Page 1

John Harbison

THE GREAT GATSBY OPERA IN TWO ACTS Reduced orchestration by Jacques Desjardins Act I: Scenes 3 and 4 Volume 2

Full Score

From the Rental Library of G. Schirmer, Inc. Date of printing:

Associated Music Publishers, Inc. New York, NY


THE GREAT GATSBY OPERA IN TWO ACTS Act I words and music by

John Harbison after the novel by

F. Scott Fitzgerald song lyrics by

Murray Horwitz tango lyrics by

F. Scott Fitzgerald Originally commissioned by the Metropolitan Opera to commemorate the 25th Anniversary of James Levine’s debut.

The reduced orchestration for THE GREAT GATSBY was commissioned by Ensemble Parallele and Aspen Music Festival

Table of Contents Overture . . . . . . . . . . . . . . . . 1 Act I, Scene 1 . . . . . . . . . . 24 Act I, Scene 2 . . . . . . . . . 151 Act I, Scene 3 . . . . . . . . . 238 Act I, Scene 4 . . . . . . . . . 391 Act II, Scene 1 . . . . . . . . . Act II, Scene 2 . . . . . . . . . Act II, Scene 3 . . . . . . . . . Act II, Scene 4 . . . . . . . . . Act II, Scene 5 . . . . . . . . . Act II, Scene 6 . . . . . . . . .

515 612 687 777 812 867

Associated Music Publishers, Inc. New York, NY


238

Act I, Scene 3 Flute 1

1 

Più andante q = 80

   p

Flute 2

Oboe 1

Oboe 2

 

p

Cl. 2 in Bb

Tbn.

Tuba

  

 

    p

    p

p

Tpt. in C

       Bsn. 1  p    Bsn. 2  

Hn. 2 in F

  

Bs. Cl.

Hn. 1 in F

 

p

Cl. 1 in Bb



to Sop. Sax to Stage Band

p rubato

 

6

solo

     

p solo

6

    

6

p

  

   

       

 

6

     6

6

   

to Tpt in Bb to Stage Band

to Stage Band

p

   p     p

  

     



p

   

 



Claves



p

      6

6

6

Workers and guests are assembling for a party, early evening

p    Soprano  

All p

   

All

Bass

p

 Perc. 2   

Tenor

Perc. Vibr. + soft mallets

Alto

   

  Perc. 1   

Piano

 



day

 

day



  

  

 



ar - rive

the

 

 

ar - rive



the



mp

 

or - an - ges

 

mp

 

or - an - ges

  and

  

and

p   

the

le - mons p

  

the

le - mons

Act I, Scene 3 Più andante q = 80

Violin

 

 

 

   

   

   

 

 

    

   

       

div.    I 

 

 

 

 

 

 

 

   

   p

p

div.

Violin II

p

Viola

 

mp

mp

p

p

p

Violoncello

Contrabass

  

  p 

p

  

 



 pizz.

  

     p

 


Harbison The Great Gatsby - Reduced Orchestration Act I, Scene 3

Fl. 1

4  

   

   

soli 6

 



 



p

239  6





  

 

     

Ob. 1

Ob. 2

Fl. 2

 

Cl. 1 in Bb

soli 6

6

p

 p

Bs. Cl.

Bsn. 2

Hn. 1 in F

  

pp

Tpt. in C



 (Vibr.) Perc. 1     Perc. 2

p





(Claves)

 

 

A

T

p mp                       All day ar - rive the hams, the tur - keys, the

S

p    B   

All

     

mp

day

ar - rive the hams,

          the tur - keys,

 Vn. I 

Vn. II

div.

    

Va.

div.       

Vc.

Cb.

    

           mp

           mp

the

                  

6

p





3

6

  

pas - tries. p





3

pas - tries.

 

  

unis.

p

 

unis.

    



 

  p

  p

3

3

 

6

Piano

  

   

pp

Tuba

  



p

Hn. 2 in F

Tbn.

  

rubato

 to Contrabassoon     



Bsn. 1

6

6

Cl. 2 in Bb

    





 


Harbison The Great Gatsby - Reduced Orchestration Act I, Scene 3

240

7

 Fl. 1 

Fl. 2

Ob. 1

Ob. 2

 

     

Cl. 1 in Bb



p

mp



mp

3



          6 3

rubato

Cl. 2 in Bb

Bs. Cl.

 

Hn. 1 in F

Tpt. in C

Tbn.

Tuba

Perc. 1

Perc. 2

Piano

 (Vibr.)  

 

 

A

T

Vc.

Cb.

 

pp

 

mp

af

 

 

Late

 

Late mp

af

 -

-

 

 

ter - noon

the

 

 



ter - noon

the

 

mf





swim - mers come mf







swim - mers come



up



3

  

from the beach



up

3



  

from the beach

 

to

  dreas

    to

3

   

p

   

p

up - stairs. 3

dreas

up - stairs.

 

Va.

 

 Vn. I  

Vn. II

mp



 S  

B

   



Bsn. 2



Bsn. 1

div.    

 

mp

  

 

div. mp

  

 

  

 

 

 

 

3

mf

mf

 

 

 

 

3

 

    

 

 

  

 

 

 

3 3

     

p

   

p


Harbison The Great Gatsby - Reduced Orchestration Act I, Scene 3

10

241

 Fl. 1 

Fl. 2

Ob. 1

Ob. 2

3

    

Cl. 1 in Bb

 

Cl. 2 in Bb

Bs. Cl.

Bsn. 1

Bsn. 2

Hn. 1 in F

 

 

Piano

S



  

mp

p

 



 

A

mp

    Late

T

B



6          3

Tbn.

Perc. 2

p rubato

Tpt. in C

Perc. 1

Hn. 2 in F

Tuba

mp

 

Late

 Vn. I 

 af

  -

  af

ter -noon

   -

ter -noon

 

mf



the

or

 

mf

the



3

-



or

3

-

unis.

ches

  

 ches

6

-

-

    

mp





tra

tunes,





tra

tunes,

  



sax - o - phones,

  mp



 

sax - o - phones,

   3

trum - pets,



3

 

trum - pets,

3   

vi - o 3     

vi - o -

mp

Vn. II

  

 

(div.)

Va.

mp

 

 

(div.)

Vc.

mp

Cb.

 

 

 

 

mf

mf

3

 



 

     

 

 

 

    

     



    

    

mp

 

 

 

3

mp

pizz. non div.



pp

3

3

3

3


Harbison The Great Gatsby - Reduced Orchestration Act I, Scene 3

242 Fl. 1

13 

Fl. 2

Ob. 1

Ob. 2

 

 



 



soli

    p

6



soli

    p

6

6

6

 

 

 





 



 



   



 

6

 

 6



 

   3

Cl. 2 in Bb

Bs. Cl.

Hn. 1 in F

  

 

Hn. 2 in F

Tbn.

Tuba

  

p

mp

Tpt. in C

  

 p

Perc. 1 Perc. 2

 

  

  

 p  



(Claves)

 S 

A

T

mf     lins,

Piano

B

3

drums

mf



lins,

drums

6

and 3

     

mf

 

 

p



 



 

 

  

mf

 p



and

3

p

 3

 



  



3



3



3

p

p



div.

  p

 

(div.) p

 

 

p





At

p

p

At

3

bas - ses.

 

At



To Picc.

 

To Eng. Hn.

mf

bas - ses.

 

Vc.

mf

Cb.

 

 

mp

Va.



At

  Vn. I   Vn. II



mf

mf

 

 



  

Timp.



 



mf

mf

Bsn. 2



3

Cl. 1 in Bb

Bsn. 1



p

p

arco

 p


Harbison The Great Gatsby - Reduced Orchestration Act I, Scene 3

15

243

 Fl. 1 

Ob. 1

English Horn

 

6                    6 p 6    6                  6 p  6 6

Ob. 2

Cl. 1 in Bb

Cl. 2 in Bb

Bs. Cl.

 

Bsn. 1

Bsn. 2

Hn. 1 in F

Tpt. in C

Tbn.

Tuba

 Perc. 1   Perc. 2

Piano

mp 3

 

p Contrabassoon

 

p

3

3

 

f

eve

ning

-

   

 

  

   

f

  

 

f

  

f

  

 

 

f

eve

    eve f

T

eve

f

       

Va.

   

Vc.

-

f  

     Vn. I  Vn. II

-

 

A

Cb.

   

 



   S 

B

          

Wood Drum

6

  f

-

p

p

ning





 

the

lights

grow

bright - er,

the p



ning p

ning

 

lights

p

  p

  p

 p

f

p

p

 

bright - er, f

p



f

p



the

lights

grow





the

lights



grow

bright - er,

 

 

   

 

p

 



grow

f

      

bright - er,

f

p

     

 



 



  f

p

 

 

 





  f

f

f

p

p

p








Harbison The Great Gatsby - Reduced Orchestration Act I, Scene 3

244 Fl. 1

18 

Picc.

    p

   p

Ob. 1

Eng. Hn.

Cl. 1 in Bb



  



3

cresc.

3

cresc.

Bs. Cl.



f

  f





  



 

 

f

f

       cresc.    

 

   

 

   f

     f

cresc.

 

Cbsn.



cresc.

      

Cl. 2 in Bb

Bsn. 1

   



cresc.

 



 

 Perc. 1 

Hn. 1 in F

Tpt. in C

Tbn.

Tuba

Piano

3

Vib.         

3

A

T



  

 Vn. I 

Vn. II

Va.

Vc.

p

f

at

eve

p

f

at

eve



p

 

at

eve

p

f

at

eve

  (div.)  p

 

  

 

f

f

  f

 p

-

-

 f

p





laugh - ter

p

ning





laugh - ter

 

 

  

 

  

 

  

p

ning

laugh - ter p

ning



laugh - ter

 is

 is

is

 is

 

 

  

 

 

 

  

 

 

 

 

 

  

 

 

  

 

 

 





  p

f

 

-

ning

 



p

-

f

 

p

 



 

p





To Timpani

3



Cb.

          

(Wood Drum)

p

  S  

B

p

p

p

 p


Harbison The Great Gatsby - Reduced Orchestration Act I, Scene 3

Fl. 1

21 

Picc.

 

Ob. 1

Eng. Hn.

 

Eng. Hn.

3

3

    p

   



   



p

 

Cl. 1 in Bb

3

6

6

6

  

p

 

 

 

   p

Bs. Cl.

Bsn. 1

 

 6

6

 6



 

 

 

6

6



 



 

6



p cresc.

 3

cresc.

  

3

 

 3



cresc.



cresc.

     

  

 

 

Cl. 2 in Bb

Cbsn.

   

p cresc.

 

 

 

 



245

  

  p

  

 

















  

 





eas

   

-

-

-

-

f

A

eas

    eas

-

-

-

-

f

T

B

Vn. I

 

-

-

-

-

f

eas

-

-

-

-

i

  i

  i

  i

p

-



er p

-



er p

-



er p

-

er

 

 

 

cresc.

f



   S  









cresc.





Tpt. in C

Piano



 



Perc. 1





   



Hn. 2 in F

Tuba





Tbn.





 

Hn. 1 in F



p



 

      p cresc.

  



 

 

   

 

 

  

f

Vn. II

f

Va.

f

Vc.

f

Cb.

 f


246

Harbison The Great Gatsby - Reduced Orchestration Act I, Scene 3

animato

Fl. 1

23

  

f

Picc.

  

   f

mf

  

Bsn. 1

mf

Cbsn.

Hn. 1 in F

 

 

S

mp

 

 





 p      p

and

 

and

p

 

p

 

Men

cresc.

girls



com - ing

 and





go - ing

 

like

and

  and

cresc.



girls cresc.

girls



cresc.





com - ing

com - ing

 

girls



com - ing

and





and

 and

go - ing

go - ing

Vn. II





go - ing

like

moths

 



  like

Vc.

  

 

 

 

 

the



mong

the

-

 

 



 



cresc.

cresc.

 



 

  

a

 

 



 

f

 

f

f

f

f

-

p

 

 

moths

 

 

 

 

 



a

 



 

-

p

  p

 

cresc.

 

cresc.

  a

moths f

p

 

 

cresc.

 

 

f

 

p

 

p

mong

a

 

 

  

  

 

p



 



  p

 

 

unis.

  

  

   p

Va.

 

p

div.

moths



like

  

(div.)    

f

 

animato

    Vn. I 





f

Men

   Men

T

 

A

Cb.



Men

B

Tbn.

Piano

6

 

Tpt. in C

Perc. 1

6

mf

Tuba

mp

  

6

Hn. 2 in F

6

              6 6 mp              



  



Bs. Cl.

f

Cl. 2 in Bb

to Flute

f

Cl. 1 in Bb

  

Eng. Hn.

   f

Ob. 1

p

  

p

p

p

-



mong

the



mong

the

 

 

 

 

 

 

 

 


Harbison The Great Gatsby - Reduced Orchestration Act I, Scene 3

Fl. 1

26  

Picc.

Ob. 1

  

Eng. Hn.

6

   p

6

   

247

Flute

 

 

 

 

   

 

f

f

  

 





3

6

6



 

3

   

3

Cl. 1 in Bb

Cl. 2 in Bb

 

Bs. Cl.

 

Bsn. 1

Cbsn.

Hn. 1 in F

Piano

   p



  

   

  

 6

6

  







  

 3

   

 

 

3

    

  

3

  





  

 -

sf

A

whis

sf 

  whis

T

  

whis

   Vn. I 

-

  

    

and

Va.

sf

  

Vc.

   sf

3 and

 

 

 

 

 

3

3

the cham -

cresc.

the cham -

 

cresc.

cresc.

the cham -

the cham -

 

3

 

cresc.

 



    

f

pagne



pagne



pagne



pagne

 

 

 

 

cresc.

and

the

the

3

and

the

3

and

the

 

 

 

 

 

 

 

 

 

cresc.

 

 

 

 





3

 cresc.

3

  

3

cresc.

 

3

and

 

3

3

3

cresc.

 

3

 

sf

3 

and

sf

    

3

per - ings

sf

Vn. II

3 and

per - ings

sf

per - ings

 -

per - ings

 -

 

f

 

whis

Cb.



sf   S 

B

6

Tbn.

Perc. 1

   

Tpt. in C

Tuba

6

f



 3


Harbison The Great Gatsby - Reduced Orchestration Act I, Scene 3

248 Fl. 1

 

 

 

 

 

 

 

 



 



 

Fl. 2

Ob. 1

animando    

28 

f

f

f

 

Eng. Hn.

f

 

Cl. 1 in Bb

    

 

Bsn. 1

 3

 



 



 

6



 















 



 

 

 

6

 



6

 3 3

  















3





 





  

   



 

    





    





 

3

3

  3

3

   3

3

 

 















 



 

 

 

 









   

 



 



 





 

 

 

 

 

 



       

  

  

  

 

 







 

 

 

 



 



 

 

  

stars.

 





 

 

  

 

stars.

T

 

 

f

A

B



 

Tbn.

S



  

Tpt. in C

Piano

3



f

f

Perc. 1

 

f

Tuba

3

f

 

Bs. Cl.

Hn. 1 in F

Cl. 2 in Bb

Cbsn.

 

stars.

  f

stars.

animando Vn. I

 

Vn. II

  f

 

 

  

 

 

 

 

 

 

f

Vc.

f

Cb.

 

   f

Va.

 

f


Harbison The Great Gatsby - Reduced Orchestration Act I, Scene 3

Allegro h = 96

Fl. 1

Fl. 2

Ob. 1

Eng. Hn.

Cl. 1 in Bb

Cl. 2 in Bb

Bs. Cl.

  30           

ff

 

ff



ff

 

 

 

ff

f

 



3

3

3

3





To Oboe

3

   

3

        

3

3

3

 

ff

    

ff

   

ff

          

  

 



  



 



3

3

3

3

3

3

          



3

   



3

   

3

   

 f

3

  

3

  

3

    

 

    

 

  

 

  

 

  







f



3

 

 3

  

3













    

 

















3

  

3

  



3

        

  

3

  











   

   

   





 

 

   



3

    

  

 



 



3

3

 





 

f

f

  

3

  

 

f

ff

Hn. 2 in F



 

   Cbsn.   Hn. 1 in F

f



f

ff

ff

Bsn. 1



249

     

 

 

 

 

 

 

 f

  f

Tpt. in C

 

Tbn.

 

 

 

Tuba

  

 

 

 

 

 

 

 

 

 

 

  The party is ready to begin.  

 

 

Timp.       ff

Perc. 1

Piano

S

A

T

B

*

f

  

 

* It is possible to play the upper octave if the lower drum is not available.

   

 

 

 

  

 

 

  

 

 

Allegro h = 96 

  Vn. I   Vn. II

 

ff

   

Solo vln to stage band unis.

 

     

   

ff

Cb.

    

ff

 



3

3



f

 f

 3

f

ff

Vc.

f

 

f

ff

Va.



  3

unis.

  

unis.

 

 

3

3

pizz.

 pizz.

             

3

3

3

   

  

   

 

 

  



 



 



3

3

3

3

3

3

 

      

3

3

   



 

  

3

   



 

  

    



   

 

 

  

3 3

3

        

  

  

3 3

3

    

 

   

 

   

 

 

   


Harbison The Great Gatsby - Reduced Orchestration Act I, Scene 3

250

34    Fl. 1   Fl. 2

Ob. 1

Eng. Hn.

Cl. 1 in Bb

Cl. 2 in Bb

   

  



 

Oboe

  

   

 



 

 

  

3

  

   

3

3

3

3

 



 



 

3

3

 

3

3 3

                   

3

3 3

3

3

  

  3

  

 

   

 

3

3

   

 

   

 

3

3

   

3

3 3

3

3

              

3

3

3

3 3

 

    

 

   



   



   

     

   

 

3

 

 

 

 

 

3

  

 



  

     

3

  

3

  

3

  

  

 

  

 

3

  

 

3

  

 

  

 

3

3

3

 

  

Bsn. 1

 



Cbsn.

  



    



 

 

Hn. 2 in F

 



 

 

Tpt. in C

 

 

 

Tbn.

 

 



Tuba

  

 

 

 

 

Bs. Cl.

Hn. 1 in F

   



  (Timp.)    Perc. 1

Piano

S

A

T

B

Vc.

Cb.





 





 

 



 







 



 

 

 



 





 



   



  





     

 

 

 

 

 

 

 

 

  

 

 

 

 

 

  

 

 

  

 

 

 

  

 

   

 

   

 

 





div.

Va.

  

  Vn. I   Vn. II



    



    

 

  3

3

3

3

   

unis.

3

   

3

  

    

   

 

3 3

3

  

 

   

   

3  

 

 

3

3

 

    

3 3

3

          

3

3

3

    

 

   



   

 

 

     

 

 3

   

 

 

3

 3

        









  

 

3

  

 

3

  

 



 



 

3


Harbison The Great Gatsby - Reduced Orchestration Act I, Scene 3

Fl. 1

Fl. 2

Ob. 1

Ob. 2

Cl. 1 in Bb

Cl. 2 in Bb

Bs. Cl.

Bsn. 1

Cbsn.

Hn. 1 in F

Hn. 2 in F

Tpt. in C

Tbn.

Perc. 1

Sop. Sax. in Bb

Tpt. in Bb

Tbn.

38 

                 

   

       

   

    

  

  (Timp.)   

  



 

   

   

  



 



           

  

 

 



   

 







                

To English Horn

 

   

              

 

     

 

   

 

to Picc.

 

251 

 

 



 

 



 

 

 

 

 

 

 

 

                

 



 

 





  

Perc. 2

 

 

 

 

 

  

Banjo



    

Tuba

Piano

 

 Traps

 p

 

 

    

 

 

 







 

 f

 



f

 

 

  f  

   

   

Solo Vln.

 

 

 

Band Vocalist

    

 

 

 

 

  

 

 

   

 

 

 

 

S

A

T

B

Vn. I

Vn. II

Va.

Vc.

Cb.

  

  

              

   

  

  

arco

arco

 

    

   

             

    



    sf

 

   sf     sf

 

   sf     sf 


Harbison The Great Gatsby - Reduced Orchestration Act I, Scene 3

252

42

 Fl. 1 

Fl. 2

Ob. 1

Ob. 2

Cl. 1 in Bb

Bs. Cl.

 

Bsn. 1

Cbsn.

Hn. 1 in F

Tpt. in C

Tbn.

Perc. 1

Sop. Sax. in Bb

Tpt. in Bb

  

   f

  

Tbn.

f

Tuba

   f

Perc. 2

Piano

Banjo

     

Solo Vln.

Band Vocalist

   

  

 

 

 









  

 

 

 

 

 

Snare Dr.





 



     

 

One

foot

 

    

 

 





out,



Do

  

 



sf

  

 

 

 





    

 

 



 

 

  

     that



 



 

 









sf





 





 

in,





    

 





 





 



  









 f     One foot



old

  

  

“Ca - ro - li - na

Shout”

 

  

 

  

 

    















    

    

 





  

There’s noth - ing

out

of

date

a - bout

 

 

Vn. II

Va.

A

T

B

Vn. I

Vc.

Cb.

  

 

S

  





  a


Harbison The Great Gatsby - Reduced Orchestration Act I, Scene 3

48

 Fl. 1 

Fl. 2

Ob. 1

Ob. 2

Cl. 1 in Bb

Bs. Cl.

 

Bsn. 1

Cbsn.

Hn. 1 in F

Tpt. in C

Tbn.

Perc. 1

Sop. Sax. in Bb

Tpt. in Bb

  

   

Tbn.

Stage Band

253

Tuba

Perc. 2

Piano

Banjo

Band Vocalist

 



 



  

 

 

 

 

      

    

 



  

Solo Vln.





  

 

 

  



 

 

  





 







  

 

 

 

 

 

 



  

 



 



  

 

 

 



  



   

      hap - py old

  

Sat - tur - day

night

  

to - do.

Play



that

 jazz,



play



that

 rag,

 

 

 

 







 

 

   

 

 

 

   

 





sf

  

 



 

 





sf

 

    

grab your ba

-

by,

  

  

and dance the

shag.

 

 

 

Vn. II

Va.

S

A

T

B

Vn. I

Vc.

Cb.

   

  A


Harbison The Great Gatsby - Reduced Orchestration Act I, Scene 3

254

54

 Fl. 1 

Fl. 2

Ob. 1

Ob. 2

Cl. 1 in Bb

Bs. Cl.

 

Bsn. 1

Cbsn.

Hn. 1 in F

 

Tpt. in C

Tbn.

Perc. 1

 

      Tbn.

Stage Band

Tpt. in Bb

Tuba

Perc. 2

Piano

Banjo

 

    

 





 

  

 

 

 

    

 

 

Solo Vln.

Band Vocalist

Sop. Sax. in Bb







 

 

 





 

 

 

 

   

 

  



  







    

 

       swell time's al - ways

   

in

the

bag

at





W.Blk.

  

Soprano Saxophone



f





 



a

  

Sat - tur - day night

 

 

secco

mp

  

 

mf

 

 

 

     

  to - do.

  

 

  

Solo Vln. on stage

 

 

gl.

  

 mf

f

 

gl.



mf meno f

gl.

    

 

 

  



   

Go

tell the lead - er

of

gl.

   

the

band

 

 

 

Vn. II

Va.

S

A

T

B

Vn. I

Vc.

Cb.

 

  to


Harbison The Great Gatsby - Reduced Orchestration Act I, Scene 3

60

255

 Fl. 1 

Fl. 2

Ob. 1

Ob. 2

Cl. 1 in Bb

Bs. Cl.

 

Bsn. 1

Cbsn.

Hn. 1 in F

Tpt. in C

Tbn.

Perc. 1

 

 

Sop. Sax. in Bb

 Tpt. in Bb  Tbn.

Tuba

Perc. 2

Piano

Banjo

gl.







       

  gl. 





gl.



  

    

 

 

 





 





   

 

 

 

  

 



 



 



 

       play a song

 

   

for you.

 

Love

 

 

  





 

 



gl.

   

 

may be wait -ting right

  

at

hand,

     



 

Solo Vln.

Band Vocalist

f

  

   f

   f    

 

   

and oh

     f

 

 

     f





 

tune can do!

 

 

 

Vn. II

Va.

S

A

T

B

Vn. I

 

Vc.

Cb.



gl.  

what a



           

 

 

    

 


Harbison The Great Gatsby - Reduced Orchestration Act I, Scene 3

256

66

 Fl. 1 

Fl. 2

Ob. 1

Ob. 2

Cl. 1 in Bb

Bs. Cl.

 

Bsn. 1

Cbsn.

Hn. 1 in F

Tpt. in C

Tbn.

Perc. 1

 

  f   Tpt. in Bb 

Sop. Sax. in Bb

Perc. 2

Piano

Banjo



     

f





 

 

 

  

 

 

    

  







 

 







S.D.

 

 

 

 

 

 

 

  

  

 

 

 f     Hold her



 



  

 

 





 

 



 

Solo Vln.

Band Vocalist

  f 

 

Tbn.

Tuba

 

  

 

    

 



close,



hold

her

tight,



 

sf







 



      

 

  





 

    





     



     the

one

sf

girl

 

    

  

  

that suits





     





  





 





 

she's

  

you right.

 







 



  

   

    



 

 



 





 

 

 

 

   

 

  



 

 

 

To - ge - ther you’ll make

ff

   

ev - ery

night

 

 

Vn. II

Va.

S

A

T

B

Vn. I

Vc.

Cb.



 



    a


Harbison The Great Gatsby - Reduced Orchestration Act I, Scene 3

**73b

*73a

72  

Fl. 2

Ob. 1

Ob. 2

poco rit. 

Cl. 1 in Bb

Bs. Cl.

Fl. 1

Hn. 1 in F





 

Tpt. in C

Tbn.

Perc. 1

Sop. Sax. in Bb

Tpt. in Bb

   

 

Perc. 2

Piano

Banjo

S

  W.Blk.

 

To Clarinet in Bb

 

   



 

f

    

mf

f

  



        





       

 p

 p

 p

 

   

 

  



  

 

    mf f     

f

p.

 

 

cresc.

 

 

             p. cresc.         

 

solo

 

p cresc.

 

 

 

 

        sf

f

              f sf                    

f

sf

  

     f

      f

 f

    

      

  

    

      

   

   p

  

 

poco rit. 

Vn. II

Va.

Vc.

 

a tempo

1.

2

*Play first ending if full cut is taken. **Play second ending if alternate cut or full version is taken

 

 

 

Cb.



         Sa -tur -day night to - do.

T

Vn. I

 

       

mf

 

A

B

    

Solo Vln.

Band Vocalist

  

Tbn.

Tuba

2

Bsn. 1

Cbsn.

1.

257

a tempo Vi-

 


Harbison The Great Gatsby - Reduced Orchestration Act I, Scene 3

258

78

  Fl. 1 

 

 





Fl. 2

Ob. 1

Ob. 2

Cl. 1 in Bb

Bs. Cl.

Bsn. 1

Cbsn.

Hn. 1 in F

  

Tpt. in C

Tbn.

Perc. 1

 

    p 

Tbn.

Tuba



 

Sop. Sax. in Bb

Tpt. in Bb



Perc. 2

Piano

Banjo

(p)

f

 

 

cresc.

 

  

cresc.

  

 

 

 

 

                   

  

  

      sf

  f

  f

     f

    sf     

  

      

  

 

      

      sf

 

   

 

f



 

p

 p

 

 

 

 

 

f

    

p

p

cresc.

          p cresc.    

  

p cresc.

        

 

 

 

 

    

 



  







      

Va.

Vc.

 

             

Vn. II

Cb.

p

T

Vn. I

p

 

A

B

             p cresc.       

Solo Vln.

S

    


Harbison The Great Gatsby - Reduced Orchestration Act I, Scene 3

84

259

  Fl. 1 

 



 

















Fl. 2

Ob. 1

Ob. 2

Cl. 1 in Bb

Bs. Cl.

Bsn. 1

Cbsn.

Hn. 1 in F

  

Tpt. in C

Tbn.

Perc. 1

 

 

Sop. Sax. in Bb

Tpt. in Bb

  

Tbn.

Tuba

Perc. 2

Piano

Banjo

f

 

    f

        

Solo Vln.

  

f

  

 

      

  

sf       

    sf    

 

        sf

 

 

 

   

 

 

            sf        

 

sf

  

      sf

   

 

 

sf

  

    sf   

      

       sf

 

    

  

 

 

   

 

             

    

   

 

sf       

 

  

      

 

 

 

 

sf

     

   

sf

 

 

 f





  

  

 

 

 

 

    



  



Vc.



Cb.



S

A

 

T

B

Vn. I

Vn. II

Va.

 

pizz.

f

  

 

 


Harbison The Great Gatsby - Reduced Orchestration Act I, Scene 3

260

90

 Fl. 1 

Fl. 2

Ob. 1

Ob. 2

Cl. 1 in Bb

Bs. Cl.

 

Bsn. 1

Cbsn.

Hn. 1 in F

Tpt. in C

Tbn.

Perc. 1

  

Sop. Sax. in Bb

Tpt. in Bb

  

Tbn.

Tuba

Perc. 2

Piano

Banjo



  

   

                              



  

  

                  

  

 



  

 

  

       

                                                                                      



 

   

                             

 



  

  

                   

  

 

 

Vn. II

Va.

A

T

B

Vn. I

Vc.

Cb.

 

    



 

    



 

    



       

 

    



 

 

                         

 

Solo Vln.

S

 

    




Harbison The Great Gatsby - Reduced Orchestration Act I, Scene 3

96

261

 Fl. 1 

Fl. 2

Ob. 1

Ob. 2

Cl. 1 in Bb

Bs. Cl.

 

Hn. 2 in F

Tpt. in C

Bsn. 1

Cbsn.

Hn. 1 in F

Tbn.

Perc. 1

  

Sop. Sax. in Bb

Tpt. in Bb

 

Tbn.

Tuba

Perc. 2

Piano

Banjo



  

                                

    

                     

   

        

 

  

                  

  

 

            

Ride Cym.



   

                                                                    

  

 

              

                                       

 

 

 

Vn. II

Va.

 

A

T

Vc.

Cb.

Vn. I

 

f

B

Solo Vln.

S

 

Clarinet in Bb         f          f         

 

    



   

  

    



            

    



          


Harbison The Great Gatsby - Reduced Orchestration Act I, Scene 3

262

102

 Fl. 1 

Fl. 2

Ob. 1

Ob. 2

Cl. 1 in Bb

Bs. Cl.



Bsn. 1

Cbsn.

Hn. 1 in F

 

- de (alternate cut)

   

Hn. 2 in F

Tpt. in C

Tbn.

Tuba

Perc. 1

 

    Tpt. in Bb       Tbn.

Cl. 2 in Bb

Tuba

Perc. 2

Piano

Banjo

Solo Vln.

S

   

               

 

A

T

B

  

               

 

           

                                     

   p

  

p

            

                                                                             

 

 

  

Vn. II

    f

Vla.

Va.

   

Vc.

Cb.

  pizz.  f

      

 

   

       

 

   

     

 

 p

f

     f      f

 

 

    cresc. p               p cresc.                   

p

cresc.

      

            



 

 

p

f

Vn. I



p

  



      



p

 



p

p  p

 

 

 

 

 

 

 


Harbison The Great Gatsby - Reduced Orchestration Act I, Scene 3

108

  Fl. 1 

 

 







Fl. 2

Ob. 1

Ob. 2

Cl. 1 in Bb

Bs. Cl.

Bsn. 1

Cbsn.

Hn. 1 in F

  

Tpt. in C

Tbn.

Perc. 1

 

 

Cl. 2 in Bb

Tbn.



Tuba



Perc. 2

Piano

Banjo



f

sf

 

    

   

   

 

 





          f             





p

 

 



 

cresc.

 

 

 

 

  

cresc.

  

  



 



 mp

mp

mp

mp

 

mp

    p

    p

 

   



   p



p

   p



 mp

  f

    f

sf

    sf     

  

    

  

  

 

     

    

      sf

 

f







 

 



 

   

mp

mp

f

     

f

mp

  

 

f

                 mp       

 

                            p  cresc.          



      

f



Vc.

  



  

Va.

p

           

Vn. II

Cb.

    sf       

  

T

Vn. I

f

sf      

p

             p f               f

 

A

B

  

   

Solo Vln.

S

f



f

 

          

  Tpt. in Bb 

263

      





 p

 p







 mp

mp

p

p

p

mp

 

 

 

 

 

mp

mp



 



          

    p  



               mp            

  p

 



p

  

   p

mp

mp

 

mp

mp

 

 


Harbison The Great Gatsby - Reduced Orchestration Act I, Scene 3

264

114

  Fl. 1 

 

 







Fl. 2

Ob. 1

Ob. 2

Cl. 1 in Bb

Bs. Cl.

Bsn. 1

Cbsn.

Hn. 1 in F

  

Tpt. in C

Tbn.

Perc. 1

 

  

Cl. 2 in Bb

 p

 

 

   Tpt. in Bb  p



Tbn.

Tuba

Perc. 2

Piano

Banjo

 

  p

 



 

p





Va.



Vc.



p

 p

cresc.

  

 

     cresc.  

  

Vn. II

Cb.

p

  

T

Vn. I

p



A

B

Solo Vln.

S



p

         

  

    

cresc.

 

 



  

    

 

  

p

 p

 

 



    sf     

f

 

f

  

  

      

  

 

 

 

       sf

  

  

 sf

 

 



    sf   

 



 





   

sf





mp

mp

mp

 

 

 

 

 

   

 

 sf    









sf

mp

mp

  

sf

   





      

    sf     

 



f

p

 

 sf

   sf

sf

 

 

  


Harbison The Great Gatsby - Reduced Orchestration Act I, Scene 3

Fl. 1

 





 





 

Ob. 1

Ob. 2

Cl. 1 in Bb

 

Cl. 2 in Bb

Bs. Cl.

Bsn. 1

Hn. 1 in F

Perc. 1

Cl. 2 in Bb

Tpt. in Bb

 

Perc. 2

Piano

Banjo







            

  sf

  

   sf       

 

  

    

    

     

    



sf

    

         

   

     

 

     

 sf

  

   

sf

     

   

 

 

    

sf

       

 f





 



   

    



 

 

 

f

 

 

   

  



 

   

Vn. II



Va.



Vc.

Cb.

T

Vn. I





f

 



  

A

B



  

Solo Vln.

S

 

Tbn.

Tuba



 

Tpt. in C

Tbn.

- de (full cut)

118  

Fl. 2

Cbsn.

265



 

   

 

    sf  

sf

sf

 

sf

 

sf



  



mf



 mf 



mf

    

mf



mf

   

   

  

sf



sf



 

  

 

sf non div.

sf

 

 

arco  f arco  f

  










Harbison The Great Gatsby - Reduced Orchestration Act I, Scene 3

266

122 

 Fl. 1  

Fl. 2

Ob. 1

Eng. Hn..

