Page 1

John Harbison

THE GREAT GATSBY OPERA IN TWO ACTS Reduced orchestration by Jacques Desjardins Act II: Scenes 1, 2, and 3 Volume 1

Full Score

From the Rental Library of G. Schirmer, Inc. Date of printing:

Associated Music Publishers, Inc. New York, NY


THE GREAT GATSBY OPERA IN TWO ACTS Act II words and music by

John Harbison after the novel by

F. Scott Fitzgerald song lyrics by

Murray Horwitz tango lyrics by

F. Scott Fitzgerald Originally commissioned by the Metropolitan Opera to commemorate the 25th Anniversary of James Levine’s debut.

The reduced orchestration for THE GREAT GATSBY was commissioned by Ensemble Parallele and Aspen Music Festival

Table of Contents Overture . . . . . . . . . . . . . . . . 1 Act I, Scene 1 . . . . . . . . . . 24 Act I, Scene 2 . . . . . . . . . 151 Act I, Scene 3 . . . . . . . . . 238 Act I, Scene 4 . . . . . . . . . 391 Act II, Scene 1 . . . . . . . . . Act II, Scene 2 . . . . . . . . . Act II, Scene 3 . . . . . . . . . Act II, Scene 4 . . . . . . . . . Act II, Scene 5 . . . . . . . . . Act II, Scene 6 . . . . . . . . .

515 612 687 777 812 867

Associated Music Publishers, Inc. New York, NY


515

The Great Gatsby, Act II

Scene 1

John Harbison

poco rit.a tempo

Cantabile q = 88   Fl. 1   Flute 2

Ob. 1

Oboe 2

Clarinet 1 in Bb

Soprano Saxophone in Bb

Bass Clarinet in Bb

Bassoon 1

         

 f cresc.

f cresc.



f cresc.

f cresc.

      ff

      ff

      ff

      ff

    

f cresc.

ff

 dim.

dim.

dim.

dim.

  

f cresc.

f cresc.

f cresc.



f cresc.

 dim.

f cresc.

 

to Stage Band

  

f cresc.

f cresc.

     ff

 dim.

f cresc.

             ff

dim.

f cresc.

     

     

     

     

             

     

           

             

    

              

                       

ff dim.

Horn 2 in F

  

f cresc.

ff

dim.

f cresc.

ff

dim.

f cresc.

    

p

ff dim.

p

ff dim.

p

p

ff dim.

p

p

p

p

    

                      

    

    

    

    

    

ff dim.

ff dim.

 

p

ff dim.

   

f cresc.

p

ff dim.

                      f cresc. f cresc. ff dim. ff dim.                    Hn. 1 in F   Bassoon 2

Reduced Orchestration by Jacques Desjardins

  p

    p

p

       

     

          

   

p

     

p

    

    

ff dim.

p

 

to Stage Band

Trumpet in Bb

 

to Stage Band

Trombone

  

to Stage Band

Tuba

   

  

  Timp.      Percussion 1 f

 

    

Sus. Cym.

Percussion 2

Piano

  

  

 

f

p cresc.

f

f cresc.

    f cresc.

 

      ff

dim.

  f cresc.

     

p ma sonoro

  

   

          



  

    

         



cantabile

               

   



              

     

   



 div. unis.                 

     

   



     

ff

ff

ff

dim.

dim.

dim.

dim.

* Banjo and Solo Violin to Stage Band

f cresc.

ff dim.

f cresc.

ff dim.

f cresc.

f cresc.

ff dim.

ff dim.

p

p

p

p

p sonoro

    

ff

    

    

 

p

poco rit.a tempo

ff dim.

 

(Clouds pass in front of the moon.)

     

Vib. motor on (slow)       

mf

     

Tam-tam

    

f cresc.

Contrabass

   

  

f cresc.

Violoncello

 

f cresc.

Viola

(Gatsby's house and lawn. At first, only a full moon is visible.)

*

Violin II

p

  p

Cantabile q = 88

  Violin I  

   

   

to Stage Band

 

  Nick  

 

 

cantabile


Harbison The Great Gatsby–Reduced Orchestration - Act II, Scene 1

516

animando

 9                                Fl. 1 

     

                        

     

                        

cresc.

Fl. 2

cresc.

Ob. 1

mp

mp

mp

f

cresc.

f

cresc.

f

cresc.

            

Ob. 2

p

mp

cresc.

         f

                  

   

 

ff

6

 

6 To Picc.                

ff

  

 to Eng. Hn.  

molto rit. 

                  ff

                

English Horn



              

 

Hn. 2 in F

Tpt. in C



Sop. Sax.

Bs. Cl.

Bsn. 1

Bsn. 2

Hn. 1 in F

Tbn.

Tuba

  

f

ff

mp cresc.

 

Cl. 1 in Bb



Pìu mosso q = 96

                 

ff

Perc. 1

  

Perc. 2

Piano

Nick

     

   

    

    

   mf



 

   Vn. I 

cresc.

 

Vn. II

cresc.

Vla.

Vlc.

Cb.

     

                  f

sf

f

sf

            

animando Pìu mosso q = 96 molto rit.                                                                   

5

6

6

ff

6

6

ff

                                              5

cresc.

cresc.


Harbison The Great Gatsby–Reduced Orchestration - Act II, Scene 1

q = 80

16

 Fl. 1 



 

   

p Piccolo

Flute 2

Ob. 1

Eng. Hn.

Cl. 1 in Bb

Bass Clarinet in Bb

Hn. 1 in F

Hn. 2 in F

         

Tpt. in Bb

Perc. 2

Piano

Banjo

 





p

p

  

   



    p  

(Timp.)

   



   



   



 

p





p



f

cresc.

   

   

 

 

 

f

   

p

  

      

 



 

   

 



 

  







     

gliss.

 

          

 



 



 



 cresc.

 

f



f

 

dim. gliss.

 

 

 

dim.

 

 

p

 

p

p

 

 



p

f

p

 f

 

f

cresc.

 

   





p

 

 

p

f

dim.

   p   



mp

dim.

cresc.



f

cresc.

  

 

cresc.





 

f

p

  

cresc.

  

 

   

  

cresc.

 cresc.



  



 

gliss.



 

  

 

   

p

 

p

 

 

 

 

 

 

 

 

     

 

  

(The house and the bay become visible.)

q = 80

      



 





rall.

   

   

p

         

 

 

Vlc.

  

Clarinet in Bb

Vla.

 

Vln. II



mf

 

 

   





  

 

f



gliss.





 

mf

f

 Nick 

Cb.

     

p

 

Solo Vn.

Vln. I

   



Tbn.

Tuba

  



       



  

cresc.

 

Sop. Sax.

 

p

    

 Perc. 1



p

Bsn. 1

Bsn. 2

       

   



517

rall.

  

       

div. unis.

p

     p      

mf

    f

 

f dim.

cresc.

    

 





     

gliss.

 

   

 

      

    

gliss.

 





 

 

  

cresc.

  

gliss.

    

dim.

 

dim.

f dim.

cresc.

   

     

f dim.

gliss.

 mp

  


Harbison The Great Gatsby–Reduced Orchestration - Act II, Scene 1

518

Frenetico h = 184

23 



Picc.



Ob. 1

  

Fl. 1

p dim.



Eng. Hn.



Cl. 1 in Bb

 pp

  Bsn. 2   

pp To Ob.

p dim.

dim.

Hn. 1 in F

pp

 

Bsn. 1

p dim.



Bs. Cl.

dim.

pp To Cbsn.

pp

Hn. 2 in F



Tpt. in C





  

Tbn.

Tuba

        (Timp.)

Perc. 1

  

Cl. 2 in Bb

dim.

to Sop. Sax.

Trumpet in Bb      Tpt. in Bb 







p

Tbn.

Tuba

Perc. 2

Piano

Banjo

  



  





 

 

 

 

 



 

p

p

    p

   

p staccato

       

Solo Vln.

  Nick 

  

p

  

  

   

  

Vln. II



Vla.

Cb.







 







 



  

 

 

 

 

 

 

 

 

  

 





 

   

 

  

    

 

 

   

 

 



 

  

  

 

p dim.

p dim.

 

(p)dim.

sf

 



















 

 

 

 

 



 

 

 

 

 

 

 

 

 

  

  

  

  

  

  

  

   

  

 





    



 

 

 

 

 

 

    

 

  

  

 

 

   

   

pp

pp

 

pp

       



         



 





pp





p dim.



sf

(Gradually we hear the band and see frenzied dancers.)

 

Vlc.



pp





Frenetico h = 184

Vln. I




Harbison The Great Gatsby–Reduced Orchestration - Act II, Scene 1

31

519

 Fl. 1 

Picc.

Ob. 1

Eng. Hn.

Cl. 1 in Bb

Bs. Cl.

 



Bsn. 1

Bsn. 2

Hn. 1 in F

Hn. 2 in F

 Perc. 1



Tpt. in Bb

Cl. 2 in Bb

  



  



 









 





mp

Tbn.







mp Tuba

Perc. 2

Piano

Banjo

 mp

 

   

 

Solo Vln.

 

mp

mp

 

mp







 

 

 

 

 

 

 

  

 

  

 

  

  

 

 

 

  



 

  

 

 

sempre stacc.

  



 sf



 





 







 

 

 

  

 

 

    

  

  

 

 

 

  

  

 

 











  



 

 

 

 

  



 

 

 

 

 

 

 

 

  

 

 

 

 

 

  





  

  

 



    

   

  

  

      

  

   

  

 

  

  



    

  



    

p

 

Vln. II

Vla.

Nick

Vln. I

Vlc.

Cb.



p











 









sf



Soprano Saxophone

 


Harbison The Great Gatsby–Reduced Orchestration - Act II, Scene 1

520

39

 Fl. 1 

Picc.

Ob. 1

Eng. Hn.

Cl. 1 in Bb

Bs. Cl.

 



Bsn. 1

Bsn. 2

Hn. 1 in F

Hn. 2 in F

 Perc. 1

 

Sop. Sax.

Tpt. in Bb

 

Perc. 2

Piano

Banjo











  

 

 

  



 

  

  

 

 









mf sf



 

 

 

mf



 

    



 

mf



mf





mf









 



sf

Solo Vln.



mf sf

Tbn.

Tuba





  



 

 

 

 

 

   

 

 

  

 



 







 

 

 

  

   

 



  





  

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

    

  

 

  







    

 

 

        

  



sf

mf



                











 

mf



 



   

  

   

  

  

  

 

 

 





 





 

 

   

 



 

Vln. II

Vla.

Vln. I

Vlc.

Cb.

 

Nick



 






Harbison The Great Gatsby–Reduced Orchestration - Act II, Scene 1

47

521

 Fl. 1 

Picc.

Ob. 1

Eng. Hn.

Cl. 1 in Bb

Bs. Cl.

 











 





Bsn. 1

Bsn. 2

Hn. 1 in F

Hn. 2 in F

 Perc. 1

  

Sop. Sax.

f

  Tpt. in Bb 

 

 

 

f sf

Tbn.

f sf Tuba

      f

    

Banjo

         

 

      

  

f

 

Solo Vln.

 sf

   

sf

f

Perc. 2

Piano







    

   

      

      

 



f

 

 

 

sf

 

 



 







sf

 

sf

   

 

 





sf

  

    

   

  

   

  

  

  

 

      



 

 

  

mf

  

dim.

   

 

 

   

mf

mf

 

    

 

  

 

  

dim.

  

     





 

  



mf

 

 

 



 



    







 



mf

      

  

     

 

  





mf

 

Vln. II

Vla.

Cb.



  

  

Vlc.



       

Vln. I



 

Nick

 



   

    

mf

 

    

mf

dim.

      

  




Harbison The Great Gatsby–Reduced Orchestration - Act II, Scene 1

522

55

 Fl. 1 

Picc.

Ob. 1

Eng. Hn.

Cl. 1 in Bb

Bs. Cl.

 



Bsn. 1

Bsn. 2

Hn. 1 in F

Hn. 2 in F

 Perc. 1







 





    Tpt. in Bb 















  















   

Sop. Sax.

f

f

Tbn.

Tuba

   

f

 

f Perc. 2

 

mf

    

Piano

  

f

      

Banjo



  

 

 

 

 

  

  

  

stacc.





  

 

 

 

 

 

   

   





 















 

 

 

 

  



     

 

 

 

 





 

 

 



 

  

  

  

  

  

         

 

   

 Nick 

  

 

 

 

   

f

Solo Vln.



   

 

    



 

 

 









W. Blk. C.B. C.B.



 























f



 S.D.

 



 

T-t.

  

 

 

         

sf





sf







 sf

  

Ride Cym.

   









   

sf











 

sf



(Full scene is revealed.)

 

Vln. II

Vla.

Vln. I

Vlc.

Cb.


Harbison The Great Gatsby–Reduced Orchestration - Act II, Scene 1

63

523

 Fl. 1 

Picc.

Ob. 1

Eng. Hn.

Cl. 1 in Bb

Bs. Cl.

 



Bsn. 1

Bsn. 2

Hn. 1 in F

Hn. 2 in F

 Perc. 1



   

Sop. Sax.



 



















     Tpt. in Bb 







  







    











 

 

 

 

 

 

 

 

     











Tbn.

Tuba

f

Perc. 2

Piano

Banjo

              

   

 

   

  

  

  

  





 









 

 

 





  

  

 

   





 











 





 

 

 

 

 

 

 

 

  

   

 

 

 





 



 

 

 

 

 

 

 

 

 

 











 

 



 

 





















 



 

 



















 

 















sf





sf



 sf

sf

 

Vln. II

Vla.

Solo Vln.

Nick

Vln. I

 

Vlc.

Cb.



f

sf

   


Harbison The Great Gatsby–Reduced Orchestration - Act II, Scene 1

524

71

 Fl. 1 

Picc.

Ob. 1

Eng. Hn.

Cl. 1 in Bb

Bs. Cl.

 



Bsn. 1

Bsn. 2

Hn. 1 in F

Hn. 2 in F

 Perc. 1



  

Sop. Sax.

Tpt. in Bb

   

Perc. 2

Piano

 

  

Tbn.

Tuba



    





 

 

 

 

    

 

    







 

   

Banjo



     















 



 





 

 

 

 

 

 

 

 

 

 



   

 

  

  

  

   



 









 

 

 

 

 sf 

 







 







sf



  

  

sf

   



 

Vln. II

Vla.

 

Vln. I

 

Vlc.

Cb.

 

sf

Nick













 

 



 

 

 

 

 

 

 

 

 

 

 

 







Solo Vln.



 

  

  

  

  

  













 

 





sf

 

 

 



  

sf



  

  

sf

sf











sf



 

sf


Harbison The Great Gatsby–Reduced Orchestration - Act II, Scene 1

79

525

 Fl. 1 

Picc.

Ob. 1

Eng. Hn.

Cl. 1 in Bb

Bs. Cl.

 



Bsn. 1

Bsn. 2

Hn. 1 in F

Hn. 2 in F

 Perc. 1

   

Sop. Sax.

Tpt. in Bb



   



Tbn.

  















  





 

 

 

 

 

 





Perc. 2

Piano

Banjo

          

















 

cresc.

 

 

 

 

   

      cresc.  

  

  

 

  

cresc.

 

 

 

 

 

 

      cresc.

 



 

  

  

 















 







cresc.

cresc.



cresc.

 Tuba    

stacc.



 

    

     



  

 

 

 

 

 

 

 

 

 





  

 

  

 

  

 



 





 





  

 

  

  

  



 cresc.

 

 

 

cresc.

 

Vln. II

Vla.

Solo Vln.

Nick

Vln. I

 

Vlc.

Cb.





 


526

Harbison The Great Gatsby–Reduced Orchestration - Act II, Scene 1

87

 Fl. 1 

Picc.

Ob. 1

Eng. Hn.

Cl. 1 in Bb

Bs. Cl.

 



Bsn. 1

Bsn. 2

Hn. 1 in F

Hn. 2 in F

 Perc. 1





 







 





  



 



      



 

 

 

 

 

 

 

 

 

     

 

 





 



 







 

 

    

 

 

 

Sop. Sax.

  Tpt. in Bb   Tbn.

 ff



ff

ff

Tuba

ff

Perc. 2

Piano

Banjo

  

f

ff stacc.



     

 

 

 











 



 





 



 

 

 

  



 









 

 

 

 

 

 

 

 







 

 

 

 



  

  



 

  

 











 

 

 

 

 

 











 

 

 







 

 

    

sf

sf



sf

  

   









   

sf

 

Vln. II

Vla.

Nick

Vln. I

 

Vlc.

Cb.





 sf

  

ff



Solo Vln.





ff

    





    






Harbison The Great Gatsby–Reduced Orchestration - Act II, Scene 1

95

527

 Fl. 1 

Picc.

Ob. 1

Eng. Hn.

Cl. 1 in Bb

Bs. Cl.

 



Bsn. 1

Bsn. 2

Hn. 1 in F

Hn. 2 in F

 Perc. 1



   

Sop. Sax.



 









    Tpt. in Bb 















  















    

 

 

 

 

 

 

 

 

 

 

 

         

 

 

 

 

 

Tbn.

Tuba

Perc. 2

Piano

      

Banjo

   

stacc.

 

  

 

 

 

 

    

  

  

     

 





  

 

   





 

 









  









 

 



 

 

sf













 

 

 

 

 

 

 



 

  

  

  

  

  

  

 sf













 









dim.

 







dim.

sf

sf



 

dim.







 

Vln. II

Vla.

Nick

Vln. I

 

Vlc.

Cb.



 

dim.

Solo Vln.



sf



dim.




528

Harbison The Great Gatsby–Reduced Orchestration - Act II, Scene 1

103

 Fl. 1 

Picc.

Ob. 1

Eng. Hn.

Cl. 1 in Bb

Bs. Cl.

 



Bsn. 1

Bsn. 2

Hn. 1 in F

Hn. 2 in F

 Perc. 1

   

Sop. Sax.

Tpt. in Bb

Perc. 2

Piano

Banjo

f



f



  

Tbn.

Tuba



   







 

 

 

 

     





 

     





    

     















   

 





   

f

 

 

 

 

 

 

 

 

 

  

  

  

mf

   

   

f

   



 







 









sf



sf

  

  

 

 

Vln. II

Vla.

 



















 







cresc.

cresc.

 cresc.

 

 

 

 

cresc.

 

sf

Cb.

  

Vlc.



 

 

Vln. I

 

 



sf

 



 

Nick

Solo Vln.



f

     











cresc.

 

 

 

 

 

 

 

 

 

 

 

 

  

  

  

  

  

  

 



 

 





  

sf

 



 

sf

 

 

   sf



  

f

sf















sf



sf



cresc.



sf


Harbison The Great Gatsby–Reduced Orchestration - Act II, Scene 1

111

529

 Fl. 1 

Picc.

Ob. 1

Eng. Hn.

Cl. 1 in Bb

Bs. Cl.

 

Hn. 2 in F

Tpt. in C



Bsn. 1

Bsn. 2

Hn. 1 in F

Tbn.

Tuba

Perc. 1



  





 

    Tpt. in Bb 







  







    

 

 

 

 

 

   





Sop. Sax.

ff

ff

Tbn.



 





















   

  

 





dim.















dim.

ff

Tuba

ff

Perc. 2

Piano

Banjo

       

f

ff

 

ff

     

 

  

  

   



 

 





     

 

 

 

 

 

 

 

 





 

 

 

 

 

 

 

  

  

 

 

 

  

  

  

   

  



 

 

  





dim.









 





 

dim.

 

dim.







 

 

 

 



 



  







 





 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Vln. II

Vla.

Gatsby

Nick

Vln. I

   

Vlc.

Cb.

 



ff



Solo Vln.



dim.

 

 


Harbison The Great Gatsby–Reduced Orchestration - Act II, Scene 1

530

w = h = 92

119

 Fl. 1 

Picc.

Ob. 1

Eng. Hn.

Cl. 1 in Bb

Bass Clarinet in Bb



   p         

  

Bsn. 1

Bsn. 2

Hn. 1 in F

Hn. 2 in F

   

Perc. 1

 

Sop. Sax.

Tpt. in Bb

  

Tbn.

Tuba

(lay stick on snare, tap with other stick)

Perc. 2

Piano

Banjo

 

 

p

Chorus II

   

Ru - mors,

    p

p

     

3

 

                            3

3

3

3

   

3



3



3

3

3

   

   

ru - mors.

   

   

Sha - dy

p

3

  

con- nec- tions

  

  

 

   

The past

is

   

 

 

 

What have you heard?



3

   

p

 

w = h = 92 

p 0

p

solo, pizz.

 p

3

 

 

0

 

p

 

3



Vlc.

 

3

 

Vla.

                     

 Vln. I   Vln. II

 

 

3

   



  

S A

Cb.

      p 

      p       

  

T B

T B

p

p

solo

(The dancers continue.) p

Chorus I

 

                               3 3 3 3 3 3 3 3 3 3 p                  

Solo Vln.

S A

     

 





p

p

 

 

 

* Solo  violin to stage band

0





 0


Harbison The Great Gatsby–Reduced Orchestration - Act II, Scene 1

126

531

 Fl. 1 

Picc.

Ob. 1

Eng. Hn.

Cl. 1 in Bb

Bs. Cl.

 Hn. 1 in F 





 























Bsn. 1

Bsn. 2

Hn. 2 in F

Perc. 1

Sop. Sax.

Tpt. in Bb



 

  

Tbn.

 

Tuba

  

Perc. 2

 

 

Piano

Banjo



   

Solo Vln.

Chorus I

Chorus II



                 

      

  

 





 



S A





  

   

  

  

3

3

   

  

3

3

 

          3    3    

3

3

 

 

   

It can't

 



be.

 

3

Look!



A



3

glit -ter - ing

 

3

3



some







 

thing

 

p

 

 

  

 

-

 

p



3

 

par - ty.

3



There's

     

Cb.

 



Vlc.

Vla.

 Vln. I  Vln. II

catch -ing up.

T B

   

 

T B

                          3 3 3 3 3                    

    S

A

p


Harbison The Great Gatsby–Reduced Orchestration - Act II, Scene 1

532

Fl. 1

132 

Picc.





 

 





 



 



pp



    



pp

(+ Tpt)







Cl. 1 in Bb

  

Oboe

(+ Tpt)

  

+ Tpt

Eng. Hn.

Ob. 1

pp

 

   

p

            3

3

p

 

   

p

     

Tbn.



  

Tuba

  

Bs. Cl.

Bsn. 1 Bsn. 2

Hn. 1 in F Hn. 2 in F

Perc. 1

 

Sop. Sax.

Tpt. in Bb

Perc. 2

  

 



Piano

Banjo

  3

 

Solo Vln.





Chorus II

A

T B

Vln. I



  

Vln. II

 



  



Vla.

 

   

 

  

re - por - ters



   

mp

mp



 

 

 



 





  p



  p

 

  

 



 





 





3

           





p poco stacc.

         p poco stacc.

      

               

      



 



   

Still,

Gats -by's in his

el

   



mp

pizz.

 

mf

-

      

   

3

 

        

 

 

  

e - ment;

The

  

 





 



 



 





p 



p

3

mf

3

 

mp

mf

mp

          

 

 

  



mf

3

       

ques - tions.

       





 



       

ask - ing

 



  

 

  

    

      





mp Cb.

3



p

mp

Vlc.

    

S A

in the air

T B

               3 3 3 3 3         

     S

Chorus I




Harbison The Great Gatsby–Reduced Orchestration - Act II, Scene 1

Fl. 1

Picc.

Ob. 1

Ob. 2

Cl. 1 in Bb

Bs. Cl.

Bsn. 1

Bsn. 2

Hn. 1 in F

Hn. 2 in F

Perc. 1

Sop. Sax.

Tpt. in Bb

Tbn.

Tuba

Perc. 2

Piano

Banjo

Solo Vln.

Chorus I

Chorus II

S A T B

S A T B

Vln. I

Vln. II

Vla.

Vlc.

Cb.

139  

  

   

     





  

     







    







  

 

3

533

  



       





3



pp



 

 



 

 

pp

p



 







 





   

   



    

         

   



 

 



 



p

    

p

     

  

  

  

  

  

   

 

 

 

   

    

   



Mu - sic,

        



danc - ing



sf

 3

far

in - to

 3

sf

3

3

mf

 

  

      

 

 



night.



 

p

 

  

  

  

  

  

  



    

  



 



mf

mp

mp

re -

   

 

   

   

 

Mid - night swim - mers

mf

the

 

3





   

        3



 

mf

   

     

mf

   

 

 

  








Harbison The Great Gatsby–Reduced Orchestration - Act II, Scene 1

534

Fl. 1

Picc.

Ob. 1

Ob. 2

Cl. 1 in Bb

Bs. Cl.

Bsn. 1

Bsn. 2

Hn. 1 in F

Hn. 2 in F

Perc. 1

Sop. Sax.

Tpt. in Bb

Tbn.

Tuba

Perc. 2

145  

  

   

 

 



 

     

Banjo

Solo Vln.

Chorus I

Chorus II

S A T B

S A T B

Vln. I

Vln. II

Vla.

Vlc.

Cb.



    



   

 











  

   



p

 



p

pp

 



p



pp

 



    

 







  





     

   

    

      

 

     

più sost.

   

  

 

 





 





pp

 



 



p



mp

 p



 





mp

mp

   mp

p

  p

  



   mp

   

 

  p





 

 

 



 

 





p

 

 



mf

 

            

 

      

 

   

          

   

    

 

   

3

mf

   

3

mf

p

 

 p

  

 

 

        

 

mp

 

 

   

   

Ser- vants dis-missed,

     

 

turn

mf

ex - alt

     

 

-

ed

mf

  from

 



 

the black

 

 

beach.

mp

   

 

  

   

  

     

 

3



p

  

          3

p

  

mf

   

    



 

  

   

p

  

  

3



 

 

3

 

   

          

pp

 

    

Piano



   

 


Harbison The Great Gatsby–Reduced Orchestration - Act II, Scene 1

Fl. 1

Picc.

Ob. 1

Ob. 2

Cl. 1 in Bb

Bs. Cl.

Bsn. 1

Bsn. 2

Hn. 1 in F

Hn. 2 in F

Perc. 1

Sop. Sax.

153  

  

Tuba

Perc. 2

    

      

Banjo

Solo Vln.

Chorus I

Chorus II

S A T B

S A T B

Vln. I

Vln. II

Vla.

Vlc.

Cb.

3

  





3

 

  

 



  

 





p

    



 

 

p

 



 mp

mp

cresc.

 





 

  

cresc.

p

p





 mp

cresc.

 



   

     

  

 

 





 

 





 





        

 

 

    

    



     

3        

3

 

te - le phones ring -ing

 3

      3

  

     

Piano

  



       

     

  Tpt. in Bb    Tbn.

 

535

3

mp

   

 

mp

       

 





 

all

night.

 



 

     

  

3



 

 



 

 

mf

 

 cresc.



  



 

   

  cresc.

 

 

 

 

mf

  

mf



mf

 

  

 



 

 

 

 

 

mf

 





some- thing out

cresc.

of

key.

cresc.

 You

can

 

mf

feel

 

mf

   

   

    

         

   

There's



cresc.

mp



cresc.

 

3

mf

cresc.

mp

       

3

mp

 


Harbison The Great Gatsby–Reduced Orchestration - Act II, Scene 1

536

Fl. 1

Picc.

Ob. 1

Ob. 2

Cl. 1 in Bb

Bs. Cl.

Bsn. 1

Bsn. 2

Hn. 1 in F

Hn. 2 in F

Perc. 1

160  

  

   

             



  



   

  

Chorus II

S A T B

Vln. I

Vln. II

Vla.

Vlc.

Cb.

   

 



p 3







To Fl.

3

p



p

p

   





 



   

     

 

T B

 

p

p

   



    

Chorus I



     

S A

   

    

Solo Vln.

  

         

  

Banjo

  Tpt. in Bb   

Piano



   

Perc. 2

   

dim.

    

Tuba

    

dim.

   

  

Tbn.

   

dim.

  

Sop. Sax.



              

   

 

      

              

     

    mp

   

  

    

 

 

al sord.

 

  

    

 

 

al sord.

dim.

dim.

dim.

dim.



  



  

     dim.

  

 



mp

 

mp

  

 

 

 

  

  

 

f mp



 

  



mf p

a

un - der tow,



  

mf p



mf

 

3

    

 

con sord., cup mute

 

p

  

3

arco



3

mf

  

             3

mf

 

       mp

pall,

   p

   



   f

        f 

 

      

  

     

     

     

p

f

 

f

p



f

  

  

  

 

  

f

child.

p





         

p

a mp

 

          

 

 

mf

mf f mp

con sord., cup mute

 

     

f

mp



f

am

   

    

     

  





   

   

    

         

   


Harbison The Great Gatsby–Reduced Orchestration - Act II, Scene 1

167

537

 Fl. 1 

Picc.

Ob. 1

Ob. 2

Cl. 1 in Bb

Bs. Cl.

 

 



Bsn. 1

Bsn. 2

Hn. 1 in F

Hn. 2 in F

Perc. 1

Sop. Sax.

    Tpt. in Bb       solo

Perc. 2

Banjo

  

 



Chorus I

Chorus II

 p

 

  

     

 

 

  

   

 

    



       

  

3

     p

 

    

 

  

 

p

   

p

 

Still

  

 

 

 

p



 Tutti (pizz.)

  p

p

 

 

they come,

p

 Vln. I   

   

in - vit ed,

 

or

 -

sha



      p

 

mp

 

mp

  

 

    

 



      



gers

p

 -

   mp

sf

dows

mp

     fu - gi- tives sf

   

un - in - vit - ed.

 

   





 mp

p

p

   p





mp

       



 

   

via sord.

  mp

p

      

  

 

 

 

p



   

Stran

 

    

  

Vlc.

 

    

     p 

Vla.

 

   

Vln. II

3



   p

p 3

p

S A

Cb.

 



T B

T B

p

lay stick on snare



Solo Vln.

S A

p

3

3

3 3   3 3  3                                3   3 3 3

3

    

Piano

3

3

Tbn.

Tuba

        3                     3 3 3 3

3

p 3

    

solo

  

port.

p

  

port.

  

p

  

 


Harbison The Great Gatsby–Reduced Orchestration - Act II, Scene 1

538

175

 Fl. 1 

Picc.

Ob. 1

Ob. 2

Cl. 1 in Bb

Bs. Cl.

 





Bsn. 1

Bsn. 2

Hn. 1 in F

Hn. 2 in F

Perc. 1

Sop. Sax.

Tpt. in Bb



   

Tbn.

3

p

solo

Tuba

                 

solo

3

3 3     3             3

mp

Perc. 2

 

  

Piano

Banjo

  

Solo Vln.

Chorus I

Chorus II

S A

 





 

 

3

3

  

p

 

   3

  

 

   

 

Vln. II

3

3

3

p

   

 

 





 

  

mp

 

  

 

3

3

3

     f

f

     

     

f

       p

(Tom and Daisy enter.)



mf

p



  

3

   

  

   

f

3



 

p 0

 p

 

Vlc.



  

mp

  

 3  

p

   

   

Glam -or - ous guests

Vla.



                                                      3 3 3 3 3 3 3 3 3

 

solo

Like Gyp - sies.

 Vln. I   

Cb.

  

 

3

3

          3

3

3



Like ghosts.

 

S A

 

  

T B

T B

mp

 

3

via sord.

poco rit.



like those

 

two

 

 

 



there







 

 

 

 

 

 



 

non div., pizz.

and



     

non div., pizz.



ath - lete



poco rit.



 

f

       

 

f

  


Grazioso h = 92

183

 Fl. 1 

Harbison The Great Gatsby–Reduced Orchestration - Act II, Scene 1

539

Picc.

