O'Regan AND THERE WAS GREAT CALM

Tarik O’Regan AND THERE WAS A GREAT CALM Diptych for String Orchestra and Upper Voice Chorus

Full Score

NOVELLO

AND THERE WAS A GREAT CALM Diptych for String Orchestra and Upper Voice Chorus Duration I. As We Remember Them II. From Heaven Distilled a Clemency

c. 7’ c. 5’

Instrumentation SA Chorus (soprano solo) Strings (viola I & II, violoncello I & II, contrabass)

Movement I In the rising of the sun and at its going down, we remember them.

In the blowing of the wind and in the chill of winter, we remember them.

In the opening buds and in the rebirth of spring, we remember them.

In the blueness of the sky and in the warmth of summer, we remember them.

In the rustling of the leaves and in the beauty of autumn, we remember them.

When [we’re] weary and in need of strength, we remember them.

When [we’re] lost and sick at heart, we remember them.

So long as we live, they too shall live, for they are part of us, As we remember them.

Roland B. Gittelsohn (1910 – 1995) [adapted], from ‘The Gates of Repentance’ (1978) © 1978 by the Central Conference of American Rabbis. Used by permission

And the Heav’nly Quire stood mute, And silence was in Heav’n.

John Milton (1608 – 1674), from ‘Paradise Lost’, Book III (1667)

Movement II Each shall arise in the place where their life [spirit] departs.

‘Bundahis-Bahman Yast’; Indian Bundahishn (ninth century) [adapted], from ‘Sacred Books of the East’, Volume 5, translated by Edward W. West (1860) [So] Why then should I be afraid? I shall die once again to rise an angel blest.

‘Masnavi i Ma'navi’; Mathwani of Jalalu-'d'Din Rumi (thirteenth century) [adapted], from ‘Masnavi i Ma'navi’, Book III, translated by Edward H. Whinfield (1898) Our birth is but a sleep and a forgetting; The Soul that rises with us, our life’s Star, Hath had elsewhere its setting.

And cometh from afar.

William Wordsworth (1770 – 1850), from ‘Ode: Intimations of Immortality’ (1807) Calm fell. From heaven distilled a clemency; There was peace on earth, and silence in the sky.

Thomas Hardy (1840 – 1928) from ‘And There Was a Great Calm’ - on the signing of the Armistice, (1918)

Performance Notes The minimum number of string players required is 2.2.2.2.1. As the violas and cellos are largely divisi throughout, it is important when using a small group of performers for balance to be maintained using the following guide: 4.4.4.4.2, 6.6.6.6.3 etc., with the division of any larger group being at the conductor's discretion.

General Notes And There Was a Great Calm, commissioned by Portsmouth Grammar School with financial support from the PRS Foundation, was premièred by the Portsmouth Grammar School Chamber Choir and the London Mozart th Players in a concert at Portsmouth Anglican Cathedral on 13 November, 2005 conducted by Nicolae Moldoveanu. The title of this work is taken from Thomas Hardy’s poem of the same name, written at the signing of the th Armistice on 11 November, 1918; a couplet from which is set, in a moment of tranquillity, in the second movement.

Relatively new to living in New York, I am much more aware of the independent, vibrant cultural plurality that exists today; it’s probably the single most dazzling facet of the City and is largely responsible for the infamous ‘edginess’ that pervades daily life there. With this in mind, I set to work on this piece for Remembrance Sunday, already knowing that musical works connected with commemoration or memorial are often suitably pensive and slow. I wanted to start with that concept, but to bring in some of that City ‘edge’ that has been such a large influence in my life over the past two years. The result is that the first movement is quiet and gentle (a moment of recollection), while the second is much faster and vibrant (the texts here dealing with transmigration and the future). Put simply, And There Was a Great Calm begins looking back and ends gazing forward.

All the texts are in the public domain, with the exception of As We Remember Them from The Gates of Repentance (copyright © 1978) for which permission has been kindly given, without fee, by the Central Conference of American Rabbis and the Union of Liberal and Progressive Synagogues.

Text in square brackets indicates editorial adjustments by the composer.

I gratefully acknowledge the assistance of Bruce Ruben and Judith Clurman, as well as that of my parents, with the collation of the texts.