Cl. 1 in Bb

Bs. Cl.

Bsn. 1

Cbsn.

Hn. 1 in F



Piccolo f

 



f

 



f Eng. Hn.

 



 



f

f

    f   

Tbn.

Perc. 1

 





 

  



  





 



  



 





 





   

  







 

  







      

 





    





           

f

 

 

 



(f)

 



      

pizz.

pizz.

 

 

3

 

   



  

  

           

out,

 

 

one foot

out,

 

 

 

   

pizz.

pizz.

 





 

 



 

 

 

     

  

     

  

“Ca - ro - li

“Ca - ro - li

     

    

“Ca - ro - li

 

  

“Ca - ro - li

 

 

 

 

 

 

 

3



  

 





  





     

            tr   

do that old

   

do that old



   

 

do that old

do that old

out,

pizz.

   

one foot



 

   

 



3

3

 



                

out,

 

 

3

one foot

one foot

in,

 Vn. I  

(f)

in,

One foot



  

in,

  

Cb.

 

   

f



       

   

in,

    One foot

Vc.

 

f



 



f accomp.

One foot

Va.

 

               tr   

  

 

 

 

f

 





 

One foot

Vn. II



 

Ride Cym S. D.

     f

 

    

in fuori



 

Susp. Cym. at rim

  

f



  

poco







 

 



 

 



       

 





  

   f      

  



  

 

 f S   

B



  

 

T

 



       

                   

  

 

 

A



 

   

f

Solo Vln.

 

  



f

f

Banjo



  



     f in fuori     Tbn.  f     Tuba   

Piano

 

  

 

f

f

 Tpt. in Bb  

Perc. 2



        

 

   

Cl. 2 in Bb

 

  

   

f

Tpt. in C

    

    

Hn. 2 in F

 

 

3





-

-

-





 



 

 



 

   

 

 

 

   

 



 

     

   

  



  

 



  

 



na Shout”

na Shout”

na Shout”

  

na Shout”

 

 



  

  

   

  

      tr   

  

  

 

  out

of

 

out

of

 

 

out

There’s noth - ing

out

of

  

of

 

   

 date



date

 

date

date



 





 





 



 

  



 

 

There’s noth - ing

     



 

There’s noth - ing

 



 

There’s noth - ing



   







 





  

 

   

  

     



          

-

  

 

  

   a - bout

   a - bout

   a - bout

   a - bout

   

   

  a

  a

  a

  a

  

  

  

 

 

 

 


Harbison The Great Gatsby - Reduced Orchestration Act I, Scene 3

Fl. 1

128  



  

   

 

 

 

Picc.

Ob. 1

Eng. Hn..

Cl. 1 in Bb

 





 

  





  

Banjo

S

















 

 













  







 

 



 

 







 



 













 





 





 

 













   



       

  

                



 

 

       





 

       













 

 









(Sus. Cym. rim)



   

   

  

         





 



 

  

 

 

 

    

 

   

      

Sa -tur day

  

Sa -tur day

  



   

W.Blk.       

 

 

    

 

 

 

   

   

  









   

   

   

   

night to - do.







 

   

 

   

            

 

 

that

jazz,



that

jazz,





Play

that

jazz,

hap-py old

Sa -tur day

night to - do.

  

  

  

(pizz.)

Vn. II

   

  

   

(pizz.)

Va.

   

  

 



   

 

 



 

that



 

Play

3

 



night to - do.

3

  

  p

  

jazz,

  

   

   

sf

         f    

3

 

 

 

3





  

 



 

 

 

 

 

 

 

 

 

  

 

 

 

 

   

 

  



 

 

  

 





rag,

 



grab

grab

rag,

 

play that

rag,

 

 







 

 









 

 



 

grab

     

  

 

  



   





  

  

 

    

  

  

 

  

  

 

  

  

and dance

the

 

your ba-

by

your ba-

and dance

by

and dance

    

your ba-

by

   

grab

your ba-

  

    

 



 

3



play that







 

rag,





play that

play that

         

Play

 



 

sf

  

Play

night to - do.

        

Sa -tur day

(pizz.)

 

        hap-py old       

 Vn. I 

 

  

      

   

    tr  

           









  



     

  

 

  

 

  

    

 

 



hap-py old

Cb.







 

Vc.

 

     

  





 

hap-py old

B

 

 



T





 

A



 

Solo Vln.





   









 

Tbn.

Piano

  

   Tpt. in Bb   

Perc. 2

   

  

Cl. 2 in Bb

Tuba

   

        

   

Tpt. in C

Perc. 1

 

Hn. 2 in F

Tbn.



 

 

Bsn. 1

Hn. 1 in F

  

 

Bs. Cl.

Cbsn.

 

  

267

 

and dance

by

 









 

 

the

the

the

 

shag...

shag...

shag...

shag...

 

A

A

A

A

 


















Harbison The Great Gatsby - Reduced Orchestration Act I, Scene 3

268

134 

 Fl. 1  Picc.

Ob. 1

Cl. 1 in Bb

Bs. Cl.

Cbsn.

Hn. 1 in F

 



 





 







 



  









  



 













 



  





  



Tpt. in C

Perc. 1



 

  

Hn. 2 in F

Tbn.

 



  

Bsn. 1





Eng. Hn..



 

  

  

  

 



  

(Sus. Cym. rim)

      

 Tuba  





 

 

 

 

 

 

 

     

 

 

 

  

 

 

 

Tbn.

Perc. 2

Piano

Banjo

  

 

  



swell time’s

 

A



swell time’s

T

B

    swell time’s  

Vn. II



swell time’s

 Vn. I 

  



 

 

 

al - ways



al - ways



the bag

   

in

the bag

   

in

the bag









 

(pizz.)

 





Vc.

 

 





a

  a

  a

   

























 

mf

mf



 

   

    

         



 

S.D.



mf

 

 

 

 

mf



 

  

  



  

 

mf

 



   

 

mf

  

mf

mf

  

 

 

 

 

 

 

  

    

    

  

  

   

  

  

    

solo

 

mf

  

 

Sa - tur -day

night

to - do.

Go

tell the lead -er

of

the band.

  

 

meno f

   

 

Sa - tur -day

night

to - do.

Go

tell the lead -er

of

  

the band.

  

 

meno f

   

  

Sa - tur -day

night

to - do.

Go

tell the lead -er

of

  

the band.

to

  

 

of

the band.

to

Sa - tur -day

  

 

a

  



the bag

at

    

 

  



  

  

 

 





at





      



at





  



at



in

  

in

al - ways



W.Blk.

 

   



  



     

 







Va.

Cb.



sf

  

 





al - ways







    

Solo Vln.

S



   

   

     

 

   

     

     

 Tpt. in Bb  

   

   

   

   







  

 

  

   

        

  

Cl. 2 in Bb



  

 

    



  

    

night

    

meno f

  

 

meno f

to - do.

  

Go

  

tell the lead -er





arco p arco

p

mf

mf

   

  

to

to

 


Harbison The Great Gatsby - Reduced Orchestration Act I, Scene 3

140 

269  

 

f

   





f





f





 

 













Timp.

   

Bsn. 1

Cbsn.

 

     

   

Fl. 1

Picc.

Ob. 1

Eng. Hn..

Cl. 1 in Bb

Bs. Cl.

Hn. 1 in F

Hn. 2 in F

Tpt. in C

Tbn.

Perc. 1

Cl. 2 in Bb

Tpt. in Bb

  

  

Tbn.

 

Tuba

Perc. 2

Piano

Banjo

  

 

 

 

 

 

 

 

 

  



 

 

  

a

a

song

song

      play a song      play

a

      

 



 

 

 



 

     



 

for you.

 

Love

  for you.

 

Love

Love

for you.

 

   

   

may be wait-ing right

Love

may be wait-ing right

may be wait-ing right

   

may be wait-ing right

for you.

p

p

mp

 Cb.  

song

 



 

 

 







      

  











 

 



 

 

      f     

 

     



f

      f       f

f

      f

f

 

   

 

  f

  

 

 

     



 tr 

 

 

f           f                

f

 f

  

      f

mp

Vc.

    

 

 Vn. I  

Va.

 

  

T

Vn. II





 



  

play

 

 



 



  

A



   

play

B

 



Solo Vln.

S



   

   



  

at

hand,

  

at

hand,

  

at

hand,

  

at

hand,

 

   

 

 

   

 

 

   

 

 

   

 

and, oh,

and, oh,

and, oh,

what a

what a

what a

and, oh,

what a

mp



 

tune can

tune can

tune can

do!

do!

do!

do!



p

p

pizz.

mp

(pizz.)

tune can

 





 

 

f

 

f pizz.

 f

 f

f

  


Harbison The Great Gatsby - Reduced Orchestration Act I, Scene 3

270

146 

 Fl. 1  

Picc.

Ob. 1

Eng. Hn..

 

Cl. 1 in Bb

















Banjo











  





 



 





 

  

 

























                  

  

 









 

  

       







 

  

  









        







   



 

  

  

 





 

















  





  



   

        





Sus. Cym., rim

 

f

ff



       

 ff     

Hold

        



    Hold her

 

Hold

her

close,

 

   

 



 

 

 

 

 

 

 

        

    



her

tight,







hold

her

tight,

 





    

 

      

  

   tr



    

  

the

the

the

one

 

 









   





    

        



   

   

 

 

 

 

 

tr 



  

 

  

  

 

  

 

 

that suits

 

you

you

you

right.

right.

right.

   you

 

right.

 

To - geth

To - geth

To - geth

-





  

        



     



er

 -



 

  

  

   

    

that suits

     

  

     

 

that suits



 

that suits

girl

(pizz.)

  

girl

one





     the



girl

one

 

     

girl

one



    

she’s



she’s

  

    

she’s

 



she’s

tight,



     



f

  

      tr   



  

    



tight,

her

 

  3    3

her

hold

     3



hold

 



hold

close,



   

close,

ff

 



  

close,

her

 

tr

her

ff

 Vn. I 

  

f

 

 

  

  

      

Vc.



       

 

Va.

 

  



    

Vn. II





       

  

       f        

 



 

T



   

     

 

A

 

 (Timp.)   





ff

Cb.





  

Hold

B





Solo Vln.

S





Tbn.

Piano



 Tpt. in Bb  

Perc. 2







Cl. 2 in Bb

Tuba



 

Tpt. in C

Perc. 1







Hn. 2 in F

Tbn.







Bsn. 1

Hn. 1 in F

     

Bs. Cl.

Cbsn.



er



  

 



we’ll make



we’ll make



-

 

er

we’ll make

-

er

we’ll make



 



 





To - geth

  


















Harbison The Great Gatsby - Reduced Orchestration Act I, Scene 3

151

 Fl. 1  

Picc.

Ob. 1

Eng. Hn..

Cl. 1 in Bb

  



  Bsn. 1    Cbsn.        Hn. 1 in F    

Hn. 2 in F

 



Cl. 2 in Bb

Perc. 2

Piano

Banjo

 



Vc.

Cb.

   















sf

 

 

 



(pizz.)



 







 

   



 

  

 

 

      

 

  

  

  



 

     

 

  

 

a

Sa - tur - day

night

to - do.

 

  

 

a

Sa - tur - day

night

to - do.

 

  

 

Sa - tur - day

night

to - do.

 

a

   

 

  

a

Sa - tur - day

 

   

 

 

night

 





 

 

  

choke





 

 



 

to Glock

p







to - do.

 

 

 

p

to cup mute

   



mf

 

 

Vib.

sfp to cup mute



 







 



 

 

night



 

night

  

al sord.



   f

night

  

night

 

 

 

f

   

ev - ery

 





mf



sf

ev - ery

   solo



f

sf



ff

f





 

    

solo   

    





 



 

sfp





solo   

pizz.     

Va.

(Sus. Cym., rim)

ev - ery

Vn. II

 

  

 Vn. I 



  

 

  

 

  

 sf  

 

 

  

       

T



  

 

  

  

A

 

  

ev - ery

B



   

Solo Vln.

S

  Tpt. in Bb  Tbn.

     

  (Timp.)   

Perc. 1

Tuba

  

Tpt. in C

Perc. 2

  

Bs. Cl.

Tbn.

  

271

Glock.    p


Harbison The Great Gatsby - Reduced Orchestration Act I, Scene 3

272

156  

 Fl. 1  

Picc.

Ob. 1

Eng. Hn..

Cl. 1 in Bb



p

mf

p

Banjo

rit.  



p

p

  mf









 mp

 











mp





 p



pp

pp



mp

 p





pp

 

pp

 p

mp

pp

     











 







mf

 



pp

 

 





   pp

 



 

 To Sop. Sax.

p

 

 

gliss

.

lascia vib.













Solo Vln.



  







 

mf



Tbn.

Piano

mf

 Tpt. in Bb  

Perc. 2

 

Cl. 2 in Bb

Tuba

f

 Perc. 1   Perc. 2



Tpt. in C

Tbn.

Bsn. 1

Hn. 1 in F



Bs. Cl.

Cbsn.



 mf







 





 



 





 S 



 





 Vn. I 



Vn. II



Va.







A

T

B

Vc.

Cb.

rit.

Nick and Jordan meet among the dancers.


Harbison The Great Gatsby - Reduced Orchestration Act I, Scene 3

161 Grazioso

  Fl. 1    

Picc.

   

Ob. 1

h = 88

273

   

Eng. Hn..

   

Cl. 1 in Bb

  

Bs. Cl.

  

Bsn. 1

   

Cbsn.

   

Hn. 1 in F

 

Tpt. in C

   

Tbn.

   

Perc. 1

        

  Tpt. in Bb   

Sop. Sax.

Soprano Saxophone

 















p cup mute



p

Tbn.

   

Tuba

   

Perc. 2

Piano

Banjo

pp

         

   

p con eleganza

 

   

 

 

 

 

    

solo

Solo Vln.

   



 

 

p

 

 

 

     



  

Nick,

  

I thought you might

 

 

 

 





   

 

be here.

    

 Nick   

  Vn. I    

Grazioso h = 88

Band Vocalist

p con eleganza

Jordan

  

 

 



  

 

  



 

     

     

 

    

-

dan,

  

sor - ry





    

 

 Jor

 

  



 

you did - n’t win

to - day,

Vn. II

   

Va.

 

Vc.

   

Cb.

   


Harbison The Great Gatsby - Reduced Orchestration Act I, Scene 3

274

167

  Fl. 1    

Picc.

   

Ob. 1

   

Eng. Hn..

  

Cl. 1 in Bb

  

Bs. Cl.

  

Bsn. 1

  

Cbsn.

   

Hn. 1 in F

 

Tpt. in C

   

Tbn.

   















Perc. 1

Sop. Sax.

Tpt. in Bb

Tbn.

Tuba

Perc. 2

Piano

Banjo

Solo Vln.

Jordan

Band Vocalist

        

       





 

               

               



  Nick   

p dolce

    

  

 

 

  

  

 I

 

 

 

 

 

 

 

will,





  

  

 

 

  

 

 

 

  

 

  

   





 

 

  

  

 

 

 

  

  

  

 

 

 

    

 

 

 

Have

you

seen

our

host?

    

Vn. II

   

Va.

 

Vc.

   

Cb.

   

Vn. I

sel - dom

 

We

 



next week.

 


Harbison The Great Gatsby - Reduced Orchestration Act I, Scene 3

173

275

  Fl. 1    

Picc.

   

Ob. 1

   

Eng. Hn..

  

Cl. 1 in Bb

  

Bs. Cl.

  

Bsn. 1

   

Cbsn.

   

Hn. 1 in F

 

Tpt. in C

   

Tbn.

   

Perc. 1

Sop. Sax.

Tpt. in Bb

        

   







 

 

 

 

 

solo  con eleganza



   

   





Tbn.

   

Tuba

   

Perc. 2

Piano

Banjo

Solo Vln.

Jordan

               

 



   

               see

 





 

  

  

 







A

my

-

 

 

  

  

 

   

him.

 

  

    

   

 



  

 

  

  



 Nick   

    

Vn. II

   

Va.

 

Vc.

   

Cb.

   

Vn. I

  

ste - ry



    

Band Vocalist

 

 

 





3

What does



he

do,

 who


Harbison The Great Gatsby - Reduced Orchestration Act I, Scene 3

276

179

  Fl. 1    

Picc.

   

Ob. 1

   

Eng. Hn..

   

Cl. 1 in Bb

  

Bs. Cl.

  

Bsn. 1

   

Cbsn.

   

Hn. 1 in F

 

Tpt. in C

   

Tbn.

   

Perc. 1

Sop. Sax.

Tpt. in Bb

     

   

   

    

 

 

   

 

  

Tuba

   

Piano

Banjo

Solo Vln.

Jordan

Band Vocalist

Nick

    

 

 

    

   

 

 

 

 

 

 

  

 

   



    

    

They

      is

 he?

say

 

 

 



he

was

an

Ox

 

   

   

 





  

 

  

 

 

 

  

 



   

ford man.

 

 

     

 

I

don’t

be

-

lieve

   



 

 

 it.

    

Vn. II

   

Va.

 

Vc.

   

Cb.

   

Vn. I

 

 

-

  



Tbn.

Perc. 2

  


Harbison The Great Gatsby - Reduced Orchestration Act I, Scene 3

185

277

  Fl. 1    

Picc.

   

Ob. 1

   

Eng. Hn..

   

Cl. 1 in Bb

  

Cl. 2 in Bb

  

Bs. Cl.

  

Bsn. 1

   

 

Tpt. in C

   

Tbn.

   

Cbsn.

Hn. 1 in F

Hn. 2 in F

Tuba

Perc. 1

Sop. Sax.

Tpt. in Bb

Tbn.

Tuba

Perc. 2

Piano

Banjo

Solo Vln.

Jordan

Band Vocalist

   

         

   

         

   

 

   



    

               

   

  

 

   



 

 

  



   

   

    

  

  

    

   

 

     

 

 

   

 

   

   

   

 

 



 

 

  

  

        

    

   

  

 



  

 

  

   

    

  

    

  Why

 

They

say

3

 



he

was

a



Ger - man

sf

f

 not?



You have my

in

3

- terest.

    

Vn. II

   

Va.

 

Vc.

   

Vn. I

Cb.

   



spy.

 

f

    

 Nick    



     

   

 

 


Harbison The Great Gatsby - Reduced Orchestration Act I, Scene 3

278

rit.

191  

a tempo h = 88

    

  

Picc.

   

Ob. 1

   

Eng. Hn..

   



Cl. 1 in Bb

  



Bs. Cl.

  

Bsn. 1

  

Cbsn.

   

Fl. 1

Hn. 1 in F

 

pp

  

pp

  



 



 



 

 

Tpt. in C

   

  

Tbn.

   

 

   Perc. 1   Sop. Sax.

   

    

 

Timp.

Tbn.

Tuba

    

 dim.

 



 

Piano

Banjo

Solo Vln.

Jordan

Band Vocalist

    

             



pp

   dim.   

  

pp

  pp

        

dim.

    

    

 



 They



   

say

he

 sf   

pp

killed

 



 

Vn. I

    

  

Vn. II

   

Va.

 

Vc.

   

Cb.

   



 

 

 

 



   

 

 



  

   

 





 

Hi hat

 



 





 

 

 

  

a man once.

gleam - ing

the

light’s

sf

I’m

real



Night’s



  pdolce 

  Nick  

rit.

 





Trg.



 

 

 

 

 

pp

    pp





pp

 dim.

Perc. 2

dim.

   



dim.

Tpt. in Bb

 

pp

   

a tempo h = 88 

 Now



beam - ing



   -

and

ly cur - ious.

 

 

  

 


Harbison The Great Gatsby - Reduced Orchestration Act I, Scene 3

197

  Fl. 1   Picc.



Ob. 1

 

 

 

  



 

  

 

Cl. 1 in Bb

Bs. Cl.

Hn. 1 in F

Cbsn.

Eng. Hn..

Bsn. 1

279

Tpt. in C



Tbn.

  

Perc. 1

Sop. Sax.

Tpt. in Bb

Tbn.

Tuba

Perc. 2

Piano

Banjo

Solo Vln.

  

  

  

 

  

 

 

 

 

 

 

 

 

 

 

  

 

 

 

 

  





  



 





  

  

           

 

 

   

 











 

 

 

 

 

  

 

  

 

W.Blk.

     

            



  

      



Cowbell

     

 

 

 

 

 

 

 

 









      





It’s

not

    I’m

im - por - tant.

dream - ing

of

sf



 

Let’s

dance.

Nick and Jordan begin to dance

sf

 

you.

legato

To

me



I

lie



he’s

just

a

near

the

Vn. II



Va.



  

Cb.

  

Vc.



 

Vn. I





 Jordan    Band Vocalist


Harbison The Great Gatsby - Reduced Orchestration Act I, Scene 3

280

203

 Fl. 1  

Picc.



Ob. 1



Eng. Hn..

Cl. 1 in Bb

Bs. Cl.

Bsn. 1



Cbsn.

  

Hn. 1 in F

 

 

Tpt. in C



Tbn.

  

Perc. 1

Sop. Sax.

Tpt. in Bb

Tbn.

Tuba

Perc. 2

Piano

Banjo

Solo Vln.

   

 

   



 

 

 

     

 





 

 

 

   

 

 

 

 

 









 



        



   

 



  

























 

 

 

 

 

 

 

 

 

 

 

 





 

  

  

 



  





 



 







  Jordan  

man

Band Vocalist

   

   phone,





who

gives

large



sigh



sf

par - ties,

here



won

a - lone,

-

dream - ing

 



of

-

-

in

you.

Vn. II



Va.



  

Vc.

Cb.

  choke   

  

Vn. I

sf

der - ful,

-


Harbison The Great Gatsby - Reduced Orchestration Act I, Scene 3

209

281

 Fl. 1  

Picc.



Ob. 1



Eng. Hn..

Cl. 1 in Bb

Bs. Cl.

Bsn. 1



Cbsn.

  

Hn. 1 in F

 

 

Tpt. in C



Tbn.

  

Perc. 1

Sop. Sax.

Tpt. in Bb

   

     p

Tbn.

Tuba

  

    

Piano

Banjo

 p

     

 

 

    

 

   



    

 

p

  Jordan  

  

     Since

  

-

Band Vocalist

Vn. I



    p    

p

Solo Vln.

  

       



     

 

 

  

 

   

        

sf

ti - mate

we met,



    

 



p

         

Cowbell

p

Perc. 2

 

 





 

      

 

 

can’t

  

for - get,



 

 

 

 

 

 

 

 

   

 

          

    

  

                





     

 

   



      



   



 

 



 







large



 



 

 

 



    

 

 

 

  

   

 

 

 

  

 

  

        

  



so

     up - set o

  



- ver you,

 

please come

  

a - way,

 

name

  

the day,

Vn. II



Va.



  

Vc.

Cb.

     

par - ties.

 

   

  

 


Harbison The Great Gatsby - Reduced Orchestration Act I, Scene 3

282

215

 Fl. 1  

Picc.



Ob. 1



Eng. Hn..

Cl. 1 in Bb

Bs. Cl.

Bsn. 1



Cbsn.

  

 

Hn. 1 in F

Tpt. in C



Tbn.

  

Perc. 1

Sop. Sax.

Tpt. in Bb

Tbn.

Tuba

Perc. 2

Piano

Banjo

Solo Vln.

Band Vocalist

Vn. I

   

 



      

  



 



   

 



 

       time   

  

 





 



 

 

 

 



 



 

     

   to



S.D.

 

    

 

  

    

 

  

   

 

say

 

 “I

  



 

 





do”

So

I’ll



 



 

   

pp

    

pp







 



    





  

 

 

     

 

 

 

 

 

 



pp

   

 

 

 

 

 

 

pp

pp





pp

         

pp

 

pp

 

   

 

 



leave you

 

 

 



a

light,

 

  



 

   

 

 

 



grieve through

Vn. II



Va.



  

Vc.

Cb.

the


Harbison The Great Gatsby - Reduced Orchestration Act I, Scene 3

221



 Fl. 1  





Picc.

Ob. 1

Eng. Hn..

Cl. 1 in Bb

Bsn. 1

Cbsn.

Hn. 1 in F

f

  

f

        





solo   

solo

 

p sf

 

p sf

Bs. Cl.

283

f

 f

 

 

 dim.

 dim.



solo p



     

mf

  









    

p

p

    

Tpt. in C



Tbn.

  

Perc. 1

     

Sop. Sax.

Tpt. in Bb

Perc. 2

Piano

Banjo

          



  



     



   



  



    

         

      

 

 





  

 

  

     



     night,

 

    

   



 

   



   

  

Solo Vln.

Band Vocalist

      

Tbn.

Tuba

     

dream -ing

of

 



 

 

 



Vc.

Cb.



 



dim.



 

     

arco



f

(pizz.) f

 f

 f

 f

p



p

   

3          

 

p

3 3                         

 

p

p

W.Blk. f

you.



Va.

 Vn. I   Vn. II



  

 

    



 



   



mf

solo

    

  

solo   





    

 



 



 

 

 

 

 

  

  



  p

 dim.

 dim.

 dim.

 

 





  

arco

 



mf



mf

mf



 

   

p sf

dim.

3



   

p 

 

p

 

pizz. p

 p

 

 


Harbison The Great Gatsby - Reduced Orchestration Act I, Scene 3

284         

228  Fl. 1   Picc.

   f

Ob. 1

   p

3

p leggiero

3

 

Cl. 1 in Bb

f

3

3

3

3

 

 

    3

        3

3

3

3

     

        

   

 

3

f

Eng. Hn..



3

3

    3

 

      

3

  

 

       3

3

3

 

   

    1

3

   

p leggiero

Bsn. 1



Cbsn.



Bs. Cl.

Hn. 1 in F

 f

 





Tbn.

  

f

    



Sus. Cym., sft. stk.

p



 

via sord.

via sord.

   

f

f

 

p

f

   

f

 

 

p

 

f leggiero

 3   3   3    

  

f leggiero

 3   3   3    

   

arco, flaut.

arco, flaut. p

 

p arco, flaut.



Vc.



p

f

  f

 

 

  

 

gleam - ing

the

light

gleam - ing

the

light







p

p

   

 

   

     

  

 3   

  



   

 

  p  

 

 

3

3

How’s a -bout

  3    

a lit - tle fling?

3



and

I'm

 and

 

  

  

  

3

3 3     

and

3

of

   

3   

a King,

and

dream - ing

of





 

 

 

 

3    

a King,

I'm

   

dream - ing





     

3

 

I’d be hap - py as

beam - ing

3       

3 3     





I’d be hap - py as

     

a lit - tle fling?

beam - ing

  

    



3    



  

 

 

How’s a -bout





Night’s

 

 



Ne - ver seen a cu - ter thing.

   

Va.

  

 

f cant.

Vn. II

3

  

Ne - ver seen a cu - ter thing.

Night's

 

 

T

  

f cant.

A



3        3   

 

  

  

p leggiero

 S  

Cb.



f

Vn. I

Solo Vln.

B.



f

Banjo



f

Piano

To Cl. in Eb Cl.

  Tpt. in Bb   f   Tbn. 

Perc. 2

Sop. Sax.

Tuba



f

Tpt. in C

Perc. 1



p


Harbison The Great Gatsby - Reduced Orchestration Act I, Scene 3

234           Fl. 1   3

 

3



Picc.



  

 

Ob. 1

3  3        

Cl. 1 in Bb

 

Cl. 2 in Eb

Bs. Cl.



 

3

p leggiero



  

 

p leggiero

 

  

3

3



 

      3

3

 

3 3 3        

 

 



3          3

3

        3

Eng. Hn..

285



  

  

 

Tpt. in C



Tbn.

  

Bsn. 1

Cbsn.

Hn. 1 in F

Hn. 2 in F

 Perc. 1    Sop. Sax.

Tpt. in Bb

  

Tbn.



Tuba



Perc. 2

Piano

Banjo

W. Blk.

         

 

 

 



Solo Vln.

S

 

     

3 3         

we couldget

 



a -long just

 

     

  

3

  

          we couldget a -long just 3

T

3

 

ord.



  

Vc.



Cb.

 

  

 

 

 I

    

    



was feel - in’ in

       

      

flaut.

3

  

 3

3

           3        3

3

was feel - in’ in

p leggiero

the pink,

 Iie



flaut.

 

 

 

   

     



 

p

 

  

  3       3   

 

 

  

  

    

  

     

   3

 3 3      

now you’re driv - in’ me

near

the

phone,

  

near

the

phone,

flaut.

  

the pink,



I



       

p leggiero

3

  

  

lie

 

3 3 3        

I

dream - y



  

 

3        3   

 

  

I

  ord.

p

3

you.

  

Va.

3

               

dream - y

  ord.

Vn. II

3

you.

Vn. I

   

               choke brush    

 

A

B.

   



(Sus. Cym.)

       

 

to drink.



     



sigh here

   3

3

3

now you’re driv - in’ me

to drink.

sigh here









 

 

 

a -

  a -

   


Harbison The Great Gatsby - Reduced Orchestration Act I, Scene 3

286 Fl. 1

240  

 

Picc.



Ob. 1

Eng. Hn..

Cl. 1 in Bb

3         3

 

3

3 3         3

Bsn. 1

 

3

3

 

  

  

  

  

 

          3 3

3

 

  

3

 

Bs. Cl.

 

 

Cl. 2 in Eb

            3 3 3            



  

 



 



 

 

 

 

 

to Sop. Sax.    



 p









 

Tpt. in C



Tbn.

  

Cbsn.

Hn. 1 in F

Hn. 2 in F

Perc. 1

Sop. Sax.

Tpt. in Bb

    

   

Tbn.

Tuba

Perc. 2

Piano

Banjo



 

   

    

        

Solo Vln.

S

r-

3

            3

  

  

B.

  

 Vn. I    Vn. II

 

Va.

 

Vc.

 

    

3 3   3        

 

    

       

gon - na wind up in the clink,

3 3   3        

gon - na wind up in the clink,



   

 

 

W. Blk., stick

  

   

  

   

3

of

3

  

   



   





ord.



 

   

 

p

3

3



   

    

     



    

 

of you.

 

    





   

     



   

 

   

   

   

 

  



     

    3

3

3

3

   

3

3

  

3

3

  

3

 



    

  

 3    

  

  

       

p3

 

met

  

 

3

3

  

dear I can’t for -get

  

can’t

the night we met,

for - get

 3    

3

  

dear I can’t for -get



  

we

    

  

3

  

 

the night we met,

we

  

Since

3

  

Since



  

    

Since

3

 

 

 

  

  



choke S.D., (stick)

p

you.

ord.

   

sf

of you.



  

Since 3

ord.

 

you.



senza sord.   

  

and spend my days and nights just dream ing

of

    

p

3        

dream ing

 p



senza sord.



3



  

p con sord.

3        



 



 

con sord.

and spend my days and nights just dream ing

dream-ing

   

lone,

Cb.

lone,

T

   

 

 

A

  



 p

met

  

can’t

for - get

 

 

 

 

 



 



  

 





  

 






Harbison The Great Gatsby - Reduced Orchestration Act I, Scene 3

246











 Fl. 1  

 

 





 





 







 







Bs. Cl.

Bsn. 1



Cbsn.



Hn. 1 in F

  

    

Hn. 2 in F

Tpt. in C



Tbn.

  

    3   Tbn. 3

Perc. 2

Piano

Banjo

S

3

3



3

   

   3       

B.

Vn. I

Vn. II

Va.

Vc.

Cb.



 







 



  





    

      

   

   

 

 

3

        

up - set o

  

   

   



   

   

    

     







  













  

  





via sord.

  

  



p sempre

   

    3     

      

3

3

        3    3     3

3

         

 

     

 



 

       3   

   

3

  

3

 

 

   



 

         3

3

 3   3    



- ver you,

 

 

please come



 

 

  

    3

a - way,

        3    3   3   3

3

 

    

3

      .1-

 

          3

3

  

3

name

   3    

3

    .1-

 3   3 3      

   

   







- ver you,

















  



  



 

please come

 



a - way,

  

the day

   3     3

  

name



   



 

    

3

3

time 3

to

  

3

     

 

 



 

  





 









 





 



 

   

 

 

 

 



to









say

   

say

  

   

  

    

  

time



  

  

the day



p cant.

p cant.

 

     I

 “I

 

  













do.” So

ba - by



do.”

So



 

do.” So

ba - by

“I

do.”

 



I





- ver you, oh dear - ie, can’t you come a way? Won’t you name the day? Won’t you can’t you don’t you want to say“Dear

 

via sord.



3

3



 

 

  

3



     

- ver you, oh dear - ie, can’t you come a - way? Won’t you name the day? Won’t you can’t you don’t you want to say“Dear

  





(Sus. Cym.), at center, hrd. stk.

3

 



3



  



  

3

 

    

so





up - set o

  



3 3            been so darn up -set o

  



    

so

T

been so darn up -set o

A







    



 

 

        







     

Solo Vln.

     





 

          



Tpt. in Bb

Tuba



      

 Perc. 1    Sop. Sax.



   





Cl. 1 in Bb



Ob. 1





Picc.





Eng. Hn..



287



So

   



 











 

 




Harbison The Great Gatsby - Reduced Orchestration Act I, Scene 3

288

252    Fl. 1  Picc.

Ob. 1

Eng. Hn..

Cl. 1 in Bb

Bs. Cl.

Bsn. 1

Cbsn.

Hn. 1 in F

Hn. 2 in F

            3 3 3 p leggiero

 

3

3

3

3

 

3   

   

  

         

in rilievo

p

    

     brush    Perc. 2 

 

 





 

  

  

 

B.

     

  

    



 

3 3  3       

now ya got me feel - in’ blue,





Vn. II

 

Va.

 

Vc.

  

flaut.

    

a

light,

a

light,

      



 

3   

3

3

     

3    

3

3



3



3

3

       

    

 

 

 

  

 

 

  

 

        

 

3     

and my brain’s all in

3

  

a stew,



  

  

 

 



3

    



 

 

3  3        

the

night,

3

3  3       

the

night,

        

of 3   

to

dream - ing

of

   

to

dream - ing

 

3   

don’t know what I’m gon - na do

 

  

don’t know what I’m gon - na do

grieve through

a stew,



 

 

grieve through

 



3

  

3    

    

3

   

 



 

      

3   

 

3

and my brain’s all in

leave you

flaut.

 

 

leave you

flaut.

 

 

now ya got me feel - in’ blue,

I’ll

Cb.

 

3 3  3        

   

 Vn. I   



    

  

I’ll

T

  leggiero   

 



 

A

 

     



  

3

 

S

3



   

Solo Vln.

Banjo

  

     

3

  

 

3

  

3

 

  

Piano

3

Tbn.