Ob. 1

Ob. 2

Cl. 1 in Bb

Bass Clarinet in Bb

 





Bsn. 1

Bsn. 2

Hn. 1 in F

Hn. 2 in F

Perc. 1



  

Sop. Sax.

   

p

        Tpt. in Bb  senza sord.

p

senza sord.

Tbn.

Tuba

Perc. 2

Piano

Banjo

Chorus II

 

 

   

   

   

p

p delicato

      

p

T B

p

    

     



     

 

  

 

   

      

 

   

 

  

 

  

     

    

 

 

 

 

   

 



  

 

  

   

           

      

 

 

 

   

   

      

   

 p

 





   

     



 

 

      

       This Gats-by

 

  

  

       

 

 

where did

   

      

 

you meet him?

S A

    

  

S A

T B

 

p

  

Tom

Chorus I

 

 

Solo Vln.

Daisy

      

    

  mf

  

p

p

gol - den girl.

 Vln. I 

  mf

  

Grazioso h = 92 

Vln. II

Vla.

Vlc.

Cb.

Flute

     


540

Harbison The Great Gatsby–Reduced Orchestration - Act II, Scene 1

191 

 Fl. 1  

Fl. 2



 



pp

pp

 



 

  

  

   



 





 

Ob. 1

Ob. 2

Cl. 1 in Bb

Bass Clarinet in Bb

 



Bsn. 1

Bsn. 2

Hn. 1 in F

Hn. 2 in F

 Perc. 1



     

Sop. Sax.

Tpt. in Bb

Perc. 2

Piano

Banjo

      

  

  

       

          

       

Solo Vln.

    Daisy  Tom,

 

  

         

Tbn.

Tuba

 

 

  

 

    

 

  

  

 

                

   

  

    

   

  

 



  

  

so

ious!

cur -

           

 

   





  

  

 

 

  

            

                 



         choke

 

 

   



 

 

Long

 

a - go



 

  

  

  

 

 

 

   

in

 

(Gatsby crosses the lawn.)

legato



      

the south.



  

 

Vln. II

Vla.

Tom

Nick

Vln. I

Vlc.

Cb.


Harbison The Great Gatsby–Reduced Orchestration - Act II, Scene 1

199

541

 Fl. 1 

Fl. 2

Ob. 1

Ob. 2

Cl. 1 in Bb

Bass Clarinet in Bb

 



Bsn. 1

Bsn. 2

Hn. 1 in F

Hn. 2 in F

 Perc. 1



      

Sop. Sax.

Tpt. in Bb

        

Perc. 2

Piano

Banjo

    

 

   

 

   

       

      

 

          

       



    

 

 

 

  

 

   

I’m de - light ed

you

   

dropped in.

 

  



  

 



  

   

  



  

 

      

     

          

 

   

    

 

 

  

   

 

    

 





 

Gatsby

  

 

Tom

     

 

Solo Vln.

Daisy

     

Tbn.

Tuba

      

       choke

   

 

              

      

has just

 

The par ty

   

 

be - gun.

 

         

 

 

    

3    

Mis ter Bu chan an

I

pre sume.

 

Vln. II

Vla.

Nick

Vln. I

Vlc.

Cb.


Harbison The Great Gatsby–Reduced Orchestration - Act II, Scene 1

542

207

 Fl. 1 

Fl. 2

Ob. 1

Ob. 2

Cl. 1 in Bb

Bs. Cl.

 



Bsn. 1

Bsn. 2

Hn. 1 in F

Hn. 2 in F

 Perc. 1



   

Sop. Sax.

mf

Tpt. in Bb

 

Perc. 2

Piano

Banjo

 





  

  

 





 

 

 

 

   

      

mp

  

     

mp

p

  

mp

     

 

 

mf

  

mf

   

 

mp

p

p

       

      

  

p

     

  







 



 

 

      



 

 

 

  

   





    

solo



You know

    

   

     

my wife.

I

do.

  

   

Let me in - tro-duce you

 

Vln. II

Vla.



Cb.

Vlc.

  

Vln. I

Nick



   choke        

    

mp



   

 

   

 

  

  

mf

  

 

 

p

  

Gatsby

   

p

 

  

Tom

    

mp

 

  

mf

mf

Solo Vln.

Daisy

 

 mp

    

Tbn.

Tuba

rit. molto

to



my guests.

rit. molto


Harbison The Great Gatsby–Reduced Orchestration - Act II, Scene 1

a tempo h = 88

215

 Fl. 1 

Fl. 2

Ob. 1

Ob. 2



pp



pp



pp



   

pp



p



p



p



p

543

Cl. 1 in Bb

Bs. Cl.

 







    

    

Bsn. 1

Bsn. 2

Hn. 1 in F

Hn. 2 in F

Perc. 1

Sop. Sax.

Tpt. in Bb





 

  

Tbn.

Tuba

Perc. 2

 

Piano

Banjo

  

Solo Vln.

Daisy

 

Gatsby

Vln. I

 

  

Tom

Nick

  

 

p

 

  

il basso in fuori

   

 

  

  



 

These







ex - cite

 



   

 



 

p

   

  





  

   



    

          

  

     

 

Look around, you’ll see the

   

 

 

 

    me so.

 

mp



          

 

 

 

things



 3   3



fa- ces of peo ple you’veheard a bout.

a tempo h = 88

Vln. II

Vla.

Vlc.

Cb.


Harbison The Great Gatsby–Reduced Orchestration - Act II, Scene 1

544

223

 Fl. 1 

Fl. 2

 pp





pp

p

pp

p

pp

pp

 p

Cl. 1 in Bb

Bs. Cl.

 







Ob. 1

Ob. 2

Bsn. 1

Bsn. 2

Hn. 1 in F

Hn. 2 in F

Perc. 1

Sop. Sax.

Tpt. in Bb





 

  

Tbn.

Tuba

Perc. 2

Piano

Banjo

    mp    

 

    

Tom

Gatsby

 

 

 

  





 

   



 

 

 soul

 

 

  

  

  

  

pp

  

  

Don’t know a



mp

Daisy

    

    

Solo Vln.

pp

To Eng. Hn.

p

 

  

pp

   

  

So





 

  

 

  

 

  



love

-

-

 



 

You must

know

 

that

la - dy.

 

ly.

 

 

Vln. II

Vla.

Nick

Vln. I

Vlc.

Cb.

here.

  


Harbison The Great Gatsby–Reduced Orchestration - Act II, Scene 1

230

545

 Fl. 1 

Fl. 2

Ob. 1

Ob. 2

Cl. 1 in Bb

Bs. Cl.

 







Bsn. 1

Bsn. 2

Hn. 1 in F

Hn. 2 in F

 Perc. 1



 

Sop. Sax.

Tpt. in Bb

  

Tbn.

Tuba

Perc. 2

Piano

Banjo

Daisy

  

Solo Vln.

 

brushes

 

p

 

 

   

   

 

  

p

pp

   

              

  

   

  

 

         

 

 

mp

   

 

           

 

 

  





mp

 



   

   

Gatsby

 

  



  

Or the man stand - ing next

  

to her.

  

         p

 

  

Tom

   

  

 

 

     

 

 

   

 

            

  

p



 

  

Her di - rec- tor.

 3 

 

(Gatsby leads Tom and Daisy over to the actress.)

  

Dai sy Bu chan -

  an

 

Vln. II

Vla.

Nick

Vln. I

Vlc.

Cb.


Harbison The Great Gatsby–Reduced Orchestration - Act II, Scene 1

546

238

 Fl. 1 

Fl. 2

Ob. 1

Ob. 2

Cl. 1 in Bb

Bs. Cl.

 







Bsn. 1

Bsn. 2

Hn. 1 in F

Hn. 2 in F

 Perc. 1



 

Sop. Sax.

Tpt. in Bb

  

Tbn.

Tuba

Perc. 2

Piano

Banjo

       

Solo Vln.

Daisy

 

 

   

 

   

  

  

p



 

 

 





    

 

 

 

  

 



      mp

mp



  mp

 

 



 



 

 

   



 

 

 

     

   

  

    

  





  

 

Tom

 

Gatsby

 

  

 3 

and Mis ter Bu - chan - an,

the

po - lo

 

 

 

   

   

 

    





 



f

 



   

 



 



No,



not

  

 

me.

play - er

 

Vln. II

Vla.

Nick

Vln. I

Vlc.

Cb.

 


Harbison The Great Gatsby–Reduced Orchestration - Act II, Scene 1

245

547

 Fl. 1 

 

Fl. 2

 

Ob. 1

 

Ob. 2

 

Cl. 1 in Bb

 

Bs. Cl.

 

 

 

 



Bsn. 1

Bsn. 2

Hn. 1 in F

Hn. 2 in F

 Perc. 1



  

Sop. Sax.

Tpt. in Bb

  

Tuba

Perc. 2

Piano

Banjo



 

 

mp

      

Solo Vln.

 



 







 

 

mf



 

 

 

 

 

  

   

mf

mf



p sf







 

 

 

 

 

  



mf

 

 



  

Tbn.

p sf

 



mf





      

 

    

      

    

   

mf

 

 

   

 

   

      





 

 

 

 

 

  

  

   

  

  

 



  

pizz.

 

   choke      

    

to Cl. in Bb to orchestra



 



 

to Tpt in C to orchestra al sord. (straight)

to orchestra

 

 

to orchestra

 

to orchestra

 

     

 

 

 

mf

Daisy

    

Tom

Tom

f

I’d



rath - er

not

be

“the



po - lo





don’t



be



so

 

 

play - er.”

 

 

 

Vln. II

 

Vla.

 

 

 

Gatsby

Nick

Vln. I

Vlc.

Cb.

 


Harbison The Great Gatsby–Reduced Orchestration - Act II, Scene 1

548

251

  Fl. 1  

Moderato q = 112

  

 

  

 

 

  

Cl. 2 in Bb

 

Bass Clarinet in Bb

 

Bsn. 1

  

  Bsn. 2  

Fl. 2

Ob. 1

Ob. 2

Cl. 1 in Bb

Hn. 1 in F

fp

 fp

fp

Contrabassoon

 

 

  

      

  

  

      

f

f

   f

  

   

  

      

  

      

      f

f

   to Cl. in Bb  

  

 

  



f

      

      

  

f

  

f

  



      

  



  

f



  

 

f

a tempo

  

f

f

   



 

English Horn

 

fp

   

Hn. 2 in F

  

rit.

      

 

      

 

Tpt. in C

 

Tbn.

  

  

Tuba

  

 

  

  

  

Perc. 1

Perc. 2

Piano

  

 

Vib.

f

    Daisy        

Tom

Gatsby

Nick

     

  Vln. I  

(The stage band stops and leaves for a break.)

sen - si - tive.

   

Gats - by,

Vln. II

Vla.

Vlc.

  

  Cb.  

     

 

Are you in busi - ness?

     f

You might

Moderato q = 112 

(pizz.)

f

f

(pizz.)

 

this is quite the place.

(pizz.)

 

        

f

(pizz.)

 

(pizz.)

f

  f

non div.

 non div.

  non div.

   

  

  

      



div.

 

 

   









 

say



so.

rit.

a tempo











 

 

unis.,arco  

arco

arco





div., arco


Harbison The Great Gatsby–Reduced Orchestration - Act II, Scene 1

 257     Fl. 1 

Ob. 1

Eng. Hn.

Cl. 2 in Bb

Bs. Cl.

Bsn. 1

Cbsn.

  

dim.



   

p

   

 

   



   



   





 

   





f



f

f



dim.

         p

    

     

     



     



  

   

   



con sord.



f





 

  

 

Vla.

    

  

 

Vlc.

 





Came

from

weal

p cresc.

    

   

   

   

   

- thy peo - ple

   

    

3   

3

p

p

p

      p  

 

 

    

 

    

  



p

           

 

 

in

non div., arco

 

 3

 

the mid- dle -west.

  

   

 

   





 

 

       

 

mf

 f

All

 

 



 

 

  cresc.

 

cresc.

 

cresc.

 

cresc.

  



   

      f

f

 



    



con sord.





   

f

p



Vln. II

Cb.



 

Gatsby

Vln. I

   





Tom

Nick

     

Clarinet in Bb

Perc. 1

Daisy

   





Tbn.

Piano

p

     

Tpt. in C

Perc. 2

   



 

dim.

Tuba

     

     

    Hn. 1 in F  Hn. 2 in F

 

p

Cl. 1 in Bb

dim.

     

 

Fl. 2

dim.

       

549



 

    



 

    f

  



f

  





f

       f

  


Harbison The Great Gatsby–Reduced Orchestration - Act II, Scene 1

550

263

 Fl. 1 

Fl. 2

 

Ob. 1

       

dim.

     

dim.

     

 

cresc.

   

 p

Cl. 1 in Bb

 

p

 

Eng. Hn.

 

         



cresc.



       

  

   



f

f

                   solo

f

Cl. 2 in Bb

Cl. 3 in Bb



dim.



     





p

cresc.

   

cresc.

f

 

       f

       

via sord.

via sord.

 

f





 

 

 

 

Vlc.

dim.

       

dim.

        

   

 

dim.

 

3  

p

p

p

 

     

     

     p

p

 

a

mf

   

   

   

     

 

mp

    

3  

3

fa - mily tra-di - tion

  

 

3

Ox - ford

   

dim.

Ed -u - cat- ed at

 

     

dead now.

 

Vla.

mp

  

 

cresc.

  cresc.   cresc.

   

 



 

   

   

     

mf

    f

 

    

f

fp

    f

      

    f

 

cresc.

3

Vln. II

Cb.



         

   

Gatsby

Vln. I

p

   

Tom

Nick



Perc. 1

Daisy

     

   

3

Tbn.

Piano



cresc.

3

Tpt. in C

Perc. 2

p

   

        



dim.

Tuba



  Hn. 1 in F  Hn. 2 in F

     

dim.

Bsn. 1

Cbsn.

3

3

    fp

unis.



fp


Harbison The Great Gatsby–Reduced Orchestration - Act II, Scene 1

Fl. 1

268 





dim.



 



p

cresc.

   

      cresc.

   

   

       

 



Ob. 1

Eng. Hn.

Cl. 2 in Bb

Cl. 3 in Bb

Bsn. 1

Cbsn.

dim.



Cl. 1 in Bb

 

f



senza sord.

f

senza sord.



dim.

      cresc.

p

        

      cresc.

p





 

f 3   3           

Gatsby

 

f

   

Vla.

   

Vlc.

 San

   

arco  



 

 





f



 

  



f

 

 

f

 

fa - mi - ly

I came in - to

died

dim.

   

   

   

   

   

  

   

dim.

    

   

 

dim

   

   

     

     p

 

    

     

dim.

3

p

p

p

  p

   

3 3      

cresc.

   

f

div.

p

      cresc.

Fran - cis - co.

3    

My

 

p

Fran-cis- co.

dim.

f

f



pizz.



    

Vln. II

  San

 

p

f

       

   



   

 

dim

       

What part of the mid- dle - west?

Cb.

  



Tom

Vln. I



Perc. 1

Nick

Tbn.

Daisy

f 3

Tpt. in C

Piano

   

p

Hn. 2 in F

Perc. 2

fp

  Hn. 1 in F 

Tuba

  

     

Fl. 2



    

551

 

      

mp

 

mp


Harbison The Great Gatsby–Reduced Orchestration - Act II, Scene 1

552

274

  Fl. 1    

    

 

f

f

Fl. 2

f

 

Ob. 1

Bsn. 1

Hn. 1 in F

Hn. 2 in F

dim.

       

     

   

   

      

     

       

cresc.

p

f

cresc.

 

con sord.

    

dim.

       



        

dim.

      cresc.

       f



      cresc.

   

 

p

dim.

f

senza sord.

senza sord.

    f



dim.

dim.







 

 

 

f

3

 

mon - ey,

lived

 

    

   

f

f

Vla.



f

     

Vlc.

 

f

 

 

a

young

dim

   

   

   

 

       

 

p

p

p

     

 p

mf

 



   

 

   



   

  

      

mp



mp





 





 

 

   f

 f

         

p

    

f

mf

p cresc.

col-lec-ting

 

p cresc.

of Eur - ope,

  

in all the ca -pi- tals

p

3 3             

    

 

mp

ra - jah

dim

 

3

   

dim

   

dim

 

like

      Vln. I    Vln. II

  

3

 

p cresc.

     

p



p cresc.

   

p cresc.

     



 

Cl. in Bb  

f

Gatsby

Cb.

Tom

Nick

cresc.

Perc. 1

Daisy

f

Tbn.

Piano



Tpt. in C

Perc. 2

       



dim.

    

f

Tuba

p

   

 

   

con sord.

f

 

f

dim.

 

to Bs. Cl.

     





 

 

f

p

dim.

     

 



f

  

f

  

Cl. 3 in Bb

 

dim.



Cl. 2 in Bb

f

 

Cl. 1 in Bb

Cbsn.

 

 

 

Eng. Hn.

 

mf

 dim.

 dim.

 

         

dim.

  dim.

   

 

           

   p

  

p

   p

    p


Harbison The Great Gatsby–Reduced Orchestration - Act II, Scene 1

280

  Fl. 1 





   

Ob. 1

Eng. Hn.

Cl. 1 in Bb

    



    

mf dim.

     

Fl. 2

 



mf dim.

p

p

 

   

   



   

3

3

p



   

3

3

   

3

p

3

   

p

     

Cl. 2 in Bb

 p

mf dim.

(cresc.)

Cl. 3 in Bb

    



   

Bass Clarinet in Bb

3

3

p

Bsn. 1



    3

Hn. 1 in F

    

Hn. 2 in F

mf

   



 p

    



    

3

3

3

3

3

p

     

mp

   

mp

3

 

 

3

mp



3

3

 

 

3

3

3

 

 

  mp

   3

3

  

 

   

   



   

p

 

Vla.

cresc.

   jewels,

 

   

   

   

 

  

 p

 mp

mp



 

3

  

paint ing

3

mf

  

mf

     dim.

  

     mf dim.

     

p

   

3

 cresc.

 

3

3

3     

3

   

3

some- thing ve - ry sad

 

3

   

 

try -ing to for - get

from

 3

            3





   

   

  

   

   

  

non div.

           p

mp

f

f

 



3

   

f

 

mf

mf

 

  



 

 

3

 

p

p

mf dim.

p

 

p

 

3

      

pic - tures

  

 

 

f

     dim.

 

 

   



 

hunt-ing game,

cresc.

3

   

 

mf

Vlc.

 

 Vln. I   Vln. II

mf

p

3

p

mf dim.



Gatsby

Cb.

    

    

Tom

Nick



mp

3

3

3

   

Perc. 1

Daisy

     dim.





Piano



    

Tbn.

Perc. 2

   

Tpt. in C

Tuba

3

p Cbsn.

553

unis.

  

  

 

 

3

3



pizz.

p



pizz.

p

3

3

3

3

3

3


Harbison The Great Gatsby–Reduced Orchestration - Act II, Scene 1

554

286

 Fl. 1 

Fl. 2

Ob. 1

Eng. Hn.

    

Cl. 1 in Bb

p

                    

solo

f

3

3

3

3

3

fp 3

solo

 

    

Bsn. 1

    

Cbsn.

  

Hn. 2 in F

Tpt. in C





Cl. 2 in Bb

Bs. Cl.

Hn. 1 in F

Tbn.

Tuba

p

p

Piano

 Daisy 

3

     

f dolce

 

Gatsby

Nick

 

 f

3

    Vln. I         p

Vln. II

Vla.

Vlc.

Cb.

 

3

a- go

 from

  long

 3     

long

3

 

a- go

 3

  3   3  

from long Tom

3

f

p

Perc. 1

Perc. 2

3 3               



    

dim. 3

3

from long

3





a -

go.

   fp

fp

 

     f

Dai - sy,_

 

3

go.

      3

3

3

  

  

     

 

    

pizz.

 

   

 

   

 

pizz.

f

   

 

  

  

  

   

arco

p



arco

fp

    

   

f

pizz.

f

pizz.

f


Harbison The Great Gatsby–Reduced Orchestration - Act II, Scene 1

292

 Fl. 1  

 



 

 

 



 

 

 

555





 





 



   





p

 

Fl. 2

Eng. Hn.

Cl. 1 in Bb

Cl. 2 in Bb

Bsn. 1

Cbsn.

Hn. 1 in F

 mp

            p

 p



  p

 



 

 

             

         

 



 

       p 

 



 



           cresc.            cresc. 

con sord.

 



 

 

     cresc.

con sord.

p

solo, con sord. (cup) 3

3

     cresc.

   

           3 p

   

cresc.

cresc.



        

   

       

3

3

3

3



p

 

 mutà sord. (cup)             3

con sord. (straight)

3

  

   

p

p

  

   

p

  

 



3   3                3 3  p

  

3

  



 

          this fel-low's price - less!

  

  

 

 

  

  

  

p

     

arco

Vla.

       

  

   

  

  p 

p

 

div.,arco

p

   

     non div., arco     

p

3

 

came the war

 

   

 

   

   

   

              

 



A

great

  

   

 

   

   

 

mp

 

              

     

p

      mp cresc.

 

I tried hard to

   

   

   

          

re - lief;

 

  



mp

 

 

3

  

  

mp

  

 3   

 

   

S.D.

p

   

 

Then

Vln. II

Vlc.

p

3

cresc.

arco

Cb.

Gatsby

Vln. I

cresc.

Tom

Nick

Perc. 1

Daisy

        p





Piano

 

Tbn.

Perc. 2

 

  

Tpt. in C

mp

   

Hn. 2 in F

Tuba

 

Bs. Cl.

  p

Ob. 1

   

  

 

  

  

         mp

       

     mp    

              

mp

    mp


Harbison The Great Gatsby–Reduced Orchestration - Act II, Scene 1

556

Fl. 1

298 

Fl. 2

Ob. 1

Eng. Hn.

 



            3

           

 

  



 





Bsn. 1

  

mp

   

p

3

     p

    

  

3

3

3

3

p

     p

   3

3

  p

3

p

mp

3

           3

dim.

mp

            3

3

mp

      3

  

p



  

f dim.



mp cresc.

 

  mp cresc.

 

     

    



via sord.



via sord.

p

3

    

   

f

dolce

   3

 

but seemed

   f dolce

al - ways

 

  

 

 

  



 

            cresc.

 

  

cresc.

  

 

to bear

      

3

chant

-

an en - chant

-

3

                 p

-

3

-

-

-

 

3

-

      mp

dim.

ed

life.

-

 

3      3

-

-

      3

-

3

 

 3   3   

cresc.

  

f

    

 

die

 

f

cresc.

Vlc.

3

An en -

 

Vla.

3           mf 

 

via sord.



  

Vln. II

 Daisy 

p

 

f dim.

p

mp



3

     

3

      f

  

Gatsby

 

3

Tom

p

mp

Perc. 1

Cb.

3

3

 



Vln. I

3

mp

  

Tbn.

Nick

3          

f dim.

3

Piano

  

Tpt. in C

Perc. 2

 



f

    



f dim.

Hn. 2 in F

Tuba



Bs. Cl.

Hn. 1 in F

 

Cl. 2 in Bb

Cbsn.

Cl. 1 in Bb

   

- ed

life

 

f dim.

p

    f



   

f dim.

f

f

      

   

 unis., pizz. 3

 

 p

 



arco 3

    

 p

3

    

     

f dim.

  

 

f dim.



arco

pizz. 3

     

 

  

f dim.

 


Harbison The Great Gatsby–Reduced Orchestration - Act II, Scene 1

304

 Fl. 1   

  

p

  

 

Fl. 2

p

    



          p

Ob. 1

 

 

    

p

  

Bs. Cl.

p

Bsn. 1

Cbsn.

  

  p

 

Tbn.

Daisy

 

cresc.

  

 

  

mf

p



mf

mf

f

f

     

p

3

p



 

 

ff

    My

p

    p

Vlc.

two

  

 

 

 

   

 

  

 

  

 

 

    p

cresc.

 

  

    

  

 

 

    

                    

   

    

     

  



  



cresc.

 

cresc.

Timp.

  



  



f

 

  

     

 

 

  

ff

    

 

3

3

  

ff

3

3

3

ff

       

  

     

   

   

    

  

  

mf

p

f

f

f

      f

 

 

   

div.   

   

 

div.       

div.

to Stage Band

 

 

to Stage Band             

  

 

 

 

 

3

  

p

   

ff

cresc.

       

f

3

f

  

    

p

f

 

3

days

p

     

   

mf

  

  

 

   



p

3

 

3 3  via sord.         

f

         

f

3

ff

sf

  

    

  

     

   

 

  

3

ff

       

cresc.

   

to Cl. in Bb       

3

  

f



ff

sf        

 

  

3 3 3   3                 3

p

3

ff

 

p

3 cresc. 3

     

  

pp

             

  





     

  

pp sub.

de -tach - ments held off four Ger-man di-vi-sions for three

 

p

3

  

  

Vla.

  Vln. I    Vln. II

 

f

   

f

 

             

3

3 cresc. 3 ff

f

    

       

  

    

senza sord.

 

  

 

   

     p

          

3

   

f

p sonoro

f

    

mf

p

3  3 3                    3 cresc.

            3       3 3 3

3

 

 3

f

senza sord.

  

p

to Sop. Sax. to stage band



3

mf

    



3

3

Gatsby

Cb.

  

3

3

Tom

Nick

3

mf



Perc. 1

Piano



   

3



Perc. 2

 



 3

3



3

3 cresc.

       3             3 3 3 3

                   

     cresc.     

          p

Tpt. in C

Tuba



p

  Hn. 1 in F  Hn. 2 in F

3

mf

3          p

Cl. 2 in Bb

 



cresc.

3

Cl. 1 in Bb

  

Eng. Hn.

    



       mf  3 3                        3 3

   



3

3

  

557

     

   

    

      

     

     

 

 

        

  

ff

        

       

ff

3

ff

   

 

ff

 ff

3

3

3

        3


Harbison The Great Gatsby–Reduced Orchestration - Act II, Scene 1

558

310

 Fl. 1  

 

 

Fl. 2

Ob. 1

p



p



 p

 

Cl. 1 in Bb

            





 

p

Eng. Hn.

 







  



p



 

 

  

 

 

 

     

 

        

  

      

      

3

3

3

3

pp

        3 pp

3

        3 3

pp

     

3

3

pp

 

    3

3

     3

3

      3

3

     p

pp

p

pp

p

pp

p

pp

        

     

   

    

  

3

3

3

3

pp

p



Cl. 2 in Bb

Bs. Cl.

  





Bsn. 1

Cbsn.

Hn. 1 in F

Hn. 2 in F

Tpt. in C

Tbn.

Tuba

to Trumpet in Bb to stage band

Perc. 1

Perc. 2

Piano

Daisy

 

Gatsby

Nick

 

to Vibr. + Glock.

sf

 

 

      

unis.

  

p

De -co -ra -ted by

 



 p  p

      









    

 



 



3



 





 





 

    

  

  

  pizz.

pizz.

p sf

       

 

 

 

       

p

f

-

    

Mon -

te - ne - gro,

 

 

 

dim.

pp

  dim.

pp

 

pp

sf

 

sf

te

   

-

dim.

-

 

f

      3

3

Mon

E-ven lit-tle Mon

ev- ery al - lied go -vern- ment.

    

p sf

unis.

Cb.

  

p

Vlc.

Glock.

   Vln. I  

Vla.

p

unis.

Vln. II

p sf

Tom


Harbison The Great Gatsby–Reduced Orchestration - Act II, Scene 1

318

 Fl. 1 

6 3                  

3

f 3

Ob. 1

Eng. Hn.

3

6

3

f

6

fp

      

    3

6

            6

 

6

     

f

fp

fp

  





Perc. 1

  p

  Daisy    

p

ne - gro

  

Tom

Gatsby

   



Mon

-

 

-

te

f

-

 

ne - gro.

 

 

 To T.

      3     te - ne - gro. 3

3

  p

 p

 

Vlc.

Cb.

Vln. I

Vln. II

Vla.

 

f   

A-



Nick

fp

 3

6

Tbn.

Piano

 

Tpt. in C

Perc. 2

f

Hn. 2 in F

Tuba



Bsn. 1

Hn. 1 in F

      

        

f

Cbsn.

fp

6

 



fp

Clarinet in Bb Bs. Cl.

6

6

fp

       

3

3

6

          

                       

6

p

f

Cl. 2 in Bb



Cl. 1 in Bb

 

f

  f

    

fp

Fl. 2

559

 

 

  

fp 

  fp

 

fp

 



fp 

 


Harbison The Great Gatsby–Reduced Orchestration - Act II, Scene 1

560

Fl. 1

322 

Fl. 2

Ob. 1

Eng. Hn.

    

    

 

 

Bsn. 1

f

f

    Cbsn.  f

     Hn. 1 in F   

  

  

     f

  

f

   f

  

     

 

  

  

  

      f

  

   

  

p

  solo                 p cantabile

       

    f    

     

 

To Bs. Cl.

 

   

       p     

       p

 

    



   

p

to Bsn.

      p

p

 

 



 

 

 

 



 

 

 

  

Perc. 1

 

Tom

Gatsby



  

 

Vln. II

Vla.

Vlc.

f

he ac -tu -al-ly has

  

 

 

    

Of course

     

he does.

 

a med- al.

p

Glock

 Vibr.





p marc.





p marc.

 These



 

 

 

       f

   f

 

 

 

  

f

f

    

         

q = h = 96

poco rit.  

         

 

 



    

 

p sf

sf

  

sf

  

 

p sf

sf

sf

   

 

 

     

  

  

  

  

  

solo

p sf

pizz.

p sf pizz.

p sf

sf

sto - ries make your

 div.     f   

 

         

maz - ing,

 Vln. I  

Cb.

  

p

Tbn.

Nick

  

 to Picc.     

Tpt. in C

Daisy

p

f

Piano

     

      

Hn. 2 in F

Perc. 2

  

  

 

q = h = 96

      f

Tuba

f

Cl. 3 in Bb

  

  

f

     f      

f

Cl. 2 in Bb

  

f

    

Cl. 1 in Bb

  

poco rit.

sf

      


Harbison The Great Gatsby–Reduced Orchestration - Act II, Scene 1

328

 Fl. 1 

Fl. 2

 solo       

Ob. 1

                                pp cantabile

Piccolo

                      

p cantabile

p

mp

561

 

pp

pp

to Ob.

Cl. 1 in Bb

Cl. 2 in Bb

Cl. 3 in Bb

Eng. Hn.

Bsn. 1

Cbsn.

Hn. 1 in F

pp



  





pp



pp

 





 



 

 

Tpt. in C

Tbn.

Perc. 1

p

  

Hn. 2 in F

Tuba

mp

  

 

 

 

 

 



 Daisy 

Perc. 2

Piano



  head

Tom

Gatsby

Nick

spin.

Dai -

sy



you

and Gats - by

re - new



your ac - quain- tance.

 





sf

sf

sf

Cb.

 

Vlc.

p

 

Vla.

 

 Vln. I  Vln. II

(The band reassembles.)





mp

p

pp



mp

p

 mp

 p

                                pp cantabile



pp


Harbison The Great Gatsby–Reduced Orchestration - Act II, Scene 1

562

336

 Fl. 1   Picc.

 

Ob. 1

Eng. Hn.

  

Cl. 1 in Bb

Cl. 2 in Bb

Cl. 3 in Bb

Bsn. 1

Cbsn.

Hn. 1 in F

        p

     

 

 

    

   

p

     

mp dim.

p

      p cantabile

      

Bass Clarinet in Bb



p



p

 



 

  

I'll

 







in



-

  









tro duce





 p

mp



my - self



mp



p











p

 p



Go

  

a - round.

