straight mute
Tr. in Si
Trbn. 5
15
Glsp. Trgl.
Perc.
Pno.
0
1 Vl. 0
2 Va. sul pont.
3
3
ord.
Vc. sul pont.
Cb.
8
3
3
ord.
21
268 Fl.
Ob.
Cl. in Si
Fg. 3
3
Cor. in F
Tr. in Si
Trbn.
Trgl.
scrape with metal stick Tamt.
Perc.
l.v.
Pno.
norm. flaut.
1 sub.
Vl.
flaut.
norm.
0
2 flaut.
Va. flaut.
sul pont. non flaut.
flaut.
sul pont. non flaut.
3
3
Vc.
Cb.
3
3
8
25
Stretto. Prestissimo possibile
272
= 200
Fl.
Ob.
Cl. in Si
Fg.
Cor. in F
Tr. in Si
Trbn.
Tamt.
sim.
Perc. 8
Pno.
loco
gliss.
senza ped.
25
Stretto. Prestissimo possibile
0
1 Vl.
0
2 0
Va. 0
Vc. Cb.
8
= 200
22
278 Fl. Ob. Cl. in Si
3
Fg. 3
3 3
Cor. in F 3
senza sord.
Tr. in Si
Trbn. Spoons
Perc.
Pno.
3
3
3
3
3
3
3
3
1 Vl. 2
Va. 3 3
Vc. pizz.
Cb.
3
3
8
286 Fl.
Ob. 3
Cl.
3
in Si 3
Fg. 3 3
3
Cor. in F 3
Tr. in Si
3
Trbn. Spoons
Perc.
Pno.
3
3
3
3
3
3
1 Vl. 2
Va. 3
Vc. 3
Cb.
8
23 26 291 Fl. Ob. 3
Cl. in Si
Fg. 3
3 3
3
3
3
Cor. in F
Tr. in Si
Trbn. Spoons
Perc.
Pno.
26 3
3
3
3
3
3
1 Vl. 2 3
Va. 3
Vc. 3
Cb.
3
8
296 Fl.
Ob. Cl. in Si
Fg.
Cor. in F
Tr. in Si
Trbn. Tamb.
Perc.
Pno.
1 Vl. 2 pizz.
Va. pizz.
Vc. Cb.
8
24
II. Felice Tranquillo lamentoso
= 60
Flauto muta in Cor. ing.
Oboe Clarinetto in Si
2
Fagotto
Corno in F
5
cup mute
Tromba in Si
2
velvet mute
Trombone 15
Crot. arco
sim.
Percussione
Pianoforte
Tranquillo lamentoso
= 60
1 Violin 2 con sord.
arco
con sord.
arco
con sord.
arco
Viola Violoncello Contrabbasso
8
1
7 Fl.
cresc.
Cor. ing. 3
5
Cl. in Si
cresc.
Fg. 3
cresc.
3
3
Cor. in F
cresc.
3
Tr. in Si
cresc.
Trbn. cresc. 15
Crot.
Perc.
Pno. senza ped.
1 1 cresc.
espress.
Vl. 2
cresc. senza sord.
Va. cresc. senza sord.
sul D non armon.
Vc. s. r.
senza sord.
Cb.
8
sul D
pizz.
3
←
25
= →
2
Poco più vivo
13 Fl.
muta in Ob.
Cor. ing. 3
3
3
Cl. in Si
Fg.
Cor. in F
Tr. in Si
Trbn.
Perc.
Pno.
2
Poco più vivo
sul G
1 3
3
Vl. 2 Va.
Vc. Cb.
8
18 Fl. Ob.
Cl. in Si
Fg. con sord.
Cor. in F
Tr. in Si
Trbn.
Perc.
Pno.
1 Vl.
sul G
2
Va.
Vc. (pizz.)
Cb.
8
26 3
24 Fl. Ob.
Cl. in Si
Fg. (con sord.)
Cor. in F (cup mute)
Tr. in Si (velvet mute)
Trbn. Tamt.
Perc.
l.v.
Pno.
1)
l.v.