 

3   

Tuba

3

3

Tbn.

3



  

      

Tpt. in Bb

3

3



Sop. Sax.

 

 



  

   

3

  

Tpt. in C

Perc. 1

 

p leggiero

  

3

       

3   

p leggiero

 

3

       

  

 

   

 

 


Harbison The Great Gatsby - Reduced Orchestration Act I, Scene 3

258

 Fl. 1  

Picc.

Ob. 1

Eng. Hn..

3        3

Bs. Cl.

Bsn. 1



Hn. 1 in F

Perc. 1

Sop. Sax.

Tpt. in Bb

Tbn.

Tuba

Perc. 2

Piano

Banjo

Solo Vln.

S

    



fp

 



To Cl. in Eb



straight mute

straight mute

 

         

   

 



       

  3  3        

 

 

    

 

  f

fp

        

     

mf

mf

 

  

 

mf

   mp    mp 

 

  



             mp  

mp

mp 3



mp

3

     

3

       3 3        3

3

 

       3 3 mf        mf

   

   



3

3

3

B.

  





 Vn. I  

ord.

Vn. II



ord.

Va.

 



   Cb.   Vc.

  

 

     

    

    

     

via sord.

 

via sord.

 

 

                          3 3 f 3 p   3              3 3  3

3

3

3

       

 

 

 

   

 

 

you.

ord.

 

 

of you.

   

 

   

of you.

3              keep my cra - zy mind from dream- ing

 

   

you.

T

 

 

 

 

    

3

   



     

 

mp



mf

 

mf con sord.



mf

   

          

fp con sord.

choke   

  



 

con sord. (straight mute)

f

fp

f (Sus. Cym., hrd. stk.) f



   



f

Timp.

keep my cra - zy mind from dream - ing

A

  

         

fp

 

  

   



f

W. Blk.

to Timp.

   

289

fp

  

f

    

    

  

 

   

fp





 

    



Tpt. in C

Tbn.



 

Hn. 2 in F

3

 

f

    

 3          

Cbsn.

   

 

Cl. 2 in Eb

3



Cl. 1 in Bb

         3

rall.   molto  

 

rall. molto  

     

f



div. f

 

f

f

 

fp



lasciare vibrare

lasciare vibrare

 





   fp  

 dim.

dim.

  

 





   

 

   


290

Harbison The Great Gatsby - Reduced Orchestration Act I, Scene 3

Moderato q = 112

264

  Fl. 1   

to Flute

Ob. 1

   

To Ob.

Eng. Hn..

  

To Sop. Sax.

   

   

via sord.

open

via sord.

open

p

Picc.

    p

p

p

Cl. 1 in Bb

Cl. 2 in Eb

Bs. Cl.

       

p

    p

Bsn. 1

p

Cbsn.

p

Hn. 1 in F

    



p

Hn. 2 in F

Tpt. in C

Tbn.

Perc. 1

Sop. Sax.

    p   

      

   

  Tuba   Perc. 2

Piano

Banjo

Solo Vln.

senza sord.

   p     p

 

 

 

 

 

 

     sf

sf

    

   

     

 

sf

    

sf

            

 

 

  

      

       

    

  

sf

sf

      

sf



T

B.

 

     



   

 

  sf

   



 

    

   





 

 

 

 

 

        

      

      

   sf          

        

     

     

    

sf

  As the orchestra begins a tango, Jordan and Nick move separately among the guests.   S   A



 

p

  

  

  sf   

    



p

 

  p Castanets   

      p           



 

  Tpt. in Bb    Tbn.



    

sf

sf

  

   

   

Moderato q = 112

Vn. I

    p

Vn. II

   

Va.

   

  

  Cb.  

p

p

Vc.

p

p

 

sf

 

sf

   sf         sf


Harbison The Great Gatsby - Reduced Orchestration Act I, Scene 3

268

291

 Fl. 1  



  

Ob. 1

Cl. 1 in Bb

Bs. Cl.

Bsn. 1

Cbsn.

Hn. 1 in F

 

Tpt. in C



Tbn.

  

  Perc. 1

Sop. Sax.



  

  Tpt. in Bb   Tbn.

Tuba

    

 

 

  

 



 

 

  

 



Sop. Sax.

p

 

 

       

     

Piano

Banjo

Solo Vln.

  

sf



 

sf

   

   

  sf  

 

 

 

        

     

     

     

sf

 



 



 

 



 



 

 

 

sf

 

 

(Cast.) Perc. 2

 



 



 



sf

 

 

 

 

   

   

   

   

  sf  

 

 

 

 

sf

sf

   

sf

 

 Nick encounters a stranger.

sf

sf

 





 

 

 

           

     

   

 

 

  

  

  

Vn. II



Va.



Vc.



Cb.

  

T

B.

Vn. I



A

sf

 

S



     

sf

sf

   

sf


Harbison The Great Gatsby - Reduced Orchestration Act I, Scene 3

292

272

 Fl. 1  



  

Ob. 1

Cl. 1 in Bb

Bs. Cl.

Bsn. 1

Cbsn.

Hn. 1 in F

 

Tpt. in C



Tbn.

  

  

  Perc. 1

Sop. Sax.

Tpt. in Bb

Tbn.

Tuba

Perc. 2

Piano

Banjo

Solo Vln.

Jordan

Gatsby

 

   

               

  



  

 

 



                     

 

  

  

   

sf

 

pp

pizz.

   pp

       

 

     

  

sf

 

 

   Your face

 

 

  

     

 

 

   

sf

 

   sf      

  



sf

 

     

       

 

   

  

   

 

is

 

fa - mi

-

   

liar.

 

 

  

         sf

   

 

 

    

 

  

 

 

 

sf

 

sf

 

 

  Third

 

 

Di - vi

-

  

 



 

     

 







 

sf

 

sf

sion?

 

Vn. II



Va.



Vc.



Cb.

  

Vn. I

 

 

sf

  

Nick

  

 Ninth

 

ba -


Harbison The Great Gatsby - Reduced Orchestration Act I, Scene 3

276

293

 Fl. 1  



Ob. 1

Cl. 1 in Bb

Bs. Cl.

Bsn. 1



Cbsn.

  

Hn. 1 in F

 

Tpt. in C



Tbn.

  

 Perc. 1

Sop. Sax.

Tpt. in Bb

 

  

Tbn.



Tuba

  

Perc. 2

Piano

Banjo

 

(Cast.)

           

    

     

   

  

 

(pizz.)

Solo Vln.

Jordan

Gatsby

Nick

 

 

  

    

 

 



      

 

sf



sf

  

sf

   

  

     

 

     

       sf

  

   

 

 

 

       ta

 I

-

 

    

 

sf

     

            

  



 

  knew

 

I’d

   

     

       

  

   

   



 

  

 

sf

  

sf

 

   

 

  

  

   

       

        

 

be - fore

 

 

  

  

 

    



some-where.

lion.



In

some

Vn. II



Va.



  

Vc.

Cb.

sf

      sf

  

Vn. I

 

 

seen you

 

  

 


Harbison The Great Gatsby - Reduced Orchestration Act I, Scene 3

294

280

rit.

 Fl. 1  



Ob. 1

Cl. 1 in Bb

Bs. Cl.

Bsn. 1



Cbsn.

  

Hn. 1 in F

 

Tpt. in C



Tbn.

  

 Perc. 1

 

Sop. Sax.

Tpt. in Bb

Perc. 2

Piano

Banjo

        

 



cresc.





mf

        

cresc.





mf

p

   

 

     

p

cresc.

        

p

cresc.

                 sf                  

 

 

       sf

 

  

    

sf



 

rain -soaked

French

   

  

vil - lage.

 

Tired.

 

 

mf

  

mf

 

 

This is



And hun

  

And dir - ty.



cresc.

      

  

arco

mp

mf

   

 

p

        

Gatsby

Nick

Solo Vln.

Jordan

  

Tbn.

Tuba

 

-

  

gry.

rit.

 Vn. I  

Vn. II



Va.



Vc.



Cb.

  


Harbison The Great Gatsby - Reduced Orchestration Act I, Scene 3

286

 Fl. 1   Ob. 1

295

a tempo 



Cl. 1 in Bb

Bs. Cl.

Bsn. 1



Cbsn.

  

Hn. 1 in F

 

Tpt. in C



Tbn.

  

  Perc. 1



  

Sop. Sax.

   

pp molto legato

Tpt. in Bb

Tbn.

Tuba

pp molto legato

    



pp

Perc. 2

Piano

Banjo





   



   3





3

 3

3



 

3

 

 





p

  p





 

3

   

  



   



3

p



    p

mf

  

mf

 mf





   

  





 

    

Solo Vln.

pp



3



  

p

Jordan

       bet - ter

Gatsby

Nick



 Vn. I  

   

don’t you

think,

 

old

  

sport?



Much

a tempo

  

bet - ter

 

but strange.

        I hav en’tseen our

Vn. II



Va.



Vc.



Cb.

  


Harbison The Great Gatsby - Reduced Orchestration Act I, Scene 3

296

292

 Fl. 1  



  

 

Ob. 1

Cl. 1 in Bb

Bs. Cl.

Bsn. 1

Cbsn.

Hn. 1 in F

Tpt. in C



Tbn.

  

 



Perc. 1

Sop. Sax.

Tpt. in Bb

  

  

   3

Tbn.

Tuba



pp

Perc. 2

Piano

Banjo

Solo Vln.

Jordan

pp

    



 

 



  

  3

 

p

  

mf

 p

      

 



3

Tom-tom  

 



pp





3

 



pp

p











3

mf p

   

 

  



mf p molto legato

p

 

 

 

   



 

 



 

 

      





   

    p





mf

 

mf

3

p





 

       

 

cresc.

 

     p





  

 

this

Gats -by



 

 



3

sent

his chauf - feur,



  f

 

Vn. II



Va.



  

host

Vn. I

Vc.

Cb.



splen - did

 in



rob - in’s

 egg

 





  Nick  

3

blue,

3

to

3



3

in - vite

 me.

 

      


Harbison The Great Gatsby - Reduced Orchestration Act I, Scene 3

298

297

 Fl. 1  



  

Ob. 1

Cl. 1 in Bb

Bs. Cl.

Bsn. 1

Cbsn.

Hn. 1 in F

 

Tpt. in C



Tbn.

  

  Perc. 1

Sop. Sax.

 

  Tpt. in Bb   

  

mp

Tbn.

Tuba

Perc. 2

Banjo

Solo Vln.

Jordan

       



Nick

Vn. I

Vn. II



    dim.

           

 

  

  

p

3

  

    



 

    

p p

   pp

  







mp

3

     

  

 

  



 

mp

mp

mp

 p

mp

p

  

     

   

      

 



 

 p



    

p

I'm

Gats by.

  



 

    

  

Vc.



Cb.

  

3



3

pp (pizz.)

 pp

 

sport.

 







 

 

 





 

 3

  

 

You’re

3

  

unis.

old



pp div.

    

div.

 

I thought you knew,

pp

mp

   

mp

 

  

 

  

mp

  

p

  

p

p

mp

  



  

mp



  







Va.



3



p Gatsby

  



p





Piano

 

3

mp

  

  



  

 


Harbison The Great Gatsby - Reduced Orchestration Act I, Scene 3

298

304

 Fl. 1  



Ob. 1

Cl. 1 in Bb

Bs. Cl.

Bsn. 1



Cbsn.

  

Hn. 1 in F

 

Tpt. in C



Tbn.

  

 Perc. 1

Sop. Sax.

Tpt. in Bb

Tbn.

Tuba

Perc. 2

Piano

Banjo

Solo Vln.

 

   

   

 

  

(p)

  



pp



   

 Jordan   Gatsby

 

 

   

 

S.D. lay stick on snare, tap with other stick









 

 

accomp.

solo

   p







 

   

  

  

 

They shake hands.

 







 

 



 

     

mf

  I

 did





 

 

   



 





 

 

 





  

  

  



 

send

 my

 



 



 

 

chauf - feur,

legato

glad

  

to

see

  

Vn. II



Va.



Vc.



Cb.

  

Gats - by?

 

 

 

 

Vn. I

   

 

 

Nick

Yes,

you here,


Harbison The Great Gatsby - Reduced Orchestration Act I, Scene 3

308

299

 Fl. 1  



  

Ob. 1

Cl. 1 in Bb

Bs. Cl.

Bsn. 1

Cbsn.

Hn. 1 in F

 

Tpt. in C



Tbn.

  

  Perc. 1

Sop. Sax.

Tpt. in Bb

 

  

Tbn.



Tuba

  

Perc. 2

Piano

Banjo

Solo Vln.

 

 

  





       

   

 



  



 





 

  



 

  



       

    

  

 

   

 

 

  

 

    







Jordan approaches Nick and Gatsby.

        Car - ra - way.   



 Jordan  

Gatsby

  

 

Now that

 

we have met,

  

       

 

    

pizz.

 

    I

want to

  

       

     



 

ask

a

fa

 

 

     

I

see



-

vor

  

Vn. II



Va.



  

Vc.

Cb.





Vn. I

  

you’vefound

       

arco

Nick

  

  


Harbison The Great Gatsby - Reduced Orchestration Act I, Scene 3

300

312

 Fl. 1  



Ob. 1

Cl. 1 in Bb

Bs. Cl.

Bsn. 1



Cbsn.

  

Hn. 1 in F

 

Tpt. in C



Tbn.

  

  Perc. 1

Sop. Sax.

Tpt. in Bb

Tbn.

Tuba

Perc. 2

Piano

Banjo

Solo Vln.

Jordan

Gatsby



  

   

    p

   

   

   

   

   

   p

      

      

   

      

      

   p

   

 

 

     Cast.     

   

  

   

  

 

    

     

       

         

  p

 

       

       

  

    

 

    

pizz.

 

    

  

    

  

    

 

    

A servant whispers to Gatsby.

each oth - er.

  

—at an - oth - er

time.

  

An - y - thing you want,

 just

 ask.

  

Vn. II



Va.



Vc.



Cb.

  

Nick

Vn. I


Harbison The Great Gatsby - Reduced Orchestration Act I, Scene 3

316

301

 Fl. 1  



  

Ob. 1

Cl. 1 in Bb

Bs. Cl.

Bsn. 1

Cbsn.

Hn. 1 in F

 

Tpt. in C



Tbn.

  

 Perc. 1

Sop. Sax.

Tpt. in Bb

 

  

Tbn.



Tuba

  

 

Perc. 2

Piano

Banjo

Solo Vln.

Jordan

Gatsby

(Cast.)

f







      

   You must



ex - cuse

 

me—

 



exit Gatsby

Chi - ca - go

 

is

 on

   

   the

p



    p

pizz.

line.



 

p

  

Vn. II



Va.



Vc.



Cb.

  

Vn. I

p

  

 

Nick

   

Chi - ca

 -

go?

  


Harbison The Great Gatsby - Reduced Orchestration Act I, Scene 3

302

320

 Fl. 1  



Ob. 1

Cl. 1 in Bb

Sop. Sax.

Bs. Cl.

Bsn. 1



Cbsn.

  

Hn. 1 in F

 

Tpt. in C



Tbn.

  

 Perc. 1



  

Sop. Sax.

  Tpt. in Bb  

Tbn.

Tuba

Banjo

3

 



3

 

3

pp legato

   



 

 3



3

  

 



 

3

3



3

   







  

  p



p

  

p

  

 p





Solo Vln.

Jordan

pp legato

   pp

Perc. 2

Piano

         

     

  

p

 

 

Wolf - shiem’s

 

peo - ple!

    

Just

ru - mor.

 Don’t

  



 

Vn. II



Va.



Nick

Vn. I

Cb.

    





 

Wolf - shiem!

1. solo, arco pp

Vc.

  

arco

2. solo arco pp



pp



p

 

     

mp

That splen -did

  

arco

ask.

mf

  

 

Gatsby

a



re - a -


Harbison The Great Gatsby - Reduced Orchestration Act I, Scene 3

303

325  

Picc.



Ob. 1



  

Fl. 1

Cl. 1 in Bb

Bs. Cl.

Bsn. 1

Cbsn.

Hn. 1 in F

rit.

 

Tpt. in C



Tbn.

  

 Perc. 1

Sop. Sax.

 

  Tpt. in Bb  Tbn.

Tuba

Perc. 2

Piano

Banjo

Solo Vln.

Jordan

Gatsby

Nick

   

 

 



   

 

pp sub.

mf

pp sub.



  

  

pp

mf

  

  

3





3



mf pp sub.

  

3

 3



    

 

  

 

p

 p







 

p

p

  



  

 



     

sur - ing

mf

 

mf

mf

pp sub.

  

He



mf

mf

p

  

 



    

mf

       

 

mf pp sub.

 

    

smile

with - out

  it—

3

an

el - e - gant rough - neck.

 Vn. I  

Vn. II



Va.



Vc.



Cb.

  

3

 

rit.



wants

 no

   

troub - le

 

  with


Harbison The Great Gatsby - Reduced Orchestration Act I, Scene 3

304

330 a tempo

 Fl. 1   

Flute

Fl. 2

 

Ob. 1

 

Cl. 1 in Bb

Bs. Cl.

Bsn. 1

 

Cbsn.

Hn. 1 in F

    p

  



 



  p   p

  p



  

     



 

    

     

  

  

 

   

 

  

   

  

 

    

 

     

  

 

 

 

  

 

 







  



 



 



Tbn.

  

    sub.

  p

    p   

 

  

Sop. Sax.

   

  Tpt. in Bb  Tbn.

Tuba



Piano

Banjo

Solo Vln.





    



 



sub.

p

 p sub.   p sub.

p

Perc. 2





Tpt. in C

Perc. 1



 

Maracas

    p    

 

 

 

sf

  

  

  

    

    

 

 

sf

sf



 

 

 

 

   

sf

 

 

 

 

 

    

     

  

    

sf

 





 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

sf

sf

 

sf



  

 

 

    

    

    

    

  

sf

 

 

 

    

sf

sf

 



p

Jordan

   

Gatsby is seen, away from the others.

a

Tango Singer

  

an

or- ches- tra,

-

ny - one

f

 

There'd be Nick

  

   

      pp

There'd be

   pp

  

  

   S. A.  T.

Bin-

   

an



go! ban-

go!

   

or- ches- tra,

  



  

or- ches- tra,

   

  

Bin-

go!

 



There'd be

an

Bin-

  







go!

   

    

Play- ing

        

for

 

us

to

   





for



us

Play- ing

for

us

 







ban-

go!

go!

Play- ing

  

dance

   

  

ban-

  

   

    

the

tan-

go.

  

      

   

to dance

the

to dance

the

 



 

 

 

 Vn. I   

unis., pizz.

pizz.

Vn. II

 

 p 





 

 

  

 

Va.

 







  

Vc.



 

 

 

  

  

  

   



a tempo

tutti pizz. p pizz.

Cb.

p

p

p

sf

sf

 

 

 

sf

sf

sf

sf

sf

sf


Harbison The Great Gatsby - Reduced Orchestration Act I, Scene 3

334

  Fl. 1  

   

Fl. 2

  

Ob. 1

Cl. 1 in Bb

Bsn. 1



Cbsn.

  

Hn. 1 in F

   

 



  



























 

  

Bs. Cl.

   

  p

 

 

 

  

  

  

 







 

          

  

 

 



 

Tbn.

  

Sop. Sax.

Tpt. in Bb

   

Tbn.

Tuba

   



  

       

   

   

  

 

   

  

  

(Maracas)

Perc. 2

Piano

Banjo



Solo Vln.

Jordan

  

    

  

  

  when

we

a

 

   

  

  

  

  

  

(pizz.)

  

go.

go.

 

 

   

 



  

    

sf

sf

sf

    

sf

  

 

 

 

 

 

  

  

  

  

  

 

 

       

   

-rose

   at

your

And peo- ple

sf

sf

would clap

    

when we



 

 

sf

sf

  

sf

 

 

 

  

 

   

    

   

    

 

 

 

and



my



 

 



    

at

your sweet

at

your sweet

            face and my    face and

   

    new clothes   

my new clothes.

 

   

  

 

 

   

  

 



 





sf

sf

new clothes.

 

          

(pizz.)

sf

sf

sf

 

sf

sweet tace

a - rose

       a -rose   

when we

 

 

sf



       

 

  

   

     



(pizz.)

Cb.

   



(pizz.)   Vn. I  

Vc.

  

           And peo- ple would clap         

tan-

Va.

    tan-

Vn. II

    

 



    

      

   S.   A.   T.

sf

And peo- ple would clap

Nick

sf

sf

  

Tango Singer



sf

   

Tpt. in C

Perc. 1

    

305

sf

sf

 

sf

sf


Harbison The Great Gatsby - Reduced Orchestration Act I, Scene 3

306 Fl. 1

Fl. 2

Ob. 1

338   

 

       

    

  







   

  



 

 

 

   









   



 



 



 



   

 

    



   



  









  

 

  

 









  











  

Bsn. 1



Cbsn.

  

Cl. 1 in Bb

Bs. Cl.

Hn. 1 in F

 

Tpt. in C



Tbn.

  

Perc. 1

Sop. Sax.

Tpt. in Bb

Tbn.

Tuba

Perc. 2

Piano

Banjo

   

       

(Maracas)

 

   

 

 

       

 



 

 

 

  

 

 

 

  

 

 Jordan  

Tango Singer

 

  

  

  S. A.  T.

 



 

sf

sf

 

sf

 



  

 

this

was

 

But more than all

  

But more than all

this

  

 

 

 

 



sf

  

  

  

 

 

 

 

 

  

 

 

 

 

  





pro- mise you

sf

 



that

Gats

 

 

 

in relievo



 

sf

made

 

-

sf

 

sf

 



by

    

a

that noth- ing,

 

  

noth- ing

 

 

 

- lone





ev-

er would fade.



   

  

  

  

was the prom- ise



 



was the prom- ise

      

you made

(pizz.)

Vn. II

 

 



Va.



 

Vc.

  

  

   

 

  

   

 

 

sf

sf

 

   

  

  

that noth - ing



   

sf

 

 

 

 

  

 

on

the

 

 

 sf

porch?

 

that noth -ing,

   

   

you made

     

    sf

sf

  

  

 

Cb.

 

 

   

sf

 

 

sf

  

  

  

Vn. I



this

   



   



     

         

f

the

sf



 

 

 

 

  

Is

But more than all Nick

 



Solo Vln.

         

    

noth-

    

ing

  

ev-

 

er would

noth-

ing

ev-

er would

 





 

 

 

  



fade.

 



  



sf

sf

fade.





sf

sf


Harbison The Great Gatsby - Reduced Orchestration Act I, Scene 3

Fl. 1

342 

  



 

  





 



  

Fl. 2



Ob. 1



     



 

 



  

   









 



     

 



  

 

  

 

 

Tpt. in C



Tbn.

  

Perc. 1

Sop. Sax.

Tpt. in Bb

Tbn.

Tuba

Perc. 2

Piano

Banjo

Solo Vln.

Jordan

Tango Singer

   

   

   

(Maracas)

  

        

S. A.

Vn. I

    

Vc.

Cb.

 

  

 

 

  

  

       

 

   sf

 

  

  

 

 

  

 

  

  

  

or

 



p

  

   

     

ev-

 

(pizz.)



   

    

 

ter

or

 

f

 

He

keeps

   

fall,

ter

or



 

 



 



 



 

  

 

sf

sf

  



er would fade,

    him - self

 a

dim.

    

  

dim.

 

 

   

 

 

dim.

 

dim.



- part,

più f

 

 

  

sf

 

 

         sf                

 

   

 



  



 

 

 

-

      

  

or

ing,

fall,

ter

ter

noth

    

-

    

not danc

        

 

   

or

or

  

   

 

   

 



not drink



win-

 

 

win- ter

fall,

dim.

win-

 

dim.

dim.

Win-

 

  

  

 



                     



fall,

p

 

  



   

 



(pizz.)

Va.



(pizz.)

Vn. II

 

Win-

T.

 

Win- ter

Nick



   

Bs. Cl.

Hn. 1 in F



Cbsn.

  

307

Cl. 1 in Bb

Bsn. 1

 



ing would fade,

  -

ing

fall,

fall,

 

 

 

 

 

dim.

 



   





sf

dim.

sf

dim.

   



dim.

dim.



   sf



   sf

sf

sf


Harbison The Great Gatsby - Reduced Orchestration Act I, Scene 3

308

346  

Fl. 2



   

Ob. 1



Fl. 1

 

to Picc.

 

pp

Bsn. 1



Cbsn.

  

Cl. 1 in Bb

Bs. Cl.

Hn. 1 in F

 

Tpt. in C



Tbn.

  

Perc. 1

Sop. Sax.

   

  

 

Tuba

  



(Maracas)

Perc. 2





 

  

Tpt. in Bb

Tbn.

Piano

Banjo

Solo Vln.

Jordan

Tango Singer



pp

pp

 pp

  

          p              

 

 

  



 



Looks

a

- cross

   p

 the

bay.



           

 S.   A.    T.

Vn. I

Vn. II

Va.

Vc.

Cb.

 

  

 

pp









  

pp

pp



pp

  

 

 

pp

  

 p 

 

 

mf

No

    

pp

   

noth- ing would fade.

      

noth- ing would fade.



 pp

  

  

Prac- ti - cal - ly Nick

mp

p

 

f

No

French

no thing at

all.

 

 

bob

Prac

  

his

 

Prac

 

on

 

-

-

ti

-

-

ti

shoul-

der.

 

 

-

cal

-

cal

-

ly

-

ly

  

 

 

 

noth -ing

at

all.

noth- ing

at

 

all.

arco

  p

arco

 p

  

 

arco

   p


Harbison The Great Gatsby - Reduced Orchestration Act I, Scene 3

309

rit.

350

 Fl. 1  

 



 

  

Ob. 1

Cl. 1 in Bb

Bs. Cl.

  

Bsn. 1



 

Cbsn.

  

  

 

Hn. 1 in F

 

Tpt. in C



 

Tbn.

  

 

  

  

  

  

 

Perc. 1

Sop. Sax.

Tpt. in Bb

Tbn.

Tuba

Perc. 2

Piano

Banjo

Solo Vln.

  

  

  

  

   p

 

  



 



 





   p

  Jordan  

 

girl

 

swoon -

ing

in

his

  

pp cresc.

 



 

  

 

 

p

arms.



  

  

mp

mp

 

But we don't have to

    3

im- i- tate.

  

Let's take

 

 a

Tango Singer



 

Nick

  

  

 

 



 

 



cresc.

 

cresc.





mp



 

 

mp



 

 

mp

S. A.

T.

Vn. I

Vn. II

Va.

Vc.

Cb.

       

rit.

     



pp

div.

cresc.

div.









     



  

arco

p

  

pp

pp

arco

   p

 

pp



cresc.



pp cresc.



mp

mp

   

    


Harbison The Great Gatsby - Reduced Orchestration Act I, Scene 3

310

Allegro con brio h = 120

354

  Fl. 1  

 

   

   

  

  

   

 

  

    

  

Ob. 1

Cl. 1 in Bb

Bs. Cl.

Bsn. 1

Cbsn.

Hn. 1 in F

Tpt. in C

Tbn.

Perc. 1

       

Sop. Sax.

Tpt. in Bb

Tbn.

Tuba

  



Piano

Banjo

Solo Vln.

 

   

f

S.D. p

Perc. 2

 

  f

 

cresc.

 

 

f

       

 

 

p cresc.

 

       

       

 

          p cresc.

       

 





cresc.

p

  

 

 

  fsf Jordan  

       sf

mf

   

mfsf

  

mfsf

  

mfsf

sf

  

        



  

    

  

 f

                

sf

   



sf

   

sf

  

 p

 

 

 



       

       

 

          p cresc.

       

 

 

cresc.

 

 

 

  

p

cresc.





cresc.

p

 

A Charleston begins

drive.

  Nick  

Allegro con brio h = 120

 f

  

May -be not.

 



Dai

-

sy

  Vn. I  

Vn. II

 

Va.

 

Vc.

  

  Cb.    f

pizz.  p cresc.

 mfsf

  

 sf

  

 f

 p

 cresc.

tells

me


Harbison The Great Gatsby - Reduced Orchestration Act I, Scene 3

360

311

 Fl. 1 

Fl. 2

Ob. 1

Ob. 2

 

 

 

Cl. 1 in Bb

Bs. Cl.

Bsn. 1

Cbsn.

Hn. 1 in F

Tpt. in C

Tbn.

Perc. 1

 

 

Sop. Sax.

Tpt. in Bb

  

Tbn.

Tuba

Perc. 2

Piano

Banjo

   

Solo Vln.

Jordan

Nick

 

 



   

 

       f

    fsf



  fsf

    

 

 

   

fsf

you're

a

   rot- ten

 dri-

 

   

   

 

    

  

  

  

p



      

p

       

f

   sf



       

I'm

  

ver.

sf

  

sf

    

   



sf

          

p

 sf

 

p

        

  

   

sf



  

 

              





 

 



 

 



       f

   sf

         

sf

         

 

sf



I

doubt

it.

Vn. II

Va.

Vc.

Cb.

   



 fsf

  

 p







 

Vn. I

    

 



sf

          

ful.

 

care-


Harbison The Great Gatsby - Reduced Orchestration Act I, Scene 3

312

366

 Fl. 1 

Fl. 2

Ob. 1

 

 

 

 

 

  

 

 

Cl. 1 in Bb

Bs. Cl.

Bsn. 1

Cbsn.

Hn. 1 in F

Tpt. in C

Tbn.

Perc. 1

Sop. Sax.

Tpt. in Bb

Tbn.

Tuba

Perc. 2

Piano

Banjo

  

  

 

 

cresc.

 

  

Solo Vln.

Jordan



cresc.



          cresc.

      

cresc.

f

   sf







 

mf

  

     

f

    

Well,

  

   sf

        f     

  

sf



sf

sf

         

sf

oth

-



  

f

sf



 f

 

              

    f

 

  sf

   

-

er

 

peo -ple are.





 

 

 

cresc.

 

 

       

           

          p

            cresc. 

p

Takes

cresc.

two

to

make

a

 

Vn. II

Va.

Vc.

Cb.

Vn. I

cresc.



(pizz.) f

 sf

 

   

 

         cresc.       

 

 

          p      

 

p

 p

 cresc.


Harbison The Great Gatsby - Reduced Orchestration Act I, Scene 3

372

313

 Fl. 1 

 

 

 

 

  

Ob. 1

Cl. 1 in Bb

Bs. Cl.

Bsn. 1

Cbsn.

Hn. 1 in F

Tpt. in C

Tbn.

Perc. 1

 

Sop. Sax.

Tpt. in Bb

Tbn.

Tuba

 

    

  

  

sf Perc. 2

Piano

Banjo

 

 

Solo Vln.

Jordan

 

f

f sf

  

f sf

 

f sf

 

    

    

         

sf

  

   

sf

  

    

ac - ci - dent

sf

   

  

sf

   

 

   

 

  

    

 

    

          p   

              f sf cresc.     

        

        

           

p

 

 

 

p

          p

 

cresc.

 

 

sf

 

f



f sf

cresc.

  

            cresc.

f sf

        



 

     

 

 

sf

sf

  sf

 

sf

        

    

you

met

 

Vn. II

Va.

Vc.

Cb.

Nick

Vn. I

 f sf

  

 sf

  

 p

cresc.

Sup

-

pose

 

f sf

  





  



   

 sf

  

 an -




Harbison The Great Gatsby - Reduced Orchestration Act I, Scene 3

314

378

 Fl. 1 

Ob. 1

Ob. 2

 

 

 

 

Cl. 1 in Bb

Bs. Cl.

Bsn. 1

Cbsn.

Hn. 1 in F

Tpt. in C

Tbn.

Perc. 1

   

Sop. Sax.

Tpt. in Bb

f sf

  

     

Tbn.

Tuba

f sf

  

f sf



   

 

    

sf

Perc. 2

Piano

Banjo

 

Solo Vln.

Jordan

Nick

  

   



sf

  

  sf

 sf

  sf

   

       

sf



sf

  



  



sf

 

 

 







 

 

 

  

  

  





   

tr 



  sf

  

 

sf

  

  sf

 sf

  sf

     sf

 

 



      

    

       

-

  

er

as



care- less

 as











 sf

   

sf

  



  





 

 

 

 

 

 

  

  

  

    

   

sf

  

 

  

tr 



your-self?

 

hope

 

 I

  



 

ne - ver

 

Vn. II

Va.

Vn. I

Vc.

Cb.

 

       

sf

 

  

  



sf

  





I





    

sf



sf

tr 



sf

oth





        





  

    

sf



will.


Harbison The Great Gatsby - Reduced Orchestration Act I, Scene 3

384

315

 Fl. 1 

Ob. 1

Ob. 2

 

 

 

Hn. 2 in F

Tpt. in C

 

Cl. 1 in Bb

Bs. Cl.

Bsn. 1

Cbsn.

Hn. 1 in F

Tbn.

Perc. 1

   

Sop. Sax.

Tpt. in Bb

    

Tbn.









 



sf

sf

  sf

Tuba

Perc. 2

Piano





 

 

 

 

Banjo

Solo Vln.

Jordan

 





  



sf

  sf

    





  





 

 







  

 



  

 

 

sf

sf

sf









 

 

sf

  





 





 

 







  

 

 sf

sf

sf









 

 

 

  

sf

  





      

 

  

 

sf

sf

 sf

   

 





sf



 

I

hate

  

    

 



care- less



 peo-

sf

  

  

 

  

    

ple.

Vn. II

Va.

Vc.

Cb.







 

Vn. I




Harbison The Great Gatsby - Reduced Orchestration Act I, Scene 3

316

390

 Fl. 1 

 

 

 

 

Ob. 1

Cl. 1 in Bb

Bs. Cl.

Bsn. 1

Cbsn.

Hn. 1 in F

Tpt. in C

Tbn.

Perc. 1

    p

Sop. Sax.

Tpt. in Bb

     p

Tbn.











cresc.









































p

Tuba

Perc. 2

Piano

Banjo

Nick

 p

















  





  



  









   

 

cresc.



 f





 f





 

 





That's

why

I

like

you.

.

sf

sf



      



sf

  

 

    

sf

 (f)

(f)

sf

   sf

       

sf

 

 gliss.      

sf

 

    

sf

   

    

  

 sf

 

sf

 

   

        

(f)

sf (f)



     

gliss

sf

 

  







f

cresc.

Solo Vln.

Jordan



cresc.



 

 tr   

       

     





o

kay.

 

Vn. II

Va.

Vn. I

Vc.

Cb.


Harbison The Great Gatsby - Reduced Orchestration Act I, Scene 3

396

317

 Fl. 1 

Fl. 2

Ob. 1

Ob. 2

 

 

 

Cl. 1 in Bb

Bs. Cl.