  

a - head,

 

  

 

Vla.

 

 



       

       

p cantabile

 

arco

Vlc.



 



pp dolce

 

 

      p cantabile

     

           p

mp



mp

 

Vln. II

Cb.



Gatsby

Vln. I

   

p



Tom

Nick

p

mp dim.

  

Tbn.

Daisy

           

Tpt. in C

Piano

     

     

pp

Perc. 2

 

   

Hn. 2 in F

Perc. 1

 

pp

Tuba

       

      

 

 

p

 


Harbison The Great Gatsby–Reduced Orchestration - Act II, Scene 1

342

 Fl. 1 

mp

p







Bsn. 1

      mp



Cbsn.

Hn. 1 in F

Hn. 2 in F

 

 

 

 

 

 

         

mp

p



p



    

mp



p



         





p dolce

 pp

 pp

             

mp

p



pp























   

pp













p dolce

pp

p dolce

Bassoon

   



p

      

p dolce, non leg.

p

p

mp

p

Oboe

           

Bs. Cl.

p

 

      

Cl. 1 in Bb

               

Eng. Hn.

Ob. 1

Picc.

563

 pp







 

 pp



 





Perc. 2

Banjo

Solo Vln.

Perc. 1

Piano

Sop. Sax.

Tpt. in Bb



  

Tbn.

Tuba

Daisy

   

Tom

Gatsby

Nick

  

 Vln. I 





 

and

if

you

want

  





to take ad - dres - ses,

Vla.

Vlc.

Cb.

here's

my

lit-tle

 

 

 p

                  p

mp

p

mp

mp

 

p

p

mp

 

p



   

mp

 

p

                               p

mp

                               

gold

          

 

  

p

      

Vln. II

p

 

 


564

Harbison The Great Gatsby–Reduced Orchestration - Act II, Scene 1

348

  Fl. 1  Picc.

Ob. 1

Ob. 2

Hn. 1 in F

Hn. 2 in F

Perc. 1

Tpt. in Bb

Perc. 2

Piano

Banjo

 

 pp

 Timp.

p

(Sop. Sax.)

 

p

mp

  

p

mp



pp

p

       

p

mp

    

 

Band Vocalist

Nick

Vlc.



Cb.



 p



    

dim.

dim.



 

mp

 p

 

p

       

pp

     p

 

 



  



 

            

  

p

   

 

 

    

 

  



 

 

p

     

   

 

         

     

   

   

 

    



 

 

     

 

 

 

 



  

  



 

 

   

   

 

pen - cil.





Vla.



p

 

mp

       And if they

Vln. II

  

  

(Dancing resumes: Daisy and Gatsby, Tom and the actress.)

  Vln. I 

p

      

  

  

   



    

cresc.

  

p

mp

    

p

mp

Trap set

f

Tom

p

Daisy

         



Solo Vln.

p

    

  

    

p

Tuba

      

Tbn.



Sop. Sax.

   







Bsn. 1

to Fl.

 

Bs. Cl.

Bsn. 2

 

Cl. 1 in Bb

 

ask you,

Say I’m

 



do - in’ fine.



 



  p

my mind

 

 

pp

(pizz.)

 

p

I’ve made up

pp

 p

 

p

  

ne - ver

   

to pine no



more.


Harbison The Great Gatsby–Reduced Orchestration - Act II, Scene 1

356

565

  Fl. 1 

 

 





  



  

  

  

Picc.

Ob. 1

Ob. 2

Cl. 1 in Bb

Bs. Cl.

Bsn. 1

Bsn. 2

Hn. 1 in F

Hn. 2 in F

 

Perc. 1



      

Sop. Sax.

Tpt. in Bb

     

Tbn.

Tuba

Perc. 2

 

Piano

Banjo

      

mp

 

p

 

p

p

mp dim.

     

 

            

 

p

    

    

p dim.

pp

 

    

    

 

 

  

      

            



      

p

p

  

  

p

mp

mp

 

mp

p

p

 

 

  



   

  

  

    

 

 

p

  



 

 

 

   

      

          



 

    

 

 

  

 

 

     

 

 

 

 

   

 



     

  

  

     

  mp   

 

And if they ask you

say I’ve



some - one new—

a

  

 

so - lid and true

 

   

some - bo - dy to



a - dore.

  







Vla.

Vlc.

   



Vln. II

Cb.

mp

  

mp

   

  

Band Vocalist

Vln. I

  

       

Tom

Nick



Solo Vln.

Daisy

 


Harbison The Great Gatsby–Reduced Orchestration - Act II, Scene 1

566

364

  Fl. 1 





Picc.

Ob. 1

Ob. 2

 

Bs. Cl.

Bsn. 1

    

Hn. 2 in F

Tpt. in C

Tbn.

Tuba

 

Cl. 2 in Bb

Hn. 1 in F

 

Cl. 1 in Bb

Bsn. 2

 

 Perc. 1



    

Sop. Sax.

  Tpt. in Bb  

Tbn.

Tuba

Perc. 2



Banjo

  

Solo Vln.

 

Band Vocalist

Nick

 

Vlc.

Cb.

  mp  

  

  

mp

 

più f

No -

    

mp

 



       

       

    

 

  

  

 

           

  

   

   

   

   

 



p

 

     

   

  

  

 

 

 

 

 

 

 

      

 

   

     

  

    

 

  

 

 

            

 

 

 



p

       

 

 

   

   

 

   





p

  

    

   



 

thing’s

left





that mat

 -

tered,

She

 



took my poor heart







and

left

it

 

  

pp

  

pp

 shat -

   



         

Vla.

p

  Vln. I  Vln. II

  

  Daisy  Tom

  

       

 

Piano



 tered.

     

   


Harbison The Great Gatsby–Reduced Orchestration - Act II, Scene 1

372

  Fl. 1  Picc.

Ob. 1

Ob. 2

 

Cl. 1 in Bb

 

Cl. 2 in Bb

 

Bs. Cl.

Bsn. 1



Bsn. 2



  Hn. 1 in F  Hn. 2 in F

 

 Perc. 1

Tpt. in Bb

  

   

Tuba

Banjo



Nick

 



Vlc.

Cb.



Vla.

   

fp

dim.

   

p

mp

mp

  

 

p

mp

 

 

   



p

  

  



  

p

 







 



 







 



 







 



 



  

p



         

     

 

 

 

 

     

          

 

 

  

  

mp

 

   

mp

mp

pp

p

p

p





 

 



   

 

 

    

  

  



  

 

 

 

pizz.

 



  

  

  

come primo

  

 

say

I

 



look like new

a

 

 

 



  

3

good sold ier who

 

3

 



              choke

p

  



 

 

  

  

fine.

     fp

 

 

 

 

 

f dim.

arco 



 

   

fp

 

 

 

fp

 



 

      

 



(Nick enters, Gatsby sees him, goes over to him.)

3

p

 

ap pears to be do - in’



 

 3   

 



 

p

p

 

       

p

    

p

mp

  

dim.

But if they ask you,



  Vln. I  Vln. II

dim.

p

  Daisy 

 

fp



 

 

p

 

p



  



  

Band Vocalist

 

       

 

dim.

pp



Tom

 

           

Solo Vln.

fp

 



p

  

Piano

f



p

Perc. 2

 

 

Tbn.

fp



Sop. Sax.

567

f dim.

 

 


568

Harbison The Great Gatsby–Reduced Orchestration - Act II, Scene 1

380 

  Fl. 1  

Fl. 2

Ob. 1

Ob. 2

pp Flute



pp

 

 

pp

pp

p

5

p

p

Bsn. 2









Hn. 2 in F

    

 

 Perc. 1

Tpt. in Bb

Perc. 2

Banjo

Daisy

Nick

  

 

 

to Cbsn.

p

  

p

    

    



pp

 



    

 

   

pp

pp

  

 

pp

                       

 

p

 

  

   

  

   

  

   

 

   

 pp





pp

 

 

 

  

 









   p

  

p

p

pp

 p

 

p

pp

 

p

p

 

 

  

 

p

      

           

dim.

  

 

 

p

arco

   



p

Nick,

     f

she is -n’t

pp

 

 

  

p

  p



  

unis.

   pp

p

     pp

hav -ing a good time,

p

pp

pp

     

   

                      

    

 

(Dancing continues, Daisy dances by herself.)

  

        

pp

non div.

pp

pp

 

p

p

        

p



  

pp

p

  

5                       





 

pp

           

  

   

pp

 

   

pp

    



p

 

   

p

pp

Cb.

  Vln. I 

Vlc.

pp

  

Vla.

Vln. II





Gatsby







Solo Vln.

 

pp

  

Piano



 

Tbn.

Tuba

pp



Sop. Sax.

               



Hn. 1 in F

p

Bsn. 1

                      

   

Bs. Cl.

solo

 

Cl. 1 in Bb

p

 

  


Harbison The Great Gatsby–Reduced Orchestration - Act II, Scene 1

388

  Fl. 1 

 





Fl. 2

Ob. 1

Ob. 2

Cl. 1 in Bb

 

Cl. 2 in Bb

 

Bs. Cl.

Bsn. 1

Bsn. 2

Hn. 1 in F

Hn. 2 in F

Perc. 1

    





  

Sop. Sax.

p

Tpt. in Bb

   

Tuba

 

Perc. 2



Piano

Banjo

 

p



 

p

 

Vla.

  

   

            

 

                



 

 

      

    

    

Of course



   

 

  



 

        

 

          



 

 

  

   

    

  

 



 

she is





  

feel

far



 

 

 

  

 

mp

p

 

  

  

 

p

  

  

  

  

 

 

     

 

   

   

 

 

 

 

 

 

  

 

     

     

  

  

 

 

mp

mp dim.

   

   

  

 

mp

   

    

         

mp

p

 

mp

p

   

 

p

p

It’s hard to make her un - der stand.

  

 

 

    

   



 

mp

       

  

 

  

p

  

mp

  

  

 

 

  



  

a - way from her.

non sost.

 

 



  

 



  

pp

pp

I

  

 





f

 

 

pp

pp





 

pp

Cb.

 



Vlc.

 

  Vln. I  



p

  

Vln. II

      

  

  Daisy 

Nick

 

    

Gatsby

   



Solo Vln.

p

p

p

     

p

Tbn.

569

  

   mp

  

  

div.

 

 

 



mp

 

mp

   

 

A-

pp

 pp



pp

unis.

mp



mp

pp

pp


Harbison The Great Gatsby–Reduced Orchestration - Act II, Scene 1

570

396

  Fl. 1 

 

 





  



Fl. 2

Ob. 1

Ob. 2

Cl. 1 in Bb

 

Cl. 2 in Bb

Bs. Cl.

Bsn. 1

Bsn. 2

Hn. 1 in F

Hn. 2 in F

 

Perc. 1



  

Sop. Sax.

Tpt. in Bb

    

Tbn.

Tuba

Perc. 2

Piano

Banjo





 

 

 

 

  

 

 

   

 

p

 

p

Vla.

  

 

bout

pp

pp

   

 

 

 

 

 

 

 





 

  

   

  

No,

the par - ty.

  



 

 



 

 

 

 

 

 

 

 

 

 

  



 

 

  

     

   



    

the par - ty









 

  

that’s

not







 



 



 

 

 

 

 





 



 







 

 

 





   

  



im - por - tant.



























  

  

  

 

 



   

 

 





 

  



 

 

not

 



  

 



 

 



 

Vln. II



  

Vlc.



  Vln. I 

Cb.



Gatsby

Nick





Solo Vln.

Daisy





 


Harbison The Great Gatsby–Reduced Orchestration - Act II, Scene 1

402 

  Fl. 1 

Fl. 2

Ob. 1

 

Ob. 2









p

   p



 



 

















 











p

 

Bs. Cl.



Bsn. 1

 



p

Cbsn.

Hn. 1 in F

Hn. 2 in F

Perc. 1



    

 

Contrabassoon





Tuba

Perc. 2

Piano

Banjo

Daisy

   



Hmm

Gatsby

Nick

   

pieno

Vla.

Cb.

 



Vlc.





 





 





 

 

 

 

she

p

p



  

  



















 

 

 

 

 

 

 

 



 

 



   

 

   













er

loved

nev



-

-

him.

 

  

 

   



  



You

ask

 

 

 

 

  



  

too much.





You

can’t





pizz.

 





 

 

 

 

 

 

 

 

 

 

re - peat

pizz.

mp

  Vln. I  

That



Vln. II

 

(move to “Gatsby mansion” location)

  

p

  f 



      





Solo Vln.



 

p









 





p



 



p















  



 









   

Tbn.







 

p



p

Tpt. in Bb



   

Sop. Sax.

   

Cl. 1 in Bb





571

 

 

the

 


Harbison The Great Gatsby–Reduced Orchestration - Act II, Scene 1

572

408 

  Fl. 1  

Fl. 2

Ob. 1

Ob. 2

Perc. 1

cresc.



  Hn. 1 in F  Hn. 2 in F

 



Bsn. 1

Cbsn.

 

Bs. Cl.

 

 

Perc. 2

Piano

Banjo

 

 

  

 



  Vln. I  

Vln. II

Vla.

Cb.

cresc.



 

 



p sf



sf





mf

mf





 











  

  

 

  

 

 

mf



 

mf

p

p

 

 

mf

    

 

 

mf

p

mf

 

 

 

p

 

p



p

  

  

 





 

  





  

  





 

 

 

 

 

 

 

cresc.

 

  

 

ff

  



Can’t re - peat

     

 

 

 

f

 

 

mf

 

  

the past?

Hmm



Of

course

past.

cresc.

cresc.

 

p

 

 

  

mf

 

 you

mf

p

 

 

 

mf

mf

mf

   

 

 

  

p

  

  



   

  

 

  

  

  

  

  

 

 

p



  

can!

  

  



  









  

 

p

 

  

 

p

p



 see.

You’ll

 

 





p

cresc.

ff

  



sf





Vlc.

mf





Gatsby

Nick

Solo Vln.

Daisy

 

sf





cresc.

cresc.

  

cresc.

   

p

cresc.





cresc.



  Tpt. in Bb  

Tuba

mf





 



  

Tbn.

 

cresc.



Sop. Sax.

cresc.

   

Cl. 1 in Bb







p

p

 

 

 

 

 

     

    


Harbison The Great Gatsby–Reduced Orchestration - Act II, Scene 1

415

  Fl. 1  

Fl. 2

Ob. 1

Ob. 2

mp sf

sf

 

Cl. 1 in Bb

  

sf

 





sf

mp sf

 

Bs. Cl.



Bsn. 1





mp sf Cbsn.



Sop. Sax.

Tpt. in Bb

Tuba

Perc. 2

Piano

Banjo

Daisy

Nick



Cb.



sf

sf mf

sf

sf







mp sf

  

sf mf



sf





mf cresc.



mf

 

  

mp sf

 sf

 









sf

sf



 sf



 

 sf







sf

 sf



sf

 sf

 sf

 sf

 sf



f sf

 sf

    

f sf

sf

al sord. (plunger)

 





   

 

al sord. (plunger)

        

   

                            

      

 

 

   

 see.

She’ll

      

mp

        

 arco     

mp

 

f

f



 

  f    

 

 

 

 

 

 

(Banjo joins rhumba dancers)

(Violin joins rhumba dancers)

          

     

    

  

  





   mf

      mf



  

cresc,

 

 



 mf cresc.

      



  

cresc,

       



 

mf

f



   f    mf







  f       

mp arco

    

f

 



  

con sord. (plunger)

    

(Timp.)





f



  

 

to Cl. in Bb (optional)

  f

 

sf

 

f sf





  





sf



 



  

sf

   





 

sf

   

     

sf

f sf sf

 

  

 

  

f

sf

sf

  

f sf

To Picc.

f



sf

f

sf

 

mf cresc.



sf







  

mf



f sf

sf

 







  Vln. I 

Vlc.

sf



sf

 

sf

 

  

Vla.

  

mf marc.



    

Vln. II

sf





mp

  

mp sf

sf

 

Gatsby





 

sf

     

Solo Vln.

mp

mp sf

   



 sf



 

 

mp sf



 

sf

mf marc.



Tbn.

 Perc. 1



mp sf

sf

  Hn. 1 in F  Hn. 2 in F





mp sf

 sf



  

  

mp sf





573

f

        f


Harbison The Great Gatsby–Reduced Orchestration - Act II, Scene 1

574

Più mosso, con fuoco h = 104

422

 Fl. 1  



    

       

 

 

  (Timp.)    



Fl. 2

Ob. 1

To Eng. Hn.

Ob. 2

Cl. 1 in Bb

Bs. Cl. Bsn. 1

Cbsn.

Hn. 1 in F

Hn. 2 in F

Perc. 1

Cl. 2 (opt.) in Bb

 

 

 

 

to Bsn.

 

  Tpt. in Bb   f

     

p

Tbn.

f

Piano

Banjo

Solo Vln.

Daisy

Gatsby

Nick

Chorus I

Chorus II

S A T B

S A T B

mf

 

 

fltg.

p

      f p  f    p   Perc. 2     Tuba



 



p

con sord. (plunger)

  

    

          

Clarinet in Bb

ord.

sf

   

  

   

       

    

     

 

fltg.

ord.



        

 

sf

 

 

   

    

sf

      

  

 

        







  

 

f

Nick,

 

f





talk to

Tom

 

 

 

  





p

     



f

   







  





     

sf

3

  





 

  

 





And

stay



 

right

here,

 



       

  

   

   

Ru

-





  

more ru

-

Più mosso, con fuoco h = 104

mors—





some - thing rot - ten

at

the core.

 

f



at

the core.

 Vln. I  





Vln. II Vla. Vlc. Cb.

   

 

in case there’s a

  

some - thing rot - ten

 

 

mors

  

mors—



 

-

-







Ru

mors

more ru

a - while.

 



sf







p

p Bassoon

  



  

fltg. ord.

sf



p

English Horn

  


Harbison The Great Gatsby–Reduced Orchestration - Act II, Scene 1

430

575

 Fl. 1  



 

 

Fl. 2

    

Ob. 1

f

    f   

Eng. Hn.

Cl. 1 in Bb

Bs. Cl.

Bsn. 1

Bsn. 2

Perc. 1

Cl. 2 (opt.) in Bb

f

  



Solo Vln.



  

Chorus I

Chorus II

S A T B

S A T B

 

 

 



 



  









 

 

 

           

mp

   



mp

 mp

      

 





 

               

















   

  

        

 

 

 

  

sf

     



  

 



  

   





  

 

      





or

a flood,

or

 

       

 

    

  



 

  

 

sf

 

  

  

   

  

 

 

    

(Daisy goes into Gatsby’s mansion.)

an act of God.

 





 

f

   

f

 Breez

 -

es

   just breez

  

-

es

 

 



   

as the sum mer fades

 

 



  

a

 

way.

  

Vln. II



Vla.



Vln. I

Vlc.

Cb.



  

 

         

fltg. ord.



   

   

  

  

      f mp



 

 



    

fire

Nick

p



  Daisy  

Gatsby



  

f mp

Banjo

p

  

 (Timp.)  



f

f

Piano

p



 p 

f

Perc. 2

f

Tuba

   Tpt. in Bb  Tbn.

    

 Hn. 1 in F  Hn. 2 in F


Harbison The Great Gatsby–Reduced Orchestration - Act II, Scene 1

576

438

 Fl. 1  



Fl. 2

Ob. 1

  fp

   fp 

Cl. 2 in Bb

Bs. Cl.

Eng. Hn.

Cl. 1 in Bb

Bsn. 1

Bsn. 2

Hn. 1 in F

Hn. 2 in F

Perc. 1

Cl. 2 (opt.) in Bb

Tpt. in Bb

 

Tuba

Piano

   

Banjo

Solo Vln.

Daisy

Nick

fp

 





Chorus I

T B

      



mp

 

mp

 

 

   





fp



mp

mp

 



fp





 

fp

fp







mp



mp

 

 

 

 

 

 

 







 

  

f

 

f

   

 





  





    

  

 

  

  

  



    

sf

    

 

 



   

 

  

 

   

 

       

  p

                    

  

f

  

  

 

       

 

  

    





 



 

  



  

 

p

 

 

 



     



   







  



News pa pers

ask - ing where the

 

mon

 

mon

-

-

 

ey

 

ey

   

comes

from.

     

comes

from.

     

We don’t care

     

We don’t care

 









 



as

long

as

Gats

-

by’s

lights

 

 

as

long

as

Gats

-

by’s

lights

are

    

 

 

are



  

 

Vln. II



Vla.



Vlc.



Chorus II

S A T B

Vln. I

Cb.

  



   

     News pa pers ask - ing where the f                   

f

      

(Timp.)

 





 

  

f

S A







f

   

    



     

  

 

mp

fp

f Perc. 2

 

f

Tbn.

mp

 



  


Harbison The Great Gatsby–Reduced Orchestration - Act II, Scene 1

446

577

 Fl. 1  



 

Fl. 2

Ob. 1

Eng. Hn.

       

Cl. 1 in Bb

Cl. 2 in Bb

Bs. Cl.

Bsn. 1 Bsn. 2

Hn. 1 in F Hn. 2 in F

Perc. 1

Cl. 2 (opt.) in Bb

  





      

 (Timp.)     

  

  Tpt. in Bb   Tbn.

  

 Tuba    

Perc. 2

f sf

  

        



Piano

     

   sf growl growl

sf

  sf





mf

    

sf

mf

        

mp

dim.

 





 Daisy  

Gatsby

Nick

Chorus I

Chorus II

S A T B

S A T B

Vln. I

Vln. II Vla. Vlc. Cb.

   

   

  sf



mp dim.



p

 

  



 



 

 

3

cresc.

3

   

  

via sord.

p

pp

  

mp dim.

  



3

p

via sord.

pp

p

     

pp

      

3

 

  

    

3





3



3 3



3

 

 3 3

    

(Daisy and Gatsby are seen in the window of his mansion. A piano is heard playing inside.)

   on.     on.

mp dim.

 

   

   

 

pp

mf

 

l.v.

     

mf

Solo Vln.

Banjo

p

Tam.

 



3 players

pp 



pp



 









  




Harbison The Great Gatsby–Reduced Orchestration - Act II, Scene 1

578

454

 Fl. 1  

Fl. 2



Ob. 1



Eng. Hn.

Cl. 1 in Bb

Bs. Cl.

  

 





  

Bsn. 1

Bsn. 2

Hn. 1 in F

Hn. 2 in F

 

 Perc. 1

Cl. 2 (opt.) in Bb

Tpt. in Bb

Tbn.

Tuba

Perc. 2

 

  

 

 

Piano

Banjo

Solo Vln.

Daisy

Tom

Gatsby

Nick

Vln. I

Vln. II

3







    

p



3

 



 

3

 3

  

 3



3

 3

 

 





  

3

 3

3





3

 

3

 

3



 

  

 

 

amoroso

3

   

  

   









 

 3

 

3

I was a - fraid



3

 

 3

 I



you

3   

would not

 







3

had

to

come.





 





 



Vla.



Vlc.



Cb.

  


Harbison The Great Gatsby–Reduced Orchestration - Act II, Scene 1

462

579

 Fl. 1  

Fl. 2



Ob. 1



Eng. Hn.

Cl. 1 in Bb

Bs. Cl.

Bsn. 1



Bsn. 2

  

 





Hn. 1 in F

Hn. 2 in F

Perc. 1

Cl. 2 (opt.) in Bb

Tpt. in Bb

Tbn.

Tuba

Perc. 2



Banjo

Solo Vln.

Daisy

l.v.

p



  

  

  

Piano

Tam.



3

3

   3  





3





3



  

3

p



  3



 

3



S.D., snares off



 

  

Gatsby

Nick

Vln. I

Vln. II

Vla.

Vlc.

Cb.

  

   

 

3

 

 

It’s

dan

3

-

 

 

ger ous





3

here,



    

3



the par - ty

   

 

go - ing

   

3

 

   

  

 

  

3







  

   

 sf

3



wor - ry.



3

Tom

is

on.

  



Don’t

    

 sf

pp

p molto marcato

come.

Tom

3 3





3

3

dim.

Castanets



   



3



   

 


Harbison The Great Gatsby–Reduced Orchestration - Act II, Scene 1

580

470

 Fl. 1  





Eng. Hn.

Cl. 1 in Bb

Bs. Cl.

  

 



Fl. 2

Ob. 1

Bsn. 1

Bsn. 2

Hn. 1 in F

Hn. 2 in F

 Perc. 1

Cl. 2 (opt.) in Bb

Tpt. in Bb

Tbn.

Tuba

Perc. 2

Piano

Banjo

Solo Vln.

Daisy



 (Vib.)

   

   

Vib. no pedal

p

  

  

cresc.

 

 

 

  

 

mp sf

sf

Piccolo

 

    mp



 sf



  

  

 

   

   

 

S.D.

Cast.

   

cresc.

 

S.D.

Cast.

     

mp

  

S.D.

      

 



  

Cast.

  

       

bu - sy

down

cresc.

sf

3

  

  

      

 

cresc.

there.



sf

sf mp

    sf

 

 

  

 f





  

Vln. II



Vla.



Vlc.



Cb.

  

Vln. I

mp



  

  

  

 

Nick

Gatsby

mp

  

 

Tom

  

Nick,

have you seen

Gats -

by?


Harbison The Great Gatsby–Reduced Orchestration - Act II, Scene 1

478

 Fl. 1  

 

  

Picc.

sf

581



Eng. Hn.

Cl. 1 in Bb

Bs. Cl.

Bsn. 1



Bsn. 2

  

 



Ob. 1

Hn. 1 in F

Hn. 2 in F

 

 Perc. 1

Cl. 2 (opt.) in Bb

Tpt. in Bb

Tbn.

Tuba

Perc. 2

Piano

Banjo

Solo Vln.

 

Gatsby

Nick

Vln. I

 

       

 

Vib. no pedal

cresc.

      

      mf



  

    





      

  



  

Cast.

   

  

  

 

S.D. Cast.

   

      

   cresc.

cresc.

 

 

    

S.D. Cast.

   

  

  

  

mf

 

Wan dered off

       

 

cresc.

sf

 Daisy   Tom

   

 

mf

  

 

sf

sf mf sf

  

S.D.

 

                

  

some where.

 

    

 

sf

sf

      

 

Where the de vil did she meet

sf



this Gats -

 by?

Can’t say that I have.

Vln. II



Vla.



Vlc.



Cb.

  


Harbison The Great Gatsby–Reduced Orchestration - Act II, Scene 1

582

486

 Fl. 1  





Eng. Hn.

Cl. 1 in Bb

Bs. Cl.

Bsn. 1



Bsn. 2

  

 



Picc.

Ob. 1

Hn. 1 in F

Hn. 2 in F

 

 Perc. 1

Cl. 2 (opt.) in Bb

Tpt. in Bb

Tbn.

Tuba

Perc. 2

Piano

Banjo

Solo Vln.

Daisy

Tom



  

 

  

Vib. no pedal

  

 

   

  





  



mf sf

     

sf

f



  

Cast.

S.D.

  

   



          

  

  

    

Cast.

  

 



By

God,

cresc.

       

f

pp

   

      

 

cresc.

 

sf

      

 

 

 

    may be old

-

 

  





f

0

f sf

I

cresc.

più f

 

  

  sf

      



 

fash ioned,

  but

     wo men run a round

 

  

     



  

sf

    too much

  

 



these

days.

 

Vln. II



Vla.



Vlc.



Cb.

  

Gatsby

Nick

Vln. I

 

 

  

 

   

Trap set

  


Harbison The Great Gatsby–Reduced Orchestration - Act II, Scene 1

494

 Fl. 1   Picc.



 



 

 sf

Ob. 1

 

 



Eng. Hn.

 



Cl. 1 in Bb

Bs. Cl.

Bsn. 1 Bsn. 2

Hn. 1 in F Hn. 2 in F

Perc. 1

Cl. 2 (opt.) in Bb

 

 

   

     

Tbn.



Tuba

Piano

Banjo

Solo Vln.

 

Gatsby

Nick

Chorus I

Chorus II

S A T B

S A T B

Vln. I

Vln. II Vla. Vlc. Cb.

f





f





f

 

 

 

 

 

 

 

 

Tam.

sf mp

senza sord.



l.v.         

f

 





   

 



  

f

f

 

mf

Wish I could

 

   

   

sf

           

 sf

            



 

 

    

 

       





sf

 

fltg.

sf

               

                       

   

  

ord.

  



    

  



 

  

fltg.  

ord.

sf

 

   



  

sf

  



 



sf ff





 3 

  

    



help you.

f

Ru

      

 



     

  

 





f



 

 mp

        

 Daisy   Tom



  Tpt. in Bb 

Perc. 2

f

583

-

f

ru

-

mors

 

-

mors



ru - mors



are





ev -

ery



where







ev -

ery

where

   

a bout

    

  

 





-

-



mors

-





Ru

mors

  

-

 



ru

-

ru - mors

are

a bout

  


Harbison The Great Gatsby–Reduced Orchestration - Act II, Scene 1

584

502

 Fl. 1   Ob. 1

Eng. Hn.

 

 

 

Cl. 1 in Bb

Bs. Cl.

Bsn. 1

Bsn. 2

Hn. 1 in F

Hn. 2 in F

Perc. 1

Cl. 2 (opt.) in Bb

 

 

Banjo

Solo Vln.

Daisy

Tom

Gatsby

Nick

Chorus I

Chorus II

S A T B

S A T B



   



 









mp

 

   

mp

  

  



   



   







 

        

        

 







   



 







 









 





 















 

 

 

 

  







 

 



    

               



Piano

mp

 

  

Perc. 2



Tuba



mp



  Tpt. in Bb   Tbn.



   



 





       

sfp

  

mf







cresc.

mf

  

   

cresc.

         f sf 

  

        

f

  

 

f

 

 

 

           

 

 

          

   

  

 

 

 

 

   

 

        





 

 

 

   

  







 

  



  

 

Gats

    

-

by.

 

f



 

 

Be - lieve

   

f



   



your eyes, not your ears,

  



  



  look

 

  



a - round and

  

 

you’ll see









Gats - by’s







good for



 -

tune’s

ours,

  

Vln. II



Vla.



Vln. I

Vlc.

Cb.



  

    


Harbison The Great Gatsby–Reduced Orchestration - Act II, Scene 1

510

585

 Fl. 1  



Eng. Hn.

Cl. 1 in Bb

Bs. Cl.

       

       p 

Ob. 1

Bsn. 1 Bsn. 2

Hn. 1 in F Hn. 2 in F

Perc. 1

  

        

    

Cl. 2 (opt.) in Bb

  Tpt. in Bb 

Perc. 2

  

 



Piano

Banjo

Solo Vln.

Daisy

Nick

Chorus I

Chorus II

S A T B

T B

 

 



  

mf

dim. molto



dim. molto

     

 





 3

p espr.





dim molto

    

dim. molto



 

 



 

  

  

 



 

 

    

 

 3

pp

pp

    pp

pp

  



 

 



3

3

3





  





   

meno f

 

his

good for

meno f

 

-



tune’s



3

 3

A

man

3

3



  

3





3







 

S A



 

 

Gatsby

     

l.v.



  

Tom



  

sf mp

         

  

Tbn.

Tuba



Tam.



in

Eng



3

 

3



-

land

buys

3

3

  3



 



 



my clothes,

3

sends a

ours.

  

Vln. II



Vla.



Vln. I



Vlc.

Cb.



  pp



pp

 

 

3 3

        

 

 

 

3 3

 


Harbison The Great Gatsby–Reduced Orchestration - Act II, Scene 1

586

poco cedendo

518  

Picc.



Ob. 1



Eng. Hn.