Tarik O’Regan New York, August 2005

Commissioned by the Portsmouth Grammar School for the London Mozart Players and the Portsmouth Grammar School Chamber Choir with financial support from the PRS Foundation

And There Was A Great Calm Diptych for String Orchestra and Upper Voice Chorus Tarik O’Regan (b. 1978)

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a- far.

0

0

div.

M M

M M M M M M

M M M M M

1 E 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5 5 5 5 5 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5 5 5 5 5 5 55 55

Vla. I G

M M M M M M M M pp

5M 5M E 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M M M M 5M 5M 5M 5M 5M M M M M 5M 5M 5M 5M 5M 5M M M

555 5555 55 E 5M 5M 5M 5M 5M 5M Vla. II

pp

M M M M M M M M M M M M M M M M

M M M

M5 5M 5M 5M 5M 5M 5M 5M 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 ! 5M 5M 5M 5M 5M 5M 5M 5M ! 5M 5M 5M 5M 5M 5M 5M 5M ! 5M 5M 5M 5 5 5 5M 5M E

Vc. I

pp

E BM

Vc. II

B

5

5 B

5M

5

5

G

pp Cb.

2

E BM

4

0

!B

5 B

5M

0

0

5

5M

!5M

B 0

0

P ff

226

1 E S. G

! B

0

Why

A.

2G

E

B

B

5

then

should

I

B

B

5

then

should

I

5

5

be

5

5

a -

fraid?

5

5

a -

fraid?

B

B

5

shall

die

once

5

5

B

5

I

shall

die

once

5

5

I

ff

0

! B Why

M M M M M M M M M M M M M M M M 55555555 1 E 5 5 5 5 5 5 5 5 ! !

Vla. I G M M M M M M M M 55555555

M M M M M M M M ff

molto

5M 5M 5M M M M M M 55555 E

Vla. II

5

5

5 be

M M M M M M M M 55 55 55 55 5 5 5 5 5555 M M M M M M M M

5

M M M M M M M M 55 55 55 55 5 5 5 5 5555

M M M M M M M M

B

M M M M M M M M 55555555 55555555 M M M M M M M M

5 a -

5 a -

M M M M M M M M 55555555 55555555

M M M M M M M M

5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M ff

molto div. arco

E

Vc. I

!

5M 5M 5M 5M 5M 5M 5M 5M

ff

molto

G

Vc. II

E5

M M M M M M M M 55 55 55 55 55 55 55 55 M M M M M M M M

div. arco

4

?

M M M M M M M M 55555555 55555555

M M M M M M M M ff

M M M M M M M M 55 55 55 55 55 55 55 55 M M M M M M M M

M M M M M M M M 55 55 55 55 55 55 55 55 M M M M M M M M

M M M M M M M M 55 55 55 55 55 55 55 55 M M M M M M M M

M M M M M M M M 55 55 55 55 55 55 55 55 M M M M M M M M

M M M M M M M M 55555555 55555555 M M M M M M M M

M M M M M M M M 55555555 55555555

M M M M M M M M

M M M M M M M M 55555555 55555555 M M M M M M M M

M M M M M M M M 55555555 55555555

M M M M M M M M

pizz. sempre Cb.

2

E

0

BM

ff

4

?

4

= 5 BM

4

4

5

4

5

BM

4

16

232 1 EB S. G

5

gain

A.

E G B 2 gain

5

5

5

5

5

to

rise

an

an - gel

blest.

5

5

5

5

5

to

rise

an

an - gel

5

5

5

B

B

blest.

5

B

B

B

5

So

why

then

should

I

5

B

B

B

5

So

why

then

should

I

5

5

5

5

5

a -

fraid?

5

5

a -

fraid?

be

5

5

5

be

M M M M M M M M 1 E55555555 Vla. I G 55555555

M M M M M M M M 5M 5M 5M 5M 5M 5M 5M 5M E Vla. II

M M M M M M M M 55555555 555555 55

M M M M M M M M

5M 5M 5M 5M 5M 5M 5M 5M

M M M M M M M M 555555 55 55555555 M M M M M M M M 5M 5M 5M 5M 5M 5M 5M 5M

M M M M M M M M 55555555 55555555

M M M M M M M M

5M 5M 5M 5M 5M 5M 5M 5M

M M M M M M M M 55555555 55555555

M M M M M M M M 5M 5M 5M 5M 5M 5M 5M 5M

M M M M

M 5 5 5 5 M M 5M 5 55555555 55

M M M M M M M M

5M 5M 5M 5M 5M 5M 5M 5M

M M M M M M M M 55 55 55 55 55 55 55 55 E M M M M M Vc. I M M M M M M M M M M M E Vc. II 55 55 55 55 55 55 55 5 5 M M M M M M M M

E ?