Bsn. 1

Cbsn.

Hn. 1 in F

Tpt. in C

Tbn.

Perc. 1

 

 

Sop. Sax.

Tpt. in Bb

Perc. 2

Piano

Banjo

 

Nick



 

 

 







 

 

 

 

     



 

  sf

    sf



 

 

sf

sf

 



sf



 





 

Solo Vln.

Jordan

sf

   

Tbn.

Tuba

  



gliss.

 

  

  



   

      

    

        

 

  



 

Let's

go.



    

 

sf

  





sf

  





 

   





 

 

 

  

 

 

 



 

sf

 

      





  

go.





 

sf

Let's





 

    





 

   sf





 

    sf

 

 

       

 

 

  



   

 sf

 

  



 





 

  

sf

 



  

 

 

sf

 



sf

sf sf

   

      

sf



 







 

 

 









   

  

sf

 

 

sf







My

fate

is

in

 



your hands

 

Vn. II

Va.

Vc.

Cb.

Vn. I



(pizz.) f


Harbison The Great Gatsby - Reduced Orchestration Act I, Scene 3

318

402

 Fl. 1 

 

 

         

Ob. 1

Ob. 2

 

Cl. 1 in Bb

 

Sop. Sax.

Bs. Cl.

Bsn. 1

Cbsn.

Hn. 1 in F

Hn. 2 in F

Tpt. in C

Tbn.

Perc. 1

Sop. Sax.

Tpt. in Bb

 

 

   

Tbn.

Tuba

Perc. 2

Piano

Banjo

Chorus I

    



 

 

p

p

 



cresc.

 

             p         p

          p

cresc.

 



sf



sf

sf

   f sf  sf       





 

 

            cresc.               

cresc.

            cresc.

     

     

            

 

    

f

f

sf



f sf

f sf

 sf

 sf

 sf

    sf       

    sf

     sf

sf

            

 

 

    

 



 

p

 

 

 

          p   

   



 

 

cresc.

cresc.

        p

          p

 

p



p



p



p



p

 p



p



 

 

            cresc.               

cresc.

            cresc. 

f

It's

S. A. Chorus II

 

f

Keep

 Vn. I  

Vn. II

Va.

Vc.

Cb.

 

T. B.

T. B.

Solo Vln.

S. A.

  



  

     

unis.,pizz. p

unis., pizz

p pizz.

pizz. p

 f

 

 

   p

 p

  

  cresc.

cresc.

f

  

   

   danc      fsf



fsf

cresc.

    





cresc.

cresc.

 

 

fsf

fsf



fsf

-

   

f

ing!

     

   

  sf



  

sf

  

sf

  

 sf

  sf

  

  

  

p

 

 

p

  

  

     

 



p

 

 p

 p

 

  cresc.

 

    

cresc.

    

cresc.

cresc.

(pizz.)

cresc.


Harbison The Great Gatsby - Reduced Orchestration Act I, Scene 3

Fl. 1

408 

 

Ob. 1

 

 

cresc.

 

      

Cl. 1 in Bb

  



 





  

 f

cresc.

      cresc. 

Bs. Cl.

Bsn. 1

Cbsn.

Hn. 1 in F

  

Hn. 2 in F

Tpt. in C

Tbn.

Perc. 1

  

cresc.

  



 



cresc.



 

cresc.





 

Perc. 2

Piano

Banjo

S. A. Chorus I

T. B.



 





f

 f



f

   



  

       

  sf

 

     



fsf

fsf

  

 

 

 

 

                              

   



   fsf  sf       

    f



fsf

       

 

f sf

   

 

 

late.

 

 

   



  

 

 

  

 

 

     

sf

 

 

 

 

 

(pizz.)



       sf

 

           sf

         

 (pizz.)  fsf

fsf

 

 



fsf

  sf

 

 

 

 

  

 

 

 

 

 

    sf

 

       sf

 

                     

  

  

  

f sf

  

   



 



  

  

sf

 

 

 

 sf



 sf

   

 



    

 

 

 

  sf



   

 sf

sf

     



   

 



 







 



 

   

sf



  

sf

 

  

sf

 

    ing.   

morn-



 

    

sf

sf



  

 

  

  

sf



    ning.    

eve-

                  sf       



             sf       sf

sf

    

 

It's

  

f sf

        

  

            sf     

  

sf

It's

Vc.



Va.

 

Vn. II

 

 

 Vn. I 

Cb.



Chorus II



S. A.





T. B.



 

Solo Vln.



 



 

f

   Tpt. in Bb 

Tuba





 

Tbn.



  

Sop. Sax.



 

f

319

 

 

 


Harbison The Great Gatsby - Reduced Orchestration Act I, Scene 3

320

414

 Fl. 1 

 

 

Ob. 1

Cl. 1 in Bb

Bs. Cl.

Bsn. 1

Cbsn.

Hn. 1 in F

 

 

Hn. 2 in F

Tpt. in C

Tbn.

Perc. 1

 

         Tpt. in Bb  Sop. Sax.

Tbn.

Tuba

Perc. 2

Piano

Banjo

Chorus I

 

 

 

Solo Vln.

S. A.

 





   

 

 

Chorus II

   

 Vn. I 



Vn. II

Va.

Vc.

 

    



sf

 

    

  

  

    out.  

  

moon's

 

sf

 



 

 

 

 sf



    



sf

 

 

 

 

    

 

 











 

 

     The   

 

 



  

 

 

 



sf



 

sf

(pizz.)

   

   

sf

 

 

sf



 

sf

 

 

The

  

sf

 sf

sf

Cb.



S. A.

T. B.



 

T. B.



 

 

sf

 

  

 sf

 

sf

 

sf



    

 



  

  

 

       

 



 

 

 

 

 

 

 



sun

is

on

 

the

bay.

 





 

sf

   

sf



     

sf

sf

sf



sf sf

 

   

sf

 

  

        

 

 

  

sf

 

sf

 

 

 

 

 

 



 

(pizz.)

sf

sf

 sf

 (pizz.) 

 

  sf

sf

 

 

 

    

   

 





  

 sf

sf

sf



 



 

sf

sf


Harbison The Great Gatsby - Reduced Orchestration Act I, Scene 3

Fl. 1

418 

Fl. 2

Ob. 1

Ob. 2

Bs. Cl.

Bsn. 1

Cbsn.

Hn. 1 in F

Sop. Sax.

Tpt. in Bb

Perc. 2

Piano

Banjo

Chorus I

Va.

Vc.

 

 

















p Oboe



cresc.









p



cresc.









 

 





 









p



cresc.







p



p



mp cresc.











 

cresc.



cresc.





 







 cresc.



 

 

    

  

 

 

p

p

 p

     

 

 

 

unis.

cresc.

cresc.

We'd

bet-

unis.

unis.

unis.

(pizz.)

 

    

p cresc.

 p

p

 

 

   

 

cresc.

cresc.

  

cresc.

mf

 



 

 

ter

 

 

 

 

  



 

   

be

go-

 

   

mf

 



 

mf

 

 

ing

be-

 





 

 p    p

 

 

fore

the





















 

 

 

  

  

 



 

band

picks

up

their

in-

stru-







mf

 

arco

 

 

 

 

mf

mf

 

mfsf

cresc.





 

ry-

 

arco

arco

 p

 p

     



ments.

 





at

 





    

ing

 

all.



 





 











 









































  cresc.



cresc.



mfsf

 

       





      

      

  



p

 

mfsf

hur-

mf

mf



be



 

   

to

p arco

  

 

sf

 





   

mfsf

 

mf

cresc.

 

 

 

p arco

mfsf

cresc.



msfsf

p









cresc.



mfsf



cresc.

mp

 



cresc.



 



mf

mf

 

p

 

p



need

p

 



No

cresc.

 cresc.

 



cresc.

  

p

p cresc.

Cb.





Chorus II

Vn. II

S. A.

Vn. I

mp cresc. Piccolo



T. B.

T. B.

Solo Vln.

S. A.



Tbn.

Tuba

 

Tpt. in C

Perc. 1



 

Hn. 2 in F

Tbn.

 

Cl. 1 in Bb

321

 cresc.

cresc.

cresc.


Harbison The Great Gatsby - Reduced Orchestration Act I, Scene 3

322

422

Fl. 1

  

Picc.

Ob. 1

Ob. 2

 

Cl. 1 in Bb

 

Bs. Cl.

  



ffsf

 



ffsf



ffsf

 

ffsf

 

Tpt. in C

Tbn.

 

Sop. Sax.

Tpt. in Bb

 

Tuba

Perc. 2

Piano

Banjo

Chorus I

  

sf



sf



 

sf

 





  







 



sf

sf

sf



sf



 

 

(Timp.)

  f



 

 





f

 

mp

cresc.

mp

cresc.

mp



cresc.

mp

cresc.

  mp 

cresc.

 

  



sf

   









 sf

  

sf

        

  sf



sf



 

  

sf

 

  

sf

 



 



sf

  



cresc.

mp

 p cresc.









p cresc.

p cresc.

 

 

 

 







 







 

 

  

sf

 

 

sf

 









 

























mp cresc.



 



p cresc.





 

  

 



 

 

 

 



 

 

  



 

 

  

 

 

  

 

 

 

 

 

 

 





p

p

cresc.

 

 

 

 

ffsf



ffsf

ffsf

      

  

  

 

   

 

ffsf

 sf

 sf



 

 



sf



sf



sf

  

 

 

  sf

 sf

sf

 sf

 sf

    











Cow bell





cresc.

mp



p cresc.





 



ffsf

Cb.



sf

Sus. Cym.

 Vn. I 

Vc.

ffsf

 

sf



 

Chorus II

Va.





S. A.

Vn. II

ffsf

 

 

T. B.

T. B.



sf

Solo Vln.

S. A.

ffsf

   

Tbn.

 

 Perc. 1 

  

ffsf

Hn. 2 in F

 

ffsf

   Cbsn.  Hn. 1 in F

 

  

 

 

ffsf

Bsn. 1

p cresc.

   p cresc.

  p cresc.





 









 















  















  

p cresc.

p cresc.

p cresc.



p cresc.














Harbison The Great Gatsby - Reduced Orchestration Act I, Scene 3

426

 Fl. 1  

Picc.

(cresc.)



(cresc.)



Ob. 1

Ob. 2

 (cresc.)

   

Cl. 1 in Bb

 

 

 





 



 













 

 

Bs. Cl.

 

Bsn. 1

(cresc.)

(cresc.)

Cbsn.

Hn. 1 in F

  

(cresc.)

Hn. 2 in F

Tpt. in C

Tbn.





    

Piano

Banjo

    

 

Chorus I

 

  

Chorus II

ffsf

    

Vn. II

Va.

Vc.



ffsf





 



 

ffsf

ffsf

 

ffsf

ffsf

sf

 

sf

  

    

      

sf

sf

   

 

 

 





sf



(Timp.)

 



  

 

 



  

ffsf

ffsf

 

  sf

  

  sf

  

 

  

sf

 

 

sf

sf

        

  sf

  sf

 

 

 

 

 

sf

sf



sim.(damp)

sf



 



sf



 



sf



sf

sf

sf

 sf

 

 

sf

sf

sf



 



 

 





 

 

 

 



 

 



  

sf

sf

 



 

  

 

Let's

 

 

ff

sf

sf

 

go!

  

sf

 

 

(cresc.)







ffsf





 



 

ffsf

ffsf

(cresc.)

  

 



ffsf

 

ffsf

             



ff

 

sf

sf



(cresc.)





 

sf

 

(cresc.)





sf







 

No!

(cresc.)



sf

Sus. Cym.

 

 

ffsf

 

sf

sf

sf

sf

 

 





 

        



        

ffsf

sf

 

 

  

ffsf

sf

  

ffsf



 

  

ffsf

 Vn. I 

Cb.

    f



S. A.

T. B.

 

Traps sf

T. B.



 

  

ffsf

f

Solo Vln.

S. A.

 

ffsf

Perc. 2



     ffsf     Tpt. in Bb 

  



Sop. Sax.

Tuba

  

  

sffsf

ffsf

 Perc. 1 

Tbn.

ffsf

(cresc.)

 

  

323

 

    

sf

 

sf

 

 sf



sf

sf

sf

 



  

 

 

    sf

 sf

sf

  sf

  sf

       

     

  





sf

 

sf



sf

  

 



sf

sf




Harbison The Great Gatsby - Reduced Orchestration Act I, Scene 3

324

Fl. 1

430  







 

Picc.

 

 





  sf

sf

Ob. 2

Cl. 1 in Bb

Ob. 1

 

Bs. Cl.

 

Bsn. 1

Cbsn.

Hn. 1 in F

 

  

 



Hn. 2 in F

Tpt. in C

Tbn.

 



Perc. 2

Piano

Banjo

Solo Vln. S. A. Chorus I

sf



sf



  sf

 

Va.

 



 

  

   sf

  

sf

 

 

sf

sf



sf

 



 

 

  

 



sf

 

 



 

  





     

   



f

(Sus. Cym.)

ff



f























 







ff

sf



 









 































     

 

  









sf



 

ff

   

 



sf





 

sf

f





 

sf



 

 

ff



sf



 



 

sf

 (Timp.)

 

 





ff





















sf

 f

 

 

 

 

 



 

 

 

 

 

 

 









  

sf

sf

 sf



sf



sf

         

 

 

 

 sf    

 

sf  

 

 

 

  

 

 

 

A

that?

  

  sf

sf

sf

  

sf

  

 































A

     

   sf

sf





 



 

sf

      

      

 

crash?

 

that?



 

Vc.

 

 

Vn. II

   

sf

 



What's





What

Chorus II

Cb.





 sf



 

S. A.

Vn. I

sf



sf





  

 

T. B.

T. B.



  



 





sf

 

 Tpt. in Bb 

Tuba





   

Tbn.





sf

 Perc. 1  Sop. Sax.



   

crash?

sf

   sf

 sf

sf

sf

sf

  

 

 



 



   





 





  
































436  

Fl. 1

  

Picc.

 sf

sf

Ob. 1

 

Ob. 2

 

Cl. 1 in Bb

 

Bs. Cl.

  

Bsn. 1

Cbsn.

Hn. 1 in F



  sf

Tpt. in C

Tbn.

 

sf

Banjo

Solo Vln. S. A. Chorus I

T. B.

Vn. I

Cb.

 







 











 















 

 

sf

sf





  sf

sf

 

 



 









  





 

 

 

 sf



 

sf









 



 







































(Timp.)

sf

 

 

 

 

 

 

sf





sf

 

sf

  sf

 

sf

 



sf

     

  

 sf

 











sf

sf









  

 





















 

 









     

  sf

 sf

sf

 sf

 sf





 

 

It's

just





out

 





 

 



It's

just





out

 

unis.



unis.

unis.



unis.

       

    





sf

 

sf

 sf

 

  

  

  sf

 sf

side.

side.

     

  













sf



 



sf



sf

  

sf

 



  

 



 

 

Vc.

sf

 

 

Va.



 



  

Vn. II

sf





Chorus II

 



 



S. A.



sf



  

T. B.

sf



  

sf

Piano



sf

sf

Perc. 2



 



   Tpt. in Bb 

sf





    Sop. Sax. 

Tuba

  



Perc. 1

Tbn.

 





sf

sf

  



  

Hn. 2 in F

Harbison The Great Gatsby - Reduced Orchestration Act I, Scene 3

 









 

 

 











 





  

 











 

 



























325


Harbison The Great Gatsby - Reduced Orchestration Act I, Scene 3

326

441 

 Fl. 1  sf  

Picc.

 

Ob. 2

Cl. 1 in Bb

Bsn. 1

Hn. 1

 



 

 

 





Perc. 2

Piano

Banjo

 

 

   

Trg.

 6

 p

 



   

gliss.

  



  

Chorus I

sf    

 

  

 

 

 

Ah!

T. B.

sf

sf

S. A. Chorus II

T. B.

 

Va.

Vc.

Cb.

  sf

 Vn. I  Vn. II

Ah!

  

                                       3

6

6

6 sf sf                                   



3

 

sf

6



6



6

sf







6                        sf 6

6                        sf  3            6

 



gliss.

gliss.

 



p

A party guest staggers out.

S. A.

p

 

    

 p

to Vib.

sf

 



p

3

Solo Vln.

      

     





To English Horn

6



sf

    * Timp.     Perc. 1    ff * It is possible play the higher octave if the lower drum is not available     Sop. Sax.           Tpt. in Bb  

 

Tbn.

Tuba



sf

 

Tbn.

tr



Tpt. in C





sf

 

  

Hn. 2 in F

To Flute

  

Bs. Cl.

Cbsn.



sf

 

Ob. 1

    

   p


Harbison The Great Gatsby - Reduced Orchestration Act I, Scene 3

445

 Fl. 1 

 

Ob. 1

Ob. 2

Cl. 1 in Bb

 

Bs. Cl.



sfp

 sfp

 



sfp

 









sfp

 

327

sfp

 

sfp

sfp



 



Bsn. 1

Cbsn.

 

Hn. 2 in F

Tpt. in C

Hn. 1 in F

Tbn.

 Perc. 1      

Sop. Sax.

  Tpt. in Bb  p   Tbn. p

p

Tuba

     p

Perc. 2

Piano

Banjo

  

 

Solo Vln.

S. A. Chorus I

p

p

   p

 p

Vib.

    

       



0        

              

  

   unis. sf

   sf

S. A. Chorus II T. B.

cresc.

cresc.



cresc.

    

        

cresc.

   

   cresc.

 

  

     

   

 

0

  

sim.

cresc.

cresc.

Is

 

T. B.



    

 

       

       

  

       

    

sf



he

 

 

   



           

  



   

  

0     

  

    

 

     



   

 

hurt?

 

sf

mf

mf

 mf

mf

    

mf

 

   

 

  



mf

p

ff

   



    

 p

  

p

  p 

       



p

ff



    

    

p

ff

mf

sf



  

 

mf

sf

  



p

p

   

sfp

  p 



cresc.

cresc.

 cresc.   

cresc.



cresc.

  

   

cresc.

cresc.

       

0      

                  

 

 

  sf

   

 

  sf

Vn. II

Va.

all

Cb.

 

Vc.

sf

 

Vn. I

   

  

 

sf

sfp

   

He's

cresc.

0      

   

 

     

 

    

        

(no pedal)

sfp


Harbison The Great Gatsby - Reduced Orchestration Act I, Scene 3

328

451

 Fl. 1 

Ob. 1

Ob. 2

Cl. 1 in Bb

Bsn. 1

Hn. 1 in F

  



sfp





sf



sfp





sfp



sfp

 sf

sf

sfp

 

 











sf

sf

  sfp

sfp

 f

 sf



sf

sf

 



  

    

   

 

Solo Vln.

            

    0             



 

     



 

   

   

        

 

   f

 f

 f

 f    f

 f

     f

f

 

    p

   

 

 

p

  

ff

ff



   

p

  p

      



p

ff

 

p

  

 p

             

    0           



   

 

     

p



p

(add pedal only where marked)

    

  

S. A. Chorus II

  

fp

  

right!

 

fp

 

 

 

   







cresc.

cresc.

  

cresc.

 



cresc.

cresc.

-

-

unis.

fp

           

fp

   

fp

       

0     

 

    cresc.    

         

 

     

   

     

fp



   

cresc.

 

 



Lost

 

cresc.

fp unis.

Driv

T. B.

T. B.





sfp

Banjo

Chorus I

sfp



Tbn.

S. A.

  Tpt. in Bb 

Piano

sfp



sfp

Sop. Sax.

Perc. 2



sfp



sf

  Perc. 1   

Tuba



Tpt. in C

Tbn.



 

 

Bs. Cl.

Cbsn.



-

 

ing



fp fp

 

 

a

 

 

            

   

0     

                 

         

 

  fp

 

         

  

 

f

                  0     

          



       

 

   

 

 

fp fp

  

 

 

 

wheel

 

fp

 

fp

  f

 

 

but

fp

f

Vn. II

Va.

they

Cb.

    

drunk

Vc.

fp

 

Vn. I

  


Harbison The Great Gatsby - Reduced Orchestration Act I, Scene 3

457  

Picc.

Ob. 1

Fl. 1

 f

  f

Cl. 1 in Bb



 

Bs. Cl.

Bsn. 1

 

 





sf



sf







sf





  

sf cresc.

  







  

 

   

sf



sf cresc.



  

poco rit.

sf

   

   

      sf

sf



    

sf

sf









 

 

Hn. 2 in F

Tpt. in C

Cbsn.

Hn. 1 in F

Tbn.

  Perc. 1   

  

 





 







(Vibr.)

f

Sop. Sax.

  Tpt. in Bb  f     Tbn. f



  

 

 

     sf  sf

Perc. 2

Piano

Banjo

  f

 

     f

 

Solo Vln.

sf

   

sf

 

Hi-hat S.D.

Chorus I

Chorus II T. B.

Cb.

    

sf



   

  sf

     



f

sf

    

sf

 



    

   

 

   

sf

sf

 

   

 

 

      sf

sf

sf

     

 

f

  

 

 

the

  walked

  a

 

 

-







f









 







f

f

 

 f

 f

     

sf

  

  

sf







sf











 

      

    

 





  sf

sf

 

 

sf



sf



sf





      

  

 

  

 

 

    

   

 

cresc.

sf

cresc.

 

    

  sf

-

   



 

















     

         

 

 

   

    

 

sf

 



sf

  sf

     

cresc.

sf

cresc.

 



   

 

    

 

sf



 





 





 

sf

- cape.







 

 



    

 

 

sf

sf

  

 

  



  

sf

killed.

es

  

    



  

sf cresc.

     

sf cresc.



sf cresc.



       

  

    

  





sf cresc.

sf cresc.

poco rit.

  

sf

sf

    



sf sf



sf





 

been

  

     



 

have

  

  

sf

  



 sf





  

 



sf cresc.

 

 

   

  

sf cresc.

     

close



  





 



sf cresc.

to Timp.

   



                  

  

 

   

sf

Perc.

sf cresc.

  

A

sf

sf



Might

  



 

        

  





 

   

way.



  

  

sf cresc.

 

  

sf

sf

  



wall.

 

 

Vc.

   

sf

 

sf

Va.

sf

 

hit

   

 Vn. I  Vn. II

sf

  

 

  

S. A.



 

 

  

   

T. B.

 

         f          

f

S. A.

     

  

f

  Tuba 

   

  



 

  

f







 



  

   

        

sf



 

 f 

 



f



sf



  



  

Eng. Hn.

 

329

   














330

Più pesante h = 104

463

 Fl. 1 



Flute

Fl. 2

Ob. 1

ff



ff

  

Eng. Hn.



ff

Cl. 1 in Bb

ff

ffsf

ffsf

ff

ff

   Timp.  Perc. 1  ff

Sop. Sax.

   ff   Tbn. ff

Tpt. in Bb

Tuba



Sus. Cym. sf

Piano

Banjo

Chorus I

ff

 

 

Solo Vln.

S. A.

  

 

  

T. B.

Vn. II

Va.

Vc.







 

 

 

 

 

   















 



 

 

 

 

dri-

vers

 

 



 

ff

 

 

  

  

sf

  

sf

    

 

  

  

drive

 

 









 



 













should

 

not















 







 

(return to main orchestra)

(return to main orchestra)

(return to main orchestra)



 

(return to main orchestra)

 

 

   

ff

Bad   

  

to Trumpet in C

  

 

 

(return to main orchestra)

 sf

to Cl. in Eb



  

 

 

 

 

 





ff

 





 



ff

 

    

  

 

(return to main orchestra)

 (return to main orchestra)

    

dri-

 

vers

 

 

  

should

 

  

not

 

drive



 

















 



 



ff 

 

 



  





 



night.

ff

ff

ff sf

 

ff sf

sf

  

sf

 

at







 













 

 

ff



sf

ff





  sf







sf



  

 

 







 

 



 

sf

 

ff sf





   

 

 

Più pesante h = 104

ff



ff

 

ff sf

Cb.







 

ff

ff



 



Bad    

 Vn. I 



 

  

Chorus II





 

ff

S. A.







  

T. B.





ff

ff





 

  

ff

ff

Perc. 2

  



 

Tbn.

 

  

Tpt. in C



sf



  

Hn. 2 in F



sf

 Cbsn.   

 Hn. 1 in F 

 

  

  

Bsn. 1



Bs. Cl.

Harbison The Great Gatsby - Reduced Orchestration Act I, Scene 3



    

 

  

at

night.



 

 

 

















 



 

















 




Harbison The Great Gatsby - Reduced Orchestration Act I, Scene 3

Fl. 1

467  

 









  

 

Fl. 2

Ob. 1

Eng. Hn.

Cl. 1 in Bb

Cl. 2 in Eb

Bs. Cl.

Hn. 1 in F

Tpt. in C

Tbn.

Perc. 1

Perc. 2

Piano

S A

 

 













 











 





 





 

sf

 

sf

 

 





 







 

 





 





 

sf







 



sf



















sf

 







  











 





 



 













 

 

 



 







S. A.



 

Chorus II

 

 Vln. 1  Vln. 2

Vla.



 





 









sf

 

sf

 

  

dri - vers



  

Vc.



sf

sf



  should

    

 

not

 

 

  

 

drive







 

 























 





 



 





at

  



night.

 



   

 





 





 









sf

 

sf

 

 

 

 

should

not

  

  



 

dri - vers

 

   

Bad

 

 Bad





 



 

 

 







 









 

sf



 

 





(Timp.)  

T B

Cb.

sf

 







Chorus I

T B

sf

 

  

 

Hn. 2 in F

Tuba

  

Bsn. 1

Cbsn.



331

sf

sf

drive

at

night.

 



    

 

 





















 





 





 










Harbison The Great Gatsby - Reduced Orchestration Act I, Scene 3

332

471 

 Fl. 1 

  

 



 



  





 



Fl. 2

Ob. 1

Eng. Hn.



Cl. 1 in Bb

Cl. 2 in Eb

 

Bs. Cl.

 

Bsn. 1

sf Cbsn.

  sf

   

 sf









 





 







  

 



 











 



 

 

sf

   Hn. 1 in F 











sf

 

   



sf

 



sf













  

sf

 

sf

 

 

 sf













 

sf

 











sf

 

   

  sf

 







sf

Perc. 2

Piano

S A Chorus I





sf



 sf

   

 



 





 

 

 Vln. 1 

 





Vln. 2

Vla.









 

Vc.

sf

  sf



   

bad

driv - ers,

   

sf

 sf

 









 







 



sf

 

sf

 

 

sf

sf



    

 

 

    



 





 

 

 



 









bad



dri - vers,

 

    

Bad

Chorus II

 

 Bad

  

S. A.

Cb.

sf



T B

T B



 



dri

vers,

   

 

 

 

dri - vers,

sf

 

sf

 

 

 











sf

(Timp.) 



Perc. 1

sf

Tpt. in C



Tuba

Hn. 2 in F

Tbn.



  

  

sf





sf

 sf









 







 



 

div.

div.

sf

 

sf

sf

 

sf



    


Harbison The Great Gatsby - Reduced Orchestration Act I, Scene 3

Fl. 1

475   

Fl. 2

Ob. 1



 









  

Eng. Hn.

Cl. 1 in Bb



 

Cl. in Eb

Cl. 2 in Eb

Bs. Cl.



Bsn. 1

   sf

Cbsn.

Hn. 1 in F

S A



 

 

 

 

 

 sf







sf

 



 

 





sf



sf



sf

 sf

sf









 

 















 

 

 

  

  



sf

sf

 



 

sf

sf

(Timp.) 

 

 



 







Chorus II

sf



 











 

 



 

 

  sf

sf



sf

 



sf

 sf





 

   

 

 

 

should

not

drive

  

 

 





 



sf







 



 

at



 

night.



 

sf

  sf

 sf

 



 

 

 



 



dri - vers

 

  

sf

 sf

sf

bad

 

 

 

  



sf Bad

 

  

 

sf

  



   sf

 

sf



sf

sf

sf

 sf

sf

 sf

sf



sf





 

sf

dri - vers

  

Vc.



bad

sf



 

 



  

Vla.

sf



 

  

Vln. II div.

 

 

  

Vln. I div.

sf

 

bad

sf



sf

S. A.





to Cl. in Bb





sf

sf



 

sf

T B

Cb.



sf

Chorus I

T B



sf



 



sf

Piano







  

Tbn.

Perc. 2











Tpt. in C

Perc. 1

  



  

Hn. 2 in F

Tuba

sf



333

dri - vers,

  

sf

 

  

sf

 sf

 sf




Harbison The Great Gatsby - Reduced Orchestration Act I, Scene 3

334

479  

 Fl. 1 

 

Fl. 2

Ob. 1



   

Eng. Hn.

Cl. 1 in Bb

Bsn. 1

Cbsn.

sf

sf



Tbn.

Piano

Tpt. in Bb

Tba.

S A



 

 









 

  

 

  

 

 

 



  







 

 

 



sf





sf

 sf

  

 



 





 

 





sf

 

 





 



 

  



 



 











 







 







 





























 

sf

sf

 

       

Chorus II

    

   

Vla.

Vc.

sf

 sf

sf



dri - vers

 

 

 

 

 

should

not

drive

 

 

 

 

sf bad

 

 

  



  

sf



 

 

sf

 sf







  

 



 

 





sf

 sf

sf

 



 



night.







    

 

 

 

should

not

drive

 

 

 

sf

 

dri - vers

 

  at

 

 sf 

 

   

Vln. II div.

 



 

 



 

  

   

 

  



at



 













 



 





  

 

 



night.

 







Timp.





sf



S. A.

Cb.

T B

Vln. I div.



sf



Chorus I

T B



sf

 (Timp.) Perc. 1  Perc. 2

 

Tpt. in C



 

 Hn. 1 in F   Hn. 2 in F



 

Bs. Cl.





Cl. 2 in Eb

Tuba

 

 



 







 

  

 

 

  

 


Harbison The Great Gatsby - Reduced Orchestration Act I, Scene 3

Fl. 2

Ob. 1

Eng. Hn.

Cl. 1 in Bb

Cl. 2 in Eb

Hn. 1 in F

6

6

   

sf

   3



 

sf

  sf

   3

 

3



sf

3

sf

              6

 

 

 

sf

 





           6

  sf











6





Meyer

sf Tam.

 

 

sf

 

 

ff



 

  

(div.)

 

 

Vla.

Vc.

       



The guests leave hurriedly. In the confusion, Wolfshiem enters and approaches Gatsby.

  Vln. I  Vln. II

 



f

(Timp.)



sf









6

sf

6

 Gatsby  

Cb.

3

Perc.. 1

Nick

6

Tbn.

Piano

6

Tpt. in C

Perc. 2

sf

6

6                                          6 6 6 6 6 sf 6                            

  

Hn. 2 in F

Tuba

6

                       

                    Bsn. 1                    Cbsn.   

Bs. Cl.

                               6 6 6 6 6 6 sf                                   



Fl. 1

483 

335

 

      

          

unis.            6               6                            6 6 6 6 unis.

sf

6

sf

6

6 6 6                                               6 6 sf sf div.                        sf  div.                            sf                 6

6

6


Harbison The Great Gatsby - Reduced Orchestration Act I, Scene 3

336

489 

 Fl. 1 

            sf 6         6        6

Fl. 2

Ob. 1

Eng. Hn.

6

6

sf

Cl. 1 in Bb

Cl. 2 in Eb

Bs. Cl.

Bsn. 1

Hn. 1

              6 6

sf

     sf

sf

 



                 

sf

 

sf

 sf

sf

sf

6

6

6

sf

sf

                  6 sf      sf sf        6

 sf

sf

sf





sf

sf

 sf



Sus. Cym.

f



  

 

 Vln. I   

            

sf

6

6

sf

sf

 

sf

 6

sf

 sf

sf



sf

T.

                 

sf

6

6

6

6                              6 sf sf unis.                                       

 

Vln. II

Vla.

sf

Vc.

Cb.

6

A.

B.

Meyer

S.



Perc.. 1

Nick

sf

6

Tbn.

Gatsby

 

  

 

Tpt. in C

Piano

sf

sf

Perc. 2

6

6                      6 6

              6

 

 

Hn. 2 in F

Tuba

sf

6

6 6                                    6 6 6 sf sf                       6

sf

Cbsn.

sf

                6 6 6                

6

sf

 

sf

6

                 6 

6

unis.

6

 

 

 

6

6

6

6

 

6

6

                sf

6

6

 

 


Harbison The Great Gatsby - Reduced Orchestration Act I, Scene 3

337

Meno allegro h = 96

494                            Fl. 1  p

Fl. 2

Ob. 1

Eng. Hn.

Cl. 1 in Bb

6

6

          

6

6

                        p

6

6

6

 

 

             

6

6

6

 

Bs. Cl.



6 6 6                              

p

Cbsn.

Hn. 1 in F

p

 

6                             6

6

 

 

 

p

 

 



Tpt. in C

Tbn.

Tuba

  

 

6

pp

 

Bsn. 1

p

6

6

pp Cl. 2 in Eb

6

Perc.. 1 Tam.

  p

Perc. 2

Piano



to Glock

 

 Gatsby    Nick

Meyer

 sf

Wolf

-





shiem!

Dan

to

meet

here,



old

sport.

                           

pp

6

p pizz.

 

p

 

  

6

6

6 6

6

 



6

6

pp

   

p

                          

                          6

6

6 6

div.

pizz.  

ger -ours



p

Cb.

-

Vc.

-



 

  

Vla.

-

  

 

Meno allegro h = 96      Vln. I  Vln. II

   



p

p

             

6

6

arco

arco

 p



p

   


Harbison The Great Gatsby - Reduced Orchestration Act I, Scene 3

338 Fl. 1

499  

       

          

Fl. 2

6

6

poco rit.

               

6 6                 

6

6

Ob. 1

Eng. Hn.

Cl. 1 in Bb

 

Cl. 2 in Eb

                                   6

6

6

                                  6

6

6

6



 

Bsn. 1

6

 6

 

Bs. Cl.

6

 



 Cbsn.  

           

6

           

6



 



6

6

 

 

 

Hn. 2 in F

Tpt. in C



Hn. 1 in F

Tbn.

Tuba

Perc. (Tam. scrape with metal beater)

Perc.. 1

  Perc. 2

Piano

Gatsby

Nick

p sf

 p



  

 

Meyer

 

f

 

  



Dan

-

-

-

ge - rous

6 6                                  

 

                                

Vln. II

6

6

6

6

Vc.



pizz.

 



pizz.

6

6

6

          

Vla.

6

6

  

  

 



but

 Vln. I  

Cb.

Timp.

 nec

-



es

poco rit.

6

6

3



sa - ry.