Cl. 1 in Bb

Bs. Cl.

  

 





  

Fl. 1

Bsn. 1

Bsn. 2

Hn. 1 in F

Hn. 2 in F

Perc. 1

Cl. 2 (opt.) in Bb

Tpt. in Bb

 

  

Tbn.

Tuba

Perc. 2



Piano

Banjo

Solo Vln.

Daisy



 3

 



  

 

 3



    lec

  

 

3

-

tion of

 shirts

3

 



3



 

Band Vocalist

3

  

Tom

 







 

3



3



dim.

mp 3



 

3



3

 

 3

  3       3 





3

3

         3 

  

3

at the be - gin





3

-

ning

3

 of

each

3



sea - son.

  

Vln. II



Vla.



Nick

Vln. I













p

   

Vlc.

Cb.

 

 

 

 

 dim.



 

p

poco cedendo



dim.

 3 3

 

  

 3 3

 


Harbison The Great Gatsby–Reduced Orchestration - Act II, Scene 1

a tempo

526

 Fl. 1  

587

Picc.



Ob. 1



Eng. Hn.

Cl. 1 in Bb

Bs. Cl.





  



  

Bsn. 1

Bsn. 2

Hn. 1 in F

Hn. 2 in F

Tpt. in C

Tbn.

Tuba

 



    

 Perc. 1

Cl. 2 (opt.) in Bb Tpt. in Bb

Tbn.

Tuba

Perc. 2



  



Piano

Banjo

Solo Vln.

Daisy

Tom

Band Vocalist

Nick

Vln. I

Vln. II

Vla.

Vlc.

Cb.

 p

        

  

3



 3

 



  3

3





3







3

cresc.



 

 

3

 

Spring

and





fall.

 

so

beau





f

3

-

 



3

3



3

3

3



3



 3



3

3





3

 

(Gatsby hands Daisy some of the shirts.)



  

ti - ful.





  3

  

 

 

3

 cresc.

 



cresc.



3



 



3

         

 

 

a tempo



  

3

Jay,

 

  

 

  




Harbison The Great Gatsby–Reduced Orchestration - Act II, Scene 1

588

534

 Fl. 1  

Picc.



Ob. 1



Eng. Hn.

Cl. 1 in Bb

Bs. Cl.

rit.

Bsn. 1



Bsn. 2

  

 







  

Hn. 1 in F

Hn. 2 in F

Perc. 1

Cl. 2 (opt.) in Bb Tpt. in Bb



  

Tbn.

Tuba

Perc. 2



Piano

Banjo

 mf

   



Solo Vln.

 Daisy    

Tom

 

Band Vocalist

Nick

  





3



 3



3

3

3 3

 

 

  

 

3

 

 



Vla.



 



  

  3

 

cresc.

 



3

Look,

f

 stripes

 

p 3

 3

 p

 p

3



f

f

3

 

 

and

 

pizz.

 

3

div.

f

3

 

 



f

3

 

ff

3

cresc.

 

mf



3

3

(Gatsby suddenly begins to throw the shirts.)

tutti

 

 

3

cresc.

mf

3



 

rit.

 



ff

 3

(3 players)

 

3

3

 

 

 

3

cresc.

3



 

Vln. II

Cb.



 



f

 

3

 Vln. I  

Vlc.



p

 mf


Harbison The Great Gatsby–Reduced Orchestration - Act II, Scene 1

542

589

 Fl. 1  

Picc.



Ob. 1



Eng. Hn.

Cl. 1 in Bb

Bs. Cl.

Bsn. 1



Bsn. 2

  

 







  

Hn. 1 in F

Hn. 2 in F

Perc. 1

Cl. 2 (opt.) in Bb

Tpt. in Bb

Tbn.

Tuba

Perc. 2

 



  



Piano

Banjo

Solo Vln.

3

mf



3

3

Nick

Vla.

Vlc.

Cb.

 3

3

 

 

3

cresc.

3

3



3





3

 3

f

3

mf



3



3



3

 

    scrolls,

  

3

 

 

3

co

3

3

-

ral,

3

ap - ple,

3

3

3

3

3

 

 

3

green,

3

la

-

  ven - der,

 3

o

 

-

range,

In -

  

 

3

  

f

p

cresc.

  

3







3

cresc. 3

 

3

3





3

3

cresc.

cresc.



  

3

 

  

 

3   



 

 

 

ful!

 

3

-

3

be care

 

    

and plaids,

3

 

f

Jay,

  Vln. I    

Vln. II



 Daisy  

Band Vocalist

(Daisy picks them up, presses them to her face.)

Tom

3



3

  





3

3

f

f

3

p

 p

f



p


Harbison The Great Gatsby–Reduced Orchestration - Act II, Scene 1

590

550

 Fl. 1  

Picc.



Ob. 1



Eng. Hn.

Cl. 1 in Bb

Bs. Cl.

 





  

Bsn. 1

Bsn. 2

Hn. 1 in F

Hn. 2 in F

Perc. 1

Cl. 2 (opt.) in Bb Tpt. in Bb

Perc. 2

 

    

  

Tbn.

Tuba



Piano



3

3



3



dim.

3

3

3

3

3



p cresc.



3

3



3



3





3

3

mp



3

3





 Daisy  

Banjo

Solo Vln.

 

Tom

 

Band Vocalist

Nick

(Daisy is crying.)

 

3

-

 

Vlc.

Cb.

di - an

3

3



 shirts.

dim.

 3

  



3

dim.

3

 3

 

div.

 

div.

 

cresc. cresc.

pp 3

3

3

 pp pp

  3





pp cresc.

 



3

3

Don't

cry,

  

  3

p

 pp

 

3



pp cresc.

3

3



 

cresc.



(pizz.)

 

 3

3

3

 



pp cresc.

dim.

pp

 

3

dim.

 

3

 

3

(div.)

3

 



  ti - ful

-

blue.

  

3



 

Vla.



   Vln. I  

Vln. II

They're such beau

  



3

3

p

3 p

p

3 p

 3

 

 

p





p

p

3

3

3

 3


Harbison The Great Gatsby–Reduced Orchestration - Act II, Scene 1

558

591

 Fl. 1  

Picc.



Ob. 1



Eng. Hn.

Cl. 1 in Bb

Bs. Cl.

 



Bsn. 1

Bsn. 2

Hn. 1 in F

Hn. 2 in F

Perc. 1

Cl. 2 (opt.) in Bb

Tpt. in Bb

Tbn.

Tuba

Perc. 2

  

    

Banjo

Solo Vln.

Daisy

Tom

Band Vocalist

Nick

Vln. I

mf



  

  



Piano

Tam.



cresc.

3

 3









3





3

3   

3

   

 



3

-

sy!

 

3

 

 f sf



 

3

   



 



  Cb.  

(pizz.)

  

 

3

3

3

    



 



3

   





 sf

 3 

3

f

such

beau

ti - ful

3

3

shirts



be

-

-

3

  

 fore.

 

 

  3

cresc.



 

3

cresc.



cresc.

 

3

3

unis. 



f dim. molto



 

3

 

3

 

unis.

3

 3

f dim. molto

 3

cresc.

cresc.

3

 

f dim. molto

3

 

cresc.

3

 

-

  

3

3

3

 

3



3

  



 

3

3

3

be-cause I've ne ver seen

3

Vlc.

f dim. molto

cresc.

It makes me sad

    Dai



(As the piano fades away, the rhumba group is heard and seen.)

  

3

Vla.

 3

cresc.

Vln. II



3

3

mp

 

 

3

f molto marc.

  

  



3



 

3   

3

3

f dim. molto

3



3

3

pp



f dim. molto

f


Harbison The Great Gatsby–Reduced Orchestration - Act II, Scene 1

592

566

 Fl. 1  

Picc.



Ob. 1





  

 



Eng. Hn.

Cl. 1 in Bb

Bs. Cl.

Bsn. 1

Bsn. 2

Hn. 1 in F

Hn. 2 in F

Perc. 1

Cl. 2 (opt.) in Bb

Tpt. in Bb

Tbn.

Tuba

Perc. 2

 

 

 

Banjo

Solo Vln.

Daisy

Tom

Band Vocalist

Nick

Vln. I



f accomp.

f accomp.



  

f accomp.

      Vib. no pedal

          

 

 

 

 

 

 

 

  

     

 





 



  

  

 

S.D., snare off

Cast.

    mf

pp

 

     

 3

 3

    

 

Cast.

   

 

S.D.

   

   

  

   



   

  

  

cresc.



cresc.

  





  

    

  

ff

f

  

 

ff

f

     

 

f

  

   

 

  

   

 

      

 

   

 

  

   

-

by,

an - y - how?

Gats

Some big

pp

Vln. II

Vla.

Vlc.

Cb.

     

pp

3

 

pp

   

 

Who is this



  



  

 

   

p



Piano




Harbison The Great Gatsby–Reduced Orchestration - Act II, Scene 1

574

593

 Fl. 1  

Picc.



Ob. 1



Eng. Hn.

    

Cl. 1 in Bb

      

Bs. Cl.

 

Bsn. 1

Bsn. 2

Hn. 1 in F

Hn. 2 in F

 

  

Cl. 2 (opt.) in Bb

Tpt. in Bb

Perc. 2

Piano

Banjo



    







  



 



 

 



(Vib.  no pedal)         

 

 

 

   

 







più f

più f



più f

  

         



     

 

 



 















  

  

B.D.

mf

   

          



     Daisy  

Solo Vln.

   boot  

Band Vocalist

     



         

Tom

 

Cast. mf

-

 

   

  

 

  

 

     

 

   

    

 

più f

 

più

f

Some big

 f

 3



  

  

    

leg - ger?

    

  boot

          

 

  -

       

leg - ger.

  

       

   

  

 

 

 

  

Vln. II



Vla.



Vlc.



Cb.

  

Vln. I

Where did you hear

that?

  

He must have



Nick

  

Tbn.

Tuba



 

 Perc. 1



Not

Gats- by.


Harbison The Great Gatsby–Reduced Orchestration - Act II, Scene 1

594

582

 Fl. 1  

Picc.



Ob. 1



 

 

 





 

 

 









Eng. Hn.

    

Cl. 1 in Bb

Bs. Cl.

 

Bsn. 1

 

Bsn. 2

Hn. 1 in F Hn. 2 in F

Perc. 1

Cl. 2 (opt.) in Bb

Tpt. in Bb

Perc. 2

Piano

Banjo

 





 





    

 



 

 

    



Chorus I

Chorus II

S A T B

S A T B

Vln. I Vln. II Vla. Vlc. Cb.



  

 3

  

 

  

 

  

      

 

 

3   3        

p

p

    

 

 

 

 

Timp.

 f

 

  p

f



f

 

 

 

 

 

to - geth - er.



 

 

 

     



  



p 

 

 

      



    

  

     

 

    

    

  



ff marc.

way

peo



Vul - gar

 Broad

-

 

 

 

         

 

pp

 

pp

ple!

  



p

  

  man 

One

in

the



sha - dows.



cresc.

 

cresc.   



  

  



  

  

  

  

  

  

  

  

You know his

p





 

 

-

         

 

  

dim. molto



  

   p        

p

p

    

p



          l.v.

mf

dim. molto



       



Tam

  

 



f



      



p



f

            



strained to get this me - na -ge -rie

Nick

      

 

 

     

     Daisy  

Band Vocalist

  

Solo Vln.

Tom



  

Tbn.

Tuba





f



  


Harbison The Great Gatsby–Reduced Orchestration - Act II, Scene 1

590

 Fl. 1   Picc. Ob. 1

Eng. Hn.

Cl. 1 in Bb



 

Bsn. 1



Hn. 2 in F

Perc. 1

Cl. 2 (opt.) in Bb

   

Piano

  

Banjo

Solo Vln.

Daisy

Tom

Band Vocalist

Nick

Chorus I

Chorus II

S A T B

S A T B

Vln. I Vln. II Vla. Vlc. Cb.

 

            

cresc.

    









  

f

 f

 



 



 f



   



 







 

 



                

 



 

f



 

    

 

f

          





f

 



  

      

   

  







 

        

 

  

  

 



 

 

  

 

 

name



 

well - known

 





 

 name

 



ff



it's

ff

 







 

  f

Yes,

Wolf





f

-

shiem.

 

  





  

 

  

  

  



  

  

 

  

a

Just

 

Wolf - shiem.



   

3





 

  

f





 

  

   





  

f

cresc.

  

 

f

cresc.

 



  

     



    

 

 

cresc.

Perc. 2



 

cresc.

Tuba

 

  

   Tpt. in Bb  Tbn.

  cresc.

    

 

cresc.



   

  

    

Hn. 1 in F

    

Bs. Cl.

Bsn. 2

595

  




Harbison The Great Gatsby–Reduced Orchestration - Act II, Scene 1

596

598

 Fl. 1   Picc. Ob. 1 Eng. Hn. Cl. 1 in Bb Bs. Cl. Bsn. 1 Bsn. 2

Hn. 1 in F Hn. 2 in F

Perc. 1

Cl. 2 (opt.) in Bb

Tpt. in Bb



  

 

  

  

 

  

   

      p

   dim. molto

Tuba

Perc. 2

  

 

Banjo Solo Vln.

Daisy

Tom

Band Vocalist

Nick

Chorus I

Chorus II

S A T B

S A T B

Vla.

Vlc.

Cb.



dim.

 



 



 pp 

pp

 

 

3

p





3

sempre molto





 

3







3

 

friend,

on

     

 -

We

ly

a

  

 

3



 

the past?

3

re - peat

the

past.

friend.

3

 

  





3

can

appassionato

Re - peat

3

3



3

3

3

3



    



pp

     

pp



 Vln. I  

Vln. II



l.v.

p



dim.



Piano

Tam





dim. molto

Tbn.

pp

 

pp

3

3 3

3

   

pp

pizz.

 pp pp







 

 



3



p



 

3

3



arco





 



3

3

3

3

 

3



   3

3

3 



 

3

 3

pp


Harbison The Great Gatsby–Reduced Orchestration - Act II, Scene 1

605

 Fl. 1   Picc.   Ob. 1 Eng. Hn. Cl. 1 in Bb Bs. Cl. Bsn. 1

 

Cl. 2 (opt.) in Bb

Tpt. in Bb

Tbn.

Tuba

Perc. 2

Banjo

Solo Vln.

Daisy

Tom

Band Vocalist

Nick

Chorus I

Chorus II

S A T B

S A T B

Vln. I

Vln. II



  

   

  



3

3

3







Cast.

mf





3

  

  

S.D.   

3

re - peat

the past,

Dai

 

3

 

 

3



-

sy.







  

    



 

   

 

   

   

3

 

 3

  

  

3 3

3



  

 

3



-

by

owns

3

 

some drug - stores,

       

 

 

  f

 

Drug - stores?

 



   3

he built them him - self.

   p

    p

  

   



  

 

3

3 3

 

 

 p

Non - sense.

 3

dim.

 

  

  



dim.

Gats

  



       



 



to Trap set

           

f

f

3

   3

   

     

   3     We can

p

Tam



3

3

3

  

 





3

Cb.

3

Vlc.

3

Vla.

 



Piano

    Hn. 1 in F 

Perc. 1

Bsn. 2

Hn. 2 in F

 



597


Harbison The Great Gatsby–Reduced Orchestration - Act II, Scene 1

598

614

 Fl. 1  



  

 



 

 





Picc.

Ob. 1

Eng. Hn.



 

p

   p



   



   

Bs. Cl.

Bsn. 1

  

Cl. 1 in Bb

p

p

 Bsn. 2    Hn. 1 in F

Hn. 2 in F

Perc. 1

p

  



 

Tuba

p

   p

    

Trap set Perc. 2

Piano

Banjo

Solo Vln.

Daisy Tom

Band Vocalist

Nick

Chorus I

Chorus II

S A T B

S A T B



p

mf

       

pizz.

p (pizz.)

Cb.

     p



mp

  

    

       

 

  

 

  

   

f

f

Contrabassoon

  f 

  

    



                       

 



 

   

 



                

   





 

 

cresc.

cresc.

cresc.

    

             

 





  cresc.



       

cresc.

 

 



 



  











               

   







 



   

 

 

some talk

of

            

 

  

 

  

 

cresc.



with



cresc.

  

  

  



  



 dan

 

 

cresc.

 cresc.

 cresc.

   

 



cresc.

cresc.

    

Wolf - shiem

 

built

 

  

drug - stores

 

-

signs.

ger

  

 

 

   

    

    

 

  

f

3

 

 

 

 

 



   

 

 

       

 

 

f

f

f

f

p

cresc.

       





  



f

pizz.







p

 cresc. 

to Cbsn.



mf

  



 p 



Heard

 

pizz.

Vlc.

 

cresc.

 



 

   

cresc.

 



p

Vla.

 

 

 

pizz.    Vln. I   

Vln. II

   

 



     

p cresc.



 







   



    

  





p

Tbn.



    Tpt. in Bb 

Cl. 2 (opt.) in Bb







   







We ff

 

ff

 

arco

f



arco

f



arco

   

 

  

  

f arco

 

f arco

  f

  


Harbison The Great Gatsby–Reduced Orchestration - Act II, Scene 1

622

 Fl. 1  

f



f

Picc.

Ob. 1

 



f



      Cbsn.        Hn. 1 in F 



Eng. Hn.

Cl. 1 in Bb

Bs. Cl.

Bsn. 1

Hn. 2 in F

Perc. 1

Cl. 2 (opt.) in Bb

  

f

 

  f

  f



f Timp.



f

  

Tbn. Tuba

 

 

f



f Perc. 2

Banjo Solo Vln.

Band Vocalist

Nick

Chorus I

Chorus II

  

 

     

     can 

3

 

 

  

    

 

  

  







  

 

 

  



p

  

  p

  p  

  p

 

 

 









 

3







3

3

p

3











  

 

 

 

 









cresc.

         

 



 

   

 





 

 

  

 





cresc.

 

 

cresc.

 

    cresc.

 

       cresc.   cresc.

 

 

cresc.

          

 

 

  

3

3

3



           

3

 



 

 



  





cresc.

  



   

p



p

3





 p     

 

         





 

 



 

 

p





p

p

 

 

 

p

 







p

3

 

 

3





 

 





3

p   







 



 Daisy   Tom

   

 

f



Piano



f





    Tpt. in Bb  f



f





599





 

   





  



  



 

cresc.







3



3



re-

 

3

peat

the

past,

3

the past.

Re - peat



3



3

Dai - sy.

S A



T B



S A T B

Vla.

Vlc.

Cb.

 No

  

 Vln. I   Vln. II

f

  

    

 

    

 

    

 

     

 

 

  

       

  

 

pizz.

 f

   



 

 

 

pizz.

 

pizz.

 

pizz.

  p p

drug





 

with



p



wrong





pizz.

thing



p

-

 

 

p

 

  

-

  

 



  









   

stores.



As



 





 

 





cresc.

 

 

       cresc. 

3

cresc.

cresc.







f



3

for



cresc.

 

 

cresc.

cresc.

 

 

cresc.

    cresc.     cresc.


Harbison The Great Gatsby–Reduced Orchestration - Act II, Scene 1

600

630

 Fl. 1   

Picc.



Ob. 1

Cl. 1 in Bb





Bsn. 1

  

 

    





 

  Hn. 2 in F  





Cl. 2 (opt.) in Bb



 

Tbn.

Tuba

Perc. 2

Piano

Banjo Solo Vln.

Daisy

S A

       

    

 

  

 



 



  



 

             



 

 











 



 

 

   ff







            

 

  

 

 

     

 

sf

sf

  

sf

 

ff

ff

 

ff



 

sf mf

sf

sfmf

sf



  f

   

sf

mf

mf

     







  

 mf 

 

mf



 



    

 

sf



sf



sf

  



    

           





 

  

  

 

sf

mf

sf

sf

sf

sf

  

sf



 



 

sf



sf mf

sf



mf

sf



 

 



 

    

sf mf

 

sf





   



 



p



    

sf mf

      

sf



   

sfmf

   

sf





 

sf



  

sfmf

 

sf

     

 

    

p

 

ff

 

ff

 

 

ff

 

  

p

sf



p



  

sfmf

sf ff

sf

sf

      

p

  

sf mf

p

 

 



sf

 

sf ff



sf ff

            

sf ff

 

p



   

  



 



 

  

  

  

    



     



  

   

 

sf ff

  



Vlc.





-

     

Vla.

  

 

Wolf

Vln. II

 

 Vln. I  

Cb.

  

    

S A

   



T B

 

 

Nick

T B

 



 

cresc.



Band Vocalist

Chorus II



Tom

Chorus I





    

    Tpt. in Bb  



 

 

 Hn. 1 in F 

Perc. 1

   

Bs. Cl.



ff

Eng. Hn.

Cbsn.



   

   

   

 

shiem,

   

  let

   

it

 

  



  go,

let's

 

 

    





arco



arco



  

 

 

  

 

arco

   

arco

  

arco

    

 

 en

-



ff

joy

 

ff



ff



sf ff

 

sf ff



sf ff

sf ff

sf ff

 

  



  

  

ff

We

can

ff

We

can

  

  

re - peat

the

re - peat

the

   

 

 

past

 

 

past

  

  

ff

We

ff

the fi - nal dance.

     

 

  

  

  

 

sf mf

sf

    

  sfmf   

ff

We

sf

mf

  

ff

sf mf

mf

 



 sf

      sf

      sf

   

 

sf

 sf

 sf



sf

 

sf

     sf   




Harbison The Great Gatsby–Reduced Orchestration - Act II, Scene 1

638 

Fl. 1

   

Picc.



Ob. 1

Eng. Hn.

Cl. 1 in Bb

Bs. Cl.

  

sf cresc.



sf

  

sf cresc.

sf

    

    sf

   

sf cresc.

cresc.

 

Bsn. 1



  

  

cresc.

sf

     











  

    cresc.      Hn. 1 in F  Cbsn.

Hn. 2 in F

Perc. 1 Cl. 2 (opt.) in Bb

    

cresc.

  

cresc.

 

   Tpt. in Bb  cresc.    Tbn. Tuba

cresc.

 

Perc. 2

Piano



Solo Vln.

Daisy

sf

  



   be

be

go

go

     

 sf

sf cresc.

sf

 

sf

 

sf

 

 sf

  

ffp

p sf cresc.

f sf

ffp

p sf cresc.

f sf

ffp

   

p sf cresc.

fsf

ffp 

p sf cresc. 

f sf

ffp

   

 ff

  p



     



     

p

ff

 

ff

ff

   

 fp



f

  p

 

fp

  ff

     



     

 

f

p

f

p

   

       

 

  

 

fp

 

 

p

p sf p sf

 

 

sf



f sf

sf

 

mp sf

  

mf sf

mp sf

 

    

p

p

f

sf

p

    

     

p

p

mf sf

cresc.

cresc.

p

cresc.

      p

     cresc.

     

    p

    

    p

    

p

cresc.

p

cresc.

           

cresc.

cresc.

       

 f



sf

f





f



sf f

sf

sf



 

 

cresc.

p

   

sf







Yes,

   

ff

sf

drug - stores.

ing  

home

 

now.

Time

to

say

good

night.

 

 

 

home

 

now.

Time



 

   



 





 

 

  





      

    

   





-

-

ing  

  

 

f sf

 





 

stores.

 

   



sf

    cresc.

         



f sf

p



 

p



f sf



      



fsf

 

sf

sf

sf



p

f sf



 

f

p

f

f sf

fp

  

p

fp



  

 

fp

   f

p

f

 

f

 

 f sf

   

p

ff

 

Drug -





f sf

ffp



  

p sf cresc.



   



sf cresc.

 

sf cresc.





ffp

ffp



ffp

 

 

   







  

 

   



Vlc.

 

 





Vla.



 

   

  

Vln. II

Cb.

  

should



 



S A

Vln. I

sf

should

T B



   

S A

T B

     

Nick

Chorus II

cresc.

   

Band Vocalist

Chorus I



Tom

 



Banjo

  

 

ffp



sf





  

sf cresc.

sf cresc.

  

601

ffp

ffp

ffp

ffp



ffp 







 

ff

p

      ff

p

 

 

ffp

 f

 f

p

  p



p sf cresc.

sf

p sf cresc.

sf

 

p sf cresc. 

sf



f

p

    f

p

 

say

good



   

 



   

  

to



  



      



   





   

 



 

 

night.

 

 

 

f sf



p

sf

f sf

p

cresc.



         

f sf

p

     

cresc.

p

    

     

    

f sf  



 

f sf

 sf

 sf

    

p

cresc.

           

cresc.

cresc.


Harbison The Great Gatsby–Reduced Orchestration - Act II, Scene 1

602

646  

Fl. 1

Picc.

Ob. 1 Eng. Hn.

Cl. 1 in Bb

Bs. Cl.

Bsn. 1

   



   



  

         

                   

           

     

 Cbsn.      

   

      Hn. 1 in F    Hn. 2 in F  

Perc. 1

Cl. 2 (opt.) in Bb Tpt. in Bb

Tbn. Tuba

Perc. 2

Piano

Banjo Solo Vln.



   

Chorus II

T B

S A T B

Vla.

Vlc.

 

  



ff



f sfcresc.

 ff

f sfcresc.

ff

 

 

 

f sf cresc.

f

f

      

cresc.

      

f Sus. Cym.

f

ff

ff

ff

 

Good

     

Good

  

 

   

  

  

   

     

 

 

 

 

  

 

 

 

 

 

night,

night,

     

Più pesante h = 100  f



     

cresc.

     

f

  f

cresc.

     



sweet sf

sf

   

sweet

sf

 

sf

dreams

ff

   ff

   ff

 

       

 

to

        

 

 

 

sf

           one. ev - ery        

sf

 

sf

sf

dreams sf

 

to

 

 

G.P.  

ev - ery- one.

 

sf

 

                  ff                      ff

sf

 

   

  

    

sf

 

 



             

cresc.



 

 

 

-



 

 

to orchestra

   

     

  

-

  

   

 

   

 

   

S.D.

 

 

 

 



 

 



 

 

   

 

 

  

 

G.P.

   



 

     



     



 

  



ff

cresc. Timp.

      

   

     

ff

  

 







 



     ff               ff               

f sf cresc.



   

ff

 

 

 

f sfcresc.

  

    

 

 

 



  

   

 

   

ff





 Cb.      

     

f sf cresc.

f sf cresc.



ff









f sfcresc.



     

   





    

   

   

 



  

to orchestra





     

 Vln. I   Vln. II

 

to orchestra

  

   

to Cl. in Eb

  Tom    Band Vocalist     Nick  S A

  

 to orchestra  

Daisy

Chorus I



     

Più pesante h = 100



           

  

   

    

       

      G.P.

 

 

 

 

   


Harbison The Great Gatsby–Reduced Orchestration - Act II, Scene 1

654

 Fl. 1    

Picc.

Ob. 1

 

Eng. Hn.

   

Cl. 1 in Bb

 

Bs. Cl.

 

Bsn. 1

Cbsn.

  













sf

sf





sf

sf

 

sf

sf

  Perc. 1



Tpt. in Bb

sf

Tuba

Perc. 2

Piano

Banjo Solo Vln.

Daisy



sf



 



 

 



     

  

To Vib.





  



           







 

 

  

          

  



  



aperto

sf aperto

sf

sf



S.D.







 

  

        

Where's

        

Where's

    

 Vln. I    

Vln. II

 

Vla.

 

Vlc.

 

       the eve - ning              the eve - ning      







sf



sf

sf

sf

sf





    

















    

 

  ff

There they are!

 Mis

-



ter

Gats

 -

by,

 

  

 

  

gone?

gone?

     

       



 

 



 

 

sf chiuso

sf



chiuso

sf



T B

Cb.



 

S A

T B

   

Nick

Chorus II

   



  

 

Band Vocalist

S A

   

 



Tom

Chorus I



 

 

  

Tbn.





 

Cl. 2 (opt.) in Bb

   

  

 

sf

 

sf

  Hn. 1 in F   Hn. 2 in F



603


Harbison The Great Gatsby–Reduced Orchestration - Act II, Scene 1

604

662  

Fl. 1

  

Picc.

Ob. 1

Eng. Hn.

Cl. 1 in Bb

Bs. Cl.

Bsn. 1

Cbsn.

 Hn. 1 in F  Hn. 2 in F



    

    

   

     

Tuba

Perc. 2

Piano

Banjo

 

   

 

   

    

    

 

  

    f

f

f

f

f

 



    

Band Vocalist

Vln. II

Vla.

Vlc.

3

we

3

have things to

meno f

dis - cuss.

My

 wife

  

and I

ex - pect you



  



Sun - day af - ter - noon

 to

 

 Vln. I 

Cb.

Tom

Nick

f

Solo Vln.

Daisy

f

 Perc. 1

f

       

f

pizz.



pizz.

     

   



pizz.

   



pizz.

f

f

f

f

pizz.


Harbison The Great Gatsby–Reduced Orchestration - Act II, Scene 1

605

rit.

670  

Picc.

Ob. 1

Fl. 1

 f

Eng. Hn.



Cl. 1 in Bb

Cl. 2 in Bb

f

 

   f

Cbsn.

Hn. 1 in F

    

f

  

 



       

    

   

 

    

    

 

    

  

f

Tpt. in C

  

Hn. 2 in F

    

f

Bsn. 1

   

  

Bs. Cl.

 

  

   



   

Banjo

 

  p

p

 

 

 

Band Vocalist

Vln. I

Tom

Nick

  p

Solo Vln.

Daisy



Piano

Perc. 1

Perc. 2



Tuba

  p

 

ce - le - brate the

  

 



Vla.

of

sum- mer.

 

meno f quasi amabile



Say

good - night



then,

Dai

 -

 -

sy.

     

      

    



    

     

   



unis.     



    



Vlc.

Cb.

  

    

 

div.      

arco



  

arco



arco

 

end

arco Vln. II

   p

 

arco

Vib.

rit.


Harbison The Great Gatsby–Reduced Orchestration - Act II, Scene 1

606

678

Interlude: The party ends q = 88

 Fl. 1 

 

 

Ob. 1

 

Eng. Hn.

Picc.

Cl. 1 in Bb

Cl. 2 in Bb

Bs. Cl.

 

Bsn. 1

Cbsn.

Hn. 1 in F

  p

Vln. I

  

    

         

   

      

              

p

     

           

  

Clarinet in Eb p

 

  



f sost.

    

 

 

   p

 

 p

3

   

cresc.

mp

3       3

mf

cresc.

3

   

mp

cresc.

3

3

      

cresc.

mf

    3

cresc. 3

    cresc.

3         f

f sost.

f sost.

  mf cresc.

 

3

       f

mf

 

  

 

Timp. p

 

 

   

 

 

 

  

  

 

 

 

f





 p

  

Interlude: The party ends q = 88

         p

   p

 

cresc.

Drug - stores!

p

p

(Sounds and images of the party remain, lights fade, the scene moves across the sound.)

p

To Timp.

f sost.

 

 

p

Cb.

Vlc.

p

Vla.

      

 

Vln. II

    

  

 Daisy 

Nick

 

Band Vocalist

      

Vib.

Tom



Solo Vln.

   Tuba 

Banjo

       

Perc. 1

Piano

 p

Tpt. in C

Perc. 2

     



  

 



p

p

    

             

 p

  

  

Hn. 2 in F

Tbn.

     



    

     

      

   

    

      

   

  

    

    

3

mp

cresc.

     3

mp

cresc.

3

mp

cresc.

cresc.

3

mp

3

3

mf

cresc.

3

3

mf

cresc.

3

cresc.

3

mf

3

cresc.

3

mf

3

    cresc. 3

cresc. 3

cresc.