3 0
1 Vl.
(sul G) 0
0
2 Va. Vc. arco
Cb.
8
31 Fl.
Ob. Cl. in Si
Fg.
Cor. in F
Tr. in Si (velvet mute)
Trbn.
Perc.
Pno.
1 Vl. 2 Va. Vc. Cb.
8
1) Firmly press the second, third and fourth fingers of the left hand on the string as close to yourself as possible. Then attack the relevant key.
Passionato intimo 37
5
4
Fl.
Ob.
Cl. in Si
Fg.
Cor. in F
Tr. in Si
Trbn. Tamt.
Perc.
Pno.
sim.
l.v.
l.v.
Passionato intimo
4
solo 1) sul G
5
1 Vl.
con sord. sul tasto
espr. trem. punta d’arco
2 con sord. sul tasto
Va. Vc. Cb.
8
44 Fl. Ob. Cl. in Si
Fg.
Cor. in F
Tr. in Si
Trbn.
Perc.
Pno.
1 Vl. 2 Va. Vc. Cb.
8
1) If multiple strings apply.
trem. punta d’arco
27
28
53 Fl.
Ob. Cl. in Si
Fg. senza sord.
Cor. in F senza sord.
Tr. in Si senza sord.
Trbn. 15
Tamt.
Perc.
Pno.
l.v. 3
(tutti)
sul A
1 Vl.
(con sord., sul tasto, punta d’arco)
senza sord., ord.
(con sord., sul tasto, punta d’arco)
senza sord., ord.
2
Va. Vc.
Cb.
8
59 Fl.
Ob. muta in Cl. bso. in Si
Cl. in Si
Fg.
Cor. in F
Tr. in Si
Trbn. 15
Crot.
arco
Perc. l.v. norm.
Pno.
1 Vl. 2 Va. Vc. Cb.
8
29
III. Leni Vivo giocoso
= 132
''Cabaret-like''
Flauto Oboe Clarinetto basso in Si
9
Fagotto
Corno in F
5
Tromba in Si
2
Trombone Sn. Dr. Hi-hat
Percussione
Pianoforte
Vivo giocoso
= 132
''Cabaret-like''
1 Violino 2 pizz.
Viola sul pont.
Violoncello sul pont.
Contrabbasso
9
8
rit.
= 72
accel.
= 132
1
rit.
= 72
accel.
= 132
1
Fl.
Ob. Cl. bso. in Si
Fg.
Cor. in F
Tr. in Si
Trbn.
Hi-hat
Perc.
Pno.
1 Vl. 2 arco
Va. Vc.
Cb.
8
30
17 Fl. Ob. Cl. bso. in Si
Fg.
Cor. in F
Tr. in Si
Trbn. Hi-hat
Perc. Kick Dr.
Pno.
1 Vl. 2
Va. ord.
Vc. ord.
Cb.
8
23 Fl. Ob. Cl. bso. in Si
Fg.
Cor. in F
Tr. in Si
Trbn. Hi-hat Whip
Perc. Kick Dr.
Pno.
1 Vl. 2
Va.
Vc. pizz.
Cb.
8
arco
31
29
2
lunga
Fl. Ob. Cl. bso. in Si
Fg. lunga
Cor. in F
Tr. in Si
Trbn. lunga
Perc. lunga
Pno.
2 Vl.
lunga
1 2
Va. pizz.
Vc. Cb.
8
36 Fl. 3
3
3
3
3
Ob. 3
Cl. bso. in Si
Fg. 3
Cor. in F straight mute
Tr. in Si
Trbn. 3
Police whistle
Perc.
Pno.
senza ped.
1
3
3
Vl. 2 3 0
Va. arco
Vc.
Cb.
8
3
3
32 3
44
3
Fl. Ob. 3
Cl. bso. in Si
Fg.
Cor. in F senza sord.
Tr. in Si
Trbn. Guiro
Perc.
Pno.
3
pizz.
1 5
Vl. 3
pizz. 3
2 pizz.
Va. pizz.
Vc. Cb.
8
51 Fl.
Ob.
Cl. bso. in Si
Fg.