4 = 5 Cb. 2

M M M M M M M M 55 55 55 55 55 55 55 55 M M M M M M M M

M M M M M M M M 55 55 55 55 55 55 55 55

M M M M M M M M

M M M M M M M M 55 55 55 55 55 55 55 55 M M M M M M M M

M M M M M M M M 55 55 55 55 55 55 5 5 55 M M M M M M M M

M M M M M M M M 55 55 55 55 55 55 55 55 M M M M M M M M

M M M M M M M M 55 55 55 55 55 55 55 55

M M M M M M M M

M M M M M M M M 55 55 55 55 55 55 55 55 M M M M M M M M

M M M M M M M M 55 55 55 55 55 55 55 55

M M M M M M M M

BM

4

?

4

5

BM

4

M M M M M M M M 55 55 55 55 55 55 55 55 M M M M M M M M

M M M M M M M M 55 55 55 55 55 5 5 5 555 M M M M M M M M

? = 5= 5

5

B

5

5

5

5

5

5

BM

gain

to

rise

an

an - gel

blest.

B

5

5

5

5

5

5

BM

gain

to

rise

an

an - gel

BM

4

238

1 E5 S. G

5

5

I

A.

E G 2 5

5

5

I

B

5

shall

die

once

5

B

5

shall

die

once

5

Vc. I

Vc. II

Cb.

5 a -

5

0 0

blest.

M M M M M M M M 555555 55 55555555

M M M M M M M M

M M M M M M M M M M M M M M M M 55555555 55555555 55555555 55555555

M M M M M M M M M M M M M M M M M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M M M M M M M E 5 555555

M M M M M M M M 1 E55555555 Vla. I G 55555555 M M M M M M M M Vla. II

a -

5

M M M M M M M M 55555555 55555555

M M M M M M M M

M M M M M M M M 55555555 55555555 M M M M M M M M mf

5M 5M 5M 5M 5M 5M 5M 5M mf

M M M M M M M M 55 55 55 55 55 55 55 55 E M M M M

M M M M

M M M M M M M M 55 55 55 55 55 55 55 55 M M M M M M M M

M M M M M M M M 55 55 55 55 55 55 55 55 M M M M M M M M

M M M M M M M M 55 55 55 55 55 55 55 55 M M M M M M M M

M M M M

55 55 55 55 5M 5M 5M 5M 5unis.

M 5M 5M 5M 5M 5M M M !5 5 M M M M M M M M

E M M M M M M M M 55555555 55555555 M M M M M M M M

M M M M M M M M 55555555 55555555 M M M M M M M M

M M M M M M M M 55555555 55555555 M M M M M M M M

M M M M M M M M 55555555 55555555 M M M M M M M M

M M M M M M M M unis.

M M !

5M 5M 5 5 5 5 5 5 5 5 5M 5M 5M 5M 5 5 5555M M M M

M M M M mf

BM

?

E 4 2

5

4

5

4

4

= 5 BM

4

mf

?

4

5

mf

5

5

5 !

5

17

M M M M M M M 5 5 5 5 5 5 5 5 5 5 5 5 !5 5 M M M M M M M

M 1 E5 Vla. I G 5 M 244

M M M M 55 55 55 55

M M M M

M 55

M

M M M 55 5 5 M M M

mp

q = 88

M M M M M M 5 M 5M Q Moderato ' ' !5 5 5 5 5 5

M M M M M M M M

ppp

Vla. II

pizz.

?

Vc. I

G

0

! ' '

0

' '

4

ppp

' '

' '

ppp

pp

arco

pizz.

G

div. arco

5

5

mp

M M M M E 5 5 5 5 ?

"

p

5M 5M 5M 5M 5M 5M

M M M M 4

E 5M 5M 5M 5M 5 5 !5 5

div.