3

        f

 

3

mf cresc.

        f

 

3

mf cresc.

  

3

     f

mf cresc.

  

3     

mf cresc.

f

cresc.

   f sost.


Harbison The Great Gatsby–Reduced Orchestration - Act II, Scene 1

684

 Fl. 1 

Ob. 1

Eng. Hn.

Picc.

   

Cl. 1 in Bb

Cl. 2 in Eb

 

Bs. Cl.

Bsn. 1

Cbsn.

Hn. 1 in F

 

   

 

 

Hn. 2 in F

 

  

Solo Vln.

Daisy

                     

          

   

    

          

to Ob.

f

 

  f

 

  

     mp

     mp

  

    

 ff

  

 mp

 p

    3

mp

cresc.

               3 cresc. f mf

 cresc.

3





mp

 p

   

mp

cresc.

3

3

cresc.

f

3

  

3

3

                cresc. mf f 3

f

3

3

3

     

      

    

       

 ff

 ff

 

  

 ff

 

    

 ff

 

 

f



    

Vlc.

f

Vla.

  

Vln. II

Cb.

  

     

Band Vocalist

Vln. I

    mp

  

 

Tom

Nick

mp

                                 

                

  Tuba 

Banjo



                            

Perc. 1

Piano

  

       



     

Tpt. in C

Perc. 2

ff

Tbn.

      

607

   

mp

mp

mp

mp

     

mp

 p

 p

 p

 p

    

    

    

3

mp

cresc.

3

mp

cresc.

3

mp

cresc.

  

cresc.

3

mp

3 3  3                      cresc. mf f 3

cresc.

3

    

3 3  3                      f cresc. mf 3

cresc.

3

    

3 3 3                  cresc. 3

cresc.

mf

3

    

f

3 3                 3 3

cresc.

mf

cresc.

   3

f

   f


Harbison The Great Gatsby–Reduced Orchestration - Act II, Scene 1

608

690

 Fl. 1    

Picc.

 

Ob. 1

Oboe

Ob. 2

 

Cl. 1 in Bb

 

 

Bs. Cl.

 

Bsn. 1

 

   Hn. 1 in F     

Hn. 2 in F

 

Tpt. in C

Tbn.

 



Banjo

Daisy

Nick

Vln. I

Vla.







 



   



 

 





 



    

  

  

  

  

   mf

  

 

 

 



ff











f

3

 f

 

cresc.





3





 

cresc.

 

 

3



cresc.

  

 

  

 

  

      3

       3





 





    

    

    

 

ff

      

3

3       



      



       





cresc.

mf

3



 







    

ff

cresc.

cresc.

 





 

                3  3 5 f

                   ff

   

 

 

    

   

3

  

5

   

   

ff

ff

   

 





(Timp.)







 

  



ff

  

  

  

  

 







ff

 





  



ff

 

 

 mf





3      

cresc.



3      

cresc.

mf



mf







      

3

      

3

3      

      

        

       

   

   

   

3

cresc.



3





3

cresc.

mf



f



  

3

f

ff Cb.

 

  

Vlc.



 

   

Vln. II



 

 

Band Vocalist

f

 

Tom





Solo Vln.

 

  Tuba 

Piano



 

f

  

 

Perc. 1

Perc. 2



f

Cl. 2 in Eb

Cbsn.

 







   

 



             ff

5

3

3

ff

5

3

3

ff

5

3

3

                                     ff 3 3 5 


Harbison The Great Gatsby–Reduced Orchestration - Act II, Scene 1

Fl. 1

696     

Picc.

 

Ob. 1

 

Ob. 2

 f

 f

 f

 f

 

Cl. 1 in Bb

 

Bs. Cl.

 

Bsn. 1

Cbsn.

 

 Hn. 1 in F    

Hn. 2 in F

 

Tpt. in C

Tbn.

  

Tuba

Perc. 2

Piano

Banjo

 f



f



f sost.



f sost.



f



Daisy

Nick

Vln. I

       

    

  

   

       

   

  

   

   







   







     mp

    mp

 

mf

mf

f

cresc.

f

cresc.





5



 



 

5

             ff

5

3

3

ff

5

3

3

            

      

  

  

  

      

  

  

                        

   

aperto    

mp

    chiuso

mp

mf

mf

mp

mf

           

f

  

 sf

    

sf

Cb.

mf

sf

Vlc.

mp

  

Vla.

            

 

Vln. II

sf

 

mf

Band Vocalist

  

                   

 

Tom

            

mp

f



                    



Solo Vln.



 (Timp.) Perc. 1

sf

 sf



sf

Cl. 2 in Eb

  

609

sf

 

sf

 

   

   

f

sf

   

f

f

sf

f

  

  

cresc.







  

 5

5

 

     

5

cresc.

   

cresc.

   

sf

   

cresc.

   









 5

 

             ff

5

3

3

ff

5

3

3

ff

3

3

ff

3

3

                            5                5 


Harbison The Great Gatsby–Reduced Orchestration - Act II, Scene 1

610

Fl. 1

700 

Picc.

 

 

 

Ob. 1

     

Cl. 1 in Bb

3

Cl. 2 in Eb

Bs. Cl.

Bsn. 1

Cbsn.

f

        

Ob. 2

                            f                            f             

    3

    

f

   

 3

3

   

3

3

     

 3

 3

Tbn.

Tuba

Perc. 2

Piano

Banjo

Daisy

Nick

     

f

    

       

f

f

    

dim

p

    

  

           dim 3

    3

 

3

 

    mf

 

     

mf

   

  

3

3

  

  

3

  

  

  

  

3

f

 





f

f

f

        

 

 

  

f

p



to Tpt in Bb, al sord. (harmon stem in) to Stage Band

                 dim



 

f (Timp.)

 f

 

 

  

    

   

3

3

3

3

3

     3

   

    

   

3

3

3

3

3

           

 3

 3

  

3

  

3

  

 

  

3

3

     

   

3

3

     

   

3

3

3

    

3

    

3

3

3

    3

    3

3

3

3

           

3

3

3 3

           

 3

 

3

 

3

 

  

3

  

3

f

  

3

f

   

3

f

  

   f

f aperto

   p

dim

3





dim.

3

f

      

  

to Eng. Hn.

    p

mf

p

3

             

   

Cb.

p

3

3

      Vln. I 

Vlc.

                   

dim

        

 

Vla.

          3

                

   

3

 

Vln. II

mf

        3

dim

     



mf

 

Band Vocalist

  



Tom

mf

 

Solo Vln.

 Perc. 1

     

mf

(chiuso)

Tpt. in C

 Hn. 1 in F  Hn. 2 in F

      

 f

3

 


Harbison The Great Gatsby–Reduced Orchestration - Act II, Scene 1

705

 Fl. 1 

Picc.

Ob. 1

Ob. 2

 

Cl. 1 in Bb

Cl. 2 in Eb



 

Bsn. 1

 

  

mf

3

 

Bs. Cl.

3

  

mf

Cbsn.

 

 

Hn. 2 in F

  Tbn.   

Perc. 1

Perc. 2

Piano

Banjo

Daisy

Nick







mf (Timp.)





mf

cresc.

  



    3



 



3

   



 



 f



 

mf

 

mf

f

    3

 

3





 

f

mf

   

f

    

 

 

   

3

3

3

   

f

 

3



f

mf

3

3

  

   

 

mf

   

al sord.

mf

f



 mf

  

 



 3



        

 3

   



3

   

cresc.

    3

mf



cresc.

3

mf

 

cresc.

3

mf

3

   

mf

3

  



mf

to Sop. Sax. to Stage Band



cresc.

f



mf

Cb.



  Vln. I 

Vlc.



 

Vla.



 

Vln. II

 



 

Band Vocalist

Tom



mf

 



    

3



 

Solo Vln.

    



 Tuba

3



mf

Tpt. in C

English Horn



mf

 Hn. 1 in F  



mf

mf

611

    3

    3

3

        3

cresc.



3

    3

     3

        3





   

f

3



3



   

f

   

f

 f

3     

   

3

3

 

mf

3

   mf

mf

     

3

3

   3

mf

3



mf

   

f

   3

 

   

3


612

Act II, Scene Two h = 88

Fl. 1

  









 



Picc. Ob. 1 Eng. Hn. Cl. 1 in Bb Bs. Cl. Bsn. 1 Cbsn.

Hn. 1 in F Hn. 2 in F

Perc. 1

Piano

Sop. Sax.

     

    

(Note: The stage band passages in this scene may be pre-recorded)

 (Note: The stage band passages in this scene may be pre-recorded)   Tpt. in Bb   

Tbn.

Tuba

Perc. 2

Piano

Banjo

   



Solo Vln.

Daisy

 











 

pp



 

 

pp lontano









pp lontano

 

cresc.

     



 

 

 







 cresc.

  

  

 





3

 

Like the

3  

 

sum - me - ry

o

3

-

cean



breeze.

cresc.

Cool

3

 

like the

3   



   

lontano

lontano

lontano

 

pp

3

3

3

 3

lontano





p







3



p

3

p

p

3

 

pp

pp

pp

3

pp

3

ear - li - est morn - ing

h = 88

  

lontano

  

pp

Cb.

(Buchanan's drawing room. Through the high windows, Gatsby's yellow car and Tom's blue coupé. Daisy and Jordan recline in white dresses, fans stir the air. Gatsby and Nick stand near the window. Over the radio, a song, Cool.)

pp

Vlc.

 

pp

Vla.



(Note: The stage band passages in this scene may be pre-recorded)

 Vln. I    Vln. II

  

Gatsby

pp lontano, poco stacc. Ride Cym. (Note: The stage band passages in this scene may be pre-recorded)



Radio Singer

con sord. (Note: The stage band passages in this scene may be pre-recorded)

  

Jordan

Nick

(Note: The stage band passages in this scene may be pre-recorded)


613

Harbison The Great Gatsby – Reduced Orchestration - Act II, Scene 2

 Fl. 1 

Picc.

Ob. 1

Eng. Hn.

Cl. 1 in Bb

Bs. Cl.

 



7

Bsn. 1

Cbsn.

Hn. 1 in F

Hn. 2 in F

Perc. 1

Piano

Sop. Sax.

Tpt. in Bb

 

  

Tbn.

Tuba

Perc. 2

Piano

Banjo

 

 

cresc.



Nick

Vln. I

 

Vla.

 

Vlc.

Cb.

3

3 3

   

 

mp

      



 







p



 

 

mp

cresc.

 

 

[Jordan turns up the radio.]

  



 

 





cresc.

 

 

 

 

 



When

 

Vln. II

  

 

  

   dew.

Gatsby

  

Radio Singer

 Daisy  Jordan



p



Solo Vln.

cresc.

 

  

my

mf

heart

3

 with

3

fi - e - ry



flame

is

burn

-

ing.



Then

   

3

  

3

3









3

 3

p

p

p

 p





















pp

pp

I

pp



pp



 


614

Harbison The Great Gatsby – Reduced Orchestration - Act II, Scene 2

 Fl. 1 

Picc.

Ob. 1

Eng. Hn.

Cl. 1 in Bb

Bs. Cl.

 



13

Bsn. 1

Cbsn.

Hn. 1 in F

Hn. 2 in F

Perc. 1

Piano

Sop. Sax.

Tpt. in Bb

 

  

Tbn.

Tuba

Perc. 2

Piano

Banjo

 

mf

dim.

   

  

 

 

  





 

  

  

dim.

 

  

  

  

p

    p

  



   

   

  

  

  

 

 





 

f

  run

Radio Singer

Gatsby

  

   p

 

Vln. II

p

Vla.

3

 to

3

calm my

mf



de - sire

with



you

p

Cool

3

like

3

kis - ses

 





pp

p

pp









3

we

 

 p

 

 p

p

the night

 

dim.

p

Vlc.

Cb.

 

Jordan

Vln. I

Solo Vln.

Nick

mf

Daisy

p

pp

pp


615

Harbison The Great Gatsby – Reduced Orchestration - Act II, Scene 2

 Fl. 1 

Picc.

Ob. 1

Eng. Hn.

Cl. 1 in Bb

Bs. Cl.

 



19

Bsn. 1

Cbsn.

Hn. 1 in F

Hn. 2 in F

Perc. 1

Piano

Sop. Sax.

Tpt. in Bb

 

  

Tbn.

Tuba

Perc. 2

Piano

Banjo



 

 



 

  

 

  





 







So

hot



cresc.









cresc.



So

hot

 

Cool

3

Like that

  

3

cresc.

   

 

mp



  

 



 

 

feel - ing so fresh

3

mp

and

new.

It's

the

 

Vln. II

 

 

Vla.

Vlc.

pp

pp

  pp

 

 pp

   

 

p

mp

 

 

      

p

   met.





 

 

Gatsby

Cb.



Radio Singer

Vln. I



        

Jordan

Nick

Solo Vln.

Daisy

 

 

  cresc.

 

 

 

 

cresc.


616

Harbison The Great Gatsby – Reduced Orchestration - Act II, Scene 2

 Fl. 1 

Picc.

Ob. 1

Eng. Hn.

Cl. 1 in Bb

Bs. Cl.

 



25

Bsn. 1

Cbsn.

Hn. 1 in F

Hn. 2 in F

Perc. 1

Piano

Sop. Sax.

Tpt. in Bb

 

  

Tbn.

Tuba

Perc. 2

Piano

Banjo

mf

 

  

mf

   

 







 

    

mf

 

  

  

  

dim.

 



   



 

 



  

 

 

 

      

 

 



dim.

 

  



dim.

   

 



 

 

 

 





 



dim.

 



So

  kind

 of

 feel -

ing

I've

been

 feel -

ing

so

ap

 -

peal -

ing

and

I'm

 feel -

sf

ing

hot

dim.

you'll

 

Gatsby

Vln. II

 

Vla.

Vlc.



Radio Singer

Cb.





mf

Vln. I

   



Jordan

Nick



Solo Vln.

Daisy



pp

pp

fp

dim.

fp

dim.

n



  

n


617

Harbison The Great Gatsby – Reduced Orchestration - Act II, Scene 2

 Fl. 1 

Picc.

Ob. 1

Eng. Hn.

Cl. 1 in Bb

Bs. Cl.

 

 

 



30

Bsn. 1

Cbsn.

Hn. 1 in F

Hn. 2 in F

Perc. 1

Piano

Sop. Sax.

 

 Tpt. in Bb 

Tuba

Perc. 2

Banjo

  

 

Gatsby

Nick

Vln. I

p

 

Vlc.

 

p

   

hot

 so

3

3

make me feel



 

so

 

  

 

  

 

3

  





       

3

3

     





Trap set

 

 

 

 

 

 

 

 

 

 

mp

  

3

3

3

         mp





 

   

 

 

 

 

 

 

 

so

hot.

hot

 

 

 



cool.



 

 

 

p

 

 

 

mp

 

 

Vla.



  

Vln. II

Cb.

 

    

 

So

Radio Singer

p

p

  

Jordan

Solo Vln.

Daisy

                  p

(Sop. Sax.)

  

Piano

Tbn.

solo

 

[Nick turns the radio down slowly.]

 

 

 

 


618 Fl. 1

Picc.

Ob. 1

Eng. Hn.

Cl. 1 in Bb

Bs. Cl.

Bsn. 1

Cbsn.

Hn. 1 in F

Hn. 2 in F

Perc. 1

Piano

Sop. Sax.

Tpt. in Bb

Tbn.

    

p

   

  

      

 



Daisy

Jordan

Radio Singer

Gatsby

Nick

Vln. I

  

dim.





 





 



 



     

cresc.

cresc.

   

 

 













 

to Glockenspiel







   

cresc.

 

 

 

via sord. to Trumpet in C return to orchestra

 

return to orchestra to Cl. in Bb p

con sord., harmon, stem in

p

 

 

 

 

 

 

 

 

 

 









 



So

hot

So

hot

3





pp

return to orchestra

via sord.

return to orchestra

 

return to orchestra



 

 

return to orchestra

return to orchestra

 

 

 

 

 

 

 







pp

pp

pp

3

3

mp

        



So

hot

    pp

So

hot

3

 

return to orchestra (Skip to m. 59 if previous passage is played live)

3

     

p





 

 

dim. molto

dim.

mp

  

 

  

cresc.

 

 

 

  

 



  

 

cresc.

So

hot



So

hot

cresc.

 

  

   

 So

  

 

 

  

 

 

   

  

    

Vla.

 

Cb.

   

Vln. II

Vlc.



p

   

Solo Vln.

 

dim.

Banjo

 

Vib. (change pedal at every measure)

Piano



p

  

  

p

  

     

 Tuba    Perc. 2

Harbison The Great Gatsby – Reduced Orchestration - Act II, Scene 2

h. = 56 35 q = q 

 

  

h. = 56 q =q 

pp

pp





 

   


Harbison The Great Gatsby – Reduced Orchestration - Act II, Scene 2

  Fl. 1   

42

Fl. 2

Ob. 1

Eng. Hn.

Cl. 1 in Bb

Cl. 2 in Bb Bs. Cl. in Bb Bsn. 1

Cbsn.

Hn. 1 in F

Hn. 2 in F

Perc. 1

Perc. 2

Piano

     

Tbn.

Tuba

Perc. 2

Piano

Banjo

Solo Vln.

  

Tom

Gatsby

Nick

Vla.

Vlc.

Cb.

mp

 

 



 

mp cresc.

mp

  mp

 

cresc.



  mp



Flute

mp

cresc.

cresc.

 

 







f

 



p

f

mp

f





mp





f

 



 

 

  

  

     

Vib.

(Change pedal at every measure.)

(Play from m. 42 to 58 only if piano is not available)     

 

  

   



mp

cresc.

(Change pedal at every measure.)



mp

cresc.



 







f

 



 f

 





 

 



 

 

 

 

 

  

 

 



so

hot

        

  

  Vln. I   Vln. II

   

 

  Daisy    Jordan



    Tpt. in Bb   Sop. Sax.

619

rit.

     

  

 mf

hot-

we

 

mf



we

can't f



can't

  f

 

mf



move,

we mf

move,

we

can't f



can't

  f

 

p

move.

To p



move

rit. 


620 Fl. 1

Harbison The Great Gatsby – Reduced Orchestration - Act II, Scene 2

Meno mosso h. = 48 51    





 

Fl. 2

 

Ob. 1

 









 

cresc.

p



 





mf

cresc.

 p

to Ob.

p





mf

Eng. Hn.

Cl. 1 in Bb

Cl. 2 in Bb

Bs. Cl.

 

Hn. 2 in F

Tpt.



Bsn. 1

Cbsn.

Hn. 1 in F

Tbn.

Tuba

Perc. 1

Vib.

  Perc. 2

Piano

Daisy

p

(Change pedal at every measure.)



p



 

Gatsby

Nick

p

-





to

-

Cb.

day



day

to

-

is

the

cresc.

 cresc.

hot - test

day



is

the

cresc.





day

of

 

  p

f dim.





hot - test

day

of

the

 

 





year

f



the

year

 

 

cresc.

 

Vlc.

Vla.



 

  

Vln. II





Meno mosso h. = 48

Vln. I

To Tom

day,

 



  

Jordan





p



(Change pedal at every measure.)

p



cresc.

  



p

  



  



cresc.

 




621

Harbison The Great Gatsby – Reduced Orchestration - Act II, Scene 2

 Fl. 1 

59



p

   

Fl. 2

         



Ob. 1

Eng. Hn.

Cl. 1 in Bb

p

Cl. 2 in Bb

Bs. Cl.

        p

          

     

p

 

Hn. 2 in F

Tpt.





Bsn. 1

Cbsn.

Hn. 1 in F

Tbn.

Tuba

Perc. 1

Perc. 2

Piano

(Change pedal at every measure.)

 

   f

 Daisy   Jordan

Tom

Gatsby

Nick

 p



the

end

of

 

p

sum

-

-

mer,







 

mf

the mp

end

of

p

sum

-

-

 

p

     

 



mf

p

end

of

sum

-

 



  



 

p

pp

p

 

   

(loco)



f

   

  mer,



 





the

f

Cb.

  mp

f

Vlc.

 

 

Vla.



   

 Vln. I   Vln. II

    

     

(loco)

pp

 

 

      pp

 

the

 

  

-

     

      pp

  

  


622

Harbison The Great Gatsby – Reduced Orchestration - Act II, Scene 2

66   Fl. 1    

Fl. 2



 

Ob. 1

Eng. Hn.

Cl. 1 in Bb

Cl. 2 in Bb

Bs. Cl.

 





Bsn. 1

Cbsn.

Hn. 1 in F

Hn. 2 in F

Tpt.

Tbn.

Tuba

Oboe





pp

p



 

p

Perc. 1

Perc. 2

Piano

Daisy

(Change pedal at every measure.)

 

 

  



  

mer.

 

end

Tom

Gatsby

Nick

of



Cb.

mf

sum

 -

-

 -

-



-

 -

-

-

 

mp



  mp

You



mer.

You

 



watch

for



watch

for

 it,

 

 



 

  



Vlc.





 

 

Vla.

 



mp

   Vln. I  Vln. II



p

 -

Jordan

mp

  



 



  





 







 

  

mp


623

Harbison The Great Gatsby – Reduced Orchestration - Act II, Scene 2

Fl. 1

 

Fl. 2

 

Ob. 1

pp



 

Ob. 2



Bsn. 1

 

Cbsn.

 



 





 

 

mp

 

mp (Cbsn.)

mp



cresc.



mp





cresc.

mp

mp



mp

Tbn.

Tpt. in C

Tuba



 

 

Hn. 2 in F



Cl. 2 in Bb

  



Hn. 1 in F



 

Cl. 1 in Bb

Bs. Cl. in Bb

Perc. 1

Perc. 2

Piano

 

(Change pedal at every measure.)





  Daisy 

 

 

  

it,

Jordan



you



watch

for

 

watch

for









 

it,

you



it,

you

mp

 

cresc.



watch

for

cresc.



watch

for



 

 it,

it





then

you

 

 

Vln. II



pp Vla.

Vlc.

Cb.

Gatsby

Vln. I

you



 

Tom

Nick



 

 

pp

 



 

p

mp


624

Harbison The Great Gatsby – Reduced Orchestration - Act II, Scene 2

  

80

Fl. 1

mp

 

Fl. 2

  

Ob. 1

 

Ob. 2

Cl. 1 in Bb

 

Cl. 2 in Bb

Bsn. 1

Cbsn.

 

Hn. 1 in F

  

 





cresc.









cresc.

















mf

 



cresc.

 

 





 

cresc.

mf



 

 

 







Tpt.

Tbn.

Tuba



To Eng. Hn.

 

Hn. 2 in F

 

  



Bs. Cl.





rit.

Perc. 1

Perc. 2

Piano

 

(Change pedal at every measure.)

  Daisy    

Jordan

miss

  then



It,



 

you

miss,

 



it.

   then





then

you

 

miss



it,





you

miss



 



 

it.



cresc.



mf cresc.

But

then

you

miss



mf 







not

this

time.

cresc.

it





But

not

 

  

this

time.

 

 

 Vln. I 

Vln. II

Vla.

Tom

Gatsby

Nick

Vlc.

Cb.

rit.


A tempo (h. = 48)

87  

 Fl. 1 

 



f



 

Fl. 2

Harbison The Great Gatsby – Reduced Orchestration - Act II, Scene 2

 

 





rit.



 

f

625

  dim.



 

 

dim.

Ob. 1

Ob. 2

Cl. 1 in Bb

  f

 

Cl. 2 in Bb

Bs. Cl.

Bsn. 1

Cbsn.

Hn. 1 in F

 



f

  f

  f

Hn. 2 in F

Tpt.



Tbn.

Tuba

Perc. 1

Vibraphone, motor on

  Perc. 2

Piano

Daisy





mf col pedale

 

 f 

What

Gatsby

dim.

 





we

 





plan,

f

What

shall

we

what

shall

we



plan,

plan,

 what

what

shall

we



dim.

shall

we

plan,



p



plan?

what

dim.

shall

we

p



plan.

We're

A tempo (h. = 48)

  



 

 

mf



      

f

   

 



     

 

 

 

 



  



 

dim.

      



 

f

Cb.



mf

Vlc.





Vla.

  

            Vln. I  Vln. II

 

shall

 

 

  

 

Tom

 

Jordan

Nick

   

dim.

 dim.

rit. 

 p

   



p

p





dim.

pizz.

f


626

Harbison The Great Gatsby – Reduced Orchestration - Act II, Scene 2

A tempo

95  

Fl. 1

  

Fl. 2

 

Ob. 1



 



 

 

Cl. 1 in Bb

 

Bs. Cl.

 

p

  

 

 





 

 





dim.

 

  



dim.



  

dim.

 

dim.

 



   

 



pp

 



  

p







Tpt.

Tbn.

  











dim.

dim.

pp

pp

pp

Hn. 2 in F

Tuba

ritardando

Bsn. 1

Hn. 1 in F

 

Cl. 2 in Bb

Cbsn.





 



p



English Horn

Eng. Hn.



pp

pp

Perc. 1

 Perc. 2



Piano

(Vib.)

 

(Change pedal at every measure.)



p

Tom

Gatsby

Nick

Vln. I



all

too

 

 





We're

all

too

hot,



mp

  

hot

 

too

hot

   to

 



mp  

 dim.



dim.

plan.





 



pp



mp



to

plan.

pp









 

Vla.



p

   

ritardando

A tempo

pp



Vln. II

Cb.



 

 

Vlc.

 Daisy 

Jordan



p


 Fl. 1 

Fl. 2

Ob. 1

Eng. Hn.

Cl. 1 in Bb

 

Cl. 2 in Bb



f

to Ob.

 

 

f



f

 

Bsn. 1

 

Cbsn.

Bs. Cl.

f

 Hn. 1 in F 

f



627

Harbison The Great Gatsby – Reduced Orchestration - Act II, Scene 2

Allegro q = 104 103

f

  f

 f

 

     

 

 

 

 

 

 

 

 

 

 

Hn. 2 in F

 

Tpt.

 

 



 

 

 

 

 

Tbn.

Tuba

Perc. 1

Perc. 2

Piano

Daisy

   

Triangle

 

Tom

Gatsby

Nick

Vln. I

sf ff

  

 

 

 

 

 

 

f

pizz. f

pizz. f

 

div., pizz.

(pizz.)

  f



 

 

 

div.

 

 

 

f

Cb.

 

div.

pizz.

sf

  

Allegro q = 104 

 

 

(The telephone rings.)

  

Vlc.



Vla.

 

 

Vln. II

ff

 

Jordan


628

Harbison The Great Gatsby – Reduced Orchestration - Act II, Scene 2

107 

Fl. 1

Fl. 2

Ob. 1

    

 

  

Eng. Hn.

 

Cl. 1 in Bb

 

Cl. 2 in Bb

 

Bs. Cl.

 

  

 

     Cbsn.    



Bsn. 1



 











  



  

 



  

 

  

Hn. 2 in F

 

Tpt.

 

Tbn.

 

  

  

 

 

 

Hn. 1 in F

Tuba

Perc. 1

Perc. 2

Piano

      

  

 

  Daisy    Jordan

Tom

Gatsby

Nick

  

 

Tom's girl

  

 

Cb.

 

Tom's girl

 

Tom's

 



 

girl

     

on the te - le -

phone

  

 

   

    

unis.

 

 

straight mute

f

   



       

on the te - le - phone

f



fp

Vlc.

on the te - le - phone,

sul G arco

Vla.

 



  

unis. 

     

 

  

    Vln. I   Vln. II

  f

f







unis.

 

 

 

 


Harbison The Great Gatsby – Reduced Orchestration - Act II, Scene 2

 Fl. 1 

  

110

Fl. 2

    

Ob. 1

Eng. Hn.

Cl. 1 in Bb

Cl. 2 in Bb

Hn. 1 in F

Bsn. 1

Cbsn.

 

Bs. Cl.



  





     



   

 

 

p

p

Oboe p

 

p

 

p

 

 

 

 

 

 

  

   

   

 

Tpt.

 

p

Tuba

  

 

     

 

Hn. 2 in F

 

p

 

  

Tbn.

 

629

  p

 

 





Perc. 1

 

 

Glockenspiel

p

Vib., motor off



 Daisy 

Perc. 2

Piano

Jordan

Gatsby

Nick

(Tom enters.)

  

 Vln. I 

(Stops dead on seeing Gatsby.)

 

 

Tom

p

f

 

3

Noth - ing im - por - tant

 

 

 



Vla.

Vlc.

Cb.

 



div. (pizz.)

div. (pizz.)

 

non div.

 

 

Mis - ter

unis.

div. (pizz.)

div. (pizz.) Vln. II

unis.    unis.

 

  


630

rit. poco a poco 114               Fl. 1    f

Harbison The Great Gatsby – Reduced Orchestration - Act II, Scene 2

            

  

  

  

To Eng. Hn.

Cl. 1 in Bb

  

Cl. 2 in Bb

 

Fl. 2

f

Ob. 1

f

Ob. 2

f

Bs. Cl.

Bsn. 1

  

Cbsn.

Hn. 1 in F

 



f

Hn. 2 in F



f

 

 

 al sord. mf

Tbn.

Tuba



Piano

 p

p

 

(straight mute)

p

 



Jordan

Gatsby

-

  

rit. poco a poco

arco

ex

 -

3

pec - ted.

 

 

 



 

f

are



  



Tom.

 3

p

fp

fp

f

  

drink,

cold

 

arco, div.

a

f

f

   



 

arco, div.

 

f

   

 

You

arco, div.

Vlc.

by.

   Vln. I 

Vla.

3

arco, div.

Vln. II

p

Make us

   Gats

Tom

Cb.

 Daisy 

Nick



Perc. 1

Perc. 2

 

p

 

p

p

p

 

Tpt.

fp

 

fp

 f

p


Allegro moderato h = 96 q=h 118

Fl. 1

631

Harbison The Great Gatsby – Reduced Orchestration - Act II, Scene 2

  



Fl. 2

 

Ob. 1



f

Ob. 2



Cl. 1 in Bb





  

 

  f

 

Bs. Cl.





Cbsn.

Hn. 1 in F

Piano

p

mf

 



mf

mf

 

 

  

mf







 









 

 





Tom

Gatsby

  

Allegro moderato h = 96 qdiv= h f  

  Vln. I   

f



Vln. II

 

Vla.

 

pizz., div.

 

 

 





  

 

 f

   



 

div.

f

Vlc.

  

pizz., div.

  

 

   

  

  

f

 

 

 

    



 

 

  

mf

mf

   

    



 



  

mf

 

 

  

mf

  



Jordan

Cb.



 (Exit Tom.) Daisy  

Nick



Tbn.

Perc. 2

p

mf



Tpt.

Perc. 1



  

Hn. 2 in F

Tuba







 mf



Cl. 2 in Bb

Bsn. 1

 

       

 


632

Harbison The Great Gatsby – Reduced Orchestration - Act II, Scene 2

 Fl. 1 

122

Fl. 2

  

 

Ob. 1

mf

 

Cl. 1 in Bb

Ob. 2

 

  mf

Cl. 2 in Bb

Bs. Cl.

  p

Cbsn.

Hn. 1 in F

p

  

mf



mf

mf

p

 p

p

mf

  f

 





p

p





f



 f





 

Jordan

Tom

Gatsby

(Daisy goes to Gatsby and kisses him impulsively.)

  

  Vln. I   Vln. II

Vla.

 

 

p

mf

    p

 

Vlc.

mf         

mf

   

 

  

 

  mf

  



 

mf

       

 

mf

        p

        

   p

   p



p

p

  

  

   f



f           

 



(pizz.)

 



f

p

  

 Daisy 

Cb.

Perc. 1

Nick



  

Tbn.

Piano

mf

Tpt.