                       

6

 

6

6

                     

-

   

 

    


Harbison The Great Gatsby - Reduced Orchestration Act I, Scene 3

504

339

Moderato q = 88

 Fl. 1 

 

Ob. 1

 

Eng. Hn.

 

6 6               

Cl. 1 in Bb

pp

Cbsn.

Hn. 1 in F



 

 

solo

Perc. 2

Piano

Gatsby

Nick

3

p

mp

3

mp

3

3 3 3           

p

mp

p

3

3

p

3

3   

 

   

 

3   

mp p

       3

3

3

mp p 3

3

          p

mp p

 

 

 

 



 

 

 

 

 

 

 

Tbn.

Perc. 1

solo

p

3

 

Tpt. in C

Tuba

          

 

 

         

solo

6

pp

Bsn. 1

3 3  3         

                6

Bs. Cl.

 

Cl. 2 in Eb



  

    

Meyer

3

6

mp

I would n’t have come

Moderato q = 88

              Vln. I 

p

p

 

mp

3 3 3          

if it was n’t im -por tant.

6               

 

6

pp 6

Vln. II

p

3           3

  

pp

Vla.

Vc.

Cb.

(div.)

6

6

6

6

             

p

 

arco

 

(pizz.)

(div.)

              p

 p

 

3


Harbison The Great Gatsby - Reduced Orchestration Act I, Scene 3

340

508

 Fl. 1 

Ob. 1

Eng. Hn.

Cl. 1 in Bb

Cl. 2 in Eb

 

solo





p

3

 

mp

solo

mf

3

3

3

mf

p

 



         3

3

3





mp

        

3

3

mf

mp

3

3           3

3

p

mp

 

Hn. 2 in F

Tpt. in C





  

Hn. 1 in F

Tbn.

Tuba

Perc. 1

Perc. 2

Piano

Gatsby

Nick

 

 

Meyer

3 3       

f

Phi -la -del - phi -a

3    

was on

3

solo (senza sord.)       p

  

the line.





mp

  



They’re cal -ling in

their chips.

3   

So’s

De - troit.

 

Vln. II

Vla.

Vln. I

Vc.

Cb.

6            p pp 6            p pp

  p

     solo, arco

p

     mp

p

 

  3 3

 

 



p

    

3

p

p

3

mp

3 3  3   3  3             

mp

    

               



p

mp

Cbsn.

p

3 3  3                  3

Bsn. 1

mp

3

Bs. Cl.



   3

We got


Harbison The Great Gatsby - Reduced Orchestration Act I, Scene 3

513

 Fl. 1 

341 6 6                        

f

6

6

6

                        

Ob. 1

Eng. Hn.

Cl. 1 in Bb

Fl. 2

6

6

f

3

3

    

p

 

mp

Cl. 2 in Eb

Bs. Cl.

 

 

Bsn. 1

     p

Cbsn.

Hn. 1 in F

3

mp 3

3 3

      p

  

mp

Hn. 2 in F

 

(senza sord.)

(senza sord.)

 

Perc. 1



Perc. 2

Piano

Gatsby

Nick



fp con sord.







(senza sord.)

straight mute



 p



  

 

  

f

Not to - night,

  3  

Meyer

     not

 

 

Vla.

(div.)

 

Vc.

 (div.)

 

pizz.

   ff





 

To - night!

Vln. II

to - night.

trou - ble.

Cb.



fp

mp

Vln. I



fp

Tbn.

Tuba



con sord.



p

p Tpt. in C

6

 6

6

6

6

             p

div., pizz.

 

ff div., pizz.

 

ff

 

 

ff

 

 

sf

6

                         6

6

f

unis., pizz.

To night!

sf

               p ff    







sf

 sf

6


Harbison The Great Gatsby - Reduced Orchestration Act I, Scene 3

342

517

  Fl. 1  6

 

 

p 6

      

Fl. 2

p

Ob. 1

 

Eng. Hn.

 

Cl. 1 in Bb

 

Cl. 2 in Eb

 

Bs. Cl.

Hn. 1 in F

Tpt. in C

Perc. 2

Piano

Gatsby

Nick

mf



dim.

pp

      

pp

3 3 3 3 3 3 3                        

p

 

p

                   3

3

pp

3

p

3

mp

3

p

3                    3

pp

mf

mp

3

p

3

3

3

mp

3

p

3

3

      

 

 

 

 

mf

 

mf

   

        

 



 



 

 

 

  

 

 

 

Meyer

solo

mp

  

mf

dim.

f legato      

   

You got to deal

Vln. I



Tbn.

Perc. 1



   

Hn. 2 in F

Tuba

mp

Bsn. 1

Cbsn.

solo      

 

with this

      

pp

       be -fore it goes too far.

3 3 3          

p

Phi -la -del - phi - a,

De - troit.

3 3       

I would -n’t have

 

 

 

 

 

 

Vln. II

6

      

Vla.

p

Vc.

Cb.

arco                     mp

mf

pp


Harbison The Great Gatsby - Reduced Orchestration Act I, Scene 3

522

343

  Fl. 1  

 

 

Fl. 2

 

 

 

Ob. 1

 

 

 

 

 

 

 

 

 



 

 

 



 3    

Eng. Hn.

Cl. 1 in Bb

Cl. 2 in Eb

Bs. Cl.

mp

Bsn. 1

     mp

3

Cbsn.

Hn. 1 in F

Hn. 2 in F

Tpt. in C

Tbn.

 

  

 

mp

 

 

 

   

3

p

3

3

mp

p

3

          p

mp

 

 

 

 p

3

3

 p



f

f

f

3               3

mp

 

3

p

mp

3

3

          

3 3              

3

mp

3

p

mp 3

mp

3 3

p

mp

 

 

 

(con sord.)

con sord.

con sord.

 

f

 

 

mp

      

 

 Tuba  

3

p

      3

3 3           



(con sord.)



via sord.

(con sord.) via sord.

via sord.

via sord.

via sord.

f



f

 f



f

 f

  Perc. 1 

 

 

  

 

 

 

 

 

Perc. 2

Piano

 

 

 

  Gatsby   

 

 

  

 

Nick

f

Meyer

   3  come

 

Vla.

 

Vc.

Cb.

 f



 

sf

I’ll

take

care

f



  

of

it.

 

 3   3   3  

 

 

 

 

 

mp

if

  Vln. I   Vln. II

Timp.

 

 

  

p

it

mp

was - n’t

im - por - tant.

 

 

 

 

 

 

 

 

  

 

 

 

 

 

3 soli, div. arco

f dim. unis., arco

f unis.

f div. arco



f pizz. pizz.

 f

dim.

dim.

 

dim.


Harbison The Great Gatsby - Reduced Orchestration Act I, Scene 3

344

526

 Fl. 1 

Fl. 2

Ob. 1

Eng. Hn.

animando

più mosso

Cl. 1 in Bb

Cl. 2 in Bb

3

3

3

            

Bs. Cl.

p

 

Bsn. 1

p

cresc.

3

3

 

  3

 

 

cresc.

3

3

3

3

3

3

mp



 

mp 3

  3

ff

3

cresc.

  3

cresc.



  3

                           Cbsn.  3

p

Hn. 1 in F

 

3

3

cresc.

3

            

ff



     

ff

             



 

           

Tbn.

Perc. 1

mp 3

           

Tpt. in C

Tuba

cresc.

              

3              3

rit.

 

 

f

Perc. 2

Piano

Gatsby

Nick



  

   f

  3  

Meyer

See that you do.

Vln. I

     pp

    pp

Vln. II

  

Vla.

pp

  

Vc.

pp

Cb.

Wolfshiem notices Nick.

mp

 

3     

f

Make sure that you do.

ff

animando

più mosso 

tutti unis.

div., arco

div., pizz.

pizz.

(pizz.)

rit.

 

 



ff

ff

ff

 

ff

ff


Harbison The Great Gatsby - Reduced Orchestration Act I, Scene 3

345

a tempo (q = 88)

530

 

  

Ob. 1

Eng. Hn.

Cl. 1 in Bb

Fl. 1

Fl. 2

p



p

 p

Cl. 2 in Bb

Bs. Cl.

Bsn. 1

    

1.

p

Cbsn.

Hn. 1 in F

Perc. 2

Piano

Gatsby

Nick

   

  

        

   

        cresc.

    f

 

 





 

p

     

   

        

  

        

Sir,

unis., pizz.

p

 

unis., (pizz.)

 

(pizz.)

p

        cresc.

    f

 

 

 



   

 



at

cuff but - tons.

my

  

 

 

  

 



Fin - est

 

  

 spe

 

- ci -mens

  

of

hu - man



mo - lars.

 

 

 

 

 

cresc.



  f

 

 

   p 

   

 

  

   

 

 

  

 

 

  

  p  

    

  

  

    

  

 

 

  

 

 

   

 

     

  

      

  

 

 

(pizz.)

   

Vc.

you’re look - ing

 pizz. Vln. I    

Vla.

   

a tempo (q = 88)

Vln. II

 

  f

I f  

Meyer

Cb.

Tbn.

Perc. 1

Tpt. in C

Tuba

   

   

  

cresc.

cresc.

cresc.

f

f

f

  f

  


Harbison The Great Gatsby - Reduced Orchestration Act I, Scene 3

346

534

  



  

  



 









  Fl. 1  Fl. 2





rit.

Ob. 1

Eng. Hn.

Cl. 1 in Bb

Cl. 2 in Bb

Bs. Cl.

 Hn. 1 in F 

Bsn. 1

Cbsn.



 

Tpt. in C

 

Hn. 2 in F

 

senza sord.

senza sord.

senza sord.

  

   f

   f

   f





  

Tbn.

Tuba

Perc. 1

Perc. 2

Piano

Gatsby

Nick

 

   fear

Meyer

 Vln. I    

Vln. II

 

Vla.

Vc.

Cb.

     

I'm in - ter - rup - ting.

 

But yes.

That’s an



3

  

  

3

  

in - ter - es - ting i - de - a.



  

  

 

 

   



3

 



Ne - ver seen an - y - thing like them.

 

f sf

 

3   3    

  

  

 

rit. 

   sf

  

   sf

 

  

 



   sf

 

 

  

  

 

 

  

 

 

  

  

 

 

  

sf

sf


Harbison The Great Gatsby - Reduced Orchestration Act I, Scene 3

538

347

 Fl. 1 

Fl. 2

Ob. 1

Eng. Hn.

Cl. 1 in Bb

Cl. 2 in Bb

Bs. Cl.

Bsn. 1

  

  

  

    

ff Cbsn.

  

Hn. 2 in F

 



Tpt. in C

 

Hn. 1 in F

Tbn.

Tuba

Perc. 1

Perc. 2

Piano

Gatsby

Nick

ff

 

 



 

f

 

  

  

ff





    sf

sf

  

sf

  

sf

sf

    

sf

  

  

Meyer

  ff

 

So,

you young

  Vln. I  

  

  

(pizz.)

sf

(pizz.)

Vln. II

sf

Vla.

f



 

men

(pizz.)

  

Vc.

   sf



  

now.

 

I won’t im - pose

  

my - self

ff



fur - ther.

 

 

 

 

 

 

sf

sf

sf div.

sf

sf

sf

 

 

 

 

sf

sf

sf

sf

sf

sf

p sf



But

 

sf

sf

(pizz.)



should talk

sf

Cb.


Harbison The Great Gatsby - Reduced Orchestration Act I, Scene 3

348

542

 Fl. 1 

Fl. 2

Ob. 1

Cl. 1 in Bb

Cl. 2 in Bb

Eng. Hn.

Hn. 1 in F

     p

solo       

     

mf



     

  

            

mp

3

mp

3

            3

3

 

p

3

mp

3

3

3

3

          

p

mp

3

p

3

p

pp

3

3

mp

p

mp

p

mf

3

3

pp

Hn. 2 in F

Tpt. in C

Perc. 1

Perc. 2

Piano

Gatsby

Nick





     

      





  

Tbn.

Tuba

      

solo (senza sord.)

 

 

  sf

Meyer

speak

3 3  3          

p

mp

p

Exit Wolfshiem, watched by Nick.

mf

mp

with Phil -a - del - phi - a.

 

Vln. II

Vla.

   

   

Vln. I

Vc.

Cb.

 

pp

3

3

mp

  

mp

3



           

p

mp



          

p

Cbsn.

p



 

3

3

Bsn. 1



           3

Bs. Cl.

solo

   

arco

p

unis., arco

p

     

        

     

        

mp dim.

mp dim.

p

p

mf

mf


Harbison The Great Gatsby - Reduced Orchestration Act I, Scene 3

547

 Fl. 1 

 

 

Fl. 2

Ob. 1

  

 

         

p

p

      

Eng. Hn.

f

Cl. 1 in Bb

Cl. 2 in Bb

Bs. Cl.

 

p

f

               

 

f

 

Hn. 2 in F

Tpt. in C

Hn. 1 in F

        

Tbn.

f

Tuba

Perc. 1

al sord (harmon, stem in)

p

        

Vibr. (no pedal)

p

Perc. 2

Piano

 

Vln. II

   

Vc.

f

                 

  

 

 

f

   

Go to Tam-tam

 p

 3   

mf soave

 

  

 

0   

(pizz.)

f

(pizz.)

 

0

f

  f

       

    

      

    

f

f

 

Who

     p cresc.

     

     p cresc.

    

   

    

p cresc.

 f

 

f

 

f

                

a bus -iness as -so - ci -ate

fel - low?

p cresc.

          was that

f

3 3  3           

Mey -er Wolf -shiem a

0

Vla.

pp

Wan -ted to thank you be - fore I leave.

 Vln. I 

Cb.

to Timp.

 Gatsby   Nick

        



pp

p

p Cbsn.

pp

p

mp

Bsn. 1

349

 

  

arco

  

arco

  

arco

  

pp

 

pp

 

pp

  

  

f

  

  

pp

pp


Harbison The Great Gatsby - Reduced Orchestration Act I, Scene 3

350 Fl. 1

552   

 

Fl. 2







f

   

f

Ob. 1

   

   

   

  

   

      

   

      

    

   

      

mf

p

mf

p

mf

      

  

p Cl. 1 in Bb

      

   

      

p Eng. Hn.

        

  

p

f

p

f

    p

f

p

   

p

Cl. 2 in Bb

Bs. Cl.

 

  

   

      

  

    

      

    

      

        

      

        

        

  

     

Bsn. 1

Cbsn.

Hn. 1 in F

Hn. 2 in F

Tpt. in C

f

f

   f

Tbn.

f Tuba

Perc. 1

f



Timp.

    

f

mf

   



 Gatsby  

Perc. 2

Piano

Nick

Vln. I

 

   

f

Mey -er Wolf - shiem—

              

 

He looks fa - mi - liar.

  



I’ve seen his pic -ture

  



     

fixed the nine -teen nine teen

 World

3   

Se ries

    

    

   

   

some where.

f

Vln. II

Vla.

Vc.

Cb.

 

   

     

   

 

   

f

    cresc.

 

     





 

cresc.

f

   

 

f

 

f

pizz.




Harbison The Great Gatsby - Reduced Orchestration Act I, Scene 3

Fl. 1

557   

Ob. 1

Eng. Hn.

Cl. 1 in Bb

Cl. 2 in Bb

Bs. Cl.

Bsn. 1

Hn. 1 in F

Perc. 1

Perc. 2

Piano

Vln. I

            

       



 

              p f      

        



  

f

p

f

p

p

   

f

f

f

f

      

    al sord.  

  

al sord. (harmon, stem in)        

   

to Vib.

 

               

   

    

(Timp.)

   

    

    

 

the Black Sox—

3

he played with the

al sord. (harmon, stem in)

3

  

           

             

   

 

 





faith

of

   

ff

 3

fif - ty mil -lion peo - ple.

     f

Fixed

 

p



Vc.

Cb.

 

 

Vla.

p

 

Vln. II

   To Piccolo       

            

         

  

  Gatsby    Nick

             

     

   



 

Tbn.

   

351

 

  

     

Tpt. in C

       

  

Hn. 2 in F

Tuba

       

 

Fl. 2

Cbsn.

              

    

div.    

   

   

div.

 

(pizz.)









f

f

unis.

f

f

the World


Harbison The Great Gatsby - Reduced Orchestration Act I, Scene 3

352

562

 Fl. 1  

Ob. 1

Eng. Hn.

Cl. 1 in Bb



   







To Oboe

ff

 

ff

Cl. 2 in Bb

ff

rit.

To Sop. Sax.

pp Bs. Cl.

Bsn. 1

Cbsn.

Hn. 1 in F

Piano

Gatsby

Nick

 

 

pp

sf

 

pp

sf

  

 sf

 

 

 

sf

con sord.

harmon, stem in

harmon, stem in





  

Tbn.

Perc. 2

sf



Tpt. in C

Perc. 1

sf



 

Hn. 2 in F

Tuba



 

3     

Se - ries?

 Why

     is -n’t

he

 

    

   

Vc.

ff

ff

  

   

  

        p

  

   

       

      

p

      

p

     p

in

   

 

    

Vla.

  

      p

Can’t get him,

 Vln. I   Vln. II

  old

via sord.

via sord.

   

      

     

via sord.

sport,



 

 3      

too clev - er.

jail?

rit.

 pizz.

 



unis. p



 

f

    ff

div., pizz.

  f

   

ff

Cb.


Harbison The Great Gatsby - Reduced Orchestration Act I, Scene 3

Cantabile q = 56-66

rit. a tempo

568

rit. a tempo

353

rit. a tempo

 Fl. 1 

Ob. 1

Eng. Hn.

Cl. 1 in Bb

Sop. Sax.

Bs. Cl.

Bsn. 1

Cbsn.

Hn. 1 in F

     

  

f

 

Hn. 2 in F

Perc. 2

Piano

Gatsby

Nick

f



p

  

 



 

 

f

senza sord.





  

 

          Now

      f

 

unis., arco

f

  f

arco

Cb.

p

 

unis., arco

Vc.

    

 

   f

  

    

 

    

cresc.





p

p

  mp

3  3     

Dai - sy Bu -chan -an

   

p

         f

 

  

cresc.

mp

rit. a tempo  

cresc.

 

rit. a tempo

p

    

     

p

can you in -vite

p

a -bout that lit - tle fav - or—

rit. a tempo

     

 

f

Vla.

f

mf

Cantabile q = 56-66         Vln. I  Vln. II

        

Tbn.

Perc. 1

 

Tpt. in C

Tuba

senza sord.

 

f



 

   

cresc.

 



 

cresc.

 

f

f





p

  mp


Harbison The Great Gatsby - Reduced Orchestration Act I, Scene 3

354

572

 Fl. 1 

Ob. 1

Eng. Hn.

Cl. 1 in Bb

Sop. Sax.

Bs. Cl.

Bsn. 1

Cbsn.

Hn. 1 in F

    

  

mf

Hn. 2 in F

mf

Tpt. in C

Tbn.

Perc. 1

Perc. 2

Piano

Gatsby

Nick

Vln. I



 

 



p

p

  

 

   

    

mf



p

p



    

        

        

to your house some af - ter -noon

    

In -vite Dai - sy?

   

   

Vla.

  

mf

 

 

pizz.

p

 

pizz.

f

   

  

div., pizz.

  p

p



Yes, of course, how sim - ple.

   

mf

    

        

p

Vln. II



and let me come o - ver.

Cb.

mf

Vc.

 

   mf

Tuba

 

  p

 

    f

p

p

arco

p




Harbison The Great Gatsby - Reduced Orchestration Act I, Scene 3

576

355

 Fl. 1 

Ob. 1

Eng. Hn.

Cl. 1 in Bb

Sop. Sax.

Bs. Cl.

Bsn. 1

Cbsn.

Hn. 1 in F

     

Hn. 2 in F

Tbn.

Perc. 1

Perc. 2

Piano

Gatsby

Nick

Vln. I

     

    

       

    



Tpt. in C

Tuba

 

 

 

     

 





    

  

 



       In -vite Dai 

  

- sy

and let

   

Vla.

  

mecome



      

o - ver.

         3

Don’t do an - y -thing out of the way.

    

Vln. II

Vc.

    

Cb.

  mp

  mp

   p

mf

     

      

 

 

p

unis. (pizz.)

div. (pizz.)

                    

     

6

mf

6

3

p pizz.

  

I’m com -ing

 

6

p

Don’t tell her

3               

6

3 3          

  

  

   

   

   

    

     

   

       

    

       

    

arco

unis., arco

arco


Harbison The Great Gatsby - Reduced Orchestration Act I, Scene 3

356

  

580 

 Fl. 1 

p sf

    

f

p

  

  

mf

    

        

f

Ob. 1

Eng. Hn.

Cl. 1 in Bb

   

 p sf

    

f

p

  

  

mf

    

f

      

Sop. Sax.

Bs. Cl.

Bsn. 1

Cbsn.

Hn. 1 in F

Perc. 2

Piano

Vln. I

 

p

p

f

p

f

  

  

mf

    

       

f

 p

f

 







 Gatsby    Nick

    

Tbn.

Perc. 1

p sf

 

Tpt. in C

Tuba

  

  3  

Ask her to tea.

        

    f

Yes,

f

  

I knew

animato      

mf

p

        

her once,

      f appassionato

old sport.

3    

I want to see

meno f

  

her a - gain.

I

yes of course.

div.



 

p

f

div.

 

  

unis.

p

  

div.



 

p

f

 

   

      

   

       

dim.

dim.

Vln. II

Vla.

Vc.

Cb.

         

 

   

     

 p

f

div.

 

 p

f

 

p

 p

f

  f

  

   

  

  



  

   

  

   

unis.

p

unis.

p

p

p

div.

 p

div.

p

p

 p

 



 





 

f

dim.

unis.

f

f

f

dim.

 



dim.

 dim.

 dim.


Harbison The Great Gatsby - Reduced Orchestration Act I, Scene 3

Fl. 1

585

 

p

357

Ob. 1

Eng. Hn.

 

Cl. 1 in Bb

p

Sop. Sax.

Bs. Cl.

 

Bsn. 1

Cbsn.

p

 

To Bassoon

p

 Hn. 1 in F  









 



 

 

Hn. 2 in F

p

Tpt. in C

Tbn.

Tuba

Perc. 1

Perc. 2

Piano

Gatsby

Nick

 





 





 

p



  3              want her to see my house. I ex - pec - ted she might 

 

Vla.

 

Vc.



come some - time

on

  

a night like this.

  

Cer tain-ly

  

Vln. II



animato

  Vln. I  

Cb.





p

 

senza sord.

 

 

unis. p

p

p

p pizz. p



  mp

     p

6 3                       f

pp

       p

      

div.       

      p 

 

  

  mp



 

p

 



3                       6





f

pp

unis.

p

p

       p

arco


Harbison The Great Gatsby - Reduced Orchestration Act I, Scene 3

358

589

 Fl. 1 

Fl. 2

Ob. 1

Eng. Hn.

Cl. 1 in Bb

Sop. Sax.

Bs. Cl.

 





  

Bsn. 1

Cbsn.

Hn. 1 in F

Tpt. in C

Tbn.

Tuba

Perc. 1

Perc. 2

Piano

Gatsby

Nick

 

 

 I’ll

in - vite

her.

 

I’m

 glad

to

help.

unis.





Vla.

Vc.

Cb.

f

3

cresc.



That’s

her

cresc.







 

cresc.

3

 





f

  f



 

 

f









f

f

 

a - cross the



cresc.

light,

cresc.

 

 Vln. I  Vln. II

  


Harbison The Great Gatsby - Reduced Orchestration Act I, Scene 3

592

359

 Fl. 1 

 

Fl. 2

 

Ob. 1

 

Eng. Hn.

 

Cl. 1 in Bb

 

Sop. Sax.

 

Bs. Cl.

 

 

 

 

 

Hn. 2 in F

 

Tpt. in C

 

 

 







 

 

Bsn. 1

Cbsn.

Hn. 1 in F

Tbn.

Tuba

Perc. 1

Perc. 2

Piano

Gatsby

Nick

Vln. I

    bay. 



 

mf

For - give

me,

I’ve



got calls

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Vc.

 

div.

 

to

mf

mf

mf

mf

make.

p 

Good

 

 

 

 

 

 

 

 

 

 

 

 

 

 

mp

mp

mp

mp unis.

mp

   

 

mf

 

 

Vla.

  

Vln. II

Cb.

 

 

 

 

 

 

 

 

 

 

p

p

p

p

p


Harbison The Great Gatsby - Reduced Orchestration Act I, Scene 3

360

Fl. 1

Fl. 2

595   

 

Andante q = 76  

            p

 

Piccolo

        



p



 

f

Ob. 1

 

Cl. 1 in Bb

   

           



p

Sop. Sax.

Sop. Sax.           

Bsn. 1

   

 

 

Hn. 1 in F

p

Tpt. in C

 



 



 

p

  

          

             

   

p

    

Tuba

  



 

p

Piano

Gatsby

Nick

  

   

Glock.

p sempre l.v.





Tam.

      night.   

Andante q = 76

  



p

 

Vc.

Cb.

       

  f

 



 

 

f

 





f

f

Vla.

        

p

  

  

  

div.

div.

    

  f

 

 



f

f

 



   

     



p

   Vln. I   Vln. II

        



        

Vibr.              

 

Perc. 2



Tbn.

Perc. 1

  

  

 

  

 

 



p Bassoon

 Bsn. 2  



  

p

Bs. Cl.

  

f

Oboe

Ob. 2

           

  



 


Harbison The Great Gatsby - Reduced Orchestration Act I, Scene 3

rit.

Fl. 1

598 

Picc.

  

  

Ob. 1

Ob. 2

Sop. Sax.

Bs. Cl.

Bsn. 1

Bsn. 2

  

  

       

   

 

fsf

p

  

To Eng. Hn.

 

to Contrabassoon

Gatsby

Nick

 

 

 



 

 

f

p

to straight mute

add Triangle

(Glock.)

 (Tam.)

  

   



 

 

Vc.

 

p

 



 

p



  f

 

Vla.

a tempo

  

unis.





 

 

f

p

  

  

  



p



Vln. II

Cb.

 

rit.

Vln. I

To Clarinet in Bb

(Vib.)

Piano

  Perc. 1  Perc. 2

f

p

p





p

 

       

solo

  f



Tbn.

  

p

  

 



Tpt. in C

Tuba



a tempo

To Flute

p

  

Hn. 2 in F

             

 

Cl. 1 in Bb

Hn. 1 in F

      

361

unis.

 

p

p

 







 







p

p


Harbison The Great Gatsby - Reduced Orchestration Act I, Scene 3

362

rit.

Fl. 1

a tempo

602 

 

Ob. 1

f

dim.

   



 

  p

Ob. 2

Cl. 1 in Bb

Cl. 2 in Bb

Bs. Cl.

 

p

Bsn. 1

 

 

p

Cbsn.

Hn. 1 in F

Perc. 2

Piano

 

 



f

 

    p

dim.

    

 

 



dim.

 dim.

  f

f

Vc.

a tempo

     f

Vla.

p

Ev - ery - one was

   

Vln. II

dim.

  f

p

 

p

 

   

 



 

 

p

mp







 here

 



 

 

 

p

p

mf

p

 

 

 

 

 

 

p

p

mf

mf

mf



f

 

p

mp

mp pizz.



        

 mp

p

  dim.

mf



rit.

Cb.

 Gatsby   

Vln. I

Tbn.

Perc. 1

 

Tpt. in C

Tuba

p

mp

p

p


Harbison The Great Gatsby - Reduced Orchestration Act I, Scene 3

607

363

 Fl. 1 

Ob. 1

Ob. 2

Cl. 1 in Bb

Cl. 2 in Bb

Bs. Cl.

f

 

 

 

p

dim.

Bsn. 1

p

Cbsn.

Hn. 1 in F

Perc. 2

Piano

Gatsby

Vln. I

f dim.

 

  p

 

 



   

  

 

f

Vln. II

f

 

Vla.

f

Vc.

f

Cb.

 

Tbn.

Perc. 1

Tpt. in C

Tuba

 



but the

one

dim.

 

dim.

  

p

 

p

 

and

 

p

dim.

p

dim.

p

who mat - ters

dim.



f

dim.



f

 f

she lives



 

there

a

 

  

 

 

dim.

dim.

p

dim.

 

f

p

p

p


Harbison The Great Gatsby - Reduced Orchestration Act I, Scene 3

364

612

 Fl. 1 

Flute

Ob. 1

Ob. 2

Picc.

  

 

p

 

f

 



p

cresc.

 

p

 

Cl. 1 in Bb

 

cresc.

p

Clarinet in Bb

 

Cl. 2 in Bb

  p

 

Bs. Cl.

Hn. 1 in F

Perc. 2

Piano

 

 

f

 

p



 

f

 

 



f

 Vln. I    

Vln. II

 

Vla.

 

Vc.



  the

 

 

p

 

 

 

f

by the green

p

bay

 

p

  Gatsby    cross

Cb.

f

Tbn.

Perc. 1



Tpt. in C

Tuba

p

Bsn. 1

Cbsn.

 

 

 f

 f

f

  

    



p

cresc.



p cresc.

that

 

 

 

p

 

 

haunts

my

 

 

 cresc.

p

 

light

p

p

cresc.

cresc.

cresc.


Harbison The Great Gatsby - Reduced Orchestration Act I, Scene 3

rit.

617

  Fl. 1 

f

 p

  

Fl. 2

365

a tempo

f

p

 

Cl. 1 in Bb

Cl. 2 in Bb

Bs. Cl.

Bsn. 1

 

f

f

Piano

p

 

 

 



  Gatsby   

p

p

dreams.

rit.

  Vln. I 

Five

f

 

Vln. II

p

f

   

Vla.

  f

Cb.

 

a tempo  

p

 

f

Vc.

p

  

  mp

 

 

 

 

 

 

mp

mp arco

 

p

mp

  

 

p

 

 

 

 

p

 

p

 

 

f

 

p



p

years

p

mp

p



f



p

Tbn.

Perc. 2

dim.

Tpt. in C

Perc. 1

Tuba



Ob. 2

Hn. 1 in F

 

Cbsn.

solo

Ob. 1

 

 f

 

 

 

 

dim.

f

dim

dim.

 p

dim.

f

dim.

  f

p

   p

p

p


Harbison The Great Gatsby - Reduced Orchestration Act I, Scene 3

366

622

 Fl. 1 

   

Ob. 1

Cl. 1 in Bb

Cl. 2 in Bb

 



mf

Ob. 2

rit.

Poco più mosso q = 84

   

p

 

 

 

  

          p6

  6

   

6

   

  

6

6

        

   

     

6

6

6

    

6

         

 

Hn. 2 in F

Tpt. in C

 Perc. 1 

Cbsn.

Hn. 1 in F

Tbn.

Tuba

Perc. 2

Piano

Gatsby

6

3



   p

(Glock.)

p



  

 

 

Vla.

Vc.

            

 

rit.

    

p

So

 

Vln. II

   p



ma - ny

6

6

(Vib.)

Trg.

      Vln. I   

Cb.

6

                

3   par ties

 3 

Poco più mosso q = 84

   

 

 

lawns

   

   



    

    

    

    

mf

mf

mf

p

p

p

p

 

mf



Vib.

p

6



mf

on these spread -ing

6

6

3  

6

p



          

6



Bsn. 1

6

Bs. Cl.

p6



3

star

-

 

light


Harbison The Great Gatsby - Reduced Orchestration Act I, Scene 3

Fl. 1

627 

Fl. 2

Ob. 1

Ob. 2

 

      

6

6 6

cresc.

6

f sf

6

6

6

6

6

 

6

6

6

cresc.

6

 

p

f sf

mp

6

6

6

        

         

6

6

6

6

6

 

   

  

  

 

p

 Gatsby    

   

to

ca - su -al moths

3

 

cresc. 3

 

-

 



ty

of

 all



3

mean -

Cb.

 

f

mf

         

  

ing.

                                           

p 6

6

6

cresc.

6



pizz.

6

fsf 6

mf



pizz.

6

6

6

6

 

f

 

f

mf

Vc.

  

      

 f

f

 

   



but emp

via sord.



 

mp

      



straight mute

  

Vla.

 

Vln. II

p

(Glock.)

 Vln. I 

  

 

 (Vib.) Perc. 1  

   p

6

fsf



solo

         6

6

6

Tbn.

Piano

6

Tpt. in C

Perc. 2

6

    

Hn. 2 in F

Tuba

6

        

Bsn. 1

Hn. 1 in F

p

6

 

367

                       To Piccolo                       

6

Bs. Cl.

6

p

6

Cbsn.

        

Cl. 2 in Bb

Cl. 1 in Bb

                   

  


Harbison The Great Gatsby - Reduced Orchestration Act I, Scene 3

368

632

 Fl. 1 

Picc.

Ob. 1

           6

6

dim.

 

 

  

Perc. 1

mf

(Vib.)

 

(Trg.)



  

Vc.

   mp 3

     

     f sempre l.v.

mf

 

pizz.

    

 

f

rit.

     mf



 

Vla.

Vln. II

(Vib.)

   

 Vln. I 

mf

 

 

   

 

Timp.

   

6

Tbn.

Cb.

Tpt. in C

Gatsby

sf

   

Bsn. 1

Piano

sf

   

6 6 6 6 6 6                                      3 f sf 6    6 6 6          6                     6     6 3  f sf 6

Bs. Cl.

Perc. 2

Cl. 2 in Bb

Tuba

sf

 

  6     6 6 6                            3 6 f sf 6 6

Cl. 1 in Bb

Hn. 1 in F

Ob. 2

Cbsn.



rit.


Harbison The Great Gatsby - Reduced Orchestration Act I, Scene 3

637

 Fl. 1  

Ob. 1

a tempo

     

 

p

5





f sf

p

369

  

rit.

 

  

dim.



 

Ob. 2

Cl. 1 in Bb

Cl. 2 in Bb

Bs. Cl.

 

Bsn. 1

Cbsn.

Hn. 1 in F

Tpt. in C

Tbn.

Tuba

 (Vib.)  Perc. 1  (Ped.)

Perc. 2

Piano

Gatsby

Vln. I



      

p

  

p

  

Vla.

 

Vc.

Cb.

 

 

p

It’s

      

Vln. II

not

a tempo 

arco

  

 

 



f

too

late.

 

p

arco

 

p

 

arco

p

 

p

rit.

  

 

 

 

  

 

 

 

    

dim.

dim.

 

mp



 

mp

   

pp

dim.

p

 

 



p

     

pp

 

p dim.

 p dim.

 

pp



pp

pp




Harbison The Great Gatsby - Reduced Orchestration Act I, Scene 3

370

meno mosso q = 69

Fl. 1

642 

rit.

rall.

(q = 50)

Ob. 1

 

Ob. 2

Cl. 1 in Bb

Cl. 2 in Bb

Bs. Cl.

 

pp cresc.