BMM

'

5

5

5

!5

5

5

5

?

0

0

0

G

p

mp

'0

'0

ppp arco

pizz.

E ?

Vc. II

G

!5

5

5

5

Cb.

2

5

?

0

0

0

p

mp

E 5

5

!5

5

5

5

5 !

5

'0

'0

ppp

0

0

0

0

0

0

0

Vla. II

5 ' 5 = ' " ppp

BM BM

' 1 ' Vla. I G 252

' '

G

' '

' '

' '

' '

' '

pp

' '

' '

G '0

'0

'0

' '

'0

' '

' '

BM BM

p

' '

mp

' '

pp Vc. I

' '

' '

' '

' '

BM BM

p

'0

'0

mp

'0

'0

'0

'0

'0

'0

'0

'0

'0

'0

mp

'0

'0

'0

'0

0

0

0

0

0

0

mp

0

0

0 '0 ppp

molto

'0

'

ppp

molto

arco

'

5 = 5

'0

p

Cb. 2

0

'0

p

Vc. II

5 5 =

BM

= 5

0

mp

264 S. (SOLO)

G

R

Meno mosso q = 76

0 unis.

1 Vla. I G

'

ppp unis.

Vla. II

' G

ppp Vc. I

Vc. II

0

?

'

'0

Calm

fell.

'

?

4 5

5

5 !5

5

From heav'n dis - tilled a

5 5 B

B

?

?

cle men cy;

5 5 There was

5 5 5 5 peace

'

'

'

'

'

'

'

'

'

'

'

'

'

'

on

pp

poco

'0 2

'

pp

'

'0

B

'

poco

G '0

(solo) p

0

0

0

0

0

0

0

0

0

0

0

0

0

0

0

0

" "

18

274 S. (SOLO)

M G B

5

5

earth,

5 5 5 'M

si - lence in the

sky.

1 ' Vla. I G

'

'M

' G

'

Vla. II

Vc. I

Vc. II

Cb.

and

S Prestissimo q = 192

?

B

G

0

0

0

0

0

0

2

0

0

0

0

0

'

'

'

'

'

'

'

'

' M

0

5 5 5M 5 5M 5M 5M 5M 5 5M 5 5 5M 5M 5M 5M 5 5 5M 5 5M 5M 5M 5M 5 5M 5 5 5M 5M 5M 5M M M M M M M

M M M

M M M mp

5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M

mp

'

'

'

'

mp

T 281

1 S. G

0

0

0

0

mf

'

'

Each

A. G 2

0

0

0

0

mf

'

'

Each

div.

Vla. I

Vla. II

Vc. I

1 G

0

?

5M 5M 5 5M 5 5M M M p

5M 5M 5 5M 5 5M 5 5 5M 5M M M M M

p

M M M M M M M M M M M M M M M M M M M 5M 5M 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 M M M 5 5 5 5 5 M M M M M M M M M M M M M M M M 5 5 5

5M 5M 5M 5M M 5M M M M M mf mp M M M M M M

M M M 5M 5 5 5 5 5 5 5M 5M M M M M 5M 5M 5M 5M 5M 5M 5M 5 5 5 5 5 5 5 M 5 5 5 5 5 5 5 5 5 M 5M 5M M M M M

M M M mf

mp

5 5 5M 5 5M 5M 5M 5M 5 5M 5 5 5M 5M 5M 5M 5 5 5M 5 5M 5M 5M 5M 5 5M 5 5 5M 5M 5M 5M 5 5 5M 5 5M 5M 5M 5M 5 5M 5 5 5M 5M 5M 5M M M M M M M M M M

M M M

M M M

M M M mf

Vc. II

55555555 55555555 55555555 55555555 55555555 55555555

M M M M M M M M M M M M M M M M M M M M M M M M M M M M M M M M M M M M M M M M M M M M M M M M mf

Cb. 2 '

pizz.

'

'

B

?

5

mf

B

5

5

5

5

5

19

287

1 ' S. G

B

B

shall

A.