Perc. 2

   

mf

 

Hn. 2 in F

Tuba

 

p

p

Bsn. 1

   


633

Harbison The Great Gatsby – Reduced Orchestration - Act II, Scene 2

126

 Fl. 1  

Fl. 2

 

 

 

Cl. 1 in Bb

mf

Cl. 2 in Bb

Bs. Cl.

 

Bsn. 1

  





 Cbsn.  

    

Hn. 2 in F

Daisy

   mp

 

 



  



 

f

 mp

 

   

  

 



mp

f

mp

 

p

p

p

 

 p

p

f

  p

 

p

p





 

 

Gatsby

  

   Vln. I   Vln. II

Vla.

  

  mf

         

 

 

Vlc.

(pizz.)

  

   

  

 

mp

mp

mp

   

 

f

  f

               

 

 



mp

  f

 

p

  

p

p

You

know

I

  

 

    p

  p

mp

 

mf

 

 

 

  p

  

Tom

Cb.

 

Jordan

Nick

 

mf

Perc. 1

Piano

f sf

solo



Tbn.

Perc. 2

 

Tpt.

Tuba



mf

Hn. 1 in F

Ob. 2

f sf

 

Ob. 1

solo

     

 

 


634

Harbison The Great Gatsby – Reduced Orchestration - Act II, Scene 2

130

 Fl. 1 

 

Fl. 2

 

Cl. 1 in Bb

   

Cl. 2 in Bb

Bs. Cl.

Bsn. 1

Cbsn.

 Hn. 1 in F  

 



English Horn

Ob. 2

f

Ob. 1

f





 



 

   pp

 

  

 p



p

 







pp

pp

  pp



pp





   

  







al sord.

al sord.

Hn. 2 in F

Tpt.





Tbn.

Tuba



Perc. 1

Perc. 2

Piano

Daisy

 f  

 

Iove

you



is

a

la



Then

kiss

 

 Vln. I 

Tom

Gatsby

Nick

Vln. II

  

Vla.

 

Vlc.

Cb.

You

 

  

 

 

  

    

  

 

 

 

 

 

 

Jordan

mf

for - get there

pp

    pp

  

pp

 

  

 

dy

   



pre - sent.

 

  

 

 

-





 pp

 



 

 pp

  pp

 

   

   

 

 

   

 

 

 

unis.

 


635

Harbison The Great Gatsby – Reduced Orchestration - Act II, Scene 2

134

 Fl. 1 

 

Eng. Hn.

Cl. 2 in Bb

Bs. Cl.





Daisy



    

  



p

 

 

 



pp

  

 

con sord.

    

mp

con sord.

  mp

non sostenuto con sord.



mp non sostenuto

 







 





pp

pp

 





 



 



 

 



 

p non sostenuto

p non sostenuto

p

p



 

  

 

Tom

Gatsby

too!

  

   

vul

 

  

Vlc.

Low,

         mp

Vla.



 Vln. I  Vln. II



f

mp

mp

  mp

  

mp

mp

            p

-

-

gar

p

 

p

 

con sord.

 

  

mf

p

Jordan

Cb.

Nick

Nick

Perc. 1

Piano





Perc. 2

mp

  

  



mp

 

Tbn.



mp

Tpt.

 

  

 

Hn. 2 in F

    

Bsn. 1

Tuba



Cl. 1 in Bb

Hn. 1 in F

 

 

Ob. 1

Cbsn.



Fl. 2



girl!

  

p

 





 

 

unis.

   pp

 pp

 

   

 

unis.





   

 



 





pp

pp

cresc.

cresc.

 

     

 

 



 

 



mf

p

 p


636

Harbison The Great Gatsby – Reduced Orchestration - Act II, Scene 2

138   Fl. 1     

Fl. 2

Ob. 1

Eng. Hn.

 

cresc.

 

cresc.



 

cresc.

 

   

 

 

 



 

 



 

fsf



fsf



f

 

Cl. 2 in Bb

Bs. Cl.

Cbsn.

Hn. 1 in F

  

 

 



 





 

 





f

Hn. 2 in F

f

(con sord.)

Tpt.

p cresc. non sostenuto (con sord.)

Tbn.

Tuba

p cresc. non sostenuto

Piano

 

f

sf

  f

 

(con sord.) f





 



 

 





 

f



f





Perc. 1

Perc. 2

 

Bsn. 1

Cl. 1 in Bb

 

 Daisy 

 

Jordan

Tom

Gatsby

Nick

  

 

Vla.

Vlc.

Cb.



 

I

  Vln. I   Vln. II

sf

 

cresc.

  

cresc.

   p cresc.

 



 



   

(pizz.)



don't

 

  

 

   

f



 



 

f

 

 

 



 



 

fsf

f

p cresc.

care

 



(Daisy dances for a moment.)


637

Harbison The Great Gatsby – Reduced Orchestration - Act II, Scene 2

142 

 Fl. 1  

Fl. 2

Eng. Hn.

Cl. 1 in Bb

Cl. 2 in Bb

Bs. Cl.

 

cresc.

 

cresc.

 

Ob. 1



 

 



 

cresc.

sf

sf





 

  

ff

 

 

ff

ff

 

 

     

 

 

cresc.

cresc.

Perc. 2

Piano

Daisy

Nick

f

ff

dim

ff

dim





  

 

 



 

cresc.

ritardando 

sf



 

 

 



ff



ff

 

 



 



 



 



 



  



dim.

dim.

arco



 



 

  

  

ff

cresc.

dim.

arco

   

 

cresc.

(Her daughter enters, she stops abruptly.)

 



 

ff

cresc.

dim.

via sord.

p

via sord.

p

 

p

mf

 



 Vln. I 

Cb.

 

Vlc.

mf

Vla.

f

Vln. II

ff

 



Gatsby

 

 

ff dim.

ff





Tom

 

p

p

Jordan





 





dim.

 Perc. 1

 

 

Tuba

 



Tbn.

ff dim.



ff

Tpt.

  

sf



  Hn. 1 in F  Hn. 2 in F

  

p

dim.

 

Bsn. 1 Cbsn.

ritardando


638

Harbison The Great Gatsby – Reduced Orchestration - Act II, Scene 2

 Fl. 1 

146

Andante h = 72 











 



  

pp

 









Fl. 2

Ob. 1

Eng. Hn.

Cl. 1 in Bb

Cl. 2 in Bb

Bs. Cl.

Bsn. 1

to Ob.

 



Cbsn.

Hn. 1 in F

 

  

  



 



 







f

    f

 

To Bsn.



  pp

senza sord.



via sord.

via sord.



  

pp

(Glockenspiel)

 

Vib., motor off

  p



chiaro

 

 





pp





 





 

 

Jordan

Tom

Gatsby

  

 Vln. I 

Andante h = 72   

Vln. II

Vla.

Vlc.





pp

p

 

 f



pp



     f





 



  

pp





poco marc.

 

fp

Cb.

poco marc.



Nick

Perc. 1

Daisy





senza sord.

Tbn.

Piano

pp

  pp

Tpt.

Perc. 2

  



 

Hn. 2 in F

Tuba

f

f

  

pp



 

 

  

 

  







    

p



Bles



-

 

  

pre - cious,

 



 







  

sed



   


Harbison The Great Gatsby – Reduced Orchestration - Act II, Scene 2

 Fl. 1 



   



sf



 





 



    

Fl. 2

Ob. 1

Eng. Hn.

 

Cl. 1 in Bb



 



 









639



 

 

Cl. 2 in Bb

Bs. Cl. in Bb

 

Hn. 2 in F

Tpt. in C



Bsn. 1

Cbsn.

Hn. 1 in F

Tbn.

Tuba

Perc. 1

  Perc. 2



(Glock.)





   

 



 

 

 

 





 Daisy 

 

 

Piano

Jordan

Tom

Gatsby

Nick

 Vln. I 

solo



Vln. II

Vla.

Vlc.

Cb.



solo



solo



  



Come

to



your

   

 

solo



sf

 



    



own

mo - ther

  



  

 

 

that

loves



   

p

you.

 

 



 







 





 

  

mp



  

mf



Stand

     



    

 




640

Harbison The Great Gatsby – Reduced Orchestration - Act II, Scene 2

158   Fl. 1 

p

Fl. 2

Ob. 1





 

p







    

p

Cl. 2 in Bb

Bs. Cl.

Bsn. 1

       



mp

p

Bsn. 2

Hn. 1 in F

 



pp poco marc.

 

p







   

p

p



  

Jordan

Tom

Gatsby

  

How

-

 

 

pp

(Glock.)

 





pp

(Vib.)

 

 

de - do.

p

 You



dream



you



ab

-

  

-

so - lute

 

  

 

Vlc.

say



pp

p

Vla.

 

(solo)

Vln. II

now,

  Vln. I 

Cb.





p

mp

up

Nick





Perc. 1

Daisy

 

 

Tbn.

Piano

p



Tpt.

Perc. 2





p

 

 

Hn. 2 in F

Tuba

Bassoon   



mp

 

pp

    

        

p

mp

      

Cl. 1 in Bb

p Oboe

Ob. 2



 

 

 

 

 

  



(solo)







(solo)

 

 

  

lit - tle

 

 

 

  


641

Harbison The Great Gatsby – Reduced Orchestration - Act II, Scene 2

164  

    

 Fl. 1  Fl. 2

Ob. 1

Ob. 2

Cl. 1 in Bb

 

Cl. 2 in Bb

Bs. Cl.

Bsn. 1





p

     

p

Hn. 1 in F

mp

p



 

mp

p

 



     mp



       

p

mp

 

mp

p

mp

p

   

 p





p

p





  

 





Tom

Gatsby

mf



 

mo - ther's friends?

f



Don't you think

 

they are

  

pret - ty?

 

 

    

  

(solo)

   

(solo)



(solo)

 

 

Vlc.

   

 

How do you like your

(solo)

Vla.

mp

 Vln. I  Vln. II

  

dream!

Jordan

  Daisy 

Cb.

    

p

mp

Perc. 1

Nick

p

      

Tbn.

Piano

p

 

Tpt.

Perc. 2



        

    

  

Hn. 2 in F

Tuba

p Bsn. 2

 mp

     

  

  


642

Harbison The Great Gatsby – Reduced Orchestration - Act II, Scene 2

 Fl. 1 

Fl. 2

Ob. 1

170

to Eng. Hn.

Ob. 2

Cl. 1 in Bb

Cl. 2 in Bb

Bs. Cl.

Bsn. 1

Bsn. 2

Hn. 1 in F

  



 



Hn. 2 in F



Tpt.

Tbn.

Tuba

Perc. 1

 Perc. 2

Piano

Daisy



(Vib.)

  p

 



p



Nick

 



 









cresc.





p cantabile

looks

like

me,

not

 

 

like

her

 fa

   -

ther.

She's







got

my

 hair

 

 



tutti



p



tutti p

tutti

Cb.



cresc.

  

   p

Vlc.

 

 

 

Vla.



 Vln. I   Vln. II



col pedale

She

Gatsby



 

  

Tom



  

Jordan

 

 

 

 

 

 

 

 

 

 

  

 

 

 





cresc.

 cresc.



 

 



cresc.

 


643

Harbison The Great Gatsby – Reduced Orchestration - Act II, Scene 2









 

  

 Fl. 1 

Fl. 2

Ob. 1

Cl. 1 in Bb

Cl. 2 in Bb

Bs. Cl.

 

 

 



176

Ob. 2

Bsn. 1

Bsn. 2

Hn. 1 in F

Hn. 2 in F

Tpt.

Tbn.

Tuba

Perc. 1

   

(Vib.)

Perc. 2

Piano

Daisy



 

mp

  

Tom

Gatsby

mf

dim.



and

shape



  

of









pp

 

 pp

p

 

 





face.

p



 



Good - bye,

good

  



- bye

my

 

bles

-

  

pre

sed

 

 

Vlc.

(Glock.)

 





mp dim.

 dim.

 

Vla.





  mp

Vln. II



p poco marc., in fuori

pp



 Vln. I  

Cb.





pp

p

 



pp

English Horn



 

dim.

mp

Jordan

Nick

 

 

 

 

mp dim.

 p

solo





 



  

pp







 

p





solo

p



 solo



solo

  

pp



   

  





  



 

 

    

-


644

Harbison The Great Gatsby – Reduced Orchestration - Act II, Scene 2

182  

 Fl. 1  Fl. 2

Ob. 1

    







   



  

Ob. 2





 







 



 



to Oboe



    

    

Cl. 2 in Bb

Bs. Cl.

Bsn. 1

Bsn. 2

Hn. 1 in F

       

Hn. 2 in F



p

 

     

 

p

     p

mp





mp

p





p

p



pp



 

 

 



 



   

Jordan

Tom

Gatsby

cious,





say

 



good - bye.

 

 

Vla.

  

Vln. II

Vlc.

 Vln. I 

Cb.

 

mp

-

Nick

p

    

  

Daisy

    

Perc. 1

Piano

p

p

Tbn.

Perc. 2

Tpt.

Tuba

 mp

Cl. 1 in Bb



p





 

    

 





    

  







  

 









  

 

   







   




645

Harbison The Great Gatsby – Reduced Orchestration - Act II, Scene 2

 Fl. 1 

Fl. 2

Ob. 1

Ob. 2

Cl. 1 in Bb

Cl. 2 in Bb

Bs. Cl.

  

 

189

Bsn. 1

Bsn. 2

Hn. 1 in F

pp

Hn. 2 in F

pp





 

 

Tpt.

Tbn.

Tuba

Perc. 1

Perc. 2

Piano

 Daisy  Jordan

Tom

Gatsby

Nick

Vln. I

(Enter Tom, with drinks, passes them.)

 tutti   



pp

 

Vln. II

 

tutti

Vla.

pp

tutti  

Vlc.

Cb.

tutti

pp

 



  

p



 p









pp

 



p







 p



 mp

 





mp

mp

 



mp

pizz.

pp


Vi -

646

h = 72-80 195 

 Fl. 1  

Fl. 2

Ob. 1

pp

pp



Harbison The Great Gatsby – Reduced Orchestration - Act II, Scene 2



















p



 p



















pp



 p

Ob. 2

Cl. 1 in Bb

Cl. 2 in Bb

Bs. Cl.

 

Hn. 2 in F

Tpt.



 

 

Bsn. 1

Bsn. 2

Hn. 1 in F

Tbn.

Tuba

Perc. 1

(Glock.) p

Vib.

 Perc. 2

Piano

Daisy



 

Tom

Gatsby

Nick

  

pp

   

  

  

  

  

  

  

  

  

  

  

p

 

 

 

Jordan

p

(Gatsby eyes the drinks.)

p

 They

h = 72-80

cer - tain - ly

do

3

look

cool.

 Vln. I  

 

 

 

f

Vln. II

f

Vla.

f

Vlc.

f Cb.

  f


647

Harbison The Great Gatsby – Reduced Orchestration - Act II, Scene 2

201

































 Fl. 1 

 







Fl. 2

Ob. 1

Ob. 2

Cl. 1 in Bb

Cl. 2 in Bb

Bs. Cl.

 

Bsn. 1

Bsn. 2

Hn. 1 in F

Hn. 2 in F

Tpt.

Tbn.

Tuba

Piano

Daisy







f

f

f

senza sord.

f

senza sord.

 f





 



f

 

  

 

  

  

  

  

  

 

  

 

 

Gatsby

  

  

Vln. II

Vla.

Vlc.

Cb.

f

Tom

Vln. I

Jordan

Nick

 Perc. 1

Perc. 2

f

 I



read

  

the sun

 gets

  

hot - ter

ev' - ry

year.

 

div.

arco

fp

fp



  

fp

              

            

  

fp

p

p

f

p

f

p

f

p

 

             

 

fp

 



fp

It

mf legato

unis.

mf legato

mf


648

Harbison The Great Gatsby – Reduced Orchestration - Act II, Scene 2

 Fl. 1 

Fl. 2

Ob. 1

Ob. 2

Cl. 1 in Bb

Cl. 2 in Bb

Bs. Cl.

 

Hn. 2 in F

Tpt.





 

207

Bsn. 1

Bsn. 2

Hn. 1 in F

Tbn.

Tuba

Perc. 1

Perc. 2

Piano

Daisy

Jordan

      seems the earth is

Tom

Vln. I

fal - ling

in - to

3

the

meno f

sun

   

or

   

wait

a

min - ute

 

it's

just

       the

op - po - site

 

Vln. II

Vla.

Vlc.

Cb.

  

Gatsby

Nick

   

 

 

 



 







mf legato

        

   

3

p  

 p

   

pp

       p



 pp

p

 

        



 

    



 

    

  





 



 

3

3

p

pp

   p

 f

the


649

Harbison The Great Gatsby – Reduced Orchestration - Act II, Scene 2













213

 Fl. 1  Fl. 2

Ob. 1

pp

 

pp

 pp









Ob. 2

Cl. 1 in Bb

Cl. 2 in Bb

Bs. Cl.

 

Bsn. 2

Hn. 1 in F







 

  

 

 

Bsn. 1

f

  f

f

Hn. 2 in F

f

Tpt.

f

Tbn.

Tuba



Piano

 f



Perc. 1

Perc. 2

f

 

  

  pp

  

 

 Daisy 

Jordan

 

Tom

Gatsby

Nick

 sun

  

  

is

get - ting

  

ev' - ry

Vlc.

 fp



3

The

hot - test

day

of

 

the

           

3

      

3

       

     p

    

  

fp

fp

p

 

fp

 fp

f

f

f

p

p

p

  

3

 

3



 unis.

3

3

3



year.

fp

3 

3

p

  

 f

3

div.

3



Cb.

year.





p

Vla.

(Change pedal on every beat.)

 Vln. I  Vln. II

   

 

col - der

 

 

3

  3

  


















650

Harbison The Great Gatsby – Reduced Orchestration - Act II, Scene 2

 Fl. 1 

219

Fl. 2

  

Ob. 1

 

3



3

3

 3

  p

mf

Oboe

Cl. 1 in Bb

Cl. 2 in Bb

Bs. Cl.

Bsn. 2

 

Bsn. 1

3

Ob. 2

3

3

p

3

 

 









p

3

 

Hn. 2 in F

Tpt.





Hn. 1 in F

Tbn.

Tuba

Perc. 1

Perc. 2

Piano

p

(Change pedal on every beat.)

 

Tom

Gatsby

Nick

Cb.

3

    

this

3

   

Wha- t'll we do





3

 3

     

 

af - ter - noon,

and

to - mor - row,



3

 

and

mf

3





3

3

f

3      





3

3



3

the next thir- ty years.

 

mf

  

 

 

Life starts a -

3

  3

Vlc.



Vla.



3

3  Vln. I   

Vln. II

3

 Daisy   Jordan



3

 

3

  3

3

 

3

 

3

 

3

  

3

  



 









 

p

3

3

3

 

 3

p

3

3

3

 

 

 

3

3

3

mf

  

mf

3



3

p

mf

mf

3

p

p

  

 

Dai - sy

 

 

 

3

3

3

3

 

3

 

p

Cheer up

 

 

 

p

p

f   

3

 3

3


- de ritardando molto

651

Harbison The Great Gatsby – Reduced Orchestration - Act II, Scene 2

 Fl. 1 

225

Fl. 2

 

Ob. 1

 

3

3

3

 3

Cl. 2 in Bb

Bs. Cl.

 

  

Cl. 1 in Bb

Bsn. 1

Bsn. 2

3

pp













mf

3

 p

 







pp

p

mf



G.P.

p



pp

mf

3

3



 

  

Ob. 2













 

Hn. 2 in F

Tpt.





Hn. 1 in F

Tbn.

Tuba

Perc. 1

Perc. 2

Piano

Daisy

  

Tom

Gatsby

Nick

(Change pedal on every beat.)

 

Jordan

mf

3



gain

3

when it

 gets

f



3

crisp

in

It's

hot,



It's

hot,

p

  

so

hot.

 so

 

  

 

hot.

 

 

 3

pizz.

  

 

 p

  

  

  

Cb.

  

 

Vlc.

  

the fall.

Vla.

   

 Vln. I  Vln. II

pp

3

 

3

3

  

 



p

pizz.

 

 

 

3

3

ritardando molto

 3

mf

mf

p

mf

p

G.P.

p


652

Harbison The Great Gatsby – Reduced Orchestration - Act II, Scene 2

Risoluto h = 92 232

 

Fl. 2

Ob. 1

Fl. 1

 f

 

Ob. 2













f

Cl. 1 in Bb

 f

  

Cl. 2 in Bb

f

Bs. Cl.

Bsn. 1

Bsn. 2

Hn. 1 in F

Tuba

Daisy

 

 









  

 

 

 

 

 f

  f

  f

  

  

  

  





 



chiuso

 

al sord.



  

Jordan

Tom

Gatsby

Nick



Perc. 1

Piano



Perc. 2

 



f

Tbn.

 



f

Tpt.

f





  

Hn. 2 in F





f

 Let's

  go

 

to



town,



 let's

all

  go

  

to town.



Who

wants

to

  go

 

  

Risoluto h = 92

  Vln. I  





 



 

 

 

 

 

  

 

 

 

 

div., pizz.

f

div., pizz.

 

Vln. II

f

pizz.

Vla.

f

div., pizz.

Vlc.

Cb.

f

 

to


653

Harbison The Great Gatsby – Reduced Orchestration - Act II, Scene 2

 Fl. 1 

238

Fl. 2

 

Ob. 1

 

Cl. 1 in Bb

Bs. Cl.

Bsn. 1

chiuso

  

f

  

 

 

 

 

 

aperto

 

aperto

 

via sord.

   



    

   f

chiuso

pp

   p

pp

pp

p

pp

 

 

 

 



 

      

Tom

Gatsby

  

  

Vln. II

 

Vib. no pedal

  f

 

Vla.

Vlc.

 

 

 

 

 

 



Let's f

    

     

 

go

   

to

town.

to town

 

 

 

   f



to

town?

   

unis., arco

fp div., arco

  p

Cb.

    



Jordan

Vln. I

 

town.

Nick

 

Perc. 1

Daisy

 

p



Piano

Tbn.

Perc. 2

con sord.

Tuba

 

Tpt.

 

  pp

p



 Hn. 1 in F  Hn. 2 in F

p

Cl. 2 in Bb

Bsn. 2

Ob. 2



  

 div., arco

  

div., arco

  p

  

p

 p



 

 

arco p

 

dim.

 

 

 

 

 

 

dim.

 dim.

pp

pp

 

pp

dim.

p p

dim.

 

 

 

pp

pp

     


Adagio q = 92 h =q      

654

Harbison The Great Gatsby – Reduced Orchestration - Act II, Scene 2

  Fl. 1     

Ob. 1

 

Ob. 2

 

Cl. 1 in Bb

 

Fl. 2

Cl. 2 in Bb

  

pp

 

Bsn. 1

  



   

  

 



 





 



 

pp

  

 

Hn. 2 in F

 

Tpt. in C

 

Tbn.

 

Tuba

  

Perc. 1

   Glock.

     

Perc. 2

Piano

  

Tom

Gatsby

Nick

Vln. I



pp

   

  (Daisy looks at Gatsby.)



  

 

  Daisy   Jordan



Vib., motor on

   

   



   



3

Ah,

you

look

so

cool!

p

(Their eyes meet.)

 

  

  

     

Adagio q = 92 h =q

    

  

Hn. 1 in F

   

 

   

pp

pp

pp

 

 

pp

 

 

pp

Bs. Cl. in Bb

Bsn. 2



Vln. II

 

Vla.

 

Vlc.

 

Cb.

  

 You


Harbison The Great Gatsby – Reduced Orchestration - Act II, Scene 2

247

 Fl. 1  

Fl. 2

  

 

 

Ob. 1

Cl. 2 in Bb

Bs. Cl.

Bsn. 1

 



  

 

 

p

 

 

 p

   

pp

pp

  



p

 

pp

 

 

pp

   

p

 

p

 



pp

p

 

 

p

p

 pp

 p

   

p

p

 

Cl. 1 in Bb



   

Ob. 2

Bsn. 2

655

ritardando

 

pp

 pp

p

 

Hn. 2 in F

Tpt.



Hn. 1 in F

Tbn.

Tuba

Perc. 1

  

Perc. 2

Piano



   

   

Gatsby



   

   

p

pp



   

 

al

Tom

   

Jordan

  Daisy 

Nick



f

 -

-

-

-

-

-

ways

look

p



so



cool!

 

  

 Vln. I 

Vln. II

Vla.

Vlc.

Cb.

ritardando


656

Risoluto h = 92 250

Harbison The Great Gatsby – Reduced Orchestration - Act II, Scene 2

  

Fl. 2



Ob. 1



To Eng. Hn.

Fl. 1

 f

  

Ob. 2



 

p



cresc.

p





cresc.

f



Cl. 1 in Bb

   

Cl. 2 in Bb



Bs. Cl.

f



Bsn. 1

Bsn. 2

f



  Hn. 1 in F  

   



f

 

 

 p

               

f





p







 

                       

f

    

sfp

f













 Daisy  



Hn. 2 in F



 

f



Tpt.



Tbn.

(senza sord.) f

 f

  Tuba    

Perc. 1

Perc. 2

Piano



Jordan

  

Tom

f

  

All right

 

Gatsby

Nick

f

  

   

     f    

sfp



f

sfp

to town.

   

Come on,

(Tom gets up, no one else moves.)

 

     

we're go- ing to town.

Risoluto h = 92

  Vln. I   

div., pizz.

f

unis., pizz.

  

Vln. II

f

unis., pizz.

 

Vla.

f

div.,  pizz.    

Vlc.

f

Cb.



 

  

arco

 p

           

p

                  

 

f

unis., (pizz.)



 



  f

p

p

cresc.

cresc.







 


657

Harbison The Great Gatsby – Reduced Orchestration - Act II, Scene 2

poco animando

 Fl. 1 

Fl. 2

Ob. 1

Ob. 2

257

Cl. 1 in Bb

Bsn. 2

 

   

Hn. 1 in F

f

  f

   f

f

 

    

  

   

fp

f



cresc.









   

sf

    

p



f

   





 

Jordan

  

Tom

   

Come on



cresc.

   



p

Perc. 1

Daisy

p sf

Tbn.

Piano



                      

Tpt.

Perc. 2

f

fp

Tuba

  

Hn. 2 in F

Bsn. 1

f

   

fp

Bs. Cl.

    

 

fp

Cl. 2 in Bb

    

if we're go - ing

p

p sf

p sf

sf

sf

  

to

town,



 Vln. I 

Nick

Vln. II

 

 

Vla.

f

 

Vlc.

f

Cb.

 

 

poco animando

 

                            p



let's start!

Gatsby

 p

cresc.



cresc.

 

 


Più animato h = 100   263  

658

    Fl. 1  



f

Fl. 2

fp

Ob. 1

 

Ob. 2



 

Cl. 2 in Bb

 

  

 



  

  





 

p

p

 





 

 



Bsn. 1

Bsn. 2

Hn. 1 in F

 

f

 

f



 



sf



 









Bs. Cl.

 

p

Cl. 1 in Bb

Harbison The Great Gatsby – Reduced Orchestration - Act II, Scene 2

   





To Sop. Sax.

p

Hn. 2 in F

Tpt.





Tbn.

Tuba

Perc. 1

Perc. 2

Piano

Daisy

  

Jordan

Tom

Gatsby

Nick

f

Are

we

just

  

  

go- ing

to

go

like

this?

Shall

we

take

 

 

 

                                            Vln. I  f

  

p brillante



arco, spiccato

f

 

Vlc.

Cb.

to

Più animato h = 100

Vla.

a - ny- thing

arco, spiccato

Vln. II

p



pizz.

f

p



 f

cresc.



 

 







 

 

 





 







 

 

(pizz.)

 

 

 

 cresc.

 cresc.

 












269   Fl. 1  

Fl. 2

Ob. 1

Ob. 2

Cl. 1 in Bb

 

Cl. 2 in Bb

Bs. Cl.

  

 

f

 

  



 dim.



 

English Horn

dim.

         

              p 

 p

f

p

 p

f

p





f

659

Harbison The Great Gatsby – Reduced Orchestration - Act II, Scene 2

 

p

             p

solo



 

Hn. 2 in F

Tpt.





Bsn. 1

Bsn. 2

Hn. 1 in F

Tbn.

Tuba

Perc. 1

Perc. 2

Piano

Daisy

 

Jordan

Tom

Gatsby

Nick

Vln. I

  

p accomp.

drink?

 

 

(to Gatsby.)

                  

Vln. II

Vla.

Vlc.

ff



f

 f



dim.





dim.

f



Her

voice

is

in

-

 

dis - creet.

It's

fuil

of--

p

p

dim.

f

Cb.





al sord.

  





p

p



arco

 



p

 

 

 

f


660

Harbison The Great Gatsby – Reduced Orchestration - Act II, Scene 2

 Fl. 1 

Fl. 2

Ob. 1

275

     

Eng. Hn.

 

Cl. 2 in Bb

Bs. Cl.

Bsn. 1

Bsn. 2

Hn. 1 in F

Cl. 1 in Bb

 



 





 

f

f



 





 

dim



 





f



  

 

p

dim.

dim.



f



   sf



fp



p

p



 

p

                cresc. f

 

f sf



 

    

p sf

Soprano Saxophone solo

 

    

dim.





f

 dim.

Hn. 2 in F

Tpt.





 

 

 

Tbn.

Tuba

Perc. 1

Perc. 2

Piano

Daisy

Jordan

Tom

Gatsby

Nick

Vln. I

It's

full

of

f

3

mon - ey.

 

con sord.

Vln. II

Vla.

Vlc.

Cb.

p

  

 



 cresc.



f

    p          

 f







f

 fp

p

p

 

  







(pizz.)

 f







f

             dim.







f





dim.





 



dim.


661

Harbison The Great Gatsby – Reduced Orchestration - Act II, Scene 2

281

 Fl. 1  

Fl. 2

Eng. Hn.

 p





p

Bs. Cl.

 

   p

Hn. 1 in F

  

 

p

 

Bsn. 2

  

p

Sop. Sax.

Bsn. 1

p

Cl. 1 in Bb

Ob. 1

p

 

     

 

      

 pp

 

 pp

 





 sf mp

 





sf

  

sf mp

pp

     

     

mp

p

to Cl. in Bb



 

        p



 

sf mp

sf



   

sf mp





sf

sf mp

sf



p

 p   p



 

 Perc. 1

 

Jordan

Tom

Gatsby

 

 Vln. I 

 p

Vln. II

  

 

Vla.

p

Vlc.

 

           

div. (con sord.)

p

Cb.



Nick

Daisy

 

Piano

p

Tpt.

Perc. 2

pp

 

p

Tuba





sf

Hn. 2 in F

Tbn.



pizz.

open

 

f

p

 

pizz. f

   p

 

 

div

 

             



  

(div.)

  sf mp

 

sf

 

                 sf   sf

 



open

 





 mp

  p

   p





  



mp

mp

 I''ll



              

  

p

p





drive your





yel - low

 

         

  

p

cou - pé.

Take my blue

mp

   

f

 

p

 






662

Harbison The Great Gatsby – Reduced Orchestration - Act II, Scene 2



287

 Fl. 1 

 

 

Fl. 2

Eng. Hn.

 

Cl. 1 in Bb

      

 

Ob. 1

  



sf mp

sf

  



sf mp

sf



p

 p

Sop. Sax.

Bs. Cl.

Bsn. 1

Bsn. 2

Hn. 1 in F

 

Tpt.

Tbn.

Tuba

Hn. 2 in F



Piano

Daisy



sf mp



sf mp

 sf









sf

sf



p

 p  p



   

  cir

Tom

Gatsby

 - cus



3

wa - gon

  





to

town.