Cor. in F
Tr. in Si
Trbn. Hi-hat
Perc. Kick Dr.
Pno.
pizz.
3
arco
1 Vl.
pizz.
arco
2 arco
Va. arco
Vc. pizz.
Cb.
8
33 58
4
Fl.
Ob. muta in Cl. in Si
Cl. bso. in Si
Fg.
Cor. in F
Tr. in Si
Trbn.
Trgl.
Perc.
Pno.
4 1 Vl. 2
Va.
Vc. arco
Cb.
0
8
67 Fl. 3
Ob. Cl. in Si
2
Fg. Cor. in F
Tr. in Si
Trbn. Guiro
Perc.
Hi-hat
Pno.
pizz.
arco
pizz.
arco
1 Vl. 2 pizz.
Va. Vc. Cb.
8
34
76
G.P.
5
G.P.
Fl.
Ob.
Cl. in Si
cresc.
Fg.
G.P.
G.P.
Cor. in F
Tr. in Si
Trbn. B. Dr. Hi-hat
Perc.
G.P.
G.P.
G.P.
G.P.
G.P.
G.P.
Pno.
5
1 cresc.
Vl. 2
cresc. arco
Va. Vc.
Cb.
8
85 Fl. Ob. Cl. in Si
Fg.
Cor. in F
Tr. in Si
Trbn. Sn. Dr.
Perc.
Pno.
1 arco
Vl.
pizz.
2 sul pont.
Va. sul pont.
Vc. sul pont.
Cb.
8
35 accel.
94
6 Presto
= 140
Frivolous
= 140
Frivolous
Fl. Ob. Cl. in Si
Fg.
Cor. in F
Tr. in Si
Trbn.
Sn. Dr.
Perc.
Pno.
sempre
accel.
6 Presto
1 Vl. 2 ord.
Va. ord.
Vc. ord.
Cb.
8
101 Fl.
Ob.
Cl. in Si
Fg.
Cor. in F
Tr. in Si
Trbn. Sn. Dr.
Perc.
Pno.
0
1 Vl. 2
Va.
Vc.
Cb.
8
36 7 108 Fl. Ob. Cl. in Si
Fg.
Cor. in F
Tr. in Si
Trbn. 5
Sn. Dr.
Perc.
Pno.
7 1 Vl. 2 Va. Vc. Cb.
8
8
114
muta in Fl. picc.
Fl. Ob.
Cl. in Si
Fg.
Cor. in F
Tr. in Si
Trbn. Siren
Perc.
cresc.
Pno.
8 1 Vl. 2
Va. pizz.
Vc. pizz.
Cb.
8
37 Stretto 121 8
Fl. picc.
Ob. cresc.
Cl. in Si
cresc.
Fg. sempre
cuivrĂŠ
Cor. in F
Tr. in Si
Trbn. Siren
Perc. Whistle
Pno.
Stretto 1 Vl. 2
Va. arco
Vc. arco
Cb.
8
sempre
= 200
128
Lunga ad lib.
9
= 160 muta in Fl. gr.
8
Fl. picc. Ob.
Cl. in Si
Fg.
Cor. in F
Tr. in Si
Trbn. Whip Siren
Perc. Whistle
1)
2)
Pno.
= 200 1 Vl. 2 Va. Vc.
Cb.
8
1) Chromatic cluster witin the range indicated 2) Full chromatic cluster. Use both arms
Lunga ad lib.
9
= 160
38
IV. Josef Vivo marciale
= 160
Flauto
Oboe
Clarinetto in Si
2
Fagotto
Corno in F
5
Tromba in Si
2
Trombone 15
Crot.
Percussione
Pianoforte
Vivo marciale
= 160
1 Violino 2
Viola Violoncello Contrabbasso
7
8
1
Fl.
Ob. Cl. in Si
Fg.
Cor. in F
Tr. in Si
Trbn.
Perc.
Pno.
1
pizz.
1 Vl.
pizz.
2
Va. sul pont.
Vc. sul pont.
Cb.
8
39
15 Fl. Ob. Cl. in Si
Fg.