 

Bsn. 1

 

pp

Cbsn.

Hn. 1 in F

Perc. 2

Piano

mfp



pp

p

 





 Gatsby    

p

 

It’s

not

 too

 

Vln. II

 

Vla.

 

Vc.



 

 



 

 

p

 



p

 

 

p



p

rit. 

 

  

 

  



 

 

 

 

 

 



 



pp cresc.

mfp

 

 

pp cresc.

mfp

mfp

mfp

mfp

be

the

rall.

 

pp cresc.

pp cresc.

  

Ev - ery -thing will

pp cresc.

p



late.





f



meno mosso q = 69

 Vln. I  

Cb.

Tbn.

Perc. 1

Tpt. in C

Tuba



pp

pp

pp

way

it

was

   

pp

 pp



be -

(q = 50)


ancora meno mosso q = 60

647

Harbison The Great Gatsby - Reduced Orchestration Act I, Scene 3

 Fl. 1 

Picc.

Ob. 1

Ob. 2

Cl. 1 in Bb

Cl. 2 in Bb

Bs. Cl.

 

Bsn. 1

 

pp Cbsn.

 

 

 

 

 

pp

Perc. 2

Piano

Gatsby





  







 



English Horn

 

pp



 



 





pp

*



pp

open

pp



pp

  

pp

 

p

p

* open

pp

 

* N. B. Horns sound a fifth lower than written in bass clef





     fore.



ancora meno mosso q = 60  

 Vln. I    

Vln. II

Vla.

Vc.

Cb.

Tbn.

Perc. 1

pp

pp

Tpt. in C

Tuba

Piccolo



p

Contrabassoon

 

 Hn. 1 in F  Hn. 2 in F

pp

 

solo

371

 

 

 

 

 

 

 

 

   

   

 

 



 

p

pp









   

p

p

 

  

p

  p



   





al sord.

al sord.

al sord.

al sord.

al sord.

pp

   

 pp

 

pp

pp


Harbison The Great Gatsby - Reduced Orchestration Act I, Scene 3

372 Fl. 1

652 

  

Picc.

Ob. 1

Eng. Hn.

rit.

a tempo (q = 80)

cresc.



mf

cresc.

mf

 

mf

cresc.



mf

cresc.

 

Cl. 1 in Bb

mf

cresc.

  

Cl. 2 in Bb

To Clarinet in Eb mf

cresc.

Bs. Cl.

Bsn. 1



mf

cresc.

Cbsn.

Hn. 1 in F

To Bassoon





cresc.



Piano

Gatsby

Vln. I

mf





  

 

Vln. II

Vla.

p

Five

rit.

 

 

 

con sord.

con sord.

a

 

con sord.

con sord., pizz.

  

pp

 

 

 

pp cresc.

pp cresc.

 

pp cresc.

div., pizz.

pp

  

  

mp



a tempo (q = 80) 

years

con sord.

Vc.

Cb.

Tbn.

Perc. 2

Tpt. in C

Perc. 1

mf

cresc.

Tuba

mf

cresc.

  

Hn. 2 in F

-

go

the

p

dim.

p

dim.

p

dim.

  p

 p

 

 

 

 



  

  

  pp



pp

 

 

 

pp cresc.

  

 

 



 

 

 



fal - ling,

 

 

 

mf

leaves

pp cresc.

pp cresc.

p

dim.

p

dim.

p

dim.

  p

 p

  

  


Harbison The Great Gatsby - Reduced Orchestration Act I, Scene 3

cedendo

657 

373

a tempo 

















Cl. 2 in Bb

Bs. Cl.

 





Fl. 1

Picc.

Ob. 1

Eng. Hn.

Cl. 1 in Bb

Bsn. 1

Cbsn.

Hn. 1 in F

Hn. 2 in F

Tpt. in C

Tbn.

Tuba

Perc. 1

Perc. 2

Piano

Gatsby

Vln. I

   

cresc.

the cool

  

Vln. II

 

  

pp

Cb.

pp

unis. (pizz.)  

Vc.

     

(pizz.)   pp

night

pp

pp

Vla.

  

which comes

 

cresc.

 



cresc.

 

cresc.

cresc.

at the

two

 

  

 

 

f

chan - ges

 

 

mp



of the

year.

mp

 

mp

 

mp

 

 p

 p

p

p

cedendo

 

mf

 



mf

 mf

 

  p

 

p

a tempo 

 

p

p

mf

p

 

 

mf

mp

cresc.

 

p



p

 p




Harbison The Great Gatsby - Reduced Orchestration Act I, Scene 3

374

a tempo

cedendo 662  

Fl. 1

   

Picc.

Ob. 1

Eng. Hn.

Cl. 1 in Bb







  

  





  p



 

p

Bs. Cl.

Hn. 1 in F

   

 

  

 

Hn. 2 in F

Perc. 1

Perc. 2

Piano

Gatsby





  

 Vln. I  Vln. II

Vla.

Vc.

Cb.

Tbn.

Tuba

Tpt. in C

p

Dai

cedendo

div., 1/2 pizz.

pizz.

-

 

pp

 

 

pp

pp

pp

pp



mp

and

I

 

 

 

sy

a tempo

1/2 arco

 

 

p



p

p

 

 

 

 

 

 

  

p

 

 

 

 

came

p

p

 

 pp

pp

 

to

pp

pp

pp

 

dolce

Cbsn.

Cl. 2 in Bb

Bsn. 1

dolce

 

a



place

 

with

no

 



 

 



 

 (pizz.)


Harbison The Great Gatsby - Reduced Orchestration Act I, Scene 3

667

375

 Fl. 1 

Picc.

Ob. 1



Cl. 1 in Bb



 

mp



f

Eng. Hn.

 

 







 

mp

 

dim.

  





f

p

 

Cl. 2 in Bb

Bs. Cl.

 





Bsn. 1

Cbsn.

Hn. 1 in F

Tpt. in C

Tbn.

Tuba

Perc. 1

Perc. 2

Piano

Gatsby

 mf    trees,

 Vln. I 

Vln. II

Vla.

 

 

mp

mp

 

 

 

(div., 1/2 pizz., 1/2 arco)

Vc.



mp

Cb.

  

mp

 

the

mp

 

 

 

  



 

 

side - walk

 

 

 

  f dim. Bassoon

 

f

  

in the moon

 f

 



f

f







f dim.

white







 f

 f

dim.

 -

 

light:

we

        



 

 

dim.

 

  

 



 

  









 

dim.

  

dim.


Harbison The Great Gatsby - Reduced Orchestration Act I, Scene 3

376 Fl. 1

rit.

672 

Picc.

 

Ob. 1

a tempo

p

  





Cl. 2 in Bb

Bs. Cl.

Bsn. 1

   

   

p

Bsn. 2

p

dim.

dim.

  

















       









6







 















p

 

 

  

 

 

  

pp



p

 

pp

 

6

pp



p

Cl. 1 in Bb

p

Eng. Hn.



 

p

 p

p

 

Hn. 2 in F

Tpt. in C





Hn. 1 in F

Tbn.

Tuba

Perc. 1

Perc. 2

Piano

Gatsby

   

  

stopped

Vln. I

and

turned



rit.

   



 

 

  



  to

p dim.

Vc.

Cb.

 

 

 

 



 

  p

 

 

 

 



 

p

  each

 oth

 -

-

a tempo



er.

pp

p dim.

Vla.

p dim.

Vln. II

 

pp

pp


Harbison The Great Gatsby - Reduced Orchestration Act I, Scene 3

677  

Fl. 1

  

Picc.

Ob. 1

Eng. Hn.

Cl. 1 in Bb

cedendo



 



cresc.

 



cresc.

cresc.

6

6





p

f

p

      

      



f



f

p



f

cresc.

 



p



f

cresc.

377

a tempo

p

Cl. 2 in Bb

Bs. Cl.

Bsn. 1

Bsn. 2

Hn. 1 in F

    

 

 

 

 







pp

p





f

p



   

 

pp

pp

p



pp

cresc.

   

Hn. 2 in F

cresc.

f

p





  

 Vln. I 

  

Tpt. in C

Tbn.

Tuba

Perc. 1

Perc. 2

Piano

Gatsby

Vln. II

Vla.

Vc.

Cb.

cedendo

a tempo   

pp



pp

tutti arco

pp





arco

pp

 

pp



p

 

The

qui - et

lights

 

 

 



 



p

p

p

 p

 p

   of the hous

-



es

 

 

 

  

 

 

 

 

 

pp

pp

  pp

 cresc.

pp

pp

  

 cresc.

 cresc.



 

 

 

cresc.



cresc.


Harbison The Great Gatsby - Reduced Orchestration Act I, Scene 3

378

682



animando 

 





 

 Fl. 1 

Picc.

Ob. 1

Eng. Hn.

Cl. 1 in Bb

Cl. 2 in Bb

Bs. Cl.

Bsn. 1

   

  

mp

Bsn. 2

Hn. 1 in F

Perc. 2

Piano

Gatsby

Vln. I

mp



mf





mp

 mp

dim.



mf

mp



mf

 

mp





     

 

      

 

 

 

 

were hum ming

   

 

Vc.

 

Vla.

 

    

 

  

mf

  mf

  mf

 3  

out

  dim

 

       

                   dim







dim.



dim.



in - to the dark

                 dim

mf

mf

   



 p





 p

 

p

   p    p

-

-

 



f

  

 

f

   f

 f

 f

 3  There was a

  

             p

  

              p

  

dim

  

         

 

dim

ness.

animando   

Vln. II

Cb.

mf

mf

 

mp

dim.



 



mp



mf

  

mp

Tbn.

Perc. 1

 

 

Tpt. in C

Tuba

mp



p

dim











dim.

 dim.


Harbison The Great Gatsby - Reduced Orchestration Act I, Scene 3

687  

 Fl. 1 

 

mf



 

p

poco più mosso q = 84



 

 

 

379 

 



Ob. 1

Eng. Hn.

Cl. 1 in Bb

 

mf



 

p



 

f



 



 



Cl. 2 in Bb

Bs. Cl.

Bsn. 1

Bsn. 2

Hn. 1 in F

 

Gatsby

p

cresc.

cresc.

p



 

 



 

  

 Timp.



    stir

 

 3  

and

bus - tle

 



a - mong





the

stars.



 

 

 

 Perc. 1

Piano

Tbn.

Perc. 2

 

Tpt. in C

Tuba

 



f

Picc.

 

 

poco f



                      Vln. I   

           

            

                        

           

           

 

           

p

Vln. II

cresc.

cresc.

p

Vla.

                      cresc.

p

 

Vc.



p

Cb.

  p

  cresc.

             



 

 

 



 

 

 

cresc.



poco più mosso q = 84


Harbison The Great Gatsby - Reduced Orchestration Act I, Scene 3

380

a tempo (q = 76) Fl. 1

 

691    

Picc.

ff

  

    

   

 

ff

 

Cl. 1 in Bb

          

f





 

ff

Bsn. 1

   



          

 

 

  

         

ff







 





       

f



  

sf

ff

  



sf

 

f

 

f

 

(senza sord.)

 

Tpt. in C

ff

Tbn.

f





ffp

Tuba

 



 

 

 

 



 



cresc

 cresc..

cresc.

ffp

 

f

         

 f     

ff



tr

ff

 

Hn. 2 in F



       ff

ff





Bs. Cl.

rit.

tr

    

ff Cl. 2 in Eb

f

ff

Hn. 1 in F

 

  

Eng. Hn.

Bsn. 2

  

ff

  

Ob. 1

         

cresc.

f

(Timp.)

     

 f

Perc. 1

Tam.

 f

Perc. 2  

Glock.

ff

 

Piano

 Gatsby    Vln. I

  

Vln. II

Vla.

Vlc.

Cb.

sempre l.v.

 



 

 

 

 

  

white keys gliss

 



 

Gatsby looks across at Daisy’s green light.

a ff

 ff

ff





 

f

ff

ff

 

ffp

  

tempo (q = 76)









  



 



   

f



sf

sf

gliss.

sf

  white keys gliss

rit. 

 

 

 

 

sf

gliss.

cresc.


Harbison The Great Gatsby - Reduced Orchestration Act I, Scene 3

a tempo             

694

 Fl. 1   

Picc.

ff

           

 

Cl. 2 in Eb



ff

Bsn. 1



  tr

  

f

 



   

   

   

tr



 

 

Tbn.

  ff



f Perc. 1



   f

ff

al sord.

(Tam.) f

Glock.

 

 

       

(l.v.)

f

   

  

ff

 

Vla.

a tempo

 

 

 

f

 

 

 

 





f



pizz.

f

f

 



  



pizz.

Vlc.

ff

pizz. Vln. II

  

   

sf

sf

sf

sf

 

 

         

ff

Cb.



tr 

 

con sord.

Vln. I

 

Tpt. in C

Gatsby

       

  





 f

   f



f

f



ff

Piano

   

Hn. 2 in F

Perc. 2

 

f



ff

Tuba





    

         

Bs. Cl.

          





       

ff

f

 

tr

     

  

Cl. 1 in Bb

 

ff

Hn. 1 in F

         

  

Eng. Hn.

Bsn. 2

 

ff

   

Ob. 1

381

  ff

f



We

lis

 

  f

  f

 sf



sf

 -

tened

for

 



  



 



f

sf

f sf pizz.

f

  a

 mo

 -

ment





















 



sf



sf



sf

 sf

 

3

to

a

   


Harbison The Great Gatsby - Reduced Orchestration Act I, Scene 3

382 Fl. 1

697     

Picc.

  

  

Eng. Hn.

 

Cl. 1 in Bb

Bsn. 1

  

Bsn. 2

  

        

 



        

         

        

       

         

fsf

        

 









  

  

ff

f

f

 

 





ff





  

senza sord.

  fsf

fsf

  fsf

 

Perc. 1

Perc. 2

Piano



(Tam.)

 

 

  

  Gatsby    tun

 -

ing



fork

 

struck

molto rit.

 up



 

     

Vlc.

Cb.



Vla.

 

to Vib.

 

  Vln. I 

Vln. II

 

 

                

 

Tbn.

         

 

Tpt. in C

        

 

  

Hn. 2 in F

       

 

Bs. Cl.

        

 

 

Cl. 2 in Eb

Tuba

 

 

Ob. 1

Hn. 1 in F

molto rit.

 -

on

 

those

stars.

ff



ff

sf







ff

sf





ff

sf

ff

 

 



arco

sf


Harbison The Great Gatsby - Reduced Orchestration Act I, Scene 3

700

 Fl. 1 

(q = 50) a tempo q = 76

(rit.) 

Ob. 1

Eng. Hn.

Picc.





 

 

 





 





 





 





p





p

 p

 

 p

sf













 





383

cedendo



 

 

 

 



 





 





 





 mf

 mf

 mf

 mf

Cl. 2 in Eb

Bs. Cl.

Cl. 1 in Bb

Bsn. 1

Bsn. 2

Hn. 1 in F

  

 

Hn. 2 in F

Tpt. in C

Tbn.

Tuba

Perc. 1

Perc. 2

Piano

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

p sf



  sf

p



sf

p



 Gatsby       Vln. I   

Vln. II

Vla.

 

 

Vlc.

Cb.

 

p

  

 

p sf

sf

mf

 

(rit.)

f

We



(q = 50) a tempo q = 76





p





p

p

 

pizz.

psf

kissed



 p

meno f

We



 kissed

cedendo

 

mfp

 

mfp


Harbison The Great Gatsby - Reduced Orchestration Act I, Scene 3

meno mosso q = 69

384



 

 

 

 



 



 

 

 



 



 

 

 



 











 







705 

 Fl. 1  

Picc.

Ob. 1

Eng. Hn.

p

 p

p

p

Cl. 1 in Bb

Cl. 2 in Eb

Bs. Cl.

Bsn. 1

p

  

 

 

 

 

 

 

 

  

 

 

 

 

 

 

 

p

Bsn. 2

Hn. 1 in F

p

  

Hn. 2 in F

Tpt. in C



Tbn.

Tuba

Perc. 1

Perc. 2

Piano

Gatsby

    

 Vln. I 

meno mosso q = 69

 

and



we

will

kiss





Vln. II

Vla.

Vlc.

Cb.


Harbison The Great Gatsby - Reduced Orchestration Act I, Scene 3

Fl. 1

a tempo q = 76

710 

Picc.

 

 

pp

pp

 

solo

 

 

 

 

 



Eng. Hn.

Cl. 1 in Bb

Cl. 2 in Eb

 

Bs. Cl.

Bsn. 1

Bsn. 2

Hn. 1 in F

Tpt. in C

Tbn.

Tuba

Perc. 1

Perc. 2

Piano

pp

p



 

 

sf

 



   



 

 

 (Vib.)    

  

(Glock.)

pp

  

   

   

  

 

 

f



a

- gain.

Vla.

p

 



a tempo q = 76

Vlc.

pp

pp



Vln. II

Cb.

 



  Gatsby   

Vln. I

 

385

Ob. 1

 

cedendo

 

 

 

pp

pp

pp



 

 

 







 

 

 

 

 

 



cedendo 

 

 



pp


Harbison The Great Gatsby - Reduced Orchestration Act I, Scene 3

386

Interlude: Daisy's light and Gatsby's silhouette gradually disappear. a tempo

715    Fl. 1  

Picc.





  



solo

Ob. 1

Eng. Hn.

Cl. 1 in Bb

Bs. Cl.

Bsn. 1

Bsn. 2

Hn. 1 in F



 





To Cl. in Bb

mp

mp

Cl. in Bb

to Oboe

   p



  

 

 

 





p

 



p



p sf



p



p sf

 

  

 





 

p Ped.

 

p



To Timp.



     

   

 

  

 



     

  

 

 

 



solo

mp



pp





mf

 

mf



solo

Gatsby

 

pp (Vib.)

Piano

 (Glsp.)  Perc. 1  Perc. 2

 

 

pp

Tuba

  



  

Tbn.



 

mp

p

Tpt. in C

fp

  

Hn. 2 in F

 



Cl. 2 in Eb

  





 

Ped.





 cresc.







 

mp

 

 

mp

 





Interlude: Daisy's light and Gatsby's silhouette gradually disappear. a tempo

    Vln. I    

Vln. II

Vla.

 

     

Vlc.

p



p

 





p

     p

 





   



    

 

 

  



p

Cb.



arco

   

 

  

 

  

 



mp

 







 

mp



p

 

 

mp

mp

 mpsf



mpsf

 

 


Harbison The Great Gatsby - Reduced Orchestration Act I, Scene 3

720

387

 Fl. 1 

Picc.

Ob. 1

Eng. Hn.

 

Cl. 1 in Bb

 

mf

Cl. 2 in Bb.

Bs. Cl.

Bsn. 1



Bsn. 2

Hn. 1 in F

Tpt. in C

Tbn.

 

 

 

 

 

 

 





sf

f



mf



f



mfsf



sf

Perc. 1

Perc. 2





mp

 

Piano

Gatsby

Vln. I

cresc.

    

Vla.

Cb.

 

 

 

  

 

 

 



sf

 













 

 

 

 

   



 

 

 

 

 

 

 

 

 

 

cresc.

 

 

  

 



  



 

 



 





mf sf

 sf

 

f

mf

cresc.

 

f

 

 

cresc.

 

 

 

  

 

 

 







 





 

unis.

  

 

mp

 



mf

mf

Vlc.

 

 

 

  

Vln. II

 

Vib. without pedal

Timp.



 

 

f



sf

 



f sf

f

Tuba



f

 

Hn. 2 in F

 

sf

mf sf

  



mf sf

rit.

rit.

 

 

 

f sf

f sf

f sf

f sf



sf



 


388

a tempo q = 80

725

  Fl. 1  

Harbison The Great Gatsby - Reduced Orchestration Act I, Scene 3



                   

pp lontano

Picc.

 

Ob. 1

 

Eng. Hn.

 

Cl. 1 in Bb

 

                           pp lontano 

Cl. 2 in Bb.

 



                   pp lontano

Bs. Cl.

 

ff

Bsn. 1

  





 

 

ff

Bsn. 2

   

ff

Hn. 1 in F

    



f sost.

Hn. 2 in F

 





f sost.

Tpt. in C

 

f sost.

Tbn.

   ff

al sord. (bucket)

con sord.

Tuba

     ff

  (Timp.)  Perc. 1   Perc. 2

Piano

(foghorn)

 gl.   

 

 

 

  

   

  

  

gl.   

  

gl.

 

 







 







 

  

bucket mute

 

 

gl.   

f

  

 

 

ff

 

 

Foghorns are heard on the Sound.

a tempo q = 80 via sord.

senza sord.

 

via sord.

div. via sord.

ff





pp

 

pp



 

 

 

senza sord.

senza sord.

pp

ff

   

senza sord.

ff

   



pp

via sord.



ff

Cb.



ff

Vlc.



  Vln. I   

Vla.

  Gatsby    

Vln. II



via sord.

 


Harbison The Great Gatsby - Reduced Orchestration Act I, Scene 3

Fl. 1

Vi -

730 

 

Picc.

Ob. 1

Eng. Hn.

 

Cl. 2 in Bb

 

Bs. Cl.

 

Bsn. 1

Bsn. 2

Hn. 1 in F

Hn. 2 in F

Tpt. in C

         

 

 

 

Perc. 1

Perc. 2

Piano

Gatsby

Vln. I









   

 

   

 

 









 





 









 





 







 



 

 





  

 

 

p

p

 

f sf

   

*

 

p

Oboe p

 

 

   

p

p

 



gl.  

 

 



 

 



 



 

 

 

 

f sf

f sf

 





 







 

   



 



 



 



 

 





  

 

p

 

 gl.

 

p

 

 

 

 

gl.  

 

 

 

gl.  

 

 



 

 

 

  

 

 

 

 

 

 

 

Vla.

Vlc.

 

 *

 

Vln. II

Cb.

 



p

(con sord.)

   





(bucket mute)

Tuba







  

Tbn.



*



 





  





*







 

    

 

Cl. 1 in Bb

389

 

pp

pp

pp

 



 

pp

 

f sf

 



 

 









 

 

 





  

 



 





 

p

 p

 p

  



p

senza sord., pizz.

  f

  





 

* If "Vide" is taken, play m. 731. If "Vide" is not taken, m. 731 is a whole rest.

  




Harbison The Great Gatsby - Reduced Orchestration Act I, Scene 3

390 

735  

 Fl. 1  

Picc.

Ob. 1

poco rit. 

cresc.



 

 

f



f

 



  

cresc.

  

Ob. 2

Cl. 1 in Bb

 





sfp

 

 f

 

Hn. 1 in F

     

Hn. 2 in F

Tpt. in C

 

cresc.







 

 

  Tuba 

   gl. 

 

Perc. 1

Perc. 2

Piano

Gatsby

Vln. I



 

f sf

sfp

f

sf

f sf

sfp

f

sf

sfp

f

sf

sfp

f

sf





sf

 

 

 

 

sf

 

 

 

  f sf

sfp

f

sf

sfp

f

sf

sfp

f

sf

sfp

f

sf





sf

 

 

 

 

sf

 

 

 

via sord.

 

via sord.

 

 



 

 

 

  

 

    

Vln. II

 

a tempo (q = 76)



f



  f

cresc.

 

  f

cresc.

  

Vlc.

poco rit.

cresc.



  

Vla.

Cb.

gl.

sfp

f

 

Tbn.

 

f

cresc.

f sf

f





cresc.

f sf



sfp

 

 

f sf Bsn. 2

sfp

f sf

cresc.

 

f

Bsn. 1

cresc.

f sf

cresc.

  

Bs. Cl.



 

Cl. 2 in Bb

- de

cresc.

 

rit.

a tempo (q = 76)

 

 

p

 

 mf

  

 

  

  

p

  

p

 

mf

 

  p

mf

 

  

  

cresc.

cresc.

f sf

sfp

 f sf

 

 

 

 

 

sfp

f

sf

 

dim.

   

f

dim.

  

f

dim.

arco

f

 

p

cresc.

   p



 

rit.

 

sfp

f

sf

 sf



 

 


Act I, Scene Four Allegro h = 104

  Fl. 1  

Ob. 1

Ob. 2

Cl. 1 in Bb

Cl. 2 in Bb

 

Bs. CI.

frullato

    p    

pp

p

 

 

p

2

Tpt .

Tbn.

Tuba

      

     

Perc. 1

Perc. 2

Piano

Jordan

Gatsby

Nick



 (Clarinet in B)

p



pp

 p

  

 

pp

      

p

    

pp

  

     

pp staccato

 

  

 

 

Vibr. no pedal

  

pp

p

   p  Cbsn.   1

pp

p

Bsn. 1

Hn. in F

 

 

(Picc.)

Picc.

 

Maracas prillare p

pp

  pp

   

 

          

pp

p

staccato

In Nick's cottage. Through the window a view of Gatsby's mansion. Rain. Jordan and Nick prepare for a visit.

  

  

  

Allegro h = 104   Vln. I  

 p

         

non div.

Vln. II

Vla.

Vlc.

div.

  

  

p

p div. I senza trem.

  

   



p

                   

       

 

 

pp

 

 

div.

 

p

   



II trem. p

Cb.

   p

  

pp

   


392

Harbison The Great Gatsby–Reduced Orchestration Act I, Scene 4

 Fl. 1 

6

  

Picc.

To Flute

p

Ob. 1

Ob. 2



 

Cl. 1 in Bb

Bs. Cl.

Flute

       



p

 p

  

pp



pp

pp

 



p



pp





p sf



mf

p sf

               p

pp

mf

con sord.

con sord. (straight)

p sf





  

(Maracas)

 

pp

p

 

 

 

 

Vibr. no pedal

pp

p

 

 



 pp

p

 

   

 



 

     

Vibr. motor off

pp

 

mp

p

p sf

 

          

p sf

 

       

       

Gatsby

  

           

Vln. II

Vla.

   p

 

 

Vc.

Cb.

p sf

Perc. 2

Vln. I

Perc. 1

Nick

pp

p

Tbn.

Jordan



Tpt.

Piano

       

 Hn. 1 in F 

Tuba

p

 

Cl. 2 in Bb

Bsn. 1

pp



 

  



pp

 

    

    

 

p

 

   

pp

  p 

  



 

 

pp

 

 

p sf

 

fp

mf



pizz. div.

 





p sf



sf

fp

   


Harbison The Great Gatsby–Reduced Orchestration Act I, Scene 4

11 

Fl. 1

  

Fl. 2

Ob. 2

Cl. 1 in Bb

Cl. 2 in Bb

Bs. Cl.

Hn. 1 in F

Ob. 1

Bsn. 1

 





pp

  

 

 pp

        







 pp

p

           pp p    

 

     

pp

p

mf

p



  



   

 

   

 

 

  

      

Vln. II

Vla.

(Maracas)

 

p

pp

 

 

p

p

     

   

            

arco

   

p

  

 

pp

 

pp

   

 

Vc.



 

 

Gatsby

 

Vibr.

 mf

p

   

Cb.

Perc. 2

Vln. I

Nick

Perc. 1

Jordan

p

 

Tbn.

Piano

          p pp  

(con sord.)

Tuba

p

  

Tpt.

393

                                               mf p pp p                 



p

pp



mf


394

 Fl. 1 

16

 

 p sf

Cl. 1 in Bb

Cl. 2 in Bb

Ob. 1

Ob. 2

Bs. Cl.

Bsn. 1

Cbsn.

Hn. 1 in F

 

sf

  sf

 

p sf (con sord.)



p sf

 

    

(Vibr.)

 

   

fp

sf

  sf

  

(Maracas)

 

   

 

p

   

  

mf

  

 

   sf

 

 

sf

    sf

sf



pizz. div.

sf

fp

p sf



sf



p sf

  

p sf

 

pp

      

 



Vc.

sf

Vla.

 

Vln. II

Cb.

Vln. I

mf

sf



Nick

sf

     

Gatsby



mf

p sf

Perc. 2

Jordan

p

sf



Perc. 1

Piano



Tbn.

Tuba



p

 

 

Tpt.

p sf

Fl. 2

Harbison The Great Gatsby–Reduced Orchestration Act I, Scene 4



    

sf

         arco

p

   

 

 

  

 

p sf

mf

 sf

Jor

- dan,

sf



I've

  sf

 

marc.



fp



pizz. div. fp



 



  sf

 

   


21 

 Fl. 1  

Fl. 2



Harbison The Great Gatsby–Reduced Orchestration Act I, Scene 4

sf



sf



395

 

sf



 

sf

Ob. 1

 

Cl. 1 in Bb

 

Cl. 2 in Bb



sf

Bsn. 1

Cbsn.

Bs. Cl.

Hn. 1 in F

 

(con sord.)

Vln. I

 f

 



 

sf

 

sf

 





 



 

 

 

 

   

 

 

sf

sf

 

 



 

 



 

 

sf

 

 

 

   sf

 

 

 

sf

 

 

sf

got

a

game

for

you.

  

sf

  

 

Vc.

 

  

 

  

  

Vla.

  

 

  

(Vibr.)

Vln. II

Cb.

Gatsby

Nick

sf

Perc. 2

Jordan



 

Perc. 1

Piano

Tbn.

Tuba

f



  

Tpt.



 



fp

sf



 

sf

unis., pizz.

(div., pizz.)

sf

 













pizz. p



sf



 

   



We'll

call

it

  sf

 



Gats

-



 

sf













by's

 



     

 


396 Fl. 1

Fl. 2

Ob. 1

26 

  



sf

  



 

Cl. 1 in Bb

 

 

sf

 

Ob. 2

 



 

 

sf



sf

 

Harbison The Great Gatsby–Reduced Orchestration Act I, Scene 4

 sf

 

sf

 

 

 









sf

sf

 

 

 

 

   

Cl. 2 in Bb

Bs. Cl.

Bsn. 1

Cbsn.

Hn. 1 in F

Tpt.



sf

 

   

    

  

 sf



  

Tbn.

 

Tuba

  

  

Perc. 2

 

(Vibr.)

  



Jordan

Vln. I

Vln. II

  

 sf     

Vla.

  

Vc.

 

Cb.

  

sf

   



 

sf



sf

sf



mf







mf

          

 sf

 

  

     





  

  

    

 

sf

     

  

 

f

f

 

 





  

   

mf





sf



p

p

  

sf

 

  

 

 

 sf

sf

 

 





pp

  

 

 

  

 

 

 

 

 

   

  mf

  p

  

 

  

 

 

  

  

 

sf



sf



 

 

 

 

 

 

  sf  

p

sf

 

  sf 



 

sf

   

  

 

 

sf

   

p

 

mf

p

 

  

 

   

   

sf

 

 

 

 

sf

to Piccolo

            

 

 

 

 

 

Gatsby

Guests.

 

 

  

      Nick  

 



sf

 

   

 

  

sf

 

sf

  

Piano

 

 

 

sf



 

 



   Perc. 1

 

 

mf

  



p

  non div.   



sf

mf

 

 



East

Egg

           p

 

  

    mp



mp



mp

 







  











  





mf

mf

From

1/2 pizz., 1/2 arco

 

 f

p

p

mp

mp


Harbison The Great Gatsby–Reduced Orchestration Act I, Scene 4

          

 Fl. 1 

 

 

Ob. 1

 

Cl. 1 in Bb

 

Cl. 2 in Bb

Bs. Cl.

31

Fl. 2

Bsn. 1

Cbsn.

Hn. 1 in F

 

 

 

 

 

 

 

 

 

 

 

 

 

 



Piccolo



p



mf

p

 mf











   p

  

 

 

 

 

 

 

 

 

 

 

 

 

 



 

 

 

 

 

 

 

 

 



 

 

 

 

 

 

 

 

 

 

 

 

 

 

Gatsby

  

Vln. II

Vla.



  

Vc.

 came

 Vln. I         

Cb.

  

mf

 

Perc. 2

Nick

 

Perc. 1

Jordan

Tbn.

Piano

     

Tpt.

Tuba

397

  

p

 p



  



p

 

pp











p





the Ches - ter

              p pp mp           pp mp p             

p



pp

pp

mp

p

  



  



mp

mp

 

 

  

sf



 the

  

 

   

 

pp



pp







  

pp

pp





mf

 

      

p







  

  

  p



 

  p



 





  





mf

  

mf

 

  

mf



Lee - ches

mf

pp

 

                

 p

p

Ber - kers and

  

p

mf

  

p





p

   


398 Fl. 1

Picc.

         

36 

  

mf

    

          

  



p



  

Harbison The Great Gatsby–Reduced Orchestration Act I, Scene 4





mf

p

mp

p

 

 



Ob. 1

 

 

 

Ob. 2

 

 

 

Cl. 1 in Bb

 

 

Cl. 2 in Bb

 

 

Bs. Cl.

 

 

Bsn. 1

  

Cbsn.







mf







   

mf

  Hn. 1 in F  

   p

   p









 

mp

 p



mp

p



 

pp

mp

        mp     mp

          p       p

 

 p



  





  

 

(con sord.)

 

 (senza sord.)

 





 mp











 mp

mp

Hn. 2 in F

 

 

Tpt.

 

 

Tbn.

 

 

Tuba

  

 

  

 

 

 

 

 

 

 

 

 

  

 

 

 

 

 

Perc. 1

Perc. 2

Piano

 

  Jordan   Gatsby

Nick

Vln. I

  

           

pp

Vln. II

pp

Vla.

mf



mf



   

pp

   Cb.  

pp

 

 

 

 





named













mf





mf

mf

 

     

 



Bun - sen.

       p





p



 p

p







and

 

      

the

Wil -lie Vol - taires

  

       

 



 



 

 

 

mp

p















pp

 

  

 

 



p



 

pp

   





pp



  

pp

 p

pp



 

(con sord.)

the Horn - beams

and a man

 

And

  

 f

  

           

  

pp

Vc.

  pp 

mp

mp

mp

mp

p

p

p

p

and a


Harbison The Great Gatsby–Reduced Orchestration Act I, Scene 4

 Fl. 1 

41 

Picc.

Ob. 1



   

  

p

Ob. 2

p

 

Cl. 1 in Bb

 

Bs. Cl.

Cbsn.

 

p

Hn. 2 in F

 

Tpt.

 

 

  mp



 

 

    

mp





p









       mf

 

p

via sord.









mf

p

 p

mf





mf

p



p

 

 

mf

p

 

p

p

   



p

      



 

To English Horn



 

 p

 

 

 

 

 

 

 



 

 

 

 

p

p

 



via sord.

 



 

 

 

 

 

 

 

 

 



 

 

 

 

 

 

 

  

 

 

clan

named

  

 

Black - buck.

 

 

 

 

 

 

 

 

Vln. II

Vla.

Vc.

Cb.





p

Gatsby

Vln. I

  

p

p



whole

Nick



399

 

Perc. 2

Jordan



  

Perc. 1

Piano

        

p

 

Tbn.