      

Vlc.

(pizz.)

 (pizz.)

 

mf

No

 

    

 

sf mp

sf

(div.)

 

gas.

(div.) mp                    sf 

sf

 

 

  mp



sf

  mp

mf

sf

sf



 sf

3

stop

a

p

you

can

 

                                  p p

p



drug - store,

p





p

 

at

f

 

  

 

(pizz.) open

Vla.

I'll

mp

Vln. II

  Vln. I  

Cb.

sf mp



p

              

Jordan

Nick





Perc. 1

Perc. 2

 p 

div., arco



 










663

Harbison The Great Gatsby – Reduced Orchestration - Act II, Scene 2

 Fl. 1 

293

Fl. 2

Ob. 1

 

Eng. Hn.

  mp

Cl. 1 in Bb

 

 

mp

mp

mp



 mp  

mf

mf

mf



 

       f

  

   

  mf

 



 

             f

    

f

 

mf

 

Hn. 2 in F

Tpt.





 

   buy

  

  

Bs. Cl.

Bsn. 1

Bsn. 2

Hn. 1 in F

Tbn.

Tuba

Perc. 1

Perc. 2

Piano

Daisy

Jordan

Tom

Gatsby

Nick

mp

  

now

-

a - days.

 f                                f mf

mp

 

 (pizz.)  

Come on,

 

mp

store

 

 mf                    mf

mp

-

 

drug



  

(pizz.)

Cb.

a

  

mp

Vlc.

at



mp

Vla.

mf

(con sord.)

Vln. II

mp

  

an - y- thing

 

mp

Vln. I





mf





         

Clarinet in Bb Sop. Sax.





unis., pizz.

mf

mf

 mf

   







  

 

            



f





 f

mf

f

f

mf               

 











dim.

dim.

  mf

  

mf

mf

       








664

Harbison The Great Gatsby – Reduced Orchestration - Act II, Scene 2

 Fl. 1  

299

Fl. 2

Ob. 1

  

sfmf

 

sf

dim.

 sf

 

sfmf

dim.

 

mp



 

  sf



sf



 





 p

 p

To Picc.

Eng. Hn.

Cl. 1 in Bb

Cl. 2 in Bb

Bs. Cl.

Bsn. 1

Bsn. 2

 Hn. 1 in F  

 

Tpt.

 

Tbn.

Piano

 sfmf



sfmf

  

dim.



dim.



dim.

 



sf

 sf



 sf

 

sf



 

sf







sf



 



p

 p 

 

p





Perc. 1

Perc. 2

sfmf

Hn. 2 in F

Tuba

  

 Daisy 

(Daisy twists away.)

(Tom puts his arm arond Daisy.)

p



No,

   Dai

Tom

Gatsby

Nick

Jordan

  

 Vln. I  

Vln. II

sfmf

mp

sfmf

sfmf

your

 

cou - pé

 

 

 

 

dim.





in



sfmf

Gat - tsby



sfmf

with

3

(div.)

go

 

mp

Cb.

(div.)

I'll



 

Vlc.

  





   

mp

Vla.

- sy.

f

dim.

dim.

dim.

 dim.

sf

sf

sf

 sf

 sf

      

  

  

sf

 

 

 











sf

sf

sf

sf

sf

  p

 

  p

via sord.

sf

 sf

sf

sf

 p

 p

 p


665

Harbison The Great Gatsby – Reduced Orchestration - Act II, Scene 2

 Fl. 1 

Fl. 2

Ob. 1

305

Eng. Hn.

 

Cl. 1 in Bb

 f



sfmp

               

mp

sfp



 







Bsn. 1

Bsn. 2

Cl. 2 in Bb

Bs. Cl.

Hn. 1 in F

  



sfp



 

Hn. 2 in F



G.P.

sfp

sfp

mf

    

      















 

 

 Vln. I 

Tbn.

Tuba

Perc. 1

Perc. 2

Piano

 Daisy   Jordan

Tom

Gatsby

Nick

  

Vln. II

Vla.

Vlc.

Cb.

div.

f

(pizz.)



 

(pizz.)

f

sfp

(exit Daisy and Gatsby, walking close together.)

(div.)





dim.









sf



G.P.  

f

 



dim.



 

  

sf

 



sfmp



sfmp

sfmp

sfmp

sfmp

 sfmp

 

div., arco

 mf



                                 dim. sf

 

sfmp

mp

dim.

Tpt.

sfmp



sfmp



mf

         mf

 



 (div.)           sf   dim.



dim.



 



sf


666

Harbison The Great Gatsby – Reduced Orchestration - Act II, Scene 2

 Fl. 1 

Fl. 2

Ob. 1

311

G.P.

 

 

 

 

 

 

 

 

 

Eng. Hn.

Cl. 1 in Bb

Cl. 2 in Bb

Bs. Cl.



sf mf

  dim.

Bsn. 2

Hn. 1 in F

  dim.

  

dim.

dim.

 sf



sfp

sfp

 sfp

 sfp

mp

   







dim.



sf mf

dim.





sf mf

dim.

 

sf



sf

 sf









sf



sf







sf

 

sfpp

 sfpp



sfpp

 

 

 

 

 

  sf dim.  

sf mf

dim.

sf mf

 



sf

 

 



sfpp



 



 

 

 



 

 

 

 

 

 

 

 

 

 

 

Gatsby

 Vln. I 

Vln. II

  

Vla.

 

Vlc.

 

sf



sf

G.P. 

 

 

 





Tom

Cb.

dim.

 

Jordan

Nick

sf



 

Perc. 1

Daisy



Tbn.

Piano



sf

 

Tpt.

Perc. 2



Hn. 2 in F

Tuba



sf

G.P. 

Bsn. 1

poco rit.

sfp

sfp

 

div.

arco mp

(pizz.) mp

             dim.

 dim.

(div.)   

sf

 sf

sf

sfpp

sf

poco rit.

 

  sf

 

 

sf

sf

G.P. 

 

 

 

   

 

 

sfpp

 sfpp


  Fl. 1  

Tempo giusto q = 100  f

667

Harbison The Great Gatsby – Reduced Orchestration - Act II, Scene 2

Piccolo Picc.

Ob. 1

Eng. Hn.

 

f

fsf

 

  

 



 

 

 



fsf

Cl. 1 in Bb

Cl. 2 in Bb

   

fsf

fsf

 

 

 Bsn. 2  

Bs. Cl. in Bb

Bsn. 1

  Hn. 1 in F   Hn. 2 in F



  

  

f

f

Tpt. in C

Tbn.

Tuba

Perc. 1

Perc. 2

Piano

Daisy

Jordan

Tom

Gatsby

Nick

 

f

     

   

    

Slapstick f

 

  

        

unis.

f sf

f sf

unis. Vla.

Vlc.

Cb.

   

  

f



f



f



f

 f

 f































































































       

f

 

f



Did

you





see

that?

 

You

think

I'm

Tempo giusto q = 100

unis.

 





  

f



 

  Vln. I  

Vln. II



f sf

 

 

 



pret - ty


668

Harbison The Great Gatsby – Reduced Orchestration - Act II, Scene 2

 Fl. 1 

321

Picc.

Ob. 1

  











 

p

Eng. Hn.

Cl. 1 in Bb

p

p

 

Cl. 2 in Bb

p

Bs. Cl.

Bsn. 1

Bsn. 2

Hn. 1 in F

   p

   p

Hn. 2 in F

Tpt.

 p



   

Tbn.

  



p

Tuba

 





Piano

Daisy





 

 

pp

pp

pp

 









pp

 



 

   dumb,

Tom

Gatsby

pizz.

 

Vlc.

p



p

pizz. Vla.

don't

pizz. Vln. II



 

 Vln. I 

Cb.

Jordan

Nick

 

Perc. 1

Perc. 2

p

p



 you?



   p

Per - haps

 I



am,

 

but

 I

have

 a

 

se - cond

 

sight,



arco





unis., pizz.

pizz.

p

p

arco

pp



pp arco



pp

unis., (arco)

pp


669

Harbison The Great Gatsby – Reduced Orchestration - Act II, Scene 2

 Fl. 1 

325

Picc.

Ob. 1

Eng. Hn.

Cl. 1 in Bb

Cl. 2 in Bb

Bs. Cl.

 f

 



 Hn. 1 in F 



 

Bsn. 1

Bsn. 2

Hn. 2 in F

Tpt.

Tbn.

Tuba

Piano

Daisy

f

f

 f



f







  



 

 









 

 

 





 





f



f









 

















 

Gatsby

me

what

to

  

f

do.

 

I've

made

 

an

in - ves - ti -

 ga

 -

of

his

past,



 

 











unis. div.

  



div.



 

tion

  

unis.

f

Vlc.

-

  

 

-

f

Vla.

-

 Vln. I   Vln. II











f

f

arco

  f

 







   tells



Tom

Cb.

f



f







f

f



f



 









Jordan

Nick

f



 Perc. 1

Perc. 2

 







 

 









 

 

    


670

Harbison The Great Gatsby – Reduced Orchestration - Act II, Scene 2

 Fl. 1 

329

Picc.

Ob. 1

Cl. 1 in Bb

Bsn. 1

 

 

  

 



 











 

Cb.

 

  

sf

    

   

  

   

  

sf

sf

      

sf

    

  

 

  

 

sf

sf

sf

 

    

  

   

sf

   

   sf

  

  

sf

cresc.

sf

cresc.

sf

cresc.

sf

sf

cresc.

sf

sf

cresc.

sf

cresc.

sf

sf

cresc.

sf

     

 

sf

sf

                                                sf

                                                cresc.

sf

                cresc. sf sf

                sf cresc.

  

sf

                 

sf

sf

sf

               

sf

                   sf

   sf

cresc.



cresc.

sf



sf



 

  

ff

   

I could have gone

  

deep

-

-

-

  

er

if

 

I'd known.

  

   div.    



   

div.

Vlc.









 







 

 

 

unis.

Vla.



Gatsby

Vln. II





Tom

Vln. I

























  

Jordan

Nick

Perc. 1

Daisy

Tbn.

Piano

Tpt.

Perc. 2

 

Hn. 2 in F

Tuba



  

Bs. Cl.

  

Cl. 2 in Bb

Hn. 1 in F

  

Eng. Hn.

Bsn. 2





unis.

 






671

Harbison The Great Gatsby – Reduced Orchestration - Act II, Scene 2

 Fl. 1 

Picc.

Ob. 1

333

Eng. Hn.

  



    



  

  

ff

ff

Cl. 1 in Bb

Cl. 2 in Bb

ff

   

Hn. 1 in F





 

sfp

f

  to Cbsn.      

ff

sffp



    



f

    

sfp



    

chiuso

     

    ff

   ff

    ff

cuivré







  f

sffp



Auto Horn*

-

-

    

ah

oo

ga

ff



    

f

Snare Drum



f

sfp



    

       p f              



p

f

  



 

 

Jordan

Tom

Gatsby

Nick





f

Daisy



Perc. 1

Piano





Perc. 2





ff

ff

Tuba



    

Tbn.

           

ff

ff

Tpt.



sffp

    

Hn. 2 in F

ff

Bsn. 2



           

    

Bsn. 1



Bs. Cl.

ff

           

  

* Actual twenties car horn. If not available, omit.

(The car horn sounds outside.)

 

Vln. II

Vla.



Vln. I

Vlc.

Cb.

Stage Band violin to Stage Band.


672

Harbison The Great Gatsby – Reduced Orchestration - Act II, Scene 2

Allegro = 100 337 q = h  

Picc.



Ob. 1



Eng. Hn.



Cl. 1 in Bb



Cl. 2 in Bb



Bs. Cl.







Contrabassoon

Fl. 1

Bsn. 1

Bsn. 2

Hn. 1 in F

            

Hn. 2 in F

Tbn.

Perc. 1



Piano

Daisy

Jordan

Tom

Gatsby

Nick

Vln. I

 



   

sf

 

    

    

    

    

    

    

sf





  





aperto

 



 



f accomp.

  



f accomp.

 



 







 





  





(Auto Horn)

    



f marc.

  

 

Vla.

  

He's

 

  

  

f accomp.

 no

Ox

 -

ford



man!

Ox - ford,

New

Allegro = 100 q=h





f accomp.

  

 





Cb.



 

 

Vln. II

Vlc.

 



f accomp.

  Perc. 2

  

 

accomp.

    f accomp.    

Tpt.

Tuba

f

 





  



  

 



  

  fsf

  fsf

   

  

 

 

 

sf

  sf

 

  


673

Harbison The Great Gatsby – Reduced Orchestration - Act II, Scene 2

 Fl. 1 

Picc.

Ob. 1

Eng. Hn.

343

Cl. 1 in Bb

Cl. 2 in Bb

      f

      f

      f

dim.

Bsn. 1

 

Cbsn.

 





  Hn. 1 in F   

Hn. 2 in F

Piano

Daisy

 





       

 









 

                         



  



  

   

f accomp.

  









f accomp.

 

  



  

















 



























   

 

 

 Mex

-

  



i - co

may - be!

Ox

-

ford

(Auto Horn)

in

a



pink

suit.

 

Gatsby

Vln. II

 

Vla.

 

  

f accomp.

        

dim.

Vlc.

 

Cb.

 

 

     

          

 



  

 



     

 

  

p



  

 

Tom

Vln. I



Jordan

Nick



p

Perc. 1

Perc. 2



   

Tbn.



Tpt.

Tuba





p

dim.

p

dim.

Bs. Cl.

 


674

Harbison The Great Gatsby – Reduced Orchestration - Act II, Scene 2

 Fl. 1 







349

Picc.

Eng. Hn.

Cl. 1 in Bb

Cl. 2 in Bb

Bs. Cl.

Ob. 1

              Cbsn.         

Bsn. 1

Hn. 1 in F

     

Hn. 2 in F

    

Tpt.

Tbn.

Tuba

Piano

Daisy



  

        

 



































 









mf

mf

 

 

 

 

 

 

 

 

 

mf



mf

  



 

 

 

 

 



 

 

ff

ff

mf

 

 

  

Gatsby

 

 

Vln. II

Vla.

        

               

Vlc.

Cb.



Tom

Vln. I

      f 



Jordan

Nick



      f

Perc. 1

Perc. 2

       f

mf (Piccolo)

 

 



  

      

 Dai

 mf

 -

-



sy




675

Harbison The Great Gatsby – Reduced Orchestration - Act II, Scene 2

355    Fl. 1  

Picc.

  

 

  

  

 

 

 



 





 

    





    





 

    









 

    

    

Eng. Hn.

     

Cl. 1 in Bb

Cl. 2 in Bb

Bs. Cl.

Ob. 1

Bsn. 1

Cbsn.

Hn. 1 in F



     f

 











 

f











  















Perc. 1



  

Jordan

    knew him

Tom

Gatsby

Nick

 

f



Daisy

 



 



Tbn.

Piano



Tpt.

Perc. 2

  

Hn. 2 in F

Tuba

  

  

   Vln. I 

 be

-

fore

we

were





































































mar - ried,





be -

fore

più f





we

were





mar - ried.

 



 

Vln. II

    

Vla.

pizz.

pizz.



 

Vlc.

  

f Cb.

 f







    




676

Harbison The Great Gatsby – Reduced Orchestration - Act II, Scene 2

  Fl. 1  

361

 to Fl.

Picc.

  



Ob. 1

  



Eng. Hn.

Cl. 1 in Bb

Cl. 2 in Bb

 

     

 

     

 

f

f Bs. Cl.

Bsn. 1

Cbsn.





  Hn. 1 in F   Hn. 2 in F

Tpt.

 

 

  

 

  

  













 

 



 







 

 

 





sf

 



sf

       f





 





  









 







(Auto Horn)

 



      

  

God

  

    

Vln. II

 

Vla.

Vlc.

ff

  

sf



knows

where,

sf

God



  

  

 

   

    

f

arco  sf

arco  sf



knows







   

Gatsby

Cb.

 



    

 

Tom

Vln. I





 

  

Jordan

Nick



f

 

Daisy



 

sf

 

Perc. 1

Piano



   

Tbn.

Perc. 2

f

 

sf

      

f

Tuba

  

    

      f

  sf

  sf

   

  

 

  


677

Harbison The Great Gatsby – Reduced Orchestration - Act II, Scene 2

 Fl. 1 

Flute

         

             









































367

Picc.

Ob. 1

Eng. Hn.

Cl. 1 in Bb

Cl. 2 in Bb

Bs. Cl.

Bsn. 1

Cbsn.

 





 

 





       

   



  cresc. 

 

   

cresc.

         

         

             

fp

f



        f





 

sf

 

Tom



(Exit Tom, Nick and Jordan)

how.

 

         

Gatsby

 

  

Vln. II

Vla.

Vlc.

Cb.

 

Jordan

Vln. I

Perc. 1

Nick

Tuba

Daisy

Piano

f

Tbn.

Perc. 2

f

   

     

f

Tpt.

f

             

       

   Hn. 1 in F  Hn. 2 in F

         

  

f

   

             

       


678

Harbison The Great Gatsby – Reduced Orchestration - Act II, Scene 2

 Fl. 1 

373

Fl. 2

Ob. 1

 



















Eng. Hn.

 









































 

 

 

 

 

 

 

 

 

 

 

 

Cl. 1 in Bb

Cl. 2 in Bb

Bs. Cl.

Bsn. 1

           f

Cbsn.

           f

   

       



                 

 

Hn. 2 in F

Tpt.

Hn. 1 in F

 

Tbn.

Tuba

Piano

Daisy





 

 

 

Tom

Gatsby

Vln. I

  

Vln. II

Vla.

 

Vlc.

 

f

Cb.

 

 f

  

       

 

 

 

       

 

                    f    

    

      

   f

       

Jordan

Nick

f

Perc. 1

Perc. 2

                 

         


679

Harbison The Great Gatsby – Reduced Orchestration - Act II, Scene 2

 Fl. 1 

Fl. 2

Ob. 1

Eng. Hn.

378

Cl. 1 in Bb

Cl. 2 in Bb







  

 

 

 

 

 

   











ff

ff







f

 

f

 

   

 

f

   

  













 ff

 cresc.















f







sf









ff ff

  

Timp.



 

 

 

 

Gatsby

    

Vln. II

Vla.

Vlc.

Cb.

sfp

 

 

Tom

Vln. I

 



Jordan

Nick

Perc. 1

Daisy

 

 

     

Tbn.

Piano

Tpt.

Perc. 2

 

Hn. 2 in F

Tuba



Bsn. 1

Hn. 1 in F



Bs. Cl.

Cbsn.

  

 



 sfp

 

  

         

p

f

cresc.

sf

ff

  ff

ff

(non div.)

 f

cresc.



    f

     


680

Harbison The Great Gatsby – Reduced Orchestration - Act II, Scene 2

Interlude: Cars move toward the City

 Fl. 1 

Fl. 2

Ob. 1

  







 







 







 







 







 







  













































f

Eng. Hn.

f

Cl. 1 in Bb

Cl. 2 in Bb

Bs. Cl. in Bb



Cbsn.





Tuba









             

  

cuivré

ff sf

      

(Timp.)

 

take Wooden sticks to BrakeDrums

  

ff sf

       

open

sf

   

cuivré

f

 



     

f

f col pedal

               

               



 

 

Jordan

Tom

Gatsby

  

                   f

  

Vln. II

f

 

Vla.

Vlc.

Cb.



                 

Vln. I



Vib. motor on

Nick





Daisy



Perc. 1

Piano





Perc. 2



ffsf

 



ffsf

Tbn.



f

Tpt. in C



         Hn. 1 in F           Hn. 2 in F





f

ffsf Bsn. 1



 

 

 













 

                 









 













 

                











 







 



f

 

ffsf

ffsf

 


681

Harbison The Great Gatsby – Reduced Orchestration - Act II, Scene 2

 Fl. 1 

389

Fl. 2



 

Ob. 1

f

Eng. Hn.

Cl. 1 in Bb



 f

Cbsn.

Daisy













 























































 















































 

  f





 

 





 

 





 

 





 

 



 







       

       

    

(cuivré)

sf

 

sf

       f

       

fsf

open



f

cuivré

     

sf











sf

 

 





 











      

(Vib.)



     

      

       



f

 

 

  

          f

Vln. II

  



  



martellato

Vla.



     

      

        



             



















































































 





martellato

Vlc.

Cb.



             

Gatsby



               

Tom

Vln. I







Jordan

Nick







Piano











  

Perc. 1

Perc. 2









        

Tbn.

Tuba









ff

Tpt.





      Hn. 1 in F    Hn. 2 in F









 







Bsn. 1







f

Bs. Cl.



   f

Cl. 2 in Bb




682

Harbison The Great Gatsby – Reduced Orchestration - Act II, Scene 2

  

395

Fl. 1

Eng. Hn.

Cl. 1 in Bb

Bs. Cl.



 





  sf

Tpt.

 f

    

f

f

Piano



  f

      

      



  





            

f

 



  



  

 

   



 

 

 

   













 

  

   



  

   







ff

ff

 





ff

ff

  

ff

  

 



  

   

ff

 









 

  



 

 

 







  



  



 





      

  

 

  

 

   

  

 

 

ff

   

  

 

      f

 



Brake Drums f

       

       



  

 

               

   

 

  

 

(The T.J. Eckleburg sign passes.)

 

Tom

Gatsby

 

                 Vln. II         Vla.        Vlc. Vln. I

                   

 

 





f martellato

 

arco

 

  f

     

  

   

 

             

                     

  



 



 

 





   

ff



 

       

 

       





open

  

ff



  



 

   ff    

 

cuivré flt.  



ff



cuivré flt.  

   

 

   

 

cuivré flt.  



  

          

ff







   



 





  













 

 



 

   

         

Jordan

Cb.

 



cuivré flt.  

   

     

 

 

 Daisy 

Nick



(Vib.)

Perc. 2





sfz







 Perc. 1

f



 

Tbn.



Hn. 2 in F

 

    



 

     

 

  

f

 

 Hn. 1 in F 





 

 

Bsn. 1

Tuba



  

Cl. 2 in Bb

f

  

Ob. 1

Cbsn.

 

Fl. 2

 

  

 

 

     

        

 



   



 

 

                     

  

 





 




683

Harbison The Great Gatsby – Reduced Orchestration - Act II, Scene 2

 Fl. 1 

401

Fl. 2

  

Ob. 1

  

Eng. Hn.

Bs. Cl.



 







f

 

f



          

Tbn.

Tuba

Hn. 2 in F

Tpt.



Perc. 1

Daisy

 





 

 

 

 











  



ff

  f

f

 

 

   



   

   

 

   







             

 

 



ff cuivré flt.  

   

  

   







      

   ff

       

(Br. Dr.)



f

 

  

     



 

f

 

  

 Vln. I  

       

             

   











 

 

  f



mf

  

 

    



ff

  

   

 sf

 

 

(Cars continue to New York.)

   









 

                  



 

 

 









 

   

        



 

 

   









   

        

ff

      

                   sf

 





    



 





    



ff

ff

ff

ff

 

        



 

ff

f

 

  

 



         



mf

   



mf

     

   

    

 



    

open

         

ff

mf

       

     

mf

  

open

        



Vlc.

ff



ff



Vla.

 

   

ff



                 ff                ff        mf  ff          ff

 

Vln. II





 

Gatsby



 

ff cuivré flt.  





 



 

cuivré flt.  







       

 











 

 

Tom

Cb.

   



        

Jordan

Nick

 

  

(Timp.)

Piano

 

cuivré flt.  

f

(Vib.)

Perc. 2

f



             





  







 

        

Bsn. 1

Hn. 1 in F

f

Cl. 2 in Bb

 f





Cl. 1 in Bb

Cbsn.



 

 

   


684

Harbison The Great Gatsby – Reduced Orchestration - Act II, Scene 2

   Fl. 1   Fl. 2 

407

Cl. 1 in Bb









        

 

Bsn. 1

 





  



  

 





  



   

 Hn. 1 in F  

    

  

Tpt.



 

Hn. 2 in F

 

(Timp.)

Perc. 1

  

 

 

  





  

 Daisy  Jordan

Tom

Gatsby

 



  

sf

         

 

   

 

ff

 

   

ff sf



   sf   









sf



sf

 

sf



sf

  

   

    





f



f

f

 

  

   

  

  

 

sf

 

 

sf

 

    

       

 





 





  

 

  

  



 sf

     

 



 

     

 

       

   

      

 

                                                                   div.                                     

    

    

div.

   

 

 



  

 

ff

 





f



                       

  

 

         

sf

         

Vlc.

   

    

  

         

    

 

         

sf

   

Vla.



    

ff sf





          

  

 



   





               

mf

 

   

Vln. II

Cb.

 

  



 

 



      

   

  

    

Vln. I

f

 

Nick

 

 

  

  

Vib., motor off, no pedal

Piano

  

        

Perc. 2

                             

ff





f

    

                                         

Bs. Cl.



f

   



Cl. 2 in Bb

Tuba



 

Eng. Hn.

Tbn.

      

Ob. 1

Cbsn.

 

  sf

 

        

  

    sf    sf     sf



sf

sf



sf







sf

sf

sf


685

Harbison The Great Gatsby – Reduced Orchestration - Act II, Scene 2

413

sf

 Fl. 1  

Fl. 2



Eng. Hn.

                           

Cl. 1 in Bb

Cl. 2 in Bb

Bs. Cl.

Bsn. 1

    

  sf

sf



   

sf

Hn. 1 in F

  

Hn. 2 in F

Tpt.

  sf

                        

sf

sf

sf

ff sf

ff sf



(Timp.)



sf

Perc. 1

sf

 

  

   sf

 

  



  

Gatsby

Snare Drum        ff

 

  

 

 

   

  

 

sf

 

 

sf

 



 

   

 



  

Vlc.

Cb.

unis.

 sf

    sf

  

sf

sf

sf



   

sf

  

 

  

   sf

   sf

  

sf



sf

sf

   

sf

  

 



sf

 

             

 

Auto Horn

   

        

   



sf

sf

 





sf

sf

                         sf unis.                          sf      

Vla.

sf

  





 Vln. I  Vln. II



  

Tom

sf

sf

Jordan

           

sf

sf

sf

sf

sf

sf

 

   

      



sf

 sf

sf





       

         

 Daisy 

    

 

  

 

sf





 

        

      

to Ob.

 

  

  

sf



 

sf

sf

  

  



sf



  

sf

     



  

Tuba

Nick

sf

Piano

sf



Tbn.

Perc. 2

   

sf

  

sf

 

sf

         

   

 



sf

sf

Cbsn.

                                

Ob. 1





sf

 

sf

  



  



  

sf

sf

sf

  

  

  


686

Harbison The Great Gatsby – Reduced Orchestration - Act II, Scene 2

   

  

  

Ob. 1

 

Ob. 2

 

Cl. 1 in Bb

 

Cl. 2 in Bb

Fl. 1

   

418

Fl. 2

Bs. Cl.

Bsn. 1

Cbsn.

Hn. 1 in F

sf

 

Perc. 2

Piano



 

 



sf

Daisy

Gatsby

Vln. II

Vla.

Vlc.

Cb.



Tom

Vln. I

 

Jordan

Nick

 

     



 

   

sf

      sf



 



sf





 

   

   

(Snare Drum)

  

 



                       



    





   sf           



sf



  

sf

     

 

sf

 

sf

 

 

  

  

  

  

 

sf

sf

sf





  

  



  

sf

sf

  

 sf



sf

sf

 

 

sf

   

 



 

 

 

  

 

   sf

 

sf

sf

 

     



 

sf

   

(Auto Horn)

  

sf

  

 



sf

   

  



 

   

                

   sf

 

  

sf

sf



  

sf

 

      

    

sf

   

  

sf

   

     

sf

  



sf

   

 

                

  

  

sf

sf



     

sf



  



     

 

      

(Timp.)

Perc. 1

 

  

sf

 

Tbn.

Oboe

 

   

  

Tpt.

   sf

   

Hn. 2 in F

Tuba

   

sf



   

 





sf



 

   

 



 

   

 

sf

sf





     

   

sf

  

sf

 

    sf    sf

 


687 Act II, Scene 3

Poco meno mosso h = 96

 1 

Fl. 1

 

sf



Fl. 2

 

sf



Ob. 1

sf



Ob. 2

 

 

sf



Cl. 1 in Bb

sf

 

Cl. 2 in Bb



Bs. Cl.







sf

 sf 

Bsn. 1

Cbsn.

Hn. 1 in F

 sf   sf 

     sf

  

Hn. 2 in F

sf



Tpt. in C

Tbn.

Perc. 1

Perc. 2

Tuba

Piano

Banjo

1. al sord. (harmon)

sf   

al sord. (cup)



mp

p





mf

p



 Timp.    sf 







 

sf



   

(S.D.)

sf

  





  

Tom

Gatsby

Poco meno mosso h = 96



Vln. II



Vla.



Vlc.

(A suite in the Plaza Hotel.)

  

 Vln. I  

Cb.



Jordan

Nick

p non sost.

Solo Vln.

Daisy

to Bsn.



 

sf

 

sf



sf

 

sf

 

sf

  

 p non. sost.



p non. sost.



  

  

  

p

p

 



mp

p

mf

 

     



      p

mp

 mp

mp

p

 

 p

p

mf

mf

 

What

     

     

a

p











mf

p



mf

p

 


Harbison The Great Gatsby–Reduced Orchestration - Act II, Scene 3

688

7    Fl. 1 

Fl. 2

p

  

   p

Ob. 1

 

   

Ob. 2

p

 

p

   p

Cl. 1 in Bb

Cl. 2 in Bb

Bsn. 1

Bsn. 2

Hn. 1 in F





non sost.

p

non sost.

    

Hn. 2 in F

mp

Tuba

Piano

Banjo

 

  

f dim.

   

p

mp

 



p

 



 



    

swell

Tom

Gatsby

win

 

-

dow.

 

 

 

 



 



mp

mp

mp

an - oth - er



f

pizz.



mp



 There

Vlc.

suite.

Vla.

  

  Vln. I  Vln. II

  

mf

O - pen

  

Jordan

Cb.

p non sost.

    

f

Nick

Solo Vln.

Daisy

chiuso

Perc. 1

Perc. 2

Tpt. in C

Tbn.

non sost.

  p

  

Bs. Cl.

  p

 

p

p

p

     

     

 

 

 



   

 

mp







 

 

mp



mp

mp

   

   

p

 

p

p



p


Harbison The Great Gatsby–Reduced Orchestration - Act II, Scene 3

 Fl. 1 

13  

Fl. 2

Ob. 1



mfsf

mfsf



Cl. 2 in Bb

mfsf



Bsn. 2

Hn. 1 in F

  

mf

mf non sost. Bassoon

mf

Tbn.

   

Tuba

Piano

Banjo

Solo Vln.

Daisy

 0

f

mf

     

          0

dim.

 

0

p

p non sost.



 

 

p

via sord. to Trumpet in Bb to Stage Band

mpsf



mpsf



mpsf

   

p

 

 

 

 

p



p f

 

p

p

 

 

mp aperto

p

non sost.

 

non sost.

 cup mute

    

   

f



f



p

f



  

  

f

p



 

   



  

Gatsby

   

mf

     

mf

 

Vlc.

mf

mf

Vla.

f  



 

the heat,





 

stop crab - bing.

f

   

 

3

Let her be,

 Vln. I    Vln. II

For - get

 

Te - le phone for an axe.

3

 

Tom



 



via sord. to Stage Band



p

f

  

to Stage Band



mpsf

mp

p



p

 

mp

p

al sord. (cup)

  mp

mp

aren’t an - y more.

Cb.



Jordan

Nick

mpsf

p

 



 

Perc. 1

Perc. 2

 

Tpt. in C

Harmon mute

mpsf

p

non sost.