Cor. in F harmon mute - stem pulled
Tr. in Si straight mute
Trbn. Cast,
Perc.
Pno.
arco
1 Vl.
arco
2 pizz.
arco
Va. ord.
pizz.
ord.
pizz.
Vc.
Cb.
8
23
G.P.
2
Fl. Ob. Cl. in Si
Fg.
G.P. Cor. in F
Tr. in Si
Trbn.
Cast.
Perc.
Trgl.
G.P. G.P.
Pno.
2 G.P.
con sord.
1 Vl.
con sord.
2 Va. Vc. Cb.
8
40
30 Fl. Ob. Cl. in Si
Fg.
Cor. in F
Tr. in Si (straight mute)
Trbn.
Perc.
Pno.
(con sord.)
senza sord.
(con sord.)
senza sord.
con sord.
senza sord.
1 Vl. 2
Va. (pizz.)
Vc. (pizz.)
Cb.
8
3
38 Fl.
Ob. Cl. in Si
Fg.
Cor. in F senza sord.
Tr. in Si
Trbn. Trgl.
Perc.
Pno.
3 0
1 Vl. 0
pizz.
2 Va. arco
Vc. arco
Cb.
8
pizz.
41 4 accel. 46
flz.
Fl.
Ob.
Cl. in Si
Fg.
flz.
Cor. in F flz.
Tr. in Si flz.
Trbn.
Cast.
Ratchet
Perc.
Pno.
4 accel. 1 Vl.
arco
2
Va. arco
Vc. pizz.
Cb.
8
54
a tempo norm.
Fl.
Ob. muta in Cl. bso. in Si
Cl. in Si
Fg.
norm.
Cor. in F
3
norm.
Tr. in Si norm.
Trbn. 3
Tamt.
Perc.
Pno.
a tempo 1 Vl. 2 Va. pizz.
Vc. arco
Cb.
8
arco
42
=
6
5
''Unctuous''
62 Fl. Ob. 3
3
Cl. bso. in Si
9
Fg. Cor. in F
Tr. in Si
velvet mute
Trbn. Tamt.
Perc.
Pno.
=
6
5
''Unctuous'' con sord.
sempre sul G
1 3
Vl.
3
con sord.
2 3
3
con sord.
sempre sul C
con sord.
sempre sul C
Va. Vc. Cb.
8
70 Fl.
Ob. Cl. bso. in Si
Fg.
Cor. in F straight mute
Tr. in Si
Trbn. (slide-shake) Tamt.
Perc.
Pno.
1 Vl.
sempre sul G
2 Va. Vc. pizz.
Cb.
8
43
78
7
Fl.
Ob. Cl. bso. in Si
Fg. Cor. in F
(straight mute)
Tr. in Si
(velvet mute)
Trbn. Trgl.
Perc. cresc.
5
Pno.
7 1 Vl.
cresc.
2 cresc.
Va. cresc.
Vc. cresc.
Cb.
8
8 86
muta in Fl. in Sol
Fl. muta in Cor. ing.
Ob. Cl. bso. in Si
Fg.
Cor. in F (straight mute)
Tr. in Si
senza sord.
Trbn. Trgl. Tamt.
Perc.
Pno.
8 senza sord.
1 Vl.
senza sord.
2 senza sord.
Va. senza sord.
Vc. arco
Cb.
8
attacca
44
V. The Execution Solenne
= 72
1
solo
Flauto in Sol 4
Corno inglese 5
Clarinetto basso in Si
9
Fagotto in Si
Corno in F
5
Tromba in Si
2
Trombone
Tub. B.
Percussione Tamt.
1)
Pianoforte
sim.
senza ped.
Solenne
= 72
1
con sord.
1 Violino
con sord.
2 con sord.
Viola sul tasto
Violoncello sul tasto
Contrabbasso
8
8 Fl. in Sol Cor. ing. Cl. bso. in Si
Fg.
Cor. in F
Tr. in Si
Trbn. Tub. B.
Perc. Tamt.
Pno.
1 Vl. 2
Va. Vc.
Cb.
8
1) Depress keys with l. h., then perform a quick upwards gliss. on all strings inside the octave with a metal ruler. Absolutely NO pedal.