Tuba

 

mp

p

  Hn. 1 in F 



cresc.

 



mf

p

            

 

 

mp

p

Bsn. 1

mp

 



 

Cl. 2 in Bb

 



  

mf

The



Dan - cies



and

S.

               p pp mf          mf pp p             mf

 mf



 mf



p



  



  

p

p



pp







pp

pp

 



 

B.

      mp     mp





 

 mp



 





mp

mp

 


400 Fl. 1

Picc.

         

46 

  

mf



  





mf

Harbison The Great Gatsby–Reduced Orchestration Act I, Scene 4

      p

   p

           

 

 

 

mf







mf

 

   p

   p

 

 

Ob. 1

 

 

 

 

 

Cl. 1 in Bb

 

 

 

 

 

Cl. 2 in Bb

 

 

 

 

 

Bs. Cl.

 

 

 

 

 

Bsn. 1

  

 

 mf

 

  Cbsn.   Hn. 1 in F









mf

  

    p

   

 

 mf



 

p









    p

    p

mf

 

 

 

 

 

 

Tpt.

 

 

 

 

 

Tbn.

 

 

 

 

 

Tuba

  

 

 

 

 

  

 

 

 

 

 

 

 

 

 

 

 

 

 

 

  

 

 

 

 

 

 

 

 

 

Perc. 1

Perc. 2

Piano

Jordan

Gatsby

 

 

 

 

 

  

 

 

 

 

 

 

 

 

 

  

   Nick  



White - bait and

     Vln. I   p

Vln. II

Vla.

Vc.

  



   



   



p

Cb.

p

- rice





mf

mf

 



  



   



   

   

mf

mf





  

A.

mf

p

  

         

    p

Mau

 

 

Flink



and

the

 

  

           





pp



mf

   

  







  







 



p



pp



pp

p

p

p

pp

pp





mf

mf

 

 

mf

mf





Ham -mer -heads

        

p



   

and

Be - lu - ga

            mp





p



  

  

   

   mp



   

   mp

mp





mp







 

 



 

 p







p

p

p

   


         

  Fl. 1   

51

Picc.

mf



  





mf

Harbison The Great Gatsby–Reduced Orchestration Act I, Scene 4

 

   p

   p

401

 

 

 

 

 

 

Ob. 1

 

 

 

 

 

Ob. 2

 

 

 

 

 

Cl. 1 in Bb

 

 

 

 

 

Cl. 2 in Bb

 

 

 

 

 

Bs. Cl.

 

 

 

 

 

Bsn. 1

  

Cbsn.

 

mf

   

 

mf

  Hn. 1 in F  









  

 

 

 

  

 

 

 

 

     

 

     

p

p

 

senza sord.

senza sord.

Hn. 2 in F

 

 

Tpt.

 

 

   

   

 

 

   

  

 

   

Tbn.

Tuba

  

Timp.

Perc. 1

Perc. 2

Piano

Jordan

Gatsby

Nick

 

             

 

 

             

pp

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

  

 

 

 

 

 

 

 

 

 

 

     

  

    

Be- lu

    

   

  

   

pp

pp

pp

Cb.

pp



pp

Vc.

pp

  

          p

 

  Vln. I      

Vla.



p



and

Vln. II



 

senza sord.

        

pp

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 -

ga's

  sf

girls.

                       mf pp mp                mf







mf

p

  



 p

pp







  

  



mf









  

  



mf

p

p



pp



pp



pp

mp

 

        

mp

      

                  (mp) p           (mp)

  mp

  

  mp

  



(mp)

 (mp)

 (mp)



p

 

 

   



  





  

 



  





 p

 p



 

p

 


402

Harbison The Great Gatsby–Reduced Orchestration Act I, Scene 4

  Fl. 1   

56

Picc.

Ob. 1

Ob. 2

Cl. 1 in Bb

Cl. 2 in Bb

            f

      



  

Bsn. 1

  











f









      

      

 f

 Cbsn.  

f

   



p

  

 

   p

   p

p

p

       

       

 

      

        



  

 

  

 



mp

  







 





 







mp

 

 

 

 

 

 

 

 

  

 From



 

 

               

 





 

f

f

f

  f





p

and

 

f

- dy's

- rea

 

  

and the Mul

came

the Poles

  

Egg

West

 

 

  

pp

 

 

 



 

   

 

  

   



  

 

 

 

  



 

 

      

   mp

 

  

mp



 

 

 





 

 mp

mp



p



   p

mp

pp

Cb.



mp

pp

Vc.

 





p

pp

Vla.

mp



p

pp

Vln. II



Tuba

Vln. I





Nick

mp

p

 

Gatsby



Jordan

 

p

 

Piano

Tbn.

Perc. 2

   

Perc. 1







 

 

Tpt.

 



 

  

    

 



p



p

  

 

 

p

  

English Horn

f

  

 

Hn. 2 in F

p

Bs. Cl.

Hn. 1 in F



 



 

 



 

 

 

 

 









p

p

p

   p


Harbison The Great Gatsby–Reduced Orchestration Act I, Scene 4

               

  Fl. 1   

61

   

Picc.

 

Cl. 1 in Bb

 

Cl. 2 in Bb

   

Bs. Cl.

    

   

Perc. 1

Perc. 2

Piano

 

 

 



 

            



 

       

 

p

p

  

mf

 





  

 

mf

 

mf











 

mf

  

  mf 

p

 

  

 



  mf





 



 p

      mp





 



 

mp

mp

p



   





  

p





p

   



mf

mf

  

 



p

                p mf       

p

  



 

  

  

 

p

 



p

mp

 





 

   

 

 mp



 

 

 

 

 

 

 

 

 

 

 

  

 

 

  

 

 

 

 

 

 

 

 

  

  

Ce

 

sf

- cil

   

Vln. II

 

Vla.

Vc.

Roe - buck

 and

New - ton

sf

 

mf

  

Or - chid.

  Nick  

Vln. I

  

  Jordan   Gatsby





p

403



mf

  

Tbn.

Tuba

 

    

Tpt.



p

  

Bsn. 1



mf

   

 



mf

  

Eng. Hn.

Hn. 1 in F

 

  

Ob. 1

Cbsn.

mf

                   

 







p

 

mf



    

And

the

 

Cut - lips

 

 

 

  

  Cb.  



 p

 and

 



the Bem - bergs

and

3 players

 pp

   

 

 

 

 

 

 



arco p

 


404

Harbison The Great Gatsby–Reduced Orchestration Act I, Scene 4

  Fl. 1  

65

Cl. 2 in Bb

Bs. Cl.

Hn. 1 in F

Perc. 2

Piano

Jordan

Gatsby

   



  p

 







 







 

        

     

        

 





 



  





p







 pp





  

pp

  



 



p

 



p

                pp         pp        

pp



 p







mp

p

 



  





 







p

mp



p







mp

 

p

  

p

mp

mp

 

     

 

 

  

 

 

  

 

 

  

 

 

 

 

 

  

 

 

  

 

 

 

  

 

 

 

 

   

 

 

 

 

 

 

  

  Nick  

B.

Earl





Vln. I



   

Tbn.

Perc. 1

   

Tpt.

Tuba

   

    



p

  

Bsn. 1



         

     

Cl. 1 in Bb

p

  

Eng. Hn.

Cbsn.



  

Ob. 1

 

   



sf

Mul - doon

 and

p

 pp

  

 

James

 

B.







"Rot - gut"

p



Fer - ret.

 



pp

Vln. II

  

 

 

Vla.

 

 

 

Vc.

  

 

 

 

Cb.

    



 p

 pp

 

p

pp

 




Harbison The Great Gatsby–Reduced Orchestration Act I, Scene 4

  Fl. 1  

 

70

Picc.

   

Ob. 1

 

Cl. 1 in Bb

  

Cl. 2 in Bb

  

    mp  

  

Bs. Cl.

Bsn. 1

   Cbsn.  

Hn. 1 in F

Cb.

             

mf

p

p







 









mp

 

 

  mf 





 

 

 

   p   

  

p

mf



 

mf



p

  

 

 

 

 

  



mp







  

 

 

Timp.



p

  

pp

 

 

  

 

  

 

  

   

  Vln. I  

Vc.



      Nick  

Vla.



Gatsby

Vln. II

  

p

Tbn.

Jordan

 

  

Piano

  

Perc. 2

p

Tpt.

Perc. 1



   

Hn. 2 in F

Tuba

  



 

       

 

mf

mp

  

mf

mp



405

    

mf

     

Eng. Hn.

          

 

 

From

  

  

   

New

   

sf

   

York

 

mf







 

 

mf

      







  







  

mf pizz.

mf

p

p







p

p

p

came

pp

   

 pp



pp



pp



pp

the Chromes

and

 





   



 

  mp









mp

mp

mp

the

     mp

 

 

         

 

 

            

tutti

mf

    

 

   

p



p



 

p

p





 p




Harbison The Great Gatsby–Reduced Orchestration Act I, Scene 4

406 Fl. 1

 

 



solo



 

Cl. 1 in Bb

 

Cl. 2 in Bb

 

Bs. CI.

 

 

 

 

 

 

 



 

 

 



 

 

 

   

 

 

Ob. 1

Bsn. 1

Hn. 1 in F

Tpt .

Tbn.

Tuba

Perc. 1

Perc. 2

Piano

Jordan

    

Den - ni - kers

Nick

Vln. I

      pp

 

Vln. II

pp

Vla.

Cb.

  

                 

         

 p













  







mp

 



 





  

 





pp

 

  

       

mp

mp

mp

 

p

pp

p

pp

pp

     

mp

 

pp

p

Rus - sell Bet - ty.-

 

pp

Vc.

and



 

Gatsby



 

And

mp

the

  



 



mp

 p



 









 



p

pp

 

mp



pp

Cor - ri -gans

mp

mp

 

   

and

p

p



the Kel - le - hers

pp

 

p

 pp  pp

 



   

and

the

      mp



mp



  

mp

   









 









 

p

p

pp

pp

mp

mp




  Fl. 1   

80

Picc.

Ob. 1

Cl. 1 in Bb

Cl. 2 in Bb

Bs. Cl.

Bsn. 1

Cbsn.

Hn. 1 in F

      

    

      

  







 

mf



mf



 

 p



mf

p

 

p



   

 

mf

 



p





mf

p



  



  

 

 

mf



 



                





  

mf

 

407

  

p





           

mf







 





mf

   

 

 





  





  

p

 



p

   p

mf

  



p

mp

  p



p

mp





p

p

 

 

  

 

 

 

 

 

  

 

 

 

 

 

 

 

  

 

    

 

  

   

sf

And

the



   Scul -lys

mf

mf



mf



mf



mf



and

the

 

          



sf

   

  

p

 p

 



p



p



p

   



Smirkes.



sf

And

the



  

young

 

 



  Vln. I      

Cb.

p

mf

Bel - chers.

Vc.

mf

 

 Gatsby        Nick  

Vla.

               

  Jordan   

Vln. II

Tuba

Piano.



 

Tbn.

 p

   



mf

 

Tpt.

Perc.. 2



p

  

 

Perc. 1

Harbison The Great Gatsby–Reduced Orchestration Act I, Scene 4

Quinns

 3

new - ly

di -

                                           dim. mf



mf



mf



mf



mf



   





mf

p



p





p



p

 

p

 



mf



mf

  

mf

  

mf

   

mp



   





  



mp

mp

 

  

mp

  

mp

dim.

dim.



dim.



dim.















 





 



 
























408

Harbison The Great Gatsby–Reduced Orchestration Act I, Scene 4

 Fl. 1 

85

 

Picc.

Ob. 1

 

Cl. 2 in Bb



         

  

      

p

p

   



pp











 p









pp



pp



























pp

p



 













p





 

pp

Who had

  

p

pp





p

 

 

vorced,

and Hen

 



- ry

L.

   Pal

 -

- met

 





his

nose

shot

off

- to.

     

 

  

pp

 

Vln. II

pp

Vla.

pp

Vc.

pp

  

pp



   



pp





p



pp

p



pp



Gatsby

Cb.



Perc.. 2

Vln. I



To Flute

Perc. 1

Nick



pp





  

Tbn.

Jordan

  

Tpt.

Piano.

p

 p 

      

pp

Tuba



p

Bsn. 1

Hn. 1 in F



 

Bs. Cl.

Cbsn.

pp

 

Cl. 1 in Bb

Eng. Hn.


Harbison The Great Gatsby–Reduced Orchestration Act I, Scene 4

              f p        

 Fl. 1 

 

 

Flute

  



   

  

            

 

          

90

Picc.

 

Ob. 1

Eng. Hn.

Cl. 1 in Bb

mp

 

Cl. 2 in Bb

  

Bs. Cl.

Hn. 1 in F

 

   p   



   



 

 

 

  

p

mf



 

 

p

 

  

 

 

 

 



 

 

 

 

p

and

Miss







f

 

 

 

 

 

 

 

 

 

   Clau

-

  

di - a

 Hipp.

             f        f        f



pp

 



 

 





f

 

 

sf

 

p

  

 

Timp.

mf

 

 

 

 

p

 

   war,

 

Cb.

f



 



 

 

 

f



Vc.

 

 

 Vln. I 

Vla.





   

Vln. II



p

 

 

 

f

   

 

 

Nick



p



   

  

p

 

 

 

Gatsby

 



the

 

in

 

 





 

  Jordan 

 

f

 



 

 



Perc.. 2

p

 

 

Perc. 1

 



 

 

 

 

f



          

p

    p  



p

mf

mf

  



p

f

to Oboe

p

mp



Piano.



 



mf

p

 

Tbn.

 

mp

 

Tpt.

Tuba

  

mp

mp

Bsn. 1

Cbsn.





409

sf

   

  

p



 p

 

 





p





p

  



  

 p

With

   

 a

    mp



mp



 

mp

 mp   

mp



           


Harbison The Great Gatsby–Reduced Orchestration Act I, Scene 4

410 Fl. 1

95 

  

  

Fl. 2

   

Ob. 1

   

Oboe

Ob. 2

    

   

 



mp

 

Bs. Cl.

 

Bsn. 1

   

Cl. 2 in Bb

   Cbsn.   Hn. 1 in F

   







mp







mp

    mp













Tbn.

  

  

(Timp.)

Perc. 1

Perc.. 2

Piano.

Jordan

Gatsby

 

    



mf

 

 

mf





mf



mf

mf



 

mf



 

  

  

  

  

      

 re

                 Vln. II   Vln. I

       

   Cb.   

p

  p



-



put

- ed

to

be

her

chauf

                

 p





 p









 





 

  - feur.

                            







 

    mf  mf  mf















mf

mf

 

 





mf

  p



man

Vc.



   

  

   Nick  

Vla.

mf

    



  

  

mp

Tpt.

Tuba

  

Cl. 1 in Bb

    

 

      



cresc.



cresc.









cresc.

cresc.

cresc.



  












101poco animando

 Fl. 1  

Fl. 2

 

   

Cl. 1 in Bb

Cl. 2 in Bb

Bs. Cl.

Bsn. 1



 

    

   

       

 

 

to Bassoon

f

 

 



to Eng. Hn.

 

 

 

f



 

   

mf

f

al sord.

   



cresc.

ff

 

f





 



 





 

  



ff

   p   p



     



   f

 al sord. (Harmon)

 p

 

 

 

 



 

 

 

 

  



Nick

Gatsby

  

 

poco animando

        

Vln. II

Vla.

Vc.

   

f

 f

 f

 

       











f

ff

Più mosso



f



ffp

 

 

  



ffp





 

  

Perc.. 2

Cb.

     

411

p

Perc. 1

Vln. I

    

ff

p

  



  

   f 

ff

    

 

  

f



f

Tbn.

Nick



Tpt.

Jordan

f

 

cresc.

Piano.

 

  Hn. 1 in F   

Tuba

       

f

Ob. 2

Ob. 1

Cbsn.

Più mosso

Harbison The Great Gatsby–Reduced Orchestration Act I, Scene 4

 

 

      

cresc.





 



 

 







tutti arco







cresc.









cresc.





cresc.

  

     



cresc.

tutti arco

tutti arco



arco



    

     ff

 



ff

     ff

  

ffp

  

ffp

     

  

p

  

p non div.

            

p

 

 


412 Fl. 1

106     

Fl. 2

   

 

Cl. 1 in Bb

 f



  

 



 





      

rit.

  

 

 

    

 

 

 

  

    

  

 

 



            

  





mf

  

Bsn. 1

 

 

Bs. Cl.

  

           

Cl. 2 in Bb



      

Ob. 1

  

Harbison The Great Gatsby–Reduced Orchestration Act I, Scene 4

 

     

mf



 

 

 

mf

 



 







ff dim.

Bsn. 2

  



 Hn. 1 in F 

Tpt.

 

 

con sord.

f con sord. (Harmon, stem out)



Tuba

Vla.

Vc.

Cb.

 

   

fp

 



 

 

 



 

 

  



 

  

   









sf

have

things

to

do.

   

 

 

                   

We

           Vln. I    Vln. II

 

Gatsby

Nick



 

 

Perc.. 2

Jordan

ff dim.



Perc. 1

Piano.



fp



 

 

con sord. (Harmon, stem out)

Tbn.

 



  





  

  

 

pizz.



           

  

 



       

 









  

rit.  

 

 

 

 

mf



mf

mf

 


  Fl. 1  

h = q = 104

111

Ob. 1

Harbison The Great Gatsby–Reduced Orchestration Act I, Scene 4

      

p

Ob. 2

Cl. 1 in Bb

Cl. 2 in Bb

       p

English Horn

  

 

         

413

        

      

 

  

      

        

  

p

      

  

        p

            

               

  

         p

         

                    

Bs. Cl.

 

Bsn. 1

      

 

     

     

 

      



   

to Contrabassoon

   Bsn. 2       via sord.   Hn. 1 in F  

p

f

  

     p

f

 

     

      p

 

 

 

    

        

f

Tpt.

 

 

 

Tbn.

 

 

 

Tuba

  

 

 

  

 

 

 

 

 

 

 

 

  

 

 

 

 

 

Perc. 1

Perc.. 2

Piano.

 

  Jordan   

 Gatsby      Nick  

  

p

 

Af -ter -noon

tea.

       

div., pizz.

 p



p

Vla.

Vc.

  

pizz.

Cb.

      p 

(pizz.)

          p

pizz.

     





      

pizz.

Vln. II

   



       

   

Gats - by

  

and Dai -sy

will be

ar

     

              

      

      

 

f

  

-

 

ri

  

- ving soon.

 

   

 

 

f

       

  

            

 

      

  

 

h = q = 104

     

cresc.

 

 

    

  Vln. I   

  

p

p



p

      

      f

  

p

      p

   p


Harbison The Great Gatsby–Reduced Orchestration Act I, Scene 4

414 Fl. 1

poco rit. 115  

       

Ob. 1

     

 

Eng. Hn.

   

Cl. 1 in Bb

Cl. 2 in Bb

Bs. Cl.

Bsn. 1

Bsn. 2

a tempo

   

           

     

     

  p

p

mf

            mf

    

 

  

   

Contrabassoon

 

mf

 

 

 

 

 

    p

mf

     

p



    p

    



    p

      



p

 Hn. 1 in F 

Tpt.

Tbn.

Tuba

  Perc. 1

Timp.

 

p



cantabile

Five

pizz.      Cb.  





a - go

I

knew

 

them

mf



both,

 

a tempo      

   

 

years

 

          



 

mp

p



  

  Vln. I  

Vc.

poco rit.

Vla.

  

Gatsby

Vln. II

 

 Jordan 

Nick

p

    

Perc.. 2

Piano.

(senza sord.)

  

      

 

mf

p

 

 

  

    

     

   p



       

p

     

arco

arco

 

 

mf

     

unis., arco

  

     

  

 

  


Harbison The Great Gatsby–Reduced Orchestration Act I, Scene 4

 Fl. 1 

120

 

    

  

Ob. 1

p

    

  

 

 

mp

mp

   

     

 

p

415

p

            

pp

Cl. 1 in Bb

Cl. 2 in Bb

Bs. Cl.

Eng. Hn.

Bsn. 1

Cbsn.

Hn. 1 in F

  non legato

mp

p



cresc.



mf

p

To Bassoon



   p



    

    

p





 Jordan   Gatsby

p

back

  

   

   

be - fore we

all



 

3

of - fi

- cer

p

Gats - by

look

 at

mp



Dai

 

    

   mp



 

mf

     

   p

arco

            

cresc.

I saw

mp

mp



  

came east.

mp

p

Vc.

p

  

f

            

Vla.

    

Vln. II

Timp.



(pizz.)

    

mf



p

mp

 

   p



sy

     

p

-

 

      

 

p

mf

p

mp

  

Perc.. 2

Cb.

p

Perc. 1

Vln. I

  

     

Tbn.

Nick

mp

Tpt.

Piano.



mp

Tuba

p

mf

             

  

     

  


416

Harbison The Great Gatsby–Reduced Orchestration Act I, Scene 4

 Fl. 1 

125

Fl. 2

    

  

Ob. 1

p

Cl. 1 in Bb

Cl. 2 in Bb

Bsn. 1

Hn. 1 in F



mp

mp

  

    

mp

    

 

p

p

  p

    



 

 

p

    mp



    p

    

p







Gatsby

3

wants to

be looked

at



some -

time.

 

mp

 

mp

mp

  

mp

           

mp



 

 

p

p

    

      

  

 

     

     

     

   

     

p (pizz.)



  

 

eve - ry young girl

Vc.

 

3

      

      

Vla.

the way

Vln. II

mf

  

 

  

      

 

    

  Jordan 

Cb.





 

Perc.. 2

Vln. I

    

Perc. 1

Nick

mp

p

   

mp

    

 

Tbn.

Piano.



p

 

Tpt.

Tuba

mp

     

mp

    

 

Bs. Cl.





p

   p

 

  


Harbison The Great Gatsby–Reduced Orchestration Act I, Scene 4

   Fl. 1  

   

  

   

130

Fl. 2

      

Eng. Hn.

    

      

    

      

mp

mp

 

Ob. 1

mp

     

dim.

    

p

mp

p

Cl. 2 in Bb

Bs. Cl.

Bsn. 1

Hn. 1 in F

mp

p

   

      p



      

   

   



(Harmon mute)





Perc.. 2

mp

    Jordan     Gatsby

  

 

Vla.

   

 

  

       

 

cresc.

mp

mp

              

 mp



mp dim.

 dim.

dim.

     

mp

    

Cap - tain Gats - by went to France,

    

p

Vc.

   

Vln. II

Her pa -rents dis - ap -proved

p

Cb.

        

     



Perc. 1

Vln. I

dim.



    

Tbn.

Nick

p

Tpt.

Piano.

   non legato, cresc.

 

Hn. 2 in F

Tuba

p

   

Cl. 1 in Bb

417

p



and

p

p

     

 





p



 p

   

soon

all

Lou - is -ville

  p

         

pp



 

  

gath-ered

to

      



 

pp

     

 

  



p

 

(Harmon mute)

pp

       

    

p

  

p

(pizz.)



  

 


418

Harbison The Great Gatsby–Reduced Orchestration Act I, Scene 4

  Fl. 1  

135

Ob. 1

Eng. Hn.

Cl. 1 in Bb

Cl. 2 in Bb

pp

pp

 

  



pp

p

    

 

f

       

   

p

p poco staccato

    p

f





mf

 p

  







muta sord. (straight mute)





  

via sord.

p

  

Tbn.

Tuba

 



pp

Perc. 1

Perc.. 2

Piano.

  Jordan 

mp

 

3

see

Gatsby

Nick

Vln. I

 

 

          

Vla.

Vc.

Cb.

pp

 

pp

  

  

cresc.

pp

Tom

  f

pp

       

    

       



  

pp

mp

    

        

Bu -chan -an.



pieno

     

Tom

  

her mar - ry

 

  

Vln. II

3

p

     mf

f

        pp cresc.

f

   

was

 

rich,

mf

 

mf

       

   

mf

       

mf

pp

f

         

   

p

   

       

          

p poco staccato

 

pp cresc.

pp



       

        

p poco staccato

pp cresc.

     

        

    

Tpt.

 

Hn. 2 in F

 

Bs. Cl.

Hn. 1 in F

     

  

pp

     

   

Fl. 2

Bsn. 1

     



 

       

       

p poco staccato

          p poco staccato

          

mf

         

mf

       

mf

p poco staccato

    p


Fl. 1

140 

Fl. 2

Ob. 1

Eng. Hn.

        p

p poco staccato

p

       

        mf

        mf

mf

p poco staccato

 

 

p

       

p

    

    

 

 





 

con sord. (straight mute)

   

p

mf

mp

p

mp

p



p





   



Tom

Gatsby

  

was

   

hand some

Vc.





Five

years

       

       

p

Vla.



       

      

and Gats -by was gone...

         Vln. I  Vln. II

 

mp

Perc.. 2

Cb.

    

p

p

mp

mp

419 

        

p

               

p

Perc. 1

Nick

        

poco staccato

       

  

Tbn.

Jordan

Tpt.

Piano.

 

Hn. 2 in F

Tuba

Bs. Cl.

Hn. 1 in F

Cl. 2 in Bb

poco rit. Tempo

Cl. 1 in Bb

Bsn. 1

Harbison The Great Gatsby–Reduced Orchestration Act I, Scene 4

p

        

mf

       

mf

 

 



areo

arco





p

                 p

         mp



  p

  p

     

 

 

a-

poco rit. Tempo

p

mf

 

p

mp

           

mp

mp

mp

 

p

  p

  p

     mp

     

mp

     mp 

 

 p pizz.

  

pizz.

  p


420

Harbison The Great Gatsby–Reduced Orchestration Act I, Scene 4

 Fl. 1   

145

mp

    

mf

    

Fl. 2

     

Eng. Hn.

p

Cl. 1 in Bb

Cl. 2 in Bb

p

Bsn. 1

Hn. 1 in F

mf

cresc.

 p

     cresc.

 

mp

mp

       

mp

p

f

p

   

p

               

mf

p

       

        

p

       

       

   

       

p

mp

p

    mp

f

f

p

p

        

      

 



    

        

 

  

f

          

mp

p

mf





 

Perc.. 2

  Jordan 

cresc.

Gatsby

  

  Vln. I    Vln. II

Vc.

     

  

Five years

   f

a

- go_

 I

  

was

   

a brides

-

  

maid..

    

 

mf

   f



  

    

mp

mp



    mp 

p

cresc.

 

p

cresc.

 

   

          

  

    

f

f

p

p

                      

     

mp

    

       

     



p

      

mf

 

mf

Vla.

Vib. motor on

   

go,

Cb.

          

Perc. 1

Nick

 

Tbn.

Piano.

    



 

Tpt.

Tuba

f

mf

     

Bs. Cl.

 

Ob. 1

 

f

cresc.

p

  

  


Harbison The Great Gatsby–Reduced Orchestration Act I, Scene 4

421

 Fl. 1 

Fl. 2

Ob. 1

Cl. 1 in Bb

       

       

                

                

150

Cl. 2 in Bb

p

p

Bs. Cl.

Hn. 1 in F

 



      p

Perc. 1

 



  Jordan  Gatsby

  

Vc.

cresc.

  

on

   

her bed

as

3

love

-

ly

as

pp

  

 

arco

      p

arco

p

      pp

   

  

    

      pp

 

  

 

      

cresc.

   

       cresc.



cresc.



    

         

  

cresc.

cresc.

    

     

    

       

  a

       

     

    

mf

3

div.

  

 

 

Vla.

     

Vln. II

p

I found her ly - ing

 Vln. I 

Cb.

    

Perc.. 2

Nick

   

Vib. motor off, no pedal

mf

Tbn.

Piano.

Tpt.

Tuba

Bsn. 1

Cbsn.

p

  

    


422

Harbison The Great Gatsby–Reduced Orchestration Act I, Scene 4

155

Fl. 1

 

           

    



p

           pp

         

Fl. 2

Ob. 1

Cl. 1 in Bb

           p  

    



Cl. 2 in Bb

Bs. Cl.

   

mf

Cbsn.

Hn. 1 in F

 

          

        

  

          

   

    

  

          

   

    

pp

 

Bsn. 1

pp

Bassoon

 

mf

 mp  mp



pp

pp

Hn. 2 in F

Tpt.





Tbn.

Tuba

Perc. 1

Perc.. 2

Piano.

 f  Jordan  Gatsby

Nick

Vln. I

Vln. II

  

 

  

June

night

in her flow

  

       

       

mf

     



mf

Vc.

mf

  Cb.     mf

ered dress,

p

      

    

-

mf

Vla.

   

    

  

p

 p

meno f parlando



and



as



drunk

       3

as a mon -key

3

  

clutch ing a

    



    



pp

pp

pp

    



        pp

pp


Harbison The Great Gatsby–Reduced Orchestration Act I, Scene 4

 Fl. 1 

160

Fl. 2

Ob. 1

Eng. Hn.

Cl. 1 in Bb

Bs. CI.

Bsn. 1

Hn. 1 in F

           

 

Tbn.

Tuba

 

                  

 

mf

      pp

 

To Sop. Sax.

mf

       

mp cresc.

                 p

cresc.

p

cresc.

mp

 

p senza sord.

 p

   

 

   

 

  

 

 

 

cresc.

 

  

 

cresc.

   

 

  cresc.

  

 

  

 

  

    

  

 

cresc.



  

 Vln. I 

 

 

from

 sf

Gats

 

-

by.

p

pp

mf

mf                              (pp)

mf

(pp)

 

 

mp

mf

 

                    pp

 

Vib.

f

She was

  cry

cresc.

-

 

ing.

  

animando poco a poco          

div., 1/2 spiccato, 1/2 legato

f

cresc.

div., 1/2 spiccato, 1/2 legato

      cresc.

      f

                       

            Cb.  

             

Gatsby

Vlc.

cresc.

let -ter

Vla.

                                  

p

3    Jordan   

Vln. II

cresc.

 Perc. 1

Nick

 

Piano

Perc. 2

p

Tpt .

p

 

Hn. 2 in F

                                  

animando poco a poco

           

pp Cl. 2 in Bb

423

  

  

  mf


424

Harbison The Great Gatsby–Reduced Orchestration Act I, Scene 4

164  

    Fl. 1 

  To Piccolo    

Fl. 2

    

Ob. 1

    

Bs. Cl.

Bsn. 1

mf

f

mf

f

              

Piccolo

      mf

f

f

mf

f

mf

f

             mf

f

  



cresc.

mp

cresc.

ff sf

                                                                            ff sf mp cresc.                                              mp

cresc.

ff sf

mp

cresc.

ff sf

   

 

ffsf

                                          



   

mf

      

  

    

  

   

 

    

mf

cresc.

mf

Tuba

  

f

mf

f

   

  mf cresc.

      

  

 



 



  

senza sord.

 

  

f



 

  

  

 

  

 

cresc.

 

cresc.

  

ff sf

   

ff sf

Perc. 2



    Jordan 

she was cry

Gatsby

  

-

  

ing,

ff

  

"Tell

f

cresc.

                             

Vla.

Vlc.

mind?"

f

cresc.

 

       mf

f

      mf

f

            

mf

f

         

   

                      

  

       

 

p

cresc.

p

cresc.

                      div., 1/2 legato, 1/2 non legato

p

cresc.

 

p

p

her



                             Vln. I   Vln. II

  

them Dai - sy's changed

(sim.)

(sim.)

 



  



ff sf

cresc.

 Perc. 1

ff sf

   

 

 

 

cresc.

        

f

 

 

 

     

 

fp cresc.

cresc.

  

Cb.

mf

     

 

       

mp

Tbn.

Nick

f

  

Piano

mf

f

            

  

Tpt.

mf

                        

  Hn. 1 in F   Hn. 2 in F

f

Cl. 2 in Bb

Cl. 1 in Bb

f

Eng. Hn.

                

   

   ff sf

  

ff sf

  

ff sf

        


Harbison The Great Gatsby–Reduced Orchestration Act I, Scene 4

Più mosso q = 116

  Fl. 1   

168

Picc.

  

Ob. 1

        

Eng. Hn.

Cl. 1 in Bb

to Flute

 

  p

  p

                                 ff                                    ff

425

 

          

ff

 

Hn. 2 in F

ff

 

Tpt.

Tbn.

 

Tuba

f



 

al sord. (hat)

 

 

  

 

 

 

  

 

 

 

 

 

mp

Vla.

p

         p

 

  

 

 



 

  

 

 

 

 

 

 

 

 con sord. (hat)

  p

p

mp

 

via sord.

 

 

 

 

 

 



 

 

 

 

 

  

    

 

 

 

sf p

  Ice,

 

 

 

Subito tempo =104

senza rubato

 

 

 

 

 

                                    ff                   Cb.                  ff

Vlc.

 

 

Più mosso q = 116

Vln. II

Gatsby

Vln. I

      



 

p

 

Perc. 2

Nick

   

 

To Ob.

Perc. 1

Jordan

 

 

Piano



   

  

 

                                 Bsn. 2         ff sf

sf

 

 

      sf p

p

p

mp

 

  

mp

Hn. 1 in F

  

mp

   

Bsn. 1

senza rubato

    

 

Bs. Cl.

p

Sop. Sax.

1.

Subito tempo =104

unis., legato

      p

mp

   

sf

p

       p pizz.   

pizz.

    sf

  

p

 

 

 


426

Harbison The Great Gatsby–Reduced Orchestration Act I, Scene 4

  Fl. 1  

 

 

 

 

 

172

Picc.

  

 

Eng. Hn.

 

 

 

Cl. 1 in Bb

 

 

                f

 

 

Bs. Cl.

 

 

 

Bsn. 1

 

 

               

Bsn. 2

Hn. 1 in F

Hn. 2 in F

Tpt.

Tbn.

Tuba

   

         pp

   

   

 

 

Perc. 2

Piano

 

Nick

Cb.

 

pp

 

f

pp

  

pp

f

cresc.

  

p

 

 

 

 

solo

 



pp leggiero

pp

 

 

 

 

 

 

 

 

 

 3   3     

spi - rits

  

  

   

3

of am - mo

-

 

              

nia

 

 

  



p

 

pp

and the next

 

day

    

cresc.

she mar ried Tom

 

 

  

      

  

      

 

 

 

 

  

pp

pp

p



p

pp

       

 

 

with -out a shi - ver



3

 

 

    

 

f

 

       



 

 

 

 

    

  

 

pp

Vlc.

 

cresc.

    

unis., legato

Vla.

  

   Vln. I    Vln. II

    

 

pp senza sord.

  Jordan    Gatsby

 

pp

 

 

pp

cresc.

p

to Contrabassoon

pp

  

p

  

p

   Perc. 1

           

  

             

pp

 

Sop. Sax.