Hn. 2 in F

  

p



p

 

p

   

p

mfsf

  

Bsn. 1

mfsf

Bs. Cl.

  

     

Cl. 1 in Bb

  

Ob. 2

  

689

  mf

  p

 

 

      p

   

p

   

 

 

mp

   

mp

 



 

 

 

 

p

mp

mp

mf

pizz.

 f

pizz.



f

  p

 p

pizz.

 f

pizz.

  



 

f

f


Harbison The Great Gatsby–Reduced Orchestration - Act II, Scene 3

690  Fl. 1 

Fl. 2

Ob. 1

Ob. 2

20

rit.

 

Cl. 1 in Bb

G.P.





sf

Cl. 2 in Bb

Bs. Cl.

Bsn. 1

Bsn. 2

Hn. 1 in F

     

Piano

Banjo

sf



sf



 

 

 



Tom

Gatsby

    old 

 

Vla.



  

(pizz.)

 

Vlc.

p

 

 

 

 

this “Old

 

Sport”

busi ness.

 

 

Where’d

you pick

sport!

 

Vln. II

All

 Vln. I  

Cb.



Jordan

Nick

sf

Solo Vln.

Daisy



Perc. 1

Tuba



to Cbsn.

Tpt. in C

Perc. 2



 

Hn. 2 in F

Tbn.



 

G.P.

rit.

  

f

 

f

   f

  f

f

 that

f

 up?


Harbison The Great Gatsby–Reduced Orchestration - Act II, Scene 3

 Fl. 1 

Fl. 2

Ob. 1

26

Maestoso h = 76

691

Ob. 2

Cl. 1 in Bb

Cl. 2 in Bb

Bs. Cl.

Bsn. 1

Bsn. 2

Hn. 1 in F

 

Hn. 2 in F

Tpt. in C

  

Glock.  

 



Tbn.

Perc. 1

Perc. 2

Cl. 2 in Bb

Tpt. in Bb

 

Tbn.

Tuba

Piano

Banjo

Solo Vln.

p Vib., motor off



 

3

    f

3

   

   

f

Tom

Gatsby

Nick

   

3

 

 

 

3

3

  

 

  

3

    

 3

         3

        

p cresc.

      

p cresc.

p cresc.

3

      

 p cresc.

      





Tom,

   

be - have

 

          

        

p cresc.

your - self.

  

  

Maestoso h = 76

arco 

p arco

 p

 p

 













 

 

 



arco

1. solo, p cant.

 

1. sola, p cant.



1 solo, arco

Vlc.

Cb.

p cant.

      

f

   

Vla.

 

3

to Stage Band

 Vln. I  Vln. II

 

3

 

  

Jordan

*(From the hotel ballroom, strains of Mendelssohn’s Wedding March are heard.) p ff

Daisy

3

 

 

 3

 

 

 

 

 

p

 

 


Harbison The Great Gatsby–Reduced Orchestration - Act II, Scene 3

692  Fl. 1 

Fl. 2

Ob. 1

Ob. 2

Cl. 1 in Bb

Cl. 2 in Bb

Bs. Cl.

 

Hn. 2 in F

Tpt. in C

  



32

Bsn. 1

Bsn. 2

Hn. 1 in F

Tbn.

Perc. 1

Cl. 2 in Bb

  Tpt. in Bb 

f non raffinato

Tbn.

  

Tuba

Piano

Banjo

       f

    

Solo Vln.

 

 

Tom

Gatsby

Nick

     

   

 















mp accomp.



mp accomp.

    

 





sf

 

 

 

 

sf

 





  



 

  

 

 

    

     

        p cresc.         p cresc.       p cresc.



 

  

    

    



 

   

                    p cresc.

     

 

         p cresc.



f



f

f

 

 



sf







mp





 

  

 

  

 

f

    

  f

 

    

 





mp



sf

   

 f

 

 

 

 

 



Im - ag

  

 



  

gli altri, pizz., arp.

  

Vlc.

 

Cb.

 





    

le altre, pizz., arp.

 

gli altri, pizz., arp.

     

p pizz.

p

  

p

p

 

      

p

      



 

 

 



-

-

  

ine





 

 

 



Vla.

 Vln. I  Vln. II

sf

  

Jordan

 

f non raffinato

Daisy

 

3

mar - ry - ing

              

      


Harbison The Great Gatsby–Reduced Orchestration - Act II, Scene 3

693

 Fl. 1 

Fl. 2

Ob. 1

Ob. 2

Cl. 1 in Bb

Cl. 2 in Bb

Bs. Cl.

38

Bsn. 1

Bsn. 2

Hn. 1 in F

 

Hn. 2 in F

Tpt. in C

  

Tbn.

Perc. 1



Cl. 2 in Bb

 

  

 Tpt. in Bb   Tbn.

 

Tuba

Perc. 2

Piano

Banjo

Tom

Gatsby

Nick

        

  





 

   



sf

  

 

-

y -





mf ma accomp.



  

  meno f 

 

    

 

 

  

meno f

  

 



p

p

     

 



meno f

   

 



sf

    



one

in

this



sf

  



 

sf

 

 



 

 

 

 

cresc.



was







  

 

    

 

   

 

 

 

 

      

 

sf mf

 



 

I

mar

 

   

in

the

-

ried



sf

   

 

 

sf

 

sf

mid - dle

of

  

  

(le altre, pizz.)

  Vlc.   (gli altri, pizz.)  Cb. 

  

  

  

     

 

 

 

   

 

 



 

 

 

 

heat.

   

          

   

      

 

  

  

 

 

   

   

     

 

  

 

 

 

               

mf



June.

 



 

 

3

 

  



mf

 

f



 

Vla.

   Vln. I   Vln. II



 an

  

  

  Solo Vln.      Daisy  

   

 sf

   

Jordan



 

 

 


Harbison The Great Gatsby–Reduced Orchestration - Act II, Scene 3

694  Fl. 1 

Fl. 2

Ob. 1

Ob. 2

Cl. 1 in Bb

Cl. 2 in Bb

Bs. Cl.

44

Bsn. 1

Bsn. 2

Hn. 1 in F

 

Hn. 2 in F

Tpt. in C

  

Tbn.

Perc. 1



Cl. 2 in Bb



 Tpt. in Bb     

   

Perc. 2

Piano

Banjo

 

Tom

Gatsby









sf





   

 



 

sf

 

sf

 





 

 

 

 

 











  

 

June

      in



 

 





 

f





 

   

 

 

 

 

    

p

-

 

is - ville.

  



 



 -

-

-





 



 

 

 

 

ten.

 

  

   

   

 

   

 

 

 

   

   

            

 

 

 

 

 

  

  

 







 



 

   

   

  

  

  

 

  

  



mp

sf

  Lis

sf

 



mp

 

f

 

 

f

 

-

p

 -

 



f

f

 

 

 

più f

 

 Lou

p

p

 

p



   



(gli altri, pizz.)

(solo)

Cb.



  

Vlc.



sf

  

 

Vla.

 

sf

   Vln. I   Vln. II

   



sf



   

  

  



 

 

Jordan

Nick



    

Solo Vln.

Daisy

 

 

 

Tbn.

Tuba

 



 

     

  3

I

can

 

 

 

 


Harbison The Great Gatsby–Reduced Orchestration - Act II, Scene 3

 Fl. 1 

50

695

Fl. 2

Ob. 1

Ob. 2

Cl. 1 in Bb

Cl. 2 in Bb

Bs. Cl.



Bsn. 1 Bsn. 2

Hn. 1 in F

 

Hn. 2 in F

Tpt. in C

Tbn.

  

Perc. 1

Cl. 2 in Bb

  

  

 Tpt. in Bb     

Perc. 2

Piano

Banjo

Gatsby



hear

it

 

p





p cresc.

  



p





now.

     

(sola)

  

(le altre, pizz.) (solo)

   

(gli altri, pizz.)

   



  f Ride Cym. 

 

  





   



   

 

mf

f

 South

 

 

   

  



 

 

  

   

 

  

  



p



p

 

 

sf

ern





  

 

f

 

sf

 -

 

  

     

 

  

   

   

 

       

   

  

   

   

 



nights.











cresc.

 

 

     

  

 

  

 

f

  







f



 

  







   

 



 



ff

 



f

  



 

  

  p  

(pizz.)

Cb.

(gli altri, pizz.)

Vlc.

 



   Vln. I  

Vla.

 

 

    

(solo)

Vln. II

   

 

 

Tom



     

  

  

Jordan

Nick

  

Solo Vln.

Daisy



Tbn.

Tuba





cresc.

 



 

 

 

mf

 

cresc.

 

mf



mf

  



 

    

  



 


Harbison The Great Gatsby–Reduced Orchestration - Act II, Scene 3

696   Fl. 1   

55

Fl. 2

Ob. 1

Ob. 2

Cl. 1 in Bb

Cl. 2 in Bb

Bs. Cl.

Bsn. 1

Bsn. 2

Hn. 1 in F

Hn. 2 in F

Tpt. in C

Tbn.

Perc. 1

h = 88

                

  

          

  

     



       Tpt. in Bb 



  

Cl. 2 in Bb

f

f

Tbn.

   

 Tuba    (Ride)

Perc. 2

Piano

Banjo

Solo Vln.

B.D.

 

 



f

 f

Hi-hat       

mf

   

mf

             

(f)

       

  

  

 

 

     





  

     

   

 

   





   

   

 

 





 

 

 

 

 

 

 

 

 

   



 

 

 

  

 

  

  

 

 



  

     

  

  



    

 

 

     

  

Jordan

Tom

Gatsby

Nick

 

 

 

 

 

 



 

 

  

f

 

   

   

h = 88

Vln. II

Vla.

Vlc.

Cb.

   

1solo (arco)      



dim.

1sola (arco)      

   



  

 



p

 









dim.

 p

dim.



 p

 

 

get - ting

We’re

1solo (arco)      Vln. I  

   

   

    

  



(The music changes to jazz.)

Daisy

    


Harbison The Great Gatsby–Reduced Orchestration - Act II, Scene 3

  Fl. 1   

60

Fl. 2

Ob. 1

Ob. 2

Cl. 1 in Bb

Cl. 2 in Bb

Bs. Cl.

Bsn. 1

Bsn. 2

Hn. 1 in F

Hn. 2 in F

Tpt. in C

Tbn.

Perc. 1

Cl. 2 in Bb

Tpt. in Bb

Tbn.

 

   

  

   



              

          



  

  

          

  



 

 

 

    

 





Piano

Banjo

Solo Vln.

Daisy

Jordan

Tom

               

         

old.

  

  

 

 

 

 

 

   



 

 

  

   

If we were young

 

 

 

  

 

        

    

     

 Tuba     Perc. 2

697

  



we’d rise

  

  

 

 

 and

 

 

 

 

sf

 

 

 



sf

  

  

sf

  

   

 

 

 

sf



   



 

sf

 

sf Cowbell

sf



 sf

 





           

 

 

 





Hi-hat





  

  



 

 

   sf

sf

 

 

sf

 

 

  

sf

sf

   

  

   

 

 

sf



 Hi-hat





dance.

   



mf



Gats - by,

 



you claim you’re

   

   

   

Vla.

 

Vlc.

  

Nick

Vln. I

Vln. II

Cb.

   

  

    

Gatsby

 



sf Cowbell



 

sf



 

an


Harbison The Great Gatsby–Reduced Orchestration - Act II, Scene 3

698   Fl. 1   

66

Fl. 2

Ob. 1

Ob. 2

Cl. 1 in Bb

Cl. 2 in Bb

Bs. Cl.

Bsn. 1

Bsn. 2

Hn. 1 in F

Hn. 2 in F

Tpt. in C

Tbn.

Perc. 1

Cl. 2 in Bb

 

   

   

    



              

          

  

          Tpt. in Bb         Tbn.  Tuba

Perc. 2

Piano

Banjo

Solo Vln.

Daisy

Jordan

Tom

Gatsby

    

 

 

 



 

 

  

    

            

   

              Ox     

 - ford

  

   

sf

sf

 

 

 

  

sf

sf

sf

sf

   

 

 

   

 

    

  

 

   

   

        

*If a separate player covers the orchestra trombone part, play only from m. 29 to 186.

  

3

  

   

       



 

 

 

 

 

 

 

 

 

 

 

 

 



 





 

 

     

 

 

 

  



    



  

 

 

 

 

    Ride  Hi-hat                

     

     

  



man.

mp

Stayed

five

months.

3

Of - fi - cer train ing.

   

Can’t call my self an

   

    

  

Vla.

 

Vlc.

   

Nick

Vln. I

Vln. II

Cb.

   




Harbison The Great Gatsby–Reduced Orchestration - Act II, Scene 3

  Fl. 1   

72

Fl. 2

Ob. 1

Ob. 2

Cl. 1 in Bb

Cl. 2 in Bb

Bs. Cl.

Bsn. 1

Bsn. 2

Hn. 1 in F

Hn. 2 in F

Tpt. in C

Tbn.

Perc. 1

                

   

          

  

     



 

Tbn.

Tuba

Perc. 2

Piano

Banjo

Solo Vln.

Daisy

Jordan

Tom

   

















    



        

   

 

 



           

 

   

    

    





 

 

 

  

  

 

 

    

 

   

Tom,

               Ride                                 

3



o pen the whis - key



 Hi-hat

   

  

  

 

  

 

 

 

   

   

 

   

  

      

 

 

I’ll

     

mint

   





   



 





 

 

  

  

  

    

Cowbell

 

 



f



One



more





 













ju - leps.





     

 

make

 

 

 

 



            



    

mf agitato

            

   

              

     

  

      Ox - ford



              Tpt. in Bb  

Cl. 2 in Bb

699





ques - tion.





  Vln. I   

   

 

   

   

Gatsby

Nick

Vln. II

Vla.

Vlc.

Cb.

   

man.

tutti, arco

 

  cresc.

 

 pp



 

 cresc.



  cresc.



 

pp arco

tutte, arco

pp

 

 

 

 

 

 

tutti, arco

pp arco pp

 

 

 

cresc.

cresc.

  

 

 

 


Harbison The Great Gatsby–Reduced Orchestration - Act II, Scene 3

700  

78

Fl. 1

L’istesso tempo h = 88 

 

Fl. 2

 

Ob. 1

 

Ob. 2

 

Cl. 1 in Bb

 

Cl. 2 in Bb

 

Bs. Cl.

 

 

 

 

 

Hn. 2 in F

 

Tpt. in C

 

 

 

 



 

 

 

 

 

 

 

 

 

Bsn. 1

Bsn. 2

Hn. 1 in F

Tbn.



Perc. 1

Cl. 2 in Bb

Tpt. in Bb

 

Tbn.

Tuba

Perc. 2

Piano

Banjo

Solo Vln.

Daisy

return to orchestra

 

Jordan

Tom

Gatsby

Nick

to Cl. in Eb (return to orchestra)

(Tom closes the window.)

 

 

mp cupo

  

p intenso

   p intenso    p intenso

 

Vlc.

Cb.

What kind

 

 

 3

of

a

row

are

 

you





cau - sing

in

 my

 



 

house?

 

 

L’istesso tempo h = 88

Vla.



f

You’re

 Vln. I    Vln. II

 

 

  

p intenso

p intenso

   



   



   

 





   

  cresc.

 cresc.  

cresc.

 

 



 

 









cresc.

cresc.

mp

mp

 mp   

mp

mp

 

 

  

 

   

     


Harbison The Great Gatsby–Reduced Orchestration - Act II, Scene 3

701

  Fl. 1  

 

 

 

Fl. 2

 

 

 

 

Ob. 1

 

 

 

 

Ob. 2

 

 

 

 

Cl. 1 in Bb

 

 

 

 

Cl. 2 in Bb

 

 

 

 

Bs. Cl.

 

 

 

 

Bsn. 1

 

 

 

 

Bsn. 2

  

 

 

  

 

 

 

 

Hn. 2 in F

 

 

 

 

Tpt. in C

 

 

 

 

Tbn.

  

 

 

 

 

 

 

 

 

 

 

  

 

 

  

 

 

 

 

Tbn.

 

 

 

 

Tuba

  

 

 

 

Perc. 2

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

84

Hn. 1 in F

Perc. 1

Tpt. in Bb

Piano

Banjo

Solo Vln.

Daisy

  

    

caus - ing

Jordan

Tom

Gatsby

Nick

Vln. I

Vln. II

Vla.

Vlc.

Cb.

a

  

row.

 

 

 

 

  

 

 

 

 

 

 

  

 

 

 

  

     

       

 

  



   



   

    dim.     dim.    

  

dim.

 



 



dim.

dim.

   

           

pp

pp

pp

 

 

  pp   pp

 I

  



sup - pose

the

 

 

 

lat - est

 

 

 

thing

 

 is

to

 

3

let Mis - ter

   

 p   p

cresc. 3

No - bo - dy



p

 





   

 

  



    

 

 





p

p

 


Harbison The Great Gatsby–Reduced Orchestration - Act II, Scene 3

702  Fl. 1 

90

Fl. 2

Ob. 1

Ob. 2

Cl. 1 in Bb

 

 

 

 

 

 

 

 

 

 

Bsn. 1

 

Bsn. 2

 

Cl. 2 in Bb

Bs. Cl.

 

 Hn. 1 in F 

  f sf

Clarinet in Eb

 

  

   

Contrabassoon

 













f sf



f sf













mf sf



mf sf

  mp



 



mp

mf sf

 mp









 mf



f sf

 

f sf

 

 



p



p

  



p

  

mf









p

p

Hn. 2 in F

 

 

Tpt. in C

 

 

 

 

 

 

 



 

 

 

 

 

 

 

 

 

 

 

 

   

Tbn.



Perc. 1

Tpt. in Bb

Tbn.

Tuba

Perc. 2

Piano

Banjo

Solo Vln.

Daisy

  

Jordan

  

Tom

Gatsby

Nick

 from

  

 

 

 

 

 

 

 

 

 

 

Vlc.

Cb.

 

to

your

f   

 

wife.

 



f

 

Well count

me



out!

 

 

 

  



 

 

cresc.

make love

3

 

Vla.

 

  

cresc.



Vln. II

No - where

  Vln. I 

cresc.

 





 



 

 

  mp cresc.



mp cresc.

 

     

  

 



 



 

 

   

 



f sf

dim.



f sf

 



 



 



f sf

f sf

f sf



dim.



dim.

dim.

dim.

    

 

     











 

sf

 p  











 







 

sf



  p





p

p

p


Harbison The Great Gatsby–Reduced Orchestration - Act II, Scene 3

 Fl. 1 

96

Fl. 2

Ob. 1

 

 

 

 

 

 

 f sf



 









  

703

 mf sf

mf sf

  

 

 

 p



p

 

 

 



mf sf





 

 

 

 

mp

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Hn. 2 in F

 

 

 

Tpt. in C

 

 

 

 

 

 

 

 

 

 

 

 



 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

   

 

Ob. 2

Cl. 1 in Bb

Cl. 2 in Eb

Bs. Cl.

Bsn. 1

Cbsn.

Hn. 1 in F

Tbn.



Perc. 1

Tpt. in Bb

Tbn.

Tuba

Perc. 2

Piano

Banjo

Solo Vln.

Daisy

Tom

Gatsby

Nick

Vln. I

Cb.

 

 

 

 

 

 

 

 

 

f





Please

don’t—

 

let’s

 

 

all

go

 

 

home.

 

 

 

 

 

 

 

 

 

mp

   I’ve

got

  

mp

p

 

3

some - thing to

 

cresc.



cresc.

tell

   

   

you,

    

 

mf

   

 

sport.

          

old

 

        



   

   cresc.

Vlc.

f sf



   cresc.

Vla.

  

mp

    cresc.

Vln. II

 

 

Jordan

f sf



 

f sf dim.









 

 

   









f sf dim.



f sf dim.

   



f sf dim.



f sf dim.







  p





 

sf

 sf













p

  p  

     

 

 

 

p

p

   


Harbison The Great Gatsby–Reduced Orchestration - Act II, Scene 3

704   Fl. 1  

 

Fl. 2

 

 

Ob. 1

 

 

Ob. 2

 

 

 

 

Cl. 2 in Eb

 

 

Bs. Cl.

 

 

Bsn. 1

 

 

Cbsn.

  

  

 

 

Hn. 2 in F

 

 

Tpt. in C

 

 

Tbn.

  

 

 

 

 

  

  

 

 

Tbn.

 

 

Tuba

  

 

Perc. 2

 

 

 

 

   

 

 

 

 

 

 

 

  

 

 

102

Cl. 1 in Bb

Hn. 1 in F

Perc. 1

Tpt. in Bb

Piano

Banjo

Solo Vln.

Daisy

Jordan

Tom

Gatsby

Nick

  

  

  

  

       Vln. II    Vla.

Vlc.

      



  Cb.  

   

Your

 

Vln. I

   

does - n’t

 

 mp

love

you.

She

 mp



  mp



mp

mp

 

  



pp

pp

mf

ver

loved



p





mp





   

mp

mp

 you.



p



p

 

mp



mp

pp

-



pp

-

p

 

pp



ne

 p





mp

 



pp

pp

  mp



  

 

wife

  mp

  

    

pp

mp

 

p

 

p

 p

  


Harbison The Great Gatsby–Reduced Orchestration - Act II, Scene 3

 Fl. 1 

Fl. 2

Ob. 1

Ob. 2

 

108

 

Cl. 1 in Bb

Cl. 2 in Eb

 

Bs. Cl.

Bsn. 1

Cbsn.



 

animando

 Hn. 1 in F 

mp

mf



mp













 mf





mp





 

 







f

f



mp

mf



 

a tempo



mf

rit.

 

mf

705

mp

 f



f

 

f

Hn. 2 in F

Tpt. in C

  

Tbn.

Perc. 1

Perc. 2

 Tpt. in Bb

Tuba

Piano

Banjo

Solo Vln.

Daisy

Gatsby

Nick

Cb.

 

   

  

p

 

Vlc.

 

 

Vla.

 

 Vln. I   Vln. II

 

Tom

Jordan

p Vib., no motor

 

Tbn.

Glock.

 



She

loves

f

me.

 

 

animando

 





mf



mp

mf













mp



mf

mp



mf







 mf











mp



 mp

rit. 

f

f

f

f











 f

  

a tempo 

pizz.  sf pizz.







sf pizz.

sf pizz.

   

sf

 pizz. sf


Harbison The Great Gatsby–Reduced Orchestration - Act II, Scene 3

706  Fl. 1 

Fl. 2

Ob. 1

   

114

Ob. 2

Cl. 1 in Bb

Cl. 2 in Eb

Bs. Cl.

Hn. 1 in F

Bsn. 1

Cbsn.

 

 

 

 

 

 

 

 

f sf

  

 

     

 

 

 

 

 

 

 

 

 







  

f sf

  

 f sf

 f sf



 p

Tpt. in C

 

 

 

 

   

 

   

Perc. 2

Tuba

Piano

Banjo

Solo Vln.

Daisy

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

p      Dai

 

-

   sy,

   



on?

 Vln. I 

Vln. II

Vla.

Vlc.

Cb.

mp

Go - ing



what’s go - ing

Nick

 

Gatsby

 

 

Tom

Jordan

 

  

to Stage Band



Tbn.

  

(Vib.)

Tpt. in Bb

(Glock.)

Perc. 1

 

 

   

   



for five

 arco  p arco



p arco

  p

 



  

 

arco

p

arco

p

     

 

  

 

 

 

years

 

 



  





 

     

 

  

 

 

 

on

 



 

 and



3



you did - n’t

   







 





  







 





 





sub f sf

sub f sf



p

f sf

 

p

  





Tbn.

p





Hn. 2 in F

 

p

 



sub f sf

sub f sf

sub f sf


Harbison The Great Gatsby–Reduced Orchestration - Act II, Scene 3

 Fl. 1 

 

 

 

 

120

Fl. 2

Ob. 1

 

 

 

707 





f sf



f sf

 







 

f sf

 p

 p



p

 

 

 

 

Ob. 2

 

Cl. 1 in Bb

 

 

 

Cl. 2 in Eb

 

 

 

Bs. Cl.

 

 

 

 







 

 







 

 

   

 

 

 

Hn. 2 in F

 

 

 

Tpt. in C

 

 

 

 

 

 

 

 

 

 

 

 



 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

   

 

Bsn. 1

Cbsn.

Hn. 1 in F

Tbn.



Perc. 1

Tpt. in Bb

Tbn.

Tuba

Perc. 2

Piano

Banjo

Solo Vln.

Daisy

Tom

Gatsby

Nick

Vln. I

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

   

know.

p

   p

 

Cb.

 

 

 

Vlc.

 

p

Vla.

p

   

Vln. II

f sf

 

Jordan

  

  

  p

 p

   

 

     

 

 



 

mf

 

See - ing this

fel - low

f

for



five

years?

mp

 

Not

    pp    pp    pp  

pp







f sub.

 pp

f sub.



f sub.

   

 

 f sub.



f sub.

 

 



  p







 p

 











  p



 

sf

 

 



sf

 

sf

 sf

 sf





 



 



 

p

p

   


Harbison The Great Gatsby–Reduced Orchestration - Act II, Scene 3

708   Fl. 1  

126

Fl. 2

 

 

 

Ob. 1

 

 

Ob. 2

 

 

Cl. 1 in Bb

 

 

Cl. 2 in Eb

 

 

Bs. Cl.

 

 

Bsn. 1

 

 

f sf

 





f sf

 f sf

   



f sf

 f sf



 

mp



mp

 







mp

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

mp



 



to Eng. Hn.

 



mp



 



to Cl. in Bb (return to Stage Band)

  

 

 

 

 

Hn. 2 in F

 

 

 

 

Tpt. in C

 

 

 

 

Tbn.

  

 

 

 

 

 

 

 

 

 

 

  

 

  

 

 

 

 

 

Tbn.

 

 

 

 

Tuba

  

 

 

 

Perc. 2

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

  

 

 

 

Cbsn.

Hn. 1 in F

Perc. 1

Tpt. in Bb

Piano

Banjo

Solo Vln.

Daisy

Jordan

Tom

Gatsby

Nick

Vln. I

Vln. II

Vla.

Vlc.

Cb.

  

  

  

    see

 - ing.

  

   

   

   

 

We

 

    

      

   

could - n’t



meet.

But











mf sub.

mf sub.

   

 

 mf



mf



 

just

the

lov - ing

 









f sf

 f sf

     

f sf



f sf



f sf

   

 

















 

 

same.

 

 

mf sub.

mp

  

 



  

    

 

f sf

   p    p     p    



 



 



 



 

   

 

 

p

p

 

 

 

 


Harbison The Great Gatsby–Reduced Orchestration - Act II, Scene 3

  Fl. 1  

132

Fl. 2

Ob. 1

Eng. Hn.

Cl. 1 in Bb

Bs. Cl.

Bsn. 1

 

 

English Horn

  

     

pp



 pp pp





Tpt. in C

Tbn.

Perc. 1

Cl. 2 in Bb

Tpt. in Bb

Tbn.









  



pp







mp



 

animando

mp





mp

  Hn. 1 in F   Hn. 2 in F



  

pp

Cbsn.

 

 

709

 mp



 

mp



















p

p

p





 p sub











mf

mf







mp sub.

 

p sub

mf

mf

  

 

 

mp

mp

 

mp

  

mp sub.

  

 

 

 

     

 

    

Tuba

  

Perc. 2

 

 

 

 

Piano

Banjo

Solo Vln.

Daisy

Jordan

Tom

Gatsby

Nick

 

        

Vla.

Vlc.

Dai

  

        

pp

Cb.

  

  Vln. I    Vln. II

p cresc.

  

pp

-

sy



loved

me

when





we

were







She

loves

me

mar - ried.



now.

 ff

Some - times



pp



 pp





pp

 

    

 

 





 mp



 

 









mp

  

mp







mp





 mp

animando  

p

 

 

 

  

p

  p sub.







mf

mf











p



p sub.







mf

mf

mf

  

  

  mp

 

mp sub.

mp sub.

I

go

mp

mp

 

3

  


Harbison The Great Gatsby–Reduced Orchestration - Act II, Scene 3

710  Fl. 1 

Fl. 2

Ob. 1

138

  

Eng. Hn.

 

Cl. 1 in Bb

 

Bs. Cl.

 

Bsn. 1

  Cbsn. 

 Hn. 1 in F 

    



 

f

   

















 f

 f

f

ritardando

a tempo

  

 

 

 

 





 





 



 

 



 

 









f

 

 sfp

Hn. 2 in F

Tpt. in C

  



Tbn.

Perc. 1

Cl. 2 in Bb

Tpt. in Bb

 

Tbn.

Tuba

Perc. 2

Piano

Banjo

Solo Vln.

Daisy

   

Jordan

Gatsby

Vln. II

Vla.

Vlc.

Cb.



  

  Vln. I  



      





 

You’re

  off,

Tom

Nick

ff

 

 



but

I

al - ways



 



come

back.

 

volt

 -

-



ing.

  





 



 f



  

  

  

  

f

 

f

 f



 

 



 



ritardando

 



f

re -





 

  

 

 



 

 



 

 

a tempo 

pizz.



sf

pizz.



sf

  

  

 pizz.

  sfp

 sf

pizz.

 sf

 


Harbison The Great Gatsby–Reduced Orchestration - Act II, Scene 3

711

 Fl. 1 

Fl. 2

Ob. 1

Eng. Hn.

Cl. 1 in Bb

  

144

Bs. Cl.

Bsn. 1

Cbsn.

Hn. 1 in F

Perc. 2

Piano

Banjo

Solo Vln.

Daisy

Vla.

p

p

  



 





  p

fp

 

fp





fp

fp

fp

 fp

 

 

 

 

  

f 

Tell him

 



the truth.



You

 nev

 -

-

-

-



 

er

loved

him.

 

                

Vlc.

Cb.

Gatsby

Vln. II

   

Tom

Vln. I



fp

Jordan

Nick

 

p

Tbn.

Tuba

 

Perc. 1

Tpt. in Bb

Tpt. in C

Cl. 2 in Bb

  p

 

Hn. 2 in F

Tbn.

  

fp


Harbison The Great Gatsby–Reduced Orchestration - Act II, Scene 3

712  Fl. 1 

Fl. 2

Ob. 1

    

151

Eng. Hn.

Cl. 1 in Bb

 

Bs. Cl.

 

Bsn. 1

Cbsn.

Hn. 1 in F

     p     p

 









 



Gatsby

 

  

p

 How

Daisy looks helplessly at Jordan, who nervously reopens the window. f



could





I

love

him?

p

 (Clarinet in Bb)

p espr.

 

 

  

rit. molto

Vlc.

Cb.





3

3

p espr.



Vla.

 

Vib. no pedal

 Vln. I  Vln. II



 

f

 

Tom



p

Jordan

Solo Vln.

Nick

Tbn.

Daisy

 

 Tpt. in Bb 

Banjo



Cl. 2 in Bb

Piano

  

Perc. 1

Perc. 2

 

Tpt. in C

Tuba

 

  

Hn. 2 in F

Tbn.

rit. molto



 



arco

    p        



arco

p


Harbison The Great Gatsby–Reduced Orchestration - Act II, Scene 3

157 A tempo h = 88

713

 Fl. 1 

Fl. 2

Ob. 1

Eng. Hn.

Cl. 1 in Bb

Bs. Cl.

 

Hn. 2 in F

Tpt. in C

Bsn. 1

Cbsn.

Hn. 1 in F

Tbn.

  

Perc. 1

        



  

Cl. 2 in Bb

  Tpt. in Bb  Tbn.

Tuba

Perc. 2

Banjo

Nick