45 2
15 Fl. in Sol
Cor. ing. Cl. bso. in Si
Fg.
4
Cor. in F Player rises and plays with the bell pointed into the open piano
Tr. in Si
cresc.
Trbn.
B. Dr.
Perc.
Pno.
Keep right pedal down throughout the remainder of the movement
2 flaut.
1 Vl. flaut.
2 sul C flaut.
Va. flaut. ord., sul C
Vc. sul pont.
Cb.
8
23 Fl. in Sol
Cor. ing. Cl. bso. in Si
Fg. Cor. in F
sola
Tr. in Si dolce
Trbn. Perc.
Pno.
1 Vl. 2 Va. Vc. Cb.
8
cresc.
46 3
30 Fl. in Sol
Cor. ing. dolce
Cl. bso. in Si
Fg.
Cor. in F
Tr. in Si
Trbn. Perc.
Pno.
3 1 Vl. 2 Va. Vc. ord.
Cb.
flaut. sul D
8
4
37 Fl. in Sol
Cor. ing. Cl. bso. in Si
Fg.
Cor. in F
Tr. in Si
cresc.
Trbn.
B. Dr.
Perc.
1)
Pno.
sim.
4 (con sord.)
3
(con sord.)
3
1 Vl.
3
2 (con sord.)
Va. con sord.
sul G
Vc. sul pont.
Cb.
8
1) chromatic glissando on strings with a metal ruler
47
44 Fl. in Sol sim.
Cor. ing. Cl. bso. in Si
Fg.
Cor. in F
Tr. in Si
Trbn.
Perc.
Pno.
1 Vl. 2 0
0
0
0
0
Va. Vc. Cb.
8
5
51 Fl. in Sol
Cor. ing. Cl. bso. in Si
Fg.
Cor. in F
Tr. in Si
cresc.
Trbn.
Perc.
Pno.
5 1 Vl. 2 0
Va.
Vc. Cb.
8
0
48
58
3
3
Fl. in Sol
Cor. ing.
Cl. bso. in Si
Fg.
Cor. in F
Tr. in Si
cresc.
Trbn.
Tamt.
Perc.
Pno.
(con sord.)
1 Vl.
(con sord.)
2 (con sord.) 0
Va. (con sord.)
Vc. (sul pont.)
Cb.
8
64
6
Fl. in Sol
Cor. ing.
Cl. bso. in Si
Fg.
Cor. in F
Tr. in Si
Trbn.
Perc.
Pno.
6 1 Vl. 2 Va. Vc. Cb.
8
3
49 7
70 Fl.
Cor. ing. Cl. bso. in Si
Fg.
Cor. in F
Tr. in Si
Trbn.
Tamt.
Perc.
Pno.
7 1 Vl. 2 Va. 0
Vc. ord.
Cb.
8
8
76
solo
Fl.
Cor. ing. Cl. bso. in Si
Fg.
Cor. in F
Tr. in Si
Trbn.
Tam-t.
B. Dr.
Perc.
Pno.
senza sord.
8
con sord. sul tasto
1 Vl.
senza sord.
con sord. sul tasto
senza sord.
con sord. sul tasto
2
Va.
senza sord.
Vc.
Cb.
8
senza sord., ord.
50
82 Fl. in Sol
Cor. ing. Cl. bso. in Si
Fg.
Cor. in F
Tr. in Si
Trbn. B. Dr. Lion Roar
Perc.
Pno.
(con sord., sul tasto)
1 Vl.
(con sord., sul tasto)
2 con sord.
Va. con sord.
Vc. sul pont.
Cb.
8
88
9
Fl. in Sol
Cor. ing. Cl. bso. in Si
Fg.
Cor. in F
5
Tr. in Si
cresc.
Trbn.
Lion Roar
Perc.
Pno.
9 1 Vl. 2 senza sord.
pizz.
senza sord.
pizz.
Va.
Vc. solo ord.
Cb.
8
1) If multiple strings
1) sul pont.
WH 30863 ISBN 978-87-598-1675-2