2G

a

'

B

a

M 55 M

M 55 M

M 55 M

M 55 M

M 55 M

M M 55 55 M M

-

B

shall

M M 1 55 55

M M Vla. I

-

M 55 M

M 55 M

M 55 M

M 55 M

-

M 55 M

-

M 55 M

'

B

B

rise

in

the

'

B

B

rise

in

the

M M M M M M M M M M M M M M M M M 55 55 55 55 55 55 55 55 55 55 55 55 55 55 55 55 55 M M M M M M M M M M M M M M M M M

Vla. II

5M 5M 5M 5M 5M 5M 5M 5M

M M 5M 5 5M 5M 5M 5 5M 5M

5M 5M 5M 5M 5M 5M 5M 5M

M M 5M 5 5M 5M 5M 5 5M 5M

Vc. I

5 5 5M 5 5M 5M 5M 5M M M M

5M 5M 5M 5M 5M 5M 5M 5M

5M 5M 5M 5M 5M 5M 5M 5M

5M 5M 5M 5M 5M 5M 5M 5M

5M 5M 5M 5M 5M 5M 5M 5M

5 5 5 5 5 5 5 5

M M M M M M M M

5M 5M 5M 5M 5M 5M 5M 5M

Vc. II

Cb.

5 5 5 5 5 5 5 5

M M M M M M M M

5 2

5

B

5

5

5

5

5

5

B

5

5

5

5

291

1 ' S. G

B

place

' A. G 2

B

B

where

their

life

de

M 55 M

M 55 M

M 55 M

M 55 M

M 55 M

M 55 M

M M M M 55 55 55 55 M M M M

'

B

B

where

their

life

de

M 55 M

'

-

parts.

f

B

M 55 M

f

M 55 M

M 55 M

M M M M 55 55 55 55 M M M M

M 55 M

M 55

M

M 55 M

M 55 M

M M M M 55 55 55 55

M M M M

M 55 M

M 55

M

' -

M 55 M

parts.

M M M M M M M M M M 5 5 5 5 5 5 5 5 5 5 M M M M M M M M

M M

f

5M 5M 5M 5M 5M 5M 5M 5M 5M 5M M M M M

5 5 5 5 M M M M M M M M M M M M 5 5M 5

5 5 5M 5 5M 5M 5M 5M 5 5 5M 5 5M 5M 5 5 5M 5 5M 5M 5M 5M 5

Vla. II

5 5 5M 5 5M 5M 5M 5M 5 5M 5 5 5M 5M 5M 5M 5 5 5M 5 5M 5M 5M 5M 5 5M 5 5 5M 5M 5M 5M 5 5 5M 5 5M 5M 5M 5M M M M M M M M M M M M

M M

M M

Vc. I

Vc. II

Cb.

'

B

place

M 5 1 5

M Vla. I

B

2

5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M

5

B

5

5

5

5

5

5

B

5

5

5

5

5

5

5

5

5

20

U 296 1 ' S. G

0

mf

'

0

'

'

Each

A. G ' 2

0

shall

mf

'

0

'

'

Each

M M M M M M M M 55555555 1

M M M M M M M M Vla. I

Vla. II

M M M M M M M M 55555555 M M M M M M M M

f

M M M M M M M M 55555555

M M M M M M M M

shall

M M M M M M M M M M M M M M M M 55555555 55555555 M M M M M M M M M M M M M M M M

mf

M M M M M M M M 55 55 55 55 55 55 55 55 M M M M M M M M

5M 5M M M 5M 5M M M M M M M 5M 5M M M

55 55 5555

5M

5 5 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M M 5M 5M

5 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M

f mf

Vc. I

5 5M 5 5 5M 5M 5M 5M 5 5 5M 5 5M 5M 5M 5M 5 5M 5 5 5M 5M 5M 5M 5 5 5M 5 5M 5M 5M 5M 5 5M 5 5 5M 5M 5M 5M 5 5 5M 5 5M 5M 5M 5M M M M M M M M M M M

M M M

M M M

M M mf sempre

55555555 55555555 M M M M M M M M M M M M M M M M

5 5

5

5 5

5

5 Cb. 2 5

Vc. II

5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M

mf sempre

5 5 5 5 5 5 5 5 5 5 5

5

B

B mf sempre

302

1 B S. G

B a

A.