  

Flute

p

      

pp

 

Ob. 1

  

   

pizz.

 p

 

 

 

pp unis. pp

   pp

        


Harbison The Great Gatsby–Reduced Orchestration Act I, Scene 4

   Fl. 1  

    

      

177

Fl. 2

Ob. 1

    

 

    

 

  

    

        

    

    

    

 

  

 

    

(pp)

 

       

mp

cresc.

(pp)

 

mp

cresc.

 

pp

      pp

p

 

 

   

Sop. Sax.

Bs. Cl.

Hn. 1 in F

  

Cl. 1 in Bb

Bsn. 1

    

 

427

Hn. 2 in F

Tpt.

 

Tbn.

     pp



 

al sord.



 



solo

pp

 

p

 

 







 Jordan 

Tuba

Perc. 1

Perc. 2

Piano

Gatsby

Nick

  

      mf

  

    

    

    

        

Cb.

      

    

      

 

    

(pizz.)

p

    

 

  

 

    

   

   

mp

 

 mp

so

mp

         

 

girl

 

ne - ver a

    

was

  

Vlc.

there

 

Vla.

       

 

    

  

Af - ter her hon - ney moon,

   Vln. I   Vln. II

 

pp

     

solo

pp

 



pp

pp

p

pp

   p

pp


428

Harbison The Great Gatsby–Reduced Orchestration Act I, Scene 4

 Fl. 1 

182

Fl. 2

Eng. Hn.

    

 

Cl. 1 in Bb

p

mp



 

Bs. Cl.

p

mp

  





 

pp

  



 



 

 



 

chiuso

pp





  

   

1. solo

p

For

a

p

 

  

 

pp



cresc.

sf



while.

 tutti

 

 

 

sf

             

                

           

                    

mp

pizz.

band.



     

p



1. solo, arco

p

-

mp

hus

    

 Cb.  



a - bout her

 

 Vln. I  

f

sf

cresc.



 

           

cresc.



cresc.

pp

pp

cresc.

          

 



pp

p

Gatsby

Vlc.

Oboe

mad

Vla.



  

Perc. 2

Vln. II

  

cresc.

Perc. 1

Nick

pp

  

Tbn.

Jordan

          

Tpt.

Piano

pp

 Hn. 1 in F 

Tuba

p

Sop. Sax.

Bsn. 1

Ob. 1

             

pp

tutti

pp

tutti  (arco) p p

 p

cresc.

cresc.

cresc.


Harbison The Great Gatsby–Reduced Orchestration Act I, Scene 4

185 Tempo q = 104 (più mosso) 

  Fl. 1  f

   f   

Fl. 2

Ob. 1

f

Ob. 2

  f

   

Cl. 1 in Bb

f

  

Sop. Sax.

f

Bs. Cl.

Bsn. 1

Hn. 1 in F

to Piccolo

Piccolo

 

To Eng. Hn.

p

f

  p

  p   p

 





  

 Dai

-

sy

ought

   to have

 

 



some - thing in

her

life.

 

q = 104 (più mosso)  

  

 

 

p

p

   

 

 

 

f

f

Vlc.

 

f

Vla.

 

 

 Tempo     Vln. I  f      Vln. II 

Cb.

pp

sf



Gatsby

Nick

 

Perc. 2

Jordan

 



p

p

pp

  

 

  

  p

 

 

sf



sf



 

 







b

  p

pp

 

429

sf

  

Perc. 1

Piano

sf

to Clarinet in Bb

p

  

pp

 

English Horn

f

Tuba

 

 

 



f

Tbn.



p

    

Tpt.

 

 

 


430

Harbison The Great Gatsby–Reduced Orchestration Act I, Scene 4

188     

Fl. 1

 

  

 

   

 

   

   

      

       p

Picc.

Ob. 1

Eng. Hn.

f   

f

f

f

p

      

 

     

 

Cl. 1 in Bb

         p

       

Cl. 2 in Bb

Bs. Cl.

         p

 

Bsn. 1

Hn. 1 in F



 

 

  





   

 

 

 



 

 

 

 

 

 

 

 

   

al sord.

f

 

Perc. 2



Temple Blocks   f

   

 

 Jordan 

Vln. II

Vla.

Vlc.

più dolce

Does she know

     sf

he's com- ing?

 p

 Vln. I 

  

 

Gatsby

Cb.

    p

Perc. 1

Nick

 

Tbn.

Piano

Tpt.

Tuba

      

   

   

pizz.

f

f

 div., pizz.

  p

        p

 

 

      He asked me

 

       

pizz.

p

pizz.

   p



 

not

 

to

sf

 

tell.

         

       

 

 

     

   

   

 

 

 

   


Harbison The Great Gatsby–Reduced Orchestration Act I, Scene 4

rit.

  Fl. 1  

192

 

 

 

 

 

 

 

 

 

Eng. Hn.

     

       

                      



      

                    



Cl. 1 in Bb

Cl. 2 in Bb

Bs. Cl.

Bsn. 1

cresc.

   

       cresc.

p



cresc.

f

      

 

f

cresc.



                f p cresc.

     

    

         

mf

 

 

mf

cresc.

      

  

 

  

to Oboe

   

p

  

  

Ob. 1

 

 

  

431

 

 

 

mf

  

 

 

 

Tpt.

 

 

 

 

Tbn.

 

 

 

 

Tuba

  

 

 

 

  

 

 

 

 

 

 

 

 

 

 

 

  

 

 

 

 

 

 

 

 

Exit Jordan, into the rain.

 

Hn. 1 in F

Perc. 1

Perc. 2

Piano

 

  Jordan    Gatsby

Nick

  

p

     

Then it's

   

  

 

 

Vla.

Vlc.

Cb.

  

 

 

    

   

     

       

To S. sf

  



Good

     

    

 

 

 

 

 



 

 

    mf

arco

   

mf

luck!

 

mf



  

 

  

a sur - prise.

   Vln. I      Vln. II

 

rit.

 arco

  

     cresc.

 

    f

arco                      f cresc.

arco

          

 

 

  

     f

cresc.



  

     


432

Harbison The Great Gatsby–Reduced Orchestration Act I, Scene 4

  Fl. 1  

Doppio movimento q = h = 104

196

     

p

 

frullato

Picc.

pp

Ob. 1

Eng. Hn.

Cl. 1 in Bb

   

pp

 

 

 pp

p



Oboe

p

    

 

 

pp

p





pp

 

 

 

 



       p

        

pp

p

 

Bs. Cl.

 

Bsn. 1

  

Cl. 2 in Bb

Hn. 1 in F

  

pp

p

Tpt.

 

Tbn.

 

Tuba

  

  

 

Perc. 1

Perc. 2

Piano

Vibr., soft rubber mallets no pedal

  

Maracas

 

 

pp

 

p

 

pp

 

p

pp

 

p

  

pp

    

       

       

p

     Nick  

Gatsby

   

 

 



p

  

 

pp

Doppio movimento q = h = 104   sul D Vln. I             unis., arco

p

Vln. II

 

pizz.

p

  

    

     

div.

 

 

Vlc.

 

Cb.

  

Vla.

  

div.

p

  

 

pp

p

  

 

    

pp

    

  

 

p

 


Harbison The Great Gatsby–Reduced Orchestration Act I, Scene 4

 Fl. 1 

201

   

frullato

Picc.

to Flute p

pp



 Flute

p sf



p sf

   

Ob. 1

pp

433

pp

Ob. 2

Cl. 1 in Bb

pp

Cl. 2 in Bb

 p

pp

       p

Bs. Cl.

Bsn. 1



p sf

pp

 Hn. 1 in F 



Hn. 2 in F

Tpt.

Tbn.

Tuba

Perc. 1

Gatsby

Nick

   

 

p sf



  

 

 Vln. I          

Vln. II

  

Vla.

p

pp

       

 

  

  

 

pp

       

All

day

       

Vlc.

  Gats - by's

 

1 player loco

sf

pp

Cb.

p sf con sord.

(Vibr.)

Perc. 2

Piano

   



con sord.

pizz. open string

psf


434

Harbison The Great Gatsby–Reduced Orchestration Act I, Scene 4

206

 Fl. 1  

Fl. 2

Cl. 1 in Bb



sf



sf



sf

Ob. 1



sf



 sf

 sf



sf

 

sf

 sf

Cl. 2 in Bb

Bs. Cl.

Bsn. 1

Hn. 1 in F

  



 

 

Hn. 2 in F

Tuba

Nick

sf

sf

 sf





  

 

  

man



cuts



my

grass,



brings

fresh



3

flow - ers



nap

- kins

 

loco

  

(1 player)

Vln. I

 

sf

Perc. 2

Gatsby

sf

 

Perc. 1

Piano

sf

 

Tbn.

Tpt.

 

loco

sf



sf

sf

Vln. II

Vla.

 

Vlc.

Cb.

(pizz.), open string

 sf

 



loco

open string

sf

sf


Harbison The Great Gatsby–Reduced Orchestration Act I, Scene 4



 Fl. 1  

211

 

 







sf

sf

 

sf



 

Cl. 1 in Bb



sf

Ob. 1



sf

 

Fl. 2

rit.



435 

sf

 

sf

 

 

sf

 

 

sf

Cl. 2 in Bb

Bs. Cl.

Bsn. 1

Hn. 1 in F

  

 

 

sf



sf



sf



sf





sf



  

Perc. 2

 

  

3

crum - pets

 Vln. I  



  

arco

We're

 

  

loco

sf

rea



- dy.



rit.

sf

 

 

Vlc.

pp sf

unis., pizz.

Vla.

open string

Vln. II

Cb.

Perc. 1

Nick

Tbn.

Gatsby



Tpt.

Piano

sf

 

Hn. 2 in F

Tuba

 

  

arco, loco

 

 

psf

pizz.



sf

 

 

sf

sf



sf


436

 Fl. 1 

Harbison The Great Gatsby–Reduced Orchestration Act I, Scene 4

Tempo

217

Cl. 1 in Bb

Cl. 2 in Bb

Bs. Cl.

via sord.

via sord.



Ob. 1

Ob. 2

Bsn. 1

 Hn. 1 in F  

Hn. 2 in F

Tpt.

Tbn.

Tuba

 

Timp.

Perc. 1

Perc. 2

Piano

f

 Jordan 

Enter Gatsby, nervous and distracted.

 

Gatsby

Nick

 

ff unis., arco

 

Vln. II

arco

 

Vla.

Vlc.

Cb.

  ff

  ff

arco



ff arco



ff

 

     

     

 

 

con sord. (straight mute)



fp

 

            

fp

       



       

 fp

Tempo

tutti, arco          Vln. I 

    

cupo

Is



ev

  

- ery -thing

mf

al - right?

     

     

     

 



 



f

f

f

f

f


Harbison The Great Gatsby–Reduced Orchestration Act I, Scene 4

437

 Fl. 1 

al sord.

al sord.

al sord (Harmon)

al sord (Harmon)

222

Ob. 1

Cl. 1 in Bb

Cl. 2 in Bb

Bs. Cl.

  

fp



fp



fp

 Hn. 1 in F 

Tbn.

Tuba

Bsn. 1

Hn. 2 in F

Tpt.





fp senza sord. fp

fp

Timp.



Perc. 2

Vln. II

Vla.

Vlc.

Cb.

 

    f

The grass

 



fp

 Gatsby  

Vln. I

fp

Perc. 1

Nick



Piano

    

 looks

mp

 

What

   



f

Gatsby goes to the window.

grass?

fine.

 

           

    

    

       

    

mf

mf

mf









mf

mf

ff

ff

 

       

             ff             ff        

ff


438

Harbison The Great Gatsby–Reduced Orchestration Act I, Scene 4

 Fl. 1 

Fl. 2

Ob. 1

228

Ob. 2

Cl. 1 in Bb

  

 

 

 

 

  p  

  

  pp 

 



 





p

Cl. 2 in Bb

p

Bs. Cl.

Bsn. 1

Perc. 2









Timp.

Maracas

 



    Nick  

   

The rain

should stop

  

 

 

Vln. II

Vla.

Vlc.

Cb.

f

Perc. 1

Vln. I



Gatsby

p

Piano

 

p

con sord.

Tuba

      

p

Tbn.

p

con sord.

Tpt.

pp

  Hn. 1 in F  Hn. 2 in F

p

 

 at

fonr.

 What

pp

p

    

rain?

    

   

         p

       

       

 

f

div.   unis.         f

f





f

f


Harbison The Great Gatsby–Reduced Orchestration Act I, Scene 4

 Fl. 1 

233

fp





439

  

  

  

     

  

Ob. 1

Ob. 2

 

Hn. 2 in F

Tpt.





 Gatsby  

Fl. 2

Cl. 1 in Bb

Cl. 2 in Bb

Bs. Cl.

Bsn. 1

Bsn. 2

Hn. 1 in F

Tbn.

Tuba

Perc. 1

Perc. 2

Piano

Nick

 

 

Vla.

Vlc.

Cb.

 

 

 

 













p

fp



p

 



   

  ff

  ff

  ff

ff

 ff

  

















  

  

got what you need

  

in

f    

the shape of

p

fp

    

Vln. II



Have you

 Vln. I  

fp

  

p

   

 to Sop. Sax

 

f

p

tea?


440

 Fl. 1 

Harbison The Great Gatsby–Reduced Orchestration Act I, Scene 4

Meno mosso h = 88 

Fl. 2

Ob. 1

Cl. 1 in Bb

Cl. 2 in Bb











pp

pp

 

pp

Sop. Sax. in Bb solo



 

 

 

 

p Bs. Cl. in Bb

1

Bsn.

2

 Bsn. 2   Hn. 1 in F

Contrabassoon

      f

   

 

f

Tpt .

Tbn.

 

      

 

 

 



f con sord. (Harmon, stem in)

senza sord.

      f

 

 

     

  

mf

Sus. Cym. (side of cym. hd. stick)

  

mf

 

 Gatsby  

 

 con sord.

pp





      

     

 

 

 

 

   

   

Vib.

 

pp

 Tub. Bells

         f

Nick shows him the preparations, but Gatsby sits down abruptly.

 

   



Perc.1

Violin I

 



Timp.



 

Nick

 

 Tuba  

Piano

 

con sord. (Harmon, stem in)

f

Perc. 2

 

Hn. 2 in F

pp

Gatsby thumbs through a magazine.

 

Meno mosso h = 88

Vln. II

Viola

    

    

    

Vlc.

Cb.

 

pizz.

 

pizz.

f

     f

(open) pizz.

p


Harbison The Great Gatsby–Reduced Orchestration Act I, Scene 4

  Fl. 1 

244





 









Fl. 2

Sop. Sax.

Bs. Cl. in Bb

Bsn. 1

Hn. 1 in F

 

 

 

 

   

p

mp

pp

 

 

(Vibr.)   

     

 

 

       

mf

 Perc. 1

 

Tbn.

  

Tpt.

 

Hn. 2 in F

Tuba

 

Cl. 1 in Bb

Cbsn.

Ob. 1

441

   







mf (con sord., Harmon, stem in) mf



(con sord., Harmon, stem in)



mf

 

     

       

     

mf (Timp.)

mf

      mf

Sus. Cym.

   

 



 Gatsby  

 

Perc. 2

Piano

Nick

Vln. I

 

Vln. II

 

Vla.

Vlc.

Cb.

  

mp

He stares abstractly.

mf

     

    

 

 

(pizz.)

     mf

(pizz.)

     mf


442

250

  Fl. 1 



 







Harbison The Great Gatsby–Reduced Orchestration Act I, Scene 4



pp

Fl. 2

pp



 

Cl. 1 in Bb

pp

Sop. Sax.



Ob. 1



 

 



 

 





   



 

mp

 p











 

pp



pp

mp

p

 

       

 

 mp

p

pp

Bsn. 1

Cbsn.

Bs. Cl. in Bb

 Hn. 1 in F 

pp

Tpt.

Tbn.

Tuba

  

Vib.

 

pp

 Perc. 2

Piano

Tub. Bells

 

Vln. I

 

 

(Harmon mute)



mp (Harmon mute)



mp

     mp



p

via sord.





 

 

    

Timp.

      mp

Sus. Cym.

 

to Bassoon

    

     p

l.v.

 

 

pp

pp

 

 

Vln. II

The magazine again.

 

Vla.

Vlc.

Cb.

  



 

 Gatsby   Nick

 Perc. 1

pp

 

Hn. 2 in F

     mp

 

p

 

    

mp

    

pp

 p

pizz.



 

p

(pizz.)

    

    

mp (pizz.)

mp


 Fl. 1 

Harbison The Great Gatsby–Reduced Orchestration Act I, Scene 4

Tempo h = 100

257

443

Ob. 1

Cl. 1 in Bb

Sop. Sax.

Bs. Cl. in Bb

 



Bsn. 1

Hn. 1 in F

Tpt.

Tbn.

Tuba

Perc. 1

 Perc. 2

Piano

f











 Gatsby   Nick



S. D. 

f

3

No - bo - dy's

 Vln. I  Vln. II

Gatsby jumps up.

 

div., arco



It's

Tempo h = 100 f

com- ing.



3

 

too





unis.

 

  

late.

  

I

  

  

 

f



arco

Vla.

  



  



f arco

Vlc.

Cb.



f arco f





 













 can't


444

Harbison The Great Gatsby–Reduced Orchestration Act I, Scene 4

 Fl. 1 

Fl. 2

Ob. 1

262

Sop. Sax.

Bs. Cl. in Bb

Hn. 1 in F

Tpt.

 



Vln. I

Vln. II

Vla.

p

 

 

   

 



 

f sf

Bassoon





 

 

sf



f sf senza sord.

  f





sf senza sord.

 

  f   sf  

  

  

 sf



sf

sf

  

  

        





sf

 sf



sf

 

 

 

 sf

 

 

(Harmon mute)





f

  

all

day.

 

 

 

 

   

pizz.

sf pizz.

 

 Cb.  

pizz.



sf pizz.



sf

  

 

As Daisy's horn is heard, Gatsby slips away.

p





Vib. no pedal



  pp 

 (Harmon mute)   sf  sf           f

sf

sf

sf Vlc.



 

 Gatsby    wait Nick



 

Piano

Perc. 1

Perc. 2

Tbn.

Tuba

 

Hn. 2 in F

p

Bsn. 1

Cbsn.

    

 

Cl. 1 in Bb

arco

f

  

p arco

   p

 f


Harbison The Great Gatsby–Reduced Orchestration Act I, Scene 4

445

 Fl. 1 

       

     

         

       

     

         

Ob. 1

Cl. 1 in Bb

267

Fl. 2

f

f

p

p

f

f

p

p



fp

Sop. Sax.

Bs. Cl. in Bb

Bsn. 1



     



fp

 

f

 

 

sf

Bsn. 2

Hn. 1 in F



   sf

sf

 

Hn. 2 in F

  via sord.      sf

Tpt.

via sord.     

Tbn.

Tuba





  

 

Perc. 1

 Perc. 2

Piano

Gatsby

Nick

Vln. I



   

f

 

 

 

 

  

       

arco

  

Vln. II

f

 f

Look,

 she's

p

       

f

        f

Vlc.

f

p

p

here-

 

Dai

-

-

     

         

    

       

f

f

f



                   

Vla.

Cb.

 

p

p

         



p

 


446

Harbison The Great Gatsby–Reduced Orchestration Act I, Scene 4

272        Fl. 1   f

      

Fl. 2

f

 fp

Cl. 1 in Bb

       

f

        

Ob. 1

 

    



 

       

            dim. p

 

   

  

 

 f



   

 

 

 

Hn. 2 in F

 

Tpt.

 

 

 



 

 

 



 

 

 

  

 



 

Sop. Sax.

Bs. Cl. in Bb

Bsn. 1

Hn. 1 in F

Tbn.

Tuba

Perc. 1

Perc. 2

Piano

Gatsby

Nick

 

-

sy!

Vib. no pedal

f

f



      Vln. I  

        

        f

        

f

                 

f

Vln. II

Vla.

Vlc.

Cb.

   

fp



cresc.

 

       

            dim. p

       

       

              

dim.

  

 f

 

  

 

p

p

dim.

f

 

 

 


Harbison The Great Gatsby–Reduced Orchestration Act I, Scene 4

h = q = 100

277

   Fl. 1  

Ob. 1

Cl. 1 in Bb

Sop. Sax.

Bs. Cl. in Bb



p

   





p

 

 

p

p

  













p

f

p

f

p

 

p

 

p

p

p

 

447

p

  

  

Hn. 2 in F

 

Tpt.

 

Tbn.

 

Tuba

  

Bsn. 1

Hn. 1 in F

   Perc. 1

Perc. 2

Piano

Vib. no pedal     

 

  

 

 

  Daisy  

Enter Daisy.

 Gatsby     Nick     Vln. I   Vln. II



Vlc.

Cb.



 p

f

    









p grazioso

Are

you

in

 



love

 

with me,

 

or

why

did

h = q = 100

f

Vla.



 

f

p

 

  



f

p f

 p



f

 p f



f

p



p



p f

 

p

 

 

    

    

pizz. p pizz.

 

p pizz.

p pizz.

p (pizz.)

 p

 I


Harbison The Great Gatsby–Reduced Orchestration Act I, Scene 4

448

               

    

   

Ob. 2

Cl. 1 in Bb

Sop. Sax.

Bs. Cl. in Bb

 

Hn. 2 in F

Tpt.





Fl. 1

283 

Fl. 2

Ob. 1

Bsn. 1

Hn. 1 in F

Tbn.

Tuba

Perc. 1

Perc. 2

Piano

Daisy

     

have to come

Gatsby

Nick

  

    

  

arco

Vln. II

Vla.

Cb.

3      

3

Send your chauf -feur a - way

    3

 

Back in an hour,

a - lone?

Vlc.

arco

 

     

     

p non stacc.

 Vln. I 

p non stacc.



Fer

  

- die.

    

His name is Fer- - die.

 

       

     

 

      

        

 

      

   

arco   

     

 

 

 

 







arco

arco

 

    

3

 

     


Harbison The Great Gatsby–Reduced Orchestration Act I, Scene 4

289 

 Fl. 1 

Fl. 2

Ob. 1

Ob. 2







f

p

f

p









f

p

f

p









f

p

f

p







f

p

f

p

  

 

to Piccolo

 

449



 

p

 

Piccolo

 

p





 

Sop. Sax.

 

Bs. Cl. in Bb

 

 

 

 

Hn. 2 in F

 

Tpt.

 

 



 

 

 

 

Cl. 1 in Bb

Bsn. 1

Hn. 1 in F

Tbn.

Tuba

 

Vib. no pedal

Perc. 1

mf

   

 

p



 

p

 

p



 

 

 Daisy 

Perc. 2

Piano

Gatsby

Nick

Vln. I

  

  



Vln. II

Vla.

Vlc.

f



 p f

f

  p



p



p f



p f



 

f

Nick looks for Gatsby.





p



 



Well that's

 

What's_

  fun -ny.

Cb.



(p)

 

fun - ny?

A knock at the door.

 

 

 

 

 

 

pizz.

pizz.

(p)

 

 

 

 

 


Doppio movimento h = 100

450 Fl. 1

Picc.

295 

  

 

 

 

Ob. 2

Cl. 1 in Bb

Sop. Sax.

Bs. Cl. in Bb

Bsn. 1

Bsn. 2

 sfp







mp

Ob. 1

   



mp

      

Harbison The Great Gatsby–Reduced Orchestration Act I, Scene 4

mp

   



 

mp

 

 

 

 

   



 

   



 

   

to Flute

sfp

sfp

sfp

 

 

 

  



 

mp

   

 

   dim.



  



   

 

  

mp  mp



   

dim.

dim.

sfp



  Hn. 1 in F  

Hn. 2 in F

 

Tpt.

 

Tbn.

 

Tuba

  

   

Timp.

Perc. 1

Perc. 2

 

f

 

  

 

 

  Daisy  

  

mp

 

 

 

     Nick  

sfp

 sfp



p

    

 



f



  

   

mp

 

    

 

dim.

He stops suddenly.

p

Gatsby, hands in pocket, stalks in.

Gatsby



  

Piano

sfp

   p    p   

 



   p

He turns sharply, continues to the fireplace.

Doppio movimento h = 100

         Vln. I    Vln. II

ff

        

ff

        

        

         

Vla.

  

Vlc.

  

      

arco ff

ff arco

Cb.

   

ff

















     

  

 

      

    

                        


















Harbison The Great Gatsby–Reduced Orchestration Act I, Scene 4

 Fl. 1 

Ob. 1

Cl. 1 in Bb

300

rit.



Sop. Sax.

 

Bs. Cl. in Bb

 

Hn. 1 in F

 

  

p

Tpt.

Tbn.

Tuba

p

  p

  p

 

     Vib. no pedal, soft felt mallets

 



    

Gatsby

pp

 

 

  

   p

Vla.

 

 

pp (no pedal)

 

 

  

   p





 

 



pizz.

 

pp



Why Jay

 

 

p sf (actual pitch) 

 

p sf

arco

pizz.

pp



mp

Meno mosso h = 80

 

pizz.

  

p

p

Vlc.



Gatsby reclines against the mantle, pretending to be casual.

 Vln. I    p Vln. II



rit.

Cb.

 Daisy 

Nick

Perc. 1

Piano

to Cl. in Bb

senza sord.

 (Timp.)   

Perc. 2

         f

   

Hn. 2 in F

 

 

Bsn. 1

Meno mosso h = 80

451

 p div., arco, non vib.





p

div., arco, non vib. p





p


452

Harbison The Great Gatsby–Reduced Orchestration Act I, Scene 4

 Fl. 1 

Ob. 1

Cl. 1 in Bb

Sop. Sax.

Bs. Cl. in Bb

 

Hn. 2 in F

Tpt.





306

Bsn. 1

Hn. 1 in F

Tbn.

Tuba

Perc. 1

Perc. 2

 

Piano



 

  

 Vln. I 



(pizz.)







I'm

 

cer - tain

 

  

3



Gats - by,

Nick



3   Daisy  

Gatsby

- ly glad

3

    

to

see you

3

3

 

a -gain.



(pizz.)







 



 

 

(to Nick) p



We've met

 

Vla.

be-

Cb.

 



Vln. II

Vlc.


Harbison The Great Gatsby–Reduced Orchestration Act I, Scene 4

453

 Fl. 1 

Ob. 1

Cl. 1 in Bb

Sop. Sax.

Bs. Cl. in Bb

 

Hn. 2 in F

Tpt.





312

Bsn. 1

Hn. 1 in F

Tbn.

Tuba

Perc. 1

Perc. 2

Piano

Daisy

  

 

 

 

 

 

 

 

f

   fore. 

 Vln. I   

Vln. II

  

Vla.

 

non div.

non div.   

Vlc.

Cb.

Gatsby

Nick

 

 

 

(pizz.)

     div.   div.



We

 

have - n't

  

       



met

    

for ma- ny

 

    

years.

    

    


454

Harbison The Great Gatsby–Reduced Orchestration Act I, Scene 4

 Fl. 1 

Ob. 1

Cl. 1 in Bb

318

Bsn. 1

Hn. 1 in F

 

Hn. 2 in F

Tpt.

Tuba

Piano

Daisy



 f





f

f senza sord.





f



 

   

 

 

   

 

f

  Five 

Vla.

Vlc.

 





years

next

3

  

No - vem

3

mp

 

 

 

(pizz.)

 

 

         

 

   

  

   

 non div.



 

 

the

f

 

tea?

animando

   mf

 

non div.

Yes!

   

mp

Vib. no pedal

- ber.

 

   mf

Shall I bring

f

Vln. II

f senza sord.

 Vln. I 

Cb.

Cl. in Bb

Gatsby

Nick

f

 Perc. 1

Perc. 2

f

Tbn.

 

 

Bs. Cl. in Bb

Sop. Sax.

animando

f


Harbison The Great Gatsby–Reduced Orchestration Act I, Scene 4

Fl. 1

 

 

Picc.

Ob.

1 2

Ob. 2

Cl. 1 in Bb

Cl. 2 in Bb

1 2

Bassoon

Hn. in F

Hn. in F

1 2



  

Bs. Cl. in Bb

Bsn.

  

   

 



ff

 









   



ff



 

   ff



f sf

          



  ff

ff

   

ff



f sf

        

   ff

     



   ff

f sf

f sf



Perc. 1

f

  

Gatsby

  

 Vln. I  

Vln. II

Vla.

Vlc.

Cb.

 Tuba  

Nick

Tbn.

Soprano



Tpt.

Piano

2

Perc. 2

  

1

455

Allegro con fuoco h = 104

f

 Yes!

 

 

As Nick goes for the tea, Gatsby follows.

f

Are

you

ff

leav - ing?

f

I'll

be

Allegro con fuoco h = 104   

  

arco

 

 

p

 

pizz.,pcon vib.

 

          















 p  p

pizz., con vib.

sf

f

f





        

             



 p

pizz.

    



 f



 f



 f

sf

sf

    sf

     

     

sf

sf


Harbison The Great Gatsby–Reduced Orchestration Act I, Scene 4

456 Fl. 1

329  

Ob. 1

Ob. 2

Picc.

 

        

 

       

    

f sf

Flute

     f sf

 

      sf

       sf

sf

sf

Cl. 1 in Bb

Cl. 2 in Bb

Bs. Cl.

 

Bsn. 1

    sf

Bsn. 2

 

   



   

f sf



sf

   

    

    

 

Hn. 2 in F

Tpt.



Hn. 1 in F

Tbn.

Tuba

sf

 Perc. 1

Perc. 2

Pno.

Daisy

 

Gatsby

Nick

  

 This

         sf        Vlc.    sf  Cb.         sf

  

is

a

ter - ri - ble

ff

 mis

-

       

       

       

p

                     sf

Vla.

sf

back.

 Vln. I           sf Vln. II

f sf

 

p

   

 p





 









 

p









p

 



f







f



f

      

sf           

sf    

 

f



 

sf            f sf         

take.

 

sf     sf

sf        sf            sf       sf

  

 


       

 Fl. 1  

334

Ob. 1

Ob. 2

Cl. 1 in Bb

Cl. 2 in Bb

Bs. Cl.

Bsn. 1

Hn. 1 in F

   

 

Fl. 2

Bsn. 2

f

 f sf

 

 

    p

f

   

   

mf

 

      

p

p

      p

457    

   

p

mf

     

 



p

Harbison The Great Gatsby–Reduced Orchestration Act I, Scene 4

p

      

f sf

   

f sf

To Eb Cl.





 

 







f sf

mf sf

  

 f sf

Hn. 2 in F

Tpt.





 

  

Tbn.

Tuba

Perc. 1

Perc. 2

Pno.

Daisy

Gatsby

Nick

Vln. I

  

  

 



You're

just

                p 

 





em - barr - assed,

        mf

 both

mf sf

of you.

                p f

                    Vln. II             p p mf                       Vla.  p mf sf p sf                       Vlc.  p p mfsf sf         Cb.  sf

mp

p

   

mp

   

      

mf sf



f sf

p

       

    

sf

                   f sf         f



        f











 f


458

Harbison The Great Gatsby–Reduced Orchestration Act I, Scene 4

 Fl. 1 

 

 

 

 

339

Fl. 2

 

Ob. 1

mp sf

to Eng. Hn.

mp sf

Cl. 2 in Eb

Bs. Cl.

Cl. 1 in Bb

Bsn. 1

Bsn. 2

Hn. 1 in F

 

 

 

mp

 

mp

p

   

 

Ob. 2

   



p

Clarinet in Eb

    sf

p

sf

p

    

                      f                    f   

            f 

           

f

                       

 

    

 

      

 

 

      

 

      

 

 

Hn. 2 in F

Tpt.

 

Tbn.



Tuba





 

 

 

 

 

Perc. 1

Perc. 2

Pno.

Daisy

  

           mp p sf 

Vla.

 

Vlc.

mp

Cb.

 

mp

 

 Vln. I            mp p sf Vln. II

 

Timp.

Gatsby

Nick

 

Go

           f

             

     p

    f secco

                    f arco                        f

     p sf

back.

sf

arco

        f

                          

 

 

  ff

  

Sit

with

         


Harbison The Great Gatsby–Reduced Orchestration Act I, Scene 4

459

 Fl. 1 

 

344

Ob. 1

Cl. 1 in Bb

 p

Cl. 2 in Eb

Bs. Cl.

Bsn. 1

Bsn. 2

Hn. 1 in F





non legato







 

 

 sf

 p







non legato







cresc.









      mf









cresc.

Tpt.

Tuba

 

p sf

cresc.

Hn. 2 in F

Tbn.





 Daisy 

       

        

         

Perc. 1

Perc. 2

Pno.

Gatsby

Nick

 

 

Dai

 Vln. I    

Vln. II

 

Vla.

 

Vlc.

Cb.

arco

 

p sf

-

sy.

   

Gatsby returns, Nick slips away.

          p non legato

          p

 p

 p



poco staccato



poco staccato







          

 



 

 

        cresc.

 



cresc.



cresc.



cresc.

cresc.

 

         














460

Harbison The Great Gatsby–Reduced Orchestration Act I, Scene 4

 Fl. 1 

349

Ob. 1

Cl. 1 in Bb







f







To Cl. in Bb                 

Cl. 2 in Eb

f

Bsn. 1

Bsn. 2

Hn. 1 in F

Bs. Cl.



  

  

p sf

f

  

Tpt.

Tbn.



f

f



  

Hn. 2 in F



f

f

Tuba



 

 

  









 

   

  f

Perc. 1

Perc. 2

Pno.

Daisy

Gatsby

 









 

   



p



 f



sf

















  









   



  p  p

 p   p



p

 







p

f



sfp

 

sfp







sfp

f

 

f



 

 

f

                

Vln. II

f

Vla.

Vlc.

 f



   f

p sf

 

 

  

 



 

 

  

f

 

                  Vln. I 

Cb.

 

                                          f sf       dim. cresc. p 6

6

6

6

                                      f sf 6

p

dim.

 

dim.

dim.

 sf

dim.

cresc.

p

cresc.





 p

 cresc.







 

p

6

6

6

cresc.

 

f



f



f


Harbison The Great Gatsby–Reduced Orchestration Act I, Scene 4

461

rit.

 Fl. 1 

Fl. 2

Ob. 1

Ob. 2

Cl. 1 in Bb

354

Bsn. 1

Bsn. 2

Hn. 1 in F

Tbn.

 

Pno.

Daisy

 

 

 

 

 

p



p

f

   

 

   

p

    

p

 

p

f



 



 

 

 

 

 

   Vln. I 

Gatsby

6

6

           dim.

rit.

b 

   p

 f

Vln. II

6

6

           dim.

Vla.



dim.

Vlc.

dim.

  

dim







   p

 f

p

 

p b

f

  p

 

p

f

 

 

 

 

 

p