B

G 2

B a

Vla. I

1

Vla. II

Vc. I

-

-

M M M M M M M M 55 55 55 55 55 55 55 55 M M M M M M M M

M M 5M 5 5M 5M 5M 5 5M 5M

5 5M 5 5 5M 5M 5M 5M M M M

5 5 5 5 5 5 5 5 M M M M M M M M 5 5 5 Cb.

5 2

Vc. II

'

B

B

'

B

B

rise

in

the

place

where

their

'

B

B

'

B

B

rise

in

the

place

where

their

M M M M M M M M 55 55 55 55 55 55 55 55 M M M M M M M M

5M 5M 5M 5M 5M 5M 5M 5M

M M M M M M M M 55 55 55 55 55 55 55 55 M M M M M M M M

M M 5M 5 5M 5M 5M 5 5M 5M

M M 55 55 M M

5M 5M

M M 55 55 M M

M 5M 5M 5M 5M 5M 5M 5M 5

M 55 M

M 55 M

M M 55 55 M M

M 55 M

M 55 M

M 55 M

M 55 M

M M 5 5 5 5

M M

M 5 5 M

M 5 5 M

M 5M 5M 5M 5 5M 5M

M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5

5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5

M M M M M M M M M M M M M M M M M M M M M M M M M M M M M M M M 5 5 5 5 5 5 5 5 5 5 5 5 B

B

21

f

307

1 B S. G

B

spi

B

-

-

f

A. G B 2

B -

-

-

M M M M M M M M 5 5 5 5 5 5 5 5 1 5 5 5 5 5 5 5 5 M M M M M M M M Vla. I

f

B

B

rit

B

B

spi

mf

-

M M M M 55 55 55 55 M M M M

B

de

B

B

rit

de

M M M M 55 55 55 55 M M M M

-

B

-

!B

-

-

B

'

parts,

B

-

M M M M M M M M 55 55 55 55 55 55 55 55 M M M M M M M M

B

B -

mp

-

-

where

mf

mp

'

'

parts,

M M M M M M M M 5 ! 5 55 55 55 55 55 55 55

M M M M M M M M

where

M M M M M M M M 55555555 55555555

M M M M M M M M mf

M M M M M M M M 55555555 55555555 M M M M M M M M

5M 5M 5M M 5M 5M M 5M 5M M M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M M 5M M 5M M M M

5 5

5 5 5 5 5 555 5M 5M 5M M 5M

mf

Vla. II

f

M M M M M M M M M M M M

M M

M M M M M M M M M 5 5 5 5 5 5 5 5 5 5M 5 5 5M 5 5M 5M 5M 5M 5 5M 5 5 5M 5 5M 5 5M 5M 5 5M 5 M 5 5 5M 5 5M 5M 5M 5M !

5M 5M 5M 5M !5 5 5 5

5 M M M G

f

Vc. I

mf

Vc. II

5M 5M 5M 5M ! ?

5 5 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5 5 5 5 !5M 5M M M M M M M

f

G

mf

Cb.

2

B

5

5

5

5

5

5

B

5

5

5

5

5

5

f

5

!5

5

5

mf

5 !

5

5

E B

5

5

should

I

E B

5

should

I

!

5

B

V E fB subito

B

parts.

Why

then

313

S.

1 G '

B

their

spi

A. G ' 2

B

their

M 5 1 5

Vla. I M mp

Vla. II

-

spi

M M 55 55 M M

M M 55 55 M M

M M M 55 ! 55 55 M M M

-

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M M M 5 5 5 5 5 5 M M M

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M M M 5 5 5 5 5 5 M M M

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M M M M M M M M 1 E 55 55 55 55 55 55 55 55 Vla. I G M M M M

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M M M M M M M M 55 55 55 55 55 55 55 55 M M M M M M M M

M M M M M M M M 55 55 55 55 55 55 55 55 M M M M M M M M

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M M M M M M M M 5M 5M 5M 5M 5M 5M 5M 5M

M M M M M M M M 55 55 55 55 55 55 55 55 E M M M M M M M M

M M M M M M M M 55 55 55 55 55 55 55 55 M M M M M M M M

M M M M M M M M 55 55 55 55 55 55 55 55 M M M M M M M M

M M M M M M M M 55 55 55 55 55 55 55 55 M M M M M M M M

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sffz Manhattan, August 2005